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Speaker 1: Stay tuned fornis to a theater. Come in Welcome.

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Speaker 2: I'm e. G.

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Speaker 1: Marshall, missionary from the world of the mysterious and the macabre.

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Things would be better all around, easier, certainly if evil

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looked evil, sounded evil, smelled evil, good and evil. It

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reached a point where these days, to so many people,

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they appear to be so much alike. Our mystery drama

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The Moonlighter, was written especially for the Mystery Theater by

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Sam Dan and stars Howard da Silva. It is sponsored

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in part by Billick motor Vision and Einheuser Busch Incorporated.

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Louis a Budweiser. I'll be back shortly with that one.

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Way back in eighteen seventy six, it was brood in

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age to deliver a taste of smoothness and a drinkability

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found and no other beer at any price. I'm talking

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about Budweiser, and it's still brewed that way today with

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pride without compromise, to be the king of beers, the

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largest selling beer in the history of the world for

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one simple reason that beechwood age Budweiser's taste, and that

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speaks for itself.

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Speaker 3: Hear it talking, Did you see you care on. She's

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tacky and niser boys.

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Speaker 2: Thank you. Hey ma'am, what's for dinner?

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Speaker 1: Hey ma'am, what's you cat?

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Speaker 4: What's for Thanksgiving dinner? Your shop Write Supermarket has the answer.

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Start with turkey, Shop right Young grade a thom sixteen

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to twenty four pounds fifty seven cents a pound, four

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hens than the fourteen pound sixty three.

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Speaker 2: Cents a pounds.

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Speaker 4: There was shot Frite cauliflower or broccoli spears just ninety

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nine cents for four ten ounce packages. Ham Shop Fright

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jelly and cranberry sauce, of course, three one pound cans

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for eighty nine cents. For dessert, shop Rite Premium quality

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Elizabeth New York ice cream one half gallon for one

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dollar thirty nine. Start a family in tradition, shop Shopright

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for value. She wants the best, she does all the

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che can she lets shop Fright to the.

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Speaker 1: Hey maw, what's for dinner?

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Speaker 5: Shop Right has the answer. Ay, skiers get ready for

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a ski show Expo.

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Speaker 6: Winter seventy five this year that focuses on the great

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ski Bargain's the best thing that ever happened to your

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ski budget. It's a dozen different shows with Champion, Presidus

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films and thousand trips and tickets and equipment displayed for

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first times.

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Speaker 5: Still, if others appray Ski meets you at the Drewery

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for music at nixteen at the.

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Speaker 1: Ski Show Expo Winter seventy five, Take someone you like

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to the Ski Show opening Thursday at sixteth a, New

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York Coliseum. There is so much talk these days about

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the quality of life and how it's gone down. I'm

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not prepared to argue at the point one way or another,

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but one thing I admit has certainly gone down, and

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that's the quality of argument, especially between husbands and wives.

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It seems to me that husbands and wives used to

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have heated, passionate arguments over great emotional issues, love, faithfulness,

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even sex. Today it's mostly been reduced to ill tempered

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spats and tantrums over money. Oh, is this our brave

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new world? Is this what it all comes down to? Well,

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Stanley and Gladys Morrison are added again.

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Speaker 2: Well what answer do you get?

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Speaker 1: I don't know.

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Speaker 7: I've added it three times and it keeps coming out differently.

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Speaker 2: Well, how can you concentrate enough figures with that damn

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recording blaring in your ears.

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Speaker 7: It is not a damn recording.

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Speaker 5: It is Mozart.

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Speaker 2: I have to know how many checks you wrote this week.

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Speaker 7: Performed by the Boston Symphony.

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Speaker 1: I there up myself, but I can't read your handwrite?

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Speaker 7: And what's his name?

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Speaker 5: Is collecting?

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Speaker 2: You went to the most expensive girls private school. You

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went to the most exclusive girls college.

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Speaker 7: Darling, you've got it twisted. The private school is exclusive,

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the college was expensive.

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Speaker 2: Didn't they teach you to write?

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Speaker 7: Standing? Why do you become so excited about money?

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Speaker 2: Let us I don't want your account to be overdrawn.

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Speaker 7: Cheeks all flushed, your eyes that fills with fire. It's

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almost a sexual thing.

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Speaker 2: Well, just listen to me.

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Speaker 7: But I've been listening, darling, and I have solved the problem.

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You don't want checking account to be overdrawn, Well, let's

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just put in an extra hundred dollars now and then

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do that. There's a sort of cushion.

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Speaker 2: In the first place, it's wrong. In the second place,

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I don't have an extra hundred dollars.

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Speaker 7: Oh, darling, you say that is if one hundred dollars

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is a fortune. I could have heard you fuss like

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this over one hundred dollars before.

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Speaker 2: Glad ys We have to cut down.

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Speaker 5: Well, I do my.

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Speaker 7: Best, darling.

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Speaker 2: Okay, I guess it's not fair.

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Speaker 7: No, it certainly isn't.

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Speaker 1: Huh.

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Speaker 2: You were brought up a rich girl. You never learned

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how to worry about money.

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Speaker 7: No, darling, it did seem silly to worry about money.

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Speaker 2: After all, it was so much. And when you married me,

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I was making plenty of money and you still are. No,

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I'm not making that much anymore.

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Speaker 7: You when you received the cut and salary. No, well, then,

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how can you say you're not making as.

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Speaker 2: Much money because the money isn't worth as much? We

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simply have to economize, all right, I'm willing. We have

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to sit down and draw up an entire list of

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ways to save money.

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Speaker 7: Okay, here's one. At the club, I won't order from

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the ala carte menu. I have a sandwich and coffee.

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Speaker 2: What we should do is resign from the club. What

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it's become very expensive, Stanley?

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Speaker 5: Why suddenly are we well?

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Speaker 7: Is everything so tight?

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Speaker 2: I don't know, Gladys. Things have been going up up, up, steadily, quietly,

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and one day turn around and there just isn't enough money.

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Speaker 7: Why don't you ask for a raise?

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Speaker 2: A raise?

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Speaker 7: Do you realize I realize that you're not getting paid

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what you're worth.

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Speaker 2: I'm not sure this is the right time.

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Speaker 7: All you have to say is, look, I must be

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paid more money. The dollar is worth only fifty seven cents.

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Speaker 5: Now what you told me it was worth.

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Speaker 7: Say look here, Chris, I have to resign from the

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country club, and i'd take my daughter out of private school.

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Speaker 2: I can assure you that Chris Delavan couldn't care less

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whether I belong to a country club or send my daughter.

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Speaker 7: I'm sure he does. That's the sort of man he needs,

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a man who travels in the kind of circles where

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he can need potential customers.

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Speaker 2: Gladdys, you should never ask your boss for a raise

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if you're not prepared to quit.

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Speaker 1: I know that.

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Speaker 2: Then you know I couldn't afford to quit.

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Speaker 7: M I suppose not. What does that mean, Stanley the

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minister said, for richer for poor? I really wasn't paying

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much attention.

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Speaker 2: I'm sorry. It's the state of the economy.

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Speaker 7: No, I think it's the state of your mind. You

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are the most important man in that company. Well, not really,

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why don't you ask for a raise? I told you

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didn't tell me the real reason you're afraid of That's right, darling.

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This argument has lasted six minutes. If it goes on

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much longer, it will become a quarrel than a conflict,

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which will lead to a rupture and before we know it.

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Speaker 2: All right, all right, I'll see what I can do.

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Speaker 7: I know you will stand me, Darling.

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Speaker 2: Chris got a minute? O, thank boy? What's a mind? Damn?

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Speaker 1: Well, I just say that.

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Speaker 2: Well, what's the matter, Chris?

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Speaker 1: Oh, I be I need some coffee.

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Speaker 2: I want a cup. Okay, Sally, bring in two coffees. Well, boy,

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what can I do for you? Chris?

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Speaker 8: It seems to me that's saying that's how I make

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mine black? Sure, miss Louise, this one has told everything

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at least four hundred times.

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Speaker 2: My that's my problem for that. What's your problem? Well?

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Speaker 1: Hold it? How do you want your coffee?

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Speaker 2: Oh? Dook the mother?

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Speaker 5: Oh Stanley, you're so easy going?

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Speaker 2: Well mother anymore, at least.

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Speaker 8: I had your temperament, especially last night.

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Speaker 1: Oh that was a session. Well, Chris, I simply already

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blew my stack.

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Speaker 8: Last night, Stanley. And I guess I did it for you,

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for me, and for what I thought was best for

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this company. Chairman of the board, took me to dinner

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and we had all this talk about the economy. I

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was scarce money. And that's exactly why. Well you know

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where that cont off leads. Where can we cut? And

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so old man Sullivan said, cut out three church department,

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my department, and do what I asked? And he said, well,

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we can subscribe to outside service.

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Speaker 2: Didn't get the same all but they can't get the

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same information, the same ANALYSI here.

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Speaker 1: That's what it took me, the back part of five hours.

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Speaker 2: The hammer into his skull.

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Speaker 8: Well, hey, h you're safe for at least a year.

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But Stanley, you watch you a dollar?

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Speaker 1: Okay, Stanley your turn. Hey hey, old buddy, he still

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has the eye all six in the bullseye, just lucky.

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Speaker 2: I yes, So you have a new revolver fright, Yeah.

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Speaker 1: Take me up a three fifty seven magnmum.

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Speaker 2: Oh, that's a lot of guns.

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Speaker 1: That's my motto. If you're gonna have something, have a

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lot of it.

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Speaker 2: Yeah, that's the kind of gun you used to kill

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people that.

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Speaker 1: Thirty eight years isn't exactly a little kid's water pistol either.

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Come on, let's go somewhere and have a drinker.

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Speaker 2: I have to be getting home now, No, no, no,

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you come with me.

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Speaker 1: I have a serious matter to discuss. You know, Stanley,

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the only place I ever run into you these days

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is a pistol range.

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Speaker 5: It's the only thing you haven't given up.

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Speaker 2: What are you talking about?

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Speaker 1: Nobody sees anymore. You're never at the club for golf,

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for tennis.

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Speaker 2: I've been busy.

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Speaker 1: Corra May says, you are gladys keep turning it down

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for dinner. Well, we've had a lot of other things, Arena.

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That's not the reason you don't go out because you

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can't afford to return the hospitality.

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Speaker 2: Now that's the truth.

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Speaker 1: And I've known it for a long time.

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Speaker 2: What what do you think you know?

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Speaker 1: I know all the signs. I've been there myself. It's

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because there's no money and suddenly you're running expenses or

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draining you dry and well you.

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Speaker 2: Wonder how you love the times, these crazy twifted times.

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Speaker 5: We've got to live in.

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Speaker 1: These times, you're the only ones we'll ever have.

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Speaker 2: I have to have some more money. Maybe I can

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take on another job or where.

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Speaker 1: And will Delavan and company and take kindly to the

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head of their research department moonlighting? How would it look?

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Speaker 2: I don't know what to do. French. I'm glad it'll

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kill her if it keeps up.

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Speaker 1: No, you may laugh at that and then laughing.

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Speaker 2: She can't help the way she was brought up, and

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to me, it was so great that that someone like

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her could fall for me. He didn't laugh at that too.

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Speaker 1: It isn't funny.

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Speaker 2: Sure, okay, we won't starve or even come close, but

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she can't have all the things she always took for granted.

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I mean, well, maybe it's wrong of her, maybe it's vanity,

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but well that's how she is, I understand. And then

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she won't leave me, and she'll always feel that I've

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failed her and.

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Speaker 1: I have any Quit beating your breast and do something positive.

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Speaker 2: I tried. I was going to ask for a raise

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that Chris sensitity finessed me. If it was a bluff,

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I just couldn't call it.

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Speaker 1: But look at me, Stanley, I don't make as much

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money as you, and I've got just about the same expenses. Okay, Well,

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I just bought myself this suit for two hundred and

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eighty smackers. The car outside is brand new, and you

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know it's not cheap. This summer we spent a whole

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month in Europe?

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Speaker 5: How do I do it?

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Speaker 2: You're in debt up to your ears.

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Speaker 1: No, no, not even for a nickel.

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Speaker 2: Yes again, you sold your soul to the devil?

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Speaker 1: Well, well, what's it's not a completely ridiculous answer?

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Speaker 2: What do you mean it's not a completely ridiculous answer?

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Speaker 5: That could be some truth to it?

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Speaker 1: Well, no, I don't know what to say when you're

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on the right track.

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Speaker 2: Well, if that's the right track, that's as far as

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I want to go.

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Speaker 1: Suppose you could make yourself an extra ten grand a year.

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Speaker 5: Doing what tax free?

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Speaker 2: Who would I have to kill?

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Speaker 1: I don't know yet what kind of an answer to that?

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What's your afully?

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Speaker 2: Frank? Do you know what you're saying?

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Speaker 5: Yes, you're saying I.

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Speaker 1: Would have to kill somebody, that's right, somebody who is

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as yet unknown.

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Speaker 5: But why would I want to kill anybody for money?

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Speaker 2: Oh?

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Speaker 1: No, you mean can do it for nothing?

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Speaker 2: I wouldn't do it at all.

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Speaker 1: That's what I had to find out.

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Speaker 2: Frank. Do you mean you're tied up with.

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Speaker 1: You?

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Speaker 5: You're involved?

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Speaker 2: Did you kill people?

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Speaker 5: Yes?

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Speaker 1: Yes?

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Speaker 5: Did you sit there and you say yes so calmly?

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Speaker 2: How can you say this to me? Aren't you. Aren't

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you afraid I'd go to the police.

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Speaker 3: No.

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Speaker 1: In the first place, you're my old, this closest friend,

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and I've taken you into my confidence.

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Speaker 2: This have to do with murder.

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Speaker 1: In the second place, what could you go to the

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police with? What could you prove? And in the third place,

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after you think it's over, you'll want to know more

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about it.

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Speaker 2: I'll know, Frank, I know too much right now, and

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I don't want to hear one more.

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Speaker 1: Word, Okay, Stanley, I won't say one more word until

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you ask me. And so the seed has been planted,

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how like a growing thing a story is. In the

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first act, we plant the seed, in the second we

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cultivate and water the soil, and in the third we

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harvest the crop. What we don't know at this point

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is what kind of seed has just been planted. But

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something may stick to flower when I return in just

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a few moments.

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Speaker 5: With that too, Oh, I got.

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Speaker 7: A pooty tap, I did clear button tap.

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Speaker 1: Hi, I'm mel blank. And that's another of my thousand voices.

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And that's why they asked me to tell you about

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00:16:13,360 --> 00:16:16,559
lemon mint Listerine lozenges, Because what your throat is hot

300
00:16:16,639 --> 00:16:19,200
and dry, from a cold that make it feel cool

301
00:16:19,360 --> 00:16:24,200
and souls and Listerine's anesthetic medicine helps give faste temporary

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00:16:24,240 --> 00:16:27,720
relief from minor sore throat pain. Lemon mint, Listerine lozenges.

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00:16:27,919 --> 00:16:30,159
No matter how many voices you've got, you've only got

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one throat, so you get rest. A logging gets folks.

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He was only his director. Well girl, Uncle Sam is

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00:16:36,759 --> 00:16:40,000
done it again. If you know anybody on Social Security,

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listen to this. People who get Social Security checks will

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never again have to worry about them being late or

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lost or stolen. If you just fill out a simple

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form at the Lincoln Savings Bank, Uncle Sam will automatically

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deposit your social Security check directly into your account at

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00:16:56,519 --> 00:16:59,559
the Lincoln every month. No more waiting around for it

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to come. No more lost or stolen checks, no more

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00:17:02,720 --> 00:17:05,359
standing in line to cash them. Every month. The day

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00:17:05,400 --> 00:17:08,000
your check is due, the money is there in your

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00:17:08,039 --> 00:17:10,640
account at the Lincoln, waiting for you to collect it

317
00:17:10,920 --> 00:17:13,279
or write payment orders the way you write ordinary checks

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00:17:13,599 --> 00:17:16,039
or earning interest for you in a Lincoln Savings account.

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Uncle Sam and the Lincoln do it all automatically. You

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don't have to do anything except fill out one form

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at any Lincoln branch or telephone seven eight two six thousand,

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00:17:27,319 --> 00:17:29,839
and the Lincoln will mail it to you the Lincoln

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00:17:29,920 --> 00:17:34,279
Savings Bank seven eight two six thousand. Member FDIC.

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00:17:34,680 --> 00:17:38,200
Speaker 9: Tomorrow morning, listen to Rambling with Gambling, the program with

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00:17:38,400 --> 00:17:42,119
all the degrees. There's fahrenheit celsius and there are some

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00:17:42,279 --> 00:17:46,079
others too, Doctor John Gambling here inviting you to join

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me and the other doctor, doctor Bob Harris, along with

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Peter Roberts, Jack Allen, Harry Hennessy, Henry Gladstone, Walter Spencer,

329
00:17:54,480 --> 00:17:57,279
George Mead, Fred Feldman and the whole crew here in

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Studio two for our daily seminars WOR Radio from five

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till ten in the morning.

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Speaker 1: Now, what courses would you like to take?

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00:18:05,759 --> 00:18:09,799
Speaker 9: We have music, news, sports, weather, traffic information, a little

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00:18:09,799 --> 00:18:12,440
bit of alleged humor now and again, and just about

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00:18:12,480 --> 00:18:14,079
everything else to start your morning.

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Speaker 2: Right.

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Speaker 1: That's Rambling with Gambling daily five till ten in.

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Speaker 5: The morning here at w o R Radio, the Talk

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00:18:20,599 --> 00:18:21,279
of New York.

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Speaker 1: What's a country fresh flavor like new Code doing in

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a city like New York.

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00:18:27,039 --> 00:18:29,640
Speaker 7: You code bring in county to this city.

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Speaker 5: You both content fresh pay, you both.

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Speaker 1: Pay, Hey I'm fix city now, But it wasn't always

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that way. I sure you used to miss that back

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home country fresh days to just fix these garret corn

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and bean. Oh my. But then Elsie sue she's rid

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of big city.

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Speaker 2: She putting me on a new code margin.

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Speaker 1: It comes in both.

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Speaker 2: They can solve form, you know.

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Speaker 1: And Duco's got a real country thread base that makes

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anything you put it on the country good.

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Speaker 2: So now it does in me and Uco Marsham, we're

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in a big city? Is gone?

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Speaker 5: You proplet?

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Speaker 1: You pain? According to statistics, the majority of all arguments

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between husbands and wives are about money. Does this mean

359
00:19:39,400 --> 00:19:43,839
they don't have disagreements about other things? No, it only

360
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means they don't have long drawn out arguments about them money.

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They say it doesn't buy happiness. I suppose that all

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depends on what you mean by happiness.

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Speaker 7: Oh is that you Stanley?

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Speaker 2: Yes, I'm all Hi.

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Speaker 5: What's move?

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Speaker 7: Oh it's dinner. I'm said I've burned it?

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Speaker 2: You burned it? Did you make dinner?

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00:20:12,640 --> 00:20:13,079
Speaker 7: Of course?

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00:20:13,880 --> 00:20:15,839
Speaker 2: What happened to mister songs? Oh?

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Speaker 7: Well I had to let her go.

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Speaker 2: You let her go?

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Speaker 7: Oh we had to save money, don't we?

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Speaker 2: Yes? You can't even boil water.

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Speaker 5: We'll all have to earn.

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Speaker 1: Look, Gladys, we Canley.

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Speaker 7: For the past few months you've been telling me how

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terribly tight money has become.

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00:20:30,920 --> 00:20:31,640
Speaker 5: Now is it true?

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00:20:32,119 --> 00:20:35,599
Speaker 7: Well, yes, the club, Judy's private school, the extra car,

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the boat, missus storms. We simply cannot afford all of

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those things anymore, Canley.

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00:20:41,559 --> 00:20:44,519
Speaker 2: Will It has to do with this inflationary period. Perhaps

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00:20:44,559 --> 00:20:47,400
soon things will become normal, and perhaps they won't.

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00:20:47,640 --> 00:20:50,880
Speaker 7: Perhaps this will become the new normal. Since you are

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00:20:51,000 --> 00:20:54,359
unwilling or unable to make more money, all this is

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00:20:54,480 --> 00:21:01,880
merely idle chatter. Sit still, I'll get it. Hello, yes, Coronet,

387
00:21:02,880 --> 00:21:08,839
Oh fine, Tuesday night for dinner. It will be Oh, darling,

388
00:21:08,920 --> 00:21:10,480
I'm sorry we're tied.

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Speaker 1: Up on't Tuesday, said, tell her.

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00:21:11,880 --> 00:21:13,279
Speaker 5: We'll make Oh I'd love.

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00:21:13,160 --> 00:21:16,039
Speaker 7: To play, Coronet, but I'm afraid this week is out.

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00:21:16,160 --> 00:21:18,839
I seem to have developed a tennis elbow. But we'll

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00:21:18,880 --> 00:21:24,799
get together. Let me call you right bye, I said.

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00:21:24,599 --> 00:21:26,519
Speaker 2: To tell her we'd accept that invitation.

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Speaker 7: I am not accepting any hospitality. I cannot afford to return,

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and you go out and play tennis and golf. Stanley,

397
00:21:35,519 --> 00:21:36,480
what are you saying?

398
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Speaker 2: I'm saying I have killed myself these past twenty years

399
00:21:41,160 --> 00:21:44,160
so that I can enjoy some decent living. Well, nobody's

400
00:21:44,200 --> 00:21:55,440
going to take it away from me. Well, fight dessert.

401
00:21:55,799 --> 00:21:58,359
Speaker 1: No, no, I in dessert, and DOT want another cup

402
00:21:58,400 --> 00:22:00,440
of coffee or a liqueur. And we're the only ones

403
00:22:00,559 --> 00:22:02,440
left in the joint. So if you're ready to go,

404
00:22:02,559 --> 00:22:03,200
I am fright.

405
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Speaker 2: How can I make that extra ten grand a year?

406
00:22:07,880 --> 00:22:13,359
Speaker 1: We actually it could be much more than ten grand. Lately,

407
00:22:13,400 --> 00:22:16,519
it seems there's quite a bit of work. Just tell

408
00:22:16,599 --> 00:22:20,039
me how the underworld, the mob, the sendicate to call

409
00:22:20,079 --> 00:22:23,640
it whatever you want. They're getting away more and more

410
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from using their own people as executioners. Oh good lords,

411
00:22:29,279 --> 00:22:32,039
what kind of conversation am I having? We can stop anytime,

412
00:22:32,720 --> 00:22:34,759
all right, let's stop, No.

413
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Speaker 2: Go ahead.

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00:22:38,240 --> 00:22:40,839
Speaker 1: And so now the trend is to look for a

415
00:22:40,920 --> 00:22:43,720
respectable folks to do the job. People who would never

416
00:22:43,759 --> 00:22:47,720
be suspected. Look at me, an editor for a trade magazine,

417
00:22:48,240 --> 00:22:51,880
who would ever suspect me? Look at you, a research

418
00:22:51,960 --> 00:22:56,119
analyst from a brokerage house, who would suspect you. It's

419
00:22:57,319 --> 00:23:00,839
this dealing with gangsters that scares me. You're not dealing

420
00:23:00,920 --> 00:23:05,079
with gangsters. This is a small private outfit created to

421
00:23:05,160 --> 00:23:09,680
fill a specific need. But still their clientele isn't restricted

422
00:23:09,720 --> 00:23:15,240
to the underworld. You'd be absolutely amazed how many law abiding, reputable.

423
00:23:14,880 --> 00:23:17,440
Speaker 5: Upright people require this kind of service.

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Speaker 1: You know, there are times it's unfortunate but true, when

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a well placed bullet is the only solution to a problem.

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00:23:25,559 --> 00:23:26,279
Speaker 2: But it's murder.

427
00:23:27,079 --> 00:23:31,200
Speaker 1: Yes, I never killed anybody. The commandment says thou shalt

428
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not kill. You never killed anybody in Korea.

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00:23:34,519 --> 00:23:35,559
Speaker 2: Ah, that was different.

430
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Speaker 5: Killing is killing, but your conscience.

431
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Speaker 1: Each contract is worth between twenty five hundred and three

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thousand dollars.

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Speaker 2: I thought it would play a good deal more it.

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Speaker 1: Does in real value when you consider it's tax free,

435
00:23:52,359 --> 00:23:55,799
and you might do five, six, even seven a year,

436
00:23:56,440 --> 00:23:57,480
no more money problems.

437
00:23:58,319 --> 00:24:00,960
Speaker 2: Suppose you get caught. Can you get caught?

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00:24:02,079 --> 00:24:04,039
Speaker 5: Why should anyone even suspect you?

439
00:24:05,799 --> 00:24:09,799
Speaker 2: Maybe maybe I'll try it once.

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00:24:09,880 --> 00:24:13,000
Speaker 1: Snow, Now you can't try it to see if you

441
00:24:13,200 --> 00:24:15,880
like it. Once you're on board. He can't get off

442
00:24:15,920 --> 00:24:18,599
the ship. Oh he can understand.

443
00:24:18,640 --> 00:24:18,799
Speaker 2: Why?

444
00:24:19,839 --> 00:24:24,759
Speaker 1: Yeah, well, now you have to make the next most

445
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any Frank.

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Speaker 2: I've been on a straight and marrow all my life.

447
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Speaker 1: I'll testify that nobody works harder.

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00:24:31,839 --> 00:24:32,240
Speaker 2: Than I did.

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Speaker 5: That's the fact.

450
00:24:33,200 --> 00:24:36,240
Speaker 2: But I well, I'm just not making out anymore. All

451
00:24:36,240 --> 00:24:39,759
of a sudden, I look around. I've gone through all

452
00:24:39,839 --> 00:24:42,359
my savings and for a lot to keep my head

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00:24:42,400 --> 00:24:42,920
above water.

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Speaker 1: I've been through the same thing, Stanley.

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Speaker 2: Maybe my wife is vain, but that's all right. Maybe

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00:24:49,119 --> 00:24:51,680
some people would look at me and say, he wants

457
00:24:51,720 --> 00:24:53,160
the frivolous things of this world?

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00:24:53,279 --> 00:24:56,079
Speaker 1: How much longer do you need to talk yourself into it?

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00:24:58,359 --> 00:24:58,960
Speaker 2: Where do I go?

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00:25:00,160 --> 00:25:02,359
Speaker 1: Go? Anywhere? He comes to you?

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00:25:11,599 --> 00:25:11,799
Speaker 7: Yes?

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00:25:12,440 --> 00:25:16,559
Speaker 1: Oh, good evening. You must be missus Morris. My name

463
00:25:16,640 --> 00:25:20,160
is mister Ackroyd. I'm sorry to disturb you at home,

464
00:25:20,240 --> 00:25:23,160
but I have some contracts to discuss with mister Morrison.

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00:25:23,440 --> 00:25:28,880
Speaker 7: Oh well, please come in, Stanley, a gentleman to see you.

466
00:25:29,880 --> 00:25:32,240
Uh will you sit down this track rod O, thank

467
00:25:32,279 --> 00:25:33,519
we'll rang the bell glovers.

468
00:25:33,960 --> 00:25:38,039
Speaker 1: Mister Morrison, and my name is Ackroyd. A mutual friend

469
00:25:38,240 --> 00:25:44,279
suggested that we might do some business. Oh isn't that wonderful? Stanley?

470
00:25:44,720 --> 00:25:46,440
Speaker 7: What business are you in this track Royd?

471
00:25:47,279 --> 00:25:49,319
Speaker 1: The removal business?

472
00:25:49,880 --> 00:25:51,799
Speaker 2: Oh? Yes, yes, I remember you, miss track Royd, and

473
00:25:51,880 --> 00:25:55,000
I uh, I have a pertinent information in my desk.

474
00:25:55,319 --> 00:25:57,920
Could you could you accuse the starling?

475
00:25:58,000 --> 00:26:00,839
Speaker 7: Oh certainly, and let me know if you gentlemen would

476
00:26:00,920 --> 00:26:01,720
like some refreshment.

477
00:26:01,839 --> 00:26:04,599
Speaker 1: Oh, that's so kind of you, missus Morrison. This ways,

478
00:26:04,640 --> 00:26:12,279
the direct Roy, our mutual friend, speaks highly of you.

479
00:26:12,440 --> 00:26:17,640
Mister Morrison. Well, I have a contract for you. You

480
00:26:17,759 --> 00:26:22,279
must memorize all the details. All contracts are verbal. You

481
00:26:22,359 --> 00:26:26,720
can understand why now that gentleman's name is Everett Marshall.

482
00:26:27,599 --> 00:26:29,640
At this point it's best you don't know who he is,

483
00:26:29,839 --> 00:26:32,359
or what he does or why if someone has purchased

484
00:26:32,400 --> 00:26:35,160
a contract for him, Well, then how am I supposed

485
00:26:35,200 --> 00:26:38,759
to know the right man? We'll handle that detail for you.

486
00:26:39,640 --> 00:26:42,039
Now you have your own weapon. I've been assured it's

487
00:26:42,039 --> 00:26:45,160
an excellent condition and that you're an expert in its use.

488
00:26:46,400 --> 00:26:49,079
You'll be on the northwest corner of Garfield and Third

489
00:26:49,200 --> 00:26:53,200
tomorrow evening at eight o'clock. Of nervousness is perfectly normal

490
00:26:53,519 --> 00:26:54,240
the first time.

491
00:26:55,759 --> 00:27:00,200
Speaker 2: I'm not sure I can go through with it, but

492
00:27:00,359 --> 00:27:02,119
you can. You must.

493
00:27:03,160 --> 00:27:08,000
Speaker 1: Oh, this envelope is for you. What's in your fee?

494
00:27:08,920 --> 00:27:13,559
Twenty five hundred dollars take it, but we pay in

495
00:27:13,640 --> 00:27:20,680
advance twenty five hundred dollars all for you, well till tomorrow.

496
00:27:22,880 --> 00:27:26,359
Speaker 7: Oh, sir, good nay, I offer you something to drink?

497
00:27:26,359 --> 00:27:29,119
Speaker 1: Oh, thank you. I'm afraid I have a pressing engagement.

498
00:27:29,759 --> 00:27:33,440
Speaker 7: Well another time, man, Oh it cous be.

499
00:27:33,559 --> 00:27:39,720
Speaker 1: The Boston Symphony, an unbelievably lucid blend of brass and strain.

500
00:27:40,200 --> 00:27:44,119
Yes it is well, good, nice.

501
00:27:44,359 --> 00:27:51,480
Speaker 7: Nice, you know standing me. He's such a nice name.

502
00:28:00,119 --> 00:28:07,759
Speaker 1: Vest Morrison on time, good side, join me. Allow, then,

503
00:28:08,160 --> 00:28:12,039
in just a few moments, your client, mister Everett Marshall,

504
00:28:12,079 --> 00:28:16,359
will emerge from that building across the street. He's a tall,

505
00:28:16,559 --> 00:28:17,400
stout gentleman.

506
00:28:18,160 --> 00:28:18,599
Speaker 2: There he is.

507
00:28:19,359 --> 00:28:20,880
Speaker 1: He has that blonde girl on his arm.

508
00:28:20,960 --> 00:28:21,440
Speaker 2: And see them.

509
00:28:22,920 --> 00:28:25,519
Speaker 1: They're headed for the cafe. Just up the block and

510
00:28:25,640 --> 00:28:28,279
take this key. It will let you into the building.

511
00:28:28,640 --> 00:28:31,440
Walk up the stairs. Do not take the elevator to

512
00:28:31,559 --> 00:28:32,440
the second floor.

513
00:28:33,240 --> 00:28:33,519
Speaker 2: First.

514
00:28:33,640 --> 00:28:36,200
Speaker 1: On your right, you'll see the number two fifteen.

515
00:28:36,960 --> 00:28:38,279
Speaker 5: Open the door with the same key.

516
00:28:39,319 --> 00:28:41,640
Speaker 1: Go into the office and wait for him.

517
00:28:42,160 --> 00:28:44,119
Speaker 2: What do you mean? Wait for him?

518
00:28:44,640 --> 00:28:47,119
Speaker 1: In five minutes he shall receive a telephone call and

519
00:28:47,240 --> 00:28:49,839
he will come back to the office as soon as

520
00:28:49,880 --> 00:28:50,759
he is inside.

521
00:28:51,799 --> 00:28:53,279
Speaker 5: Shoot him, shoot him.

522
00:28:53,519 --> 00:28:57,160
Speaker 1: Don't hesitate, but suppose someone of the building happens to

523
00:28:57,279 --> 00:29:00,400
where is absolutely no one in that building at the time.

524
00:29:01,160 --> 00:29:03,960
After you shoot him, take the stairway at the other

525
00:29:04,079 --> 00:29:06,720
end of the hall. It leads to an alleyway around

526
00:29:06,759 --> 00:29:07,119
the corner.

527
00:29:07,599 --> 00:29:10,359
Speaker 2: What if what if he brings her that the girl

528
00:29:10,400 --> 00:29:12,839
with it? He wants, are you now?

529
00:29:12,880 --> 00:29:13,920
Speaker 5: Are you better be on your way?

530
00:29:14,039 --> 00:29:18,200
Speaker 1: He had less than three minutes and uh afterwards, get

531
00:29:18,319 --> 00:29:21,720
rid of the volver, take it apart and toss it

532
00:29:21,799 --> 00:29:36,160
into the bay. What's for the idea asking me to

533
00:29:36,200 --> 00:29:37,880
get something out of the sick? Hey?

534
00:29:38,400 --> 00:29:39,640
Speaker 2: Who who are you?

535
00:29:40,400 --> 00:29:40,440
Speaker 1: No?

536
00:29:41,079 --> 00:29:42,880
Speaker 5: Don't don't do.

537
00:29:55,200 --> 00:29:59,200
Speaker 7: More coffee? Darney? I have Well, I know my coffee

538
00:29:59,240 --> 00:30:01,359
isn't much good? Is it that bad?

539
00:30:02,079 --> 00:30:05,319
Speaker 2: It's awful? Has mister Slivers found another job yet?

540
00:30:05,599 --> 00:30:06,240
Speaker 7: I don't think so.

541
00:30:07,079 --> 00:30:08,039
Speaker 2: Ask her to come back?

542
00:30:08,839 --> 00:30:11,480
Speaker 7: But can we afford it? I mean, what about the money?

543
00:30:11,720 --> 00:30:13,799
Speaker 2: We don't worry about the money. It narrows your mouth

544
00:30:13,839 --> 00:30:15,119
and puts lines in your face.

545
00:30:15,359 --> 00:30:18,559
Speaker 7: But I thought we were having trouble making ends neat well?

546
00:30:18,720 --> 00:30:22,359
Speaker 2: They met finally anything in the morning paper, Oh the.

547
00:30:22,440 --> 00:30:27,519
Speaker 7: Usual murder stories on the frontage. A gentleman named Everett

548
00:30:27,559 --> 00:30:30,599
Marshall was found shot to death in his office last night.

549
00:30:31,359 --> 00:30:34,359
That though by whom police think, it was a burglar.

550
00:30:34,599 --> 00:30:37,279
Speaker 1: Morning everybody the door was open, eye and I walked

551
00:30:37,440 --> 00:30:39,119
to the morning thanks coffee.

552
00:30:39,359 --> 00:30:42,160
Speaker 5: Uh no, no, thanks Stanley, you want to lift up her?

553
00:30:42,480 --> 00:30:42,640
Speaker 2: Kay?

554
00:30:43,039 --> 00:30:45,680
Speaker 7: Hey, what mischief for you boys up to this morning?

555
00:30:46,039 --> 00:30:46,400
Speaker 2: Mischief?

556
00:30:46,599 --> 00:30:48,799
Speaker 7: But a beautiful day like this, you might decide to

557
00:30:49,279 --> 00:30:50,279
play hooky and go.

558
00:30:50,359 --> 00:30:50,799
Speaker 5: To the club.

559
00:30:50,960 --> 00:30:54,119
Speaker 1: Oh no, no, no, we don't do frivolous things together anymore.

560
00:30:54,559 --> 00:30:58,200
Stanie and I, uh, well, we've become very serious people.

561
00:30:59,599 --> 00:31:09,279
I'll and I see by the papers it went very well.

562
00:31:10,079 --> 00:31:14,960
Oh yeah, I thought i'd come by this morning because well,

563
00:31:15,000 --> 00:31:17,160
I was very nervous after my first one.

564
00:31:17,839 --> 00:31:19,119
Speaker 5: Maybe you'd need a left.

565
00:31:19,559 --> 00:31:25,359
Speaker 2: I'm all right, that's good. I don't know why. When

566
00:31:25,400 --> 00:31:27,160
I went up to that man's office, I was convinced

567
00:31:27,200 --> 00:31:29,519
I wouldn't be able to kill him. When I walked

568
00:31:29,559 --> 00:31:31,440
in that door and he saw me and the gun

569
00:31:31,519 --> 00:31:34,920
in my hand, I could look into his eyes, I

570
00:31:34,960 --> 00:31:37,319
could see my whole life and his eyes as if

571
00:31:38,000 --> 00:31:39,480
as if we're a motion picture screen.

572
00:31:39,599 --> 00:31:42,319
Speaker 1: He shouldn't think about these things, And he said.

573
00:31:42,720 --> 00:31:45,839
Speaker 2: No, don't, And I just aimed at the top button

574
00:31:45,920 --> 00:31:48,200
of his jacket as if I were shooting on the range,

575
00:31:49,240 --> 00:31:52,799
and I squeezed the trigger once place, and he fell.

576
00:31:53,000 --> 00:31:56,319
He was dead. And I simply walked out of that room,

577
00:31:56,400 --> 00:32:00,480
down that hall, down those stairs, into the street, over

578
00:32:00,559 --> 00:32:03,039
to the bay, got rid of the thirty eight. And

579
00:32:03,200 --> 00:32:09,559
here I am, and I don't feel one tiny twinge

580
00:32:10,039 --> 00:32:19,799
of remorse. Frank. What happens to forty years of education,

581
00:32:19,920 --> 00:32:24,000
of a doctrination of belief in the value of human life,

582
00:32:24,960 --> 00:32:28,680
of right and wrong, all the things we profess to

583
00:32:28,759 --> 00:32:29,160
believe in.

584
00:32:30,000 --> 00:32:30,400
Speaker 1: I don't know.

585
00:32:32,039 --> 00:32:35,200
Speaker 2: Do they get swept aside in the first storm? Frank?

586
00:32:36,720 --> 00:32:38,799
Speaker 5: What happened to to my conscience?

587
00:32:39,599 --> 00:32:43,920
Speaker 2: Where is it? My conscience? Is no explanations standing? Why

588
00:32:43,960 --> 00:32:47,400
am I so in troubled, so serene, so much at

589
00:32:47,480 --> 00:32:49,880
peace with myself? Is it possible that when we murder

590
00:32:49,960 --> 00:32:53,839
another human being we also murder our own conscience? Because

591
00:32:54,880 --> 00:32:59,680
I tell you, Frank, mine is dead. What do you think?

592
00:33:01,160 --> 00:33:03,680
Speaker 5: Maybe you're right? How's yours?

593
00:33:04,359 --> 00:33:14,640
Speaker 1: My conscience? Yes, mine did too. As the poet said,

594
00:33:15,160 --> 00:33:20,000
conscience does make cowards of us all. He's usually right,

595
00:33:20,279 --> 00:33:24,240
But perhaps Stanley and Frank are the exceptions that prove

596
00:33:24,400 --> 00:33:24,759
the rule.

597
00:33:25,519 --> 00:33:26,880
Speaker 2: Well, it's an interesting problem.

598
00:33:27,680 --> 00:33:29,119
Speaker 5: Can you kill a conscience?

599
00:33:30,039 --> 00:33:33,279
Speaker 1: Or put it this way? In killing your conscience, what

600
00:33:33,519 --> 00:33:37,559
else do you kill? These questions require a third act

601
00:33:37,839 --> 00:33:52,920
for their solutions, and I shall return in just is

602
00:33:53,000 --> 00:33:57,559
it a veneer? Our morality? Our code of ethics? This

603
00:33:57,799 --> 00:33:59,599
problem has occupied the attention.

604
00:33:59,400 --> 00:34:00,920
Speaker 5: Of scholars throughout the ages.

605
00:34:01,720 --> 00:34:04,279
Speaker 1: How deeply are we committed to the value as we

606
00:34:04,440 --> 00:34:09,239
profess so vehemently in public? Some say man is basically

607
00:34:09,360 --> 00:34:14,599
evil and some say man is basically good, And perhaps

608
00:34:14,920 --> 00:34:19,280
neither side is completely right or completely wrong.

609
00:34:21,760 --> 00:34:22,960
Speaker 2: Darling, m.

610
00:34:25,320 --> 00:34:27,119
Speaker 7: I'm afraid I'm overdrawn at the bank.

611
00:34:28,199 --> 00:34:33,519
Speaker 2: I know you know, yes, Jack Carstairs has orders to

612
00:34:33,599 --> 00:34:35,599
call me when that happens, and I make the adjustment.

613
00:34:36,199 --> 00:34:38,840
Speaker 7: But Darling, I really should try to be more careful.

614
00:34:39,440 --> 00:34:42,639
Speaker 2: No, for you to be more careful with money would

615
00:34:42,679 --> 00:34:47,480
require too much time and effort. Why'd you turn off

616
00:34:47,519 --> 00:34:47,920
the music?

617
00:34:48,440 --> 00:34:50,559
Speaker 7: Because I want to tell you how much I love you.

618
00:34:51,800 --> 00:34:52,079
Speaker 2: Happy.

619
00:34:52,639 --> 00:34:54,159
Speaker 7: I'm deliviously happy.

620
00:34:54,639 --> 00:34:58,000
Speaker 2: I don't want you to have a worry in the world, Stanley.

621
00:34:58,719 --> 00:35:02,519
Speaker 7: Why is it that suddenly we have no more money?

622
00:35:02,599 --> 00:35:07,800
Speaker 2: Worries? There? It all has to do with judicious management.

623
00:35:08,199 --> 00:35:12,159
Speaker 7: Oh, how right you are? Judicious management that's what Daddy

624
00:35:12,239 --> 00:35:12,719
used to say.

625
00:35:13,039 --> 00:35:16,239
Speaker 2: No, he used to say prudent management.

626
00:35:18,239 --> 00:35:22,840
Speaker 7: You know, darling, you look marvelous. You look so so young,

627
00:35:23,000 --> 00:35:27,880
so happy, so so I can't really explain it exhilarated,

628
00:35:28,159 --> 00:35:28,559
as if.

629
00:35:28,480 --> 00:35:34,519
Speaker 5: You were having the time of your life. Well I am, well,

630
00:35:34,960 --> 00:35:35,840
I love family.

631
00:35:36,800 --> 00:35:39,039
Speaker 1: Oh oh yeah, a family.

632
00:35:39,400 --> 00:35:41,599
Speaker 8: Would it be convenient to meet me at the Cafe

633
00:35:41,880 --> 00:35:45,679
Charleston on ninth and Dewey say in forty five minutes?

634
00:35:46,360 --> 00:35:46,760
Speaker 2: Certainly?

635
00:35:47,519 --> 00:35:48,760
Speaker 1: Thank you daily.

636
00:35:51,559 --> 00:35:56,039
Speaker 7: Darling? Was that that very nice gentleman? I can't remember

637
00:35:56,079 --> 00:35:58,760
his name, the one who loves Mozart?

638
00:36:04,920 --> 00:36:06,199
Speaker 1: Your antelope Stanley?

639
00:36:07,159 --> 00:36:07,440
Speaker 2: Thank you.

640
00:36:08,400 --> 00:36:11,599
Speaker 1: You will find it contains thirty five hundred dollars. Your

641
00:36:11,719 --> 00:36:15,079
rating has gone up from now on. This is your fee.

642
00:36:16,280 --> 00:36:18,639
Are your client is a woman?

643
00:36:19,800 --> 00:36:20,199
Speaker 2: A woman?

644
00:36:21,239 --> 00:36:25,599
Speaker 1: Should that make a difference? Well, women have been agitating

645
00:36:25,719 --> 00:36:27,039
for equality, haven't they?

646
00:36:28,760 --> 00:36:29,320
Speaker 2: What did she do?

647
00:36:30,320 --> 00:36:33,760
Speaker 1: Does it matter? No? But the very cornerstone of our

648
00:36:33,760 --> 00:36:39,800
philosophy is complete disassociation from our clients. I understand your

649
00:36:39,880 --> 00:36:42,519
only contact with your client comes at the end of

650
00:36:42,599 --> 00:36:46,440
his life, and then only for a brief moment.

651
00:36:47,119 --> 00:36:49,039
Speaker 2: It's just for the woman.

652
00:36:49,320 --> 00:36:50,079
Speaker 5: Should it matter?

653
00:36:50,760 --> 00:36:52,440
Speaker 2: All? Right? Where do I go?

654
00:36:53,559 --> 00:36:54,000
Speaker 1: Her name?

655
00:36:54,239 --> 00:36:56,400
Speaker 5: Is Alma Watson.

656
00:37:02,039 --> 00:37:02,320
Speaker 1: Coming?

657
00:37:02,400 --> 00:37:02,719
Speaker 7: Honey?

658
00:37:02,840 --> 00:37:03,199
Speaker 2: Come on?

659
00:37:05,480 --> 00:37:06,199
Speaker 7: How they did?

660
00:37:06,880 --> 00:37:09,480
Speaker 2: Oh? I thought you were that missus Alma Watson.

661
00:37:09,719 --> 00:37:09,920
Speaker 1: Yeah?

662
00:37:11,039 --> 00:37:12,559
Speaker 2: Are you sure you're Alma Watson?

663
00:37:13,079 --> 00:37:13,360
Speaker 7: Sure?

664
00:37:13,440 --> 00:37:13,960
Speaker 1: I'm sure.

665
00:37:14,800 --> 00:37:17,599
Speaker 2: It wouldn't do for me to make a mistake.

666
00:37:24,599 --> 00:37:31,599
Speaker 1: The man's name is Paul Terry. His name is Jerome Kelly.

667
00:37:33,800 --> 00:37:40,000
He's hiding out in a little motel. Your classification has

668
00:37:40,039 --> 00:37:43,320
gone up, Stanley, you're a five thousand dollar man.

669
00:37:43,440 --> 00:38:00,400
Speaker 2: Now, Chris got a minute. Oh oh hi, Stanley, Look,

670
00:38:00,440 --> 00:38:03,079
I'm a swamp. Can't wait, No, Chris, it can't wait.

671
00:38:03,559 --> 00:38:04,639
You want me to continue here?

672
00:38:05,280 --> 00:38:06,119
Speaker 5: I want a question.

673
00:38:06,960 --> 00:38:08,880
Speaker 2: I want a twenty five percent raise.

674
00:38:09,119 --> 00:38:11,679
Speaker 8: And now, Stanley, you know the facts of life around here.

675
00:38:11,840 --> 00:38:16,360
Speaker 2: I'll quit. Yep, you know what, Take it or leave it.

676
00:38:17,159 --> 00:38:19,239
Speaker 8: But Stanley, you know how Sullivan for you.

677
00:38:19,519 --> 00:38:21,679
Speaker 2: I only know what you tell me. Chris.

678
00:38:21,800 --> 00:38:24,239
Speaker 1: Now see here, Stanley, you can't get rid of me.

679
00:38:24,320 --> 00:38:24,920
And you know it.

680
00:38:25,480 --> 00:38:29,199
Speaker 2: Twenty five percent, well, hey, that's a lot of money

681
00:38:29,800 --> 00:38:32,559
just for the rest of the year. After January one,

682
00:38:32,639 --> 00:38:36,639
it goes to thirty. Well, Stanley, Lee have to talk

683
00:38:36,679 --> 00:38:40,280
about me. I'm swamped with work, Chris. Besides, what's there

684
00:38:40,320 --> 00:38:47,920
to talk about? I said, take it or leave it.

685
00:38:49,000 --> 00:38:49,760
That's funny.

686
00:38:50,679 --> 00:38:52,840
Speaker 5: He's making himself look good at my expense.

687
00:38:54,039 --> 00:38:55,920
Speaker 2: I never had the guts to stand up to him before.

688
00:38:56,079 --> 00:38:59,519
But you know something, Frank, since I've taken on this.

689
00:38:59,639 --> 00:39:01,039
Speaker 1: Side, I have about another round.

690
00:39:01,360 --> 00:39:03,400
Speaker 2: No, no, no, I had enough, as I was saying,

691
00:39:03,960 --> 00:39:08,119
since we've been engaged in our new activity, I'm another person.

692
00:39:08,239 --> 00:39:09,079
Speaker 1: I don't have another one.

693
00:39:10,079 --> 00:39:12,800
Speaker 2: I think you had enough too, Jolly. Let get a double,

694
00:39:13,440 --> 00:39:17,840
a double. You know, I'm not afraid of anybody or anything.

695
00:39:18,679 --> 00:39:21,920
Maybe that's what we're all about, you know what I mean. No,

696
00:39:22,760 --> 00:39:27,079
but maybe maybe man is basically a hunting animal. Maybe

697
00:39:27,119 --> 00:39:30,239
we try to obscure that with a veneer of civilization,

698
00:39:30,559 --> 00:39:32,559
and he think so, well, look at how quickly we

699
00:39:32,719 --> 00:39:35,719
pierce that veneer, and we do. Maybe we don't when

700
00:39:35,760 --> 00:39:39,400
we get down to it, what's it all about? Security?

701
00:39:40,239 --> 00:39:40,840
Speaker 1: Security?

702
00:39:41,159 --> 00:39:43,679
Speaker 2: What I define is my security, my home, my woman,

703
00:39:43,800 --> 00:39:48,559
my child, my property. All kill for it. Each man

704
00:39:48,960 --> 00:39:53,639
defines what security means to him, and each man will

705
00:39:53,800 --> 00:39:55,960
kill for it. End of speech.

706
00:39:56,159 --> 00:39:59,320
Speaker 1: Stanley, what's a matter of fact, I don't know.

707
00:40:00,119 --> 00:40:01,719
Speaker 2: You've been putting away a good deal of that booth

708
00:40:01,800 --> 00:40:05,400
through I know, and it doesn't help. What did booze

709
00:40:05,440 --> 00:40:07,239
ever help? And what helped you live?

710
00:40:07,480 --> 00:40:07,840
Speaker 1: Stanley?

711
00:40:07,880 --> 00:40:12,000
Speaker 5: I want to get out, get out of what?

712
00:40:12,239 --> 00:40:12,840
Speaker 7: You know what?

713
00:40:14,320 --> 00:40:19,360
Speaker 5: I can't sleep. I see people's faces. You know which people?

714
00:40:19,400 --> 00:40:19,719
Speaker 1: I mean?

715
00:40:19,920 --> 00:40:21,360
Speaker 2: Frank, if you stop drinking?

716
00:40:21,440 --> 00:40:22,719
Speaker 1: Have you seen any faces yet?

717
00:40:22,760 --> 00:40:23,119
Speaker 5: Stanley?

718
00:40:23,679 --> 00:40:24,199
Speaker 1: Of course not.

719
00:40:24,360 --> 00:40:24,679
Speaker 2: You will.

720
00:40:25,159 --> 00:40:30,360
Speaker 1: You will remember that day, that first day. Oh good lord,

721
00:40:30,440 --> 00:40:32,360
how I wish I'd never gotten you into it?

722
00:40:32,519 --> 00:40:33,320
Speaker 5: Are you crazy?

723
00:40:33,800 --> 00:40:35,119
Speaker 2: You solved all my problem.

724
00:40:35,480 --> 00:40:39,320
Speaker 1: You wanted to know what happens to your conscience? Huh huh,

725
00:40:39,840 --> 00:40:42,360
Well we thought maybe you kill it. You don't.

726
00:40:42,760 --> 00:40:45,800
Speaker 5: It just it just goes to sleep and all of a.

727
00:40:45,800 --> 00:40:47,519
Speaker 1: Sudden it wakes up.

728
00:40:47,920 --> 00:40:51,679
Speaker 2: Well, regardless, Frank, we have a practical problem, except we

729
00:40:51,719 --> 00:40:54,480
don't quit. Does that right, suspect her?

730
00:40:54,519 --> 00:40:57,280
Speaker 1: I'm sure he does. I begged off the last couple

731
00:40:57,360 --> 00:41:00,320
of assignments, claimed I was sick.

732
00:41:01,360 --> 00:41:02,639
Speaker 5: I can't keep it up forever.

733
00:41:02,960 --> 00:41:05,960
Speaker 2: Can you arrange the goalie for a while he gets

734
00:41:06,000 --> 00:41:07,679
the wrist. You'll see things differently.

735
00:41:07,800 --> 00:41:10,119
Speaker 5: Do you know what I keep seeing in front of

736
00:41:10,199 --> 00:41:10,639
my eyes?

737
00:41:11,199 --> 00:41:11,800
Speaker 2: I don't laugh.

738
00:41:12,800 --> 00:41:14,920
Speaker 1: Big letters a fire and they.

739
00:41:14,880 --> 00:41:18,639
Speaker 5: Say, oh shall not kill right?

740
00:41:18,800 --> 00:41:19,920
Speaker 2: Get hold of yourself.

741
00:41:20,599 --> 00:41:24,239
Speaker 5: I'll try, I'll try. You'll be all right.

742
00:41:30,400 --> 00:41:32,639
Speaker 2: Here's you're love, it's like you.

743
00:41:33,400 --> 00:41:38,559
Speaker 1: It will be necessary to violate our basic philosophy, just

744
00:41:39,000 --> 00:41:43,159
somewhat in this particular case. But then the rules were

745
00:41:43,199 --> 00:41:44,079
made to be broken.

746
00:41:45,320 --> 00:41:47,320
Speaker 5: Here we are no word.

747
00:41:47,760 --> 00:41:48,760
Speaker 2: Wait, this is the building.

748
00:41:49,159 --> 00:41:52,239
Speaker 1: This is the building of the publishing company. Where and

749
00:41:52,639 --> 00:41:57,239
here he comes? Now, Frank, he's going around the corners

750
00:41:57,280 --> 00:41:59,599
of the parking lot where it's dark and deserted.

751
00:42:00,679 --> 00:42:06,440
Speaker 5: Follow him there, Kill him? But he's might he's your client.

752
00:42:07,480 --> 00:42:08,599
Speaker 2: Why can't kill Frank?

753
00:42:09,239 --> 00:42:12,119
Speaker 5: Why not, Stanley?

754
00:42:13,039 --> 00:42:16,880
Speaker 1: Frank is being killed for just this very reason he

755
00:42:17,039 --> 00:42:20,880
refuse to accept the contract. Now I'll go to the

756
00:42:20,960 --> 00:42:26,920
parking lot and shoot him. No, what's to be gained

757
00:42:26,960 --> 00:42:30,480
by your refusal? Someone else will be assigned to kill.

758
00:42:30,360 --> 00:42:32,039
Speaker 5: Him, then to kill you too.

759
00:42:32,880 --> 00:42:36,000
Speaker 2: I wish I'd never gotten into this. Well, that's not true.

760
00:42:36,519 --> 00:42:40,800
Speaker 1: The rewards have been spectacular. But Frank, And if it

761
00:42:40,920 --> 00:42:44,280
is true, shouldn't you be eager to kill Frank?

762
00:42:44,440 --> 00:42:47,440
Speaker 2: After all, he's the one who did.

763
00:42:47,440 --> 00:42:50,960
Speaker 1: Get you into it. Quickly, Stanley, before it's too late.

764
00:42:56,119 --> 00:42:58,119
Speaker 5: Stanley, is that you?

765
00:42:58,760 --> 00:42:58,920
Speaker 2: Yes?

766
00:43:00,519 --> 00:43:01,239
Speaker 5: What are you doing here?

767
00:43:02,880 --> 00:43:03,079
Speaker 1: Oh?

768
00:43:04,800 --> 00:43:09,480
Speaker 5: Oh oh, I see, Well they'll go ahead.

769
00:43:09,519 --> 00:43:13,239
Speaker 1: I don't care. It has to happen, and may as

770
00:43:13,280 --> 00:43:17,679
well be you as anyone else. Don't stand there.

771
00:43:17,719 --> 00:43:17,960
Speaker 3: Do it.

772
00:43:19,039 --> 00:43:21,800
Speaker 1: You know you're supposed to do it right away. Don't wait,

773
00:43:22,360 --> 00:43:28,559
don't delay, Just pull the trigger and walk away. I

774
00:43:28,760 --> 00:43:31,360
can't You've got to You can't save me.

775
00:43:31,639 --> 00:43:34,639
Speaker 5: No one can save me. I don't want to be

776
00:43:34,719 --> 00:43:35,400
saved anyhow.

777
00:43:35,960 --> 00:43:39,639
Speaker 2: When you see the faces, do you hear the voices too?

778
00:43:40,599 --> 00:43:45,440
Speaker 1: Yeah, all of a sudden, I'm hearing them. When do

779
00:43:45,519 --> 00:43:48,519
you stop hearing them? I don't know when do you

780
00:43:48,599 --> 00:43:51,280
stop seeing them? I guess when you're dead.

781
00:43:52,320 --> 00:43:53,400
Speaker 2: Is this how it happened to you?

782
00:43:55,239 --> 00:43:58,480
Speaker 1: You better kill me before it's too late for you.

783
00:43:58,800 --> 00:43:59,840
Speaker 2: It's too late for me.

784
00:44:00,119 --> 00:44:04,119
Speaker 5: No, I don't have a chance. Try to save yourself.

785
00:44:04,320 --> 00:44:06,920
Speaker 2: No, I'll never lose those voices, the faces.

786
00:44:07,719 --> 00:44:10,679
Speaker 1: Look, and he got your gun in nicolyb compartment.

787
00:44:11,280 --> 00:44:13,920
Speaker 2: Let's kill him. Who I croyed.

788
00:44:14,920 --> 00:44:17,320
Speaker 5: We'll never get away with that, is that matter?

789
00:44:18,000 --> 00:44:24,559
Speaker 2: Come on, buddy, he's in met car all alone.

790
00:44:24,920 --> 00:44:28,480
Speaker 1: Now you have alone. See that car across the street.

791
00:44:29,039 --> 00:44:32,079
Speaker 5: He's got some people in it. Maybe he felt he

792
00:44:32,159 --> 00:44:33,039
couldn't trust.

793
00:44:32,800 --> 00:44:33,360
Speaker 2: You, Ballet.

794
00:44:34,559 --> 00:44:37,239
Speaker 1: I know it's a difficult assignment, but it has to

795
00:44:37,320 --> 00:44:43,440
be done. Stanley, you can't get away. The block is surrounded.

796
00:44:44,400 --> 00:44:44,519
Speaker 2: Now.

797
00:44:44,639 --> 00:44:47,599
Speaker 1: You just do what's necessary and everything will be fine.

798
00:44:48,360 --> 00:44:53,119
Speaker 5: I can hear him from here, Stanley, I don't care anymore.

799
00:44:53,920 --> 00:44:56,920
Save yourself. That's just what I'm trying to do.

800
00:44:57,360 --> 00:45:01,920
Speaker 2: Save myself, dan Lay, let me hear it. Yeah, I'll

801
00:45:02,039 --> 00:45:02,800
let you hear it.

802
00:45:03,039 --> 00:45:04,719
Speaker 5: Don't shoot him, Stanley.

803
00:45:04,599 --> 00:45:05,280
Speaker 1: It won't help.

804
00:45:05,519 --> 00:45:07,239
Speaker 2: Shut up. It's not a lazy shot.

805
00:45:08,519 --> 00:45:10,760
Speaker 5: Now, got him.

806
00:45:11,000 --> 00:45:12,119
Speaker 2: Let's try to get out of here.

807
00:45:13,039 --> 00:45:16,320
Speaker 5: They're shooting at us. Fright, Frke.

808
00:45:16,400 --> 00:45:18,880
Speaker 2: I don't hear the voices anymore. I don't see the

809
00:45:18,960 --> 00:45:19,559
faces to you.

810
00:45:20,079 --> 00:45:26,639
Speaker 5: No Loo look, oh a brug.

811
00:45:31,880 --> 00:45:35,679
Speaker 1: The newspapers, the authorities, none of them knew what you

812
00:45:35,760 --> 00:45:38,760
and I know. There was a gunfight on the street

813
00:45:39,280 --> 00:45:43,559
between two respectable citizens and a group of people, some of.

814
00:45:43,599 --> 00:45:45,199
Speaker 2: Whom are known criminals.

815
00:45:46,039 --> 00:45:49,039
Speaker 1: The story the police seem inclined to believe is that

816
00:45:49,119 --> 00:45:52,679
a bank was about to be burglarized when mister Stanley

817
00:45:52,719 --> 00:45:56,760
Morrison and mister Frank Smith happened along and decided to

818
00:45:56,880 --> 00:46:02,519
perform their citizenly duties. Both men died hero's death, and

819
00:46:02,719 --> 00:46:06,559
they will be honored at special funeral services. I shall

820
00:46:06,599 --> 00:46:13,559
return shortly the human conscience, certainly the most delusive component

821
00:46:13,719 --> 00:46:18,199
in man's makeup. It may slumber for years and awake

822
00:46:18,599 --> 00:46:22,679
without warning. Our cast included Howard da Silva, Joan Lovejoy,

823
00:46:22,920 --> 00:46:26,960
Bob Caliban and Robert Dryden. The entire production was under

824
00:46:27,000 --> 00:46:30,480
the direction of Hyman Brown Radio. Mystery Theater was sponsored

825
00:46:30,519 --> 00:46:35,559
in part by Listerine Lozenges and sign off the Sinus Medicines.

826
00:46:36,159 --> 00:46:36,760
Speaker 6: This is Z. G.

827
00:46:37,039 --> 00:46:40,320
Speaker 1: Marshall inviting you to return to our Mystery Theater for

828
00:46:40,440 --> 00:46:44,000
another adventure in the macabre until