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<v Speaker 1>Hollo, I molcoed stories all the time. Glad you are here.

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<v Speaker 1>Let's get into it.

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<v Speaker 2>The day I found the ledger, mare Import was waking

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<v Speaker 2>gently from winter, the air in the museum's back storage

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<v Speaker 2>sharp with salt and dust. I'd volunteered for a season,

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<v Speaker 2>maybe two, telling myself it would be a way to

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<v Speaker 2>ease into retirement without quite becoming invisible. My eyes were

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<v Speaker 2>still as sharp as ever, or so I thought, and

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<v Speaker 2>I liked the feeling of cold brass drawer pulls, the

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<v Speaker 2>slow patience of labeling, and the odd privilege of turning

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<v Speaker 2>over objects nobody saw, except perhaps their ghosts. I'd begun

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<v Speaker 2>the morning by opening the ledgers from the Four Families collection,

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<v Speaker 2>all those thick hand bound records from the respected lines

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<v Speaker 2>who kept our famous clock tower, the reeds, cartwrites, Benson's

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<v Speaker 2>and Dales. Over the years, their receipts, repair logs, and

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<v Speaker 2>diaries had been cataloged as living roof of the town's

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<v Speaker 2>unbroken histories. That was why the margins caught me off guard.

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<v Speaker 2>Neat little clusters of blankness, precision ruled spaces spanning exactly

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<v Speaker 2>nine months, reappearing every seven years, always across the same

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<v Speaker 2>set of families, sometimes overlapping, more often staggered, but always recurring.

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<v Speaker 2>Not errors, not missing pages or obvious damage, but the

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<v Speaker 2>careful silence of omission. I traced three generations of these

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<v Speaker 2>absences across two ledgers, pausing first in amusement and then

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<v Speaker 2>with a kind of creeping mathematical interest. Something in the

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<v Speaker 2>unbroken regularity, each cycle, as clean as the moon's, refused

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<v Speaker 2>any careless explanation. Why, if these were gaps of mere

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<v Speaker 2>chance or family misfortune, were they so precisely coordinated? Rewind,

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<v Speaker 2>say to nineteen twenty eight. The Reeds father and sons,

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<v Speaker 2>their signatures missing from the workshop register, no sales slips,

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<v Speaker 2>no market debts, signed out on the last day of March,

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<v Speaker 2>and back in exactly nine months, not a flicker in between.

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<v Speaker 2>Next year's signature flowed in the same looping hand as

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<v Speaker 2>if returned after a good night's sleep. At first the

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<v Speaker 2>effect was subtle, Then it wasn't. The further I flipped,

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<v Speaker 2>the more the rhythm stacked up, ledger after ledger, the

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<v Speaker 2>families working for years, vanishing, returning, always leaving tools, laid out,

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<v Speaker 2>contracts resolved, clocks wound tight and ticking. There were even

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<v Speaker 2>reassuring little notes workshop in order, spring chimes wound in

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<v Speaker 2>the curator's hand, as if documenting a tradition every one shared.

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<v Speaker 2>I made a note in my catalog, vague and self conscious,

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<v Speaker 2>recurring nine month gaps in all four Clockmaker families documentation

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<v Speaker 2>see page eighty four f F. Perhaps this was some

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<v Speaker 2>old time redundancy, like planting fallow fields or once necessary

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<v Speaker 2>holiday cloaked in paperwork. But the quiet perfection of the

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<v Speaker 2>return benches, dusted accounts clear, every time piece, never gaining

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<v Speaker 2>or losing so much as a minute, bothered me more

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<v Speaker 2>than if I had found a break in. The Clockmakers

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<v Speaker 2>were the last families in town any one expected to

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<v Speaker 2>leave loose ends. But nowhere did the official history mention

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<v Speaker 2>such a rhythm, No reference in the histories, the local

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<v Speaker 2>oral collections, or the pile of festival programs. This in

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<v Speaker 2>a town so besotted with the poetry of unbroken days

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<v Speaker 2>that it published centennial commemorations of the clocks every minor overhaul.

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<v Speaker 2>And so I left the ledgers open and walked back

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<v Speaker 2>past the grandfather clocks crowding the main room, thinking, as

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<v Speaker 2>any teacher might, there must be something here. They're not teaching.

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<v Speaker 2>I told myself I'd ask missus Avery before shelving the question,

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<v Speaker 2>but not yet. The best curiosities, after all, do not

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<v Speaker 2>tolerate tidy answers on demand. The next morning, I found

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<v Speaker 2>myself returning to the ledgers before clocking in, this time

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<v Speaker 2>with a cup of coffee and more deliberate intent. I'd

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<v Speaker 2>been back in Merinport three years, long enough to be

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<v Speaker 2>tolerated as a familiar face, too short to stop being

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<v Speaker 2>the new miss fern March. Even if I wore my

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<v Speaker 2>family name like the sea worn pebble, it was retired.

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<v Speaker 2>From thirty years of high school mathematics. I was used

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<v Speaker 2>to routines, rules, and the sorts of small rebellions that

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<v Speaker 2>passed for excitement among teenagers. Maybe that's why these nine

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<v Speaker 2>months silences, regular as eclipses, unsettled me so much. Their

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<v Speaker 2>neatness was the opposite of randomness. Merinport, four thousand souls strong,

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<v Speaker 2>pressed its way into the world where New England's rocky

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<v Speaker 2>coast dips toward islands and maritime fog. The clock tower

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<v Speaker 2>was the town's defining feature, visible from every street, even

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<v Speaker 2>from the harbor, where lobster pots stacked in impossible. Pyramids

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<v Speaker 2>and crews swapped. The old war stories now faded to

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<v Speaker 2>familial myth. The clock gives us our pulse. Missus Avery

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<v Speaker 2>liked to intone, mostly for the benefit of tourists, but

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<v Speaker 2>I found the phrase endearing. It was true. The clock

79
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<v Speaker 2>marked everything, noon lunches, fish market auctions, curfews for bored

80
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<v Speaker 2>teenagers who broke them anyway, and the sevens chime, the

81
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<v Speaker 2>festival that once every seven years reset the local fishing

82
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<v Speaker 2>calendar with general jubilation. Nowhere was this routine more visible

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<v Speaker 2>than in the subtle choreography between the clockmaker families and

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<v Speaker 2>the rest of us. Their houses, always a bit grander,

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<v Speaker 2>always perfectly maintained, stood in a long curving crescent near

86
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<v Speaker 2>the old church, gardens clipped in patterns older than any

87
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<v Speaker 2>living gardener. Each family supplied a roll read for winding,

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<v Speaker 2>Benson for repairs, Dale for calibration, cartwrite for tending, chiming

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<v Speaker 2>sequences no one else would touch. Their names were printed

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<v Speaker 2>on plaques and street signs, immortalized in plays and birthday cakes.

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<v Speaker 2>But I'd never once heard more than a sentence or

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<v Speaker 2>two slip from their private routines. I liked to watch

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<v Speaker 2>the clockmakers at dawn, sipping my tea by the cracked

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<v Speaker 2>window as sealers read, always in a blue coat, passed

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<v Speaker 2>with his keys, head down, faced too somber for a

96
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<v Speaker 2>man starting his day. He never waved, but always nodded once.

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<v Speaker 2>The tower, even at its quietest, pulsed with the sense

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<v Speaker 2>of things in order. In contrast, my neighbor Lars Jensen,

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<v Speaker 2>retired fishermen, some blackened and prone to humor, kept his

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<v Speaker 2>windows open all hours, running his dog and trading stories,

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<v Speaker 2>as if daring the clock to keep up. It was

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<v Speaker 2>an odd thing, being welcomed and never quite invited. In

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<v Speaker 2>the fishermen spoke of tides and winds. The clockmaker families

104
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<v Speaker 2>floated in rumor and correctness, and the new folks built cafes,

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<v Speaker 2>ran the school board, and attended costume balls in the

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<v Speaker 2>civic hall. Most days, such boundaries were only faint, but

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<v Speaker 2>the museum's quiet rooms made it clear how the old

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<v Speaker 2>lines endured. Missus Avery, our white head Eaglide director, bestrode

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<v Speaker 2>these lines as if she'd invented them. She edited every

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<v Speaker 2>display placard, recited every former museum volunteer's birth date, and could,

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<v Speaker 2>if pressed, recall the exact placement of a bucket in

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<v Speaker 2>photographs up to eighty years old. She liked to patrol,

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<v Speaker 2>her voice a stage whisper, even when alone, as if

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<v Speaker 2>the past might escape from its casings. It was missus

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<v Speaker 2>Avery who summarized the town's relationship with time, saying to me, once,

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<v Speaker 2>some places keep their ghosts in the attic, mare import

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<v Speaker 2>keeps them wound inside the clock. I laughed, but she

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<v Speaker 2>barely smiled. Near By, the spring's largest project, curating the

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<v Speaker 2>Seven's Chime exhibit, had begun. On alternating mornings, I'd catch

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<v Speaker 2>a glimpse of Seala's Reed unlocking the clock tower's battered

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<v Speaker 2>green door, vanishing inside with his toolkit, serious as a doctor.

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<v Speaker 2>Cela's daughter Mabel, sometimes danced behind him, a flash of

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<v Speaker 2>sneakers and wire hair. Otherwise, the families kept to themselves.

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<v Speaker 2>The festival calendar marked another point of curiosity. Every seven years,

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<v Speaker 2>the whole town celebrated a fishing bonanza, the chime Bonanza,

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<v Speaker 2>as everyone called it. Its date set not by the

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<v Speaker 2>tides or government decree, but by the clock towers twelve

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<v Speaker 2>part chiming, a sequence passed only from one clockmaker generation

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<v Speaker 2>to the next. It was regarded with both pride and

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<v Speaker 2>a ritual seriousness out of step with modernity. I'd seen

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<v Speaker 2>children tiptoe pass the tower during the week of the chime,

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<v Speaker 2>and some said the fishing boat's luck depended on hearing

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<v Speaker 2>every note. No more, no less. All of this I

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<v Speaker 2>considered normal, or perhaps faintly odd, part of the subtle

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<v Speaker 2>mythmaking that pervaded old New England towns. The seriousness with

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<v Speaker 2>which people took the rituals fascinated me, but their longevity,

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<v Speaker 2>how such customs endured unbroken seemed less suspicious to me

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<v Speaker 2>than from remarkable. Yet the nine month absences echoed in

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<v Speaker 2>Ledger after Ledger would not leave me alone. Such precision,

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<v Speaker 2>carried on for generations, was not the stuff of lost

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<v Speaker 2>holidays or clerical fancy. Why in a town obsessed with

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<v Speaker 2>continuity and documentation, were these repeating silences never noticed, let

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<v Speaker 2>alone explained? The real oddness began, as most does, with

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<v Speaker 2>a walk. I taken to strolling early, cutting across the

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<v Speaker 2>green and past the clockmaker Crescent. One morning, near the

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<v Speaker 2>end of April, in a year that should have seen

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<v Speaker 2>every house bustling with festival errands, I found the entire

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<v Speaker 2>block of clockmaker homes for in a neat row, strangely silent.

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<v Speaker 2>The curtains were drawn, the gardens immaculate hedges, clipped with

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<v Speaker 2>military precision, but there were no cars in the driveways,

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<v Speaker 2>no figures moving about. Even the cat that usually prowled

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<v Speaker 2>the cartright porch was gone. I circled, feeling for all

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<v Speaker 2>the world like a trespasser, peering through the spaces between

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<v Speaker 2>drawn curtains. Inside, I glimpsed only the gleam of polished

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<v Speaker 2>wood and the regular, faint, tic tick of clocks, A

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<v Speaker 2>multitude of clocks, each unwound and perfect, their faces shining.

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<v Speaker 2>I tried the gate of the Benson House locked, but

158
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<v Speaker 2>the mail box was full, the doormat clear of leaves,

159
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<v Speaker 2>no fliers, no newspapers, scattered, everything in perfect order, without

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<v Speaker 2>a trace of occupancy, yet untouched by neglect. That evening

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<v Speaker 2>I checked the museum's house registries, full of alphabetized minutiae

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<v Speaker 2>and ancient electoral rolls. No interruption appeared, each family listed

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<v Speaker 2>as occupied, head present. Even the school's attendance logs, which

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<v Speaker 2>I was permitted to review, gave no indication of absence.

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<v Speaker 2>Club rosters, church bulletins, volunteer lists, all seamless, not one

166
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<v Speaker 2>reference to a missing family member, no explanations, no on sabbatical,

167
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<v Speaker 2>no visiting kin. Even the birthday column in the town's

168
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<v Speaker 2>weekly rag rattled on like clockwork, congratulating Sealers read on

169
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<v Speaker 2>his fortieth, Mabel read on her sixteenth, all smack in

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<v Speaker 2>the middle of what I had observed as a perfect silence.

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<v Speaker 2>That contradiction gnawed at me. I could understand, perhaps that

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<v Speaker 2>old pattens persisted in records by inertia. But birth days,

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<v Speaker 2>church attendants, and school lists the living tissue of community.

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<v Speaker 2>Not even a mention of travel, no wish you were

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<v Speaker 2>here or away this week. The houses remained unentered, their

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<v Speaker 2>absence invisible in public view, as if time itself glossed

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<v Speaker 2>over them. I'd watched, I'd checked, and the evidence in

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<v Speaker 2>my own mind was clear. Yet on paper they'd never

179
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<v Speaker 2>been gone. I approached missus Avery, hoping perhaps for a

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<v Speaker 2>benign explanation, some overlooked clockmaker custom dusted off for every

181
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<v Speaker 2>seventh year. She was hunched over a stack of gallery placards,

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<v Speaker 2>pen poised in the preternatural hush of the front exhibit room,

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<v Speaker 2>I coughed to announce myself and she patted the seat

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<v Speaker 2>beside her. Have you ever noticed, I began, as innocently

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<v Speaker 2>as I could manage, that the ledgers are missing entries

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<v Speaker 2>every seven years, entire months missing, sometimes whole cycles, with

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<v Speaker 2>nothing but silence for a cluster of families. She pursed,

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<v Speaker 2>her lips, the tip of her pen resting on a

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<v Speaker 2>card describing the annual clock winding. Record Keeping used to

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<v Speaker 2>be messier, Fern. But it's the service that matters, not

191
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<v Speaker 2>the paperwork, except the pattern repeats. I pressed nine months

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<v Speaker 2>every seventh year, not just in one family, but across

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<v Speaker 2>all four clockmaker lines. Have you ever seen a period

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<v Speaker 2>when they weren't here? She shook her head, as though

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<v Speaker 2>hearing a question in a foreign tongue. Oh, the families

196
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<v Speaker 2>have always been present. Sealers is father before him? The

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<v Speaker 2>Benson's even longer. Not a miss day. Since I learned

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<v Speaker 2>to tell time by the clock tower, their service is unbroken.

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<v Speaker 2>But there really were years without their signatures, entire seasons

200
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<v Speaker 2>in every record, Fern. Old books lose pages, secretaries take

201
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<v Speaker 2>short cuts. What matters is that every hour strikes true

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<v Speaker 2>and the festival happens on time. That's what town history

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<v Speaker 2>records continuity if you want a real mystery, find out

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<v Speaker 2>where Missus Cartwright's cinnamon bun recipe disappeared to It hasn't

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<v Speaker 2>been seen since nineteen eighty nine. She half smiled at

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<v Speaker 2>her own joke, then signaled I'd best move on. I

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<v Speaker 2>let her words sit, their smoothness oddly frustrating. I could

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<v Speaker 2>not help but sense that beneath her assurance lay not evasion,

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00:13:35.960 --> 00:13:39.600
<v Speaker 2>but a genuine absence of concern or even of awareness,

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<v Speaker 2>about the family's periodic vanishings, like a blank spot in

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<v Speaker 2>the mind where a memory should be. I resolved quietly

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<v Speaker 2>to observe the coming days with a closer eye. Unwilling

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<v Speaker 2>to be so easily put off, I began to patrol

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<v Speaker 2>the blocks before sunrise and after dusk, nothing overt, but

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<v Speaker 2>enough to feel the boundaries of the family curious routine.

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<v Speaker 2>Morning after morning, the clockmaker homes remained silent, their order undisturbed.

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<v Speaker 2>No trash bins moved, no cars relocated, no garden tools

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00:14:11.639 --> 00:14:15.679
<v Speaker 2>left out of place. Window boxes bloomed perfectly, as if

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00:14:15.720 --> 00:14:19.679
<v Speaker 2>tended by a hidden hand. I passed the tower, which

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<v Speaker 2>continued its relentless, resonant chiming, exactly on schedule, perhaps more

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<v Speaker 2>exact than ever. According to Lars Jensen's running joke, you

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<v Speaker 2>could set your heart by the clock, though I wouldn't

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<v Speaker 2>recommend it. One day in June, the town's mail carrier,

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<v Speaker 2>an older woman who prided herself on her punctuality, grumbled

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<v Speaker 2>in the post office entryway. Too many unclaimed packages for

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<v Speaker 2>the clockmaker families, year in, year out, the same then

227
00:14:47.679 --> 00:14:52.279
<v Speaker 2>overnight there scooped up every signature, A perfect match, too perfect.

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<v Speaker 2>Don't trust something that neat? I asked her if she

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<v Speaker 2>remembered any one collecting for them, or if perhaps neighbors

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00:14:59.840 --> 00:15:03.799
<v Speaker 2>get gathered the mail. She scowled. A reed is a

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00:15:03.879 --> 00:15:06.960
<v Speaker 2>reed they signed for their own, I suppose, and they

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<v Speaker 2>never miss a letter. In the end. I walked through

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<v Speaker 2>the square and listened to the hour's chime, noticing for

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<v Speaker 2>the first time how the bell's echoes seemed to smooth

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<v Speaker 2>rough corners off. The day that evening, I rifled through

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<v Speaker 2>the museum's public copy of school attendance ledgers years on end,

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00:15:25.639 --> 00:15:30.600
<v Speaker 2>names spelled out in looping, childlike scrawl, and found that, strangely,

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<v Speaker 2>the clockmaker children's absences never appeared, not even on days

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<v Speaker 2>that coincided with the gaps I had cataloged one year.

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<v Speaker 2>A substitute teacher had penciled in absent beside Mabel Reed's

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<v Speaker 2>name for three consecutive weeks, only to have the notations

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00:15:47.440 --> 00:15:51.120
<v Speaker 2>erased and replaced in careful blue ink, ink that was

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<v Speaker 2>not her own, as subsequent comments in the teacher's hand confirmed.

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<v Speaker 2>I tested the pattern with a simple chart, aligning each

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<v Speaker 2>seven years with whatever details I could glean from town life,

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00:16:03.399 --> 00:16:08.200
<v Speaker 2>festival dates, tax records, shipment receipts, even local weather logs.

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<v Speaker 2>Every single cycle, without fail, was nine months in length,

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<v Speaker 2>measured to the day before the families reappeared, not a

249
00:16:16.080 --> 00:16:19.480
<v Speaker 2>day early, not a day late, always in late January,

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00:16:19.799 --> 00:16:23.159
<v Speaker 2>coinciding with the month before the Seven's Chime Festival began

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00:16:23.200 --> 00:16:26.919
<v Speaker 2>to be planned. The effect stretched back a hundred years

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00:16:27.000 --> 00:16:30.480
<v Speaker 2>or more, linking generations with a precision more common to

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00:16:30.559 --> 00:16:34.879
<v Speaker 2>automation than to fallible people. Yet the town smiled on

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00:16:35.360 --> 00:16:40.399
<v Speaker 2>content in its rhythms. Conversations with Lars were rarely fruitful.

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<v Speaker 2>He laughed off my questions with a practical air, saying

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<v Speaker 2>things like time runs funny here, especially if you ask

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<v Speaker 2>a clockmaker, good folks, but don't ask m to explain things.

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<v Speaker 2>But not everyone dismissed the conversation so lightly. One old

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00:16:57.080 --> 00:17:00.120
<v Speaker 2>fisherman offered, over his bottle of dark ale that they

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00:17:00.440 --> 00:17:03.600
<v Speaker 2>d been one year when the wind sounded different, but

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00:17:03.679 --> 00:17:07.799
<v Speaker 2>the time was always perfect. He shrugged, leaving the words

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00:17:07.799 --> 00:17:12.880
<v Speaker 2>to drift uncertainly away, no follow up forthcoming. When I pressed,

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00:17:13.119 --> 00:17:16.160
<v Speaker 2>did you ever notice a year when the clockmakers weren't around?

264
00:17:16.599 --> 00:17:19.799
<v Speaker 2>He squinted, as if searching for a lost boy. If

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00:17:19.839 --> 00:17:22.960
<v Speaker 2>the clocks never stopped, does it matter who was minding them?

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<v Speaker 2>He replied. I left, feeling both closer and farther from

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00:17:27.039 --> 00:17:31.400
<v Speaker 2>anything like an answer. The regularity of the family's absences,

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00:17:31.759 --> 00:17:35.640
<v Speaker 2>never acknowledged in public record, seamlessly erased in the memories

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00:17:35.640 --> 00:17:38.559
<v Speaker 2>of all but the most skeptical, felt almost like a

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00:17:38.640 --> 00:17:42.599
<v Speaker 2>secret agreement, the kind everyone accepts because it makes life smoother.

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00:17:43.279 --> 00:17:46.519
<v Speaker 2>But I wondered, how could four clusters of homes filled

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00:17:46.519 --> 00:17:50.559
<v Speaker 2>with objects, habits, signs of daily life become invisible to

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00:17:50.599 --> 00:17:55.279
<v Speaker 2>a whole population and themselves, apparently without even a blink.

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00:17:56.240 --> 00:17:59.799
<v Speaker 2>I began tracking the cycles in earnest, drafting timelines not

275
00:17:59.799 --> 00:18:04.480
<v Speaker 2>just backward but forward, projecting the next anticipated absence, the

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00:18:04.559 --> 00:18:08.240
<v Speaker 2>clean geometry of it. Seven years of presents. Nine months

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00:18:08.240 --> 00:18:12.640
<v Speaker 2>of blankness repeat suggested not merely a habit, but a mechanism,

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00:18:13.000 --> 00:18:17.039
<v Speaker 2>one immune to outside interference. I started to suspect that

279
00:18:17.079 --> 00:18:21.119
<v Speaker 2>the pattern was not simply social or psychological, but rooted deeper,

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00:18:21.359 --> 00:18:25.599
<v Speaker 2>perhaps in time keeping itself. To probe still further, I

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00:18:25.720 --> 00:18:29.599
<v Speaker 2>changed my approach. My early assumption had been the town

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00:18:29.759 --> 00:18:33.119
<v Speaker 2>kept the secret, perhaps out of kindness, perhaps out of habit,

283
00:18:33.559 --> 00:18:37.720
<v Speaker 2>But interviews suggested otherwise, people really didn't register the gap

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00:18:37.759 --> 00:18:41.240
<v Speaker 2>at all, even when pressed about specifics. Instead of a

285
00:18:41.240 --> 00:18:45.400
<v Speaker 2>conspiracy of silence, it was something more enigmatic, a silence

286
00:18:45.440 --> 00:18:49.000
<v Speaker 2>that nobody even thought to keep. I waited for the

287
00:18:49.039 --> 00:18:53.680
<v Speaker 2>eve of the families imminent return. Late January. Mabel, read

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00:18:54.000 --> 00:18:57.000
<v Speaker 2>seventeen and bored at the library, was happy to help

289
00:18:57.039 --> 00:19:00.200
<v Speaker 2>me rochelve returns. Do you ever go away for a

290
00:19:00.240 --> 00:19:05.039
<v Speaker 2>long time? I asked, quietly, as offhand as I could manage.

291
00:19:05.240 --> 00:19:08.920
<v Speaker 2>She wrinkled her nose. Not really. We sometimes visit Aunt

292
00:19:09.000 --> 00:19:13.440
<v Speaker 2>Jean in Hingham, but only on weekends. Why ever been

293
00:19:13.519 --> 00:19:17.000
<v Speaker 2>gone for say, most of a year, maybe with your family?

294
00:19:18.000 --> 00:19:20.839
<v Speaker 2>She looked at me with the mild scorned teenager's reserve

295
00:19:20.920 --> 00:19:25.279
<v Speaker 2>for adults. Asking about the Internet, that's a long time. No,

296
00:19:25.480 --> 00:19:29.880
<v Speaker 2>nothing like that. Why did I miss something? I dropped it,

297
00:19:30.119 --> 00:19:34.640
<v Speaker 2>sensing genuine confusion. She really didn't remember, or possibly had

298
00:19:34.640 --> 00:19:38.839
<v Speaker 2>never even experienced a blank stretch. The episode forced me

299
00:19:38.920 --> 00:19:43.279
<v Speaker 2>to reconsider perhaps the clockmakers themselves did not remember leaving.

300
00:19:43.960 --> 00:19:47.799
<v Speaker 2>Maybe their absence belonged to some other continuity parallel to

301
00:19:47.839 --> 00:19:51.400
<v Speaker 2>the one all around us. A maintenance job performed on

302
00:19:51.440 --> 00:19:55.240
<v Speaker 2>a plane inaccessible to the rest of the town. I

303
00:19:55.319 --> 00:19:58.799
<v Speaker 2>diverted myself that evening with the comforting dullness of the storeroom,

304
00:19:59.079 --> 00:20:03.039
<v Speaker 2>putting away seven chime memorabilia and artifacts from the tower itself.

305
00:20:03.640 --> 00:20:06.559
<v Speaker 2>As I polished old brass finials, I came upon a

306
00:20:06.599 --> 00:20:09.799
<v Speaker 2>cog thicker and heavier than the rest, engraved with pared

307
00:20:09.880 --> 00:20:14.519
<v Speaker 2>years always seven years apart, spanning almost a century. On

308
00:20:14.559 --> 00:20:18.440
<v Speaker 2>one rim in fine, almost secret script, ran an inscription

309
00:20:19.000 --> 00:20:23.079
<v Speaker 2>kept for both, kept for both. The phrase sent a

310
00:20:23.119 --> 00:20:25.880
<v Speaker 2>pulse up my spine, A riddle as plain and as

311
00:20:25.920 --> 00:20:30.640
<v Speaker 2>cryptic as the absences for both what or whom, both cycles,

312
00:20:30.720 --> 00:20:34.079
<v Speaker 2>both communities, or both sides of a divide, hidden by

313
00:20:34.119 --> 00:20:38.400
<v Speaker 2>something as ordinary as a clock face. This, combined with

314
00:20:38.440 --> 00:20:42.839
<v Speaker 2>the mechanical regularity of the phenomenon, the ticking ever renewed order,

315
00:20:43.240 --> 00:20:46.319
<v Speaker 2>I realized, might mean that the clockmakers were not acting

316
00:20:46.400 --> 00:20:50.160
<v Speaker 2>in secret, but in service to something unseen and essential,

317
00:20:50.799 --> 00:20:53.599
<v Speaker 2>keeping time not just for mere import, but also for

318
00:20:53.680 --> 00:20:58.920
<v Speaker 2>some alternate order or memory or place. My unease, previously

319
00:20:58.960 --> 00:21:02.839
<v Speaker 2>irritation shift did to wonder. Suppose I thought that time

320
00:21:02.880 --> 00:21:05.319
<v Speaker 2>in merimport was not an arrow, but a paired process,

321
00:21:05.720 --> 00:21:09.640
<v Speaker 2>one visible, one invisible, both wound and tended, their consequences,

322
00:21:09.720 --> 00:21:13.440
<v Speaker 2>drifting into the subtle fabric of daily life without conscious notice.

323
00:21:13.839 --> 00:21:16.640
<v Speaker 2>If this was true, and my heart beat faster with

324
00:21:16.720 --> 00:21:20.440
<v Speaker 2>the thought, the secrecy was less about hiding and more

325
00:21:20.480 --> 00:21:24.839
<v Speaker 2>about sustaining something so basic, so fundamental, that nobody could

326
00:21:24.880 --> 00:21:28.000
<v Speaker 2>see it at all. That night, I set a plan

327
00:21:28.119 --> 00:21:31.960
<v Speaker 2>in motion from the first moment the clockmaker families reappeared.

328
00:21:32.279 --> 00:21:36.519
<v Speaker 2>I would follow record and note every observable detail as

329
00:21:36.559 --> 00:21:40.440
<v Speaker 2>a mathematician might, as a newly minted volunteer might, as

330
00:21:40.480 --> 00:21:44.160
<v Speaker 2>any human facing the unknown might, by looking for patterns

331
00:21:44.480 --> 00:21:47.440
<v Speaker 2>and by refusing to let the oddity slip quietly back

332
00:21:47.480 --> 00:21:50.960
<v Speaker 2>to sleep. But the clues gathered faster than I could

333
00:21:51.000 --> 00:21:54.519
<v Speaker 2>dissect them. The next week, rain pummeled the streets, and

334
00:21:54.599 --> 00:21:57.680
<v Speaker 2>the wind rattled loose slates from the hall. The clock

335
00:21:57.720 --> 00:22:00.480
<v Speaker 2>struck twelve, a minute ahead of my kitchen wristwise, a

336
00:22:00.519 --> 00:22:04.680
<v Speaker 2>happening so rare. I recalibrated both instruments twice. Was it

337
00:22:04.720 --> 00:22:08.359
<v Speaker 2>my error or the clock s that was the town's joke?

338
00:22:08.759 --> 00:22:12.240
<v Speaker 2>The clock was always correct, even if everything else was wrong.

339
00:22:13.319 --> 00:22:16.759
<v Speaker 2>Emboldened by my string of petty discoveries, I resolved to

340
00:22:16.799 --> 00:22:19.359
<v Speaker 2>breach the invisible wall and see what else might hide

341
00:22:19.440 --> 00:22:22.839
<v Speaker 2>behind the clock tower's green door. It was open for

342
00:22:22.880 --> 00:22:25.440
<v Speaker 2>the first time I could remember, and no one seemed

343
00:22:25.440 --> 00:22:30.200
<v Speaker 2>to notice or care. Inside, an iron staircase rose in silence.

344
00:22:30.680 --> 00:22:33.920
<v Speaker 2>At the second landing, the sound of gears, the living

345
00:22:34.000 --> 00:22:38.039
<v Speaker 2>heartbeat of the tower grew louder, reverberating through my shoes

346
00:22:38.079 --> 00:22:42.400
<v Speaker 2>and up my spine. A door presented itself, usually locked,

347
00:22:42.640 --> 00:22:47.039
<v Speaker 2>now unsecured. Within was an alcove, spare and cold, furnished

348
00:22:47.039 --> 00:22:51.079
<v Speaker 2>only with a battered desk and a dusty, high backed chair. There,

349
00:22:51.200 --> 00:22:54.359
<v Speaker 2>bound in cracked black leather lay a set of log books.

350
00:22:54.759 --> 00:22:58.400
<v Speaker 2>Their edges were worn and smoothed by generations of hands.

351
00:22:59.160 --> 00:23:03.640
<v Speaker 2>I opened the cover. The inside revealed pages meticulously inscribed

352
00:23:04.039 --> 00:23:07.599
<v Speaker 2>ledgers of absence for each family, each gap marked neatly

353
00:23:07.599 --> 00:23:10.960
<v Speaker 2>in red ink, pairs of dates columned side by side.

354
00:23:11.319 --> 00:23:13.759
<v Speaker 2>It was not just one year or a decade, but

355
00:23:13.839 --> 00:23:17.119
<v Speaker 2>a record nearly as old as the clock itself. The

356
00:23:17.160 --> 00:23:20.559
<v Speaker 2>next set of pages displayed dates in pairs, always a

357
00:23:20.640 --> 00:23:24.920
<v Speaker 2>current year than one seven years distant, alternating forward and

358
00:23:25.000 --> 00:23:30.799
<v Speaker 2>backward through the margin. Cryptic notations, dual winding restore for

359
00:23:30.839 --> 00:23:35.160
<v Speaker 2>the other cycle not to be broken. Mechanical diagrams appeared

360
00:23:35.160 --> 00:23:39.440
<v Speaker 2>in red and blue, mysterious as sea charts, symbols reminiscent

361
00:23:39.519 --> 00:23:44.079
<v Speaker 2>of leap year algorithms and tidal puzzles. There were references

362
00:23:44.079 --> 00:23:48.119
<v Speaker 2>to events I'd never heard mentioned, Bonanza of the Other Side,

363
00:23:48.480 --> 00:23:52.519
<v Speaker 2>Storm of the Missing May, the Hidden Festival, dated only

364
00:23:52.559 --> 00:23:55.319
<v Speaker 2>within the cycle gaps, with a commentary that they had

365
00:23:55.319 --> 00:23:59.359
<v Speaker 2>been kept from the waking town. I pieced together with

366
00:23:59.480 --> 00:24:03.559
<v Speaker 2>relentless careful effort that the clockmaker families were absent, not

367
00:24:03.680 --> 00:24:06.519
<v Speaker 2>as a ruse or a vacation, nor as a result

368
00:24:06.519 --> 00:24:09.799
<v Speaker 2>of some hereditary malaise, but as part of maintaining a

369
00:24:09.920 --> 00:24:15.359
<v Speaker 2>second calendar, a calendar concurrent, parallel, perhaps even interwoven with

370
00:24:15.400 --> 00:24:19.519
<v Speaker 2>the daily clockwork. Mere import knew and loved it. Was

371
00:24:19.559 --> 00:24:22.759
<v Speaker 2>no longer clear even to me what was real and

372
00:24:22.799 --> 00:24:26.200
<v Speaker 2>what was maintained only as a shimmer of practiced routine.

373
00:24:26.720 --> 00:24:29.559
<v Speaker 2>If the families left, they did so in service to

374
00:24:29.640 --> 00:24:33.799
<v Speaker 2>something both more abstract and more immediate than tradition, the

375
00:24:33.920 --> 00:24:37.279
<v Speaker 2>upholding of a world that flickered between presents and absence,

376
00:24:37.599 --> 00:24:41.799
<v Speaker 2>each supporting the other in turn. Emerging from the alcove

377
00:24:41.920 --> 00:24:44.920
<v Speaker 2>log book pages burned into my memory, I felt less

378
00:24:44.920 --> 00:24:48.039
<v Speaker 2>anxious than charged, a kind of fascination humming at the

379
00:24:48.119 --> 00:24:51.400
<v Speaker 2>edges of my thoughts. If there was another cycle, what

380
00:24:51.720 --> 00:24:53.880
<v Speaker 2>or where was it? What did it mean for the

381
00:24:53.920 --> 00:24:58.640
<v Speaker 2>town's fishing bonanzas, its uncannily flawless weather, its near legendary

382
00:24:58.640 --> 00:25:04.000
<v Speaker 2>avoidance of disaster, What exactly did the clockmakers absentee labor produce,

383
00:25:04.319 --> 00:25:07.000
<v Speaker 2>and for who or what did they keep the time

384
00:25:08.119 --> 00:25:11.799
<v Speaker 2>My steps led me almost automatically back to the museum.

385
00:25:12.039 --> 00:25:15.960
<v Speaker 2>I scoured the oral history archives for legends, stories, anything

386
00:25:15.960 --> 00:25:17.920
<v Speaker 2>to ground what I was learning in the soil of

387
00:25:17.960 --> 00:25:21.160
<v Speaker 2>shared myth. Beneath a pile of faded recipe cards and

388
00:25:21.200 --> 00:25:25.599
<v Speaker 2>headless wooden dolls, I found a sealed envelope, unsigned and undated,

389
00:25:25.920 --> 00:25:29.880
<v Speaker 2>containing a single page in spidery cursive to be preserved

390
00:25:30.400 --> 00:25:33.880
<v Speaker 2>in the cycles drift, keep the chimes bound for both shores,

391
00:25:34.200 --> 00:25:38.160
<v Speaker 2>lest the current carry fortune away. Missus avery, when I

392
00:25:38.200 --> 00:25:41.160
<v Speaker 2>pressed her, leaned on her cane, and hesitated so long

393
00:25:41.200 --> 00:25:45.759
<v Speaker 2>I almost retreated. Finally she spoke, voice suddenly small. Once

394
00:25:45.839 --> 00:25:47.720
<v Speaker 2>as a child, I woke up in a house empty

395
00:25:47.720 --> 00:25:51.400
<v Speaker 2>for days. Couldn't say how long My parents, my brother's gone.

396
00:25:51.680 --> 00:25:54.480
<v Speaker 2>The clocks all ticked, every bell in place. A week

397
00:25:54.559 --> 00:25:57.160
<v Speaker 2>later they were there again. Nothing changed, and I I

398
00:25:57.240 --> 00:25:59.440
<v Speaker 2>remember less than a fog, except for the ache that

399
00:25:59.519 --> 00:26:02.880
<v Speaker 2>something was very wrong. She shook her head, surprised at

400
00:26:02.880 --> 00:26:06.599
<v Speaker 2>her own admission. I must have dreamt it. I don't

401
00:26:06.680 --> 00:26:09.880
<v Speaker 2>dwell on it. I copied down the oldest myth. I

402
00:26:09.960 --> 00:26:13.920
<v Speaker 2>found a rhyme buried in the archive's folklore fhile seven

403
00:26:14.039 --> 00:26:18.319
<v Speaker 2>gone nine they hold slash Time's bargain for the double gold.

404
00:26:19.160 --> 00:26:22.440
<v Speaker 2>The line was inexplicable out of context, but felt like

405
00:26:22.480 --> 00:26:26.319
<v Speaker 2>a key to everything in its very opacity. To test

406
00:26:26.359 --> 00:26:28.920
<v Speaker 2>the human edge of the phenomenon, I brought the question

407
00:26:29.079 --> 00:26:33.319
<v Speaker 2>to the docks, where fishermen old and young loitered between

408
00:26:33.400 --> 00:26:36.640
<v Speaker 2>nets and dinner. To the elder. I asked how time

409
00:26:36.759 --> 00:26:40.519
<v Speaker 2>was kept in Merinport. Clocks have always kept the tides

410
00:26:40.559 --> 00:26:43.880
<v Speaker 2>friendly here, he said, casting a weathered glance back at

411
00:26:43.880 --> 00:26:48.319
<v Speaker 2>the tower. That's all I know, tides clocks luck. Ask

412
00:26:48.440 --> 00:26:51.880
<v Speaker 2>more and the sea will take a toll. His mate,

413
00:26:52.039 --> 00:26:55.200
<v Speaker 2>half his age and city raised, shook his head, bemused,

414
00:26:55.680 --> 00:26:59.799
<v Speaker 2>it's all good fortune and coincidence. The clocks are just clocks. Right.

415
00:27:00.880 --> 00:27:03.880
<v Speaker 2>As more pieces fell into place, the strangeness of the

416
00:27:03.920 --> 00:27:07.680
<v Speaker 2>silence overwhelmed all easy answers. It was not that the

417
00:27:07.720 --> 00:27:11.519
<v Speaker 2>absences were unremarked, but rather that they were woven invisibly

418
00:27:11.559 --> 00:27:14.920
<v Speaker 2>into the core of the town's vitality. All the evidence

419
00:27:14.960 --> 00:27:19.960
<v Speaker 2>of prosperity, of unbroken time, of seasonal turnings and mythic plenty,

420
00:27:20.400 --> 00:27:23.680
<v Speaker 2>depended not on oversight, but on the active maintenance of

421
00:27:23.720 --> 00:27:27.319
<v Speaker 2>an order that ran deeper than any civic record could express.

422
00:27:28.400 --> 00:27:31.279
<v Speaker 2>In the slanting light of a late afternoon, I lingered

423
00:27:31.319 --> 00:27:34.400
<v Speaker 2>on the museum steps, log books and stories whirring in

424
00:27:34.440 --> 00:27:37.319
<v Speaker 2>my head, and watched as the towns people went about

425
00:27:37.359 --> 00:27:42.920
<v Speaker 2>their routines, shopping, laughing, waving children across the green. Somewhere

426
00:27:42.920 --> 00:27:47.880
<v Speaker 2>behind it all, the mechanism ticked perfect and inscrutable. In

427
00:27:47.960 --> 00:27:51.279
<v Speaker 2>that moment, I saw anew, the neat ledger cycles, the

428
00:27:51.319 --> 00:27:55.240
<v Speaker 2>clock's uncanny precision, the prosperity that pulsed with every chime.

429
00:27:55.599 --> 00:27:58.119
<v Speaker 2>None of it could be explained by quaint tradition or

430
00:27:58.160 --> 00:28:02.079
<v Speaker 2>institutional forgetfulness. I stood at the true midpoint of revelation.

431
00:28:02.640 --> 00:28:05.960
<v Speaker 2>Mare import existed in not one but two orders of time,

432
00:28:06.240 --> 00:28:09.680
<v Speaker 2>and the clockmakers, in concert with the Great Tower, served

433
00:28:09.680 --> 00:28:13.160
<v Speaker 2>as its silent stewards, threading presents and absence in a

434
00:28:13.240 --> 00:28:18.960
<v Speaker 2>ritual as unnoticeable as breathing. The town's very reality, Its calenders,

435
00:28:19.240 --> 00:28:23.240
<v Speaker 2>its invisible bargains, lay in a woven system too precise

436
00:28:23.319 --> 00:28:26.440
<v Speaker 2>to belong only to memory. And though I could not

437
00:28:26.559 --> 00:28:29.759
<v Speaker 2>yet say how or what it meant, the world, it seemed,

438
00:28:30.000 --> 00:28:33.200
<v Speaker 2>was held together not by solidity, but by these patient,

439
00:28:33.440 --> 00:28:38.519
<v Speaker 2>persistent migrations, stitched tight as the finest spring chime. I

440
00:28:38.599 --> 00:28:41.480
<v Speaker 2>let the afternoon light stain the marble entry of the museum,

441
00:28:41.880 --> 00:28:44.480
<v Speaker 2>its cool slabs, patterned with a grid of gold and

442
00:28:44.559 --> 00:28:47.880
<v Speaker 2>pale shadows from the tall windows above. In the offing

443
00:28:48.200 --> 00:28:52.559
<v Speaker 2>the town's sense of business, Bikes rattling down hillcrest, grossers

444
00:28:52.559 --> 00:28:55.839
<v Speaker 2>packing away crates, the distant sweet monotony of the clock

445
00:28:55.920 --> 00:29:00.039
<v Speaker 2>tower's third quarter went on as if nothing unseen, nothing

446
00:29:00.119 --> 00:29:03.680
<v Speaker 2>extraordinary threaded through every sweep of the hands above it all.

447
00:29:04.240 --> 00:29:07.160
<v Speaker 2>I kept the log books close, running my thumb along

448
00:29:07.200 --> 00:29:11.160
<v Speaker 2>their battered spines. No one in the passing knots of people,

449
00:29:11.519 --> 00:29:15.799
<v Speaker 2>women with market bags, kids rushing back from the soccer field,

450
00:29:15.839 --> 00:29:19.680
<v Speaker 2>glanced twice at me. My mind hummed with the double

451
00:29:19.799 --> 00:29:23.880
<v Speaker 2>order I'd pieced together two times, two calenders, a silent,

452
00:29:24.119 --> 00:29:27.400
<v Speaker 2>precise bargain, held together by the ritual migration of the

453
00:29:27.440 --> 00:29:32.720
<v Speaker 2>clockmaker families, not excel, not secrecy, stewardship. Yet what did

454
00:29:32.720 --> 00:29:35.559
<v Speaker 2>that really mean for those living inside such a system?

455
00:29:36.039 --> 00:29:39.079
<v Speaker 2>What was given, what was received? And what if anything

456
00:29:39.200 --> 00:29:43.599
<v Speaker 2>was lost? I walked home past the clock tower that evening, drawn,

457
00:29:43.680 --> 00:29:47.640
<v Speaker 2>it seemed by its insistent presence. The green door was locked,

458
00:29:47.640 --> 00:29:51.440
<v Speaker 2>now sleek and impassive, but the tower itself seemed more alive.

459
00:29:51.799 --> 00:29:54.240
<v Speaker 2>The ringing of the half hour, trembling in the mild,

460
00:29:54.400 --> 00:29:57.720
<v Speaker 2>salty air, I noticed and knew how the clock's face,

461
00:29:58.119 --> 00:30:01.319
<v Speaker 2>just beginning to halo with the sunset, never faltered, not

462
00:30:01.440 --> 00:30:05.400
<v Speaker 2>a trace of weathering, no lopsidedness to the painted numerals.

463
00:30:06.000 --> 00:30:09.480
<v Speaker 2>It had stood through decades untold, and I knew now why.

464
00:30:10.039 --> 00:30:12.559
<v Speaker 2>Because the world here was not so much protected as

465
00:30:12.599 --> 00:30:16.680
<v Speaker 2>braided tightly into a maintenance job. Older than any one admitted,

466
00:30:17.680 --> 00:30:22.240
<v Speaker 2>the lines between curiosity and intrusion felt thin. Still I

467
00:30:22.279 --> 00:30:25.559
<v Speaker 2>could not let go, not now when I understood enough

468
00:30:25.599 --> 00:30:29.079
<v Speaker 2>to sense there was something vital, perhaps even perilous, in

469
00:30:29.160 --> 00:30:33.359
<v Speaker 2>reforming the knowledge I had gathered into something new. That night,

470
00:30:33.480 --> 00:30:35.680
<v Speaker 2>as the wind brought an edge of sea chill under

471
00:30:35.680 --> 00:30:38.200
<v Speaker 2>my window sill, I sat at my kitchen table, with

472
00:30:38.279 --> 00:30:41.400
<v Speaker 2>the museum's log book, open, notes, and time lands arrayed

473
00:30:41.440 --> 00:30:45.240
<v Speaker 2>before me. I ran through every fact, every rumor, every

474
00:30:45.279 --> 00:30:48.799
<v Speaker 2>unshakable pattern, and tried to see beyond them. Nine months

475
00:30:48.880 --> 00:30:53.400
<v Speaker 2>gone every seven years, matching prosperity, fishing halls, and gentle seasons,

476
00:30:53.680 --> 00:30:56.480
<v Speaker 2>all cycling not just in public fortune, but in the

477
00:30:56.559 --> 00:31:01.119
<v Speaker 2>unspoken vigilance of absence and return kept for what were

478
00:31:01.160 --> 00:31:06.039
<v Speaker 2>the both? Both times? Certainly? But might it be both fortunes,

479
00:31:06.119 --> 00:31:10.279
<v Speaker 2>both possible towns, both versions of memory? Why would so

480
00:31:10.400 --> 00:31:13.240
<v Speaker 2>many act and forget acting if not for an effect

481
00:31:13.279 --> 00:31:17.480
<v Speaker 2>they themselves could not name? Sleep came late and patchy.

482
00:31:17.920 --> 00:31:20.960
<v Speaker 2>Around midnight. I heard steps on the path a measured,

483
00:31:21.039 --> 00:31:24.039
<v Speaker 2>slow approach than a tap at my door. No one

484
00:31:24.079 --> 00:31:27.240
<v Speaker 2>called out, but somehow I was neither startled nor afraid.

485
00:31:27.839 --> 00:31:31.000
<v Speaker 2>I opened the door to find Seiler's reed coat zipped high,

486
00:31:31.319 --> 00:31:34.160
<v Speaker 2>eyes as steady as the clocks he wound. He'd never

487
00:31:34.200 --> 00:31:38.359
<v Speaker 2>come to me before. He stood in silence, glancing at

488
00:31:38.400 --> 00:31:41.680
<v Speaker 2>the yellow rectangles of light that spilled from my hallway

489
00:31:41.720 --> 00:31:44.759
<v Speaker 2>on to the flagstones. For a moment he seemed to

490
00:31:44.759 --> 00:31:48.519
<v Speaker 2>weigh something far heavier than a social call. I know

491
00:31:48.599 --> 00:31:53.119
<v Speaker 2>you've been looking, he said, you found the logs. I nodded,

492
00:31:53.400 --> 00:31:57.599
<v Speaker 2>unsure whether to apologize. It's all right, he said, his

493
00:31:57.759 --> 00:32:00.759
<v Speaker 2>voice almost a whisper. I think I want to know too,

494
00:32:01.319 --> 00:32:05.039
<v Speaker 2>or as much as any one can know. He stepped inside,

495
00:32:05.279 --> 00:32:08.519
<v Speaker 2>and I made us tea, filling my battered kettle, feeling

496
00:32:08.559 --> 00:32:12.640
<v Speaker 2>both awkward and oddly honored. For so long, the clockmaker

497
00:32:12.720 --> 00:32:15.720
<v Speaker 2>families had lived in a fortress of tradition and secrecy,

498
00:32:16.079 --> 00:32:19.519
<v Speaker 2>buttressed by habits so smooth no one could breach them.

499
00:32:19.799 --> 00:32:23.519
<v Speaker 2>Now Here were Sealers, folding his broad hands around a mug,

500
00:32:23.839 --> 00:32:29.000
<v Speaker 2>admitting to something like uncertainty. I remember dreams sometimes. After

501
00:32:29.039 --> 00:32:32.839
<v Speaker 2>a seven's chime, he said, not making eye contact. I

502
00:32:32.920 --> 00:32:35.880
<v Speaker 2>wake thinking its next spring. But the morning is always

503
00:32:35.920 --> 00:32:39.559
<v Speaker 2>the same. My wife calls it my chime hangover. Maybe

504
00:32:39.559 --> 00:32:43.920
<v Speaker 2>it's just the work, or maybe he didn't finish. I

505
00:32:44.039 --> 00:32:47.319
<v Speaker 2>realized how rarely he voiced the possibility of the unusual,

506
00:32:47.640 --> 00:32:50.000
<v Speaker 2>how much effort it cost him to let the words

507
00:32:50.000 --> 00:32:53.079
<v Speaker 2>out at all. I think you do the work so well,

508
00:32:53.119 --> 00:32:55.839
<v Speaker 2>we don't notice you're gone, I said, after a while,

509
00:32:56.279 --> 00:32:59.319
<v Speaker 2>But what about you? Does it feel in your bones

510
00:32:59.680 --> 00:33:03.000
<v Speaker 2>like some thing you've done and forgotten? He looked at

511
00:33:03.000 --> 00:33:06.799
<v Speaker 2>his hands, thinking, some days there's a feeling a piece missing,

512
00:33:07.000 --> 00:33:10.440
<v Speaker 2>a season slightly, he twisted the mug out of reach.

513
00:33:10.799 --> 00:33:14.839
<v Speaker 2>But there's always been enough harvest, enough steady clocks, enough fortune.

514
00:33:15.119 --> 00:33:17.920
<v Speaker 2>I learned from my father not to question it. Still,

515
00:33:18.039 --> 00:33:21.440
<v Speaker 2>you see things, sometimes, shadows where there ought to be faces.

516
00:33:21.880 --> 00:33:26.920
<v Speaker 2>Maybe I chose not to see. He straightened, determinations, settling in.

517
00:33:27.480 --> 00:33:29.960
<v Speaker 2>There's something I want to show you, not many people

518
00:33:29.960 --> 00:33:33.559
<v Speaker 2>have seen it. Tomorrow, before dawn, come to the tower.

519
00:33:33.920 --> 00:33:37.759
<v Speaker 2>I'll let you in. We finished the tea in loaded silence,

520
00:33:38.079 --> 00:33:41.359
<v Speaker 2>each holding back a thousand questions, knowing none would have

521
00:33:41.440 --> 00:33:46.240
<v Speaker 2>easy answers. I barely slept the next morning came sharp

522
00:33:46.279 --> 00:33:49.240
<v Speaker 2>with frost. Though it was already late spring by the calendar.

523
00:33:49.720 --> 00:33:52.119
<v Speaker 2>I walked to the clock tower under a dull, rose

524
00:33:52.200 --> 00:33:56.400
<v Speaker 2>tinged sky. The streets were silent, frost crackling under foot.

525
00:33:56.799 --> 00:34:00.279
<v Speaker 2>At the base of the tower, Sealers waited, keys in hand.

526
00:34:00.680 --> 00:34:05.240
<v Speaker 2>He gestured for me to follow. No words exchanged. Inside

527
00:34:05.440 --> 00:34:08.920
<v Speaker 2>the dim stairwell, breathed with old dust and mechanical oil.

528
00:34:09.519 --> 00:34:12.480
<v Speaker 2>Gears and pendulums traced patterns in the half light. But

529
00:34:12.559 --> 00:34:15.480
<v Speaker 2>instead of taking the main staircase up to the mechanism's heart,

530
00:34:15.800 --> 00:34:18.840
<v Speaker 2>Sealers ducked under a low arch behind the first landing.

531
00:34:19.360 --> 00:34:22.239
<v Speaker 2>We passed through a door hidden from casual visitors by

532
00:34:22.280 --> 00:34:25.239
<v Speaker 2>a stack of unused sand bags, and entered a room

533
00:34:25.360 --> 00:34:28.400
<v Speaker 2>dense with the scent of metal and cold stone, the

534
00:34:28.440 --> 00:34:33.159
<v Speaker 2>air charged by static from turning machinery. Spread across one

535
00:34:33.199 --> 00:34:37.559
<v Speaker 2>wall was a rack of ancient tools, mallets, keys, measuring rods,

536
00:34:37.760 --> 00:34:40.679
<v Speaker 2>each carved, as I saw now with knowledge the others

537
00:34:40.719 --> 00:34:44.360
<v Speaker 2>would miss, with notations not only upside down and backwards,

538
00:34:44.599 --> 00:34:48.039
<v Speaker 2>but in a coded script, one that seemed on inspection

539
00:34:48.440 --> 00:34:51.679
<v Speaker 2>less like English than the spiky shorthand of tied tables.

540
00:34:52.039 --> 00:34:56.920
<v Speaker 2>The cyclic notation of mathematicians projecting lunar returns or leap years.

541
00:34:57.920 --> 00:35:00.800
<v Speaker 2>He pointed to a battered curling chart tacked above the

542
00:35:00.800 --> 00:35:04.599
<v Speaker 2>work bench. The ink was faded, weathered by generations of

543
00:35:04.639 --> 00:35:08.440
<v Speaker 2>eyes and hands. It showed two sequences of years, moving

544
00:35:08.519 --> 00:35:12.039
<v Speaker 2>like double helixes down the column, one tracked and familiar,

545
00:35:12.320 --> 00:35:14.920
<v Speaker 2>the other shifting forward and backward out of step by

546
00:35:14.920 --> 00:35:19.519
<v Speaker 2>precise intervals. The separation and reunion, each marked with a

547
00:35:19.559 --> 00:35:23.800
<v Speaker 2>flourish or a red circle, corresponded exactly with every cycle

548
00:35:23.840 --> 00:35:28.480
<v Speaker 2>I had mapped. We wind both clocks, he said, gesturing

549
00:35:28.519 --> 00:35:30.599
<v Speaker 2>not to the one face I knew, but to the

550
00:35:30.639 --> 00:35:35.119
<v Speaker 2>invisible sequence beside it. I reached out, tracing a finger

551
00:35:35.159 --> 00:35:38.760
<v Speaker 2>along the chart. But you you don't remember the gap,

552
00:35:39.719 --> 00:35:42.760
<v Speaker 2>He shook his head, eyes pinched in the dimness. No

553
00:35:42.840 --> 00:35:45.639
<v Speaker 2>one really does. But were trained to keep good hands,

554
00:35:45.920 --> 00:35:48.400
<v Speaker 2>to accept the work, even if some of it slips.

555
00:35:48.719 --> 00:35:51.840
<v Speaker 2>My father said, some absences are part of the job.

556
00:35:51.920 --> 00:35:55.800
<v Speaker 2>Sealers don't worry the edges. But seeing this, he pointed

557
00:35:55.800 --> 00:35:59.199
<v Speaker 2>to the cipher, the shifting years makes it feel more real,

558
00:35:59.639 --> 00:36:03.000
<v Speaker 2>like I've only touched one side of the mechanism. An

559
00:36:03.039 --> 00:36:06.719
<v Speaker 2>odd thrill rippled through me. It was confirmation not just

560
00:36:06.800 --> 00:36:09.960
<v Speaker 2>of an anomaly, but of participation in something no one

561
00:36:10.079 --> 00:36:14.159
<v Speaker 2>fully owned or controlled. Here in the restricted heart of

562
00:36:14.199 --> 00:36:17.400
<v Speaker 2>the clock tower, the truth was visible, if only for

563
00:36:17.480 --> 00:36:21.039
<v Speaker 2>those willing to read its language. We spent that hour

564
00:36:21.159 --> 00:36:24.760
<v Speaker 2>running our fingers along wheels and notched rods, comparing the

565
00:36:24.800 --> 00:36:27.840
<v Speaker 2>codes on each some in a system akin to maritime

566
00:36:27.880 --> 00:36:31.599
<v Speaker 2>weather marks, some in cycles whose periodicity matched nothing in

567
00:36:31.679 --> 00:36:35.440
<v Speaker 2>the town's public life. I felt the mathematicians hunger in

568
00:36:35.480 --> 00:36:38.639
<v Speaker 2>my gut. Evidence so clear, it was almost elegant in

569
00:36:38.679 --> 00:36:42.639
<v Speaker 2>its complexity, and yet so subjective, so lived, that it

570
00:36:42.719 --> 00:36:46.960
<v Speaker 2>skated the edge of the unprovable. As we finished, Sealers

571
00:36:46.960 --> 00:36:50.480
<v Speaker 2>handed me a tiny brass disc engraved as I squinted

572
00:36:50.519 --> 00:36:54.519
<v Speaker 2>at it, with a familiar inscription, kept for both on

573
00:36:54.599 --> 00:36:57.559
<v Speaker 2>the reverse two clocks, each set to a different time,

574
00:36:58.000 --> 00:37:01.679
<v Speaker 2>yet both pointing now to the hour at hand. The

575
00:37:01.760 --> 00:37:04.920
<v Speaker 2>room's quiet was broken only by the faint syncopation of

576
00:37:04.960 --> 00:37:09.440
<v Speaker 2>the tower's deepest gears, those whose slow, ancient rotations kept

577
00:37:09.480 --> 00:37:15.199
<v Speaker 2>both faces seen and unseen. Turning in tandem, we emerged

578
00:37:15.199 --> 00:37:18.159
<v Speaker 2>to sunrise. Sealers kept his hand at the small of

579
00:37:18.199 --> 00:37:22.719
<v Speaker 2>my back, steadying both his breath and mine not everything

580
00:37:22.760 --> 00:37:25.599
<v Speaker 2>you find here makes sense, he said, But I think

581
00:37:25.679 --> 00:37:29.320
<v Speaker 2>maybe it isn't supposed to. The Next day, armed with

582
00:37:29.400 --> 00:37:33.280
<v Speaker 2>sealer's tacit blessing, I dove into the museum's archives in

583
00:37:33.320 --> 00:37:37.000
<v Speaker 2>search of the bargain's true route. I squeezed behind bookshelves

584
00:37:37.039 --> 00:37:40.519
<v Speaker 2>in our smallest records room, prising open a crumbling folder

585
00:37:40.639 --> 00:37:46.360
<v Speaker 2>bristling with nineteenth century parchment, labeled only as founding Voyages

586
00:37:46.559 --> 00:37:50.559
<v Speaker 2>Tallies Myths. It was an unpromising heap of water marked pages.

587
00:37:51.599 --> 00:37:55.039
<v Speaker 2>Half Way through I uncovered a set of hand copied folios,

588
00:37:55.400 --> 00:37:58.639
<v Speaker 2>transcriptions of oral accounts dated all the way back to

589
00:37:58.719 --> 00:38:04.599
<v Speaker 2>Merimport's earliest day. One written in shaky but bold lines, started,

590
00:38:05.599 --> 00:38:08.199
<v Speaker 2>we came to the bay when the old world's luck soured.

591
00:38:08.639 --> 00:38:12.360
<v Speaker 2>The clockmaker's son heard two chimes, one from land, one

592
00:38:12.360 --> 00:38:16.000
<v Speaker 2>from surf. We followed both, and where the chimes aligned,

593
00:38:16.119 --> 00:38:21.880
<v Speaker 2>we stayed. It continued, with a strange elliptical logic. The

594
00:38:21.960 --> 00:38:25.079
<v Speaker 2>bargain keep both ours. If one is idle, the sea

595
00:38:25.119 --> 00:38:28.480
<v Speaker 2>will claim double its fill. If one is hidden, time's

596
00:38:28.559 --> 00:38:31.360
<v Speaker 2>luck will dry our nets. So keep both and you

597
00:38:31.400 --> 00:38:36.039
<v Speaker 2>will prosper. Forget and let time fracture. One side remembers

598
00:38:36.039 --> 00:38:40.599
<v Speaker 2>one is washed away. Every strand of my curiosity tightened.

599
00:38:40.960 --> 00:38:44.280
<v Speaker 2>It was less a myth than an engineering riddle transposed

600
00:38:44.280 --> 00:38:49.440
<v Speaker 2>into folk poetry. The bargain was literal. The community's prosperity

601
00:38:49.519 --> 00:38:52.480
<v Speaker 2>did not depend only on tide and labor, but also

602
00:38:52.559 --> 00:38:56.039
<v Speaker 2>on keeping the two orders of time synchronized, the visible

603
00:38:56.199 --> 00:38:59.400
<v Speaker 2>and the other. Dust falling in the shaft of late

604
00:38:59.440 --> 00:39:03.079
<v Speaker 2>morning sun light, I traced the myth's logic. Why in

605
00:39:03.159 --> 00:39:07.360
<v Speaker 2>this pragmatic town would an entire class of families generation

606
00:39:07.559 --> 00:39:11.559
<v Speaker 2>after generation except a fate that both granted fortune and

607
00:39:11.639 --> 00:39:15.559
<v Speaker 2>erased their own memory of service? Were the clockmakers chosen

608
00:39:15.599 --> 00:39:19.280
<v Speaker 2>by chance? Or had they accepted a responsibility so subtle

609
00:39:19.320 --> 00:39:23.239
<v Speaker 2>only those awake to both chimes could bear it. Among

610
00:39:23.280 --> 00:39:26.199
<v Speaker 2>the pile I found a slip of parchment, perhaps a

611
00:39:26.320 --> 00:39:30.719
<v Speaker 2>child's work, its painted border storm swept, its center, graced

612
00:39:30.760 --> 00:39:34.000
<v Speaker 2>by a rhyme far older than the one. Missus Avery recalled,

613
00:39:35.000 --> 00:39:38.960
<v Speaker 2>twelve bells wake the land and see, but seven gone

614
00:39:39.199 --> 00:39:43.840
<v Speaker 2>nine they keep. Should the watcher drift from fee, neither

615
00:39:43.960 --> 00:39:47.519
<v Speaker 2>side wakes from its sleep. I closed the file and

616
00:39:47.639 --> 00:39:50.440
<v Speaker 2>leaned back, letting the sense of its settle down onto

617
00:39:50.519 --> 00:39:55.239
<v Speaker 2>my mind. The bargain was maintenance, not magic, a system

618
00:39:55.320 --> 00:39:58.559
<v Speaker 2>designed to keep order in both lived and invisible worlds,

619
00:39:58.800 --> 00:40:04.880
<v Speaker 2>as insurance against the unpredictable, the ruinous, the unremembered that afternoon,

620
00:40:05.159 --> 00:40:08.639
<v Speaker 2>the museum was quiet, packing crates for the seven's chimed

621
00:40:08.639 --> 00:40:12.239
<v Speaker 2>display stacked in the hallway. Missus Avery re arranging a

622
00:40:12.239 --> 00:40:15.760
<v Speaker 2>placard for the dozenth time. She caught my eye, and,

623
00:40:15.840 --> 00:40:19.320
<v Speaker 2>seeing an old pain or perhaps relief in it, motioned

624
00:40:19.360 --> 00:40:23.400
<v Speaker 2>me over. You've started to understand, I think, she said,

625
00:40:23.599 --> 00:40:27.239
<v Speaker 2>lowering her voice. The rhyme says a bargain, but it's

626
00:40:27.320 --> 00:40:31.639
<v Speaker 2>really a duty. My grandmother called it the kindest curse, said,

627
00:40:31.679 --> 00:40:35.159
<v Speaker 2>it keeps us whole, even as it divides us from ourselves.

628
00:40:35.840 --> 00:40:39.039
<v Speaker 2>I let the confession pass without pressing her. But if

629
00:40:39.039 --> 00:40:42.000
<v Speaker 2>the families don't remember, isn't it a sort of theft?

630
00:40:42.519 --> 00:40:45.719
<v Speaker 2>A bargain made by ancestors and kept by the innocent.

631
00:40:46.760 --> 00:40:50.920
<v Speaker 2>She considered that, smoothing her skirt. Perhaps my brother used

632
00:40:50.960 --> 00:40:54.400
<v Speaker 2>to say, no clock runs without where some one always

633
00:40:54.480 --> 00:40:56.920
<v Speaker 2>must wine the spring, even if they forget it. In

634
00:40:56.960 --> 00:41:00.840
<v Speaker 2>the morning, she smiled one and private, and returned to

635
00:41:00.920 --> 00:41:04.559
<v Speaker 2>her work. Bits of local myth became tangible over the

636
00:41:04.559 --> 00:41:07.920
<v Speaker 2>next few days, behind a faded mural hidden by a

637
00:41:07.960 --> 00:41:11.480
<v Speaker 2>movable bookshelf, I found a painting neglected for a century.

638
00:41:11.880 --> 00:41:15.039
<v Speaker 2>The mere import clocks split neatly in two, each side

639
00:41:15.079 --> 00:41:18.199
<v Speaker 2>with a keeper, one in fisherman's gear, the other suited

640
00:41:18.239 --> 00:41:21.639
<v Speaker 2>in the archaic frock coat of old world clockmakers. The

641
00:41:21.639 --> 00:41:25.159
<v Speaker 2>sea on one side rose high, nearly breaching the numerals.

642
00:41:25.360 --> 00:41:28.599
<v Speaker 2>The other side lay tranquil. A line like a river

643
00:41:28.719 --> 00:41:33.280
<v Speaker 2>of gold ran between both halves. Near the margin words

644
00:41:33.639 --> 00:41:38.039
<v Speaker 2>both chimes, each shore fortune floes, or fils by their winding.

645
00:41:39.000 --> 00:41:41.760
<v Speaker 2>I couldn't help but imagine the earliest arrivals to this

646
00:41:41.880 --> 00:41:47.199
<v Speaker 2>patch of coast, superstitious travelers, wary of losing everything, building

647
00:41:47.280 --> 00:41:50.480
<v Speaker 2>not just a clock, but a system that safeguarded both

648
00:41:50.519 --> 00:41:53.519
<v Speaker 2>their fortunes and those of a world they could sense

649
00:41:53.679 --> 00:41:57.159
<v Speaker 2>but not see. Later in the week I sat with

650
00:41:57.239 --> 00:42:00.920
<v Speaker 2>Lars Jensen, my neighbor, nursing a cup of co old coffee.

651
00:42:01.360 --> 00:42:05.119
<v Speaker 2>As always, his approach was irreverent, his skepticism a kind

652
00:42:05.159 --> 00:42:09.880
<v Speaker 2>of armor. All this about clockmakers, and two times he scoffed,

653
00:42:09.960 --> 00:42:13.480
<v Speaker 2>shaking his head. You have too much time, Fern, What

654
00:42:13.519 --> 00:42:16.320
<v Speaker 2>are you hoping to find? Atlantis? At the bottom of

655
00:42:16.360 --> 00:42:20.320
<v Speaker 2>the bell tower. But you remember years when their houses

656
00:42:20.320 --> 00:42:25.119
<v Speaker 2>were dark, I probed. He shrugged. I do, he said,

657
00:42:25.119 --> 00:42:29.039
<v Speaker 2>more quietly than I expected. But my wife doesn't, says

658
00:42:29.039 --> 00:42:32.280
<v Speaker 2>she partied with the cartwrights every summer, year in year out.

659
00:42:32.679 --> 00:42:35.280
<v Speaker 2>Shows me pictures I don't remember. But there I am

660
00:42:35.559 --> 00:42:38.840
<v Speaker 2>holding a slice of birthday cake. How's that for a joke.

661
00:42:40.000 --> 00:42:44.840
<v Speaker 2>His amusement was half forced, half defensive. Underneath a crack.

662
00:42:44.960 --> 00:42:49.440
<v Speaker 2>There a recognition of something discontinuous, some aspect of time,

663
00:42:49.519 --> 00:42:52.800
<v Speaker 2>not quite under any one's control, yet too woven into

664
00:42:52.840 --> 00:42:56.760
<v Speaker 2>their lives for any one to resist. All around town,

665
00:42:57.159 --> 00:43:00.960
<v Speaker 2>subtle differences of perception became clear when I followed other threads.

666
00:43:01.559 --> 00:43:05.800
<v Speaker 2>I met two visiting graduate students, historians from Boston who

667
00:43:05.840 --> 00:43:09.320
<v Speaker 2>had heard of the double time rumor through folklore forums.

668
00:43:09.840 --> 00:43:16.719
<v Speaker 2>They treated it with gentle condescension as evidence of rural imagination. Statistically,

669
00:43:16.960 --> 00:43:20.960
<v Speaker 2>said the younger one, community records always paint themselves as

670
00:43:21.000 --> 00:43:24.840
<v Speaker 2>more continuous than they are. People invent the past, they need.

671
00:43:25.920 --> 00:43:30.599
<v Speaker 2>His colleague agreed, and cycles, especially seven year cycles, are

672
00:43:30.679 --> 00:43:35.559
<v Speaker 2>everywhere in old records, agricultural, fiscal, marital. The rest is

673
00:43:35.679 --> 00:43:39.679
<v Speaker 2>just good story telling. But I could not share their certainty.

674
00:43:40.119 --> 00:43:42.280
<v Speaker 2>I'd seen too much, and too much of it was

675
00:43:42.360 --> 00:43:47.159
<v Speaker 2>too exact, a smoothness, a dove tilling of fact and absence, memory,

676
00:43:47.199 --> 00:43:52.360
<v Speaker 2>and gap that went beyond creative embellishment. Their resistance only

677
00:43:52.480 --> 00:43:56.360
<v Speaker 2>sharpened my curiosity. If the world were truly this fissured.

678
00:43:56.719 --> 00:43:59.760
<v Speaker 2>Was it not more extraordinary that no one noticed than

679
00:43:59.760 --> 00:44:03.840
<v Speaker 2>that some, myself included, were beginning to see the strands

680
00:44:03.960 --> 00:44:08.280
<v Speaker 2>unravel and reknit year after cycle. To test the heart

681
00:44:08.320 --> 00:44:11.039
<v Speaker 2>of the system, I decided I would need more than

682
00:44:11.159 --> 00:44:14.039
<v Speaker 2>records and stories. I would need to see the hand

683
00:44:14.039 --> 00:44:17.519
<v Speaker 2>off itself, the moment if it happened, when the cycles

684
00:44:17.559 --> 00:44:21.559
<v Speaker 2>rejoined and fortune returned the clock tower chiming in a

685
00:44:21.559 --> 00:44:26.039
<v Speaker 2>harmony that went unheard by those within. Seilers, for his part,

686
00:44:26.159 --> 00:44:30.840
<v Speaker 2>did not refuse me. In fact, he appeared more at ease, relieved,

687
00:44:31.000 --> 00:44:34.599
<v Speaker 2>possibly to share the labor of carrying half remembered burdens

688
00:44:34.639 --> 00:44:39.519
<v Speaker 2>with someone who, though knew, had no claim on forgetting together.

689
00:44:39.760 --> 00:44:42.639
<v Speaker 2>We mapped the calendar, cross checking the log book entries

690
00:44:42.639 --> 00:44:46.559
<v Speaker 2>with the festival schedule, the tides and catches, the extraordinary

691
00:44:46.559 --> 00:44:50.360
<v Speaker 2>alignment of good years and quiet catastrophes, where the nine

692
00:44:50.400 --> 00:44:54.719
<v Speaker 2>months of clockmaker absence fell. The town's records blurred, some

693
00:44:54.880 --> 00:44:58.800
<v Speaker 2>files reporting a normal summer, others only entries as empty

694
00:44:58.800 --> 00:45:03.360
<v Speaker 2>as the families, houses, inventories showing surplus and deficit, both

695
00:45:03.719 --> 00:45:08.719
<v Speaker 2>prosperity too regular to trust. See here, I said, pointing

696
00:45:08.719 --> 00:45:11.360
<v Speaker 2>at a line in the nineteen seventy two harvest log

697
00:45:12.039 --> 00:45:15.840
<v Speaker 2>reported catch four times the average, but receipts from shipping

698
00:45:15.880 --> 00:45:19.719
<v Speaker 2>companies are doubled. No one knows whose tally is real.

699
00:45:20.840 --> 00:45:25.400
<v Speaker 2>Sealers laughed, but quietly, without much mirth. My grandfather said,

700
00:45:25.679 --> 00:45:29.239
<v Speaker 2>don't count the fish twice, or the sea starts collecting interest.

701
00:45:30.280 --> 00:45:34.440
<v Speaker 2>As the new cycle neared a return year, festival preparations

702
00:45:34.519 --> 00:45:37.239
<v Speaker 2>rising to a fever, Sealers came to me one night

703
00:45:37.320 --> 00:45:40.840
<v Speaker 2>with a request. To morrow's the double winding, he said.

704
00:45:41.280 --> 00:45:44.760
<v Speaker 2>Midnight the day shifts and the cycle returns. If you

705
00:45:44.800 --> 00:45:47.360
<v Speaker 2>want a sea, come to the tower. I'll let you up.

706
00:45:48.360 --> 00:45:52.559
<v Speaker 2>The invitation quickened my heart. That night, the town was

707
00:45:52.599 --> 00:45:55.679
<v Speaker 2>blanketed in a hush rare even for mere import, A

708
00:45:55.800 --> 00:45:58.840
<v Speaker 2>fog rolling in off the bay, low and luminous in

709
00:45:58.880 --> 00:46:02.880
<v Speaker 2>the street, lamps muting distant voices. I crossed the green

710
00:46:02.960 --> 00:46:06.239
<v Speaker 2>to the clock tower as the eleven o'clock chime faded,

711
00:46:06.559 --> 00:46:11.599
<v Speaker 2>heart pounding, breath lifting cloudlets in the cold, Celas stood

712
00:46:11.599 --> 00:46:15.320
<v Speaker 2>at the door, keys in hand, coat buttoned high. For

713
00:46:15.360 --> 00:46:17.719
<v Speaker 2>a moment, there was only the sound of water on

714
00:46:17.880 --> 00:46:21.559
<v Speaker 2>stone as we climbed the narrow stair, each step echoing.

715
00:46:22.519 --> 00:46:26.239
<v Speaker 2>We reached the heart of the mechanism, bronze, iron, wood,

716
00:46:26.440 --> 00:46:30.719
<v Speaker 2>all interlocked in slow, inexorable motion. Not just one face,

717
00:46:30.880 --> 00:46:34.519
<v Speaker 2>but two, the great civic dial and behind it an

718
00:46:34.559 --> 00:46:38.159
<v Speaker 2>inset panel whose hands turned at an imperceptibly different tempo,

719
00:46:38.559 --> 00:46:42.880
<v Speaker 2>close but not quite synchronizing with the official hour. Sealers

720
00:46:42.920 --> 00:46:46.280
<v Speaker 2>turned a heavy iron key, eyes shining with something I

721
00:46:46.320 --> 00:46:50.440
<v Speaker 2>had never seen. Nervous anticipation may be, or respect for

722
00:46:50.480 --> 00:46:54.559
<v Speaker 2>what was coming. Now, he said, comes the double winding.

723
00:46:55.639 --> 00:46:59.000
<v Speaker 2>He invited me forward. The mechanism was as intricate as

724
00:46:59.039 --> 00:47:03.199
<v Speaker 2>a cathedral, the gears polished by generations of touch. I

725
00:47:03.239 --> 00:47:07.039
<v Speaker 2>felt the mechanism vibrate under my palm, a deep, gentle

726
00:47:07.079 --> 00:47:10.599
<v Speaker 2>shudder that ran through the floor, through the stone, up

727
00:47:10.639 --> 00:47:13.920
<v Speaker 2>the walls, and out into the fog. At the moment

728
00:47:13.960 --> 00:47:17.079
<v Speaker 2>the hands reached the chime, Sealers and I each gripped

729
00:47:17.079 --> 00:47:20.760
<v Speaker 2>our respective keys, fitting them into both panels. He counted

730
00:47:20.840 --> 00:47:25.159
<v Speaker 2>under his breath eleven, twelve. He wound the main clock,

731
00:47:25.400 --> 00:47:28.480
<v Speaker 2>and I, trembling, marveling that I had been trusted for this,

732
00:47:28.840 --> 00:47:32.559
<v Speaker 2>set the inner one into motion. The chimes rolled out

733
00:47:32.840 --> 00:47:36.559
<v Speaker 2>twelve deep notes from above, and another softer twelve, resonating

734
00:47:36.559 --> 00:47:39.440
<v Speaker 2>from the hidden panel. For a split second, the two

735
00:47:39.480 --> 00:47:43.800
<v Speaker 2>sets overlapped. In that moment, everything in the tower, every

736
00:47:43.880 --> 00:47:47.280
<v Speaker 2>shaft of light, every whir of gear, every breath seemed

737
00:47:47.320 --> 00:47:50.519
<v Speaker 2>doubled two of each, not mirrored, but layered, as if

738
00:47:50.559 --> 00:47:54.800
<v Speaker 2>two realities were perfectly aligned. Before slipping by degrees apart again.

739
00:47:55.880 --> 00:47:59.519
<v Speaker 2>As the sound faded, I had an overwhelming sense of fullness,

740
00:48:00.079 --> 00:48:02.719
<v Speaker 2>of a presence filling out a hollow of a town

741
00:48:02.880 --> 00:48:07.679
<v Speaker 2>settling back into itself After a long exhalation. The inscription

742
00:48:07.800 --> 00:48:11.519
<v Speaker 2>on the innermost panel flashed as the gears slowed. Caught

743
00:48:11.559 --> 00:48:15.960
<v Speaker 2>by the lantern, time kept in two fortune flows through

744
00:48:16.000 --> 00:48:20.519
<v Speaker 2>the seam, as one world sleeps the other men's the dream.

745
00:48:20.800 --> 00:48:23.960
<v Speaker 2>I looked at Seilers, who was blinking in recognition. He

746
00:48:24.039 --> 00:48:27.639
<v Speaker 2>seemed for a heartbeat, both older and younger, the memory

747
00:48:27.639 --> 00:48:32.119
<v Speaker 2>of absence and return flickering through his features. It always feels.

748
00:48:32.480 --> 00:48:36.280
<v Speaker 2>He searched for the word complete. We stood there as

749
00:48:36.320 --> 00:48:40.920
<v Speaker 2>the last echo faded below. The march morning glimmered with ordinary,

750
00:48:41.199 --> 00:48:46.199
<v Speaker 2>reassuring coldness. The fog drifted, clearing the square. If anyone

751
00:48:46.199 --> 00:48:49.960
<v Speaker 2>had walked by, they would have seen no interruption in

752
00:48:50.039 --> 00:48:52.360
<v Speaker 2>that moment, though the shape of the bargain was clear.

753
00:48:52.960 --> 00:48:56.920
<v Speaker 2>The absences, the silence, the duplication of memory itself, they

754
00:48:56.960 --> 00:49:00.400
<v Speaker 2>were not side effects, not mere tradition or oversight, but

755
00:49:00.480 --> 00:49:03.119
<v Speaker 2>the central duty the families had to both visible and

756
00:49:03.199 --> 00:49:07.079
<v Speaker 2>invisible worlds. Their migration was the winding of not one

757
00:49:07.400 --> 00:49:11.119
<v Speaker 2>but two realities, each keeping the other from unraveling, each

758
00:49:11.199 --> 00:49:15.480
<v Speaker 2>restoring what might otherwise have been lost fortune, time, perhaps

759
00:49:15.519 --> 00:49:19.400
<v Speaker 2>even the town itself. On the street, as we stepped out,

760
00:49:19.679 --> 00:49:22.920
<v Speaker 2>a few early rises cycled through the square, none the

761
00:49:22.960 --> 00:49:26.480
<v Speaker 2>wiser for our vigil. The first boats stirred across the

762
00:49:26.559 --> 00:49:30.519
<v Speaker 2>dawn rough water. Sealers shoved his hands in his pockets.

763
00:49:31.119 --> 00:49:34.320
<v Speaker 2>You see now, he said, not ours to choose, but

764
00:49:34.480 --> 00:49:38.000
<v Speaker 2>ours to keep. It works as long as someone keeps track,

765
00:49:38.400 --> 00:49:40.760
<v Speaker 2>even if the record is only a feeling some one

766
00:49:40.840 --> 00:49:44.719
<v Speaker 2>can't shake loose. I nodded, feeling the last of my

767
00:49:44.800 --> 00:49:48.239
<v Speaker 2>questions fold up like a map after a long journey.

768
00:49:49.159 --> 00:49:52.960
<v Speaker 2>The following day passed quietly, the return unmarked by anything

769
00:49:53.000 --> 00:49:55.159
<v Speaker 2>more than a faint brightening in the air around the

770
00:49:55.199 --> 00:49:59.000
<v Speaker 2>clockmaker houses. As the families filtered back into daily life,

771
00:49:59.519 --> 00:50:04.039
<v Speaker 2>no memory of departure, no strange stories, only routines resumed,

772
00:50:04.400 --> 00:50:08.639
<v Speaker 2>tools picked up, gardens trimmed. The whole town carried on

773
00:50:09.000 --> 00:50:13.400
<v Speaker 2>the pattern held. I found myself standing beneath the tower

774
00:50:13.480 --> 00:50:16.280
<v Speaker 2>as the noon chime rang out, looking at the hands

775
00:50:16.320 --> 00:50:20.039
<v Speaker 2>gleaming against the sky's blue promise, perfectly aligned in their

776
00:50:20.119 --> 00:50:23.880
<v Speaker 2>silent labor. The feeling was not of conclusion, but of

777
00:50:23.960 --> 00:50:28.000
<v Speaker 2>ongoing stewardship, of knowing that beneath every visible order lay

778
00:50:28.039 --> 00:50:32.079
<v Speaker 2>another unnoticed, pressed up against it, like the shadow behind

779
00:50:32.119 --> 00:50:36.159
<v Speaker 2>a sunlit wall. That evening, as I set my notes aside,

780
00:50:36.480 --> 00:50:39.599
<v Speaker 2>the final question turned in my mind, not any longer,

781
00:50:39.880 --> 00:50:43.360
<v Speaker 2>where do they go? But if every place runs on

782
00:50:43.440 --> 00:50:48.000
<v Speaker 2>such bargains, unseen, unremarked, what migrations do we accept in

783
00:50:48.039 --> 00:50:50.960
<v Speaker 2>our own lives? What hands wine the hours that keep

784
00:50:50.960 --> 00:50:55.519
<v Speaker 2>our fortunes whole while we forget mercifully the price? The

785
00:50:55.519 --> 00:50:58.639
<v Speaker 2>clock struck, and beneath its song, the world spun on,

786
00:50:59.119 --> 00:51:01.880
<v Speaker 2>more complete, for all all that it could not explain.

787
00:51:04.039 --> 00:51:06.519
<v Speaker 1>And that is the end. Thank you for listening, and

788
00:51:06.559 --> 00:51:11.599
<v Speaker 1>I will see you in the next one.
