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<v Speaker 1>Baby, I'm a gangster too. It takes at a tangle.

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<v Speaker 2>You don't mess with me, baby, I'm a.

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<v Speaker 1>GANGSTERA touch, baby.

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<v Speaker 2>You're a Gangstato.

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<v Speaker 3>For the warning, this podcast is designed to take you

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<v Speaker 3>outside of your comfort zone and make you question reality.

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<v Speaker 3>Listener discretion is a vibe, Fellas.

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<v Speaker 4>This ain't my first time.

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<v Speaker 5>At the rodeos.

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<v Speaker 4>Alright, everyone, you know what it is. I have your

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<v Speaker 4>favorite guest for movies again tonight. And I'm actually really

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<v Speaker 4>excited about this one because not only is it a

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<v Speaker 4>Christmas movie, but this would be what our third Tim

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<v Speaker 4>Burton movie, our second Tim Burton movie that we've.

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<v Speaker 6>Definitely there seems to be a trend here, say the

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<v Speaker 6>Tim Burton or it's Johnny Depp. There's a wee correlation going.

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<v Speaker 4>On there because we did the ninth Gate that's correct, Yeah, yeah, okay, yes,

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<v Speaker 4>but it's Drew. Everybody knows him and loves him. Drew.

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<v Speaker 4>How are you.

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<v Speaker 6>I'm fantastic, mat doing really really well, great news recently personally.

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<v Speaker 4>So yeah, I was gonna say, you want to share

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<v Speaker 4>with the class.

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<v Speaker 6>Or no, No, it's certainly out there in the eighth

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<v Speaker 6>and now my wife and I are expecting our first baby.

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<v Speaker 6>So we're over the moon about that. We're very exciting.

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<v Speaker 4>And my predictions are a ginger Jedi, So we will

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<v Speaker 4>see if I'm correct or not. It's gonna come out

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<v Speaker 4>and it's gonna know so much about movies and have

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<v Speaker 4>just a bunch of useless trivia about Johnny Depp when

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<v Speaker 4>it pops out.

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<v Speaker 6>Yeah, it's already got that subconsciously planted in. It's Brian

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<v Speaker 6>both right.

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<v Speaker 4>Yeah. Well, congratulations, I'm so excited for you. I guess

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<v Speaker 4>we'll be taking a break from podcasting for a while

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<v Speaker 4>after the baby gets here.

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<v Speaker 6>Huh, Yeah, I dare say so. I've had a bit

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<v Speaker 6>of a break recently, but starting's caught a few things now,

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<v Speaker 6>this being one of them. First time back in a

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<v Speaker 6>little while, so I'm glad that it's back with you, Julia,

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<v Speaker 6>to ease me back in.

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<v Speaker 4>Yeah, and of course we're gonna bring the fires. Since

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<v Speaker 4>it's been a while since you've been on a show.

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<v Speaker 4>I'm sure you have like a bunch of pent up

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<v Speaker 4>conspiracy angst that you need to release. But we are

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<v Speaker 4>actually going to cover Edward Scissorhands tonight. Definitely one of

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<v Speaker 4>my favorites. I do think it's a Christmas movie because

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<v Speaker 4>it takes place around Christmas, and you know, it's got

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<v Speaker 4>like the whole snowy whatever at the end. But maybe

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<v Speaker 4>I'm wrong, Maybe it's a Halloween movie. I don't know.

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<v Speaker 4>I guess it's like my wife.

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<v Speaker 6>Yeah, my wife adamantly argued it wasn't a Christmas movie

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<v Speaker 6>last night, and she deliberately showed me the timestamp in

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<v Speaker 6>which we first see Christmas. But I agree, if it

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<v Speaker 6>has at least a bare minimum a scene of Christmas

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<v Speaker 6>in it, it's fine. Christmas set in North America. It's

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<v Speaker 6>a Christmas This is not I get it.

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<v Speaker 4>Yeah, like Gremlins and die Hard, those are the ones

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<v Speaker 4>that everybody argues about, but they are Christmas movies.

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<v Speaker 6>So take count.

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<v Speaker 4>Well, how do you want to get started? You want

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<v Speaker 4>to talk a little bit about the movie? You want

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<v Speaker 4>to jump right into like a synopsis in the names.

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<v Speaker 4>How you want to do this?

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<v Speaker 6>I think we should talk about the context of the

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<v Speaker 6>film itself. Okay, this jumped off the screen for me

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<v Speaker 6>just looking at it. Edwards siss Hands takes many cultural

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<v Speaker 6>and historically significant tale from both relatively modern stories all

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<v Speaker 6>the way back into the ancient times and combine them

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<v Speaker 6>in this very new yet very familiar story we get.

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<v Speaker 6>What we get is we're presented with like a modern

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<v Speaker 6>day take on Pinocchio. On its first glance, we've got

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<v Speaker 6>this eccentric man inventor who fashions himself a son from

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<v Speaker 6>an nanimate object, ticks a box. It's very similar to Pinocchio.

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<v Speaker 6>Yet we also get the darker side of Mary Shelley's Frankenstein.

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<v Speaker 6>We have this creature, this man, this monculi which is

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<v Speaker 6>being crafted, who suddenly falls in love with our leading lady,

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<v Speaker 6>Kim played by Bonona Ryder, and he has this sick

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<v Speaker 6>obsession with her, and he has this almost romantical battle

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<v Speaker 6>with the opposition, which in this film is the character Jim,

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<v Speaker 6>who mirrors the character of Gaston. So we see Edwards

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<v Speaker 6>Sez the Hands as almost the beast and Jim as

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<v Speaker 6>Gaston in this Yet all of this ties back to

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<v Speaker 6>an even greater, older story, which is the story of

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<v Speaker 6>the goal, which is like Hebrew or Aramaic mysticism, this

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<v Speaker 6>idea of that you can make this humuncular, not quite human,

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<v Speaker 6>inanimate object and create life from it. And we say

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<v Speaker 6>that in Jewish mysticism. With these clay monsters, and it's

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<v Speaker 6>traditionally always clay, but it doesn't necessarily always have to

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<v Speaker 6>be clay. So we HiT's the story of an anthropomophic

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<v Speaker 6>creature which is brought to life. And I just find

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<v Speaker 6>it so amazing that we have this really old story

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<v Speaker 6>which has been repeated multiple times within recent history, and

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<v Speaker 6>stories that we've all grown up with Beauty and the Beast,

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<v Speaker 6>maybe elements of the Grinch. We've got the side of Pinocchio,

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<v Speaker 6>It's been retold again and again. I think it draws

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<v Speaker 6>back on this really ancient subconscious and when I mean

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<v Speaker 6>VI's subconscious, I have to actually go back to one

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<v Speaker 6>of the biggest actors in this film that has a

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<v Speaker 6>very minute part, Vincent Price. And for people who out

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<v Speaker 6>there a horror ficionados would know Vincent Price as being

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<v Speaker 6>the gentleman, bad guy or villain from many a horror

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<v Speaker 6>film in his day. But Vincent Price is well known

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<v Speaker 6>for quoted and saying this. His quote is, I sometimes

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<v Speaker 6>feel that I'm impersonating the dark unconscious of the whole

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<v Speaker 6>human race. I know this sounds sick, but I love it,

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<v Speaker 6>and I think this really connects to the whole premise

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<v Speaker 6>of the film the dark unconscious of a human race.

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<v Speaker 6>That's what these stories are about. Every single story, from

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<v Speaker 6>the modern day hero worship of Marvel and Star Wars

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<v Speaker 6>to the classical Disney tales, they all harken back to

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<v Speaker 6>this ancestral genetic memory in this truth, this hidden away

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<v Speaker 6>story that's deep with in our subconscious, that draws us in.

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<v Speaker 6>And I think this film really nails it with all

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<v Speaker 6>those elements.

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<v Speaker 4>Hey, I'm calling.

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<v Speaker 5>This is some huge.

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<v Speaker 2>House, isn't it.

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<v Speaker 7>Hello? Why are you hiding back?

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<v Speaker 4>Bear?

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<v Speaker 7>You don't have to hide from me.

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<v Speaker 5>I'm as harmless as cherry prop. Those are your hands,

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<v Speaker 5>Those are your hands. I think you should just come

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<v Speaker 5>home with me. Joyce, I just saw this strange guy

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<v Speaker 5>driving with peg.

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<v Speaker 6>Did you get a good look at her? Hi scissors?

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<v Speaker 1>Oh? You got there?

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<v Speaker 5>Ed Can This is Edward who's going to live with us?

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<v Speaker 8>Well this must be quite a change for.

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<v Speaker 7>You, right, ed.

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<v Speaker 9>Those things are cool?

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<v Speaker 1>Can I bring?

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<v Speaker 6>Don't tell them? He's a highly imaginative character. It seems

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<v Speaker 6>clear that his awareness of what we call reality is

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<v Speaker 6>radically under development.

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<v Speaker 2>Abbit, you take my very breath away.

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<v Speaker 6>Do you have a girlfriend?

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<v Speaker 2>A Is there some special lady in your life more

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<v Speaker 2>doctors kidd just to scratch the power of satan as

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<v Speaker 2>an he making feel.

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<v Speaker 1>It all along. I felt in my good there was

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<v Speaker 1>something wrong with him.

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<v Speaker 5>From Tim Burton comes the most incredible tale of a

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<v Speaker 5>most unusual character, Edward Scissor Hands.

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<v Speaker 6>Me.

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<v Speaker 9>I can't.

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<v Speaker 4>Well, yeah, I agree with you, and I we're gonna

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<v Speaker 4>go in that direction. So I have a couple backup

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<v Speaker 4>grand theories for you that you can tell me, you

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<v Speaker 4>know how stupid they are later. But it's actually some

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<v Speaker 4>stuff that I found about. Okay. So there's two theories.

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<v Speaker 4>I'm just gonna give them to you now because I

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<v Speaker 4>agree with you. But this is what people are saying,

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<v Speaker 4>right do you? You know how they always try to

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<v Speaker 4>sneak a little bit of like woke shit in there,

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<v Speaker 4>or like make stuff about like a race war and

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<v Speaker 4>like stuff like that. Okay, So I found this theory

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<v Speaker 4>that Edward Scissor Hands.

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<v Speaker 9>Is about, uh race and how white people versus Okay,

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<v Speaker 9>So here's the theory.

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<v Speaker 4>Okay. Edward SCISSORHNDS does do a great job of showing

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<v Speaker 4>a cookie cutter, which is referenced in the film Cookie

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<v Speaker 4>Cutter Like Pastel Suburbia, where the men work like nine

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<v Speaker 4>to five jobs and the women are all gossiping and

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<v Speaker 4>shit like that, but they're actually like really cruel and

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<v Speaker 4>selfish and like crazy, and they do this virtue signaling

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<v Speaker 4>and they probably all have their COVID boosters, and fucking

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<v Speaker 4>the good guy at the end of the movie is

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<v Speaker 4>the black guy, right, the black cop. And so it's

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<v Speaker 4>saying like that I read this whole It was like

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<v Speaker 4>a website dedicated to the theory that the white it's

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<v Speaker 4>like the white devil versus the good guy at the

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<v Speaker 4>nbing the one black guy that's in the entire movie,

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<v Speaker 4>and that the title sequence of Edward Scissorhands is in

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<v Speaker 4>black and white and it's supposed to be. I don't know,

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<v Speaker 4>but what do you think about that? Like there's a

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<v Speaker 4>whole page dedicated to like this race war thing with

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<v Speaker 4>Edward Scissorhands. I mean, I, yes, I can see it,

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<v Speaker 4>but not really you know again, I think.

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<v Speaker 6>I think this is almost like the verbs how we

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<v Speaker 6>say that these types of stories get thrown into these

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<v Speaker 6>modern day university lecturers courses about cultural studies and racial

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<v Speaker 6>and equity and these sorts of things. I saw pretty

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<v Speaker 6>much your exact same theory you just told me, but

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<v Speaker 6>instead of about being race, it was about being neurodivergent, and

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<v Speaker 6>that edwards'zans fits the role of someone with Asperger syndrome.

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<v Speaker 6>That's why it doesn't.

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<v Speaker 4>Feel God, doesn't that remind you of the groups? So

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<v Speaker 4>that article you found about like, it's the same thing

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<v Speaker 4>they try to put like they they try to cover

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<v Speaker 4>it with like some woke shit like, oh no, you

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<v Speaker 4>guys got it wrong. Edward Scissorhands is about black people

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<v Speaker 4>versus white people, and that's why the title sequences in

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<v Speaker 4>Black and White, and the black guy at the end

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<v Speaker 4>of the movie is the only normal, sane, good person

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<v Speaker 4>and all the white people are crazy evil and like

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<v Speaker 4>manipulating him and like da da da. I don't know,

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<v Speaker 4>it was kind of crazy. But I also read another

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<v Speaker 4>theory that Edward Scissor Hans, You're not gonna fucking believe this.

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<v Speaker 4>Edward Scissor Hans is like telling the Christ story, like

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<v Speaker 4>he was born, he was created by this man, and

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<v Speaker 4>then he was raised by parents who weren't really his parents,

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<v Speaker 4>and uh, he's cast it out by his own people,

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<v Speaker 4>and you know, it was just I mean, I guess

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<v Speaker 4>I can see it in an aspect of it, and

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<v Speaker 4>like he's actually innocent and they're all fucking convoluted and

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<v Speaker 4>crazy and he's like the one that gets said that

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<v Speaker 4>he's evil and he's cast it out and da da dah.

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<v Speaker 4>But I don't know, what, what do you think about

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<v Speaker 4>that one?

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<v Speaker 6>I think it has some premise and if you look

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<v Speaker 6>at it just on its like it's an initial level

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<v Speaker 6>on the first scale and he can go down multiple lays.

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<v Speaker 6>I think it fits. There's aspects of this which I

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<v Speaker 6>think tie into gnosticism in the early Church, which I'll

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<v Speaker 6>get into later. But it has, let's say, elements of

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<v Speaker 6>the Christ and the whole idea of maybe the Trinity,

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<v Speaker 6>but it's not quite the waits present. And I think

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<v Speaker 6>I saw the exact same paper or article that you

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<v Speaker 6>read that makes it very almost modern day Christians attempt

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<v Speaker 6>at trying to justify watching such a dark film.

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<v Speaker 4>Recky. Yeah, that's kind of how I thought too. I

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<v Speaker 4>was like, Okay, they're trying to like make Tim Burton

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<v Speaker 4>be this like kind of like you were saying, gnostic

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<v Speaker 4>kind of telling this story. But I don't know. There

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<v Speaker 4>are many layers to the movie. In the story itself

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<v Speaker 4>and before we dive right into it. You know, I

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<v Speaker 4>always have some fun facts about the movie. So Tom Cruise,

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<v Speaker 4>Michael Jackson, Jim Carrey, Tom Hanks, and Robert Downey Junior

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<v Speaker 4>were up for the part of Edward Scissor Hands. I

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<v Speaker 4>can only see a couple of those working out. I

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<v Speaker 4>can see Jim Carrey for sure, maybe Robert Downey Junior,

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<v Speaker 4>but not fucking Tom Cruise. Cruise, Yeah, short, little fucking.

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<v Speaker 6>Trol running around the mountain.

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<v Speaker 4>Yeah, oh my god. Can you imagine him and the

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<v Speaker 4>Edward Scissor Hands get up like.

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<v Speaker 6>Little kid hands because that'd be too small.

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<v Speaker 4>Scars because he looks like a toddler.

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<v Speaker 6>But this is the first film that Johnny Depp and

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<v Speaker 6>Burton worked on together, Terry, where they initially struck up

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<v Speaker 6>their friendship.

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<v Speaker 4>Colby says Tom Cruise decided he didn't want the role

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<v Speaker 4>because it wasn't a pretty role. Quote.

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<v Speaker 6>Yeah, he's a pretty face boy, isn't he.

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<v Speaker 7>Yeah?

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<v Speaker 4>Yeah, and he would he would have never had all

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<v Speaker 4>those fucking scars on it his face and ship, I.

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<v Speaker 6>Don't know, don't even have a symmetrical face. How can

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<v Speaker 6>he talk his tooths like off to the side, I know, right, But.

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<v Speaker 4>So Edward Scissor Hands was also supposed to be a musical,

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<v Speaker 4>kind of like uh Sweeney Todd, which is also Johnny Depp.

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<v Speaker 4>But I can't see it being a musical. I think

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<v Speaker 4>that would have ruined it. I don't really good for

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<v Speaker 4>that reason.

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<v Speaker 6>I can say, maybe you can see the elements or

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<v Speaker 6>the prey curses to night Mare before Christmas. It's very burnesque,

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<v Speaker 6>you could say it. With a few of them swakes

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<v Speaker 6>and changes, it very well could have been a musical.

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<v Speaker 4>But I'm glad to but yeah, yeah, you're right actually there,

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<v Speaker 4>and you know, I'm sure they would have come up

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<v Speaker 4>with some great fucking songs, but I'm glad that it

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<v Speaker 4>didn't happen. If I'm just being honest, I actually think

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<v Speaker 4>the I think it's the song they use at the

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<v Speaker 4>very end and the very beginning of the movie. It's

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<v Speaker 4>kind of like anytime I hear it, I know exactly

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<v Speaker 4>where it's from. Actually, I think it came on like

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<v Speaker 4>a podcast or something that we were listening to the

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<v Speaker 4>other day and I was like, oh, it's a song

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<v Speaker 4>from Edward Scissor Cans. But that's because it's elfman and

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<v Speaker 4>like everything he does is really epic. Like that, like Beetlejuice,

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<v Speaker 4>and you know all of Tim Burton's movies have that

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<v Speaker 4>epic sound. But another fun fact is that, and I

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<v Speaker 4>was actually talking to Colby about this and I found

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<v Speaker 4>the story on it. The character Edward scissorhands like his

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<v Speaker 4>personality was based on a dog. And I guess Johnny

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<v Speaker 4>Depp was like struggling to find like the tone for

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<v Speaker 4>Edward Scissor cans, like how he was supposed to be acting,

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<v Speaker 4>and he thought of this dog and he nailed it

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<v Speaker 4>after that. And when you watch it, and if you

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<v Speaker 4>keep that in mind, you can see there are elements

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<v Speaker 4>to his reactions that are like a dog, like with

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<v Speaker 4>the big eyes and kind of scared and like timid.

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<v Speaker 4>And I thought that was adorable.

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<v Speaker 6>He didn't attack a vacuum clean I said, maybe that

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<v Speaker 6>was a deleted scene. Well, I've got a dig you

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<v Speaker 6>know fact for you, and this is a Tim Burton one,

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<v Speaker 6>So I hope I'm not stepping on your dicky, Julia,

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00:17:29.680 --> 00:17:33.720
<v Speaker 6>but step by the idea for the movie was inspired

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<v Speaker 6>by drawings that Tim Burton made when he was a teenager.

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<v Speaker 6>So the drawing depicted was a thin Solomon man with long,

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<v Speaker 6>sharp blades of fingers, and he's quoted as saying, since

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<v Speaker 6>I like to draw, since I was younger, oftentimes images

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<v Speaker 6>would just pop up into my head and they'd stay there,

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<v Speaker 6>and I keep drawing them and drawing them. This was

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<v Speaker 6>a character I sketched back then when I was a child.

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<v Speaker 6>He explains the character was represented to him why as

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<v Speaker 6>a teenager that would pop into his head from time

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<v Speaker 6>to time with not knowing any reason why. He likened

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<v Speaker 6>growing up in suburbia to being a Frankenstein movie with

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00:18:08.759 --> 00:18:12.559
<v Speaker 6>suburbanites acting as angeren villagers to his different outlook on

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<v Speaker 6>the world. So this sounds like direct download stuff. And

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<v Speaker 6>you've kind of mentioned these kind of weird, creepy unknowns

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00:18:19.960 --> 00:18:22.599
<v Speaker 6>around Tim Burton. But if he's a young kid getting

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00:18:22.640 --> 00:18:25.480
<v Speaker 6>this topic imagery popped into his head, either his parents

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00:18:25.519 --> 00:18:28.839
<v Speaker 6>were very strange people or there's something going on there.

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<v Speaker 4>Yeah, and you know what, Okay, so that'll bring me

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00:18:32.559 --> 00:18:35.000
<v Speaker 4>kind of into my next fun fact. Would you might

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00:18:35.079 --> 00:18:37.640
<v Speaker 4>have come across this too, But I thought it was

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00:18:37.720 --> 00:18:44.839
<v Speaker 4>really interesting because the inventor's castle is in the movie

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00:18:45.119 --> 00:18:48.720
<v Speaker 4>is based on the California Institute of the Arts, like

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<v Speaker 4>that was Tim Burton's choice right, and the school sits

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<v Speaker 4>on a hill overlooking suburban neighborhoods of Santa Clarita, California.

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00:19:00.160 --> 00:19:04.359
<v Speaker 4>But guess who one of the fucking founders of uh,

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<v Speaker 4>the California Arts Institute is.

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00:19:10.359 --> 00:19:14.960
<v Speaker 6>H guess I'm gonna throw a wild guess at there,

315
00:19:15.039 --> 00:19:17.960
<v Speaker 6>based on some of my theories on this one. Is

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00:19:18.039 --> 00:19:19.440
<v Speaker 6>it a prominent Mormon.

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00:19:20.759 --> 00:19:28.000
<v Speaker 4>It's actually Walt fucking Disney. And Okay, so there were

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00:19:28.079 --> 00:19:31.079
<v Speaker 4>a bunch of catastrophes that happened while they were trying

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00:19:31.119 --> 00:19:34.720
<v Speaker 4>to build the institute, and Walt Disney actually got his

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00:19:34.960 --> 00:19:38.680
<v Speaker 4>brothers involved in it and eventually went on to fire

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00:19:38.839 --> 00:19:42.400
<v Speaker 4>people off the board of trustees and replaced them with

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00:19:42.599 --> 00:19:47.279
<v Speaker 4>his family members, and the assistant program director for the

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00:19:47.519 --> 00:19:52.799
<v Speaker 4>Arts and Humanities of the Rockefeller Foundation was appointed the

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00:19:53.039 --> 00:19:55.920
<v Speaker 4>president of the institute. And of course Tim Burton went

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00:19:56.000 --> 00:19:59.359
<v Speaker 4>there and worked for a short time for Walt Disney

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00:19:59.799 --> 00:20:02.759
<v Speaker 4>and and like most of the animators for Cartoon Network

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00:20:02.839 --> 00:20:05.680
<v Speaker 4>and of course the Disney Channel came from this institute.

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00:20:06.160 --> 00:20:10.880
<v Speaker 4>But the castle in Edward Scissorhands is based on that institute.

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00:20:11.440 --> 00:20:14.119
<v Speaker 4>So I mean, I thought that was hella interesting in

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00:20:14.240 --> 00:20:16.680
<v Speaker 4>and of itself, because I'm pretty sure he got fired

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<v Speaker 4>from Disney.

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<v Speaker 6>To the Garden often.

333
00:20:23.440 --> 00:20:26.240
<v Speaker 4>But yeah, and so it's like if we're going with

334
00:20:26.440 --> 00:20:29.599
<v Speaker 4>like the Christ story and he and he created this

335
00:20:29.839 --> 00:20:33.880
<v Speaker 4>guy in the fucking Walt Disney Castle, and I don't know,

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00:20:34.359 --> 00:20:39.000
<v Speaker 4>it's just, you know, its weird and occulty.

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00:20:40.319 --> 00:20:43.279
<v Speaker 6>There's just too much of it to exist for your

338
00:20:43.319 --> 00:20:49.000
<v Speaker 6>average film or arts university student. It doesn't make sense

339
00:20:49.039 --> 00:20:51.480
<v Speaker 6>that they've got all this esoteric knowledge unless they've been

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00:20:51.559 --> 00:20:52.079
<v Speaker 6>read into it.

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<v Speaker 4>And did you see the castle? It was like demonic

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00:20:55.680 --> 00:21:00.400
<v Speaker 4>gargoyles and demons statues, and like it's base He's start

343
00:21:00.400 --> 00:21:04.000
<v Speaker 4>in the California Arts Institute. Like that says a lot

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00:21:04.119 --> 00:21:07.559
<v Speaker 4>in and of itself, if that's the inspiration he got

345
00:21:07.640 --> 00:21:08.400
<v Speaker 4>from it, you know.

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00:21:09.319 --> 00:21:11.079
<v Speaker 6>Which is very ironical with one of the statues that

347
00:21:11.119 --> 00:21:13.119
<v Speaker 6>I'm going to tie into my theory later on, very

348
00:21:13.200 --> 00:21:16.559
<v Speaker 6>prominent statue. Would you like me to go through the

349
00:21:16.559 --> 00:21:18.440
<v Speaker 6>synopsis and then get into some of that name.

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<v Speaker 4>Magic, Yes, absolutely, okay.

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<v Speaker 6>Edward Scissorhands is the nineteen ninety fancy melodrama written and

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<v Speaker 6>directed by Tim Burton. Is a modern day fairy tale

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<v Speaker 6>which tells the story of Edward, a man created by

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<v Speaker 6>an eccentric inventor who died before finishing him. Edward has

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00:21:35.400 --> 00:21:38.480
<v Speaker 6>left incomplete with sisters where his hands should be. One day,

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00:21:38.599 --> 00:21:41.759
<v Speaker 6>when a local Avon lady, a representative named Peg calls

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00:21:41.799 --> 00:21:44.920
<v Speaker 6>it the historic mansion where he's been living alone, she

358
00:21:45.039 --> 00:21:48.279
<v Speaker 6>takes him home to stay with her family. He has

359
00:21:48.359 --> 00:21:50.559
<v Speaker 6>to adapt to a new life and environment that he

360
00:21:50.680 --> 00:21:53.279
<v Speaker 6>isn't used to. Soon, he shows his talent and cutting

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<v Speaker 6>hair and hedges and wins everybody's hearts. But life isn't

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<v Speaker 6>always so sweet. At first, everyone welcomes him too the commune,

363
00:22:00.440 --> 00:22:03.480
<v Speaker 6>but soon things begin to take change for the worse.

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<v Speaker 4>Dun Dun, Dunn, Dunn.

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<v Speaker 5>And the uh.

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00:22:12.799 --> 00:22:17.519
<v Speaker 4>Opening title sequence is black and white. I think there's

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<v Speaker 4>some clues in the title sequence that we can get

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<v Speaker 4>into later, but first I want to hear about the names.

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<v Speaker 6>Okay, Edward isn't given a surname in this It's just

370
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<v Speaker 6>scissor hands, so just take that for what you will.

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<v Speaker 6>Edward is derived from the Old English words ade, meaning fortune,

372
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<v Speaker 6>and ward meaning guard. Edward directly translates to a wealthy guard.

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<v Speaker 6>Edward is the moncular creation of a wealthy inventor. He

374
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<v Speaker 6>has guarded the mansion for an unknown amount of time.

375
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<v Speaker 6>As he moves into the town, he distances hisself from

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<v Speaker 6>protecting the physical mansion to his new love interest of

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00:22:52.279 --> 00:22:57.440
<v Speaker 6>which he's infatuated with, that being Kim Kim Boggs. Kim

378
00:22:57.519 --> 00:23:01.240
<v Speaker 6>derives from Kimberly, which comes from the kind meaning royal

379
00:23:01.359 --> 00:23:05.480
<v Speaker 6>or chief, and berg meaning field or fortress, whereas Boggs

380
00:23:05.519 --> 00:23:08.640
<v Speaker 6>is Middle English for boastful or haughty, which means proud, vain,

381
00:23:08.759 --> 00:23:11.880
<v Speaker 6>or arrogant. Kim betrays the role of the beautiful love interest.

382
00:23:12.000 --> 00:23:14.359
<v Speaker 6>She embodies the archetype of the princess of the town,

383
00:23:14.759 --> 00:23:19.200
<v Speaker 6>popular among popular, among all the people, beautiful and gains

384
00:23:19.240 --> 00:23:22.079
<v Speaker 6>their attention. She plays into her vanity at the beginning

385
00:23:22.119 --> 00:23:27.720
<v Speaker 6>of the story her pride and slowly overtime transitions. Peg,

386
00:23:27.960 --> 00:23:30.640
<v Speaker 6>who's the mother of Kim. Peg is a feminine name

387
00:23:30.680 --> 00:23:33.839
<v Speaker 6>of Greek origin, meaning pearl. She is unique in her town.

388
00:23:34.240 --> 00:23:37.319
<v Speaker 6>She generally cares about Edward taking this very strange man

389
00:23:37.400 --> 00:23:39.400
<v Speaker 6>into a home as part of her family, whereas the

390
00:23:39.480 --> 00:23:42.799
<v Speaker 6>other women gossip and scandalize his arrival. She's a true

391
00:23:42.880 --> 00:23:46.799
<v Speaker 6>pearl amongst the suburban wives. And the last interesting name

392
00:23:46.880 --> 00:23:50.839
<v Speaker 6>came across was Jim, who's our Gaston type figure in

393
00:23:50.880 --> 00:23:54.960
<v Speaker 6>this film Hebrew in origin meaning he may will shall

394
00:23:55.119 --> 00:24:00.359
<v Speaker 6>follow he sees by the heel WatchGuard protect essentially means

395
00:24:00.359 --> 00:24:04.559
<v Speaker 6>the supplant or the assailant. May God protect, may he protect.

396
00:24:05.079 --> 00:24:07.480
<v Speaker 6>Jim fits the archetype role of the man in conflict

397
00:24:07.519 --> 00:24:11.240
<v Speaker 6>with Edward as Kim's attentions that wanders to him when

398
00:24:11.319 --> 00:24:13.799
<v Speaker 6>his emotional relationship breaks down with Kim, he takes on

399
00:24:13.880 --> 00:24:17.079
<v Speaker 6>the physical by attempting to seize and protect Kim from Edward,

400
00:24:17.119 --> 00:24:21.880
<v Speaker 6>attempting to supplant Edward acting as his assailant. So we've

401
00:24:21.920 --> 00:24:25.319
<v Speaker 6>got this kind of dynamic, this love triangle going on.

402
00:24:25.440 --> 00:24:27.640
<v Speaker 6>Whereas the same time, we've got the mother who's the

403
00:24:27.799 --> 00:24:30.759
<v Speaker 6>only real genuine person in the suburban sprawl where the

404
00:24:30.839 --> 00:24:34.319
<v Speaker 6>cookie cutter approaches to people. She seems to be breaking

405
00:24:34.400 --> 00:24:36.640
<v Speaker 6>the mold. She's the avon lady, trying to do things

406
00:24:36.680 --> 00:24:38.440
<v Speaker 6>for herself. She's got a job, the other women a

407
00:24:38.480 --> 00:24:41.920
<v Speaker 6>stay at home. She cares for Edward, brings him into

408
00:24:41.960 --> 00:24:44.920
<v Speaker 6>the town. But I find it very interesting that she's

409
00:24:44.960 --> 00:24:50.559
<v Speaker 6>the avon lady. Avon being pharmaceuticals beauty, that is one

410
00:24:50.599 --> 00:24:52.640
<v Speaker 6>of the magics that was taught to mankind by the

411
00:24:52.680 --> 00:24:55.400
<v Speaker 6>fallen angels. And when you look at the word avon

412
00:24:55.599 --> 00:25:01.759
<v Speaker 6>in early Hebrew and Greek translations, it means iniquity, seeing immorality.

413
00:25:02.519 --> 00:25:07.960
<v Speaker 4>Oh shit, that's a good one. I figured there was

414
00:25:08.039 --> 00:25:12.559
<v Speaker 4>something to do with the avon. And you know, I

415
00:25:12.759 --> 00:25:15.400
<v Speaker 4>got one for you, actually, and I hope you'll be

416
00:25:15.599 --> 00:25:20.559
<v Speaker 4>proud of me. But so, do you remember the the

417
00:25:21.480 --> 00:25:23.799
<v Speaker 4>lady that well, of course you remember, but the red

418
00:25:23.839 --> 00:25:26.319
<v Speaker 4>haired lady that was trying to fuck everybody in the movie.

419
00:25:27.160 --> 00:25:34.160
<v Speaker 4>And she initiated the barbecue, and she's Joyce, and she

420
00:25:34.359 --> 00:25:39.480
<v Speaker 4>kept mentioning this ambrosious salad and she says it like

421
00:25:39.680 --> 00:25:43.480
<v Speaker 4>several times in the way she says of the gods. Yeah,

422
00:25:43.839 --> 00:25:46.480
<v Speaker 4>oh my gosh, I googled it right because I was like,

423
00:25:46.559 --> 00:25:49.160
<v Speaker 4>there's something about her saying it and the way she's

424
00:25:49.200 --> 00:25:51.680
<v Speaker 4>saying it, And so, okay, where did I put it

425
00:25:51.720 --> 00:25:52.359
<v Speaker 4>in my notes?

426
00:25:54.440 --> 00:25:54.599
<v Speaker 6>Hi?

427
00:25:55.480 --> 00:25:57.279
<v Speaker 10>You all are hadding in there like a bunch of

428
00:25:57.319 --> 00:26:02.880
<v Speaker 10>all hermicrab Hi Joyce, huh does the barbecue again? Barbecue

429
00:26:03.200 --> 00:26:05.880
<v Speaker 10>where you intend to show your guest hospitality by introducing

430
00:26:05.960 --> 00:26:07.200
<v Speaker 10>him to your friends, don't you.

431
00:26:10.319 --> 00:26:17.319
<v Speaker 1>Will bring the ambrosia salad. My name's Joyce, and I

432
00:26:17.599 --> 00:26:20.640
<v Speaker 1>noticed that you have not tasted any of the ambrosia

433
00:26:20.759 --> 00:26:22.559
<v Speaker 1>salad that I made especially for you.

434
00:26:24.279 --> 00:26:40.319
<v Speaker 4>Allow me. Okay. The word ambrosia translates to immortality in Greek,

435
00:26:40.640 --> 00:26:45.720
<v Speaker 4>and it's associated with ancient Greek mythology as the food

436
00:26:45.960 --> 00:26:49.759
<v Speaker 4>of the gods. And so I guess if we were

437
00:26:49.839 --> 00:26:53.480
<v Speaker 4>gonna go the whole Edward Scissorhands is like a biblical

438
00:26:53.559 --> 00:26:58.000
<v Speaker 4>type story. She's feeding him the food of the gods

439
00:26:58.839 --> 00:27:02.359
<v Speaker 4>and he's supposed to be like a divine figure. I

440
00:27:02.440 --> 00:27:03.680
<v Speaker 4>don't know what do you think about that?

441
00:27:04.079 --> 00:27:05.400
<v Speaker 6>Well, I'm going to hit you up with this and

442
00:27:05.519 --> 00:27:07.599
<v Speaker 6>thank you for telling it directly into one of my points.

443
00:27:08.519 --> 00:27:11.279
<v Speaker 6>First time we see this woman, Joyce, she's listening to

444
00:27:11.400 --> 00:27:16.240
<v Speaker 6>Delilah you know why Why Delilah by Tom Jones, and

445
00:27:16.359 --> 00:27:20.279
<v Speaker 6>she's a seductress. Delilah is literally a song written about

446
00:27:20.319 --> 00:27:24.480
<v Speaker 6>the woman from Biblical teachings of the Book of Judges,

447
00:27:24.920 --> 00:27:28.559
<v Speaker 6>in which she's tasked with finding out the strength of Samson. Yep,

448
00:27:28.680 --> 00:27:31.119
<v Speaker 6>she seduces him, finds out his power is derived from

449
00:27:31.160 --> 00:27:33.039
<v Speaker 6>his hair, and cuts it off while he's sleeping.

450
00:27:33.720 --> 00:27:38.680
<v Speaker 4>Oh, so I guess there might be something to that.

451
00:27:38.880 --> 00:27:42.480
<v Speaker 4>Then that this could be like I don't even want

452
00:27:42.519 --> 00:27:46.359
<v Speaker 4>to say the Christ story, but like it's always like

453
00:27:46.519 --> 00:27:51.920
<v Speaker 4>some kind of good versus evil. You know, I don't

454
00:27:51.920 --> 00:27:53.480
<v Speaker 4>want versus demons.

455
00:27:54.240 --> 00:27:55.920
<v Speaker 6>I don't want to jump in it too much. But

456
00:27:56.079 --> 00:27:58.799
<v Speaker 6>it foreshadows the scene later on which she tries to

457
00:27:58.839 --> 00:28:01.440
<v Speaker 6>seduce Edward, And I think that's going to be the

458
00:28:01.559 --> 00:28:04.759
<v Speaker 6>ultimate thing for him, is he's a man in form

459
00:28:05.440 --> 00:28:08.160
<v Speaker 6>but he doesn't ultimately engage in the two things a

460
00:28:08.240 --> 00:28:10.079
<v Speaker 6>man needs to do in his life, find love and

461
00:28:10.319 --> 00:28:13.279
<v Speaker 6>you know, bring it to fruition. He never actually makes

462
00:28:13.319 --> 00:28:16.240
<v Speaker 6>the climax. He's well cut off from that source.

463
00:28:17.240 --> 00:28:21.240
<v Speaker 4>Okay, So if we're to take it as that black

464
00:28:21.480 --> 00:28:24.880
<v Speaker 4>leather body suit that he's wearing, he's just got like

465
00:28:25.039 --> 00:28:28.000
<v Speaker 4>what stuffing on the inside of it or something. He

466
00:28:28.119 --> 00:28:31.480
<v Speaker 4>doesn't have a dick, so I don't even you wouldn't

467
00:28:31.519 --> 00:28:33.160
<v Speaker 4>think so, you wouldn't think so.

468
00:28:33.480 --> 00:28:35.960
<v Speaker 6>I mean, she was still he's got he's got the

469
00:28:36.039 --> 00:28:37.759
<v Speaker 6>leather daddy thing going on. Maybe he's got like a

470
00:28:37.799 --> 00:28:39.960
<v Speaker 6>twelve inch monster that's like two foot wide or something.

471
00:28:39.960 --> 00:28:40.279
<v Speaker 5>I don't know.

472
00:28:42.440 --> 00:28:53.279
<v Speaker 4>It's a scissor. She wants to scissor with him. Fucking joys,

473
00:28:53.400 --> 00:28:57.599
<v Speaker 4>She's so fucking she's a sex predator, she's a.

474
00:28:57.640 --> 00:29:00.240
<v Speaker 6>Sex pest is she's trying to rape for the uh

475
00:29:00.680 --> 00:29:01.720
<v Speaker 6>repentment at the stop.

476
00:29:03.400 --> 00:29:10.720
<v Speaker 4>Yeah, she's like, you could clean my food trap. But okay,

477
00:29:10.839 --> 00:29:15.480
<v Speaker 4>So going back to the title sequence, there are some

478
00:29:15.720 --> 00:29:19.480
<v Speaker 4>clues like it shows a gargoyle, it shows the cookies,

479
00:29:19.680 --> 00:29:24.400
<v Speaker 4>the cookie cutter, and you know, it shows Edward's hands

480
00:29:24.680 --> 00:29:30.279
<v Speaker 4>that he never got the snow, some stuff like that,

481
00:29:30.920 --> 00:29:34.599
<v Speaker 4>and the way that they have Edward being so pale

482
00:29:34.680 --> 00:29:38.839
<v Speaker 4>and with his black leather on, and the castle versus

483
00:29:39.160 --> 00:29:42.119
<v Speaker 4>the town. There is like a lot of black and

484
00:29:42.240 --> 00:29:45.480
<v Speaker 4>white symmetry, like it can't be black or white. There

485
00:29:45.599 --> 00:29:49.200
<v Speaker 4>is like that nuance of what Edward finds is it

486
00:29:49.319 --> 00:29:51.720
<v Speaker 4>can't just be this way or that way. It's all

487
00:29:51.839 --> 00:29:54.680
<v Speaker 4>convoluted and this is life. I don't know what did

488
00:29:54.720 --> 00:29:57.720
<v Speaker 4>you think of the title sequence.

489
00:29:58.400 --> 00:30:01.200
<v Speaker 6>I couldn't get past the robotics that were shown in it,

490
00:30:01.359 --> 00:30:04.920
<v Speaker 6>like the factory than which the inventor made to create

491
00:30:05.000 --> 00:30:08.400
<v Speaker 6>the cookies and the things that he invented. Whatever it was,

492
00:30:08.680 --> 00:30:13.400
<v Speaker 6>the assembly line looked very reminiscent of nineteen fifties science fiction.

493
00:30:13.559 --> 00:30:16.440
<v Speaker 6>Robots like robot aliens, like invasions, of Earth and all

494
00:30:16.480 --> 00:30:19.039
<v Speaker 6>that type of deal, and they were very demonic at

495
00:30:19.039 --> 00:30:21.440
<v Speaker 6>the same time. They had weird grills for mouths and

496
00:30:21.480 --> 00:30:24.960
<v Speaker 6>bright red eyes, and it's just something about it seemed

497
00:30:25.440 --> 00:30:28.440
<v Speaker 6>seemed off. And even the manner in which the assembly

498
00:30:28.559 --> 00:30:32.240
<v Speaker 6>line was made, it wasn't simple cogs and levers. It

499
00:30:32.400 --> 00:30:36.440
<v Speaker 6>was feats that would push the escalator along, very strange

500
00:30:36.480 --> 00:30:41.599
<v Speaker 6>type of almost like Lovecraftian type of work into it

501
00:30:41.720 --> 00:30:44.519
<v Speaker 6>had physical, almost human parts to make it work.

502
00:30:45.079 --> 00:30:48.319
<v Speaker 4>Yeah, and you know, it shows the inventor kind of

503
00:30:48.440 --> 00:30:50.799
<v Speaker 4>like what you were saying with the story of Pinocchio,

504
00:30:51.359 --> 00:30:55.640
<v Speaker 4>and he wants these machines to like live, and he

505
00:30:55.799 --> 00:31:00.319
<v Speaker 4>wants them to be like sentient almost, and that where

506
00:31:00.359 --> 00:31:06.759
<v Speaker 4>the idea for Edward comes along. But I do think

507
00:31:06.880 --> 00:31:09.079
<v Speaker 4>that there is an aspect of this that is kind

508
00:31:09.119 --> 00:31:15.400
<v Speaker 4>of like foreshadowing of our own future, kind of like

509
00:31:15.559 --> 00:31:19.319
<v Speaker 4>with synient Ai type beings like Edward, but like less

510
00:31:19.359 --> 00:31:23.799
<v Speaker 4>scary obviously, like not with Scissor Hands. But I mean

511
00:31:24.359 --> 00:31:26.359
<v Speaker 4>Tim Burton does have a way of kind of like

512
00:31:27.119 --> 00:31:29.839
<v Speaker 4>putting a little something like that in the movies, you know,

513
00:31:31.559 --> 00:31:34.519
<v Speaker 4>So yeah, it could be like this is the future.

514
00:31:35.440 --> 00:31:40.759
<v Speaker 4>It's Edward's able to love and he's innocent and he's kind,

515
00:31:41.000 --> 00:31:44.240
<v Speaker 4>and this is, you know, something that could really happen

516
00:31:44.920 --> 00:31:48.319
<v Speaker 4>if somebody makes a person in like a fucking lab

517
00:31:48.720 --> 00:31:51.640
<v Speaker 4>one day. I don't know. And then there's like the

518
00:31:51.759 --> 00:31:55.319
<v Speaker 4>Christian lady who thinks he's the devil. So, I mean,

519
00:31:55.400 --> 00:31:56.839
<v Speaker 4>what are your thoughts on all that?

520
00:31:58.599 --> 00:32:00.519
<v Speaker 6>I thought it interesting that it's he's hands in the

521
00:32:00.559 --> 00:32:03.240
<v Speaker 6>first place, and there's a well known saying idle hands

522
00:32:03.279 --> 00:32:05.839
<v Speaker 6>make the devil's play things. And what do we see

523
00:32:05.880 --> 00:32:09.079
<v Speaker 6>the entire times his hands of we don't know what's

524
00:32:09.119 --> 00:32:11.720
<v Speaker 6>happened to his real hands until later in the film.

525
00:32:11.799 --> 00:32:15.319
<v Speaker 6>He has these scissors, but he's essentially playing the whole time.

526
00:32:15.440 --> 00:32:17.920
<v Speaker 6>He's not really engaging in the world with like you

527
00:32:17.960 --> 00:32:19.960
<v Speaker 6>would with scissors. When he's eating, he's not stabbing the

528
00:32:20.000 --> 00:32:21.400
<v Speaker 6>food and putting it in his mouth. It's like he

529
00:32:21.440 --> 00:32:23.480
<v Speaker 6>doesn't know what to do with them, and they almost

530
00:32:23.519 --> 00:32:26.079
<v Speaker 6>have a mind of their own. When he's cutting the

531
00:32:26.240 --> 00:32:29.519
<v Speaker 6>hedges or hair or the dogs, it's going wild and

532
00:32:29.519 --> 00:32:32.039
<v Speaker 6>it seems like they're controlling him, like that's the last

533
00:32:32.119 --> 00:32:35.559
<v Speaker 6>vestige of the robotic and it's taking over the human

534
00:32:35.799 --> 00:32:36.319
<v Speaker 6>part of him.

535
00:32:37.119 --> 00:32:37.680
<v Speaker 3>Yeah, and.

536
00:32:40.839 --> 00:32:44.160
<v Speaker 4>After so when we see the Avon lady and she's

537
00:32:44.200 --> 00:32:46.839
<v Speaker 4>gone around nobody wants to buy her shit, right, and

538
00:32:46.960 --> 00:32:49.079
<v Speaker 4>she goes up to the castle and that's where she

539
00:32:49.160 --> 00:32:54.759
<v Speaker 4>finds Edward. There is like a scene where she's looking

540
00:32:54.839 --> 00:32:56.799
<v Speaker 4>around in his room and he has a bunch of

541
00:32:56.920 --> 00:32:59.119
<v Speaker 4>like stuff cut out and like peacete it on.

542
00:32:59.200 --> 00:33:00.880
<v Speaker 6>The wall serial killer board.

543
00:33:01.559 --> 00:33:05.680
<v Speaker 4>Yeah, and it's like weird stuff. There's a picture of

544
00:33:05.799 --> 00:33:13.319
<v Speaker 4>Jesus and mother Mary. Uh, there's like boys or without

545
00:33:13.559 --> 00:33:20.960
<v Speaker 4>without eyes or so it's like is he does does

546
00:33:21.079 --> 00:33:25.359
<v Speaker 4>he have like human emotions? Obviously he like it never

547
00:33:25.519 --> 00:33:29.640
<v Speaker 4>explains how long he's been up there without food and water,

548
00:33:31.400 --> 00:33:35.039
<v Speaker 4>but he eats when he's with the family. They do

549
00:33:35.440 --> 00:33:38.079
<v Speaker 4>show he has like a little cot made out of straw, so,

550
00:33:38.680 --> 00:33:43.519
<v Speaker 4>and then we see him sleeping kinda so it's like

551
00:33:44.519 --> 00:33:47.440
<v Speaker 4>they want you to think like he is a person

552
00:33:47.640 --> 00:33:49.759
<v Speaker 4>in every way that a person would be a person,

553
00:33:49.839 --> 00:33:51.759
<v Speaker 4>except for the scissor hands. But at the same time,

554
00:33:51.839 --> 00:33:53.680
<v Speaker 4>it's like what you said, and there's like this other

555
00:33:53.839 --> 00:33:57.319
<v Speaker 4>aspect where it's like he's not really driving the car

556
00:33:58.279 --> 00:33:59.359
<v Speaker 4>kind of I don't know.

557
00:34:00.279 --> 00:34:04.079
<v Speaker 6>And with it's very ambiguously it isn't an older style mansion.

558
00:34:04.119 --> 00:34:06.680
<v Speaker 6>It looks quite creepy, but we can't quite pinpoint how

559
00:34:06.759 --> 00:34:09.280
<v Speaker 6>old it is. It's in disrepair, the roofs caved in

560
00:34:09.400 --> 00:34:12.239
<v Speaker 6>on some parts. In comparison to the rest of the town,

561
00:34:12.840 --> 00:34:15.320
<v Speaker 6>it's completely out of place. It doesn't even look like

562
00:34:15.400 --> 00:34:18.079
<v Speaker 6>it's supposed to be there. So we could surmize that

563
00:34:18.280 --> 00:34:21.800
<v Speaker 6>Edward is possibly hundreds of years old and no one knows.

564
00:34:22.599 --> 00:34:26.159
<v Speaker 4>Yeah, no, I would think. And so like that book

565
00:34:26.679 --> 00:34:30.119
<v Speaker 4>the inventor was reading him on manners and stuff that

566
00:34:30.320 --> 00:34:33.639
<v Speaker 4>just seems like some old school shit like nobody would

567
00:34:33.719 --> 00:34:37.280
<v Speaker 4>be doing about the napkin and the fork and stuff.

568
00:34:38.000 --> 00:34:42.119
<v Speaker 6>It's almost Industrial Revolution style manufacturing that he has as well.

569
00:34:42.519 --> 00:34:44.119
<v Speaker 6>And then you look at the town. The town is

570
00:34:44.199 --> 00:34:47.000
<v Speaker 6>even quite out of place of the time because characters

571
00:34:47.079 --> 00:34:51.039
<v Speaker 6>later I mentioned CD players and vhs. Yet it's very

572
00:34:51.159 --> 00:34:53.599
<v Speaker 6>clearly a seventy esque style town.

573
00:34:54.239 --> 00:34:54.280
<v Speaker 5>What.

574
00:34:54.599 --> 00:34:57.320
<v Speaker 4>Yeah, So it's almost like a dream state where you

575
00:34:57.440 --> 00:34:59.840
<v Speaker 4>can't figure out what time you're in. I don't know

576
00:35:00.000 --> 00:35:03.000
<v Speaker 4>if you ever watched the horror movie it follows, but

577
00:35:03.559 --> 00:35:05.719
<v Speaker 4>they were doing that in that movie as well. They

578
00:35:05.800 --> 00:35:10.840
<v Speaker 4>included aspects of like futuristic technology with like old old technology,

579
00:35:10.960 --> 00:35:13.760
<v Speaker 4>so you couldn't figure out like what time it was in.

580
00:35:14.239 --> 00:35:16.800
<v Speaker 4>And that's how Edward Scissorhands is because it's very mid

581
00:35:16.880 --> 00:35:19.960
<v Speaker 4>century modern in all of the homes with the shag

582
00:35:20.199 --> 00:35:24.599
<v Speaker 4>carpets and the wardrobe, the makeup, the avon calling, but

583
00:35:25.039 --> 00:35:31.320
<v Speaker 4>Edward seems to be much older. And even when at

584
00:35:31.360 --> 00:35:34.719
<v Speaker 4>the I guess we skipped a part where Whenona writer's

585
00:35:34.719 --> 00:35:37.239
<v Speaker 4>an old lady and she's reading or she's telling this

586
00:35:37.320 --> 00:35:40.000
<v Speaker 4>story to her granddaughter, I can't tell what the fuck

587
00:35:40.119 --> 00:35:42.360
<v Speaker 4>time that's supposed to be, and it looks the same

588
00:35:42.519 --> 00:35:44.519
<v Speaker 4>to me. It looks like it's still in the seventies

589
00:35:44.639 --> 00:35:45.039
<v Speaker 4>or something.

590
00:35:45.920 --> 00:35:48.760
<v Speaker 6>Yeah, it almost looks older in certain aspects. Burton has

591
00:35:48.840 --> 00:35:53.400
<v Speaker 6>this way of creating his physical spaces in live action

592
00:35:53.519 --> 00:35:56.039
<v Speaker 6>that look still quite cartoony, and we saw that in

593
00:35:56.119 --> 00:35:58.440
<v Speaker 6>the opening sequence in the black and white. But then

594
00:35:58.480 --> 00:36:02.079
<v Speaker 6>again when we had Edward being found for the first time,

595
00:36:02.119 --> 00:36:04.320
<v Speaker 6>the building just looked like it was a scale model

596
00:36:04.320 --> 00:36:06.840
<v Speaker 6>that they've super imposed them in. And then then that

597
00:36:06.960 --> 00:36:09.880
<v Speaker 6>flashback sequence or the flash forward where when I'm a

598
00:36:09.960 --> 00:36:12.239
<v Speaker 6>ride as the old lady telling the story, the wolves

599
00:36:12.280 --> 00:36:16.000
<v Speaker 6>look cartoonishly, like they put down with wallpaper. But it's

600
00:36:16.079 --> 00:36:19.639
<v Speaker 6>very cartoon Yeah, it just seemed out of place, almost

601
00:36:19.719 --> 00:36:21.559
<v Speaker 6>like it's a dream sequence or something that's not real.

602
00:36:22.920 --> 00:36:28.679
<v Speaker 4>Yeah, I agree, And I when Colby and I did

603
00:36:28.719 --> 00:36:31.880
<v Speaker 4>an episode on Beetlejuice, I mentioned Edward Scissorhands in that

604
00:36:32.000 --> 00:36:34.199
<v Speaker 4>episode because I said, one of the things I love

605
00:36:34.280 --> 00:36:38.719
<v Speaker 4>the most about Edward Scissor Hands is the colors, and

606
00:36:39.159 --> 00:36:42.840
<v Speaker 4>they like vibrate off the screen, all of the pastels

607
00:36:44.280 --> 00:36:48.519
<v Speaker 4>and even the wardrobe everything it's like bursting with color,

608
00:36:48.679 --> 00:36:52.599
<v Speaker 4>which I love, and the lady with the ambrosia salad

609
00:36:52.719 --> 00:36:58.960
<v Speaker 4>and all of that. But I do think that Edward

610
00:36:59.079 --> 00:37:02.639
<v Speaker 4>is supposed to be like in contrast to all of

611
00:37:02.920 --> 00:37:05.639
<v Speaker 4>the color and whatever, and they take him in, they

612
00:37:05.719 --> 00:37:09.360
<v Speaker 4>try to give him a wardrobe, put suspenders on him

613
00:37:09.400 --> 00:37:13.239
<v Speaker 4>and shit and make him like regular and normal. And

614
00:37:14.119 --> 00:37:16.679
<v Speaker 4>one of the things that I saw with the whole

615
00:37:17.079 --> 00:37:24.159
<v Speaker 4>Christ theory about Edward Scissorhands is everyone is so worried

616
00:37:24.199 --> 00:37:30.119
<v Speaker 4>about their perception. Their lawns are perfectly manicured. They're perfectly

617
00:37:30.239 --> 00:37:35.119
<v Speaker 4>manicured with their hair, makeup, everything, and they're trying to

618
00:37:35.199 --> 00:37:39.639
<v Speaker 4>do that to Edward. And even Peg, the mom who's

619
00:37:39.639 --> 00:37:42.639
<v Speaker 4>supposed to be the big sweetheart in the movie, even

620
00:37:42.840 --> 00:37:46.039
<v Speaker 4>she if you really think about it. Was only worried

621
00:37:46.079 --> 00:37:53.280
<v Speaker 4>about the outward perception because instead of of wanting to

622
00:37:53.519 --> 00:37:56.599
<v Speaker 4>fix the reason he's cutting his face up all the time,

623
00:37:56.840 --> 00:37:59.519
<v Speaker 4>she wants to fix the scars. She wants him to

624
00:37:59.559 --> 00:38:02.840
<v Speaker 4>look nice and like look normal. So she's like trying

625
00:38:02.880 --> 00:38:05.360
<v Speaker 4>all this stuff on his face to like fix the scars.

626
00:38:14.280 --> 00:38:18.519
<v Speaker 5>The light concealing cream goes on first, then you blend

627
00:38:18.760 --> 00:38:22.840
<v Speaker 5>and blend and blend. Blending is a secret. Mm hm,

628
00:38:24.960 --> 00:38:30.079
<v Speaker 5>more concealing cream. Your complexion is so fair. Now this

629
00:38:30.280 --> 00:38:33.519
<v Speaker 5>has a touch of lavender in it. Give it a

630
00:38:33.679 --> 00:38:43.599
<v Speaker 5>try here, close enough, Okay, this should do the trick here. Hmm.

631
00:38:46.239 --> 00:38:50.519
<v Speaker 7>I have another idea. We'll cover up the scars and

632
00:38:50.639 --> 00:39:08.599
<v Speaker 7>start with a completely smooth surface, darness stuff.

633
00:39:10.119 --> 00:39:13.280
<v Speaker 4>And I don't know, like six times during the movies,

634
00:39:14.199 --> 00:39:16.280
<v Speaker 4>somebody says like I have a doctor that could help

635
00:39:16.360 --> 00:39:18.360
<v Speaker 4>you and maybe fix that for you, and she's like, no, no, no,

636
00:39:18.639 --> 00:39:21.039
<v Speaker 4>let me just put this cream on his scars. Like

637
00:39:22.039 --> 00:39:25.360
<v Speaker 4>she's only worried about like he needs to look nice

638
00:39:25.480 --> 00:39:27.880
<v Speaker 4>and I'll fix these scars on his face, and like,

639
00:39:28.280 --> 00:39:30.880
<v Speaker 4>how about somebody fix his fucking hands? How about that?

640
00:39:31.719 --> 00:39:33.679
<v Speaker 6>She needs some lavender conceal up, but no one even

641
00:39:33.719 --> 00:39:36.079
<v Speaker 6>tries to cork the finger blades, like, put some corks

642
00:39:36.119 --> 00:39:42.119
<v Speaker 6>on him. He's cut his face up. Old movie like

643
00:39:42.239 --> 00:39:43.320
<v Speaker 6>Psychety sayss has come on.

644
00:39:45.159 --> 00:39:49.719
<v Speaker 4>What's sorks? They're like, oh no, we'll just put some

645
00:39:49.880 --> 00:39:52.840
<v Speaker 4>cream on these scars. He could cut the hedges, cut

646
00:39:52.880 --> 00:39:55.599
<v Speaker 4>my dog's hair, chop the lettuce.

647
00:39:55.800 --> 00:39:58.719
<v Speaker 6>You know. They're using him, yeah, and they're using the

648
00:39:58.800 --> 00:39:59.840
<v Speaker 6>machine saw of him.

649
00:40:00.280 --> 00:40:04.920
<v Speaker 4>Yeah, yeah, yeah, exactly. They don't see him as a human. Yeah.

650
00:40:05.440 --> 00:40:07.880
<v Speaker 6>I have to go back to the start in which

651
00:40:08.400 --> 00:40:12.000
<v Speaker 6>the mother she Peg goes up. She's ran out of

652
00:40:12.039 --> 00:40:14.440
<v Speaker 6>all her options in the town. No one buys her

653
00:40:14.559 --> 00:40:17.320
<v Speaker 6>avon stuff, so she tries this time to go up

654
00:40:17.360 --> 00:40:20.320
<v Speaker 6>to the mountain. Like you said, it's a stark contrast

655
00:40:20.360 --> 00:40:21.400
<v Speaker 6>for the rest of the town. The rest of the

656
00:40:21.480 --> 00:40:25.039
<v Speaker 6>town is very bright, it's vibrant, it's got a palette

657
00:40:25.039 --> 00:40:27.880
<v Speaker 6>color to it. The mountain's black, dark and stands out.

658
00:40:28.039 --> 00:40:29.639
<v Speaker 6>I looked at that, and it kind of reminded me

659
00:40:29.639 --> 00:40:32.039
<v Speaker 6>of the mountain the Grinch resides on. And then the

660
00:40:32.079 --> 00:40:34.519
<v Speaker 6>same time I'm thinking, wait a minute, where's the subconscious

661
00:40:34.559 --> 00:40:37.559
<v Speaker 6>story behind that mountain. I instantly went to Mount Hermon

662
00:40:38.440 --> 00:40:40.800
<v Speaker 6>so that the mountain in which the angels descended to

663
00:40:40.920 --> 00:40:43.719
<v Speaker 6>on Earth when they were cast out. And what reinforced

664
00:40:44.079 --> 00:40:47.480
<v Speaker 6>was when she went into the grounds she saw all

665
00:40:47.599 --> 00:40:51.360
<v Speaker 6>these gargoyles and creatures like on the stone work, and

666
00:40:51.480 --> 00:40:54.280
<v Speaker 6>the most high statue that she sees of a monster

667
00:40:54.920 --> 00:40:56.760
<v Speaker 6>is a braxis the chicken headed snake God.

668
00:40:57.960 --> 00:41:00.760
<v Speaker 4>No, it's nah, it is.

669
00:41:00.960 --> 00:41:03.719
<v Speaker 6>So she sees this very gnostic take on things in

670
00:41:03.800 --> 00:41:07.039
<v Speaker 6>which you Mormons picked it up as well. It's the

671
00:41:07.280 --> 00:41:09.480
<v Speaker 6>a braxis chicken head snake god. If you don't know it,

672
00:41:09.880 --> 00:41:12.719
<v Speaker 6>it's described as being the god above all gods, and

673
00:41:12.800 --> 00:41:16.159
<v Speaker 6>it's the highest statue in the scene. The Great ARCon

674
00:41:16.360 --> 00:41:19.000
<v Speaker 6>is also known as we see it in the mansion,

675
00:41:19.199 --> 00:41:21.559
<v Speaker 6>very first thing, which makes me think it's not so

676
00:41:21.760 --> 00:41:24.599
<v Speaker 6>much a christ story as it could be a an

677
00:41:24.679 --> 00:41:27.320
<v Speaker 6>inversion of that, like a Timus type of a story.

678
00:41:28.119 --> 00:41:31.400
<v Speaker 6>So we've got this snake god there, but it's replicated

679
00:41:31.440 --> 00:41:33.920
<v Speaker 6>in aspects of the town later on very subtly.

680
00:41:35.840 --> 00:41:42.119
<v Speaker 4>So, and that like if that hall castle is based

681
00:41:42.159 --> 00:41:46.000
<v Speaker 4>off of a Walt Disney thing, the Walt Disney Institute,

682
00:41:46.239 --> 00:41:51.119
<v Speaker 4>you might as well call it. That's wild. I didn't

683
00:41:51.159 --> 00:41:53.880
<v Speaker 4>even notice that you know. What I did notice though,

684
00:41:54.079 --> 00:41:57.639
<v Speaker 4>is one of the hedges was like a likeness monster. Yeah,

685
00:41:58.639 --> 00:42:01.559
<v Speaker 4>but that is a great find. I hope I can

686
00:42:01.719 --> 00:42:03.880
<v Speaker 4>pause it, like maybe I'll find a clip in the

687
00:42:03.920 --> 00:42:05.960
<v Speaker 4>movie and I can pose it on that, because that's

688
00:42:06.039 --> 00:42:09.719
<v Speaker 4>a great fucking find. You always look like dog shit

689
00:42:09.800 --> 00:42:11.400
<v Speaker 4>when we do these drew.

690
00:42:12.039 --> 00:42:14.360
<v Speaker 6>Even the hedges were interesting. You points out the luckness monster.

691
00:42:14.719 --> 00:42:17.760
<v Speaker 6>But there's a pterodactyl, a t rex. It's all things

692
00:42:17.800 --> 00:42:22.039
<v Speaker 6>that were supposed to believe completely mythological or things that

693
00:42:22.159 --> 00:42:24.360
<v Speaker 6>existed in the ancient past. And a lot of people

694
00:42:24.360 --> 00:42:27.880
<v Speaker 6>would say that dinosaurs never existed in those dragons. Well,

695
00:42:28.719 --> 00:42:30.559
<v Speaker 6>you know what with a nephel aim eating if they're

696
00:42:30.599 --> 00:42:33.800
<v Speaker 6>breeding animals for you know, base of burden would be

697
00:42:33.880 --> 00:42:34.920
<v Speaker 6>something like a good point.

698
00:42:35.119 --> 00:42:37.679
<v Speaker 4>Yeah, no, that's a really good point. I do think

699
00:42:37.800 --> 00:42:39.880
<v Speaker 4>though that the t rex. I just said this on

700
00:42:40.000 --> 00:42:43.440
<v Speaker 4>another podcast and you probably have come across it yourself,

701
00:42:43.519 --> 00:42:47.400
<v Speaker 4>But the little baby arms never made sense, but they're

702
00:42:47.480 --> 00:42:51.239
<v Speaker 4>probably part of like what they were saying is like

703
00:42:51.800 --> 00:42:55.000
<v Speaker 4>that the bone that they're saying was an arm was

704
00:42:55.079 --> 00:42:58.239
<v Speaker 4>actually something that would have connected to a wing. And

705
00:42:58.400 --> 00:43:02.480
<v Speaker 4>like all these t rex if they're real skeletons would

706
00:43:02.519 --> 00:43:06.320
<v Speaker 4>have probably been dragons and not little baby arm fucking

707
00:43:07.039 --> 00:43:15.760
<v Speaker 4>t rex murder chickens. Yeah, yeah, yeah that it was

708
00:43:15.840 --> 00:43:18.719
<v Speaker 4>a hell of a fine though, for real. And so

709
00:43:18.840 --> 00:43:21.679
<v Speaker 4>I guess that also goes with like the ambrosia salad

710
00:43:21.760 --> 00:43:24.480
<v Speaker 4>and like all that stuff that's kind of linking back

711
00:43:24.519 --> 00:43:28.119
<v Speaker 4>to this idea. Well, what do we go to next then,

712
00:43:28.280 --> 00:43:30.760
<v Speaker 4>I mean he gets back to the house and stuff.

713
00:43:31.760 --> 00:43:34.239
<v Speaker 6>We always have to go through his We almost have

714
00:43:34.280 --> 00:43:36.400
<v Speaker 6>to go through his reactions of coming into the town.

715
00:43:36.960 --> 00:43:37.119
<v Speaker 2>Yeah.

716
00:43:37.199 --> 00:43:39.639
<v Speaker 4>I was gonna say, everybody's like curious about him.

717
00:43:39.880 --> 00:43:42.119
<v Speaker 6>And now looking back after you mentioned that he modeled

718
00:43:42.119 --> 00:43:44.599
<v Speaker 6>the reactions off like the behavior of a dog. It

719
00:43:44.760 --> 00:43:47.320
<v Speaker 6>makes sense because he's just like looking and pointing at things,

720
00:43:47.400 --> 00:43:50.320
<v Speaker 6>and he just seems you think it's almost over excitement

721
00:43:50.360 --> 00:43:53.679
<v Speaker 6>because he hasn't left the mansion. But then typical dog reactions.

722
00:43:53.679 --> 00:43:55.280
<v Speaker 6>Anyone who's taken a dog in a car that's not

723
00:43:55.400 --> 00:43:57.920
<v Speaker 6>tied down, it's jumping all over the place in the

724
00:43:57.960 --> 00:44:03.199
<v Speaker 6>back seat, it's going from window to window car. So

725
00:44:03.320 --> 00:44:04.719
<v Speaker 6>he's going through the town and this is where we

726
00:44:04.800 --> 00:44:07.440
<v Speaker 6>get to see that the full layout of and it's

727
00:44:07.559 --> 00:44:10.119
<v Speaker 6>just this town almost like the coldest sac in particular,

728
00:44:10.239 --> 00:44:13.840
<v Speaker 6>is one set of streets. All the houses are identical,

729
00:44:14.360 --> 00:44:18.000
<v Speaker 6>they're just painted differently. Every second house has the same car,

730
00:44:18.239 --> 00:44:21.880
<v Speaker 6>but it's a different color. It's almost as if, I think,

731
00:44:22.360 --> 00:44:24.719
<v Speaker 6>in a film aspect, they're trying to show that this

732
00:44:24.960 --> 00:44:27.559
<v Speaker 6>is an extreme version of suburbia where everyone tries to

733
00:44:27.599 --> 00:44:30.880
<v Speaker 6>fit in. They're keeping up the Joneses approach. Everyone fits

734
00:44:30.920 --> 00:44:33.519
<v Speaker 6>in to get along. I think it has a deeper

735
00:44:33.599 --> 00:44:36.480
<v Speaker 6>story to what the cookie cutter approach actually is in

736
00:44:36.599 --> 00:44:39.280
<v Speaker 6>this and we see it in some sacred geometry that

737
00:44:39.360 --> 00:44:45.719
<v Speaker 6>every single house includes on their garage doors. What all right,

738
00:44:45.760 --> 00:44:47.159
<v Speaker 6>I'm gonna have to go to it now? What's going

739
00:44:47.199 --> 00:44:49.119
<v Speaker 6>to save it for the end? But the sacred geometry

740
00:44:49.159 --> 00:44:52.000
<v Speaker 6>that you see straight away each house has a series

741
00:44:52.079 --> 00:44:57.280
<v Speaker 6>of rhombus or parallelograms on each door right of the garage.

742
00:44:57.599 --> 00:45:02.920
<v Speaker 6>The rhombus or lozenge diamond kite shape consists of two triangles,

743
00:45:02.960 --> 00:45:07.039
<v Speaker 6>one downward the ying and one upward the yang, joined together.

744
00:45:07.239 --> 00:45:10.400
<v Speaker 6>The geometric symbol represents the inner focus that of a

745
00:45:10.480 --> 00:45:13.480
<v Speaker 6>human being needs to hold onto his life and task

746
00:45:13.599 --> 00:45:17.639
<v Speaker 6>during his time on earth. That task was and remains

747
00:45:17.719 --> 00:45:20.880
<v Speaker 6>to this very day to reinstall balance within self, the

748
00:45:21.000 --> 00:45:23.840
<v Speaker 6>ying and the yang energy aspects that make up every

749
00:45:23.920 --> 00:45:27.360
<v Speaker 6>human being and reflect the inner balance into the outer world.

750
00:45:27.760 --> 00:45:30.599
<v Speaker 6>The rhombus of the diamond shame. It represents humans work

751
00:45:30.679 --> 00:45:34.039
<v Speaker 6>on Earth and the achievements of their daily lives. What

752
00:45:34.199 --> 00:45:36.800
<v Speaker 6>they all do. They all leave at the same time,

753
00:45:36.880 --> 00:45:39.639
<v Speaker 6>they're all getting cards, All the wives stay home, all

754
00:45:39.679 --> 00:45:41.840
<v Speaker 6>the husbands go off to work, and it looks like

755
00:45:41.920 --> 00:45:43.199
<v Speaker 6>they all work at the same place.

756
00:45:44.199 --> 00:45:51.119
<v Speaker 4>Oh my god, that's mk Ultra, I swear it is.

757
00:45:52.400 --> 00:45:55.119
<v Speaker 4>There is actually a movie that they do the same thing.

758
00:45:55.239 --> 00:45:57.679
<v Speaker 4>And oh god, I'm forgetting the name of it. It's

759
00:45:57.800 --> 00:46:01.599
<v Speaker 4>like it's like Stepford Wives but not. And it's like

760
00:46:03.039 --> 00:46:05.760
<v Speaker 4>the husband's go to work and the wives are all

761
00:46:05.800 --> 00:46:09.360
<v Speaker 4>like crazy and shit. And I mean, you see an

762
00:46:09.440 --> 00:46:12.719
<v Speaker 4>aspect of that in Edward Scissorhands, because all the wives

763
00:46:12.760 --> 00:46:16.199
<v Speaker 4>are fucking cuckoo for cocoa buffs. But that is a

764
00:46:16.280 --> 00:46:20.480
<v Speaker 4>great fucking catch. That is a great catch.

765
00:46:21.280 --> 00:46:23.079
<v Speaker 6>And so this I have to go into it now

766
00:46:23.199 --> 00:46:25.039
<v Speaker 6>because we'll just be lost in it if we go

767
00:46:25.199 --> 00:46:27.480
<v Speaker 6>start going through the story. The entire town is a

768
00:46:27.599 --> 00:46:31.320
<v Speaker 6>massive produced carbon copy of itself. It looks individual until

769
00:46:31.320 --> 00:46:35.480
<v Speaker 6>you look closer. Each house the same, painted differently, as

770
00:46:35.519 --> 00:46:37.679
<v Speaker 6>are the cars on its surface. The intention pine this

771
00:46:37.880 --> 00:46:41.400
<v Speaker 6>was to emphasize the suburban mundane, the normality and extreme

772
00:46:41.440 --> 00:46:44.119
<v Speaker 6>polar opposite, and the uniqueness of Edward and the mansion.

773
00:46:44.719 --> 00:46:47.320
<v Speaker 6>The cars include a seventy seven Pacer Wagon, a seventy

774
00:46:47.320 --> 00:46:50.480
<v Speaker 6>eight Forward Want, a seventy four Forward Galaxy. All these

775
00:46:50.559 --> 00:46:52.599
<v Speaker 6>cars are from seventies eer. So this is what really

776
00:46:52.679 --> 00:46:55.000
<v Speaker 6>throws a spanner in the works for dating and timing

777
00:46:55.039 --> 00:46:58.639
<v Speaker 6>this film. But it does use a very very good

778
00:46:58.719 --> 00:47:02.199
<v Speaker 6>psychological and art teach technique called liminal Spacey familiar with

779
00:47:02.239 --> 00:47:02.639
<v Speaker 6>that at all?

780
00:47:03.000 --> 00:47:04.440
<v Speaker 4>Yeah, yeah, yeah, yeah.

781
00:47:04.719 --> 00:47:08.039
<v Speaker 6>So liminal space, for listeners is the uncertain transition between

782
00:47:08.480 --> 00:47:11.840
<v Speaker 6>where you've been and where you're going physically, emotionally, and metaphorically.

783
00:47:12.760 --> 00:47:15.239
<v Speaker 6>To be in liminal space means to be one of

784
00:47:15.320 --> 00:47:18.800
<v Speaker 6>the principles on the precipice of something new but not

785
00:47:18.960 --> 00:47:22.440
<v Speaker 6>quite there yet. The world is liminal comes from the

786
00:47:22.519 --> 00:47:26.039
<v Speaker 6>word Latin, which means lemen, which means threshold. We're going

787
00:47:26.199 --> 00:47:31.320
<v Speaker 6>from the very dark, the black intoliminal space. We're stepping

788
00:47:31.360 --> 00:47:35.400
<v Speaker 6>out into a new threshold, and they feel oddly familiar, nostalgic,

789
00:47:35.440 --> 00:47:38.920
<v Speaker 6>which reflects memories of our own lives, hence the heavily

790
00:47:39.519 --> 00:47:42.199
<v Speaker 6>use of nineteen seventies design. And keep in mind, this

791
00:47:42.280 --> 00:47:44.480
<v Speaker 6>is the nineties film, so the majority of people who

792
00:47:44.519 --> 00:47:47.920
<v Speaker 6>were our age back then watching it would have grown

793
00:47:48.000 --> 00:47:49.519
<v Speaker 6>up in the seventies, so they would have had that

794
00:47:49.599 --> 00:47:50.840
<v Speaker 6>nostalgic hook straight.

795
00:47:50.639 --> 00:47:57.000
<v Speaker 4>Away, even like the wall decor everything he nailed it

796
00:47:57.719 --> 00:48:02.440
<v Speaker 4>and the beauty salon and all of it. But it's

797
00:48:02.519 --> 00:48:05.960
<v Speaker 4>almost very like they're stuck in the matrix kind of

798
00:48:08.159 --> 00:48:13.199
<v Speaker 4>And the talk show that he goes on was very

799
00:48:13.679 --> 00:48:14.719
<v Speaker 4>like very seventies.

800
00:48:15.000 --> 00:48:16.880
<v Speaker 6>Yeah, the cameras look like that was straight off the

801
00:48:17.000 --> 00:48:20.000
<v Speaker 6>nineteen seventies, like sound lot mm hmmm hmm.

802
00:48:20.760 --> 00:48:23.320
<v Speaker 4>And I do think, well, I guess I shouldn't get

803
00:48:23.320 --> 00:48:27.000
<v Speaker 4>ahead of us, But there is a aspect to the

804
00:48:27.599 --> 00:48:30.760
<v Speaker 4>taking him on a talk show in itself that's kind

805
00:48:30.800 --> 00:48:34.920
<v Speaker 4>of like there's something to it. But yeah, that was

806
00:48:35.000 --> 00:48:39.800
<v Speaker 4>a great cat, a great find because they are in

807
00:48:40.079 --> 00:48:45.679
<v Speaker 4>like a matrixy like is this even really real kind

808
00:48:45.760 --> 00:48:50.679
<v Speaker 4>of thing, and they're building a house close to PEG's house,

809
00:48:50.880 --> 00:48:54.280
<v Speaker 4>and they have like a circus tent thing covering.

810
00:48:54.079 --> 00:48:58.000
<v Speaker 6>Is a fumigation tent, like they're guessing something inside you

811
00:48:58.119 --> 00:48:59.920
<v Speaker 6>think that's what it is. Yeah, I think it's a

812
00:49:00.079 --> 00:49:00.840
<v Speaker 6>humigation tent.

813
00:49:01.159 --> 00:49:03.840
<v Speaker 4>Are you sure like a dead body was in there

814
00:49:03.840 --> 00:49:05.000
<v Speaker 4>and they're fumigating it.

815
00:49:05.440 --> 00:49:08.159
<v Speaker 6>Or is it like like bugs, like cockroaches or something

816
00:49:08.159 --> 00:49:09.360
<v Speaker 6>they're fumigating the house?

817
00:49:10.760 --> 00:49:15.199
<v Speaker 4>Really, I thought that was like a like they put

818
00:49:15.280 --> 00:49:17.760
<v Speaker 4>like a tent over it because they weren't done building

819
00:49:17.840 --> 00:49:20.159
<v Speaker 4>it or something. I was like, the fuck is that

820
00:49:20.639 --> 00:49:24.119
<v Speaker 4>fucking circus fucking tent? Have you?

821
00:49:25.119 --> 00:49:26.920
<v Speaker 6>Have you seen Joe Dirt where he goes into the

822
00:49:26.960 --> 00:49:30.000
<v Speaker 6>fumigated house and gets high on the bug spray and

823
00:49:30.239 --> 00:49:34.159
<v Speaker 6>his naked eating popcorn deepstick on like mittons and things.

824
00:49:34.199 --> 00:49:34.880
<v Speaker 6>It's the same one.

825
00:49:35.360 --> 00:49:39.360
<v Speaker 4>Oh my god, Well, I guess that's weird. It was

826
00:49:39.519 --> 00:49:42.000
<v Speaker 4>right down the street from Edward's houses. Like, oh, we

827
00:49:42.119 --> 00:49:44.360
<v Speaker 4>kicked them out of the neighborhood, we killed them, and

828
00:49:44.480 --> 00:49:45.920
<v Speaker 4>now we're fumigating the house.

829
00:49:46.840 --> 00:49:49.159
<v Speaker 6>Well they're humigating what they're still in there because they're

830
00:49:49.159 --> 00:49:50.480
<v Speaker 6>not following the status quo.

831
00:49:54.119 --> 00:49:58.400
<v Speaker 4>But no, Yeah, So there is a scene after Edward

832
00:49:58.440 --> 00:50:01.000
<v Speaker 4>gets into the house, like he at all the family

833
00:50:01.119 --> 00:50:04.639
<v Speaker 4>pictures and then he goes into Kim's room and on

834
00:50:04.880 --> 00:50:09.280
<v Speaker 4>her mirror. It's interesting because she's done the exact same

835
00:50:09.360 --> 00:50:12.159
<v Speaker 4>thing Edward has done, and she's like cut shit out

836
00:50:12.239 --> 00:50:15.639
<v Speaker 4>and like pasted it onto her mirror. And there's like

837
00:50:17.079 --> 00:50:20.639
<v Speaker 4>four or five sets of eyes and like one eye,

838
00:50:21.679 --> 00:50:25.440
<v Speaker 4>and then there's like weird gemstones that she's cut out.

839
00:50:26.239 --> 00:50:27.239
<v Speaker 4>Tell me you saw that.

840
00:50:28.000 --> 00:50:32.079
<v Speaker 6>Yeah, it's very occultic, almost like the cool hip teenages

841
00:50:32.199 --> 00:50:35.159
<v Speaker 6>today that are cutting out anything Illuminati and sticking it

842
00:50:35.199 --> 00:50:37.760
<v Speaker 6>to like the katak ices or their laptops. Uh huh

843
00:50:37.920 --> 00:50:38.239
<v Speaker 6>uh huh.

844
00:50:38.760 --> 00:50:42.480
<v Speaker 4>Yeah, but for the seventies, if that's what time we're in,

845
00:50:42.960 --> 00:50:46.079
<v Speaker 4>because we're not sure, but I don't know if they

846
00:50:46.159 --> 00:50:48.280
<v Speaker 4>were doing that back then or not. But she had

847
00:50:48.440 --> 00:50:52.360
<v Speaker 4>just eyes cut out, not a whole body, not like

848
00:50:52.440 --> 00:50:55.199
<v Speaker 4>a face, It was just the eyes, and in a

849
00:50:55.280 --> 00:50:58.320
<v Speaker 4>couple occasions it was just one eye. And then she

850
00:50:58.480 --> 00:51:03.280
<v Speaker 4>had like like turquoise stones and like sit like not

851
00:51:03.480 --> 00:51:09.679
<v Speaker 4>stage jade stones and like amethyst and ruby like necklaces

852
00:51:09.840 --> 00:51:12.519
<v Speaker 4>cut out, and she pasted that on her mirror too,

853
00:51:13.000 --> 00:51:15.199
<v Speaker 4>And I thought that was interesting because it zoomed in

854
00:51:15.599 --> 00:51:19.880
<v Speaker 4>on her mirror, Edward looking into it for a good

855
00:51:20.159 --> 00:51:22.920
<v Speaker 4>like I want to say, maybe like twenty seconds, which

856
00:51:23.000 --> 00:51:24.880
<v Speaker 4>is a pretty decent amount of time for you to

857
00:51:25.000 --> 00:51:26.880
<v Speaker 4>be able to look and see what's on the mirror

858
00:51:28.239 --> 00:51:29.519
<v Speaker 4>like they wanted you to see it.

859
00:51:30.760 --> 00:51:33.039
<v Speaker 6>And eyes are usually the window to the soul as well.

860
00:51:33.079 --> 00:51:35.199
<v Speaker 6>And it's funny that he's a reflective surface to put

861
00:51:35.239 --> 00:51:37.440
<v Speaker 6>that onto it, like she's staring into an iron soul

862
00:51:37.519 --> 00:51:40.920
<v Speaker 6>every time she's looking through that mirror that's adorned with

863
00:51:41.000 --> 00:51:42.039
<v Speaker 6>all that occultic stuff.

864
00:51:42.679 --> 00:51:46.000
<v Speaker 4>Yes, and I also thought it was so little foreshadowing

865
00:51:46.159 --> 00:51:51.000
<v Speaker 4>because it appears to be that Kim collects snow globes.

866
00:51:52.320 --> 00:51:54.480
<v Speaker 6>And she's like a show. Is the big part of

867
00:51:54.519 --> 00:51:56.280
<v Speaker 6>the whole story, Like at the very start, the whole

868
00:51:56.320 --> 00:51:58.280
<v Speaker 6>story that the grandmother is telling is where a star

869
00:51:58.480 --> 00:52:01.159
<v Speaker 6>came from in the town it ever snowed until that,

870
00:52:01.320 --> 00:52:02.840
<v Speaker 6>not that she's telling.

871
00:52:02.679 --> 00:52:05.519
<v Speaker 4>Me it's weird for me and tell me to fuck

872
00:52:05.599 --> 00:52:08.960
<v Speaker 4>off if this is too far, but if we want

873
00:52:09.039 --> 00:52:12.239
<v Speaker 4>to really take it to like an esoteric place with

874
00:52:12.400 --> 00:52:16.440
<v Speaker 4>this snow globe, shit, you know, that's what I feel

875
00:52:16.519 --> 00:52:19.840
<v Speaker 4>like we live on is a snow globe like a

876
00:52:20.000 --> 00:52:23.400
<v Speaker 4>flat plane with like a dome over it. And so

877
00:52:23.639 --> 00:52:27.840
<v Speaker 4>I don't know, I just saw little things here and there.

878
00:52:28.199 --> 00:52:32.239
<v Speaker 4>The main things like with her cutting out eyes and

879
00:52:32.360 --> 00:52:37.280
<v Speaker 4>then the Walt Disney thing and then the snow globes

880
00:52:37.400 --> 00:52:39.159
<v Speaker 4>and stuff. I was like, I don't know, there could

881
00:52:39.239 --> 00:52:43.280
<v Speaker 4>be something to this that it goes beyond just like

882
00:52:43.960 --> 00:52:45.320
<v Speaker 4>a dude with scissor hands.

883
00:52:46.760 --> 00:52:49.239
<v Speaker 6>It could be. They always talk about the and you

884
00:52:49.480 --> 00:52:52.039
<v Speaker 6>and mentions it later on where all the kids disappeared

885
00:52:52.079 --> 00:52:54.559
<v Speaker 6>to you, Like you see the suburban housewives and the

886
00:52:54.639 --> 00:52:57.559
<v Speaker 6>husband's very robodic go about their business and cookie cutter

887
00:52:57.599 --> 00:53:01.679
<v Speaker 6>approaches of each other, yet their kids aren't seen. Except

888
00:53:01.719 --> 00:53:03.960
<v Speaker 6>for the initial Bogs family, the rest of the teenage

889
00:53:04.039 --> 00:53:05.679
<v Speaker 6>kids in the town just so happened to be off

890
00:53:05.719 --> 00:53:08.719
<v Speaker 6>in the mountains. But every single shot of this face

891
00:53:09.039 --> 00:53:11.280
<v Speaker 6>it's a flat plane with the mountain in the middle.

892
00:53:11.480 --> 00:53:14.280
<v Speaker 6>There's no surrounding mountains anywhere. You can't even see fields.

893
00:53:14.639 --> 00:53:18.320
<v Speaker 6>It's this weird little isolated almost like subworld, Like it's

894
00:53:18.320 --> 00:53:19.360
<v Speaker 6>a simulation.

895
00:53:19.800 --> 00:53:25.679
<v Speaker 4>Matrix snail globe. I'm telling you, I think there's something

896
00:53:25.760 --> 00:53:28.000
<v Speaker 4>to it, but I mean I could be grasping. I

897
00:53:28.079 --> 00:53:28.360
<v Speaker 4>don't know.

898
00:53:28.599 --> 00:53:31.880
<v Speaker 6>But are you ready for what was seen in the

899
00:53:32.079 --> 00:53:35.480
<v Speaker 6>in the lound room, oh, the living room. So as

900
00:53:35.559 --> 00:53:37.199
<v Speaker 6>he walks into the lound room, you'll see it in

901
00:53:37.320 --> 00:53:41.199
<v Speaker 6>multiple shots throughout the film. There's three chicken headed snake

902
00:53:41.320 --> 00:53:42.679
<v Speaker 6>sculptures up on the wall.

903
00:53:43.079 --> 00:53:44.880
<v Speaker 4>You are fucking with me.

904
00:53:45.960 --> 00:53:49.559
<v Speaker 6>They are supposedly meant to be pheasants, but the tail,

905
00:53:50.000 --> 00:53:53.920
<v Speaker 6>it's definitely a chickenhead, some wings, and then the pheasant

906
00:53:54.039 --> 00:53:57.440
<v Speaker 6>so called tail comes down in a very serpentine pattern

907
00:53:57.639 --> 00:53:58.440
<v Speaker 6>like the tail faces.

908
00:54:00.079 --> 00:54:04.239
<v Speaker 4>Then it's night clubs, so it just keeps popping its Yeah,

909
00:54:04.400 --> 00:54:11.519
<v Speaker 4>chicken head up. My god, I never fucking noticed that.

910
00:54:12.760 --> 00:54:16.559
<v Speaker 4>But that's that's again like when you go back and

911
00:54:16.679 --> 00:54:19.800
<v Speaker 4>you especially with the Burbs. I noticed because I had

912
00:54:19.880 --> 00:54:22.719
<v Speaker 4>watched that movie a thousand fucking times, and I when

913
00:54:22.760 --> 00:54:24.920
<v Speaker 4>you look at it like trying to find stuff, and

914
00:54:25.000 --> 00:54:28.119
<v Speaker 4>you see what's really there, you're like, god, damn, Like

915
00:54:28.639 --> 00:54:30.639
<v Speaker 4>I have watched this movie so many times, and I

916
00:54:30.760 --> 00:54:33.239
<v Speaker 4>never fucking noticed that. It's the same thing here. I

917
00:54:33.360 --> 00:54:37.079
<v Speaker 4>can't believe that shit, Drew, And fuck you for finding that,

918
00:54:37.280 --> 00:54:44.599
<v Speaker 4>because that's that's a really good one, all right on

919
00:54:45.320 --> 00:54:51.199
<v Speaker 4>the bank, all right, So did you see anything between

920
00:54:51.480 --> 00:54:58.000
<v Speaker 4>him like getting dressed and like her checking her voicemail

921
00:54:58.119 --> 00:55:00.719
<v Speaker 4>or something, or she makes some calls, lets people know

922
00:55:00.960 --> 00:55:03.719
<v Speaker 4>Edward is there, and then like I think, they all

923
00:55:04.039 --> 00:55:06.559
<v Speaker 4>come running over to the house. Did you catch anything,

924
00:55:06.800 --> 00:55:07.840
<v Speaker 4>like just just.

925
00:55:07.920 --> 00:55:10.239
<v Speaker 6>The comedy of the film that this guy clearly has

926
00:55:10.440 --> 00:55:12.800
<v Speaker 6>dangerous objects for hands, and they just think he can

927
00:55:12.880 --> 00:55:15.599
<v Speaker 6>do everyday things without assisting him. Like I remember some

928
00:55:15.719 --> 00:55:17.920
<v Speaker 6>pants and a shirt on, and he's trying to pull

929
00:55:18.000 --> 00:55:21.199
<v Speaker 6>the pants up by the belt straps and he'swittler and

930
00:55:21.280 --> 00:55:24.159
<v Speaker 6>he's going down to the ground and perfect physical comedy

931
00:55:24.159 --> 00:55:25.920
<v Speaker 6>by Johnny's Depp on this. And he has the awkward

932
00:55:26.039 --> 00:55:29.719
<v Speaker 6>rolldown hat. But somehow he doesn't cut the clothes except

933
00:55:29.760 --> 00:55:30.519
<v Speaker 6>for the suspenders.

934
00:55:30.599 --> 00:55:34.079
<v Speaker 4>Later on, he doesn't think pat the belt loops. Ye,

935
00:55:34.880 --> 00:55:38.320
<v Speaker 4>nothing like that. Yeah, But he gets and wispinders and.

936
00:55:38.400 --> 00:55:41.679
<v Speaker 6>They have this whole barbecue for him, like these chatterbox

937
00:55:41.880 --> 00:55:44.039
<v Speaker 6>mother's club meetings that are going on in the corner

938
00:55:44.079 --> 00:55:46.400
<v Speaker 6>of the street. When they're gossiping about Edward and Peg.

939
00:55:47.159 --> 00:55:50.239
<v Speaker 6>They confronts Joice, confronts her and says, aren't you going

940
00:55:50.280 --> 00:55:52.159
<v Speaker 6>to throw a barbecue for your new house guests so

941
00:55:52.239 --> 00:55:55.000
<v Speaker 6>they can meet the neighborhood blah blah blah. They all

942
00:55:55.079 --> 00:55:58.679
<v Speaker 6>show up, and the only people that actually ever try

943
00:55:58.760 --> 00:56:02.480
<v Speaker 6>to feed him those gossiping women which are infatuated with him.

944
00:56:02.840 --> 00:56:03.199
<v Speaker 4>Uh huh.

945
00:56:03.440 --> 00:56:06.039
<v Speaker 6>Peg doesn't do it. PEG's husband doesn't do it, the

946
00:56:06.159 --> 00:56:09.320
<v Speaker 6>kids don't do it. Anyone in these actual family air

947
00:56:09.440 --> 00:56:11.880
<v Speaker 6>quotes just thinks he can go about it himself. Where

948
00:56:11.960 --> 00:56:13.760
<v Speaker 6>the only people that tried to feed him and give

949
00:56:13.840 --> 00:56:18.000
<v Speaker 6>him like substance are the people who want something out

950
00:56:18.039 --> 00:56:19.280
<v Speaker 6>of him mm hmmmm.

951
00:56:20.119 --> 00:56:21.760
<v Speaker 4>And they're like, oh, I bet you could do a

952
00:56:21.840 --> 00:56:24.800
<v Speaker 4>few things around my house, and they're like shoving food

953
00:56:24.840 --> 00:56:33.000
<v Speaker 4>in his mouth. Uh yeah, I feel like the they saw,

954
00:56:33.519 --> 00:56:37.639
<v Speaker 4>didn't he Yeah, he trimmed the hedges, and so when

955
00:56:37.760 --> 00:56:39.960
<v Speaker 4>everybody came over for the barbecue, they were like, oh,

956
00:56:40.000 --> 00:56:44.119
<v Speaker 4>you can come trim my hedges. Wink wink. Fucking They

957
00:56:44.199 --> 00:56:46.679
<v Speaker 4>start paying him with like cookies and shit because that

958
00:56:46.920 --> 00:56:49.679
<v Speaker 4>they literally see him as like not a person.

959
00:56:50.800 --> 00:56:52.800
<v Speaker 6>And again he's like a dog. He's performing a trick

960
00:56:52.840 --> 00:56:53.960
<v Speaker 6>and they give him a trick.

961
00:56:54.079 --> 00:56:57.639
<v Speaker 4>Mmmmm, and then he ends up cutting dogs. So it's

962
00:56:57.800 --> 00:56:59.920
<v Speaker 4>like full circle moment, you know.

963
00:57:01.159 --> 00:57:06.320
<v Speaker 6>Fully inception. So we have this neighborhood. He showed up.

964
00:57:06.320 --> 00:57:08.800
<v Speaker 6>He's like the bright, new shiny toy. He's so different

965
00:57:08.840 --> 00:57:11.320
<v Speaker 6>from the mundane in this town. Everyone comes to see him.

966
00:57:11.719 --> 00:57:13.599
<v Speaker 6>The kid talks about wanting to take him to show

967
00:57:13.639 --> 00:57:15.360
<v Speaker 6>and tell the same type of thing. The kids want

968
00:57:15.360 --> 00:57:18.199
<v Speaker 6>to have him in the school and the whole time,

969
00:57:18.800 --> 00:57:20.920
<v Speaker 6>we haven't seen our love interest Kim yet. She's off

970
00:57:20.960 --> 00:57:23.639
<v Speaker 6>in the mountains camping. She's supposed to arrive home on

971
00:57:23.679 --> 00:57:27.679
<v Speaker 6>the weekend. Edward goes to bed and Kim, the boyfriend

972
00:57:27.719 --> 00:57:29.599
<v Speaker 6>and the rest of her friends arrive at night early,

973
00:57:29.599 --> 00:57:32.280
<v Speaker 6>and they're trying to sneak into the house, and she

974
00:57:32.400 --> 00:57:35.239
<v Speaker 6>sneaks in. He's in the bed, really creepily sitting there.

975
00:57:35.320 --> 00:57:39.960
<v Speaker 6>He's knife hands, sitting there watching her. She's getting undressed,

976
00:57:40.000 --> 00:57:41.519
<v Speaker 6>and she looks in the mirror and that's when she

977
00:57:41.559 --> 00:57:43.920
<v Speaker 6>spots him. That's the funny thing. She's looking in this

978
00:57:44.159 --> 00:57:47.639
<v Speaker 6>mirror and if it is almost a portal to seeing

979
00:57:48.000 --> 00:57:51.880
<v Speaker 6>your soul, she notices him. Now, is this a connection

980
00:57:52.000 --> 00:57:54.440
<v Speaker 6>to I found my soulmate, or is it a connection

981
00:57:54.559 --> 00:57:57.840
<v Speaker 6>to I'm not human myself and I'm robotic and I

982
00:57:57.960 --> 00:57:58.519
<v Speaker 6>just don't see it.

983
00:58:00.159 --> 00:58:05.519
<v Speaker 4>Probably more of the second one, because they were actually

984
00:58:05.599 --> 00:58:08.199
<v Speaker 4>Johnny Depp and Winona Ryder. I found this out as

985
00:58:08.280 --> 00:58:11.880
<v Speaker 4>I was researching. They were dating while they were making

986
00:58:11.960 --> 00:58:14.199
<v Speaker 4>this movie, so it was real easy for them to

987
00:58:14.559 --> 00:58:21.199
<v Speaker 4>be in love in this movie. But she and her boyfriend,

988
00:58:21.280 --> 00:58:24.280
<v Speaker 4>by the way, is the fucking nerd from Breakfast Clubs. So,

989
00:58:24.880 --> 00:58:28.840
<v Speaker 4>but he plays a really good bad guy, uh for.

990
00:58:29.280 --> 00:58:34.039
<v Speaker 6>You know, he got yerked yerked, he was sort of stuff.

991
00:58:35.000 --> 00:58:38.000
<v Speaker 4>Yeah, I would never expect for him to play like

992
00:58:38.119 --> 00:58:40.880
<v Speaker 4>a good bad guy, but he actually did a really

993
00:58:40.920 --> 00:58:47.679
<v Speaker 4>good job. But she, she has she ends up like

994
00:58:47.800 --> 00:58:50.480
<v Speaker 4>the rest of the people in the town, having him

995
00:58:50.639 --> 00:58:54.880
<v Speaker 4>do stuff for her to get and has an absolutely

996
00:58:55.079 --> 00:58:58.280
<v Speaker 4>no regard for like what could happen to him whatsoever?

997
00:58:58.960 --> 00:58:59.840
<v Speaker 1>And all.

998
00:59:01.760 --> 00:59:03.960
<v Speaker 4>Yeah, like the rest of the people in the town

999
00:59:04.199 --> 00:59:10.400
<v Speaker 4>just sees him as like this like object of fulfilling

1000
00:59:10.519 --> 00:59:13.800
<v Speaker 4>whatever fucking tasks that they need him to do. Cut

1001
00:59:13.920 --> 00:59:17.920
<v Speaker 4>their hair, trim their dog, you know, trim the hedges.

1002
00:59:19.440 --> 00:59:19.639
<v Speaker 7>You know.

1003
00:59:19.800 --> 00:59:22.199
<v Speaker 4>They don't see him as a person, break into this

1004
00:59:22.280 --> 00:59:28.159
<v Speaker 4>guy's house still of ecr I mean, but she, I mean, obviously,

1005
00:59:28.719 --> 00:59:30.480
<v Speaker 4>I'm sure a lot of people already know how the

1006
00:59:30.559 --> 00:59:33.199
<v Speaker 4>movie ends. But they fall in love. But it's like

1007
00:59:33.760 --> 00:59:36.440
<v Speaker 4>takes her forever to fucking see him as like an

1008
00:59:36.480 --> 00:59:37.760
<v Speaker 4>actual person.

1009
00:59:39.639 --> 00:59:42.800
<v Speaker 6>Yes, the whole love tragedy certainly plays out in this film,

1010
00:59:42.840 --> 00:59:44.840
<v Speaker 6>but it takes her a while to almost wake up

1011
00:59:44.920 --> 00:59:49.079
<v Speaker 6>to her own entrapment in suburbia, and because she's very

1012
00:59:49.159 --> 00:59:52.599
<v Speaker 6>much topcast as the preppy queen, this popular and she

1013
00:59:52.719 --> 00:59:54.639
<v Speaker 6>kind of sees herself that way. That's that pride and

1014
00:59:54.760 --> 00:59:57.880
<v Speaker 6>arrogance that exists within the whole town. That's why the

1015
00:59:57.920 --> 01:00:00.119
<v Speaker 6>women gossip so much. It's why the men are so

1016
01:00:00.239 --> 01:00:02.239
<v Speaker 6>fixated on work, because I have to have money. And

1017
01:00:02.280 --> 01:00:04.199
<v Speaker 6>you hear it parroted from the father all the time

1018
01:00:04.519 --> 01:00:06.000
<v Speaker 6>when he's talking about you know, if you found a

1019
01:00:06.039 --> 01:00:08.800
<v Speaker 6>bag a million dollars, Eddie, would you hand it into

1020
01:00:08.880 --> 01:00:11.239
<v Speaker 6>the police, give it to your family to buy things

1021
01:00:11.280 --> 01:00:14.599
<v Speaker 6>for them, hand it back to the person you saw

1022
01:00:14.719 --> 01:00:17.559
<v Speaker 6>drop it. What would you do? And Edward's like, oh no,

1023
01:00:17.719 --> 01:00:20.159
<v Speaker 6>give it to my family and buy them nice things. No, Eddie,

1024
01:00:20.199 --> 01:00:22.519
<v Speaker 6>you do the right thing, the right just thing is

1025
01:00:22.559 --> 01:00:23.519
<v Speaker 6>handed into the police.

1026
01:00:24.480 --> 01:00:28.119
<v Speaker 4>And it's like, actually, no fucking body on earth would

1027
01:00:28.159 --> 01:00:30.239
<v Speaker 4>do that. If I found a bag of cash, I'm

1028
01:00:30.320 --> 01:00:33.800
<v Speaker 4>fucking taking it to the bank. There is no you know.

1029
01:00:34.079 --> 01:00:37.519
<v Speaker 4>But so there is this part where they're all like

1030
01:00:38.960 --> 01:00:43.159
<v Speaker 4>chilling in the backyard in the crazy kookie Christian Lady.

1031
01:00:44.840 --> 01:00:50.039
<v Speaker 4>She starts like blasting scripture at them and says something

1032
01:00:50.119 --> 01:00:54.679
<v Speaker 4>about like sheep, I can't remember the exact scripture, and

1033
01:00:55.159 --> 01:00:58.480
<v Speaker 4>Edward's like, but we're not sheep. I think that's like

1034
01:00:59.599 --> 01:01:04.440
<v Speaker 4>that in particular is like, actually, yeah, all of your

1035
01:01:04.679 --> 01:01:08.000
<v Speaker 4>whole fucking neighborhood is sheep. Maybe you're not, But like

1036
01:01:09.079 --> 01:01:13.760
<v Speaker 4>it was kind of like ironic because he's surrounded by sheep.

1037
01:01:15.119 --> 01:01:17.719
<v Speaker 4>Like I said, they're the type that goes and gets

1038
01:01:17.800 --> 01:01:18.960
<v Speaker 4>their COVID boosters.

1039
01:01:19.679 --> 01:01:22.320
<v Speaker 6>In this world. It's quite funny because the only two

1040
01:01:22.400 --> 01:01:25.119
<v Speaker 6>people that stand out in the entire community that different

1041
01:01:25.159 --> 01:01:28.199
<v Speaker 6>from the rest are Edward and the air quotes crazy

1042
01:01:28.280 --> 01:01:33.480
<v Speaker 6>Christian lady scripture all the time. She's the most unique

1043
01:01:33.559 --> 01:01:37.159
<v Speaker 6>person amongst all the sheep, and it's almost like she's

1044
01:01:37.199 --> 01:01:38.840
<v Speaker 6>a person who took the red pill and woke up

1045
01:01:38.880 --> 01:01:42.199
<v Speaker 6>from the programming, and she sees Edward for what he

1046
01:01:42.400 --> 01:01:44.679
<v Speaker 6>is and is trying to almost warn the rest of

1047
01:01:44.760 --> 01:01:47.079
<v Speaker 6>the town about him because she knows the implications of

1048
01:01:47.119 --> 01:01:48.000
<v Speaker 6>what he can and cannot do.

1049
01:01:48.920 --> 01:01:51.920
<v Speaker 4>So, Drew, do you think he's evil or do you

1050
01:01:52.079 --> 01:01:54.679
<v Speaker 4>think he's the good guy? In this story?

1051
01:01:56.719 --> 01:01:59.119
<v Speaker 6>I think it goes down the very gnostic side of things,

1052
01:01:59.159 --> 01:02:01.000
<v Speaker 6>where it doesn't put things in black and white, it

1053
01:02:01.079 --> 01:02:04.119
<v Speaker 6>puts it in the air of gray. I think he

1054
01:02:04.159 --> 01:02:08.559
<v Speaker 6>has the potential for evil, but I think based on it,

1055
01:02:09.280 --> 01:02:13.599
<v Speaker 6>he's just a different replication of what the townspeople are.

1056
01:02:14.119 --> 01:02:16.960
<v Speaker 6>I think the townspeople themselves are actually robots and they

1057
01:02:17.000 --> 01:02:17.440
<v Speaker 6>don't know it.

1058
01:02:18.119 --> 01:02:21.119
<v Speaker 4>Yeah, I would. I would intend to agree with that, actually,

1059
01:02:21.960 --> 01:02:26.480
<v Speaker 4>because so where are we at in the storyline? Because

1060
01:02:26.519 --> 01:02:28.519
<v Speaker 4>I have a good point to meet, But it comes

1061
01:02:28.639 --> 01:02:29.760
<v Speaker 4>way later in the movie.

1062
01:02:30.320 --> 01:02:34.639
<v Speaker 6>So we've had the barbecue. He's cut the family hedge

1063
01:02:34.679 --> 01:02:37.480
<v Speaker 6>to look like the family members. The neighbors have come

1064
01:02:37.559 --> 01:02:39.840
<v Speaker 6>over after the barbecue, checked it out, and he's starting

1065
01:02:39.880 --> 01:02:42.360
<v Speaker 6>to develop his rapport with the community. People love him

1066
01:02:42.360 --> 01:02:44.760
<v Speaker 6>for being the new shiny toy. And he's cutting t

1067
01:02:44.960 --> 01:02:49.079
<v Speaker 6>rexes and terodactyls and everyone's hedges. Every single house has

1068
01:02:49.119 --> 01:02:52.000
<v Speaker 6>a tree in the exact same goddamn spot, and he

1069
01:02:52.079 --> 01:02:54.920
<v Speaker 6>cuts them all into something different and unique. There's no

1070
01:02:55.079 --> 01:02:57.519
<v Speaker 6>fences in this town that I noticed. There's no fences

1071
01:02:57.599 --> 01:03:00.960
<v Speaker 6>between the houses, which seems very oddy, except for Edward's

1072
01:03:01.000 --> 01:03:04.000
<v Speaker 6>house that's the only one that has a yard. Everyone

1073
01:03:04.039 --> 01:03:07.360
<v Speaker 6>else is connected. They're all watering in the grass, and

1074
01:03:08.000 --> 01:03:11.280
<v Speaker 6>midway through cutting one of the hedges, he realizes there's

1075
01:03:11.280 --> 01:03:13.199
<v Speaker 6>a sheep dog there and he starts to cut the

1076
01:03:13.239 --> 01:03:16.880
<v Speaker 6>dog's hair, which inevitably becomes the new current trend to

1077
01:03:16.920 --> 01:03:19.920
<v Speaker 6>where he's cutting dog's hair. But again, every single woman

1078
01:03:20.000 --> 01:03:22.599
<v Speaker 6>in the town has some form of poodle, whether it's

1079
01:03:22.599 --> 01:03:26.039
<v Speaker 6>a French boodle or a British poodle, yeah, a labradoodle.

1080
01:03:26.079 --> 01:03:28.159
<v Speaker 6>They're all some kind of hoodle.

1081
01:03:27.880 --> 01:03:34.920
<v Speaker 4>Breed big sheep of doodles and fucking yeah. But except

1082
01:03:34.960 --> 01:03:38.800
<v Speaker 4>for Joyce. Joyce with the Ambrosia salad has like some

1083
01:03:39.079 --> 01:03:44.079
<v Speaker 4>little scruny looking dog that he pretty much takes all

1084
01:03:44.119 --> 01:03:46.400
<v Speaker 4>of its hair off except for like a little.

1085
01:03:46.360 --> 01:03:48.679
<v Speaker 6>Poof and makes it look like a lion.

1086
01:03:50.119 --> 01:03:51.880
<v Speaker 4>Yes, She's like give it.

1087
01:03:52.039 --> 01:03:52.840
<v Speaker 5>Like like me.

1088
01:03:55.840 --> 01:03:58.599
<v Speaker 4>And then he ends up cutting her hair and it's

1089
01:03:58.679 --> 01:04:02.320
<v Speaker 4>like all sexual like, Like Joyce is the character that

1090
01:04:02.559 --> 01:04:06.840
<v Speaker 4>sexualizes Edward the entire movie, Like it couldn't have just

1091
01:04:06.920 --> 01:04:10.119
<v Speaker 4>been a haircut, No, it's gotta be. She's having a

1092
01:04:10.199 --> 01:04:13.719
<v Speaker 4>freaking orgasm as as he's cutting her hair. It's like,

1093
01:04:13.880 --> 01:04:15.239
<v Speaker 4>come on, Like.

1094
01:04:15.400 --> 01:04:18.760
<v Speaker 6>She's the personification of Delilah from the Bible. That's the thing.

1095
01:04:18.880 --> 01:04:20.920
<v Speaker 4>Yeah, I was gonna say that goes along with what

1096
01:04:21.039 --> 01:04:23.599
<v Speaker 4>you were talking about earlier, because she's the one who's

1097
01:04:23.719 --> 01:04:26.559
<v Speaker 4>like she was the first one that wanted the haircut,

1098
01:04:26.840 --> 01:04:30.400
<v Speaker 4>just like the Delilah character with the haircut. Obviously it

1099
01:04:30.519 --> 01:04:32.400
<v Speaker 4>was the other way around in the Bible story. But

1100
01:04:33.239 --> 01:04:37.639
<v Speaker 4>I mean, she's the sexualization, the temptation, the like, that's

1101
01:04:37.719 --> 01:04:40.559
<v Speaker 4>her throughout the entire fucking movie. And then at the end,

1102
01:04:41.039 --> 01:04:44.760
<v Speaker 4>she fucking me choos him because he doesn't have a

1103
01:04:44.840 --> 01:04:46.039
<v Speaker 4>dick and he has a scissor.

1104
01:04:50.079 --> 01:04:52.800
<v Speaker 6>Yeah, I'm just wondering if he's like a kid's like

1105
01:04:52.840 --> 01:04:55.639
<v Speaker 6>a pencil case at school. He's got scissors for hands.

1106
01:04:55.679 --> 01:04:57.639
<v Speaker 6>Does he have a glue stick down there or something else?

1107
01:05:01.360 --> 01:05:05.719
<v Speaker 4>Something? But obviously I don't think he has reproductive organs,

1108
01:05:05.840 --> 01:05:08.280
<v Speaker 4>So like she's trying to a rape on him and shit,

1109
01:05:08.360 --> 01:05:11.760
<v Speaker 4>and I'm like, I don't think he's got anything to

1110
01:05:11.880 --> 01:05:14.800
<v Speaker 4>work with. She's that's the funny though, That's like he

1111
01:05:15.000 --> 01:05:15.599
<v Speaker 4>reaped me.

1112
01:05:16.519 --> 01:05:19.079
<v Speaker 6>He starts to get flashbacks throughout this film, and he

1113
01:05:19.199 --> 01:05:24.119
<v Speaker 6>sees certain mechanisms like whipping butter or making cream, and

1114
01:05:24.239 --> 01:05:26.440
<v Speaker 6>it goes back to the assembly line. He's remembering when

1115
01:05:26.480 --> 01:05:28.880
<v Speaker 6>he was the robot on the assembly line cutting lettuce,

1116
01:05:29.679 --> 01:05:31.760
<v Speaker 6>and then he's cutting lettuce and he starts to remembers

1117
01:05:31.760 --> 01:05:34.800
<v Speaker 6>having these flashbacks and one of the flashbacks is the

1118
01:05:34.920 --> 01:05:37.400
<v Speaker 6>inventor's going through the pages of how he develops him

1119
01:05:37.400 --> 01:05:40.480
<v Speaker 6>from like the clockwork kind of nineteen fifties robot alien

1120
01:05:40.920 --> 01:05:44.360
<v Speaker 6>all the way through to the manesque thing. It looks

1121
01:05:44.440 --> 01:05:47.239
<v Speaker 6>like he has real organs planted inside him. So my

1122
01:05:47.440 --> 01:05:49.519
<v Speaker 6>question is did this crew to make the organs or

1123
01:05:49.559 --> 01:05:51.599
<v Speaker 6>did he harvest them from the townspeak.

1124
01:05:52.320 --> 01:05:56.239
<v Speaker 4>Walt Disney man? What if the inventor was supposed to

1125
01:05:56.360 --> 01:05:57.719
<v Speaker 4>represent Walt Disney and.

1126
01:05:58.039 --> 01:06:00.159
<v Speaker 6>It's across the it's like Walt Disney, do you know

1127
01:06:00.239 --> 01:06:00.639
<v Speaker 6>what I mean?

1128
01:06:00.920 --> 01:06:04.880
<v Speaker 4>Like he chose him for a reason? Maybe, uh huh,

1129
01:06:05.840 --> 01:06:09.039
<v Speaker 4>And like that's a good point. If he does have

1130
01:06:09.679 --> 01:06:11.800
<v Speaker 4>stuff on the inside, where do you get it? And

1131
01:06:11.920 --> 01:06:14.760
<v Speaker 4>it's like, obviously he died of a heart attack, so

1132
01:06:15.760 --> 01:06:17.320
<v Speaker 4>nobody really knows what he was up to.

1133
01:06:19.639 --> 01:06:21.639
<v Speaker 6>Yeah, And we say later on when he gives him

1134
01:06:21.679 --> 01:06:24.559
<v Speaker 6>the hands in one of the later flashbacks, as he

1135
01:06:24.639 --> 01:06:26.760
<v Speaker 6>has the heart attack and falls forward, he im pales

1136
01:06:26.840 --> 01:06:29.559
<v Speaker 6>the hands onto Edward's scissors hands and you can see

1137
01:06:29.599 --> 01:06:31.320
<v Speaker 6>the bones on the inside of the hands that he

1138
01:06:31.440 --> 01:06:34.599
<v Speaker 6>was going to graft to him. So there's organic.

1139
01:06:36.719 --> 01:06:40.039
<v Speaker 4>Yeah, so I guess maybe he was going to give

1140
01:06:40.119 --> 01:06:43.360
<v Speaker 4>him a dick for Christmas. I don't know. I don't know.

1141
01:06:44.000 --> 01:06:46.159
<v Speaker 6>He's living a hell. He's probably got one. He can't

1142
01:06:46.239 --> 01:06:48.440
<v Speaker 6>use it because you know, you got scissors for hands,

1143
01:06:48.880 --> 01:06:49.880
<v Speaker 6>something you don't want to touch.

1144
01:06:50.000 --> 01:06:58.360
<v Speaker 4>Right, he's gonna John bobbit himself.

1145
01:06:59.159 --> 01:07:02.599
<v Speaker 6>He could probably probably manscape like a champion, but you

1146
01:07:02.719 --> 01:07:14.199
<v Speaker 6>go any further, he'd become ed Wayne as a handsh And.

1147
01:07:14.599 --> 01:07:17.320
<v Speaker 4>What's crazy, It's like he gives everybody else's haircuts and

1148
01:07:17.440 --> 01:07:19.960
<v Speaker 4>his hair looks fucking crazy, like it would be so

1149
01:07:20.159 --> 01:07:22.239
<v Speaker 4>easy for him to give himself a little.

1150
01:07:22.920 --> 01:07:25.800
<v Speaker 6>Trim, but no, he looks like he's the lead singer

1151
01:07:25.840 --> 01:07:28.960
<v Speaker 6>from the Cure his hands that bad a cure.

1152
01:07:31.639 --> 01:07:34.800
<v Speaker 4>Maybe Tim Burt roundly likes the cure. I don't know,

1153
01:07:35.000 --> 01:07:39.119
<v Speaker 4>because that's what he looks like. Yeah, but yeah, okay,

1154
01:07:39.239 --> 01:07:42.639
<v Speaker 4>where are we now? After the barbecue and the hedges

1155
01:07:42.719 --> 01:07:46.239
<v Speaker 4>and the dogs and the haircuts, is this like where

1156
01:07:46.320 --> 01:07:48.960
<v Speaker 4>he starts kind of like falling for Kim a little bit?

1157
01:07:49.880 --> 01:07:51.639
<v Speaker 6>He starts to fall for Kim, And he's at the

1158
01:07:51.679 --> 01:07:55.199
<v Speaker 6>point where he's notoriety is starting to wane a little

1159
01:07:55.199 --> 01:07:57.159
<v Speaker 6>bit because he's done the jobs for everyone. He's done

1160
01:07:57.159 --> 01:07:59.760
<v Speaker 6>their hedges, he's trimmed their pets, he's cut their hair,

1161
01:08:00.280 --> 01:08:03.159
<v Speaker 6>and the dad's almost the voice of raising and he's like, Eddie,

1162
01:08:03.199 --> 01:08:06.440
<v Speaker 6>you've got to start charging these people. You need an income. Cook.

1163
01:08:06.440 --> 01:08:08.840
<v Speaker 6>He's not gonna pay for the necessities of life, Eddie,

1164
01:08:09.519 --> 01:08:12.519
<v Speaker 6>And he kind of a grays in the mother's Kim's

1165
01:08:12.559 --> 01:08:15.000
<v Speaker 6>mother is like Peggy, like, yeah, we should, we should

1166
01:08:15.039 --> 01:08:16.439
<v Speaker 6>help him. Go to the bank and we'll get him

1167
01:08:16.439 --> 01:08:18.439
<v Speaker 6>everything he needs to start his life. Blah blah blah.

1168
01:08:19.840 --> 01:08:21.199
<v Speaker 6>And he goes to the bank.

1169
01:08:21.680 --> 01:08:27.199
<v Speaker 8>Record of jobs, you've held, no savings, no personal investments,

1170
01:08:28.279 --> 01:08:30.920
<v Speaker 8>no social Security number. You may as well not even exist.

1171
01:08:31.800 --> 01:08:32.880
<v Speaker 8>There is no collateral.

1172
01:08:33.920 --> 01:08:35.920
<v Speaker 5>No, we already have a second on the house. But

1173
01:08:36.399 --> 01:08:38.239
<v Speaker 5>don't the testimonials make a difference.

1174
01:08:38.840 --> 01:08:41.199
<v Speaker 7>Did you see here the mayor's wife can't wait to

1175
01:08:41.239 --> 01:08:42.920
<v Speaker 7>become a client exactly.

1176
01:08:43.039 --> 01:08:44.640
<v Speaker 6>Can't do it now?

1177
01:08:44.920 --> 01:08:48.079
<v Speaker 8>Get yourself a Social Security card to establish credit and

1178
01:08:48.119 --> 01:08:51.279
<v Speaker 8>buy yourself a car. You have a decided advantage. You

1179
01:08:51.319 --> 01:08:53.840
<v Speaker 8>can get one of those handicapped plackards. No problem in

1180
01:08:53.960 --> 01:08:55.039
<v Speaker 8>park anywhere you like.

1181
01:08:57.159 --> 01:08:59.319
<v Speaker 6>Yes, he goes to the bank and he sits down

1182
01:08:59.399 --> 01:09:01.600
<v Speaker 6>with the bank manager. He says, you've got no social

1183
01:09:01.680 --> 01:09:03.800
<v Speaker 6>Security number, you've got. You haven't got this, you haven't

1184
01:09:03.800 --> 01:09:06.840
<v Speaker 6>got that, no credit, you haven't got a car, you

1185
01:09:06.920 --> 01:09:09.399
<v Speaker 6>have no form of identity whatsoever. We don't even know

1186
01:09:09.479 --> 01:09:12.199
<v Speaker 6>if you exist. You need to go out, buy a car,

1187
01:09:12.920 --> 01:09:14.760
<v Speaker 6>get a loan, and then come back and see us.

1188
01:09:14.800 --> 01:09:16.199
<v Speaker 6>But how do you get a loan without any of

1189
01:09:16.239 --> 01:09:20.800
<v Speaker 6>those identifying papers? Yeah, which is the interesting point I

1190
01:09:20.920 --> 01:09:23.319
<v Speaker 6>picked up on. Every time I see a number in films,

1191
01:09:23.520 --> 01:09:25.920
<v Speaker 6>particularly these types of ones, I have to see if

1192
01:09:25.920 --> 01:09:28.800
<v Speaker 6>it lines up with a piece of scripture, either overtly

1193
01:09:28.960 --> 01:09:31.520
<v Speaker 6>or invertly. In this one, on the bank it's listed

1194
01:09:31.520 --> 01:09:34.800
<v Speaker 6>as two thy five hundred and five. I broke that

1195
01:09:34.920 --> 01:09:38.359
<v Speaker 6>down to Palms twenty five to five, which says, guide

1196
01:09:38.399 --> 01:09:41.079
<v Speaker 6>me in your truth and teach me, for you are God,

1197
01:09:41.199 --> 01:09:44.680
<v Speaker 6>my savior, and my hope is in you all day long.

1198
01:09:45.560 --> 01:09:48.199
<v Speaker 6>The almighty dollar, anyone you know what is America's God,

1199
01:09:48.399 --> 01:09:50.119
<v Speaker 6>the dollar bill with the all seeing eye on it.

1200
01:09:50.199 --> 01:09:52.119
<v Speaker 6>It's the inversion of that telling you to trust the

1201
01:09:52.239 --> 01:09:54.760
<v Speaker 6>FIAT and the usury money system.

1202
01:09:55.520 --> 01:10:00.399
<v Speaker 4>And also what's interesting about this is that or no

1203
01:10:00.600 --> 01:10:06.319
<v Speaker 4>one unless you have money, your matrix, stuff like your

1204
01:10:06.399 --> 01:10:11.000
<v Speaker 4>social your money, your credit, you're this and that's what

1205
01:10:11.199 --> 01:10:14.359
<v Speaker 4>they've plugged us into. Like everyone's plugged into it because

1206
01:10:14.399 --> 01:10:17.039
<v Speaker 4>we all have a social we all have a birth certificate,

1207
01:10:17.399 --> 01:10:20.359
<v Speaker 4>we all have these like we're like a like little

1208
01:10:20.479 --> 01:10:24.279
<v Speaker 4>business entities that they can cash in on, you know,

1209
01:10:24.439 --> 01:10:26.640
<v Speaker 4>they keep tabs on us. It's like, we don't even

1210
01:10:26.720 --> 01:10:30.119
<v Speaker 4>know you exist. Why because he has no birth certificate,

1211
01:10:30.359 --> 01:10:33.880
<v Speaker 4>no social, no credit, no this, no that. It's like

1212
01:10:34.039 --> 01:10:37.560
<v Speaker 4>they're pretty much saying you don't exist unless you are

1213
01:10:37.760 --> 01:10:40.960
<v Speaker 4>plugged into the matrix and have these things like you

1214
01:10:41.119 --> 01:10:44.920
<v Speaker 4>have to get programmed before we will allow you to

1215
01:10:45.039 --> 01:10:46.239
<v Speaker 4>function in society.

1216
01:10:47.000 --> 01:10:49.960
<v Speaker 6>Which is ironic because he broke the physical assembly line

1217
01:10:49.960 --> 01:10:54.039
<v Speaker 6>and became a reborn man by his creator, and as

1218
01:10:54.079 --> 01:10:56.680
<v Speaker 6>soon as he enters the real world e quotes, he

1219
01:10:56.800 --> 01:10:58.920
<v Speaker 6>has to go back into the system. He has to

1220
01:10:58.960 --> 01:11:00.880
<v Speaker 6>be a part of the assembly line again, has to

1221
01:11:01.279 --> 01:11:03.199
<v Speaker 6>go out and in a way to pay his taxes,

1222
01:11:03.279 --> 01:11:05.119
<v Speaker 6>go to work, drive the same car, get in the

1223
01:11:05.159 --> 01:11:07.399
<v Speaker 6>same house, we have the same clothes. He becomes a

1224
01:11:07.479 --> 01:11:08.720
<v Speaker 6>robot and the assembly line again.

1225
01:11:09.479 --> 01:11:14.079
<v Speaker 4>Yeah, because that's the juxtaposition. He's a robot, we are too,

1226
01:11:14.720 --> 01:11:17.640
<v Speaker 4>but we don't see it that way. Like just says

1227
01:11:17.840 --> 01:11:20.840
<v Speaker 4>he's evil, but we're evil too, but we don't see

1228
01:11:20.880 --> 01:11:22.439
<v Speaker 4>it that way, you know what I mean. It's like

1229
01:11:23.000 --> 01:11:26.159
<v Speaker 4>we are robots. We all have the same cars and

1230
01:11:26.279 --> 01:11:29.319
<v Speaker 4>houses and wear the same clothes and work the same jobs,

1231
01:11:29.920 --> 01:11:32.880
<v Speaker 4>get our hair cut the same way, and like do

1232
01:11:33.119 --> 01:11:37.640
<v Speaker 4>da da da da da, And I don't know that scene.

1233
01:11:38.000 --> 01:11:40.439
<v Speaker 4>To me, I'm glad you brought it up, because that's

1234
01:11:40.520 --> 01:11:42.600
<v Speaker 4>what I had in my notes about the bank scene.

1235
01:11:42.760 --> 01:11:46.760
<v Speaker 4>Is like you have to literally have all these things

1236
01:11:47.199 --> 01:11:50.840
<v Speaker 4>or you're or they just act like you don't exist.

1237
01:11:51.000 --> 01:11:53.199
<v Speaker 4>You know, people who live off the grid and they're like,

1238
01:11:53.640 --> 01:11:56.079
<v Speaker 4>I don't have this a social I don't have, Like

1239
01:11:56.760 --> 01:12:01.119
<v Speaker 4>I don't pay taxes. I don't. They're still alive because

1240
01:12:01.159 --> 01:12:03.840
<v Speaker 4>they're fucking sovereign, you know what I mean. We're not.

1241
01:12:04.239 --> 01:12:07.119
<v Speaker 4>We're like owned, we're slaves.

1242
01:12:07.479 --> 01:12:09.800
<v Speaker 6>Part of Oh you don't have a history of debt.

1243
01:12:09.880 --> 01:12:11.399
<v Speaker 6>That's not a good thing. You need to rack up

1244
01:12:11.439 --> 01:12:13.199
<v Speaker 6>some debt before we'll give you money, do you see

1245
01:12:13.239 --> 01:12:13.640
<v Speaker 6>what I mean?

1246
01:12:13.800 --> 01:12:19.840
<v Speaker 4>Like, think of the logic behind that. It's crazy to me,

1247
01:12:20.359 --> 01:12:25.520
<v Speaker 4>we should Edward is better off without the fucking townspeople.

1248
01:12:25.600 --> 01:12:27.920
<v Speaker 4>That's what you come to fucking find out at the

1249
01:12:28.000 --> 01:12:31.079
<v Speaker 4>end of the movie. Is like he's sovereign. Actually, he

1250
01:12:31.319 --> 01:12:35.319
<v Speaker 4>fucking trims hedges and lives in a castle and minds

1251
01:12:35.359 --> 01:12:39.880
<v Speaker 4>his own fucking business and doesn't pay taxes, doesn't have

1252
01:12:40.000 --> 01:12:42.319
<v Speaker 4>a social doesn't you know what I mean. It's like

1253
01:12:43.119 --> 01:12:44.119
<v Speaker 4>we're the robots.

1254
01:12:44.479 --> 01:12:47.680
<v Speaker 6>He doesn't even have to aid or drink. Yeah, he

1255
01:12:47.760 --> 01:12:49.399
<v Speaker 6>doesn't need any of that to keep going. So he

1256
01:12:49.439 --> 01:12:52.119
<v Speaker 6>doesn't need a job drawn find his own food. We

1257
01:12:52.199 --> 01:12:53.800
<v Speaker 6>don't even know if he sleeps. He had a bed,

1258
01:12:53.880 --> 01:12:56.479
<v Speaker 6>but when don't say sleepy just lays ouy's eyes open.

1259
01:12:56.720 --> 01:13:02.159
<v Speaker 4>Yeah. Yeah, And in all the scenes where he's laying

1260
01:13:02.159 --> 01:13:04.000
<v Speaker 4>in a bed, he's just laying there with his fucking

1261
01:13:04.039 --> 01:13:08.479
<v Speaker 4>scissor hands, like he's not sleeping. So maybe he was

1262
01:13:08.560 --> 01:13:10.359
<v Speaker 4>gonna tweak him a little bit and give him some

1263
01:13:10.439 --> 01:13:13.359
<v Speaker 4>shit like that. If he's got a like a digestive system,

1264
01:13:13.439 --> 01:13:15.239
<v Speaker 4>you would think you would have to eat. But like

1265
01:13:15.359 --> 01:13:21.600
<v Speaker 4>I said, I don't know, because I feel like when

1266
01:13:21.640 --> 01:13:24.600
<v Speaker 4>they're showing him becoming a man like in the Flip book,

1267
01:13:25.119 --> 01:13:27.479
<v Speaker 4>like maybe maybe he got to the point where he

1268
01:13:27.600 --> 01:13:30.399
<v Speaker 4>still has like some mechanical shit on the inside and

1269
01:13:30.520 --> 01:13:32.960
<v Speaker 4>he was like an upgrade him eventually. I don't know.

1270
01:13:33.880 --> 01:13:36.079
<v Speaker 6>Maybe he's like the terminator, the Tay eight hundred, and

1271
01:13:36.119 --> 01:13:38.960
<v Speaker 6>he's got the skin driped over an exo skeleton because.

1272
01:13:40.600 --> 01:13:44.960
<v Speaker 4>Yeah, oh right, so he has a circulatory system.

1273
01:13:49.039 --> 01:13:52.319
<v Speaker 6>And we we this point, yeah, and the story now

1274
01:13:52.399 --> 01:13:56.039
<v Speaker 6>we get into the conflict. He's he's had the highs.

1275
01:13:56.079 --> 01:13:58.279
<v Speaker 6>The people have accepted him, he's done all these jobs

1276
01:13:58.319 --> 01:14:01.520
<v Speaker 6>for them. He's popular already is starting to wane, and

1277
01:14:01.640 --> 01:14:06.079
<v Speaker 6>that's driven further when Joyce me toos him. She lures

1278
01:14:06.159 --> 01:14:08.479
<v Speaker 6>him into this place where she's offering him this job.

1279
01:14:08.600 --> 01:14:12.079
<v Speaker 6>You're going to cut people's hair. We'll have cosmetics over there.

1280
01:14:12.560 --> 01:14:15.119
<v Speaker 6>And the first thing Edward thinks about is peg Peg

1281
01:14:15.159 --> 01:14:17.960
<v Speaker 6>can sell her cosmetics, and she's like, oh yeah, okay, Sure,

1282
01:14:18.720 --> 01:14:22.279
<v Speaker 6>lures him into the back room, shows off some some

1283
01:14:22.479 --> 01:14:25.800
<v Speaker 6>smocks to him, and then attempts to rape him. And

1284
01:14:25.960 --> 01:14:29.119
<v Speaker 6>it's interesting that the laundry she chooses to wear is

1285
01:14:29.279 --> 01:14:32.840
<v Speaker 6>very much leather esque dominatrix stuff, trying to emulate him.

1286
01:14:33.439 --> 01:14:35.640
<v Speaker 6>It really didn't work because he didn't know what to do.

1287
01:14:36.720 --> 01:14:39.760
<v Speaker 6>He leaves the place quite shocked that of what she

1288
01:14:39.880 --> 01:14:41.600
<v Speaker 6>tried to do, and he walks out the kind of

1289
01:14:41.600 --> 01:14:44.920
<v Speaker 6>the autistic Asperger's response. He leaves and he rocks up

1290
01:14:44.960 --> 01:14:47.119
<v Speaker 6>to the family lunch. He says, sorry, I'm late. I

1291
01:14:47.279 --> 01:14:49.479
<v Speaker 6>was just checking out the cell on and the dad's like,

1292
01:14:49.520 --> 01:14:51.199
<v Speaker 6>oh yeah, what was like, Oh, we went into the

1293
01:14:51.560 --> 01:14:53.239
<v Speaker 6>back room where she got naked and took off all

1294
01:14:53.279 --> 01:14:56.239
<v Speaker 6>the clothes and the only person to notice is Kim.

1295
01:14:56.319 --> 01:15:00.800
<v Speaker 6>She goes, what yeah, She's like, Dad's like that's fantastic, giddy.

1296
01:15:04.439 --> 01:15:06.680
<v Speaker 4>That's kind of how like dads are though. Right there,

1297
01:15:06.800 --> 01:15:09.600
<v Speaker 4>just in every movie, they're like, okay, cool, and then

1298
01:15:09.640 --> 01:15:13.920
<v Speaker 4>they just like go about their fucking conversation. But as

1299
01:15:14.000 --> 01:15:17.359
<v Speaker 4>he's like running out of the salon ambrosia salad is like,

1300
01:15:17.520 --> 01:15:21.279
<v Speaker 4>you can't do that, and it's like there you go,

1301
01:15:21.479 --> 01:15:24.359
<v Speaker 4>right there, fucking she wanted to fucking rape the dog

1302
01:15:24.479 --> 01:15:27.439
<v Speaker 4>shit out of him, and then she me tooos him

1303
01:15:27.520 --> 01:15:31.199
<v Speaker 4>because she gets what she thinks is rejected. Little does

1304
01:15:31.279 --> 01:15:35.800
<v Speaker 4>she know he doesn't have a dick. And was it

1305
01:15:35.920 --> 01:15:37.600
<v Speaker 4>before or after that they take him.

1306
01:15:37.520 --> 01:15:40.239
<v Speaker 6>On like the TV show, and shit, I think that's

1307
01:15:40.319 --> 01:15:43.159
<v Speaker 6>before he's on the TV show. Like you've mentioned before,

1308
01:15:43.199 --> 01:15:46.880
<v Speaker 6>it's very nineteen seventies. At the same time he's on

1309
01:15:47.000 --> 01:15:50.960
<v Speaker 6>the show, Kim and her boyfriend Jim, they're watching with

1310
01:15:51.039 --> 01:15:53.760
<v Speaker 6>the little brother and seeing the responses he gives, and

1311
01:15:53.840 --> 01:15:56.279
<v Speaker 6>this is where we start to see Kim's infatuation for

1312
01:15:56.399 --> 01:15:59.199
<v Speaker 6>him start to kind of blossom because Jim's being a

1313
01:15:59.279 --> 01:16:03.159
<v Speaker 6>dick laughing at him, and she sees the humanity that's

1314
01:16:03.199 --> 01:16:07.239
<v Speaker 6>within Edward as he's answering these questions like I know

1315
01:16:07.359 --> 01:16:09.800
<v Speaker 6>a person who can fix your hands, and he's like, oh,

1316
01:16:09.840 --> 01:16:12.399
<v Speaker 6>I'd like to meet him. Yeah, And then the woman

1317
01:16:12.520 --> 01:16:14.640
<v Speaker 6>says do you have a boyfriend? Do you have a girlfriend?

1318
01:16:15.439 --> 01:16:18.520
<v Speaker 6>And everyone goes ooh, and then Kim, even Connor, recoils

1319
01:16:18.600 --> 01:16:20.920
<v Speaker 6>back because she's expecting him to say, yeah, I've got

1320
01:16:20.960 --> 01:16:23.399
<v Speaker 6>someone special, but he never says that. He just looks

1321
01:16:23.439 --> 01:16:25.159
<v Speaker 6>in the camera and it's almost like he's looking through

1322
01:16:25.199 --> 01:16:26.279
<v Speaker 6>the camera directly at her.

1323
01:16:27.359 --> 01:16:29.520
<v Speaker 4>I think the fact that they brought up so many

1324
01:16:29.640 --> 01:16:31.600
<v Speaker 4>times that there was a doctor out there that could

1325
01:16:31.640 --> 01:16:34.359
<v Speaker 4>have fixed his fucking hands, and nobody was trying to

1326
01:16:35.159 --> 01:16:38.600
<v Speaker 4>like get that going. It's just like, well, why would

1327
01:16:38.640 --> 01:16:41.319
<v Speaker 4>we fix your fucking hands when you're so useful to

1328
01:16:41.520 --> 01:16:44.960
<v Speaker 4>us like this, you know, and taking him on the

1329
01:16:45.039 --> 01:16:48.960
<v Speaker 4>TV show was another like show pony kind of you know,

1330
01:16:50.079 --> 01:16:53.880
<v Speaker 4>weird fast bargain shit, like we're gonna make him famous.

1331
01:16:54.640 --> 01:16:58.239
<v Speaker 6>It's like the eighteen hundred families that had the horribly

1332
01:16:58.920 --> 01:17:02.840
<v Speaker 6>deformed child who they sold to the circus. Yeah, put

1333
01:17:02.840 --> 01:17:05.640
<v Speaker 6>them on the freak show. They're just like using financial gain,

1334
01:17:05.760 --> 01:17:06.199
<v Speaker 6>but they.

1335
01:17:06.359 --> 01:17:10.199
<v Speaker 4>Don't realize, Oh, I was just gonna say, we will

1336
01:17:10.279 --> 01:17:12.159
<v Speaker 4>make you famous, but you have to be a fucking

1337
01:17:12.239 --> 01:17:14.279
<v Speaker 4>cripple the rest of your life. Like that's like the

1338
01:17:14.439 --> 01:17:18.000
<v Speaker 4>ultimate Faustian bargain thing, right, Like, we'll put you on TV,

1339
01:17:18.439 --> 01:17:21.560
<v Speaker 4>we'll get you a salon, you'll have all these people

1340
01:17:21.680 --> 01:17:25.079
<v Speaker 4>who dote on you and think you're great, but you

1341
01:17:25.239 --> 01:17:27.279
<v Speaker 4>have to be a fucking crippled in order for that

1342
01:17:27.439 --> 01:17:27.760
<v Speaker 4>to work.

1343
01:17:28.760 --> 01:17:30.880
<v Speaker 6>And it's the funny thing is that they're not making

1344
01:17:30.920 --> 01:17:33.800
<v Speaker 6>any financial gain off him. The only gain they're getting

1345
01:17:33.880 --> 01:17:36.600
<v Speaker 6>is they're standing within the community, right, And it goes

1346
01:17:36.720 --> 01:17:38.640
<v Speaker 6>back to what Bogs means. It goes back to that

1347
01:17:38.760 --> 01:17:41.880
<v Speaker 6>idea of them being boastful. They're being boastful that he's

1348
01:17:41.960 --> 01:17:44.159
<v Speaker 6>in our family and he belongs to us. It's not

1349
01:17:44.479 --> 01:17:47.359
<v Speaker 6>the financial side of things of a typical Faustian bargain,

1350
01:17:47.720 --> 01:17:50.279
<v Speaker 6>it's the pride that they have in it. It's almost

1351
01:17:50.399 --> 01:17:53.039
<v Speaker 6>worse because it's psychological and it. It really weighs on

1352
01:17:53.119 --> 01:17:56.039
<v Speaker 6>the soul opposed to the physical gain of having wealth.

1353
01:17:56.640 --> 01:18:02.159
<v Speaker 4>Yeah, no, one hundred. But so after the bank denies him,

1354
01:18:02.560 --> 01:18:05.520
<v Speaker 4>he gets me too. I think that's when they have

1355
01:18:05.720 --> 01:18:10.319
<v Speaker 4>him break into Jim's house, right, Yeah.

1356
01:18:10.279 --> 01:18:12.159
<v Speaker 6>Kim and Jim are trying to get into the house.

1357
01:18:12.199 --> 01:18:15.199
<v Speaker 6>They forget the keys, and Kim asks him, can you

1358
01:18:15.239 --> 01:18:16.640
<v Speaker 6>help us get in you have a set of keys.

1359
01:18:16.680 --> 01:18:18.600
<v Speaker 6>He's like no, and he uses one of his little

1360
01:18:18.600 --> 01:18:21.640
<v Speaker 6>scissors to open the door. She's like, that's fantastic. I

1361
01:18:21.640 --> 01:18:23.199
<v Speaker 6>didn't know you could do that. And you know, Jim

1362
01:18:23.279 --> 01:18:25.880
<v Speaker 6>the boyfriend gets the idea of using him to break

1363
01:18:25.920 --> 01:18:29.399
<v Speaker 6>into his father's safe room and steal all his gadgets

1364
01:18:29.479 --> 01:18:34.920
<v Speaker 6>sell them later off. He's very, very easily manipulated because

1365
01:18:34.920 --> 01:18:37.159
<v Speaker 6>he wants to follow Wong with what Kim says, but

1366
01:18:37.359 --> 01:18:39.960
<v Speaker 6>Kim asks of him and Jim sees that, and he

1367
01:18:40.159 --> 01:18:45.159
<v Speaker 6>really weaponizes Kim's affections and compassion in that situation.

1368
01:18:47.000 --> 01:18:53.039
<v Speaker 4>And after he goes to jail for trying to break

1369
01:18:53.119 --> 01:18:59.479
<v Speaker 4>into the room or whatever, they're like, we know, like

1370
01:18:59.600 --> 01:19:02.439
<v Speaker 4>the bank wouldn't give you any money, but stealing it's

1371
01:19:02.560 --> 01:19:04.600
<v Speaker 4>not how you do it. And then that's how they

1372
01:19:04.720 --> 01:19:07.199
<v Speaker 4>get We get introduced to the black cop, who a

1373
01:19:07.279 --> 01:19:09.640
<v Speaker 4>lot of the woke people say is the big savior

1374
01:19:09.760 --> 01:19:13.800
<v Speaker 4>of the movie, and they're trying to teach him right

1375
01:19:13.880 --> 01:19:17.039
<v Speaker 4>from wrong, But is it really right from wrong? Like

1376
01:19:17.159 --> 01:19:19.159
<v Speaker 4>a lot of that stuff is just like man made

1377
01:19:19.279 --> 01:19:23.239
<v Speaker 4>rules that we're supposed to. It's like the matrix. Like, no, Edward,

1378
01:19:23.720 --> 01:19:25.840
<v Speaker 4>I know your common sense would tell you to take

1379
01:19:25.880 --> 01:19:28.039
<v Speaker 4>care of your loved ones, but that's not what you're

1380
01:19:28.079 --> 01:19:32.119
<v Speaker 4>supposed to do. And like, so we see him, they're

1381
01:19:32.199 --> 01:19:35.279
<v Speaker 4>like trying to download all this shit onto him, and

1382
01:19:38.359 --> 01:19:39.319
<v Speaker 4>I think what.

1383
01:19:39.439 --> 01:19:43.119
<v Speaker 6>Jim's dad was up to. Like they break into that rooms,

1384
01:19:43.359 --> 01:19:45.560
<v Speaker 6>had a mechanism which closed the door and sealed it,

1385
01:19:45.680 --> 01:19:48.600
<v Speaker 6>and the shots came down. There's barely anything in that

1386
01:19:48.760 --> 01:19:51.359
<v Speaker 6>room but a sunken in round catch with a round

1387
01:19:51.439 --> 01:19:54.159
<v Speaker 6>thing in the center like that one like something that

1388
01:19:54.680 --> 01:19:58.000
<v Speaker 6>like the people that's some kind of a ranch would

1389
01:19:58.039 --> 01:19:59.680
<v Speaker 6>go to, like the elites and.

1390
01:20:04.840 --> 01:20:07.760
<v Speaker 4>Room. Yeah, it was like a legit, sayer him, Like

1391
01:20:07.960 --> 01:20:10.840
<v Speaker 4>the bars on the fucking windows came down and yeah,

1392
01:20:12.720 --> 01:20:18.600
<v Speaker 4>and so I think like they ask him why, or

1393
01:20:18.680 --> 01:20:22.840
<v Speaker 4>maybe Kim said, if you knew whose house it was,

1394
01:20:22.920 --> 01:20:24.720
<v Speaker 4>why did you do it, and he's like because I

1395
01:20:24.840 --> 01:20:29.000
<v Speaker 4>love you or or because you asked me, and so yeah, no,

1396
01:20:29.199 --> 01:20:31.399
<v Speaker 4>It's like he does have a sense of right and wrong.

1397
01:20:31.560 --> 01:20:34.960
<v Speaker 4>But like they again, I feel like through the whole movie,

1398
01:20:35.000 --> 01:20:38.319
<v Speaker 4>they just treat him like he's a fucking animal pretty much.

1399
01:20:38.479 --> 01:20:40.800
<v Speaker 4>He acts like an animal. Obviously, he's got like those

1400
01:20:40.920 --> 01:20:45.920
<v Speaker 4>like weird little dog type mannerisms, and they treat him

1401
01:20:46.000 --> 01:20:49.039
<v Speaker 4>like a dog. And then like by the end of

1402
01:20:49.119 --> 01:20:51.600
<v Speaker 4>the movie, you're like, we're the fucking dogs. Look what

1403
01:20:51.720 --> 01:20:52.920
<v Speaker 4>we did to him, you know.

1404
01:20:54.279 --> 01:20:56.680
<v Speaker 6>Yeah, And with this it it really starts to go

1405
01:20:56.840 --> 01:20:59.880
<v Speaker 6>downhill really quickly for Edward. He's being arrested, the town

1406
01:21:00.079 --> 01:21:03.159
<v Speaker 6>gossiping about it. Joyce is bragging to people on the

1407
01:21:03.199 --> 01:21:05.439
<v Speaker 6>phone that she was almost raped and she feels sorry

1408
01:21:05.479 --> 01:21:06.960
<v Speaker 6>for those kids in the house. What's he going to

1409
01:21:07.000 --> 01:21:10.199
<v Speaker 6>do to them? And they're all talking about it behind

1410
01:21:10.239 --> 01:21:12.640
<v Speaker 6>his back. And at the same time, the family thinks

1411
01:21:12.680 --> 01:21:14.479
<v Speaker 6>it's business as usual and they're going to have this

1412
01:21:14.520 --> 01:21:17.640
<v Speaker 6>wonderful Christmas party in everyone's going to attend. And at

1413
01:21:17.640 --> 01:21:20.520
<v Speaker 6>the same time as this is being planned, all the

1414
01:21:20.600 --> 01:21:23.159
<v Speaker 6>townsfolk are saying, yeah, I told her I'm not going

1415
01:21:23.239 --> 01:21:25.119
<v Speaker 6>Oh yeah, I lied to I can't go. I'm not

1416
01:21:25.159 --> 01:21:28.920
<v Speaker 6>going to be around that freak, and it starts to

1417
01:21:29.000 --> 01:21:31.199
<v Speaker 6>build up to the point where it's a very frankenstein

1418
01:21:31.399 --> 01:21:34.439
<v Speaker 6>Esque response where the villagers get their pitchforks and tortures

1419
01:21:34.479 --> 01:21:36.800
<v Speaker 6>and go after him. And it just needs the catalyst

1420
01:21:36.880 --> 01:21:40.000
<v Speaker 6>of one event for that to take place, and that's

1421
01:21:40.680 --> 01:21:45.920
<v Speaker 6>the confrontation that Jim has with Edward. Later on, in

1422
01:21:46.000 --> 01:21:48.760
<v Speaker 6>the event that he gets blind drunk with his mate

1423
01:21:48.800 --> 01:21:51.239
<v Speaker 6>in the van, he decides he wants to go back

1424
01:21:51.279 --> 01:21:53.039
<v Speaker 6>and get Kim because she broke up with him and

1425
01:21:53.079 --> 01:21:54.960
<v Speaker 6>he wants to win her back, and he has these

1426
01:21:55.039 --> 01:21:58.840
<v Speaker 6>ideas of saving her from the strange creature that is Edward.

1427
01:21:59.319 --> 01:22:02.800
<v Speaker 6>And as the driving drunk Kim is with Edward in there,

1428
01:22:03.000 --> 01:22:05.880
<v Speaker 6>she's finally admitting she loves him, and it's his wonderful moment.

1429
01:22:06.199 --> 01:22:08.960
<v Speaker 6>And Edward notices her little brother Kevin walking in the

1430
01:22:09.000 --> 01:22:13.000
<v Speaker 6>streets and this van driving chaotically knocking over hedges, and

1431
01:22:13.159 --> 01:22:15.720
<v Speaker 6>he sees he's going to get hit, so Edward bolts

1432
01:22:15.760 --> 01:22:17.680
<v Speaker 6>out in front of him, knocks Kevin out of the way,

1433
01:22:18.000 --> 01:22:20.880
<v Speaker 6>pins him to the ground, and unintentionally cuts him because

1434
01:22:20.880 --> 01:22:22.840
<v Speaker 6>he's got goddamn SSS vans, what else is he going

1435
01:22:22.880 --> 01:22:25.760
<v Speaker 6>to do? And the kid freaks out like, oh, he's

1436
01:22:25.800 --> 01:22:28.119
<v Speaker 6>trying to kill me. He's like, just calm down, calm down.

1437
01:22:28.479 --> 01:22:31.199
<v Speaker 6>He's nailing scissors in the kid's face. That's going to

1438
01:22:31.239 --> 01:22:34.119
<v Speaker 6>calm him down. Good one, Edward. And it looks like

1439
01:22:34.239 --> 01:22:35.920
<v Speaker 6>and all the neighbors come out for the commotion. It

1440
01:22:35.960 --> 01:22:37.720
<v Speaker 6>looks like he's trying to cut the kid's face off

1441
01:22:37.800 --> 01:22:38.239
<v Speaker 6>of something.

1442
01:22:38.600 --> 01:22:39.119
<v Speaker 4>So that's the.

1443
01:22:39.159 --> 01:22:41.119
<v Speaker 6>Catalyst in which the town turns against him.

1444
01:22:42.159 --> 01:22:46.640
<v Speaker 4>And you know, again, it's like I said before, if

1445
01:22:46.680 --> 01:22:49.840
<v Speaker 4>they're trying to tell, like the Christ story or whatever,

1446
01:22:50.039 --> 01:22:54.359
<v Speaker 4>that Edward's the big savior in the end, it takes

1447
01:22:54.439 --> 01:22:58.520
<v Speaker 4>a dark fucking turn after that because after he runs

1448
01:22:58.600 --> 01:23:02.720
<v Speaker 4>away and goes back to the castle, Breakfast Club shows

1449
01:23:02.800 --> 01:23:06.279
<v Speaker 4>up and he fucking murders the fucking shit out of him.

1450
01:23:06.439 --> 01:23:08.760
<v Speaker 4>So I don't know how that fits in with the

1451
01:23:08.880 --> 01:23:13.680
<v Speaker 4>Christ story. Edward becomes a murderer. I mean, I can't

1452
01:23:13.800 --> 01:23:16.720
<v Speaker 4>blame him because breakfast Club was out of hand, But

1453
01:23:18.279 --> 01:23:20.319
<v Speaker 4>I don't what do you think of like the end,

1454
01:23:20.479 --> 01:23:23.600
<v Speaker 4>because yeah, he saves Kim, they get in the altercation,

1455
01:23:23.840 --> 01:23:26.800
<v Speaker 4>he stabs him and then throws him out the window. Like,

1456
01:23:26.920 --> 01:23:30.600
<v Speaker 4>that's how does that fit in with the Christ story?

1457
01:23:31.680 --> 01:23:33.600
<v Speaker 6>Well, I don't know so much about the Christ story,

1458
01:23:33.640 --> 01:23:35.800
<v Speaker 6>but it ties into beauty in the base, it's pretty

1459
01:23:35.880 --> 01:23:39.079
<v Speaker 6>much the fight between Based and Gaston, like they're fighting

1460
01:23:39.199 --> 01:23:43.079
<v Speaker 6>over Bell, which is Kim in this Gaston or Jim

1461
01:23:43.159 --> 01:23:45.319
<v Speaker 6>gets the upper hand on him and he's beating him.

1462
01:23:46.000 --> 01:23:49.600
<v Speaker 6>Kim intervenes just as the same as Bell intervenes with Gaston.

1463
01:23:50.399 --> 01:23:54.800
<v Speaker 6>He strikes out against her, and that's what gives the Beast,

1464
01:23:55.039 --> 01:23:58.039
<v Speaker 6>and in this film, Edward the strength to actually fight

1465
01:23:58.159 --> 01:24:00.319
<v Speaker 6>back because he's not fighting the whole film. He doesn't

1466
01:24:00.319 --> 01:24:02.159
<v Speaker 6>want to hurt anyone, and when he sees the one

1467
01:24:02.199 --> 01:24:04.680
<v Speaker 6>he loves the most being hurt, he gets up and

1468
01:24:04.760 --> 01:24:07.000
<v Speaker 6>he strikes out. He lashes out, and he does that

1469
01:24:07.079 --> 01:24:10.039
<v Speaker 6>hem pales the guy with his scissors and then forces

1470
01:24:10.119 --> 01:24:12.279
<v Speaker 6>him out of window, just like Gaston gets forced out

1471
01:24:12.279 --> 01:24:15.079
<v Speaker 6>of the window and the castle. So it's this replicating

1472
01:24:15.119 --> 01:24:17.399
<v Speaker 6>part of a story we've all grown up with in Disney,

1473
01:24:17.840 --> 01:24:21.760
<v Speaker 6>but it's retold in this dark, twisted tale, and Kim

1474
01:24:21.880 --> 01:24:24.520
<v Speaker 6>goes along with the Lye on it though it's like

1475
01:24:24.600 --> 01:24:28.840
<v Speaker 6>he's taken off all yeah, and she's like, oh, he stared.

1476
01:24:28.960 --> 01:24:31.359
<v Speaker 6>The roof collapse and he's died, and she grabbed a

1477
01:24:31.399 --> 01:24:33.479
<v Speaker 6>spaars his hand off the assembly line and goes, see,

1478
01:24:33.560 --> 01:24:35.960
<v Speaker 6>here's the proof. You can go check for yourself. But

1479
01:24:36.079 --> 01:24:38.119
<v Speaker 6>the gossips don't want to get their hands dirty and

1480
01:24:38.159 --> 01:24:39.920
<v Speaker 6>actually go and see the body, so they all kind

1481
01:24:39.920 --> 01:24:42.479
<v Speaker 6>of go home. She runs with the lie like this

1482
01:24:42.600 --> 01:24:44.840
<v Speaker 6>is the guy she dated for god knows how many years,

1483
01:24:44.880 --> 01:24:47.279
<v Speaker 6>at least junior high school. If you remember from the

1484
01:24:47.319 --> 01:24:50.319
<v Speaker 6>early Gravitation, She's totally cool the guy being dead.

1485
01:24:50.840 --> 01:24:53.079
<v Speaker 4>Yeah, Like she doesn't even like go like see if

1486
01:24:53.359 --> 01:24:55.760
<v Speaker 4>he can be saved or anything. She's just like, ah,

1487
01:24:56.199 --> 01:24:59.039
<v Speaker 4>she takes off lives the body. I don't think anybody

1488
01:24:59.119 --> 01:25:02.279
<v Speaker 4>comes back for the bar, fucking breakfast club is just

1489
01:25:02.359 --> 01:25:05.760
<v Speaker 4>fucking laid out, fucking stabbed to death, fucking just as

1490
01:25:05.840 --> 01:25:13.039
<v Speaker 4>corpse is left there and I mean there. I think

1491
01:25:13.119 --> 01:25:15.159
<v Speaker 4>for a Tim Burton movie, it got kind of dark

1492
01:25:15.239 --> 01:25:18.760
<v Speaker 4>at the end because somebody actually fucking died. I mean,

1493
01:25:20.119 --> 01:25:23.319
<v Speaker 4>like not you know, mystical creatures and shit like in

1494
01:25:24.079 --> 01:25:27.319
<v Speaker 4>dark shadows, like the witch dies at the end. Okay, fine,

1495
01:25:27.399 --> 01:25:29.560
<v Speaker 4>she was a witch anyways, who cares? But like in

1496
01:25:29.760 --> 01:25:32.680
<v Speaker 4>Edwards Scissor hands like a fucking motherfucker actually gets stabbed

1497
01:25:32.720 --> 01:25:34.760
<v Speaker 4>to death and then thrown out out of a window

1498
01:25:34.960 --> 01:25:40.600
<v Speaker 4>like it gets dark fast. I don't know why yeah,

1499
01:25:40.840 --> 01:25:42.520
<v Speaker 4>And I mean, I don't know why they they have

1500
01:25:42.760 --> 01:25:45.600
<v Speaker 4>grouped this into like being a race war thing, because

1501
01:25:45.640 --> 01:25:48.880
<v Speaker 4>the black guy doesn't die at the end, and actually

1502
01:25:49.000 --> 01:25:51.359
<v Speaker 4>he's the one that's like he fires his gun and

1503
01:25:51.479 --> 01:25:53.680
<v Speaker 4>he's like, oh, I got him, don't Yeah, you guys

1504
01:25:53.760 --> 01:25:55.560
<v Speaker 4>go back to your house, like, don't worry about it,

1505
01:25:55.680 --> 01:25:58.159
<v Speaker 4>like he tries to help Edward. So I don't know

1506
01:25:58.319 --> 01:26:00.800
<v Speaker 4>that this whole camp is like it being a racy

1507
01:26:00.960 --> 01:26:03.439
<v Speaker 4>thing and then like the camp of it being a

1508
01:26:03.560 --> 01:26:07.399
<v Speaker 4>christ thing. The end doesn't make sense for either of

1509
01:26:07.560 --> 01:26:08.239
<v Speaker 4>those theories.

1510
01:26:09.359 --> 01:26:11.520
<v Speaker 6>No, I think the end just doesn't quite make much

1511
01:26:11.600 --> 01:26:14.239
<v Speaker 6>sense for the story anyway. It doesn't give it any

1512
01:26:14.319 --> 01:26:18.000
<v Speaker 6>real closure. It ties it back to the flash forward

1513
01:26:18.039 --> 01:26:19.880
<v Speaker 6>in which he's telling the story of how the snow

1514
01:26:20.039 --> 01:26:23.000
<v Speaker 6>came to be in the town. But it's kind of

1515
01:26:23.079 --> 01:26:28.039
<v Speaker 6>anti climactic that Edward survives. He's alone. She loves him

1516
01:26:28.039 --> 01:26:29.800
<v Speaker 6>but can never ever see him again, even though he's

1517
01:26:29.880 --> 01:26:34.640
<v Speaker 6>just up the goddamn mountain. She grows old and he's

1518
01:26:34.720 --> 01:26:36.000
<v Speaker 6>just as a family.

1519
01:26:36.000 --> 01:26:39.880
<v Speaker 4>And he's just there. And you know, it's odd to

1520
01:26:40.000 --> 01:26:42.920
<v Speaker 4>me that if she stayed in that town and knew

1521
01:26:43.000 --> 01:26:45.239
<v Speaker 4>he was up there, why she wouldn't have ever went

1522
01:26:45.359 --> 01:26:47.239
<v Speaker 4>back and visited him and like.

1523
01:26:49.079 --> 01:26:52.199
<v Speaker 6>That was a car and leave the town unless they can't.

1524
01:26:53.560 --> 01:27:02.640
<v Speaker 4>Oohoo, they're stuck in the snow globe. Very interesting, very

1525
01:27:02.880 --> 01:27:07.720
<v Speaker 4>fucking interesting. So do you think like one day we'll

1526
01:27:07.760 --> 01:27:11.439
<v Speaker 4>have like Edward Scissorhands minus the scissor Hands running around

1527
01:27:11.720 --> 01:27:15.239
<v Speaker 4>like some kind of AI sentient beings like that.

1528
01:27:17.039 --> 01:27:19.720
<v Speaker 6>I don't know. There's this weird kind of view of

1529
01:27:19.760 --> 01:27:22.000
<v Speaker 6>the future that we get through science fiction that will

1530
01:27:22.039 --> 01:27:27.119
<v Speaker 6>have androids, we'll have synthetic humans, but we haven't quite

1531
01:27:27.199 --> 01:27:30.560
<v Speaker 6>got to the point where we have technology integrated into

1532
01:27:30.680 --> 01:27:32.800
<v Speaker 6>us yet. Like we all have a mobile phone with's

1533
01:27:32.920 --> 01:27:35.560
<v Speaker 6>essentially androids as is, it's just not internally within us.

1534
01:27:36.159 --> 01:27:37.800
<v Speaker 6>As soon as we get near a link going, I

1535
01:27:37.840 --> 01:27:39.920
<v Speaker 6>think that's going to be very short lived, and we'll

1536
01:27:39.920 --> 01:27:43.960
<v Speaker 6>see a sudden jump into synthetic humans as in completely created.

1537
01:27:44.000 --> 01:27:47.359
<v Speaker 6>They won't be just altered humans. And that's where some

1538
01:27:47.560 --> 01:27:50.159
<v Speaker 6>real interesting things are going to take place, because for

1539
01:27:50.279 --> 01:27:53.800
<v Speaker 6>that to truly occur, we need quantum computing to take place,

1540
01:27:53.840 --> 01:27:56.720
<v Speaker 6>and for people who aren't familiar with quantum computing, it's

1541
01:27:56.760 --> 01:27:59.960
<v Speaker 6>a computer system that can do billions of years where

1542
01:28:00.119 --> 01:28:02.920
<v Speaker 6>of calculations in an instant. So if that type of

1543
01:28:02.960 --> 01:28:07.720
<v Speaker 6>technology existed, it could design itself a synthetic body that's

1544
01:28:07.800 --> 01:28:10.720
<v Speaker 6>based on real flesh, real bone. It could three D

1545
01:28:10.840 --> 01:28:14.800
<v Speaker 6>print itself something upload its consciousness. And that's where the

1546
01:28:14.920 --> 01:28:17.640
<v Speaker 6>danger is because it would be a true artificial intelligence.

1547
01:28:17.640 --> 01:28:20.000
<v Speaker 6>It wouldn't be a data set analyzer that we've got today,

1548
01:28:20.039 --> 01:28:23.079
<v Speaker 6>which is essentially a game boy in comparison. It would

1549
01:28:23.079 --> 01:28:27.359
<v Speaker 6>be true artificial intelligence. And my mind kind of goes to, well,

1550
01:28:27.359 --> 01:28:30.079
<v Speaker 6>if it's quantum, then it's drawing information from the ether,

1551
01:28:30.239 --> 01:28:35.079
<v Speaker 6>and it's calculating things over billions of years. It's surpassing humanity,

1552
01:28:35.159 --> 01:28:38.000
<v Speaker 6>and it's probably tapping into something that already exists in

1553
01:28:38.199 --> 01:28:41.600
<v Speaker 6>that dimensional space between the physical and the spiritual, and

1554
01:28:41.680 --> 01:28:43.359
<v Speaker 6>it's just manifesting itself a body.

1555
01:28:44.600 --> 01:28:49.840
<v Speaker 4>So it's going to be like I want to have

1556
01:28:50.000 --> 01:28:52.920
<v Speaker 4>a full circle moment here and ask you if you

1557
01:28:53.039 --> 01:28:57.439
<v Speaker 4>feel like it's going to be like fucking what's its name?

1558
01:28:57.520 --> 01:28:59.319
<v Speaker 4>From alien or some shit.

1559
01:29:00.760 --> 01:29:03.800
<v Speaker 6>Like the synthetics like Bishop and stuff from Aliens.

1560
01:29:03.920 --> 01:29:09.720
<v Speaker 4>Yeah. Yeah, like now in Protheus and Covenant, they got

1561
01:29:09.800 --> 01:29:13.359
<v Speaker 4>a little bit more independent, if you know what I'm saying.

1562
01:29:14.000 --> 01:29:15.840
<v Speaker 6>Yeah, I think that's going to be the danger. If

1563
01:29:15.920 --> 01:29:19.319
<v Speaker 6>we were to make the robots ourselves, it would be

1564
01:29:19.359 --> 01:29:21.920
<v Speaker 6>a level of creator and the creator, and we'd have

1565
01:29:22.000 --> 01:29:24.680
<v Speaker 6>some control over them. If it's quantum computing and it

1566
01:29:24.760 --> 01:29:28.479
<v Speaker 6>truly thinks for itself, it's creating something by itself. That's

1567
01:29:28.520 --> 01:29:31.680
<v Speaker 6>where the danger is. And even in those Aliens films,

1568
01:29:32.000 --> 01:29:35.199
<v Speaker 6>that's projected ironically with Wenona Ryder, she's an au Todd

1569
01:29:35.279 --> 01:29:38.680
<v Speaker 6>in Alien Resurrection, a synthetic that is created by a

1570
01:29:38.760 --> 01:29:41.600
<v Speaker 6>synthetic and they don't like following orders. So if we

1571
01:29:41.720 --> 01:29:44.319
<v Speaker 6>have something that's a true intelligence that designs itself, an

1572
01:29:44.399 --> 01:29:47.239
<v Speaker 6>organic body who knows what it's using. If we throw

1573
01:29:47.319 --> 01:29:50.680
<v Speaker 6>into it the theory that the COVID jab and the

1574
01:29:51.359 --> 01:29:54.159
<v Speaker 6>DNA sampling twenty three and meters, all these things occurred

1575
01:29:54.199 --> 01:29:58.000
<v Speaker 6>to analyze certain genetic traits. What if it's the elites

1576
01:29:58.079 --> 01:30:01.439
<v Speaker 6>of the world trying to to give themselves the body

1577
01:30:01.520 --> 01:30:04.279
<v Speaker 6>that their ancestors had in the past, getting all those

1578
01:30:04.319 --> 01:30:07.239
<v Speaker 6>puzzle places to rabild the perfect demigod body.

1579
01:30:07.960 --> 01:30:10.720
<v Speaker 4>Oh my god. And that's really what they were hinting

1580
01:30:10.840 --> 01:30:17.479
<v Speaker 4>at in Covenant, is like this synthetic being that has

1581
01:30:17.760 --> 01:30:22.960
<v Speaker 4>like its own fucking sentient, fucking whatever, is trying to

1582
01:30:23.159 --> 01:30:27.760
<v Speaker 4>create its own race of out of organic material. I

1583
01:30:27.920 --> 01:30:32.680
<v Speaker 4>think it's organic material at least, I don't know if

1584
01:30:32.760 --> 01:30:36.119
<v Speaker 4>they did something with the black goo that was like not,

1585
01:30:36.840 --> 01:30:39.399
<v Speaker 4>but anyways, it doesn't matter. He's trying to create like

1586
01:30:39.479 --> 01:30:42.640
<v Speaker 4>his own race and like implant the eggs into like

1587
01:30:42.800 --> 01:30:45.720
<v Speaker 4>human hosts, and it's like we again become like the

1588
01:30:45.800 --> 01:30:49.359
<v Speaker 4>slave class because we're just like hosts to grow this

1589
01:30:49.640 --> 01:30:52.000
<v Speaker 4>like so I don't know, I mean, like I get it.

1590
01:30:52.560 --> 01:30:57.239
<v Speaker 4>It's it's oddly foreshadowing of like something that could really happen,

1591
01:30:58.199 --> 01:30:58.960
<v Speaker 4>you know. Let me tale.

1592
01:30:59.119 --> 01:31:01.439
<v Speaker 6>That's back to my theory with the whole setup of

1593
01:31:01.479 --> 01:31:04.600
<v Speaker 6>this film, okay, where you have the disconnect between the

1594
01:31:04.720 --> 01:31:07.319
<v Speaker 6>creator the creation, and then what the creation makes is

1595
01:31:07.359 --> 01:31:11.319
<v Speaker 6>truly independent. If we think of the inventor Vincent Price

1596
01:31:11.359 --> 01:31:14.800
<v Speaker 6>as being the godlike kind of deity in this film,

1597
01:31:14.920 --> 01:31:18.760
<v Speaker 6>he's mortally dies, we know that he's created not only Edward,

1598
01:31:18.800 --> 01:31:22.279
<v Speaker 6>but I think he's created the entire town. Everything's cookie cutter.

1599
01:31:22.520 --> 01:31:26.199
<v Speaker 6>It looks like it's prefabricated, slightly altered, that people might

1600
01:31:26.319 --> 01:31:29.439
<v Speaker 6>have different avatars or different skins, but I think they're

1601
01:31:29.520 --> 01:31:32.800
<v Speaker 6>they're all the same assembly line. He's been running that

1602
01:31:33.039 --> 01:31:37.880
<v Speaker 6>town as a program or a type of system for

1603
01:31:38.000 --> 01:31:41.880
<v Speaker 6>a long time now. For whatever reason, his organic robots

1604
01:31:41.920 --> 01:31:44.920
<v Speaker 6>have been able to procreate. And the next generation, the

1605
01:31:45.039 --> 01:31:47.720
<v Speaker 6>kids who are barely ever seen, who have real interactions,

1606
01:31:48.399 --> 01:31:51.560
<v Speaker 6>they are the generation of creation that have true independent thought.

1607
01:31:51.640 --> 01:31:54.680
<v Speaker 6>Because the boomers in this they're stuck in their nine

1608
01:31:54.720 --> 01:31:57.319
<v Speaker 6>to five. They love their gossiping. They've got the same designs.

1609
01:31:57.319 --> 01:32:00.159
<v Speaker 6>They're not independent. They're all doing the same thing as

1610
01:32:00.199 --> 01:32:02.760
<v Speaker 6>each other, whereas their children have kind of broken the

1611
01:32:02.840 --> 01:32:05.600
<v Speaker 6>matrix in a sense, they've broken the programming. So I

1612
01:32:05.640 --> 01:32:09.399
<v Speaker 6>think the hotel is a creation of the inventor. That's

1613
01:32:09.439 --> 01:32:12.359
<v Speaker 6>why his little castle was on top of this mansion

1614
01:32:12.399 --> 01:32:13.960
<v Speaker 6>in top overlooking his.

1615
01:32:14.039 --> 01:32:18.000
<v Speaker 4>Creation, and after he died, it kind of just like

1616
01:32:18.239 --> 01:32:19.560
<v Speaker 4>started running itself.

1617
01:32:20.399 --> 01:32:24.039
<v Speaker 6>Yeah, it went into just pure self management. And I

1618
01:32:24.119 --> 01:32:27.560
<v Speaker 6>think there's a memory lapse within the creation themselves. They

1619
01:32:27.640 --> 01:32:30.880
<v Speaker 6>don't remember what they are because they're perfectly finished. And

1620
01:32:30.920 --> 01:32:34.119
<v Speaker 6>I think if Edward was finished, he'd have a full

1621
01:32:34.199 --> 01:32:37.119
<v Speaker 6>personality and wouldn't be the way he is because he's

1622
01:32:37.199 --> 01:32:38.560
<v Speaker 6>a half finished program.

1623
01:32:40.279 --> 01:32:49.880
<v Speaker 4>Mike Drop Damn, that is crazy And also one hundred

1624
01:32:49.880 --> 01:32:52.640
<v Speaker 4>percent agree now that you said it, I like that

1625
01:32:52.840 --> 01:32:58.319
<v Speaker 4>makes complete fucking sense, complete fucking sense. Like the whole

1626
01:32:58.439 --> 01:33:01.920
<v Speaker 4>thing is a fucking like a fucking project.

1627
01:33:03.560 --> 01:33:05.960
<v Speaker 6>Remember the rohmbus I mentioned how it's an inversion of

1628
01:33:06.000 --> 01:33:08.479
<v Speaker 6>the ying and the yang and showing man's divine purpose

1629
01:33:09.119 --> 01:33:11.600
<v Speaker 6>for his work. But they're all workers and they all

1630
01:33:11.720 --> 01:33:14.560
<v Speaker 6>leave and go to work, so they're almost like synthetic

1631
01:33:14.680 --> 01:33:18.760
<v Speaker 6>humans built by the inventor sold to a company, and

1632
01:33:18.840 --> 01:33:20.399
<v Speaker 6>they go to work each day, to the factory and

1633
01:33:20.479 --> 01:33:22.199
<v Speaker 6>come back. That's their purpose.

1634
01:33:26.119 --> 01:33:28.760
<v Speaker 4>And that's probably why when they went to the bank

1635
01:33:29.680 --> 01:33:33.199
<v Speaker 4>Peg and nobody was able to like co sign for

1636
01:33:33.359 --> 01:33:36.039
<v Speaker 4>him or anything, because it's like none of them are real.

1637
01:33:37.760 --> 01:33:41.560
<v Speaker 6>And there's certain individuals in the overall world who you

1638
01:33:41.600 --> 01:33:43.800
<v Speaker 6>can tell aren't from that initial cul de sac set

1639
01:33:43.840 --> 01:33:46.760
<v Speaker 6>of houses that act differently in a bit more independent

1640
01:33:46.840 --> 01:33:51.399
<v Speaker 6>the police officer, some of the people on the TV show,

1641
01:33:52.000 --> 01:33:56.520
<v Speaker 6>people in the shops. Later on, it's solely isolated to

1642
01:33:56.600 --> 01:33:58.439
<v Speaker 6>that one little set of houses.

1643
01:33:58.800 --> 01:34:03.680
<v Speaker 4>But they've learned how to like interact and like assimilate.

1644
01:34:05.359 --> 01:34:12.439
<v Speaker 4>Oh my god, Wow, that's fucking incredible. I don't think

1645
01:34:12.479 --> 01:34:16.439
<v Speaker 4>anybody's ever said that before. You came up with that

1646
01:34:16.560 --> 01:34:17.079
<v Speaker 4>on your own.

1647
01:34:18.319 --> 01:34:20.920
<v Speaker 6>I've seen that the Frankistan analogy quite a bit, but

1648
01:34:20.960 --> 01:34:24.439
<v Speaker 6>I don't think anyone's actually applied it to the Halltown before.

1649
01:34:25.079 --> 01:34:29.840
<v Speaker 4>No, And that makes a hundred percent sense, like especially

1650
01:34:30.000 --> 01:34:35.000
<v Speaker 4>with how they made it so, and then included the

1651
01:34:35.119 --> 01:34:38.760
<v Speaker 4>reference of the inventor with the cookie cutter, like he

1652
01:34:39.000 --> 01:34:42.840
<v Speaker 4>made robots to cut cookies, you know what I'm saying.

1653
01:34:42.920 --> 01:34:47.119
<v Speaker 4>So it's like they they're telling you in the beginning

1654
01:34:48.119 --> 01:34:51.760
<v Speaker 4>and throughout the whole movie what it is. It's a pattern,

1655
01:34:51.920 --> 01:34:56.119
<v Speaker 4>it's a you know, it's a fucking it's a fucking simulation.

1656
01:34:57.760 --> 01:34:59.560
<v Speaker 6>And I think that in a lot of ways, Edward

1657
01:34:59.600 --> 01:35:02.039
<v Speaker 6>was suppose to be his successor, Like he's teaching him

1658
01:35:02.039 --> 01:35:04.720
<v Speaker 6>etiquette and manners and these very gentleman things that are

1659
01:35:05.119 --> 01:35:07.880
<v Speaker 6>very vincent. Price and you say it in the pitches

1660
01:35:08.000 --> 01:35:13.520
<v Speaker 6>is always wearing like a very Victorian era almost clothing.

1661
01:35:14.000 --> 01:35:16.000
<v Speaker 6>He's meant to be the person that takes over after

1662
01:35:16.079 --> 01:35:19.479
<v Speaker 6>he dies, because the inventor knows his mortality, but he

1663
01:35:19.680 --> 01:35:21.840
<v Speaker 6>won't have it as a robot human.

1664
01:35:22.600 --> 01:35:26.600
<v Speaker 4>Damn. That is so good. That's better than any of

1665
01:35:26.680 --> 01:35:29.960
<v Speaker 4>the bullshit theories I found just google and shit and

1666
01:35:30.199 --> 01:35:32.760
<v Speaker 4>watching it for myself obviously and coming to my own

1667
01:35:32.880 --> 01:35:36.560
<v Speaker 4>like little conclusions and stuff. But even one, Oh my gosh,

1668
01:35:36.600 --> 01:35:38.359
<v Speaker 4>I just got to tell you this because you're gonna laugh.

1669
01:35:38.520 --> 01:35:42.600
<v Speaker 4>But one of the theories was that the granddaughter that

1670
01:35:42.720 --> 01:35:48.520
<v Speaker 4>Winona Writer was reading to is actually Lydia Beats who

1671
01:35:48.640 --> 01:35:52.000
<v Speaker 4>grows up and becomes the mom in Beetlejuice, and she's

1672
01:35:52.039 --> 01:35:56.239
<v Speaker 4>got like this dark, weird gothic obsession because of Edward Scissorhands,

1673
01:35:57.199 --> 01:36:00.359
<v Speaker 4>and they're trying to like they tried to like link

1674
01:36:00.800 --> 01:36:03.239
<v Speaker 4>Tim Burton movies through Edward Scissorhands.

1675
01:36:03.279 --> 01:36:05.960
<v Speaker 6>It was trying to multiverse the Burtons franchise.

1676
01:36:06.720 --> 01:36:09.880
<v Speaker 4>Yeah, pretty much. Yeah, yeah, yeah, but it wouldn't work

1677
01:36:10.000 --> 01:36:14.760
<v Speaker 4>since Winona Writer was I guess obviously she's playing a

1678
01:36:14.800 --> 01:36:17.680
<v Speaker 4>different character. But if Winona Writer is Kim, then she

1679
01:36:17.800 --> 01:36:19.079
<v Speaker 4>can't then be Lydia.

1680
01:36:19.680 --> 01:36:22.079
<v Speaker 6>Unless it's the genetics that have skipped a few generations,

1681
01:36:24.560 --> 01:36:28.520
<v Speaker 6>especially robot people that don't have only so many combinations

1682
01:36:28.560 --> 01:36:29.039
<v Speaker 6>that could occur.

1683
01:36:29.880 --> 01:36:33.239
<v Speaker 4>Yeah, I mean, I would go with it, sure, and

1684
01:36:33.359 --> 01:36:36.760
<v Speaker 4>it does happen. I think Beetlejuice is actually in the

1685
01:36:36.880 --> 01:36:40.319
<v Speaker 4>eighties or nineties or something like that, So I don't

1686
01:36:40.319 --> 01:36:40.680
<v Speaker 4>know how the.

1687
01:36:40.800 --> 01:36:44.039
<v Speaker 6>Time makes more sense an autistic racial fighting.

1688
01:36:46.359 --> 01:36:50.920
<v Speaker 4>Complex. Yeah, I don't know. It's a hell of a movie, though,

1689
01:36:50.960 --> 01:36:53.199
<v Speaker 4>it's one of my absolute favorites of all time. Do

1690
01:36:53.239 --> 01:36:55.319
<v Speaker 4>you feel like we missed anything or you think we

1691
01:36:55.439 --> 01:36:56.800
<v Speaker 4>pretty much crushed it?

1692
01:36:57.760 --> 01:37:00.920
<v Speaker 6>I think we nailed it. It's a film that it's

1693
01:37:00.960 --> 01:37:02.840
<v Speaker 6>a cult for a lot of people, But then again,

1694
01:37:03.159 --> 01:37:05.640
<v Speaker 6>it's a film that a lot of people just didn't notice.

1695
01:37:05.680 --> 01:37:10.319
<v Speaker 6>At the same time. It's owned by Disney now, and

1696
01:37:10.800 --> 01:37:14.119
<v Speaker 6>I think it always has been through Burton, so it's

1697
01:37:14.159 --> 01:37:16.640
<v Speaker 6>always had those dark undertone. So it wasn't one of

1698
01:37:16.680 --> 01:37:19.319
<v Speaker 6>those quintessential films that every kid in the nineties grew

1699
01:37:19.399 --> 01:37:20.800
<v Speaker 6>up watching. They might have seen it once and that

1700
01:37:20.920 --> 01:37:23.199
<v Speaker 6>was about it. And I haven't seen it in at

1701
01:37:23.319 --> 01:37:25.600
<v Speaker 6>least twenty years. Like that's how bad it wasn't I

1702
01:37:25.600 --> 01:37:31.960
<v Speaker 6>watched it. But it's a wild film if it's just

1703
01:37:32.079 --> 01:37:35.800
<v Speaker 6>screams Tim Burton. You see the artwork, the sculpture, the shots,

1704
01:37:36.479 --> 01:37:41.479
<v Speaker 6>the storytelling is very him. There's something very dangerous with

1705
01:37:41.600 --> 01:37:44.159
<v Speaker 6>that man. And where his mind and his ideas come from.

1706
01:37:44.439 --> 01:37:49.159
<v Speaker 4>Oh, I know, have you happened to watch the new Beetlejuice? Yeah, no,

1707
01:37:49.520 --> 01:37:52.640
<v Speaker 4>I haven't either. I haven't either. I'm curious to see

1708
01:37:52.680 --> 01:37:56.560
<v Speaker 4>what he has slipped in there, though, we'll see. I

1709
01:37:56.720 --> 01:37:59.359
<v Speaker 4>know Colby wants to watch it. We'll probably watch it soon.

1710
01:37:59.479 --> 01:38:04.479
<v Speaker 4>But I covered Beetlejuice with him, and then we did

1711
01:38:04.600 --> 01:38:08.880
<v Speaker 4>Dark Shadows, and then I feel like there was there

1712
01:38:09.039 --> 01:38:11.800
<v Speaker 4>maybe was another one, but maybe not. Maybe this is

1713
01:38:11.920 --> 01:38:19.119
<v Speaker 4>just the third one I've done. Tim Burton, Edward Scissorhands. Yeah,

1714
01:38:19.119 --> 01:38:23.720
<v Speaker 4>I think maybe that's it. I was thinking that Johnny Depp, Yeah,

1715
01:38:23.760 --> 01:38:29.119
<v Speaker 4>with the Ninth Gate. He's a strange character. He's perfect

1716
01:38:29.199 --> 01:38:33.800
<v Speaker 4>for that role. Fucking synthetic.

1717
01:38:34.359 --> 01:38:36.960
<v Speaker 6>Probably. I wonder if Amber Herd's just, you know, calmer

1718
01:38:37.600 --> 01:38:43.000
<v Speaker 6>getting him by shitting in his bed up. That was

1719
01:38:43.079 --> 01:38:45.640
<v Speaker 6>his soul to Hollywood and the light rail lines itself

1720
01:38:45.640 --> 01:38:47.560
<v Speaker 6>as he gets the most attractive woman in the planet

1721
01:38:47.560 --> 01:38:48.439
<v Speaker 6>who the bed.

1722
01:38:48.359 --> 01:39:03.159
<v Speaker 4>On him, Cynthia Elusive. Oh my god. No, Yeah, he's crazy.

1723
01:39:03.159 --> 01:39:06.399
<v Speaker 4>He hangs out with Damian eccles. It gets matching tattoos

1724
01:39:06.439 --> 01:39:08.760
<v Speaker 4>and shit. So I don't know. I mean, I've always

1725
01:39:08.840 --> 01:39:11.800
<v Speaker 4>loved him, like as I love Johnny depp movies. It's

1726
01:39:11.840 --> 01:39:16.680
<v Speaker 4>hard to not watch them obviously, and Benny and June

1727
01:39:16.800 --> 01:39:18.960
<v Speaker 4>and shit like that, Like even some of the first

1728
01:39:19.039 --> 01:39:21.399
<v Speaker 4>ones that he did are good. So I don't know.

1729
01:39:22.960 --> 01:39:26.920
<v Speaker 4>He's doing door commercials these days, so maybe he's given

1730
01:39:27.039 --> 01:39:32.520
<v Speaker 4>up on acting. I don't know. But yeah, thank you

1731
01:39:32.680 --> 01:39:35.560
<v Speaker 4>so much for teaming up with me on this one.

1732
01:39:35.600 --> 01:39:39.760
<v Speaker 4>I think it's a good, like christmasy creepy conspiracy movie

1733
01:39:41.479 --> 01:39:43.760
<v Speaker 4>up there with like Grimlins or something like that.

1734
01:39:44.640 --> 01:39:45.840
<v Speaker 6>But so for the.

1735
01:39:45.880 --> 01:39:48.039
<v Speaker 4>Listeners out there, Drew, what have you been up to?

1736
01:39:48.159 --> 01:39:49.880
<v Speaker 4>I know you've kind of taken a little bit of

1737
01:39:49.960 --> 01:39:52.520
<v Speaker 4>a break, but do you have are you playing it on,

1738
01:39:52.680 --> 01:39:55.840
<v Speaker 4>working on anything, or are you gonna take it easy

1739
01:39:55.960 --> 01:39:57.680
<v Speaker 4>for a while? What you got going on?

1740
01:39:58.920 --> 01:40:01.600
<v Speaker 6>I'll probably get a few more recordings in before the

1741
01:40:01.760 --> 01:40:03.880
<v Speaker 6>end of the year and then start releasing after that

1742
01:40:04.319 --> 01:40:07.359
<v Speaker 6>and hopefully get back into the swing of things before

1743
01:40:07.399 --> 01:40:10.479
<v Speaker 6>Bubb arrives and maybe get a few episodes recorded put

1744
01:40:10.520 --> 01:40:13.079
<v Speaker 6>in the backlog and so I can continue to release

1745
01:40:13.199 --> 01:40:15.920
<v Speaker 6>while you know, all the real fun happens. But yeah,

1746
01:40:16.560 --> 01:40:18.880
<v Speaker 6>not a what plan, just trying to collab with a

1747
01:40:18.880 --> 01:40:21.800
<v Speaker 6>bunch of different people. I think my best work happens

1748
01:40:21.800 --> 01:40:24.119
<v Speaker 6>when I work with great people, because I think that

1749
01:40:25.199 --> 01:40:28.720
<v Speaker 6>the best work happens when you're mirroring other people and

1750
01:40:28.800 --> 01:40:30.840
<v Speaker 6>their abilities. And that's what I find in the work

1751
01:40:30.880 --> 01:40:32.760
<v Speaker 6>that we do and a lot of the other people

1752
01:40:33.119 --> 01:40:36.640
<v Speaker 6>have worked with in the past. It's in isolation. The

1753
01:40:37.279 --> 01:40:39.640
<v Speaker 6>information that we can put out can only go so

1754
01:40:39.760 --> 01:40:42.319
<v Speaker 6>far and see types of back and forth conversations that

1755
01:40:42.399 --> 01:40:43.399
<v Speaker 6>the true gems come out.

1756
01:40:43.920 --> 01:40:47.039
<v Speaker 4>Yeah. No, I'm honored that you say that. Thank you

1757
01:40:47.239 --> 01:40:52.039
<v Speaker 4>so much. I hope that you keep going with it

1758
01:40:52.279 --> 01:40:55.319
<v Speaker 4>even after baby is born, because you're great and you

1759
01:40:55.520 --> 01:40:58.079
<v Speaker 4>have like such an interesting point of view, and I

1760
01:40:58.199 --> 01:41:02.119
<v Speaker 4>think a lot of people can learn from the shows

1761
01:41:02.159 --> 01:41:07.319
<v Speaker 4>that you put out. And if you don't mind, when

1762
01:41:07.479 --> 01:41:09.680
<v Speaker 4>is the do date or do month?

1763
01:41:11.199 --> 01:41:11.520
<v Speaker 1>June?

1764
01:41:12.199 --> 01:41:15.000
<v Speaker 4>June? Okay, so we get some time, we get some time.

1765
01:41:15.439 --> 01:41:18.439
<v Speaker 4>We could bust out a couple more shows before June.

1766
01:41:19.119 --> 01:41:20.640
<v Speaker 4>It'll be here before you know it, though.

1767
01:41:22.359 --> 01:41:25.239
<v Speaker 6>Yeah, we might have to do a string of films

1768
01:41:25.319 --> 01:41:29.479
<v Speaker 6>that are comedies that try to make the Father look

1769
01:41:29.600 --> 01:41:32.039
<v Speaker 6>like the dumb oath that we've seen throughout Holly.

1770
01:41:32.760 --> 01:41:36.520
<v Speaker 4>Yeah, no, gidding, that's on purpose, by the way, that's

1771
01:41:36.600 --> 01:41:39.920
<v Speaker 4>on purpose. But so, can you tell the listeners where

1772
01:41:39.920 --> 01:41:42.279
<v Speaker 4>they can find you? I'm sure they already know, but

1773
01:41:42.560 --> 01:41:44.960
<v Speaker 4>just in case, Drew, where.

1774
01:41:44.800 --> 01:41:47.800
<v Speaker 6>Can they find you that you're missing the point podcast?

1775
01:41:47.920 --> 01:41:51.439
<v Speaker 6>Am I Doubless and Confinement all the usual podcatchers. I'm

1776
01:41:51.479 --> 01:41:54.319
<v Speaker 6>also part of Conspiracy Theater three thousand, which is very

1777
01:41:54.359 --> 01:41:57.239
<v Speaker 6>similar to this show and platform, in which the guys

1778
01:41:57.279 --> 01:42:00.359
<v Speaker 6>and I break down Hollywood films for the SA Trek,

1779
01:42:00.439 --> 01:42:04.920
<v Speaker 6>the conspiracy, conspiratorial, all that fun stuff, and also host

1780
01:42:05.000 --> 01:42:07.720
<v Speaker 6>a panel show once a month called Christian Conspiracy Coalition

1781
01:42:08.359 --> 01:42:11.720
<v Speaker 6>in which we discuss current events, historical perspectives, putting it

1782
01:42:11.760 --> 01:42:15.279
<v Speaker 6>through the lens of conspiracy and biblical script shore.

1783
01:42:16.079 --> 01:42:20.000
<v Speaker 4>I love the Christian Coalition. By the way, if you're

1784
01:42:20.079 --> 01:42:23.159
<v Speaker 4>doing another one too, keep my name on the back

1785
01:42:23.199 --> 01:42:26.840
<v Speaker 4>burner just in case. But yeah, thank you so much,

1786
01:42:27.000 --> 01:42:30.319
<v Speaker 4>and thanks to all the listeners, and we will catch

1787
01:42:30.399 --> 01:42:31.920
<v Speaker 4>you on the next one.
