1 00:00:00,240 --> 00:00:03,240 Speaker 1: Joining us, so we have returning to the show. He 2 00:00:03,399 --> 00:00:05,360 was here recently, although he looked a little bit different. 3 00:00:05,960 --> 00:00:09,480 Andre Dumont of course from a dead Harrison and you 4 00:00:09,599 --> 00:00:12,080 as your underground Terminus Underground, all of that, and of 5 00:00:12,080 --> 00:00:14,359 course Eleanor is here. And you've got to be in 6 00:00:14,400 --> 00:00:16,399 the five Timers club by now, right, you think. So 7 00:00:16,640 --> 00:00:18,760 you've been on, You've been on quite a few times, 8 00:00:19,280 --> 00:00:20,160 so it's good to see you. 9 00:00:20,239 --> 00:00:21,640 Speaker 2: Welcome, Jurning, Matt and Jenny. 10 00:00:21,800 --> 00:00:25,280 Speaker 1: Yes, good morning morning, and uh, we're gonna talk about 11 00:00:25,320 --> 00:00:27,760 so of course you've got we should mention and we'll 12 00:00:27,760 --> 00:00:29,600 circle back to it. The big event tonight. You've got 13 00:00:29,640 --> 00:00:31,760 a big show tonight right at Terminus Underground. 14 00:00:31,800 --> 00:00:33,359 Speaker 2: Take this show to your grave. 15 00:00:33,840 --> 00:00:40,000 Speaker 3: That's what it's called, Oh very good. It's a clever pun. 16 00:00:40,280 --> 00:00:42,600 It's a pop punk night, so it's a clever pun 17 00:00:42,679 --> 00:00:44,039 on a pop punk song. 18 00:00:44,399 --> 00:00:45,359 Speaker 2: Yeah, I can't remember. 19 00:00:45,840 --> 00:00:47,960 Speaker 3: Take this show to your grave or take this to 20 00:00:48,000 --> 00:00:51,320 your grave is actually the okay, I actually can't tell 21 00:00:51,320 --> 00:00:53,560 you who the band is that do not remember, but 22 00:00:53,920 --> 00:00:56,600 it has inspired me to create the cool Flyer. 23 00:00:56,320 --> 00:00:56,960 Speaker 2: That's up there. 24 00:00:57,240 --> 00:00:59,560 Speaker 4: Oh very good. No, I do like the fly. 25 00:01:00,039 --> 00:01:03,280 Speaker 3: Yeah, Island of Alaska coming up from Boston, Vice's Inc. 26 00:01:03,399 --> 00:01:05,319 From Portland, Maine, and. 27 00:01:08,359 --> 00:01:10,640 Speaker 2: What else do we have? This is my brain? 28 00:01:16,560 --> 00:01:19,120 Speaker 1: Yeah, good stuff. We love vices Inc. They've been on 29 00:01:19,480 --> 00:01:22,200 a few times. And of course now I'm not familiar 30 00:01:22,519 --> 00:01:24,480 with the other bands, although I was playing, we do 31 00:01:24,560 --> 00:01:26,640 have a couple of their songs cued up and ready 32 00:01:26,680 --> 00:01:28,159 we might you know, if we if we get to them, 33 00:01:28,200 --> 00:01:31,079 we'll see how the morning goes. But but I really 34 00:01:31,159 --> 00:01:34,319 like I really like Island of Alaska and and I 35 00:01:34,359 --> 00:01:35,599 love Grim the acronym. 36 00:01:35,640 --> 00:01:36,480 Speaker 4: I love that song. 37 00:01:37,519 --> 00:01:40,200 Speaker 2: I love their name that just the name is so cool. 38 00:01:40,359 --> 00:01:43,120 Speaker 1: Yeah, apparently the single just came out recently, be Yourself, 39 00:01:43,120 --> 00:01:47,519 which is a great track. And of course, uh, Island 40 00:01:47,519 --> 00:01:49,879 of Alaska has Holy Ghosts. That's their newest single, and 41 00:01:50,000 --> 00:01:52,040 I really like that too. So it sounds like sounds 42 00:01:52,040 --> 00:01:52,760 like a great night. 43 00:01:53,079 --> 00:01:54,079 Speaker 2: Yeah, it's a good mix. 44 00:01:55,120 --> 00:01:59,359 Speaker 1: We should talk about too. What's what's new, what's happening 45 00:01:59,439 --> 00:02:02,159 at term underground? You know we're talking off there about 46 00:02:02,920 --> 00:02:06,680 been some changes over the past. It's been close to 47 00:02:06,719 --> 00:02:08,199 three years now, right Well, it'll. 48 00:02:07,959 --> 00:02:10,400 Speaker 3: Be going on our third season after this year, so 49 00:02:10,400 --> 00:02:12,800 we're at the end of our second season. 50 00:02:12,639 --> 00:02:14,719 Speaker 4: Right now I'm terrible at math, but we do. 51 00:02:14,719 --> 00:02:18,639 Speaker 3: It seasonally because there's a few months we take off. Yeah, yeah, 52 00:02:18,680 --> 00:02:22,599 because it's just an unsafe parking environment with the snow 53 00:02:22,680 --> 00:02:25,360 and the ice, and you know, it's nice also for 54 00:02:25,439 --> 00:02:28,759 us to get perspective on the year and do a 55 00:02:28,800 --> 00:02:32,280 little bit of traveling and see what other venues and 56 00:02:32,639 --> 00:02:35,560 spaces are doing in the rest of the country, which 57 00:02:35,599 --> 00:02:39,159 is actually what we're going to be doing. So yeah, 58 00:02:39,199 --> 00:02:41,719 we've had a good year though. Yeah, we've worked with 59 00:02:41,759 --> 00:02:46,439 one hundred and eighty nine actses. Wow, forty four shows. 60 00:02:46,719 --> 00:02:48,639 Speaker 4: That's incredible, that's incredible. 61 00:02:48,719 --> 00:02:52,000 Speaker 3: Yeah, So we are growing, and I would like more 62 00:02:52,039 --> 00:02:56,319 people to know about Terminus Underground and New Hampshire Underground 63 00:02:56,360 --> 00:02:56,800 as well. 64 00:02:58,080 --> 00:03:00,520 Speaker 1: Yeah, tell us more, tell us more about Bow because 65 00:03:01,000 --> 00:03:03,360 you know, and obviously our listeners, some of our listeners, 66 00:03:03,439 --> 00:03:05,120 you know, they've they've heard a lot about it and 67 00:03:05,479 --> 00:03:07,680 know a lot about it. Some listeners might not know anything. 68 00:03:08,120 --> 00:03:12,680 But and and two we should we should explain, you know, 69 00:03:12,759 --> 00:03:16,120 the distinction between New Hampshire Underground Terminus Underground. Obviously they're connected. 70 00:03:16,159 --> 00:03:21,240 Speaker 3: But yeah, so New Hampshire Underground is the overarching entity 71 00:03:21,319 --> 00:03:27,319 of promotional Management Band Management mentorship and guidance for artists 72 00:03:27,360 --> 00:03:31,560 and musicians in the New Hampshire area. And then from 73 00:03:31,680 --> 00:03:36,120 that stems a couple of different things, Terminus being the 74 00:03:36,159 --> 00:03:39,879 predominant one is our music venue, so we sort of 75 00:03:39,919 --> 00:03:45,599 operate like a micro entertainment venue or center because at 76 00:03:45,599 --> 00:03:48,199 the same time we also have an art gallery and 77 00:03:48,280 --> 00:03:50,960 we have you know, multi use spaces where we'll do 78 00:03:51,240 --> 00:03:56,199 art workshops or you know, podcasts, kind of education things 79 00:03:56,280 --> 00:04:00,159 like that. And we also have a community rehearsal room 80 00:04:00,479 --> 00:04:03,360 where people can rent by the hour to rehearse with 81 00:04:03,639 --> 00:04:06,000 you know, just jam with people or to you know, 82 00:04:06,159 --> 00:04:09,400 be solo session if they don't have access to something 83 00:04:09,520 --> 00:04:11,879 or you know, they're not in a rehearsal room. This 84 00:04:12,039 --> 00:04:16,399 is something that's offset of that. Yeah, Yeah, it's kind 85 00:04:16,399 --> 00:04:17,040 of how it's run. 86 00:04:17,199 --> 00:04:21,360 Speaker 1: It's such a unique place and Terminus, you know, I'm 87 00:04:21,360 --> 00:04:23,800 sure you've heard me say it. I tell everybody the 88 00:04:23,800 --> 00:04:25,399 first time you walk into it, it's like walking into 89 00:04:25,439 --> 00:04:27,639 another world. When are you walking into that room? 90 00:04:27,759 --> 00:04:31,079 Speaker 3: And that's all Andre's doing. Yeah, for the last nine 91 00:04:31,240 --> 00:04:32,519 ten years he's been. 92 00:04:33,040 --> 00:04:37,959 Speaker 5: Decoration, sitting there looking at everything, looking where to put 93 00:04:38,680 --> 00:04:40,879 new stuff that I have in my hands, like yeah, 94 00:04:40,879 --> 00:04:42,600 what do I do with this? Or I'll put it 95 00:04:42,680 --> 00:04:43,759 right up over there. 96 00:04:43,560 --> 00:04:44,959 Speaker 4: With that right right. 97 00:04:45,040 --> 00:04:47,079 Speaker 5: But then it's like, you know, it's doing the little 98 00:04:47,560 --> 00:04:53,360 creative things that catch because for instance, the detail going 99 00:04:53,439 --> 00:04:58,240 and just grabbing one of those cat skeletons from home depot. 100 00:04:58,120 --> 00:04:59,199 Speaker 6: Like where do you put that? 101 00:04:59,439 --> 00:04:59,600 Speaker 7: Right? 102 00:04:59,639 --> 00:05:01,279 Speaker 5: It's like, oh, I'm going to put that up in 103 00:05:01,319 --> 00:05:05,600 the ceiling, but like looking down at people just like 104 00:05:05,639 --> 00:05:09,319 a cat would, right, And it's like those little pieces 105 00:05:09,360 --> 00:05:11,680 of detail are just like you add that into the 106 00:05:11,720 --> 00:05:13,160 mix of everything around you. 107 00:05:13,800 --> 00:05:17,040 Speaker 3: Yeah, you can look up and down and all around 108 00:05:17,079 --> 00:05:18,680 and find something new every day. 109 00:05:19,240 --> 00:05:20,920 Speaker 6: It makes the room feel alive. 110 00:05:21,240 --> 00:05:26,319 Speaker 1: Yes, yes, absolutely, has there ever like have you ever 111 00:05:26,399 --> 00:05:31,319 seen a venue that looks anything like that anywhere? Because 112 00:05:31,319 --> 00:05:33,120 I haven't, like I'm not. 113 00:05:33,199 --> 00:05:35,759 Speaker 6: Yet, Yeah, not particularly. 114 00:05:35,839 --> 00:05:42,639 Speaker 5: I mean yeah, I see elements of things, yeah, but 115 00:05:42,800 --> 00:05:49,040 nothing's really like every little piece or every every pocket 116 00:05:49,199 --> 00:05:50,360 has something. 117 00:05:50,519 --> 00:05:50,680 Speaker 4: Yea. 118 00:05:50,800 --> 00:05:56,000 Speaker 3: We are unique as New England's only horror themed underground 119 00:05:56,040 --> 00:06:00,839 music club and it's the Terminus under Ground is stem 120 00:06:00,959 --> 00:06:05,319 from The Walking Dead, so the name was inspired by 121 00:06:05,680 --> 00:06:09,639 the Terminus Underground scene in The Walking Dead, which is 122 00:06:09,720 --> 00:06:11,920 in an old mill building and that's where we are 123 00:06:12,040 --> 00:06:14,600 we live. We live in an old mill building that 124 00:06:14,720 --> 00:06:17,439 was built in nineteen oh eight, so it's like that 125 00:06:17,600 --> 00:06:20,120 cool play on The Walking Dead. And then from there, 126 00:06:20,160 --> 00:06:23,199 like this summer we had this really inspiring summer Ween 127 00:06:23,360 --> 00:06:26,600 party where we were able to donate to Scare New Hampshire, 128 00:06:26,600 --> 00:06:30,560 who's a nonprofit that helps people find costumes and have 129 00:06:30,639 --> 00:06:34,079 access to costumes. But then the decorations kind of just stuck, 130 00:06:34,680 --> 00:06:37,160 like we never took them down, and we're like yoh. 131 00:06:37,759 --> 00:06:40,120 And then we have various artists that come in and 132 00:06:40,160 --> 00:06:44,120 then they contribute. You know, Kegan Fitzgerald, she's my art 133 00:06:44,120 --> 00:06:46,519 by KF as our resident artist, and so she's made 134 00:06:46,600 --> 00:06:49,839 art on the wall that's permanent. So it's got all 135 00:06:49,839 --> 00:06:51,959 these cool elements that come in. And then we have 136 00:06:52,120 --> 00:06:54,560 rotating artists from the art gallery and they come in 137 00:06:54,600 --> 00:06:58,000 and leave their mark, so it continues to build in 138 00:06:58,040 --> 00:06:59,800 a very cool and beautiful way. 139 00:07:00,000 --> 00:07:02,600 Speaker 1: I remember when Jenny had her art up there that 140 00:07:02,720 --> 00:07:05,519 was awesome, and and of course recently he had Dennis 141 00:07:05,560 --> 00:07:08,800 Layton Yeah and oh yes, which is funny because until 142 00:07:08,879 --> 00:07:10,720 you know, and he'd been on the show a couple 143 00:07:10,759 --> 00:07:14,600 of times, but I didn't realize you know with the 144 00:07:14,600 --> 00:07:17,160 Great Curtain. But I didn't realize until recently that he 145 00:07:17,240 --> 00:07:19,279 was also a visual artist until he. 146 00:07:19,319 --> 00:07:23,879 Speaker 3: And he's fabulous. Yeah yeah, it's like a mix between 147 00:07:24,120 --> 00:07:26,800 what he does is graphic art and then he applies 148 00:07:26,839 --> 00:07:30,600 it to canvas and then also further applies multimedia art 149 00:07:30,639 --> 00:07:34,000 to it, like he has lights and like really cool 150 00:07:34,040 --> 00:07:37,439 looking things. So his gallery show just ended, okay, and 151 00:07:37,480 --> 00:07:39,800 he had, you know, a very successful show, and it 152 00:07:39,839 --> 00:07:42,240 was the first time he'd ever done it. And that's 153 00:07:42,279 --> 00:07:44,079 what we like took here too. We like took heter 154 00:07:44,160 --> 00:07:46,800 to like people we feel really strong artists and who 155 00:07:46,839 --> 00:07:49,600 have maybe never gotten themselves out there yet, and then 156 00:07:49,680 --> 00:07:52,639 they feel like they're successful because they took that step. 157 00:07:52,680 --> 00:07:54,839 So it's a kind of beautiful process to watch. Yeah 158 00:07:55,000 --> 00:07:59,399 yeah yeah. In terms of who you bring in for 159 00:08:00,079 --> 00:08:02,920 bands or solo artists or whomever who come to play, like, 160 00:08:03,000 --> 00:08:06,120 is there is there a criteria that you try to 161 00:08:06,519 --> 00:08:09,639 follow in terms of what fits the room or does 162 00:08:09,720 --> 00:08:12,160 anything kind of fit the room, or like like like 163 00:08:12,160 --> 00:08:14,279 what kind of shows do you try to book out there? 164 00:08:14,480 --> 00:08:17,279 Those were some of the business decisions we had decided 165 00:08:17,319 --> 00:08:22,040 to make this year because fortunately we had a little 166 00:08:22,040 --> 00:08:24,680 bit of a surge in Nashua after we opened up. 167 00:08:24,720 --> 00:08:26,839 There were I guess we must have inspired a bunch 168 00:08:26,879 --> 00:08:29,759 of people, which was pretty cool. Yeah, So our friend 169 00:08:29,839 --> 00:08:32,679 Mike McDowell opened the non alcoholic venue, The Spot, so 170 00:08:32,720 --> 00:08:36,679 they've got music there. And then Aaron from KINNECTICU City 171 00:08:36,720 --> 00:08:40,720 Events is doing shows over at Kettlehead Brewery, which is 172 00:08:40,960 --> 00:08:45,120 mostly metal shows I've seen so far. Then Fodies also 173 00:08:45,200 --> 00:08:48,519 has nights where they do music and that's a lot 174 00:08:48,559 --> 00:08:50,519 of it is run by Lacy from Who I Am. 175 00:08:50,600 --> 00:08:54,200 So we've got this nice, like really well working community. 176 00:08:54,279 --> 00:08:56,960 So I wanted to differentiate us, and knowing that we 177 00:08:57,039 --> 00:08:59,720 have that horror theme going on, I said, all right, 178 00:08:59,799 --> 00:09:02,639 let's some you know, just focus on the real hard 179 00:09:02,720 --> 00:09:05,120 rock and punk and metal and you know, people that 180 00:09:05,240 --> 00:09:09,679 don't get all that much exposure. Let's just focus on them. 181 00:09:10,200 --> 00:09:13,360 So we will do alternative and like, you know, other 182 00:09:13,480 --> 00:09:17,240 things too, but we decided to primarily focus on the 183 00:09:17,399 --> 00:09:18,440 darker genres. 184 00:09:18,799 --> 00:09:23,320 Speaker 1: Yeah, you had made an interesting Facebook post about that 185 00:09:23,360 --> 00:09:27,360 too recently, about some people misunderstanding. 186 00:09:27,440 --> 00:09:30,639 Speaker 3: Oh yes, there's something satanic panic going on. Yeah yeah, 187 00:09:30,679 --> 00:09:32,440 that's actually good fodder for this show. 188 00:09:32,840 --> 00:09:34,639 Speaker 4: Yeah yeah, yeah, I. 189 00:09:34,600 --> 00:09:41,200 Speaker 3: Don't know people seem to misinterpret symbolism and art and 190 00:09:41,480 --> 00:09:47,799 the intention of it with actual fear based thinking, and 191 00:09:48,879 --> 00:09:51,200 I'm not about that at all. You know, IM well 192 00:09:51,360 --> 00:09:55,519 educated on theology and religion. I'm very respectful of other 193 00:09:55,559 --> 00:09:59,240 people's faiths and things, and so there's no reason to 194 00:09:59,279 --> 00:10:02,919 be afraid to come to Terminus Underground. Nothing bad is 195 00:10:02,960 --> 00:10:05,799 going to happen. It is a safe space. I mean, 196 00:10:05,799 --> 00:10:09,799 we welcome all kinds of people in the LGBTQ community, 197 00:10:10,000 --> 00:10:12,759 and we just want everyone to know that it's not 198 00:10:13,879 --> 00:10:16,759 Everything you're seeing is not going to induce some sort 199 00:10:16,759 --> 00:10:21,440 of demonic hallucination for you. I promise you. You are 200 00:10:21,519 --> 00:10:25,720 on an acid, if you've done too many drugs, if 201 00:10:25,799 --> 00:10:29,799 you're drunk, you might have a problem, but it's not us. 202 00:10:30,000 --> 00:10:32,159 Speaker 2: I promise you. Just art. 203 00:10:32,279 --> 00:10:34,559 Speaker 3: And it's like you know, going to a Hollywood studio 204 00:10:34,759 --> 00:10:36,919 or going into any haunt during the time of year 205 00:10:38,080 --> 00:10:40,399 and seeing, you know, the different things that people have. 206 00:10:40,559 --> 00:10:43,639 It's just an expression. Yeah, of course, yeah, I don't 207 00:10:43,679 --> 00:10:47,480 know what you know, the fear mongering is, but it's 208 00:10:47,519 --> 00:10:50,039 a little silly in my opinion, and I think, you know, 209 00:10:50,200 --> 00:10:52,919 people should just use common sense and if you don't 210 00:10:52,960 --> 00:10:53,639 like that kind of thing. 211 00:10:53,720 --> 00:10:56,120 Speaker 2: Just don't come. There's plenty of places to go. 212 00:10:56,519 --> 00:10:56,720 Speaker 8: Yeah. 213 00:10:57,279 --> 00:11:01,840 Speaker 9: Oh no, let's get a protest going. Please do please, 214 00:11:02,240 --> 00:11:04,000 I would love like picketers. 215 00:11:04,039 --> 00:11:05,919 Speaker 6: Can we get Westborough Baptist Church. 216 00:11:05,799 --> 00:11:07,279 Speaker 4: To call dem Gloria? 217 00:11:07,519 --> 00:11:09,559 Speaker 6: My goodness, how famous we would get. 218 00:11:09,600 --> 00:11:11,919 Speaker 2: Well, that's sell hot Coco. 219 00:11:12,200 --> 00:11:15,519 Speaker 3: Yes please. Do you know Ozzie Actually I think I 220 00:11:15,639 --> 00:11:18,440 just give it away. When Ozzie was being heckled, Uh, 221 00:11:18,559 --> 00:11:20,639 he went into the picket line and in the back 222 00:11:20,639 --> 00:11:23,879 of it with the Westborough Baptist Church and was like, 223 00:11:23,960 --> 00:11:26,440 you know, with them and cheering until. 224 00:11:26,159 --> 00:11:27,559 Speaker 2: They realized he was there. 225 00:11:27,720 --> 00:11:28,559 Speaker 4: Oh that's funny. 226 00:11:28,600 --> 00:11:30,840 Speaker 2: So yes, please bring Coco and sell it. 227 00:11:31,000 --> 00:11:33,440 Speaker 9: S Rip Fighters trolled them when they showed up at 228 00:11:33,440 --> 00:11:35,879 one of their shows and drove around in the back 229 00:11:35,919 --> 00:11:37,879 of a truck playing Begi songs. 230 00:11:38,159 --> 00:11:39,159 Speaker 2: It was hysterical. 231 00:11:39,879 --> 00:11:43,720 Speaker 1: Yeah, no, it's it's it's interesting though, how yeah, some 232 00:11:43,840 --> 00:11:47,200 of that you can benefit from it a little bit too, though, 233 00:11:47,200 --> 00:11:49,320 because yeah, people are talking and then you know a 234 00:11:49,320 --> 00:11:51,840 little bit of publicity. It's like, you know, my my 235 00:11:51,919 --> 00:11:56,000 favorite bandits Kiss and uh. Back like way back when 236 00:11:56,039 --> 00:11:59,039 they started, you know, there were and and it would 237 00:11:59,039 --> 00:12:00,960 bubble up from time to time. But but there would 238 00:12:01,000 --> 00:12:03,000 be people who would say, oh, you know, it's an 239 00:12:03,039 --> 00:12:07,559 acronym for nights and second stuff like that, remember that, 240 00:12:07,639 --> 00:12:10,159 and yeah, and but but it you know, but it 241 00:12:10,240 --> 00:12:12,559 helped them, you know, and it obviously wasn't true, but 242 00:12:12,720 --> 00:12:14,200 but it did help them, you know a little bit 243 00:12:14,240 --> 00:12:14,559 of con. 244 00:12:15,360 --> 00:12:18,720 Speaker 9: Secret way boy, what's that he was in secret? He 245 00:12:18,799 --> 00:12:21,039 was a good secret Jewish boy, mama's boy. 246 00:12:21,120 --> 00:12:26,600 Speaker 1: Yeah, oh yeah, yeah, absolutely, yeah. 247 00:12:26,919 --> 00:12:30,039 Speaker 9: He always he always, he always said that his mother 248 00:12:30,120 --> 00:12:32,960 went through so much he couldn't do He would never 249 00:12:33,080 --> 00:12:35,159 drink or do drugs or anything because he wouldn't put 250 00:12:35,159 --> 00:12:37,440 her through anything because she'd already been through so much. 251 00:12:38,039 --> 00:12:38,960 Speaker 2: Nice Jewish boy. 252 00:12:39,039 --> 00:12:41,720 Speaker 4: Yeah yeah, Gene does not party, grate edge his whole life. 253 00:12:41,799 --> 00:12:46,039 Speaker 1: Yeah, oh yeah, yes, yeah, absolutely, yeah, So you can 254 00:12:46,080 --> 00:12:47,759 benefit from a little bit of that. But yeah, it 255 00:12:47,840 --> 00:12:49,679 is it is strange how people. 256 00:12:49,799 --> 00:12:50,120 Speaker 7: Uh. 257 00:12:50,360 --> 00:12:52,639 Speaker 9: But on the fun side, Terminus is really cool. Like 258 00:12:52,639 --> 00:12:54,720 if you go when you really it's like going in 259 00:12:54,759 --> 00:12:56,919 the Tartists. You walk in the door and you see 260 00:12:56,960 --> 00:12:59,679 this cute little room and then you walk past that 261 00:12:59,720 --> 00:13:02,039 and it's like this whole new world opens up. And 262 00:13:02,080 --> 00:13:05,879 when you go into Terminus, the environment itself is so 263 00:13:05,960 --> 00:13:08,039 much more fun than just going to some club and 264 00:13:08,120 --> 00:13:09,279 just sitting at some table. 265 00:13:09,360 --> 00:13:12,039 Speaker 2: Oh yeah, it's just so much more. 266 00:13:13,480 --> 00:13:15,519 Speaker 9: You get you get into the music because you get 267 00:13:15,600 --> 00:13:17,759 into the environment and you can just escape from the 268 00:13:17,799 --> 00:13:19,559 world for a little while. So I don't know about 269 00:13:19,559 --> 00:13:22,480 anybody else, but I know I've needed that lately. So 270 00:13:22,679 --> 00:13:26,320 if you need that, you should definitely check out to 271 00:13:26,360 --> 00:13:27,080 listen to music. 272 00:13:27,159 --> 00:13:27,600 Speaker 7: M M. 273 00:13:28,120 --> 00:13:31,039 Speaker 5: And that's the other fun thing about it too, is that, uh, 274 00:13:31,679 --> 00:13:34,360 Google Maps does not like to agree with us on 275 00:13:35,159 --> 00:13:38,240 where it should be on the map, right, and so 276 00:13:38,279 --> 00:13:40,559 it's said it can send you on this little chase. 277 00:13:40,600 --> 00:13:42,879 Speaker 6: And that's the fun part about. 278 00:13:42,559 --> 00:13:47,759 Speaker 5: It because everybody in it, it's it's almost frustrating because 279 00:13:47,759 --> 00:13:52,799 it's like an escape room, except it's a finding room, right, And. 280 00:13:54,480 --> 00:13:58,639 Speaker 6: So you're you're like, where is this place? Is it 281 00:13:59,360 --> 00:14:00,120 this building? 282 00:14:00,360 --> 00:14:02,919 Speaker 5: No? Now I'm back in a neighborhood. No, I just 283 00:14:03,000 --> 00:14:06,879 turned down the wrong street. That's now not the street anymore? 284 00:14:07,360 --> 00:14:08,879 Like where am I where? 285 00:14:09,120 --> 00:14:12,879 Speaker 3: Created an interactive map because it has been so difficult 286 00:14:12,919 --> 00:14:13,919 for people to find it. 287 00:14:14,000 --> 00:14:14,200 Speaker 7: Really. 288 00:14:14,279 --> 00:14:15,679 Speaker 4: Yeah. 289 00:14:14,720 --> 00:14:17,240 Speaker 1: Yeah, it's hit or miss though too, because I think 290 00:14:17,279 --> 00:14:19,200 and yeah, we were talking about this last time we 291 00:14:19,240 --> 00:14:22,000 were here, like because there was I know there was. 292 00:14:22,360 --> 00:14:24,200 I think the first time Jenny and I went there, yeah, 293 00:14:24,240 --> 00:14:26,159 we had that problem. But I think the second time, 294 00:14:26,480 --> 00:14:28,720 I think the second time, for whatever reason, Google Maps 295 00:14:28,720 --> 00:14:30,759 brought us directly there and it wasn't an issue. It's 296 00:14:30,759 --> 00:14:33,840 like it's capricious. 297 00:14:33,919 --> 00:14:34,080 Speaker 4: Yeah. 298 00:14:34,120 --> 00:14:38,120 Speaker 3: Yeah, I've been in putting like specific directions into Google 299 00:14:38,399 --> 00:14:41,519 and I created the map for everybody to see. 300 00:14:41,559 --> 00:14:42,399 Speaker 2: It's on the website. 301 00:14:42,480 --> 00:14:43,519 Speaker 4: Okay, that's a good idea. 302 00:14:43,600 --> 00:14:46,120 Speaker 3: Yeah, And then now I'm being even more vocal about, 303 00:14:46,200 --> 00:14:48,799 you know, how to find us, which street to turn down, 304 00:14:48,840 --> 00:14:52,519 because I realized it's people. It is in an area 305 00:14:52,559 --> 00:14:55,519 that people don't expect. It's right behind a residential neighborhood, 306 00:14:56,000 --> 00:14:58,960 and it's in the middle of like a few different buildings, 307 00:14:59,000 --> 00:15:01,320 and when Google takes you're around the back of the building. 308 00:15:01,360 --> 00:15:03,600 You don't know where else to go from there. It's 309 00:15:03,679 --> 00:15:07,360 really hard to figure it out. It's really weird, but 310 00:15:07,399 --> 00:15:09,799 it's kind of sketchy for people. And we've had people 311 00:15:09,840 --> 00:15:13,279 come in like so mad, but like people that you know, 312 00:15:13,320 --> 00:15:17,440 didn't expect to have it, like it was maybe like 313 00:15:17,480 --> 00:15:20,559 once taken inside and see everything what it is, hear 314 00:15:20,600 --> 00:15:21,519 how the music sounds. 315 00:15:21,559 --> 00:15:23,080 Speaker 2: At the end of the night, they're just like, this 316 00:15:23,240 --> 00:15:24,679 is the coolest place ever. 317 00:15:25,000 --> 00:15:27,960 Speaker 3: Yeah, yeah, yeah, but we do we have to make 318 00:15:28,000 --> 00:15:31,039 it better for people to find and advertising will help then. 319 00:15:31,320 --> 00:15:31,639 Speaker 4: Yeah. 320 00:15:31,679 --> 00:15:33,639 Speaker 3: I think that's one of our constraints this year is 321 00:15:33,759 --> 00:15:36,360 a lot of people had trouble finding us, even though 322 00:15:36,360 --> 00:15:40,120 we had some really really tight shows, right right, yeah, if. 323 00:15:40,039 --> 00:15:42,440 Speaker 2: You see a warehouse here there, yes. 324 00:15:42,240 --> 00:15:45,399 Speaker 1: Yes, yes, well, I think we should uh maybe we 325 00:15:45,440 --> 00:15:47,519 should play something. So you know, you got a few 326 00:15:47,559 --> 00:15:49,720 bands playing tonight, I'll let you all pick. I've got 327 00:15:49,759 --> 00:15:52,039 I've got something from each of the three bands that 328 00:15:52,080 --> 00:15:55,759 we talked about, queued up and ready to start with Vices. 329 00:15:55,799 --> 00:15:58,480 You want to start with Vices in Yeah, there's a 330 00:15:58,559 --> 00:16:04,360 song so Regret Me that I really love and uh yeah, 331 00:16:04,679 --> 00:16:07,159 let's play that. And of course Advices Inc. They're gonna 332 00:16:07,159 --> 00:16:09,799 be on with us on I think it's the twenty ninth. 333 00:16:10,120 --> 00:16:11,679 Speaker 4: And the twenty ninth. 334 00:16:11,720 --> 00:16:13,519 Speaker 2: I can't remember what's that? What day is what? 335 00:16:14,039 --> 00:16:14,159 Speaker 10: Oh? 336 00:16:14,200 --> 00:16:15,120 Speaker 9: The twenty ninth, you're right. 337 00:16:15,080 --> 00:16:15,639 Speaker 4: The twenty ninth. 338 00:16:15,679 --> 00:16:18,559 Speaker 1: Yeah, and they're they're really good. If you get a 339 00:16:18,639 --> 00:16:20,600 chance to see them live, you should definitely go tonight. 340 00:16:20,600 --> 00:16:22,720 If you haven't seen Vices Inc. They're a really really 341 00:16:22,720 --> 00:16:26,080 good live band. Good absolutely, but yeah, this is called 342 00:16:26,120 --> 00:16:28,399 regret me from Vices Inc. 343 00:16:52,000 --> 00:17:00,240 Speaker 8: Except I tank you what you've seen in middle in 344 00:17:00,360 --> 00:17:03,960 the system, that I'm not your best televion. 345 00:17:06,640 --> 00:17:10,720 Speaker 10: So go ahead and good, but I'm to do. 346 00:17:15,200 --> 00:17:17,000 Speaker 11: You're regrant me and that. 347 00:17:22,279 --> 00:17:24,400 Speaker 10: You gottn't handle your leg or. 348 00:17:24,720 --> 00:17:26,559 Speaker 12: You can't you can handle the truth. 349 00:17:29,359 --> 00:17:36,359 Speaker 13: Honestly be in the system, and I'm perfectly ready to try. 350 00:17:36,880 --> 00:17:40,240 So go ahead and regret me, but I'm not using 351 00:17:40,359 --> 00:17:41,440 enough bonus f. 352 00:18:03,000 --> 00:18:07,000 Speaker 14: Jos. 353 00:18:07,039 --> 00:18:24,640 Speaker 12: Maybe I'll do anything you please. I'll do anything you please. 354 00:18:27,400 --> 00:18:37,680 Speaker 11: You're got your Yeah, I'm finding perfectly that you're here. 355 00:18:37,400 --> 00:18:38,160 Speaker 12: Because if you do. 356 00:18:41,519 --> 00:18:45,200 Speaker 8: Off the PC Tom with the typical. 357 00:18:44,759 --> 00:18:52,759 Speaker 13: Wander head and regret me, but I'm beating you to it. 358 00:18:53,000 --> 00:18:58,319 Speaker 11: Dude, go ahead. 359 00:18:57,920 --> 00:19:06,960 Speaker 14: And I gat me about regret. Go ahead, recall. 360 00:19:06,599 --> 00:19:14,799 Speaker 11: Me, but always want to regretted you go head, regard me, but. 361 00:19:15,000 --> 00:19:17,680 Speaker 14: I always want to be represt. 362 00:19:21,039 --> 00:19:30,279 Speaker 11: You regret me and go regat. 363 00:19:28,880 --> 00:19:39,359 Speaker 14: You grab me goverbad. You're got me and God regret 364 00:19:39,640 --> 00:19:47,160 you regret me and not forget. 365 00:20:27,079 --> 00:20:27,880 Speaker 4: That is regret me. 366 00:20:28,079 --> 00:20:31,440 Speaker 1: The band is Vices Inc. And they are going to 367 00:20:31,559 --> 00:20:36,240 be tonight at Terminus Underground along with Island of Alaska 368 00:20:36,880 --> 00:20:40,400 and Grim the Acronym And we have Eleanor and Andre 369 00:20:40,559 --> 00:20:44,960 from Terminus Underground here with us in studio and uh yeah, 370 00:20:45,000 --> 00:20:47,200 that's such a great song. And yeah, we were kind 371 00:20:47,240 --> 00:20:48,519 of talking off there about Vices Inc. 372 00:20:48,559 --> 00:20:48,680 Speaker 4: Too. 373 00:20:48,680 --> 00:20:51,839 Speaker 1: They're pretty eclectic in their sound. You know, they do 374 00:20:51,960 --> 00:20:54,240 fit the pop punk thing, but they do a lot 375 00:20:54,279 --> 00:20:56,720 of different a lot of different vibes in their music, 376 00:20:56,759 --> 00:20:57,319 which is cool. 377 00:20:57,519 --> 00:20:59,960 Speaker 3: Yeah, that's why we like to welcome bands that include 378 00:21:00,119 --> 00:21:03,400 alternative in their title or you know, and then when 379 00:21:03,440 --> 00:21:06,759 we're looking for bands to fit in with the show, 380 00:21:06,799 --> 00:21:10,039 we're really curating it so that all of the music 381 00:21:10,160 --> 00:21:12,599 really sounds good together. 382 00:21:12,839 --> 00:21:15,920 Speaker 4: Yeah for the night. Oh yeah, yeah, totally totally. 383 00:21:17,519 --> 00:21:21,240 Speaker 1: What's been like, have there been any surprises in terms 384 00:21:21,319 --> 00:21:24,200 of like with the bands that you've booked, like where 385 00:21:24,480 --> 00:21:27,559 something just surpassed your expectations. 386 00:21:27,799 --> 00:21:31,839 Speaker 3: Oh yes, I would say a couple, yeah, a couple 387 00:21:31,880 --> 00:21:34,799 of bands that really surpassed expectation. 388 00:21:36,079 --> 00:21:37,400 Speaker 2: This year just alone. 389 00:21:37,599 --> 00:21:40,519 Speaker 3: But I can say about last year, the band Geary 390 00:21:40,759 --> 00:21:43,839 was just the first that really struck me as like 391 00:21:44,720 --> 00:21:49,200 something I was not expecting and really loved it, and 392 00:21:49,240 --> 00:21:51,359 I was really glad that they were able to grace 393 00:21:51,440 --> 00:21:53,880 our stage last year because it seemed like they hit 394 00:21:53,920 --> 00:21:55,920 a little bit of a bigger time this year and 395 00:21:56,160 --> 00:21:58,279 was We're on bigger stages, so that was really cool 396 00:21:58,319 --> 00:22:04,920 for them. Vigil is another band that, yeah, like the 397 00:22:05,680 --> 00:22:08,599 just the tone and the depth and breadth of their 398 00:22:08,759 --> 00:22:12,119 music is just That's another one that hit me. And 399 00:22:12,200 --> 00:22:18,079 then surprised by Conceptiicor, which the guys live right down 400 00:22:18,119 --> 00:22:21,559 the street from Terminus and they showed up and hung 401 00:22:21,640 --> 00:22:24,319 out with us, and you know, pursued the spot that they, 402 00:22:25,079 --> 00:22:27,039 you know, wanted to play, and we had them on 403 00:22:27,079 --> 00:22:29,279 our stage a couple of times this year and they 404 00:22:29,319 --> 00:22:34,440 did this fabulous acoustic rendition of Saucerful of Secrets from 405 00:22:34,480 --> 00:22:37,319 Pink Floyd and that's one of my favorite songs and 406 00:22:37,400 --> 00:22:39,319 they just nailed it. And it was a doom version. 407 00:22:39,440 --> 00:22:41,640 So all of these bands that I love are like 408 00:22:41,759 --> 00:22:44,279 kind of in that doom vein. But you know, it 409 00:22:44,440 --> 00:22:49,200 just always surprises me when you don't expect something great 410 00:22:49,359 --> 00:22:52,319 and it's on your small stage and ye, wow, this 411 00:22:52,519 --> 00:22:52,960 is great. 412 00:22:53,200 --> 00:22:55,720 Speaker 1: Yeah yeah, And of course we're still around here. We 413 00:22:55,759 --> 00:22:58,440 still talk about the you know, the Green Yellow Night. 414 00:22:59,200 --> 00:23:03,000 Speaker 2: Oh yeah, being written. Ever, we really appreciate you guys 415 00:23:03,039 --> 00:23:03,599 getting on that. 416 00:23:03,839 --> 00:23:06,079 Speaker 1: I'd ask you if that's our past your expectations, but 417 00:23:06,119 --> 00:23:08,319 I don't. I don't think anybody knew what to expect really, right, 418 00:23:08,359 --> 00:23:09,039 I mean, you know. 419 00:23:10,079 --> 00:23:15,559 Speaker 6: No prepared for maybe possible things getting hit. 420 00:23:16,240 --> 00:23:16,519 Speaker 15: Yeah. 421 00:23:16,799 --> 00:23:18,680 Speaker 2: Yeah, that was I will say that was probably one 422 00:23:18,680 --> 00:23:20,440 of the craziest shows we've had. 423 00:23:20,640 --> 00:23:23,400 Speaker 4: Yeah, yeah, I would. I would hope so in here 424 00:23:24,240 --> 00:23:28,640 in here too. Oh yeah, noodles, Oh jeez, Yeah, it 425 00:23:29,240 --> 00:23:29,759 was amazing. 426 00:23:30,279 --> 00:23:33,119 Speaker 3: Yeah, it's amazing also to see them still traveling around 427 00:23:33,160 --> 00:23:34,839 with that pool Noodle bus. 428 00:23:35,000 --> 00:23:36,680 Speaker 4: Oh yeah, the Pull Noodle Express. 429 00:23:36,839 --> 00:23:39,599 Speaker 6: Yeah yeah, I think it's out of commission. 430 00:23:40,720 --> 00:23:42,960 Speaker 4: They keep the thing keeps breaking down. Yeah. 431 00:23:43,640 --> 00:23:46,799 Speaker 5: I always wondered about getting one of those school buses, 432 00:23:46,880 --> 00:23:48,880 and I'm seeing what they're going through with it, and 433 00:23:48,960 --> 00:23:52,079 I'm like, yeah, yeah, maybe those aren't the best thing 434 00:23:52,279 --> 00:23:53,960 for going cross country with. 435 00:23:54,480 --> 00:23:57,119 Speaker 4: Yeah, something breaks on that and they're made for like. 436 00:24:00,039 --> 00:24:03,480 Speaker 5: The area, like exactly the highway is just like too 437 00:24:03,640 --> 00:24:04,839 much on that big trip. 438 00:24:05,400 --> 00:24:06,640 Speaker 4: I think you're right, you know, I hadn't thought of 439 00:24:06,680 --> 00:24:07,759 it that way, but I think you're right. 440 00:24:07,960 --> 00:24:10,000 Speaker 1: Yeah, because they're not designed for that, they're not designed 441 00:24:10,039 --> 00:24:12,039 to drive all over the Country's that's true. 442 00:24:12,559 --> 00:24:13,880 Speaker 3: I'll be sad if they have to put it out 443 00:24:13,880 --> 00:24:16,359 of commission because Terminus Underground sticker is on there. 444 00:24:16,519 --> 00:24:17,200 Speaker 4: Oh that's right. 445 00:24:17,480 --> 00:24:20,200 Speaker 2: Yes, yes, we have been traveling around the country even before. 446 00:24:20,599 --> 00:24:24,000 Speaker 4: Yeah, before we're going to Yeah, yeah absolutely. 447 00:24:24,519 --> 00:24:29,079 Speaker 1: Now so then so you during the winter, that's when 448 00:24:29,119 --> 00:24:31,880 you kind of when Terminus kind of goes into hibernation. 449 00:24:31,680 --> 00:24:32,319 Speaker 2: Right, it does. 450 00:24:32,440 --> 00:24:36,319 Speaker 3: So we closed down for like four months. Yeah, and 451 00:24:37,519 --> 00:24:40,559 we kind of do a little bit of reevaluation and 452 00:24:40,640 --> 00:24:42,920 this year is kind of a bigger form of that. 453 00:24:43,200 --> 00:24:46,359 Like last year we had some significant reevaluation to change 454 00:24:46,400 --> 00:24:49,200 the name and to go forward in a different way, 455 00:24:49,720 --> 00:24:53,319 and then this year we need to expand we're just 456 00:24:53,440 --> 00:24:57,039 frankly a little too small for what we have going on. 457 00:24:57,839 --> 00:25:01,640 So we're hoping to be able to bring the space 458 00:25:01,720 --> 00:25:05,160 that I have and the Terminus space together. We're gonna 459 00:25:05,200 --> 00:25:07,519 put we want to put double doors in and have 460 00:25:08,440 --> 00:25:11,680 the new Hampshire Underground Lounge be primarily like a VIP 461 00:25:11,880 --> 00:25:15,359 lounge and then entry away into Terminus from there. 462 00:25:15,559 --> 00:25:17,400 Speaker 4: Oh okay, yeah, so we can. 463 00:25:17,480 --> 00:25:20,599 Speaker 3: Offer the true VIP experience where you can still see 464 00:25:20,839 --> 00:25:25,160 the stage from where you are or hear it, and 465 00:25:25,240 --> 00:25:27,559 then you can you know, be more like in the 466 00:25:27,640 --> 00:25:31,039 lounge area with the couches and near the bar. 467 00:25:31,240 --> 00:25:34,920 Speaker 4: And is that going to require taking down walls partially? 468 00:25:35,039 --> 00:25:36,720 Speaker 3: Yeah, a partial wall, so we do have to get 469 00:25:36,759 --> 00:25:40,720 permission before we are able to do that. And yeah, 470 00:25:40,839 --> 00:25:43,680 the other thing that we're just always hoping for is 471 00:25:43,720 --> 00:25:46,480 that our downstairs neighbors decide to get a storefront for 472 00:25:46,519 --> 00:25:49,880 their furniture business, because that space is absolutely perfect. 473 00:25:49,960 --> 00:25:52,359 Speaker 2: It's everything we need and want for a space. 474 00:25:52,480 --> 00:25:54,880 Speaker 4: So you want the downstairs neighbors to leave so you can. 475 00:25:55,200 --> 00:26:05,200 Speaker 5: Yeah, there's anybody with some nice storefront for our furniture company. 476 00:26:06,240 --> 00:26:09,440 Speaker 6: You got it for rent. It's cheap to contact us. 477 00:26:09,759 --> 00:26:10,680 Speaker 4: We got a guy for you. 478 00:26:12,319 --> 00:26:13,680 Speaker 2: We got a guy who knows the guy. 479 00:26:13,880 --> 00:26:16,640 Speaker 3: Yeah, yeah, yeah, that's one of the things that we're 480 00:26:16,680 --> 00:26:18,960 planning and hoping that will happen because I think the 481 00:26:19,319 --> 00:26:21,519 traffic flow and the bottleneck of it will be a 482 00:26:21,559 --> 00:26:24,079 little bit better and we I don't know if we'll 483 00:26:24,079 --> 00:26:27,400 be able to have more capacity that way, just more flow. 484 00:26:27,480 --> 00:26:30,480 I think though it makes to me, it makes sense 485 00:26:31,119 --> 00:26:35,119 and for safety purposes and things. But when we take 486 00:26:35,200 --> 00:26:38,319 our break this year, we're also going across the country 487 00:26:38,440 --> 00:26:40,880 to Nevada and we're going to be stopping at like 488 00:26:40,960 --> 00:26:44,759 all the different music hotspots and checking out different clubs 489 00:26:45,279 --> 00:26:47,319 so we can get some inspiration, because every time I 490 00:26:47,400 --> 00:26:49,799 go someplace, I do get more and more inspiration. Like 491 00:26:49,839 --> 00:26:52,319 we went to Demented Effects this year and they have 492 00:26:52,400 --> 00:26:55,200 a VIP room and in their Haunt, and I was 493 00:26:55,279 --> 00:26:59,880 just like, oh, yeah, works perfect. It's in Holio, mass 494 00:27:00,640 --> 00:27:03,680 In like this whole place, Holyoak is like a mill city, 495 00:27:03,920 --> 00:27:06,440 Like everything is a male building, so it's kind of 496 00:27:06,559 --> 00:27:11,559 like creepy, but they did a good job and their 497 00:27:11,680 --> 00:27:14,519 Haunt is in an old mill building and it's really 498 00:27:14,640 --> 00:27:18,680 fun and it's almost like being in a club, like 499 00:27:18,759 --> 00:27:21,440 a golf club or like a music club. And then 500 00:27:21,519 --> 00:27:24,400 you see like their different acts, like mini skits and 501 00:27:24,480 --> 00:27:26,680 sketches that they do with the Haunt actors. 502 00:27:27,160 --> 00:27:27,960 Speaker 2: So it's super fun. 503 00:27:28,039 --> 00:27:30,039 Speaker 3: And there's a bar in there, so it would be 504 00:27:30,160 --> 00:27:32,319 nice for Terminus to have their liquor license right now 505 00:27:32,359 --> 00:27:35,559 where b a yob and we're you know, it's legal, 506 00:27:35,759 --> 00:27:39,039 so we are a legal club, even though it's considered 507 00:27:39,119 --> 00:27:42,680 underground because of the music style. We're not a illegal 508 00:27:42,799 --> 00:27:45,519 underground club. We're a legal above ground club, but we 509 00:27:45,680 --> 00:27:47,400 just don't have our liquor license, so we do the 510 00:27:47,480 --> 00:27:51,960 BYOB thing and some nights we'll have like all ages 511 00:27:52,000 --> 00:27:55,160 shows where you know, but it's mostly twenty one plus. 512 00:27:55,359 --> 00:28:01,160 Speaker 1: Yeah yeah, okay, okay, So is now is that probably 513 00:28:01,279 --> 00:28:03,640 varies from state to state right where you can do 514 00:28:03,720 --> 00:28:05,839 the BYO B So New Hampshire. 515 00:28:05,640 --> 00:28:09,279 Speaker 2: Yeah, Hamster, you can do it. There's no laws against it. 516 00:28:09,559 --> 00:28:09,799 Speaker 4: Yeah. 517 00:28:10,119 --> 00:28:12,839 Speaker 3: Certain bars and clubs do it differently. Like we know 518 00:28:12,960 --> 00:28:17,440 about a club up north that you drop your beer 519 00:28:17,559 --> 00:28:19,839 or whatever off at the front desk and then you 520 00:28:19,960 --> 00:28:22,440 have to go to their bar and get it from them. 521 00:28:22,640 --> 00:28:24,960 Speaker 2: Interesting a two dollars five dollars deposit. 522 00:28:25,559 --> 00:28:27,279 Speaker 3: We thought about doing it like that, but I think 523 00:28:27,319 --> 00:28:29,240 people just love the idea of like, oh my god, 524 00:28:29,279 --> 00:28:30,960 we can go and listen to live music and not 525 00:28:31,119 --> 00:28:34,200 have to spend a ton of money on either food 526 00:28:34,279 --> 00:28:36,359 or drink. We can bring our own stuff like that 527 00:28:36,480 --> 00:28:37,920 seems to be what people enjoy. 528 00:28:38,240 --> 00:28:39,880 Speaker 4: Yeah, yeah, that's cool. 529 00:28:39,920 --> 00:28:42,039 Speaker 2: I guess your own living room right, right. 530 00:28:41,960 --> 00:28:44,359 Speaker 1: Exactly exactly. We should talk a little bit too about 531 00:28:44,400 --> 00:28:48,119 New Hampshire Underground. Yeah, because you know, listeners might not 532 00:28:48,359 --> 00:28:51,359 might not understand the What was it called before? I 533 00:28:51,400 --> 00:28:53,559 remember I used to stumble on the day on the 534 00:28:53,599 --> 00:28:55,000 original name, which I say on the. 535 00:28:55,039 --> 00:28:59,000 Speaker 2: Airth it was called the Midnight Creatives Collective. 536 00:28:59,160 --> 00:29:03,000 Speaker 4: That's right. I would say stuff like Midnight Creatures Oven 537 00:29:03,160 --> 00:29:05,640 or something. I kept screwing it up on were trying 538 00:29:05,640 --> 00:29:06,200 to talk about it. 539 00:29:06,279 --> 00:29:09,440 Speaker 3: Yeah, that was actually a name my former business partner 540 00:29:09,519 --> 00:29:14,720 had and after we parted ways, necessarily I had to 541 00:29:14,799 --> 00:29:17,559 change the name. And that just came through like it 542 00:29:17,799 --> 00:29:20,880 was meant to be because it was associated with Terminus 543 00:29:21,000 --> 00:29:27,880 Underground in that way, so New Hampshire Underground and it 544 00:29:28,000 --> 00:29:33,279 has always kind of been a overarching promotional management for 545 00:29:33,720 --> 00:29:36,000 the shows that we do. But at the same time, 546 00:29:36,279 --> 00:29:38,839 because I have so much knowledge of the industry and 547 00:29:40,160 --> 00:29:42,720 have managed bands for so many years, like twenty five 548 00:29:42,839 --> 00:29:46,359 years now, I decided that I would take on a 549 00:29:46,400 --> 00:29:51,599 few management clients as well, because I see people struggling, 550 00:29:51,799 --> 00:29:56,240 like I'll see questions online on certain groups and I'm like, oh, 551 00:29:56,319 --> 00:29:59,680 people don't have to struggle with these questions if there's 552 00:29:59,720 --> 00:30:02,319 someone there that can help them and mentor them through it. 553 00:30:03,119 --> 00:30:06,599 So ended up meeting my other client, Rick for six 554 00:30:06,720 --> 00:30:10,839 minds combined through positive street art, and he needed a 555 00:30:10,880 --> 00:30:12,799 lot of help, and so I was there and I 556 00:30:12,880 --> 00:30:15,640 supported him and built his career for the past couple 557 00:30:15,680 --> 00:30:19,200 of years now and now he's doing really really well 558 00:30:19,440 --> 00:30:22,359 and he's got a really nice handle on how the 559 00:30:22,480 --> 00:30:25,279 industry works, you know, the things that are needed for 560 00:30:25,640 --> 00:30:29,519 getting your music out there. And he's every month been 561 00:30:29,599 --> 00:30:30,759 killing all of his goals. 562 00:30:30,799 --> 00:30:31,839 Speaker 4: So that that's what we do. 563 00:30:31,960 --> 00:30:34,839 Speaker 3: We like kind of operate as a business, sort of 564 00:30:35,880 --> 00:30:40,039 support network and crush help people crush their goals. 565 00:30:40,279 --> 00:30:42,839 Speaker 4: Yeah, it's fun. 566 00:30:42,920 --> 00:30:45,319 Speaker 3: It's like really super rewarding to see that. And like 567 00:30:45,440 --> 00:30:49,440 with Dead Harrison, you know, they've always obviously done really 568 00:30:49,519 --> 00:30:52,519 really well and now they're in a phase where they're 569 00:30:52,519 --> 00:30:55,720 writing new music and that's really exciting to see and hear. 570 00:30:56,359 --> 00:30:59,200 So there's always something going on and I can always 571 00:30:59,240 --> 00:31:01,720 take on, you know, more clients. I've got a couple 572 00:31:01,799 --> 00:31:04,839 different kinds of clients. Like I've got clients who just 573 00:31:05,000 --> 00:31:08,440 want my like listening ear and want to bounce ideas 574 00:31:08,480 --> 00:31:10,759 off of me, and that's cool too, So we have 575 00:31:10,880 --> 00:31:13,880 people that need that. And then I have another guy 576 00:31:13,960 --> 00:31:16,359 that has a nonprofit in the music world as a 577 00:31:16,480 --> 00:31:19,720 recording studio and he just wants me to administer his nonprofit. 578 00:31:19,880 --> 00:31:21,119 Speaker 4: So stuff like that. 579 00:31:21,880 --> 00:31:24,880 Speaker 3: So anything business in the arts is kind of what 580 00:31:25,000 --> 00:31:28,799 I do. And if people need help with marketing or 581 00:31:28,920 --> 00:31:31,960 website building or you know, even booking, even though that's 582 00:31:32,000 --> 00:31:34,559 not my favorite thing to do, I can help. 583 00:31:36,039 --> 00:31:38,519 Speaker 1: It's funny, I always say the same thing everyone. I 584 00:31:38,759 --> 00:31:40,559 have a lot of booking experience, but it's not my 585 00:31:40,640 --> 00:31:42,920 favorite thing and I don't do any of it currently. 586 00:31:42,640 --> 00:31:47,559 Speaker 2: Because people make booking so hard. Just call people back. 587 00:31:48,960 --> 00:31:52,799 Speaker 3: Yeah, and even like I'm I try to be very 588 00:31:53,000 --> 00:31:56,480 transparent and communicative to people who reach out to me. 589 00:31:56,880 --> 00:31:58,799 And I tell people you are on the list, I 590 00:31:58,960 --> 00:32:01,839 will call you, imise you, I will look at your email. 591 00:32:02,359 --> 00:32:03,160 Speaker 2: Just take some time. 592 00:32:04,640 --> 00:32:07,119 Speaker 3: Oh I know the struggle, it's yeah, you get inundated, 593 00:32:07,240 --> 00:32:10,359 right Oh yeah, oh absolutely, I'm want to talk to everybody. 594 00:32:10,440 --> 00:32:13,400 Speaker 2: You want to be courteous and you know, build relationships 595 00:32:13,440 --> 00:32:13,960 with everyone. 596 00:32:14,359 --> 00:32:14,559 Speaker 4: Yeah. 597 00:32:14,640 --> 00:32:16,599 Speaker 3: So I don't want anyone to think that I've just 598 00:32:16,720 --> 00:32:19,200 ignored them if they've sent me a message. Of course 599 00:32:19,519 --> 00:32:21,400 time consuming yeah yeah. 600 00:32:22,119 --> 00:32:23,799 Speaker 1: Plus now two, we live in an era where people 601 00:32:23,839 --> 00:32:26,160 get offended, Like if someone sends you a message on Facebook, 602 00:32:26,519 --> 00:32:28,799 and this happens to me, and I feel bad. But 603 00:32:28,920 --> 00:32:31,839 I like, I might be in a moment where Okay, 604 00:32:31,839 --> 00:32:33,119 I have time to read it, but I don't have 605 00:32:33,200 --> 00:32:35,799 time to respond to it because maybe they're asking me 606 00:32:35,839 --> 00:32:37,920 a complicated question that I can't just, and I can't 607 00:32:38,000 --> 00:32:39,920 just I don't you know, I got to respond later, 608 00:32:40,319 --> 00:32:42,559 but I've looked at it, so now it shows that 609 00:32:42,640 --> 00:32:44,759 I've read it. So now people are like, oh, you 610 00:32:44,880 --> 00:32:46,799 left me on red. It's like, well, I didn't have 611 00:32:46,880 --> 00:32:49,680 time to respond to it. Not that anyone confronts me directly, 612 00:32:49,759 --> 00:32:52,240 but people, you know, I always see people complaining on 613 00:32:52,319 --> 00:32:53,119 social media. 614 00:32:52,960 --> 00:32:54,400 Speaker 4: Passive aggressively about it. 615 00:32:54,559 --> 00:32:56,799 Speaker 1: Oh I messaged this person and they left me on 616 00:32:56,920 --> 00:32:58,920 red and didn't even respond, And it's like, you know, 617 00:32:59,079 --> 00:32:59,920 everybody's got to Just. 618 00:33:00,599 --> 00:33:02,160 Speaker 2: My daughter was complaining. 619 00:33:02,319 --> 00:33:05,359 Speaker 3: She's like, someone left me on red for ten minutes, 620 00:33:05,400 --> 00:33:09,440 and I'm like ten minutes. You know, normal business standard 621 00:33:09,559 --> 00:33:12,079 is twenty four to forty eight hours. Gays come on, Yeah, 622 00:33:12,359 --> 00:33:15,559 I know, yeah, people need to relax a little. 623 00:33:15,319 --> 00:33:18,200 Speaker 5: Bit, But like, do you not think that maybe somebody's 624 00:33:18,559 --> 00:33:22,200 driving and they just scanned at it and they're not gonna. 625 00:33:24,200 --> 00:33:25,680 Speaker 6: Reply back exactly. 626 00:33:25,799 --> 00:33:27,880 Speaker 4: Yeah, it happens to me all the time. Somebody sends 627 00:33:27,920 --> 00:33:28,640 me something, it's like I. 628 00:33:29,920 --> 00:33:32,519 Speaker 2: Yeah, I think almost of the time people are not 629 00:33:32,720 --> 00:33:33,880 intending on route. 630 00:33:33,799 --> 00:33:36,400 Speaker 6: New people technology attachment. 631 00:33:38,200 --> 00:33:40,559 Speaker 4: Yeah, it is out of control. We should we should 632 00:33:40,599 --> 00:33:44,400 play another song again tonight, of course at Terminus Underground 633 00:33:44,400 --> 00:33:45,559 and what would doors open at seven? 634 00:33:45,599 --> 00:33:48,400 Speaker 3: Is the doors open at seven? Music starts around eight. Yeah, 635 00:33:48,680 --> 00:33:51,640 it's fifteen dollars cover for general admission or twenty if 636 00:33:51,680 --> 00:33:53,880 you want to hang out the VIP lounge with the bands. 637 00:33:54,000 --> 00:33:56,960 Speaker 4: Okay, very cool. So you got Vices Inc Island of 638 00:33:57,039 --> 00:34:01,319 Alaska and Grimly Acronym. Uh, you should play another song? 639 00:34:01,359 --> 00:34:01,640 Speaker 15: What do you. 640 00:34:03,160 --> 00:34:05,400 Speaker 2: No Good? 641 00:34:05,759 --> 00:34:06,480 Speaker 4: Want to play? Yeah? 642 00:34:06,559 --> 00:34:11,199 Speaker 1: This is I had not heard this until this morning. 643 00:34:11,280 --> 00:34:13,000 Actually I listened to this and I saw that this 644 00:34:13,119 --> 00:34:15,039 is their newest single, be Yourself, And I really love 645 00:34:15,119 --> 00:34:17,280 this song. So yeah, let's give this a spin and 646 00:34:17,320 --> 00:34:19,920 then we'll come back. We've got Eleanora and Andre here 647 00:34:20,039 --> 00:34:22,920 from Terminus Underground in New Hampshire Underground and of course 648 00:34:23,079 --> 00:34:27,119 Andre also in the band Dead Harrison. But let's give 649 00:34:27,159 --> 00:34:29,119 this a listen. This is grim the Acronym. I really 650 00:34:29,239 --> 00:34:31,519 like this song a lot. This is called be Yourself. 651 00:34:44,199 --> 00:35:16,480 Speaker 15: I'm gone, son, I'm God, my freak hotel, your thoughts, by. 652 00:35:16,320 --> 00:35:22,960 Speaker 14: Yourself, tell your son, by your son, by your son, by. 653 00:35:22,840 --> 00:35:29,079 Speaker 10: Your tom, by your son, by your son, by your son, 654 00:35:29,159 --> 00:35:29,599 by your. 655 00:35:29,519 --> 00:35:39,639 Speaker 7: Son, by yourself, by your son, by your son. Can't 656 00:35:39,719 --> 00:35:51,239 weird say weird weird allar, don't let that tag say 657 00:35:51,400 --> 00:35:53,719 silance All right down to see you. 658 00:35:56,880 --> 00:36:12,000 Speaker 14: Tell me so much to you and me, by your doom, 659 00:36:12,119 --> 00:36:18,000 by your town, by your thumb, by Tom. 660 00:36:17,920 --> 00:36:23,920 Speaker 10: By your tomb, by your thu, by your tomb, by 661 00:36:23,960 --> 00:36:25,199 your tom, by your son. 662 00:36:28,840 --> 00:36:56,480 Speaker 14: By your top, by your tomb, by your thumb, free show, 663 00:36:57,920 --> 00:37:05,599 by your too, by by your thumb. These my morn, 664 00:37:09,559 --> 00:37:17,360 my stop, my stop, my stop, my son, my son. 665 00:37:55,719 --> 00:38:00,280 Speaker 2: It takes one to know one the stars on this night. 666 00:38:00,880 --> 00:38:03,360 Speaker 16: Now, where's toss up like Jesus? 667 00:38:03,519 --> 00:38:04,559 Speaker 17: Three days stunning? 668 00:38:04,599 --> 00:38:07,960 Speaker 16: Now all lie, But in the end, I'm just a 669 00:38:08,039 --> 00:38:11,119 friend playing Protector's on your phone, pets him again to 670 00:38:11,199 --> 00:38:14,760 beat him alone. You hate the way he made his bill, 671 00:38:14,840 --> 00:38:18,119 but you have beat beside them in. 672 00:38:18,599 --> 00:38:21,239 Speaker 2: One another word, game. 673 00:38:23,440 --> 00:38:30,000 Speaker 14: Train you do. I can't keep you. 674 00:38:30,920 --> 00:38:32,880 Speaker 15: You just pushing away. 675 00:38:33,760 --> 00:38:38,599 Speaker 17: Oh you're a prod outside soul. Long before baby begin 676 00:38:39,159 --> 00:38:40,320 when it's all. 677 00:38:40,239 --> 00:38:45,679 Speaker 18: The senate, suck to miss you again. I'll just sleep 678 00:38:45,880 --> 00:38:48,400 by myself for your sleep. 679 00:39:00,039 --> 00:39:03,880 Speaker 12: M a saking thecording. 680 00:39:04,239 --> 00:39:07,480 Speaker 14: You let me off the path? Now where am i? 681 00:39:07,960 --> 00:39:10,320 Speaker 2: And like Jude is kissed my cheek. 682 00:39:10,440 --> 00:39:14,599 Speaker 4: Now that's round, but it again. I'm just a friend, Bunny. 683 00:39:14,679 --> 00:39:17,440 Speaker 16: Pretender's on your phone. It's hill again to be him 684 00:39:17,480 --> 00:39:20,679 on the oil son he's try it saying bye, but 685 00:39:20,880 --> 00:39:25,760 you rap, and I say goodbye on another. 686 00:39:25,559 --> 00:39:36,840 Speaker 14: Round to this right, I can't keep you you. 687 00:39:37,000 --> 00:39:43,199 Speaker 17: And just pushing on your prom onside my son before 688 00:39:43,519 --> 00:39:50,000 the begin and it's all said, to pass you again. 689 00:39:50,519 --> 00:40:24,440 I'll just sleep well myself for sleep bad. I can't 690 00:40:24,719 --> 00:40:25,760 keep it well. 691 00:40:26,039 --> 00:40:30,440 Speaker 14: You just push your away in all your jobs. 692 00:40:30,639 --> 00:40:33,840 Speaker 4: I saw long before the day begin. 693 00:40:34,519 --> 00:40:38,079 Speaker 18: Then it's all said, and so I stack to miss 694 00:40:38,360 --> 00:40:42,320 you again. I'll just sleep by myself. 695 00:40:42,679 --> 00:41:02,480 Speaker 4: Oh you see that is Holy Ghost. That is the 696 00:41:02,559 --> 00:41:04,880 new single from Island of Alaska. 697 00:41:05,639 --> 00:41:08,840 Speaker 1: I like their sound a lot two female singers in 698 00:41:08,920 --> 00:41:11,480 that band, which is very cool, And we were kind 699 00:41:11,519 --> 00:41:14,039 of talking off air about Vice's Ink. Of course they're 700 00:41:14,039 --> 00:41:17,400 a female fronted band as well, and both bands, along 701 00:41:17,559 --> 00:41:20,400 with Grim the Acronym, are going to be playing tonight 702 00:41:20,480 --> 00:41:22,440 for those of you who are listening live on Saturday 703 00:41:22,880 --> 00:41:25,880 tonight at Terminus Underground in Nashua. And of course we 704 00:41:25,960 --> 00:41:29,199 have Eleanor and Andre here from Terminus and we've been 705 00:41:29,280 --> 00:41:31,360 talking all about that this morning. 706 00:41:31,519 --> 00:41:33,679 Speaker 4: And doors open at seven. 707 00:41:33,760 --> 00:41:36,000 Speaker 3: Correct, I open at seven, I should say. The address 708 00:41:36,079 --> 00:41:39,400 is one thirty four Hain Street, right off of Arlington 709 00:41:39,480 --> 00:41:42,440 Street and it's down a little hill and you'll see 710 00:41:42,440 --> 00:41:45,119 a brick mill building the double glass doors and then 711 00:41:45,159 --> 00:41:48,760 we're on the second floor. So the doors open at seven. 712 00:41:49,079 --> 00:41:52,639 Music starts at eight fifteen dollars general admission twenty dollars VIP. 713 00:41:53,679 --> 00:41:55,239 Speaker 4: Yeah, and if you haven't been to Terminus, you got 714 00:41:55,320 --> 00:41:56,400 to check it out and. 715 00:41:56,559 --> 00:41:58,159 Speaker 3: You can go on the website and you can buy 716 00:41:58,239 --> 00:42:01,400 tickets there. So right on the homepage of New Hampshire 717 00:42:01,440 --> 00:42:04,960 Underground dot oorg New Hampshire Underground dot org you'll see 718 00:42:05,639 --> 00:42:08,679 the poster for tonight's show ticket link and you can 719 00:42:08,719 --> 00:42:11,239 buy tickets there. We also take venmo or cash at 720 00:42:11,280 --> 00:42:13,880 the door also cash app to Yeah. 721 00:42:13,960 --> 00:42:17,039 Speaker 4: Yeah, it's good to have all those options. Yeah. Absolutely. 722 00:42:17,800 --> 00:42:19,800 Speaker 1: Is there anything we didn't talk about in regard to 723 00:42:19,880 --> 00:42:22,840 Terminus that you want to mention because it's rare that 724 00:42:22,920 --> 00:42:24,760 we have an opportunity to have both of you here 725 00:42:24,760 --> 00:42:26,280 at the same time, and I just want to make sure. 726 00:42:26,440 --> 00:42:27,840 I mean, it's such a cool place, it's such a 727 00:42:27,880 --> 00:42:29,679 great venue. I'm excited to see what you do in 728 00:42:30,039 --> 00:42:31,760 twenty twenty six. And you know, you were kind of 729 00:42:31,800 --> 00:42:35,400 hinting around about expanding and whatnot, but well, not hinting. 730 00:42:35,480 --> 00:42:36,559 Speaker 4: You said that that is the plan. 731 00:42:36,719 --> 00:42:39,199 Speaker 1: But I mean, but is there anything about that we 732 00:42:39,239 --> 00:42:40,519 didn't talk about that you want to make sure our 733 00:42:40,559 --> 00:42:41,320 listeners know about. 734 00:42:41,440 --> 00:42:46,199 Speaker 3: I mean, expansion definitely is on the horizon. We definitely 735 00:42:46,280 --> 00:42:50,119 want more people to come in, more people to experience 736 00:42:50,239 --> 00:42:53,360 what we have going on. The hospitality that we provide 737 00:42:53,920 --> 00:42:57,679 is top par That's like the responses that everyone says 738 00:42:57,760 --> 00:43:01,039 is this place is so cool, The hospital is so amazing. 739 00:43:01,519 --> 00:43:03,679 It's better than any bar we've ever been to. So 740 00:43:03,760 --> 00:43:06,480 I want more people to experience that, and not just bands, 741 00:43:06,960 --> 00:43:09,559 you know, just fans of live music. And the sound 742 00:43:09,639 --> 00:43:13,079 that Andre does as our sound engineer. 743 00:43:12,880 --> 00:43:13,719 Speaker 4: That's a good thing to mention. 744 00:43:13,960 --> 00:43:18,440 Speaker 3: Phenomenal, Like every band sounds like they're on a huge stage, 745 00:43:18,960 --> 00:43:22,000 even though it's a small stage. The sound is full 746 00:43:22,239 --> 00:43:25,320 and you can hear every nuance and that's what makes 747 00:43:25,400 --> 00:43:27,880 it a nice place to listen to music. If your 748 00:43:27,920 --> 00:43:31,480 true music lover, you get to hear that in a 749 00:43:31,599 --> 00:43:35,639 space that's comfortable for you and not you know, something 750 00:43:35,639 --> 00:43:39,719 where you feel pressured to uh just stand there and observe. 751 00:43:39,679 --> 00:43:42,760 Speaker 6: Right right, yeah, not hear your neighbors knocking on the wall. 752 00:43:46,639 --> 00:43:49,840 Speaker 1: Absolutely absolutely, well, thank you both so much, and it 753 00:43:49,960 --> 00:43:52,440 is happening. What wonderful to see you and and uh 754 00:43:52,880 --> 00:43:53,760 love what you're doing to be. 755 00:43:53,840 --> 00:43:55,119 Speaker 6: Here and see you out again. 756 00:43:55,320 --> 00:43:59,480 Speaker 4: Absolutely absolutely to terminus, Oh, we were saying too off 757 00:43:59,519 --> 00:44:01,559 air that you you know, you looked when you when 758 00:44:01,599 --> 00:44:02,440 you walked into the building. 759 00:44:02,440 --> 00:44:04,400 Speaker 1: You look different to me. And because you had shaved, 760 00:44:04,440 --> 00:44:06,000 because you were both, we should mention that you were. 761 00:44:06,719 --> 00:44:08,320 You were Azzie and Sharon for Halloween. 762 00:44:08,400 --> 00:44:08,519 Speaker 11: Right. 763 00:44:08,840 --> 00:44:12,920 Speaker 3: Yes, by some circles we are considered the Aussie and 764 00:44:13,000 --> 00:44:15,320 Sharon of the East Coast because of all the things 765 00:44:15,400 --> 00:44:17,519 that we do. And it's kind of like a joke, 766 00:44:17,639 --> 00:44:20,239 but we just decided to play on it and dress 767 00:44:20,360 --> 00:44:22,719 up like Ozzie and Sharon and it was fun. 768 00:44:24,119 --> 00:44:27,320 Speaker 6: English accent is horrible all night at. 769 00:44:27,239 --> 00:44:29,079 Speaker 3: The last show. It is our Halloween show. I'd hear 770 00:44:29,199 --> 00:44:33,239 a Sharon and I'd be like, oh my goodness, yeah, 771 00:44:35,320 --> 00:44:37,039 I'd have to come running to see what it was. 772 00:44:37,199 --> 00:44:40,360 Speaker 9: Yeah, facing them with bubbles, Yeah, that would have been 773 00:44:40,400 --> 00:44:42,400 a really good idea, Bubbles Sharon. 774 00:44:43,960 --> 00:44:46,039 Speaker 2: A couple of people mentioned that, actually. 775 00:44:47,039 --> 00:44:49,719 Speaker 4: Bubbles, I'm the prince of darkness. 776 00:44:50,840 --> 00:44:54,320 Speaker 1: My British accents even worse than your British. I sound 777 00:44:54,360 --> 00:44:56,280 like an Australian with that trauma when I tried to 778 00:44:56,320 --> 00:44:56,599 do on it. 779 00:44:57,480 --> 00:44:59,119 Speaker 6: Why do I sound like I'm Scottish. 780 00:44:59,559 --> 00:45:02,000 Speaker 3: We even had drinking game going where like if you 781 00:45:02,159 --> 00:45:04,840 heard Sharon or Ozzy out of either of our mouths, 782 00:45:04,880 --> 00:45:05,679 you had to dream. 783 00:45:05,960 --> 00:45:11,800 Speaker 1: Yeah, that's cool, very good, very good. Well, I think 784 00:45:11,800 --> 00:45:14,119 we should end the segment with a terror with a 785 00:45:14,239 --> 00:45:17,559 Dad Harrison song, Terror Grinder, my personal favorite. It sounds 786 00:45:17,599 --> 00:45:19,360 like this is a favorite of a lot of people. Yep, 787 00:45:19,480 --> 00:45:21,480 from what you guys have told me so, So we'll 788 00:45:21,639 --> 00:45:23,559 end with that, And if you are listening live on 789 00:45:23,679 --> 00:45:25,880 Saturday morning, stick around. Coming up in the second hour, 790 00:45:26,000 --> 00:45:29,679 Charles Richardson and Eric Pilcher we'll both be joining us remotely, 791 00:45:29,719 --> 00:45:32,960 of course, and then in the third hour under the Horizon. 792 00:45:33,519 --> 00:45:35,199 They haven't been on in a while, but They've been 793 00:45:35,400 --> 00:45:38,360 up to a lot of great stuff. They played the Terminus, yeah, 794 00:45:38,440 --> 00:45:38,840 and they. 795 00:45:38,840 --> 00:45:40,760 Speaker 3: Played it Terminus and then at the spot that I 796 00:45:40,840 --> 00:45:43,760 did a show, yes, yeah, we had a blue ou. 797 00:45:44,199 --> 00:45:47,719 They're great. The whole team is great. Their management is great. 798 00:45:47,800 --> 00:45:48,480 So that's awesome. 799 00:45:48,599 --> 00:45:51,519 Speaker 1: Yeah, it's it's always kind of surreal seeing Mike Palmer 800 00:45:51,599 --> 00:45:55,440 because when back in the day, so long ago now 801 00:45:55,480 --> 00:45:58,880 and yet it seems like not so long. But like 802 00:45:59,000 --> 00:46:01,000 I was in a band called My Life Crisis and 803 00:46:01,239 --> 00:46:04,760 Mike was in Disorder by Design and we would play 804 00:46:04,760 --> 00:46:05,760 a lot of shows together. 805 00:46:06,320 --> 00:46:08,719 Speaker 4: So but he and he kind of looks the same too. 806 00:46:08,760 --> 00:46:12,679 He hasn't even changed. Really, it's but it's surreal being 807 00:46:12,719 --> 00:46:14,719 in a room with him. But it's but it's cool. 808 00:46:15,000 --> 00:46:15,840 Speaker 2: He knows what he's doing. 809 00:46:16,000 --> 00:46:16,280 Speaker 7: He does. 810 00:46:16,360 --> 00:46:18,400 Speaker 2: He can tell he's been in the industry for a 811 00:46:18,519 --> 00:46:19,360 while himself. 812 00:46:19,480 --> 00:46:23,159 Speaker 1: And yeah, absolutely, all right, very good. So we will 813 00:46:23,280 --> 00:46:25,360 end the segment with this again, thank you both so much, 814 00:46:25,960 --> 00:46:29,880 and uh get to Terminus tonight, Terminus Underground, Terminus Underground 815 00:46:29,960 --> 00:46:32,159 and here is this is Terror Grinder and the band 816 00:46:32,280 --> 00:46:33,480 is Dad Harrison. 817 00:46:39,960 --> 00:46:48,039 Speaker 17: Song the Games and Prove the City, the Chamber, Love 818 00:46:48,119 --> 00:46:48,800 Your God. 819 00:46:51,159 --> 00:46:55,039 Speaker 10: We see a sleep for a lot of time. 820 00:46:57,039 --> 00:47:00,840 Speaker 14: The team love fall. 821 00:47:14,920 --> 00:47:23,199 Speaker 19: Far ahead, receive brassard. That's with the nasty and. 822 00:47:26,119 --> 00:47:29,639 Speaker 14: I'll be bread and drag fi. 823 00:47:31,880 --> 00:47:35,320 Speaker 19: But the bestnot be of a row. 824 00:47:37,760 --> 00:47:39,119 Speaker 6: Let's till ride. 825 00:47:39,159 --> 00:47:44,360 Speaker 19: It's rolling, it's tasteful, but it's really look go and 826 00:47:44,519 --> 00:47:46,239 as trail and it's quick. 827 00:47:46,559 --> 00:47:49,800 Speaker 6: I fixture you can feel butts. 828 00:47:50,159 --> 00:47:54,280 Speaker 14: Let's have a cry, y know things, jot it's wrong. 829 00:47:55,239 --> 00:47:57,440 Don't showing us in this battle. 830 00:47:57,599 --> 00:47:59,800 Speaker 4: Cry and thank god lets it's not. 831 00:48:01,400 --> 00:48:06,199 Speaker 7: Said my. 832 00:48:36,320 --> 00:48:40,000 Speaker 14: Guys as a man journey. 833 00:48:41,760 --> 00:48:45,800 Speaker 6: To see fla got to wage. 834 00:48:47,559 --> 00:48:48,519 Speaker 14: Of thou. 835 00:48:49,800 --> 00:48:59,639 Speaker 19: The self tracker of fo A long taper place mota 836 00:49:00,920 --> 00:49:11,280 bind lad the cha to us an stay. It's not 837 00:49:12,320 --> 00:49:20,440 a range chant around and came to any human race. 838 00:49:22,440 --> 00:49:24,760 Speaker 14: Looking up the sky around us. 839 00:49:25,360 --> 00:49:27,199 Speaker 8: It's fall into the sea. 840 00:49:28,320 --> 00:49:32,440 Speaker 19: This thing you call your nightside will soon be just 841 00:49:32,599 --> 00:49:37,719 a tree, the til brine, a tad, and get it 842 00:49:37,920 --> 00:49:42,639 th to be when all the world is gathered God, 843 00:49:42,880 --> 00:49:44,239 one thing was filled. 844 00:49:44,320 --> 00:49:46,199 Speaker 16: Rippy s. 845 00:49:50,719 --> 00:50:04,960 Speaker 11: Hider still fine, d stand 846 00:50:06,519 --> 00:51:51,599 Speaker 14: Steps secon