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<v Speaker 1>Hi, This is Dwayne Dusky from Portland, Oregon, and I

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<v Speaker 1>play at Glenn Deevere East and West Courses in Portland.

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<v Speaker 1>This is Golf Smarter number.

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<v Speaker 2>Four hundred and eighty six, published on April twenty eight,

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<v Speaker 2>twenty fifteen.

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<v Speaker 3>Welcome to golf Smarter Mulligans, your second chance to gain

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<v Speaker 3>insight and advice from the best instructors featured on the

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<v Speaker 3>Golf Smarter podcast. Great Golf Instruction Never gets old. Our

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<v Speaker 3>interview library features hundreds of hours of game improvement conversations

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<v Speaker 3>like this that are no longer available in any podcast app.

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<v Speaker 1>If we're talking a distance wedge, which will I define

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<v Speaker 1>us between forty yards and maybe your full swing of

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<v Speaker 1>your pitching wage. So let's say one twenty five or whatever.

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<v Speaker 1>You don't want a bigger gap than about twenty yards

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<v Speaker 1>in there. So if I hit my pitching wedge to

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<v Speaker 1>one twenty five, the next club I need to hit

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<v Speaker 1>at least ninety five yards And if I can get

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<v Speaker 1>those nice even spread like that, you can really learn

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<v Speaker 1>to cover any yardage with appropriate spin in trajectory. The

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<v Speaker 1>second would be the bounce options and the soul grind.

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<v Speaker 1>The shape of the wedge you want to have a

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<v Speaker 1>sand wedge with a lot of bounce on it. Bounce

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<v Speaker 1>is the difference between the bottom back of the club

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<v Speaker 1>and the soul to the leading edge, and degrees good

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<v Speaker 1>sand wedge might have between ten and fourteen or fifteen

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<v Speaker 1>degrees of bounce on it. If you have a more

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<v Speaker 1>lofted club, like a fifty eight to fifty nine or sixty,

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<v Speaker 1>you want that one to be low and bounced, so

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<v Speaker 1>probably between four and seven, depending once again on your

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<v Speaker 1>standard technique. With the techniques that I try to get

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<v Speaker 1>people to use, you don't need much bounce because the

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<v Speaker 1>swing's very shallow and you use it as you swing.

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<v Speaker 1>If that's the case, and you have a high bounced

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<v Speaker 1>sand wedge and a low bounce lob wedge, then you're

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<v Speaker 1>really prepared for any turf condition because when the sand

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<v Speaker 1>or grass is soft, the ball comes out slow and

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<v Speaker 1>more bounce is better than less, so you can always

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<v Speaker 1>use your sandwich. If, on the other hand, you're playing

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<v Speaker 1>kind of tight, firm turf, you need more loft and

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<v Speaker 1>less bounce, so you always have a choice. If you

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<v Speaker 1>had that set.

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<v Speaker 2>Makeup your short game solution. Mastering the Short Game from

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<v Speaker 2>one hundred and twenty yards and in with James Siekman.

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<v Speaker 3>This is Golf Smarter Premium. Here's your host, Fred Green.

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<v Speaker 2>Welcome to the Golf Smarter Podcast.

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<v Speaker 1>James. Hey, Fred, thanks for having me on. Appreciate it.

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<v Speaker 2>It's my pleasure because you've got a brand new book

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<v Speaker 2>out just came out last Month's available on Amazon called

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<v Speaker 2>Your Short Game Solution, Mastering the finesse game from one

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<v Speaker 2>hundred and twenty yards and in a favorite topic of

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<v Speaker 2>the Golf Smarter Podcast.

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<v Speaker 1>Oh, I think hopefully a favorite topic of anybody that

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<v Speaker 1>wants to shoot a good score.

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<v Speaker 2>And isn't that the case though? I mean, it really is.

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<v Speaker 2>And I discovered I'm not a PGA professional. I just

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<v Speaker 2>have the right equipment to do these recordings. And I

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<v Speaker 2>love playing golf, but I'm a weekend player and don't

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<v Speaker 2>have a ton of time to practice. But I recently

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<v Speaker 2>discovered in the last year or so, how important the

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<v Speaker 2>short game is. You discovered this a long time.

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<v Speaker 1>Ago, Well, I did, because I mean I played professionally

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<v Speaker 1>and I hit the ball beautifully, and you know, it

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<v Speaker 1>just was a huge competitive disadvantage when I couldn't get

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<v Speaker 1>the ball up and end couldn't kind of keep my

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<v Speaker 1>momentum going in the round. And if you look at

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<v Speaker 1>the short game is so important for a lot of reasons.

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<v Speaker 1>But if you look at just look at statistically, the

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<v Speaker 1>best players make the most birdies and so you think about, well,

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<v Speaker 1>that means all of the best ball strikers then would

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<v Speaker 1>be the best players. But you got to think about

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<v Speaker 1>where you make your birdies percentage wise, and typically you're

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<v Speaker 1>not making them on a two hundred and fifteen yard

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<v Speaker 1>part three. You're not making on a four hundred and

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<v Speaker 1>eighty five yard part four. You know you do that

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<v Speaker 1>one in a while, but it's a bit of an outlier.

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<v Speaker 1>The reality is you make your birdies on the par

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<v Speaker 1>fives that you can't reach. You make them on the

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<v Speaker 1>par fives that you can reach. You make them on

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<v Speaker 1>the short part fours where you can happen to get

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<v Speaker 1>the ball up there seventy yards from the green, And

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<v Speaker 1>so that type of shot called a distance wedge is

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<v Speaker 1>critical for making birdies, and making birdies is critical to

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<v Speaker 1>being a good player. And of course if you make birdies.

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<v Speaker 1>Another way to make birdies is to feel like you

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<v Speaker 1>can shoot at pins. And if you have no confidence

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<v Speaker 1>in your finesse, game around the greens, and you find

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<v Speaker 1>yourself playing in the middle of the green and you know,

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<v Speaker 1>having good shots that end up thirty feet or so.

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<v Speaker 1>So it really is feeds on itself in so many

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<v Speaker 1>different ways as far as just keeping momentum, being able

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<v Speaker 1>to attack, take any advantage of the easy holes. And

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<v Speaker 1>if you're not tidy with your wedge game from one

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<v Speaker 1>hundred and twenty yards at end, you really do not

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<v Speaker 1>have a chance to compete.

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<v Speaker 2>Right book, I loved the story on how you started

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<v Speaker 2>figuring this out with your brother and being on tour

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<v Speaker 2>and started videotaping on your own. Why did you give

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<v Speaker 2>us a little history of your own game and how

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<v Speaker 2>you got to understanding and becoming the guru that you

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<v Speaker 2>are to seventy players.

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<v Speaker 1>Yeah, it's kind of an interesting tale, you know. I

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<v Speaker 1>played in college, I played nicely, turned pro afterwards and

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<v Speaker 1>played those days. There was no such thing as a

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<v Speaker 1>web dot com tour or a hoving tour. It was

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<v Speaker 1>get all the way through tour school or play overseas

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<v Speaker 1>or many tour events. So I went overseas and I

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<v Speaker 1>played in Asian South America and did that for about

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<v Speaker 1>five years, traveling around the world playing great experience, but

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<v Speaker 1>it became very clear to me that everything that I

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<v Speaker 1>was working hard on to improve was actually making me

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<v Speaker 1>much worse. And I had a great touch around the

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<v Speaker 1>green when I was a kid, but I had no

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<v Speaker 1>thoughts either. I just kind of did it. And then

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<v Speaker 1>as I started to get formal coaching, you know, I

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<v Speaker 1>got much much worse. I quit, got married, and took

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<v Speaker 1>a job working for Dave Hills, who's kind of a

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<v Speaker 1>famous short game coach. After two or three years there,

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<v Speaker 1>having an opportunity to kind of learn from him and

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<v Speaker 1>dabbling a little bit more specifically in short game coaching,

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<v Speaker 1>and an opportunity to start my own business. And one

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<v Speaker 1>thing was very clear at that point, even after working

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<v Speaker 1>teaching short game schools for three years, I had no

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<v Speaker 1>clue what good technique was. I didn't know what worked

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<v Speaker 1>and why. I just knew that the things that I

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<v Speaker 1>was teaching in those schools and the things that I

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<v Speaker 1>was taught when I was going through college and as

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<v Speaker 1>a pro were not working. And they were not only

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<v Speaker 1>not working for me, but they weren't helping for the

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<v Speaker 1>people I was seeing. So I decided I need to

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<v Speaker 1>go on a little bit of a journey or quest

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<v Speaker 1>to try and figure this out, since I was just

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<v Speaker 1>getting ready to open my own academy and my oldest brother,

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<v Speaker 1>Tom's a PGA tour player before I was on tour

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<v Speaker 1>for eleven years and was close friends with Seve among

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<v Speaker 1>a lot of great players, and asked me to come

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<v Speaker 1>caddy for him at the Players Championship. So I had

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<v Speaker 1>a a kind of a unique opportunity to be around

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<v Speaker 1>the best wedge player in the on the planet, as

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<v Speaker 1>well as many others like Raymond Floyd and Corey Pavin,

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<v Speaker 1>and I had a huge need to try and figure

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<v Speaker 1>out what the heck, you know, what worked and why,

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<v Speaker 1>because at this point I only knew what didn't work,

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<v Speaker 1>And uh, you know, I went and took video and

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<v Speaker 1>I studied it just like a football coach would study

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<v Speaker 1>a film of a of a of a game, and

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<v Speaker 1>you know, kind of wiped the slate clean and just

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<v Speaker 1>started my own my own theory. Since I didn't know

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<v Speaker 1>what to teach, I thought the most logical thing would

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<v Speaker 1>would be to study what they'd do and atually just

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<v Speaker 1>teach what they do. And I found it to be

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<v Speaker 1>amazingly opposite and completely different than anything I'd ever heard.

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<v Speaker 2>That's what I found so fascinating is the epiphany that

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<v Speaker 2>you had when you were doing this What was it

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<v Speaker 2>that you discovered? Well before I asked ask that question,

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<v Speaker 2>I just want to announce to the audience that we're

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<v Speaker 2>live on periscope right now, and if the people watching

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<v Speaker 2>on periscope have any questions that they want to submit

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<v Speaker 2>to James while we're having this conversation, please tim up

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<v Speaker 2>type them up on the screen and I'll try to

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<v Speaker 2>get to them as I can. I already have one

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<v Speaker 2>question that came in earlier today from Twitter when I

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<v Speaker 2>announced that I was going to do this interview with you.

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<v Speaker 2>But tell me about you know, when you went through

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<v Speaker 2>the footage, James, what was it that you found? How

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<v Speaker 2>were you able to get to the place where you're saying,

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<v Speaker 2>you know, this is very different than anything we're teaching.

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<v Speaker 1>Yes, I mean so so. I mean it's different in

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<v Speaker 1>every single facet. I mean I could run through and

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<v Speaker 1>list seventy things that are completely opposite of what you

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<v Speaker 1>should be doing in your full swing to generate power,

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<v Speaker 1>and it just kind of just kind of came to

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<v Speaker 1>the realization as the goals change and the goal becomes

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<v Speaker 1>to be weak, to have a soft touch to control

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<v Speaker 1>the speed instead of generated to use loft and bounce

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<v Speaker 1>to the club. That the technique should change right along

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<v Speaker 1>with the intent. And you know, I wasn't thinking this

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<v Speaker 1>far ahead, but after a while I kind of I say, well,

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<v Speaker 1>this makes sense to me. Now, why wouldn't it be different?

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<v Speaker 1>But you know the first thing I noticed was that

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<v Speaker 1>these great players Sebe Bellisteros, Raymond Floyd, what not, Corey

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<v Speaker 1>Payment had a little reverse pivot in their backswing, which

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<v Speaker 1>you know that they might start with their weight fairly even,

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<v Speaker 1>which is another difference. I was taught to left and

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<v Speaker 1>you put your hands ahead that they had to weight even,

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<v Speaker 1>and they reversed weight shifted to add pressure in their

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<v Speaker 1>left or lead leg a little bit, and the backswing,

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<v Speaker 1>their head literally moved two or three inches towards the target,

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<v Speaker 1>and then as they delivered the club, their head would

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<v Speaker 1>stay forward. And if you think of a full swing

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<v Speaker 1>or even a seventy yard shot, as you turn back

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<v Speaker 1>behind the ball and swing your arms and turn your shoulders,

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<v Speaker 1>you actually load pressure into your trail leg and your

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<v Speaker 1>head typically moves three or four inches behind the ball

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<v Speaker 1>as you deliver a lot of times to add especially

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<v Speaker 1>with a driver, to hit up on it or at

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<v Speaker 1>least hit a level. As you shift your weight your body,

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<v Speaker 1>your upper body tilts back. So the entire motor pattern

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<v Speaker 1>was different, not only with balance, but with the sequence

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<v Speaker 1>of events, with the setup, with how they released the club,

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<v Speaker 1>or the role of the of not the role the

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<v Speaker 1>rotation of the arm movement. Everything about it was completely opposite.

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<v Speaker 1>So I just started to just write down the common

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<v Speaker 1>allies that Sevy had. He was my main guy that

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<v Speaker 1>I studied because I had the most footage of him

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<v Speaker 1>and he had the reputation of being the best. But

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<v Speaker 1>Graymond Floyd and Corey Pave and my brother who was

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<v Speaker 1>an amazing wedge player, and you know, I have Wayne

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<v Speaker 1>Grady and Jody my lot of great players that I

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<v Speaker 1>had this footage of, And I just thought, well, you

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<v Speaker 1>know what, I don't know what the heck I'm doing,

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<v Speaker 1>so I guess I'll just write down what they're doing,

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<v Speaker 1>and that's what I'll teach.

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<v Speaker 2>And it's worked for you.

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<v Speaker 1>It has it's you know, it not only worked for me,

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<v Speaker 1>because now all of a sudden, it's like I started

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<v Speaker 1>to rediscover some of the touch and feel I had

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<v Speaker 1>when I was young, and I had no thoughts, but

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<v Speaker 1>the students that I began to teach once again, you know,

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<v Speaker 1>when I was working for Dave pel Squad, honestly, people

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<v Speaker 1>were not getting leaving those schools improved in my opinion.

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<v Speaker 1>Now on my own, I really started to see some

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<v Speaker 1>major growth, you know, some excited phone calls and emails

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<v Speaker 1>of people telling me how much better they were doing.

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<v Speaker 1>And you know, at some point you need that confirmation

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<v Speaker 1>as a coach that things are working.

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<v Speaker 2>I'm fascinating you said they weren't improving at schools. Is

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<v Speaker 2>that the nature of the schools themselves or it was

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<v Speaker 2>what was being taught, because I've talked to so many

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<v Speaker 2>people who've gone to golf schools and they feel so

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<v Speaker 2>great after doing a long weekend or even up to

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<v Speaker 2>five days in a school, and they go home and

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<v Speaker 2>without somebody there to you know, keep correcting them and stuff,

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<v Speaker 2>they don't remember much and very frustrated and feel like

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<v Speaker 2>they spent money that didn't really turn their game around

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<v Speaker 2>at all.

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<v Speaker 1>Yeah, it's a little bit of both, but I would

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<v Speaker 1>say more than anything, it's just really bad information. And

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<v Speaker 1>you get bad information on technique. That's bad enough, but

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<v Speaker 1>Unfortunately those schools don't say this appropriately. I would say this.

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<v Speaker 1>I am a coach. I'm not a teacher. So if

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<v Speaker 1>you came to me and needed help and I said, hey,

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<v Speaker 1>I'm going to teach you to do this technique that technique,

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<v Speaker 1>and we're going to perfect this movement, you could walk

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<v Speaker 1>away with perfect movement. But Fred, but you won't be

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<v Speaker 1>a better player because as a coach, I'm interested only

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<v Speaker 1>in performance, and so you can improve technically to improve,

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<v Speaker 1>but you can also make your training time more effective

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<v Speaker 1>so that you develop skill, which is really what performance is,

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<v Speaker 1>and that those skills have nothing to do with technique.

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<v Speaker 1>They could be picking the right club, picking the right

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<v Speaker 1>landing spot, adapting for upslopes and down slopes. What do

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<v Speaker 1>I do? You know when the balls into the grain?

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<v Speaker 4>You know?

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<v Speaker 1>So that type of stuff was just not being taught.

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<v Speaker 1>And what's worse is that the technical information was poor.

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<v Speaker 1>What's worse yet, is that when you're thinking about technique,

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<v Speaker 1>the thoughts are internal. And so, Fred, if I could

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<v Speaker 1>ask you, as a recreational player, what's the worst thing

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<v Speaker 1>you could do on a golf course.

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<v Speaker 2>The worst thing that I can do on the golf

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<v Speaker 2>course is keep doing I keep repeating the mistakes over

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<v Speaker 2>and over again.

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<v Speaker 1>Well I would, I would argue that it's thinking too much. Absolutely,

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<v Speaker 1>you overthinking golf and you, you know, especially with internal thoughts,

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<v Speaker 1>it's so harmful for your game. Great golf is not

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<v Speaker 1>internal thoughts. It's external. You're you're you're picturing your you're

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<v Speaker 1>feeling energy to the target, your you know, the thoughts

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<v Speaker 1>live outside your body, not in Well, you go to

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<v Speaker 1>this golf school, you learn this great technique. One hundred

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<v Speaker 1>percent of the time is is focus. Uh, have internal thought.

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<v Speaker 1>There's no mention of skill development, there's no mention of

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<v Speaker 1>how to improvementally. And yeah, it's long and tiring, and

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<v Speaker 1>you do this for three days, you get sent home

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<v Speaker 1>and it's no wonder people weren't getting better because they're

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<v Speaker 1>doing going about the process of improving all wrong. There

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<v Speaker 1>has to be not just this technique that I discovered.

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<v Speaker 1>I mean, that's great and it works, but more importantly,

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<v Speaker 1>there has to be an approach to improving and an logical,

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<v Speaker 1>simple way that you could spend a few minutes each

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<v Speaker 1>day to get better, to not only improve your technique

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<v Speaker 1>but your skill and the confidence of what great golf

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<v Speaker 1>demands and that's really what coaches do that teachers do not.

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<v Speaker 1>You know, they think about the whole picture as opposed

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<v Speaker 1>to just some little technical tip.

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<v Speaker 2>Oh that's amazing. Actually, I guess the answer to your

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<v Speaker 2>question is that I'm actually struggling with right now with

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<v Speaker 2>my putting, is I'm getting in my own way.

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<v Speaker 1>Yeah, yeah, that's well. I got the putting book coming

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<v Speaker 1>out next year, Fred, so we'll have to do this

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<v Speaker 1>again in the year. Okay. But it's the same whether

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<v Speaker 1>it's people getting their own way off the tea, they

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<v Speaker 1>getting their own way when they chip, they get in

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<v Speaker 1>their own way when they putt. But if I was

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<v Speaker 1>going to share with you, that's such a multifaceted, interesting problem.

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<v Speaker 1>And I do go into great detail on this next

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<v Speaker 1>one about that very topic because that's I think a

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<v Speaker 1>very common problem, that might be the most common problem.

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<v Speaker 1>But if you're getting in your own way, there's two

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<v Speaker 1>things happening. Once again, thoughts are internal. You're thinking about

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<v Speaker 1>how to move the club. You're thinking about a position

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<v Speaker 1>of your head or your arm, or the motor of

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<v Speaker 1>your stroke, or what you want the club to do.

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<v Speaker 1>And I would move your thoughts and train to try

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<v Speaker 1>and think of external and kind of a subconscious reaction

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<v Speaker 1>to what you picture. And the way I do that

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<v Speaker 1>with my students is I separate training time by intent.

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<v Speaker 1>So if the intent of training is to work on

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<v Speaker 1>and improve your technique, then we eliminate the whole we

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<v Speaker 1>put into open space and we think of only technique.

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<v Speaker 1>Those are those internal thoughts, and we do it in

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<v Speaker 1>a manner where there's some feedback whether we know we're

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<v Speaker 1>doing it right or not. So might just create a

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<v Speaker 1>simple workstation for your putting or for your wedge play

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<v Speaker 1>or your bunker player or whatever, and it just might

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<v Speaker 1>be some swings without the ball or certainly without a

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<v Speaker 1>pin where we evaluate the technique. Then you just have

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<v Speaker 1>to flush that completely and you have to think about skill.

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<v Speaker 1>And so you do that through random practice instead of

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<v Speaker 1>one ball after the other. In the same you scatterballs everywhere.

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<v Speaker 1>You have all your clubs, and you go through an

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<v Speaker 1>organized process to get yourself ready. And in the book,

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<v Speaker 1>I talk about this process starting with assessment of the lie,

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<v Speaker 1>the wind, the grain, all the factors that would influence it,

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<v Speaker 1>choosing a club, choosing a trajectory, choosing a landing spot,

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<v Speaker 1>visualizing the ball go in. So now all of a sudden,

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<v Speaker 1>as I visualize, the thoughts are external, Right, have my

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<v Speaker 1>thought walking in clear and committed, taking a rehearsal swing,

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<v Speaker 1>thinking of nothing more, that kind of energy to your picture,

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<v Speaker 1>and then then reacting like you tied your shoe this morning, Fred,

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<v Speaker 1>which is you don't know how you did that, you just.

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<v Speaker 2>Did it, you think about it.

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<v Speaker 1>You can take that approach to putting as well. When

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<v Speaker 1>you're taking a rehearsal swing or you're over the ball,

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<v Speaker 1>are you reacting to a vision or are you consciously

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<v Speaker 1>trying to move the club a certain way? And that

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<v Speaker 1>that's the definition of to some extent of getting in

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<v Speaker 1>your own way, you know. So that's the pre shot

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<v Speaker 1>kind of portion of that equation. There's also a post shot,

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<v Speaker 1>a portion where the most important time in golf is

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<v Speaker 1>what you do after a bad shot. What's the what

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<v Speaker 1>do you what's the first five seconds you after a

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<v Speaker 1>bad shot? How do you react? How do you respond? Well,

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<v Speaker 1>the typical person, let's say you miss a short pot,

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<v Speaker 1>you miss a two footers. If they get angry, they

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<v Speaker 1>get frustrated, they get despondent, they go, oh, I can't pot,

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<v Speaker 1>I'm horrible at this, you know, all the negative self talk, right, So, uh,

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<v Speaker 1>that's certainly not making the next one easier, right that

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<v Speaker 1>that your your self image is taking a big blow

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<v Speaker 1>every time you say I can't do this, I'm no

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<v Speaker 1>good at it, this is frustrating or just feeling that

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<v Speaker 1>negative emotion. So that's not what champions do. Champ think

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<v Speaker 1>about the results unemotionally and allow them to direct direct

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<v Speaker 1>them in a positive way so they can do the

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<v Speaker 1>next one better. So that's literally why I titled my

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<v Speaker 1>book Your Short Game Solution, because as a coach, I

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<v Speaker 1>ask the same question probably five hundred times a day,

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<v Speaker 1>and I always asks, Okay, what's the solution of that? So, Fred,

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<v Speaker 1>you missed this two footer? What's the solution? Well, it

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<v Speaker 1>could be more break could be less energy, could be

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<v Speaker 1>more commitment, could be I didn't quiet my eye and

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<v Speaker 1>do my breathing or whatever it is that we're working on, right,

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<v Speaker 1>and you say, well, next time, I'll just recommit and

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<v Speaker 1>I'll do that foundational thing better. And so therefore you

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<v Speaker 1>missed your two footer, but you've recommitted in a positive

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<v Speaker 1>way to your plan, as opposed to missing your two

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<v Speaker 1>footer and going wow, I suck. I can't put. So

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<v Speaker 1>there's a lot of little pitfalls mental pitfalls to to

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<v Speaker 1>putting or performance in golf that people just don't quite

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<v Speaker 1>get right. They just don't quite have the mental discipline

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<v Speaker 1>or the knowledge to to kind of self coach in

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<v Speaker 1>a positive way.

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<v Speaker 2>You know, your your book. It's actually it's very hard

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<v Speaker 2>to do in an audio podcast go over the book

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<v Speaker 2>in detail because it's such a technical book and there

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<v Speaker 2>are great drills in it. There's there's so much great

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<v Speaker 2>information that it's the type of thing that you need

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<v Speaker 2>to go over multiple times. But there are a couple

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<v Speaker 2>of things in the book that I'd like to talk

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<v Speaker 2>about and just get your you know, rough explanation on

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<v Speaker 2>this and tease tease the audience to obviously go out

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<v Speaker 2>and buy the book. And that Let's talk about the

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<v Speaker 2>the choosing the correct wedges for for your your game.

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<v Speaker 1>Right, so in your set makeup, you know, you're looking

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<v Speaker 1>for some versatility and the bounce options, okay, and also

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<v Speaker 1>kind of an even gaps total distance between your wedges.

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<v Speaker 1>So let's just look at those two criteria. You know,

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<v Speaker 1>if we're talking a distance wedge, which I define as

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<v Speaker 1>like between forty yards and maybe your full swing and

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<v Speaker 1>your pitching wage. So let's say one twenty five or whatever.

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<v Speaker 1>You don't want a bigger gap than about twenty yards

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<v Speaker 1>in there. So if I hit my pitching wedge one

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<v Speaker 1>twenty five, the next club I need to hit at

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00:22:45.720 --> 00:22:48.519
<v Speaker 1>least ninety five yards, The next club I need to

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00:22:48.559 --> 00:22:51.400
<v Speaker 1>hit at least seventy five full. And if I can

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<v Speaker 1>get those nice even spread like that, then through this

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<v Speaker 1>distance wage system that I expound upon in the book,

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00:22:58.000 --> 00:23:00.319
<v Speaker 1>you can really learn to cover any yard which with

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<v Speaker 1>appropriate spin and trajectory. Okay, so that's one criteria. The

399
00:23:06.000 --> 00:23:11.599
<v Speaker 1>second would be the bounce options and the soul grind,

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<v Speaker 1>the shape of the wedge. And I mean that's a

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00:23:15.119 --> 00:23:17.480
<v Speaker 1>book in itself, just kind of going to all the

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00:23:17.519 --> 00:23:21.160
<v Speaker 1>different detail there. But if I could just generalize it

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00:23:21.720 --> 00:23:23.599
<v Speaker 1>to this one point, I think it would be helpful

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<v Speaker 1>for anybody listening. You want to have a sand wedge,

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<v Speaker 1>your middle wedge, whether it's fifty four or fifty five,

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00:23:31.400 --> 00:23:36.319
<v Speaker 1>fifty six doesn't matter with a lot of bounce on it.

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<v Speaker 1>Bounce is the difference between the bottom back of the

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<v Speaker 1>club on the soul to the leading edge and degrees,

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<v Speaker 1>So good sand wedge you might have between ten and

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00:23:48.880 --> 00:23:52.559
<v Speaker 1>fourteen or fifteen degrees of bounce on it. If you

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<v Speaker 1>have a more lofted club like a fifty eight to

412
00:23:54.799 --> 00:23:57.400
<v Speaker 1>fifty nine or sixty, you want that one to be

413
00:23:58.480 --> 00:24:03.960
<v Speaker 1>low and bounce between four and seven, depending once again

414
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<v Speaker 1>on your standard technique. So with the techniques that I

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00:24:08.680 --> 00:24:11.680
<v Speaker 1>try and get people to use, you don't need much

416
00:24:11.720 --> 00:24:14.359
<v Speaker 1>bounce because the swing is very shallow and you use

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00:24:14.400 --> 00:24:17.759
<v Speaker 1>it as you swing. So if that's the case and

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00:24:17.799 --> 00:24:20.759
<v Speaker 1>you have a high bounced sand wedge and a low

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00:24:20.799 --> 00:24:24.559
<v Speaker 1>bounce lob wedge, then you're really prepared for any turf

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<v Speaker 1>condition because when the sand, the sand or grass is soft,

421
00:24:32.400 --> 00:24:34.759
<v Speaker 1>kind of like it usually is in the Northeast or

422
00:24:35.519 --> 00:24:40.559
<v Speaker 1>maybe up there in the northern California or whatever, you

423
00:24:40.839 --> 00:24:46.279
<v Speaker 1>kind of soft conditions, the ball comes out slow and

424
00:24:46.400 --> 00:24:48.759
<v Speaker 1>more bounce is better than less, So you can always

425
00:24:48.839 --> 00:24:52.279
<v Speaker 1>use your sandwich perfect you need you need a little

426
00:24:52.279 --> 00:24:54.519
<v Speaker 1>bit more energy, you need more bounce. If, on the

427
00:24:54.519 --> 00:24:58.480
<v Speaker 1>other hand, you're playing kind of tight, firm turf you

428
00:24:58.519 --> 00:25:00.599
<v Speaker 1>get in a lot of places, whether it's exis or

429
00:25:01.119 --> 00:25:03.799
<v Speaker 1>maybe it's just have a little bit of a drought

430
00:25:03.799 --> 00:25:07.119
<v Speaker 1>going on the course or whatever, or firm sand sand

431
00:25:07.160 --> 00:25:11.559
<v Speaker 1>that's been where it's rained and it's kind of packed

432
00:25:11.599 --> 00:25:14.839
<v Speaker 1>in and baked. Then you need less bounce is more

433
00:25:14.839 --> 00:25:18.480
<v Speaker 1>effective and the ball comes up fast or flies off,

434
00:25:18.640 --> 00:25:21.000
<v Speaker 1>so you need more loft and less bounce. So you

435
00:25:21.039 --> 00:25:27.119
<v Speaker 1>always have a choice if you had that set makeup awesome,

436
00:25:27.440 --> 00:25:29.599
<v Speaker 1>that makes sense, I hope. I mean, no, it does.

437
00:25:29.839 --> 00:25:30.119
<v Speaker 1>It does.

438
00:25:30.400 --> 00:25:33.559
<v Speaker 4>Topic, Yeah, it is, but there was there was a

439
00:25:33.599 --> 00:25:35.880
<v Speaker 4>line It's almost not a throwaway, but it was kind

440
00:25:35.880 --> 00:25:39.160
<v Speaker 4>of buried in there that I also thought is actually

441
00:25:39.200 --> 00:25:41.480
<v Speaker 4>perfect for what Golf Smarter is all about for this

442
00:25:41.559 --> 00:25:43.440
<v Speaker 4>podcast and how we approach.

443
00:25:43.119 --> 00:25:46.440
<v Speaker 2>Golf here, well, how I approach golf, and that is

444
00:25:46.799 --> 00:25:49.359
<v Speaker 2>bad decisions versus bad shots.

445
00:25:50.720 --> 00:25:55.079
<v Speaker 1>Yeah, there are certain conditions or trajectories that you might

446
00:25:55.200 --> 00:25:59.400
<v Speaker 1>play based on the lie, and of course this is skill.

447
00:25:59.480 --> 00:26:02.960
<v Speaker 1>Once again, this is not technique. It's a judgment. And

448
00:26:03.039 --> 00:26:06.160
<v Speaker 1>so the most common one that I see is a

449
00:26:06.400 --> 00:26:11.319
<v Speaker 1>ball laying into the grain on a tight lie. And

450
00:26:11.359 --> 00:26:14.039
<v Speaker 1>in that case, a lot of people they may have

451
00:26:14.240 --> 00:26:16.920
<v Speaker 1>their favorite club out, which is a lob wedge, and

452
00:26:17.000 --> 00:26:19.640
<v Speaker 1>they might see a little lower shot with it because

453
00:26:19.640 --> 00:26:22.480
<v Speaker 1>they have some green to work with, So they lean

454
00:26:22.559 --> 00:26:25.480
<v Speaker 1>the shaft a little forward and they take this club.

455
00:26:25.799 --> 00:26:29.039
<v Speaker 1>When you lean the shaft forward, you reduce the effective bounce,

456
00:26:29.079 --> 00:26:32.160
<v Speaker 1>and he's sharpened the leading edge, which is just an

457
00:26:32.240 --> 00:26:34.960
<v Speaker 1>awful thing to do into the grain, where if you

458
00:26:35.039 --> 00:26:37.240
<v Speaker 1>hit just a little behind it with a sharp leading edge,

459
00:26:37.240 --> 00:26:39.720
<v Speaker 1>it's just going to dig a trench. I mean, we

460
00:26:39.759 --> 00:26:43.359
<v Speaker 1>all saw that. I think the listeners think back at

461
00:26:43.400 --> 00:26:46.400
<v Speaker 1>Tiger the Hero World Challenge where he's into the grain

462
00:26:46.480 --> 00:26:49.119
<v Speaker 1>on that sticky Bermuda and he's digging the leading edge

463
00:26:49.119 --> 00:26:52.799
<v Speaker 1>in the ground, just duff and shot after shot. That

464
00:26:52.920 --> 00:26:55.680
<v Speaker 1>is much about that certainly was technique in his case,

465
00:26:55.720 --> 00:27:00.759
<v Speaker 1>but it's more about shot selection. So if you take

466
00:27:00.799 --> 00:27:03.480
<v Speaker 1>your sand wedge and just just roll back the clock

467
00:27:03.519 --> 00:27:08.359
<v Speaker 1>to nineteen seventy pre lobledge and take your sand wedge,

468
00:27:08.559 --> 00:27:11.960
<v Speaker 1>and we can hit the same trajectory shot as we

469
00:27:12.000 --> 00:27:14.200
<v Speaker 1>did with the sixty by hitting a little higher than

470
00:27:14.240 --> 00:27:18.400
<v Speaker 1>normal shot with that sandwich, and effectively you add bounce

471
00:27:19.000 --> 00:27:22.720
<v Speaker 1>and soften the leading edge and it just works so

472
00:27:22.920 --> 00:27:27.079
<v Speaker 1>much better. Now the problem is that skill development, that

473
00:27:27.200 --> 00:27:33.519
<v Speaker 1>judgment element requires decision making and training. How are you

474
00:27:33.519 --> 00:27:36.559
<v Speaker 1>supposed to learn that? How did I learn that? You know, Well,

475
00:27:36.640 --> 00:27:38.880
<v Speaker 1>the way I learned it is that I trained properly

476
00:27:38.920 --> 00:27:45.400
<v Speaker 1>by throwing balls everywhere, and you know, learning through experience

477
00:27:45.480 --> 00:27:49.039
<v Speaker 1>of a bunch of different trials. But that's not what

478
00:27:49.319 --> 00:27:52.319
<v Speaker 1>average golfer does they. I mean you, even at my

479
00:27:52.359 --> 00:27:54.839
<v Speaker 1>own club. You think these people would have read the

480
00:27:54.839 --> 00:27:57.640
<v Speaker 1>book and known better or whatever. But they go out

481
00:27:57.680 --> 00:28:01.000
<v Speaker 1>to the sharcame area. They stand in the same spot

482
00:28:01.240 --> 00:28:04.559
<v Speaker 1>for twenty minutes, and they'll hit ten shots to one pin,

483
00:28:04.680 --> 00:28:06.880
<v Speaker 1>and they'll hit ten shots to the next pin, and they're

484
00:28:06.920 --> 00:28:09.279
<v Speaker 1>all from the same lie, and they tee them up

485
00:28:10.119 --> 00:28:14.799
<v Speaker 1>and it's just horrible practice for trying to develop skill

486
00:28:14.880 --> 00:28:18.599
<v Speaker 1>and learn the little nuances of being a great player.

487
00:28:19.559 --> 00:28:21.480
<v Speaker 2>And what would you walk up to them and have

488
00:28:21.640 --> 00:28:22.599
<v Speaker 2>them do If.

489
00:28:23.960 --> 00:28:26.279
<v Speaker 1>I would not, I would just say, you know what,

490
00:28:26.359 --> 00:28:29.079
<v Speaker 1>the reality is, if they're not going to practice properly,

491
00:28:29.119 --> 00:28:31.839
<v Speaker 1>they're better off just going to have a beer because

492
00:28:32.599 --> 00:28:36.319
<v Speaker 1>they're probably doing more harm than good at that point. Interesting,

493
00:28:36.480 --> 00:28:38.200
<v Speaker 1>think about it. When you're in a pile, you hit

494
00:28:38.200 --> 00:28:40.519
<v Speaker 1>a bad shot, what do you do? Well? You think

495
00:28:40.559 --> 00:28:42.880
<v Speaker 1>internally about what you did wrong, and then you fiddle

496
00:28:42.880 --> 00:28:45.519
<v Speaker 1>and you try something new, and then you at some

497
00:28:45.640 --> 00:28:48.119
<v Speaker 1>point you stay there long enough, you're going to hit

498
00:28:48.200 --> 00:28:52.440
<v Speaker 1>a shot you don't like, you know, it's just there's

499
00:28:52.519 --> 00:28:55.279
<v Speaker 1>no resiliency in it, there's no toughness in it, there's

500
00:28:55.319 --> 00:28:57.640
<v Speaker 1>no skill development in it, and so they're just better

501
00:28:57.680 --> 00:29:00.599
<v Speaker 1>off just like skipping all together.

502
00:29:06.799 --> 00:29:09.720
<v Speaker 2>You mentioned Tiger and I'm That kind of leads into

503
00:29:09.920 --> 00:29:12.640
<v Speaker 2>the question that did come across on Twitter today from

504
00:29:12.960 --> 00:29:17.119
<v Speaker 2>Nick at Golf Progress. What did you see in Tiger's

505
00:29:17.160 --> 00:29:22.440
<v Speaker 2>wedge play that was so radically different between Augusta and Phoenix.

506
00:29:23.720 --> 00:29:27.200
<v Speaker 1>Yeah, well, let's just backtrack a little. Let's say what

507
00:29:27.319 --> 00:29:33.359
<v Speaker 1>was so radically different between Phoenix and what he did

508
00:29:33.400 --> 00:29:37.480
<v Speaker 1>in two thousand? Technique in two thousand, when he was

509
00:29:37.519 --> 00:29:43.079
<v Speaker 1>at the top of his powers, there was spotless, very

510
00:29:43.119 --> 00:29:48.119
<v Speaker 1>fundamentally sound that this technique in Phoenix and before was

511
00:29:48.319 --> 00:29:53.839
<v Speaker 1>just absolutely awful. Everything awful. Know, the setup was bad,

512
00:29:53.960 --> 00:29:56.480
<v Speaker 1>He's backing up in the middle of his motion. The

513
00:29:56.559 --> 00:29:59.880
<v Speaker 1>backstriing was wrong, and he think, how could a person

514
00:30:00.079 --> 00:30:06.920
<v Speaker 1>of that talent regressed that far? Uh? And the reality

515
00:30:06.960 --> 00:30:09.440
<v Speaker 1>is only when you the only way to get that

516
00:30:09.440 --> 00:30:12.839
<v Speaker 1>far is to work hard on the wrong things. So

517
00:30:12.920 --> 00:30:17.319
<v Speaker 1>he got some bad information at some point, practiced it diligently,

518
00:30:18.599 --> 00:30:21.079
<v Speaker 1>you know, wasn't quite getting what he wanted out of

519
00:30:21.119 --> 00:30:23.799
<v Speaker 1>it and the whole thing regresses. And in this case,

520
00:30:23.920 --> 00:30:29.240
<v Speaker 1>I know for a fact that the changes he was

521
00:30:29.319 --> 00:30:31.960
<v Speaker 1>making in his backswing, with the way he moved his arms,

522
00:30:32.640 --> 00:30:35.200
<v Speaker 1>and you know he's working on his full swing first

523
00:30:35.200 --> 00:30:38.960
<v Speaker 1>with Haney and then with Sean Foley, that the arm movements,

524
00:30:39.039 --> 00:30:42.519
<v Speaker 1>the motor patterns that he was working on hard or

525
00:30:42.960 --> 00:30:46.519
<v Speaker 1>change that dramatically. He was. He just kind of crept

526
00:30:46.519 --> 00:30:49.000
<v Speaker 1>into his finesca and he was literally moving his arms

527
00:30:49.039 --> 00:30:54.240
<v Speaker 1>exactly the same way, and that ultimately ended up making

528
00:30:54.319 --> 00:30:56.960
<v Speaker 1>him change his set up and the whole motor pattern.

529
00:30:57.039 --> 00:31:02.720
<v Speaker 1>So that's very common mistake. The major premise of my

530
00:31:02.759 --> 00:31:06.039
<v Speaker 1>book is that the full swing and short game are opposites.

531
00:31:06.079 --> 00:31:09.319
<v Speaker 1>They're not the same, and if you use the same

532
00:31:09.359 --> 00:31:12.279
<v Speaker 1>motor pattern for both, you'll only be good at one.

533
00:31:13.720 --> 00:31:15.480
<v Speaker 1>You know, you just got to pick your one you

534
00:31:15.519 --> 00:31:16.119
<v Speaker 1>want to be good at.

535
00:31:16.160 --> 00:31:19.240
<v Speaker 2>I guess I was very I was very surprised when

536
00:31:19.240 --> 00:31:22.160
<v Speaker 2>I came across that part in the book. Is like, wa, wait,

537
00:31:22.400 --> 00:31:24.920
<v Speaker 2>completely different swings on your short game.

538
00:31:26.480 --> 00:31:31.039
<v Speaker 1>Now, I should say I finished that comment. I guess sure.

539
00:31:32.200 --> 00:31:37.200
<v Speaker 1>Tiger's new coach, Chris Como, a smart guy friend of mine,

540
00:31:38.200 --> 00:31:42.319
<v Speaker 1>has a ton of knowledge and he inherited this issue

541
00:31:42.319 --> 00:31:45.680
<v Speaker 1>with Tiger, he didn't create it. So I think the

542
00:31:45.759 --> 00:31:49.200
<v Speaker 1>reality is I think that was a shocker as a

543
00:31:49.240 --> 00:31:51.119
<v Speaker 1>coach when he shows up and he's working on full

544
00:31:51.160 --> 00:31:53.240
<v Speaker 1>swing and to find out that his player can't ship.

545
00:31:54.279 --> 00:31:56.240
<v Speaker 1>Kind of found that out after the fact, and then

546
00:31:56.519 --> 00:31:59.359
<v Speaker 1>I think, given, you know, then Tiger takes a break

547
00:31:59.440 --> 00:32:01.599
<v Speaker 1>and they sit there and they focused on that part

548
00:32:01.640 --> 00:32:04.160
<v Speaker 1>of the game and worked it through. And I think

549
00:32:04.200 --> 00:32:07.759
<v Speaker 1>now the difference that Augusta is just operating with good

550
00:32:07.759 --> 00:32:13.119
<v Speaker 1>information and everything has changed. Like setup is completely different, backswing,

551
00:32:13.200 --> 00:32:17.160
<v Speaker 1>arm movement patterns different, is balance, and the way he

552
00:32:17.200 --> 00:32:22.480
<v Speaker 1>releases the club was completely different. So one technique interesting.

553
00:32:22.720 --> 00:32:26.720
<v Speaker 2>Yeah, I've asked a number of different coaches that we've

554
00:32:26.759 --> 00:32:32.160
<v Speaker 2>had on the show, if you had the chance to

555
00:32:32.200 --> 00:32:34.720
<v Speaker 2>talk to Tiger for fifteen minutes or you know, if

556
00:32:34.720 --> 00:32:37.200
<v Speaker 2>he called you and said would you help me? What

557
00:32:37.200 --> 00:32:41.039
<v Speaker 2>would you do? And so many have said, just go

558
00:32:41.119 --> 00:32:43.039
<v Speaker 2>back to what got you here in the first place,

559
00:32:43.440 --> 00:32:44.640
<v Speaker 2>stop playing with it.

560
00:32:45.359 --> 00:32:47.279
<v Speaker 1>Yeah, but how do you do that? I mean, it's

561
00:32:47.279 --> 00:32:50.799
<v Speaker 1>like putting the toothpaste back into the tube once you

562
00:32:50.839 --> 00:32:54.720
<v Speaker 1>sweeze it out. It's just like it's impossible motor patterns

563
00:32:54.720 --> 00:32:58.599
<v Speaker 1>have changed, your body, motor memories have changed. You know,

564
00:32:58.799 --> 00:33:02.319
<v Speaker 1>everything's different. So you like the reality is that's why

565
00:33:02.759 --> 00:33:05.160
<v Speaker 1>you got to have foundational beliefs. They need to be

566
00:33:05.240 --> 00:33:08.960
<v Speaker 1>well defined. You got to have ways to train so

567
00:33:09.000 --> 00:33:12.839
<v Speaker 1>that you never really degenerate or get lost and move

568
00:33:13.200 --> 00:33:16.119
<v Speaker 1>away from them. And I think that's that's really what

569
00:33:16.200 --> 00:33:19.960
<v Speaker 1>happened when he switched kind of coaches. He switched complete

570
00:33:20.039 --> 00:33:22.759
<v Speaker 1>concepts of how to do it, and then at some

571
00:33:22.839 --> 00:33:25.319
<v Speaker 1>point he didn't know. It was kind of like me

572
00:33:25.400 --> 00:33:27.680
<v Speaker 1>when I was teacher. It's like, well, I don't know

573
00:33:27.720 --> 00:33:36.559
<v Speaker 1>what's right, but I know that's wrong, you know, So.

574
00:33:33.000 --> 00:33:36.039
<v Speaker 2>So tell us where where you're teaching now, and if

575
00:33:36.039 --> 00:33:39.480
<v Speaker 2>people wanted to reach out and work with you, where

576
00:33:39.680 --> 00:33:41.200
<v Speaker 2>they would go and how they would get in touch

577
00:33:41.200 --> 00:33:41.400
<v Speaker 2>with you.

578
00:33:42.200 --> 00:33:45.079
<v Speaker 1>Yeah. Well, I have a golf academy in Omaha, Nebraska,

579
00:33:45.279 --> 00:33:49.440
<v Speaker 1>Shadow Ridge Country Club. The easiest way to get a

580
00:33:49.440 --> 00:33:51.079
<v Speaker 1>hold of me would pre to send me an email.

581
00:33:51.200 --> 00:33:56.480
<v Speaker 1>Just go to my website JS golf Academy dot com,

582
00:33:57.279 --> 00:34:01.119
<v Speaker 1>and there's a place where they can kind of see

583
00:34:01.119 --> 00:34:03.240
<v Speaker 1>some tips and do all those sort of things, but

584
00:34:03.279 --> 00:34:08.559
<v Speaker 1>also a place where they can contact me. I honestly,

585
00:34:08.719 --> 00:34:11.599
<v Speaker 1>not here very often. I work in one on an

586
00:34:11.599 --> 00:34:16.559
<v Speaker 1>airplane pretty much every week, working with tour players and

587
00:34:16.599 --> 00:34:21.559
<v Speaker 1>doing different things. But I'm usually here, you know, two

588
00:34:21.679 --> 00:34:25.239
<v Speaker 1>or three days a week, and you know, if they

589
00:34:25.239 --> 00:34:26.760
<v Speaker 1>want too bad enough, we can certainly find a way

590
00:34:26.800 --> 00:34:27.320
<v Speaker 1>to get together.

591
00:34:28.039 --> 00:34:30.800
<v Speaker 2>How about giving us a quick tip right from the

592
00:34:30.840 --> 00:34:34.199
<v Speaker 2>book again, it's your short game solution mastering the finesse

593
00:34:34.280 --> 00:34:36.639
<v Speaker 2>game from one hundred and twenty yards and in how

594
00:34:36.639 --> 00:34:38.159
<v Speaker 2>did you give us a quick tip from the book.

595
00:34:39.239 --> 00:34:42.400
<v Speaker 1>Yeah, one of the key issues around the green, especially

596
00:34:42.400 --> 00:34:47.559
<v Speaker 1>inside thirty yards, is to sequence your swing properly. And

597
00:34:48.639 --> 00:34:51.800
<v Speaker 1>there is a power sequence where you start your downswing

598
00:34:51.840 --> 00:34:56.639
<v Speaker 1>with your body some shift and some wire on your hands,

599
00:34:56.679 --> 00:34:58.320
<v Speaker 1>move faster in the club and you get this little

600
00:34:58.320 --> 00:35:00.679
<v Speaker 1>down cock so you get this little whip there. Well,

601
00:35:01.199 --> 00:35:03.480
<v Speaker 1>the short game is opposite, so I call it a

602
00:35:03.480 --> 00:35:06.239
<v Speaker 1>finesse sequence. And the easiest way to learn what the

603
00:35:06.239 --> 00:35:09.239
<v Speaker 1>finest sequence is, which is essentially at the start of

604
00:35:09.239 --> 00:35:12.960
<v Speaker 1>your down swinging the club moving faster than your arms

605
00:35:13.400 --> 00:35:15.360
<v Speaker 1>at the start of the downsing so these angles are

606
00:35:15.440 --> 00:35:18.920
<v Speaker 1>starting to be let out, is to chip with your

607
00:35:18.920 --> 00:35:24.800
<v Speaker 1>trailarm only just in training. So I just pretend like essentially,

608
00:35:24.800 --> 00:35:26.320
<v Speaker 1>like I have a ball in my hand which I'm

609
00:35:26.320 --> 00:35:28.039
<v Speaker 1>gonna grab here, and if I was going to do

610
00:35:28.079 --> 00:35:32.880
<v Speaker 1>a little underhanded toss, I wouldn't do it by starting

611
00:35:32.880 --> 00:35:36.559
<v Speaker 1>my hips. I'd start my arm, the club would come out,

612
00:35:37.119 --> 00:35:40.880
<v Speaker 1>and then I just release the club past my body

613
00:35:42.760 --> 00:35:45.039
<v Speaker 1>to get this nice, gentle little toss there. And it's

614
00:35:45.039 --> 00:35:47.280
<v Speaker 1>the same motion. And only think I'm gonna do differently

615
00:35:47.280 --> 00:35:48.599
<v Speaker 1>is I'm gonna do it with the club in my hand,

616
00:35:48.679 --> 00:35:51.719
<v Speaker 1>So just grip the club and the trail arm only

617
00:35:52.239 --> 00:35:54.599
<v Speaker 1>set up to this normal I really like to level out,

618
00:35:54.639 --> 00:35:56.079
<v Speaker 1>so I'd like to put my left hand kind of

619
00:35:56.079 --> 00:35:58.320
<v Speaker 1>down on my thigh. Now I'm just gonna make a

620
00:35:58.400 --> 00:36:00.519
<v Speaker 1>one handed swing. Just pretend I can do it a

621
00:36:00.559 --> 00:36:05.719
<v Speaker 1>little five yard toss with my trail hand, and that

622
00:36:05.760 --> 00:36:09.320
<v Speaker 1>gives you the perfect perfect sequences. You release the club

623
00:36:09.800 --> 00:36:12.960
<v Speaker 1>past your body, and I get a lot of calls

624
00:36:13.000 --> 00:36:15.840
<v Speaker 1>and or texts saying, well, I chip so beautifully one

625
00:36:15.840 --> 00:36:18.199
<v Speaker 1>hand only doing your drill, but when I put my

626
00:36:18.280 --> 00:36:20.280
<v Speaker 1>left hand on there, it's not quite as good. It's

627
00:36:20.360 --> 00:36:24.480
<v Speaker 1>just the perfect drill that allows you the sequence your

628
00:36:24.519 --> 00:36:28.719
<v Speaker 1>swing properly, release the club pastor body and nice soft

629
00:36:28.760 --> 00:36:29.679
<v Speaker 1>touch around the greens.

630
00:36:31.760 --> 00:36:35.440
<v Speaker 2>Fabulous tip. Thank you, and I'm just so impressed that

631
00:36:35.480 --> 00:36:37.159
<v Speaker 2>you can hit balls around the house and not get

632
00:36:37.159 --> 00:36:37.639
<v Speaker 2>in trouble.

633
00:36:38.239 --> 00:36:40.639
<v Speaker 1>Oh yeah, I watch out found that's the only reason
