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<v Speaker 1>Bulky.

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<v Speaker 2>I want to read you a text that I received

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<v Speaker 2>moments before this podcast started. Okay, dude, I watched the

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<v Speaker 2>Pizza Movie. I may have surrendered a few IQ points,

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<v Speaker 2>but there were definitely a few chuckles. That's from a

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<v Speaker 2>Wisconsin state senator, really that listened to you and I

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<v Speaker 2>chatting on Outside the Box yesterday took the time. I'm like, man,

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<v Speaker 2>of all the movies that I've talked about.

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<v Speaker 1>Pizza Movies is the one that here she went with.

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<v Speaker 1>Here she Pizza movie is the one she went with. Yes,

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<v Speaker 1>And I have to say, you guys have talked about Nuremberg.

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<v Speaker 1>You guys have talked about the Fantastic Four.

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<v Speaker 2>What are some of the other big ones, the long walks,

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<v Speaker 2>some artistic ones. We were all over the spectrum in

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<v Speaker 2>films that would be worth seeing and the one that

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<v Speaker 2>broke out?

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<v Speaker 1>What does this say about the Wisconsin was it state representative,

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<v Speaker 1>state senator, state senator, Wisconsin state senator that she is

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<v Speaker 1>mostly intrigued by the stoner comedy angle that we've not

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<v Speaker 1>really explored on this podcast before.

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<v Speaker 2>No, no, that was this was our first web at

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<v Speaker 2>it here and it definitely says something that's for sure.

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<v Speaker 2>And I texted back. Just to be clear, those Bulky

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<v Speaker 2>and Ie segments are not endorsements of the film.

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<v Speaker 1>No, you know what you should have said to her,

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<v Speaker 1>and like you should have been like, remind me again

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<v Speaker 1>why weed is still not.

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<v Speaker 2>Legal in this state. I actually should because you know,

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<v Speaker 2>I don't want to read the follow up, but read

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<v Speaker 2>the last text that she sent me.

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<v Speaker 1>You know. You know what's funny about that is this

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<v Speaker 1>was a not a theater movie. Pizza Movie was on

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<v Speaker 1>Hulu and Disney Plus, so we didn't have to We

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<v Speaker 1>could be in the comfort of our own homes watching

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<v Speaker 1>this movie. It was the only way to do it

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<v Speaker 1>because it's not in theaters. And I thought about indulging, Ben,

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<v Speaker 1>I thought about indulging. Yeah, and I didn't, And I'm

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<v Speaker 1>glad I didn't.

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<v Speaker 2>Well for the purposes of going this going on the

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<v Speaker 2>website of the place where I work me neither wink?

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<v Speaker 1>Yeah exactly.

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<v Speaker 2>I think that the wink defeats the purpose, does it. Yeah?

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<v Speaker 1>No, I just I'm a winker. Okay, Yeah, you know me. Yeah,

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<v Speaker 1>just happened to me. It was totally coincidental.

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<v Speaker 2>So we're jumping into Pizza movie obviously, and this was

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<v Speaker 2>a bit of a last minute pivot. This was not

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<v Speaker 2>hot necessarily high on either of our lists. We had

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<v Speaker 2>expressed it was a backup in the previous episode of the.

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<v Speaker 1>Programmed to us by John Jordan from WAPL whose opinion

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<v Speaker 1>I respect, who I haven't had a chance to talk

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<v Speaker 1>about this film yet because I've been moving a mile

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<v Speaker 1>a minute since I got off the air.

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<v Speaker 2>What did he say specifically about this movie?

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<v Speaker 1>He just he because it wasn't just have you heard

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<v Speaker 1>of this movie? He actually recommended that we watch it.

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<v Speaker 2>And not only did he recommend it, because my desk,

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<v Speaker 2>since our remodel, I am tucked away any ben commonos

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<v Speaker 2>to John Jordan interactions come when I walked past his

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<v Speaker 2>desk and one of us has seen something that we

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<v Speaker 2>want to talk to the other one about. He took

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<v Speaker 2>the time to find me in my cubby hole wow

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<v Speaker 2>to say, have you seen Pizza movie yet? I said no,

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<v Speaker 2>and he oh, oh boy. And I was like, oh, well,

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<v Speaker 2>all right, if that's that's enough of an endorsement for me,

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<v Speaker 2>so so I'm on board. And I kept it kind

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<v Speaker 2>of in the background here. And as you and I

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<v Speaker 2>oftentimes lament, March and April are not necessarily the best

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<v Speaker 2>months for movies.

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<v Speaker 1>Are they the worst?

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<v Speaker 2>Would you say they're the worst?

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<v Speaker 1>There's a little lull after the summer blockbusters, but even

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<v Speaker 1>then I think, like early fall, we get some good.

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<v Speaker 2>Stuff and there's been a recent resurgence, or not resurgence,

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<v Speaker 2>I should say, insurgents of risky horror like R rated

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<v Speaker 2>or name horror that is looking for the to capitalize

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<v Speaker 2>on the remnants of the summer crowd, but not necessarily

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<v Speaker 2>going up against a Marvel, DC or Disney movie. And

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<v Speaker 2>that's kind of September isn't as much of a waste

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<v Speaker 2>of time as it once was, So I'd argue that

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<v Speaker 2>these two months, as well as January are kind of

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<v Speaker 2>where it is absolutely dead. I still think we had

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<v Speaker 2>the worst luck in January so far with even though

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<v Speaker 2>I did enjoy Primates, but Primate was a little touch

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<v Speaker 2>and go, and a Conda was probably.

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<v Speaker 1>Yeah, that was bad. I forgot how bad that was.

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<v Speaker 1>Didn't we do send help? Was that in January or

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<v Speaker 1>was that that.

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<v Speaker 2>Was in February? Yeah, because I think that was after

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<v Speaker 2>I got back from Thailand, so I bought us a

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<v Speaker 2>little bit of a respite there. Yeah, exactly. I was

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<v Speaker 2>gone for a couple of weeks. So Pizza Movie I

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<v Speaker 2>think is only our second fore into the streaming service

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<v Speaker 2>other than Happy Gilmore No, we did, oh and What's On?

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<v Speaker 2>It's What's Inside? Yeah, yeah, which is so forgettable that

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<v Speaker 2>I forget we did it exactly. But you know, Happy

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<v Speaker 2>Gilmore Too was fine. I guess I'd argue and this doesn't.

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<v Speaker 1>Say that, by the way, from the feedback I've gotten

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<v Speaker 1>from people who know me and listen to this show,

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<v Speaker 1>that was like one of their most I should say

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<v Speaker 1>most people. A lot of people who have come up

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<v Speaker 1>to me and talked to them about this show. They

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<v Speaker 1>really liked the Happy Gilmore Too podcast that we did.

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<v Speaker 1>Oh really, that was like their favorite. I don't know

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<v Speaker 1>why I have to go back and re listen to it,

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<v Speaker 1>because I don't think it was anything spectacular. Neither one

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<v Speaker 1>of us, like we're drilling home how much we love

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<v Speaker 1>the movie.

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<v Speaker 2>But maybe that was what it was, is that we

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<v Speaker 2>acknowledged it and like to kind of put it in

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<v Speaker 2>perspective here, like without giving the rating, obviously because we

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<v Speaker 2>do that for the end, obviously better than What's Inside.

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<v Speaker 2>Did you have more or less fun watching Pizza Movie

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<v Speaker 2>than you did watching Happy it's a hard question to answer. Yeah,

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<v Speaker 2>it's a hard question to answer because Happy We're Two

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<v Speaker 2>left a lot to be desired. So did Pizza Movie.

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<v Speaker 2>And I found myself keep telling me.

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<v Speaker 1>Really, Pizza Movie left a lot to be desired for you. Yeah,

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<v Speaker 1>you and I disagree there. Really I didn't love it, Okay, okay,

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<v Speaker 1>but like my expectations going in, sure we're so low.

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<v Speaker 2>Oh yeah, and I laughed, I'm not going to be

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<v Speaker 2>crapping on this movie at all, but I just I've

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<v Speaker 2>got some some notes.

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<v Speaker 1>Yeah, I like, I think I had more enjoyment watching

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<v Speaker 1>Happy Gilmore too, even though I didn't like the movie

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<v Speaker 1>because of the nostalgic as exactly, you know exactly with

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<v Speaker 1>this it was kind of like a throwaway, one off

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<v Speaker 1>type thing where this is not really meant for my generation.

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<v Speaker 2>And and and and you know the other thing I'll

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<v Speaker 2>say about this too. Who were the stars of this film?

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<v Speaker 2>Sean Giabroni, who was the main character on The Goldbergs

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<v Speaker 2>on ABC, which just went off the air. I think

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<v Speaker 2>it's probably about off the air almost ten years now,

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<v Speaker 2>maybe not quite ten.

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<v Speaker 1>But that was a mainstay on weeknight comedy on broadcast TV,

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<v Speaker 1>and then Gayton, Madarazzo, Matizarro, Matdrazo, Madrazo. Excuse me, I

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<v Speaker 1>apologized to Italians everywhere he was there. You go, he

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<v Speaker 1>was on Stranger Things. Oh, which, by the way, I

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<v Speaker 1>should bring this up. One of my guys I work

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<v Speaker 1>with at my other job, they celebrated Greek Easter this

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<v Speaker 1>past weekend. Yeah do you do that?

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<v Speaker 2>Really?

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<v Speaker 1>Yep? What did you do? Oh?

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<v Speaker 2>Well, I mean, I'm not in Pittsburgh anymore, so I

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<v Speaker 2>just I just pissed around. But like, if I were

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<v Speaker 2>in Pittsburgh, I'd go to my Yaya's house and I'd

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<v Speaker 2>have lamb and we'd crack eggs and we'd do all

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<v Speaker 2>the stuff. So they guys do just later.

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<v Speaker 1>Right, Okay, So they they bought a spit like at

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<v Speaker 1>we don't that far and they bought a whole lamb.

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<v Speaker 1>It was the first time they've ever done it. Kevi

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<v Speaker 1>and his brothers. They decided. I saw the picture. I

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<v Speaker 1>love that.

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<v Speaker 2>I wish they invited me.

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<v Speaker 1>I would have been there, for they live in Manhattan.

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<v Speaker 2>So still, you might as well just go to Pits.

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<v Speaker 2>I realized the show is called off Topics, So I'm

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<v Speaker 2>going to use this opportunity here to any of the

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<v Speaker 2>of the Orthodox listeners.

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<v Speaker 1>Orthodocists also do it.

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<v Speaker 2>There's a handful to do the same thing, but like

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<v Speaker 2>it's the only time when people cook lamb is on Easter,

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<v Speaker 2>and there was nothing worse to be, like, Oh, yeah,

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<v Speaker 2>go into the I guess it's time for lamb. And

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<v Speaker 2>you get there and she pulls out the ham and

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<v Speaker 2>you're like, oh, I guess there's always guess, there's always

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<v Speaker 2>next year. Nothing more depressing than not getting lamb on.

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<v Speaker 1>I cannot remember the last time I had lamb.

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<v Speaker 2>I don't.

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<v Speaker 1>I mean, I'm sure I have had it at some point. Oh,

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<v Speaker 1>it's delicious, but yeah, I remember, Like the red meat.

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<v Speaker 1>I think it's like the healthiest kind for you or something.

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<v Speaker 2>Didn't realize the red meat, Yeah, I guess it is. Yeah,

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<v Speaker 2>and it's apparently not nearly as bad for you was

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<v Speaker 2>traditional red meat. Can't back that up. Don't quote me

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<v Speaker 2>on it.

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<v Speaker 1>But uh, how does it compare to mutton, because that

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<v Speaker 1>isn't mutton, the full the meat of the full grown sheep.

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<v Speaker 2>Oh I don't know that. I don't know you were.

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<v Speaker 2>Oh no, because the Lord would not the Lord would

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<v Speaker 2>not let that go. It's got to be a lamp.

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<v Speaker 2>But exactly, and you want to talk some hippie dippy shit,

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<v Speaker 2>Greek Easter is either the same day as your Easter,

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<v Speaker 2>one week later, two weeks later, or six weeks later,

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<v Speaker 2>and it all depends on the full moon. That's bizarre.

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<v Speaker 2>There you go, But technically it's also orthodox because this

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<v Speaker 2>was the original definition. So the Easter that everyone else

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<v Speaker 2>celebrates is actually the newer way.

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<v Speaker 1>Of doing it.

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<v Speaker 2>Ah, Okay, you're welcome for that.

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<v Speaker 1>We appreciate it, Ben, thank you. Yeah.

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<v Speaker 2>But in any event, what was his name, Mado?

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<v Speaker 1>He was on Stranger Things, right, So this is an

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<v Speaker 1>opportunity for these guys who sort of grew up in

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<v Speaker 1>front of the camera to kind of stretch their legs

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<v Speaker 1>and do like more of an adult themed type, not

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<v Speaker 1>adult team, but like twenties, you know, people in their twenties.

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<v Speaker 2>Yeah, like stoner comedy with what it was.

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<v Speaker 1>And if you look at some of the other people,

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<v Speaker 1>Lulu Wilson, who was sort of the female lead and

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<v Speaker 1>I hesitate to use the term lead because he wasn't

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<v Speaker 1>a lead. She was more of a supporting character in this,

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<v Speaker 1>but she was in a bus. She was actually in

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<v Speaker 1>some some other horror stuff.

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<v Speaker 2>She was in Becky, Yeah, Becky fantastic.

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<v Speaker 1>And she was also going to be in All was

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<v Speaker 1>a marvel thing. And I can't remember which one Doctor Strange.

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<v Speaker 1>She was in Doctor Strange, the New Doctor Strange, the Multise.

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<v Speaker 1>They cut her scene so she actually wasn't in it,

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<v Speaker 1>but she did film the scene for them. And then

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<v Speaker 1>you hit and I can't remember who the other woman

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<v Speaker 1>was that that Sean Giebro, thank you. She did some

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<v Speaker 1>Disney stuff back in the day. She was on the

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<v Speaker 1>Doogie Howser MD, not spin off but sort of like remake. Yeah,

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<v Speaker 1>and it was like Hawaiian like she was like the

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<v Speaker 1>Hawaiian Doogie Howser or whatever.

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<v Speaker 2>And she was in twenty twenty fours Carved. If you're

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<v Speaker 2>looking for.

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<v Speaker 1>I'm not familiar.

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<v Speaker 2>This was this horror. Yeah, I'm assuming from the game. Yeah.

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<v Speaker 2>It was basically an updated Pumpkinhead type of movie. I

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<v Speaker 2>don't even know pumpkin Head. Oh that's like from the eighties.

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<v Speaker 2>But that's not diverge too far off here, but but.

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<v Speaker 1>That would to bring it back to my original point.

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<v Speaker 2>This was not made for us.

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<v Speaker 1>No, these are characters are excuse me, these are actors

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<v Speaker 1>that are much younger than us that are playing much

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<v Speaker 1>younger characters. This is set in college, in early college,

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<v Speaker 1>right like first or second year of college.

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<v Speaker 2>That's how it seems like it's And I have described

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<v Speaker 2>it to several people in my personal life. I said,

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<v Speaker 2>you know, if I had seen this when I were nineteen,

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<v Speaker 2>I probably would have thought it was one of the

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<v Speaker 2>funniest things I've ever seen in my life. But I

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<v Speaker 2>saw it when I was thirty eight, so I'm looking

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<v Speaker 2>at it through a thirty eight year old's perspective. The

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<v Speaker 2>reason I picked nineteen is I was nineteen when super

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<v Speaker 2>Bad came out, and I thought that was one of

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<v Speaker 2>the funniest things that ever came out. Now, I would

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<v Speaker 2>argue that that transcends ages a little better than this

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<v Speaker 2>movie does.

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<v Speaker 1>One hundred percent, because I don't know when it's come

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<v Speaker 1>out twenty seven, twenty oh seven, So I was forty. No,

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<v Speaker 1>I wasn't forty. I was twenty eight. Yeah, I came

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<v Speaker 1>out and I thought it was hilarious. I thought it

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<v Speaker 1>was hilarious when I was thirty eight, and I'm forty

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<v Speaker 1>six now it's still hilarious. I love it, you know,

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<v Speaker 1>It's great. Jonah Hill was on SNL when Jack Black

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<v Speaker 1>had the he got inducted into the Five Timers Club

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<v Speaker 1>or whatever. Sure, by the way, go back and look

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<v Speaker 1>at that Ben.

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<v Speaker 2>He is on something. His mouth is a gape the

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<v Speaker 2>entire time.

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<v Speaker 1>Doubt it, it was really and he looked thin again,

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<v Speaker 1>so like it's like he's like the new Oprah Winfrey.

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<v Speaker 1>He's fat, he's thin, he's fat, he's thin. But he

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<v Speaker 1>said on there he's like, oh yeah, I was just

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<v Speaker 1>filming or writing the script for super Bad too, and

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<v Speaker 1>everybody went crazy like oh yeah, you know, and he's

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<v Speaker 1>like April Fools or something like that, which sucked because

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<v Speaker 1>it would have been great.

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<v Speaker 2>But I'd argue what that movie has that this one's

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<v Speaker 2>missing when you watch super Bad. When I saw I

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<v Speaker 2>think I might have brought this up on the podcast

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<v Speaker 2>before I watched in theaters when I was nineteen and

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<v Speaker 2>I was the person trying to sneak booze because I

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<v Speaker 2>couldn't buy legally. But then you go back and watch

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<v Speaker 2>the movie when you're twenty eight, and you see like

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<v Speaker 2>the guy working at the liquor store who's like, I

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<v Speaker 2>hate my fucking life and like all those people and

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<v Speaker 2>like as someone who really hadn't figured crap out by

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<v Speaker 2>his twenties. I was sitting there like, yeah, yeah, I

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<v Speaker 2>kind of relate more to the to the liquor store,

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<v Speaker 2>to the people go into the house party, to the

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<v Speaker 2>like all these other characters that kind of are reflective

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<v Speaker 2>around these high school students, and so they have both

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<v Speaker 2>sides met, so you can kind of enjoy it, and

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<v Speaker 2>then you could argue. I think if I watched it now,

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<v Speaker 2>I might even be more like Seth Rogan or Bill

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<v Speaker 2>Hayter trying to find fun in my now fully adult life,

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<v Speaker 2>and like it covers all the different bases of life,

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<v Speaker 2>whereas this is very There are no characters for anybody

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<v Speaker 2>over the age of twenty two in this movie.

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<v Speaker 1>Exactly did you notice? You and I talked about this?

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<v Speaker 1>Daniel Radcliffe voiced these firefly Yeah. Do you know who

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<v Speaker 1>voiced the Snackatron, the pizza delivery robot.

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<v Speaker 2>I think if you didn't tell me this, John Jordan did,

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<v Speaker 2>But it's already it's Josh Gadd right, Well, it's.

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<v Speaker 1>A good guess it's another large actor. Bobby moynihan, a

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<v Speaker 1>former SNL cast member, as well. Sarah Sherman shut to

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<v Speaker 1>a current SNL cast member, and we said Britannic I

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<v Speaker 1>believe is the official director's name. It's two guys who

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<v Speaker 1>combined their names to come up with this director. You know,

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<v Speaker 1>it's like, oh sure, no, yeah, but they wrote on

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<v Speaker 1>SNL from in the twenty sixteen to twenty those.

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<v Speaker 2>Guys always like the SNL people always stick together, you know, like.

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<v Speaker 1>Does seem like it because they're always trying to give

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<v Speaker 1>each other work.

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<v Speaker 2>For sure.

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<v Speaker 1>I was gonna point this out getting off topic again.

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<v Speaker 1>So I visited my uncle who lives in San Francisco

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<v Speaker 1>Bay area. This would have been I don't know how

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<v Speaker 1>many years ago now, at least fifteen, probably twenty, and

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<v Speaker 1>we are having dinner. I don't know why we had it.

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<v Speaker 1>Like I, when I go somewhere, you're probably the same

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<v Speaker 1>way I want to go somewhere where I, you know,

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<v Speaker 1>experience something local. Sure, we went to like Chili's, yeah,

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<v Speaker 1>which was really annoying to me. But what I noticed

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<v Speaker 1>when we were there were sitting there and there's these

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<v Speaker 1>these people in there, kids probably my age, like twenty

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<v Speaker 1>twenty five, nobody older than thirty.

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<v Speaker 2>But they're all like partying in the bar.

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<v Speaker 1>Area of Chili's and like slamming back shots and stuff,

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<v Speaker 1>and I'm like, and I said to my uncle, I'm like,

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<v Speaker 1>what's going on here? Is Chili's like the big bar

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<v Speaker 1>that people And he said, you know, we don't really

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<v Speaker 1>have because he's from Wisconsin River and he's like, we

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<v Speaker 1>do only have bars here, like where people just go

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<v Speaker 1>out and pound or you know, like this is the bar.

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<v Speaker 1>And I always thought, well, I'm sure there's some exceptions

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<v Speaker 1>to that. But then I was watching super Bad the

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<v Speaker 1>first time I saw it, and I'm like, why are

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<v Speaker 1>all these people who are clearly over the age of

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<v Speaker 1>twenty one, why are they all congregating at a house party?

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<v Speaker 2>You know?

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<v Speaker 1>And then I remember my uncle said, like, we've been

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<v Speaker 1>in a bar, So then it made sense that all

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<v Speaker 1>these because that was always kind of a weird thing

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<v Speaker 1>for me when I was watching super Bad. Is this

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<v Speaker 1>is the perfect time for these people, especially people who

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<v Speaker 1>get drunk and fight that you go to bars for that,

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<v Speaker 1>you don't go to somebody's house.

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<v Speaker 2>Uh see, maybe I'm just wired differently, but I always

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<v Speaker 2>enjoyed the house party esthetic more than the bar aesthetic,

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<v Speaker 2>Like sign me up to go to someone's house have

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<v Speaker 2>a keg. There may be or at least a whole

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<v Speaker 2>bunch of booze. I have always found that because what's

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<v Speaker 2>funny is, especially with my group of friends that I

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<v Speaker 2>grew up with, I'd always joke and like we complained

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<v Speaker 2>about how many people are at a bar or the

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<v Speaker 2>aesthetic of the bar, and then none of us talk

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<v Speaker 2>to anybody else that wasn't in the group anywhere. Why

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<v Speaker 2>don't we just buy booze for cheaper and go have

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<v Speaker 2>fun with the people that we know that we have

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<v Speaker 2>fun with, and then if we really want to go

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<v Speaker 2>experience life, then go out after the fact. And like

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<v Speaker 2>that's always been my attitude.

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<v Speaker 1>But I think the thing is with my friends and

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<v Speaker 1>maybe because we're all sloppy pigs, nobody wants to host.

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<v Speaker 1>Oh that's fair, you know what I mean, Like, you

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<v Speaker 1>go to a bar, you don't have to wipe your

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<v Speaker 1>feet and to your gusting and whatever, and to your point.

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<v Speaker 2>I moved back to my dad's house for my twenty bean,

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<v Speaker 2>twenty five and part of twenty six. I lived in

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<v Speaker 2>downtown Pittsburgh proper right after college because life was still affordable.

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<v Speaker 2>Then then I decided I wanted to save up to

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<v Speaker 2>buy my duplex, so I moved home for about a

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<v Speaker 2>year and a half and then I moved back to

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<v Speaker 2>the city and during that year and a half, Chili's

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<v Speaker 2>was our spot. We would go to Chili's all the

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<v Speaker 2>time and just get whacked. The bartenders loved us when

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<v Speaker 2>they'd see us walk in, like it was like, Oh,

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<v Speaker 2>it's gonna be one of those kind of thursdays.

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<v Speaker 1>Huh right, yes, yes it is. Let's get this done.

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<v Speaker 1>The uh the okay. So getting back to ye Sorr, well.

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<v Speaker 2>No, because it's these are the kind of stories that

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<v Speaker 2>are because this is the vibe the movie goes for,

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<v Speaker 2>is these kind of stories when you're still trying to

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<v Speaker 2>figure life out when you really don't have And I'm

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<v Speaker 2>gonna be honest with you, Dustin whatever the hell's name was,

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<v Speaker 2>We're never gonna say, right, Gaton Mattarazo, Yeah, let's be real.

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<v Speaker 2>He wanted to be Jonah Hill in this movie. He

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<v Speaker 2>was trying to channel Jonah Hill in this movie. And

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<v Speaker 2>he is not Jonah Like, that's not the character that

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<v Speaker 2>he can play. I'll be real. I had issues with

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<v Speaker 2>both of the lead casts casting. I didn't like either

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<v Speaker 2>one of them.

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<v Speaker 1>Oh, I could see Sean BRONI because he was kind

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<v Speaker 1>of this nerdy you know, he's this nerdy kind of

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<v Speaker 1>looking at it might have been funnier.

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<v Speaker 2>Did you watch The Goldbergs at all? No, I mean

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<v Speaker 2>he was even nerdier on that show. I'm sure, I'm sure,

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<v Speaker 2>but even the main ra which Jack Martin.

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<v Speaker 1>Wait, would you how would you compare Sean gia Berney's

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<v Speaker 1>character to Michael Sarah's character.

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00:17:19.079 --> 00:17:21.599
<v Speaker 2>Michael Sarah was and maybe I'm just biased, but Michael

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00:17:21.640 --> 00:17:25.039
<v Speaker 2>Sarah was infinitely more classic. There's not anything because Michael

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<v Speaker 2>Sarah's a unique cat, right, He's got the weird voice,

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00:17:27.799 --> 00:17:31.000
<v Speaker 2>he's got the weird mannerisms. Both of these people I

389
00:17:31.000 --> 00:17:34.079
<v Speaker 2>think benefited from a funny script that could have been

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00:17:34.160 --> 00:17:38.319
<v Speaker 2>funnier if different people were there cast. Take Jim Carrey

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<v Speaker 2>out of Dumb and Dumber and all the jokes are

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<v Speaker 2>still there, but it's not the same movie. And sometimes

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<v Speaker 2>I just feel like you can tell, like, ah, this

394
00:17:46.599 --> 00:17:48.680
<v Speaker 2>movie actually could have been better if it had been

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<v Speaker 2>cast better. And I realize you're not going to get

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<v Speaker 2>a list actors to do this kind of movie. You're

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<v Speaker 2>going to get people trying to establish themselves, right, But

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<v Speaker 2>to me, I think it was funny writing that was

399
00:17:58.359 --> 00:18:00.279
<v Speaker 2>done well, it's not like I was like, I can

400
00:18:00.279 --> 00:18:02.720
<v Speaker 2>tell they're reading the script, but it's not. It could

401
00:18:02.759 --> 00:18:05.319
<v Speaker 2>have been brought up to the m degree. The RA

402
00:18:05.680 --> 00:18:08.599
<v Speaker 2>Jack Martin would scream his his le I'm like, you know,

403
00:18:08.880 --> 00:18:11.559
<v Speaker 2>these lines could have been funny if they were delivered

404
00:18:11.799 --> 00:18:12.720
<v Speaker 2>in a different way.

405
00:18:12.920 --> 00:18:16.039
<v Speaker 1>The Ra was too soft for me, like the character

406
00:18:16.079 --> 00:18:18.319
<v Speaker 1>they cast or the actor they cast to play him,

407
00:18:18.400 --> 00:18:20.440
<v Speaker 1>like it should have been more of a Do you

408
00:18:20.480 --> 00:18:23.960
<v Speaker 1>remember Bottle Rocket at all? The movie came out in

409
00:18:24.000 --> 00:18:26.839
<v Speaker 1>the late eighties. It was Wes Anderson's basically his first thing,

410
00:18:27.720 --> 00:18:30.880
<v Speaker 1>and uh, all three of the Wilson's were in it,

411
00:18:31.079 --> 00:18:34.160
<v Speaker 1>Luke Wilson, Owen Wilson, and Andrew Wilson, who I didn't

412
00:18:34.160 --> 00:18:36.680
<v Speaker 1>even know that was a personactly. Yeah, and he's like

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<v Speaker 1>this total kind of like sorry Andrew hard ass.

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00:18:39.039 --> 00:18:41.720
<v Speaker 2>In that movie and he doesn't really do much you

415
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<v Speaker 2>know after that.

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<v Speaker 1>Yeah, but you needed some sort of like militant you know,

417
00:18:47.319 --> 00:18:50.119
<v Speaker 1>guy you know, with with with with some sort of

418
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<v Speaker 1>like four H not four H but you know, like

419
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<v Speaker 1>like military aspirations, like you needed that for the RA

420
00:18:57.400 --> 00:19:00.400
<v Speaker 1>to lead this. Like this guy was was just he

421
00:19:00.480 --> 00:19:03.319
<v Speaker 1>was too soft of a of a of a man too.

422
00:19:03.519 --> 00:19:06.000
<v Speaker 2>I will say, you picked up on the obvious and

423
00:19:06.039 --> 00:19:07.559
<v Speaker 2>glorious bastard's reference.

424
00:19:07.640 --> 00:19:08.119
<v Speaker 1>What was it?

425
00:19:08.200 --> 00:19:10.759
<v Speaker 2>What was it when he uh he catches the one kid?

426
00:19:10.799 --> 00:19:12.319
<v Speaker 2>I think it was like a young black kid who

427
00:19:12.400 --> 00:19:15.559
<v Speaker 2>hid some drugs, like in a microwave or something. And

428
00:19:15.599 --> 00:19:19.200
<v Speaker 2>they just did the first scene from Glorious Drugs and

429
00:19:19.279 --> 00:19:22.000
<v Speaker 2>you see him cry like one tier all he's doing

430
00:19:22.200 --> 00:19:25.160
<v Speaker 2>and it was almost line for line, and I was like,

431
00:19:25.240 --> 00:19:27.160
<v Speaker 2>this is funny. I almost think it would have been

432
00:19:27.240 --> 00:19:29.240
<v Speaker 2>better if they just had the ra do like the

433
00:19:29.319 --> 00:19:34.079
<v Speaker 2>drill sergeant in uh uh a full metal jacket?

434
00:19:34.240 --> 00:19:34.839
<v Speaker 1>Are m?

435
00:19:35.079 --> 00:19:38.319
<v Speaker 2>Yeah, just do these famous scenes because the scenes that

436
00:19:38.359 --> 00:19:41.000
<v Speaker 2>you're letting him improv do it, he's just screaming it.

437
00:19:41.039 --> 00:19:43.920
<v Speaker 2>And I had a ninth grade hit English teacher who

438
00:19:44.039 --> 00:19:46.960
<v Speaker 2>said to me when we were watching the Leonardo DiCaprio

439
00:19:47.079 --> 00:19:50.119
<v Speaker 2>Romeo and Juliette movie where he's screaming the lyrics and

440
00:19:50.160 --> 00:19:52.960
<v Speaker 2>he looks at the glass, he goes, you know, screaming

441
00:19:53.039 --> 00:19:56.440
<v Speaker 2>the lines. He said, screaming your lines does not make

442
00:19:56.519 --> 00:19:58.720
<v Speaker 2>you a good actor. And I was I found myself

443
00:19:58.759 --> 00:20:02.000
<v Speaker 2>channeling mister Hubert while I was watching this ra do

444
00:20:02.119 --> 00:20:05.119
<v Speaker 2>the lines. I didn't really find that anybody was cast

445
00:20:05.160 --> 00:20:07.400
<v Speaker 2>in a particular outside of Peyton Elizabeth Lee. I thought

446
00:20:07.440 --> 00:20:10.240
<v Speaker 2>she was perfectly cast. Everybody else I was like.

447
00:20:11.079 --> 00:20:13.720
<v Speaker 1>Eh, so let me ask you this, and this is

448
00:20:13.759 --> 00:20:16.319
<v Speaker 1>an unfair question. Who would you have liked to see?

449
00:20:16.359 --> 00:20:19.960
<v Speaker 1>What actors would you have liked to see in the

450
00:20:20.119 --> 00:20:22.079
<v Speaker 1>in these roles in the two main one, in the

451
00:20:22.079 --> 00:20:25.200
<v Speaker 1>three main Folt essentially God, because I have a feeling

452
00:20:25.240 --> 00:20:26.400
<v Speaker 1>whoever you're going.

453
00:20:26.240 --> 00:20:30.640
<v Speaker 2>To say is more contemporary to my youth. Yeah, probably probably,

454
00:20:30.799 --> 00:20:34.920
<v Speaker 2>And I'm interested because like, uh, Gayton Monarazzo does the

455
00:20:34.960 --> 00:20:37.759
<v Speaker 2>painted fingernails thing, which is much more a gen Z thing.

456
00:20:37.839 --> 00:20:39.680
<v Speaker 2>I was not off put by it in any stretch

457
00:20:39.680 --> 00:20:42.920
<v Speaker 2>of the imagination. But that's obviously a younger era type

458
00:20:42.920 --> 00:20:45.559
<v Speaker 2>of deal with Kayleb Williams doing it and all that

459
00:20:45.680 --> 00:20:49.400
<v Speaker 2>jazz that they very clearly were kind of embodying this,

460
00:20:49.400 --> 00:20:52.000
<v Speaker 2>this gen Z take on what I was used to

461
00:20:52.039 --> 00:20:54.920
<v Speaker 2>for the millennial take. Whatever the situation is. And maybe

462
00:20:54.960 --> 00:20:57.480
<v Speaker 2>that is it. That it's just as I often state

463
00:20:57.519 --> 00:21:00.680
<v Speaker 2>on Outside the Box, humor evolves, and maybe it is evolving,

464
00:21:00.920 --> 00:21:02.920
<v Speaker 2>not to the point where I hate it. Obviously I

465
00:21:03.000 --> 00:21:05.079
<v Speaker 2>laughed quite a bit at type points to this movie,

466
00:21:05.119 --> 00:21:07.680
<v Speaker 2>but again I credit the writing and not the acting

467
00:21:07.799 --> 00:21:10.680
<v Speaker 2>all that. So I don't know who I would put

468
00:21:10.680 --> 00:21:13.079
<v Speaker 2>in these roles because I can't see anything other than

469
00:21:13.119 --> 00:21:16.960
<v Speaker 2>this generation's super bad, which then obviously I can't put.

470
00:21:17.079 --> 00:21:18.480
<v Speaker 1>You can't put those guys back.

471
00:21:18.279 --> 00:21:21.720
<v Speaker 2>Because they're too old exactly, And so I don't know

472
00:21:21.759 --> 00:21:24.160
<v Speaker 2>who young people would be that I would want to

473
00:21:24.200 --> 00:21:27.599
<v Speaker 2>see in those roles. I just know that the way,

474
00:21:27.680 --> 00:21:30.079
<v Speaker 2>at least in which that I saw them, I was like, man,

475
00:21:30.319 --> 00:21:33.640
<v Speaker 2>there's a really funny script here that it just feels

476
00:21:33.640 --> 00:21:35.000
<v Speaker 2>like they don't have. I don't know if it's a

477
00:21:35.079 --> 00:21:37.960
<v Speaker 2>lack of creativity or acting chops or what it is.

478
00:21:37.960 --> 00:21:40.640
<v Speaker 2>It's just like they can't bring this. Like you know,

479
00:21:40.759 --> 00:21:43.759
<v Speaker 2>in Dumb and Dumber, they were like, eat the spicy

480
00:21:43.799 --> 00:21:47.359
<v Speaker 2>peppers in the hamburger and then do whatever you see

481
00:21:47.359 --> 00:21:50.480
<v Speaker 2>fit and Jim Carrey like creates a fountain and sticks

482
00:21:50.480 --> 00:21:52.039
<v Speaker 2>his face in front of it. And I don't think

483
00:21:52.079 --> 00:21:53.920
<v Speaker 2>most people would have thought to do that, and that

484
00:21:54.000 --> 00:21:56.000
<v Speaker 2>scene still would have been funny, you know what I mean,

485
00:21:56.039 --> 00:21:58.160
<v Speaker 2>It still have had those elements, But there's something that

486
00:21:58.240 --> 00:22:01.000
<v Speaker 2>certain people can do to take to the next level.

487
00:22:01.200 --> 00:22:03.240
<v Speaker 2>I think there was a really funny idea here. I

488
00:22:03.240 --> 00:22:05.079
<v Speaker 2>think that's what I'm frustrated about, is it was a

489
00:22:05.119 --> 00:22:08.000
<v Speaker 2>really funny idea that it just there were moments that

490
00:22:08.039 --> 00:22:10.799
<v Speaker 2>I was just like, ah, better, better suited people would

491
00:22:10.799 --> 00:22:11.960
<v Speaker 2>have really ate this up.

492
00:22:12.039 --> 00:22:14.759
<v Speaker 1>We we we I think what we have to be

493
00:22:14.880 --> 00:22:17.319
<v Speaker 1>careful of here when we talk about this. And I

494
00:22:17.319 --> 00:22:22.119
<v Speaker 1>don't necessarily disagree with you. Physical comedy is such a

495
00:22:22.160 --> 00:22:26.319
<v Speaker 1>difficult thing to pull off, like and and there's three

496
00:22:26.319 --> 00:22:27.960
<v Speaker 1>people that come to mind, and maybe the third one

497
00:22:27.960 --> 00:22:32.000
<v Speaker 1>shouldn't come to mind, but it does. Jim Carrey, Chris Marley,

498
00:22:32.359 --> 00:22:34.839
<v Speaker 1>and Melissa McCarthy. For me, there's the other one that

499
00:22:34.839 --> 00:22:37.440
<v Speaker 1>that comes up, and I think she's tremendous. I think

500
00:22:37.480 --> 00:22:39.720
<v Speaker 1>you could put Zach gallifan Akis in that.

501
00:22:39.880 --> 00:22:42.680
<v Speaker 2>I think Jimmy Chase kind of lived in that a

502
00:22:42.720 --> 00:22:45.240
<v Speaker 2>little bit. I didn't personally enjoy it. He was more

503
00:22:45.400 --> 00:22:48.559
<v Speaker 2>like deadpan comedy rather than what he'd like. I step

504
00:22:48.599 --> 00:22:50.160
<v Speaker 2>on this thing and I fall down Like that was

505
00:22:50.200 --> 00:22:51.759
<v Speaker 2>quite a bit of a stick.

506
00:22:52.519 --> 00:22:56.559
<v Speaker 1>The galifan Akis, I think, is kind of transitioning away

507
00:22:56.559 --> 00:22:56.880
<v Speaker 1>from that.

508
00:22:56.880 --> 00:22:58.680
<v Speaker 2>Although he's in this. Did you see this new thing?

509
00:22:58.720 --> 00:23:00.319
<v Speaker 1>I don't know if it's on Prime or who or

510
00:23:00.359 --> 00:23:03.960
<v Speaker 1>whatever about a farm thing that he's working on. It

511
00:23:04.039 --> 00:23:07.880
<v Speaker 1>looked very bizarre comedy drama. Well, I think it's a comedy,

512
00:23:07.960 --> 00:23:11.000
<v Speaker 1>but it like it's kind of like it's very between

513
00:23:11.079 --> 00:23:11.759
<v Speaker 1>two ferns.

514
00:23:11.880 --> 00:23:14.839
<v Speaker 2>S Oh wow, So look it up if you get

515
00:23:14.880 --> 00:23:15.240
<v Speaker 2>a chance.

516
00:23:15.759 --> 00:23:19.039
<v Speaker 1>I'm not going to check it out, but whatever, So

517
00:23:19.119 --> 00:23:20.559
<v Speaker 1>I think it's hard to pull off, and I think

518
00:23:20.559 --> 00:23:23.240
<v Speaker 1>you would have needed you know, we come we keep using.

519
00:23:23.000 --> 00:23:25.799
<v Speaker 2>The the Jim Carrey example from Dumb and Dumber.

520
00:23:26.960 --> 00:23:29.200
<v Speaker 1>You could pick out, you know, any of his comedic

521
00:23:29.240 --> 00:23:32.759
<v Speaker 1>movies in the nineties or early two thousands, that that's such

522
00:23:32.799 --> 00:23:36.400
<v Speaker 1>a difficult thing to find, and so like, I don't

523
00:23:36.680 --> 00:23:39.720
<v Speaker 1>we could have listed off, you know, dozens of actors

524
00:23:39.759 --> 00:23:43.240
<v Speaker 1>that could have been in this situation. I don't know

525
00:23:43.240 --> 00:23:45.079
<v Speaker 1>if it would have been any better because we're talking

526
00:23:45.079 --> 00:23:47.759
<v Speaker 1>about rarefied air with what he's able to do in

527
00:23:47.799 --> 00:23:49.960
<v Speaker 1>front of the camera right that. I just think most

528
00:23:50.000 --> 00:23:53.240
<v Speaker 1>actors cannot pull off. And I mentioned a few of them.

529
00:23:53.279 --> 00:23:55.000
<v Speaker 1>I really think that's a very short.

530
00:23:54.720 --> 00:23:57.759
<v Speaker 2>List put so okay, But then to that point, like, now,

531
00:23:57.799 --> 00:24:00.279
<v Speaker 2>this is interesting because had I not been texted by

532
00:24:00.279 --> 00:24:03.880
<v Speaker 2>a local government official, way, the way I was going

533
00:24:03.920 --> 00:24:06.400
<v Speaker 2>to start this show was to ask you, what, in

534
00:24:06.440 --> 00:24:10.079
<v Speaker 2>your mind is your favorite college humor movie, because obviously

535
00:24:10.279 --> 00:24:13.640
<v Speaker 2>Animal House set the standard, and there's a billion you got,

536
00:24:13.720 --> 00:24:17.039
<v Speaker 2>you got Van Wilder, You've got the the American Pie movies.

537
00:24:17.279 --> 00:24:20.240
<v Speaker 2>My favorite as a kid, which I probably was watching

538
00:24:20.240 --> 00:24:24.880
<v Speaker 2>it too young, was road Trip. Outside of Tom Green,

539
00:24:25.160 --> 00:24:29.480
<v Speaker 2>who what is physical comedy embodied a lot of those guys.

540
00:24:29.480 --> 00:24:32.119
<v Speaker 2>You're Sean Williams, Scott's You're whatever, that main I don't

541
00:24:32.119 --> 00:24:35.960
<v Speaker 2>know any of the actors, the main guy. Oh and

542
00:24:36.000 --> 00:24:42.480
<v Speaker 2>then DJ DJ Qualls guy. Yeah, like not any of

543
00:24:42.480 --> 00:24:45.440
<v Speaker 2>them really chewed up the scenery, but their chemistry, the

544
00:24:45.480 --> 00:24:49.119
<v Speaker 2>way they one another, it was perfect. Like it was

545
00:24:49.160 --> 00:24:51.799
<v Speaker 2>so well done. These guys I could tell, like to

546
00:24:51.839 --> 00:24:54.200
<v Speaker 2>go back to Dumb and Dumber. You almost forget that

547
00:24:54.240 --> 00:24:56.599
<v Speaker 2>when the cameras stopped rolling that Jim Carrey and Jeff

548
00:24:56.640 --> 00:24:58.680
<v Speaker 2>Daniels aren't best friends in real life and they're not

549
00:24:58.720 --> 00:25:01.079
<v Speaker 2>going to hang out when when work has done that day.

550
00:25:01.480 --> 00:25:03.720
<v Speaker 2>I did not get that vibe with this two. And

551
00:25:03.759 --> 00:25:05.839
<v Speaker 2>maybe it's because I'm an older and cynical man and

552
00:25:05.880 --> 00:25:08.200
<v Speaker 2>I'm talking about movies that I saw as a child.

553
00:25:08.480 --> 00:25:10.720
<v Speaker 2>And it was easier to lose yourself in it with

554
00:25:10.759 --> 00:25:13.000
<v Speaker 2>these ways, and I am I'm acknowledging that, but I

555
00:25:13.039 --> 00:25:15.400
<v Speaker 2>also do think that it was better made. And I

556
00:25:15.400 --> 00:25:17.720
<v Speaker 2>think my main frustration to keep hammering at home is

557
00:25:17.880 --> 00:25:21.119
<v Speaker 2>there's a funny idea here, there's a really good idea.

558
00:25:21.519 --> 00:25:24.839
<v Speaker 1>I think these guys are the directors and the writers

559
00:25:24.880 --> 00:25:25.519
<v Speaker 1>of this film.

560
00:25:25.400 --> 00:25:26.359
<v Speaker 2>Dave, Harold and Kumar.

561
00:25:26.440 --> 00:25:28.599
<v Speaker 1>We haven't even touched. Yeah, well, I was gonna ask

562
00:25:28.680 --> 00:25:32.359
<v Speaker 1>you about this, so so I think like the comparison

563
00:25:32.519 --> 00:25:34.960
<v Speaker 1>between Pizza Movie and the Harold and Kumar Is it.

564
00:25:35.000 --> 00:25:36.839
<v Speaker 2>A trilogy or is ittube trilogy?

565
00:25:39.599 --> 00:25:44.000
<v Speaker 1>Yes, I get some of the comparisons, and this one

566
00:25:44.240 --> 00:25:47.680
<v Speaker 1>was so absurdist and it was so far out there

567
00:25:48.039 --> 00:25:50.680
<v Speaker 1>that it kind of lost me a little bit. I

568
00:25:50.759 --> 00:25:53.640
<v Speaker 1>mentioned how these guys had experience writing for us, and

569
00:25:53.680 --> 00:25:56.559
<v Speaker 1>now they also did their own sketch comedy on YouTube,

570
00:25:57.039 --> 00:25:59.359
<v Speaker 1>you know before they sort of like, I don't want

571
00:25:59.359 --> 00:26:01.240
<v Speaker 1>to say, hit it big, but got their big break whatever.

572
00:26:02.440 --> 00:26:06.880
<v Speaker 1>I felt like this was a totally stitch together sketch

573
00:26:06.920 --> 00:26:11.200
<v Speaker 1>comedy movie where there's yeah, remember the Kentucky Fried movie

574
00:26:11.240 --> 00:26:15.160
<v Speaker 1>from like the midiages. Yeah, totally reminded me of like,

575
00:26:15.240 --> 00:26:17.920
<v Speaker 1>I kept harkening back to the Kentucky Fried movie with this,

576
00:26:18.400 --> 00:26:22.119
<v Speaker 1>with all these like weird little sketches that somehow would

577
00:26:22.200 --> 00:26:25.440
<v Speaker 1>tie into the next scene, sometimes cleanly, sometimes not so cleanly.

578
00:26:26.160 --> 00:26:30.440
<v Speaker 1>And I appreciated the callbacks that we got to in

579
00:26:30.519 --> 00:26:33.480
<v Speaker 1>the payoffs that we got to later on in the

580
00:26:33.519 --> 00:26:36.799
<v Speaker 1>movie before it ended. You know, the elevator thing, the

581
00:26:36.839 --> 00:26:42.680
<v Speaker 1>whole magician thing, right, the the the hispanic guy thing, right,

582
00:26:43.039 --> 00:26:46.480
<v Speaker 1>So there was that was cool like that. I appreciated that.

583
00:26:46.839 --> 00:26:49.559
<v Speaker 1>But some of the stuff like if you say a

584
00:26:49.599 --> 00:26:53.000
<v Speaker 1>bad word, your head explodes as one of the stages

585
00:26:53.079 --> 00:26:55.319
<v Speaker 1>of this, I mean that that makes no sense.

586
00:26:55.519 --> 00:26:57.480
<v Speaker 2>And it just kept it was quite literally, it was

587
00:26:57.519 --> 00:26:59.119
<v Speaker 2>like happy It was like groundhog Day. It was like

588
00:26:59.160 --> 00:27:02.440
<v Speaker 2>Happy death Day was it would literally like I did

589
00:27:02.480 --> 00:27:05.160
<v Speaker 2>appreciate that because I was anticipating Oh.

590
00:27:05.079 --> 00:27:06.960
<v Speaker 1>And then and then you know what else, Sorry, You're good.

591
00:27:07.039 --> 00:27:09.680
<v Speaker 1>Twenty one Jump Street hit like and twenty two Jump Street.

592
00:27:09.680 --> 00:27:12.720
<v Speaker 1>I believe they had the stages of the drugs laid

593
00:27:12.759 --> 00:27:16.319
<v Speaker 1>out in the same way that this film absolutely and

594
00:27:16.839 --> 00:27:19.720
<v Speaker 1>this one again took it a twenty one Jump Street

595
00:27:19.799 --> 00:27:22.680
<v Speaker 1>false sense of confidence. Well, yeah, obviously that's gonna come

596
00:27:22.720 --> 00:27:24.559
<v Speaker 1>with truck. It's in here, and then this one you

597
00:27:24.559 --> 00:27:27.240
<v Speaker 1>have to eat pizza or you die. Make the baby

598
00:27:27.440 --> 00:27:30.400
<v Speaker 1>like it, make the baby less, make the baby I mean, what.

599
00:27:30.160 --> 00:27:31.079
<v Speaker 2>The hell is that?

600
00:27:31.079 --> 00:27:34.359
<v Speaker 1>That killed me? That was so good?

601
00:27:34.960 --> 00:27:37.319
<v Speaker 2>And see, I thought we might write it run into

602
00:27:37.359 --> 00:27:39.319
<v Speaker 2>this And I'm gonna have to be careful about how

603
00:27:39.359 --> 00:27:41.720
<v Speaker 2>I talk about this on the airwaves, but let's just

604
00:27:41.759 --> 00:27:45.640
<v Speaker 2>say you and I had different experiences in our twenties,

605
00:27:45.960 --> 00:27:49.119
<v Speaker 2>and there are elements of this that I was like, oh, yeah,

606
00:27:49.240 --> 00:27:52.480
<v Speaker 2>I understand what they went through in their real life

607
00:27:52.480 --> 00:27:54.880
<v Speaker 2>that inspired this scene and how they got here. And

608
00:27:54.920 --> 00:27:56.839
<v Speaker 2>I'm sitting like, I wonder what Bulky's thinking about this

609
00:27:56.960 --> 00:27:59.960
<v Speaker 2>right now, And because like to make the baby like it.

610
00:28:00.240 --> 00:28:02.319
<v Speaker 2>There's a couple of moments where I laughed out loud

611
00:28:02.359 --> 00:28:05.440
<v Speaker 2>watching this movie by myself, and make the Baby like It.

612
00:28:05.440 --> 00:28:07.559
<v Speaker 2>It wasn't the actual scene. It was when they're getting

613
00:28:07.599 --> 00:28:10.400
<v Speaker 2>the rundown of all the all the different stages. In

614
00:28:10.440 --> 00:28:12.759
<v Speaker 2>the first stage, you was the preamble is to make

615
00:28:12.759 --> 00:28:17.960
<v Speaker 2>the baby like Yeah. It was just so absurdest and

616
00:28:18.000 --> 00:28:21.039
<v Speaker 2>I appreciated because I was expecting, you know me, even

617
00:28:21.039 --> 00:28:22.720
<v Speaker 2>before the movie starts, I'm like, I bet I know

618
00:28:22.759 --> 00:28:25.839
<v Speaker 2>how this movie ends, and I was into say, right, well,

619
00:28:26.319 --> 00:28:27.799
<v Speaker 2>that's what I was gonna say. I'm glad they didn't

620
00:28:27.799 --> 00:28:29.119
<v Speaker 2>do it. So I'm like, I bet you they're never

621
00:28:29.160 --> 00:28:31.400
<v Speaker 2>even gonna leave their apartment and everything that happens is

622
00:28:31.440 --> 00:28:33.119
<v Speaker 2>going to be in their head. It's gonna turn out

623
00:28:33.240 --> 00:28:36.079
<v Speaker 2>and like no, like the stuff that is happening is

624
00:28:36.200 --> 00:28:39.279
<v Speaker 2>really happening in the movie. But then when you do that,

625
00:28:39.599 --> 00:28:41.880
<v Speaker 2>it makes some of the other stuff just make absolutely

626
00:28:41.960 --> 00:28:44.200
<v Speaker 2>no sense. And you can't pick apart of a movie

627
00:28:44.240 --> 00:28:46.079
<v Speaker 2>like this. But at the same time, if you're gonna

628
00:28:46.119 --> 00:28:48.160
<v Speaker 2>have rules and then the rules only make sense, some

629
00:28:48.279 --> 00:28:50.720
<v Speaker 2>of the times, it does get distracting, and this movie

630
00:28:50.799 --> 00:28:53.400
<v Speaker 2>suffered from that quite a bit. Specifically with the We're

631
00:28:53.440 --> 00:28:55.839
<v Speaker 2>all one scene. I'm like, I don't understand how any

632
00:28:55.880 --> 00:28:59.680
<v Speaker 2>of this is happening. Yeah, yeah, And it was like

633
00:28:59.720 --> 00:29:01.680
<v Speaker 2>it was funny enough, and I'm sitting there, I'm like,

634
00:29:01.720 --> 00:29:03.960
<v Speaker 2>you know, in the writer's room, wasn't somebody like we

635
00:29:04.000 --> 00:29:06.920
<v Speaker 2>could probably think of a better fifth third act, fifth

636
00:29:06.960 --> 00:29:09.559
<v Speaker 2>fifth stage than what we're doing here, Like that was

637
00:29:09.559 --> 00:29:11.720
<v Speaker 2>a that was the thought that I was thinking while

638
00:29:11.720 --> 00:29:15.119
<v Speaker 2>watching this movie. But let's just say there were moments

639
00:29:15.119 --> 00:29:17.119
<v Speaker 2>that I was like, oh, yeah, I get that.

640
00:29:17.519 --> 00:29:21.920
<v Speaker 1>I had moments like I definitely laughed out loud several times,

641
00:29:21.920 --> 00:29:23.799
<v Speaker 1>but I think the like as the movie went on,

642
00:29:23.920 --> 00:29:24.799
<v Speaker 1>I laughed less.

643
00:29:24.960 --> 00:29:27.519
<v Speaker 2>Yes, I was gonna say that it runs out of

644
00:29:27.519 --> 00:29:28.400
<v Speaker 2>steam very quickly.

645
00:29:28.440 --> 00:29:30.319
<v Speaker 1>There there is a semi and I think you know

646
00:29:30.319 --> 00:29:33.480
<v Speaker 1>what I'm talking about. There is a semi interesting twist,

647
00:29:33.720 --> 00:29:34.880
<v Speaker 1>not even at a semi.

648
00:29:35.160 --> 00:29:35.759
<v Speaker 2>There was an.

649
00:29:35.599 --> 00:29:39.480
<v Speaker 1>Interesting twist where they said if you don't if it

650
00:29:39.559 --> 00:29:42.119
<v Speaker 1>what was it, if you overdose on this, you'll find

651
00:29:42.160 --> 00:29:43.680
<v Speaker 1>out the true harsh.

652
00:29:43.799 --> 00:29:47.240
<v Speaker 2>Yeah, that really that recaptured my attention that moment, Yeah,

653
00:29:47.240 --> 00:29:49.359
<v Speaker 2>where you find the real truth or whatever it is?

654
00:29:49.519 --> 00:29:52.480
<v Speaker 1>Right. So so then when as weird as the audience

655
00:29:52.720 --> 00:29:55.640
<v Speaker 1>is finding out the truth along with the character or whatever,

656
00:29:56.160 --> 00:29:57.000
<v Speaker 1>I'm like, oh, this is.

657
00:29:57.000 --> 00:29:59.319
<v Speaker 2>A cool twist. Let's see where this goes.

658
00:29:59.759 --> 00:30:02.359
<v Speaker 1>And and I'm like, you know what, of course the

659
00:30:02.440 --> 00:30:07.880
<v Speaker 1>two internet sketch guys are gonna put something like this

660
00:30:08.119 --> 00:30:09.519
<v Speaker 1>in their film, you know what I mean?

661
00:30:09.599 --> 00:30:12.720
<v Speaker 2>Like it just it was it. It made perfect sense

662
00:30:12.759 --> 00:30:15.319
<v Speaker 2>at the time. That was very cool, and I thought

663
00:30:15.319 --> 00:30:19.200
<v Speaker 2>it was a real conversation that they were having. Like

664
00:30:17.519 --> 00:30:21.279
<v Speaker 2>I feel like, let's just put this book, like, let's

665
00:30:21.319 --> 00:30:22.880
<v Speaker 2>just do this, and like I loved it.

666
00:30:22.960 --> 00:30:26.200
<v Speaker 1>I loved structurally and and you know, I agree with

667
00:30:26.279 --> 00:30:28.880
<v Speaker 1>you on the script, you know, like like everything all

668
00:30:28.920 --> 00:30:32.680
<v Speaker 1>the elements were here. Yeah, and and I think, now

669
00:30:33.039 --> 00:30:35.480
<v Speaker 1>let me throw this at you, and you're probably gonna agree.

670
00:30:35.559 --> 00:30:37.240
<v Speaker 1>Maybe you won't agree with me, but you're you're probably

671
00:30:37.240 --> 00:30:39.559
<v Speaker 1>gonna you should at least see my point. These are

672
00:30:39.599 --> 00:30:45.079
<v Speaker 1>two guys writers, uh, two directors that sort of have

673
00:30:46.400 --> 00:30:48.640
<v Speaker 1>I don't know how you want to say it. This

674
00:30:48.839 --> 00:30:52.680
<v Speaker 1>was like their first big opportunity to do something significant

675
00:30:52.680 --> 00:30:55.799
<v Speaker 1>with a film, right, So what do you do in

676
00:30:55.839 --> 00:30:57.640
<v Speaker 1>that you don't want to screw it up? Right?

677
00:30:58.200 --> 00:31:03.480
<v Speaker 2>Well, let's find the target audio and really nailed that down.

678
00:31:04.200 --> 00:31:05.680
<v Speaker 2>Who are the two main actors?

679
00:31:06.079 --> 00:31:10.480
<v Speaker 1>A dude who was on this ABC comedy that I

680
00:31:10.519 --> 00:31:13.839
<v Speaker 1>think a lot of people you know this age, you

681
00:31:13.880 --> 00:31:16.640
<v Speaker 1>know in the early twenties, mid twenties, probably grew up

682
00:31:16.680 --> 00:31:19.559
<v Speaker 1>watching We're very familiar with big bankable guy who was

683
00:31:19.720 --> 00:31:22.799
<v Speaker 1>part of a television a broadcast television show that I

684
00:31:22.839 --> 00:31:24.400
<v Speaker 1>think hit two hundred episodes.

685
00:31:24.680 --> 00:31:28.759
<v Speaker 2>That's significant. Wow, Okay. And then the other guy is

686
00:31:28.839 --> 00:31:32.359
<v Speaker 2>from one of the biggest phenoms outside of the last season.

687
00:31:32.559 --> 00:31:36.119
<v Speaker 1>I mean, I would say, not only for that age group,

688
00:31:36.200 --> 00:31:39.559
<v Speaker 1>for everybody. Yeah, everybody was talking. Yes, So you have

689
00:31:39.640 --> 00:31:43.359
<v Speaker 1>an opportunity to get those two guys. Yeah, maybe it's

690
00:31:43.359 --> 00:31:45.920
<v Speaker 1>not the perfect fit. Yeah, maybe they're not gonna have

691
00:31:45.960 --> 00:31:48.680
<v Speaker 1>great chemistry. But if you have the opportunity to bring

692
00:31:48.720 --> 00:31:51.880
<v Speaker 1>those guys into your very first film, you're gonna do

693
00:31:51.920 --> 00:31:54.039
<v Speaker 1>it every single time. And it's and it was an

694
00:31:54.039 --> 00:31:56.880
<v Speaker 1>easy way to sell it to Hulu or Disney or whoever.

695
00:31:57.160 --> 00:32:00.440
<v Speaker 1>I assume Disney owns Hulu, right, Yeah, Yeah, probably an

696
00:32:00.440 --> 00:32:02.319
<v Speaker 1>easy way to sell it to Disney. We have these

697
00:32:02.319 --> 00:32:06.160
<v Speaker 1>two bankable stars, and yes, it's gonna be obserdist but

698
00:32:06.240 --> 00:32:07.720
<v Speaker 1>this is gonna get a lot of eyes. And you

699
00:32:07.759 --> 00:32:10.559
<v Speaker 1>know what, it worked. It wasn't perfect, but for your

700
00:32:10.599 --> 00:32:13.720
<v Speaker 1>first foray into this where you're trying to strablish establish

701
00:32:13.799 --> 00:32:17.000
<v Speaker 1>more Hollywood cred, this is a good way to do it. Yeah.

702
00:32:17.039 --> 00:32:19.759
<v Speaker 2>And maybe, like you're just kind of highlighting a little

703
00:32:19.759 --> 00:32:21.720
<v Speaker 2>bit to the extent that I kind of lost touch

704
00:32:21.759 --> 00:32:25.519
<v Speaker 2>with some things in life, because, like you tell me,

705
00:32:26.240 --> 00:32:32.400
<v Speaker 2>is the goldbergs of that era relevant relative to Seinfeld

706
00:32:32.559 --> 00:32:34.880
<v Speaker 2>or Friends. No, it's not. It's not at that level.

707
00:32:35.079 --> 00:32:39.200
<v Speaker 1>Okay, but you're talking about you can't I mean not

708
00:32:39.240 --> 00:32:41.200
<v Speaker 1>to sound like a douche here, but you can't really

709
00:32:41.200 --> 00:32:44.480
<v Speaker 1>compare the two because when Seinfeld and friends were crushing

710
00:32:44.480 --> 00:32:45.599
<v Speaker 1>it on primetime.

711
00:32:45.319 --> 00:32:48.359
<v Speaker 2>There weren't as many options. There's no streaming service, there

712
00:32:48.400 --> 00:32:50.559
<v Speaker 2>was no Internet. But I guess the reason I asked

713
00:32:50.559 --> 00:32:53.240
<v Speaker 2>the question is because, yeah, I've never seen the show,

714
00:32:53.279 --> 00:32:55.640
<v Speaker 2>But would that be like somebody in the nineties being like,

715
00:32:55.680 --> 00:32:58.000
<v Speaker 2>who's this Matthew Perry guy? And why did they partner

716
00:32:58.079 --> 00:33:01.039
<v Speaker 2>him with Bruce Willis in this the whole nine? Was

717
00:33:01.079 --> 00:33:05.480
<v Speaker 2>anybody asking that I'm asking because me saying this, Sean,

718
00:33:05.559 --> 00:33:08.640
<v Speaker 2>how do you say his name? Is me being like

719
00:33:08.680 --> 00:33:11.880
<v Speaker 2>this guy wasn't funny because I never watched the show,

720
00:33:12.039 --> 00:33:15.240
<v Speaker 2>and like, there it might just highlight a blind spot

721
00:33:15.319 --> 00:33:18.480
<v Speaker 2>for me. This show two hundred episodes. That's more than

722
00:33:18.480 --> 00:33:21.319
<v Speaker 2>Community or Arrested Development thought, you know what I mean,

723
00:33:21.400 --> 00:33:23.640
<v Speaker 2>And so like, that's a big show, and so am

724
00:33:23.680 --> 00:33:25.839
<v Speaker 2>I the person who's maybe out of touch with this guy?

725
00:33:26.119 --> 00:33:28.720
<v Speaker 2>Is what I'm kind of coming to this conversation.

726
00:33:28.759 --> 00:33:30.640
<v Speaker 1>But I mean, not that, and I know this wasn't

727
00:33:30.640 --> 00:33:32.279
<v Speaker 1>your point and it's kind of a straw man argument,

728
00:33:32.480 --> 00:33:34.680
<v Speaker 1>but Bruce Willis is a bona fide movie star, like

729
00:33:34.720 --> 00:33:36.440
<v Speaker 1>if they would have had a bona fide movie star

730
00:33:36.519 --> 00:33:40.119
<v Speaker 1>playing opposite You know, I don't know who you put

731
00:33:40.160 --> 00:33:43.960
<v Speaker 1>in that. Even Kieran Culking is too old. Yeah, I'm

732
00:33:43.960 --> 00:33:46.039
<v Speaker 1>trying to I don't know, yeah exactly. Maybe I'm just

733
00:33:46.039 --> 00:33:47.920
<v Speaker 1>getting out of touch for that. And this was never

734
00:33:47.960 --> 00:33:51.079
<v Speaker 1>in theaters, you know, it was so but.

735
00:33:51.079 --> 00:33:53.559
<v Speaker 2>Even that's becoming. Matt Damon and Ben Affleck did a

736
00:33:53.599 --> 00:33:55.960
<v Speaker 2>movie that went straight to riffles. Have you watched? I

737
00:33:56.000 --> 00:33:57.640
<v Speaker 2>was just gonna ask you seen it yet? I will

738
00:33:57.640 --> 00:33:59.319
<v Speaker 2>see it? We maybe we should do that for another story.

739
00:33:59.440 --> 00:33:59.759
<v Speaker 2>We could.

740
00:34:00.240 --> 00:34:03.279
<v Speaker 1>However, I have wiki did so I know what happens,

741
00:34:03.960 --> 00:34:06.160
<v Speaker 1>but I'd still be willing to do it because there

742
00:34:06.200 --> 00:34:11.559
<v Speaker 1>it's all about I absolutely am uh do you know

743
00:34:11.599 --> 00:34:12.039
<v Speaker 1>the plot?

744
00:34:12.679 --> 00:34:14.639
<v Speaker 2>It's like, isn't it like a hest thing? It is?

745
00:34:15.039 --> 00:34:18.440
<v Speaker 1>And it's like there's cops involved and drug dealers, but

746
00:34:18.480 --> 00:34:20.559
<v Speaker 1>then there's dirty cops, and then you don't know who's

747
00:34:20.599 --> 00:34:27.400
<v Speaker 1>dirty and who's clean and well departed. Okay, yes, but

748
00:34:27.519 --> 00:34:31.039
<v Speaker 1>after reading the wiki entry on the rip, I'm still

749
00:34:31.079 --> 00:34:35.039
<v Speaker 1>not one hundred percent sure I know what happened. But

750
00:34:35.039 --> 00:34:38.719
<v Speaker 1>but but departed. I mean it's it's pretty cut and drive,

751
00:34:38.920 --> 00:34:42.360
<v Speaker 1>like who's who's good, Who's actually who does that's legit?

752
00:34:43.079 --> 00:34:46.920
<v Speaker 1>But yeah, so I guess my main issue with it

753
00:34:47.000 --> 00:34:49.079
<v Speaker 1>is the casting. Like I really don't have much to

754
00:34:49.119 --> 00:34:51.400
<v Speaker 1>say more about. Well, let's let's put a bowl on

755
00:34:51.400 --> 00:34:54.360
<v Speaker 1>the Harold and Kumar thing. Is that an apt comparison?

756
00:34:55.280 --> 00:34:57.639
<v Speaker 2>I think it was because actually, I'm glad you bring

757
00:34:57.719 --> 00:34:59.880
<v Speaker 2>that up, because I wanted to bring it to Harold

758
00:34:59.920 --> 00:35:02.920
<v Speaker 2>and Kumar and keep the Happy Gilmore Too conversation in here,

759
00:35:02.920 --> 00:35:05.840
<v Speaker 2>because you essentially were saying this felt like a strung

760
00:35:05.880 --> 00:35:09.159
<v Speaker 2>together bit of bits, and I'd argue Happy Gilmore Too

761
00:35:09.480 --> 00:35:12.559
<v Speaker 2>was a strung together movie of cameos. It's like, here's

762
00:35:12.599 --> 00:35:14.880
<v Speaker 2>the scene that has Eminem, here's the scene that has

763
00:35:14.920 --> 00:35:17.440
<v Speaker 2>this famous golfer, here's the scene that has this guy

764
00:35:17.480 --> 00:35:20.559
<v Speaker 2>from the first movie, And there was just a plot

765
00:35:20.599 --> 00:35:24.199
<v Speaker 2>to justify all of these random things happening. I would

766
00:35:24.280 --> 00:35:27.920
<v Speaker 2>argue this felt much more like a movie than that did.

767
00:35:28.320 --> 00:35:30.880
<v Speaker 2>Like I feel like there was an A to B.

768
00:35:31.199 --> 00:35:35.400
<v Speaker 2>There was character growth. You found out some things about

769
00:35:35.440 --> 00:35:38.039
<v Speaker 2>the people as the plot developed, You found out there

770
00:35:38.039 --> 00:35:40.880
<v Speaker 2>were more connections between the characters and you realize, like

771
00:35:40.920 --> 00:35:43.239
<v Speaker 2>I said, there was a lot that kind of tied

772
00:35:43.280 --> 00:35:46.800
<v Speaker 2>this movie in. You highlighted the payoffs with the elevator

773
00:35:46.880 --> 00:35:50.199
<v Speaker 2>scene and certain recurring jokes that happened, and they even

774
00:35:50.239 --> 00:35:53.800
<v Speaker 2>did the non linear storytelling where the main character is

775
00:35:53.840 --> 00:35:55.559
<v Speaker 2>hated at the beginning of the movie and you have

776
00:35:55.639 --> 00:35:58.199
<v Speaker 2>no idea really why. And that is also one of

777
00:35:58.199 --> 00:36:00.320
<v Speaker 2>the hardest times I laughed is when they were at

778
00:36:00.320 --> 00:36:04.280
<v Speaker 2>the football party and every time a football player talked,

779
00:36:04.639 --> 00:36:06.880
<v Speaker 2>I'm not going to ruin it, but it's just every

780
00:36:06.920 --> 00:36:07.480
<v Speaker 2>time one of.

781
00:36:07.400 --> 00:36:12.199
<v Speaker 1>Them even not well okay, yeah what they what they say? Yeah,

782
00:36:13.039 --> 00:36:17.239
<v Speaker 1>but everybody hates them like football players, other students, everybody

783
00:36:17.280 --> 00:36:19.159
<v Speaker 1>hates us.

784
00:36:19.360 --> 00:36:22.679
<v Speaker 2>In the second or third Harold and Kumar movie, well,

785
00:36:22.679 --> 00:36:25.559
<v Speaker 2>those are very forgettable for me. You could be right, Yes,

786
00:36:25.719 --> 00:36:27.719
<v Speaker 2>that's my point is that I'd argue it wasn't as

787
00:36:27.760 --> 00:36:29.639
<v Speaker 2>good as the first one. But again I also saw

788
00:36:29.639 --> 00:36:33.039
<v Speaker 2>Harold and Kumar in my you know, young and dumb days.

789
00:36:33.199 --> 00:36:36.559
<v Speaker 1>But the other aspect with Harold and Kumar, and and

790
00:36:36.639 --> 00:36:40.559
<v Speaker 1>this is probably the problem I have with it. Harold

791
00:36:40.559 --> 00:36:44.679
<v Speaker 1>and Kumar, the goal is something that we can identify

792
00:36:44.760 --> 00:36:51.280
<v Speaker 1>with a bunch of well, I say, we as the public. Yeah,

793
00:36:51.280 --> 00:36:54.159
<v Speaker 1>what do you call that? I don't know what you're

794
00:36:54.159 --> 00:36:54.559
<v Speaker 1>going for?

795
00:36:54.679 --> 00:36:55.199
<v Speaker 2>You know where?

796
00:36:55.559 --> 00:37:02.280
<v Speaker 1>Disclaimer, yeah, disclaimer the Royal way, the Royal We you

797
00:37:02.320 --> 00:37:06.239
<v Speaker 1>get high, you get super hungry. Food just looks so

798
00:37:06.360 --> 00:37:10.039
<v Speaker 1>good and then you're craving the best food. White Castle, Yeah, the.

799
00:37:10.039 --> 00:37:12.920
<v Speaker 2>Royal We have all been there, yeah, we all.

800
00:37:13.039 --> 00:37:14.760
<v Speaker 1>I mean that was such it, I mean like, and

801
00:37:14.800 --> 00:37:16.920
<v Speaker 1>so that's scene of Hal and Kumer when they're finally

802
00:37:17.039 --> 00:37:20.239
<v Speaker 1>enjoying the spoils of everything they've been.

803
00:37:20.119 --> 00:37:23.440
<v Speaker 2>Through in an era before uber or door right exactly,

804
00:37:23.519 --> 00:37:26.239
<v Speaker 2>because that movie is completely ruined in twenty twenty six,

805
00:37:26.400 --> 00:37:28.960
<v Speaker 2>Like the plot never happens, so like it's it's a

806
00:37:29.000 --> 00:37:30.800
<v Speaker 2>completely it's a bygone.

807
00:37:30.360 --> 00:37:35.239
<v Speaker 1>Although because they're they're they're so high yeah or whatever, yeah,

808
00:37:35.719 --> 00:37:38.039
<v Speaker 1>or we don't know that like out of in the twist,

809
00:37:38.119 --> 00:37:40.199
<v Speaker 1>like why don't you guys just door dash it? And

810
00:37:40.239 --> 00:37:42.679
<v Speaker 1>then how kind of how twenty one Jump Street ended?

811
00:37:42.800 --> 00:37:45.320
<v Speaker 1>You guys are going to college? Yes, no, the yet,

812
00:37:45.559 --> 00:37:46.679
<v Speaker 1>why don't you use door dash?

813
00:37:46.840 --> 00:37:47.039
<v Speaker 2>What?

814
00:37:47.400 --> 00:37:48.159
<v Speaker 1>The yeah?

815
00:37:48.400 --> 00:37:50.760
<v Speaker 2>You know, sure that would have been great.

816
00:37:50.960 --> 00:37:56.079
<v Speaker 1>So uh, this film, well, it is called pizza movie.

817
00:37:56.960 --> 00:37:59.800
<v Speaker 1>It was it was a generic pizza place.

818
00:37:59.519 --> 00:38:01.480
<v Speaker 2>Right, Yeah, it looked good. I would have eaten that.

819
00:38:02.800 --> 00:38:04.840
<v Speaker 1>It was fine. Yeah, of course, Yeah, that's a little

820
00:38:04.880 --> 00:38:05.760
<v Speaker 1>too much flavor on there.

821
00:38:07.719 --> 00:38:13.679
<v Speaker 2>But it wasn't. There was no the payoff wasn't the enjoyment.

822
00:38:13.320 --> 00:38:17.360
<v Speaker 1>Of the pizza, which we can identify with the whole

823
00:38:17.400 --> 00:38:19.239
<v Speaker 1>thing that I had to have the pizza, and I realized,

824
00:38:19.280 --> 00:38:22.159
<v Speaker 1>I'm spoiling part of the movie with this drug. If

825
00:38:22.199 --> 00:38:27.480
<v Speaker 1>you take this drug without pizza, your worst nightmare comes true.

826
00:38:27.719 --> 00:38:28.119
<v Speaker 2>Whatever.

827
00:38:28.760 --> 00:38:32.239
<v Speaker 1>Like, so this was a matter of like, not the

828
00:38:32.239 --> 00:38:40.400
<v Speaker 1>euphoria of pleasure. It was the pain and terror of of.

829
00:38:39.679 --> 00:38:41.480
<v Speaker 2>Of I don't know, whatever you want to call it.

830
00:38:41.559 --> 00:38:47.719
<v Speaker 2>Of yeah, just the bad yeah right, and like it's

831
00:38:47.760 --> 00:38:50.159
<v Speaker 2>not even in their head, like I'm a little like

832
00:38:50.199 --> 00:38:52.480
<v Speaker 2>I took a mint or something. Yeah, that's the that's

833
00:38:52.519 --> 00:38:55.039
<v Speaker 2>the best part is like I found myself harkening back

834
00:38:55.079 --> 00:38:57.440
<v Speaker 2>to the original Nightmare on Elm Street because you see

835
00:38:57.480 --> 00:39:01.519
<v Speaker 2>a character go through the final state, and like he's

836
00:39:01.519 --> 00:39:03.760
<v Speaker 2>floating in the air like the blonde girl in the

837
00:39:03.840 --> 00:39:05.880
<v Speaker 2>in the in the bedroom in the first night martin

838
00:39:05.880 --> 00:39:08.440
<v Speaker 2>Elm Street movie and like you don't see Freddy, you

839
00:39:08.519 --> 00:39:11.199
<v Speaker 2>just see her flailing about and then uh and then uh,

840
00:39:11.239 --> 00:39:14.880
<v Speaker 2>what do you call it a scratch mark comes across

841
00:39:14.920 --> 00:39:17.679
<v Speaker 2>her just and then she's dead, and uh. They kind

842
00:39:17.679 --> 00:39:19.800
<v Speaker 2>of play into that moment here as well. And I know,

843
00:39:20.039 --> 00:39:22.039
<v Speaker 2>I think the lack of realism kind of bothered you

844
00:39:22.119 --> 00:39:24.679
<v Speaker 2>with that. I actually kind of appreciated that they they

845
00:39:24.760 --> 00:39:27.079
<v Speaker 2>made it real throughout the entire movie, Like the things

846
00:39:27.079 --> 00:39:29.920
<v Speaker 2>that were happening were actually happening. But that ex floating

847
00:39:29.960 --> 00:39:31.559
<v Speaker 2>scene was dumb. And it's in the trailer, so I'm

848
00:39:31.599 --> 00:39:34.480
<v Speaker 2>not spoiling any but like I also there were moments

849
00:39:34.519 --> 00:39:36.920
<v Speaker 2>where I laughed, Like there were moments in that scene

850
00:39:36.920 --> 00:39:39.679
<v Speaker 2>that I was like, all right, like I'm interested to

851
00:39:39.719 --> 00:39:40.480
<v Speaker 2>see where this comes.

852
00:39:40.679 --> 00:39:43.039
<v Speaker 1>It's not that I didn't understand it or understand what

853
00:39:43.079 --> 00:39:46.239
<v Speaker 1>they're going for, it's just not for me. Yeah, And

854
00:39:46.760 --> 00:39:49.559
<v Speaker 1>I'm like, I'm like, you know, watching this, trying to

855
00:39:49.599 --> 00:39:52.920
<v Speaker 1>like because I Daredevil came out last night, I knew episode,

856
00:39:53.119 --> 00:39:54.079
<v Speaker 1>and I want to I want.

857
00:39:53.920 --> 00:39:55.119
<v Speaker 2>To talk to you off the air because I'm out

858
00:39:55.159 --> 00:39:56.599
<v Speaker 2>there in the last episode. I'm up to date, and

859
00:39:56.639 --> 00:39:57.280
<v Speaker 2>I have a lot of thoughts.

860
00:39:57.480 --> 00:39:59.440
<v Speaker 1>So then so I was I was like trying to

861
00:39:59.440 --> 00:40:01.679
<v Speaker 1>get through this because this is my appetizer to Jared

862
00:40:01.719 --> 00:40:04.639
<v Speaker 1>Devil and I'm just like stinking John Jordan, you know,

863
00:40:04.760 --> 00:40:08.400
<v Speaker 1>this is like, why doesn't it seem like a Hymn movie?

864
00:40:08.400 --> 00:40:08.679
<v Speaker 2>Though?

865
00:40:08.960 --> 00:40:11.599
<v Speaker 1>No, I mean like you know him better than me

866
00:40:11.719 --> 00:40:14.639
<v Speaker 1>as far as like movies go. But to me, like

867
00:40:15.000 --> 00:40:17.840
<v Speaker 1>this is I mean he's king horror. I mean you

868
00:40:17.840 --> 00:40:18.639
<v Speaker 1>you're king horror.

869
00:40:18.639 --> 00:40:21.119
<v Speaker 2>But like no, m so than okay, but like that's

870
00:40:21.159 --> 00:40:22.559
<v Speaker 2>the that's the type of thing.

871
00:40:22.599 --> 00:40:27.079
<v Speaker 1>Like, so I have no experience in his recommendation for

872
00:40:27.199 --> 00:40:31.679
<v Speaker 1>non horror movies. So when he said pizza movie number one,

873
00:40:31.719 --> 00:40:35.079
<v Speaker 1>I was like, Oh, it's gotta be good because John,

874
00:40:35.239 --> 00:40:37.880
<v Speaker 1>this is this is out of his my perceived.

875
00:40:37.440 --> 00:40:38.679
<v Speaker 2>Wheelhouse for him.

876
00:40:39.039 --> 00:40:41.800
<v Speaker 1>And you said it's gotta be good because he seeked

877
00:40:41.880 --> 00:40:43.599
<v Speaker 1>you out to tell you about it.

878
00:40:43.760 --> 00:40:46.960
<v Speaker 2>Yeah, it is ironic or it's weird because this isn't

879
00:40:47.000 --> 00:40:49.119
<v Speaker 2>a seek me out to tell me about it kind of.

880
00:40:50.039 --> 00:40:53.239
<v Speaker 2>I would agree with that, but I will say I

881
00:40:53.360 --> 00:40:56.000
<v Speaker 2>probably wouldn't have watched it without him. And I'm not

882
00:40:56.199 --> 00:40:58.480
<v Speaker 2>mad I watched it. You know, it's not like it's

883
00:40:58.480 --> 00:41:00.679
<v Speaker 2>not how like how I felt after undertone, Yeah, you

884
00:41:00.679 --> 00:41:02.559
<v Speaker 2>know it's I didn't feel that way at all. I

885
00:41:02.639 --> 00:41:04.559
<v Speaker 2>laughed quite a bit. I'd argue we haven't done a

886
00:41:04.599 --> 00:41:07.519
<v Speaker 2>whole bunch of comedies. It wasn't as funny as Naked Gun,

887
00:41:07.559 --> 00:41:09.280
<v Speaker 2>and it wasn't as funny as.

888
00:41:11.039 --> 00:41:11.400
<v Speaker 1>All Right.

889
00:41:11.440 --> 00:41:13.920
<v Speaker 2>Actually, i'm gonna say it, it was funnier and Happy

890
00:41:13.920 --> 00:41:14.440
<v Speaker 2>Gilmore two.

891
00:41:16.719 --> 00:41:21.960
<v Speaker 1>Yeah, you're uh, it's close, but I think I think

892
00:41:22.000 --> 00:41:24.800
<v Speaker 1>you're probably right. Yeah, because Happy Gilmore too was a

893
00:41:24.840 --> 00:41:28.039
<v Speaker 1>classic Sandler and get all my buddies together, right, you

894
00:41:28.039 --> 00:41:32.400
<v Speaker 1>know film where where a script and punchlines and timing

895
00:41:33.360 --> 00:41:36.960
<v Speaker 1>that's all tertiary and at the cameo as we can

896
00:41:37.000 --> 00:41:39.119
<v Speaker 1>do not to be that guy, but I'm gonna be

897
00:41:39.199 --> 00:41:39.639
<v Speaker 1>that guy.

898
00:41:40.039 --> 00:41:43.000
<v Speaker 2>Most of the movies like this from Our Youth that

899
00:41:43.119 --> 00:41:46.679
<v Speaker 2>I haven't seen in a while probably haven't aged that well,

900
00:41:47.000 --> 00:41:50.039
<v Speaker 2>and like this one, what do you mean? Like there

901
00:41:50.039 --> 00:41:52.119
<v Speaker 2>are scenes in these other movies that might be a

902
00:41:52.159 --> 00:41:55.199
<v Speaker 2>little objectified or you know, a little dated at the time,

903
00:41:55.199 --> 00:41:56.840
<v Speaker 2>and at the time it was fine, And that's how

904
00:41:56.880 --> 00:41:59.400
<v Speaker 2>movies work. And everyone needs to shut up and appreciate

905
00:41:59.519 --> 00:42:01.599
<v Speaker 2>the movie came out at a certain time and move on.

906
00:42:01.880 --> 00:42:03.920
<v Speaker 2>But this is a movie that, like it didn't have

907
00:42:04.000 --> 00:42:06.360
<v Speaker 2>to resort to those kind of moments, like it it

908
00:42:06.440 --> 00:42:09.679
<v Speaker 2>elicited genuine laughs without taking it to there, and I

909
00:42:10.079 --> 00:42:12.760
<v Speaker 2>have to give credit where credit is due. It's harder

910
00:42:12.800 --> 00:42:15.079
<v Speaker 2>to do that, in my opinion, and I think they

911
00:42:15.079 --> 00:42:18.360
<v Speaker 2>pulled that off in a way that was impressive.

912
00:42:18.440 --> 00:42:20.239
<v Speaker 1>I'll say this, and and I've kind of alluded to

913
00:42:20.280 --> 00:42:24.480
<v Speaker 1>this earlier. Whatever these guys do next, I'm in, yeah,

914
00:42:23.840 --> 00:42:25.320
<v Speaker 1>I definitely want.

915
00:42:25.239 --> 00:42:25.480
<v Speaker 2>To see it.

916
00:42:25.480 --> 00:42:27.519
<v Speaker 1>Imagine they're only going to get better look look it

917
00:42:27.599 --> 00:42:31.519
<v Speaker 1>up because I know. I know that the directors the directors,

918
00:42:31.519 --> 00:42:33.679
<v Speaker 1>and they're writers too. I mean, the same guy's directed

919
00:42:33.719 --> 00:42:36.360
<v Speaker 1>and wrote this. It's Nick and it starts at a K.

920
00:42:36.639 --> 00:42:41.480
<v Speaker 1>I can't remember Nick Coacher and Brian mclaney, so so yeah, yeah,

921
00:42:41.519 --> 00:42:44.519
<v Speaker 1>exactly mcaleney. I should have known that from from Rob,

922
00:42:44.559 --> 00:42:48.639
<v Speaker 1>although he's not Rob mcaleney anymore. But they combined their

923
00:42:48.719 --> 00:42:52.360
<v Speaker 1>names to be Britt and Nick. So it's like Britannic. Okay,

924
00:42:52.519 --> 00:42:57.239
<v Speaker 1>which is I dig that? Yeah or yeah Britannic. Anyway,

925
00:42:57.360 --> 00:42:59.519
<v Speaker 1>whatever they do next, I'm definitely into.

926
00:42:59.639 --> 00:43:06.039
<v Speaker 2>Okay, good, you have nine days? Really over your dead body? This?

927
00:43:06.199 --> 00:43:06.719
<v Speaker 1>Oh?

928
00:43:07.079 --> 00:43:07.400
<v Speaker 2>Ben?

929
00:43:07.679 --> 00:43:09.880
<v Speaker 1>Yeah, I don't know if I said this to you

930
00:43:09.920 --> 00:43:11.880
<v Speaker 1>on air or even off air, I don't remember. I

931
00:43:11.920 --> 00:43:14.840
<v Speaker 1>saw the trailer for this like a couple of months ago,

932
00:43:14.840 --> 00:43:16.880
<v Speaker 1>and I'm like, this is the Jason Siegel movie.

933
00:43:16.920 --> 00:43:20.000
<v Speaker 2>Right. It doesn't say who else is in it. It's

934
00:43:20.000 --> 00:43:22.199
<v Speaker 2>just like an AI overview of it is what I

935
00:43:22.360 --> 00:43:23.079
<v Speaker 2>is what I pulled up.

936
00:43:23.119 --> 00:43:23.840
<v Speaker 1>I just googled it.

937
00:43:23.880 --> 00:43:27.599
<v Speaker 2>Oh, it says. An action comedy thriller written by Coacher mclaney,

938
00:43:27.599 --> 00:43:29.960
<v Speaker 2>is scheduled to open in theaters on April twenty fourth.

939
00:43:30.039 --> 00:43:33.199
<v Speaker 2>It's the remake of the twenty twenty one film The Trip.

940
00:43:33.079 --> 00:43:36.559
<v Speaker 1>Which I think was a British film if I remember correctly. Yes,

941
00:43:36.639 --> 00:43:39.719
<v Speaker 1>I'm sure this is the Jason Siegel one. It's basically

942
00:43:39.840 --> 00:43:43.119
<v Speaker 1>a husband and a wife who get married and then

943
00:43:43.559 --> 00:43:46.800
<v Speaker 1>essentially are trying to kill each other. Oh good, and

944
00:43:46.920 --> 00:43:49.840
<v Speaker 1>the other one doesn't. The other one's so focused on

945
00:43:49.920 --> 00:43:52.920
<v Speaker 1>trying to kill the other one that they don't realize that.

946
00:43:53.440 --> 00:43:55.880
<v Speaker 1>I'm watch a trailer for it sometime. I was gonna

947
00:43:55.880 --> 00:43:57.679
<v Speaker 1>bring this up. I thought this might be pretty good.

948
00:43:57.880 --> 00:44:00.199
<v Speaker 1>What scared me a little bit off of it is

949
00:44:00.239 --> 00:44:02.519
<v Speaker 1>I didn't want it to turn into like a rom com.

950
00:44:02.679 --> 00:44:05.079
<v Speaker 2>Yeah, or that's your basically is describing the Roses, which

951
00:44:05.199 --> 00:44:08.760
<v Speaker 2>is the only one you didn't watch for this this podcast.

952
00:44:08.800 --> 00:44:10.840
<v Speaker 2>But yeah, it's basically that's not the same plot. That

953
00:44:10.960 --> 00:44:14.360
<v Speaker 2>same premise is basically so like yeah, I mean they're

954
00:44:14.400 --> 00:44:17.440
<v Speaker 2>like like in the trailer, the Jason Seagull plus these

955
00:44:17.519 --> 00:44:19.960
<v Speaker 2>right see Now that granted he wouldn't fit well in

956
00:44:20.000 --> 00:44:22.920
<v Speaker 2>this movie either, but that's a casting that I'm like, Okay,

957
00:44:23.039 --> 00:44:25.639
<v Speaker 2>what if they made this movie in the Jason Siegel

958
00:44:25.679 --> 00:44:27.920
<v Speaker 2>freaks and geeks are Yeah, give me that, give me

959
00:44:27.960 --> 00:44:31.440
<v Speaker 2>some James Franco and Jason Seagall and whomever in the South.

960
00:44:31.519 --> 00:44:33.440
<v Speaker 1>But let's let's go let's go back to this a

961
00:44:33.440 --> 00:44:37.920
<v Speaker 1>little bit. Go back twenty five years Pizza movie is made. Yeah,

962
00:44:38.519 --> 00:44:41.159
<v Speaker 1>starring Siegel and Franco. Yeah, that would have been I

963
00:44:41.239 --> 00:44:43.800
<v Speaker 1>think that would have been absolutely hilarious. You could have

964
00:44:43.840 --> 00:44:46.960
<v Speaker 1>thrown Sandler in this movie. You could have thrown there's

965
00:44:47.000 --> 00:44:49.800
<v Speaker 1>a handful of people that I think would be Rogan,

966
00:44:49.960 --> 00:44:53.039
<v Speaker 1>like instead of Siegel, where it's Rogan and Franco because

967
00:44:53.039 --> 00:44:54.039
<v Speaker 1>we know they I'm.

968
00:44:53.960 --> 00:44:58.440
<v Speaker 2>Sure, Yeah, yeah, oh absolutely, Franco could be the Dustin

969
00:44:58.679 --> 00:45:01.960
<v Speaker 2>surrogate and yeah, or not Frank.

970
00:45:03.719 --> 00:45:04.079
<v Speaker 1>Character.

971
00:45:04.280 --> 00:45:06.920
<v Speaker 2>Yeah, that would have been so much. Yet but again

972
00:45:06.960 --> 00:45:12.599
<v Speaker 2>we're biased. But like again, I it's this is the

973
00:45:12.599 --> 00:45:15.199
<v Speaker 2>most confused I've been reviewing a movie because it's like,

974
00:45:15.280 --> 00:45:17.639
<v Speaker 2>do I recommend it? It's free, It's an hour and

975
00:45:17.679 --> 00:45:19.480
<v Speaker 2>a half of your time that you'll never get back.

976
00:45:20.000 --> 00:45:23.199
<v Speaker 1>It's only free if you paid for the service. Yeah,

977
00:45:23.199 --> 00:45:24.599
<v Speaker 1>but I count that as free.

978
00:45:24.760 --> 00:45:28.599
<v Speaker 2>As one state senator says, they lost a few IQ points,

979
00:45:28.599 --> 00:45:30.519
<v Speaker 2>but there were a few laughs to be had, and

980
00:45:30.599 --> 00:45:32.760
<v Speaker 2>I feel like that's probably better than I could do

981
00:45:32.880 --> 00:45:33.639
<v Speaker 2>to describe it.

982
00:45:35.800 --> 00:45:38.400
<v Speaker 1>I like, let me do let me do mine first. Yeah, okay,

983
00:45:39.000 --> 00:45:41.119
<v Speaker 1>I'm going to give it a four. Oh, I know,

984
00:45:41.519 --> 00:45:43.079
<v Speaker 1>all right, just want to make sure that we weren't

985
00:45:43.119 --> 00:45:44.719
<v Speaker 1>on the same page. Yeah, I want it because I

986
00:45:44.719 --> 00:45:46.360
<v Speaker 1>didn't want you to come out and say four and

987
00:45:46.480 --> 00:45:48.599
<v Speaker 1>be like, well, I gotta go way lower than that now.

988
00:45:48.639 --> 00:45:50.480
<v Speaker 2>No, dude, I was gonna because, as you know, a

989
00:45:50.639 --> 00:45:53.159
<v Speaker 2>six to me means I paid attention till the end,

990
00:45:53.239 --> 00:45:56.159
<v Speaker 2>and I did, but I was teetering, so like I

991
00:45:56.199 --> 00:45:58.679
<v Speaker 2>was in like the five and a half to six range.

992
00:45:58.840 --> 00:46:02.880
<v Speaker 2>Is where I have this right now, because I there's

993
00:46:03.039 --> 00:46:05.760
<v Speaker 2>things to like. There's way more than a four things

994
00:46:05.800 --> 00:46:07.639
<v Speaker 2>to like in the movie.

995
00:46:07.159 --> 00:46:10.519
<v Speaker 1>Really, I think it may come back to our like

996
00:46:10.599 --> 00:46:15.400
<v Speaker 1>you said, are the different experiences twenty maybe I also just,

997
00:46:15.480 --> 00:46:17.400
<v Speaker 1>I mean just some of this was just it was

998
00:46:17.440 --> 00:46:19.639
<v Speaker 1>too out there for me. And that's the old man

999
00:46:19.639 --> 00:46:22.599
<v Speaker 1>of me speaking, you know whatever, not say I didn't

1000
00:46:22.639 --> 00:46:24.159
<v Speaker 1>enjoy it. If I didn't enjoy it, all would have

1001
00:46:24.199 --> 00:46:27.000
<v Speaker 1>gotten like a one like there. They had its moments.

1002
00:46:28.000 --> 00:46:30.840
<v Speaker 1>I obviously had a problem with the casting as well,

1003
00:46:31.719 --> 00:46:35.599
<v Speaker 1>But I do think for these guys to have their

1004
00:46:36.679 --> 00:46:42.639
<v Speaker 1>uh Brian mclaney and Nick coachure to have this as

1005
00:46:42.679 --> 00:46:46.599
<v Speaker 1>they're like launching pad into directing a feature length film.

1006
00:46:46.679 --> 00:46:51.280
<v Speaker 1>Very excited to see what comes of that. Yeah, there's

1007
00:46:51.320 --> 00:46:52.920
<v Speaker 1>a little bit of Lord and Miller to them, Like

1008
00:46:52.960 --> 00:46:56.119
<v Speaker 1>we talked about Lord and Miller directing Project Tail Mary

1009
00:46:56.239 --> 00:46:58.239
<v Speaker 1>Sure and those guys, I mean there is established as

1010
00:46:58.239 --> 00:47:00.400
<v Speaker 1>you can get when you're direct. But and like anything

1011
00:47:00.440 --> 00:47:03.079
<v Speaker 1>those guys do, I will see I think these guys

1012
00:47:03.079 --> 00:47:04.920
<v Speaker 1>are on that track as well, and we'll see what

1013
00:47:04.960 --> 00:47:08.840
<v Speaker 1>happens with over your dead body. But I didn't even

1014
00:47:08.880 --> 00:47:10.519
<v Speaker 1>know these guys did it, And now that I know

1015
00:47:10.559 --> 00:47:12.360
<v Speaker 1>that they do, I'm feeling really good about that.

1016
00:47:12.480 --> 00:47:14.519
<v Speaker 2>Yeah, you could talk me into it, we'd have we'd

1017
00:47:14.519 --> 00:47:16.639
<v Speaker 2>have an episode in between. We got to figure out here,

1018
00:47:16.679 --> 00:47:20.239
<v Speaker 2>But I mean you can Yeah, into it. But yeah,

1019
00:47:20.280 --> 00:47:22.800
<v Speaker 2>so that's our thoughts on pizza movie. I say check

1020
00:47:22.840 --> 00:47:25.079
<v Speaker 2>it out Bulky a little bit differently. Yeah, I don't

1021
00:47:25.079 --> 00:47:27.360
<v Speaker 2>think you're missing anything, especially like if you were fun

1022
00:47:27.400 --> 00:47:33.400
<v Speaker 2>in your twenties, maybe given, yeah, and see what you

1023
00:47:33.400 --> 00:47:36.320
<v Speaker 2>think about it. But yeah, I'll be interested to hear

1024
00:47:36.360 --> 00:47:36.800
<v Speaker 2>what you think.

1025
00:47:36.800 --> 00:47:41.320
<v Speaker 1>By the way, did you look at the ratings?

1026
00:47:41.559 --> 00:47:43.840
<v Speaker 2>Oh? Yeah, only just moments ago.

1027
00:47:44.039 --> 00:47:44.320
<v Speaker 1>Okay.

1028
00:47:44.760 --> 00:47:48.400
<v Speaker 2>You know what's crazy is critics liked it more than audiences, really,

1029
00:47:48.519 --> 00:47:51.880
<v Speaker 2>seventy eight to sixty six, So audiences are only sixty

1030
00:47:51.880 --> 00:47:54.880
<v Speaker 2>six on them. Yeah. Interesting. Yeah, and again I'm willing

1031
00:47:54.880 --> 00:47:56.639
<v Speaker 2>to bet what's funny is the first one is a

1032
00:47:56.760 --> 00:47:59.679
<v Speaker 2>zero out of four. You never see zeros and it

1033
00:47:59.719 --> 00:48:02.280
<v Speaker 2>was My goodness, does it flail when brought to life

1034
00:48:02.280 --> 00:48:04.920
<v Speaker 2>on the screen in a collection of pointless and random,

1035
00:48:04.960 --> 00:48:10.079
<v Speaker 2>hallucinatory digressions that mean nothing and go nowhere? Like that

1036
00:48:10.159 --> 00:48:12.199
<v Speaker 2>kind of sounds again, at least Bulky can give it

1037
00:48:12.239 --> 00:48:15.039
<v Speaker 2>a zero. This is why it's better than a zero.

1038
00:48:15.199 --> 00:48:17.039
<v Speaker 2>This is why we're better because there's always a slight

1039
00:48:17.079 --> 00:48:19.199
<v Speaker 2>optimism in the way that we do these, even when

1040
00:48:19.199 --> 00:48:21.039
<v Speaker 2>we're kind of like, mah, not for me, But I

1041
00:48:21.079 --> 00:48:23.440
<v Speaker 2>can see who might like this, and it's just that

1042
00:48:23.480 --> 00:48:26.280
<v Speaker 2>they're younger than us. Unfortunately, time waits for No Man

1043
00:48:26.440 --> 00:48:29.039
<v Speaker 2>or Woman. This has better reviews than the Super Mario

1044
00:48:29.079 --> 00:48:34.079
<v Speaker 2>Brothers movie. Uh, that's surprising to me. Yeah, okay. Now,

1045
00:48:34.079 --> 00:48:37.000
<v Speaker 2>as far critics not audiences, audiences are ninety five percent.

1046
00:48:37.079 --> 00:48:39.400
<v Speaker 2>We are as simple breed go on, what was your Now?

1047
00:48:39.400 --> 00:48:40.159
<v Speaker 2>As far as what.

1048
00:48:41.639 --> 00:48:44.320
<v Speaker 1>We would do this next episode, I don't know how

1049
00:48:44.360 --> 00:48:47.400
<v Speaker 1>you feel about Faces of Death if it works out or.

1050
00:48:47.400 --> 00:48:50.599
<v Speaker 2>We Yeah, i'd have to see because there's very limited

1051
00:48:50.639 --> 00:48:52.559
<v Speaker 2>screen time and it's hard for me to squeeze it in.

1052
00:48:52.639 --> 00:48:54.159
<v Speaker 2>But if we can figure that out, i'd be I'd

1053
00:48:54.159 --> 00:48:55.400
<v Speaker 2>be down, But I don't matter.

1054
00:48:55.480 --> 00:48:57.039
<v Speaker 1>I don't know if you'd be down for this because

1055
00:48:57.039 --> 00:48:59.039
<v Speaker 1>it's not the type of movie that we would get,

1056
00:48:59.079 --> 00:49:02.280
<v Speaker 1>and I don't really know. I don't know how much

1057
00:49:02.360 --> 00:49:04.280
<v Speaker 1>fun it would be to break this down. But the

1058
00:49:04.480 --> 00:49:06.639
<v Speaker 1>Lorne Michael's biography comes out.

1059
00:49:06.440 --> 00:49:08.920
<v Speaker 2>This yayh Yeah, that's a push. I'm going to see

1060
00:49:08.960 --> 00:49:10.559
<v Speaker 2>it regardless because I love it.

1061
00:49:10.599 --> 00:49:10.760
<v Speaker 1>Well.

1062
00:49:10.760 --> 00:49:12.719
<v Speaker 2>If you see it, you're like, oh, this will be good.

1063
00:49:12.559 --> 00:49:14.320
<v Speaker 2>Can I don't know if it was how good a

1064
00:49:14.400 --> 00:49:17.159
<v Speaker 2>content it would be. Have we ever done no like,

1065
00:49:17.239 --> 00:49:19.880
<v Speaker 2>that doesn't mean if that's why everybody did everything, we'd

1066
00:49:19.880 --> 00:49:22.400
<v Speaker 2>never do anything new. I just I feel like there's

1067
00:49:22.400 --> 00:49:24.119
<v Speaker 2>better uses of our time. Now.

1068
00:49:24.159 --> 00:49:26.280
<v Speaker 1>There is a wide release movie coming.

1069
00:49:26.000 --> 00:49:26.960
<v Speaker 2>Out called Normal.

1070
00:49:27.039 --> 00:49:30.559
<v Speaker 1>Have you heard about this? Yeah, but I forget centers

1071
00:49:30.559 --> 00:49:33.079
<v Speaker 1>on a temporary small town sheriff. Yeah.

1072
00:49:33.239 --> 00:49:37.119
<v Speaker 2>It covers dark chista, a local robbery. Sign me up?

1073
00:49:37.159 --> 00:49:37.400
<v Speaker 2>Is that?

1074
00:49:37.480 --> 00:49:38.840
<v Speaker 1>Is that? Is that out this week?

1075
00:49:38.920 --> 00:49:41.719
<v Speaker 2>That comes out this weekend? It just looks like Nobody.

1076
00:49:41.760 --> 00:49:44.119
<v Speaker 2>I'm gonna be honest, it looks like the plot to Nobody,

1077
00:49:44.159 --> 00:49:46.599
<v Speaker 2>but whatever Nobody was good, Like, I'd be willing to

1078
00:49:46.599 --> 00:49:48.119
<v Speaker 2>give it a shot. It might be generic. I have

1079
00:49:48.119 --> 00:49:49.840
<v Speaker 2>a feeling it's going to be generic, but I'm willing

1080
00:49:49.840 --> 00:49:54.039
<v Speaker 2>to Probably will Odin Kirk, he's an artist, though he's

1081
00:49:54.039 --> 00:49:55.760
<v Speaker 2>more of an artist than people give him credit for.

1082
00:49:56.440 --> 00:50:00.679
<v Speaker 2>Lena Hetty, Okay, Henry Winkler, this is gonna be good.

1083
00:50:01.639 --> 00:50:04.840
<v Speaker 2>And then I don't know any of the other people.

1084
00:50:05.079 --> 00:50:07.440
<v Speaker 2>That's fine, that's normal is what we're going with. Yeah,

1085
00:50:07.480 --> 00:50:09.320
<v Speaker 2>why not? I'm good with it.

1086
00:50:09.519 --> 00:50:13.280
<v Speaker 1>Yeah. And then and then we can revisit. Maybe we'll

1087
00:50:13.639 --> 00:50:15.440
<v Speaker 1>Faces of Death might go the way of the Scream

1088
00:50:15.480 --> 00:50:17.039
<v Speaker 1>seven again.

1089
00:50:17.119 --> 00:50:20.079
<v Speaker 2>We can catch it once it's available in a reasonable way,

1090
00:50:20.239 --> 00:50:23.559
<v Speaker 2>are we going to Uh? I feel like we should

1091
00:50:23.559 --> 00:50:26.639
<v Speaker 2>probably do the Michael Jackson biopic. I do, and that's

1092
00:50:26.719 --> 00:50:28.840
<v Speaker 2>when that's coming. You think they're gonna get dark with it.

1093
00:50:30.000 --> 00:50:31.400
<v Speaker 2>I don't know how you do a Michael because it

1094
00:50:31.400 --> 00:50:33.440
<v Speaker 2>seems so uplifting in the trailers. I'm like, you're not

1095
00:50:33.480 --> 00:50:34.280
<v Speaker 2>going to touch on it.

1096
00:50:34.440 --> 00:50:38.679
<v Speaker 1>Coleman Domingo, I believe, plays Michael Jackson's father in this.

1097
00:50:38.880 --> 00:50:44.159
<v Speaker 1>Uh and uh listen if you've seen Euphoria and you've

1098
00:50:44.159 --> 00:50:45.800
<v Speaker 1>seen some of the other films.

1099
00:50:45.440 --> 00:50:49.719
<v Speaker 2>That the sixteen year old girl? So did I tell

1100
00:50:49.719 --> 00:50:51.679
<v Speaker 2>you that joke? Okay?

1101
00:50:51.719 --> 00:50:56.800
<v Speaker 1>So Coman Dimingo hosted SNL this past week and was it.

1102
00:50:56.760 --> 00:50:57.480
<v Speaker 2>This past week?

1103
00:50:57.760 --> 00:50:57.960
<v Speaker 1>Yeah?

1104
00:50:58.000 --> 00:50:58.840
<v Speaker 2>This is past week.

1105
00:50:59.239 --> 00:51:01.679
<v Speaker 1>And he said I've been acting since the nineties and

1106
00:51:01.719 --> 00:51:04.079
<v Speaker 1>he listed all his things, you know that he's done,

1107
00:51:04.480 --> 00:51:06.000
<v Speaker 1>and people are They still come up to me and

1108
00:51:06.000 --> 00:51:07.360
<v Speaker 1>people are like, where do I know you from? And

1109
00:51:08.000 --> 00:51:11.840
<v Speaker 1>I say, well, if you're if you are. I can't

1110
00:51:11.840 --> 00:51:13.679
<v Speaker 1>remember how he framed it, but he's like, if you're

1111
00:51:13.679 --> 00:51:15.960
<v Speaker 1>blah blah blah blah blah, you probably see me in

1112
00:51:16.000 --> 00:51:16.880
<v Speaker 1>Fear of the Walking Dead.

1113
00:51:17.480 --> 00:51:19.039
<v Speaker 2>If you're a girl.

1114
00:51:18.840 --> 00:51:21.039
<v Speaker 1>Under the age of twenty or a creepy guy over

1115
00:51:21.079 --> 00:51:22.920
<v Speaker 1>the age of thirty. You probably know me from you

1116
00:51:23.519 --> 00:51:26.559
<v Speaker 1>and I don't care. Call me creepy or whatever. Euphoury

1117
00:51:26.599 --> 00:51:28.440
<v Speaker 1>A season premiere was this past Sunday night.

1118
00:51:28.760 --> 00:51:30.320
<v Speaker 2>It was awesome. I loved it.

1119
00:51:30.320 --> 00:51:32.840
<v Speaker 1>It was great. It was fantam. There's a time jump,

1120
00:51:32.880 --> 00:51:34.920
<v Speaker 1>and these kids aren't in high school anymore. They have

1121
00:51:35.039 --> 00:51:39.119
<v Speaker 1>jobs and real life. Yeah, I think it's great. I

1122
00:51:39.119 --> 00:51:41.199
<v Speaker 1>I'm here for it. I had never caught it. Didn't

1123
00:51:41.239 --> 00:51:41.760
<v Speaker 1>ensnare me.

1124
00:51:41.760 --> 00:51:43.880
<v Speaker 2>But I'm also behind on stuff that I would like

1125
00:51:43.920 --> 00:51:45.679
<v Speaker 2>to see, Like I haven't seen any of this new

1126
00:51:45.800 --> 00:51:48.039
<v Speaker 2>Game of Throne show. I haven't said. Oh did you

1127
00:51:48.159 --> 00:51:51.679
<v Speaker 2>hear that they might be canceling season two? Why?

1128
00:51:51.760 --> 00:51:54.039
<v Speaker 1>This is insane stuff. Yeah, so you're talking about Night

1129
00:51:54.039 --> 00:51:57.519
<v Speaker 1>of the Seven Kingdoms. Yeah, they already got renewed for

1130
00:51:57.880 --> 00:52:01.079
<v Speaker 1>season two. This is among the most highest debuted shows and.

1131
00:52:01.400 --> 00:52:03.880
<v Speaker 2>HBO maxiustraw the actors.

1132
00:52:03.960 --> 00:52:06.159
<v Speaker 1>No, has nothing to do with the actors. They were

1133
00:52:06.199 --> 00:52:11.400
<v Speaker 1>shooting season two and they were shooting it in I

1134
00:52:11.400 --> 00:52:14.800
<v Speaker 1>gotta remember if I hope I'm telling this correctly, They

1135
00:52:14.920 --> 00:52:17.559
<v Speaker 1>shot part of it wherever, and then they were moving

1136
00:52:17.760 --> 00:52:21.480
<v Speaker 1>the production to someplace in Spain that's known for like

1137
00:52:21.599 --> 00:52:23.280
<v Speaker 1>droughts or whatever, so it was kind of like a

1138
00:52:23.320 --> 00:52:27.159
<v Speaker 1>barren type of there was a flood in this area

1139
00:52:27.320 --> 00:52:30.599
<v Speaker 1>while they were filming that set, Like the whole set

1140
00:52:30.920 --> 00:52:33.840
<v Speaker 1>is underwater right now. Wow, and they may have to

1141
00:52:33.920 --> 00:52:35.199
<v Speaker 1>cancel season two.

1142
00:52:35.239 --> 00:52:37.840
<v Speaker 2>That series might get canceled over this. Wow.

1143
00:52:38.519 --> 00:52:42.760
<v Speaker 1>Showrunner said that he thought that he could get I

1144
00:52:42.760 --> 00:52:45.199
<v Speaker 1>mean again, this is the showrunner. I could get twelve

1145
00:52:45.239 --> 00:52:48.039
<v Speaker 1>to fifteen years out of this this show you know,

1146
00:52:49.039 --> 00:52:51.320
<v Speaker 1>which you know, it's all based on the Duncan egg

1147
00:52:51.880 --> 00:52:54.079
<v Speaker 1>stories from Game of Thrones or whatever. And he thought,

1148
00:52:54.360 --> 00:52:58.440
<v Speaker 1>because of this eggon character that's still very little, he's

1149
00:52:58.480 --> 00:53:01.159
<v Speaker 1>like ten, ten years old, nine years whatever, that you

1150
00:53:01.199 --> 00:53:03.320
<v Speaker 1>could take this up until he's in a full of

1151
00:53:03.360 --> 00:53:05.400
<v Speaker 1>grown adult in his mid twenties and take a year

1152
00:53:05.440 --> 00:53:06.239
<v Speaker 1>out of the area.

1153
00:53:06.360 --> 00:53:08.679
<v Speaker 2>Stark approach kind of yeah.

1154
00:53:08.400 --> 00:53:11.800
<v Speaker 1>But actually do it like you remember Boyhood, the Richard Linchader,

1155
00:53:12.559 --> 00:53:15.119
<v Speaker 1>Like do like that thing where you were actually watching

1156
00:53:15.159 --> 00:53:18.079
<v Speaker 1>this actor grow up on film, which would be kind

1157
00:53:18.079 --> 00:53:20.599
<v Speaker 1>of cool. But yeah, so I don't know what's gonna happen.

1158
00:53:20.679 --> 00:53:24.079
<v Speaker 1>It's in limbo now. I think this is reactionary stuff.

1159
00:53:24.119 --> 00:53:26.320
<v Speaker 1>I can't believe that you would just cancel such a

1160
00:53:26.400 --> 00:53:29.559
<v Speaker 1>highly rated show based on your set is underwater.

1161
00:53:29.599 --> 00:53:30.960
<v Speaker 2>But they got to figure out what they're gonna do

1162
00:53:30.960 --> 00:53:34.800
<v Speaker 2>with the set. Like it's crazy, and you scoff at

1163
00:53:33.760 --> 00:53:37.800
<v Speaker 2>four fifteen years of and you don't scoff, but you're like, Okay,

1164
00:53:37.800 --> 00:53:39.559
<v Speaker 2>he's a showrunner. Take it with a grain of salt.

1165
00:53:39.639 --> 00:53:42.039
<v Speaker 2>I remember in season four of The Walking Dead, the

1166
00:53:42.039 --> 00:53:45.039
<v Speaker 2>showrunners said, we have fourteen seasons in mind, and like,

1167
00:53:45.079 --> 00:53:48.519
<v Speaker 2>realistically it's still on not The Walking Dead, get that.

1168
00:53:48.719 --> 00:53:51.280
<v Speaker 1>Yeah, And I remember it was like season eight, season nine,

1169
00:53:51.320 --> 00:53:53.119
<v Speaker 1>after Nagan was defeated.

1170
00:53:53.199 --> 00:53:54.440
<v Speaker 2>I think Scott M.

1171
00:53:54.480 --> 00:53:57.159
<v Speaker 1>Gimple said, you know, twenty seasons we could easily do.

1172
00:53:57.559 --> 00:54:01.199
<v Speaker 1>Now there is a lot of fatigue. Obviously they got

1173
00:54:01.280 --> 00:54:04.400
<v Speaker 1>rid of all these other supplementary characters, and then Megan

1174
00:54:04.559 --> 00:54:08.599
<v Speaker 1>and Maggie had their spin off, Darryl and Carroll had

1175
00:54:08.639 --> 00:54:12.360
<v Speaker 1>their spin off, Rick and Michon had their spin off.

1176
00:54:12.719 --> 00:54:14.719
<v Speaker 2>You had the I think there's a movie in production

1177
00:54:14.880 --> 00:54:16.679
<v Speaker 2>right now, or that might have been a spruit.

1178
00:54:16.639 --> 00:54:19.559
<v Speaker 1>There's I don't know what to think anymore. I know

1179
00:54:20.000 --> 00:54:23.239
<v Speaker 1>the Darryl Dixon thing. The next season is the last season, Okay,

1180
00:54:24.000 --> 00:54:27.920
<v Speaker 1>I know that I heard that Andrew Lincoln was working

1181
00:54:27.960 --> 00:54:32.440
<v Speaker 1>on coming back and wrapping things up with Norman Retis,

1182
00:54:32.559 --> 00:54:36.039
<v Speaker 1>with Jeffrey Dean Morgan, where all these storylines could come

1183
00:54:36.079 --> 00:54:38.239
<v Speaker 1>back into one and maybe that would be the film

1184
00:54:38.360 --> 00:54:41.519
<v Speaker 1>that they would do. I'd watch that. I mean, I

1185
00:54:41.519 --> 00:54:44.199
<v Speaker 1>would imagine that these eric, these actors are probably getting

1186
00:54:44.199 --> 00:54:46.000
<v Speaker 1>sick of playing the I mean, Andrew Lincoln left the

1187
00:54:46.000 --> 00:54:48.039
<v Speaker 1>show once already because he was sick of it, right,

1188
00:54:48.320 --> 00:54:50.320
<v Speaker 1>So I got to imagine that they're probably getting tired.

1189
00:54:51.119 --> 00:54:52.880
<v Speaker 2>Isn't that funny how that stuff works? Like you and

1190
00:54:52.920 --> 00:54:55.480
<v Speaker 2>I would do anything to get a fourteen year paid

1191
00:54:55.480 --> 00:54:57.719
<v Speaker 2>gig like that, But it's just like any other thing

1192
00:54:57.760 --> 00:55:00.280
<v Speaker 2>that goes on too long, like what you're thrail to

1193
00:55:00.320 --> 00:55:02.280
<v Speaker 2>break into Hollywood, and then you're pissed.

1194
00:55:02.000 --> 00:55:03.840
<v Speaker 1>That it's the only thing you're known for in Hollywood.

1195
00:55:03.880 --> 00:55:07.039
<v Speaker 1>And it's just I think, and I'm not speaking out

1196
00:55:07.039 --> 00:55:08.519
<v Speaker 1>of turn here, I think I might feel the same

1197
00:55:08.519 --> 00:55:12.000
<v Speaker 1>way as them. Once I've experienced that, I might be like, yeah,

1198
00:55:12.000 --> 00:55:14.480
<v Speaker 1>I got to do something else creatively, even if it's

1199
00:55:14.480 --> 00:55:16.239
<v Speaker 1>not as good, and it probably wouldn't be as good.

1200
00:55:16.079 --> 00:55:19.119
<v Speaker 2>But think about it, You're twenty five years old, Jennifer Aniston.

1201
00:55:19.159 --> 00:55:20.840
<v Speaker 2>You're like, we got this show, friends, why don't you

1202
00:55:20.840 --> 00:55:23.079
<v Speaker 2>give it away? And they're like, yeah, I'll do anything

1203
00:55:23.159 --> 00:55:25.920
<v Speaker 2>to get into Hollywood. And then like season seven rules around,

1204
00:55:25.960 --> 00:55:29.000
<v Speaker 2>like unless you pay me twenty four million dollars a year.

1205
00:55:29.599 --> 00:55:32.920
<v Speaker 2>But listen, it's pro athletes do the same thing. Yep,

1206
00:55:33.039 --> 00:55:35.159
<v Speaker 2>Recording artists do the same thing. I'm not hating. I

1207
00:55:35.199 --> 00:55:38.119
<v Speaker 2>just think it's an interesting psychological thing that's just like

1208
00:55:38.199 --> 00:55:40.719
<v Speaker 2>this thing that's millions of people would kill to be

1209
00:55:40.760 --> 00:55:41.760
<v Speaker 2>a part of the other thing.

1210
00:55:41.800 --> 00:55:43.719
<v Speaker 1>To Ben and I say, I brought this up with

1211
00:55:43.760 --> 00:55:47.039
<v Speaker 1>you before. You know, some of these teenagers that are

1212
00:55:47.039 --> 00:55:49.199
<v Speaker 1>going into the NBA or whatever where they have this

1213
00:55:49.320 --> 00:55:51.559
<v Speaker 1>high entitlement, you know, sort of.

1214
00:55:53.280 --> 00:55:53.960
<v Speaker 2>Attitude.

1215
00:55:54.559 --> 00:55:57.400
<v Speaker 1>I don't necessarily blame them for it, because I think

1216
00:55:57.440 --> 00:55:59.960
<v Speaker 1>the best it like, the better you get at something,

1217
00:56:00.480 --> 00:56:03.280
<v Speaker 1>and the the more on the long tail you become

1218
00:56:03.360 --> 00:56:06.000
<v Speaker 1>of the point one percent of somebody who can do

1219
00:56:06.039 --> 00:56:10.920
<v Speaker 1>something that you know that popular culture appreciates. The more

1220
00:56:10.960 --> 00:56:13.559
<v Speaker 1>people you're gonna get around you telling you how awesome

1221
00:56:13.559 --> 00:56:15.480
<v Speaker 1>you are, and telling you how great you are at this,

1222
00:56:15.599 --> 00:56:18.320
<v Speaker 1>and telling you like how you need to be doing

1223
00:56:18.360 --> 00:56:20.079
<v Speaker 1>as much as you can to make as much money

1224
00:56:20.079 --> 00:56:23.239
<v Speaker 1>as you can day and I see it.

1225
00:56:24.280 --> 00:56:26.159
<v Speaker 2>I can't. I can't tell you this because you're living.

1226
00:56:26.719 --> 00:56:30.079
<v Speaker 1>But but at some point, and you can tell me,

1227
00:56:30.480 --> 00:56:33.000
<v Speaker 1>at some point, when people tell you how great you are,

1228
00:56:33.559 --> 00:56:37.519
<v Speaker 1>you start to believe and and and then when you

1229
00:56:37.559 --> 00:56:41.559
<v Speaker 1>get to the height of primetime television, when you get

1230
00:56:41.599 --> 00:56:47.079
<v Speaker 1>to the height of professional basketball, like, it's really really

1231
00:56:47.119 --> 00:56:48.360
<v Speaker 1>difficult to stay grounded.

1232
00:56:48.599 --> 00:56:51.119
<v Speaker 2>I agree, I would, I would completely. I can't even imagine.

1233
00:56:51.360 --> 00:56:54.000
<v Speaker 2>Justin Bieber actually said something very similar, says, what would

1234
00:56:54.039 --> 00:56:56.840
<v Speaker 2>you do at twenty one with one hundred million dollars

1235
00:56:56.960 --> 00:56:59.360
<v Speaker 2>being the largest musician in America? And I'm like, oh,

1236
00:56:59.480 --> 00:57:01.320
<v Speaker 2>I probably would have been a bigger jerk than you were.

1237
00:57:01.440 --> 00:57:04.360
<v Speaker 1>Actually, not that I think about it, it's very interesting.

1238
00:57:04.519 --> 00:57:08.880
<v Speaker 1>Fernando Mendoza, the uh expected number one pick of the

1239
00:57:08.920 --> 00:57:13.119
<v Speaker 1>draft NFL Draft next week. His nickname, his nickname is

1240
00:57:13.159 --> 00:57:16.760
<v Speaker 1>LinkedIn because he's got this uh you know, he's he

1241
00:57:16.960 --> 00:57:20.360
<v Speaker 1>skipped some sort of like he skipped the combine because

1242
00:57:20.360 --> 00:57:25.079
<v Speaker 1>he was doing some sort of not apprenticeship, what do

1243
00:57:25.159 --> 00:57:27.000
<v Speaker 1>you call it, an internship in New York at some

1244
00:57:27.119 --> 00:57:30.880
<v Speaker 1>financial company or whatever. And he's got this very polished

1245
00:57:30.880 --> 00:57:35.039
<v Speaker 1>professional person so people start calling him LinkedIn, you know. Yeah,

1246
00:57:35.079 --> 00:57:36.960
<v Speaker 1>And so I was reading this from one of the scouts,

1247
00:57:37.239 --> 00:57:38.519
<v Speaker 1>and what hasn't this guy done?

1248
00:57:38.719 --> 00:57:38.880
<v Speaker 2>Right?

1249
00:57:38.960 --> 00:57:42.840
<v Speaker 1>Yeah, he was a no star recruit, won the Heisman,

1250
00:57:43.199 --> 00:57:46.320
<v Speaker 1>first undefeated season in college football history in the current

1251
00:57:46.400 --> 00:57:50.519
<v Speaker 1>you know, college football playoff at a non blue blood school,

1252
00:57:50.760 --> 00:57:52.199
<v Speaker 1>and now he's been the number one overall pick of

1253
00:57:52.199 --> 00:57:54.480
<v Speaker 1>the draft. Like what this guy has? Andy's going to

1254
00:57:54.519 --> 00:57:56.800
<v Speaker 1>be a huge bust and hold on, just hold on.

1255
00:57:57.400 --> 00:58:00.760
<v Speaker 1>But he's mowed down everything in his He's shattered it,

1256
00:58:00.840 --> 00:58:04.880
<v Speaker 1>like he's done everything. And I was reading this about

1257
00:58:04.920 --> 00:58:07.280
<v Speaker 1>a scout said this the other day. He doesn't know

1258
00:58:07.320 --> 00:58:13.239
<v Speaker 1>how this polished, super nice LinkedIn personality is gonna go

1259
00:58:13.320 --> 00:58:16.199
<v Speaker 1>over in NFL locker rooms. You can talk about his

1260
00:58:16.280 --> 00:58:18.159
<v Speaker 1>shortcomings on the field. I get it.

1261
00:58:18.199 --> 00:58:20.400
<v Speaker 2>You know. They also argue it's a new NFL, like

1262
00:58:20.440 --> 00:58:22.320
<v Speaker 2>I think it fits in more now than it would

1263
00:58:22.320 --> 00:58:25.320
<v Speaker 2>have even ten years now. I don't either, I either.

1264
00:58:25.360 --> 00:58:25.960
<v Speaker 2>I don't at all.

1265
00:58:26.199 --> 00:58:32.760
<v Speaker 1>I think that the personalities in NFL locker rooms are

1266
00:58:32.880 --> 00:58:35.280
<v Speaker 1>still as strong as they ever are, as they ever were.

1267
00:58:35.920 --> 00:58:39.719
<v Speaker 1>There's just a situation where they become more muted publicly.

1268
00:58:40.199 --> 00:58:42.719
<v Speaker 1>But I still think everything you think goes on in

1269
00:58:42.760 --> 00:58:45.159
<v Speaker 1>those locker rooms, it probably still does. To it again for.

1270
00:58:45.159 --> 00:58:47.000
<v Speaker 2>Sure, I hope you guys are all sticking around for

1271
00:58:47.000 --> 00:58:49.039
<v Speaker 2>this because we're opening this can of worms. Now. I

1272
00:58:49.119 --> 00:58:51.000
<v Speaker 2>don't think I think it's I shouldn't say it's not

1273
00:58:51.039 --> 00:58:53.800
<v Speaker 2>any different. It's obviously more professional and maybe a more

1274
00:58:53.840 --> 00:58:56.000
<v Speaker 2>classic way. But to explain to me the difference between

1275
00:58:56.039 --> 00:58:58.159
<v Speaker 2>what he's doing and what Juju Smith Schuster is doing,

1276
00:58:58.320 --> 00:59:00.920
<v Speaker 2>it seems like self promotion. It seems like get your

1277
00:59:00.960 --> 00:59:03.360
<v Speaker 2>name out there. He Juju was doing the TikTok dances,

1278
00:59:03.360 --> 00:59:07.079
<v Speaker 2>building the Juju Smith to brand around being the player.

1279
00:59:07.119 --> 00:59:10.280
<v Speaker 2>I don't idea well, how is he building his brand? Well,

1280
00:59:10.320 --> 00:59:13.599
<v Speaker 2>because he's LinkedIn. That's literally it's networking and building a brand.

1281
00:59:13.639 --> 00:59:15.880
<v Speaker 2>It's what but I mean, but that's it's very different

1282
00:59:15.880 --> 00:59:17.320
<v Speaker 2>than what all the players are doing. It's just a

1283
00:59:17.320 --> 00:59:18.000
<v Speaker 2>different approach.

1284
00:59:18.039 --> 00:59:20.000
<v Speaker 1>But you could say that Peyton Manning was doing that

1285
00:59:20.079 --> 00:59:21.840
<v Speaker 1>twenty five years ago, you know what I'm saying.

1286
00:59:21.920 --> 00:59:24.679
<v Speaker 2>So I don't think. I don't think it will be

1287
00:59:24.719 --> 00:59:26.679
<v Speaker 2>his off putting in the locker rooms. I think the

1288
00:59:26.719 --> 00:59:29.440
<v Speaker 2>fact that he sucks will be off putting. I think, Okay,

1289
00:59:29.559 --> 00:59:32.920
<v Speaker 2>let me let me, let me reframe this. I think

1290
00:59:33.119 --> 00:59:40.599
<v Speaker 2>there is a certain level of suspected Russell Wilson Okay, yeah, see,

1291
00:59:41.000 --> 00:59:44.679
<v Speaker 2>non genuine what do you call that? Yeah, disingenuous, disingenuous

1292
00:59:45.159 --> 00:59:47.480
<v Speaker 2>stuff from him. Whether that's true or not, I don't know.

1293
00:59:47.519 --> 00:59:49.519
<v Speaker 1>I don't know, but I think there are some people

1294
00:59:49.559 --> 00:59:52.039
<v Speaker 1>that think that there's something like this going on.

1295
00:59:52.360 --> 00:59:53.360
<v Speaker 2>And listen, when you're.

1296
00:59:53.239 --> 00:59:57.039
<v Speaker 1>Winning doesn't really matter exactly, but when you're not winning, Yeah,

1297
00:59:57.079 --> 00:59:59.639
<v Speaker 1>you got that cold awakening once you get there.

1298
00:59:59.719 --> 01:00:04.679
<v Speaker 2>Yeah, all right, what did we agree on for next week? Good?

1299
01:00:04.719 --> 01:00:04.960
<v Speaker 1>Good?

1300
01:00:05.480 --> 01:00:07.280
<v Speaker 2>One more thing just because we're all here and we

1301
01:00:07.320 --> 01:00:08.639
<v Speaker 2>didn't say anything about Marvel.

1302
01:00:09.480 --> 01:00:13.519
<v Speaker 1>Oh yeah, have you seen the focus group stuff yet? No?

1303
01:00:13.559 --> 01:00:15.039
<v Speaker 1>All right, I'm gonna read a thing to you, okay,

1304
01:00:15.079 --> 01:00:17.800
<v Speaker 1>and I'm gonna go for Doomsday.

1305
01:00:17.960 --> 01:00:23.159
<v Speaker 2>Oh they're focus grouping this, dude. Everyone is loving it. Really,

1306
01:00:23.199 --> 01:00:25.760
<v Speaker 2>they're literally comparing it to Okay, I'm just gonna read it.

1307
01:00:25.880 --> 01:00:26.239
<v Speaker 1>Yeah.

1308
01:00:26.280 --> 01:00:29.360
<v Speaker 2>So I've been told, holy hold on, where is this

1309
01:00:29.440 --> 01:00:32.159
<v Speaker 2>coming from that you're reading discussing film?

1310
01:00:32.599 --> 01:00:33.039
<v Speaker 1>Uh?

1311
01:00:33.119 --> 01:00:36.760
<v Speaker 2>So, I've been told, holy f Doom Avengers. Doomsday is

1312
01:00:36.800 --> 01:00:40.199
<v Speaker 2>going to have people turning away from the screen. This

1313
01:00:40.239 --> 01:00:43.679
<v Speaker 2>ship is dark horror Dark. Take it from me. This

1314
01:00:43.719 --> 01:00:46.559
<v Speaker 2>movie is going to make people cry, scream, and make

1315
01:00:46.639 --> 01:00:50.639
<v Speaker 2>people leave theaters in complete silence. That is just one

1316
01:00:50.840 --> 01:00:53.239
<v Speaker 2>of the ways that people are breaking this down. If

1317
01:00:53.280 --> 01:00:55.239
<v Speaker 2>I get rid of the word dark. I saw these

1318
01:00:55.239 --> 01:00:57.239
<v Speaker 2>and I was gonna send them to you, just text them.

1319
01:00:57.360 --> 01:00:59.599
<v Speaker 1>Now, this is focused stuff, So we don't know if

1320
01:00:59.599 --> 01:01:01.320
<v Speaker 1>this stuff is gonna make it into the fire.

1321
01:01:01.199 --> 01:01:02.880
<v Speaker 2>Well no, so okay, So we're at a point right

1322
01:01:02.960 --> 01:01:05.480
<v Speaker 2>now they are doing reshoots and Marvel has already gone

1323
01:01:05.519 --> 01:01:07.559
<v Speaker 2>out of the way to say we are not reshooting

1324
01:01:07.599 --> 01:01:10.199
<v Speaker 2>for plot at this point. The only reason they're reshooting

1325
01:01:10.280 --> 01:01:13.639
<v Speaker 2>is to add more fan service and more cool shit

1326
01:01:13.719 --> 01:01:16.880
<v Speaker 2>because they are saying it tested on the same level

1327
01:01:17.000 --> 01:01:19.599
<v Speaker 2>as Infinity War, and the audience said it is the

1328
01:01:19.679 --> 01:01:22.360
<v Speaker 2>Russo Brothers best marvelom.

1329
01:01:23.119 --> 01:01:26.320
<v Speaker 1>That's incredible. Man, this is being portrayed right now. It

1330
01:01:26.400 --> 01:01:29.920
<v Speaker 1>sucks that we have to wait, yeah, I mean more months.

1331
01:01:29.960 --> 01:01:33.159
<v Speaker 1>You know, this thought just crossed my mind. I'm like, really,

1332
01:01:33.239 --> 01:01:35.440
<v Speaker 1>I gotta sit and trudge through a Spider Man for

1333
01:01:35.719 --> 01:01:36.760
<v Speaker 1>before I can get to this.

1334
01:01:38.800 --> 01:01:42.840
<v Speaker 2>Blows. Whatever Daredevil's doing out of the water has been great.

1335
01:01:42.960 --> 01:01:46.719
<v Speaker 2>Oh absolutely, absolutely can't recommend it enough. Pizza movie not

1336
01:01:46.800 --> 01:01:49.519
<v Speaker 2>so much. We'll talk to you guys next week with normal.

1337
01:01:49.599 --> 01:01:50.679
<v Speaker 2>Thanks for putting up with that.