WEBVTT

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<v Speaker 1>Unsolved mysteries.

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<v Speaker 2>Out of deference to persons who may still be living.

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<v Speaker 2>Character names in some of these true unsolved mysteries have

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<v Speaker 2>been changed. The moving finger writes, and having writ moves on.

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<v Speaker 2>Nor all thy piety nor wit can lure it back

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<v Speaker 2>to cancel half a line, nor all thy tears watch

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<v Speaker 2>out a word of it. In all the history of

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<v Speaker 2>crime and criminals, the truth of that quotation was never

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<v Speaker 2>better proved than in the amazing case of Beilaquise, the

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<v Speaker 2>mystery Man of Europe.

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<v Speaker 3>This seas.

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<v Speaker 2>It is the year nineteen hundred and fourteen. The scene

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<v Speaker 2>is the office of the Chief of Police in Budapest.

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<v Speaker 2>The chief is seated behind his desk, while in the

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<v Speaker 2>doorway stands a woman.

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<v Speaker 1>Her face is white.

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<v Speaker 2>Terror stares from her eyes, and her hands tremble as

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<v Speaker 2>she tears her tiny handkerchief to pieces.

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<v Speaker 4>But if you must believe me, your assistant does not.

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<v Speaker 4>But I tell you someone to be chilled if you

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<v Speaker 4>do not listen to what I have to say.

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<v Speaker 5>Pursing down my chair, calm yourself, Are you ready to

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<v Speaker 5>listen to your story?

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<v Speaker 4>Last night I sat next to a gentleman. We looked

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<v Speaker 4>like a gentleman. We spoke about a program.

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<v Speaker 1>You understand, I understand.

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<v Speaker 5>Then, having spoken to him of the program, he suggested

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<v Speaker 5>you have suppers. Didn't for a drive in his motor car,

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<v Speaker 5>and he asked you how you'd like your visits all?

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<v Speaker 1>How do I know?

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<v Speaker 5>He's always the same story of how much money did

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<v Speaker 5>he rub your money?

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<v Speaker 4>That I had no money. She did not robbed me.

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<v Speaker 1>He tried to kill me. It was horrible.

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<v Speaker 4>I handly died of fat.

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<v Speaker 1>I now now complete this story.

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<v Speaker 4>I don't read home my cartle it was. He asked

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<v Speaker 4>if I would like to have my fortune told. I

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<v Speaker 4>said yes. He told me to gave him the crystal globe,

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<v Speaker 4>but first he gave me some pale yellow wine to drink.

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<v Speaker 1>Ah, go on, I said, My senses sleeping away from me.

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<v Speaker 4>I was stealing hard in the crystal A shadow?

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<v Speaker 1>Why not not?

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<v Speaker 4>What made me glance in the mirror?

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<v Speaker 1>I saw him?

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<v Speaker 4>He was behind me, his eyes glaring green. They were

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<v Speaker 4>eyes have fires, he says, almost black. And then he

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<v Speaker 4>hands He held a piece of green silk cord. It

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<v Speaker 4>was looked and had he slipped not? He was going

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<v Speaker 4>to slip it over my head?

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<v Speaker 5>Yes?

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<v Speaker 1>And then I see it.

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<v Speaker 4>The next thing I knew I was flying among the

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<v Speaker 4>shrubbery and cut that part.

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<v Speaker 5>Yeah, very well, we will look into the mercat.

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<v Speaker 4>You do not relieve me, do you?

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<v Speaker 3>Oh?

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<v Speaker 1>I would not say that.

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<v Speaker 4>No, idea some day you will regress.

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<v Speaker 1>Goodbye.

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<v Speaker 2>Three weeks later, a wealthy society woman tells a similar

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<v Speaker 2>story to the buddhatest chief of police. Four weeks later,

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<v Speaker 2>another In each instance, the description give by the women

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<v Speaker 2>of the castle of the fiend who drugged them is

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<v Speaker 2>the same.

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<v Speaker 1>The world war breaks out and the police department.

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<v Speaker 2>Is disrupted, but the citizens of Vienna and Budapest are

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<v Speaker 2>terrified at the alarming number of missing women. On farms,

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<v Speaker 2>in gardens, behind hedges, in abandoned buildings, Bodies in various

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<v Speaker 2>stages of decomposition are found, and all are bodies of women.

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<v Speaker 2>The chief is frantic, and with a woman assistant and

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<v Speaker 2>two detectives scouring the countryside in search of a building

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<v Speaker 2>that will once with the description of the castle, he

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<v Speaker 2>meets a government official.

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<v Speaker 1>Well, Chief, what you're doing out here seeing the country? Why?

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<v Speaker 1>What are you doing here? The government has ordered the

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<v Speaker 1>seizure of old gasoline for the war. You see and

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<v Speaker 1>details of this district and in a few minutes going

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<v Speaker 1>to that castle. Upon the heh, the castle. Let me

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<v Speaker 1>we go with you. Certainly it will be a pleasure. Oh,

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<v Speaker 1>this is her heartman. Here's a gentleman who told us

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<v Speaker 1>us gasoline store at the castle. But getting into the

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<v Speaker 1>cow he should be off. Oh yes, indeed, here around here.

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<v Speaker 4>It's an unusual country, you know, dear.

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<v Speaker 1>There is a tragic story behind Dot Cashle. Indeed, Yah

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<v Speaker 1>Baylor Kiss he owned the castle. It's a very beautiful vibe.

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<v Speaker 1>They were so happy.

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<v Speaker 5>Everybody in the village was happy in their love. But

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<v Speaker 5>the last she disappeared, Poor Baila Kiche was casolic.

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<v Speaker 1>She had run away with a younger man. It was terrible.

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<v Speaker 1>What what did he look like? This Baila Kiss? He

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<v Speaker 1>was a.

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<v Speaker 6>Handsome man, poor elegant, thin face, I would say in

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<v Speaker 6>black haired, high cheek boone.

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<v Speaker 4>It's the same.

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<v Speaker 1>It's the description given by these different women. All right,

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<v Speaker 1>you're looking for very certainly on, but go on. What

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<v Speaker 1>is the finish to the story.

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<v Speaker 6>The old woman went to do the cleaning at the castle.

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<v Speaker 6>Bailey Quis told her she must not go into a

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<v Speaker 6>certain room. They did a bluebeard toy. But the old woman,

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<v Speaker 6>like old old women was inquisitive. She look and so

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<v Speaker 6>what five big facts. We have good reason to believe

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<v Speaker 6>this that's contained gasoline. But here we have the place.

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<v Speaker 6>We'll soon know for certain.

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<v Speaker 1>Out of the car.

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<v Speaker 6>Poor the officers.

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<v Speaker 2>The empty castle rings to their footsteps as they make

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<v Speaker 2>their way to the forbidden room. Strangely enough, the key

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<v Speaker 2>is in the lock. The door creaks. There are the

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<v Speaker 2>five bats against the wall a strong moder of alcohol.

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<v Speaker 2>They move forward and look into the bats, horror stamped

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<v Speaker 2>their faces as they see in each bat a naked woman,

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<v Speaker 2>and around each neck the bluish mark made by the

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<v Speaker 2>strangler's corn.

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<v Speaker 1>Name of all the saint? Where is the raish? This

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<v Speaker 1>is costly. I have come to find gasoline, and I

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<v Speaker 1>find five cops. Hi. Yes, for all the cops he

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<v Speaker 1>found throughout the city.

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<v Speaker 4>The canten Yet the men who did the cash.

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<v Speaker 1>You haven't done on the instant.

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<v Speaker 5>I shall have it done, yes, And you have a

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<v Speaker 5>You know this monster is being a Kiss?

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<v Speaker 1>Where is he? He?

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<v Speaker 5>He was killed in the war.

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<v Speaker 2>Twenty six bodies of women were found buried in Bela

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<v Speaker 2>Kiss's garden. Over one hundred and sixty pawn tickets relating

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<v Speaker 2>to the women's wearing apparel and jewelry. Furious that death

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<v Speaker 2>in the war had cheated him the capture of the monster,

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<v Speaker 2>the Chief returned to Budapest and tried to forget the

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<v Speaker 2>horror of the five bats.

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<v Speaker 1>The war over.

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<v Speaker 2>The Chief is in his office went through the door,

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<v Speaker 2>bursts the woman who had first warned him of Bailakis.

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<v Speaker 1>I have think him.

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<v Speaker 4>I do him to gain a half hour.

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<v Speaker 1>Boy, who what are you talking about? To kill at?

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<v Speaker 1>I saw him at tell Oh, impossible. I have checked

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<v Speaker 1>the war records. He was killing save in nineteen sixteen.

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<v Speaker 1>See here are the records. I have kept him.

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<v Speaker 5>Baila Chiese Gaiah Wounds August ninth, nineteen sixteen.

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<v Speaker 1>I do not care.

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<v Speaker 4>Do you think I could tug at hill?

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<v Speaker 1>Never? Never, I tell you he is still alive. This scene,

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<v Speaker 1>which is impossible, I shaid you Baila Chiesi's date.

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<v Speaker 2>But soon the Chief was to doubt his vehement decisions,

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<v Speaker 2>for within a month he was to hear another story

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<v Speaker 2>of a woman almost strangled under identical circumstances, although at

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<v Speaker 2>a different place.

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<v Speaker 1>From the now empty castle.

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<v Speaker 2>Besides this, the terror of missing women returned to haunt

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<v Speaker 2>the citizens, and once again the decomposed bodies of long

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<v Speaker 2>dead women were found in desolate places. In just a moment,

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<v Speaker 2>you will hear a solution to the strange case of Beilachis.

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<v Speaker 2>The mystery man of Europe.

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<v Speaker 7>Was same as the pump.

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<v Speaker 2>Ladies and gentlemen, inasmuch as any solution must have necessary

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<v Speaker 2>this supposition liberties of time, place, and character have been

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<v Speaker 2>taken in the solution for which you have been waiting.

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<v Speaker 1>The solution of why the murders continued in the same

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<v Speaker 1>manner as before.

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<v Speaker 2>Bela Kis's reported death in the war is taken from

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<v Speaker 2>the statements of the Chief of Police of Budapest, who

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<v Speaker 2>supplied the information, which, to the best of our belief,

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<v Speaker 2>has never been published in American newspapers. The scene is

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<v Speaker 2>the hospital in which Bela Kiss had been reported as

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<v Speaker 2>having died of wounds. The chief of police, remembering how

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<v Speaker 2>the first woman had warned him of the fiend's activities,

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<v Speaker 2>determines to carry his investigation further than the official army.

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<v Speaker 1>Records reporting death. The chief questions and.

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<v Speaker 5>Nurse, you have cost you the murgers in and around

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<v Speaker 5>Vina and buddhahest Yes.

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<v Speaker 4>Naturally, although like everyone else on war service, I was

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<v Speaker 4>too busy to really keep up.

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<v Speaker 1>With the report.

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<v Speaker 5>Well, we did not give all our information to the place.

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<v Speaker 5>We decided we have bach success by giving something secret.

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<v Speaker 1>I can understand the red. Now, this man the.

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<v Speaker 5>Field is a better name, has probably been responsible for

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<v Speaker 5>his death. From over three hundred wibbits, I would like

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<v Speaker 5>to find out if any hospital records other than the

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<v Speaker 5>official report of Beilakis dead.

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<v Speaker 1>You don't mean that Beila chief is the man who

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<v Speaker 1>suspeed I do. In fact, it isn't suspicion. It is

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<v Speaker 1>an established fact.

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<v Speaker 4>But that's impossible. I nursed Baila Chiefs still a dye.

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<v Speaker 1>And a young and pious, mighty boy at twenty.

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<v Speaker 4>It could hardly Gee, Baila Chiese was over party, not

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<v Speaker 4>the Baila Chiefs who died.

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<v Speaker 1>Here in the hospital.

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<v Speaker 4>He was a young boy, I tell you, and I

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<v Speaker 4>know I nursed.

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<v Speaker 1>Him till he died. Ah, then I had resolution. How

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<v Speaker 1>badly wounded was Bila Chiese when he was brought here?

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<v Speaker 1>I never was, and I hopefully might have covered anyone

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<v Speaker 1>could have seen them.

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<v Speaker 5>He must die, and Bilakis, the real Daila Kiss, undoubtedly

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<v Speaker 5>exchange his identification disc and papers with the wounded man

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<v Speaker 5>knowing full well the young boy would be buried as

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<v Speaker 5>Baila Keith. And he did monstrous, wretched, free to pursue

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<v Speaker 5>his murderous career unhindered.

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<v Speaker 1>But I get him.

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<v Speaker 5>I get him.

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<v Speaker 1>But Budapest raises the chief.

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<v Speaker 2>For four days he works steverishly, taking no one into

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<v Speaker 2>his confidence, but ordering his men to stand by. One

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<v Speaker 2>night to a house on the outskirts of town. Drive

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<v Speaker 2>two police cars filled with officers. The chief leads the

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<v Speaker 2>way from the back of the house to one of

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<v Speaker 2>the upper rooms.

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<v Speaker 5>Send you men, he said, I want to show you silence.

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<v Speaker 5>I am decided in my own mind that Pila Kiss

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<v Speaker 5>has tracked the various women he has killed by had

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<v Speaker 5>practicements in the papers.

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<v Speaker 1>So I decided to use.

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<v Speaker 5>His methods and incited disadpracticements. I read it, young woman

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<v Speaker 5>widow with murdered fortune and with moderately good looks. The

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<v Speaker 5>hires company of men of couture, preferably forty or over,

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<v Speaker 5>but be tall and dark object mathimony.

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<v Speaker 1>And you expect bill a Kiss to answer that he

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<v Speaker 1>has answered it. He'll be here tax here for dawn.

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<v Speaker 1>A man is getting off CHEEZI the kiece looked up

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<v Speaker 1>he's getting back into the tex After down the pairs

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<v Speaker 1>rush the police.

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<v Speaker 2>The taxi with Bila, he's standing on the running board,

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<v Speaker 2>speeds toward the river with the police car in pursuit.

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<v Speaker 1>He's going to shoot take the.

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<v Speaker 2>By Lachis slumps. He's hit, but he hangs on. The

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<v Speaker 2>taxi reaches the bridge, another burst of pullets. Several shots

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<v Speaker 2>take effects, but with one last effort, Bayachies throws himself

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<v Speaker 2>from the taxi, pulls himself over the parapet of the bridge,

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<v Speaker 2>falls like a planet, and disappears forever under the foaming waters.

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<v Speaker 1>Of the Danube.

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<v Speaker 2>And so coincidence the World War, a search for Gasoline

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<v Speaker 2>a nurse who remembered the patient provide the solution for

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<v Speaker 2>a fifteen year old unsolved mystery. Belachis the mystery man

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<v Speaker 2>of Europe.

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<v Speaker 1>In a

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<v Speaker 7>Steamso sing