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<v Speaker 1>Oh Venture, Adventure, intrigue, mystery, romance, stirring Humphrey Boguards and

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<v Speaker 1>Lauren bacall together in the sultry setting of practical Havanna

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<v Speaker 1>and the mysterious Islands of the Caribbean. Oh Venture. Once again,

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<v Speaker 1>the magic names of Humphrey Bogard and Lauren MacCall bring

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<v Speaker 1>you full venture and a tale of mystery.

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<v Speaker 2>A good breed.

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<v Speaker 1>Your name's Slat Shannon. That's right, and there's a mister

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<v Speaker 1>val I'm very happy.

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<v Speaker 3>Then I'm happy too.

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<v Speaker 1>Hello.

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<v Speaker 2>My name is Cameron.

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<v Speaker 1>I have a plantation outside of Santo Sugar Sugar.

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<v Speaker 4>For the time being. Just called me, sailor.

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<v Speaker 1>What can we do for you?

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<v Speaker 5>Missus Cameron.

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<v Speaker 1>I've never come to a man and thanked before in

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<v Speaker 1>my life. I don't even come to the wrong man.

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<v Speaker 1>You don't have to beg anything for me. It's about

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<v Speaker 1>a girl, a young girl, wild, impetuous and spoiled.

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<v Speaker 3>No thanks, mister Shannon already has.

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<v Speaker 1>One, sailor. Why don't you go and put a new

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<v Speaker 1>point in a desk pen?

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<v Speaker 4>Where am I going to get a new point?

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<v Speaker 1>Post office is closed. It's about my daughter. It's about Kathy,

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<v Speaker 1>Kathy and the Blue Moon. Oh yes, there's a gambling

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<v Speaker 1>ship in the bay called the Blue Moon. Look, if

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<v Speaker 1>you're a man in trouble, I'll listen to you. If

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<v Speaker 1>all you want to do is have someone to spank

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<v Speaker 1>your daughter for gambling, get your tell somebody else, because

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<v Speaker 1>nobody else can do what I want you to do.

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<v Speaker 4>You haven't told Slate yet what it is.

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<v Speaker 1>Maybe he wants you win if I make my own decisions. Sailor,

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<v Speaker 1>go ahead, Miss Cameron. Kathy's involved with a man named Norton.

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<v Speaker 1>Oh yes, I've heard of him. He owns the Full Moon.

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<v Speaker 5>How did your.

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<v Speaker 1>Daughter get mixed up with a guy like that? I

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<v Speaker 1>don't know. All I know is that since she's met him,

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<v Speaker 1>she's well, she's chained. He's a stranger to me. She's

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<v Speaker 1>on that boat all the time.

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<v Speaker 3>I have an easy solution. Why don't you just tell

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<v Speaker 3>mister Norton to buy your daughter from the boat.

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<v Speaker 1>I've tried that. He laughed in my face. He told

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<v Speaker 1>me all of them, And Sailor, there's a guy over there.

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<v Speaker 1>There's a garcind to take care of him. Although I

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<v Speaker 1>had Selah, I'll remember every word, Miss Cameron says, and

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<v Speaker 1>tell you later. All right, Cameron, Well, Norton knows something

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<v Speaker 1>about Kathy. I don't I know my daughter. It's more

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<v Speaker 1>than just a lust for gambling. Please will you help me? Shannon?

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<v Speaker 1>Go there, talk to Kathy, convince her that she she

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<v Speaker 1>need never go back to that ship again. Please please,

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<v Speaker 1>I'll give you anything with your wallet back. Your daughter's

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<v Speaker 1>in trouble with Norton. No, I'll try to straighten her out.

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<v Speaker 1>You don't understand, Shannon, I'm a rich man. When I

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<v Speaker 1>bring Kathie back, you'll give me a box of rump sugar.

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<v Speaker 1>You're not too loud, Paul. You just say about Boss.

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<v Speaker 1>Tell Greg I want to see him.

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<v Speaker 6>Our boss sleeps. His brain goes all the time.

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<v Speaker 1>He needs rest. Wake him up, Mickey, I've got something

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<v Speaker 1>for him.

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<v Speaker 6>I don't wake up Boss till he asked me.

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<v Speaker 1>Wake me up, Mickey, who wants me?

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<v Speaker 6>It's your croupie, ain't Paul the wheal junkie says he's

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<v Speaker 6>gone something he can cap up to himself. Till you

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<v Speaker 6>get your share of sleep.

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<v Speaker 1>Boss live in.

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<v Speaker 6>Our boss says for me to let you in.

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<v Speaker 2>I'll let.

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<v Speaker 1>You have something for me.

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<v Speaker 2>Paul.

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<v Speaker 1>We'll give it to me, but make it tender because

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<v Speaker 1>I just woke up. It was in Shannon's place a

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<v Speaker 1>little while ago.

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<v Speaker 7>And you have fun.

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<v Speaker 1>We'll rub my neck. Nickey, there's a crick and yeah, thanks, boss.

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<v Speaker 1>H Oh, that's good, that's very good. There was someone

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<v Speaker 1>else there, Kathy, Cameron's father now the other side, Nickey.

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<v Speaker 1>He's sick with worry about his daughter. Wants Shannon to

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<v Speaker 1>take her away from you. Those three must have made

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<v Speaker 1>a jolly group. I were so wrapped up in it. Shannon,

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<v Speaker 1>his girl, Cameron. He said, all I wanted was to

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<v Speaker 1>buy a pack of cigarettes. You're a good boy, Paul,

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<v Speaker 1>the thing of many talents. Shannon's coming out here to

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<v Speaker 1>the boat. I thought you'd need to know. Paul's a

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<v Speaker 1>good boy, isn't he? Nicky, I'm better for you, Bosh.

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<v Speaker 6>He can't do the things for Yan could do.

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<v Speaker 1>He can't Runckey, Nobody can't. That's why I keep you around,

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<v Speaker 1>doesn't it? See?

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<v Speaker 6>See that's why keeps me around.

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<v Speaker 1>That's why, sure, Mickey. So they want to take Kathy

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<v Speaker 1>away from him, and Kathy will never leave me because.

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<v Speaker 8>I fixed her that way.

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<v Speaker 1>It doesn't thy, boss, m because you threw yourself in

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<v Speaker 1>front of her car. Because she thought she'd kill you.

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<v Speaker 1>That's why you've got to keep out of her sight.

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<v Speaker 1>Because for as long as she thinks you don't exist,

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<v Speaker 1>she belongs to me till I use her up. Her

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<v Speaker 1>and her dad is money and so clean. She loses

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<v Speaker 1>it to me at the roulette table. Clean and legitimate.

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<v Speaker 6>Force is Shannon.

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<v Speaker 1>Couldn't. No one's going to spoil it, Mickey, not a

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<v Speaker 1>well paying courts like you.

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<v Speaker 5>I give you my word.

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<v Speaker 1>Look through the porthole, greg A't Shannon's boat coming alongside.

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<v Speaker 1>Go hold his hand, Paul, then bring him to me.

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<v Speaker 1>I want to tell him how he can't Part two

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<v Speaker 1>sweethearts like Kathy and me. You do me and my

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<v Speaker 1>gambling ship, great honor, mischievow. Mister Shannon, your boy brought

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<v Speaker 1>us to you. We asked for Kathy Cameron. He didn't

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<v Speaker 1>want to deny me the pleasure of meeting you too.

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<v Speaker 1>He has standing orders to deliver to me first, the illustrious.

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<v Speaker 4>Renowned you see, slave, I keep telling you that's what

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<v Speaker 4>we are. You never believe me. Go on, mister Norton,

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<v Speaker 4>you were.

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<v Speaker 1>Saying that I would have shuddered if you came aboard

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<v Speaker 1>and deprived me of yourself gee.

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<v Speaker 4>Or smooth, mister Norton.

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<v Speaker 3>The way you talk, the waxed mustache, that's the only.

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<v Speaker 1>Word for you, smooth. So you saved yourself a shud

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<v Speaker 1>in Norton, I said, all right, if we go find Kathy,

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<v Speaker 1>she may not care for you disturbing her at the

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<v Speaker 1>gambling table. Now, what did you want with miss Cameron?

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<v Speaker 1>We're going to take her back to a vana with

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<v Speaker 1>Miss Norton because her father is lonesome for her. He's

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<v Speaker 1>a funny guy. He thinks his daughter ought to spend

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<v Speaker 1>more time at home. Any objections, Uh, I only asked

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<v Speaker 1>you because you're stuck your nose in. No objections. I

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<v Speaker 1>only fear for you. Do you think you can stop me?

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<v Speaker 1>I know I can. However, Miss Cameron is in the

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<v Speaker 1>casino on EPHEK and please sign the guest book. I

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<v Speaker 1>want something to remember you buy.

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<v Speaker 2>I'm I'm a black pain. Well pay nice Cameron.

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<v Speaker 1>What mind have we talked to you? Is your bets?

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<v Speaker 1>Ladies and gentlemen, place your bets? Mind have we talked

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<v Speaker 1>to you?

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<v Speaker 4>Go away?

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<v Speaker 1>I can't do that, Miss Cameron.

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<v Speaker 8>Why don't you to try the poop Jacket's a good

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<v Speaker 8>place to jump from.

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<v Speaker 3>Jump from your preposition is dangling, Kathy. Your father must

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<v Speaker 3>have picked the wrong finishing school for you.

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<v Speaker 8>My father, Oh it made me miss my bet Taylor.

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<v Speaker 4>I know you want me to kive. It's about hot

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<v Speaker 4>game of old maid over there.

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<v Speaker 1>Come on, Kathy, let's get some mayor you and I.

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<v Speaker 2>You're hurting my arm.

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<v Speaker 1>It's an advice I used to make myself clear. Come on,

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<v Speaker 1>I made a.

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<v Speaker 8>Suggestion to you before concerning the poop deck. Or if

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<v Speaker 8>that doesn't suit you, why don't you try it from

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<v Speaker 8>this rail.

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<v Speaker 1>You're just a kid, Kathy. You've got to grow up

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<v Speaker 1>a little more before that kind of talk becomes you.

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<v Speaker 1>Oh you think I'm a kid nineteen twenty? Kids that

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<v Speaker 1>old and woman over forty use lipstick the way you do.

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<v Speaker 8>Another suggestion, A girl nineteen is better for you. Want

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<v Speaker 8>to know how, I'll put my arms around you and

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<v Speaker 8>show you.

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<v Speaker 1>Hey, take it easy and hold.

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<v Speaker 8>You okay, noughty?

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<v Speaker 1>Did you love miss miss Cameron? I only had to

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<v Speaker 1>do it once, right in the back of the neck.

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<v Speaker 4>Get him out of here.

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<v Speaker 1>I think I'll give him back to Mischievo. Don't you

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<v Speaker 1>think I'm considerate?

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<v Speaker 7>Mister Slithy stood on moonlit dick man from behind hid

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<v Speaker 7>him and he neck. Ladies say, lord, she bring from

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<v Speaker 7>ship Blue Moon her winnings to date, mister slath and

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<v Speaker 7>not because they tried to do one very good deed.

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<v Speaker 7>Bring doctor back to your father, who cried his need.

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<v Speaker 7>He waved out them.

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<v Speaker 1>A base full of wool.

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<v Speaker 7>Mister Slaty said, don't cry, I go.

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<v Speaker 4>You say slight.

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<v Speaker 3>He didn't make such a hobby of helping people as

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<v Speaker 3>never would have happened to you.

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<v Speaker 1>It's just for a fellow needs at a time like this,

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<v Speaker 1>Sailor a kind word.

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<v Speaker 7>Now you are hurt, mister sleep because you love a

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<v Speaker 7>good deed too much.

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<v Speaker 1>Yeah. I live for the moment when I can bring

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<v Speaker 1>a wandering girl back to her daddy.

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<v Speaker 3>Let not and have her. I don't think I could

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<v Speaker 3>go through this again.

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<v Speaker 1>You go through it.

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<v Speaker 4>Your neck is my neck. I read that once in

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<v Speaker 4>a poem.

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<v Speaker 1>I went back to the Blue Moon, Sailor man me

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<v Speaker 1>real nice, because I got some things to do there.

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<v Speaker 1>I want to look good. Huh uh.

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<v Speaker 3>If you go back, they'll kill you. Those were Norton's

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<v Speaker 3>parting words to me. He said, tell him not to

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<v Speaker 3>come back next time. I'll give him to you in pieces.

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<v Speaker 3>You're a complicated man, Slate. I could never put you

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<v Speaker 3>back together again.

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<v Speaker 1>Give me another whiff of your smelling sauce, Sailor. That

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<v Speaker 1>ringing noise is back in my skull.

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<v Speaker 5>You know a.

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<v Speaker 4>Hambone, that's the telephone.

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<v Speaker 3>Shannon's place, Sailor Duval. Oh uh huh, it's for you, Slate.

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<v Speaker 3>The man who grows sugar.

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<v Speaker 4>He's in a chizzy anyway. He makes sounds like a chizzy.

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<v Speaker 1>I'll let you know, Slate, Shannon speaking forget, forget.

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<v Speaker 2>I don't need you any longer.

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<v Speaker 1>Where are you, mister Cameron?

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<v Speaker 2>But you're not conquering.

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<v Speaker 1>Give me a clean shirt, Sailor. I got to see

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<v Speaker 1>a man who doesn't need me. What's this all about, Cameron?

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<v Speaker 1>Did anyone follow you here? I didn't bother to look.

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<v Speaker 5>Let's go inside.

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<v Speaker 1>If they followed inside, Norton's got you scared too.

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<v Speaker 2>Huh.

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<v Speaker 1>You don't know what you're doing coming here. He threatened

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<v Speaker 1>you or your daughter get out of here. You made

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<v Speaker 1>a big noise when I first met you, Cameron. Now

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<v Speaker 1>all I hear is chicken. Your daughter needs help? What

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<v Speaker 1>happened to all you're worry about her?

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<v Speaker 7>I'll kill you, I'll kill you.

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<v Speaker 5>Kill it's going to calm down.

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<v Speaker 2>That's better.

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<v Speaker 1>I don't let us throw you. It's just a matter

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<v Speaker 1>of age and condition. I won't kill her. That's not

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<v Speaker 1>what you're afraid of. Yes, yes, they're taking all your

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<v Speaker 1>money through her. Killing you would be a safer investment.

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<v Speaker 1>That way, they get the money a lot faster. But

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<v Speaker 1>I don't want to die and either. Why you started

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<v Speaker 1>something with me and it's got to be finished. All

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<v Speaker 1>back to Bold Venture our stars Humphrey Bogart and Lauren McCalls.

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<v Speaker 1>The second act of our story, I give you two

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<v Speaker 1>words like you're crazy. Yeah, I gets iconic when I'm

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<v Speaker 1>beat over the head. Look at three o'clock in the morning,

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<v Speaker 1>go get some I've gotten.

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<v Speaker 4>Better prizes than you in the bottom of.

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<v Speaker 1>A crackerjack box.

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<v Speaker 5>Why don't you do what I tell you?

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<v Speaker 3>Look, if you try to handle the boat, benure, Now

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<v Speaker 3>you drive her into the rocks in your condition?

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<v Speaker 1>You got a condition.

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<v Speaker 4>The man said he'd kill you if you came out

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<v Speaker 4>to the Blue Moon again.

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<v Speaker 3>He said that, aren't you going to help me aboard

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<v Speaker 3>our boat?

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<v Speaker 2>All?

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<v Speaker 7>Right?

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<v Speaker 6>Times?

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<v Speaker 3>I wonder why the box I had a spaniel once

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<v Speaker 3>for better matters than you talk to me.

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<v Speaker 1>Slate, out of the way.

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<v Speaker 5>Come on, now, you're going to give me trouble.

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<v Speaker 4>Who are you talking to?

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<v Speaker 1>Out of the way, Taylor, What do you want? Come here?

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<v Speaker 1>Look at the motor wires all over the place. Someone

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<v Speaker 1>someone's come aboard.

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<v Speaker 2>Who's there?

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<v Speaker 1>I can't see your face? Who is it? But you

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<v Speaker 1>can't see my gun? Can't you? Who are you? How

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<v Speaker 1>about you, mister ball? Can you see it?

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<v Speaker 3>Move it a little to the last.

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<v Speaker 4>Thanks, Nay, it's pretty in the moonlight.

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<v Speaker 1>If you get that boat fixed, take it north. If

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<v Speaker 1>you take it south, you might get two boats of

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<v Speaker 1>the blue moon. Then everything will blow up in your face.

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<v Speaker 1>I haven't pushed around long enough. I've got about it,

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<v Speaker 1>and next time I'll put the bullet into your head, Shannon,

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<v Speaker 1>instead of entered the woodwork of your boat. Want to try? No,

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<v Speaker 1>see you can be sensible. Good night, mechanics. You do

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<v Speaker 1>yourself nicely on my money, Paul, the apartment chomming with

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<v Speaker 1>the core, excellent taste. And now that I've performed the amenities,

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<v Speaker 1>you have something for me. It'll take jan In a

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<v Speaker 1>long time to fix his boat. And you convinced them

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<v Speaker 1>not to annoy us anymore. I'm sorry to tell a

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<v Speaker 1>man like Shannon his you're ever so right, then it's

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<v Speaker 1>up to you, my dear Kathy. If Shannon should discover

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<v Speaker 1>you're a murderous a hit and run cover, they'd take

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<v Speaker 1>you away from me, and that would make you desolate.

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<v Speaker 8>Wasn't it you wanted me to do something? Just tell me,

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<v Speaker 8>don't claw at me like a fat cat.

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<v Speaker 1>Emotion's have their way with you, don't they, My dear,

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<v Speaker 1>all right, call Shannon's place, ask for Misterie Varus. Tell

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<v Speaker 1>her to come here because you need her so desperately.

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<v Speaker 1>In ten minutes. You do need her, Kathy, so you

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<v Speaker 1>won't waste your precious life away in prison.

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<v Speaker 4>Shannon's Place, Salad Ralph speaking.

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<v Speaker 3>This is Kathy, mister balls.

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<v Speaker 8>Kathy caneron. Is mister Shannon here.

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<v Speaker 3>No, he's sitting up with sick phot Listen.

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<v Speaker 8>You must come here alone sixteen for Sail Gomez Apartment

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<v Speaker 8>twelve in ten minutes. If it matters to you whether

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<v Speaker 8>I live.

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<v Speaker 4>Well, that's the other side of town. How do I

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<v Speaker 4>get there this time of night?

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<v Speaker 3>There are no cabs? What do I do? Wave a

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<v Speaker 3>one over a pumpkin?

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<v Speaker 8>Or you must please find a way.

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<v Speaker 3>Maybe King Moses will lend me his jalope.

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<v Speaker 4>What's wrong, Cathy?

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<v Speaker 8>Ten minutes, mister Bell, the way you wanted it great.

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<v Speaker 1>Your choice of words was exquisite, my dear, and it

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<v Speaker 1>is a matter of whether you will live, dumb.

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<v Speaker 3>Numa.

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<v Speaker 2>Hey, what do you waving?

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<v Speaker 7>Look?

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00:16:55.840 --> 00:16:57.480
<v Speaker 8>I didn't see you.

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<v Speaker 3>You've heard, aren't you.

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<v Speaker 4>I'll go get help. I'm my glad to see somebody.

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00:17:02.240 --> 00:17:04.480
<v Speaker 1>This man laugh, I saw what happened. Get a doctor,

306
00:17:04.519 --> 00:17:06.599
<v Speaker 1>will you? Your car was weaving from side to side.

307
00:17:06.680 --> 00:17:07.720
<v Speaker 1>You ran this man down.

308
00:17:08.039 --> 00:17:09.039
<v Speaker 4>What are you talking about?

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00:17:09.200 --> 00:17:10.640
<v Speaker 6>He just ran out in front of a car.

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00:17:10.799 --> 00:17:12.799
<v Speaker 1>You tried to run away. If I hadn't stuck, you'd

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00:17:12.799 --> 00:17:14.240
<v Speaker 1>have just left a man lying there.

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<v Speaker 4>You know something.

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<v Speaker 1>You don't have anything to worry about as long as

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<v Speaker 1>you listen to me.

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<v Speaker 4>You know something now, your voice, that's your face.

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00:17:22.200 --> 00:17:24.880
<v Speaker 1>First, it was your face you spin the wheel.

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<v Speaker 3>On the Blue Moon, and your voice happened a little

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00:17:27.279 --> 00:17:29.319
<v Speaker 3>while ago aboard our boat.

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<v Speaker 6>Wait a minute, it doesn't matter why you hit that

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<v Speaker 6>many ouch.

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<v Speaker 4>Hey, you, my lady, get a pinch you too hard?

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00:17:36.799 --> 00:17:38.160
<v Speaker 4>You're supposed to be dead.

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<v Speaker 1>Hey, we got a clever one on our hands, Paul,

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00:17:42.440 --> 00:17:46.279
<v Speaker 1>she's done being clever throwing the car Mickey, the boss

325
00:17:46.319 --> 00:17:48.000
<v Speaker 1>will tell you where to throw her after that.

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<v Speaker 7>Welcome, mister slip. I got coffee perkins for you in

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00:18:04.799 --> 00:18:05.319
<v Speaker 7>the kitchen.

328
00:18:06.480 --> 00:18:07.440
<v Speaker 1>Thanks Kane.

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00:18:08.240 --> 00:18:09.400
<v Speaker 5>You didn't have to wait up for me.

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<v Speaker 7>What I have and have not.

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<v Speaker 1>To do, mister sleet is my own affairs. I go

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00:18:13.319 --> 00:18:17.000
<v Speaker 1>bring your coffee a coffee. Stay here, King, sing to

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00:18:17.039 --> 00:18:19.200
<v Speaker 1>me right now. I ain't sleep.

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00:18:19.480 --> 00:18:21.640
<v Speaker 7>I do not think sleep will come to you. Mister Sleep,

335
00:18:21.880 --> 00:18:22.519
<v Speaker 7>you're gonna.

336
00:18:22.279 --> 00:18:23.960
<v Speaker 1>Sit there and watch it.

337
00:18:23.960 --> 00:18:26.279
<v Speaker 7>It will not come because Miss Sailor is not here.

338
00:18:26.559 --> 00:18:28.880
<v Speaker 1>If he watched the role Levana this time anight letter.

339
00:18:28.960 --> 00:18:31.440
<v Speaker 1>I got other things on my mind. Two hours ago

340
00:18:31.480 --> 00:18:34.240
<v Speaker 1>there came a phone called Miss Sailor's scribble address on

341
00:18:34.319 --> 00:18:35.480
<v Speaker 1>pot borrow my atto.

342
00:18:35.640 --> 00:18:37.680
<v Speaker 7>Here is address. I think you better go look for her.

343
00:18:37.680 --> 00:18:41.319
<v Speaker 1>Mister Sleeth, you're afraid your looks gone with that heap.

344
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<v Speaker 1>Take twenty bucks out of the register. King, that'll take

345
00:18:44.079 --> 00:18:47.279
<v Speaker 1>care of it, because the call came from Miss Kathy Cameron.

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<v Speaker 2>Huh.

347
00:18:48.359 --> 00:18:50.440
<v Speaker 7>I told you sleep would not come, mister Sleep.

348
00:19:10.559 --> 00:19:13.880
<v Speaker 1>You banging in the right door, mister yeah, banging on

349
00:19:13.920 --> 00:19:22.119
<v Speaker 1>the right head. I we'll drag you inside. Come on

350
00:19:22.240 --> 00:19:25.480
<v Speaker 1>up on your feet, get with a bust to start talking.

351
00:19:25.839 --> 00:19:27.079
<v Speaker 1>What's the matter with you.

352
00:19:29.000 --> 00:19:29.200
<v Speaker 2>Up?

353
00:19:29.720 --> 00:19:32.039
<v Speaker 1>This is where we were ten seconds ago. Start talking,

354
00:19:33.480 --> 00:19:39.319
<v Speaker 1>gonna get you anyway. Shnon you know my name. That's

355
00:19:39.359 --> 00:19:42.079
<v Speaker 1>for taking the liberty. What did you do with Sailor?

356
00:19:43.519 --> 00:19:44.000
<v Speaker 2>Blue Moon?

357
00:19:45.319 --> 00:19:48.759
<v Speaker 1>She's there? How come she's there? You're gonna answer me?

358
00:19:48.799 --> 00:19:50.400
<v Speaker 1>Bust it because you happen to be fresh off the

359
00:19:50.400 --> 00:19:52.960
<v Speaker 1>blue moon. You're the guy who spins the rule let wheel?

360
00:19:53.160 --> 00:19:56.440
<v Speaker 1>Uh try to frame her? Didn't work?

361
00:19:56.839 --> 00:19:58.799
<v Speaker 5>How make like hitting the run?

362
00:19:59.240 --> 00:19:59.799
<v Speaker 2>Blackmail?

363
00:20:00.799 --> 00:20:03.200
<v Speaker 1>Oh, guy Mickey used to make a living at it.

364
00:20:03.480 --> 00:20:05.400
<v Speaker 1>Run in front of the car. Make how he's hurt?

365
00:20:06.440 --> 00:20:10.680
<v Speaker 1>People get scared, they are Sailor was too smart, didn't

366
00:20:10.680 --> 00:20:14.319
<v Speaker 1>buy same gam But you pulled on Katy Cameron. Huh,

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00:20:14.519 --> 00:20:18.680
<v Speaker 1>get out of it seven. You know, for a guy

368
00:20:18.680 --> 00:20:20.559
<v Speaker 1>who spends a Roulett wheel all day, how come you

369
00:20:20.640 --> 00:20:21.759
<v Speaker 1>keep one in your apartment?

370
00:20:22.279 --> 00:20:22.559
<v Speaker 2>Hobby?

371
00:20:23.039 --> 00:20:27.480
<v Speaker 1>Uh huh, hobby And he'll enjoy this. I read waakroupier

372
00:20:27.480 --> 00:20:30.799
<v Speaker 1>in Monte Carlo practiced and practiced. He got good. You

373
00:20:30.839 --> 00:20:32.640
<v Speaker 1>put that ball in the black slaughter of the red

374
00:20:32.680 --> 00:20:35.559
<v Speaker 1>slaughter almost every time he wanted. They're buying grief. He

375
00:20:35.559 --> 00:20:38.680
<v Speaker 1>couldn't do it every time, but his average was great. Alright, alright,

376
00:20:39.480 --> 00:20:42.240
<v Speaker 1>like Hew and Norton are doing to Kathy Cameron black

377
00:20:42.240 --> 00:20:44.440
<v Speaker 1>Man around hitting none capers. She pays her off by

378
00:20:44.440 --> 00:20:47.359
<v Speaker 1>playing the wheel, lose his money every night, noses rigged

379
00:20:47.359 --> 00:20:51.079
<v Speaker 1>against her and can't do anything about it. Killing money legal.

380
00:20:51.240 --> 00:20:52.440
<v Speaker 5>Uh huh.

381
00:20:52.480 --> 00:20:57.039
<v Speaker 1>Because I woke you from a deep sleep, I give

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00:20:57.079 --> 00:21:01.160
<v Speaker 1>it back to you.

383
00:20:58.000 --> 00:21:09.680
<v Speaker 2>Hey, here we go.

384
00:21:10.240 --> 00:21:13.880
<v Speaker 1>You're about fire. Let me hear numbers in your five bucks?

385
00:21:14.119 --> 00:21:16.640
<v Speaker 7>Not the right number, right, Carlos with the.

386
00:21:16.680 --> 00:21:22.559
<v Speaker 1>Kettles, ten ten bucks with your money? Want my handy? Yeah,

387
00:21:22.960 --> 00:21:26.440
<v Speaker 1>eight bucks and change blue moons gipu. He's hanging a

388
00:21:26.440 --> 00:21:29.079
<v Speaker 1>few miles out. First I count the cake. Look you

389
00:21:29.400 --> 00:21:31.599
<v Speaker 1>you want the blue moons in your then let me

390
00:21:31.680 --> 00:21:38.119
<v Speaker 1>count the change. Ninety seven, ninety eight, ninety nine. Oh,

391
00:21:38.240 --> 00:21:42.160
<v Speaker 1>here's the other penny. Joe. You almost even nighty senior.

392
00:21:55.000 --> 00:21:57.839
<v Speaker 1>You once I should wait for you, said your yeah, wife.

393
00:21:58.119 --> 00:22:00.839
<v Speaker 1>I give you a hand up beside paying down from

394
00:22:00.839 --> 00:22:02.319
<v Speaker 1>the side. Just hold the end of it. I'm going

395
00:22:02.359 --> 00:22:11.839
<v Speaker 1>off hand over hand and I'll pick a cabin Shannon

396
00:22:11.920 --> 00:22:12.759
<v Speaker 1>and see.

397
00:22:12.559 --> 00:22:25.359
<v Speaker 5>How your luck is. Sailor sailor. Sailor, hry.

398
00:22:25.440 --> 00:22:28.519
<v Speaker 1>It's the middle of the night your house, yeah, isn't

399
00:22:28.519 --> 00:22:35.359
<v Speaker 1>it though, I'll get back to you, sailor. Did you

400
00:22:35.519 --> 00:22:36.440
<v Speaker 1>say let me in?

401
00:22:36.839 --> 00:22:37.799
<v Speaker 7>Like past the doors?

402
00:22:37.839 --> 00:22:38.799
<v Speaker 1>Locks? Got a hairpin?

403
00:22:39.359 --> 00:22:41.119
<v Speaker 5>It's a matter like wedd saying.

404
00:22:41.160 --> 00:22:44.279
<v Speaker 1>How would you had to slip it under the door? Oh?

405
00:22:44.359 --> 00:22:44.799
<v Speaker 4>I did?

406
00:22:51.720 --> 00:22:52.240
<v Speaker 7>Hm?

407
00:22:52.279 --> 00:22:53.599
<v Speaker 4>Where did you learn how to pick a lock?

408
00:22:53.720 --> 00:22:56.640
<v Speaker 1>Friend of mine taught me. See that reminds me I

409
00:22:56.640 --> 00:23:00.599
<v Speaker 1>owe a letter. I stay like this, say lord, it's

410
00:23:00.599 --> 00:23:03.000
<v Speaker 1>been too long since I felt your arm against my cheeks.

411
00:23:03.680 --> 00:23:06.559
<v Speaker 4>Just think all this wild has only been a half in.

412
00:23:11.559 --> 00:23:12.079
<v Speaker 1>Your hair up.

413
00:23:12.119 --> 00:23:12.880
<v Speaker 2>I'll be back.

414
00:23:14.240 --> 00:23:15.200
<v Speaker 5>You gotta way.

415
00:23:18.839 --> 00:23:21.160
<v Speaker 1>You made him shut him. I'm going to fight you

416
00:23:21.200 --> 00:23:29.640
<v Speaker 1>in that part of the roomans kill you, I say,

417
00:23:29.680 --> 00:23:34.359
<v Speaker 1>you shouting, I've got to have to do you show

418
00:23:34.400 --> 00:23:36.759
<v Speaker 1>you'll try to bet you had to die on a

419
00:23:36.839 --> 00:23:40.319
<v Speaker 1>coal pile. You almost said, come on down to the

420
00:23:40.359 --> 00:23:46.039
<v Speaker 1>coal pile with me. Start with this. I can still

421
00:23:46.079 --> 00:23:51.559
<v Speaker 1>hear you and he anymore.

422
00:23:51.599 --> 00:23:53.680
<v Speaker 4>Now, lady, you all right?

423
00:23:54.119 --> 00:23:56.599
<v Speaker 1>Look, I spoiled a nice clean shirt. You wash for me.

424
00:23:56.720 --> 00:23:58.880
<v Speaker 1>I'll wash your other one first. There's a couple of

425
00:23:58.880 --> 00:24:00.400
<v Speaker 1>guys on this boat. I've got a collect him for

426
00:24:00.440 --> 00:24:02.599
<v Speaker 1>the police. What about Kathy, She's got nothing more to

427
00:24:02.640 --> 00:24:04.000
<v Speaker 1>worry about. Her father can get her.

428
00:24:04.680 --> 00:24:07.599
<v Speaker 3>Well, it happened again, Slade. You did your good deed

429
00:24:07.640 --> 00:24:09.079
<v Speaker 3>and you got your lumps for it.

430
00:24:09.680 --> 00:24:12.400
<v Speaker 1>Don't you get tired of it until the next time.

431
00:24:13.079 --> 00:24:38.680
<v Speaker 1>Let's get out of here, Sailor. Yeah, she's all fixed, Sailor.

432
00:24:38.640 --> 00:24:40.799
<v Speaker 1>Of the last wires in place. The bull Venture is

433
00:24:40.799 --> 00:24:41.759
<v Speaker 1>gonna run like a dream.

434
00:24:42.319 --> 00:24:43.599
<v Speaker 4>Fine, where are we going?

435
00:24:43.920 --> 00:24:45.920
<v Speaker 1>I didn't say we were going anyplace. I just said

436
00:24:45.960 --> 00:24:48.599
<v Speaker 1>that the Bull Venture run like a dream. You want

437
00:24:48.599 --> 00:24:49.160
<v Speaker 1>to hear it.

438
00:24:49.440 --> 00:24:50.559
<v Speaker 4>If it makes you happy?

439
00:24:51.119 --> 00:24:51.559
<v Speaker 5>All right?

440
00:24:52.240 --> 00:24:53.759
<v Speaker 1>Why did you hear that? Motor per.

441
00:24:59.279 --> 00:25:00.000
<v Speaker 4>What kind of a dream?

442
00:25:00.039 --> 00:25:05.559
<v Speaker 1>And does that sound like I had it running a

443
00:25:05.559 --> 00:25:06.039
<v Speaker 1>minute ago?

444
00:25:06.440 --> 00:25:12.880
<v Speaker 4>Let me try?

445
00:25:14.359 --> 00:25:15.039
<v Speaker 1>What do you do to it?

446
00:25:15.640 --> 00:25:16.519
<v Speaker 4>Touched it gently?

447
00:25:17.160 --> 00:25:17.799
<v Speaker 3>Do you want to see?

448
00:25:17.799 --> 00:25:18.000
<v Speaker 2>How?

449
00:25:19.119 --> 00:25:25.599
<v Speaker 4>See your eyes? It's cheap your list? You pray too,

450
00:25:25.880 --> 00:25:26.319
<v Speaker 4>don't you.

451
00:25:28.240 --> 00:25:28.480
<v Speaker 1>Pose?

452
00:25:28.480 --> 00:25:29.039
<v Speaker 2>See a head?

453
00:25:29.119 --> 00:25:39.359
<v Speaker 1>Tailor? Let a smooth seed. Tonight, and so our two stars,

454
00:25:39.440 --> 00:25:42.880
<v Speaker 1>Humphrey ball Guards and Lauren Bacall have brought to a

455
00:25:42.960 --> 00:25:47.880
<v Speaker 1>close our latest Bold Venture story. Special music was composed

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00:25:47.880 --> 00:25:50.880
<v Speaker 1>and conducted by David Rose. May we invite you to

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00:25:50.920 --> 00:25:54.400
<v Speaker 1>listen again next week at this time, or another exciting

458
00:25:54.440 --> 00:26:00.720
<v Speaker 1>adventure starring Humphrey ball Guard and Lauren bacall together in

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00:26:02.359 --> 00:26:03.680
<v Speaker 1>Old Venture
