WEBVTT

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<v Speaker 1>From Workhouse Connect and aj Benza fame. Uh he'd liked

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<v Speaker 1>to be walked on a leash and play really dirty,

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<v Speaker 1>kinky sex games. Is uh the guy put the cock

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<v Speaker 1>in the peacock network. Okay, bitch, hey, everybody, aj Ben's

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<v Speaker 1>are here with fame as a bitch. This is your

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<v Speaker 1>daily Unfiltered podcast for July twenty first, twenty twenty five.

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<v Speaker 1>Oh seven two two five. Well, sorry, today's show is

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<v Speaker 1>getting to you late. Mike's in New York as well,

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<v Speaker 1>so I'm taping this at eleven o'clock. Mike lea back

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<v Speaker 1>in two hours, so you'll get this sometime in the afternoon.

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<v Speaker 1>I just when my back goes out, and you do,

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<v Speaker 1>guys don't have a bad back, but it's been good

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<v Speaker 1>for a long time. But I was pulling something out

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<v Speaker 1>of the trunk, a box out of the trunk, and

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<v Speaker 1>of course I tweeked it doing that, and I was like, ah,

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<v Speaker 1>damn it, all right, it'll be okay. I'll just take

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<v Speaker 1>some mbipro fin lay on the heating pad. Let's give

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<v Speaker 1>you right. And then later that day, what was the Actually.

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<v Speaker 2>I went to go, I shut the AC off and

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<v Speaker 2>open the windows, and I have two blue dumbbells on

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<v Speaker 2>the floor that rock on I use sometimes to fuck

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<v Speaker 2>around with, and they're hard to see with her on

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<v Speaker 2>the carpet, So I'm backing away from the window, and

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<v Speaker 2>of course my heel hits the weights and I twisted,

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<v Speaker 2>so I wasn't gonna fall, and I made it worse.

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<v Speaker 1>So Saturday and Sunday were awful days. On my back

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<v Speaker 1>the whole time. I mean, I don't know. I'm gonna

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<v Speaker 1>see my doctor DeMar for some pills. I got it.

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<v Speaker 1>When I'm in this kind of pain, I can't just

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<v Speaker 1>sit around, and I wins with every step I take.

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<v Speaker 1>Christ As you can tell, I haven't even talking just

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<v Speaker 1>to laying down and watching movies. Oh boy, that I

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<v Speaker 1>see so many things. First of all, I like the

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<v Speaker 1>series Untamed on Netflix with Eric Bonna. Interesting show. He's

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<v Speaker 1>very good. I liked him that I forgot about him

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<v Speaker 1>and I liked him again and now I realize I

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<v Speaker 1>like him again. Good series. I liked it a lot.

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<v Speaker 1>But of course these series just the way that the

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<v Speaker 1>industry is now. They're setting the women, the girls and

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<v Speaker 1>women they're putting in these movies. I understand they need

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<v Speaker 1>to have more visible roles. And what have you. But

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<v Speaker 1>do they always have to be the goddamn hero in

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<v Speaker 1>the in the movies and the series they're in. They

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<v Speaker 1>always have to be the ones who solve the case,

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<v Speaker 1>save the day, do better than the man did in

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<v Speaker 1>the end, save his life, then find the killers, killed

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<v Speaker 1>theb It's the same format every fucking show I watch.

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<v Speaker 1>I'm five minutes in, I already know, Oh, that's going

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<v Speaker 1>to recruit. She's gonna get a lot of attention, a

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<v Speaker 1>lot of experience on the job. He's gonna be old curmudgeon,

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<v Speaker 1>but she'll soften him up. They'll meet in the middle,

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<v Speaker 1>and she'll save his life. It happens every fucking time.

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<v Speaker 1>But I still liked it. I like Intrusion with Frieda Pinto.

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<v Speaker 1>Oh God. First of all, just about a house that

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<v Speaker 1>keeps getting broken into a beautiful home. But I'll tell

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<v Speaker 1>you this movie nothing else. If you think Freeda Pinto

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<v Speaker 1>was as beautiful as I do, then watch this movie

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<v Speaker 1>because this director is in love with her. There's about

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<v Speaker 1>twenty shots of her just focused on her face, and

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<v Speaker 1>we get it. She's beautiful. Good movie, crumb chaser, small movie,

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<v Speaker 1>independent movie, horror film. It got me. It wasn't scary.

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<v Speaker 1>It was more like, holy shit, like you get angry

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<v Speaker 1>for these people what they're going through. I'm not even

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<v Speaker 1>gonna explain the plot. It's crazy. But another pretty girl

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<v Speaker 1>in that Spencer cop. I want to saw it. Two

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<v Speaker 1>Mark Wahlberg movies almost a third because I don't he

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<v Speaker 1>plays the same guy in every movie. He's always the

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<v Speaker 1>cop or the guy coming back to be the cop again.

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<v Speaker 1>He's gonna save the day. He actually real soft around

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<v Speaker 1>the ladies, hard around the guys. I don't know.

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<v Speaker 2>I just.

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<v Speaker 1>I like Wahlburg. But he's a one note guy. And

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<v Speaker 1>the one film he stepped out Bugging Nights he puts down.

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<v Speaker 1>He won't talk about it because he's too religious. He

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<v Speaker 1>hated that last scene with the fake cock. I'm sorry.

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<v Speaker 1>That movie was great. He was phenomenal in that movie,

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<v Speaker 1>but everything phenomenon is all, Hey, how you doing. What's

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<v Speaker 1>going on? Yeah? I told you to pick the case.

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<v Speaker 1>We'll keep you back my gun on my patch. It's

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<v Speaker 1>the same thing. But he is funny. He does have

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<v Speaker 1>comedic timing instant family. Another one outlaws Under the Shadow

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<v Speaker 1>of the Moon The Lifeless, which was based on a

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<v Speaker 1>best selling book that was cute, made me cry of

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<v Speaker 1>it at the end. California King another independent movie. Not

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<v Speaker 1>that great, but good people to look at. But what

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<v Speaker 1>I'm learning watching all these movies, you end up forgetting

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<v Speaker 1>the plot when you've been something. I watch four or

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<v Speaker 1>five movies in the weekend. You almost thought that they'd

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<v Speaker 1>blend into each other, especially with some of the same

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<v Speaker 1>actresses and actors are in each movie. Then you're really lost.

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<v Speaker 1>But I'm learning that. Okay, Sophia Carson, there's all these

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<v Speaker 1>young ange news now that are coming up that I

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<v Speaker 1>think are in every friggin Netflix movie. Sophia Carson in

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<v Speaker 1>The Lifeless is adorable, very pretty chick, Like I said

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<v Speaker 1>Freida Pinto, Victoria Justice former Nickelodeon. I think Starr now

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<v Speaker 1>in every movie she smokes and has a tits out,

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<v Speaker 1>which is fine with me. I love her and Bellaforne

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<v Speaker 1>for the same reasons. Belle Thorng's got a movie I

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<v Speaker 1>called Saint Clair, which I'm dying to see. But guess

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<v Speaker 1>what Shit had did I know? I didn't tell you.

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<v Speaker 1>On Friday? Shit had lost his bank, cark his ATM car,

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<v Speaker 1>going back and forth to the motel with the ECAD

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<v Speaker 1>that should have been out. Did I tell you that? Oh? Yeah,

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<v Speaker 1>we lost AC I think I tell you that. And

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<v Speaker 1>I had to get into an I take three days.

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<v Speaker 1>I said to the guy, there's one hundred dollars and

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<v Speaker 1>if you get it tomorrow, I need. I can't live

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<v Speaker 1>with his house. I'm at a motel. He got it

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<v Speaker 1>the next day, but I'm shuttling back and forth to

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<v Speaker 1>the motel for two days. And I had to fucking

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<v Speaker 1>cart on my desk. I didn't see it. I panicked.

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<v Speaker 1>I went to the bank and canceled it. I'm shy.

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<v Speaker 1>I must have forgot this somewhere. I come back to

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<v Speaker 1>the hotel. It's right there. But they couldn't reverse it. It

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<v Speaker 1>was just hidden in the spot you wouldn't have seen anyhow.

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<v Speaker 1>Was like in my bank card. I couldn't watch certain

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<v Speaker 1>movies because they certain Amazon, Prime and Apple are tagged

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<v Speaker 1>to this bank card. Long story whatever. So I always

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<v Speaker 1>saw some movies. But to all these young women, Isabelle

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<v Speaker 1>March said Nina Dobrev Isabelle Schlesinger, who was great in

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<v Speaker 1>uh one of the I think it's Spencer. She does

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<v Speaker 1>a real Boston chick who's in love with Wahlburg. Would

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<v Speaker 1>hate himt the same time. That was a fun performance

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<v Speaker 1>and she's sexy rose Byrne. I've seen a million times beautiful, funny,

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<v Speaker 1>great comedic timing, but all those films and there wasn't

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<v Speaker 1>really one big leading late rose Byrn is like the

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<v Speaker 1>biggest and all those films, you know, every marriage on screen, Uh,

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<v Speaker 1>the man is an asshole. The wife or girlfriend calls

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<v Speaker 1>all the shots, even the secondary characters. You know, it's

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<v Speaker 1>bad enough that Wahlburg's wife was giving him a ship,

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<v Speaker 1>but then Tom Segura is playing the brother in law

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<v Speaker 1>who's given the sisters shit. I mean no, she's given

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<v Speaker 1>him shit because he's a pussy too. It's just they're

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<v Speaker 1>all even the father, the thanksgiving, the table, the spelling shit,

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<v Speaker 1>candle burns the house because it's just like Kenby's. Can

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<v Speaker 1>a woman make a fucking mistake once in a while,

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<v Speaker 1>always putting their husbands down? It's ridiculous. How many times

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<v Speaker 1>can I hear a woman in the movie say just

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<v Speaker 1>please keep me now shut, let me do all the talking.

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<v Speaker 1>Hey you no more talking, You're done, and the man

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<v Speaker 1>just takes it and slumps in his seat. I want

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<v Speaker 1>to see a man once take a woman to the size. Listen,

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<v Speaker 1>do me a favorite. You embarrassed me again in front

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<v Speaker 1>of my friends, I'll fucking leave your assy. You'll never

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<v Speaker 1>see me again. Your fucking head will spin. You Act

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<v Speaker 1>like a fucking lady, Act like a wife. Let's get

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<v Speaker 1>it into you. You got into me, like at the

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<v Speaker 1>fuck out of me. That has to happen once. The

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<v Speaker 1>last time I saw something like that, and this is

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<v Speaker 1>obviously overboard, but it was like, oh my god, he

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<v Speaker 1>just said that. Michael Chicklis and The Shield years ago.

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<v Speaker 1>I loved that movie. That show. There was a female

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<v Speaker 1>cop who kept like thinking she was better on the

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<v Speaker 1>job of some shit, and she interjected him too many times,

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<v Speaker 1>and she came into the room one point and he

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<v Speaker 1>actually said, I don't want to hear what you have

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<v Speaker 1>to say. The next time I want your opinion, it'll

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<v Speaker 1>be about making me a sandwich or giving me a

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<v Speaker 1>blow drop that my draw was wide open. Okay, we

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<v Speaker 1>can't go back to that, but we can get away

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<v Speaker 1>from the man always being the adult police. Ever happens,

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<v Speaker 1>and it's listen, it's gonna stay this way for long,

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<v Speaker 1>maybe forever, maybe when the Muslims take over in America.

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<v Speaker 1>Let's say, one hundred years from now and fundamentally changed

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<v Speaker 1>this country into the land of mosques and Sharia law,

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<v Speaker 1>like they're doing in England and Germany and France, people

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<v Speaker 1>being killed with machetes. I mean, these fucking these countries.

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<v Speaker 1>Oh God, you're just let in the enemy. You just

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<v Speaker 1>let the enemy in. And we did the same thing

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<v Speaker 1>with Biden. Same shit. Now we're finding out through Hunter Biden.

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<v Speaker 1>His father was on ambient during those debates. Not one

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<v Speaker 1>of the medications he's prescribed, but he took ambient because

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<v Speaker 1>he's eighty one years old flying around the country. Son said,

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<v Speaker 1>And they gave a man being to sleep, he's an

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<v Speaker 1>old man. That's not true. It's not true. Who's going

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<v Speaker 1>ambient this whole presidency? Stop it. But yeah, the Muslims,

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<v Speaker 1>they're gonna take My buddy and I, kenn Eve were talking.

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<v Speaker 1>He showed me this big video of what's happened to England.

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<v Speaker 1>I've seen a million times, all these Sharia law courts

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<v Speaker 1>and just Muhamad the number one baby name, All these

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<v Speaker 1>mayors of different cities in England are Muslim. All these men,

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<v Speaker 1>what do you think is gonna happen? Meanwhile, sixty to

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<v Speaker 1>seventy percent of Muslim women don't work and are getting benefits.

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<v Speaker 1>Most men don't either and live on benefits. All kids

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<v Speaker 1>live benefits in schools and what have you. In Europe,

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<v Speaker 1>and most families have five to eight children. Gets over,

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<v Speaker 1>it's over. So when I said one hundred years, my

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<v Speaker 1>buddy Kenny said, you're being kind. You're being way too kind.

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<v Speaker 1>It's gonna take less than that. So I think our

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<v Speaker 1>kids will be fine. But our kids' kids are gonna

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<v Speaker 1>have a real fucking issue one day. Just shut them,

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<v Speaker 1>do you. Rocott just got back. Funny. You take these

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<v Speaker 1>kids out now and they come on the next day,

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<v Speaker 1>they sleep over. I never worry. I guess my father didn't.

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<v Speaker 1>My mother you would worry when I left the house

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<v Speaker 1>for the night, But my father never said he lost sleep.

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<v Speaker 1>I sleep. I just trust them anyhow. Uh yeah, the pendulum,

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<v Speaker 1>I mean, look, the pendulum shouldn't swing all that way

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<v Speaker 1>with the way Muslims treat women. Fucking Flintstone era, Flintstone Age,

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<v Speaker 1>and that's probably the only I'll tell you right now.

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<v Speaker 1>The Flintstones is probably the only show Muslims think was

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<v Speaker 1>a good show in America. But when they take this

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<v Speaker 1>country over. Those of you who are left, you're gonna

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<v Speaker 1>scream and cry and wish on your life that Archie

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<v Speaker 1>Bunker wasn't so bad after all. You're gonna wish he

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<v Speaker 1>was back. But everything's going to shit. Everything's going to shit.

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<v Speaker 1>I gotta see. I very rarely watch network TV. I

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<v Speaker 1>don't even know why I haven't. All I watch is

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<v Speaker 1>streamers and Fox. But uh, I gotta watch the w NBA.

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<v Speaker 1>Woman's a game. They came out to, all the women

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<v Speaker 1>came out to with T shirts that said, pay us

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<v Speaker 1>what you owe us. Listen. There are definitely several w

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<v Speaker 1>NBA players who light up the league and they're the

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<v Speaker 1>main reason why anyone watches this shit show. Obviously, Caitlin

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<v Speaker 1>Clark is number one. Angel Reese for all the shots

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<v Speaker 1>she misses and all the me bounds she gets in

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<v Speaker 1>her big mouth, she's staying in the public's eye as well.

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<v Speaker 1>There's there's two handfuls of others who are great at

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<v Speaker 1>what they do. The rest of them get the fuck

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<v Speaker 1>out of here. Product is shit. The league is a joke.

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<v Speaker 1>Most boys varsity high school teams could destroy any w

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<v Speaker 1>NBA team wouldn't even be close. And then during the

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<v Speaker 1>WNBA All Star Game. You have three female broadcasters at

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<v Speaker 1>the game, which is interesting because on every fucking men's

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<v Speaker 1>sports telecast baseball, basketball, football, we have to have a

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<v Speaker 1>woman in the booth or a woman courtside calling the

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<v Speaker 1>action or being the expert analys analyst. So some idiot

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<v Speaker 1>female figure of the name says in the halftime break

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<v Speaker 1>about the two teams paraphrasing, but this is exactly what

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<v Speaker 1>she said to a degree. Someone's got to step up

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<v Speaker 1>tonight because so far this games looks like a girls'

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<v Speaker 1>night out in can Kun no d no d as

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<v Speaker 1>in no dick, because there's no men. When an all

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<v Speaker 1>girls trip to can Kun and there's no defense in

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<v Speaker 1>the game, it's just okay, cute, cute. But if a

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<v Speaker 1>male comic or broadcast has said that, they'd be canceled,

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<v Speaker 1>called upon to apologize to old women after the next

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<v Speaker 1>commercial break, not even next to the next day. But

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<v Speaker 1>they just laughed it off. The worst things somebody said

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<v Speaker 1>was even the doghouse, and they laughed. They giggled one

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<v Speaker 1>off the air. Double standard. Everything's changing fast. I think

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<v Speaker 1>when I lay on my back for two days, I

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<v Speaker 1>get at what's the word wistful, nostalgic. I see so

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<v Speaker 1>many articles about things being done in our world. Our

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<v Speaker 1>old world is just God. The world we grew up

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<v Speaker 1>in is coming down so fast, and this New America

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<v Speaker 1>is being put up so quickly. And it's happening a

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<v Speaker 1>lot in New York City. It's even happening a lot

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<v Speaker 1>in LA. There's so many landmark restaurants and nightclubs and

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<v Speaker 1>properties that are gone the last five years or so

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<v Speaker 1>that Alison Martinez was great at writing about because she

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<v Speaker 1>knows it all. She's the historian, and it's just a

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<v Speaker 1>sin and you know, her places means so much to

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<v Speaker 1>her when she was a kid growing up as mine

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<v Speaker 1>doing New York. When I was a kid growing up,

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<v Speaker 1>but I lived in New York City's meatpacking District, way

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<v Speaker 1>downtown West Village, all the way by the Hudson River.

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<v Speaker 1>There was this iconic diner that was featured in the

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<v Speaker 1>movie Taxi Driver, which I loved, obviously DeNiro and Scorsese,

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<v Speaker 1>and it was a famous diner. There was something that

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<v Speaker 1>just grabbed me about the meat district, the fact that

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<v Speaker 1>literally it's called the meat district because there are butchers

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<v Speaker 1>there butchering animals and you know that meat then goes

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<v Speaker 1>on trucks and gets transport of the different you know,

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<v Speaker 1>restaurants and supermarkets, what have you. And these guys, these

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<v Speaker 1>butchers would be in the streets with bloody white long

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<v Speaker 1>aprons on trucks would come out and you'd see these

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<v Speaker 1>carcasses come out and they'd hang them on hooks. It

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<v Speaker 1>feels like nineteen twelve, right, this is this is nineteen

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<v Speaker 1>ninety seven, and they're hanging them on hooks and pushing them.

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<v Speaker 1>They go into the building. This is like from two

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<v Speaker 1>am to six am. That's when these people work. And

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<v Speaker 1>it's literally blood in the streets and they get the

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<v Speaker 1>houses out and wash the streets and you can see

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<v Speaker 1>the blood go down to the sewer grats. It's like archaic,

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<v Speaker 1>but you know what, can I tell you? The public

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<v Speaker 1>wants what they want red meat. And there was this diner,

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<v Speaker 1>a couple of diners in the West Village in the

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<v Speaker 1>Meat district that I was in love with because of

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<v Speaker 1>what they meant to me. And this little diner which

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<v Speaker 1>ended up being around the corner from my apartment, Hector's

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<v Speaker 1>Cafe and Diner. Seventy six years it was there, and

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<v Speaker 1>it was underneath the old railroad track which is now

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<v Speaker 1>called a high line, and very expensive big hotels, big boutiques,

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<v Speaker 1>and restaurants out the ass. It's closing the close a

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<v Speaker 1>couple of days ago because the local butchers who supply

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<v Speaker 1>this place struck a deal to pack up so New

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<v Speaker 1>York City can build affordable housing and public space on

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<v Speaker 1>that block. Affordable housing, like I told you when I

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<v Speaker 1>lived there in my loft, caused twenty seven to fifty

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00:16:17.759 --> 00:16:24.279
<v Speaker 1>a month. Okay, I met a guy who has my

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<v Speaker 1>loft years later in New York City on the street

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<v Speaker 1>because he got my mail and he recognized me, and

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<v Speaker 1>he's paid I think like forty eight hundred or something

295
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<v Speaker 1>like that. It went up. It's skyrocketed. He worked on

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<v Speaker 1>Wall Street. It meant nothing to him and his girlfriend

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00:16:37.519 --> 00:16:39.240
<v Speaker 1>living him, she worked on Wall Street too. They're like,

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00:16:39.759 --> 00:16:41.919
<v Speaker 1>it's pretty good. It's not that bet, not that bet.

299
00:16:42.600 --> 00:16:47.840
<v Speaker 1>It's a fucking loft. It's three bowling lanes wide. Anyhow.

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00:16:48.279 --> 00:16:51.799
<v Speaker 1>But the old man there, Nick capalonis of course in

301
00:16:51.879 --> 00:16:56.440
<v Speaker 1>Old Creek, but they weren't making money anymore. But back

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00:16:56.480 --> 00:16:58.360
<v Speaker 1>of the day when I used to go there at

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00:16:58.360 --> 00:17:01.799
<v Speaker 1>that crazy hour because I'd come home from my nightly rounds.

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00:17:02.320 --> 00:17:05.160
<v Speaker 1>You know, they knew everybody's first name, last name, who

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00:17:05.200 --> 00:17:08.759
<v Speaker 1>had kids, what the parents were, where they went to school,

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00:17:09.000 --> 00:17:12.400
<v Speaker 1>you know. And there were people who'll be like, you know,

307
00:17:12.799 --> 00:17:17.839
<v Speaker 1>sixties seventies and say, my grandfather broughab me here. So

308
00:17:17.960 --> 00:17:20.720
<v Speaker 1>it was just a great place. It didn't look great,

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00:17:20.759 --> 00:17:22.440
<v Speaker 1>but you knew it was there. It was tucked away.

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00:17:22.480 --> 00:17:24.720
<v Speaker 1>It was part of that old New York that when

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00:17:24.759 --> 00:17:26.559
<v Speaker 1>I was a kid, you had to drive around and

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00:17:26.640 --> 00:17:29.920
<v Speaker 1>walk around to find walk around actually, because there's so

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00:17:30.000 --> 00:17:32.880
<v Speaker 1>many little nooks and crannies in the city, especially downtown.

314
00:17:34.119 --> 00:17:36.279
<v Speaker 1>But yeah, they're looking to make a sixty six thousand

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00:17:36.359 --> 00:17:41.000
<v Speaker 1>square foot project with mixed income housing, public open space,

316
00:17:41.799 --> 00:17:46.240
<v Speaker 1>make the Whitney Museum bigger. Oh, come on, ridiculous. It's

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00:17:46.279 --> 00:17:51.599
<v Speaker 1>so sad. So many places are gone. But scrosec used

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00:17:51.920 --> 00:17:55.039
<v Speaker 1>that place in Taxi Driver. It's been used in Law

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00:17:55.039 --> 00:17:57.559
<v Speaker 1>and Order many times. Oh god, it's part of the

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00:17:57.599 --> 00:18:01.079
<v Speaker 1>New York spirit. You know. It's just sad when these

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00:18:01.079 --> 00:18:04.240
<v Speaker 1>places go. It's a places like that are a dying breed.

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00:18:05.039 --> 00:18:08.240
<v Speaker 1>How many times can you eat at a bagel boss

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00:18:08.359 --> 00:18:12.559
<v Speaker 1>or a fucking you know, name your five guys or

324
00:18:12.599 --> 00:18:14.960
<v Speaker 1>name your breakfast joint. That's a lunch and dinner joint.

325
00:18:15.000 --> 00:18:17.920
<v Speaker 1>But you know what I mean. Do we have to

326
00:18:17.960 --> 00:18:21.200
<v Speaker 1>all go to a big Saphora. Can we have little shops?

327
00:18:21.480 --> 00:18:25.319
<v Speaker 1>The problem is they can't afford the real estate. But

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00:18:25.400 --> 00:18:29.039
<v Speaker 1>the meat district was my home base. You know a

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00:18:29.079 --> 00:18:31.880
<v Speaker 1>friend of mine, a friend of mine owned a chicken

330
00:18:31.920 --> 00:18:35.240
<v Speaker 1>plant over there, and you don't hear about that anymore.

331
00:18:36.200 --> 00:18:39.680
<v Speaker 1>El Farrow at one point was the oldest Spanish restaurant

332
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<v Speaker 1>in New York City on Jaine Street, tucked away you

333
00:18:42.680 --> 00:18:46.559
<v Speaker 1>walk down steps to get inside of it. Summer spot.

334
00:18:46.640 --> 00:18:49.440
<v Speaker 1>Oh what's the greatest shrimp? I hel shrimp and garlic

335
00:18:49.519 --> 00:18:54.559
<v Speaker 1>sauce and these old metal dented pots or pewter pots. Beautiful.

336
00:18:55.759 --> 00:18:58.400
<v Speaker 1>Took the kids there every date. There Rosalie and Jack

337
00:18:58.440 --> 00:19:00.880
<v Speaker 1>a hundred times. Maybe my first wife and I found

338
00:19:00.880 --> 00:19:06.640
<v Speaker 1>that place. Manny and Pepe were the owners. Tight loud,

339
00:19:07.319 --> 00:19:09.880
<v Speaker 1>skinny skinny bar at the walk sideways to get past

340
00:19:09.920 --> 00:19:13.359
<v Speaker 1>it to go to the dining room. The best potent

341
00:19:13.440 --> 00:19:17.000
<v Speaker 1>red saying grea in the world. Then when I moved

342
00:19:17.000 --> 00:19:20.000
<v Speaker 1>into my building, I remember looking out the windows, I

343
00:19:20.000 --> 00:19:22.640
<v Speaker 1>could see the twin towers and one it's so cool.

344
00:19:23.359 --> 00:19:25.079
<v Speaker 1>Look at the other look to my left and I

345
00:19:25.119 --> 00:19:29.039
<v Speaker 1>see I said, is that Florent Diner? Yeah, it is.

346
00:19:29.079 --> 00:19:31.839
<v Speaker 1>The real estate guy said, Florent Diner. FloraNT was a

347
00:19:31.960 --> 00:19:35.240
<v Speaker 1>twenty four hour French American diner. It was a New

348
00:19:35.319 --> 00:19:39.680
<v Speaker 1>York institution. It's gone now. It's gone, very diverse clientele

349
00:19:39.839 --> 00:19:44.519
<v Speaker 1>as you can imagine LGBT crowd, of course, because the

350
00:19:44.519 --> 00:19:48.920
<v Speaker 1>guy who founded it, FloraNT Morley, was gay and the

351
00:19:48.960 --> 00:19:52.920
<v Speaker 1>dining became a big spot, especially during the AIDS epidemic.

352
00:19:53.079 --> 00:19:57.640
<v Speaker 1>I wasn't going there at that point. But these places

353
00:19:58.000 --> 00:20:00.039
<v Speaker 1>are used to paying six thousand a month rent and

354
00:20:00.119 --> 00:20:02.680
<v Speaker 1>they get shot up to thirty thousand a month when rent.

355
00:20:02.680 --> 00:20:05.799
<v Speaker 1>When some big shot buys the whole building, it makes

356
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<v Speaker 1>unavailable to live. Same should happen to the famous bar

357
00:20:09.319 --> 00:20:12.079
<v Speaker 1>Hogs and Heifers, which the movie Kyrie Ugly is based on.

358
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<v Speaker 1>The owner told me when I called, because I was

359
00:20:15.200 --> 00:20:18.839
<v Speaker 1>still working, what happened? They arja closing, so some rich

360
00:20:18.960 --> 00:20:22.160
<v Speaker 1>arab bought the entire building that her bar was in

361
00:20:22.799 --> 00:20:24.599
<v Speaker 1>and the rent went sky high. She told me that

362
00:20:24.960 --> 00:20:27.359
<v Speaker 1>it's the rent went up so much that in order

363
00:20:27.400 --> 00:20:30.200
<v Speaker 1>to keep the joint, she'd have to raise the cost

364
00:20:30.359 --> 00:20:32.920
<v Speaker 1>of long neck beers from five bucks to thirty seven

365
00:20:32.960 --> 00:20:37.119
<v Speaker 1>to fifty each. Can't do that. And the other day

366
00:20:37.160 --> 00:20:41.279
<v Speaker 1>I got word from a patron Frank Jamond was on

367
00:20:41.279 --> 00:20:43.440
<v Speaker 1>Long Island. He's my guy out there on Long Island,

368
00:20:43.799 --> 00:20:45.920
<v Speaker 1>and he remembered hearing me talk about one of the

369
00:20:45.960 --> 00:20:51.359
<v Speaker 1>greatest restaurants ever, Laparma in a little town called Williston Park.

370
00:20:51.400 --> 00:20:56.119
<v Speaker 1>Beautiful neighborhood, big, beautiful, bustling restaurant where even a reservation

371
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<v Speaker 1>there was always forty five to sixty seventy minute wait

372
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<v Speaker 1>for your table, but it was just worth it. Everybody

373
00:21:02.039 --> 00:21:04.119
<v Speaker 1>there wanted to be there so bad. That's shrimp. I

374
00:21:04.119 --> 00:21:07.079
<v Speaker 1>always say shrimp s It's my favorite. Everything was so great.

375
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<v Speaker 1>We never had food like this. Horsefield went there. I

376
00:21:13.079 --> 00:21:15.559
<v Speaker 1>was desperate to take a girl there right. I wanted

377
00:21:15.559 --> 00:21:17.680
<v Speaker 1>to take a girl there so bad. I was divorced.

378
00:21:17.960 --> 00:21:21.880
<v Speaker 1>And one day, being my buddy Johnny Glente, who I

379
00:21:21.920 --> 00:21:26.480
<v Speaker 1>wrote with at Newsday, we're driving and we were going

380
00:21:26.559 --> 00:21:30.519
<v Speaker 1>to put a book together about all people, the different

381
00:21:30.640 --> 00:21:33.400
<v Speaker 1>jobs they have, the weird the night jobs, the weird jobs.

382
00:21:33.480 --> 00:21:35.880
<v Speaker 1>Who cleans the phone bolts at night? Who works at

383
00:21:35.920 --> 00:21:39.119
<v Speaker 1>a lighthouse, who's a night watchman and you know, everything

384
00:21:39.119 --> 00:21:42.079
<v Speaker 1>and everything at night after hours kind of shit. We're

385
00:21:42.079 --> 00:21:45.720
<v Speaker 1>interviewing people for this book, and we're going to the

386
00:21:45.799 --> 00:21:48.160
<v Speaker 1>highway in New York City one night and pull up

387
00:21:48.200 --> 00:21:50.640
<v Speaker 1>to her light and there's a girl to my left driving.

388
00:21:50.720 --> 00:21:53.079
<v Speaker 1>It's being John. I'm driving my car, she's driving hers,

389
00:21:53.200 --> 00:21:57.000
<v Speaker 1>who's an absolute stunner. And she looked to her right.

390
00:21:57.079 --> 00:21:59.119
<v Speaker 1>I looked at my left. We caught each other. She

391
00:21:59.200 --> 00:22:02.440
<v Speaker 1>flipped her hairs mild and the light turned green. I said,

392
00:22:02.440 --> 00:22:04.480
<v Speaker 1>oh my god, I gotta get that. He goes, calm down, Pope.

393
00:22:04.480 --> 00:22:06.720
<v Speaker 1>I said, no, no, no, I gotta get this girl. You

394
00:22:06.920 --> 00:22:08.880
<v Speaker 1>just got out of a marriage. I know. I gotta

395
00:22:08.920 --> 00:22:13.440
<v Speaker 1>get this girl. Next light, boom, flirting. Hey, Hey, what

396
00:22:13.440 --> 00:22:15.400
<v Speaker 1>are you doing? Hey? You know, just guys talk. And

397
00:22:15.440 --> 00:22:19.200
<v Speaker 1>she's smiling, laughing. The next light, we'll both stop. She

398
00:22:19.319 --> 00:22:21.680
<v Speaker 1>puts up her hands. She shows me at ring uh.

399
00:22:21.720 --> 00:22:24.680
<v Speaker 1>I said, come on, one more fling, one more fling.

400
00:22:24.720 --> 00:22:26.799
<v Speaker 1>Come on, when are you getting married? Now? We're talking

401
00:22:26.880 --> 00:22:30.039
<v Speaker 1>and each light and she's liking it. Getting married in September.

402
00:22:30.160 --> 00:22:32.079
<v Speaker 1>This is like June, like you got time. We got

403
00:22:32.119 --> 00:22:35.519
<v Speaker 1>plenty of time. You never know what does your boyfriend do?

404
00:22:36.160 --> 00:22:40.039
<v Speaker 1>He's a trader. Really asked if he wants to trade

405
00:22:40.160 --> 00:22:42.880
<v Speaker 1>his future for mine, and she's giggling and laughing. Gas

406
00:22:42.880 --> 00:22:45.440
<v Speaker 1>come on, just pull over, pull over. My buddy's going

407
00:22:45.519 --> 00:22:48.319
<v Speaker 1>you too much. I'm embarrassed. I could just come on,

408
00:22:48.480 --> 00:22:50.240
<v Speaker 1>just let me talk, let me give me number, Just

409
00:22:50.240 --> 00:22:53.160
<v Speaker 1>give me. She pulls over. About five nights later, he

410
00:22:53.200 --> 00:22:55.000
<v Speaker 1>couldn't believe it. I get out. I go to a

411
00:22:55.039 --> 00:22:59.799
<v Speaker 1>car ridiculous head to tell ridiculously beautiful and I give

412
00:22:59.839 --> 00:23:01.440
<v Speaker 1>it a whole pitch. You know, you never know what

413
00:23:01.480 --> 00:23:03.640
<v Speaker 1>life's about. You see somebody, you make a face. You

414
00:23:03.640 --> 00:23:05.319
<v Speaker 1>know this could change our lives. Just the whole thing,

415
00:23:05.359 --> 00:23:08.720
<v Speaker 1>a bunch of bullshit, but it works sometimes. Excuse me

416
00:23:08.759 --> 00:23:11.920
<v Speaker 1>a number. I call him, all right, and we set

417
00:23:12.000 --> 00:23:13.960
<v Speaker 1>up a date. She does in Nassau County. I said,

418
00:23:14.119 --> 00:23:16.920
<v Speaker 1>I'm gonna take you to La Parma and Williston Park. Oh,

419
00:23:16.960 --> 00:23:19.160
<v Speaker 1>I've heard of that place. It's great. Look one meal.

420
00:23:19.440 --> 00:23:21.599
<v Speaker 1>If nothing happens, if there's no sparks, I'll go on

421
00:23:21.640 --> 00:23:23.839
<v Speaker 1>my way. But if there's sparks, we should think about this.

422
00:23:23.920 --> 00:23:28.079
<v Speaker 1>And she's laughing, Okay, I'll meet you at La Parma. Great,

423
00:23:28.200 --> 00:23:30.480
<v Speaker 1>I set up a date. I get there, I'm so ready.

424
00:23:31.480 --> 00:23:34.920
<v Speaker 1>She don't show, she don't call, she don't show. I call,

425
00:23:35.039 --> 00:23:38.640
<v Speaker 1>she don't pick up. I was like devastated. I called Johnny,

426
00:23:38.640 --> 00:23:40.400
<v Speaker 1>I said, she and show. What are you gonna do?

427
00:23:40.720 --> 00:23:43.200
<v Speaker 1>I'm gonna go back at her again. Pope just relaxed.

428
00:23:43.240 --> 00:23:47.559
<v Speaker 1>I can't I call her again? What happened? Oh, I'm

429
00:23:47.640 --> 00:23:50.039
<v Speaker 1>just I got cold feet. He's such a good guy,

430
00:23:50.119 --> 00:23:52.400
<v Speaker 1>my guy. I'm sure he is. I'm a good guy too.

431
00:23:53.079 --> 00:23:54.920
<v Speaker 1>This won't take any time. Don't worry about Let's just

432
00:23:54.920 --> 00:24:00.240
<v Speaker 1>see what happens. Said another date, La Parma. This time

433
00:24:00.319 --> 00:24:04.039
<v Speaker 1>she shows up, but I mean had to tee knockout.

434
00:24:04.240 --> 00:24:07.599
<v Speaker 1>We had dinner, very nice and yeah, there was some flirting,

435
00:24:07.599 --> 00:24:10.079
<v Speaker 1>but she did she stuck to her guns. She said,

436
00:24:10.200 --> 00:24:12.440
<v Speaker 1>I think you're really andsome. I think you're funny. Maybe

437
00:24:12.440 --> 00:24:14.400
<v Speaker 1>if I met you a couple of years ago, be different.

438
00:24:14.440 --> 00:24:16.680
<v Speaker 1>But I got to move forward with my guy, and

439
00:24:16.680 --> 00:24:19.000
<v Speaker 1>I like that. She said, my guy. Once you said

440
00:24:19.039 --> 00:24:21.160
<v Speaker 1>my guy, my heart melted for him because that's a

441
00:24:21.200 --> 00:24:24.039
<v Speaker 1>good I like that. That's very loving and possessive. And

442
00:24:24.079 --> 00:24:26.400
<v Speaker 1>I said, you know what, that's fine. He'll never know

443
00:24:27.079 --> 00:24:29.160
<v Speaker 1>you know not to worry about. You did what you

444
00:24:29.200 --> 00:24:30.640
<v Speaker 1>have to do, or at least what I told you

445
00:24:30.720 --> 00:24:32.720
<v Speaker 1>had to do, and now you can move on. She says,

446
00:24:32.759 --> 00:24:34.720
<v Speaker 1>you are relentless. I said, I know, but you don't

447
00:24:34.720 --> 00:24:37.119
<v Speaker 1>see girls like you. And we parted and I told

448
00:24:37.200 --> 00:24:39.119
<v Speaker 1>John we had dinner when you see her again, said

449
00:24:39.119 --> 00:24:40.759
<v Speaker 1>we're not. We just have to do what I had

450
00:24:40.799 --> 00:24:42.559
<v Speaker 1>to do. But she's got a guy, and that's it.

451
00:24:42.759 --> 00:24:45.119
<v Speaker 1>You knew she had a guy. I don't care. Well

452
00:24:45.119 --> 00:24:47.599
<v Speaker 1>they wasted money on dinner. It's not a waste, John,

453
00:24:47.640 --> 00:24:52.319
<v Speaker 1>it's life lesson. It's a story. It's oh man, all right,

454
00:24:53.240 --> 00:24:56.680
<v Speaker 1>But yeah that's gone. Man. You know what else is gone?

455
00:24:56.680 --> 00:25:00.880
<v Speaker 1>And nothing has replaced it. I heard a tuck across

456
00:25:00.920 --> 00:25:03.200
<v Speaker 1>and that guy named Walter Kerrn on the other day.

457
00:25:03.240 --> 00:25:05.480
<v Speaker 1>And Walton knows an awful lot about an awful lot

458
00:25:05.480 --> 00:25:07.680
<v Speaker 1>of things. He used to work at Spy Magazine. Spy

459
00:25:07.759 --> 00:25:11.640
<v Speaker 1>Magazine was the most influential magazine of the nineteen eighties.

460
00:25:11.640 --> 00:25:14.559
<v Speaker 1>It is a big reason why I grew up wanting

461
00:25:14.599 --> 00:25:17.519
<v Speaker 1>to write the way I did and and talk the

462
00:25:17.559 --> 00:25:20.960
<v Speaker 1>way I talk when it comes to you know, not talk,

463
00:25:21.039 --> 00:25:23.839
<v Speaker 1>but like the way I use certain expressions and stories,

464
00:25:24.480 --> 00:25:27.000
<v Speaker 1>largely because of what Spy had still did me. It

465
00:25:27.079 --> 00:25:29.759
<v Speaker 1>was a very It was the most influential magazine. Like

466
00:25:29.839 --> 00:25:36.640
<v Speaker 1>I said it, it made It remade New York's cultural landscape.

467
00:25:36.799 --> 00:25:40.960
<v Speaker 1>It changed the whole talent of magazines. Graydon Carter was

468
00:25:41.000 --> 00:25:44.160
<v Speaker 1>behind it. It was cruel at times, it was brilliant.

469
00:25:44.240 --> 00:25:47.400
<v Speaker 1>It was written beautifully. The design was very pretty. And

470
00:25:47.559 --> 00:25:50.359
<v Speaker 1>everybody feared this magazine if you lived in New York.

471
00:25:51.200 --> 00:25:53.079
<v Speaker 1>But we all grabbed it because at any minute they

472
00:25:53.079 --> 00:25:56.880
<v Speaker 1>could be talking about you. And this is no magazine

473
00:25:56.880 --> 00:26:00.359
<v Speaker 1>I know of that's so talked about a lot, you know,

474
00:26:00.799 --> 00:26:03.839
<v Speaker 1>or held up as a benchmark. So many people talk

475
00:26:03.880 --> 00:26:06.079
<v Speaker 1>about this. In fact, some people talk about it who

476
00:26:06.079 --> 00:26:08.119
<v Speaker 1>were who couldn't have read it when it came out

477
00:26:08.119 --> 00:26:09.799
<v Speaker 1>because they were too young. But I guess they caught

478
00:26:09.880 --> 00:26:13.039
<v Speaker 1>up because it's online. You can read it online. But

479
00:26:13.640 --> 00:26:17.440
<v Speaker 1>you know, I'm a few years out of college and

480
00:26:18.279 --> 00:26:20.160
<v Speaker 1>into my first year of marriage, and I said, have

481
00:26:20.200 --> 00:26:24.480
<v Speaker 1>got nothing was funny. The Cosby Show, I mean SNL

482
00:26:24.720 --> 00:26:27.799
<v Speaker 1>was you know, rumbling along with the kind of a

483
00:26:27.839 --> 00:26:32.480
<v Speaker 1>shitty cast. Johnny Carson was getting old. National Lampoon was

484
00:26:32.519 --> 00:26:35.519
<v Speaker 1>not my cup of tea. There was no Onion yet,

485
00:26:35.640 --> 00:26:39.160
<v Speaker 1>no Family Guy, no Simpsons, no Seinfeld, not even Kids

486
00:26:39.160 --> 00:26:46.240
<v Speaker 1>in the Hall. So Spy Magazine was everything, and it

487
00:26:46.279 --> 00:26:48.799
<v Speaker 1>was it just it made me when I when I

488
00:26:48.839 --> 00:26:51.359
<v Speaker 1>read it, it was like seeing the early SNLS or

489
00:26:51.400 --> 00:26:55.720
<v Speaker 1>for discovering Monty Python. You know, memory when you discovered

490
00:26:55.720 --> 00:26:58.640
<v Speaker 1>Monty Python, how how you felt like? At least for me,

491
00:26:58.720 --> 00:27:00.359
<v Speaker 1>I thought, oh my god, no one knows about this

492
00:27:00.400 --> 00:27:02.000
<v Speaker 1>but me. It comes on once in a while on

493
00:27:02.079 --> 00:27:06.160
<v Speaker 1>Channel thirteen at night on Sunday nights before school. But

494
00:27:07.319 --> 00:27:13.119
<v Speaker 1>I saw Spy Magazine. I subscribed immediately, and they just

495
00:27:13.319 --> 00:27:17.039
<v Speaker 1>ripped people apart. But also the way they combined their

496
00:27:16.880 --> 00:27:22.359
<v Speaker 1>their storylines, and you know, it was lowbrow, silly, but

497
00:27:22.599 --> 00:27:30.599
<v Speaker 1>very high brow investigation, very smart staff. It was. It

498
00:27:30.640 --> 00:27:32.319
<v Speaker 1>was more like if you read Spy, you felt like

499
00:27:32.400 --> 00:27:35.000
<v Speaker 1>you were at a club, a club with very funny

500
00:27:35.000 --> 00:27:38.920
<v Speaker 1>people around you, too smart to be scared of anybody.

501
00:27:38.960 --> 00:27:41.839
<v Speaker 1>Anybody's anything, anybody anything said, if you know what I mean?

502
00:27:43.559 --> 00:27:45.160
<v Speaker 1>And I wanted to be those people. I wanted to

503
00:27:45.200 --> 00:27:47.400
<v Speaker 1>I wanted to sound like them. So I started reading

504
00:27:47.440 --> 00:27:50.920
<v Speaker 1>Lynda Stacey's column in Newsday inside New York. She was

505
00:27:50.960 --> 00:27:54.400
<v Speaker 1>the first thing. She was the first column I read that.

506
00:27:54.440 --> 00:27:56.880
<v Speaker 1>I said, that's exactly how I write, like. I love

507
00:27:57.200 --> 00:27:59.839
<v Speaker 1>writing this way. I love breaking stories this way. And

508
00:28:00.200 --> 00:28:01.960
<v Speaker 1>to work with it was a dream come true because

509
00:28:01.960 --> 00:28:04.720
<v Speaker 1>then we had two. Then we were a double ball shotgun.

510
00:28:04.920 --> 00:28:07.200
<v Speaker 1>Then the Wittis comes along with his acerbic wit, and

511
00:28:07.240 --> 00:28:10.880
<v Speaker 1>now we're running three three battles, And in my opinion,

512
00:28:10.880 --> 00:28:13.119
<v Speaker 1>we were the best gossip comments because we mixed humor,

513
00:28:13.680 --> 00:28:18.400
<v Speaker 1>a cerbic wit with breaking news. I mean they took

514
00:28:18.400 --> 00:28:22.079
<v Speaker 1>apart Bill Cosby. One issue they had a picture of

515
00:28:22.400 --> 00:28:24.839
<v Speaker 1>a picture of checking a pay phone for change, which

516
00:28:24.920 --> 00:28:28.000
<v Speaker 1>I love things like that. They Wance did a survey

517
00:28:28.119 --> 00:28:33.160
<v Speaker 1>with college freshmen asking them their opinions on the situation

518
00:28:33.319 --> 00:28:36.319
<v Speaker 1>in Fredonia, which is a country that was made up.

519
00:28:36.319 --> 00:28:38.680
<v Speaker 1>It's a country that was in a Marx Brothers movie,

520
00:28:39.319 --> 00:28:42.880
<v Speaker 1>and people would comment very important people would comment on

521
00:28:43.000 --> 00:28:46.200
<v Speaker 1>fre Donia and the situation that. So they would capture

522
00:28:46.240 --> 00:28:51.799
<v Speaker 1>this at printed. What else they do? They opened up

523
00:28:51.839 --> 00:28:54.599
<v Speaker 1>a fake food restaurant and a New Jersey mall selling

524
00:28:55.039 --> 00:29:00.000
<v Speaker 1>bunny meat. People were so nauseous about that. Although rabbits,

525
00:29:00.200 --> 00:29:05.519
<v Speaker 1>but they couldn't take it. They did so many things,

526
00:29:05.960 --> 00:29:09.240
<v Speaker 1>you know, they oh, one time they sent checks for

527
00:29:09.319 --> 00:29:13.720
<v Speaker 1>twenty five cents to billionaires just to see if somebody

528
00:29:13.759 --> 00:29:17.640
<v Speaker 1>like Rupert Murdoch or whoe you would cash it, and

529
00:29:18.000 --> 00:29:22.279
<v Speaker 1>most of them did. I can't take it. They even

530
00:29:22.400 --> 00:29:26.039
<v Speaker 1>did an article about the ten most litigious New Yorkers

531
00:29:26.640 --> 00:29:29.440
<v Speaker 1>and on that list was a very famous writer named

532
00:29:29.480 --> 00:29:32.400
<v Speaker 1>gor Vi dal who was known to be very litigious.

533
00:29:33.079 --> 00:29:37.599
<v Speaker 1>So he gets this. The story runs, No one calls,

534
00:29:37.680 --> 00:29:41.160
<v Speaker 1>but Gourvi Doll calls Graydon Carter at Spy magazine and says,

535
00:29:41.200 --> 00:29:43.920
<v Speaker 1>this is I can't have this. You better run a correction.

536
00:29:44.000 --> 00:29:47.279
<v Speaker 1>This cannot be in your magazine. This is detrimental to me.

537
00:29:47.319 --> 00:29:49.759
<v Speaker 1>Blah blah blah. If you don't take it out, I

538
00:29:49.799 --> 00:29:53.400
<v Speaker 1>will sue. And Graydon Carter said, don't you see the

539
00:29:53.599 --> 00:29:57.039
<v Speaker 1>irony here that of the ten most litigious people in

540
00:29:57.079 --> 00:29:59.039
<v Speaker 1>New York, you're thrying to assume it and he hung

541
00:29:59.119 --> 00:30:01.720
<v Speaker 1>up the phone. You knew they had him by the bulls.

542
00:30:02.119 --> 00:30:03.759
<v Speaker 1>But that's the kind of shit they did. And it

543
00:30:03.799 --> 00:30:06.680
<v Speaker 1>was actual journalists who ran the show, Like I said,

544
00:30:06.799 --> 00:30:11.680
<v Speaker 1>Craydon Carter, Kurt Anderson, Walter Kern. So many young guys

545
00:30:11.720 --> 00:30:14.319
<v Speaker 1>coming up the ranks that would eventually become big stars

546
00:30:14.319 --> 00:30:18.400
<v Speaker 1>as well, and it just they set themselves apart from

547
00:30:18.480 --> 00:30:22.079
<v Speaker 1>so many different magazines. There would be no Daily Beasts

548
00:30:22.240 --> 00:30:25.319
<v Speaker 1>or so many magazines. Today they kind of talk and

549
00:30:25.359 --> 00:30:28.079
<v Speaker 1>write with a little, you know, little snide comments. New

550
00:30:28.160 --> 00:30:32.680
<v Speaker 1>York Magazine turn more snide. My column was an offshoot

551
00:30:32.680 --> 00:30:35.839
<v Speaker 1>of Spy I know it. And they made you look.

552
00:30:35.880 --> 00:30:38.000
<v Speaker 1>I never even heard of tribecka New York City when

553
00:30:38.000 --> 00:30:42.240
<v Speaker 1>they wrote about it. Never heard of it. They were great,

554
00:30:42.839 --> 00:30:45.039
<v Speaker 1>But now what the hell's out there? Do you see

555
00:30:45.079 --> 00:30:47.279
<v Speaker 1>anything you liked? Is there a magazine? First of all,

556
00:30:47.319 --> 00:30:50.559
<v Speaker 1>do you even see magazines anymore? Used to be on

557
00:30:50.680 --> 00:30:53.680
<v Speaker 1>every corner in New York a newsstand, a magazine stand,

558
00:30:53.720 --> 00:30:55.480
<v Speaker 1>and they used to be on opposite sides of the street.

559
00:30:55.519 --> 00:30:58.640
<v Speaker 1>They were everywhere. Now there's like a few left ones

560
00:30:58.680 --> 00:31:00.400
<v Speaker 1>on the ones in the village, I think on prints

561
00:31:00.400 --> 00:31:02.640
<v Speaker 1>in the spring, which is kind of big. Even in

562
00:31:02.799 --> 00:31:05.799
<v Speaker 1>La La used to have these block long newsstands. Every

563
00:31:05.839 --> 00:31:08.400
<v Speaker 1>magazine from all over the world and newspapers from all

564
00:31:08.400 --> 00:31:11.119
<v Speaker 1>over the world were there, and you just perused that

565
00:31:11.359 --> 00:31:14.519
<v Speaker 1>because then forty minutes there opening up papers and they

566
00:31:14.519 --> 00:31:16.599
<v Speaker 1>didn't bother you to if you're touching, you buy it.

567
00:31:16.640 --> 00:31:18.519
<v Speaker 1>If you're read it, you buy it. They didn't care

568
00:31:18.519 --> 00:31:22.720
<v Speaker 1>about that. It was just great. Those are gone now,

569
00:31:24.039 --> 00:31:26.480
<v Speaker 1>so I don't like the Well, actually I forgot one

570
00:31:26.480 --> 00:31:29.160
<v Speaker 1>thing they did perfectly that no one's done since is

571
00:31:29.240 --> 00:31:33.599
<v Speaker 1>separated at birth, which was just you know, they would

572
00:31:33.759 --> 00:31:36.319
<v Speaker 1>put two people's faces together and make you think for

573
00:31:36.359 --> 00:31:39.119
<v Speaker 1>the first time in your life, these people had to

574
00:31:39.160 --> 00:31:42.000
<v Speaker 1>be brother and sister, but they got separated at birth,

575
00:31:42.039 --> 00:31:46.119
<v Speaker 1>and it was so it was so great and funny

576
00:31:46.119 --> 00:31:49.559
<v Speaker 1>to see the people they picked. Well, they did an

577
00:31:49.559 --> 00:31:53.799
<v Speaker 1>audicol white Santa Claus doesn't exist, just very naughty things,

578
00:31:56.599 --> 00:31:59.880
<v Speaker 1>and they really went after Trump like you have no idea,

579
00:32:00.119 --> 00:32:04.839
<v Speaker 1>but they went after that also held them up. That's

580
00:32:04.839 --> 00:32:09.160
<v Speaker 1>why Trump has loved Graydon Carter and virtually hated Graydon Carter.

581
00:32:09.799 --> 00:32:12.160
<v Speaker 1>He does that a lot, as you can tell. But

582
00:32:12.480 --> 00:32:17.359
<v Speaker 1>they nicknamed Trump the short fingered Vulgarian with the Vulgarian

583
00:32:18.440 --> 00:32:26.200
<v Speaker 1>and people thought they meant Bulgarians from the country. And

584
00:32:26.680 --> 00:32:28.880
<v Speaker 1>Trump couldn't take this. He would write letters, he would

585
00:32:28.920 --> 00:32:32.440
<v Speaker 1>make phone calls to Graydon Carter. But then it got

586
00:32:32.440 --> 00:32:35.880
<v Speaker 1>really strange. At some point they read a big article

587
00:32:35.880 --> 00:32:39.680
<v Speaker 1>on why President Trump and why they urged him to

588
00:32:39.759 --> 00:32:42.119
<v Speaker 1>run for president. This is back in nineteen eighty eight,

589
00:32:42.640 --> 00:32:44.480
<v Speaker 1>and they wrote, we have come to believe that Donald

590
00:32:44.480 --> 00:32:48.759
<v Speaker 1>trump candidacy is viable. This is the one candidate who

591
00:32:48.759 --> 00:32:50.720
<v Speaker 1>will not let you down. After all, we already have

592
00:32:50.799 --> 00:32:53.680
<v Speaker 1>Donald Trump's personal guarantee that if he did run a president,

593
00:32:53.799 --> 00:32:57.839
<v Speaker 1>he would win. You see what I'm saying. I mean,

594
00:32:57.839 --> 00:33:01.400
<v Speaker 1>that's very very It's just such great stuff. I mean,

595
00:33:01.400 --> 00:33:04.359
<v Speaker 1>now you got influences of spy magazine everywhere. The Daily

596
00:33:04.400 --> 00:33:08.119
<v Speaker 1>Show with john'still is a perfect example of what spy

597
00:33:08.200 --> 00:33:11.599
<v Speaker 1>magazine would have been on TV. Gawker, which is gone

598
00:33:11.640 --> 00:33:13.559
<v Speaker 1>now there is a great example of that as well,

599
00:33:14.000 --> 00:33:17.839
<v Speaker 1>mild Colum the Onion and for all tents and purposes,

600
00:33:17.880 --> 00:33:20.640
<v Speaker 1>now this podcast at times, maybe not this show, but

601
00:33:20.759 --> 00:33:25.240
<v Speaker 1>this podcast. But back about nineteen ninety two, it's not

602
00:33:25.400 --> 00:33:32.680
<v Speaker 1>to disappear. And other things became more relevant. Newspapers, i mean,

603
00:33:32.960 --> 00:33:36.359
<v Speaker 1>magazines began to dwindle, and TV and media began to

604
00:33:36.400 --> 00:33:39.319
<v Speaker 1>take hold, and the Internet began to take hold. But

605
00:33:39.359 --> 00:33:41.519
<v Speaker 1>I'll tell you when spy works, and you can hold

606
00:33:41.519 --> 00:33:44.119
<v Speaker 1>a magazine in your hand, or wrap it up into

607
00:33:44.119 --> 00:33:47.640
<v Speaker 1>a into a tube and put it under your arm.

608
00:33:48.759 --> 00:33:51.960
<v Speaker 1>No one does that anymore. There's nothing worth taking and

609
00:33:52.000 --> 00:33:57.759
<v Speaker 1>reading anymore. But in my day, there wasn't anything more cool,

610
00:33:58.200 --> 00:34:02.799
<v Speaker 1>more fun and more smart then spy. There's certainly nothing

611
00:34:02.839 --> 00:34:06.960
<v Speaker 1>like that out there now, no way, nohow. But we

612
00:34:07.039 --> 00:34:08.599
<v Speaker 1>got to move on, right, guys. That's the way the

613
00:34:08.599 --> 00:34:10.880
<v Speaker 1>world works. In with the old, I mean, out with

614
00:34:10.920 --> 00:34:15.320
<v Speaker 1>the old, in with the shit. Alright. My first showback.

615
00:34:15.320 --> 00:34:17.519
<v Speaker 1>I'm a little rusty because I'm still kind of in

616
00:34:17.599 --> 00:34:23.079
<v Speaker 1>pain here my throat from my six hundred milligram motrins

617
00:34:23.320 --> 00:34:25.800
<v Speaker 1>I took two this morning. Ton't do a fucking thing.

618
00:34:27.119 --> 00:34:29.840
<v Speaker 1>We'll see what tomorrow brings. Anyhow. That's it for today.

619
00:34:30.159 --> 00:34:33.639
<v Speaker 1>That's your daily Unfiltered podcast for July twenty first, twenty

620
00:34:33.719 --> 00:34:35.400
<v Speaker 1>twenty five, and I'll talk to you this later
