Speaker 1: And now Audio Theater Central. Hello, welcome to Audio Theater Central.
This is the show that explores family friendly audio drama
through news, reviews and interviews. I'm your host, JD. Sutter,
and this is episode two sixteen. Today I've got a
review of the Signalman from Voices in the Wind Audio Theater.
I've got a couple of brief audio drama updates and
a short monologue about old time radio now just to
give you a heads up, which you may have seen
in your podcast player already. But this is a short episode,
and that is because this week, the week that this
episode releases, I will be at the Making Great Audio
Drama event and I'm going to be posting, well recording
and posting some bonus episodes from that event. So you
will be getting more content throughout this week. Don't know
the frequency at this point, but there will be more
content coming. So we're going to just dial things back
a little bit in this episode, and I'll be bringing
you more content in the next couple of days as well,
so it should all even out in the end, and
I hope you'll enjoy that and hope you don't mind
me switching things up a little bit. All right. That said,
let's get to the updates. Water up this program to
bring you a special report and in other news tonight
a brief look at the headlines. Now they want exciting,
fast piece news that's relevant and entertaining like this. Super
quick reminder. If you have any Audio Drummer related updates
that you want to let us know, head over to
PFM dot link slash atc News and let us know
about it. First up are a couple of updates from
Dominion artists relating to the Nick Guy Private I series.
First off, they just released a new title. It's called
Guy and the Pilgrim's Regress Affair, and it's based on,
as you might have guessed, John Bunyan's popular classic, The
Pilgrim's Progress, but in this version, rather than it being
a story of a man seeking to find salvation, it's
about two children, Herschel and Gretel, who are walking away
from the Christian faith to find fulfillment and joy in
the things of the world. Along the way, they discover
the deceitful nature of sin. It promises human flourishing, but
it ultimately leads to bondage and death. Now that's a
pretty dire and a dark sounding story on the surface,
but obviously this is a combination of illusions and references
and adaptations of the Pilgrim's Progress and Hansel and Gretel
and if you know some of the original versions. Like
many fairy tales, there are many different variations on the
Hansel and Gretel tale. Some of them have some very
very dark endings and even themes throughout. So this is
an interesting take and frankly, I love well ironic that
I said frankly not even really thinking about it, but
the way Frank Yuli takes these inspirations from different pieces
of literature or pop culture content, it's so interesting because
the way he draws these different threads from different places
and combines them together, he always does a really really
interesting job. And I love the Nick Guy Show for
that reason, and his writing is so witty. So this
is one I'm looking forward to listening to. I haven't
heard it yet, but it is out now. Link is
in the show notes for you to go check out
a copy of it for yourself, and also from Nick Guy.
Frank says, we are also finishing work on another production
entitled Nick Guy and the Nursery Crime Affair. Again, the
witty references and plays on words instead of nursery rhymes
the Nursery Crime. I just love it, Frank, if you're listening,
keep it up, man, I love these witty titles and references.
So the summary of this one is little Red has
had a valuable ring stolen from her by a man
named the Big Bad Wolf. Nick Guy is hired to
track down the thief and recover the ring. In the process,
he finds himself face to face with a host of
characters right out of a number of popular children's nursery rhymes.
This installment features a wide cast of voice actors, including
some very familiar names. Bethany Baldwin, Rose Beasley, John and
Rebecca Bradford, Jonathan Cook, James Green, Alicia Hanson, Elizabeth Hanson,
Glenn Haskell, Betsy Nicholson, Austin Peachey, Yours Truly, JD. Sutter,
Christianna Thomas and Paul and Frank YOUU Lee, and a
couple of other names that I'm not familiar with, including
a couple of names that I'm not sure how to pronounce,
but we're going to give it our best shot here.
Sarah Klein and Janna Levac or Levick and Doug Longiati
or Longiotti. I'm not sure on the pronunciation of those names.
Apologies if I got those wrong. But this is a
huge cast. And I remember when Frank reached out to
me and asked me to audition for this production. He said,
this is going to be another one of those big
undertakings where he brings in a huge cast, and he
was excited about it. But it is a lot of work,
and so I appreciate Frank also how he reaches out
and brings in all these different talented actors and involves
them in what he's doing over there at Dominion Artists,
and it's always a really fun result. And he said
regarding this Nick Guy and the nursery crime affair, the
somewhat whimsical nature of the mystery serve as a backdrop
to understanding the parable of the Lost Sheep found in
the Gospel of Matthew chapter eighteen, verses ten through fourteen.
In this illustration, Jesus reveals that all those who are
in his church are valuable to him, even those we
might consider to be the least of these so exciting
stuff coming from Nick Guy and again Pilgrim's Regress is
out now and Nursery Crime Affair is coming very soon.
It was a pleasure to be involved in this and
I can't wait to hear the final result on this one.
And last up, just wanted to let you know we've
talked about this before, We've teased this in the past,
but season two of Chapel and Squeak, the exclusive show
from Window Seat, produced by LRT Media, is out now.
So four brand new episodes at average about eighteen to
twenty minutes each episode, and they are the rat who
Wouldn't read The Great Grid Imposter Parts one and two,
and The Tempest and the Tower. So I loved season
one of this show and I'm really looking forward to
listening to these four new episodes. Link is in the
show notes. If you want to grab a Window Seat
subscription for your family, or if you just want to
give it a try, they have a free seven day trial,
I believe it is, And so you could go ahead
and stream these four well actually all eight episodes of
the Chapelain Squeak Show if you wanted to. But you know,
I do appreciate that they have that option available if
you want to just test out the surface and see
if it works for you. But again, it is a
subscription based service, and I know we've had some feedback
from people saying, you know, everything is a subscription these days,
and I totally get that. I understand if it's not
for you, totally understand. But if you want to give
it a test, this is a perfect show to go
listen to. And check out Timetruck Chronicles as well, another
really really fun show that I'm privileged to get to
play one of the main characters in and I think
you'll enjoy as well. Testing one, two three, testing That
was just me talking. I do that a lot. Where's
my speech? How long you've got to work with it?
That's what I want to talk about, all right. So
here's what I'm thinking. I've been thinking a lot about
old time radio. In the last few weeks. I had
a really bad cold. You know, sometimes you get those
summer colds that just want to hold on, and I
had one of those a couple of weeks ago, and
it lasted over a week and it just wasn't feeling
great at all, and I just wanted to listen to
some good stories. I didn't feel like being productive or
doing anything, and so I binged through a bunch of
old time radio shows, because you know, there many old
time radio shows are ones, especially the common, are ones
where you can just sort of have on and you
can pay attention, but you don't have to be given
it your full attention, and you can still follow along
and enjoy the story, get a few laughs, or whatever
it might be. And it was perfect. And I listened
to some other stuff as well during during those several days,
but I binged several old time radio and so it's
been a while since we've talked about old time radio
here on the show, and I really wish more folks
would try out some of these classic shows. So I thought,
I'm going to talk about old time radio for just
a few minutes and maybe entice you to dip your
toe in the water if you haven't, and if you
haven't it's been a while, to maybe give you a
little nudge to go check some of these great shows
out again. I do firmly believe that old time radio
is still worthwhile, It's still relevant, it's still got some
relatable concepts and storylines. Even today, in the midst of
really really high quality modern audio drama, and modern audio
drama has its roots there. Those early days of radio
set the stage to use a bit of a play
on words here for what came later with some of
the more advanced production techniques, and then of course when
we get into the digital era where we're editing on
computers and recording with computers rather than on tape, it
really caused this medium to be able to flourish. But
despite all of the technological limitations that those creatives were
working with in those days, they really turned out some
really interesting shows and some really dramatic moments, some really
great actors, with some at times moving and emotional performances
depending on what the role called for. But there are
some really great stuff out there, and there's a lot
of great content to enjoy even without those deeply immersive,
rich soundscapes that were used to today, from things like Focus
on the Family Radio Theater or lamp Lader Theater or
Adventures in Odyssey, or even some of the more high
quality independent productions that we're getting today, such as things
from LRT Media or Eternal Future Productions or you know,
I feel like I'm forgetting some folks now, and I
don't intend to specifically leave anybody out, but there's there
is some really great, high quality stuff being done on
the independent side these days, and it's really really awesome
to see. But I do think that so many people
are forgetting about where we came from and the phenomenal
stories that still exist out there in all different genres.
Many of the shows, or the i should say, many
of the stories of classic literature that we have heard
adapted by groups such as Focus on the Family Radio
Theater have versions out there in the world of old
time radio as well. For example, Lame is a rob
there is a version in the old time radio era
from Orson Wells and his group the Mercury Radio Theater
on the Air or was it just Mercury Theater on
the air? Yeah, I think it was just Mercury Theater
on the air. But anyway, there is a really great
version of Lame Is and I find it really fun
to listen to that version and then listen to the
BBC version, and then listen to the Focus on the
Family Radio Theater version and just compare them because I
love that story and seeing how different writers and producers
approached that story and the different elements that they chose
to focus on and to bring out. I find really
really fun. So that's just one example, but for folks
who really love the craft of audio storytelling, I think
it's really valuable to go back and see just where
modern audio drama came from and evolved from. And there
are things that you can learn from listening to those
older episodes and older shows, for instance, understanding the constraints
that I think the vast majority of those shows were
recorded live, and so if an actor messed up a line,
they had to just run with it, and so they
would have to fix that, you know, in their delivery.
They would if they stumbled on a line or they
said the wrong word, you can hear them sometimes correct themselves,
and just seeing how they work. I find really really
interest as a voice actor myself, and just seeing how
the next character or next actor responds to that potential
mess up or whatever it might be. There are some
examples of where in the comedy shows they will run
with it and just make it part of the show.
And then there are other times where the other actor
completely ignores that mistake, and sometimes it can almost come
across as if the person is just talking like a
normal person would speak, because we don't always speak flawlessly
when we're talking with our friends, or with our family,
or even with a colleague at work, we mess up.
And so that's a little bit on the nerdy analytical
side of things, and I do find myself constantly breaking
down stories and processes that people use to create stories.
So for people who like that kind of thing, that's
one reason why I think ultim radio is still really value.
It's for that historical sort of context side of things,
but also there is the value in just enjoying the stories.
And as I said, there are so many different types
of shows out there. And Daniel Roth, if you're unfamiliar
with him, he is the host of the Your Fellow
Odysseans podcast, which I was just recently a guest on,
and if you haven't heard that yet, highly recommend you
go check out that episode where we did an extremely
deep dive into Adventures and Odyssey album twenty five Darkness
Before Dawn, a really really fun discussion. Go check it
out if you haven't already, I think you'll enjoy it
if you're an AIO fan. But he emailed in and
wrote a very very nice email, by the way, and
thank you Daniel if you're listening, really appreciate it. It was
very encouraging to me. But he mentioned the fact that
we've talked about OTR in the past on the show,
and I was already planning to do this segment when
I saw this email. But he mentioned that the When
Radio was show hosted by Stan Freiberg used to air
on the radios where he would highlight a couple of
different broadcasts each night, and usually it was a more
action driven show and then a comedy. So he would
pair up a couple of contrasting shows, give a little
context for the episode, some history about the actors, sometimes
a fantastic a fantastic show. And that really really got
me into old time radio. And Daniel mentioned in his
email that he used to listen to that show as well,
really really enjoyed it. And so, as I mentioned, there
is a vast array of different types of shows out there,
and I can understand that if you're not really sure
where to start, it might seem like, oh my goodness,
there's so much I don't know what's good. Where should
I go? And there are a lot of different places.
If you just google old time radio episodes, you're going
to find all different sources online where you can listen
for free. And there are, you know, just a myriad
of different podcast feeds. There's ones that are dedicated specifically
to a particular show or to a particular genre, and
there's all kinds of websites out there. Archive dot org
has a bunch of old time radio. There are some
old time radio researcher groups that have curated huge libraries
of content. There's lots of places out there where you
can get it for free. But one resource that just
recently came on the scene was Legacy Radio Theater or
LRT Media has launched an old time radio feed and
it is really, really nice. It's a nice variety of
different shows and it's not jammed full a bunch of
ads like some of the other ones out there now.
I don't know if they plan to add add ads
to the feed at some point, but there aren't any
on there right now, and they release episodes daily, so
you can go check out a really fun ampler of
different genres. And this is what they said about this
curated feed of old time radio shows. Legacy Radio Theater
is your destination for the greatest stories ever broadcast. Relive
the golden age of radio with thrilling mysteries, heartwarming dramas,
hilarious comedies, and spine tingling suspense from the nineteen thirties, forties,
and fifties. Each episode is curated from the original broadcasts
to bring timeless entertainment to modern ears. Whether you're a
longtime fan or just discovering vintage audio drama, Legacy Radio
Theater invites you to sit back, relax, and enjoy the
magic of classic radio. So I am linking in the
show notes to this feed on Podchaser, so you can
check out links to whatever app you use to listen
to podcasts. But I highly recommend go check you this
out because again it's a nice mix and so you
can just sort of see what you like. And they've got,
you know, as summary mentioned, they've got mysteries and dramas
and comedies, so you can get a good mix. There's westerns.
It's a really good introduction to old time radio. So
I highly recommend you go check this out and see
what works for you, and then you can go search
other places and maybe you want to just binge a
whole show. You really like gun smoke and so you
just want to go grab a whole bunch of gunsmoke
episodes and just dive into that show or you know whatever,
whatever it might be. So I highly recommend doing that
as a great place to check out shows. And there
are some older shows that have problems with the audio quality,
and I think that is one thing that turns away
a lot of listeners. They just don't want to deal
with that. And so what Craigheart is doing with this
feed is these are episodes that have good, decent, you know,
decent quality. It's still from the thirty four and fifties,
so it's gonna sound like that, but they're not ones
that are so filled with background noise that you can't
follow what's going on. And there are some that are
a little bit hard to understand the dialogue. So you're
not gonna find that here in this feed. So that's
another great thing. But if you are already well versed
in old time radio and you already know what you
like and what you might want to dive into deeper,
then another resource that I really want to recommend something
that I've talked about a little bit in the past
but haven't really had a chance to mention in recent episodes,
and that is a website called Radio Archives Radio archives
dot com. And this company takes these old shows and
they clean up that audio. So if you have a
problem listening to those old shows and you find the
audio quality distracting and you're not able to get into it,
this is the place to go. They clean up these
shows and so they sound really really nice. Now, of
course there's still not those immersive soundscapes like modern audio drama,
but they sound really really good. So here's what they
say about their old time radio collection and their approach.
People usually call it old time radio, but that's really
too quaint a title for the many vital, creative, and
groundbreaking programs that were broadcast during the nineteen thirties, nineteen forties,
and nineteen fifties. The best of radio's golden age remains
outstanding entertainment with engrossing dramatizations. For twenty two years, Radio
Archives has gained a reputation for releasing radio shows of
the highest possible quality, using first generation masters and state
of the art technology, including Cedar, the audio processing system
used by major recording companies to restore older recordings. We
spend countless hours restoring the programs we offer to make
sure that they sound just as crisp and sparkling as
the day when they were first aired. In fact, many
of our customers tell us that our radio shows sound
as if they were recorded yesterday. When you purchase a
Radio Archives collection, you can be sure that you're getting
the best sounding versions of these shows available anywhere at
any price, and that is absolutely true. I have listened
back to back to a version of a show that
I found a copy of out there. As I mentioned,
there are myriad different websites where you can either download
or just stream episodes of old time radio shows, and
I've found a copy of the exact same episode on
one of those sites. One of those sources played it
back to back to the same episode from the Radio
Archives collection and it was drastically different. And so they
have a great, great selection. Now they don't have a
massive library because this takes them time. I have had
some conversations with the team over there, but I haven't
actually asked than this. But I'm assuming that there are
some of those old shows that are just so poor
of quality that they might just not be worth the
time it will take to restore, or it's just a
matter of these just take a long time for them
to process and clean up, and so that's why they're
slowly building their collection. But they still at this point
have dozens and dozens and dozens of albums of various series,
so I'm guessing there's hundreds and hundreds of episodes that
you can choose from. They have shows like Yours Truly,
Johnny Dollar, Richard Diamond, The Detective Show, Box thirteen. They
have science fiction like X minus one. They have comedy
like Archie Andrews and Father Knows Best and Fiber McGhee
and The Great Guilder Sleeve. They've got westerns like gun Smoke,
Frontier Town, Cisco Kid have Gunweel Travel, which is one
of my favorites. They've got the dramas like Lux Radio
Theater and Mercury Theater on the air, and they've got
suspense shows like Escape and Dangerous Assignment and many many more.
So there's even some on there that I've never even
heard of. So I encourage you to check out Radio Archives,
and again those links are in the show notes, and
of course if you just want somebody to curate a
fun list of stuff to check out, the LRT Old
Time Radio feed is also linked in the show notes.
But check out some old time or radio shows this month. Now,
just a quick heads up. Some of the detective or
adventure shows we're intended for adults, so keep that in mind.
Not every show is meant for all ages, you know,
just be forewarned. Though, given the era in which they
were produced, the vast majority of them never go too
far into territory where I feel like it's not a
great idea to listen to them. I just do want
you to be aware that sometimes that some shows are
not necessarily great for really small ears. Occasionally, in you know,
those detective shows, there might be a very very light
or subtle innuendo, or there might be some slightly gruesome
thing that happens in one of the adventure or suspense
or horror genre shows. So you know, just keep that
in mind. But for adults, I think there are some
really really great entertainment out there that's right at your fingertips,
really easy to get to. So check out that feed
from LRT and check out radio archives. And here's the
other thing about radio archives, they are very very affordable.
You can get these collections, some of them for ten, fifteen,
twenty dollars for a full album of great, great episodes,
and again they are restored versions. The audio sounds amazing.
So go check out those two resources. I think you'll
find something that you can enjoy. And if you do,
let me know what you find and what ones you
end up liking a lot. And if you're already an
old time radio fan, let me know what's your favorite
old time radio show or shows. I have a hard
time narrowing it down to just one or two. I
tend to go the genre route, so from Western genres.
I love have gun We'll Travel. I quite enjoy Gun Smoke.
There are some really really great episodes of gun Smoke.
In terms of comedy, I really love Father Knows Best.
It's one of my favorites. There are many that I
really enjoy, but that's probably my favorite. For the detective ones, yours, truly,
Johnny Dollar is probably my top favorite, even all these
years later. I know I've mentioned that before on the show,
but there are some really great stuff. So again, let
me know what your favorite is. And if you haven't
checked out old time Radio, dive in. I think you'll
find something really fun. I remember her from that radio
what was it? A Western musical melodrama? You helped out
with the kids radio program and you were great another
important tool of acting, the art of becoming. Should we
alow or or something? For what? All right? So, as
I said at the top of the episode, this is
a shorter episode, but I still wanted to bring you
a review. And this audio drama released at the perfect
time for me to grab it, give it a listen,
and be able to get it into this episode. So
I wanted to share my review of The Signalman from
Voices in the Wind audio theater just released last month
July twenty twenty five, and it has a run time
of thirty three minutes. If you are an ATC Backstage member,
you will have heard me reacting to the trailer, and
that is just one of the perks of being a
member of ATC Backstage. You get early access to what
I'm listening to and extra other bonus content. But let's
talk about this adaptation of a piece of classic literature.
Here is the summary for The Signalman. It is eighteen
sixty A female reporter is drawn into a railroad Signalman's haunted.
Frenzied hallucinations are the terrors he experiences, a form of
insanity or a frightening shade of reality. Are his blood
curdling nightmares simply coincidence or omens of horror to come?
This full cast dramatization recreates Charles Dickens' Victorian industrial world
of steam trains, ephemeral music, sunsets over desolate landscapes, and
figures glimpsed just beyond the embankments descend into the darker
side of the supernatural in the signalman So, as you
can probably tell from this summary, this is also as
I mentioned about some of the old time radio shows
in the last segment, this is also one that's probably
not for all ages, simply due to the fact that
this is essentially a ghost story from the great storyteller,
Charles Dickens. Now his stuff has been adapted into audio
innumerable times. I don't know we've talked about this before.
We did an entire episode about this and a post
on the website. There are so many different audio drama
adaptations of a Christmas Carol, and a Christmas Carol has
become a permanent part of culture across the world, not
just in Britain where it originated. There are lines and
ideas and characters that have become just part of the
English language. If you call somebody a scrooge, people know
what that means. But it originated from that story and
this brilliant writer and his novels Oliver Twist and David Copperfield,
and there are other adaptations into audio of his work.
And this is actually not the first version of the
Signamon that I've heard. Another audio drama company did it
several years ago, and that one was really interesting as well.
But this is a bit of a different story from
what Dickens is sort of known for. He's kind of
known for having that theme of the down trodden, the poor,
or the young children who are in desperate need and
there is somebody who comes along and helps them out,
or whatever it might be that happens in many of
his tales. This is different. It doesn't have a happy ending,
and I hope that doesn't come across as too spoilery,
but I just want to give you a head up.
This story is not going to be for everyone, but
it is an interesting piece of classic literature, and I
think it's great that Voices in the Wind has decided
to produce it. So this was adapted and directed by
George Zar with music by George zar and the producer
on this piece is David Farquhar. And we've talked about
Voices in the Wind in the past. They've done some
really fun adaptations of other classic literature or fairy tales.
I particularly like their Cinderella. It's really really well done.
But this is a smaller project. Obviously, it's a smaller
in length, as I mentioned at the top, it's only
about a half an hour long. But it's also smaller
in scale in terms of the cast. So we have
the signalman who is played by John Bell, and the
reporter who is played by Laura van Veen, and there
are a couple of other smaller incidental characters, and those
other roles are filled out by other members of the
Voices in the Wind, a stable of talent that they
have used in other productions. So it is a full
cast audio dramatization. Now it is heavy on narration, but
that kind of makes sense for this sort of piece.
I read the original story quite some time ago, so
as I was preparing for this review, I did go
back and sort of browse over it. I didn't read
it in its entirety. It is a very short story,
but I did browse through it just to kind of
get a feel for the piece, and it sort of
makes sense for this to be narrator heavy, and it
is coming at the listener in the first person point
of view from this female reporter, a newspaper reporter who
goes to interview the signalman. And one reason I liked
that for this piece is because it helped to keep
intact some of the really interesting descriptions for the environment
and the titular character that is also described by the
POV character, and it helps us understand things. And also,
much of the dialogue is taken verbatim from the Dickens text,
and I thought that was a really interesting decision as well.
But it still maintains that feel of a Dickens piece,
and it helps to orient the listener in this older
era from the eighteen hundreds, And because much of that
dialogue is word for word from the original story, it
helps to orient you in that timeframe. Now, one thing
that is interesting the director chose to let the actors
use their North American accents. And I say North America
because Voices in the Wind is a Canadian production company
and I think much of their regular stable of talent
are also Canadians, and including Laura van Veen. You can
hear that a little bit of Canadian accent come through.
So they don't use British accents in this. And John Bell,
I believe is American. I'm not one hundred percent sure
of that, but I believe he is. And so they
don't use British accents in this, which is totally fine
because the story doesn't ever say exactly where it's set,
so it works. It's totally fine. It doesn't pull you
out you're like, oh my goodness, here's a British story
and they're not even doing British accents, so you don't
get that feel at all. But it was just something
that stood out to me that they chose to do that.
But overall, because this is such a short piece and
I don't want to spoil it, there isn't a whole
lot for me to say about this production other than overall,
the sound design is fairly good. There is a really
nice sound design touch with At this one point, there's
a voice that's being a sort of a tad bit
muffled when the character is demonstrating how someone held their
arms in front of their face. So you hear the
effect on the voice where it gets altered, where you
just you can picture in your mind that this character
as he's describing this thing, he's actually doing that covering
up his mouth a little bit. And so it was
a really really nice touch, a very small detail, and
some people might not even pick up on it, but
I heard it and I was like, oh, that's a
really nice touch. So I liked that attention to detail.
So again, sound design is fairly good. There were a
couple of moments where I thought the mix was a
tad bit hot for in relation to the dialogue, but
that just happened to couple of times, and I know
it was a conscious decision because you hear how the
character is sort of trying to shout over the noise,
So that was an intentional thing. So I wouldn't necessarily
say it's a negative. It was just a thing that
they did with the sound design. But again, overall, really
liked the approach to the sound design and building this
sort of ominous world that this story takes place in.
And as far as the acting, John Bell and Laura
Vanvin's performances are really solid. Again, it's essentially a ghost
story so there are some creepy elements, and I totally
get if that's not your thing, give this one a pass.
But these two actors really did a great job with
their characters and approached them with a really believable performances
that I quite enjoyed. So this is a very faithful
adaptation of the original story. Again, I didn't go back
and read it all word for word, but I did
skim through through it, and this is very, very true
to Dickens's original story. Now, I will say this is
just my opinion, but I don't think this is Dickens's
strongest work, but it is still an interesting story to me.
That is not any reflection on voices in the Wind
Audio Theater. You know, they told the story the way
Dickens wrote it, and I think they really did it justice. So,
just to repeat, reiterate, it is a darker story, not
going to be everyone's cup of tea, but I really
enjoyed it. And if you are looking for something that's
a little bit on the darker or mysterious side, I
think this is a really quite well done audio drama
that's only thirty minutes, and it's very affordable. You can
get it for just a few dollars. If this sounds
like it piques your interest, link is in the show
notes to grab your copy. Kudos to Voices in the
Wind for putting out some more more classic literature adaptations.
I always love hearing classic literature brought to life in
the audio drama medium. So again, link is in the
show notes. Check it out. If that sounds like something
you're interested in, well that's gonna do it for this episode.
Show notes are at Audiotheatercentral dot com slash two sixteen.
I will talk to you very soon with some content
from the Making Great Audio Drama camp. If you missed
our previous mentions of that event, go to Audio Drama
Institute dot com get information for the next one if
you think that's something you want to check out to
learn how to make great audio drama. Audio Drama Institute
dot com is the link. I'll see you next time.
Thank you so much for listening. Audio Theater Central is
a production of Porchlite Family Media. Our theme music was
composed by sam Avana on You. The show is produced
and edited by Yours Truly JD. Sutter. Our website is
Audiotheatercentral dot com. S Porgelight Familymedia your source for family
centered content Scorglightfamilymedia dot com