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<v Speaker 1>From Morecast Connect and AJ Benze fame. Uh, he'd liked

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<v Speaker 1>to be walked on a leash and play really dirty,

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<v Speaker 1>kinky sex games. He's uh the guy put the cock

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<v Speaker 1>in the Peacock Network. Okay, bitch, Hey everybody. AJ benzire

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<v Speaker 1>here with Fame as a Bitch. This is your daily

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<v Speaker 1>Unfiltered podcast for August nineteenth, twenty twenty six, eight one nine,

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<v Speaker 1>two oh two six Watching the Yankees and the Orioles

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<v Speaker 1>at Canden Yards. It's so hot that the mascot a

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<v Speaker 1>spring a hose on the people in the stands. Today

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<v Speaker 1>was really hot ninety seven, ninety eight, Just the air

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<v Speaker 1>did not move, you know, Like I get in the

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<v Speaker 1>cars and tell my wife's car it's all black, black

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<v Speaker 1>steering rail block, seeds, black exterior. It's like stepping into

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<v Speaker 1>an oven. Like it's just like it takes me like

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<v Speaker 1>a good three minutes before I can grip the wheel. Crazy.

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<v Speaker 1>I was talking to Kenny and Mike earlier today doing

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<v Speaker 1>the Everything as a Bitch podcast, and they're like, when

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<v Speaker 1>you're coming out, I go, I really probably can't come

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<v Speaker 1>out till September. I got things I gonna do. I'm

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<v Speaker 1>gonna see a doctor for this stupid thing in the

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<v Speaker 1>back of my throat or top of my mouth. In

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<v Speaker 1>the back of my throat. They're like, don't even worry

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<v Speaker 1>about it's ninety nine degrees here yesterday. Just better if

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<v Speaker 1>you come in September, it's not going to be as crazy.

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<v Speaker 1>So that's what I'll do. Although I was there a

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<v Speaker 1>couple of summers ago, not too happy about the hurricane

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<v Speaker 1>season starts in September September October of bed. If you

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<v Speaker 1>remember a couple of years ago, I was in between

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<v Speaker 1>two big hurricanes. I forget their names. I feel like

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<v Speaker 1>both of them were kind of Hispanic names. Either way,

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<v Speaker 1>I missed the first one, and then I said, you

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<v Speaker 1>know what, I'm gonna stay for the second one. They

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<v Speaker 1>were talking about arm again, and I was up in

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<v Speaker 1>Kenny's condo where Michael is now. I don't know how

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<v Speaker 1>many floors up, maybe five floors up, I can't remember.

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<v Speaker 1>You know, the water was choppy as hell and the

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<v Speaker 1>winds were man, it was scary. And then we drove

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<v Speaker 1>down to Kenny's in Palm Beach and this beautiful neighborhood

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<v Speaker 1>I saw a car upside down on its hood. So yeah, man,

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<v Speaker 1>the wind is no joke out there when it hits.

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<v Speaker 1>But uh yeah, probably September. You know, today's been one

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<v Speaker 1>of those days. You know, you know, when you get

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<v Speaker 1>in the car to do something you completely forget what

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<v Speaker 1>you have to do. Well, let me tell you how

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<v Speaker 1>much worse it gets. That's nothing getting in the car

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<v Speaker 1>and forgetting where you're going. That's kids stuff. How about

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<v Speaker 1>you're sitting on the couch and something hits you that

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<v Speaker 1>you've got. Oh, I know what I gotta get. You

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<v Speaker 1>get up from the couch. Eight steps in you go, wait, wait, wait,

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<v Speaker 1>wait what did I get? Let me retrace steps. I

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<v Speaker 1>was on the couch, I was watching this movie. What

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<v Speaker 1>do I have to get? I can't remember? So I

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<v Speaker 1>got to go back and sit down. It listen, getting older,

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<v Speaker 1>it's just the worst to forget what you It happens

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<v Speaker 1>to me at least three times a day, like, wait

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<v Speaker 1>a minute, what did I come in here for? Oh? Yeah, okay,

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<v Speaker 1>then I come back. No, that's not what I wanted.

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<v Speaker 1>Jesus Christ, it's no good. It's not good. I saw

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<v Speaker 1>a video. You know, Opie and Anthony, the famous radio

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<v Speaker 1>duo Anthony Cumia. I don't even know Opie's real name,

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<v Speaker 1>I probably do. I forgot it, but obviously they split up,

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<v Speaker 1>and Anthony's doing his own thing on Compound Media and

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<v Speaker 1>doing great, and Opie is been chirping up and now

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<v Speaker 1>he's with some guy I never heard of, and they're

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<v Speaker 1>doing their own podcast, and Anthony Cumia and the comic

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<v Speaker 1>Jim Norton are doing their own thing because Jim used

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<v Speaker 1>to be on the Opian Anthony Show. I don't know

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<v Speaker 1>why they took so many years to get together and

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<v Speaker 1>do this, but now there's like they're firing at each

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<v Speaker 1>other back and forth. So today I looked at a video.

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<v Speaker 1>I'm not sure when this was, but it was definitely recently.

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<v Speaker 1>Opie had Artie Lane on his show, and Artie's nose

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<v Speaker 1>looks way better. Still a big dude, that's not going

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<v Speaker 1>to change. But Artie said something really funny. He said,

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<v Speaker 1>you know, when I got straight, I woke up and

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<v Speaker 1>the Yankee sucked and the Mets were good, and all

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<v Speaker 1>of a sudden, how It's Starne loved. Ellen DeGeneres is dancing.

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<v Speaker 1>It's a great job because Howid would always make fun

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<v Speaker 1>of Ellen's dancing, Jennifer Eninstant's this, and Jimmy Kimmel's dad,

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<v Speaker 1>all the people he's friends with now he used to destroy.

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<v Speaker 1>And it just goes to show so many of these people,

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<v Speaker 1>like what happened to Perez Hilton, these people that they maligned,

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<v Speaker 1>end up coming back to the fold and killing these

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<v Speaker 1>people with kindness to the point where they've got to go, well, yeah, sure,

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<v Speaker 1>I'll come to your house party. Once you do that

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<v Speaker 1>and you meet all their friends and you start thinking,

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<v Speaker 1>oh my god, I said some awful things about that

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<v Speaker 1>person and that person and that person. It was different

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<v Speaker 1>for me because people knew what I did going in.

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<v Speaker 1>They knew I was looking for stories. You know how

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<v Speaker 1>it's turned. I would think it's the same thing. If

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<v Speaker 1>you do an interview with Howard, you better expect to

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<v Speaker 1>be put on the carpet and be presented with questions

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<v Speaker 1>you're not ready to answer, particularly in public. But when

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<v Speaker 1>I did what I did, people more or less new, Okay,

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<v Speaker 1>be careful around Aja or whatever. And if I put

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<v Speaker 1>something in my column, I didn't get maligned by them.

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<v Speaker 1>I didn't get like people, you fucked me, you did?

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<v Speaker 1>I mean, Ben's Stiller came at me once, not violently,

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<v Speaker 1>he just was like, you really, you know you screwed up.

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<v Speaker 1>My wife's really pissed and or his girlfriend at the time.

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<v Speaker 1>You said I was having an affair with Genie Tripplehorn.

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<v Speaker 1>I said you were. You were, Well, that's beside the point.

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<v Speaker 1>The point is you said that, so you know erradically.

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<v Speaker 1>I said, it wasn't erratic. Then I know you were,

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<v Speaker 1>and that's my job. I'm sorry, but if it caused

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<v Speaker 1>problems at home, maybe you should have done it better,

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<v Speaker 1>been a better sneak. I don't know anyhow, they're together,

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<v Speaker 1>then they broke up the other together again. So I

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<v Speaker 1>didn't really get the shit that people that people give

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<v Speaker 1>Stern because he changed so quickly. Well, I never changed.

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<v Speaker 1>I was always the way I said I was. I

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<v Speaker 1>never made myself nicer. I've seen him at Bill O'Reilly.

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<v Speaker 1>I've gone down the list with you people before. These

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<v Speaker 1>people who are great at what they do, they don't

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<v Speaker 1>pull any punches the O'Reilly's, even if I may say so.

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<v Speaker 1>Tucker Carlson was that years ago. He's since become a patsy.

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<v Speaker 1>He since becomes somebody who only interviews people that are

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<v Speaker 1>very arrogant and against the current administration. He interviews people

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<v Speaker 1>that are anti Israeli, anti Semitic, and he gives them

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<v Speaker 1>some credibility because of his audience. They're all doing this

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<v Speaker 1>and I'll get to somebody later that really pisses me off.

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<v Speaker 1>I was doing it because she doesn't belong. This person

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<v Speaker 1>I'm going to talk about doesn't belong in his school yard,

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<v Speaker 1>but the big boys, she just doesn't. But she's trying

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<v Speaker 1>to keep up. She's trying to keep getting the money

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<v Speaker 1>and the clicks and the likes. And sometimes if you

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<v Speaker 1>live that life, you've got to not merely invent a scandal,

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<v Speaker 1>but you've got to like pour gas on something that

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<v Speaker 1>really is nothing. But keep pouring gas. Somebody light a match.

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<v Speaker 1>This is big, and it's seldom big. But I'll get

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<v Speaker 1>to her in a minute. But already was saying, look,

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<v Speaker 1>Howard Stern could have been the guy who told the

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<v Speaker 1>radio executives back then, fuck you. I make more money

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<v Speaker 1>than all of you, and I can say whatever I want.

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<v Speaker 1>I don't need to kiss Brad Pitt's ass. He needs

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<v Speaker 1>to kiss mine, quite frankly. And it's just, you know,

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<v Speaker 1>I love that whole family. I was in with the

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<v Speaker 1>Howard's Durn Show, and I don't care how it ended.

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<v Speaker 1>It ended how it ended. But when I was there

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<v Speaker 1>was fantastic. As I said before, I don't think I

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<v Speaker 1>would have lasted there because I didn't want to wake

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<v Speaker 1>up at five o'clock in the morning and change my

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<v Speaker 1>lifestyle to go on radio. It wasn't like I was

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<v Speaker 1>being offered half a million dollars. It wasn't like that

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<v Speaker 1>I was getting out five hundred a day. And if

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<v Speaker 1>I got the job, which was the chair that belonged

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<v Speaker 1>to Jackie Martling, if I got that gig, then i'd

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<v Speaker 1>get a decent salary. But I wasn't thinking about that,

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<v Speaker 1>and I lost it because I smacked out of and

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<v Speaker 1>John you know the story. But I love the fact

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<v Speaker 1>that so many of us were brought to Howard for

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<v Speaker 1>innocent reasons. Like my mother, of all people, I began

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<v Speaker 1>to when I drove her around after when I was

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<v Speaker 1>separated from gen and my father died, and I'd take

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<v Speaker 1>her to lunch or breakfast, whatever, and I put Howard

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<v Speaker 1>stern on and she got to a point where she

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<v Speaker 1>would laugh and go, well, don't don't, let's not leave

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<v Speaker 1>the cardet. I want to hear the end of this.

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<v Speaker 1>I want to hear the end of it. She became

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<v Speaker 1>a Stern fan, and she never talked about Howard Stern,

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<v Speaker 1>never talked about Imus. But suddenly she would hear Stern

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<v Speaker 1>and she'd say, you should be on this show. He

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<v Speaker 1>would love you. Ma, you can't just get on a show.

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<v Speaker 1>This is before I worked at the Daily News. You know,

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<v Speaker 1>I was a part time sports writer for Newsday and

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<v Speaker 1>I had a full time job at a publishing company.

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<v Speaker 1>I said, MA, yeah, okay, great, but I'm telling you,

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<v Speaker 1>ain'tja he would love you. You talk just like he does. Okay,

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<v Speaker 1>all right, Ma, what do you want to eat? Give

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<v Speaker 1>me a burger king, potatoes and a malten and they

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<v Speaker 1>kid would look at me. What does she want? She

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<v Speaker 1>wants a big she wants a whopper, vanilla shake, and fries.

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<v Speaker 1>But she couldn't call it fries. She called the potatoes.

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<v Speaker 1>She couldn't say milkshake. She called it a malted. She

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<v Speaker 1>couldn't say give me a burger king. Now, Ma, you

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<v Speaker 1>want a whopper, I don't care. Give me the thing

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<v Speaker 1>that they sell. You know. And by the same token,

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<v Speaker 1>Artie's father, you know, who fell off a roof and

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<v Speaker 1>was a paraplegic before that happened, He would take Artie

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<v Speaker 1>to work and one day he said, come on, come

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<v Speaker 1>in a car, come to work with me. This is

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<v Speaker 1>like nineteen ninety two. You see, you're coming to work

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<v Speaker 1>with me. There's a guy in the radio. That's great.

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<v Speaker 1>It's so funny. I think you'd love him. I want

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<v Speaker 1>you to hear it. And Artie was like, yeah, okay, dad,

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<v Speaker 1>And think about what trance. I mean, think about two

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<v Speaker 1>parents who just feel like their kids would do well

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<v Speaker 1>with this person. Is that If that doesn't tell you

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<v Speaker 1>all you need to know about parents and what they

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<v Speaker 1>know about their children, It's it's amazing, it's amazing. So

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<v Speaker 1>the woman I was talking about earlier that has pissed

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<v Speaker 1>me off, it's Maurene Callahan. She's got a column at

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<v Speaker 1>the New York Post. I believe, No, no, no, that's

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<v Speaker 1>the other one. I always get them concu it's Maureen

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<v Speaker 1>with the blonde hair and the brown eyebrows, you know

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<v Speaker 1>what I mean. And she likes to do the gossipy stuff.

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<v Speaker 1>And she said complimentary things about me several months back,

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<v Speaker 1>and I appreciate that. When she was talking about the

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<v Speaker 1>John Kennedy and Carolyn Bassett series on TV called whatever

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<v Speaker 1>was called loving I don't know, some bullshit, but she

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<v Speaker 1>gave me some props. But you know, this woman, she's

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<v Speaker 1>trying to keep up with the Magan Kelly's and the

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<v Speaker 1>Alex Jones and the Carlson's, the canvae Owns. And you can't.

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<v Speaker 1>You can't unless you want to sell your soul. She

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<v Speaker 1>seems ready willing and able to sell her soul over nothing.

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<v Speaker 1>So there's a video where Anna Faris from Scary Movie

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<v Speaker 1>is talking about She's with the cast and they're talking

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<v Speaker 1>to some interviewer about the movie, you know, and Anna

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<v Speaker 1>Faris is talking and she seems fine. And Marine Callian

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<v Speaker 1>sets this up by going, you're gonna see this video.

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<v Speaker 1>And I'm telling you right now, if you don't think

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<v Speaker 1>Anna Faris is on hard drugs, then you don't know

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<v Speaker 1>what hard drugs looks like. We've seen this many times,

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<v Speaker 1>many times. Let me tell you so, Marine, I look

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<v Speaker 1>at the video. She's completely fine. You know why you

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<v Speaker 1>don't know what it looks like, Marine, because you've never

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<v Speaker 1>done hard drugs. You were the kid in the playground

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<v Speaker 1>that when the drugs arrived you ran home, you ran away,

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<v Speaker 1>and good for you. But don't pretend like you know

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<v Speaker 1>what it's all about don't pretend like, oh, I know

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<v Speaker 1>hard drugs, so I hear them when I see them.

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<v Speaker 1>Anna Pharaohs look completely fine. You want to call her

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<v Speaker 1>too thin, sure, but that's a completely unfounded take. This

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<v Speaker 1>is hard drugs, and what exactly is hard drugs? What

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<v Speaker 1>is she doing pounding heroin into her arms? What's a

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<v Speaker 1>hard drug? Cocaine is social even though it's terrible for you,

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<v Speaker 1>it's a social drug. Well, is she sneaking meth at

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<v Speaker 1>some cabin in the woods? No, No, she's just that's

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<v Speaker 1>Anna Farres. She's flighty. She's a little bit cuckoo, but

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<v Speaker 1>that's why she works in movies like that. Her eyes

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<v Speaker 1>are always bulging and that's her thing. No, that's hard drugs,

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<v Speaker 1>now it's not. But you know, they all want to

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<v Speaker 1>get themselves involved in the circuit of people who are

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<v Speaker 1>making the big money. You're never gonna make that money. Marine.

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<v Speaker 1>I know you're making my money. I am you know,

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<v Speaker 1>but you're not going to make the Megan Kelly Tucker

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<v Speaker 1>call since Candae Owen's Alex Shones money. So just stop it.

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<v Speaker 1>But what can I tell you? Everybody's out there trying

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<v Speaker 1>to pick meat off the bones. That's all that's left.

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<v Speaker 1>That's all that's left. Like that little chicken wing, that

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00:14:19.480 --> 00:14:22.080
<v Speaker 1>little thing at the end that people discard. I love

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<v Speaker 1>it because it gets very crunchy, that little part of

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<v Speaker 1>the wing. Right. I eat the bones at all. I

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<v Speaker 1>eat it all because the bones are tiny. They crunch

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<v Speaker 1>if you bake them, might they crunch. It's like a

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<v Speaker 1>potato chip. Why did I get on that? Oh? Bones

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<v Speaker 1>and all that's right? You want to know about hard drugs,

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<v Speaker 1>Let's talk about Hayden Paneteer. I mean, Haiden Penetierry was

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<v Speaker 1>on a lot of paint pills and I'm sure she

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<v Speaker 1>had a lot of fun with the cocaine and a

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00:14:51.200 --> 00:14:54.440
<v Speaker 1>lot of booze nights. She was an alcoholic. She had

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<v Speaker 1>problems with drugs. That's well documented. And somebody she calls

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<v Speaker 1>her second mom, Lindsay Lnberg, talked about the troubling side

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<v Speaker 1>of Hollywood that Hayden dealt with being a child star.

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<v Speaker 1>You know, we often forget that she was in the movies.

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<v Speaker 1>You know, ten years old, she was in remember the Titans.

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<v Speaker 1>She had a great role. She played the coach's daughter.

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<v Speaker 1>I mean that began her career, and she got older

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<v Speaker 1>and better, and then she became a beautiful young lady,

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<v Speaker 1>and she was a beautiful woman when she died. She

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<v Speaker 1>just got involved with the wrong guy. But you know,

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<v Speaker 1>this second mom of her, Lindsay Lonberg, says that she

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<v Speaker 1>was offered pills on set. Hayden was and she referred

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<v Speaker 1>to me in her book this woman says the book

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<v Speaker 1>is this is Me a reckoning. She referred to me

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<v Speaker 1>as her second mom. She was like a child to me,

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<v Speaker 1>She said. She began her acting career as an infant.

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<v Speaker 1>Tried and tried and tried to get past the struggles,

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<v Speaker 1>but she was an actress. That sentence doesn't mean a

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<v Speaker 1>fucking thing to me. Tried and tried and tried to

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<v Speaker 1>get past the struggles, but she was an actress. What

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<v Speaker 1>the fuck does that mean. She told me that when

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<v Speaker 1>you go working on a set, all kind of pills, liquor,

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<v Speaker 1>all kinds of things are available where you can get

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<v Speaker 1>anything you want. That that's not really true, that's bullshit. Yeah,

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<v Speaker 1>there might be some people who work not on the movie,

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<v Speaker 1>but maybe on the fringes of the movie, who are

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<v Speaker 1>hanging around and maybe not that I've ever indulged in that,

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<v Speaker 1>but I'm sure there are those people. They're bloodsuckers. But ordinarily,

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<v Speaker 1>if you go to a movie, you're not. There's nobody

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<v Speaker 1>walking around dealing drugs. You've got your sides, you've got

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<v Speaker 1>your cold time. You know when you're gonna come out

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<v Speaker 1>of your trailer and start working. I mean, the only

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<v Speaker 1>thing I can even claim a little similar was when

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<v Speaker 1>I made Rocky Balboa. And you know, the breakfast truck

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<v Speaker 1>would come by probably like eight am or seven thirty,

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<v Speaker 1>whatever it was, And you know, we had a lot

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<v Speaker 1>of different things. My love and familia always had toe

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00:17:19.720 --> 00:17:24.359
<v Speaker 1>fu eggs, fucking pussy. You know, I'm getting eggs and

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<v Speaker 1>cheese and dohl ding and Bert, Bert Young, We're getting

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<v Speaker 1>a nice breakfast of bagel, cream, cheese and nice coffee.

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<v Speaker 1>And you go to me, come in the room, come

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<v Speaker 1>on my trail, and I'll have some drinks. And I'm like, Bert,

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<v Speaker 1>today's a big day. I can't. I gotta be careful, Bert,

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<v Speaker 1>come on, it's only eight o'clock. By the time three

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00:17:45.200 --> 00:17:47.640
<v Speaker 1>o'clock comes, you'll be fine. Like that's the way these

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00:17:47.680 --> 00:17:51.559
<v Speaker 1>old timers think. Now, Bert wasn't too good when he

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00:17:51.599 --> 00:17:54.920
<v Speaker 1>came to hold of his liquor. There's a lot of

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00:17:54.920 --> 00:17:58.640
<v Speaker 1>stories about Malon Brando needing his co stars to wear

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<v Speaker 1>like sandwich boards on their body with his lines printed

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00:18:04.480 --> 00:18:07.599
<v Speaker 1>on them. During The Godfather, his lines are all over

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<v Speaker 1>that desk when he meets Al Martino as Johnny Fontaine

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00:18:11.759 --> 00:18:15.440
<v Speaker 1>and he's petting the cat. Branda was famous for having

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00:18:15.480 --> 00:18:19.039
<v Speaker 1>his lines, and there's even pictures of other actors like

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00:18:19.119 --> 00:18:26.279
<v Speaker 1>Duval and such what Brando's lines taped to their shirts. Okay,

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00:18:27.319 --> 00:18:31.039
<v Speaker 1>Bert Young was different in the respect well, he wasn't different.

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<v Speaker 1>He was just as crazy, but he was. He was

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00:18:35.119 --> 00:18:38.240
<v Speaker 1>he was zooted, he was loaded. You know when it

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<v Speaker 1>came time to act Stallone, who'd been through this with him,

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<v Speaker 1>you know, five other times in movies, five other Rockies

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<v Speaker 1>before hours, he knew, get Bert, get him the cue cards,

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<v Speaker 1>get him the ship, and Sly would hate it because

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<v Speaker 1>Bert couldn't get it done because he was having bourbon

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<v Speaker 1>at nine o'clock in the morning. And I knew that.

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00:19:02.000 --> 00:19:04.759
<v Speaker 1>And that's part of the reason why. And I've told

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00:19:04.839 --> 00:19:08.319
<v Speaker 1>this story years ago that as much as Bert Young

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00:19:08.559 --> 00:19:13.960
<v Speaker 1>helped Sly actually write or let's say, rewrite some of

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00:19:14.000 --> 00:19:22.559
<v Speaker 1>the Rocky scenes over the years, he Stallone didn't pay

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00:19:22.599 --> 00:19:26.400
<v Speaker 1>Bert for Rocky Balboa. We were working for weeks and

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<v Speaker 1>Bert still didn't know what he was going to make.

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<v Speaker 1>Bert wanted a million bucks. He figured he did all

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<v Speaker 1>he could with the franchise. He helped put it on the map.

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<v Speaker 1>He's an integral part of the movie and the franchise,

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<v Speaker 1>and Sly wouldn't pay him. They wouldn't agree to the million.

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<v Speaker 1>I don't know what it came down to at the end,

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00:19:42.799 --> 00:19:45.319
<v Speaker 1>but by the time the movie ended, they reached some

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00:19:45.480 --> 00:19:48.839
<v Speaker 1>kind of accord and Bert got paid. But you know,

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00:19:50.519 --> 00:19:52.920
<v Speaker 1>I mean, Sly work with him many times before. There

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00:19:52.920 --> 00:19:55.359
<v Speaker 1>were some people that go to a movie set and

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00:19:55.480 --> 00:19:58.079
<v Speaker 1>get fucked up at get in trouble. Some get fucked up.

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00:19:58.119 --> 00:20:01.160
<v Speaker 1>It can work, and some just would dream of doing that.

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00:20:03.240 --> 00:20:06.960
<v Speaker 1>But you know, this second mother of Hayden Peditier, she

334
00:20:07.000 --> 00:20:09.079
<v Speaker 1>didn't have a chance. I don't think she should have

335
00:20:09.119 --> 00:20:11.640
<v Speaker 1>gone down the road she went if it hadn't been

336
00:20:11.680 --> 00:20:16.200
<v Speaker 1>for Hollywood. She was always in Hollywood as an infant.

337
00:20:16.319 --> 00:20:18.720
<v Speaker 1>She was there, I mean, but you know, that's all

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00:20:18.799 --> 00:20:23.400
<v Speaker 1>she knew. And then she has a daughter with Vladimir Klitch.

339
00:20:23.440 --> 00:20:27.119
<v Speaker 1>Go back in twenty fourteen, he gets custody because she

340
00:20:27.240 --> 00:20:31.880
<v Speaker 1>was always too fucked up. So now she figured, now

341
00:20:31.920 --> 00:20:33.920
<v Speaker 1>she can work on being the great actress. Then she

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00:20:33.960 --> 00:20:37.119
<v Speaker 1>did Heroes and you did Nashville. So she was making

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<v Speaker 1>money a couple of movies here and there, trying to

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00:20:40.880 --> 00:20:45.000
<v Speaker 1>overcome her problems. I mean, she could have quit acting,

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00:20:45.720 --> 00:20:48.240
<v Speaker 1>she could have walked away from the adulation and the

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00:20:48.279 --> 00:20:52.839
<v Speaker 1>fame to be with her daughter. But like a lot

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00:20:52.920 --> 00:20:56.319
<v Speaker 1>of people who get a taste of fame, they're not

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<v Speaker 1>ready to give it up. And that's all she knew.

349
00:21:00.839 --> 00:21:02.799
<v Speaker 1>She'd been in front of a camera her whole life.

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<v Speaker 1>It was the one thing she knew how to do well,

351
00:21:06.920 --> 00:21:10.319
<v Speaker 1>how to make a good living. But you know, if

352
00:21:10.359 --> 00:21:15.279
<v Speaker 1>your baby daddy is the former heavyweight champ, let him

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<v Speaker 1>make klitch go. I'm sure there's enough money lying around

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00:21:18.400 --> 00:21:20.279
<v Speaker 1>for her to stop working and just be a great

355
00:21:20.359 --> 00:21:22.720
<v Speaker 1>mom for a few years and maybe go back to

356
00:21:22.759 --> 00:21:26.599
<v Speaker 1>work when the kids a kindergarten, something like that. But

357
00:21:26.720 --> 00:21:30.400
<v Speaker 1>instead she talked candidly about her substance abuse struggles back

358
00:21:30.400 --> 00:21:36.240
<v Speaker 1>in Well. She wrote that memoir several months ago. She

359
00:21:36.319 --> 00:21:38.880
<v Speaker 1>said she went to rehab because she became dependent on

360
00:21:38.920 --> 00:21:42.160
<v Speaker 1>alcohol after the birth of her daughter. I don't that

361
00:21:42.920 --> 00:21:46.960
<v Speaker 1>sentence right, there. You needed alcohol to cope with the

362
00:21:47.039 --> 00:21:50.920
<v Speaker 1>birth of your infant daughter. That right there is weird

363
00:21:50.960 --> 00:21:56.680
<v Speaker 1>to me. You needed alcohol? Why then she turned to

364
00:21:56.720 --> 00:22:01.000
<v Speaker 1>prescription medication to deal with the anxiety after season four

365
00:22:01.039 --> 00:22:05.079
<v Speaker 1>of Nashville began filming. You're filming a show. You're getting

366
00:22:05.079 --> 00:22:08.160
<v Speaker 1>paid big money. I'm gonna guess and say two in

367
00:22:08.240 --> 00:22:11.440
<v Speaker 1>a thousand an episode. I could be way off, but

368
00:22:11.480 --> 00:22:14.839
<v Speaker 1>that's another guess. You need pills to deal with that.

369
00:22:16.240 --> 00:22:22.799
<v Speaker 1>You have anxiety about that. It's season four, one more year.

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00:22:22.839 --> 00:22:25.680
<v Speaker 1>You're talking the syndication unless I'm talking like the old

371
00:22:25.759 --> 00:22:28.599
<v Speaker 1>days but used to be five seasons. You're ready to go,

372
00:22:29.319 --> 00:22:34.640
<v Speaker 1>and that means money forever, mailbox money forever. But no,

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<v Speaker 1>she needed to feel better about herself. Hold on, I

374
00:22:38.240 --> 00:22:41.119
<v Speaker 1>gotta try to put this fan on. It is so

375
00:22:41.279 --> 00:22:43.759
<v Speaker 1>hard to be in this room at ninety eight degrees

376
00:22:43.839 --> 00:22:47.319
<v Speaker 1>with no AC and no fan. I put the fan

377
00:22:47.400 --> 00:22:49.279
<v Speaker 1>on ahead of me, above me. You might hear a

378
00:22:49.319 --> 00:22:53.519
<v Speaker 1>little whirr, but I can't take it. My hands are glistening.

379
00:22:55.359 --> 00:22:59.960
<v Speaker 1>I gotta start doing the show late at night, not late,

380
00:23:00.200 --> 00:23:04.079
<v Speaker 1>but when the sun goes down, because it's way too odd. Anyhow,

381
00:23:04.079 --> 00:23:07.960
<v Speaker 1>how about a hand for Johnny Depp. Johnny Depp, the

382
00:23:08.000 --> 00:23:11.960
<v Speaker 1>word is he might reprise his role as Captain Jack Sparrow.

383
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<v Speaker 1>There's a new Pirates of the Caribbean movie coming out.

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<v Speaker 1>Do you say Caribbean or Caribbean? I say Caribbean. I

385
00:23:19.960 --> 00:23:23.119
<v Speaker 1>think both are correct, but I like Caribbean. Oh did

386
00:23:23.119 --> 00:23:25.680
<v Speaker 1>I say Caribbean? See? I forget. I guess I say

387
00:23:25.720 --> 00:23:31.680
<v Speaker 1>him both. I don't know. Apparently there's a screenplay that

388
00:23:31.720 --> 00:23:35.240
<v Speaker 1>they're working on. Jerry Brookharmer said, we're trying to get

389
00:23:35.240 --> 00:23:39.799
<v Speaker 1>this done. He's been on record saying that this would

390
00:23:39.839 --> 00:23:44.160
<v Speaker 1>be the sixth movie in the Blockbuster franchise, and actually

391
00:23:44.200 --> 00:23:49.119
<v Speaker 1>it's gonna focus on Margot Robbie and Johnny Depp would

392
00:23:49.440 --> 00:23:52.079
<v Speaker 1>come back as a side character. I'm not again seeing

393
00:23:52.119 --> 00:23:55.279
<v Speaker 1>Margot Robbie as a pirate. I'm not a seeing Margot

394
00:23:55.319 --> 00:23:58.920
<v Speaker 1>Robbie as anything. And if you guys haven't seen Babylon yet,

395
00:23:59.359 --> 00:24:02.400
<v Speaker 1>you have to because that's a different side of Mango

396
00:24:02.559 --> 00:24:08.000
<v Speaker 1>Robbie you've never seen. You gotta see it. Sexy, crazy, insane,

397
00:24:08.440 --> 00:24:13.440
<v Speaker 1>beautiful everything. It's a great role for her. But yeah,

398
00:24:13.480 --> 00:24:15.519
<v Speaker 1>this is I mean, this is a big move for Johnny.

399
00:24:15.839 --> 00:24:19.440
<v Speaker 1>Johnny Depp. I mean, this is huge. We got what

400
00:24:19.680 --> 00:24:23.440
<v Speaker 1>he did. I mean the first one was the first one,

401
00:24:24.200 --> 00:24:27.799
<v Speaker 1>Curse of the Black Pearl with Orlando Bloom, who I

402
00:24:27.839 --> 00:24:31.640
<v Speaker 1>hope we never seen a movie again. Remember him? He

403
00:24:31.680 --> 00:24:34.440
<v Speaker 1>was so hot with Katy Perry, tried to get Sydney Sweeny.

404
00:24:34.440 --> 00:24:36.079
<v Speaker 1>Way has he been? He felt the face of the

405
00:24:36.079 --> 00:24:42.240
<v Speaker 1>earth after that whole after the Travis Taylor wedding, he

406
00:24:42.359 --> 00:24:48.240
<v Speaker 1>just kind of dropped off. He's gone good. Then he

407
00:24:48.279 --> 00:24:51.799
<v Speaker 1>did Pirates of the Caribbean, dead Man's Chest, and then

408
00:24:52.000 --> 00:24:57.640
<v Speaker 1>Pirates of the Caribbean at World's End on Stranger Tides,

409
00:24:57.759 --> 00:25:03.119
<v Speaker 1>and finally Dead Men Tell All No Tales. I mean, look,

410
00:25:04.319 --> 00:25:09.000
<v Speaker 1>these movies made almost five billion dollars in the worldwide

411
00:25:09.039 --> 00:25:14.400
<v Speaker 1>box office. If you're a studio head, you're gonna green

412
00:25:14.440 --> 00:25:17.319
<v Speaker 1>light the next movie. You just we always talk about

413
00:25:17.319 --> 00:25:20.759
<v Speaker 1>where Lightning struck once before. That's how Hollywood picks the movies.

414
00:25:20.759 --> 00:25:24.000
<v Speaker 1>They're gonna green light. Well, Lightning is definitely struck here.

415
00:25:24.200 --> 00:25:26.559
<v Speaker 1>Even though Johnny went through some shit, what Amber heard,

416
00:25:26.920 --> 00:25:31.440
<v Speaker 1>I think the prevailing notion is everybody knows that even

417
00:25:31.440 --> 00:25:35.960
<v Speaker 1>though he's a little crazy, that she's even nuttier. And

418
00:25:36.000 --> 00:25:39.119
<v Speaker 1>she did things way beyond the pale to try to

419
00:25:39.160 --> 00:25:44.119
<v Speaker 1>fuck up his career, and it worked exactly opposite. And

420
00:25:44.599 --> 00:25:47.480
<v Speaker 1>I mean, look, when you got kids around the world

421
00:25:47.680 --> 00:25:52.319
<v Speaker 1>loving your iconic role, it's tough to walk away from that.

422
00:25:52.440 --> 00:25:56.480
<v Speaker 1>It's guaranteed money in the back. Even if the movie sucks,

423
00:25:56.839 --> 00:25:59.960
<v Speaker 1>every kid's gonna want the next pirates of the care

424
00:26:00.200 --> 00:26:04.279
<v Speaker 1>being toy. Whatever they do at McDonald's are burniking. It's

425
00:26:05.799 --> 00:26:08.200
<v Speaker 1>even if the movie doesn't work, there'll be another ride

426
00:26:08.240 --> 00:26:12.680
<v Speaker 1>at Universal. There'll be toys, lunchboxes, and the studio will

427
00:26:12.720 --> 00:26:15.880
<v Speaker 1>recoup its movie. But it's gonna work because it's been

428
00:26:15.880 --> 00:26:18.160
<v Speaker 1>a while and people want to see a big comeback

429
00:26:18.200 --> 00:26:23.200
<v Speaker 1>from Johnny. And I think he's I think he'll do it.

430
00:26:23.680 --> 00:26:28.039
<v Speaker 1>I think he should do it. He's playing ebony'ze a

431
00:26:28.079 --> 00:26:33.920
<v Speaker 1>Scrooge right before Christmas in a Christmas Carol that's coming

432
00:26:33.960 --> 00:26:37.319
<v Speaker 1>out in mid November. He shut up at San Diego's

433
00:26:37.359 --> 00:26:39.599
<v Speaker 1>Comic Con without telling people who he was, and he

434
00:26:39.680 --> 00:26:42.920
<v Speaker 1>shocked the shit out of everyone. He won the case

435
00:26:42.960 --> 00:26:48.720
<v Speaker 1>against Amber Heard. She's literally not working anymore. I mean,

436
00:26:50.319 --> 00:26:53.480
<v Speaker 1>I know he's getting older. I get it, you know,

437
00:26:54.400 --> 00:26:57.319
<v Speaker 1>and but you know, this is kind of a lesson

438
00:26:59.039 --> 00:27:01.839
<v Speaker 1>for all of you who think think that life doesn't

439
00:27:01.839 --> 00:27:07.799
<v Speaker 1>give you many, if at all, second chances. You want

440
00:27:07.799 --> 00:27:10.640
<v Speaker 1>to rewind and go over what Johnny Depp allegedly did

441
00:27:10.720 --> 00:27:15.200
<v Speaker 1>while he was with Amber heard. Look, their marriage was shit. Obviously.

442
00:27:16.119 --> 00:27:17.960
<v Speaker 1>I looked at her the first time I saw her,

443
00:27:17.960 --> 00:27:20.720
<v Speaker 1>said she's beautiful, but there's something white trash about her.

444
00:27:20.920 --> 00:27:24.240
<v Speaker 1>And boy was I right. I'm getting tired of saying

445
00:27:24.279 --> 00:27:27.960
<v Speaker 1>boy was I right? But I knew it. Beautiful girl,

446
00:27:28.240 --> 00:27:32.319
<v Speaker 1>little white trashy. Have some fun. Don't go too deep,

447
00:27:32.480 --> 00:27:35.359
<v Speaker 1>don't get too far, don't get too long with her.

448
00:27:35.920 --> 00:27:38.759
<v Speaker 1>She'll pull you down. She's one of those people. If

449
00:27:39.160 --> 00:27:41.240
<v Speaker 1>they're drowning, you try to say them, they drown you

450
00:27:41.279 --> 00:27:48.240
<v Speaker 1>at the same time. She's like that, you know. But

451
00:27:48.680 --> 00:27:50.359
<v Speaker 1>he's getting a little old in the two. I mean,

452
00:27:50.559 --> 00:27:52.519
<v Speaker 1>the next movie, if they make another one, should be

453
00:27:52.559 --> 00:27:55.400
<v Speaker 1>The Pirates of Palliad of Care. It's getting to that point,

454
00:27:55.920 --> 00:28:00.240
<v Speaker 1>you know. But I'll watch you with the nieces. Won't

455
00:28:00.279 --> 00:28:03.720
<v Speaker 1>watch it alone. I'll watch them with little girls. I

456
00:28:03.759 --> 00:28:07.160
<v Speaker 1>love Johnny, but I know what kind of acting he

457
00:28:07.200 --> 00:28:11.200
<v Speaker 1>considers important and vital to the arts, and he knows

458
00:28:11.240 --> 00:28:15.880
<v Speaker 1>this isn't it. I know he believes it. He believes

459
00:28:16.039 --> 00:28:18.480
<v Speaker 1>if he makes a handful of jernk Off movies for

460
00:28:18.519 --> 00:28:21.279
<v Speaker 1>the studio, then he's allowed to make one for himself.

461
00:28:22.680 --> 00:28:24.720
<v Speaker 1>And I love that. A lot of actors get that.

462
00:28:24.920 --> 00:28:28.680
<v Speaker 1>Otherwise we wouldn't have seen so many interesting films from

463
00:28:28.759 --> 00:28:32.359
<v Speaker 1>some of our favorite actors, because the industry concept that

464
00:28:32.440 --> 00:28:36.279
<v Speaker 1>I'm talking about is traditionally known as, look, you make

465
00:28:36.319 --> 00:28:38.920
<v Speaker 1>one for them, make two for them, and they'll let

466
00:28:39.000 --> 00:28:41.559
<v Speaker 1>you make one for you. So it's two for them,

467
00:28:41.680 --> 00:28:45.680
<v Speaker 1>one for you. That's pretty much the approach. And there

468
00:28:45.680 --> 00:28:49.720
<v Speaker 1>are major movie stars and directors across Hollywood. George Clooney,

469
00:28:51.079 --> 00:28:54.839
<v Speaker 1>Scarlett Johansson did it, Chris Evans so I can't stand

470
00:28:55.279 --> 00:28:57.880
<v Speaker 1>Robert Pattinson. A lot of these guys and girls have

471
00:28:58.000 --> 00:29:02.519
<v Speaker 1>done that knowledge that you know, there's a there's a transaction,

472
00:29:02.680 --> 00:29:06.079
<v Speaker 1>there's a there's a balance between what we're cast in

473
00:29:06.200 --> 00:29:09.240
<v Speaker 1>and then what we want to do. We'll do the

474
00:29:09.240 --> 00:29:13.960
<v Speaker 1>big commercial studio blockbuster, and that's just going to build

475
00:29:14.039 --> 00:29:16.599
<v Speaker 1>up my marketability so I can get a green light

476
00:29:16.880 --> 00:29:19.279
<v Speaker 1>for a passion project that I've wanted to do since

477
00:29:19.319 --> 00:29:22.720
<v Speaker 1>I twelve years old. That kind of shit and the

478
00:29:22.759 --> 00:29:26.880
<v Speaker 1>best person at that is Matthew McConaughey. I mean mcconniey

479
00:29:27.319 --> 00:29:30.440
<v Speaker 1>made the silly rom coms. For years. I used to

480
00:29:30.960 --> 00:29:35.160
<v Speaker 1>dislike him so much. I hated his haircut and I

481
00:29:35.160 --> 00:29:38.599
<v Speaker 1>would always say, he's got baby arms. His arms were

482
00:29:38.640 --> 00:29:42.319
<v Speaker 1>like dinosaur arms. They were too small for his upper body,

483
00:29:43.240 --> 00:29:45.519
<v Speaker 1>and I was we used to make fun of he's

484
00:29:45.519 --> 00:29:49.160
<v Speaker 1>got baby arms, and we do like tyronosaurs rex arms,

485
00:29:49.160 --> 00:29:53.640
<v Speaker 1>like we do lines for mcconniey movies with dinosaur arms

486
00:29:53.680 --> 00:29:56.559
<v Speaker 1>like Arona a Rna, Right, but it was dinosaur arms.

487
00:29:56.839 --> 00:29:59.200
<v Speaker 1>You if you haven't seen it, take a good look

488
00:29:59.200 --> 00:30:02.240
<v Speaker 1>at the length of arms. They're too short. But either way,

489
00:30:02.440 --> 00:30:05.720
<v Speaker 1>he did the rom coms, and he's on record saying

490
00:30:06.880 --> 00:30:12.559
<v Speaker 1>no movie he's ever done gives him more mailbox money

491
00:30:12.599 --> 00:30:15.759
<v Speaker 1>than ten Things I Hate about You? Or was it

492
00:30:15.839 --> 00:30:18.200
<v Speaker 1>twelve Ways to Lose the guy? One of those silly

493
00:30:18.279 --> 00:30:24.480
<v Speaker 1>fucking rom coms he did that cleaned up and he

494
00:30:24.680 --> 00:30:28.480
<v Speaker 1>still says the mailbox money is huge. Just to give

495
00:30:28.519 --> 00:30:33.039
<v Speaker 1>you an idea of mailbox money. Okay, I was friends.

496
00:30:33.279 --> 00:30:35.160
<v Speaker 1>I haven't seen him for years. There was a waiter

497
00:30:35.240 --> 00:30:40.839
<v Speaker 1>at Ago named Scott Scottish guy had the great Scottish

498
00:30:40.880 --> 00:30:43.400
<v Speaker 1>bro but he could get rid of it and speak

499
00:30:43.440 --> 00:30:48.440
<v Speaker 1>perfect you know, California English, if you will. And he

500
00:30:48.480 --> 00:30:52.079
<v Speaker 1>was in Titanic. He was also in Black Mass with

501
00:30:52.160 --> 00:30:54.200
<v Speaker 1>Johnny Depp. You had a nice role with that. But

502
00:30:54.279 --> 00:30:59.200
<v Speaker 1>in Titanic he spent I think twelve weeks on that

503
00:30:59.440 --> 00:31:03.000
<v Speaker 1>ship on the set a lot of times or not.

504
00:31:03.079 --> 00:31:06.480
<v Speaker 1>All the lives you're basically your residuals come down to

505
00:31:06.599 --> 00:31:09.440
<v Speaker 1>how much time you spent on the movie. He's on

506
00:31:09.559 --> 00:31:13.920
<v Speaker 1>there twelve weeks on this makeshift ship and his line

507
00:31:14.200 --> 00:31:22.480
<v Speaker 1>was Iceberg ahead, that's Scott, okay. And at some point

508
00:31:22.480 --> 00:31:25.839
<v Speaker 1>he owed me money because I was dealing shit for

509
00:31:25.880 --> 00:31:29.359
<v Speaker 1>a while when I was broke, and he was buying

510
00:31:29.359 --> 00:31:30.720
<v Speaker 1>my stuff and he owed me, like, I don't know,

511
00:31:30.759 --> 00:31:32.720
<v Speaker 1>one hundred and fifty bucks or something. I come to

512
00:31:32.720 --> 00:31:35.039
<v Speaker 1>see him always Scott. Now he's at the back. I said,

513
00:31:35.400 --> 00:31:37.920
<v Speaker 1>what are you doing? You got the money? Yeah, no,

514
00:31:37.960 --> 00:31:40.440
<v Speaker 1>I'm only get it tomorrow. And then one of the

515
00:31:40.440 --> 00:31:43.759
<v Speaker 1>bartenders grabbed me and said, Scott showed us a residual

516
00:31:43.839 --> 00:31:46.960
<v Speaker 1>check from Titanic. I said, really, how much was it?

517
00:31:46.960 --> 00:31:50.039
<v Speaker 1>He goes, you have no idea? What was there? One

518
00:31:50.160 --> 00:31:53.960
<v Speaker 1>hundred and eighty thousand dollars. I said, this motherfucker can't

519
00:31:53.960 --> 00:31:56.240
<v Speaker 1>give me one hundred and fifty. That's it. I went

520
00:31:56.279 --> 00:31:58.079
<v Speaker 1>in the back. I'd read him by the collars, you

521
00:31:58.200 --> 00:32:01.279
<v Speaker 1>cock sucker, you are you fuck. I'll go to the

522
00:32:01.319 --> 00:32:07.200
<v Speaker 1>bank tonight, Jesus Christ one hundred and eighty grand. That's

523
00:32:07.200 --> 00:32:09.359
<v Speaker 1>why a lot of people get into this game. Man.

524
00:32:11.960 --> 00:32:14.279
<v Speaker 1>I tried to get my SAG pension, right. I go, well,

525
00:32:14.319 --> 00:32:17.200
<v Speaker 1>I've been in nine movies. Three of them made money

526
00:32:17.279 --> 00:32:21.440
<v Speaker 1>Rocky Ransom, Conspiracy Theory. The rest are independent movies that

527
00:32:21.480 --> 00:32:25.160
<v Speaker 1>didn't make a big splash. But what have you and

528
00:32:25.240 --> 00:32:27.720
<v Speaker 1>I talked to After they said you've got a SAG pension?

529
00:32:27.759 --> 00:32:30.799
<v Speaker 1>I go great, So I started talking to SAG. Hey,

530
00:32:31.000 --> 00:32:34.119
<v Speaker 1>send me the paperwork. Okay, get this notarized. Do this.

531
00:32:34.720 --> 00:32:37.519
<v Speaker 1>We need a divorce decree from your first wife. We

532
00:32:37.640 --> 00:32:40.680
<v Speaker 1>need a marriage certificate for the It was a whole rigmarole.

533
00:32:41.839 --> 00:32:44.039
<v Speaker 1>And then I go. The lady goes, well, I'm looking

534
00:32:44.079 --> 00:32:49.160
<v Speaker 1>at your casing. You're not vested. I'm I invested. I

535
00:32:49.240 --> 00:32:52.599
<v Speaker 1>made a bunch of movies that made money. Well yeah,

536
00:32:52.680 --> 00:32:54.960
<v Speaker 1>but the way it works is and then I just

537
00:32:55.119 --> 00:32:57.680
<v Speaker 1>I started to fade out because I can't hear things

538
00:32:57.720 --> 00:33:01.240
<v Speaker 1>like that. The way it works is basically, you've got

539
00:33:01.240 --> 00:33:04.960
<v Speaker 1>to do two movies in a calendar year, like right

540
00:33:05.000 --> 00:33:07.960
<v Speaker 1>after one another. I'm like, okay, I didn't know anything

541
00:33:07.960 --> 00:33:12.319
<v Speaker 1>about that, or or you could if you did three

542
00:33:12.359 --> 00:33:15.319
<v Speaker 1>movies and five. I said, han, I'm sixty four years old.

543
00:33:15.319 --> 00:33:17.880
<v Speaker 1>I'm not doing two movies next year. I'm not doing

544
00:33:17.920 --> 00:33:19.640
<v Speaker 1>three in the next five. So you're telling me there's

545
00:33:19.680 --> 00:33:23.400
<v Speaker 1>no SAG money for me. I'm done. Well, freak, I'm afraid. Yeah,

546
00:33:23.440 --> 00:33:27.119
<v Speaker 1>I'm afraid you're right. Thank you, seg What the fuck

547
00:33:27.200 --> 00:33:32.240
<v Speaker 1>is that all about it? Anyhow? So, yeah, there's money

548
00:33:32.279 --> 00:33:34.720
<v Speaker 1>in this business, but there's money in the fact that

549
00:33:35.039 --> 00:33:37.359
<v Speaker 1>you do whatever you can do for them so you

550
00:33:37.400 --> 00:33:40.000
<v Speaker 1>can do your own passion projects. And mcconnie he was

551
00:33:40.039 --> 00:33:42.559
<v Speaker 1>the king of that. I mean, he got to a

552
00:33:42.599 --> 00:33:44.920
<v Speaker 1>point where he said, I'm gonna do films I like

553
00:33:45.519 --> 00:33:47.599
<v Speaker 1>the ones I feel in my bones. And he told

554
00:33:47.599 --> 00:33:50.759
<v Speaker 1>his wife at one point the beautiful Camilla Alvis, I

555
00:33:50.839 --> 00:33:53.559
<v Speaker 1>was offered twelve million dollars for this movie. I'm not

556
00:33:53.599 --> 00:33:56.240
<v Speaker 1>gonna do it. She's like, are you sure we could

557
00:33:56.319 --> 00:33:58.759
<v Speaker 1>really use that money? He goes, no, if I take

558
00:33:58.799 --> 00:34:02.359
<v Speaker 1>that money, they're gonna people offering me shit if I disappear,

559
00:34:03.359 --> 00:34:06.920
<v Speaker 1>And then suddenly they're gonna ask, where's Matthew mcconniey, just

560
00:34:06.960 --> 00:34:10.480
<v Speaker 1>like Johnny Boy said not, there's AJ. Where's AJ? And

561
00:34:10.519 --> 00:34:14.079
<v Speaker 1>eventually he brought them projects he wanted to do, and

562
00:34:14.119 --> 00:34:16.599
<v Speaker 1>then little by little he brought them in these and

563
00:34:16.719 --> 00:34:20.159
<v Speaker 1>the result was great. It began with something you probably

564
00:34:20.159 --> 00:34:23.800
<v Speaker 1>never saw or heard of, called thirteen conversations about one thing.

565
00:34:24.719 --> 00:34:26.840
<v Speaker 1>I'm sure his agency was out of their mind. Well

566
00:34:26.960 --> 00:34:30.559
<v Speaker 1>you make this, you could make twelve million tomorrow, wouldn't

567
00:34:30.559 --> 00:34:34.760
<v Speaker 1>do it? And then the stringer movies he made and

568
00:34:34.880 --> 00:34:40.159
<v Speaker 1>my opinion made his career, The paper Boy, Magic, Mike Killer,

569
00:34:40.280 --> 00:34:45.760
<v Speaker 1>Joe Mud, Dallas Buyers Club, and let's not forget his

570
00:34:45.920 --> 00:34:50.599
<v Speaker 1>turn on TV True Detective, and he and Whaty Harrison

571
00:34:50.719 --> 00:34:53.519
<v Speaker 1>made it so that no other acting door can leave

572
00:34:53.559 --> 00:34:56.760
<v Speaker 1>a better mark than they did the rest of those seasons.

573
00:34:56.800 --> 00:34:58.840
<v Speaker 1>I forget who else was in it but Jody Force

574
00:34:59.000 --> 00:35:02.199
<v Speaker 1>at yet the fuck got here what he had met

575
00:35:02.239 --> 00:35:05.760
<v Speaker 1>with the best. And by the way, there's another one

576
00:35:05.760 --> 00:35:09.519
<v Speaker 1>that's coming out to a theater pretty soon. He's in

577
00:35:09.599 --> 00:35:16.360
<v Speaker 1>something called The Rivals of Amsia King Crazy idea backwards

578
00:35:16.400 --> 00:35:21.679
<v Speaker 1>of Oklahoma. This musically gifted a guy named Amzia King.

579
00:35:22.679 --> 00:35:26.880
<v Speaker 1>He's got a bunch of misfits, bluegrass misfits, and he's

580
00:35:26.920 --> 00:35:32.760
<v Speaker 1>got this honeymaking operation in town, and when his daughter returns,

581
00:35:33.559 --> 00:35:36.519
<v Speaker 1>he wants to got to revolve in a family business.

582
00:35:36.599 --> 00:35:38.480
<v Speaker 1>It's all who knows that this is going to be

583
00:35:38.480 --> 00:35:41.000
<v Speaker 1>a hit. But I trust mcconnoey over the years to

584
00:35:41.039 --> 00:35:45.000
<v Speaker 1>know that he can sense when something's right. So I

585
00:35:45.119 --> 00:35:47.960
<v Speaker 1>support him and I'll always watch whatever he's in. I'm

586
00:35:48.000 --> 00:35:49.880
<v Speaker 1>sorry that was a long tangent about that shit, but

587
00:35:50.480 --> 00:35:54.199
<v Speaker 1>it's funny. The other day talking about acting and what

588
00:35:54.239 --> 00:35:56.480
<v Speaker 1>these people are going through, one of my buddies on

589
00:35:56.559 --> 00:36:01.119
<v Speaker 1>Patreon sends me a video of Jeremy Piven walking down

590
00:36:01.159 --> 00:36:03.679
<v Speaker 1>the street in Hollywood to get stopped in the street

591
00:36:03.760 --> 00:36:07.000
<v Speaker 1>for an impromptu interview. He's wearing his ear pods. You know,

592
00:36:07.039 --> 00:36:10.679
<v Speaker 1>he's very polite. Oh hi, hi, I caning to interview him.

593
00:36:11.400 --> 00:36:13.679
<v Speaker 1>What is your name? What do you do as momb

594
00:36:13.719 --> 00:36:17.840
<v Speaker 1>an actor? And your name Jeremy Piven? Like, first of all,

595
00:36:18.360 --> 00:36:20.400
<v Speaker 1>how do you stop somebody with not knowing their name

596
00:36:20.440 --> 00:36:22.000
<v Speaker 1>and what they do for a living? So right, there.

597
00:36:22.039 --> 00:36:24.920
<v Speaker 1>You know it's bullshit, But I'm watching it and my

598
00:36:24.960 --> 00:36:28.320
<v Speaker 1>buddy says to me, these interviews can't be real. I said, no,

599
00:36:28.440 --> 00:36:30.880
<v Speaker 1>this is all fake shit. They're setting these things up,

600
00:36:31.719 --> 00:36:33.599
<v Speaker 1>and so now I know why they're doing it. There

601
00:36:33.639 --> 00:36:38.639
<v Speaker 1>was an article today explaining this very phenomenon that some

602
00:36:38.719 --> 00:36:41.199
<v Speaker 1>of you might see come across your Instagram feed. So

603
00:36:41.239 --> 00:36:46.559
<v Speaker 1>there's these a list Hollywood publicists that coordinate these street

604
00:36:46.639 --> 00:36:52.159
<v Speaker 1>interviews with influencers. And they call these influencers to cover

605
00:36:52.239 --> 00:36:55.599
<v Speaker 1>their clients because a lot of them do like daytime

606
00:36:55.639 --> 00:36:58.519
<v Speaker 1>talk shows or Good Morning America, which really doesn't give

607
00:36:58.559 --> 00:37:03.400
<v Speaker 1>them enough time. So when they leave these particular sets

608
00:37:03.599 --> 00:37:06.039
<v Speaker 1>and their full makeup, and they've got hair and makeup

609
00:37:06.119 --> 00:37:10.559
<v Speaker 1>looking good, then the publicists will set up an impromptu

610
00:37:10.920 --> 00:37:14.639
<v Speaker 1>phony interview in the street. Why waste twenty five hundred

611
00:37:14.639 --> 00:37:17.199
<v Speaker 1>dollars worth their hair and makeup, right, let's get him

612
00:37:17.239 --> 00:37:22.239
<v Speaker 1>in the street. And actors are now understanding this, and

613
00:37:22.559 --> 00:37:27.840
<v Speaker 1>these street videographers their phones are ringing off the hook

614
00:37:28.119 --> 00:37:31.559
<v Speaker 1>because Hollywood press agents are tipping them off to catch

615
00:37:31.599 --> 00:37:38.880
<v Speaker 1>their stars for these supposedly spontaneous street interviews. Because you

616
00:37:38.920 --> 00:37:43.119
<v Speaker 1>know what, Sherry's off the air thank god, Kelly Clarkson's

617
00:37:43.159 --> 00:37:48.960
<v Speaker 1>off the air. Thank god. If you're a publicist and

618
00:37:49.280 --> 00:37:52.599
<v Speaker 1>you need a press stop, it's not easy to get

619
00:37:52.599 --> 00:37:56.719
<v Speaker 1>on Good Morning America or get on Jimmy Fallon. So

620
00:37:57.519 --> 00:38:03.199
<v Speaker 1>they've got to figure something out. So between ten thirty

621
00:38:03.320 --> 00:38:08.159
<v Speaker 1>am and three pm, if your client has paid twenty

622
00:38:08.159 --> 00:38:12.119
<v Speaker 1>five hundred bucks for hair and makeup, you can catch

623
00:38:12.440 --> 00:38:16.599
<v Speaker 1>their clients getting coffee for a street interview. Because they're

624
00:38:16.599 --> 00:38:19.199
<v Speaker 1>all trying to take advantage of this bubble. Right now,

625
00:38:19.239 --> 00:38:23.760
<v Speaker 1>that's happening. Less talk shows, very few nighttime talk shows,

626
00:38:24.000 --> 00:38:26.480
<v Speaker 1>and the daytime talk shows are being taken away. So

627
00:38:26.679 --> 00:38:29.679
<v Speaker 1>now what are actors supposed to do? How are they

628
00:38:29.719 --> 00:38:34.440
<v Speaker 1>selling their wares? And some publicists say it's a huge thing.

629
00:38:35.000 --> 00:38:38.679
<v Speaker 1>What's great about the street influencers is that they can

630
00:38:38.719 --> 00:38:41.119
<v Speaker 1>come to you, so when a client is leaving in

631
00:38:41.199 --> 00:38:43.559
<v Speaker 1>today's show, they can bang out one of those interviews

632
00:38:43.559 --> 00:38:48.519
<v Speaker 1>outside the show. Except it looks fake, It looks phony, Hollywood,

633
00:38:48.519 --> 00:38:51.920
<v Speaker 1>don't you get it? And there are some people in

634
00:38:51.960 --> 00:38:54.280
<v Speaker 1>the talent business who go, I'm not doing this. This

635
00:38:54.360 --> 00:38:58.519
<v Speaker 1>is so phony, it's stupid, But the studios will demand it.

636
00:38:58.599 --> 00:39:00.480
<v Speaker 1>If you're in a movie. They've sung a lot of

637
00:39:00.480 --> 00:39:02.920
<v Speaker 1>money in, or if you're on a TV show, they've

638
00:39:02.920 --> 00:39:05.000
<v Speaker 1>sunk a lot of money in, and you can't really

639
00:39:05.599 --> 00:39:11.920
<v Speaker 1>say no. There's just so many less shows to be

640
00:39:12.039 --> 00:39:16.360
<v Speaker 1>on to plug what you gotta plug. And studios are

641
00:39:16.400 --> 00:39:22.199
<v Speaker 1>now pushing projects that you know that they think they

642
00:39:22.239 --> 00:39:26.679
<v Speaker 1>can take their talent and since they can't plug them

643
00:39:26.679 --> 00:39:30.679
<v Speaker 1>on the View or Jimmy Kimmel or Kelly Clarkson. There's

644
00:39:30.719 --> 00:39:34.119
<v Speaker 1>a lot of shows on Hulu, Netflix, Apple A twenty four.

645
00:39:34.239 --> 00:39:38.519
<v Speaker 1>These are apps that several years ago didn't want on

646
00:39:38.559 --> 00:39:41.400
<v Speaker 1>a late night TV show interview unless it was a

647
00:39:41.519 --> 00:39:45.679
<v Speaker 1>runaway hit. So there's so many shows now, as all

648
00:39:45.719 --> 00:39:47.599
<v Speaker 1>of us know. You sit down on your TV, you

649
00:39:47.599 --> 00:39:50.079
<v Speaker 1>look at Amazon, you look at Netflix, you look at Peacock,

650
00:39:50.119 --> 00:39:53.320
<v Speaker 1>you look at whatever the hell you got, and you

651
00:39:53.360 --> 00:39:58.039
<v Speaker 1>can't find shit to watch. And these publishers are trying

652
00:39:58.079 --> 00:40:00.840
<v Speaker 1>to figure out, how can we keep our actors happy

653
00:40:01.239 --> 00:40:04.719
<v Speaker 1>so they keep paying us because they keep getting noticed.

654
00:40:05.920 --> 00:40:09.559
<v Speaker 1>It's a tough game. I mean it's a tough game.

655
00:40:09.760 --> 00:40:12.679
<v Speaker 1>I mean even the stupid show Hot Ones where people

656
00:40:12.719 --> 00:40:16.079
<v Speaker 1>eat chicken wings, that is hard to get booked on.

657
00:40:16.199 --> 00:40:19.559
<v Speaker 1>Can you imagine people can't get booked on a show

658
00:40:19.559 --> 00:40:22.800
<v Speaker 1>where you eat hot chicken wings, which I would never

659
00:40:22.840 --> 00:40:25.159
<v Speaker 1>do if I was a celebrity. Give me a fucking break,

660
00:40:25.199 --> 00:40:28.960
<v Speaker 1>you're gonna watch me suffer drinking hot wings. No, I

661
00:40:28.960 --> 00:40:33.880
<v Speaker 1>would never do that. Man, they'll get you. On Amy

662
00:40:33.920 --> 00:40:36.960
<v Speaker 1>Poehler's show, Good Hang, she's only making twenty four million

663
00:40:37.000 --> 00:40:40.480
<v Speaker 1>to sit across a desk from friends of hers and now,

664
00:40:40.519 --> 00:40:44.920
<v Speaker 1>as we understand, have interviews she knows she's having because

665
00:40:44.960 --> 00:40:47.639
<v Speaker 1>these people need help. They need to push their movie

666
00:40:47.679 --> 00:40:50.960
<v Speaker 1>or the TV show, or their book or their record. See,

667
00:40:50.960 --> 00:40:53.440
<v Speaker 1>that's what I didn't want to happen to podcast. I

668
00:40:53.480 --> 00:40:56.880
<v Speaker 1>didn't want to become another spoke in the wheel where

669
00:40:56.880 --> 00:41:00.559
<v Speaker 1>all these asshole celebrities are pushing something. That's why in

670
00:41:00.599 --> 00:41:03.639
<v Speaker 1>my talk show, my main rule was, no one is

671
00:41:03.840 --> 00:41:06.800
<v Speaker 1>pushing anything. They're not trying to tell me about their

672
00:41:06.840 --> 00:41:09.800
<v Speaker 1>new movie, their new book, the new song. Nothing. We're

673
00:41:09.840 --> 00:41:12.320
<v Speaker 1>just gonna talk as adults. I don't give a fuck

674
00:41:12.360 --> 00:41:15.320
<v Speaker 1>what they're doing. I'm not gonna publicize it. I'm not

675
00:41:15.679 --> 00:41:19.639
<v Speaker 1>if anything, I'll publicize me and my show and my

676
00:41:19.719 --> 00:41:24.000
<v Speaker 1>bosses Like, well, you can't just talk about yourself. I'm

677
00:41:24.000 --> 00:41:27.239
<v Speaker 1>not just gonna talk about myself. But I'm gonna talk

678
00:41:27.280 --> 00:41:29.840
<v Speaker 1>about myself because I think I'm interesting and I think

679
00:41:29.880 --> 00:41:32.280
<v Speaker 1>I'll make them laugh and the audience will laugh too.

680
00:41:32.599 --> 00:41:34.480
<v Speaker 1>If that doesn't work, it doesn't work. But that's the

681
00:41:34.480 --> 00:41:36.480
<v Speaker 1>way I want to do this show. I'm not gonna

682
00:41:36.559 --> 00:41:39.320
<v Speaker 1>do the typical thing. Hey, so by the way, we

683
00:41:39.360 --> 00:41:40.880
<v Speaker 1>have a clip. Let's let's let's take a look at

684
00:41:40.880 --> 00:41:45.639
<v Speaker 1>the clip. I'm not doing that shit. And you got

685
00:41:45.960 --> 00:41:50.039
<v Speaker 1>actors like you know, Timothy Shallaman, who Andrew Garfield. They

686
00:41:50.079 --> 00:41:52.559
<v Speaker 1>took advantage of this shit. They started promoting movies. They

687
00:41:52.559 --> 00:41:56.840
<v Speaker 1>were in in ways that no one's ever done. People

688
00:41:56.920 --> 00:41:58.960
<v Speaker 1>thought they were crazy, but they're trying to find the

689
00:41:59.039 --> 00:42:04.440
<v Speaker 1>new niche of how to publicize yourself. I mean, it's

690
00:42:04.440 --> 00:42:07.119
<v Speaker 1>gotta be better than sitting across from Stephen Colbert or

691
00:42:07.199 --> 00:42:13.239
<v Speaker 1>Seth Myers who's on a seven week break and Jimmy

692
00:42:13.280 --> 00:42:16.119
<v Speaker 1>Fallon does four shows a week, and Howard Stern's gonna

693
00:42:16.159 --> 00:42:19.679
<v Speaker 1>do one show week. I mean, give me a break.

694
00:42:21.159 --> 00:42:25.800
<v Speaker 1>How many years do we know, Angeline Taylor Swift, Kim Kardashian.

695
00:42:25.920 --> 00:42:28.840
<v Speaker 1>So many people would tipping off paparazzi to find them

696
00:42:29.119 --> 00:42:31.519
<v Speaker 1>at a park with their kids to get some good

697
00:42:31.559 --> 00:42:35.440
<v Speaker 1>press and People magazine or in Style. It's been going

698
00:42:35.480 --> 00:42:39.159
<v Speaker 1>on forever. Why not use these paparazzi. Why not get

699
00:42:39.159 --> 00:42:42.960
<v Speaker 1>some influencers who can ask some silly questions for four

700
00:42:43.039 --> 00:42:46.360
<v Speaker 1>minutes and have your big star walk away thinking they

701
00:42:46.400 --> 00:42:49.800
<v Speaker 1>plugged the movie. They plugged themselves, and they can justify

702
00:42:49.880 --> 00:42:52.800
<v Speaker 1>paying you your twenty five thousand dollars a month as

703
00:42:52.840 --> 00:42:56.679
<v Speaker 1>a publicist. But that industry is gonna fall apart two

704
00:42:56.880 --> 00:43:01.000
<v Speaker 1>pretty soon. There'll be no publicist to that degree where

705
00:43:01.039 --> 00:43:03.679
<v Speaker 1>you got to pay twenty five grand a month. Give

706
00:43:03.679 --> 00:43:06.760
<v Speaker 1>me a fucking break. Let's start using robots. I'm looking

707
00:43:06.840 --> 00:43:09.960
<v Speaker 1>at I saw robots now run faster than Usain Bolt

708
00:43:10.039 --> 00:43:13.599
<v Speaker 1>and they can jump over hurdles seven foot high. I mean,

709
00:43:13.800 --> 00:43:16.360
<v Speaker 1>what are we talking about here? The whole world's changing.

710
00:43:16.679 --> 00:43:23.119
<v Speaker 1>Talk shows are the least of it. Anyhow, Gang and

711
00:43:23.119 --> 00:43:25.559
<v Speaker 1>going to make some hamburgers a rock another forty three

712
00:43:25.599 --> 00:43:29.960
<v Speaker 1>minute show. Look at me, look at me. You thought

713
00:43:30.000 --> 00:43:32.400
<v Speaker 1>I was getting slow, You thought I was mailing, and

714
00:43:32.440 --> 00:43:37.119
<v Speaker 1>you son of a you want to know better. I

715
00:43:37.119 --> 00:43:41.039
<v Speaker 1>don't mal shit in, but I'm done with this show,

716
00:43:41.719 --> 00:43:44.599
<v Speaker 1>and I'm aj Benzon. That was your daily Unfiltered podcast

717
00:43:44.599 --> 00:43:48.880
<v Speaker 1>for August nineteenth, twenty twenty six. We will talk again

718
00:43:49.239 --> 00:43:49.920
<v Speaker 1>tomorrow
