WEBVTT

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<v Speaker 1>A man named Hank is enlisted to watch his neighbor

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<v Speaker 1>Russ's cat named Bud. Shortly after Russ leaves, Hank is

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<v Speaker 1>beset upon by a number of violent thugs and enforcers,

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<v Speaker 1>all looking for something that Russ owed them. Hank is

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<v Speaker 1>presumed to have been caught stealing. I'm Ronald Young Jr.

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<v Speaker 1>And I'm leaving the theater, which is.

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<v Speaker 2>All right?

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<v Speaker 1>This is Ronald and I am leaving the theater after

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<v Speaker 1>seeing Caught Stealing. Caught Stealing Written by Charlie Huston, directed

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<v Speaker 1>by Darren Aronofsky, starring Austin Butler, Regina King, Zoe Kravitz,

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<v Speaker 1>Matt Smith, Leave Schreiber, Vincent Danafrio, Benito Martinez Ocazio also

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<v Speaker 1>known as Bad Bunny, Griffin Dunn, and Carol Caine and

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<v Speaker 1>for complete cast listing, you can go to the link

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<v Speaker 1>in our show notes It is just Me Today. Caught

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<v Speaker 1>Stealing is a movie about a man named Hank played

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<v Speaker 1>by Austin Butler, who is tasked with taking care of

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<v Speaker 1>his neighbor's cat. His neighbor is Matt Smith, who is

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<v Speaker 1>going to deal with his ailing father in England, so

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<v Speaker 1>he leaves the cat with Hank uh and Hank then

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<v Speaker 1>is beset upon by a number of villains and thugs

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<v Speaker 1>who are attempting to get something back from his neighbor

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<v Speaker 1>that he did not tell Hank about before he left this.

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<v Speaker 1>If you watch the trailer for this film, it is

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<v Speaker 1>kind of billed as this like a kind of like

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<v Speaker 1>a crime rump movie where there's you know, there's there's

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<v Speaker 1>there's a fish out of water. Oh no, all this

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<v Speaker 1>stuff is happening to me type of thing. Uh, it's

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<v Speaker 1>I'm not thinking of any comparisons right at the moment,

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<v Speaker 1>And I'll tell you why in a minute. You'll you'll

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<v Speaker 1>probably understand why in a minute. But it's just one

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<v Speaker 1>of those films where it's like, oh, no, you got

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<v Speaker 1>the wrong guy type thing, but now you're still responsible.

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<v Speaker 2>Like it's one of those films.

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<v Speaker 1>And Hank is in a casual relationship with Zoe Kravitz

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<v Speaker 1>in the film, and she is trying to help him

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<v Speaker 1>as he goes along his way trying to navigate this situation.

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<v Speaker 2>I didn't like this movie.

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<v Speaker 1>I have a feeling that it's probably attached to the

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<v Speaker 1>last week and really starting to think about violence and

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<v Speaker 1>just think about violence generally, how it's used in film,

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<v Speaker 1>what it means as a tool of oppression, and what

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<v Speaker 1>it means when when what it means when it's gratuitous.

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<v Speaker 1>What does it even mean when there's something that is gratuitous,

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<v Speaker 1>gratuitously violent, or needlessly violent in some cases, And this

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<v Speaker 1>film is very violent, and it's violent in a way

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<v Speaker 1>where there is no payoff. I don't feel any Catharsis afterwards,

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<v Speaker 1>and I started to think about what that actually means.

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<v Speaker 1>That there's a lot of stuff that we're watching in

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<v Speaker 1>which there's some sort of violence setup, or someone gets

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<v Speaker 1>punched in the face, and I'm supposed to be so

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<v Speaker 1>angry that i can't wait to see that person get

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<v Speaker 1>like dropped off a.

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<v Speaker 2>Cliff later in the movie.

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<v Speaker 1>It's typically like some sort of goon or something that's

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<v Speaker 1>doing something terrible. This is a film in which early

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<v Speaker 1>in the movie, Austin Butler is beset upon and beat

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<v Speaker 1>so severely by these gangsters. And they show this to

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<v Speaker 1>us by these Ukrainian gangsters or Russian. No, I think

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<v Speaker 1>they're Russian, by these Russian gangsters, and I didn't make

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<v Speaker 1>a mistake. There's a point in the film in which

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<v Speaker 1>they are Someone says they are Ukrainian. The other person

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<v Speaker 1>says they are Russian. So it's not me making a mistake.

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<v Speaker 1>I'm just trying to remember what the movie settled on.

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<v Speaker 1>And they beat him so severely that one it was

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<v Speaker 1>hard to watch a little bit, Like the sound design

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<v Speaker 1>was great in that regard, but also he has to

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<v Speaker 1>get his kidney removed because it was damaging. It was

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<v Speaker 1>bleeding inside of him and it was bad. There's there's

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<v Speaker 1>a sense in there where when you see this type

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<v Speaker 1>of violence in a film, you expect him to kind

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<v Speaker 1>of pull back to be like maybe like more funny.

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<v Speaker 1>Maybe it's like, oh, these are like hapless criminals, and

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<v Speaker 1>the violence isn't like it's moral cartoonish violence. But this

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<v Speaker 1>felt like very like gritty, real world violence. But then

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<v Speaker 1>they would try to punctuate it with jokes. He one

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<v Speaker 1>of the most violent thugs in the movie, is kind

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<v Speaker 1>of making jokes and he's like not not very good

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<v Speaker 1>at English, but he's also like making a lot of

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<v Speaker 1>pop culture references when he's talking. But when he's doing that,

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<v Speaker 1>horrible things are happening to Hank. And for me watching this,

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<v Speaker 1>and I'm wondering if this is attached to what happened

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<v Speaker 1>last week and kind of how I've been thinking about

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<v Speaker 1>violence and the way everyone's been kind of pontificating on

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<v Speaker 1>it what it means. I was uncertain if that's if

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<v Speaker 1>like this movie was doing a bad job of this,

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<v Speaker 1>which I suspect that it is, And is it just

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<v Speaker 1>compound by the fact that I'm thinking about these things,

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<v Speaker 1>or is it just the job is done so badly

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<v Speaker 1>that this is making me feel bad, And I think

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<v Speaker 1>maybe it's probably both, because I feel bad after watching this,

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<v Speaker 1>Like I left and I felt sad. They at one

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<v Speaker 1>point in the movie, like a way maybe a quarter

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<v Speaker 1>of the way through, they kill Zoe Kravitz and then

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<v Speaker 1>they like kind of make us look at it like

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<v Speaker 1>not not her death but her body. And then the

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<v Speaker 1>main character is suffering with trauma from the past of

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<v Speaker 1>him killing his teammate while he was driving drunk, and

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<v Speaker 1>his teammate is also I would say racially ambiguous.

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<v Speaker 2>But I'm pretty sure he was black.

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<v Speaker 1>And so I'm sitting here looking at like kind of

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<v Speaker 1>these black folks that are facing the fallout of the

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<v Speaker 1>decisions that the main character, Hank is making, and thinking, Wow,

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<v Speaker 1>I don't I don't like how this is I don't

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<v Speaker 1>like how this is happening. And I think one part

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<v Speaker 1>that really got me was just looking at this Kravitz.

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<v Speaker 2>Part really got me.

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<v Speaker 1>Because I just felt, I don't know, I don't know

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<v Speaker 1>how to explain this. I just felt so bad like

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<v Speaker 1>seeing her dead and seeing that it was essentially because

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<v Speaker 1>of him, and there's no like, there's no other part

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<v Speaker 1>of the movie where we get to be like I mean,

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<v Speaker 1>at one point I was like, man, I hope she

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<v Speaker 1>was in on it and this is like a fake

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<v Speaker 1>death and it's like, oh no, a double cross, Like no,

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<v Speaker 1>she she's like dead and then stays dead the rest

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<v Speaker 1>of the film in a way that.

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<v Speaker 2>I'm like, why are'm making me watch this? Like what,

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<v Speaker 2>like I why would you do this? To be like?

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<v Speaker 1>This doesn't and she really had nothing to do with

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<v Speaker 1>any of the stuff that was happening. She was just

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<v Speaker 1>helping her boyfriend and it they like, I just that

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<v Speaker 1>part really soured the rest of the movie. And it

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<v Speaker 1>happens about forty minutes in and the movie is an

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<v Speaker 1>hour and forty seven minutes long, so everything that happens

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<v Speaker 1>after that, I kept thinking what about her? And I know, y'all,

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<v Speaker 1>I know it's kind of wild and like maybe again,

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<v Speaker 1>maybe it's connected to the way I'm feeling right now,

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<v Speaker 1>but it really, it really, it just stuck with me, man,

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<v Speaker 1>like why I don't understand?

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<v Speaker 2>Like what was the watching the rest of the movie.

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<v Speaker 1>There was nothing about this movie that made me feel

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<v Speaker 1>like this death was some sort of significant plot point

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<v Speaker 1>that needed to happen in order for the film to

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<v Speaker 1>be better or grittier or more motivating. He was already

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<v Speaker 1>suffering trauma from his past that was hovering over the

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<v Speaker 1>rest of the movie. You introduce this new trauma, and

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<v Speaker 1>then over the course of the movie, like just more

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<v Speaker 1>and more of his close people are and people from

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<v Speaker 1>his circle social circle are being murdered.

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<v Speaker 2>And in a way that's like I don't understand.

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<v Speaker 1>Why does he The only thing that I think that

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<v Speaker 1>makes this movie better is if at some point this

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<v Speaker 1>guy dies too, And of course that doesn't happen. And

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<v Speaker 1>I'm sorry to spoil this for people who are planning

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<v Speaker 1>on watch it. Watching it and even having said all that,

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<v Speaker 1>I think one important thing to note is that the

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<v Speaker 1>acting is good. I mean, you heard the names that

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<v Speaker 1>I said, Vincent, Dinafrio, Leave Schreiber, Austin Butler, of course,

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<v Speaker 1>Zoe Kravitz, Regina King, everybody punched into work.

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<v Speaker 2>But I really am concerned.

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<v Speaker 1>About why this is a story that needs to be

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<v Speaker 1>told right now. And it's not just the timing, because

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<v Speaker 1>obviously the movie being released was never going to be

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<v Speaker 1>at a time in which you don't know what's going

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<v Speaker 1>to happen in the news based on a movie coming

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<v Speaker 1>out like this. But I'm saying, like, if you watch

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<v Speaker 1>this movie. When I got to the end, I was

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<v Speaker 1>just like, oh, well, what was the why did I?

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<v Speaker 2>What was this? Did I?

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<v Speaker 1>What was this? Why did I just watch this? And

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<v Speaker 1>I don't like that feeling at the end of a movie.

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<v Speaker 1>I don't like that. I want to be like, well

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<v Speaker 1>they made laugh or something like that, and the parts

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<v Speaker 1>in which they were trying to make me laugh, I

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<v Speaker 1>just felt like, y'all murdered Zoe Kravitz. I don't understand

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<v Speaker 1>why you did that, Like, what was the what was

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<v Speaker 1>the purpose of that? Like normally you watch a film

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<v Speaker 1>like that and when that happened, you're like, oh man,

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<v Speaker 1>these these these antagonists are really serious, but none of

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<v Speaker 1>the antagonists, like the antagonists would be like serious antagonists,

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<v Speaker 1>but also doing silly things that's supposed to make you laugh,

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<v Speaker 1>but it's it's not funny enough to match with the

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<v Speaker 1>I don't know how to explain this, but you've seen

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<v Speaker 1>enough zany hijink films to be like, oh, these these

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<v Speaker 1>bad guys are bad guys, but the good guys are

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<v Speaker 1>way better. Like the protagonists aren't really in any danger,

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<v Speaker 1>even though these bad guys are bad guys, and if

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<v Speaker 1>they do get one significant death off, it is for

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<v Speaker 1>a reason or for what seems like a reason, and

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<v Speaker 1>it just that's not what I got in this film.

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<v Speaker 1>I think the acting was great. I think the movie

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<v Speaker 1>like it did make me want to watch it. Would

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<v Speaker 1>I watch it again? Absolutely not. Yeah, And with all

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<v Speaker 1>that being said, I think I have to give this.

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<v Speaker 1>I'm gonna give it exactly a two point five because

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<v Speaker 1>I think I feel the same way about this movie

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<v Speaker 1>that I did about The Long Walk, which is why

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<v Speaker 1>did you make me watch this?

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<v Speaker 2>You know?

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<v Speaker 1>But again it ends up not being a two or

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<v Speaker 1>lower simply because I mean, the acting was good, the

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<v Speaker 1>construction of the film was fine, but I like y'all

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<v Speaker 1>wrote something that I don't think needed to be made,

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<v Speaker 1>and it makes me wonder about the things that aren't

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<v Speaker 1>being made. If this is what's being made right now

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<v Speaker 1>in twenty twenty five, when it's difficult for movies to

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<v Speaker 1>be made, why are these the ones that are coming out.

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<v Speaker 1>I don't like it, and I hope this one and

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<v Speaker 1>The Long Walk disappear into the ether of forgetfulness.

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<v Speaker 2>Two point five stars and with that, this.

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<v Speaker 1>Leaving the Theater is a production of Oh it's big

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<v Speaker 1>round Studios. I mix this episod and y'all can tell

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<v Speaker 1>from the weariness of my voice it's been a long day.

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<v Speaker 1>It's the end of a Sunday, it's been a long week,

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<v Speaker 1>and it's about six fifty three right now. And what

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<v Speaker 1>I'm planning to do is walk into my house and

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<v Speaker 1>start watching Highest to Lowess for an on the couch

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<v Speaker 1>episode of Leaving the Theater.

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<v Speaker 2>That's right.

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<v Speaker 1>On the Couch is back, but on the Couch is

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<v Speaker 1>only available through Patreon. That's right, Patreon dot com slash

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<v Speaker 1>Leaving the Theater. You now have three unique offerings on

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<v Speaker 1>the Patreon only that is the ad free feed. I'm

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<v Speaker 1>sure you've been hearing the ads. Now we turn them on.

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<v Speaker 1>They are programmatic. They should be out through all of

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<v Speaker 1>the catalog of the episodes. If you're listening right now,

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<v Speaker 1>if you heard this episode, you probably heard an ad

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<v Speaker 1>unless you're unless you're a Patreon member, there is I

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<v Speaker 1>don't like that, which I need to get a new

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<v Speaker 1>episode up. I know, I know, but I'm working on

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<v Speaker 1>this right now. And you now have on the couch.

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<v Speaker 1>So on the couch episodes which will involve typically television

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<v Speaker 1>shows and you know, documentaries, things on Netflix, stuff that

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<v Speaker 1>shows up that is not going to be in the theater.

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<v Speaker 1>I will now be reviewing those on the couch. There

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<v Speaker 1>will be a little bit lower production lift for me,

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<v Speaker 1>I e. They'll be like, you know, less of the intro,

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<v Speaker 1>just more me sitting on the couch pontificating. They'll still

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<v Speaker 1>be edited, but just edited more lightly. But those will

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<v Speaker 1>still be available through Patreon only. This is a labor

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<v Speaker 1>of love, but it is labor. So if you're interested

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<v Speaker 1>in the extra offerings that we have on patreon dot com,

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<v Speaker 1>go to Patreon dot com slash leaving the Theater or

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<v Speaker 1>go to the link in our show notes. Show art

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<v Speaker 1>from Heather Wilder. Theme music by the mysterious Breakmaster Cylinder.

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<v Speaker 1>For more information about Colt stealing, check out our show notes.

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<v Speaker 1>You can follow me on Instagram Blue Sky, TikTok, threads,

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<v Speaker 1>or letterbox at Owiz Bigron. That's at O h I

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<v Speaker 1>T S b I g R o N. You can

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<v Speaker 1>find out more about the show and other Ow's Big

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<v Speaker 1>Round Studio shows by following us on Instagram at Owitz

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<v Speaker 1>Bigrond Studios.

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<v Speaker 2>Leaving the theater will be back soon. Thanks for listening.