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<v Speaker 1>I hate Poul. I just want you to know that

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<v Speaker 1>I got one of your kids here, I is saying

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<v Speaker 1>a kidnapping thing. But if you're in a mood to

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<v Speaker 1>give me a million dollars. Yeah, that's cool. This should

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<v Speaker 1>not be interpreted by federal agents as a threat. Once again,

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<v Speaker 1>no threat, But we'll take.

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<v Speaker 2>The dough four finger discounted. Welcome to four finger Discounts,

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<v Speaker 2>where this week we are going to be celebrating Mother's

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<v Speaker 2>Day on a non Mother's Day. I am dan over

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<v Speaker 2>here to review no Letter Blues, not Better Blues, Letter Blues.

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<v Speaker 3>You wouldn't believe how many times he's made that mistake.

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<v Speaker 2>My notes literally saying no better blues. You realize that's

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<v Speaker 2>a computer and you can fix it, Hi, can you? Danus?

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<v Speaker 3>Screen has got like liquid paper stills all over this

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<v Speaker 3>by the way, guy, And yeah, this episode is called

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<v Speaker 3>no Letter Blues, or should I say do better dudes?

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<v Speaker 2>Really? Yeah? I like this one. Yeah I did not think.

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<v Speaker 3>But essentially this is about Adobe dudes and the women

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<v Speaker 3>who tolerate them and really should expect better and who

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<v Speaker 3>would be justified in maybe running off with other men.

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<v Speaker 2>Yeah, okay, I see what you're saying. I can completely

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<v Speaker 2>justified in thinking that. I just thought, with Season twenty

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<v Speaker 2>of The Simpsons, at least we're getting some sort of

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<v Speaker 2>a positive message to respect the women and appreciate the

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<v Speaker 2>women in your lives.

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<v Speaker 3>Yes, even if the men in question have really done

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<v Speaker 3>nothing to earn it.

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<v Speaker 2>Yeah, because the thing for me is, I what annoys

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<v Speaker 2>me so much about this ear of the Simpsons is

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<v Speaker 2>I say, a time and time again, Homer does things

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<v Speaker 2>wrong and nobody holds them accountable. Marge is just so

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<v Speaker 2>apathetic towards their marriage. Now, she just doesn't care. She's

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<v Speaker 2>just thrown in the towel. She just goes along for

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<v Speaker 2>the ride, because hey, ho, we're married. It's going to

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<v Speaker 2>do these things when we at least see Homer acknowledge,

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<v Speaker 2>Oh I need to be better or I need to

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<v Speaker 2>do change my ways. At least they're acknowledging that. But again,

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<v Speaker 2>like you were saying, I guess, like you pointed out,

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<v Speaker 2>why would I just bother anymore? Why? Why? What's the point?

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<v Speaker 3>And it's all very well and good to say, yeah,

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<v Speaker 3>I should do better, but there's no examples of it

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<v Speaker 3>in this I mean, it just seems like the three

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<v Speaker 3>wives in particular at the core of the story are

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<v Speaker 3>all just sort of they're doing all the heavy lifting.

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<v Speaker 3>I mean, I'm thinking particularly of Helen Lovejoy, who wants

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<v Speaker 3>to get down and yeah, the good Reverend it seems

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<v Speaker 3>to be not yeah, holding up his end of the bargain,

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<v Speaker 3>so to speak. And by the end it's like, guess what,

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<v Speaker 3>I've booked us two tickets on the most romantic train

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<v Speaker 3>that one's say, why are you going? Why are you

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<v Speaker 3>doing all this? Yeah, I mean it seems like the

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<v Speaker 3>Good Reverend has been kind of a slacker.

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<v Speaker 2>I will say, though, as someone who's been married for

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<v Speaker 2>thirteen years, there were elements of truth in each of

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<v Speaker 2>these scenarios in a sense of, you know, Homer just

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<v Speaker 2>sometimes not underappreciates but doesn't really realize how much Marge

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<v Speaker 2>is doing. Reverend is getting caught up in doing something

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<v Speaker 2>one of his hobbies hemposed to focusing on his wife

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<v Speaker 2>and what's most important. I've been guilty of that. I've

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<v Speaker 2>been guilty of I'm just going to finish this thing first,

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<v Speaker 2>and it's like, your wife's there, your kids are there,

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<v Speaker 2>what are you doing this? This isn't important, right, And

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<v Speaker 2>with a poor Manjeeler, it's just the stress of having

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<v Speaker 2>small kids in your life, and you forget at times

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<v Speaker 2>why you got married in the first place. You're at

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<v Speaker 2>each other, You at each other, you at each other,

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<v Speaker 2>You're so stressed out, you're so tired. Sometimes you need

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<v Speaker 2>to take a step back, get away from the kids,

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<v Speaker 2>and go, oh we were friends, Yeah, we we love

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<v Speaker 2>each other. We need to get back to that. So

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<v Speaker 2>I did think that all there is a bring of

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<v Speaker 2>truth to all these scenarios.

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<v Speaker 3>Yeah, oh yeah, you're one hundred percent right about that.

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<v Speaker 3>I just wish it was kind of expressed better, you

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<v Speaker 3>know what I mean. I mean, all the snipping and

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<v Speaker 3>snarking between a pool and man jeweler, it kind of

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<v Speaker 3>rang true, and it kind of felt like, oh, this

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<v Speaker 3>has got a good layer of honesty to it, and

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<v Speaker 3>you can feel the truth underneath it, if you know

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<v Speaker 3>what I mean. It's like, yes, this is a couple

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<v Speaker 3>that does love each other, but they are faced with

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<v Speaker 3>a not an untenable situation, but the situation is very,

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<v Speaker 3>very stressful.

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<v Speaker 2>Two kids is stressful, and I can't imagine eight.

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<v Speaker 3>Indeed, indeed, But I don't know, there just seemed to

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<v Speaker 3>be a lot of stuff in this that felt I

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<v Speaker 3>feel like, I'm sort of a broken record when I

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<v Speaker 3>say this, but the Simpsons wants to be family guy

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<v Speaker 3>or something along those lines. I mean some of the

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<v Speaker 3>lines at Homer is saying in this, It's like this

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<v Speaker 3>is this is not the homie Simpson.

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<v Speaker 2>They knew, Yeah, and it's just not though, it's just

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<v Speaker 2>not going to be well. I did watch this thinking

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<v Speaker 2>at times this feels like middle edged men writing an

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<v Speaker 2>episode apologizing to their wives.

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<v Speaker 3>Yeah, or venting their frustrations. It's like, oh God, I

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<v Speaker 3>had a shit day at home and I'm going to

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<v Speaker 3>take it out of my during my nine to five. Yeah,

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<v Speaker 3>I'm going to pour all the all the venom and

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<v Speaker 3>vitriol that I'm feeling into these characters.

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<v Speaker 2>So what do they do to fixing? So, so Helen

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<v Speaker 2>is the one who organizes the trip with the plane

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<v Speaker 2>at the train ride somewhere who it was just pretty

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<v Speaker 2>much Modus goes and convinces her not to leave him,

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<v Speaker 2>no real reason why. And Homer gets home and Mark.

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<v Speaker 3>Thinks he thinks that Marge's packing her bags, but she's

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<v Speaker 3>really just a painting a picture of her mother.

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<v Speaker 2>Is that right? Yeah? So was it a case of

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<v Speaker 2>she just appreciated that he took the kids away, she's

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<v Speaker 2>she'd have time to do something she wanted to do.

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<v Speaker 3>I guess, although he didn't sort of offer to do

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<v Speaker 3>that in the first place. I think she was the

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<v Speaker 3>one who said, go off on this ferry or go

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<v Speaker 3>to what was it called, we's a lilan.

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<v Speaker 2>Where were the kids by the end, because they were

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<v Speaker 2>driving home by themselves, that's right. Well, you did see

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<v Speaker 2>was making a lobster cage. Yeah, you did see that.

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<v Speaker 3>Lisa was trapped inside a busted carousel or something, that's right. Yeah,

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<v Speaker 3>and Bart was getting beaten up by Pou and Manjula's kids. Yeah, yeah,

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<v Speaker 3>for being a little slave driver.

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<v Speaker 2>He was, indeed. Yeah, so it was a weak's story.

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<v Speaker 2>I like what they were trying to say, but you're

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<v Speaker 2>right they probably could have done it. They needed to

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<v Speaker 2>have the men, Yeah, because I think that I was

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<v Speaker 2>just fooled by the story. I guess the men never

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<v Speaker 2>really did anything to change. They just got home and

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<v Speaker 2>the wife's like, he's told me not to leave you. Yeah,

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<v Speaker 2>I've booked us a flight. Oh thanks, I'm now painting

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<v Speaker 2>my mother.

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<v Speaker 3>It's like yeah, And at at which point his mother's

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<v Speaker 3>also saying, I know You're not the problem in this relationship.

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<v Speaker 2>It's Patty and Selma. Yeah, what's going on here?

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<v Speaker 3>I mean, and look, I'm no fan of art or

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<v Speaker 3>media or entertainment. That's kind of like all men bad

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<v Speaker 3>women always, right, I mean, I think that's just as

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<v Speaker 3>reductive as anything else. But yeah, these guys they behaved

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<v Speaker 3>badly and there was no sort of repercussions or consequences

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<v Speaker 3>results not behave badly, but just were they weren't fullfilling

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<v Speaker 3>their end of the bargain.

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<v Speaker 2>They don't actually change, do they? Maybe because Moe is

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<v Speaker 2>the guy who's trying to be the relationship fixer here, right, he's.

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<v Speaker 3>The love and and why I'm not exactly sure. Did

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<v Speaker 3>they ever explain why he's just I.

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<v Speaker 2>Think when he said take it that he's just a

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<v Speaker 2>good friend and he saw that his best friends were

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<v Speaker 2>going to lose their wives, I guess. Yeah.

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<v Speaker 3>What they've done here is they borrowed the core concept

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<v Speaker 3>from a movie from I think the nineteen forties called

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<v Speaker 3>A Letter to Three Wives. Oh really, Okay, yeah, I

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<v Speaker 3>remember seeing this on TV back and that this is

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<v Speaker 3>back when they show all black and white movies on

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<v Speaker 3>a TV on a Saturday night. And the plot is

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<v Speaker 3>essentially three women in this small town get letters from

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<v Speaker 3>one particular woman that says, I'm running off with one

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<v Speaker 3>of your husbands, you don't know which, and that gets

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<v Speaker 3>in thinking about their relationships, like how have I not

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<v Speaker 3>shown up? Have I not been present? How have I'd

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<v Speaker 3>maybe done wrong by my man?

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<v Speaker 2>This kind of thing.

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<v Speaker 3>It's a very melodrama and it always struck me as

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<v Speaker 3>a weird concept though, even when I was a kid,

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<v Speaker 3>I was like, can't you just tell them?

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<v Speaker 2>But I don't know.

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<v Speaker 3>The premise kind of strikes me as faulty from the

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<v Speaker 3>get go. And also these three characters as well just

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<v Speaker 3>seen kind of oddly mashed together, Reverend love Joy, Homer,

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<v Speaker 3>and our pooh.

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<v Speaker 2>Love Joy in particular. We've seen Homer and a poo

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<v Speaker 2>doo things together, yeah, several times. But yeah, Lovejoy just

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<v Speaker 2>seems kind of randomly. Yeah, And if you're gonna throw.

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<v Speaker 3>Him into the mix, then at least take the opportunity

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<v Speaker 3>to explore the relationship that he has with his wife

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<v Speaker 3>a little more. I don't feel like learned anything more

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<v Speaker 3>about them other than the Helen was occasionally hot to trot,

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<v Speaker 3>and you know, the Reverend Tim would rather paint marstaches

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<v Speaker 3>on his little figure rens down this train set.

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<v Speaker 2>I feel like there's a genuine story just in their relationship,

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<v Speaker 2>and because we've always seen Helen Lovejoy as the won't

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<v Speaker 2>somebody please think of the children? Yeah, the town gossip

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<v Speaker 2>or whatnot. We've seen them at odds over the years,

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<v Speaker 2>in recent years every characters odds on The Simpsons these

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<v Speaker 2>Days and in the season twenty one era. But I

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<v Speaker 2>feel like there's a genuine relationship story that we could

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<v Speaker 2>tap into that that we haven't tapped into before, where

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<v Speaker 2>Helen Lovejoy wants more out of their marriage in regards

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<v Speaker 2>to sex life and just spending time with each other.

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<v Speaker 2>And you could tap into maybe saying that Lovejoy was

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<v Speaker 2>so bored of the gossiping and all that aspect of

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<v Speaker 2>the way she used to behave that he sought refuge elsewhere,

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<v Speaker 2>refuge and comfort in these trains, because we've seen that

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<v Speaker 2>he loved these trains in the episode in Marjor We

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<v Speaker 2>trust and like that he's always been a trained guy,

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<v Speaker 2>loves his trains in the basement, But why does he

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<v Speaker 2>do it? And to explain that I did it to

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<v Speaker 2>get away from you, it sounds horrible on the surface,

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<v Speaker 2>and that's about to say but why though, and what

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<v Speaker 2>can we do to fix that? I think that's a

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<v Speaker 2>story you can really work with.

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<v Speaker 3>You've got to find some way to inject humoran because

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<v Speaker 3>it doesn't sound right. It sounds very grim. I wrote

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<v Speaker 3>down about this episode. This is chaotic, and not in

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<v Speaker 3>a good way. It seems like it's combined, made up

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<v Speaker 3>of so many different bits and pieces that are just

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<v Speaker 3>sort of thrown together.

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<v Speaker 2>Well, it's also a clic case of it's like one

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<v Speaker 2>of the Simpsons writers. I didn't realize it was based

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<v Speaker 2>on a film, so that makes more sense, right, Yeah,

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<v Speaker 2>But they founder a concept that they like and they've

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<v Speaker 2>just simpsonized it essentially no real reason to do so.

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<v Speaker 2>He who can be the person that finds knows? All

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<v Speaker 2>these guys just make it Mo. Yeah, everyone likes Mo. Right, Well,

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<v Speaker 2>what's the what's that? Oh? I don't know mo.

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<v Speaker 3>Yeah. It seems like that's a guiding principle in the writers.

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<v Speaker 2>But when they did that though, that was we know

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<v Speaker 2>this is stupid, that's the that's the joke for that. Yeah. Here,

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<v Speaker 2>it's like, oh, of course would they would do this.

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<v Speaker 3>I mean, there's humor in that Mo, who is supposedly

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<v Speaker 3>the most insensitive and uncharismatic and unlovable person in Springfield,

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<v Speaker 3>is the one who's sort of pulling the strings and

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<v Speaker 3>guiding people in the right direction when it comes to

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<v Speaker 3>love and relations. That's it's not unfunny again, just needs

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<v Speaker 3>to be executed a little better. I liked Moe in

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<v Speaker 3>this a whole lot. I mean, just having him as

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<v Speaker 3>the narrator and stuff and just getting a good dose

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<v Speaker 3>of Mo throughout the episode.

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<v Speaker 2>That was good fun. I would have liked to have

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<v Speaker 2>maybe had them confront most and why did you do this?

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<v Speaker 2>And he goes, I haven't got what you've got yet.

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<v Speaker 2>I'm going to be lonely for the rest of my life.

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<v Speaker 2>Would and you don't want to be like me? And

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<v Speaker 2>I don't want you, guys. I know what it's like

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<v Speaker 2>to be me, and I don't want you guys, my

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<v Speaker 2>best friends, to be like me. Yeah. I want you

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<v Speaker 2>guys to start realizing what you've got because I wish

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<v Speaker 2>I had it and I'm never going to get it.

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<v Speaker 3>Well, that's the I mean. There were many little bits

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<v Speaker 3>and pieces you cut out of this episode, and then

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<v Speaker 3>you sort of front loaded the start with having these

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<v Speaker 3>guys in various situations, either Homer at the bar is

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<v Speaker 3>or ah, my marriage sucks, or Moe in church and

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<v Speaker 3>sort of overhearing Reverend love Joy praying saying why can't

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<v Speaker 3>I spend more time with my trains? And he goes

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<v Speaker 3>into the QUICKI Marty's und to get something from Upoo

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<v Speaker 3>and Apoo was grassing about his marriage or whatever. That's

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<v Speaker 3>the motivation, and you know, you also have I'm say,

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<v Speaker 3>just you know, he's walking around the streets lonely.

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<v Speaker 2>He's like, you're seeing.

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<v Speaker 3>Couples going, well, that's never going to be me. Yeah,

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<v Speaker 3>And he's seeing his friends or his you know, the

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<v Speaker 3>fellow members of community not appreciating what they have, and

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<v Speaker 3>then hatching a plot to saying, okay, well, if I

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<v Speaker 3>can't be happy, at least I'll make you guys happy. Now,

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<v Speaker 3>maybe that's what they wanted to do with this episode.

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<v Speaker 3>I don't think they expressed it very well if that

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<v Speaker 3>was the case.

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<v Speaker 2>No, because I think again, I've watched this episode twice.

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<v Speaker 2>I'm a big Simpsons fan. I had no idea that

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<v Speaker 2>there was a film that this was based on, right,

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<v Speaker 2>I think this is one of those episodes that you

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<v Speaker 2>need to understand the subject matter. They're basically you don't

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<v Speaker 2>just sort of get the story and go, oh, it's

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<v Speaker 2>a mos that person. Ah, yes, yeah, because you watched

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<v Speaker 2>this and you're like, why is he doing that? Why

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<v Speaker 2>is she saying this? Ah, because it's because you know

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<v Speaker 2>that movie that was in the forties.

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<v Speaker 3>Yeah, Three Women is not necessarily that well known.

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<v Speaker 2>Oh well, I had no idea. Yeah, and I don't

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<v Speaker 2>think it's even on the wiki page, is it. I

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<v Speaker 2>think it might baa.

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<v Speaker 3>But the other thing, I mean, I feel a little

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<v Speaker 3>hypocritical because we talk so many times about our favorite

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<v Speaker 3>episode of The Simpsons, and one of the best things

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<v Speaker 3>that Vintage Simpsons does was is like, hey, it's referring

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<v Speaker 3>this thing that maybe not a lot of people know about,

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<v Speaker 3>but if you know, you know, and you get a

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<v Speaker 3>bit of a kick out of going that's from Vertigo

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<v Speaker 3>or whatever.

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<v Speaker 2>Yeah.

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<v Speaker 3>The references in this, like I said, a Letter to

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<v Speaker 3>the Women is not necessarily a household name. And there's

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<v Speaker 3>also stuff in here where Reverend Lovejoy's like spiritual counselor.

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<v Speaker 3>I think it is meant to be.

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<v Speaker 2>Being crosby what he's been in episodes before. Yeah, he's

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<v Speaker 2>been Yeah, remember him, I don't really know he's going

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<v Speaker 2>to carry guys opening golf and I talk.

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<v Speaker 3>I'm I've seen him once before. But then Louis Armstrong

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<v Speaker 3>sort of rocks up as well. It's like, I can

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<v Speaker 3>maybe get these references in the early nineties or something,

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<v Speaker 3>but in a where are we up to?

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<v Speaker 2>Whether what year are we in twenty one or what

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<v Speaker 2>year was his released? Twenty ten?

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<v Speaker 3>Yeah, in twenty ten. This kind of feels almost desperately

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<v Speaker 3>random and influence or a reference.

294
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<v Speaker 2>But the thing is, it's not the first time he's appear,

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<v Speaker 2>I guess, so. Yeah, but even still, Yeah, when he

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<v Speaker 2>first aired, were like, what is his character about? Yeah,

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<v Speaker 2>it's kind of weird. Yeah, do you remember when he

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<v Speaker 2>was helping he was helping the vague. I think the

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<v Speaker 2>reverend like was selling the church or something was happening

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<v Speaker 2>to the reverend wasn't happy, and this guy came in

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<v Speaker 2>to sort of help him.

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<v Speaker 3>Okay, Yeah, and I think Yeah, I mean I say

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<v Speaker 3>the name Ben Crosby, I mean it's gonna sort of

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<v Speaker 3>ring a bell ever so slightly in a few people's heads,

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<v Speaker 3>But it just feels kind of sort of weirdly out

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<v Speaker 3>of date.

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<v Speaker 2>Yeah, fair enough, not so much.

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<v Speaker 3>Oh, I sort of know where that is, or I've

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<v Speaker 3>got a vague idea where that is. Like more sort

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<v Speaker 3>of frustrated, like why.

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<v Speaker 2>Is this here? I just realized that this wasn't written

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<v Speaker 2>by a middle aged man trying to apologize to their wives.

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<v Speaker 2>Is written by a female Stephanie Gillis, who I believe

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<v Speaker 2>is the wife of al Jean. Yeah, yeah, yeah, Algeane's wife. Yes,

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<v Speaker 2>So this was written by a woman, which is interesting

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00:13:51.679 --> 00:13:53.720
<v Speaker 2>when you think about it. So this episode here, so

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<v Speaker 2>they're given the mother's episode to a woman, Stephanie. Obviously

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<v Speaker 2>he has been rewrites with other male men in the writer's room,

319
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<v Speaker 2>but I feel like she should have written more from

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<v Speaker 2>the women's perspective. We don't really get when the men

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<v Speaker 2>are away. We don't really see them changing their way

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00:14:07.879 --> 00:14:10.159
<v Speaker 2>or explaining why they're angry at their husbands or anything

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<v Speaker 2>like that. It's just at the end, it's like, Oh, Tob,

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<v Speaker 2>we not to leave you. Yeah, how though? What did

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<v Speaker 2>he say?

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<v Speaker 1>No?

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<v Speaker 2>I'm just that's it. I'm not going to leave you

328
00:14:16.679 --> 00:14:18.480
<v Speaker 2>because mob we do Like you've never seen the man,

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<v Speaker 2>Jeweler and Moe hang out before. It doesn't make sense

330
00:14:21.120 --> 00:14:24.000
<v Speaker 2>that's right, but I guess at least she explains that

331
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<v Speaker 2>they were hanging out at the bar. That's right, because

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00:14:26.440 --> 00:14:28.759
<v Speaker 2>that's why he did it was Yeah, so they sort

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<v Speaker 2>of they bonded there doing the dance condesct, so she

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00:14:30.559 --> 00:14:32.480
<v Speaker 2>she would trust him in that way. That's okay, that

335
00:14:32.559 --> 00:14:35.960
<v Speaker 2>makes sense. Why did she was at the party? Yeah?

336
00:14:36.679 --> 00:14:40.080
<v Speaker 2>And Mo saw the red or he did he saw

337
00:14:40.120 --> 00:14:42.320
<v Speaker 2>the thumb thing. Put your thumb over her mouth because

338
00:14:42.799 --> 00:14:45.399
<v Speaker 2>that guy, that bing Crosby guy whatever put and Helen

339
00:14:45.440 --> 00:14:48.879
<v Speaker 2>Ladjow was angry on the inside. They never really doved

340
00:14:48.879 --> 00:14:51.919
<v Speaker 2>into why she touched his leg She touched his legs

341
00:14:53.840 --> 00:14:55.159
<v Speaker 2>and then nothing. That was it.

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<v Speaker 3>It feels like a very mad Libs kind of episode.

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<v Speaker 3>It's like we're grabbing little bits and pieces and just

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<v Speaker 3>trying to assemble it into something. Very positive reviews from

345
00:15:03.679 --> 00:15:06.559
<v Speaker 3>critics apparently not these ones, well not this one. I

346
00:15:06.639 --> 00:15:09.159
<v Speaker 3>mean my first note is actually I thought this episode

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00:15:09.200 --> 00:15:11.200
<v Speaker 3>is delightful. This is what I've said originally my notes.

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00:15:11.799 --> 00:15:15.200
<v Speaker 3>This was delightful, no silliness for the most part, just

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<v Speaker 3>a positive message of not taking the women in your lives.

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<v Speaker 3>Your mum's included, for granted, and the great episode to

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<v Speaker 3>celebrate mother's date. That's what I had as my notes

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<v Speaker 3>when I first watched it.

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<v Speaker 2>That's what I thought, Yeah, I've got moh he was

354
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<v Speaker 2>a true friend and acted in their best interest, even

355
00:15:25.399 --> 00:15:27.679
<v Speaker 2>though it doesn't really make sense. I guess if you've

356
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<v Speaker 2>just taken each episode in the vacum, at least Moe

357
00:15:29.480 --> 00:15:32.039
<v Speaker 2>was acting in his friend's best interest. And I've also

358
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<v Speaker 2>got here. I appreciate and a per centric story because

359
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<v Speaker 2>I know he's not long for this world. Well, that's true.

360
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<v Speaker 3>I appreciate Moe. Why you've got him?

361
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<v Speaker 2>And I was also he had nice seeing a freaky

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<v Speaker 2>aside of Helen Lovejoy. There's more to her than just gossip.

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<v Speaker 2>Well true, here's another thing. Well here my notes I've

364
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<v Speaker 2>got to tap into. So their lives are missing something

365
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<v Speaker 2>or their relationship is missing something. Right, So he seeks

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<v Speaker 2>as a refuge in the trains because maybe he's just

367
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<v Speaker 2>had enough of the gossiping because he's always sort of gone, oh, really,

368
00:15:56.799 --> 00:15:59.440
<v Speaker 2>Helen enough of the gossip? Right? But is she feeling

369
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<v Speaker 2>the whole her life with the gossip because he's not

370
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<v Speaker 2>giving her any attention? Is it like a cash twenty

371
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<v Speaker 2>two that makes a bit of sense.

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<v Speaker 3>Yeah, and I guess what I would like to see

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<v Speaker 3>when you know, she's like, I bought his tickets on

374
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<v Speaker 3>this train for him to make a few sort of

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<v Speaker 3>even just a little overture.

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<v Speaker 2>And oh the train is not the only thing that's

377
00:16:15.440 --> 00:16:17.440
<v Speaker 2>going to be moving, or something like we doesn't share?

378
00:16:17.440 --> 00:16:19.039
<v Speaker 2>Are you excited? See me? Was that you train? Oh?

379
00:16:19.080 --> 00:16:19.480
<v Speaker 2>That's right?

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<v Speaker 3>And it's like, sorry, yeah, okay, I stand corrected. Much

381
00:16:23.039 --> 00:16:25.679
<v Speaker 3>like the Reverend Lovejo. Does you know what I'm talking about?

382
00:16:26.240 --> 00:16:29.279
<v Speaker 2>Anyway, it's kind of like we're here. The Simpsons needs

383
00:16:29.320 --> 00:16:31.399
<v Speaker 2>more of that style. But there's been several times this

384
00:16:31.440 --> 00:16:33.679
<v Speaker 2>review so far we've gone, they really need to do this.

385
00:16:33.720 --> 00:16:36.559
<v Speaker 2>Oh shit, they did it. I really wish she focused

386
00:16:36.600 --> 00:16:39.519
<v Speaker 2>Oh wait, she did focus on it. Why did Manjeelo mope?

387
00:16:39.559 --> 00:16:40.919
<v Speaker 2>But they never hangait? Oh wait?

388
00:16:43.679 --> 00:16:46.840
<v Speaker 3>Tune into four figure discount for some really inside commentary

389
00:16:46.840 --> 00:16:49.360
<v Speaker 3>on the Simpsons four figure discount.

390
00:16:49.440 --> 00:16:51.720
<v Speaker 2>We pay attention, not gonna lie like you have changed

391
00:16:51.759 --> 00:16:54.159
<v Speaker 2>my way of thinking that there was lots to improve on.

392
00:16:54.600 --> 00:16:57.279
<v Speaker 2>But as I said my notes, my initial notes were

393
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<v Speaker 2>I really enjoyed this. Well, I hate to be I

394
00:17:00.039 --> 00:17:05.400
<v Speaker 2>hate to be a Debbie down. My favorite did you

395
00:17:05.440 --> 00:17:06.759
<v Speaker 2>have any favorite moments in the episode.

396
00:17:06.799 --> 00:17:09.759
<v Speaker 3>I did have one or two. Actually, I was almost

397
00:17:11.119 --> 00:17:13.079
<v Speaker 3>I'd say this, having just said the words Debbie down,

398
00:17:13.440 --> 00:17:15.319
<v Speaker 3>I was like, we should create a new category called

399
00:17:15.359 --> 00:17:18.680
<v Speaker 3>non favorite moments, because I certainly had some. But in

400
00:17:18.799 --> 00:17:21.319
<v Speaker 3>terms of this, I thought this was such a great

401
00:17:21.319 --> 00:17:23.200
<v Speaker 3>burn by our Poo. When they're having their fight in

402
00:17:23.240 --> 00:17:25.440
<v Speaker 3>the car, it's like, oh, you're just like that breakfast

403
00:17:25.559 --> 00:17:30.400
<v Speaker 3>radio do your own non stop chattered during time. That's like,

404
00:17:31.960 --> 00:17:33.559
<v Speaker 3>if you can get away with saying.

405
00:17:33.319 --> 00:17:35.519
<v Speaker 2>That you take it back to take it back, I

406
00:17:35.599 --> 00:17:39.440
<v Speaker 2>take it back, take it back. But it's a pretty

407
00:17:39.480 --> 00:17:40.400
<v Speaker 2>solid burd by.

408
00:17:41.240 --> 00:17:42.559
<v Speaker 3>I like my when he was on the phone to

409
00:17:42.599 --> 00:17:44.440
<v Speaker 3>I Poo and you're saying, oh, you've left twenty of

410
00:17:44.440 --> 00:17:46.400
<v Speaker 3>your kids here, they're any kidnapping thing, but if you

411
00:17:46.440 --> 00:17:49.440
<v Speaker 3>do want to give me a million dollars was good

412
00:17:49.880 --> 00:17:53.039
<v Speaker 3>And just one of the line from missus Boom, Yeah,

413
00:17:53.119 --> 00:17:55.839
<v Speaker 3>I guess is when she's sort of throwing Patty and

414
00:17:55.839 --> 00:17:58.519
<v Speaker 3>Selm we're under the bus I smoked while I was pregnant.

415
00:17:58.759 --> 00:18:02.440
<v Speaker 2>Yes, it's pretty good, that's what. It's stupid, but it's funny.

416
00:18:02.519 --> 00:18:05.039
<v Speaker 2>It's pretty fun. That's what I've got. What do you enjoy, well,

417
00:18:05.119 --> 00:18:07.680
<v Speaker 2>if you have taken two of mine already. I just

418
00:18:07.720 --> 00:18:09.680
<v Speaker 2>really liked that the burns that people was thrown and

419
00:18:09.720 --> 00:18:11.960
<v Speaker 2>Manduel back into each other in the in the car there.

420
00:18:11.960 --> 00:18:14.799
<v Speaker 2>I just you're talking about the radio stations with their names.

421
00:18:14.799 --> 00:18:16.279
<v Speaker 2>I was just like, it's like the Fitzy and Whipper

422
00:18:16.279 --> 00:18:25.319
<v Speaker 2>of India I called Robber and the Weasel. Yeah, yes,

423
00:18:27.240 --> 00:18:30.240
<v Speaker 2>the station is called something something the dot. Oh yes,

424
00:18:30.359 --> 00:18:32.839
<v Speaker 2>yeah yeah, and what did you say? Sometimes we wished

425
00:18:32.839 --> 00:18:36.799
<v Speaker 2>that Dodd in your head wasn't off button damn. But

426
00:18:36.880 --> 00:18:38.920
<v Speaker 2>again like the take it back, I take it back

427
00:18:39.200 --> 00:18:41.359
<v Speaker 2>because there's been times where you already say something you're

428
00:18:41.359 --> 00:18:45.920
<v Speaker 2>like instantly regret it. Yeah, I'm sorry. Here the moment

429
00:18:46.720 --> 00:18:50.480
<v Speaker 2>next question you there eating the paste. Trivia time hit

430
00:18:50.519 --> 00:18:51.680
<v Speaker 2>me with your first question.

431
00:18:51.559 --> 00:18:54.240
<v Speaker 3>How much would you pay for a Quickie March CD

432
00:18:54.640 --> 00:18:56.160
<v Speaker 3>that has five hundred lullabys on it.

433
00:18:56.359 --> 00:19:01.440
<v Speaker 2>Ah, that was about five dollars. It was no eight sense.

434
00:19:01.680 --> 00:19:04.359
<v Speaker 2>Those things are actually amazing. So you can go on

435
00:19:04.400 --> 00:19:06.039
<v Speaker 2>Spotify and ever on Spotify. But we had a couple

436
00:19:06.039 --> 00:19:08.079
<v Speaker 2>of cities purchased for us when Elliott was first born,

437
00:19:08.559 --> 00:19:11.400
<v Speaker 2>and it was Guns n' Roses. It's called rock a

438
00:19:11.440 --> 00:19:16.680
<v Speaker 2>Bye or Nirvana rockabye, and it's just certain classic songs

439
00:19:16.680 --> 00:19:18.559
<v Speaker 2>of those of those bands, but in lullaby form. So

440
00:19:18.599 --> 00:19:22.240
<v Speaker 2>it's like Doo doo Do Do Do Do Do Do

441
00:19:22.039 --> 00:19:24.759
<v Speaker 2>Do Do doo, and it's just like it's really sweet

442
00:19:24.880 --> 00:19:28.880
<v Speaker 2>to the playground. This is really sweet. Worser every day.

443
00:19:30.519 --> 00:19:33.839
<v Speaker 2>It's just really sweet versions of it. And like a

444
00:19:33.920 --> 00:19:36.039
<v Speaker 2>c DC ones that the thunderstroke onhe I put on

445
00:19:36.039 --> 00:19:37.799
<v Speaker 2>for Alliott the other night, like put him on, put

446
00:19:37.839 --> 00:19:43.519
<v Speaker 2>them on. I put like like keep playing on axylophone.

447
00:19:43.519 --> 00:19:46.000
<v Speaker 2>It was quite hilarious. Yeah, actually quite good the lullaby

448
00:19:46.119 --> 00:19:49.640
<v Speaker 2>versions of classic songs xylophon. I really respect someone who

449
00:19:49.680 --> 00:19:51.680
<v Speaker 2>can rock the ship out of a xylophone. And that's great.

450
00:19:52.119 --> 00:19:53.680
<v Speaker 2>Do you know what, We're not one of the best

451
00:19:53.680 --> 00:19:56.839
<v Speaker 2>bands for lullabye versions of their songs rock bands Nirvana

452
00:19:57.240 --> 00:19:59.640
<v Speaker 2>really Yeah, because and it's true because I remember watching

453
00:19:59.640 --> 00:20:03.720
<v Speaker 2>and with Dave Grohl once and he goes, the lyrics

454
00:20:03.720 --> 00:20:05.960
<v Speaker 2>to our songs don't necessard make sense, but all of

455
00:20:05.960 --> 00:20:08.119
<v Speaker 2>our songs it's all about the melodies. And he goes

456
00:20:08.160 --> 00:20:10.319
<v Speaker 2>and he literally says in this interviewm like nineteen ninety two,

457
00:20:10.400 --> 00:20:12.680
<v Speaker 2>he goes, you can sing all of our versions as

458
00:20:12.720 --> 00:20:15.359
<v Speaker 2>like kid form, So like this song in Bloom, he's

459
00:20:15.440 --> 00:20:20.079
<v Speaker 2>the one that in lullaby form is absolutely delightful.

460
00:20:20.079 --> 00:20:24.079
<v Speaker 3>Oh my goodness, yeah, sweet, Yes, your first question.

461
00:20:24.119 --> 00:20:26.839
<v Speaker 2>My first question for you is who is the voiceover

462
00:20:26.880 --> 00:20:28.599
<v Speaker 2>man who makes a guest cameo in this episode?

463
00:20:28.680 --> 00:20:30.720
<v Speaker 3>It's Don Paro getting.

464
00:20:30.480 --> 00:20:34.039
<v Speaker 2>Peaked quite well, Yeah, I think it's Don Parto's actual voice.

465
00:20:35.359 --> 00:20:39.839
<v Speaker 2>Medium you're getting into radio, shoulders up, chest out.

466
00:20:41.200 --> 00:20:44.680
<v Speaker 3>Like a medium quarter pounder meal vanilla shake.

467
00:20:45.359 --> 00:20:49.039
<v Speaker 2>Everyone who talks on radio has their radio voice. So

468
00:20:49.079 --> 00:20:50.519
<v Speaker 2>when I'm just talking, I'm just talking like this. But

469
00:20:50.559 --> 00:20:52.119
<v Speaker 2>when I talk on radio, I talk, it's just a

470
00:20:52.200 --> 00:20:54.559
<v Speaker 2>little bit more oomph to it. It's just the way

471
00:20:54.599 --> 00:20:57.920
<v Speaker 2>it happens, of course. Yeah, so I think radio voiceovers

472
00:20:58.119 --> 00:21:02.279
<v Speaker 2>that's never their natural voice. It's their natural voice. Slightly tweaked.

473
00:21:02.599 --> 00:21:05.079
<v Speaker 3>I wrote this essay recently for our friends at Umbrella

474
00:21:05.240 --> 00:21:07.960
<v Speaker 3>Entertainment coming in the drive in Delirium set that's coming

475
00:21:07.960 --> 00:21:11.480
<v Speaker 3>out in September. We order through Umbrella Entertainment. But about

476
00:21:11.880 --> 00:21:14.799
<v Speaker 3>the golden age of movie trailer narration, because we don't

477
00:21:14.799 --> 00:21:16.279
<v Speaker 3>really have it anymore, do we. You don't have the

478
00:21:16.720 --> 00:21:18.559
<v Speaker 3>summer in a world guy.

479
00:21:18.680 --> 00:21:22.279
<v Speaker 2>And we need to and having classic songs slowed down

480
00:21:22.359 --> 00:21:23.119
<v Speaker 2>over track.

481
00:21:23.240 --> 00:21:27.319
<v Speaker 3>Yeah that's what it is now or yeah or bromyeah

482
00:21:28.079 --> 00:21:29.720
<v Speaker 3>but yeah. One of the Kings was this guy named

483
00:21:29.720 --> 00:21:30.920
<v Speaker 3>Don Lafontaine.

484
00:21:31.519 --> 00:21:32.200
<v Speaker 2>What a name.

485
00:21:32.279 --> 00:21:34.519
<v Speaker 3>Oh yeah, and he looked like a real character, but

486
00:21:34.599 --> 00:21:36.799
<v Speaker 3>he sort of looked like he almost looked a bit

487
00:21:36.839 --> 00:21:37.119
<v Speaker 3>like the.

488
00:21:38.559 --> 00:21:40.000
<v Speaker 2>Yeah, but I watched.

489
00:21:39.759 --> 00:21:43.839
<v Speaker 3>Some interviews with him on YouTube and he was just talking, yeah,

490
00:21:43.960 --> 00:21:46.200
<v Speaker 3>not doing his in a world, but he sort of

491
00:21:46.720 --> 00:21:49.279
<v Speaker 3>it's like you said, it was in a world, but

492
00:21:49.400 --> 00:21:50.480
<v Speaker 3>dialed down a little bit.

493
00:21:50.519 --> 00:21:53.079
<v Speaker 2>So you just imagine, like you tell, it's him. Yeah,

494
00:21:53.079 --> 00:21:55.000
<v Speaker 2>absolutely the voice.

495
00:21:55.119 --> 00:21:56.559
<v Speaker 3>Yeah, I just want to hang out with this guy

496
00:21:56.680 --> 00:21:59.279
<v Speaker 3>down listen to read the phone book of recite a

497
00:21:59.359 --> 00:22:02.160
<v Speaker 3>shopping list to be great. But you're Don Parlo. He's

498
00:22:02.200 --> 00:22:03.640
<v Speaker 3>the voice of Saturday Night Live?

499
00:22:04.000 --> 00:22:11.720
<v Speaker 2>Is he? Yeah? Okay, Tonight's musical guest Wheezer. What does

500
00:22:12.039 --> 00:22:18.200
<v Speaker 2>Patrick Stewart say? Salt and Papa? But yeah, that's Don Pardo,

501
00:22:18.440 --> 00:22:20.240
<v Speaker 2>Don Pardo? All right, hit me with your next question.

502
00:22:20.960 --> 00:22:25.759
<v Speaker 3>What is on the logo of O Glums the non

503
00:22:25.799 --> 00:22:27.559
<v Speaker 3>beer that served at the party.

504
00:22:27.799 --> 00:22:29.559
<v Speaker 2>The logo, Yeah that was gonna be true? What is

505
00:22:29.559 --> 00:22:35.480
<v Speaker 2>the beer so you've got my question. Yeah, oh, glums,

506
00:22:36.119 --> 00:22:38.480
<v Speaker 2>is it a woman? Sad? No, it's a guy on

507
00:22:38.519 --> 00:22:41.960
<v Speaker 2>a treadmill. A treadmill. Heka, Well that was my second question.

508
00:22:42.039 --> 00:22:44.359
<v Speaker 2>Let's have a little bit. That's all good. What birthday

509
00:22:44.440 --> 00:22:45.480
<v Speaker 2>is she celebrating her?

510
00:22:45.519 --> 00:22:45.599
<v Speaker 1>What?

511
00:22:46.400 --> 00:22:47.079
<v Speaker 2>Oh?

512
00:22:47.400 --> 00:22:49.519
<v Speaker 3>No, I don't, I don't eightieth eightieth. I was about

513
00:22:49.519 --> 00:22:51.720
<v Speaker 3>to say seventieth, but no, eightieth makes more sense.

514
00:22:51.920 --> 00:22:52.960
<v Speaker 2>Over the closing.

515
00:22:52.640 --> 00:22:56.400
<v Speaker 3>Credits, you've got various characters sort of celebrating their mothers

516
00:22:56.440 --> 00:23:00.359
<v Speaker 3>for Mother's Day, and Frank has a computer that m

517
00:23:00.480 --> 00:23:02.440
<v Speaker 3>O M. What does that m O M stand for?

518
00:23:02.920 --> 00:23:05.440
<v Speaker 2>Oh, I'm some mother is one of those words? It

519
00:23:05.519 --> 00:23:09.519
<v Speaker 2>is not, it is not, it is not. I have

520
00:23:09.599 --> 00:23:10.039
<v Speaker 2>no idea.

521
00:23:10.079 --> 00:23:12.920
<v Speaker 3>Then it sounds for multi platform optical mainframe.

522
00:23:13.079 --> 00:23:15.400
<v Speaker 2>Okay, then that's a nice a nice gagger.

523
00:23:16.640 --> 00:23:18.319
<v Speaker 3>By the way, Can I jump ahead to something. Over

524
00:23:18.359 --> 00:23:21.240
<v Speaker 3>the closing credits, they've got a song called I'll Always

525
00:23:21.240 --> 00:23:21.960
<v Speaker 3>Love My Mama.

526
00:23:22.400 --> 00:23:23.920
<v Speaker 2>Yeah, that's a good song. It's a good song.

527
00:23:23.960 --> 00:23:25.759
<v Speaker 3>Do you know the name of the band. The name

528
00:23:25.799 --> 00:23:27.519
<v Speaker 3>of the band is the Intruders. What can name is

529
00:23:27.559 --> 00:23:28.240
<v Speaker 3>that for a band?

530
00:23:28.640 --> 00:23:31.599
<v Speaker 2>The Intruders? I like it not this style of music though,

531
00:23:32.759 --> 00:23:39.400
<v Speaker 2>that's where the Intruders Welcome to the Big Round. There's

532
00:23:39.440 --> 00:23:41.880
<v Speaker 2>sort of like a soul ever. You just imagine she's

533
00:23:41.880 --> 00:23:45.119
<v Speaker 2>like doing a bunch of these gentlemen were the Intruders

534
00:23:46.079 --> 00:23:48.920
<v Speaker 2>were danced just as good as we walk Respect your Mama.

535
00:23:51.599 --> 00:23:55.640
<v Speaker 2>You just imagine that was the Intruders with I'll Always

536
00:23:55.680 --> 00:24:00.640
<v Speaker 2>Love My Mama. Wait a minute, getting commit dissonancy. Is

537
00:24:00.680 --> 00:24:01.960
<v Speaker 2>there a movie called the Intruders?

538
00:24:02.200 --> 00:24:03.799
<v Speaker 3>There's a many a movie called the Intruders.

539
00:24:03.839 --> 00:24:06.400
<v Speaker 2>Yeah, I feel like I've seen one of them. Was terrifying. Yeah.

540
00:24:06.640 --> 00:24:09.720
<v Speaker 3>One of them stars a young Millie Bobby Brown, which

541
00:24:09.839 --> 00:24:11.000
<v Speaker 3>was just going by Milli Brown.

542
00:24:11.079 --> 00:24:13.119
<v Speaker 2>She's she's still young, well.

543
00:24:12.920 --> 00:24:14.799
<v Speaker 3>Man, she's about like twenty three or four now.

544
00:24:14.839 --> 00:24:17.519
<v Speaker 2>It's still pretty young. She's marriage she started so young,

545
00:24:17.519 --> 00:24:17.880
<v Speaker 2>that's true.

546
00:24:17.920 --> 00:24:20.519
<v Speaker 3>She's married to John bon Joby Junior or Jake bon

547
00:24:20.599 --> 00:24:21.359
<v Speaker 3>job I believe.

548
00:24:21.680 --> 00:24:24.799
<v Speaker 2>Yeah, people don't like her for some reason. Yeah, it's weird,

549
00:24:24.920 --> 00:24:27.519
<v Speaker 2>isn't this. She's a pretty good actor.

550
00:24:27.720 --> 00:24:30.119
<v Speaker 3>But yeah, I think if you look at yeah Intruders, yeah,

551
00:24:30.279 --> 00:24:31.160
<v Speaker 3>Clive Owen and I.

552
00:24:31.200 --> 00:24:33.480
<v Speaker 2>Think, yeah, Clive, oh my man, is that.

553
00:24:33.400 --> 00:24:34.880
<v Speaker 3>The one with Milli Brown? Or it might have been

554
00:24:34.880 --> 00:24:37.160
<v Speaker 3>a TV series, but it was a TV series called Intruders,

555
00:24:37.160 --> 00:24:37.680
<v Speaker 3>and I think that.

556
00:24:37.839 --> 00:24:41.279
<v Speaker 2>The Intruders Intruders and the Intruders was twenty seventeen. Intruders

557
00:24:41.359 --> 00:24:43.359
<v Speaker 2>was when who gets anyway?

558
00:24:44.079 --> 00:24:46.799
<v Speaker 3>Yeah, intruder but anyway, Yeah, we've sort of My.

559
00:24:46.880 --> 00:24:49.319
<v Speaker 2>Next question for you is Mandula says, my eyes have

560
00:24:49.400 --> 00:24:52.480
<v Speaker 2>more bags than something, and then I think most of

561
00:24:52.559 --> 00:24:54.640
<v Speaker 2>that's probably a good one. Ivanus with the reference. Yeah,

562
00:24:54.680 --> 00:24:56.880
<v Speaker 2>the Daddeeling Limited. Yeah, good enough for you right there,

563
00:24:56.880 --> 00:24:59.559
<v Speaker 2>which is more bags than that?

564
00:24:59.799 --> 00:25:05.200
<v Speaker 3>What's well, yeah, Jillian is like a train. It's supposedly

565
00:25:05.200 --> 00:25:07.839
<v Speaker 3>a train. It's also the name of a movie by

566
00:25:07.839 --> 00:25:09.400
<v Speaker 3>Wes Anderson, which is about train.

567
00:25:09.440 --> 00:25:11.400
<v Speaker 2>I'm looking at the so maybe that she means bags

568
00:25:11.440 --> 00:25:13.079
<v Speaker 2>like luggage bags. Yes, that's it.

569
00:25:13.240 --> 00:25:15.359
<v Speaker 3>Yeah, one of my favorite was Anderson movies.

570
00:25:15.559 --> 00:25:18.359
<v Speaker 2>I quite liked the way they handled that bit because

571
00:25:18.440 --> 00:25:20.480
<v Speaker 2>she makes this joke and I'm sitting there going, oh,

572
00:25:20.599 --> 00:25:22.519
<v Speaker 2>I'm sure that's funny, and that's probably a good one.

573
00:25:22.960 --> 00:25:24.680
<v Speaker 2>That's literally it because I didn't get the reference.

574
00:25:25.079 --> 00:25:27.519
<v Speaker 3>Well, I think when you're making sort of reference on that,

575
00:25:27.559 --> 00:25:29.039
<v Speaker 3>you occasionally need to have a carriacter.

576
00:25:29.039 --> 00:25:31.160
<v Speaker 2>Go. That's probably a good one. Yeah. The thing is,

577
00:25:31.279 --> 00:25:34.839
<v Speaker 2>I find though with a poor Man jeweler, and they

578
00:25:34.839 --> 00:25:37.359
<v Speaker 2>don't do it for any other characters, or they don't

579
00:25:37.359 --> 00:25:39.599
<v Speaker 2>do it as much with other characters, like doing poor manjour.

580
00:25:40.039 --> 00:25:43.400
<v Speaker 2>All of their references are Indian. True, they live in America,

581
00:25:43.519 --> 00:25:45.960
<v Speaker 2>they love America, but all their references are like so

582
00:25:46.279 --> 00:25:49.519
<v Speaker 2>India specific. Yeah, like we make curry jokes and the

583
00:25:50.079 --> 00:25:53.240
<v Speaker 2>jokes it's all about. I get that, that's the Indian

584
00:25:53.279 --> 00:25:55.680
<v Speaker 2>I get that. But every one of their jokes is

585
00:25:55.720 --> 00:25:58.039
<v Speaker 2>based on an Indian parody of some kind.

586
00:25:58.160 --> 00:26:01.599
<v Speaker 3>Yeah, it's almost enough to sort of make your side

587
00:26:01.640 --> 00:26:03.680
<v Speaker 3>with the people who are like, you're going a little

588
00:26:03.680 --> 00:26:04.759
<v Speaker 3>heavy on the Indian stuff here.

589
00:26:04.799 --> 00:26:06.640
<v Speaker 2>Yeah, you can still have a pooh and if Hank

590
00:26:06.680 --> 00:26:08.559
<v Speaker 2>doesn't voice it, then so be it. Right, But there

591
00:26:08.599 --> 00:26:10.279
<v Speaker 2>was no need to remove a poo from the show.

592
00:26:10.480 --> 00:26:11.920
<v Speaker 2>You watch these episodes and it's like a pool is

593
00:26:11.960 --> 00:26:16.599
<v Speaker 2>such a beloved character exactly? Yeah. Agree, um, and more

594
00:26:16.640 --> 00:26:18.319
<v Speaker 2>questions for me. I have one more. If you want,

595
00:26:18.400 --> 00:26:20.200
<v Speaker 2>please hit me with it bit, just not too hard.

596
00:26:20.920 --> 00:26:23.799
<v Speaker 3>It's your baby. One more time. They are traveling to

597
00:26:24.000 --> 00:26:28.279
<v Speaker 3>Weasel Island on a ferry called the Island Queen Island.

598
00:26:28.319 --> 00:26:31.480
<v Speaker 3>Queen is missing one letter from its logo. Do you

599
00:26:31.480 --> 00:26:32.920
<v Speaker 3>remember which one is it?

600
00:26:32.920 --> 00:26:34.920
<v Speaker 2>Because it's just an old boat, you mean, yes, I'm

601
00:26:34.960 --> 00:26:38.680
<v Speaker 2>gonna say it is the N. It's the E. It's

602
00:26:38.680 --> 00:26:40.759
<v Speaker 2>one of the e's and Queen. Okay, so the island

603
00:26:40.839 --> 00:26:52.240
<v Speaker 2>Quen Queen. Essentially, there we go. It is now time

604
00:26:52.319 --> 00:26:54.279
<v Speaker 2>for stone cut a shot out. Oh my god, my

605
00:26:54.440 --> 00:26:56.759
<v Speaker 2>favorite part of the show is it because we get

606
00:26:56.759 --> 00:27:00.359
<v Speaker 2>to say Katyg's name. It is Katy JTG, as well

607
00:27:00.400 --> 00:27:04.480
<v Speaker 2>as David Stewart, Glenn Gomez, Justin Parker, Zach prewittt Shanny Macker, Elliot,

608
00:27:04.559 --> 00:27:07.799
<v Speaker 2>j O'Neil, Isabella Murphy, Reached Beasley, Stephen Roberts, Sewan, dev

609
00:27:08.119 --> 00:27:11.039
<v Speaker 2>Pete Anderson, Timothy bels And, Andrew Davis, Kevin Dental, Planned

610
00:27:11.039 --> 00:27:14.480
<v Speaker 2>Flood Bellow, Windo Bank, Jack McFadden, Heap will Be, Adria McLeod, March,

611
00:27:14.519 --> 00:27:17.839
<v Speaker 2>Eleven Ginger and People, Preston Murray Tala and Enriquez, Declan Phoenix,

612
00:27:18.039 --> 00:27:20.480
<v Speaker 2>Brian McCoy, Logan b James Sheppard, Joe Read and Said,

613
00:27:20.519 --> 00:27:23.559
<v Speaker 2>Dave Pretzels mcneally, Gavin Lang, Dami Miller, Charlie Joe, Abigail

614
00:27:23.640 --> 00:27:26.039
<v Speaker 2>b Sharpcater and Craig Alti, smash Glosstar. I think you

615
00:27:26.079 --> 00:27:28.920
<v Speaker 2>for being Stonecutter supporters here at four finger Discount, genuinely

616
00:27:29.000 --> 00:27:29.839
<v Speaker 2>keeping the lights on here.

617
00:27:29.880 --> 00:27:32.160
<v Speaker 3>Indeed, look, it's great, but I'm saying Katie G's name.

618
00:27:32.200 --> 00:27:34.799
<v Speaker 3>It's almost as good hearing all those other names.

619
00:27:34.799 --> 00:27:37.839
<v Speaker 2>About ninety two percent. Really really close, pretty close, so close,

620
00:27:37.880 --> 00:27:40.079
<v Speaker 2>it is very close indeed. All right. So the original

621
00:27:40.079 --> 00:27:43.720
<v Speaker 2>aired of this episode was May ninth, twenty ten. Take

622
00:27:43.720 --> 00:27:46.319
<v Speaker 2>a stab at It in the Dark twenty ten, May ninth,

623
00:27:46.440 --> 00:27:48.279
<v Speaker 2>Top three films at us Boxer. This could be a

624
00:27:48.319 --> 00:27:50.279
<v Speaker 2>film from twenty ten, and we'll see how close you are.

625
00:27:51.240 --> 00:27:53.599
<v Speaker 2>Another hurt Locker, hurt Locker. We'll see how we go.

626
00:27:53.720 --> 00:27:56.720
<v Speaker 2>All right, So May ninth, twenty ten, I'm looking it

627
00:27:56.759 --> 00:27:59.599
<v Speaker 2>up right now. The next one film was Iron Man Too.

628
00:28:00.119 --> 00:28:02.200
<v Speaker 3>Two Okay, actually hurt like I might have come out

629
00:28:02.279 --> 00:28:02.599
<v Speaker 3>here before.

630
00:28:02.599 --> 00:28:04.200
<v Speaker 2>I think it was here before. Yeah, And number two

631
00:28:04.400 --> 00:28:06.400
<v Speaker 2>was a Nightmare in Elm Street, which was down from

632
00:28:06.480 --> 00:28:09.960
<v Speaker 2>number one. And number three is how to Train Your

633
00:28:10.039 --> 00:28:12.799
<v Speaker 2>Drag and still hanging around No one good one toothless

634
00:28:12.839 --> 00:28:15.000
<v Speaker 2>night Mare on Alm Street reboot worth watching.

635
00:28:14.759 --> 00:28:16.119
<v Speaker 3>Or not not really?

636
00:28:16.160 --> 00:28:17.720
<v Speaker 2>No, I think we might discussed this last episode. I

637
00:28:17.759 --> 00:28:20.960
<v Speaker 2>think it was number one last Yeah, Iroman too, though

638
00:28:21.279 --> 00:28:22.839
<v Speaker 2>debuting at number one, it was there for a while.

639
00:28:22.839 --> 00:28:25.519
<v Speaker 2>I'm assuming, oh guessing as such, I likes IMN three

640
00:28:25.559 --> 00:28:28.279
<v Speaker 2>the best, apparently Spider Man two, IMN three.

641
00:28:28.480 --> 00:28:31.160
<v Speaker 3>I like IMAN three a lot. It's written directed by

642
00:28:31.200 --> 00:28:32.079
<v Speaker 3>my man Shane Black.

643
00:28:32.279 --> 00:28:33.240
<v Speaker 2>I like that a lot.

644
00:28:33.799 --> 00:28:37.119
<v Speaker 3>Iman two it gets a bad rap, but I like

645
00:28:37.240 --> 00:28:39.920
<v Speaker 3>Mickey Rourke and it as Whiplash does some interesting stuff.

646
00:28:39.920 --> 00:28:41.799
<v Speaker 3>And it's also got by boys. Sam Rockwell in there

647
00:28:42.119 --> 00:28:45.680
<v Speaker 3>as like the the beta Tony Stark and he's doing

648
00:28:45.720 --> 00:28:48.160
<v Speaker 3>his Sam Rockwell dance moves. And no, it's pretty rad.

649
00:28:48.319 --> 00:28:50.319
<v Speaker 2>Do you think IMN was the closest thing we had

650
00:28:50.359 --> 00:28:52.599
<v Speaker 2>to sort of like the Batman hyper the late eighties

651
00:28:52.599 --> 00:28:54.680
<v Speaker 2>when when I remember when I Men came out, it

652
00:28:54.720 --> 00:28:58.480
<v Speaker 2>was like superhero movies are back, and I hadn't felt

653
00:28:58.519 --> 00:29:00.799
<v Speaker 2>that way since. Maybe this maybe the Spider Man movies

654
00:29:00.839 --> 00:29:03.599
<v Speaker 2>of the early possibly, yeah, other movies that were only

655
00:29:04.119 --> 00:29:06.680
<v Speaker 2>a decade before this there went that much earlier. I

656
00:29:06.680 --> 00:29:08.440
<v Speaker 2>suppose a decade is a long time. But Spider Man

657
00:29:08.440 --> 00:29:11.279
<v Speaker 2>was two thousand, right, two thousand and two, I think

658
00:29:11.640 --> 00:29:15.200
<v Speaker 2>two Actually, you're right, yeah, Two X Men was two thousand, Yes, yeah,

659
00:29:15.640 --> 00:29:16.599
<v Speaker 2>X Men was pretty big deal.

660
00:29:16.759 --> 00:29:19.960
<v Speaker 3>Yeah, it's funny. We was, Oh yeah, Superera movies didn't

661
00:29:19.960 --> 00:29:21.519
<v Speaker 3>really come in until the twenty first century, and you

662
00:29:21.559 --> 00:29:23.400
<v Speaker 3>know all that kind of stuff. It's like, I know,

663
00:29:23.400 --> 00:29:24.759
<v Speaker 3>you go aback a couple years before that, and there's

664
00:29:24.759 --> 00:29:26.920
<v Speaker 3>Blade and of course they are all the Batman movies

665
00:29:26.960 --> 00:29:28.119
<v Speaker 3>throughout the nineties.

666
00:29:28.200 --> 00:29:31.359
<v Speaker 2>Batman was the superhero of the nineties. As a kid,

667
00:29:31.799 --> 00:29:35.000
<v Speaker 2>no one wanted to be Superman. Everyone wanted to be Batman. Correct,

668
00:29:35.279 --> 00:29:36.920
<v Speaker 2>Superman would have been a big deal. I'm shureing the

669
00:29:36.960 --> 00:29:39.480
<v Speaker 2>seventies and eighties because of the Superman movies Christopher Reef.

670
00:29:39.519 --> 00:29:43.000
<v Speaker 2>But by the time the nineties came around, like those movies,

671
00:29:43.039 --> 00:29:45.240
<v Speaker 2>they looked old, man, And when you're a kid, when

672
00:29:45.319 --> 00:29:47.480
<v Speaker 2>things look old, you don't really appreciate it as much.

673
00:29:47.599 --> 00:29:49.279
<v Speaker 2>That's true. And the older I get, the more I

674
00:29:49.319 --> 00:29:52.119
<v Speaker 2>appreciate the Superman movies. But when I was watching the

675
00:29:52.119 --> 00:29:54.200
<v Speaker 2>Batman movies and I watched the Superman movie, I was like,

676
00:29:54.799 --> 00:29:57.559
<v Speaker 2>this looks old. Yeah, yeah, it had been like what

677
00:29:57.640 --> 00:30:00.839
<v Speaker 2>twenty years, I think, so, yeah, But what's your favorite

678
00:30:00.880 --> 00:30:05.200
<v Speaker 2>superhero franchise? Hmmm, it's a tough one. Would you go

679
00:30:05.519 --> 00:30:08.559
<v Speaker 2>the Superman films of the seventies and go by eras

680
00:30:08.599 --> 00:30:11.079
<v Speaker 2>like the Batman films of the early nineties, Batman films

681
00:30:11.079 --> 00:30:14.200
<v Speaker 2>of the late nineties. The look I kind of like

682
00:30:14.319 --> 00:30:17.720
<v Speaker 2>the Dark Knight trilogy. They all seem very it seems

683
00:30:17.720 --> 00:30:20.519
<v Speaker 2>like one big cohesive story. It does. Yeah, it feels

684
00:30:20.519 --> 00:30:21.559
<v Speaker 2>like you can watch it one and.

685
00:30:21.480 --> 00:30:23.039
<v Speaker 3>It feels like they sort of stuck around. I know

686
00:30:23.160 --> 00:30:25.119
<v Speaker 3>a lot of people think Dark Knight Rises kind of

687
00:30:25.200 --> 00:30:25.680
<v Speaker 3>drops the ball.

688
00:30:25.680 --> 00:30:26.279
<v Speaker 2>I don't think it does.

689
00:30:26.319 --> 00:30:27.799
<v Speaker 3>I think it kind of. I think it works pretty well.

690
00:30:27.880 --> 00:30:29.960
<v Speaker 2>I think Bain goes out pretty soft in the end.

691
00:30:30.000 --> 00:30:32.759
<v Speaker 2>The way he goes out, I'm like, ah, does all

692
00:30:32.759 --> 00:30:36.039
<v Speaker 2>that and that's how he got Okay, that's true. I

693
00:30:36.079 --> 00:30:38.680
<v Speaker 2>tend to like, I'm not sure what before she pushed up.

694
00:30:42.240 --> 00:30:44.559
<v Speaker 3>But like they say, Sam Raimi Spider Man movie, it's like,

695
00:30:44.839 --> 00:30:47.200
<v Speaker 3>first one's pretty good, second one is fantastic, third one

696
00:30:47.839 --> 00:30:51.240
<v Speaker 3>not so much. It's fine, Yeah, I need to rewatch

697
00:30:51.279 --> 00:30:53.480
<v Speaker 3>the third one. What the X Men two and three, Like,

698
00:30:53.480 --> 00:30:54.160
<v Speaker 3>are they any good?

699
00:30:54.519 --> 00:30:55.599
<v Speaker 2>X Men two is fantastic.

700
00:30:55.720 --> 00:30:58.279
<v Speaker 3>X Men was like almost like a high watermark for

701
00:30:58.559 --> 00:31:02.000
<v Speaker 3>superhero movies. I think three is kind of a drag.

702
00:31:02.000 --> 00:31:04.799
<v Speaker 2>The X Men movies is real sort of topsy turvy

703
00:31:05.000 --> 00:31:07.119
<v Speaker 2>because I've got like Days of Future passing there, which

704
00:31:07.160 --> 00:31:10.680
<v Speaker 2>is fantastic, But then they're the reboot ones, aren't they

705
00:31:11.000 --> 00:31:11.759
<v Speaker 2>sort of? Oh?

706
00:31:11.920 --> 00:31:13.400
<v Speaker 3>Days of Future Past? I think has got a bit

707
00:31:13.440 --> 00:31:13.799
<v Speaker 3>of both.

708
00:31:14.839 --> 00:31:16.759
<v Speaker 2>Then I said, the same universe, So are they because

709
00:31:16.799 --> 00:31:20.160
<v Speaker 2>they're people playing the characters, and I think they've.

710
00:31:19.960 --> 00:31:23.599
<v Speaker 3>Got have Sir Patrick Stewart and McKellen's best rest of Magneto.

711
00:31:23.680 --> 00:31:25.680
<v Speaker 3>And then they've also they've gone back in time and

712
00:31:25.680 --> 00:31:29.160
<v Speaker 3>they've got James McAboy and Michael Fassbender playing the same characters.

713
00:31:29.720 --> 00:31:31.400
<v Speaker 2>I really like Days of the Future Past, but so

714
00:31:31.440 --> 00:31:33.200
<v Speaker 2>they sat way in the past. I've never watched those

715
00:31:33.319 --> 00:31:36.400
<v Speaker 2>X Men films. They're all over the shop. Yeah yeah,

716
00:31:36.519 --> 00:31:38.839
<v Speaker 2>I just I was like, ah, yeah, I've had my

717
00:31:38.960 --> 00:31:42.240
<v Speaker 2>X Men film. What else you got? But you're right,

718
00:31:42.240 --> 00:31:44.160
<v Speaker 2>you've brought a Blade. But I never saw Blade as

719
00:31:44.160 --> 00:31:46.680
<v Speaker 2>a superhero movie. I saw it a vampires. It's more

720
00:31:46.720 --> 00:31:48.880
<v Speaker 2>an action movie in a vampire movie. Yeah, I never

721
00:31:48.880 --> 00:31:53.799
<v Speaker 2>saw him as a superhero. He is badass film, Yeah,

722
00:31:55.039 --> 00:31:59.160
<v Speaker 2>damn mad and so good. Who's the big bad in

723
00:31:59.200 --> 00:32:00.519
<v Speaker 2>that film? But the one he's sort of like the

724
00:32:00.519 --> 00:32:03.519
<v Speaker 2>one that keeps regenerating. Oh, and he's been in so

725
00:32:03.559 --> 00:32:05.000
<v Speaker 2>many things I've seen, but I don't know his name.

726
00:32:05.079 --> 00:32:07.720
<v Speaker 2>His name is Donald log like yeah, because he had

727
00:32:07.720 --> 00:32:09.880
<v Speaker 2>his own sitcom for a while. Yeah yeah, what was

728
00:32:09.880 --> 00:32:10.559
<v Speaker 2>his sitcom called?

729
00:32:10.640 --> 00:32:13.440
<v Speaker 3>Oh, I've forgotten. But he's an interesting guy. I'm quite

730
00:32:13.519 --> 00:32:14.920
<v Speaker 3>unquote friends with him on Facebook.

731
00:32:14.960 --> 00:32:17.599
<v Speaker 2>Granted for Life? Was your show? Okay? Yeah, I think

732
00:32:17.960 --> 00:32:20.000
<v Speaker 2>he's a friend with him on Facebook. Yeah. Yeah, he's

733
00:32:20.000 --> 00:32:22.039
<v Speaker 2>a really good writer. Let's review blatant have him on,

734
00:32:22.680 --> 00:32:27.079
<v Speaker 2>give it a try and you continue. Sorry, but he will.

735
00:32:26.880 --> 00:32:30.000
<v Speaker 3>Write these sort of really long stories about various things,

736
00:32:30.000 --> 00:32:33.519
<v Speaker 3>and like, wow, you're incredibly talented at this.

737
00:32:34.480 --> 00:32:37.200
<v Speaker 2>We had a sitcom went for five seasons. It's what Donald.

738
00:32:37.279 --> 00:32:41.240
<v Speaker 2>We used to watch it on Fox eight. Yes, two

739
00:32:41.319 --> 00:32:43.359
<v Speaker 2>days of one all right, so yeah, but they're the

740
00:32:43.359 --> 00:32:45.640
<v Speaker 2>movies that were the movies that were number three, top one,

741
00:32:45.680 --> 00:32:47.400
<v Speaker 2>two and three. So we had had a Train of Dragon,

742
00:32:47.480 --> 00:32:49.799
<v Speaker 2>not Mare, Num Street the reboot, and Iron Man two.

743
00:32:50.079 --> 00:32:52.519
<v Speaker 2>The episode was written by Stephanie A. Gillis and directed

744
00:32:52.519 --> 00:32:56.279
<v Speaker 2>by Matthewness. Stuck and Don Pardo starts himself. The chopboard

745
00:32:56.279 --> 00:32:58.599
<v Speaker 2>gag eating my vegetables is not a Mother's Day present.

746
00:32:58.680 --> 00:32:59.880
<v Speaker 2>What is the billboard gag?

747
00:33:00.480 --> 00:33:04.319
<v Speaker 3>The billboard gag is please abduct this child.

748
00:33:04.480 --> 00:33:05.039
<v Speaker 2>Call Homer.

749
00:33:05.279 --> 00:33:07.319
<v Speaker 3>You've also got bumble mean man floating through at the

750
00:33:07.400 --> 00:33:08.359
<v Speaker 3>very start as well.

751
00:33:08.400 --> 00:33:10.279
<v Speaker 2>And the cash gag is the family is a model

752
00:33:10.279 --> 00:33:13.960
<v Speaker 2>constructed and subsequently destroyed by Nelson Monks channeling he's inner sid.

753
00:33:14.119 --> 00:33:16.480
<v Speaker 3>Indeed, also time for God to put on his movie

754
00:33:16.480 --> 00:33:19.200
<v Speaker 3>nerd hat for a moment. This episode is titled Moe

755
00:33:19.319 --> 00:33:19.960
<v Speaker 3>Letter Blues.

756
00:33:19.960 --> 00:33:21.039
<v Speaker 2>That's a play on.

757
00:33:21.039 --> 00:33:24.039
<v Speaker 3>The Spike Lee movie No Better Blues from the early

758
00:33:24.119 --> 00:33:26.519
<v Speaker 3>nineties starring Denzel Washington and Wesley Snipes.

759
00:33:26.519 --> 00:33:28.200
<v Speaker 2>I'm sure that's why I kept saying No Better Blues

760
00:33:28.319 --> 00:33:32.000
<v Speaker 2>that is. But that's m O, isn't it m O? Apostrophe? Apostrophe?

761
00:33:32.119 --> 00:33:34.599
<v Speaker 2>More money, the more better blues, No Better makes it

762
00:33:34.640 --> 00:33:36.079
<v Speaker 2>more better. It's a good movie.

763
00:33:36.359 --> 00:33:38.519
<v Speaker 3>Yeah, yeah, it's good stuff.

764
00:33:38.599 --> 00:33:41.680
<v Speaker 2>Alright. So the episode kicks off with we're in Springfield's

765
00:33:41.759 --> 00:33:43.839
<v Speaker 2>doing a voice over here, and is this how the

766
00:33:43.880 --> 00:33:44.880
<v Speaker 2>film plays out? Is?

767
00:33:44.880 --> 00:33:48.079
<v Speaker 3>I'm sure you must have. It's a forties melodrama. It's

768
00:33:48.079 --> 00:33:49.960
<v Speaker 3>gonna have voice over, But there's a lot of sort

769
00:33:50.000 --> 00:33:52.000
<v Speaker 3>of shout outs as what I think the family Stephane

770
00:33:52.000 --> 00:33:55.240
<v Speaker 3>Gillis is a fan of old movies. Yeah, it's talking

771
00:33:55.240 --> 00:33:58.200
<v Speaker 3>about it. It's a it's Freevield, USA town where everyone's.

772
00:33:57.839 --> 00:34:01.920
<v Speaker 2>Got a story and She's and Moe's in his narration says,

773
00:34:02.200 --> 00:34:05.279
<v Speaker 2>there's this, there's this, but everybody comes to Mo's. The

774
00:34:05.319 --> 00:34:09.320
<v Speaker 2>movie Castle Blanca that we reference occasionally here and occasionally

775
00:34:09.360 --> 00:34:11.039
<v Speaker 2>on the movie Guard with Morlton Davis. We'll cover it

776
00:34:11.039 --> 00:34:13.559
<v Speaker 2>on that show one of these days. That's based on

777
00:34:13.559 --> 00:34:16.400
<v Speaker 2>a play called Everybody Comes to Rix. Shortly after the

778
00:34:16.480 --> 00:34:18.800
<v Speaker 2>beginning of the episode, Moe advertises is Barber stating, and

779
00:34:18.840 --> 00:34:20.840
<v Speaker 2>Everybody comes to Moe's, which mirror is the introduction of

780
00:34:20.920 --> 00:34:25.039
<v Speaker 2>Ricks Cafe in Castle Blanca. What who said that? The

781
00:34:25.159 --> 00:34:29.880
<v Speaker 2>wiki cultural references But you knew it already, so his

782
00:34:30.000 --> 00:34:31.639
<v Speaker 2>corect Yes, but I was just yeah, you are one

783
00:34:31.719 --> 00:34:34.199
<v Speaker 2>hundred percent correction with that. Yes, So he says that

784
00:34:34.239 --> 00:34:36.079
<v Speaker 2>the zip code spells out boobs, which means that the

785
00:34:36.159 --> 00:34:39.159
<v Speaker 2>zip code is eight zero zero eighty five, a zip

786
00:34:39.199 --> 00:34:41.360
<v Speaker 2>code that, according to the US Postal Service, is not

787
00:34:41.400 --> 00:34:43.239
<v Speaker 2>assigned to any existing town.

788
00:34:43.400 --> 00:34:45.320
<v Speaker 3>Ah, Simpsons, you've done it again.

789
00:34:45.400 --> 00:34:48.239
<v Speaker 2>Yeah, works out. Well. You just imagine when she was

790
00:34:48.239 --> 00:34:49.800
<v Speaker 2>wide and it's we've ever come with that gag like

791
00:34:49.920 --> 00:34:53.000
<v Speaker 2>boobs speaking. We can use it. It's not a real place.

792
00:34:54.119 --> 00:34:56.519
<v Speaker 2>The sinners and skinners. Of course, we have Agnes saying

793
00:34:56.519 --> 00:34:59.440
<v Speaker 2>that she wishes that he was dead? Why are we

794
00:34:59.480 --> 00:35:00.400
<v Speaker 2>doing this? We do it?

795
00:35:00.440 --> 00:35:04.760
<v Speaker 3>Why is there this constant undercurrent of just meanness?

796
00:35:05.000 --> 00:35:08.159
<v Speaker 2>I know she has always been like disappointed by him,

797
00:35:09.000 --> 00:35:11.960
<v Speaker 2>but every time, every that's all you've got for her?

798
00:35:12.039 --> 00:35:16.039
<v Speaker 2>Now is I wish you were dead? It's like, come on.

799
00:35:17.360 --> 00:35:21.079
<v Speaker 2>We had the cut to Mose and then Barfly roteo

800
00:35:21.159 --> 00:35:24.400
<v Speaker 2>going on my home is writing writing Barney, and then

801
00:35:24.480 --> 00:35:25.559
<v Speaker 2>who's the clown? It's Lenny.

802
00:35:25.559 --> 00:35:27.239
<v Speaker 3>It's Lenny, is the rodeo clown.

803
00:35:27.519 --> 00:35:29.320
<v Speaker 2>The camera cuts to most it's get the camera. Family's

804
00:35:29.360 --> 00:35:32.079
<v Speaker 2>narrating here, and he knows of everyone's problems because they

805
00:35:32.119 --> 00:35:34.880
<v Speaker 2>all come to the bar to vent their frustrations, and

806
00:35:34.960 --> 00:35:37.119
<v Speaker 2>especially the married ones. And we see the love joys

807
00:35:37.519 --> 00:35:39.599
<v Speaker 2>and pooh.

808
00:35:39.079 --> 00:35:42.079
<v Speaker 1>Here's the kind of lullaby my sweet mother sang to me.

809
00:35:42.880 --> 00:35:49.599
<v Speaker 3>Maybe, why do you always change it to Sanskriet ninety

810
00:35:49.639 --> 00:35:50.360
<v Speaker 3>three point seven?

811
00:35:51.000 --> 00:35:53.800
<v Speaker 1>I like her Ajeebrew Baba and big Brahma in the morning,

812
00:35:54.360 --> 00:35:56.119
<v Speaker 1>not castice safe from them.

813
00:35:56.199 --> 00:35:59.840
<v Speaker 2>Many jeeps having a mahatma or man not. My contest

814
00:35:59.880 --> 00:36:02.760
<v Speaker 2>is not that jip, it is sex is sacrilege. I

815
00:36:02.800 --> 00:36:05.000
<v Speaker 2>hate that channel, But do you have so much in

816
00:36:05.039 --> 00:36:05.760
<v Speaker 2>common with them?

817
00:36:05.960 --> 00:36:10.119
<v Speaker 1>Non stop chapter doing drive time? Dick, take it back.

818
00:36:10.880 --> 00:36:13.480
<v Speaker 2>I take it back. I really liked that. Yeah, I

819
00:36:13.519 --> 00:36:16.639
<v Speaker 2>thought that was I say, relatable, because you know, you

820
00:36:16.760 --> 00:36:18.440
<v Speaker 2>just at times you're just you're bickering and it comes

821
00:36:18.440 --> 00:36:20.760
<v Speaker 2>to the point where you're just like, why we're bickering. Oh,

822
00:36:20.760 --> 00:36:23.400
<v Speaker 2>we're bickering because we're tired. Yes, let's just take take

823
00:36:23.400 --> 00:36:27.679
<v Speaker 2>a deep breath and refresh. Marchin sleep cuts to Marge.

824
00:36:27.719 --> 00:36:29.960
<v Speaker 2>I like the animation here. It reminded me of like

825
00:36:29.960 --> 00:36:31.599
<v Speaker 2>an old school video game where it was sort of

826
00:36:31.639 --> 00:36:33.159
<v Speaker 2>like a little bit jittery, and it was cutting to

827
00:36:33.199 --> 00:36:35.679
<v Speaker 2>the front of when it was going to various locations,

828
00:36:35.679 --> 00:36:36.760
<v Speaker 2>so it was like a point of view shop, but

829
00:36:36.800 --> 00:36:38.840
<v Speaker 2>it was turning to the front of the building. We're

830
00:36:38.840 --> 00:36:41.639
<v Speaker 2>looking to the front of the Simpsons house and marches

831
00:36:41.639 --> 00:36:44.880
<v Speaker 2>out in the tower. It's like hot, damn March. But

832
00:36:44.920 --> 00:36:46.920
<v Speaker 2>then the mos annoy that she puts a gown on,

833
00:36:47.119 --> 00:36:48.920
<v Speaker 2>and it's just before Mother's Day and the family of

834
00:36:48.920 --> 00:36:51.920
<v Speaker 2>watching crusty to his mother Day special. I des drove

835
00:36:51.960 --> 00:36:55.800
<v Speaker 2>my buddy to give birth to you, and he give

836
00:36:55.840 --> 00:36:57.400
<v Speaker 2>her a break tug dad to take and then we

837
00:36:57.400 --> 00:36:59.719
<v Speaker 2>get the commercial here or maybe it's chusty. I can't remember.

838
00:36:59.719 --> 00:37:02.639
<v Speaker 2>Someone's in vatorial or something. Yeah, give your mother a

839
00:37:02.679 --> 00:37:05.320
<v Speaker 2>break and tell your dad to take you to a

840
00:37:05.320 --> 00:37:07.599
<v Speaker 2>weasel island. It's got some kind of amusement park. I

841
00:37:07.599 --> 00:37:10.119
<v Speaker 2>love that warning. May not be a music, it's like.

842
00:37:10.400 --> 00:37:13.559
<v Speaker 2>It's also voted one of America's ten roundest islands. Yes,

843
00:37:13.880 --> 00:37:15.840
<v Speaker 2>Marginals is a good idea. Get all the kids and

844
00:37:15.880 --> 00:37:17.519
<v Speaker 2>Homer out of the house so she can finally do

845
00:37:17.559 --> 00:37:19.079
<v Speaker 2>something that she's been putting off for a long time,

846
00:37:19.159 --> 00:37:20.880
<v Speaker 2>like cleaning the gutters. No, that's what home has been

847
00:37:20.880 --> 00:37:23.719
<v Speaker 2>putting off for a long time. And then they watch

848
00:37:23.760 --> 00:37:25.840
<v Speaker 2>an old fashioned itching and scratchy cartoon which was a

849
00:37:25.880 --> 00:37:31.400
<v Speaker 2>play on what uh and the moon Yeah, the moon yeah,

850
00:37:31.519 --> 00:37:34.280
<v Speaker 2>George mel Yes, one of the pioneers of cinema. The

851
00:37:34.400 --> 00:37:38.360
<v Speaker 2>rocket in the eye yep. And then you're pretty ingenious

852
00:37:38.360 --> 00:37:41.119
<v Speaker 2>those early guys again here, though you're touched on earlier

853
00:37:41.119 --> 00:37:43.559
<v Speaker 2>homd just being a joke for no reason. Marge's trying

854
00:37:43.559 --> 00:37:45.360
<v Speaker 2>to say something. I forgot what you were saying marchin. Sorry,

855
00:37:45.400 --> 00:37:47.639
<v Speaker 2>I wasn't listening to that either. I'm not even listening now.

856
00:37:47.719 --> 00:37:50.039
<v Speaker 3>Yeah, sorry, honey, I wasn't listening and I won't be

857
00:37:50.079 --> 00:37:51.880
<v Speaker 3>listening now. It's like, what the fuck?

858
00:37:52.039 --> 00:37:55.360
<v Speaker 2>Yeah, yeah, that's not cool. Yeah, I mean it's not

859
00:37:55.360 --> 00:37:56.800
<v Speaker 2>even funny.

860
00:37:57.480 --> 00:37:59.719
<v Speaker 3>We shouldn't be judging our cartoon characters by you know,

861
00:38:00.039 --> 00:38:02.519
<v Speaker 3>Uman's standards, or particularly our sort of wife guy slash

862
00:38:02.519 --> 00:38:04.679
<v Speaker 3>Simps standards. But as I said before, it was like,

863
00:38:05.039 --> 00:38:07.320
<v Speaker 3>this show wants to be family guys. Like that's a

864
00:38:07.360 --> 00:38:08.280
<v Speaker 3>Peter greffriend line.

865
00:38:08.559 --> 00:38:10.840
<v Speaker 2>So I put out a few clips of us ranting

866
00:38:10.880 --> 00:38:13.920
<v Speaker 2>about the way Simpsons has changed and evolved in the

867
00:38:14.000 --> 00:38:17.559
<v Speaker 2>era of reviewing here today, and some people are commenting saying,

868
00:38:17.559 --> 00:38:19.320
<v Speaker 2>it's just a cartoon. It's not that deep, And I'm like,

869
00:38:19.320 --> 00:38:21.199
<v Speaker 2>you know what fucking people wouldn't say about season three

870
00:38:21.239 --> 00:38:24.679
<v Speaker 2>The Simpsons, it's just a cartoon. Knowing the people writing

871
00:38:24.719 --> 00:38:27.519
<v Speaker 2>the show wouldn't say it's just a cartoon. You're not

872
00:38:27.519 --> 00:38:29.800
<v Speaker 2>supposed to go, who fucking cares, it's just a cartoon.

873
00:38:29.920 --> 00:38:32.960
<v Speaker 2>It's the Simpsons. Simpsons has set a standard. It is

874
00:38:32.960 --> 00:38:34.079
<v Speaker 2>not just a fucking cartoon.

875
00:38:34.239 --> 00:38:36.719
<v Speaker 3>Anything you put out in the world should be you know,

876
00:38:37.199 --> 00:38:40.119
<v Speaker 3>have a little thought, never put into it, especially something

877
00:38:40.119 --> 00:38:41.800
<v Speaker 3>that's a bit of a name brand like the Simpsons.

878
00:38:41.840 --> 00:38:44.559
<v Speaker 3>But yeah, I mean, that's just sorry, miss Gillis, that's

879
00:38:45.360 --> 00:38:46.440
<v Speaker 3>that's just not good enough.

880
00:38:49.880 --> 00:38:50.280
<v Speaker 2>Was I talking?

881
00:38:50.599 --> 00:38:52.039
<v Speaker 3>I was talking to my friend last night. We were

882
00:38:52.159 --> 00:38:56.159
<v Speaker 3>sort of talking about art and entertainment and ethnic It

883
00:38:56.639 --> 00:39:04.239
<v Speaker 3>was my good friend Anthony, and talking about hecklers. Some

884
00:39:04.280 --> 00:39:07.280
<v Speaker 3>guy just came up with the best heckle ever, I

885
00:39:07.320 --> 00:39:09.719
<v Speaker 3>think it was there was some guy from the TV

886
00:39:09.760 --> 00:39:11.760
<v Speaker 3>show Red Dwarf. He was trying his handed stand up

887
00:39:12.159 --> 00:39:14.119
<v Speaker 3>and someone in the audiens said, I'm sorry, this just

888
00:39:14.159 --> 00:39:18.800
<v Speaker 3>isn't good enough. So that just cracked me out. It's

889
00:39:18.800 --> 00:39:19.280
<v Speaker 3>not like you.

890
00:39:19.960 --> 00:39:23.039
<v Speaker 2>I'm sorry, this justin't good nough be better. I am

891
00:39:23.079 --> 00:39:26.960
<v Speaker 2>disappointed in this. I would like a partial refund, but

892
00:39:27.119 --> 00:39:30.639
<v Speaker 2>just a very level headed I'm sorry this does not

893
00:39:30.679 --> 00:39:34.719
<v Speaker 2>pass muster. I trusted you.

894
00:39:36.880 --> 00:39:36.960
<v Speaker 1>So.

895
00:39:37.079 --> 00:39:38.840
<v Speaker 2>But essentially, what we're saying to you, do you want

896
00:39:38.840 --> 00:39:41.639
<v Speaker 2>to start? Do you want to start again? Would you

897
00:39:41.760 --> 00:39:45.679
<v Speaker 2>like a duo? Would you like a mulligan? Anyway, for

898
00:39:45.679 --> 00:39:47.920
<v Speaker 2>some reason asked what Marge meant by something in Homer says,

899
00:39:47.960 --> 00:39:50.440
<v Speaker 2>I'm an expert. Women don't mean anything by anything at least,

900
00:39:50.519 --> 00:39:51.960
<v Speaker 2>is like that's a bleak way of looking at things.

901
00:39:51.960 --> 00:39:55.400
<v Speaker 2>He's like, sure, Lisa, like just dimissing, dismissing women in

902
00:39:55.440 --> 00:39:55.880
<v Speaker 2>his life.

903
00:39:56.440 --> 00:39:59.840
<v Speaker 3>Yeah, look we're simps, but we're not simps. I mean,

904
00:40:00.079 --> 00:40:02.280
<v Speaker 3>this is just we're not saying this is bad writing

905
00:40:02.280 --> 00:40:04.760
<v Speaker 3>because it's like demeaning to women. It is that, but

906
00:40:04.760 --> 00:40:07.320
<v Speaker 3>it's also it's just shiit writing. Well, it's just it's

907
00:40:07.360 --> 00:40:09.199
<v Speaker 3>dismissive for the sake of dismissed. Like this is the

908
00:40:09.199 --> 00:40:11.719
<v Speaker 3>episode where they realize they've been really dismissive to their wife.

909
00:40:11.760 --> 00:40:13.199
<v Speaker 3>So you're gonna make them really extra dismissive.

910
00:40:13.239 --> 00:40:13.559
<v Speaker 2>That's the thing.

911
00:40:13.599 --> 00:40:16.079
<v Speaker 3>If you're going to make a Homer and the Other

912
00:40:16.280 --> 00:40:19.000
<v Speaker 3>male garriage and there's insensitive, at least do it in

913
00:40:19.000 --> 00:40:22.599
<v Speaker 3>a funny way. Yeah, just like Blonde Force Trauma.

914
00:40:22.760 --> 00:40:26.960
<v Speaker 2>Yep. The dads are all leaving now because they are

915
00:40:27.000 --> 00:40:29.719
<v Speaker 2>taking the kids away because they've realized they've got a Also,

916
00:40:29.800 --> 00:40:32.280
<v Speaker 2>this strikes me as a weird Why is Reverend going?

917
00:40:32.320 --> 00:40:35.320
<v Speaker 2>It's a weird plot. Why is Lovejoy going? That's right,

918
00:40:36.239 --> 00:40:39.760
<v Speaker 2>they're not a mother's love Joy yeah, because you got Yeah,

919
00:40:39.800 --> 00:40:42.360
<v Speaker 2>she was there when when you got home. Oh that's right. Yeah, okay.

920
00:40:42.679 --> 00:40:46.000
<v Speaker 3>But at the same time this strikes me as odd. Okay,

921
00:40:46.039 --> 00:40:47.920
<v Speaker 3>take the kids, give mom a little time to yourself.

922
00:40:48.079 --> 00:40:48.920
<v Speaker 2>It's like, why don't you.

923
00:40:48.840 --> 00:40:51.280
<v Speaker 3>Take him wife and mother somewhere nice?

924
00:40:52.440 --> 00:40:55.880
<v Speaker 2>The wives want them gone. Okay, trust me, when you've

925
00:40:55.880 --> 00:40:58.119
<v Speaker 2>lived in the house, there's something about having time to

926
00:40:58.159 --> 00:40:59.760
<v Speaker 2>yourself to just do anything.

927
00:41:00.039 --> 00:41:02.559
<v Speaker 3>Believe me, I get it, but I don't know. Mother's

928
00:41:02.599 --> 00:41:03.880
<v Speaker 3>Day feels like the kind of thing where it's like,

929
00:41:04.000 --> 00:41:06.079
<v Speaker 3>treat your mother, do something nice. A nice bit of

930
00:41:06.320 --> 00:41:08.199
<v Speaker 3>R and R should be for any time, not necessarily

931
00:41:08.199 --> 00:41:08.719
<v Speaker 3>another's day.

932
00:41:08.719 --> 00:41:10.880
<v Speaker 2>Well, they actually tackle that in an episode we're going

933
00:41:10.880 --> 00:41:12.880
<v Speaker 2>to be reviewing after this the Unified Theory of four

934
00:41:12.880 --> 00:41:15.480
<v Speaker 2>Finger Discount for our patrons, we're going to be reviewing

935
00:41:15.559 --> 00:41:18.639
<v Speaker 2>King of the Hills episode Peggy's Turtle Song. Yeah, towards

936
00:41:18.639 --> 00:41:20.159
<v Speaker 2>the end of season two, which is actually the Mother's

937
00:41:20.239 --> 00:41:23.039
<v Speaker 2>Day episode, and in that day tackle of the issue

938
00:41:23.079 --> 00:41:24.960
<v Speaker 2>of what's Mother's Day. We're going to spoil you, We're

939
00:41:24.960 --> 00:41:26.760
<v Speaker 2>going to do everything for you, and she's like, I'd

940
00:41:26.840 --> 00:41:29.000
<v Speaker 2>rather just do what I want to do, and he's like, no, no, No,

941
00:41:29.119 --> 00:41:30.679
<v Speaker 2>you're going to do what we've planned for you. And

942
00:41:30.719 --> 00:41:32.880
<v Speaker 2>she's like, but it's my day. Why can't I do

943
00:41:32.960 --> 00:41:34.440
<v Speaker 2>what I want to do? And that's sort of the

944
00:41:34.519 --> 00:41:37.239
<v Speaker 2>argument here. It's like Marge wants to do what she

945
00:41:37.280 --> 00:41:39.199
<v Speaker 2>wants to do. Yes, I get the idea of spoiling,

946
00:41:39.199 --> 00:41:41.599
<v Speaker 2>buying presents, do and all that things. But sometimes I

947
00:41:41.639 --> 00:41:43.320
<v Speaker 2>sometimes I say to Nicola, what do you want to

948
00:41:43.320 --> 00:41:45.719
<v Speaker 2>do on Mother's Day? Do you want us to want

949
00:41:45.760 --> 00:41:47.480
<v Speaker 2>to go do something nice? Or it's not a case

950
00:41:47.519 --> 00:41:50.480
<v Speaker 2>of I've planned something for it. What do you want

951
00:41:50.559 --> 00:41:52.000
<v Speaker 2>to do? If you want to go out as a family,

952
00:41:52.079 --> 00:41:53.840
<v Speaker 2>do something, we'll do that. If you want to take

953
00:41:53.840 --> 00:41:55.119
<v Speaker 2>the kids out so you can have some time home

954
00:41:55.119 --> 00:41:56.519
<v Speaker 2>to yourself, do that. If you want me to watch

955
00:41:56.519 --> 00:41:58.039
<v Speaker 2>the kids home so you can go out and do something,

956
00:41:58.320 --> 00:42:00.800
<v Speaker 2>tell me what you want to do on your day? Sure,

957
00:42:02.039 --> 00:42:06.960
<v Speaker 2>sip what a wife? Guy. Homer then puts Maggie in

958
00:42:06.960 --> 00:42:11.159
<v Speaker 2>the lobster cage. Then the Squeaky Voice team drops the letter.

959
00:42:12.000 --> 00:42:13.719
<v Speaker 2>Got a letter hear from you and it's from Mo.

960
00:42:14.719 --> 00:42:17.760
<v Speaker 1>It's from more dear friends. I have some news that

961
00:42:17.920 --> 00:42:21.599
<v Speaker 1>is doubly said. First off, I am leaving town forever,

962
00:42:22.000 --> 00:42:25.159
<v Speaker 1>and by going away present, one of your wives is

963
00:42:25.280 --> 00:42:28.039
<v Speaker 1>running off with me. One of our wives is leaving

964
00:42:28.119 --> 00:42:28.400
<v Speaker 1>us for.

965
00:42:28.440 --> 00:42:29.880
<v Speaker 2>More, most leaving town.

966
00:42:30.679 --> 00:42:32.960
<v Speaker 1>Perhaps I should have told you in person, but there's

967
00:42:32.960 --> 00:42:35.559
<v Speaker 1>no easy way to say goodbye forever. So I'll say

968
00:42:35.599 --> 00:42:39.440
<v Speaker 1>it the hardest way I can in Mandarin Chinese cyanongen.

969
00:42:40.400 --> 00:42:43.159
<v Speaker 1>And now, as our tea kettle starts to ute, I'm

970
00:42:43.199 --> 00:42:46.440
<v Speaker 1>gonna take a little break. Boy, this voiceover thing is

971
00:42:46.519 --> 00:42:49.239
<v Speaker 1>killing me. Whenever that don Poto gets paid, it ain't.

972
00:42:49.239 --> 00:42:50.360
<v Speaker 2>And off I make.

973
00:42:50.360 --> 00:42:53.639
<v Speaker 3>More than you can possibly imagine, and I'm making it

974
00:42:53.800 --> 00:42:54.840
<v Speaker 3>right now.

975
00:42:55.159 --> 00:42:59.199
<v Speaker 2>Where are you? Then tries calling March's. She's like, what's

976
00:42:59.239 --> 00:43:01.360
<v Speaker 2>going on? Because get a hold of their wives. Homak

977
00:43:01.400 --> 00:43:03.679
<v Speaker 2>gets a hold of Marge, but we're breaking up. We're

978
00:43:03.679 --> 00:43:06.000
<v Speaker 2>breaking up, throws the phone in the water, and in

979
00:43:06.000 --> 00:43:07.880
<v Speaker 2>a fit of rage, and then, realizing she's still there,

980
00:43:07.920 --> 00:43:11.360
<v Speaker 2>tries typing with the harpoon thing. It doesn't work. He

981
00:43:11.400 --> 00:43:14.159
<v Speaker 2>then throws the pole and then for no absolutely no

982
00:43:14.239 --> 00:43:16.639
<v Speaker 2>reason at all, the guys like we need that pole

983
00:43:16.719 --> 00:43:20.719
<v Speaker 2>to dot. It crashes, explodes. It's like the way we're

984
00:43:20.719 --> 00:43:23.440
<v Speaker 2>carrying explosives. Well, most most of our cargo was explosive.

985
00:43:23.719 --> 00:43:25.679
<v Speaker 2>But then the boats like it got a bit exploded

986
00:43:25.679 --> 00:43:30.440
<v Speaker 2>from them, like that was a massive explosion. Did anyone die? Like?

987
00:43:30.960 --> 00:43:32.679
<v Speaker 2>What was the point of the explosion? Gag?

988
00:43:32.760 --> 00:43:34.000
<v Speaker 3>Do you want to do? You want to say it?

989
00:43:34.079 --> 00:43:34.840
<v Speaker 3>What are we even doing?

990
00:43:35.000 --> 00:43:37.760
<v Speaker 2>Yeah? What are we doing here? What was the what

991
00:43:37.840 --> 00:43:40.360
<v Speaker 2>was that? So we go back to park on a stone,

992
00:43:40.880 --> 00:43:45.840
<v Speaker 2>don't do and then yeah, what point that explosion? Therefore

993
00:43:45.840 --> 00:43:50.039
<v Speaker 2>all but yeah, and then the ship exploded and then

994
00:43:50.079 --> 00:43:51.760
<v Speaker 2>they went off like that. There was no need for

995
00:43:51.800 --> 00:43:54.559
<v Speaker 2>the explosion. There was no need. It wasn't even funny.

996
00:43:54.599 --> 00:43:56.679
<v Speaker 2>It just doesn't make sense. But the crash is fine.

997
00:43:56.920 --> 00:43:59.320
<v Speaker 2>Homerd used the pole. They crashed so bit, oh, we're

998
00:43:59.320 --> 00:44:01.239
<v Speaker 2>gonna throw an extra have exploited it as well? Can

999
00:44:01.280 --> 00:44:04.760
<v Speaker 2>you believe it? No? Shouldn't the kids be dead? Anyway?

1000
00:44:05.760 --> 00:44:07.800
<v Speaker 2>We're now on the island and there's got the Civil

1001
00:44:07.880 --> 00:44:11.840
<v Speaker 2>War museum, the prison prison with Sideburns or something, the

1002
00:44:11.840 --> 00:44:14.400
<v Speaker 2>Prison of Sideburns or something something. Sydeburns is a sight

1003
00:44:14.480 --> 00:44:17.239
<v Speaker 2>gag there. But Bart locks up a who's kids in

1004
00:44:17.280 --> 00:44:19.920
<v Speaker 2>the prison and he says he's going to be treating

1005
00:44:20.000 --> 00:44:23.320
<v Speaker 2>them like not slaves, But I think he's just slaves.

1006
00:44:25.239 --> 00:44:26.840
<v Speaker 2>Just to keep them wrangled up, like you staying here,

1007
00:44:26.840 --> 00:44:29.159
<v Speaker 2>I'm going to be in control of you. Lovejoy thinks that

1008
00:44:29.440 --> 00:44:31.679
<v Speaker 2>it can't possibly be helen because we just started a

1009
00:44:31.719 --> 00:44:34.880
<v Speaker 2>jigsaw puzzle up to the to the edges. I like

1010
00:44:34.920 --> 00:44:36.480
<v Speaker 2>the idea of jigsaw puzzle. It reminds me of being

1011
00:44:36.480 --> 00:44:38.159
<v Speaker 2>a kid on school holidays. We'd always do jigsaws with

1012
00:44:38.239 --> 00:44:40.360
<v Speaker 2>Now you're a jigsaw, but we haven't known jigsaw for

1013
00:44:40.440 --> 00:44:42.039
<v Speaker 2>a long time. But the kids now at the age

1014
00:44:42.039 --> 00:44:45.559
<v Speaker 2>where they can actually start grasping the concept of corner

1015
00:44:45.559 --> 00:44:49.280
<v Speaker 2>pieces first, make sure like that. For example, Holly, she

1016
00:44:49.320 --> 00:44:51.519
<v Speaker 2>would always just see that the four prongs and go, well,

1017
00:44:51.559 --> 00:44:53.280
<v Speaker 2>that's going to fit in here. It's like, no, look

1018
00:44:53.320 --> 00:44:55.440
<v Speaker 2>in the shape of the prong. She's starting to work

1019
00:44:55.480 --> 00:44:55.800
<v Speaker 2>that out.

1020
00:44:55.880 --> 00:44:59.199
<v Speaker 3>Ah okay, just good. Jigsaw is not just fun. Also

1021
00:44:59.280 --> 00:45:00.159
<v Speaker 3>teach spatial res.

1022
00:45:00.320 --> 00:45:03.400
<v Speaker 2>And we started playing scrabble with Elliott as well, and

1023
00:45:03.440 --> 00:45:07.880
<v Speaker 2>he drew with Nicola nice. Yeah, so I was I

1024
00:45:07.920 --> 00:45:09.480
<v Speaker 2>was teeming with him and that sort of helping him

1025
00:45:09.480 --> 00:45:11.400
<v Speaker 2>on the way. But he came up with words like

1026
00:45:11.599 --> 00:45:14.400
<v Speaker 2>dura and we're like, and I didn't see It's like

1027
00:45:14.440 --> 00:45:17.480
<v Speaker 2>what about this one? I was like, dura and Nicola goes,

1028
00:45:18.840 --> 00:45:20.360
<v Speaker 2>she goes, what's a jew? And he goes, isn't it

1029
00:45:20.360 --> 00:45:23.440
<v Speaker 2>the honestly, he goes, it's the people in the court

1030
00:45:23.480 --> 00:45:26.280
<v Speaker 2>that say yes or no. I'm like, that's pretty much it.

1031
00:45:26.360 --> 00:45:29.480
<v Speaker 3>WHOA, We're going to be working early at one of

1032
00:45:29.519 --> 00:45:31.559
<v Speaker 3>these days.

1033
00:45:33.960 --> 00:45:36.480
<v Speaker 2>But yeah, So so he thinks that it can't possibly

1034
00:45:36.480 --> 00:45:39.679
<v Speaker 2>be Halem because they've just started the jigsaw puzzle. Homer says,

1035
00:45:39.679 --> 00:45:41.599
<v Speaker 2>we never fight anymore, and that's never a good sign

1036
00:45:41.639 --> 00:45:43.719
<v Speaker 2>because if they're never fighting anymore, that's just a ticking

1037
00:45:43.719 --> 00:45:46.480
<v Speaker 2>time I'm waiting to explode. I'm like, you guys fight

1038
00:45:46.519 --> 00:45:49.039
<v Speaker 2>all the time. We've watched an entire season of Fight.

1039
00:45:51.400 --> 00:45:55.599
<v Speaker 3>Well maybe this is meant to indicate Homer's ignorance or disinterested.

1040
00:45:55.079 --> 00:45:57.159
<v Speaker 2>But I did actually say at the start though, because

1041
00:45:57.159 --> 00:45:59.000
<v Speaker 2>I think it's what Reverence says here. It means she's

1042
00:45:59.039 --> 00:46:01.760
<v Speaker 2>checked out, like a Harry A book at the library. Marge,

1043
00:46:01.800 --> 00:46:03.800
<v Speaker 2>the character has checked out. It feels like she has

1044
00:46:03.880 --> 00:46:08.920
<v Speaker 2>checked out on everything. Yeah, everyone's checked out, not us.

1045
00:46:09.239 --> 00:46:10.599
<v Speaker 3>We'll keep talking about these episodes.

1046
00:46:10.679 --> 00:46:12.840
<v Speaker 2>So he thinks back. He says, think back, think back,

1047
00:46:12.840 --> 00:46:14.599
<v Speaker 2>think back. Thinks back too far because he's a baby

1048
00:46:14.639 --> 00:46:16.079
<v Speaker 2>not that far, you idiot, And it cuts to the

1049
00:46:16.079 --> 00:46:18.960
<v Speaker 2>party for Marge's mum asked for a drink that helps

1050
00:46:19.000 --> 00:46:21.519
<v Speaker 2>me forget that he hates he's in laws, but enough

1051
00:46:21.559 --> 00:46:22.559
<v Speaker 2>to tell him that I love him.

1052
00:46:22.639 --> 00:46:24.599
<v Speaker 3>I need something strong enough to that I forget I

1053
00:46:24.639 --> 00:46:26.320
<v Speaker 3>hate them, but not so strong that I tell them

1054
00:46:26.360 --> 00:46:26.800
<v Speaker 3>I love them.

1055
00:46:26.880 --> 00:46:31.920
<v Speaker 2>Yep, he goes a prick in, saying that I thought

1056
00:46:31.960 --> 00:46:33.960
<v Speaker 2>that was actually not there. Not a bad life. They're

1057
00:46:33.960 --> 00:46:37.400
<v Speaker 2>a prick to each other. They've always had that antagonistic relationship.

1058
00:46:37.880 --> 00:46:41.000
<v Speaker 2>He says he's only serving non alcoholic oak glums. So

1059
00:46:41.119 --> 00:46:42.639
<v Speaker 2>is it eightieth birthday or was at the eighteenth end

1060
00:46:42.639 --> 00:46:44.840
<v Speaker 2>of it? I've got eightieth after oak lums. Anyway, eightieth

1061
00:46:44.920 --> 00:46:47.840
<v Speaker 2>must be a birthday. And he invited Flanners to keep

1062
00:46:47.880 --> 00:46:50.519
<v Speaker 2>him company, and he says it's also to help you

1063
00:46:50.519 --> 00:46:51.800
<v Speaker 2>listen to the angel on your head and not the

1064
00:46:51.840 --> 00:46:54.360
<v Speaker 2>four hundred devils on the other side. Then Patty and

1065
00:46:54.440 --> 00:46:56.679
<v Speaker 2>someone asked Homer to take a photo of them, and

1066
00:46:56.920 --> 00:46:57.960
<v Speaker 2>they's been really annoying.

1067
00:46:58.039 --> 00:47:00.760
<v Speaker 3>Mye was closed, and they referred to as chunky with

1068
00:47:00.760 --> 00:47:01.719
<v Speaker 3>the pants of meat balls.

1069
00:47:01.840 --> 00:47:05.239
<v Speaker 2>Yes, I've reference that. It's kind of lost now, but

1070
00:47:05.400 --> 00:47:06.920
<v Speaker 2>glad with a chance to meet both my kids enjoy

1071
00:47:07.000 --> 00:47:11.039
<v Speaker 2>those movies. Yeah, So the question here, do you have

1072
00:47:11.079 --> 00:47:13.920
<v Speaker 2>anyone in your life who was terrible at having their

1073
00:47:13.920 --> 00:47:18.320
<v Speaker 2>photo taken. I've got an auntie who just cannot take

1074
00:47:18.360 --> 00:47:20.559
<v Speaker 2>a good photo in the sense of she always talks

1075
00:47:20.679 --> 00:47:23.559
<v Speaker 2>well saying like she's always going, I don't take a

1076
00:47:23.559 --> 00:47:28.239
<v Speaker 2>good photo because you're always fucking talking. Just say cheese, spark,

1077
00:47:28.559 --> 00:47:30.599
<v Speaker 2>just keep your mouth, stop your mouth from moving. Her

1078
00:47:30.639 --> 00:47:33.760
<v Speaker 2>mouth and every photo her mouth is like this. She

1079
00:47:34.119 --> 00:47:36.000
<v Speaker 2>talks the entire time.

1080
00:47:37.880 --> 00:47:40.119
<v Speaker 3>I would say it's me. I don't think I'm very photogenic.

1081
00:47:40.239 --> 00:47:43.719
<v Speaker 2>No, no, I don't think many people think they're photogenic.

1082
00:47:43.760 --> 00:47:48.360
<v Speaker 2>The Lovely Jesus, the Lovely Louise is incredibly photogenic. No

1083
00:47:48.480 --> 00:47:50.519
<v Speaker 2>bad photos of Louise. As much as you pay your

1084
00:47:50.679 --> 00:47:51.320
<v Speaker 2>isn't it that.

1085
00:47:53.039 --> 00:47:53.920
<v Speaker 3>Not a single scent.

1086
00:47:54.679 --> 00:47:56.800
<v Speaker 2>I do find it quite funny though, when you go

1087
00:47:56.840 --> 00:47:59.760
<v Speaker 2>on social media and you've got a few friends where

1088
00:47:59.760 --> 00:48:02.559
<v Speaker 2>it's like like, oh, you've found your side, and every

1089
00:48:02.559 --> 00:48:05.840
<v Speaker 2>photo they put up is the same face, same tilt,

1090
00:48:06.039 --> 00:48:08.280
<v Speaker 2>the same sort of movement with their mouth. It's like

1091
00:48:08.360 --> 00:48:10.199
<v Speaker 2>every photo because they're like, I know I look good

1092
00:48:10.199 --> 00:48:11.960
<v Speaker 2>in this post. That's the post I'm doing for every.

1093
00:48:11.840 --> 00:48:15.159
<v Speaker 3>Photo, you've got to work your angles.

1094
00:48:15.239 --> 00:48:19.400
<v Speaker 2>Yeah, I want to do a little real about. I mean,

1095
00:48:19.599 --> 00:48:21.800
<v Speaker 2>I know why they do it. But women in photos

1096
00:48:21.800 --> 00:48:24.880
<v Speaker 2>when it's full body right, they'll be standing there, you say,

1097
00:48:24.920 --> 00:48:26.480
<v Speaker 2>all right, say cheese. All of a sudden their legs

1098
00:48:26.519 --> 00:48:29.840
<v Speaker 2>go like spaghetti like they're leaning forward and looking It's

1099
00:48:29.840 --> 00:48:31.679
<v Speaker 2>like the legs can't they can't stand it straight. They've

1100
00:48:31.679 --> 00:48:33.440
<v Speaker 2>got to turn their legs so that the hips look different.

1101
00:48:34.039 --> 00:48:37.480
<v Speaker 2>Angelina a lean. Yeah. I did it in England, Nicholas

1102
00:48:37.480 --> 00:48:39.079
<v Speaker 2>with their friends and they will standing against the fence

1103
00:48:39.079 --> 00:48:41.639
<v Speaker 2>and I was like, all right, ready three to one,

1104
00:48:41.960 --> 00:48:45.840
<v Speaker 2>and all of a sudden the legs go all the change.

1105
00:48:45.920 --> 00:48:49.480
<v Speaker 2>I was like, but why why, I know why they

1106
00:48:49.480 --> 00:48:51.000
<v Speaker 2>do it. I just want it funny. But guys just

1107
00:48:51.039 --> 00:48:52.679
<v Speaker 2>like whatever, we're just standing here, but all the women

1108
00:48:52.679 --> 00:48:59.079
<v Speaker 2>are just like, well, that's the patriarchy if we But

1109
00:49:00.280 --> 00:49:03.320
<v Speaker 2>that's a patriarchy for you. So he refused to take

1110
00:49:03.360 --> 00:49:05.079
<v Speaker 2>the photo in the air because of it's being horrible to him,

1111
00:49:05.119 --> 00:49:06.559
<v Speaker 2>and then he sets off the car alarm with his

1112
00:49:06.599 --> 00:49:10.199
<v Speaker 2>fat feet and he calls them penis curling. She devils. Yeah,

1113
00:49:10.480 --> 00:49:12.719
<v Speaker 2>March says, why is it whenever we do something that

1114
00:49:12.760 --> 00:49:15.159
<v Speaker 2>means something to me, you have to ruin it. At

1115
00:49:15.159 --> 00:49:18.119
<v Speaker 2>the present day, and Bart is putting all of his

1116
00:49:18.199 --> 00:49:21.880
<v Speaker 2>money into a fortune teller Zultan. Yeah, from big Big,

1117
00:49:21.920 --> 00:49:24.480
<v Speaker 2>from Big Yes, we come up a commercial. The kids

1118
00:49:24.480 --> 00:49:26.880
<v Speaker 2>are now getting on a ride which is just randomly

1119
00:49:26.920 --> 00:49:31.440
<v Speaker 2>run by a criminal, a convict.

1120
00:49:29.159 --> 00:49:31.800
<v Speaker 3>On MS Carney was super annoying.

1121
00:49:32.079 --> 00:49:34.000
<v Speaker 2>You get that scar before you got on by scar,

1122
00:49:34.119 --> 00:49:36.800
<v Speaker 2>you'll see that part was all right, but then the

1123
00:49:37.320 --> 00:49:40.440
<v Speaker 2>walks off. We should have mattered to himself, what's the

1124
00:49:40.440 --> 00:49:41.079
<v Speaker 2>point of any of this?

1125
00:49:41.400 --> 00:49:42.559
<v Speaker 3>Yeah, what are we even doing here?

1126
00:49:42.639 --> 00:49:45.880
<v Speaker 2>Yeah? Poo? Then really because this seems like a nice eyland?

1127
00:49:45.880 --> 00:49:46.920
<v Speaker 2>So why is it when I get there it's a

1128
00:49:46.920 --> 00:49:49.199
<v Speaker 2>shittold It's is that the joke I guess.

1129
00:49:49.199 --> 00:49:50.639
<v Speaker 3>I guess it's the joke that's like, oh, come to

1130
00:49:50.639 --> 00:49:52.320
<v Speaker 3>whe Isisland's fantastic. I'm like, oh, that's not.

1131
00:49:53.440 --> 00:49:55.880
<v Speaker 2>Poo realizes that he once cheated on her. I'm a

1132
00:49:55.920 --> 00:49:57.920
<v Speaker 2>jula so and then he thinks back again and they

1133
00:49:58.000 --> 00:50:00.000
<v Speaker 2>arrive at mos. I think this might be the first

1134
00:50:00.000 --> 00:50:02.000
<v Speaker 2>cricket reference in the history of The Simpsons. Okay, it's

1135
00:50:02.039 --> 00:50:04.159
<v Speaker 2>interesting because I touched on how I wish they should

1136
00:50:04.159 --> 00:50:06.280
<v Speaker 2>do a cricket episode. But yeah, they seeing them in

1137
00:50:06.280 --> 00:50:09.039
<v Speaker 2>their cricket gearl I was like, ah, finally acknowledge that

1138
00:50:09.039 --> 00:50:12.000
<v Speaker 2>there actually there is another sort friends love cricket, yep,

1139
00:50:12.440 --> 00:50:14.440
<v Speaker 2>And they got caught in the rain because he wasn't

1140
00:50:14.480 --> 00:50:17.400
<v Speaker 2>wouldn't use the International short Form rules? Now, when was

1141
00:50:17.440 --> 00:50:21.079
<v Speaker 2>the first T twenty game? Oh whereasuring unshouted territory for

1142
00:50:21.159 --> 00:50:23.920
<v Speaker 2>guy two thousand and four. Yeah, so she would never

1143
00:50:23.960 --> 00:50:26.400
<v Speaker 2>refer to it as the International short form rules. She

1144
00:50:26.400 --> 00:50:29.599
<v Speaker 2>would say he wouldn't play T twenty rules. But American

1145
00:50:29.679 --> 00:50:32.199
<v Speaker 2>fans viewers having no idea what that means because they

1146
00:50:32.199 --> 00:50:35.840
<v Speaker 2>don't play cricket over there. Well they do now, but yeah, but.

1147
00:50:35.880 --> 00:50:38.159
<v Speaker 3>Would they even know what the International short Form rules are?

1148
00:50:38.599 --> 00:50:41.119
<v Speaker 2>Well, explain it explained, saying that it's a shorter version

1149
00:50:41.159 --> 00:50:42.519
<v Speaker 2>of the game, and that's why we got stuck in

1150
00:50:42.559 --> 00:50:45.960
<v Speaker 2>the rain. I guess so because she couldn't say because

1151
00:50:46.000 --> 00:50:47.800
<v Speaker 2>he had to play a test match. It wouldn't make

1152
00:50:47.840 --> 00:50:52.800
<v Speaker 2>sense anyway. He's playing the world's smallest satar. Yes, because

1153
00:50:52.880 --> 00:50:55.559
<v Speaker 2>you know she's crying. What is it that she's just winging?

1154
00:50:55.559 --> 00:50:57.559
<v Speaker 2>I guess he's just sort of ye, And there's no

1155
00:50:57.599 --> 00:50:59.760
<v Speaker 2>sympathy for her, and then they realized that they've left.

1156
00:51:00.079 --> 00:51:02.400
<v Speaker 2>I'll back at Mo's when they get home, and she says,

1157
00:51:02.480 --> 00:51:04.599
<v Speaker 2>what my grandfather saw on your grandfather, I'll never know.

1158
00:51:04.719 --> 00:51:07.280
<v Speaker 2>Just playing up the arranged marriage because you know they're Indian,

1159
00:51:08.920 --> 00:51:11.840
<v Speaker 2>but at least we've seen that their marriage legitately was arranged.

1160
00:51:12.519 --> 00:51:14.000
<v Speaker 2>But then says, I've got the kid here, makes the

1161
00:51:14.039 --> 00:51:16.519
<v Speaker 2>phone call you're mentioning earlier. It's not a kidnapping. I've

1162
00:51:16.519 --> 00:51:18.679
<v Speaker 2>got a million. I will take the million. But then

1163
00:51:18.840 --> 00:51:21.119
<v Speaker 2>Mandula she bales. She says, I'm taking you stay he

1164
00:51:22.400 --> 00:51:24.760
<v Speaker 2>with bit of the kids. He says, yeah, if only

1165
00:51:24.800 --> 00:51:27.199
<v Speaker 2>that mark on your head wasn't off button and Homie

1166
00:51:27.239 --> 00:51:28.480
<v Speaker 2>was there when she got there. That's how we can

1167
00:51:28.480 --> 00:51:30.159
<v Speaker 2>confirm this actually did happen, because I was there when

1168
00:51:30.199 --> 00:51:33.159
<v Speaker 2>she arrived. And she thanks him for saving Geat by

1169
00:51:33.280 --> 00:51:34.840
<v Speaker 2>checking the tag because even she doesn't even know what

1170
00:51:34.880 --> 00:51:37.800
<v Speaker 2>the name of her children by looking at them. Yes,

1171
00:51:38.199 --> 00:51:39.840
<v Speaker 2>and then she says, my eyes have more bags than

1172
00:51:39.880 --> 00:51:42.320
<v Speaker 2>dargellily limited. That's probably a good one. More then shows

1173
00:51:42.360 --> 00:51:44.320
<v Speaker 2>off the z which he bought for the kids and

1174
00:51:44.320 --> 00:51:47.280
<v Speaker 2>their wives and the men. The boxing low bow boxing

1175
00:51:47.679 --> 00:51:50.119
<v Speaker 2>blow boxing or whatever, but they start playing the dancing

1176
00:51:50.119 --> 00:51:52.719
<v Speaker 2>I've never been good at these dancing games. I've never

1177
00:51:52.880 --> 00:51:55.960
<v Speaker 2>understood them. Really. No, you watch people at time Zone.

1178
00:51:56.159 --> 00:51:58.239
<v Speaker 2>Not so much now, but I reckon. Twenty years ago

1179
00:51:58.519 --> 00:52:01.519
<v Speaker 2>there were some people who took it seriously. Its revolutions, Yeah,

1180
00:52:01.559 --> 00:52:03.679
<v Speaker 2>and they were really fucking good at this game. Yeah.

1181
00:52:03.719 --> 00:52:04.480
<v Speaker 2>I've never been good at it.

1182
00:52:04.519 --> 00:52:06.039
<v Speaker 3>Yeah, I've never been good at it because my dance

1183
00:52:06.039 --> 00:52:08.360
<v Speaker 3>moves a very freestyle are they?

1184
00:52:08.360 --> 00:52:12.599
<v Speaker 2>Oh yeah, on style, unpredictable. We don't know what this

1185
00:52:12.599 --> 00:52:14.320
<v Speaker 2>guy's gonna do next. We're going to give them some room,

1186
00:52:14.440 --> 00:52:16.679
<v Speaker 2>do you know what. Some of the kids are loving

1187
00:52:16.679 --> 00:52:18.280
<v Speaker 2>it at the moment. My kids what a lot of

1188
00:52:18.320 --> 00:52:20.679
<v Speaker 2>the video clip for it. It's like that, Oh, and

1189
00:52:20.719 --> 00:52:22.320
<v Speaker 2>that's the way it is. And the whole thing is

1190
00:52:22.320 --> 00:52:28.920
<v Speaker 2>just people freestyle dancing. Yeah, the kids love it. They

1191
00:52:29.000 --> 00:52:32.119
<v Speaker 2>get they're grasping the concept of video clips for songs

1192
00:52:32.440 --> 00:52:34.639
<v Speaker 2>because today kids now they just listen to songs for

1193
00:52:34.719 --> 00:52:37.440
<v Speaker 2>Spotify it. They don't really go on YouTube often and

1194
00:52:37.480 --> 00:52:39.880
<v Speaker 2>watch videos. Let's let's just listen to the song on Spotify.

1195
00:52:40.280 --> 00:52:42.920
<v Speaker 2>But they're like, oh, so there used to be clips

1196
00:52:42.920 --> 00:52:44.360
<v Speaker 2>for songs and they still do it for songs. But

1197
00:52:44.360 --> 00:52:46.119
<v Speaker 2>it's like kids today, I don't think go on to

1198
00:52:46.199 --> 00:52:48.519
<v Speaker 2>YouTube to access music. They just pull out their phones

1199
00:52:48.519 --> 00:52:50.960
<v Speaker 2>and devices and look at Spotify. But they're taken away

1200
00:52:50.960 --> 00:52:54.199
<v Speaker 2>by these videos, like, ah, that's right, there's a story,

1201
00:52:54.400 --> 00:52:57.320
<v Speaker 2>visual story to go with the audio. Yeah, and I

1202
00:52:57.360 --> 00:52:59.480
<v Speaker 2>think it makes them like the songs more like, oh, yes,

1203
00:52:59.559 --> 00:53:01.880
<v Speaker 2>that's song has the cool dance again? Yeah? Which one

1204
00:53:01.880 --> 00:53:06.760
<v Speaker 2>you were saying about your dad's generation was pretty cool? Yeah,

1205
00:53:07.079 --> 00:53:12.280
<v Speaker 2>the time that the future is now? Old man Lovejoy

1206
00:53:12.320 --> 00:53:14.519
<v Speaker 2>then denies that it could be him and the fairy

1207
00:53:14.599 --> 00:53:16.239
<v Speaker 2>is leaving in ten minutes. They won't there for very long?

1208
00:53:16.280 --> 00:53:18.000
<v Speaker 2>Were they was it? Was it a day trip? Was

1209
00:53:18.000 --> 00:53:19.119
<v Speaker 2>it must have been a day trip. I think it

1210
00:53:19.159 --> 00:53:21.119
<v Speaker 2>was a day trip. Yeah, okay, And he remembers the

1211
00:53:21.119 --> 00:53:23.039
<v Speaker 2>Simpsons were arguing on the way to church one day

1212
00:53:23.639 --> 00:53:26.400
<v Speaker 2>and much as that was yesterday, Mama says, yesterday was

1213
00:53:26.480 --> 00:53:28.639
<v Speaker 2>last month, which means you're being ridiculous because Homer is

1214
00:53:28.679 --> 00:53:31.719
<v Speaker 2>just a joke. And he says, I'm glad we don't fight,

1215
00:53:32.599 --> 00:53:34.239
<v Speaker 2>and then you'd have to be talking to each other

1216
00:53:34.239 --> 00:53:36.320
<v Speaker 2>to fight, and then wait to bitch up the conversation.

1217
00:53:36.400 --> 00:53:40.360
<v Speaker 2>Helen so they're clearly everyone's everyone's angry at it. But

1218
00:53:40.400 --> 00:53:43.719
<v Speaker 2>this this sort of scene here surmises the Simpsons in

1219
00:53:43.760 --> 00:53:45.920
<v Speaker 2>general as a vibe. I think in season twenty one,

1220
00:53:46.239 --> 00:53:50.280
<v Speaker 2>it just feels like everyone's just a generally petty petty

1221
00:53:50.320 --> 00:53:53.559
<v Speaker 2>petty is the right word. Yeah, everyone's petty towards each other. Yeap.

1222
00:53:53.920 --> 00:53:56.239
<v Speaker 2>Then the spiritual advice of the past and arrives says

1223
00:53:56.360 --> 00:53:58.480
<v Speaker 2>uses the thumb method of holding over her face and

1224
00:53:58.519 --> 00:54:01.239
<v Speaker 2>over her mouth to see that she's actually she cano

1225
00:54:01.320 --> 00:54:04.639
<v Speaker 2>about to blow. Then Mora approaches Helen in church, so

1226
00:54:04.679 --> 00:54:06.280
<v Speaker 2>this is where he comes, and he explains to Helen

1227
00:54:06.400 --> 00:54:08.039
<v Speaker 2>here that he has the hots for someone's wife, so

1228
00:54:08.039 --> 00:54:11.320
<v Speaker 2>which is obviously Marge, and she's like, oh, gossip, gossip, gossip,

1229
00:54:11.440 --> 00:54:13.920
<v Speaker 2>and a pooh overhears the conversation and she he sees

1230
00:54:13.960 --> 00:54:15.840
<v Speaker 2>that she touched him on the knee, and then that's

1231
00:54:15.880 --> 00:54:18.480
<v Speaker 2>just forgotten about. It's so happy, a random thing.

1232
00:54:19.159 --> 00:54:19.440
<v Speaker 3>Random.

1233
00:54:19.480 --> 00:54:21.679
<v Speaker 2>I know it's designed to be cause it's the commercial break,

1234
00:54:21.719 --> 00:54:23.840
<v Speaker 2>so it's designed to make you think, will she leave

1235
00:54:23.880 --> 00:54:26.679
<v Speaker 2>the Reverend. We come back and they're asking Otto to

1236
00:54:26.760 --> 00:54:29.039
<v Speaker 2>drive back, but he's had some mistimed. He's miss times

1237
00:54:29.039 --> 00:54:31.360
<v Speaker 2>some substance abuse or whatever. Yeah, he has a visual

1238
00:54:31.679 --> 00:54:34.440
<v Speaker 2>the vision of the cars miss yeah, all the all

1239
00:54:34.440 --> 00:54:37.440
<v Speaker 2>the cars are little monsters, yeah, from the Pixar film Cars.

1240
00:54:37.840 --> 00:54:41.000
<v Speaker 2>And arrive home and it's a silhouette of Marge. It

1241
00:54:41.039 --> 00:54:43.239
<v Speaker 2>looks like she's packing up suitcase, but she's not actually

1242
00:54:43.320 --> 00:54:46.440
<v Speaker 2>doing that. And Peuh says, well, what age are you?

1243
00:54:46.719 --> 00:54:48.280
<v Speaker 2>And he says thirty nine. He's like, I thought you're

1244
00:54:48.280 --> 00:54:51.119
<v Speaker 2>sixty five. And it turns out she's actually painting her mum.

1245
00:54:51.559 --> 00:54:53.559
<v Speaker 2>She and then her mum explains it's actually Patty and

1246
00:54:53.599 --> 00:54:55.119
<v Speaker 2>someone's fault. You know, they were spoken when I was pregnant.

1247
00:54:55.119 --> 00:54:57.199
<v Speaker 2>They're the problem, not you home. You've got nothing wrong.

1248
00:54:57.480 --> 00:55:00.840
<v Speaker 2>It's not you, Homer, it's there. It's like, how am

1249
00:55:00.840 --> 00:55:01.719
<v Speaker 2>I supposed to warn anything?

1250
00:55:01.760 --> 00:55:05.400
<v Speaker 3>Yeah, as I've written here, what is with these unearned resolutions?

1251
00:55:05.519 --> 00:55:07.880
<v Speaker 2>That's true? Then the reverend's next he says he's got

1252
00:55:07.880 --> 00:55:10.079
<v Speaker 2>a job of kirk next or whatever. Some reference here

1253
00:55:10.079 --> 00:55:13.960
<v Speaker 2>about a Pooh so Otto screwing Luann van Houghton that

1254
00:55:13.960 --> 00:55:16.440
<v Speaker 2>says you are my favorite uncle Otto. Yeah.

1255
00:55:16.480 --> 00:55:19.840
<v Speaker 3>Sure, he's had a little more spice to the mix.

1256
00:55:20.000 --> 00:55:22.360
<v Speaker 2>They get home to the Lovejoy's house, Helen them has

1257
00:55:22.360 --> 00:55:25.480
<v Speaker 2>booked tickets on a romantic train ride. Now he's very

1258
00:55:25.480 --> 00:55:27.599
<v Speaker 2>thankful for her because she's booked this train ride. But

1259
00:55:27.639 --> 00:55:31.480
<v Speaker 2>it's like, what did you what did you do? Yeah? Whatever,

1260
00:55:32.599 --> 00:55:35.519
<v Speaker 2>Sure he got a stiffy but great, there's now a

1261
00:55:35.519 --> 00:55:37.840
<v Speaker 2>Pooh's turn and he feels the pain of a thousand

1262
00:55:37.880 --> 00:55:40.039
<v Speaker 2>squishy headaches, which is a brave freeze, I guess you

1263
00:55:40.079 --> 00:55:42.760
<v Speaker 2>could say. And Moe has he's in there and he's

1264
00:55:42.800 --> 00:55:43.719
<v Speaker 2>convinced her to stay.

1265
00:55:45.320 --> 00:55:47.320
<v Speaker 3>This man has come here to convince me to do

1266
00:55:47.360 --> 00:55:48.800
<v Speaker 3>something I never thought I would do.

1267
00:55:49.599 --> 00:55:52.039
<v Speaker 2>Stay with you. You mean you are not leaving me

1268
00:55:52.079 --> 00:55:54.519
<v Speaker 2>for him? Don't be ridiculous?

1269
00:55:54.559 --> 00:55:56.559
<v Speaker 3>What am I blind and noseless?

1270
00:55:56.599 --> 00:55:57.760
<v Speaker 1>Hey, hey, I'm right here.

1271
00:55:58.199 --> 00:56:02.039
<v Speaker 2>Believe me. I know again, because you know, everyone's horrible.

1272
00:56:02.039 --> 00:56:03.760
<v Speaker 2>He's just done a nice thing. Let's be mean to him.

1273
00:56:03.920 --> 00:56:09.880
<v Speaker 2>Being mean is funny, guys. And it's getting more and

1274
00:56:09.960 --> 00:56:11.960
<v Speaker 2>more like an old school sick on the sense of

1275
00:56:12.280 --> 00:56:14.880
<v Speaker 2>it's married with children vibe, where everyone's just mean to

1276
00:56:14.920 --> 00:56:18.440
<v Speaker 2>each other. I thought the Simpsons has become married with children. Yeah,

1277
00:56:18.840 --> 00:56:21.920
<v Speaker 2>but in marriag to Children the meanness was the point. Yeah,

1278
00:56:21.960 --> 00:56:25.559
<v Speaker 2>And they were able to find sort of interesting variations

1279
00:56:25.559 --> 00:56:28.320
<v Speaker 2>within the whole meanness of the and the whole misery

1280
00:56:28.360 --> 00:56:31.000
<v Speaker 2>of the situation. Yeah, he was like, nah, this is

1281
00:56:31.039 --> 00:56:33.079
<v Speaker 2>not your laying guys, you should not be here. I

1282
00:56:33.199 --> 00:56:34.599
<v Speaker 2>know how we're touching it at the start, how we're all

1283
00:56:34.599 --> 00:56:36.480
<v Speaker 2>like they should have had Mo explain why he did

1284
00:56:36.480 --> 00:56:38.280
<v Speaker 2>the letter. We actually kind of did that at the

1285
00:56:38.360 --> 00:56:40.199
<v Speaker 2>end because they were in the bar at the end,

1286
00:56:40.199 --> 00:56:42.199
<v Speaker 2>all three of them, and he explains that he saw

1287
00:56:42.320 --> 00:56:43.920
<v Speaker 2>what was going on with his friend's marriages and yet

1288
00:56:43.920 --> 00:56:46.239
<v Speaker 2>to act fast because coming from a man who's got

1289
00:56:46.280 --> 00:56:47.920
<v Speaker 2>nothing but a blow up doll and even she left me,

1290
00:56:48.920 --> 00:56:51.599
<v Speaker 2>I shouldn't use helium. He didn't want that to happen

1291
00:56:51.599 --> 00:56:53.079
<v Speaker 2>to his friends, So at least they kind of explained

1292
00:56:53.119 --> 00:56:54.199
<v Speaker 2>at the end. But I think it needed to be

1293
00:56:54.199 --> 00:56:57.519
<v Speaker 2>done at the start. But I guess now because at

1294
00:56:57.519 --> 00:56:59.119
<v Speaker 2>the start it's good that.

1295
00:56:59.079 --> 00:57:02.920
<v Speaker 3>It's a resolution, but it's just no, it doesn't feel again,

1296
00:57:03.119 --> 00:57:03.400
<v Speaker 3>n't earn.

1297
00:57:03.519 --> 00:57:05.239
<v Speaker 2>Yeah, what was the point of it all besides the

1298
00:57:05.239 --> 00:57:06.880
<v Speaker 2>fact that was a reference anyway, the.

1299
00:57:06.960 --> 00:57:08.840
<v Speaker 3>Voice you need to sort of a hangerzeris.

1300
00:57:08.840 --> 00:57:11.440
<v Speaker 2>That's fantastic work as Mo, But I mean this need

1301
00:57:11.440 --> 00:57:14.639
<v Speaker 2>to be sort of more empathetic and more sort of

1302
00:57:14.800 --> 00:57:17.880
<v Speaker 2>emphatic in the way he was like, I ain't got nothing.

1303
00:57:17.920 --> 00:57:19.840
<v Speaker 2>It was just everything was resolved, but there was no

1304
00:57:20.400 --> 00:57:21.840
<v Speaker 2>need for it to be resolved. That the men didn't

1305
00:57:21.840 --> 00:57:23.440
<v Speaker 2>really do anything. That they went out for a day

1306
00:57:23.440 --> 00:57:25.920
<v Speaker 2>and came home. So and the women realized, you, no, what,

1307
00:57:26.000 --> 00:57:28.199
<v Speaker 2>I need to start appreciating him more. That's sort of

1308
00:57:28.199 --> 00:57:30.960
<v Speaker 2>the vibe, isn't it. That's what it sort of feels like.

1309
00:57:31.000 --> 00:57:33.519
<v Speaker 2>It's like Mo made them realize, Oh, you need to

1310
00:57:33.960 --> 00:57:38.400
<v Speaker 2>appreciate your husband's more. Okay, Yeah, sure, anyway, and with

1311
00:57:38.679 --> 00:57:40.519
<v Speaker 2>doing your voice over saying it's Mother's Day, taking my

1312
00:57:40.880 --> 00:57:45.719
<v Speaker 2>mummy out for a rye rose on fruit up on

1313
00:57:45.719 --> 00:57:47.639
<v Speaker 2>the site. Yeah, and that's the end of the episode.

1314
00:57:47.679 --> 00:57:49.880
<v Speaker 2>So I like, what's definitely was trying to do here

1315
00:57:49.920 --> 00:57:52.559
<v Speaker 2>with this episode. Lots to work on.

1316
00:57:52.760 --> 00:57:55.599
<v Speaker 3>Yes, appreciate your partner.

1317
00:57:56.039 --> 00:57:56.320
<v Speaker 2>Yes.

1318
00:57:56.719 --> 00:58:00.519
<v Speaker 3>Times can be tough. Relations Yeah, relationships can be hard.

1319
00:58:01.079 --> 00:58:04.599
<v Speaker 3>If you are committed, show that commitment, show up, listen,

1320
00:58:04.880 --> 00:58:10.199
<v Speaker 3>don't ignore listen, start listening, and yeah, and keep listening.

1321
00:58:10.360 --> 00:58:12.079
<v Speaker 2>And if she comes down the stairs with a dressing

1322
00:58:12.079 --> 00:58:15.119
<v Speaker 2>gown on or the nightgann on like that, go for it. Yes, indeed, man,

1323
00:58:15.119 --> 00:58:19.679
<v Speaker 2>you can pay mustaches later. What do we learn, Bomber?

1324
00:58:20.280 --> 00:58:21.800
<v Speaker 2>What'd you learn from the episode, mister Davis? Not a

1325
00:58:21.800 --> 00:58:27.840
<v Speaker 2>whole lot. I think I didn't learn marriage advice. We're

1326
00:58:27.880 --> 00:58:31.320
<v Speaker 2>giving them marriage advice like Simpsons. What'd you learn from

1327
00:58:31.440 --> 00:58:33.920
<v Speaker 2>Dan Dawn? Guy? I'm trying to think of something that

1328
00:58:33.960 --> 00:58:35.639
<v Speaker 2>I did learn. Whenever you say something to your wife

1329
00:58:35.639 --> 00:58:36.719
<v Speaker 2>that you're a great just take it back, take it

1330
00:58:36.760 --> 00:58:39.920
<v Speaker 2>back a meal, take it back a mealing. What about you?

1331
00:58:40.000 --> 00:58:42.280
<v Speaker 3>Well, if it's going to rain, just don't play a tesla. Yeah,

1332
00:58:42.320 --> 00:58:44.119
<v Speaker 3>play international thort form play ten twenty.

1333
00:58:44.599 --> 00:58:47.800
<v Speaker 2>From this day forward, your names will be. It's time

1334
00:58:47.800 --> 00:58:49.679
<v Speaker 2>for the Guy Davis new Nan Championship. The current need

1335
00:58:49.719 --> 00:58:51.920
<v Speaker 2>the board stands at this in third position we have

1336
00:58:52.000 --> 00:58:55.199
<v Speaker 2>Clever Kyle on fifteen points, in second position Nathan Briggs

1337
00:58:55.239 --> 00:58:58.039
<v Speaker 2>and mcbriggs on seventeen points, and in first position Philip

1338
00:58:58.159 --> 00:59:01.920
<v Speaker 2>Jay Hawgans on twenty four points. Take it away, okay,

1339
00:59:02.000 --> 00:59:07.639
<v Speaker 2>don parto away. One point goes to love and Mowridge.

1340
00:59:07.760 --> 00:59:15.599
<v Speaker 2>That's Dave Randall McNally, Randall McNally, rand McNally, Okay, d McNelly, I've.

1341
00:59:15.440 --> 00:59:19.119
<v Speaker 3>Heard of rad McNally. If your nickname is pretzels. It's

1342
00:59:19.159 --> 00:59:22.000
<v Speaker 3>kid saying that at any opportunity, anyway you get through

1343
00:59:22.079 --> 00:59:23.679
<v Speaker 3>me for a loop there. But hey, good work, Dave.

1344
00:59:24.320 --> 00:59:29.400
<v Speaker 3>These pretzels are getting me one point two points. And

1345
00:59:29.760 --> 00:59:31.920
<v Speaker 3>by the way, folks who may sense a pattern forming

1346
00:59:31.960 --> 00:59:34.920
<v Speaker 3>with some of these names. Two points goes to scenes

1347
00:59:35.000 --> 00:59:37.920
<v Speaker 3>from a Mowridge that would be Heath Applebee.

1348
00:59:37.920 --> 00:59:38.480
<v Speaker 2>How do you like them?

1349
00:59:38.519 --> 00:59:42.480
<v Speaker 3>Applebee's oh god, damn, you beat me to it. I

1350
00:59:42.559 --> 00:59:44.639
<v Speaker 3>like him enough to give him two points, uh, And

1351
00:59:44.760 --> 00:59:48.519
<v Speaker 3>three points goes to Mowridge counseling.

1352
00:59:48.760 --> 00:59:51.360
<v Speaker 2>That's Mike Salter. He's climbing up the leaderboard. He is

1353
00:59:51.400 --> 00:59:54.280
<v Speaker 2>now equal third with Clever Kyle on fifteen points.

1354
00:59:54.320 --> 00:59:56.360
<v Speaker 3>Hey, you know what, Those pretzels are making me thirsty?

1355
00:59:56.400 --> 00:59:57.360
<v Speaker 3>And so is that Salter?

1356
00:59:58.639 --> 01:00:03.639
<v Speaker 2>Yeah, I did it, Salter and Papa.

1357
01:00:04.440 --> 01:00:06.480
<v Speaker 3>If someone's listening to show for the first what the

1358
01:00:06.519 --> 01:00:07.960
<v Speaker 3>fuck are these guys talking about, They've.

1359
01:00:07.800 --> 01:00:09.800
<v Speaker 2>Got to rets.

1360
01:00:10.639 --> 01:00:14.239
<v Speaker 3>So you think that the patrons are like, we appreciate.

1361
01:00:13.840 --> 01:00:17.840
<v Speaker 2>It, it's only the patrins listening at this point. Third position,

1362
01:00:17.880 --> 01:00:20.519
<v Speaker 2>we have Yeah, Clever Kyle and Mike Sualtron fifteen nah

1363
01:00:20.559 --> 01:00:22.960
<v Speaker 2>and Briggs on seventeen and Philip J. Hawk and still

1364
01:00:22.960 --> 01:00:26.039
<v Speaker 2>in first position on twenty four. Alright, there we go.

1365
01:00:26.679 --> 01:00:29.480
<v Speaker 2>So that is our review of Mo Letter Blues. The

1366
01:00:29.519 --> 01:00:32.400
<v Speaker 2>next season twenty one episode we shall be reviewing is

1367
01:00:32.519 --> 01:00:35.880
<v Speaker 2>called The Bob next Door. Oh, this is a sideshow

1368
01:00:35.920 --> 01:00:37.920
<v Speaker 2>Bob episode, always like Sidejo Bob one.

1369
01:00:38.039 --> 01:00:39.719
<v Speaker 3>Indeed, we'll see how we go with that totally.

1370
01:00:39.760 --> 01:00:41.239
<v Speaker 2>This is the one where we get to see his

1371
01:00:41.440 --> 01:00:43.920
<v Speaker 2>full family, not the kid and the wife. But he's

1372
01:00:44.239 --> 01:00:46.760
<v Speaker 2>I think Cecil returns. Okay, I thought you were a

1373
01:00:46.760 --> 01:00:49.679
<v Speaker 2>better Say he's full of something else? No, no, like wow, Yes,

1374
01:00:49.880 --> 01:00:52.920
<v Speaker 2>it's walking a little blue. So The Bob next Door

1375
01:00:52.960 --> 01:00:54.920
<v Speaker 2>is next season twenty one episode we shall be reviewing.

1376
01:00:55.000 --> 01:00:56.920
<v Speaker 2>How many more episodes are left in the seasons we've

1377
01:00:56.920 --> 01:00:57.800
<v Speaker 2>got The Bob next Door?

1378
01:00:57.880 --> 01:00:59.559
<v Speaker 3>I imagine there's something maybe two more?

1379
01:00:59.679 --> 01:01:02.719
<v Speaker 2>Yes, Judge me tender? Is the finale? I believe? Yeah?

1380
01:01:02.760 --> 01:01:05.639
<v Speaker 2>Because then season I know we've got one more? Is it?

1381
01:01:05.760 --> 01:01:08.880
<v Speaker 2>What the heck Elementary School Musical is that season one?

1382
01:01:09.599 --> 01:01:11.360
<v Speaker 2>It's the twenty second season PROMI year, So you have

1383
01:01:11.360 --> 01:01:13.119
<v Speaker 2>two more episodes of season twenty on The Bob next

1384
01:01:13.119 --> 01:01:15.360
<v Speaker 2>Door and Judge Me tender s looking for those ones

1385
01:01:15.360 --> 01:01:18.119
<v Speaker 2>in your fees. Still got some great classic reviews coming

1386
01:01:18.159 --> 01:01:20.440
<v Speaker 2>up as well with we have gotten to throw out

1387
01:01:20.480 --> 01:01:24.079
<v Speaker 2>the Lemon of Troy with the writer of the episode

1388
01:01:24.119 --> 01:01:26.719
<v Speaker 2>Print Forester Cool. I don't work for that one, as

1389
01:01:26.760 --> 01:01:28.599
<v Speaker 2>well as I've got Aaron Goxy coming back on the

1390
01:01:28.599 --> 01:01:31.239
<v Speaker 2>show as well, the Little Metal cameo stuff by Geelonda,

1391
01:01:31.280 --> 01:01:33.679
<v Speaker 2>do a bonus podcast, and so much more, and don't

1392
01:01:33.679 --> 01:01:36.239
<v Speaker 2>forget if you want to hear season eleven reviews of

1393
01:01:36.280 --> 01:01:38.320
<v Speaker 2>Mitch and Dana. That's available on our Patreon as well

1394
01:01:38.360 --> 01:01:40.639
<v Speaker 2>as early in ad free access. We also do Speaking

1395
01:01:40.639 --> 01:01:43.400
<v Speaker 2>of the Hill, You and I, we do Tis of Futurama,

1396
01:01:43.440 --> 01:01:45.840
<v Speaker 2>we do Talking Seinfeld, and we do What's the Other

1397
01:01:45.840 --> 01:01:48.519
<v Speaker 2>on Video Bob's Pods. Yes, all that exclusive podcast on

1398
01:01:48.559 --> 01:01:51.599
<v Speaker 2>our Patreon. Support the show a sportypals Guy and Dana,

1399
01:01:51.719 --> 01:01:53.559
<v Speaker 2>But for now, mistevs any final words for first incredible

1400
01:01:53.559 --> 01:01:54.239
<v Speaker 2>listeners out there?

1401
01:01:54.320 --> 01:01:56.880
<v Speaker 3>Well, the incredible listeners weren't listening and they won't be

1402
01:01:56.920 --> 01:01:57.519
<v Speaker 3>listening now.
