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Speaker 1: Hi, This is Dwayne Dusky from Portland, Oregon, and I

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play at Glenn Deevere East and West Courses in Portland.

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This is Golf Smarter number.

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Speaker 2: Four hundred and eighty six, published on April twenty eight,

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twenty fifteen.

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Speaker 3: Welcome to golf Smarter Mulligans, your second chance to gain

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insight and advice from the best instructors featured on the

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Golf Smarter podcast. Great Golf Instruction Never gets old. Our

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interview library features hundreds of hours of game improvement conversations

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like this that are no longer available in any podcast app.

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Speaker 1: If we're talking a distance wedge, which will I define

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us between forty yards and maybe your full swing of

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your pitching wage. So let's say one twenty five or whatever.

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You don't want a bigger gap than about twenty yards

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in there. So if I hit my pitching wedge to

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one twenty five, the next club I need to hit

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at least ninety five yards And if I can get

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those nice even spread like that, you can really learn

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to cover any yardage with appropriate spin in trajectory. The

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second would be the bounce options and the soul grind.

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The shape of the wedge you want to have a

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sand wedge with a lot of bounce on it. Bounce

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is the difference between the bottom back of the club

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and the soul to the leading edge, and degrees good

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sand wedge might have between ten and fourteen or fifteen

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degrees of bounce on it. If you have a more

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lofted club, like a fifty eight to fifty nine or sixty,

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you want that one to be low and bounced, so

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probably between four and seven, depending once again on your

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standard technique. With the techniques that I try to get

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people to use, you don't need much bounce because the

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swing's very shallow and you use it as you swing.

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If that's the case, and you have a high bounced

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sand wedge and a low bounce lob wedge, then you're

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really prepared for any turf condition because when the sand

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or grass is soft, the ball comes out slow and

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more bounce is better than less, so you can always

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use your sandwich. If, on the other hand, you're playing

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kind of tight, firm turf, you need more loft and

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less bounce, so you always have a choice. If you

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had that set.

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Speaker 2: Makeup your short game solution. Mastering the Short Game from

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one hundred and twenty yards and in with James Siekman.

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Speaker 3: This is Golf Smarter Premium. Here's your host, Fred Green.

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Speaker 2: Welcome to the Golf Smarter Podcast.

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Speaker 1: James. Hey, Fred, thanks for having me on. Appreciate it.

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Speaker 2: It's my pleasure because you've got a brand new book

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out just came out last Month's available on Amazon called

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Your Short Game Solution, Mastering the finesse game from one

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hundred and twenty yards and in a favorite topic of

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the Golf Smarter Podcast.

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Speaker 1: Oh, I think hopefully a favorite topic of anybody that

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wants to shoot a good score.

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Speaker 2: And isn't that the case though? I mean, it really is.

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And I discovered I'm not a PGA professional. I just

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have the right equipment to do these recordings. And I

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love playing golf, but I'm a weekend player and don't

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have a ton of time to practice. But I recently

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discovered in the last year or so, how important the

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short game is. You discovered this a long time.

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Speaker 1: Ago, Well, I did, because I mean I played professionally

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and I hit the ball beautifully, and you know, it

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just was a huge competitive disadvantage when I couldn't get

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the ball up and end couldn't kind of keep my

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momentum going in the round. And if you look at

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the short game is so important for a lot of reasons.

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But if you look at just look at statistically, the

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best players make the most birdies and so you think about, well,

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that means all of the best ball strikers then would

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be the best players. But you got to think about

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where you make your birdies percentage wise, and typically you're

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not making them on a two hundred and fifteen yard

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part three. You're not making on a four hundred and

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eighty five yard part four. You know you do that

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one in a while, but it's a bit of an outlier.

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The reality is you make your birdies on the par

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fives that you can't reach. You make them on the

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par fives that you can reach. You make them on

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the short part fours where you can happen to get

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the ball up there seventy yards from the green, And

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so that type of shot called a distance wedge is

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critical for making birdies, and making birdies is critical to

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being a good player. And of course if you make birdies.

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Another way to make birdies is to feel like you

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can shoot at pins. And if you have no confidence

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in your finesse, game around the greens, and you find

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yourself playing in the middle of the green and you know,

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having good shots that end up thirty feet or so.

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So it really is feeds on itself in so many

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different ways as far as just keeping momentum, being able

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to attack, take any advantage of the easy holes. And

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if you're not tidy with your wedge game from one

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hundred and twenty yards at end, you really do not

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have a chance to compete.

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Speaker 2: Right book, I loved the story on how you started

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figuring this out with your brother and being on tour

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and started videotaping on your own. Why did you give

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us a little history of your own game and how

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you got to understanding and becoming the guru that you

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are to seventy players.

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Speaker 1: Yeah, it's kind of an interesting tale, you know. I

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played in college, I played nicely, turned pro afterwards and

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played those days. There was no such thing as a

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web dot com tour or a hoving tour. It was

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get all the way through tour school or play overseas

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or many tour events. So I went overseas and I

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played in Asian South America and did that for about

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five years, traveling around the world playing great experience, but

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it became very clear to me that everything that I

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was working hard on to improve was actually making me

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much worse. And I had a great touch around the

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green when I was a kid, but I had no

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thoughts either. I just kind of did it. And then

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as I started to get formal coaching, you know, I

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got much much worse. I quit, got married, and took

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a job working for Dave Hills, who's kind of a

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famous short game coach. After two or three years there,

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having an opportunity to kind of learn from him and

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dabbling a little bit more specifically in short game coaching,

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and an opportunity to start my own business. And one

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thing was very clear at that point, even after working

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teaching short game schools for three years, I had no

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clue what good technique was. I didn't know what worked

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and why. I just knew that the things that I

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was teaching in those schools and the things that I

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was taught when I was going through college and as

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a pro were not working. And they were not only

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not working for me, but they weren't helping for the

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people I was seeing. So I decided I need to

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go on a little bit of a journey or quest

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to try and figure this out, since I was just

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getting ready to open my own academy and my oldest brother,

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Tom's a PGA tour player before I was on tour

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for eleven years and was close friends with Seve among

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a lot of great players, and asked me to come

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caddy for him at the Players Championship. So I had

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a a kind of a unique opportunity to be around

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the best wedge player in the on the planet, as

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well as many others like Raymond Floyd and Corey Pavin,

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and I had a huge need to try and figure

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out what the heck, you know, what worked and why,

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because at this point I only knew what didn't work,

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And uh, you know, I went and took video and

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I studied it just like a football coach would study

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a film of a of a of a game, and

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you know, kind of wiped the slate clean and just

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started my own my own theory. Since I didn't know

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what to teach, I thought the most logical thing would

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would be to study what they'd do and atually just

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teach what they do. And I found it to be

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amazingly opposite and completely different than anything I'd ever heard.

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Speaker 2: That's what I found so fascinating is the epiphany that

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you had when you were doing this What was it

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that you discovered? Well before I asked ask that question,

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I just want to announce to the audience that we're

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live on periscope right now, and if the people watching

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on periscope have any questions that they want to submit

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to James while we're having this conversation, please tim up

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type them up on the screen and I'll try to

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get to them as I can. I already have one

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question that came in earlier today from Twitter when I

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announced that I was going to do this interview with you.

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But tell me about you know, when you went through

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the footage, James, what was it that you found? How

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were you able to get to the place where you're saying,

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you know, this is very different than anything we're teaching.

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Speaker 1: Yes, I mean so so. I mean it's different in

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every single facet. I mean I could run through and

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list seventy things that are completely opposite of what you

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should be doing in your full swing to generate power,

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and it just kind of just kind of came to

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the realization as the goals change and the goal becomes

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to be weak, to have a soft touch to control

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the speed instead of generated to use loft and bounce

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to the club. That the technique should change right along

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with the intent. And you know, I wasn't thinking this

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far ahead, but after a while I kind of I say, well,

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this makes sense to me. Now, why wouldn't it be different?

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But you know the first thing I noticed was that

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these great players Sebe Bellisteros, Raymond Floyd, what not, Corey

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Payment had a little reverse pivot in their backswing, which

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you know that they might start with their weight fairly even,

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which is another difference. I was taught to left and

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you put your hands ahead that they had to weight even,

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and they reversed weight shifted to add pressure in their

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left or lead leg a little bit, and the backswing,

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their head literally moved two or three inches towards the target,

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and then as they delivered the club, their head would

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stay forward. And if you think of a full swing

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or even a seventy yard shot, as you turn back

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behind the ball and swing your arms and turn your shoulders,

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you actually load pressure into your trail leg and your

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head typically moves three or four inches behind the ball

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as you deliver a lot of times to add especially

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with a driver, to hit up on it or at

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least hit a level. As you shift your weight your body,

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your upper body tilts back. So the entire motor pattern

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was different, not only with balance, but with the sequence

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of events, with the setup, with how they released the club,

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or the role of the of not the role the

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rotation of the arm movement. Everything about it was completely opposite.

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So I just started to just write down the common

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allies that Sevy had. He was my main guy that

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I studied because I had the most footage of him

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and he had the reputation of being the best. But

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Graymond Floyd and Corey Pave and my brother who was

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an amazing wedge player, and you know, I have Wayne

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Grady and Jody my lot of great players that I

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had this footage of, And I just thought, well, you

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know what, I don't know what the heck I'm doing,

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so I guess I'll just write down what they're doing,

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and that's what I'll teach.

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Speaker 2: And it's worked for you.

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Speaker 1: It has it's you know, it not only worked for me,

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because now all of a sudden, it's like I started

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to rediscover some of the touch and feel I had

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when I was young, and I had no thoughts, but

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the students that I began to teach once again, you know,

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when I was working for Dave pel Squad, honestly, people

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were not getting leaving those schools improved in my opinion.

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Now on my own, I really started to see some

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major growth, you know, some excited phone calls and emails

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of people telling me how much better they were doing.

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And you know, at some point you need that confirmation

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as a coach that things are working.

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Speaker 2: I'm fascinating you said they weren't improving at schools. Is

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that the nature of the schools themselves or it was

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what was being taught, because I've talked to so many

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people who've gone to golf schools and they feel so

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great after doing a long weekend or even up to

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five days in a school, and they go home and

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without somebody there to you know, keep correcting them and stuff,

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they don't remember much and very frustrated and feel like

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they spent money that didn't really turn their game around

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at all.

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Speaker 1: Yeah, it's a little bit of both, but I would

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say more than anything, it's just really bad information. And

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you get bad information on technique. That's bad enough, but

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Unfortunately those schools don't say this appropriately. I would say this.

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I am a coach. I'm not a teacher. So if

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you came to me and needed help and I said, hey,

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I'm going to teach you to do this technique that technique,

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and we're going to perfect this movement, you could walk

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away with perfect movement. But Fred, but you won't be

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a better player because as a coach, I'm interested only

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in performance, and so you can improve technically to improve,

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but you can also make your training time more effective

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so that you develop skill, which is really what performance is,

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and that those skills have nothing to do with technique.

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They could be picking the right club, picking the right

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landing spot, adapting for upslopes and down slopes. What do

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I do? You know when the balls into the grain?

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Speaker 4: You know?

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Speaker 1: So that type of stuff was just not being taught.

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And what's worse is that the technical information was poor.

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What's worse yet, is that when you're thinking about technique,

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the thoughts are internal. And so, Fred, if I could

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ask you, as a recreational player, what's the worst thing

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you could do on a golf course.

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Speaker 2: The worst thing that I can do on the golf

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course is keep doing I keep repeating the mistakes over

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and over again.

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Speaker 1: Well I would, I would argue that it's thinking too much. Absolutely,

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you overthinking golf and you, you know, especially with internal thoughts,

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it's so harmful for your game. Great golf is not

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internal thoughts. It's external. You're you're you're picturing your you're

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feeling energy to the target, your you know, the thoughts

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live outside your body, not in Well, you go to

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this golf school, you learn this great technique. One hundred

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percent of the time is is focus. Uh, have internal thought.

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There's no mention of skill development, there's no mention of

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how to improvementally. And yeah, it's long and tiring, and

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you do this for three days, you get sent home

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and it's no wonder people weren't getting better because they're

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doing going about the process of improving all wrong. There

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has to be not just this technique that I discovered.

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I mean, that's great and it works, but more importantly,

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there has to be an approach to improving and an logical,

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simple way that you could spend a few minutes each

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day to get better, to not only improve your technique

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but your skill and the confidence of what great golf

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demands and that's really what coaches do that teachers do not.

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You know, they think about the whole picture as opposed

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to just some little technical tip.

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Speaker 2: Oh that's amazing. Actually, I guess the answer to your

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question is that I'm actually struggling with right now with

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my putting, is I'm getting in my own way.

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Speaker 1: Yeah, yeah, that's well. I got the putting book coming

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out next year, Fred, so we'll have to do this

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again in the year. Okay. But it's the same whether

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it's people getting their own way off the tea, they

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getting their own way when they chip, they get in

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their own way when they putt. But if I was

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going to share with you, that's such a multifaceted, interesting problem.

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And I do go into great detail on this next

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one about that very topic because that's I think a

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very common problem, that might be the most common problem.

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But if you're getting in your own way, there's two

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things happening. Once again, thoughts are internal. You're thinking about

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how to move the club. You're thinking about a position

301
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of your head or your arm, or the motor of

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your stroke, or what you want the club to do.

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And I would move your thoughts and train to try

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and think of external and kind of a subconscious reaction

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to what you picture. And the way I do that

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with my students is I separate training time by intent.

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So if the intent of training is to work on

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and improve your technique, then we eliminate the whole we

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put into open space and we think of only technique.

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Those are those internal thoughts, and we do it in

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a manner where there's some feedback whether we know we're

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doing it right or not. So might just create a

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simple workstation for your putting or for your wedge play

314
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or your bunker player or whatever, and it just might

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be some swings without the ball or certainly without a

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pin where we evaluate the technique. Then you just have

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to flush that completely and you have to think about skill.

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And so you do that through random practice instead of

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one ball after the other. In the same you scatterballs everywhere.

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You have all your clubs, and you go through an

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organized process to get yourself ready. And in the book,

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I talk about this process starting with assessment of the lie,

323
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the wind, the grain, all the factors that would influence it,

324
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choosing a club, choosing a trajectory, choosing a landing spot,

325
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visualizing the ball go in. So now all of a sudden,

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as I visualize, the thoughts are external, Right, have my

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thought walking in clear and committed, taking a rehearsal swing,

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thinking of nothing more, that kind of energy to your picture,

329
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and then then reacting like you tied your shoe this morning, Fred,

330
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which is you don't know how you did that, you just.

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Speaker 2: Did it, you think about it.

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Speaker 1: You can take that approach to putting as well. When

333
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you're taking a rehearsal swing or you're over the ball,

334
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are you reacting to a vision or are you consciously

335
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trying to move the club a certain way? And that

336
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that's the definition of to some extent of getting in

337
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your own way, you know. So that's the pre shot

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kind of portion of that equation. There's also a post shot,

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a portion where the most important time in golf is

340
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what you do after a bad shot. What's the what

341
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do you what's the first five seconds you after a

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bad shot? How do you react? How do you respond? Well,

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the typical person, let's say you miss a short pot,

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you miss a two footers. If they get angry, they

345
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get frustrated, they get despondent, they go, oh, I can't pot,

346
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I'm horrible at this, you know, all the negative self talk, right, So, uh,

347
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that's certainly not making the next one easier, right that

348
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that your your self image is taking a big blow

349
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every time you say I can't do this, I'm no

350
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good at it, this is frustrating or just feeling that

351
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negative emotion. So that's not what champions do. Champ think

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about the results unemotionally and allow them to direct direct

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them in a positive way so they can do the

354
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next one better. So that's literally why I titled my

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book Your Short Game Solution, because as a coach, I

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ask the same question probably five hundred times a day,

357
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and I always asks, Okay, what's the solution of that? So, Fred,

358
00:20:27,319 --> 00:20:32,039
you missed this two footer? What's the solution? Well, it

359
00:20:32,039 --> 00:20:34,920
could be more break could be less energy, could be

360
00:20:34,960 --> 00:20:39,160
more commitment, could be I didn't quiet my eye and

361
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do my breathing or whatever it is that we're working on, right,

362
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and you say, well, next time, I'll just recommit and

363
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I'll do that foundational thing better. And so therefore you

364
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missed your two footer, but you've recommitted in a positive

365
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way to your plan, as opposed to missing your two

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footer and going wow, I suck. I can't put. So

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there's a lot of little pitfalls mental pitfalls to to

368
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putting or performance in golf that people just don't quite

369
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get right. They just don't quite have the mental discipline

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or the knowledge to to kind of self coach in

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a positive way.

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Speaker 2: You know, your your book. It's actually it's very hard

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to do in an audio podcast go over the book

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in detail because it's such a technical book and there

375
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are great drills in it. There's there's so much great

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information that it's the type of thing that you need

377
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to go over multiple times. But there are a couple

378
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of things in the book that I'd like to talk

379
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about and just get your you know, rough explanation on

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this and tease tease the audience to obviously go out

381
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and buy the book. And that Let's talk about the

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the choosing the correct wedges for for your your game.

383
00:22:04,079 --> 00:22:11,000
Speaker 1: Right, so in your set makeup, you know, you're looking

384
00:22:11,119 --> 00:22:17,640
for some versatility and the bounce options, okay, and also

385
00:22:19,319 --> 00:22:22,720
kind of an even gaps total distance between your wedges.

386
00:22:22,759 --> 00:22:25,960
So let's just look at those two criteria. You know,

387
00:22:26,000 --> 00:22:30,599
if we're talking a distance wedge, which I define as

388
00:22:30,640 --> 00:22:33,519
like between forty yards and maybe your full swing and

389
00:22:33,519 --> 00:22:36,000
your pitching wage. So let's say one twenty five or whatever.

390
00:22:37,440 --> 00:22:40,240
You don't want a bigger gap than about twenty yards

391
00:22:40,279 --> 00:22:43,119
in there. So if I hit my pitching wedge one

392
00:22:43,200 --> 00:22:45,640
twenty five, the next club I need to hit at

393
00:22:45,720 --> 00:22:48,519
least ninety five yards, The next club I need to

394
00:22:48,559 --> 00:22:51,400
hit at least seventy five full. And if I can

395
00:22:51,400 --> 00:22:54,359
get those nice even spread like that, then through this

396
00:22:54,480 --> 00:22:57,640
distance wage system that I expound upon in the book,

397
00:22:58,000 --> 00:23:00,319
you can really learn to cover any yard which with

398
00:23:00,559 --> 00:23:05,920
appropriate spin and trajectory. Okay, so that's one criteria. The

399
00:23:06,000 --> 00:23:11,599
second would be the bounce options and the soul grind,

400
00:23:11,759 --> 00:23:15,079
the shape of the wedge. And I mean that's a

401
00:23:15,119 --> 00:23:17,480
book in itself, just kind of going to all the

402
00:23:17,519 --> 00:23:21,160
different detail there. But if I could just generalize it

403
00:23:21,720 --> 00:23:23,599
to this one point, I think it would be helpful

404
00:23:23,640 --> 00:23:28,680
for anybody listening. You want to have a sand wedge,

405
00:23:28,920 --> 00:23:31,279
your middle wedge, whether it's fifty four or fifty five,

406
00:23:31,400 --> 00:23:36,319
fifty six doesn't matter with a lot of bounce on it.

407
00:23:36,359 --> 00:23:39,759
Bounce is the difference between the bottom back of the

408
00:23:39,759 --> 00:23:43,119
club on the soul to the leading edge and degrees,

409
00:23:43,880 --> 00:23:48,759
So good sand wedge you might have between ten and

410
00:23:48,880 --> 00:23:52,559
fourteen or fifteen degrees of bounce on it. If you

411
00:23:52,599 --> 00:23:54,759
have a more lofted club like a fifty eight to

412
00:23:54,799 --> 00:23:57,400
fifty nine or sixty, you want that one to be

413
00:23:58,480 --> 00:24:03,960
low and bounce between four and seven, depending once again

414
00:24:04,000 --> 00:24:08,599
on your standard technique. So with the techniques that I

415
00:24:08,680 --> 00:24:11,680
try and get people to use, you don't need much

416
00:24:11,720 --> 00:24:14,359
bounce because the swing is very shallow and you use

417
00:24:14,400 --> 00:24:17,759
it as you swing. So if that's the case and

418
00:24:17,799 --> 00:24:20,759
you have a high bounced sand wedge and a low

419
00:24:20,799 --> 00:24:24,559
bounce lob wedge, then you're really prepared for any turf

420
00:24:24,599 --> 00:24:31,480
condition because when the sand, the sand or grass is soft,

421
00:24:32,400 --> 00:24:34,759
kind of like it usually is in the Northeast or

422
00:24:35,519 --> 00:24:40,559
maybe up there in the northern California or whatever, you

423
00:24:40,839 --> 00:24:46,279
kind of soft conditions, the ball comes out slow and

424
00:24:46,400 --> 00:24:48,759
more bounce is better than less, So you can always

425
00:24:48,839 --> 00:24:52,279
use your sandwich perfect you need you need a little

426
00:24:52,279 --> 00:24:54,519
bit more energy, you need more bounce. If, on the

427
00:24:54,519 --> 00:24:58,480
other hand, you're playing kind of tight, firm turf you

428
00:24:58,519 --> 00:25:00,599
get in a lot of places, whether it's exis or

429
00:25:01,119 --> 00:25:03,799
maybe it's just have a little bit of a drought

430
00:25:03,799 --> 00:25:07,119
going on the course or whatever, or firm sand sand

431
00:25:07,160 --> 00:25:11,559
that's been where it's rained and it's kind of packed

432
00:25:11,599 --> 00:25:14,839
in and baked. Then you need less bounce is more

433
00:25:14,839 --> 00:25:18,480
effective and the ball comes up fast or flies off,

434
00:25:18,640 --> 00:25:21,000
so you need more loft and less bounce. So you

435
00:25:21,039 --> 00:25:27,119
always have a choice if you had that set makeup awesome,

436
00:25:27,440 --> 00:25:29,599
that makes sense, I hope. I mean, no, it does.

437
00:25:29,839 --> 00:25:30,119
It does.

438
00:25:30,400 --> 00:25:33,559
Speaker 4: Topic, Yeah, it is, but there was there was a

439
00:25:33,599 --> 00:25:35,880
line It's almost not a throwaway, but it was kind

440
00:25:35,880 --> 00:25:39,160
of buried in there that I also thought is actually

441
00:25:39,200 --> 00:25:41,480
perfect for what Golf Smarter is all about for this

442
00:25:41,559 --> 00:25:43,440
podcast and how we approach.

443
00:25:43,119 --> 00:25:46,440
Speaker 2: Golf here, well, how I approach golf, and that is

444
00:25:46,799 --> 00:25:49,359
bad decisions versus bad shots.

445
00:25:50,720 --> 00:25:55,079
Speaker 1: Yeah, there are certain conditions or trajectories that you might

446
00:25:55,200 --> 00:25:59,400
play based on the lie, and of course this is skill.

447
00:25:59,480 --> 00:26:02,960
Once again, this is not technique. It's a judgment. And

448
00:26:03,039 --> 00:26:06,160
so the most common one that I see is a

449
00:26:06,400 --> 00:26:11,319
ball laying into the grain on a tight lie. And

450
00:26:11,359 --> 00:26:14,039
in that case, a lot of people they may have

451
00:26:14,240 --> 00:26:16,920
their favorite club out, which is a lob wedge, and

452
00:26:17,000 --> 00:26:19,640
they might see a little lower shot with it because

453
00:26:19,640 --> 00:26:22,480
they have some green to work with, So they lean

454
00:26:22,559 --> 00:26:25,480
the shaft a little forward and they take this club.

455
00:26:25,799 --> 00:26:29,039
When you lean the shaft forward, you reduce the effective bounce,

456
00:26:29,079 --> 00:26:32,160
and he's sharpened the leading edge, which is just an

457
00:26:32,240 --> 00:26:34,960
awful thing to do into the grain, where if you

458
00:26:35,039 --> 00:26:37,240
hit just a little behind it with a sharp leading edge,

459
00:26:37,240 --> 00:26:39,720
it's just going to dig a trench. I mean, we

460
00:26:39,759 --> 00:26:43,359
all saw that. I think the listeners think back at

461
00:26:43,400 --> 00:26:46,400
Tiger the Hero World Challenge where he's into the grain

462
00:26:46,480 --> 00:26:49,119
on that sticky Bermuda and he's digging the leading edge

463
00:26:49,119 --> 00:26:52,799
in the ground, just duff and shot after shot. That

464
00:26:52,920 --> 00:26:55,680
is much about that certainly was technique in his case,

465
00:26:55,720 --> 00:27:00,759
but it's more about shot selection. So if you take

466
00:27:00,799 --> 00:27:03,480
your sand wedge and just just roll back the clock

467
00:27:03,519 --> 00:27:08,359
to nineteen seventy pre lobledge and take your sand wedge,

468
00:27:08,559 --> 00:27:11,960
and we can hit the same trajectory shot as we

469
00:27:12,000 --> 00:27:14,200
did with the sixty by hitting a little higher than

470
00:27:14,240 --> 00:27:18,400
normal shot with that sandwich, and effectively you add bounce

471
00:27:19,000 --> 00:27:22,720
and soften the leading edge and it just works so

472
00:27:22,920 --> 00:27:27,079
much better. Now the problem is that skill development, that

473
00:27:27,200 --> 00:27:33,519
judgment element requires decision making and training. How are you

474
00:27:33,519 --> 00:27:36,559
supposed to learn that? How did I learn that? You know, Well,

475
00:27:36,640 --> 00:27:38,880
the way I learned it is that I trained properly

476
00:27:38,920 --> 00:27:45,400
by throwing balls everywhere, and you know, learning through experience

477
00:27:45,480 --> 00:27:49,039
of a bunch of different trials. But that's not what

478
00:27:49,319 --> 00:27:52,319
average golfer does they. I mean you, even at my

479
00:27:52,359 --> 00:27:54,839
own club. You think these people would have read the

480
00:27:54,839 --> 00:27:57,640
book and known better or whatever. But they go out

481
00:27:57,680 --> 00:28:01,000
to the sharcame area. They stand in the same spot

482
00:28:01,240 --> 00:28:04,559
for twenty minutes, and they'll hit ten shots to one pin,

483
00:28:04,680 --> 00:28:06,880
and they'll hit ten shots to the next pin, and they're

484
00:28:06,920 --> 00:28:09,279
all from the same lie, and they tee them up

485
00:28:10,119 --> 00:28:14,799
and it's just horrible practice for trying to develop skill

486
00:28:14,880 --> 00:28:18,599
and learn the little nuances of being a great player.

487
00:28:19,559 --> 00:28:21,480
Speaker 2: And what would you walk up to them and have

488
00:28:21,640 --> 00:28:22,599
them do If.

489
00:28:23,960 --> 00:28:26,279
Speaker 1: I would not, I would just say, you know what,

490
00:28:26,359 --> 00:28:29,079
the reality is, if they're not going to practice properly,

491
00:28:29,119 --> 00:28:31,839
they're better off just going to have a beer because

492
00:28:32,599 --> 00:28:36,319
they're probably doing more harm than good at that point. Interesting,

493
00:28:36,480 --> 00:28:38,200
think about it. When you're in a pile, you hit

494
00:28:38,200 --> 00:28:40,519
a bad shot, what do you do? Well? You think

495
00:28:40,559 --> 00:28:42,880
internally about what you did wrong, and then you fiddle

496
00:28:42,880 --> 00:28:45,519
and you try something new, and then you at some

497
00:28:45,640 --> 00:28:48,119
point you stay there long enough, you're going to hit

498
00:28:48,200 --> 00:28:52,440
a shot you don't like, you know, it's just there's

499
00:28:52,519 --> 00:28:55,279
no resiliency in it, there's no toughness in it, there's

500
00:28:55,319 --> 00:28:57,640
no skill development in it, and so they're just better

501
00:28:57,680 --> 00:29:00,599
off just like skipping all together.

502
00:29:06,799 --> 00:29:09,720
Speaker 2: You mentioned Tiger and I'm That kind of leads into

503
00:29:09,920 --> 00:29:12,640
the question that did come across on Twitter today from

504
00:29:12,960 --> 00:29:17,119
Nick at Golf Progress. What did you see in Tiger's

505
00:29:17,160 --> 00:29:22,440
wedge play that was so radically different between Augusta and Phoenix.

506
00:29:23,720 --> 00:29:27,200
Speaker 1: Yeah, well, let's just backtrack a little. Let's say what

507
00:29:27,319 --> 00:29:33,359
was so radically different between Phoenix and what he did

508
00:29:33,400 --> 00:29:37,480
in two thousand? Technique in two thousand, when he was

509
00:29:37,519 --> 00:29:43,079
at the top of his powers, there was spotless, very

510
00:29:43,119 --> 00:29:48,119
fundamentally sound that this technique in Phoenix and before was

511
00:29:48,319 --> 00:29:53,839
just absolutely awful. Everything awful. Know, the setup was bad,

512
00:29:53,960 --> 00:29:56,480
He's backing up in the middle of his motion. The

513
00:29:56,559 --> 00:29:59,880
backstriing was wrong, and he think, how could a person

514
00:30:00,079 --> 00:30:06,920
of that talent regressed that far? Uh? And the reality

515
00:30:06,960 --> 00:30:09,440
is only when you the only way to get that

516
00:30:09,440 --> 00:30:12,839
far is to work hard on the wrong things. So

517
00:30:12,920 --> 00:30:17,319
he got some bad information at some point, practiced it diligently,

518
00:30:18,599 --> 00:30:21,079
you know, wasn't quite getting what he wanted out of

519
00:30:21,119 --> 00:30:23,799
it and the whole thing regresses. And in this case,

520
00:30:23,920 --> 00:30:29,240
I know for a fact that the changes he was

521
00:30:29,319 --> 00:30:31,960
making in his backswing, with the way he moved his arms,

522
00:30:32,640 --> 00:30:35,200
and you know he's working on his full swing first

523
00:30:35,200 --> 00:30:38,960
with Haney and then with Sean Foley, that the arm movements,

524
00:30:39,039 --> 00:30:42,519
the motor patterns that he was working on hard or

525
00:30:42,960 --> 00:30:46,519
change that dramatically. He was. He just kind of crept

526
00:30:46,519 --> 00:30:49,000
into his finesca and he was literally moving his arms

527
00:30:49,039 --> 00:30:54,240
exactly the same way, and that ultimately ended up making

528
00:30:54,319 --> 00:30:56,960
him change his set up and the whole motor pattern.

529
00:30:57,039 --> 00:31:02,720
So that's very common mistake. The major premise of my

530
00:31:02,759 --> 00:31:06,039
book is that the full swing and short game are opposites.

531
00:31:06,079 --> 00:31:09,319
They're not the same, and if you use the same

532
00:31:09,359 --> 00:31:12,279
motor pattern for both, you'll only be good at one.

533
00:31:13,720 --> 00:31:15,480
You know, you just got to pick your one you

534
00:31:15,519 --> 00:31:16,119
want to be good at.

535
00:31:16,160 --> 00:31:19,240
Speaker 2: I guess I was very I was very surprised when

536
00:31:19,240 --> 00:31:22,160
I came across that part in the book. Is like, wa, wait,

537
00:31:22,400 --> 00:31:24,920
completely different swings on your short game.

538
00:31:26,480 --> 00:31:31,039
Speaker 1: Now, I should say I finished that comment. I guess sure.

539
00:31:32,200 --> 00:31:37,200
Tiger's new coach, Chris Como, a smart guy friend of mine,

540
00:31:38,200 --> 00:31:42,319
has a ton of knowledge and he inherited this issue

541
00:31:42,319 --> 00:31:45,680
with Tiger, he didn't create it. So I think the

542
00:31:45,759 --> 00:31:49,200
reality is I think that was a shocker as a

543
00:31:49,240 --> 00:31:51,119
coach when he shows up and he's working on full

544
00:31:51,160 --> 00:31:53,240
swing and to find out that his player can't ship.

545
00:31:54,279 --> 00:31:56,240
Kind of found that out after the fact, and then

546
00:31:56,519 --> 00:31:59,359
I think, given, you know, then Tiger takes a break

547
00:31:59,440 --> 00:32:01,599
and they sit there and they focused on that part

548
00:32:01,640 --> 00:32:04,160
of the game and worked it through. And I think

549
00:32:04,200 --> 00:32:07,759
now the difference that Augusta is just operating with good

550
00:32:07,759 --> 00:32:13,119
information and everything has changed. Like setup is completely different, backswing,

551
00:32:13,200 --> 00:32:17,160
arm movement patterns different, is balance, and the way he

552
00:32:17,200 --> 00:32:22,480
releases the club was completely different. So one technique interesting.

553
00:32:22,720 --> 00:32:26,720
Speaker 2: Yeah, I've asked a number of different coaches that we've

554
00:32:26,759 --> 00:32:32,160
had on the show, if you had the chance to

555
00:32:32,200 --> 00:32:34,720
talk to Tiger for fifteen minutes or you know, if

556
00:32:34,720 --> 00:32:37,200
he called you and said would you help me? What

557
00:32:37,200 --> 00:32:41,039
would you do? And so many have said, just go

558
00:32:41,119 --> 00:32:43,039
back to what got you here in the first place,

559
00:32:43,440 --> 00:32:44,640
stop playing with it.

560
00:32:45,359 --> 00:32:47,279
Speaker 1: Yeah, but how do you do that? I mean, it's

561
00:32:47,279 --> 00:32:50,799
like putting the toothpaste back into the tube once you

562
00:32:50,839 --> 00:32:54,720
sweeze it out. It's just like it's impossible motor patterns

563
00:32:54,720 --> 00:32:58,599
have changed, your body, motor memories have changed. You know,

564
00:32:58,799 --> 00:33:02,319
everything's different. So you like the reality is that's why

565
00:33:02,759 --> 00:33:05,160
you got to have foundational beliefs. They need to be

566
00:33:05,240 --> 00:33:08,960
well defined. You got to have ways to train so

567
00:33:09,000 --> 00:33:12,839
that you never really degenerate or get lost and move

568
00:33:13,200 --> 00:33:16,119
away from them. And I think that's that's really what

569
00:33:16,200 --> 00:33:19,960
happened when he switched kind of coaches. He switched complete

570
00:33:20,039 --> 00:33:22,759
concepts of how to do it, and then at some

571
00:33:22,839 --> 00:33:25,319
point he didn't know. It was kind of like me

572
00:33:25,400 --> 00:33:27,680
when I was teacher. It's like, well, I don't know

573
00:33:27,720 --> 00:33:36,559
what's right, but I know that's wrong, you know, So.

574
00:33:33,000 --> 00:33:36,039
Speaker 2: So tell us where where you're teaching now, and if

575
00:33:36,039 --> 00:33:39,480
people wanted to reach out and work with you, where

576
00:33:39,680 --> 00:33:41,200
they would go and how they would get in touch

577
00:33:41,200 --> 00:33:41,400
with you.

578
00:33:42,200 --> 00:33:45,079
Speaker 1: Yeah. Well, I have a golf academy in Omaha, Nebraska,

579
00:33:45,279 --> 00:33:49,440
Shadow Ridge Country Club. The easiest way to get a

580
00:33:49,440 --> 00:33:51,079
hold of me would pre to send me an email.

581
00:33:51,200 --> 00:33:56,480
Just go to my website JS golf Academy dot com,

582
00:33:57,279 --> 00:34:01,119
and there's a place where they can kind of see

583
00:34:01,119 --> 00:34:03,240
some tips and do all those sort of things, but

584
00:34:03,279 --> 00:34:08,559
also a place where they can contact me. I honestly,

585
00:34:08,719 --> 00:34:11,599
not here very often. I work in one on an

586
00:34:11,599 --> 00:34:16,559
airplane pretty much every week, working with tour players and

587
00:34:16,599 --> 00:34:21,559
doing different things. But I'm usually here, you know, two

588
00:34:21,679 --> 00:34:25,239
or three days a week, and you know, if they

589
00:34:25,239 --> 00:34:26,760
want too bad enough, we can certainly find a way

590
00:34:26,800 --> 00:34:27,320
to get together.

591
00:34:28,039 --> 00:34:30,800
Speaker 2: How about giving us a quick tip right from the

592
00:34:30,840 --> 00:34:34,199
book again, it's your short game solution mastering the finesse

593
00:34:34,280 --> 00:34:36,639
game from one hundred and twenty yards and in how

594
00:34:36,639 --> 00:34:38,159
did you give us a quick tip from the book.

595
00:34:39,239 --> 00:34:42,400
Speaker 1: Yeah, one of the key issues around the green, especially

596
00:34:42,400 --> 00:34:47,559
inside thirty yards, is to sequence your swing properly. And

597
00:34:48,639 --> 00:34:51,800
there is a power sequence where you start your downswing

598
00:34:51,840 --> 00:34:56,639
with your body some shift and some wire on your hands,

599
00:34:56,679 --> 00:34:58,320
move faster in the club and you get this little

600
00:34:58,320 --> 00:35:00,679
down cock so you get this little whip there. Well,

601
00:35:01,199 --> 00:35:03,480
the short game is opposite, so I call it a

602
00:35:03,480 --> 00:35:06,239
finesse sequence. And the easiest way to learn what the

603
00:35:06,239 --> 00:35:09,239
finest sequence is, which is essentially at the start of

604
00:35:09,239 --> 00:35:12,960
your down swinging the club moving faster than your arms

605
00:35:13,400 --> 00:35:15,360
at the start of the downsing so these angles are

606
00:35:15,440 --> 00:35:18,920
starting to be let out, is to chip with your

607
00:35:18,920 --> 00:35:24,800
trailarm only just in training. So I just pretend like essentially,

608
00:35:24,800 --> 00:35:26,320
like I have a ball in my hand which I'm

609
00:35:26,320 --> 00:35:28,039
gonna grab here, and if I was going to do

610
00:35:28,079 --> 00:35:32,880
a little underhanded toss, I wouldn't do it by starting

611
00:35:32,880 --> 00:35:36,559
my hips. I'd start my arm, the club would come out,

612
00:35:37,119 --> 00:35:40,880
and then I just release the club past my body

613
00:35:42,760 --> 00:35:45,039
to get this nice, gentle little toss there. And it's

614
00:35:45,039 --> 00:35:47,280
the same motion. And only think I'm gonna do differently

615
00:35:47,280 --> 00:35:48,599
is I'm gonna do it with the club in my hand,

616
00:35:48,679 --> 00:35:51,719
So just grip the club and the trail arm only

617
00:35:52,239 --> 00:35:54,599
set up to this normal I really like to level out,

618
00:35:54,639 --> 00:35:56,079
so I'd like to put my left hand kind of

619
00:35:56,079 --> 00:35:58,320
down on my thigh. Now I'm just gonna make a

620
00:35:58,400 --> 00:36:00,519
one handed swing. Just pretend I can do it a

621
00:36:00,559 --> 00:36:05,719
little five yard toss with my trail hand, and that

622
00:36:05,760 --> 00:36:09,320
gives you the perfect perfect sequences. You release the club

623
00:36:09,800 --> 00:36:12,960
past your body, and I get a lot of calls

624
00:36:13,000 --> 00:36:15,840
and or texts saying, well, I chip so beautifully one

625
00:36:15,840 --> 00:36:18,199
hand only doing your drill, but when I put my

626
00:36:18,280 --> 00:36:20,280
left hand on there, it's not quite as good. It's

627
00:36:20,360 --> 00:36:24,480
just the perfect drill that allows you the sequence your

628
00:36:24,519 --> 00:36:28,719
swing properly, release the club pastor body and nice soft

629
00:36:28,760 --> 00:36:29,679
touch around the greens.

630
00:36:31,760 --> 00:36:35,440
Speaker 2: Fabulous tip. Thank you, and I'm just so impressed that

631
00:36:35,480 --> 00:36:37,159
you can hit balls around the house and not get

632
00:36:37,159 --> 00:36:37,639
in trouble.

633
00:36:38,239 --> 00:36:40,639
Speaker 1: Oh yeah, I watch out found that's the only reason

