WEBVTT

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<v Speaker 1>It's the Lapsed Fan Wrestling podcast with Jack and carn

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<v Speaker 1>S e O and JP sorrows He's a lapsed fan.

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<v Speaker 1>In all my years and wrestling, I've never seen anything like.

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<v Speaker 2>Rop kicking.

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<v Speaker 3>It's the laps Fan Man number one in the ring

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<v Speaker 3>begin about.

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<v Speaker 4>Osada, a real king of swing when the bell.

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<v Speaker 3>Goes hang and a kick like me throming in the

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<v Speaker 3>corner with its rash like stick. Even Jerry King can

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<v Speaker 3>say off the crown nodded in his head like Steve

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<v Speaker 3>low Brown?

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<v Speaker 1>Would you get low down for me?

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<v Speaker 3>Go even high up?

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<v Speaker 2>Trip you on your head?

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<v Speaker 4>But you no cool drivel?

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<v Speaker 3>You speaking monology and dragon slits fire if you more

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<v Speaker 3>shot than the edge retires dropping more truth than the

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<v Speaker 3>conn of sniper unless you would a coconut Roddy Piper out,

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<v Speaker 3>Jack and JP, you a j wat d drop a

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<v Speaker 3>cupcakes and got the brain Bob Beans The best podcast

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<v Speaker 3>from start the close File of Your Benefits fas ticket Polls.

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<v Speaker 5>Last time we were with listeners, we of course were

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<v Speaker 5>looking at the first Saturday Night's main event from nineteen

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<v Speaker 5>eighty five, and we were really interested to see that

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<v Speaker 5>in the credit role at the end that they identified

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<v Speaker 5>the designer of the Saturday Night's Main Event logo, which

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<v Speaker 5>as we know, is fairly iconic.

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<v Speaker 2>Totally, I mean, it's it's one of the most.

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<v Speaker 6>I mean they still basically used to this day a

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<v Speaker 6>variation of the of the same logo today.

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<v Speaker 5>Right, and it's back on the table, of course, is

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<v Speaker 5>the WWET Saturday Night's Main Event going again. But you know,

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<v Speaker 5>the thought process was, man, what what what would it

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<v Speaker 5>be like to have, you know, worked for WWF in

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<v Speaker 5>a graphic design capacity at this point because so much

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<v Speaker 5>of the logos and things that were generated around this

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<v Speaker 5>early boom period for the company still like the Saturday

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<v Speaker 5>Night's Main Event logo and WrestleMania and other things that

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<v Speaker 5>they they're still around today and pretty much substantially the

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<v Speaker 5>same form, and so you know, it's like, what what

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<v Speaker 5>what can we know? What can we find out about

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<v Speaker 5>what it was like to design it the point we

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<v Speaker 5>saw that his name was Brian Penry, and yeah, we

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<v Speaker 5>got him like we do, like we do. We have

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<v Speaker 5>found Brian Penry, the designer, as we'll get into, of

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<v Speaker 5>so many iconic WWF logos that we all associate with

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<v Speaker 5>the glory days of the company and the product and

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<v Speaker 5>we're really pleased to welcome Brian Now onto the show

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<v Speaker 5>for a special two part conversation about his life and

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<v Speaker 5>times in the mid to late eighties with the World

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<v Speaker 5>Wrestling Federation. Brian, it's really great to have you. Thanks

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<v Speaker 5>for joining us.

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<v Speaker 4>Thanks guys, it's my pleasure.

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<v Speaker 5>Let's start right there with Saturday Night's main event. We'll

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<v Speaker 5>get into a whole heck of a lot of the

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<v Speaker 5>things that you've done for the WWF in the course

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<v Speaker 5>of this two part conversation, but would like to start

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<v Speaker 5>with that one, the Saturday Night's made event logo. It's back,

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<v Speaker 5>you know, and in fact the show has a whole

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<v Speaker 5>throwback theme to it the way they're structuring it these days.

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<v Speaker 5>What about that piece of work to get us started

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<v Speaker 5>here that you recall.

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<v Speaker 4>Well, you know, I was there from.

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<v Speaker 7>The mid.

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<v Speaker 4>Nineteen eighty four to mid nineteen eighty seven. It was

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<v Speaker 4>a fear stretch and I had worked with Vincent Linda

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<v Speaker 4>prior to that. But I got to tell you, in

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<v Speaker 4>all honesty that that whole period was a hyper drive blury.

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<v Speaker 4>And I don't just say this like, oh, I was working.

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<v Speaker 2>Like a dog.

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<v Speaker 4>Everybody everybody worked like a dog, and many of us

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<v Speaker 4>were in there quite often seven days a week in

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<v Speaker 4>the office at that point, various offices in Greenwich and Stanford, Connecticut.

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<v Speaker 4>And it was I can come back to this later,

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<v Speaker 4>but you know, they outgrew three offices. They were building

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<v Speaker 4>office buildings because the staff grew so fast, and by

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<v Speaker 4>the time each one was built, the staff had outgrown it.

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<v Speaker 4>It was. And the fourth time out, Vince just threw

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<v Speaker 4>up his hands and rented office space on Summer Street

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<v Speaker 4>in Stamford. And finally they wound up with the building

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<v Speaker 4>off of exit nine off of Route ninety five, the

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<v Speaker 4>big black, kind of big structure with now the you know,

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<v Speaker 4>the WWE so called pirate flag. And but I mean,

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<v Speaker 4>just through this whole period, to be perfectly honest, that

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<v Speaker 4>logo and I'm I'm honored that it's become.

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<v Speaker 2>As I.

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<v Speaker 4>But I gotta tell you, it was just kind of

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<v Speaker 4>like this was typical, okay with Dick et Brisol and NBC.

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<v Speaker 4>We're doing this, we're doing that. We need the logo

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<v Speaker 4>four days ago, right, I mean that are for the course.

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<v Speaker 4>And so I if I sit here, I tell you, oh,

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<v Speaker 4>you know, I went through these commotions and shenanigans and yeah,

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<v Speaker 4>I was a process and I spoke to none of that.

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<v Speaker 4>I just banged it out. I just banged it out,

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<v Speaker 4>and it'd be perfectly honest with you. I wasn't crazy.

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<v Speaker 4>I thought it's okay, but I mean, I wasn't proud

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<v Speaker 4>of it, and it was just one of fifty things

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<v Speaker 4>on came across my desk or my drawing board more

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<v Speaker 4>accurately daily, And I'm I'm you. You actually educated me

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<v Speaker 4>to the fact that it's back right right, don't you know.

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<v Speaker 4>I've worked on so many things since my tenure with

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<v Speaker 4>the WWF that this was news to me. It's great,

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<v Speaker 4>it's kind of cool, but it's one of the last

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<v Speaker 4>things I ever worked on. I would have thought I

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<v Speaker 4>had a radioactive half life and would show up, you know,

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<v Speaker 4>decades later.

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<v Speaker 5>So who knows radioactive half let it's good way to

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<v Speaker 5>put it by you mentioned Dick Ebersoll and bosses. As

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<v Speaker 5>the listeners know, we've spent a lot of time wondering

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<v Speaker 5>what it was like, Yeah, to be around Dick Ebersol

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<v Speaker 5>at a time when he had such massive influence over

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<v Speaker 5>the direction Vince would take the WWF, and really is

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<v Speaker 5>such a I think underdiscovered part of WWF history is

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<v Speaker 5>Dick Eversoll's role in things. Brian, I know you're in

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<v Speaker 5>the room occasionally with Dick. Can you kind of give

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<v Speaker 5>us a sense of what it was like to work

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<v Speaker 5>in and around him as in nineteen eighty five as

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<v Speaker 5>he takes a keen interest in pro wrestling in the WWF.

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<v Speaker 6>I just want to interject one thing too, especially because

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<v Speaker 6>you were there before as well, Like, there's such a

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<v Speaker 6>shift in I imagine a shift in dynamic between you know,

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<v Speaker 6>working in eighty four and then all of a sudden

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<v Speaker 6>in eighty five Dick Eversol comes in that too.

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<v Speaker 2>Was just I was curious about that.

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<v Speaker 4>Well, yeah, I mean honestly and truly, my relationship with

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<v Speaker 4>with Vince Solenda goes back to the late seventies and

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<v Speaker 4>there's a story right there. But just and I'd like

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<v Speaker 4>to come back to that and flesh out how we

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<v Speaker 4>of course we met and so on and so forth

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<v Speaker 4>and everything evolved into that creative director role with them.

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<v Speaker 4>But yeah, Dick, Dick, you know it was it was

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<v Speaker 4>really kind of a funny deal we all, uh I

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<v Speaker 4>say we meaning the WWF staff. It's very interesting. Vince

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<v Speaker 4>was insightful from the standpoint of recognizing that he's out

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<v Speaker 4>now courting network brass at major companies TV networks, and

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<v Speaker 4>this was this was the infancy of cable, never mind

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<v Speaker 4>streaming that we have now, and he's speaking to very

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<v Speaker 4>powerful executive types that are suit and tie dudes from

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<v Speaker 4>the ground up, and he just I don't know if

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<v Speaker 4>there was something that that a particular incident that inspired

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<v Speaker 4>this or something, but he put out an ed act

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<v Speaker 4>pretty quickly around the office that he wanted everyone in

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<v Speaker 4>suit and tie. Wow, it was wasn't I mean just

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<v Speaker 4>a sports jacket or something at very least a tie.

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<v Speaker 4>And he wanted the women that worked for the company

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<v Speaker 4>to be, you know, nicely dressed, no jeans, you know, pants,

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<v Speaker 4>suits whatever. He just he just wanted to exude professionalism

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<v Speaker 4>and he wanted to you know, they were they were

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<v Speaker 4>dealing with big banks on their finances. He wanted a

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<v Speaker 4>banker to walk in and I think you know it

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<v Speaker 4>was a hippie enclave or something, or you know, guys

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<v Speaker 4>dealing with wrestling. You know, you didn't want somebody to

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<v Speaker 4>have a beer belly and walk by with a beer

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<v Speaker 4>can in their hand or something. That's an overstatement, but

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<v Speaker 4>he wanted to project a very very professional image and

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<v Speaker 4>in a very predictable way, you know, not nothing, just

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<v Speaker 4>just he didn't want to look like a bunch of slabs,

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<v Speaker 4>you know, and one could hardly call Dick ever saw

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<v Speaker 4>a slab. But I mean he's he was this sort

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<v Speaker 4>of cool guy. You know, he's he's a successful television exec.

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<v Speaker 4>He really made his mark in sports with NBC. As

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<v Speaker 4>you probably know, he was responsible for at least three

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<v Speaker 4>Olympics games. I mean, he put NBC on the map

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<v Speaker 4>where sports are concerned, and that was that was really

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<v Speaker 4>his home base, having built that part of the NBC

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<v Speaker 4>television network. And I mean to that to this day

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<v Speaker 4>that that is a huge part of his Uh how

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<v Speaker 4>do how do I put it? You know, he he

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<v Speaker 4>he made his mark, he could do what he wants.

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<v Speaker 2>Yeah, that kind of guy.

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<v Speaker 4>And so he shows up. I happened to be coming

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<v Speaker 4>back in the office from an appointment somewhere, and this

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<v Speaker 4>guy pulls in in this cherry red Porsche Targa that

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<v Speaker 4>you know just you know, tricked out to the max

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<v Speaker 4>and Dick gets a very tall guy and uh, you know,

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<v Speaker 4>I think I think that first time, you know, he

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<v Speaker 4>had some kind of funky loafers on it would be

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<v Speaker 4>that or cowboy boots and and he always had a

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<v Speaker 4>designer sweater, a bore, you know, hinos. He looked like

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<v Speaker 4>like uh cash dude and successful TV executive and I

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<v Speaker 4>mean there was there was nothing to complain about. The

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<v Speaker 4>guy was, you know, clean and slick, and that was that.

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<v Speaker 4>So we've had this first production meeting where where Dick

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<v Speaker 4>explaining what his vision is for putting shows together, and

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<v Speaker 4>Vince is sort of meeting him at every other comment

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<v Speaker 4>with with with his vision of how he sees the

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<v Speaker 4>wrestlers being portrayed, et cetera, et cetera. And the meeting,

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<v Speaker 4>it's a very small meeting. I think Nelson Schregler was there,

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<v Speaker 4>as I recall, who was head of TV programming for

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<v Speaker 4>Vince and Vince. Nelson was old school, he was I

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<v Speaker 4>think he had one sport jacket, this red bear navy

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<v Speaker 4>blazer and you always wore this one blazer and gray

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<v Speaker 4>trousers and we all joked he probably had a closet

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<v Speaker 4>full of sixteen blue blazers and sixteen bears a gray

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<v Speaker 4>slacks at all. And Nelson was a great guy, very

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<v Speaker 4>mild battered, you know, quiet, sort of sense of humor,

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<v Speaker 4>easygoing guy. And I was there, and Steve Taylor, the

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<v Speaker 4>WWF photographer who was quite often on the road. He

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<v Speaker 4>spent his life on the road. Basically, he was on

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<v Speaker 4>the in the office maybe a day a week, or

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<v Speaker 4>sometimes a day or two every two weeks when he

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<v Speaker 4>was going overseas and so forth with the boys. And

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<v Speaker 4>it was a really small grouping, and it was a

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<v Speaker 4>great meeting. And then just out of the blue, then

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<v Speaker 4>says to Dick, Dick, you may have noticed that my

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<v Speaker 4>staff is all in suit. Do this is because I

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<v Speaker 4>want to exude a very professional image. I'm sure you understand,

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<v Speaker 4>and I don't want to have any of my people

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<v Speaker 4>feel as though this is a constraint that I impose

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<v Speaker 4>on them only. And he said, listen, I'm just going

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<v Speaker 4>to ask you, would you mind if if you just

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<v Speaker 4>the next time we meet, and whenever you come to

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<v Speaker 4>our offices, you mind just at very least wearing a

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<v Speaker 4>tie jacket. And Steve and I looked at each other

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<v Speaker 4>and it was all we could do not to just

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<v Speaker 4>burst out laughing, like, Okay, Vince is just busting this

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<v Speaker 4>guy's balls. This cannot be real. Here's this accomplished TV

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<v Speaker 4>executive on top of the world. He's probably one of

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<v Speaker 4>a handful of the most valuable people that NBC has

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<v Speaker 4>in their ranks. And Vince is asking him to dress

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<v Speaker 4>up when he comes to the office, and we're like,

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<v Speaker 4>he could have kiddened me, and it did. Just he

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<v Speaker 4>did one of those things where his mouth was sort

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<v Speaker 4>of moving in slow motion but nothing was coming out,

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<v Speaker 4>you know, like he's processing this, and then it sort

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<v Speaker 4>of sputtered a little bit. Well, Vince, so well, I

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<v Speaker 4>know what should mean, and you could tell he was

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<v Speaker 4>just frothing around and something like are you kidding me? So,

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<v Speaker 4>But the long and the short of it is he

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<v Speaker 4>didn't really answered the question. He just said, well, we

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<v Speaker 4>have a lot on our players, so let's get you know,

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<v Speaker 4>we'll be in touch by people with her people and

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<v Speaker 4>all those things, and so Nelson was just Nelson didn't

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<v Speaker 4>say a word. Nelson's walking down the hall, he's.

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<v Speaker 7>He's got that silly grin on his face and he's

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<v Speaker 7>just shaking his head like I can't believe it's did that,

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<v Speaker 7>and we're all hoping it didn't blow the deal, because

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<v Speaker 7>why would you need to even bring something up like that?

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<v Speaker 4>You know, and but Steve and I we went down

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<v Speaker 4>to the coffee room when we're just howling like, Wow,

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<v Speaker 4>I can't I just I can't wait to see what

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<v Speaker 4>Dick comes back. Right, So the next time he comes,

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<v Speaker 4>he's in a full suit, wow, and no designer sweater.

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<v Speaker 4>He's wearing it high and then he kind of softened it.

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<v Speaker 4>And then from there it was like a sport code.

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<v Speaker 4>And then I think way down the road six eight

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<v Speaker 4>months later, if he came for meeting and at that

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<v Speaker 4>point people were going into New York more, that was

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<v Speaker 4>sort of the that was that was the opening salvo

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<v Speaker 4>when he came to see Vince. That was sort of like,

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<v Speaker 4>you know, the mountain going to Mohammed. So it was interesting.

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<v Speaker 4>But but he played the game. And you know, what

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<v Speaker 4>we took away from the whole thing was wrestling and

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<v Speaker 4>what Vince had to offer was so important and so

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<v Speaker 4>critical to their programming. He was willing to be, you know, politely,

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<v Speaker 4>pushed around a little and told what to wear. That

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<v Speaker 4>just blew our minds. That absolutely blew our minds. And

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<v Speaker 4>that Vince had you know, the gall the Scandinos asks

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<v Speaker 4>who's already accomplished to do something kind of weird like that,

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<v Speaker 4>you know, but that was Vince and he called the

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<v Speaker 4>shots and the guy did it. He dressed like he

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<v Speaker 4>asked him to do, so, you know, his his own

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<v Speaker 4>people wouldn't feel like they were being asked to dress

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<v Speaker 4>up for no good reason. It was a real interesting

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<v Speaker 4>sort of character study on you know, pushing the boundaries

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<v Speaker 4>with somebody to see what you can get away with.

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<v Speaker 4>It was just crazy and Vince, I don't know people

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<v Speaker 4>know this or not. I meant to say Dick. His

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<v Speaker 4>wife is Susan Saint James, Uh, the actress, and she

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<v Speaker 4>already had you know, she was a big deal in Hollywood.

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<v Speaker 4>She was the star of the villain and wife with

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<v Speaker 4>Rock Hudson. Uh. She was a star in her own right.

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<v Speaker 4>And you know, pretty almost immediately Vince and Linda and

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<v Speaker 4>Susan and Dick were pals and you know, going out

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<v Speaker 4>to dinner together and Vince it just sort of paved

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<v Speaker 4>his way into essentially, you know, the television world, Hollywood society.

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<v Speaker 4>Was just kind of fascinating to watch this happen in

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<v Speaker 4>real time with people that you know and work with.

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<v Speaker 4>It was it was just it was all very interesting.

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<v Speaker 5>So anyway, very good Well, that's a that's a great

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<v Speaker 5>snapshot of the time period, and you have exactly as

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<v Speaker 5>you're saying, you have a a dialogue going on about

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<v Speaker 5>how to newly present these wrestlers with you know, Dick

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<v Speaker 5>Eversol's experience in television being kind of layered on top

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<v Speaker 5>of Vince's instincts, and Vince isn't afraid to uh to

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<v Speaker 5>draw distinctions around his level of power in the deal

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<v Speaker 5>and that continued to be a relationship that flourished for years. Well,

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<v Speaker 5>let's talk about how you first got in the door

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<v Speaker 5>over there, Brian. How did you become the WWFS creative director.

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<v Speaker 4>Well, I started and it all started in probably the

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<v Speaker 4>most unlikely place on earth. Kip cod.

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<v Speaker 5>Sure, that's where he was. That's where he started so

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<v Speaker 5>many of his enterprises.

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<v Speaker 4>Well, it was really interesting. I'm I'm basically a graphic designer, illustrator,

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<v Speaker 4>a copywriter guy. And I started in ad agencies in

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<v Speaker 4>Boston when I was in my early twenties in the

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<v Speaker 4>early seventies, and you know, I had built up a

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<v Speaker 4>pretty decent clientele and worked my tail off and I

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<v Speaker 4>had a I found one thing and another there was

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<v Speaker 4>a printer I was doing a lot of work with

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<v Speaker 4>based in Hyennas, and I found an apartment I liked

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<v Speaker 4>in Yarmouth Port, this great little town on the on

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<v Speaker 4>the Bay side of the Cape. And for your listeners

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<v Speaker 4>who grew up in I've lived around Boston. WBCN was

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<v Speaker 4>probably one of the leading all rocks stations. Oh yeah,

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<v Speaker 4>classic rock in the sixties, late sixties, early seventies right

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<v Speaker 4>right through for some time after that. But I designed

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<v Speaker 4>that WWF logo. I mean, it's not what am I saying,

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<v Speaker 4>the WBCN logo. It's like a chrome kind of little treatment.

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<v Speaker 4>And that was on bumper stickers for ten years or more.

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<v Speaker 4>But that was one of my designs. And Christmas Tree

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<v Speaker 4>Shops logo, Boston Lobsters and Worldness was around, so I

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<v Speaker 4>had a good footprint. I couldn't establish my designer. And

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<v Speaker 4>I was this crazy, you know, twenty something guy running

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<v Speaker 4>around having fun and working my tailoff, but having plenty

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<v Speaker 4>of fun. And so one day I get this call.

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<v Speaker 4>I'm in my studio in the Armouth Port and a

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<v Speaker 4>woman named Linda McMahon calls and introduces herself. It's very

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00:20:03.920 --> 00:20:10.359
<v Speaker 4>professional and she and her husband, Vince had just bought

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00:20:10.720 --> 00:20:13.880
<v Speaker 4>the Cape Cod Coliseum out of receivership. The place had

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<v Speaker 4>struggled for years. It was about an eight thousand seat

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<v Speaker 4>venue and it had had rough times and they bought

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<v Speaker 4>it out cash, and she just told me a matter

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<v Speaker 4>of factly what the deal was. And they needed a logo,

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00:20:32.720 --> 00:20:34.839
<v Speaker 4>and they'd found me in the Yellow Pages. You remember

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00:20:34.880 --> 00:20:37.359
<v Speaker 4>those things that kids sat on when they couldn't fit

327
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<v Speaker 4>in their high chairs. Nobody used them for anything else

328
00:20:40.839 --> 00:20:43.799
<v Speaker 4>but that dad worked that I had in there. And

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<v Speaker 4>so they made an appointment to come by and chat

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<v Speaker 4>and see some of my works, all my portfolio, et cetera,

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<v Speaker 4>et cetera. So the day they came the door to

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<v Speaker 4>my it's sort of like Whener would come in the

333
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<v Speaker 4>door on Seinfeld. The door to my studio is buying,

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00:21:05.279 --> 00:21:10.640
<v Speaker 4>and there's and and I'm just I just my jaw

335
00:21:10.759 --> 00:21:15.880
<v Speaker 4>sort of drop because it's a big guy. But he's

336
00:21:16.000 --> 00:21:22.880
<v Speaker 4>wearing a three piece pink plaid. Yes, I'm thinking, okay,

337
00:21:22.960 --> 00:21:26.599
<v Speaker 4>but this isn't like pinky lead. This isn't some slapstick.

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00:21:27.079 --> 00:21:33.039
<v Speaker 4>It's obviously, you know, an Italian cut, nicely made suit.

339
00:21:33.680 --> 00:21:38.039
<v Speaker 4>It's a little bit loud, but you know, that's that's

340
00:21:38.079 --> 00:21:42.160
<v Speaker 4>what Vin's like to wear. So it was just kind

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<v Speaker 4>of crazy. And and you know on his heels is Linda,

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00:21:46.599 --> 00:21:50.079
<v Speaker 4>and she's dressed to the nines, you know, very very gracious,

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<v Speaker 4>very elegant. And I mean you have to remember, you

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<v Speaker 4>can't get on the Cape if you're not wearing boat shoes.

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<v Speaker 4>And you know, you know, it's very casual polo shirt,

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00:22:04.759 --> 00:22:08.279
<v Speaker 4>you know, shorts, and I think I was in jeans

347
00:22:08.400 --> 00:22:11.240
<v Speaker 4>and a T shirt or something. That's just a way

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<v Speaker 4>of life, you know. It's sort of like being somewhere

349
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<v Speaker 4>on a beach in Florida or something, and they just

350
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<v Speaker 4>they look like a million bucks, but they look like

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<v Speaker 4>they belonged at some gala in Boston or New York.

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<v Speaker 4>So it was it was just sort of out of context.

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<v Speaker 4>It was funny, and they looked at my work, they

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<v Speaker 4>liked my work. They hired me to do the logo,

355
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<v Speaker 4>and it was kind of nothing beyond that. And I

356
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<v Speaker 4>remember this is back in the mid I'd say, this

357
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<v Speaker 4>is like, I can't honestly recall I'm going to say

358
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<v Speaker 4>seventy six, seventy seven, somewhere in there is when bos

359
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<v Speaker 4>Gags was hot and his album Silk Degrees won a Grammy.

360
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<v Speaker 4>I mean, this guy was hot. He was a big deal.

361
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<v Speaker 4>So what has Vin? He gets Boz gags at this

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<v Speaker 4>at the cape Cod Coliseum, which has been you know,

363
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<v Speaker 4>the Loserville Railroad forever, and he turns this place around

364
00:23:11.240 --> 00:23:16.079
<v Speaker 4>instantly and gets the hottest guy you know in music

365
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<v Speaker 4>playing there. You know, you must have had a tour

366
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<v Speaker 4>date fall apart or something happened that was already booked

367
00:23:23.759 --> 00:23:26.079
<v Speaker 4>and they got him at the last minute. But all

368
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<v Speaker 4>of a sudden, he's got you know, a less bands

369
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<v Speaker 4>and performers in the cape Cod Coliseum all of a sudden,

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<v Speaker 4>it's a legit place. So he had the golden touch.

371
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<v Speaker 4>And I learned later that he actually had an interest

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<v Speaker 4>in the Worcester Centrum, So I mean he knew his

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<v Speaker 4>way around the event venue facility world, and I really

374
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<v Speaker 4>didn't know much about the wrestling. And we became friends.

375
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<v Speaker 4>We would go out for a drink and a cocktail,

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<v Speaker 4>which is another you know institution on Cape Cod. He

377
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<v Speaker 4>expected him morning, noon and night. No I'm kidding, but

378
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<v Speaker 4>not really. But I the fun thing Vince Vince used

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<v Speaker 4>to he just made going out for cocktails. Really. He

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<v Speaker 4>would call up and say it's time for a tall one. Yes,

381
00:24:25.640 --> 00:24:30.000
<v Speaker 4>he's really tall. Tumblers full of you know, typically vodka,

382
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<v Speaker 4>and we would just have a blast and he was

383
00:24:32.960 --> 00:24:35.759
<v Speaker 4>he was a funny guy. Linda was great. We just

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<v Speaker 4>had a great time and that was that. And you know, uh,

385
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<v Speaker 4>Actually a few years went by and I heard brumblings

386
00:24:46.480 --> 00:24:49.640
<v Speaker 4>about the wrestling and I didn't I really wasn't intimately

387
00:24:49.759 --> 00:24:53.400
<v Speaker 4>familiar with what all they were doing. And then I

388
00:24:53.559 --> 00:24:57.839
<v Speaker 4>started getting calls from both Linda and Vince and they said, look,

389
00:24:58.000 --> 00:25:02.599
<v Speaker 4>we're you know. The explained that Vince's dad had been

390
00:25:02.680 --> 00:25:06.319
<v Speaker 4>in the business for years, and it made me recall

391
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<v Speaker 4>when I was a kid. I actually was raised in California,

392
00:25:09.400 --> 00:25:13.920
<v Speaker 4>and I remember watching shows that originated at the Cow

393
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<v Speaker 4>Palace in San Francisco, and you know, the original Chic

394
00:25:21.799 --> 00:25:25.200
<v Speaker 4>and Haystack Calhoun. I mean, real old timers like that

395
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<v Speaker 4>who I was watching when I was seven or eight,

396
00:25:29.240 --> 00:25:31.839
<v Speaker 4>and it occurred to me, holy crap, Vince's dad put

397
00:25:31.880 --> 00:25:35.920
<v Speaker 4>those shows together. So it was like this weird string

398
00:25:36.279 --> 00:25:41.079
<v Speaker 4>of occurrences that had been going on forever that I

399
00:25:41.559 --> 00:25:44.319
<v Speaker 4>just knew of in a certain perspective as a kid,

400
00:25:45.119 --> 00:25:47.839
<v Speaker 4>and now I was realizing, wow, that this is becoming

401
00:25:47.880 --> 00:25:51.759
<v Speaker 4>a bigger deal, and so he was. He had this

402
00:25:51.960 --> 00:25:57.160
<v Speaker 4>vision for doing nationally broadcast shows where wrestling used to be.

403
00:25:57.319 --> 00:26:04.319
<v Speaker 4>Remember remember the old VHF in UHF TVF a schlumpy

404
00:26:04.400 --> 00:26:07.480
<v Speaker 4>little world that TV existed in. It had nothing to

405
00:26:07.559 --> 00:26:10.279
<v Speaker 4>do with what it's grown to or streaming or anything.

406
00:26:11.119 --> 00:26:15.000
<v Speaker 4>And not that Vincent defined all that it could be.

407
00:26:15.119 --> 00:26:17.119
<v Speaker 4>But he had this vision that it could be a

408
00:26:17.279 --> 00:26:20.799
<v Speaker 4>lot more than it was, and it was really fascinating.

409
00:26:20.880 --> 00:26:24.920
<v Speaker 4>And my biggest client was Infinity Broadcasting, which is a

410
00:26:25.039 --> 00:26:28.480
<v Speaker 4>radio company. It was the home of Howard Stern and

411
00:26:28.559 --> 00:26:32.039
<v Speaker 4>I did Stearn's promotion. That was my big ticket. And

412
00:26:32.119 --> 00:26:34.400
<v Speaker 4>I was doing that from the Cape, which was a

413
00:26:34.480 --> 00:26:37.119
<v Speaker 4>bit of a feat but I loved it and I

414
00:26:37.240 --> 00:26:41.000
<v Speaker 4>didn't feel I had to go anywhere. I had it made.

415
00:26:41.039 --> 00:26:42.839
<v Speaker 4>As far as I was concerned, I had a great gig.

416
00:26:42.960 --> 00:26:45.160
<v Speaker 4>I was my own boss. I'm on the Cape. I

417
00:26:45.200 --> 00:26:48.079
<v Speaker 4>had a good client, several clients, but that was the

418
00:26:48.119 --> 00:26:51.880
<v Speaker 4>big one. And they made these overtairs, We're going to

419
00:26:51.960 --> 00:26:55.759
<v Speaker 4>start doing shows out of Madison Square Garden. I'm like God,

420
00:26:56.640 --> 00:26:59.359
<v Speaker 4>and he said, listen, we wanted to be our creative director.

421
00:26:59.480 --> 00:27:02.359
<v Speaker 4>We wanted to you know, bring your vision for you know,

422
00:27:03.200 --> 00:27:05.319
<v Speaker 4>the look and the feel of the whole thing. And

423
00:27:06.000 --> 00:27:09.079
<v Speaker 4>it sounded fascinating. And at the same time, I'm thinking, yeah,

424
00:27:09.079 --> 00:27:12.720
<v Speaker 4>and I'm gonna I'm gonna be down somewhere around New York.

425
00:27:12.799 --> 00:27:16.000
<v Speaker 4>It's going to be more expensive, it's a little more formal.

426
00:27:16.279 --> 00:27:20.000
<v Speaker 4>It's I'm processing all this stuff in my head. I mean,

427
00:27:20.039 --> 00:27:21.839
<v Speaker 4>it's not like I ever left the Cape. I used

428
00:27:21.839 --> 00:27:23.720
<v Speaker 4>to go to New York City every two weeks on

429
00:27:24.359 --> 00:27:30.039
<v Speaker 4>puddle jumper out of Hyenas Airport down to you know,

430
00:27:30.960 --> 00:27:34.039
<v Speaker 4>La Guardia or one of the big three airports, depending

431
00:27:34.079 --> 00:27:36.279
<v Speaker 4>on what was available. And I would I would take

432
00:27:36.319 --> 00:27:38.319
<v Speaker 4>a taxi in town and had my meetings and come

433
00:27:38.400 --> 00:27:41.680
<v Speaker 4>back to the Cape. I was perfectly satisfied. And so

434
00:27:41.839 --> 00:27:44.960
<v Speaker 4>they're saying, yeah, well, this is a big deal, and

435
00:27:45.079 --> 00:27:48.119
<v Speaker 4>we're gonna we can't we can't work you know, at

436
00:27:48.240 --> 00:27:50.720
<v Speaker 4>arm's lengths. You're gonna have to be on premises. You're

437
00:27:50.759 --> 00:27:54.279
<v Speaker 4>gonna have to marry this thing. And like, I don't know,

438
00:27:54.559 --> 00:27:56.960
<v Speaker 4>and I mean this this wasn't a matter of conversations

439
00:27:57.000 --> 00:27:59.119
<v Speaker 4>in a matter of days or weeks. This one on

440
00:27:59.319 --> 00:28:03.920
<v Speaker 4>for two years. Because they were planning and they were.

441
00:28:03.960 --> 00:28:06.240
<v Speaker 4>They were starting to do shows out of out of

442
00:28:06.400 --> 00:28:11.079
<v Speaker 4>Madison Square Gardens and so MSG had become their their base,

443
00:28:11.599 --> 00:28:14.039
<v Speaker 4>but they hadn't built up a staff. They were they

444
00:28:14.119 --> 00:28:17.599
<v Speaker 4>were lining people up. They were just trying to strategize

445
00:28:17.640 --> 00:28:19.680
<v Speaker 4>how to do this thing and what to call it.

446
00:28:20.480 --> 00:28:25.000
<v Speaker 4>Titan Sports became the corporate name. And I mean before

447
00:28:25.039 --> 00:28:27.400
<v Speaker 4>I even left the Cape, I had worked on a

448
00:28:27.480 --> 00:28:32.119
<v Speaker 4>logo for Titan Sports, and I had done the original

449
00:28:32.319 --> 00:28:35.519
<v Speaker 4>ww F logo, which looked nothing like it did with

450
00:28:35.680 --> 00:28:38.319
<v Speaker 4>the you know, the the stacked w's with the F

451
00:28:38.440 --> 00:28:43.880
<v Speaker 4>growing out the right. That evolved to that, and it

452
00:28:44.039 --> 00:28:47.960
<v Speaker 4>was just a real but for literally two years, they

453
00:28:48.000 --> 00:28:50.160
<v Speaker 4>would call me maybe every month or two. Have you

454
00:28:50.279 --> 00:28:53.240
<v Speaker 4>thought about it? Have you thought about? Like? Ho? Come on?

455
00:28:53.759 --> 00:28:57.279
<v Speaker 4>And they kept upping the offer, and they thought, all right,

456
00:28:57.519 --> 00:28:59.240
<v Speaker 4>it's going to get to a certain point where I

457
00:28:59.319 --> 00:29:01.920
<v Speaker 4>got to be crazy not to do it. Because I

458
00:29:01.960 --> 00:29:04.000
<v Speaker 4>knew this thing was going to amount to something. I

459
00:29:04.160 --> 00:29:05.799
<v Speaker 4>just didn't know how big it was going to get

460
00:29:05.799 --> 00:29:11.319
<v Speaker 4>around fast. And they finally hit a number and I thought,

461
00:29:11.559 --> 00:29:17.240
<v Speaker 4>oh man, what am I doing? So I put my

462
00:29:17.319 --> 00:29:21.960
<v Speaker 4>house on the market, and you know, it was my

463
00:29:22.119 --> 00:29:27.319
<v Speaker 4>first house. I made a little bit of money. Okay,

464
00:29:27.559 --> 00:29:31.160
<v Speaker 4>I moved. I moved down to uh Greenwich. I mean

465
00:29:31.240 --> 00:29:34.000
<v Speaker 4>that this is like culture shock. This is like living

466
00:29:34.039 --> 00:29:37.599
<v Speaker 4>in a hut in Botswana and being transmitted to London.

467
00:29:37.799 --> 00:29:37.960
<v Speaker 3>You know.

468
00:29:39.279 --> 00:29:45.319
<v Speaker 4>But what and the craziest thing. I got down to

469
00:29:45.400 --> 00:29:49.799
<v Speaker 4>Greenwich and it took I'm in a hotel. It took

470
00:29:49.839 --> 00:29:52.880
<v Speaker 4>me two months to find an affordable apartment. It's a

471
00:29:53.200 --> 00:29:57.039
<v Speaker 4>very expensive place. And you know, all all your corporate honchos,

472
00:29:57.200 --> 00:30:01.960
<v Speaker 4>all your all your heads of the biggest stock exchanges

473
00:30:02.000 --> 00:30:08.039
<v Speaker 4>and houses living places like Greenwich and neighboring suburbs in

474
00:30:08.759 --> 00:30:13.559
<v Speaker 4>New York just over the state line. It's you really

475
00:30:13.640 --> 00:30:16.759
<v Speaker 4>have to have some cake to play the game down there.

476
00:30:17.279 --> 00:30:19.079
<v Speaker 4>And I remember the first time I picked up some

477
00:30:19.279 --> 00:30:22.640
<v Speaker 4>dry cleaning. I mean it was like a shirt and

478
00:30:22.720 --> 00:30:24.799
<v Speaker 4>a pair of pants. It would have been like six

479
00:30:24.960 --> 00:30:29.559
<v Speaker 4>bucks on the cape. And I went to the dry cleaner,

480
00:30:29.640 --> 00:30:31.519
<v Speaker 4>I picked my stuff up. I said, I was just

481
00:30:32.440 --> 00:30:34.160
<v Speaker 4>sort of shooting the breeze with the guy for a

482
00:30:34.200 --> 00:30:35.680
<v Speaker 4>minute and I said, so what do I owe you?

483
00:30:35.799 --> 00:30:38.759
<v Speaker 4>And he said thirty dollars and I just burst that.

484
00:30:40.559 --> 00:30:42.839
<v Speaker 4>I really was laughing as that, you know, really what

485
00:30:42.960 --> 00:30:44.359
<v Speaker 4>a way owe you? And He just looked at me

486
00:30:44.519 --> 00:30:46.640
<v Speaker 4>like I was some rube that had been under a

487
00:30:46.799 --> 00:30:50.440
<v Speaker 4>rock for the last century, and he said thirty bucks,

488
00:30:51.240 --> 00:30:56.400
<v Speaker 4>like a idiot. I'm like okay, and I paid him.

489
00:30:56.960 --> 00:31:01.079
<v Speaker 4>And I remember like walking out with my clothes in

490
00:31:01.359 --> 00:31:04.319
<v Speaker 4>one of those you know, Dray cleaner bags. I'm like,

491
00:31:04.880 --> 00:31:11.920
<v Speaker 4>what did I just do? Oh my goodness, I think.

492
00:31:12.480 --> 00:31:16.920
<v Speaker 4>I mean this was real culture shock and nothing to

493
00:31:17.000 --> 00:31:19.240
<v Speaker 4>do with the wrestler. I mean, that's a whole other layer.

494
00:31:19.480 --> 00:31:22.839
<v Speaker 4>You know, you're in this very hoity toity place where

495
00:31:22.920 --> 00:31:26.599
<v Speaker 4>people tend to be more dressed up. You know, people

496
00:31:26.680 --> 00:31:29.759
<v Speaker 4>wear designer clothes. People are driving, you know, every other

497
00:31:29.880 --> 00:31:32.599
<v Speaker 4>car is a land Rover Mercedes for you know, Ferrari

498
00:31:33.440 --> 00:31:35.480
<v Speaker 4>the Lotus Way. You know.

499
00:31:37.839 --> 00:31:41.759
<v Speaker 1>He's a lapsed fan wrestling podcast with Jack and Carno

500
00:31:42.160 --> 00:31:53.480
<v Speaker 1>and JP Sorrow. It's the Lapsed Fan Wrestling Podcast.

501
00:31:53.759 --> 00:31:55.680
<v Speaker 5>Well, you touched on design of the original w W

502
00:31:55.839 --> 00:31:58.279
<v Speaker 5>Flogobrian and I don't want to leave that unddressed because

503
00:31:58.279 --> 00:32:00.680
<v Speaker 5>that's obviously a point of fascination for pro fans. The

504
00:32:01.400 --> 00:32:06.440
<v Speaker 5>WWF logo that came into you know, general view during

505
00:32:06.480 --> 00:32:09.599
<v Speaker 5>your time. It's just the north Star when it comes

506
00:32:09.640 --> 00:32:11.759
<v Speaker 5>to like a look that everyone fell in love with.

507
00:32:11.960 --> 00:32:15.119
<v Speaker 5>As regards the WWF, you had said, it didn't quite

508
00:32:15.160 --> 00:32:16.640
<v Speaker 5>look that way in the beginning. So can you take

509
00:32:16.680 --> 00:32:18.480
<v Speaker 5>us through what it looked like at the very start

510
00:32:18.640 --> 00:32:20.960
<v Speaker 5>and how it came to be this chrome, shiny thing

511
00:32:21.039 --> 00:32:22.759
<v Speaker 5>that we all remember so well with the f off

512
00:32:22.799 --> 00:32:27.039
<v Speaker 5>to the right, as you mentioned, well, and you've.

513
00:32:26.960 --> 00:32:29.759
<v Speaker 4>Got to realize this thing was such a process. I

514
00:32:29.920 --> 00:32:38.839
<v Speaker 4>had no inkling how how big and bold and successful

515
00:32:38.960 --> 00:32:41.799
<v Speaker 4>this thing was going to get so quickly, And it

516
00:32:41.920 --> 00:32:45.400
<v Speaker 4>really wasn't designed And from the little input that I

517
00:32:45.519 --> 00:32:50.680
<v Speaker 4>had got from Vince, this wasn't a logo that I

518
00:32:50.880 --> 00:32:56.000
<v Speaker 4>envisioned was necessarily going to be on screen on television,

519
00:32:56.079 --> 00:33:00.240
<v Speaker 4>something for consider to be looking at it. It was

520
00:33:00.799 --> 00:33:05.599
<v Speaker 4>a corporate logo, just some sort of signature to identify

521
00:33:05.759 --> 00:33:08.440
<v Speaker 4>the fact that, you know, when they were doing business,

522
00:33:08.519 --> 00:33:12.480
<v Speaker 4>correspondence back and forth to promoters, to you know, rent

523
00:33:13.680 --> 00:33:17.400
<v Speaker 4>venues and so forth, that kind of thing. And so

524
00:33:17.680 --> 00:33:23.720
<v Speaker 4>it was very simply a W, just just a right

525
00:33:23.799 --> 00:33:26.160
<v Speaker 4>reading W. You're looking at the W and above it,

526
00:33:27.799 --> 00:33:30.680
<v Speaker 4>let's say you're looking at a Let's say you're looking

527
00:33:30.759 --> 00:33:35.400
<v Speaker 4>at a compass. So the S the south is at

528
00:33:35.400 --> 00:33:39.759
<v Speaker 4>the bottom, and there's a west east and an end

529
00:33:39.880 --> 00:33:43.000
<v Speaker 4>for the north at the top. It was a W

530
00:33:44.119 --> 00:33:45.400
<v Speaker 4>going in four directions.

531
00:33:46.039 --> 00:33:47.200
<v Speaker 2>I'm looking at it right now.

532
00:33:47.400 --> 00:33:47.680
<v Speaker 4>It is.

533
00:33:47.960 --> 00:33:50.640
<v Speaker 2>It's a fascinating logo. I've never seen this one before.

534
00:33:51.960 --> 00:33:52.960
<v Speaker 4>Where did you find it?

535
00:33:53.160 --> 00:33:55.200
<v Speaker 6>I just googled it. I did a quick google of it,

536
00:33:55.319 --> 00:34:01.319
<v Speaker 6>and I did WWF logo. I just did nineteen seventies

537
00:34:01.400 --> 00:34:03.880
<v Speaker 6>and then this one came up. It's like fluorescent green.

538
00:34:05.200 --> 00:34:12.320
<v Speaker 4>You've got to be kidding me, how come? Wow? Okay,

539
00:34:12.599 --> 00:34:16.920
<v Speaker 4>so but now think about this. Think of MetLife, the

540
00:34:17.039 --> 00:34:21.960
<v Speaker 4>insurance company, and they have an M that very similarly

541
00:34:22.719 --> 00:34:26.559
<v Speaker 4>those or directions like that, and the bottoms it's like

542
00:34:26.679 --> 00:34:29.800
<v Speaker 4>a in that instance, it's the the M is at

543
00:34:29.840 --> 00:34:33.079
<v Speaker 4>the top where the where the end for north would be.

544
00:34:33.760 --> 00:34:38.599
<v Speaker 4>So this, anyway, I never even thought about that when

545
00:34:38.639 --> 00:34:40.679
<v Speaker 4>I designed the logo. I just thought it was sort

546
00:34:40.719 --> 00:34:43.840
<v Speaker 4>of a fun graphic and it looked expansive, like it's

547
00:34:44.079 --> 00:34:46.599
<v Speaker 4>it's going in all directions at once. That was the idea.

548
00:34:46.599 --> 00:34:49.119
<v Speaker 4>It had this energy to do a three sixty whatever

549
00:34:49.199 --> 00:34:56.239
<v Speaker 4>that was. So Vince loves it. Okay, that's the logo.

550
00:34:56.320 --> 00:34:59.320
<v Speaker 4>The prince that puts it on letterheads that business cards.

551
00:34:59.360 --> 00:35:04.599
<v Speaker 4>That's about the of it. So he gets this letter

552
00:35:05.480 --> 00:35:07.639
<v Speaker 4>from an attorney for MetLife.

553
00:35:07.840 --> 00:35:11.599
<v Speaker 2>Yes he does, and.

554
00:35:13.079 --> 00:35:16.800
<v Speaker 4>The attorney accuses him of ripping off their logo blah

555
00:35:16.800 --> 00:35:19.280
<v Speaker 4>blah blah blah blah blah blah blah blah blah, and

556
00:35:19.480 --> 00:35:22.119
<v Speaker 4>Vince is just amused by the whole thing, and I'm

557
00:35:24.280 --> 00:35:27.599
<v Speaker 4>in my naivete I'm in terror because I'm thinking, oh

558
00:35:27.639 --> 00:35:29.760
<v Speaker 4>my god, they're going to sue me too, because I

559
00:35:29.880 --> 00:35:33.159
<v Speaker 4>designed the frickate thing, and you know, I had no

560
00:35:33.320 --> 00:35:35.840
<v Speaker 4>idea how these things worked at that point in my career,

561
00:35:35.920 --> 00:35:39.079
<v Speaker 4>I've gotten a lot more sophisticated business wise, but at

562
00:35:39.119 --> 00:35:41.400
<v Speaker 4>that point I was just struck terror in my heart.

563
00:35:42.360 --> 00:35:46.840
<v Speaker 4>And so I started doing some research on my own

564
00:35:47.199 --> 00:35:50.320
<v Speaker 4>and looking for precedents legal presidents that I happened to

565
00:35:50.400 --> 00:35:53.079
<v Speaker 4>have a friend who was a district attorney in Hyhennas

566
00:35:53.199 --> 00:35:57.800
<v Speaker 4>and legal beagle in them. He said, don't sweat at me,

567
00:35:57.920 --> 00:36:01.320
<v Speaker 4>and he gave me some legal finding. He found a

568
00:36:01.400 --> 00:36:05.440
<v Speaker 4>bunch of precedents where when a company, first of all,

569
00:36:05.519 --> 00:36:08.480
<v Speaker 4>you have to be in the same product area. So

570
00:36:08.880 --> 00:36:13.880
<v Speaker 4>so the WWF would have to be selling insurance for

571
00:36:14.320 --> 00:36:16.159
<v Speaker 4>met Life to have any kind of case at all,

572
00:36:16.679 --> 00:36:18.840
<v Speaker 4>which of course they weren't close to doing, and that

573
00:36:19.039 --> 00:36:22.320
<v Speaker 4>life close to making big, sweaty guys jump around and

574
00:36:22.360 --> 00:36:25.360
<v Speaker 4>beat each other up. So you know, there was no case.

575
00:36:26.119 --> 00:36:29.559
<v Speaker 4>But the CEO this is this is the craziest thing.

576
00:36:29.840 --> 00:36:33.239
<v Speaker 4>It turns out the CEO of MetLife, I can't even

577
00:36:33.239 --> 00:36:36.159
<v Speaker 4>remember the guy's name, turned out to be a closet

578
00:36:36.519 --> 00:36:42.920
<v Speaker 4>wrestling freak pro wrestling, so and that almost sort of

579
00:36:43.079 --> 00:36:46.440
<v Speaker 4>legitimized pro wrestling. And then Vince had a big smile

580
00:36:46.559 --> 00:36:50.039
<v Speaker 4>because yeah, everybody loves this stuff, they just don't admit it.

581
00:36:52.039 --> 00:36:56.079
<v Speaker 4>I mean, it was pretty cool. And what Vince did?

582
00:36:56.920 --> 00:36:59.159
<v Speaker 2>Were you, Brian, were you a fan when growing up?

583
00:36:59.239 --> 00:36:59.960
<v Speaker 2>Did you watch wrestle?

584
00:37:01.960 --> 00:37:03.400
<v Speaker 4>Yeah, well that's what I was talking about. When I

585
00:37:03.480 --> 00:37:07.480
<v Speaker 4>lived with the California as a kid, I watched wrestley

586
00:37:07.519 --> 00:37:11.960
<v Speaker 4>shows coming out of the Cow Palace and which people

587
00:37:12.039 --> 00:37:14.639
<v Speaker 4>may not if you're not familiar with the it's a

588
00:37:14.840 --> 00:37:19.079
<v Speaker 4>huge venue. The Cow Palace is like, h it's it's

589
00:37:19.119 --> 00:37:23.800
<v Speaker 4>a big deal and anyway, no, but what what what

590
00:37:24.039 --> 00:37:28.480
<v Speaker 4>really struck me was Vince didn't even want to spend

591
00:37:28.559 --> 00:37:30.760
<v Speaker 4>a dime on one of his attorneys. And believe me,

592
00:37:30.840 --> 00:37:33.920
<v Speaker 4>he had some powerhouse attorneys. But he didn't want to

593
00:37:33.960 --> 00:37:39.119
<v Speaker 4>waste the money, you know, indulging this guy. He wrote

594
00:37:39.199 --> 00:37:43.800
<v Speaker 4>a letter back to the chairman of MetLife on his

595
00:37:44.079 --> 00:37:49.440
<v Speaker 4>letter head and it was just it was a it

596
00:37:49.599 --> 00:37:53.800
<v Speaker 4>was a business lesson this this There should be a

597
00:37:54.000 --> 00:38:00.519
<v Speaker 4>Harvard Business School course enshrined on how to belittle somebody

598
00:38:01.239 --> 00:38:05.800
<v Speaker 4>in three paragraphs and bring them to their knees. And

599
00:38:05.880 --> 00:38:09.280
<v Speaker 4>it started off and dear so, and so it was

600
00:38:09.360 --> 00:38:11.639
<v Speaker 4>something to the effective as a fellow member of the

601
00:38:11.719 --> 00:38:13.119
<v Speaker 4>world business community.

602
00:38:13.360 --> 00:38:14.800
<v Speaker 5>Yes, that's right.

603
00:38:15.840 --> 00:38:19.199
<v Speaker 4>So we're already on the same place. And he was

604
00:38:19.320 --> 00:38:21.960
<v Speaker 4>basically saying, shut up and calm down and listen to me.

605
00:38:24.360 --> 00:38:31.599
<v Speaker 4>And he said, I you don't actually have grounds for this.

606
00:38:32.079 --> 00:38:37.559
<v Speaker 4>If you feel that our brand is somehow damaging yours

607
00:38:37.840 --> 00:38:40.559
<v Speaker 4>and we happen not to be in product areas that

608
00:38:40.679 --> 00:38:43.920
<v Speaker 4>have anything to do with each other, it's incumbent upon

609
00:38:44.079 --> 00:38:47.920
<v Speaker 4>you to pay me to change my logo. I'm perfectly

610
00:38:48.000 --> 00:38:51.119
<v Speaker 4>happy to do it. But the cost, because it now

611
00:38:51.320 --> 00:38:55.599
<v Speaker 4>is embedded in dozens of TV shows and hundreds of

612
00:38:55.719 --> 00:38:59.320
<v Speaker 4>hours of programming, the cost to design the new logo

613
00:38:59.440 --> 00:39:05.760
<v Speaker 4>and repro will be approximately one hundred thousand dollars so

614
00:39:05.920 --> 00:39:09.159
<v Speaker 4>guess what, he gets a check from that lot for

615
00:39:09.239 --> 00:39:12.800
<v Speaker 4>one hundred grand And did I get I got fifteen

616
00:39:12.880 --> 00:39:13.599
<v Speaker 4>hundred bucks.

617
00:39:15.159 --> 00:39:16.320
<v Speaker 2>Counting that.

618
00:39:16.639 --> 00:39:18.280
<v Speaker 4>Back then, that was a lot of money.

619
00:39:18.360 --> 00:39:19.719
<v Speaker 2>To me, that was a lot of money.

620
00:39:21.239 --> 00:39:24.039
<v Speaker 4>That's not an enormous amount for logo design in the

621
00:39:24.320 --> 00:39:26.719
<v Speaker 4>realm of things that I work at today, but you know,

622
00:39:27.000 --> 00:39:30.400
<v Speaker 4>that was a big deal back then. So I was

623
00:39:30.559 --> 00:39:34.599
<v Speaker 4>just happy as a clam. And you know, I and

624
00:39:34.760 --> 00:39:36.360
<v Speaker 4>I just got thinking, like, what are we going to

625
00:39:36.440 --> 00:39:39.079
<v Speaker 4>do differently here? And I started experimenting the w's and

626
00:39:39.159 --> 00:39:42.280
<v Speaker 4>I realized how they could stack. Yes, And you know,

627
00:39:42.480 --> 00:39:45.000
<v Speaker 4>you don't need to work too hard to put an

628
00:39:45.119 --> 00:39:46.960
<v Speaker 4>F next to it. You could just grow a couple

629
00:39:46.960 --> 00:39:49.400
<v Speaker 4>of lines out and you've got the semblance of an F.

630
00:39:49.519 --> 00:39:53.360
<v Speaker 4>And I and I started playing with it, and interestingly too,

631
00:39:53.559 --> 00:39:58.000
<v Speaker 4>this this, you know, for that logo and for WrestleMania.

632
00:40:00.360 --> 00:40:03.320
<v Speaker 4>This era that we live in now, you know, kids

633
00:40:03.440 --> 00:40:07.400
<v Speaker 4>are learning how to do photoshop in school. It's a given.

634
00:40:07.480 --> 00:40:11.760
<v Speaker 4>It's just another app. And you know, but back in

635
00:40:11.840 --> 00:40:16.360
<v Speaker 4>that era, photoshop in its infancy wasn't around until the

636
00:40:16.400 --> 00:40:24.079
<v Speaker 4>mid nineties. Everything was done traditional airbrush. I'm not an illustrator,

637
00:40:24.159 --> 00:40:28.239
<v Speaker 4>but I would. I would pencil my designs very very tightly.

638
00:40:28.400 --> 00:40:28.639
<v Speaker 2>I was.

639
00:40:28.800 --> 00:40:34.480
<v Speaker 4>I was absolutely a stickler about details, and I had

640
00:40:34.559 --> 00:40:38.679
<v Speaker 4>some great airbrush artists that I would then sub contract

641
00:40:38.800 --> 00:40:40.559
<v Speaker 4>to to do that end of it. And then I

642
00:40:40.559 --> 00:40:43.800
<v Speaker 4>would do what it's called dry brush technique, which is

643
00:40:43.960 --> 00:40:47.320
<v Speaker 4>detailing on top of the airbrush layer for highlights and

644
00:40:47.400 --> 00:40:50.159
<v Speaker 4>so forth. And that's how these logos came to be.

645
00:40:51.320 --> 00:40:54.039
<v Speaker 4>And you know, the basic ww IF logo just for

646
00:40:54.159 --> 00:40:57.920
<v Speaker 4>lighterhead and stuff was just a black image. But then

647
00:40:58.119 --> 00:41:00.480
<v Speaker 4>when I when I realized the mag that you to,

648
00:41:00.599 --> 00:41:02.800
<v Speaker 4>what this thing was becoming, and that it was going

649
00:41:02.880 --> 00:41:04.760
<v Speaker 4>to be on screen, and that it had to be

650
00:41:04.920 --> 00:41:08.440
<v Speaker 4>you know, hot and sexy and compete with everything else

651
00:41:08.559 --> 00:41:13.440
<v Speaker 4>on TV, I'd thrown out the possibility to Benson Linda,

652
00:41:13.559 --> 00:41:15.719
<v Speaker 4>that you know, hey, let's do this in full color,

653
00:41:15.840 --> 00:41:17.920
<v Speaker 4>let's let's make it look rich, let's give it a

654
00:41:18.000 --> 00:41:23.159
<v Speaker 4>metallic kind of really funky feel. And then you know,

655
00:41:23.800 --> 00:41:27.760
<v Speaker 4>the answer was then and always was do it. And

656
00:41:28.639 --> 00:41:29.800
<v Speaker 4>that's how it got where it got.

657
00:41:30.119 --> 00:41:33.440
<v Speaker 5>Wow, that is such critical history to know because that

658
00:41:33.599 --> 00:41:36.559
<v Speaker 5>logo just centers us. Like I said, and yeah, that

659
00:41:36.639 --> 00:41:40.320
<v Speaker 5>original four points logo, I know, I've seen it on

660
00:41:40.519 --> 00:41:44.000
<v Speaker 5>WWF television before I kind of associated with the time

661
00:41:44.039 --> 00:41:47.960
<v Speaker 5>when they were like more of the seventies. But I

662
00:41:48.039 --> 00:41:50.840
<v Speaker 5>suppose maybe it was just super imposed on footage from

663
00:41:50.880 --> 00:41:54.119
<v Speaker 5>the seventies that they later released. But yeah, that's not

664
00:41:54.199 --> 00:41:57.880
<v Speaker 5>a logo, Brian. That's completely unfamiliar to wrestling fans. It's

665
00:41:57.920 --> 00:42:00.639
<v Speaker 5>harder to find, but it's out there, and wow, that's

666
00:42:00.639 --> 00:42:02.599
<v Speaker 5>how we got to the WWF logo. We all need

667
00:42:02.840 --> 00:42:04.840
<v Speaker 5>just one more question on that logo before we move on.

668
00:42:05.960 --> 00:42:08.000
<v Speaker 5>Is it supposed to evote kind of like a horizon

669
00:42:08.079 --> 00:42:10.320
<v Speaker 5>in the desert or something. I was that middle line

670
00:42:10.880 --> 00:42:13.519
<v Speaker 5>beneath kind of has like a brownish, almost like sand

671
00:42:13.639 --> 00:42:16.400
<v Speaker 5>color in the top is like a sky blue. I've

672
00:42:16.400 --> 00:42:18.719
<v Speaker 5>always wondered if I'm just seeing things when I look

673
00:42:18.760 --> 00:42:20.239
<v Speaker 5>at the logo, if that's what you intended.

674
00:42:21.159 --> 00:42:25.639
<v Speaker 4>No, Actually, I'll tell you something funny. I I grew

675
00:42:25.760 --> 00:42:28.079
<v Speaker 4>up loving hot rods. I mean, but when the kid

676
00:42:28.199 --> 00:42:34.079
<v Speaker 4>done and I grew up, well, my folks flow up

677
00:42:34.119 --> 00:42:38.239
<v Speaker 4>when I was barely a teenager and I came kicking

678
00:42:38.280 --> 00:42:43.280
<v Speaker 4>and screaming back to these coast But the you know,

679
00:42:43.559 --> 00:42:48.159
<v Speaker 4>I remember watching these insanely hot This is the era

680
00:42:48.280 --> 00:42:52.400
<v Speaker 4>of big Daddy at Roth and you know, car magazines

681
00:42:52.519 --> 00:42:58.400
<v Speaker 4>raised rein supreme with the you know, just just crazy

682
00:42:58.840 --> 00:43:02.159
<v Speaker 4>chroned mountains of it engines. And when you when you

683
00:43:02.400 --> 00:43:09.800
<v Speaker 4>look at any kind of chrome typography, you know, like

684
00:43:10.039 --> 00:43:13.039
<v Speaker 4>the or the logo for the Dodge Ram or a

685
00:43:13.239 --> 00:43:18.239
<v Speaker 4>hubcap on a low rider, you quite often see earth

686
00:43:18.400 --> 00:43:22.639
<v Speaker 4>tones or grays which are reflection of the asphalt of

687
00:43:22.679 --> 00:43:24.880
<v Speaker 4>the road, and then you see a soft blue that's

688
00:43:24.920 --> 00:43:28.400
<v Speaker 4>the sky. It's just that simple. You're reflecting whatever is

689
00:43:28.519 --> 00:43:33.880
<v Speaker 4>around the chrome in the peripheral vision from from maybe

690
00:43:33.880 --> 00:43:36.280
<v Speaker 4>you see a little hint of green. You're picking up

691
00:43:36.320 --> 00:43:39.280
<v Speaker 4>the bushes and the trees at the street level. It's

692
00:43:39.400 --> 00:43:43.960
<v Speaker 4>just it's just a stylized reflection of whatever colors are

693
00:43:44.039 --> 00:43:46.320
<v Speaker 4>picked up in reflection in the chrome, whether it's a

694
00:43:46.400 --> 00:43:52.960
<v Speaker 4>bumper or a hubcap, whatever, and that's it. It was

695
00:43:53.119 --> 00:43:56.159
<v Speaker 4>just simply a matter of making contrast to make it

696
00:43:56.280 --> 00:44:00.599
<v Speaker 4>look interesting and too so when the high lights appear,

697
00:44:00.679 --> 00:44:04.639
<v Speaker 4>they look even brighter, shinier. You know, there's not a

698
00:44:04.679 --> 00:44:09.039
<v Speaker 4>lot of science to it. It was just really just

699
00:44:09.199 --> 00:44:13.639
<v Speaker 4>a stylization of you know, somebody went to a metal

700
00:44:13.679 --> 00:44:17.480
<v Speaker 4>working shop and had that logo built in three d

701
00:44:19.280 --> 00:44:21.800
<v Speaker 4>mounted on the side of a building and cars are

702
00:44:21.840 --> 00:44:26.239
<v Speaker 4>going by, and you know there's a flower bed somewhere by.

703
00:44:26.360 --> 00:44:28.880
<v Speaker 4>You're gonna see hints of brown from the dirt and

704
00:44:28.920 --> 00:44:32.440
<v Speaker 4>the flower bed. Way. It's that simple that it's just

705
00:44:32.559 --> 00:44:36.920
<v Speaker 4>how how chrome sort of abstractly reflects light and color

706
00:44:37.039 --> 00:44:37.480
<v Speaker 4>around it.

707
00:44:37.800 --> 00:44:40.400
<v Speaker 5>So right, it's not a it's not necessarily depiction of

708
00:44:40.440 --> 00:44:43.960
<v Speaker 5>a landscape. It's a reflection of something bouncing off the logo,

709
00:44:44.119 --> 00:44:45.760
<v Speaker 5>like it in a chrome tailpipe or something.

710
00:44:46.559 --> 00:44:50.639
<v Speaker 4>Yeah, yeah, really cool. Going back to the WBCN logo

711
00:44:50.960 --> 00:44:55.840
<v Speaker 4>that I originally did in the mid seventies, that that

712
00:44:56.119 --> 00:44:59.320
<v Speaker 4>in part was my inspiration for the finish on the

713
00:45:00.039 --> 00:45:04.960
<v Speaker 4>on the on the w w F logo and and

714
00:45:05.760 --> 00:45:09.840
<v Speaker 4>and you know, the the the WrestleMania logo had some

715
00:45:10.079 --> 00:45:12.880
<v Speaker 4>aspects of that. It was a little cleaner, a little brighter,

716
00:45:13.599 --> 00:45:16.480
<v Speaker 4>and and the concept for that was that was going

717
00:45:16.559 --> 00:45:20.440
<v Speaker 4>to be the big show. And so that it became

718
00:45:20.559 --> 00:45:24.559
<v Speaker 4>even more almost you know, gold and diamond like, if

719
00:45:24.639 --> 00:45:31.480
<v Speaker 4>you will. It wanted to just be really you know, bright, showy.

720
00:45:32.079 --> 00:45:32.280
<v Speaker 2>Wow.

721
00:45:33.000 --> 00:45:35.159
<v Speaker 5>Well, let's pick up that thread there. I mean, you know,

722
00:45:35.400 --> 00:45:38.000
<v Speaker 5>what are some of your more memorable moments with the

723
00:45:38.159 --> 00:45:41.199
<v Speaker 5>w w F. I'd imagine the build up to WrestleMania

724
00:45:41.280 --> 00:45:42.119
<v Speaker 5>was no small part of it.

725
00:45:44.519 --> 00:45:51.960
<v Speaker 4>Wow, well, I'll tell you are are you interested at all?

726
00:45:52.079 --> 00:45:55.719
<v Speaker 4>And knowing how the the name WrestleMania came about?

727
00:45:55.880 --> 00:45:59.199
<v Speaker 5>Oh yeah, that's the perject of extensive lore And we

728
00:45:59.280 --> 00:46:01.280
<v Speaker 5>all know how it. Ankle gets the credit in the

729
00:46:02.039 --> 00:46:05.519
<v Speaker 5>the official WWF cannon as far as like the corporate history,

730
00:46:05.599 --> 00:46:08.599
<v Speaker 5>but we also know that there's others that you can

731
00:46:08.639 --> 00:46:09.400
<v Speaker 5>assign that credit to.

732
00:46:09.559 --> 00:46:14.119
<v Speaker 4>So please, well, I haven't heard anyone else's signed with it,

733
00:46:14.199 --> 00:46:16.639
<v Speaker 4>and I knew how, and I really liked how he was.

734
00:46:16.760 --> 00:46:22.239
<v Speaker 4>He was just one of those really authentic people. You know.

735
00:46:23.000 --> 00:46:26.639
<v Speaker 4>He went out of his way, absolutely out of his

736
00:46:26.760 --> 00:46:30.119
<v Speaker 4>way to be as nice as he could be to people.

737
00:46:30.440 --> 00:46:34.079
<v Speaker 4>And there there were a few, say, in any office anywhere,

738
00:46:34.119 --> 00:46:36.000
<v Speaker 4>there are a few people that you know, let their

739
00:46:37.199 --> 00:46:39.840
<v Speaker 4>bad morning, grumpy day hang with them through the day.

740
00:46:39.960 --> 00:46:43.400
<v Speaker 4>And they weren't, you know, they didn't know how to

741
00:46:45.760 --> 00:46:49.000
<v Speaker 4>keep a chin up around others. And how he was

742
00:46:49.039 --> 00:46:50.880
<v Speaker 4>that kind of guy wherever he was, even if he

743
00:46:50.920 --> 00:46:52.840
<v Speaker 4>weren't a great mood, he can go with, hey, how

744
00:46:52.960 --> 00:46:55.800
<v Speaker 4>you doing, and you just light up a room when

745
00:46:55.840 --> 00:46:57.920
<v Speaker 4>he came in. He was that kind of guy, and

746
00:46:58.000 --> 00:47:03.199
<v Speaker 4>I don't honestly think and he claimed credit for it.

747
00:47:03.360 --> 00:47:04.039
<v Speaker 2>I think he was.

748
00:47:05.039 --> 00:47:11.480
<v Speaker 4>It was attributed to him. But what really happened, you know,

749
00:47:11.639 --> 00:47:15.719
<v Speaker 4>based basically in the late fall of eighty four, Vince

750
00:47:15.840 --> 00:47:18.280
<v Speaker 4>just put the feelers out the department as I was,

751
00:47:18.559 --> 00:47:26.360
<v Speaker 4>I was head of you know, loosely creative and production,

752
00:47:26.559 --> 00:47:28.119
<v Speaker 4>if you want to call it that, And there was

753
00:47:28.159 --> 00:47:31.679
<v Speaker 4>a there was a very closely associated guy named Tom Emmanuel,

754
00:47:32.800 --> 00:47:36.880
<v Speaker 4>a British guy who ran the publishing. Although I designed

755
00:47:36.960 --> 00:47:41.519
<v Speaker 4>the w W magazine and oversaw the art end of it,

756
00:47:41.960 --> 00:47:44.159
<v Speaker 4>Tom was the publisher of it. So we all worked

757
00:47:44.159 --> 00:47:46.719
<v Speaker 4>together in different capacities on some of the same things.

758
00:47:48.760 --> 00:47:54.119
<v Speaker 4>And Vince maybe these rumbleys. He wanted to have a huge,

759
00:47:54.760 --> 00:47:58.719
<v Speaker 4>huge event that would be pay per view, and even

760
00:47:58.760 --> 00:48:02.320
<v Speaker 4>the ter everyone was like what and you know, this

761
00:48:02.599 --> 00:48:05.679
<v Speaker 4>was like the infancy of what we now call on demand.

762
00:48:07.599 --> 00:48:10.920
<v Speaker 4>But Vince had been talking to people at ESPN and

763
00:48:11.920 --> 00:48:16.119
<v Speaker 4>this is actually, you know, at least a year or so,

764
00:48:16.480 --> 00:48:18.320
<v Speaker 4>I think a year and a half or more before

765
00:48:18.400 --> 00:48:21.679
<v Speaker 4>Dick Eversol came into the fold, and Vince had been

766
00:48:21.719 --> 00:48:26.480
<v Speaker 4>doing his homework on a technology that was loosely being

767
00:48:26.559 --> 00:48:28.760
<v Speaker 4>called pay per view, and people were still trying to

768
00:48:28.840 --> 00:48:30.440
<v Speaker 4>work out how the heck it was going to work,

769
00:48:30.519 --> 00:48:34.239
<v Speaker 4>et cetera, et cetera. But he decided that he wanted

770
00:48:34.280 --> 00:48:37.559
<v Speaker 4>to just do this massive event, a big live event

771
00:48:38.639 --> 00:48:43.199
<v Speaker 4>at MSG, but it would be broadcast via satellite and

772
00:48:43.840 --> 00:48:46.199
<v Speaker 4>people who have the ability to get into their homes,

773
00:48:46.239 --> 00:48:49.400
<v Speaker 4>which was next to nobody could watch it. But most

774
00:48:49.440 --> 00:48:52.599
<v Speaker 4>people were going to sports bars or what have you

775
00:48:52.840 --> 00:48:55.159
<v Speaker 4>to watch it on a big screen with a bunch

776
00:48:55.199 --> 00:49:00.159
<v Speaker 4>of other people. And so he just wanted to start

777
00:49:00.280 --> 00:49:03.000
<v Speaker 4>kicking around names. So he called a couple of staff

778
00:49:03.119 --> 00:49:07.440
<v Speaker 4>meetings with department heads so that that would be That

779
00:49:07.519 --> 00:49:13.079
<v Speaker 4>would be Tom myself, promoters like Basil DeVito and Cohen

780
00:49:14.000 --> 00:49:19.199
<v Speaker 4>Nelson Schwegler, who was head of TV. Steve I can't

781
00:49:19.239 --> 00:49:21.159
<v Speaker 4>honestly remember Steve was in all the meeting. He was

782
00:49:21.360 --> 00:49:23.159
<v Speaker 4>one of them because he was usually on the road,

783
00:49:23.280 --> 00:49:30.880
<v Speaker 4>Steve Taylor, the photographer, and but but what we we'd

784
00:49:30.960 --> 00:49:33.760
<v Speaker 4>have these meetings and it was like a typical meeting,

785
00:49:33.840 --> 00:49:37.960
<v Speaker 4>and everybody's got an idea, it's bouncing all over the place.

786
00:49:38.800 --> 00:49:41.239
<v Speaker 4>And how many of us have been in a meeting

787
00:49:41.400 --> 00:49:47.199
<v Speaker 4>or something actually got done right, you know, you mean, well,

788
00:49:47.320 --> 00:49:50.000
<v Speaker 4>and everybody throws in their two cents, but you usually

789
00:49:50.079 --> 00:49:53.960
<v Speaker 4>wind up needing to schedule another meeting or meetings upon meetings,

790
00:49:54.039 --> 00:49:59.320
<v Speaker 4>and yeah, that's why people hate meetings. So anyway, what

791
00:49:59.760 --> 00:50:02.079
<v Speaker 4>was going going on was what was good about it

792
00:50:02.280 --> 00:50:05.280
<v Speaker 4>was that it prompted everybody'd be walking around thinking, you know,

793
00:50:05.480 --> 00:50:07.440
<v Speaker 4>was they're doing other things and they're sitting at their

794
00:50:07.480 --> 00:50:10.360
<v Speaker 4>desks or you know, on the phone with somebody droning

795
00:50:10.440 --> 00:50:12.960
<v Speaker 4>on about something. They're really thinking, Okay, what are we

796
00:50:13.000 --> 00:50:16.199
<v Speaker 4>gonna call us thing? So it prompted everybody to have it,

797
00:50:16.360 --> 00:50:18.559
<v Speaker 4>you know, in the forefront of their minds, to try

798
00:50:18.639 --> 00:50:21.159
<v Speaker 4>to come up with something. And there was this guy

799
00:50:21.320 --> 00:50:25.440
<v Speaker 4>and I have tried desperately since we talked about doing this,

800
00:50:25.719 --> 00:50:30.760
<v Speaker 4>uh this podcast. You know, this guy came to mind

801
00:50:30.800 --> 00:50:33.639
<v Speaker 4>and a life of me cannot remember his last name.

802
00:50:34.639 --> 00:50:37.519
<v Speaker 4>He wasn't with the WWF all that long. He had

803
00:50:37.639 --> 00:50:41.400
<v Speaker 4>come in in the fall of eighty four. He was

804
00:50:41.480 --> 00:50:44.199
<v Speaker 4>only there about a year and a half. Really a

805
00:50:44.400 --> 00:50:48.199
<v Speaker 4>short guy. He looked a little like Bobby Riggs, the

806
00:50:49.400 --> 00:50:53.079
<v Speaker 4>tennis pro that the Billy Jean King in that era.

807
00:50:56.400 --> 00:50:58.679
<v Speaker 4>He was he was kind of gruff. He was this

808
00:50:58.920 --> 00:51:03.800
<v Speaker 4>chain spoken guy, and he seems the part of a character,

809
00:51:05.320 --> 00:51:07.480
<v Speaker 4>kind of kind of crusty. I like the guy, and

810
00:51:07.840 --> 00:51:11.280
<v Speaker 4>he was a funny little guy. And Steve and I

811
00:51:11.440 --> 00:51:13.840
<v Speaker 4>were in the coffee room and Rex wandered in and

812
00:51:15.519 --> 00:51:19.119
<v Speaker 4>he was musing to himself about something under his breath.

813
00:51:19.159 --> 00:51:21.639
<v Speaker 4>He said, what do you guys, what do you think

814
00:51:21.719 --> 00:51:26.719
<v Speaker 4>of WrestleMania? Wow? Wow? And I don't know if Steve

815
00:51:26.840 --> 00:51:28.880
<v Speaker 4>recalls this or not, he may think I'm out of

816
00:51:28.960 --> 00:51:31.320
<v Speaker 4>my mind, but I have a very distinct memory of this.

817
00:51:31.480 --> 00:51:35.559
<v Speaker 4>And we just looked at each other like yeah, and

818
00:51:35.679 --> 00:51:40.000
<v Speaker 4>he just said, well, you know, it's basically the Beatlemania

819
00:51:40.199 --> 00:51:43.480
<v Speaker 4>with wrestling. Its kind of beatle I mean, and it

820
00:51:43.599 --> 00:51:45.639
<v Speaker 4>was so obvious, it was so perfect because when you

821
00:51:45.760 --> 00:51:52.119
<v Speaker 4>think about it, what's really interesting to me, I was,

822
00:51:52.519 --> 00:51:56.159
<v Speaker 4>I don't know, thirteen twelve thirteen, when the Beatles first

823
00:51:56.639 --> 00:52:00.519
<v Speaker 4>came on the scene. I mean, that was that was epic.

824
00:52:00.840 --> 00:52:04.920
<v Speaker 4>That was no one had ever ever heard anything like that,

825
00:52:05.119 --> 00:52:07.599
<v Speaker 4>in the same way that prior to Elvis, no one

826
00:52:07.679 --> 00:52:11.280
<v Speaker 4>had ever heard anything like Elvis. You can't say that

827
00:52:11.559 --> 00:52:15.440
<v Speaker 4>about even Belie, about Michael Jackson. There's there's been big

828
00:52:15.760 --> 00:52:18.719
<v Speaker 4>icons that happened to be a songwriter, a musician that is,

829
00:52:18.960 --> 00:52:22.400
<v Speaker 4>that is my passion and music, live and breathe music.

830
00:52:23.440 --> 00:52:28.159
<v Speaker 4>I think about it all the time. And el Elvis

831
00:52:28.440 --> 00:52:33.159
<v Speaker 4>was iconic in the in the sense that he did

832
00:52:33.280 --> 00:52:39.480
<v Speaker 4>something no one had even imagined before. Now now, you know,

833
00:52:39.599 --> 00:52:43.960
<v Speaker 4>obviously he emulated blues artists and and and you know

834
00:52:44.840 --> 00:52:47.440
<v Speaker 4>bit players in the formation of R and B who

835
00:52:47.480 --> 00:52:51.079
<v Speaker 4>will never get the credit they're due. But and like kind,

836
00:52:51.199 --> 00:52:54.760
<v Speaker 4>you know, the Beatles were influenced by R and B players,

837
00:52:54.840 --> 00:52:58.199
<v Speaker 4>and you know they but they came about it in

838
00:52:58.280 --> 00:53:01.079
<v Speaker 4>an entirely different way. And when they appear, beatle Mania

839
00:53:01.320 --> 00:53:04.360
<v Speaker 4>was really the only thing you could call it. People

840
00:53:04.480 --> 00:53:07.199
<v Speaker 4>people were showing up by the thousands of airports to

841
00:53:07.320 --> 00:53:10.039
<v Speaker 4>greet them when they were on tour. Now, what's the

842
00:53:10.119 --> 00:53:13.519
<v Speaker 4>last time that happened. Well, I'll tell you the last time.

843
00:53:13.599 --> 00:53:17.119
<v Speaker 4>I know what happened. And you may not be that surprised.

844
00:53:18.519 --> 00:53:27.079
<v Speaker 4>When the WWF guys tour in Arabic nations, in Saudi Arabia, Qatar,

845
00:53:28.599 --> 00:53:32.840
<v Speaker 4>places like that, people show up at the airport. Wow.

846
00:53:34.119 --> 00:53:38.760
<v Speaker 4>And in Japan and not so much now, but I

847
00:53:38.800 --> 00:53:42.079
<v Speaker 4>mean in the in the big blow up in the eighties.

848
00:53:42.840 --> 00:53:46.440
<v Speaker 4>That is how hot this thing was. And I just

849
00:53:46.559 --> 00:53:50.280
<v Speaker 4>thought how fitting that that just sort of grabs that

850
00:53:50.559 --> 00:53:54.039
<v Speaker 4>energy and that describes that that chill you get up

851
00:53:54.079 --> 00:54:00.480
<v Speaker 4>your back like whoa. And I think what happened was,

852
00:54:00.880 --> 00:54:06.320
<v Speaker 4>you know, Rex was very kind of like under himself

853
00:54:06.480 --> 00:54:08.840
<v Speaker 4>kind of guy. He was involved in TV production. I

854
00:54:09.159 --> 00:54:13.119
<v Speaker 4>think I think he had been at CNN prior to that.

855
00:54:14.920 --> 00:54:17.039
<v Speaker 4>He was somewhere in the in the TV biz. And

856
00:54:17.159 --> 00:54:21.639
<v Speaker 4>I've tried to google what his last name might have been,

857
00:54:21.719 --> 00:54:25.840
<v Speaker 4>and I've various different Rexes, and there's Rex Jones, of course,

858
00:54:25.880 --> 00:54:29.679
<v Speaker 4>and there's a couple of name name value wrestlers who

859
00:54:29.880 --> 00:54:32.320
<v Speaker 4>for his name was Rex. This guy was not a wrestler,

860
00:54:33.000 --> 00:54:34.960
<v Speaker 4>very diminutive guy, but very nice guy.

861
00:54:35.039 --> 00:54:37.480
<v Speaker 5>But it sounds to me, if I can interrupt Brian

862
00:54:38.119 --> 00:54:42.480
<v Speaker 5>with the glasses and the diminutive and the Atlanta connections,

863
00:54:42.519 --> 00:54:47.800
<v Speaker 5>it sounds like you're describing Jim Barnett. Oh okay, you

864
00:54:47.880 --> 00:54:48.719
<v Speaker 5>know Jimmy.

865
00:54:48.920 --> 00:54:51.519
<v Speaker 4>Yeah, Jim was a crazy man. Oh my god.

866
00:54:51.719 --> 00:54:54.159
<v Speaker 5>Well, I hate to derail you, but we got to

867
00:54:54.159 --> 00:54:55.880
<v Speaker 5>take a quick pit stop for jim Z. I mean

868
00:54:56.000 --> 00:54:58.800
<v Speaker 5>the subject of endless fascination for wrestling fans. He came

869
00:54:58.840 --> 00:55:01.320
<v Speaker 5>to work for Vincent eighty three and the ultimate mover

870
00:55:01.480 --> 00:55:03.440
<v Speaker 5>and shaker. Can you quickly give us a memory on

871
00:55:03.559 --> 00:55:07.320
<v Speaker 5>Jim Barnett That sounds like a yes.

872
00:55:07.440 --> 00:55:12.320
<v Speaker 4>Oh, Jim Barnett was an Elton John of his own era.

873
00:55:14.519 --> 00:55:26.079
<v Speaker 4>This guy, well, you know he was, he was. He

874
00:55:26.280 --> 00:55:28.639
<v Speaker 4>was just an institution. I don't even know how to

875
00:55:28.960 --> 00:55:38.639
<v Speaker 4>really character Brian, Yes a moment. Yes, I mean, he

876
00:55:38.800 --> 00:55:42.000
<v Speaker 4>was just such a character. Oh my gosh. It's just

877
00:55:42.119 --> 00:55:46.920
<v Speaker 4>like he strode off a plantation with a mint julip

878
00:55:47.000 --> 00:55:52.440
<v Speaker 4>in his hands. He said, the only thing that guy

879
00:55:52.679 --> 00:55:57.960
<v Speaker 4>drank was Don Peranelle. He had a refrigerator in his

880
00:55:58.119 --> 00:56:01.400
<v Speaker 4>office and Linda would go down there every once in

881
00:56:01.440 --> 00:56:04.760
<v Speaker 4>a while and you know, tip a glass with him

882
00:56:04.840 --> 00:56:08.000
<v Speaker 4>and just shoot the breeze, and you know, there, she's

883
00:56:08.079 --> 00:56:11.719
<v Speaker 4>a Southern bell. Jim was clearly from the South. Jim

884
00:56:11.840 --> 00:56:14.280
<v Speaker 4>never left the South. He just brought the South with him.

885
00:56:18.400 --> 00:56:22.719
<v Speaker 4>He had, Honest to god, what was he had? He

886
00:56:22.800 --> 00:56:29.000
<v Speaker 4>had more silk ties than Liberaci and he was just

887
00:56:29.159 --> 00:56:32.519
<v Speaker 4>a character. I don't know where, but somewhere in Manhattan

888
00:56:32.639 --> 00:56:36.800
<v Speaker 4>he had an apartment, and I think he had a

889
00:56:36.880 --> 00:56:39.159
<v Speaker 4>place he stayed out in Connecticut when he was at

890
00:56:39.199 --> 00:56:43.360
<v Speaker 4>the office. But but he was. He was an old

891
00:56:44.000 --> 00:56:51.920
<v Speaker 4>school wrestling promoter who was had worked with Vince's dad

892
00:56:52.079 --> 00:56:55.840
<v Speaker 4>way back, and and he oh my gosh, what a character.

893
00:56:55.920 --> 00:56:58.480
<v Speaker 4>He was just one of the funniest people I've ever met.

894
00:56:58.800 --> 00:56:59.320
<v Speaker 2>That's awesome.

895
00:56:59.639 --> 00:57:01.119
<v Speaker 5>Well, somebody else that was in the company at the

896
00:57:01.159 --> 00:57:03.119
<v Speaker 5>time to pick up your threat on who this Rex

897
00:57:03.159 --> 00:57:05.519
<v Speaker 5>could have been. Do you remember Bob McMullen, who worked

898
00:57:05.559 --> 00:57:06.519
<v Speaker 5>as VP of finance.

899
00:57:08.880 --> 00:57:12.360
<v Speaker 4>That's a boy. I was one of his favorite people.

900
00:57:12.440 --> 00:57:15.000
<v Speaker 4>I used to bring bills you couldn't.

901
00:57:14.679 --> 00:57:19.920
<v Speaker 5>Imagine, So I guess you remember him perhaps from pleasant

902
00:57:19.920 --> 00:57:22.280
<v Speaker 5>and unpleasant interactions as regards the bottom line.

903
00:57:23.199 --> 00:57:26.119
<v Speaker 4>Very pleasant, But I mean I was in charge of

904
00:57:26.599 --> 00:57:31.960
<v Speaker 4>procuring all kinds of gear and and uh outfitting for

905
00:57:32.840 --> 00:57:34.440
<v Speaker 4>for the wrestlers from time to time.

906
00:57:34.559 --> 00:57:34.880
<v Speaker 2>Oh wow.

907
00:57:36.280 --> 00:57:39.760
<v Speaker 4>Yeah. I found this equestrian shop that made saddles and

908
00:57:39.880 --> 00:57:43.800
<v Speaker 4>stuff for you know, people who do dressage and you know,

909
00:57:43.960 --> 00:57:46.559
<v Speaker 4>fancy horse racing. And I said, can you guys make

910
00:57:46.639 --> 00:57:49.840
<v Speaker 4>wrestling belts? Can you can you make a gladiator outfit

911
00:57:49.960 --> 00:57:52.119
<v Speaker 4>for one of our dresslers? And they were just having

912
00:57:52.159 --> 00:57:55.559
<v Speaker 4>a stuff. So I would bring him bills from this

913
00:57:55.719 --> 00:57:59.840
<v Speaker 4>equestrian shop, and what do we why do we feeding horses?

914
00:58:00.239 --> 00:58:07.480
<v Speaker 4>I said, But but the craziest thing, the craziest thing.

915
00:58:07.559 --> 00:58:11.280
<v Speaker 4>One time I had ted d Biassi, the million dollar

916
00:58:11.400 --> 00:58:19.519
<v Speaker 4>man in Virgil, come into the offices and they had

917
00:58:19.559 --> 00:58:22.320
<v Speaker 4>a limo to shuttle them around and then take them

918
00:58:22.360 --> 00:58:24.119
<v Speaker 4>back to the airport because they were this is like

919
00:58:24.239 --> 00:58:27.440
<v Speaker 4>one stop off the road between gigs at you know,

920
00:58:27.599 --> 00:58:32.519
<v Speaker 4>different venues, and the limo driver left. He didn't he

921
00:58:32.639 --> 00:58:35.639
<v Speaker 4>didn't understand the itinerary or something, and they were kind

922
00:58:35.679 --> 00:58:38.440
<v Speaker 4>of stranded. But they needed to get fitted for costumes,

923
00:58:39.599 --> 00:58:43.440
<v Speaker 4>and I wanted this equestrium shop to do some of

924
00:58:43.519 --> 00:58:47.679
<v Speaker 4>the outfitting for for the million dollar man's you know,

925
00:58:48.559 --> 00:58:52.559
<v Speaker 4>costuming for the ring and uh at the at the time,

926
00:58:52.760 --> 00:58:56.320
<v Speaker 4>at the time, I had a little BMW convertible and

927
00:58:57.840 --> 00:59:02.440
<v Speaker 4>it was a great car until that happened. And I

928
00:59:02.559 --> 00:59:06.519
<v Speaker 4>got two guys that are just shy of eight hundred

929
00:59:06.559 --> 00:59:10.679
<v Speaker 4>pounds between the two of them, and it's like I

930
00:59:10.760 --> 00:59:14.719
<v Speaker 4>got a low rider. I mean, it's just crazy. I said,

931
00:59:14.840 --> 00:59:16.599
<v Speaker 4>do you guys want to put the top and you

932
00:59:16.639 --> 00:59:18.360
<v Speaker 4>want me to put the top up, so you know,

933
00:59:18.480 --> 00:59:21.559
<v Speaker 4>you're not like having a wave in every jimoke that

934
00:59:21.679 --> 00:59:23.960
<v Speaker 4>comes along, and they I'll leave it down. It's great.

935
00:59:24.039 --> 00:59:26.360
<v Speaker 4>It was a beautiful day. So we had to drive

936
00:59:26.440 --> 00:59:30.519
<v Speaker 4>up to Westport, which is, yeah, you know, with with

937
00:59:30.639 --> 00:59:34.639
<v Speaker 4>no traffic, twenty minutes but typically forty minutes from Greenwich.

938
00:59:35.480 --> 00:59:37.599
<v Speaker 4>And so we drive up to Westport and I did

939
00:59:37.679 --> 00:59:40.159
<v Speaker 4>part of a ninety five and the back of my

940
00:59:40.280 --> 00:59:42.440
<v Speaker 4>cars dragging, I mean, is just like you got to

941
00:59:42.440 --> 00:59:45.639
<v Speaker 4>be kidding me, you know, we're just all laughing, but

942
00:59:45.719 --> 00:59:48.519
<v Speaker 4>I'm thinking they're not going to believe this in the

943
00:59:48.599 --> 00:59:50.800
<v Speaker 4>office when I hand him a bill, because my shocks

944
00:59:50.800 --> 00:59:55.239
<v Speaker 4>are blown to shreds. So we did what we had

945
00:59:55.280 --> 00:59:57.880
<v Speaker 4>to do at the equestrian shop, and we came back

946
00:59:58.000 --> 01:00:00.880
<v Speaker 4>and they scheduled another limo, went to the airport and

947
01:00:00.920 --> 01:00:04.840
<v Speaker 4>they're gone. But my car was just I was just groaning.

948
01:00:05.079 --> 01:00:07.800
<v Speaker 4>I could hear it out in the park. Who help me.

949
01:00:09.159 --> 01:00:11.719
<v Speaker 4>I went down to McMullen's office and I said, oh,

950
01:00:11.880 --> 01:00:13.719
<v Speaker 4>this is this is one for the books. I need

951
01:00:13.840 --> 01:00:15.920
<v Speaker 4>new shocks. He said why you well, and you know

952
01:00:16.039 --> 01:00:19.320
<v Speaker 4>paying for your repairing your car? He said, yeah, because

953
01:00:19.360 --> 01:00:23.960
<v Speaker 4>a million dollar man in Virgil flattened it. Oh, and

954
01:00:24.719 --> 01:00:27.840
<v Speaker 4>he just laughed and he said, just go get him fixed,

955
01:00:27.880 --> 01:00:30.880
<v Speaker 4>get me a bill. I mean it was I always,

956
01:00:30.880 --> 01:00:33.679
<v Speaker 4>I wasn't the only one. There were just so many

957
01:00:33.840 --> 01:00:39.400
<v Speaker 4>crazy things. And in this era before long before photoshop,

958
01:00:40.320 --> 01:00:45.440
<v Speaker 4>the only way to electronically alter photographs and so forth.

959
01:00:45.599 --> 01:00:48.760
<v Speaker 4>It's very expensive. It was a system called a cy

960
01:00:48.920 --> 01:00:54.119
<v Speaker 4>Tex system, and it was like a roomful of mainframe computers,

961
01:00:55.719 --> 01:00:58.000
<v Speaker 4>and it was cheap. It was one hundred and fifty

962
01:00:58.039 --> 01:01:01.800
<v Speaker 4>bucks an hour. But Vincent insisted. At one point we

963
01:01:01.880 --> 01:01:04.119
<v Speaker 4>had this great shot of Hulk, but his hair was stinning,

964
01:01:04.920 --> 01:01:08.679
<v Speaker 4>and and you know, some of the guys very vain.

965
01:01:08.760 --> 01:01:12.639
<v Speaker 4>They do hair plugs whatever, but you know, painful operations.

966
01:01:12.679 --> 01:01:14.920
<v Speaker 4>I think there's better solutions now, but that was the

967
01:01:14.960 --> 01:01:17.719
<v Speaker 4>state of the art medically back then. The Vincent we

968
01:01:17.719 --> 01:01:21.360
<v Speaker 4>don't have time. Just give him more hair. Oh my god,

969
01:01:22.559 --> 01:01:24.159
<v Speaker 4>you're not gonna want to see the billy, so just

970
01:01:24.239 --> 01:01:32.800
<v Speaker 4>do it. Wow, what Hulk's got all the hair in

971
01:01:32.880 --> 01:01:33.320
<v Speaker 4>the world.

972
01:01:35.800 --> 01:01:40.239
<v Speaker 5>Because we always talk about O'Brian, you know, there seems

973
01:01:40.280 --> 01:01:43.119
<v Speaker 5>to be like a message to shoot Hulk as far

974
01:01:43.159 --> 01:01:45.320
<v Speaker 5>as camera angles and stuff, to always shoot him kind

975
01:01:45.320 --> 01:01:47.599
<v Speaker 5>of down looking up, so you don't ever see really

976
01:01:47.639 --> 01:01:49.239
<v Speaker 5>the top of his head. I mean, you don't see

977
01:01:49.400 --> 01:01:51.079
<v Speaker 5>the top of wrestler's heads too much anyway, but it's

978
01:01:51.159 --> 01:01:53.199
<v Speaker 5>very noticeable. I think when you when you come to

979
01:01:53.320 --> 01:01:55.760
<v Speaker 5>learn that there was that sensitivity about him getting bald.

980
01:01:57.239 --> 01:01:59.119
<v Speaker 4>Well. I remember, I remember there was one time that

981
01:02:00.400 --> 01:02:02.559
<v Speaker 4>Linda came in my office with a stack of bills

982
01:02:02.559 --> 01:02:05.400
<v Speaker 4>in her hand. She said, what's side text. I said,

983
01:02:05.679 --> 01:02:08.400
<v Speaker 4>it's a whole other money in, you know. I mean,

984
01:02:08.480 --> 01:02:11.519
<v Speaker 4>it's that's the only way we could get certain things done.

985
01:02:11.559 --> 01:02:12.320
<v Speaker 4>And it was crazy.

986
01:02:12.639 --> 01:02:15.559
<v Speaker 5>So I mentioned Bob McMullen just because there was a

987
01:02:15.599 --> 01:02:17.800
<v Speaker 5>book that came out by friend of the show, Brad Blucian,

988
01:02:17.880 --> 01:02:20.679
<v Speaker 5>called The six Pack last year, and he kind of,

989
01:02:20.880 --> 01:02:22.599
<v Speaker 5>you know, finds all kinds of people from this era

990
01:02:22.679 --> 01:02:25.159
<v Speaker 5>and interviews them about what the real formation of the

991
01:02:25.199 --> 01:02:28.400
<v Speaker 5>boom period WWF was like. And he interviews Bob McMullen,

992
01:02:28.679 --> 01:02:31.719
<v Speaker 5>and sure enough, Bob McMullen contends that it was in

993
01:02:31.800 --> 01:02:35.199
<v Speaker 5>fact Rex Jones. He says, Jones, who was brought in

994
01:02:35.280 --> 01:02:38.119
<v Speaker 5>a television guy. Linda brought us in Vince's office. We're

995
01:02:38.119 --> 01:02:40.119
<v Speaker 5>trying to think about how to do it. We're talking

996
01:02:40.159 --> 01:02:42.440
<v Speaker 5>about mania. So Rex sits there and says it's got

997
01:02:42.480 --> 01:02:46.119
<v Speaker 5>to be WrestleMania rhymes with Hulk of Mania. So is

998
01:02:46.159 --> 01:02:48.000
<v Speaker 5>it Rex Jones. You seem to be not sure if

999
01:02:48.039 --> 01:02:49.840
<v Speaker 5>it's Rex Jones, but Bob seems to think it is.

1000
01:02:50.800 --> 01:02:53.199
<v Speaker 4>Well, I thought of Rex Jones that has something to

1001
01:02:53.239 --> 01:02:56.119
<v Speaker 4>do with wrestling online, and it didn't look remotely like

1002
01:02:56.239 --> 01:02:59.119
<v Speaker 4>the guy I remember whose first name was Rex.

1003
01:02:59.320 --> 01:02:59.599
<v Speaker 2>Got it?

1004
01:02:59.679 --> 01:03:02.360
<v Speaker 5>Okay, Yeah, I did a similar surgeon. I'm not sure

1005
01:03:02.440 --> 01:03:03.960
<v Speaker 5>that all the pictures that come up as actually the

1006
01:03:04.039 --> 01:03:06.239
<v Speaker 5>person that worked for WWF. I think there might be

1007
01:03:06.280 --> 01:03:07.199
<v Speaker 5>some confusion there too.

1008
01:03:08.039 --> 01:03:12.360
<v Speaker 4>I don't doubt. I don't doubt that are Rex Jones.

1009
01:03:12.599 --> 01:03:14.679
<v Speaker 4>It just wasn't in the in the area of things

1010
01:03:14.719 --> 01:03:16.679
<v Speaker 4>that I worked on, and I don't recall it. But

1011
01:03:16.840 --> 01:03:20.079
<v Speaker 4>what I'm saying is the guy that I remember, I

1012
01:03:20.199 --> 01:03:24.480
<v Speaker 4>remember physically distinctly, and I found Rex Jones online because

1013
01:03:24.480 --> 01:03:26.360
<v Speaker 4>I remember you had mentioned that when we spoke before,

1014
01:03:26.960 --> 01:03:30.639
<v Speaker 4>and that was a totally different guy. They had dark hair,

1015
01:03:32.320 --> 01:03:35.880
<v Speaker 4>just different look whatsoever. But you didn't have the horn

1016
01:03:36.000 --> 01:03:40.400
<v Speaker 4>room glasses, and just Rex was was very distinctive right

1017
01:03:40.480 --> 01:03:42.840
<v Speaker 4>the way. Just for the life of me, can't remember

1018
01:03:42.880 --> 01:03:43.800
<v Speaker 4>the guys last name.

1019
01:03:43.800 --> 01:03:45.519
<v Speaker 5>That's that's fair. I just wanted to see if that

1020
01:03:46.119 --> 01:03:48.519
<v Speaker 5>that sharpened the memory at all. So you were you

1021
01:03:48.599 --> 01:03:50.440
<v Speaker 5>were on the track of saying that what you think

1022
01:03:50.519 --> 01:03:53.639
<v Speaker 5>happened is that The reason it's the square I ascribed

1023
01:03:53.639 --> 01:03:56.039
<v Speaker 5>to Howard is because perhaps Rex told Howard and then

1024
01:03:56.159 --> 01:03:57.960
<v Speaker 5>everyone heard it first from Howard after that.

1025
01:03:59.679 --> 01:04:03.199
<v Speaker 4>That that was my feeling. Well, I mean, you know, basically,

1026
01:04:05.960 --> 01:04:12.400
<v Speaker 4>Howard was just sort of bouncing around the halls WrestleMania, WrestleMania, WrestleMania,

1027
01:04:12.480 --> 01:04:15.000
<v Speaker 4>and I felt like he had just gone in and

1028
01:04:15.079 --> 01:04:17.239
<v Speaker 4>said to them too, and he goes yeah, Vince goes, yeah,

1029
01:04:17.280 --> 01:04:19.960
<v Speaker 4>that's it. That's probably what happened, and everyone just said

1030
01:04:20.280 --> 01:04:23.159
<v Speaker 4>how must have thought that up, and and not to

1031
01:04:23.280 --> 01:04:25.280
<v Speaker 4>take away from how he won IOTA or anything. I

1032
01:04:25.440 --> 01:04:29.079
<v Speaker 4>just I honestly think the first utterance of it was

1033
01:04:29.159 --> 01:04:33.159
<v Speaker 4>what Steve and I heard. However, that got communicated to

1034
01:04:33.920 --> 01:04:36.519
<v Speaker 4>to Howie or with an airshot of Howie, and how

1035
01:04:36.599 --> 01:04:39.760
<v Speaker 4>he lit up on it and wanted to share it

1036
01:04:39.880 --> 01:04:43.920
<v Speaker 4>with Vince, which is very typical of Howard. So it

1037
01:04:44.000 --> 01:04:45.440
<v Speaker 4>doesn't matter who came up with it. It was just

1038
01:04:45.559 --> 01:04:49.679
<v Speaker 4>a great name. But I just thought it was very interesting. However,

1039
01:04:49.800 --> 01:04:52.719
<v Speaker 4>it came about that was my reckoning of it, that's all.

1040
01:04:53.119 --> 01:04:54.639
<v Speaker 5>And we do want to let everybody in the lapsed

1041
01:04:54.679 --> 01:04:57.400
<v Speaker 5>fan solar system know that Brian will be at gamer

1042
01:04:57.440 --> 01:05:00.679
<v Speaker 5>Con Connecticut coming up soon at the Mohican Sun Casino

1043
01:05:00.800 --> 01:05:03.760
<v Speaker 5>March fifteenth and sixteenth. He'll have his own booth an

1044
01:05:03.880 --> 01:05:06.760
<v Speaker 5>artist's alley at the show. He'll have signed and numbered

1045
01:05:06.840 --> 01:05:09.599
<v Speaker 5>prints of the WrestleMania logo, among other things he worked

1046
01:05:09.639 --> 01:05:12.039
<v Speaker 5>on available, So you really want to stop by if

1047
01:05:12.079 --> 01:05:14.039
<v Speaker 5>you're in the area and say hi to Brian because

1048
01:05:14.079 --> 01:05:16.079
<v Speaker 5>he's a friend of the show now too. So just

1049
01:05:16.119 --> 01:05:20.199
<v Speaker 5>go online to ctgamercon dot com ct for Connecticut for

1050
01:05:20.280 --> 01:05:23.000
<v Speaker 5>more information on the venue and the event, and we

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01:05:23.079 --> 01:05:26.760
<v Speaker 5>look forward to seeing listeners of the podcast at the event. Well,

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01:05:26.800 --> 01:05:29.800
<v Speaker 5>the table has been set wonderfully by former WWF creative

1053
01:05:29.840 --> 01:05:32.519
<v Speaker 5>director Brian Penry here in the first part of our

1054
01:05:32.559 --> 01:05:36.400
<v Speaker 5>conversation getting us acquainted with how he became acquainted with

1055
01:05:36.440 --> 01:05:38.960
<v Speaker 5>the McMahons and then later climbed the organization as it

1056
01:05:39.000 --> 01:05:41.880
<v Speaker 5>grew so fast, designing the WWF logo, the WrestleMania logo.

1057
01:05:41.920 --> 01:05:43.800
<v Speaker 5>There's more I imagine to digging in new there and

1058
01:05:43.880 --> 01:05:46.840
<v Speaker 5>part two of our conversations so keep your eyes peeled

1059
01:05:46.840 --> 01:05:49.840
<v Speaker 5>and your earspeeled to our feed here as we present

1060
01:05:50.000 --> 01:05:52.719
<v Speaker 5>part two of our conversation with Brian Penry in his

1061
01:05:52.840 --> 01:05:54.840
<v Speaker 5>time in the World Wrestling Federation. We'll see you then.

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01:05:56.039 --> 01:05:59.920
<v Speaker 5>ISIL what is a production of the Lab Entertainment Group.

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01:06:00.119 --> 01:06:02.599
<v Speaker 2>Its content is intended for private use only.
