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<v Speaker 1>You see something's going to happen.

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<v Speaker 2>What what's gonna happen? I'll take what.

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<v Speaker 3>Welcome to another episode of the Headless is Magical mail Bag.

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<v Speaker 3>I got with me tonight, my co host Nick, and

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<v Speaker 3>we are going over some sigils.

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<v Speaker 4>Yes, so let's uh let's start with you. Nick, go

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<v Speaker 4>ahead right, yes?

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<v Speaker 2>Uh sorry, I'm trying to six there we go. I

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<v Speaker 2>forgot to set up the rumbles. I was like, oh,

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<v Speaker 2>it's not working. Uh yeah, all right, so uh yes,

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<v Speaker 2>real quick, we have the uh what is this one? Yeah?

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<v Speaker 2>The caput a dragons Latin head of the dragon. It

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<v Speaker 2>is a glypt for ending the north lunar node, an

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<v Speaker 2>idea that traveled from Babylonian astronomy through Greek, Arabic and

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<v Speaker 2>medieval Europe. Visually, it looks like an upward facing horseshoe

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<v Speaker 2>or kind of like that ome and I'll show you

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<v Speaker 2>later shaped loop Renaissance magic. Its outline is often doubled

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<v Speaker 2>or ringed to make a talisman seal. Astronomical and mythic

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<v Speaker 2>origins the node and eclipses. The ascending node marks the

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<v Speaker 2>point where the moon crosses above the ecliptic and above

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<v Speaker 2>the ecliptic and eclipses happen when sun or moon are

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<v Speaker 2>near the dragon. Mythology, Greek texts call it oh God

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<v Speaker 2>this word, and a bibizon I said that right the

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<v Speaker 2>rising point. In Indian astrology, person personifies it at the

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<v Speaker 2>severed demon head Rahu forever devouring the luminaries. And these

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<v Speaker 2>stories gave the node its dragon imagery and its reputation

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<v Speaker 2>for both appetite and augmentation. The first appearances in magical literature.

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<v Speaker 2>It shows up in the tenth century under d Imaginabus.

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<v Speaker 2>It's an image or a magic manual carved the head

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<v Speaker 2>of a composite talisman while the node is on the

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<v Speaker 2>ascendant to give authority to it. Eleventh or twelfth century

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<v Speaker 2>it shows up in the Pika Trix, and the head

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<v Speaker 2>augments any planet it contacts. It's recipes for north Node

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<v Speaker 2>talismans to make your magic more powerful. The thirteenth century,

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<v Speaker 2>it shows up in Guido Banati's Astronomia, and it's drawn

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<v Speaker 2>as a dragon biting its tail, and it governs beginnings

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<v Speaker 2>in our orary charts and that you can see in

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<v Speaker 2>some ms illustrations like manuscripts in the Renaissance times around

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<v Speaker 2>you start getting up to Agrippa, you see him using it.

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<v Speaker 2>He prints a sigil of Caputraconus besides that of Cadua

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<v Speaker 2>Draconis and the twenty eight lunar mansions. He recommends it

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<v Speaker 2>for great success impetitions when conjoined with Jupiter. In geomancy,

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<v Speaker 2>Agrippa's Book four turns the node into one of the

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<v Speaker 2>sixteen Geomantic figures. In this form, it resembles a step

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<v Speaker 2>towards a threshold and is fortunate for entering ventures. Peter

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<v Speaker 2>Apaine it graved at the dragon's head on the volvulus

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<v Speaker 2>of the Astranamachum god these words casarium from fifteen forty

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<v Speaker 2>and he's linking it to eclipse tables. Well, that interesting.

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<v Speaker 2>Around the sixteen hundreds people who practiced it or known

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<v Speaker 2>William Lilly sixteen forty seven. He's under Christiana's astrology. He

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<v Speaker 2>treats the node as a minor benefit that signifies increase

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<v Speaker 2>and friends when well placed. The Hermetic Order of the

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<v Speaker 2>Golden Down started using it around the eighteen nineties for

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<v Speaker 2>knowledge lectures, and it uses the geomantic figure and it

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<v Speaker 2>teaches it as good, and it teaches that the symbol

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<v Speaker 2>is good with good, evil with evil, and lucky for

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<v Speaker 2>gain and Alista. Crowley used it in ritual geomancy and

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<v Speaker 2>some of his Pnocchian visions, and he assigns the figure

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<v Speaker 2>to Venus and Jupiter and places its sigils. It places

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<v Speaker 2>its sigil and pentagrams for money or love workings, the

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<v Speaker 2>symbol and the magical uses you know again just to

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<v Speaker 2>go over some other you know, for augmentation and gateways.

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<v Speaker 2>Traditional manuals say the head amplifies whatever it touches, hence

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<v Speaker 2>talismans for promotion, growth or initiating projects. The Pika trix

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<v Speaker 2>warns that the same magnifier will boost malafix, so you're

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<v Speaker 2>bad if they roll the chart geomantic divination falling in

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<v Speaker 2>the ascendant, it blesses any new undertaking. In the tenth

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<v Speaker 2>it promises professional success, and in the twelfth it is

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<v Speaker 2>neutral or not very good. Golden doors when tables expand

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<v Speaker 2>these house judgments a little bit more if people are

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<v Speaker 2>into that and astro magical things favorable When Jupiter, Venus

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<v Speaker 2>or waxing moons can join the node outside eclipse season,

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<v Speaker 2>and it's avoided during eclipses because the dragon devours light.

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<v Speaker 4>There you go, so, well, that is really interesting. I

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<v Speaker 4>mean on so many level.

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<v Speaker 3>Even that figure right there where you've got the moon,

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<v Speaker 3>if you want to go back.

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<v Speaker 2>On, Yeah, I do like that associated with the eclipses.

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<v Speaker 4>Staring at the sun.

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<v Speaker 3>And what I've noticed is when I'm driving at dawn,

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<v Speaker 3>the moon, Venus, and the Sun will all align in

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<v Speaker 3>sort of a you know, a straight line across the sky.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, sun is rising, and so what do we see

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<v Speaker 3>here that same idea. I guess there's Venus in the

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<v Speaker 3>middle somewhere, which would make sense. And then that's sort

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<v Speaker 3>of the node. I'm not sure what you mean by node.

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<v Speaker 3>Is there like a placement in the sky.

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<v Speaker 2>Yeah, that's what I would assume that. I am gonna

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<v Speaker 2>be totally honest with you. I'm not really good with

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<v Speaker 2>those that part of astrology. Ya, but nodes are normally,

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<v Speaker 2>like I think, they're actually stuff in the sky. I

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<v Speaker 2>could before.

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<v Speaker 3>Interesting, Well you would go to the next one.

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<v Speaker 2>Yeah, yeah, oops, wait hold on, yeah, this one likes cool.

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<v Speaker 4>Oh tried to acto is it?

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<v Speaker 2>Yeah?

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<v Speaker 4>Oh inside the egg? Yeah, it's a beast inside.

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<v Speaker 3>Well, I mean that's what he would he would claim,

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<v Speaker 3>a beast inside the egg and it's serpentine.

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<v Speaker 4>Oh that's triacto.

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<v Speaker 3>Whoa, and this.

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<v Speaker 4>Is all about that node. Huh. Yeah, that's awesome. So

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<v Speaker 4>that's like Katoo and Rahu, the two dragons.

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<v Speaker 3>I thought that only existed in Vedic, but I guess

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<v Speaker 3>Caput draconas.

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<v Speaker 4>And then what was the other one or something?

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<v Speaker 2>Oh, yeah, there was one op yeah, what was it?

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<v Speaker 2>It was another one that went one da yeah that yes.

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<v Speaker 4>Yeah, because I got the geomantic figure right here.

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<v Speaker 2>If you want to hear about it, yeah, yeah, go

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<v Speaker 2>for it.

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<v Speaker 3>Catput Draconas is a geomantic figure that represents the head

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<v Speaker 3>of the dragon. In Latin, it is associated with the

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<v Speaker 3>north node of the moon. I guess that's the highest

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<v Speaker 3>level of the moon's ascendancy, and is considered a figure

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<v Speaker 3>of new beginnings, fresh starts, and personal growth. The figure

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<v Speaker 3>is often linked to the concept of an entrance or doorway,

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<v Speaker 3>symbolizing the start of a journey a new cycle. In

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<v Speaker 3>terms of elemental influence, Capput Draconas has earth, water, and

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<v Speaker 3>air active, while fire is passive. This combination suggests a

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<v Speaker 3>influence with the intuitive and rational elements, striving towards spiritual energy.

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<v Speaker 3>The figure is generally seen as a favorable for any

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<v Speaker 3>kind of beginnings, indicating a drastic turn for the better

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<v Speaker 3>and new possibilities to explore. Capa Draconis is also associated

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<v Speaker 3>with the idea of integration the spirit and the future,

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<v Speaker 3>as well as the opportunities that lie ahead. It is

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<v Speaker 3>connected to the zodiac sign Virgo and the element of Earth,

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<v Speaker 3>and is often seen as a figure that brings benedictions, prosperity,

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<v Speaker 3>and spiritual development and geomantic readings. Capa draconas can indicate

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<v Speaker 3>a period of change which may be slow moving but

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<v Speaker 3>ultimately positive. It is often linked to anxiety or unrest

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<v Speaker 3>and appears doing significant life changes, but it also seen

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<v Speaker 3>as the potential positive outcomes. And so here's the sigil

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<v Speaker 3>for the geomancy.

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<v Speaker 4>Head of the Dragon.

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<v Speaker 2>Yeah, it looks like even like a snake tone. Oh

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<v Speaker 2>that's you know, you even make that sign for like

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<v Speaker 2>the rising beast right and the LVX. Would I think.

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<v Speaker 4>There's a lot of geomancy in magic.

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<v Speaker 2>Oh yeah, I just don't understand this shit.

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<v Speaker 3>Oh it's it's real simple. Basically, you're just poking holes

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<v Speaker 3>or whatever, and then you're counting the whether it's going

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<v Speaker 3>to be a positive number. Well, not a positive number,

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<v Speaker 3>even number or an odd number, and so you're flipping

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<v Speaker 3>coins whatever, you're creating a scenario where you can determine

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<v Speaker 3>what the number is going to be either you know,

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<v Speaker 3>even or odd. Odd is two dots, even as one dot.

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<v Speaker 3>So you fill out one, two, three, four, five flips

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<v Speaker 3>of the coin or whatever, and then you have your

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<v Speaker 3>geomantic figure, and so that's related to you know, reading

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<v Speaker 3>your fortune, or you can put these up and use them.

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<v Speaker 4>As sort of sigils.

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<v Speaker 3>So there's a lot of different kind of potential when

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<v Speaker 3>it comes to but it's basically like the Ruins, you know.

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<v Speaker 2>I was actually kind of almost like thinking something like

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<v Speaker 2>that with the way you're explaining where you can make

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<v Speaker 2>a run out of it.

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<v Speaker 3>And what they do is they have big old squares

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<v Speaker 3>that have basically like this story all all laid out,

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<v Speaker 3>and so basically as you're flipping through, each one of

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<v Speaker 3>these different levels have a different energy and then that

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<v Speaker 3>gives you your full reading. So you could fill out

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<v Speaker 3>a whole piece of paper on this. It's actually pretty complex, but.

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<v Speaker 4>Yeah, jee Mancy is something to look into, and it's

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<v Speaker 4>so simple. It's a lot like eaching. If you haven't

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<v Speaker 4>read that.

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<v Speaker 2>Oh yeah, yeah, no, I it's well, I mean it

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<v Speaker 2>almost even well not so much looks like it, but

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<v Speaker 2>that was something I kind of thought of when I

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<v Speaker 2>saw that with the change, how you use like dots

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<v Speaker 2>and placements and all that stuff.

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<v Speaker 3>Right, it's not the same figures. And in both systems

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<v Speaker 3>they believe that the spirit comes through these geometric figures,

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<v Speaker 3>you know.

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<v Speaker 4>I think that's also common in reading the rooms too,

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<v Speaker 4>is like there's.

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<v Speaker 3>A spirit to each one of these these figures that

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<v Speaker 3>they've drawn, you know, ZI too.

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<v Speaker 2>Very cool. Yeah, no, thank you for adding that on too.

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<v Speaker 4>So I got right here.

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<v Speaker 1>Hex signs Pennsylvania Dutch hex signs, so uh, these consist

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<v Speaker 1>of all sorts of different you know, motifs that are

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<v Speaker 1>are based around this radiant kind of energy.

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<v Speaker 2>You know.

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<v Speaker 4>So originally they were.

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<v Speaker 3>Called like uh, flower and flower and star pattern in German,

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<v Speaker 3>but then they decided that a hex's foot or a

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<v Speaker 3>witch's foot is what they were gonna go with instead.

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<v Speaker 3>So that's what it's been called since the early nineteen hundreds.

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<v Speaker 3>And this is associated with the Pennsylvania Dutch, not the Amish.

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<v Speaker 3>They want everybody to know this is not Amish. We

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<v Speaker 3>don't believe in this kind of fancy decorativeness. So when

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<v Speaker 3>you see these up on barns, that's a pretty good

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<v Speaker 3>indicator that it's not the Amish, because they don't even

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<v Speaker 3>wear buttons, right, because buttons are too flashy for the Amish.

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<v Speaker 2>Flashy for the homage. So what are those other ones?

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<v Speaker 2>I forgot there's a different name of Mennonite. So the

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<v Speaker 2>mena Nights Menaite school.

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<v Speaker 3>With this very very humble as well, I think.

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<v Speaker 2>But they have buttons, they have zippers.

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<v Speaker 3>Right, they do have zippers, and they have cars as well.

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<v Speaker 3>So Mennonites are the ones that are going to be

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<v Speaker 3>dressing a lot like the Amish, but still driving in cars.

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<v Speaker 3>But you know, the Amish.

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<v Speaker 4>Mafia kind of works that way.

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<v Speaker 3>You think they're not working together, but they're always working together.

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<v Speaker 2>Yo, there was, Oh god, I was. I think I

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<v Speaker 2>was in my twenties. I just got out of high school.

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<v Speaker 2>And I remember one time I saw some shit on

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<v Speaker 2>TV where the Amage got busted trafficking cocaine for the

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<v Speaker 2>Hills Angels or some shit, because like, you never would

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<v Speaker 2>have guessed that we had cocaine on it's really Amish.

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<v Speaker 2>They got popped. I was like, Yo, they're running drugs

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<v Speaker 2>from whatcycle game? You know, there's a horsed buggy in

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<v Speaker 2>the back.

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<v Speaker 3>We had a guy in Grabile. I've actually lived around

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<v Speaker 3>the Amish a lot. I used to live in Grabel, Indiana.

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<v Speaker 3>It was not a one horse town. So you better

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<v Speaker 3>watch your step.

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<v Speaker 2>They're lots of them, and so, yo, you gotta watch

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<v Speaker 2>out for that shit.

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<v Speaker 3>Literally, we had one guy who put neons on the

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<v Speaker 3>bottom of his buggy and he would go around getting

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<v Speaker 3>drunk because apparently you can drink and drive a horse.

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<v Speaker 3>Nobody cares. So he's in there getting loaded, trying to

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<v Speaker 3>pick up the English, you know. So he's yelling at

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<v Speaker 3>the women with his uh ne odds at the bottom

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<v Speaker 3>of his uh his buggy.

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<v Speaker 4>And he thought he was hot.

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<v Speaker 2>Shit. Well, if guy who's gonna put hydraulics in that git.

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<v Speaker 3>Next wouldn't be.

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<v Speaker 2>I'm done sorry.

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<v Speaker 3>Rural Indiana was a wild place, dude, wild.

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<v Speaker 4>They had all sorts of crazy stuff going on.

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<v Speaker 3>But uh yeah, So you can find these on these barns,

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<v Speaker 3>and it's it's been associated with magic, and there is

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<v Speaker 3>definitely a lot of superstition associated with these hex signs,

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<v Speaker 3>like which one is fortuitous and which one is not.

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<v Speaker 3>We have a lot of these type of decorations out

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<v Speaker 3>here in Wisconsin as well.

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<v Speaker 4>Uh.

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<v Speaker 3>They they put them all over the barns, mostly you know,

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<v Speaker 3>on the front of the barn. But the whole idea

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<v Speaker 3>there is that this this sigil is supposed to be

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<v Speaker 3>raising the energy of the farm. And I think it

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<v Speaker 3>probably goes way back before this, but it really started

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<v Speaker 3>picking up in the United States through the Pennsylvania Dutch

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<v Speaker 3>in the eighteen fifties. But you know, that was sort

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<v Speaker 3>of like the height of the folk magic movement, and

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<v Speaker 3>then from there it kind of moved way back into

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<v Speaker 3>you know, the tent revival scene in America.

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<v Speaker 4>That was a.

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<v Speaker 3>Pretty big step back, you know, in terms of culturally.

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<v Speaker 3>Everything got banned and bright colors were banned. You know,

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<v Speaker 3>they tried to be like the Amish.

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<v Speaker 2>I guess it's interesting. I wonder if like those doors

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00:15:41.799 --> 00:15:46.480
<v Speaker 2>in a certain amount, like on two. It's interesting, like

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00:15:46.600 --> 00:15:48.879
<v Speaker 2>if there's like even if those things you see, like

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<v Speaker 2>the doorways in the arches and wonderful that has something

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<v Speaker 2>to do with like everything, because it's eight on the top.

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<v Speaker 2>I mean, it could just be eight.

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<v Speaker 3>You know, it does the they were into They were

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<v Speaker 3>into folk magic big time.

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<v Speaker 4>So the numbers of things.

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<v Speaker 3>How many, you know, all all of those things had

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<v Speaker 3>a superstitious quality.

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<v Speaker 2>This is a pretty well looking actually interesting.

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<v Speaker 3>They were always looking out for thirteens and all the

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<v Speaker 3>rest of this stuff. Which is really interesting to me is,

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<v Speaker 3>you know, the whole trisc and decaphobia thing is so

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<v Speaker 3>common in everyday people. But yet if you look at Washington,

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00:16:22.679 --> 00:16:26.039
<v Speaker 3>d C. They have absolutely no trisc and decaphobia at all.

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<v Speaker 4>They are not scared at thirteen. They love that number.

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<v Speaker 3>Everything is thirteen, thirteen stripes, thirteen bars, thirteen arrows. You know,

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00:16:36.159 --> 00:16:41.639
<v Speaker 3>it's all their symbolism. But you know, the whole phobia

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<v Speaker 3>around numbers, that's definitely you know, mid nineteenth century fear,

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00:16:48.200 --> 00:16:53.360
<v Speaker 3>you know. But that's mine.

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<v Speaker 4>Let me pull up the old mail bag here.

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<v Speaker 2>Yeah, you know, it's so funny. I think I just

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00:16:58.240 --> 00:16:59.960
<v Speaker 2>noticed because I saw like a thing pop up on

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<v Speaker 2>uh Twitter for some reason. I'm thinking I shared the show,

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00:17:03.559 --> 00:17:05.039
<v Speaker 2>so I thought maybe it was like a retweet or

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00:17:05.079 --> 00:17:07.559
<v Speaker 2>like or whatever, And it was that lady Heather that

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00:17:07.599 --> 00:17:10.920
<v Speaker 2>we just had on the show, taking so many screens

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00:17:10.960 --> 00:17:12.799
<v Speaker 2>out of how far away the funeral home is from

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00:17:12.839 --> 00:17:16.079
<v Speaker 2>the lodges by our house. She's like, Yo, you got

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00:17:16.079 --> 00:17:19.279
<v Speaker 2>me on a deep type. Now. I was like, I'm

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00:17:19.279 --> 00:17:20.799
<v Speaker 2>telling you there's something weird with that shit.

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00:17:24.319 --> 00:17:27.000
<v Speaker 4>Yeah dude, I mean come on.

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00:17:27.480 --> 00:17:30.079
<v Speaker 2>Yo, it's too weird. It's like they're literally needed next

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00:17:30.119 --> 00:17:32.279
<v Speaker 2>door or two blocks away. You could walk to it.

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00:17:32.599 --> 00:17:34.799
<v Speaker 4>This is something if you don't know what you're looking for. Yo.

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00:17:34.880 --> 00:17:36.839
<v Speaker 2>There was ones where they had the same name as

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00:17:36.880 --> 00:17:37.640
<v Speaker 2>the lodge name.

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00:17:40.079 --> 00:17:46.960
<v Speaker 3>Well, here's here's the plausible deniability. During the early nineteen hundreds,

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00:17:48.039 --> 00:17:52.119
<v Speaker 3>all of these lodges got started around death benefits, right,

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00:17:52.519 --> 00:17:55.799
<v Speaker 3>so you would get your life insurance through the law.

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00:17:56.279 --> 00:18:04.880
<v Speaker 2>Yeah, this all makes sense now, started, that's all part.

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00:18:04.720 --> 00:18:06.480
<v Speaker 3>Of that started with life assurance.

301
00:18:06.720 --> 00:18:11.480
<v Speaker 2>But then, oh, we gotta come with death, you know.

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00:18:11.599 --> 00:18:13.160
<v Speaker 3>Now it goes into human trafficking.

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00:18:13.720 --> 00:18:15.880
<v Speaker 2>Yeah, we're gonna rape you to stay healthy, and when

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00:18:15.880 --> 00:18:19.720
<v Speaker 2>you die, we're gonna judge you too much. Oh you

305
00:18:19.279 --> 00:18:22.039
<v Speaker 2>want you want to get cremated? Five grand? Thanks? It's

306
00:18:22.039 --> 00:18:23.640
<v Speaker 2>like I'll just throw the guy and that stole myself.

307
00:18:24.599 --> 00:18:26.160
<v Speaker 2>Just give me and give me a coffee can for

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00:18:26.160 --> 00:18:26.759
<v Speaker 2>a thousands.

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00:18:27.480 --> 00:18:29.559
<v Speaker 3>I can't, for the life of me ever find any

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00:18:29.640 --> 00:18:30.680
<v Speaker 3>new cemeteries.

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00:18:31.759 --> 00:18:32.799
<v Speaker 4>Where are these bodies go?

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00:18:35.519 --> 00:18:37.920
<v Speaker 2>No, you're right. If you're probably look like you know

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00:18:38.000 --> 00:18:41.680
<v Speaker 2>cemeteries that have been built like recently, there's probably.

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00:18:41.200 --> 00:18:45.640
<v Speaker 4>Very few, very few. We got people dying all the time.

315
00:18:45.680 --> 00:18:46.640
<v Speaker 4>What's happening here?

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00:18:47.000 --> 00:18:48.319
<v Speaker 3>Are they all getting cremated?

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00:18:48.359 --> 00:18:49.160
<v Speaker 4>I don't think they are.

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00:18:49.920 --> 00:18:52.480
<v Speaker 2>Something is going making up with the lack of cows.

319
00:18:54.759 --> 00:18:57.319
<v Speaker 3>I mean, we do eat a lot of burgers people.

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00:18:58.359 --> 00:19:00.640
<v Speaker 2>I could have swore. I saw somebody recent only actually

321
00:19:00.640 --> 00:19:03.119
<v Speaker 2>look into all that and said the numbers actually don't

322
00:19:03.119 --> 00:19:05.720
<v Speaker 2>match to produce as much as beings taken in supposedly.

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00:19:06.839 --> 00:19:09.079
<v Speaker 2>I was like, oh, that's you know. But then they're

324
00:19:09.079 --> 00:19:11.039
<v Speaker 2>starting to say we do get some from China. I

325
00:19:11.079 --> 00:19:13.599
<v Speaker 2>don't know, you start trying to use other countries as suppliers,

326
00:19:13.640 --> 00:19:15.519
<v Speaker 2>and it's just are you saying that just because you

327
00:19:15.519 --> 00:19:17.200
<v Speaker 2>don't want to believe what you might be eating?

328
00:19:18.880 --> 00:19:22.039
<v Speaker 4>Right, I don't know. I don't like that.

329
00:19:22.240 --> 00:19:23.000
<v Speaker 2>Yeah, fucking weird.

330
00:19:23.720 --> 00:19:25.000
<v Speaker 4>And have me notice too.

331
00:19:24.960 --> 00:19:28.759
<v Speaker 3>That nobody is getting the big ostentatious headstones anymore.

332
00:19:29.440 --> 00:19:32.680
<v Speaker 4>No, No, it's all just like little plaques in the ground.

333
00:19:32.839 --> 00:19:37.799
<v Speaker 2>Yeah that's it's like, yo, come on, so boring.

334
00:19:38.400 --> 00:19:43.119
<v Speaker 3>Right, But nobody can afford those big monuments anymore because

335
00:19:43.119 --> 00:19:45.599
<v Speaker 3>inflation has made us all super poored. We don't even

336
00:19:45.640 --> 00:19:46.519
<v Speaker 3>realize it yet.

337
00:19:48.200 --> 00:19:52.839
<v Speaker 2>You know, it's expensive to die die, or it is

338
00:19:52.839 --> 00:19:54.119
<v Speaker 2>for the family that you left.

339
00:19:55.680 --> 00:19:58.720
<v Speaker 3>And it's ridiculous stuff to like they'll charge you five

340
00:19:58.799 --> 00:20:00.799
<v Speaker 3>hundred and fifty dollars for a car hard or box.

341
00:20:01.119 --> 00:20:04.279
<v Speaker 2>It's like what I've known so many people that you know,

342
00:20:04.960 --> 00:20:07.440
<v Speaker 2>unfortunately people die in their family or whatever, and they

343
00:20:07.480 --> 00:20:09.440
<v Speaker 2>didn't have much, and it's like, yo, I just got

344
00:20:09.519 --> 00:20:12.359
<v Speaker 2>stuck with like a ten grand bill to bury somebody,

345
00:20:13.039 --> 00:20:15.160
<v Speaker 2>right like, and it's just like, how the fun does

346
00:20:15.160 --> 00:20:17.200
<v Speaker 2>it cost that much to like put somebody in the ground.

347
00:20:17.680 --> 00:20:20.440
<v Speaker 3>That's why those lodges got started, is because it was

348
00:20:20.480 --> 00:20:22.920
<v Speaker 3>always expensive to bury people, and people were poor, so

349
00:20:22.960 --> 00:20:28.400
<v Speaker 3>they decided to get together and split the bells. That's uh,

350
00:20:28.440 --> 00:20:32.680
<v Speaker 3>you know, it's one of those things.

351
00:20:33.200 --> 00:20:34.240
<v Speaker 4>Again. Moosehart.

352
00:20:34.599 --> 00:20:39.759
<v Speaker 3>Moosehart was for the orphans of the the members who died.

353
00:20:40.480 --> 00:20:43.039
<v Speaker 2>Mooseheart, Illinois is owned by the Moose Ladne.

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00:20:43.720 --> 00:20:48.480
<v Speaker 4>Right the entire town. These are dual purpose you know,

355
00:20:49.240 --> 00:20:49.799
<v Speaker 4>all right.

356
00:20:49.680 --> 00:20:53.880
<v Speaker 3>So I got one hereah, So it says the mall

357
00:20:53.960 --> 00:20:57.440
<v Speaker 3>theme seems to be subjective. Sometimes it's a mall, or

358
00:20:57.480 --> 00:21:00.839
<v Speaker 3>what looks like an abandoned office space. Sometimes it's a

359
00:21:00.839 --> 00:21:05.400
<v Speaker 3>golden castle that goes on forever. Most recently it was

360
00:21:05.440 --> 00:21:09.279
<v Speaker 3>a multi story arcade looking place. In these dreams, I'm

361
00:21:09.319 --> 00:21:13.039
<v Speaker 3>always aware that I'm dreaming and that I'm lost. I'll

362
00:21:13.119 --> 00:21:15.960
<v Speaker 3>keep walking through doors, even though each time I open

363
00:21:16.039 --> 00:21:18.759
<v Speaker 3>a door it's a different room. Even if I turn

364
00:21:18.799 --> 00:21:20.839
<v Speaker 3>around and go back to the door I just came

365
00:21:20.880 --> 00:21:24.880
<v Speaker 3>out of, the room will look different than it did previously.

366
00:21:25.119 --> 00:21:29.200
<v Speaker 3>Eventually you have to pass something that looks familiar and

367
00:21:29.279 --> 00:21:31.839
<v Speaker 3>have a brief moment of relief, just to turn the

368
00:21:31.920 --> 00:21:34.160
<v Speaker 3>corner and not recognize anything again.

369
00:21:34.880 --> 00:21:35.200
<v Speaker 4>Again.

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00:21:35.720 --> 00:21:38.759
<v Speaker 3>I'm aware that I'm dreaming, and I'm just looking for

371
00:21:38.839 --> 00:21:42.000
<v Speaker 3>the exit. When I finally find my way out, that's

372
00:21:42.079 --> 00:21:44.839
<v Speaker 3>the point at which I wake up. Every time. I

373
00:21:44.880 --> 00:21:48.759
<v Speaker 3>don't know what it means. The theme change, but it's

374
00:21:48.799 --> 00:21:52.839
<v Speaker 3>the same story every time. Sometimes there's a woman. She

375
00:21:53.000 --> 00:21:56.440
<v Speaker 3>doesn't speak, she just seems to be observing. Would love

376
00:21:56.480 --> 00:21:59.079
<v Speaker 3>it if you did a sessh covering this topic.

377
00:21:59.640 --> 00:22:04.319
<v Speaker 4>Sarah M. Smith, what do you think of that?

378
00:22:05.400 --> 00:22:09.079
<v Speaker 2>It's pretty buked out? I mean, I've had not more situations,

379
00:22:09.119 --> 00:22:11.799
<v Speaker 2>but there's been times where I've been in places having

380
00:22:11.839 --> 00:22:13.839
<v Speaker 2>weird dreams and like you're getting out of a situation,

381
00:22:13.920 --> 00:22:15.640
<v Speaker 2>as soon as you go to leave, it ends like

382
00:22:15.680 --> 00:22:20.920
<v Speaker 2>a fuck that is uh, I don't know.

383
00:22:21.079 --> 00:22:23.000
<v Speaker 3>This dream kind of reminds me of one of my

384
00:22:23.039 --> 00:22:26.160
<v Speaker 3>favorite books, The House of Leaves by Daniel Lee.

385
00:22:27.400 --> 00:22:28.720
<v Speaker 4>Yeah.

386
00:22:29.119 --> 00:22:33.920
<v Speaker 3>Well, in that book, it's a book about a documentary

387
00:22:33.960 --> 00:22:37.880
<v Speaker 3>that never existed, also being scribbled in by a guy

388
00:22:38.039 --> 00:22:42.960
<v Speaker 3>who was who was blind, I guess, and also being

389
00:22:43.119 --> 00:22:46.039
<v Speaker 3>you know, read to you by a person who's keeping

390
00:22:46.039 --> 00:22:49.119
<v Speaker 3>a journal about the strange effects of him reading through

391
00:22:49.279 --> 00:22:54.000
<v Speaker 3>this documentary about something that didn't exist. Well, in the documentary,

392
00:22:54.400 --> 00:22:57.559
<v Speaker 3>you've got this guy who's exploring his own house and

393
00:22:57.599 --> 00:23:01.519
<v Speaker 3>he's determined that the house is actually bigger.

394
00:23:01.079 --> 00:23:03.240
<v Speaker 4>On the inside than it is on the outside.

395
00:23:04.319 --> 00:23:06.599
<v Speaker 3>He can't figure out why that is, and he starts

396
00:23:06.680 --> 00:23:09.880
<v Speaker 3>measuring everything to make sure that the walls aren't moving,

397
00:23:10.240 --> 00:23:13.960
<v Speaker 3>and he finds a portal inside of his house, and

398
00:23:14.039 --> 00:23:18.440
<v Speaker 3>inside this portal is an almost never ending hallway, and

399
00:23:18.480 --> 00:23:24.119
<v Speaker 3>he starts exploring this portal with his camera. But obviously

400
00:23:24.200 --> 00:23:27.119
<v Speaker 3>it was a movie that never existed. And as he's

401
00:23:27.160 --> 00:23:29.920
<v Speaker 3>doing that, the other character who's reading about this story

402
00:23:30.039 --> 00:23:32.839
<v Speaker 3>is also having strange effects in his own apartment, having

403
00:23:32.839 --> 00:23:35.759
<v Speaker 3>to do with the spatial relationship between these different walls

404
00:23:35.799 --> 00:23:36.279
<v Speaker 3>and things.

405
00:23:37.279 --> 00:23:40.240
<v Speaker 4>Everybody's freaking out because all the dimensions are changing every

406
00:23:40.279 --> 00:23:41.039
<v Speaker 4>time they turn around.

407
00:23:41.119 --> 00:23:43.039
<v Speaker 3>It's like being stuck in one of these wall troops.

408
00:23:44.599 --> 00:23:46.640
<v Speaker 2>You know. It almost kind of even reminded me of

409
00:23:49.039 --> 00:23:51.079
<v Speaker 2>and like something you just said now too, it's almost

410
00:23:51.079 --> 00:23:57.480
<v Speaker 2>like a fucked up scenario of inception, like maybe yeah,

411
00:23:57.759 --> 00:23:59.599
<v Speaker 2>or it's just like, you know, everything's changing, like the

412
00:24:00.200 --> 00:24:02.680
<v Speaker 2>whoever created the de matrix that you're in is like

413
00:24:02.720 --> 00:24:06.960
<v Speaker 2>fucking just changing everything coming at you whatever. You basically

414
00:24:06.960 --> 00:24:08.759
<v Speaker 2>snap out of their fucking control and we call me

415
00:24:08.839 --> 00:24:11.079
<v Speaker 2>I don't know. So there's this weird I was getting,

416
00:24:11.160 --> 00:24:12.559
<v Speaker 2>like from what you said to.

417
00:24:13.720 --> 00:24:17.279
<v Speaker 3>All of these videos on YouTube are talking about like liminality.

418
00:24:17.720 --> 00:24:20.480
<v Speaker 3>So they have these places like this mall dream and

419
00:24:20.519 --> 00:24:24.799
<v Speaker 3>they call it a liminal space, and so basically it's

420
00:24:24.880 --> 00:24:28.519
<v Speaker 3>just having these videos of walking through creepy abandoned office

421
00:24:28.559 --> 00:24:32.200
<v Speaker 3>buildings or abandoned malls and like something pops out at

422
00:24:32.200 --> 00:24:34.839
<v Speaker 3>you or there's like a character, you know, looking at you.

423
00:24:35.160 --> 00:24:37.680
<v Speaker 4>But these are very common all over YouTube.

424
00:24:37.799 --> 00:24:40.559
<v Speaker 3>And it's it's strange that it would it would mirror

425
00:24:40.599 --> 00:24:44.079
<v Speaker 3>that so specifically, if not for maybe this being a

426
00:24:44.079 --> 00:24:46.799
<v Speaker 3>powerful meme in the ether for some reason. They call

427
00:24:46.839 --> 00:24:50.759
<v Speaker 3>them the back rooms, and so in these back rooms,

428
00:24:50.839 --> 00:24:53.480
<v Speaker 3>you know, you've got different levels that you're passing through.

429
00:24:53.559 --> 00:24:56.480
<v Speaker 3>One could be a mall, one could be an office building,

430
00:24:56.519 --> 00:24:58.680
<v Speaker 3>but you've got to find your way to the exit.

431
00:24:59.480 --> 00:25:02.759
<v Speaker 3>And also so weird things are happening around you that

432
00:25:02.920 --> 00:25:06.640
<v Speaker 3>are eerie and whatnot. But the whole back room's phenomena

433
00:25:06.720 --> 00:25:09.759
<v Speaker 3>sounds very particular to this sort of abandoned mall thing,

434
00:25:14.759 --> 00:25:16.920
<v Speaker 3>and it's strange that it shows up in people's dreams,

435
00:25:16.960 --> 00:25:21.279
<v Speaker 3>you know, Like I don't know if Sarah's ever heard

436
00:25:21.279 --> 00:25:21.920
<v Speaker 3>of these, uh.

437
00:25:22.880 --> 00:25:27.480
<v Speaker 4>You know, liminal space videos, but holy fuck, is that

438
00:25:27.559 --> 00:25:28.119
<v Speaker 4>on balls?

439
00:25:32.920 --> 00:25:37.079
<v Speaker 3>You know? It started what's happen? It started out on

440
00:25:37.160 --> 00:25:42.680
<v Speaker 3>these open platform video games, like you know, what's.

441
00:25:42.480 --> 00:25:44.839
<v Speaker 4>It called I Forgot?

442
00:25:44.920 --> 00:25:47.279
<v Speaker 3>But you've got a bunch of these different ones where

443
00:25:47.279 --> 00:25:50.599
<v Speaker 3>people can create their own, like fag games based off

444
00:25:50.640 --> 00:25:51.880
<v Speaker 3>of these concepts.

445
00:25:51.880 --> 00:25:52.200
<v Speaker 4>Creep.

446
00:25:53.640 --> 00:25:55.240
<v Speaker 2>There's a word for that. I can't remember what it is.

447
00:25:55.519 --> 00:25:56.119
<v Speaker 4>Roadblocks.

448
00:25:57.400 --> 00:26:00.960
<v Speaker 3>You can do it on roadblocks, but basically roadblocks starts

449
00:26:01.000 --> 00:26:04.319
<v Speaker 3>these trends with these creepy things that kids are into,

450
00:26:04.359 --> 00:26:07.079
<v Speaker 3>so they end up transferring over to YouTube and then

451
00:26:07.160 --> 00:26:09.920
<v Speaker 3>going back and forth between roadblocks and YouTube, making these

452
00:26:09.960 --> 00:26:14.839
<v Speaker 3>different adaptations from the same basic concepts. But I think

453
00:26:14.880 --> 00:26:18.279
<v Speaker 3>the idea there is like they're they're creating immersive worlds

454
00:26:18.279 --> 00:26:20.119
<v Speaker 3>that are actually psychically active.

455
00:26:21.039 --> 00:26:23.160
<v Speaker 4>You know, people dream in these spaces.

456
00:26:24.920 --> 00:26:28.079
<v Speaker 2>I do think that can happen, right, They're.

457
00:26:27.839 --> 00:26:32.680
<v Speaker 4>Creating a meme or a tulpa and it's spreading it.

458
00:26:32.839 --> 00:26:34.799
<v Speaker 2>I've seen ideas of that where people actually kind of

459
00:26:34.799 --> 00:26:37.960
<v Speaker 2>meet up in these places. It's like almost it's a

460
00:26:38.839 --> 00:26:41.559
<v Speaker 2>It's almost as if like I've heard like kind of

461
00:26:41.559 --> 00:26:44.400
<v Speaker 2>people trying to almost tie like to the Wi Fi

462
00:26:44.480 --> 00:26:46.640
<v Speaker 2>or the internet. Is it's something that's always existed and

463
00:26:46.680 --> 00:26:49.400
<v Speaker 2>we're tapping into. It's like you almost wonder like is

464
00:26:49.440 --> 00:26:52.319
<v Speaker 2>that how people are meeting? And you start hearing about

465
00:26:52.599 --> 00:26:55.559
<v Speaker 2>people in dreams or astral travel meeting up and like

466
00:26:55.640 --> 00:26:58.480
<v Speaker 2>you know this limital type, you know some other type place.

467
00:26:59.240 --> 00:27:02.119
<v Speaker 3>Right, Well, what if these are actually being pumped into

468
00:27:02.200 --> 00:27:08.559
<v Speaker 3>your head? Like maybe that whole YouTube phenomena is just

469
00:27:08.720 --> 00:27:13.000
<v Speaker 3>cover for them to actually experiment on you in back

470
00:27:13.039 --> 00:27:15.400
<v Speaker 3>room scenarios inside of your own mind.

471
00:27:15.640 --> 00:27:17.720
<v Speaker 4>Using technotronics.

472
00:27:19.799 --> 00:27:21.079
<v Speaker 3>New Paranoia Unlocked.

473
00:27:21.599 --> 00:27:24.640
<v Speaker 2>Yeah, I'm sure you could do that with music.

474
00:27:26.119 --> 00:27:29.160
<v Speaker 3>Well, I mean, who knows. They've got this Havana syndrome

475
00:27:29.799 --> 00:27:33.119
<v Speaker 3>where you you instantly become ill when you've.

476
00:27:32.920 --> 00:27:36.400
<v Speaker 4>Been hit with this radiation. Oh why, that's something that

477
00:27:36.440 --> 00:27:37.640
<v Speaker 4>would affect your dreams.

478
00:27:37.680 --> 00:27:39.599
<v Speaker 3>You know, over time you hit them with the right

479
00:27:39.680 --> 00:27:42.440
<v Speaker 3>frequencies and you start to have these liminal space dreams.

480
00:27:44.920 --> 00:27:47.039
<v Speaker 2>I wonder if you're gonna have you look into like

481
00:27:47.440 --> 00:27:50.119
<v Speaker 2>patents on dreams now and see if anyway's trying to

482
00:27:50.119 --> 00:27:50.880
<v Speaker 2>fuck with dreams.

483
00:27:51.400 --> 00:27:52.359
<v Speaker 4>That's a good idea.

484
00:27:52.680 --> 00:27:54.680
<v Speaker 2>Yeah, you have a Oh my god, this movie, it's

485
00:27:54.680 --> 00:27:56.079
<v Speaker 2>an old one. It's something I would like to like

486
00:27:56.119 --> 00:27:56.960
<v Speaker 2>maybe color one day.

487
00:27:57.079 --> 00:27:57.240
<v Speaker 3>You know.

488
00:27:57.279 --> 00:28:01.240
<v Speaker 2>So I say that so many times. Dreamscape where like

489
00:28:01.519 --> 00:28:03.240
<v Speaker 2>you had these these two guys that are able to

490
00:28:03.240 --> 00:28:06.440
<v Speaker 2>go into people's dreams. They had this power and like

491
00:28:06.559 --> 00:28:08.359
<v Speaker 2>one dude was just like you know, an evil fuck

492
00:28:08.400 --> 00:28:09.880
<v Speaker 2>I guess, and you're trying to go on people's dreams,

493
00:28:09.920 --> 00:28:12.240
<v Speaker 2>like importing people and kill them and so that they

494
00:28:12.319 --> 00:28:14.200
<v Speaker 2>take this other guy, Dennis Quaid. It's like one of

495
00:28:14.200 --> 00:28:16.559
<v Speaker 2>his earlier movies, and he's like the good guy and

496
00:28:16.599 --> 00:28:18.200
<v Speaker 2>he goes in to try to stop this, like guy

497
00:28:18.359 --> 00:28:21.920
<v Speaker 2>was turning into a snake and killing people. Fuck a

498
00:28:21.960 --> 00:28:24.079
<v Speaker 2>while though, but it, you know, it goes into like

499
00:28:24.119 --> 00:28:26.519
<v Speaker 2>being able to meet now in the dream worlds and stuff.

500
00:28:27.039 --> 00:28:30.279
<v Speaker 3>That sounds like an eighties movie, you know, Yeah, what's

501
00:28:30.279 --> 00:28:36.200
<v Speaker 3>that uh tron? Oh god, where he's going inside the computer?

502
00:28:36.680 --> 00:28:41.559
<v Speaker 2>Yes, yeah, that's.

503
00:28:40.400 --> 00:28:42.279
<v Speaker 3>Going on with those movies in the eighties, you know.

504
00:28:42.839 --> 00:28:44.720
<v Speaker 2>Yeah, I think a lot of those movies will you know,

505
00:28:44.960 --> 00:28:47.000
<v Speaker 2>they don't They either they're trying to tell you or

506
00:28:47.000 --> 00:28:49.960
<v Speaker 2>they're using occult ideas on their their their movies.

507
00:28:51.000 --> 00:28:54.960
<v Speaker 3>Maybe they were expressing some deep psychological principles that they

508
00:28:55.039 --> 00:28:56.920
<v Speaker 3>just wanted to cover up as some sort of fun

509
00:28:56.960 --> 00:28:57.720
<v Speaker 3>action movie.

510
00:28:58.880 --> 00:29:00.640
<v Speaker 2>So then every time it's shown in your face you

511
00:29:00.680 --> 00:29:01.799
<v Speaker 2>don't take it serious.

512
00:29:03.240 --> 00:29:05.440
<v Speaker 3>You can use as an anchor point, you know, if

513
00:29:05.480 --> 00:29:07.839
<v Speaker 3>you're if you're trying to program somebody, you've already got

514
00:29:07.880 --> 00:29:10.960
<v Speaker 3>the environments all laid out. Yeah, kind of like these

515
00:29:11.000 --> 00:29:11.640
<v Speaker 3>mall dreams.

516
00:29:11.839 --> 00:29:17.400
<v Speaker 2>Yeah, that's true. Again, it's like very much like inception,

517
00:29:17.480 --> 00:29:20.000
<v Speaker 2>where you gott to map out, map out the area.

518
00:29:19.720 --> 00:29:21.720
<v Speaker 4>For the person there you go.

519
00:29:23.319 --> 00:29:27.799
<v Speaker 3>Inception really goes under value because that's really.

520
00:29:27.519 --> 00:29:30.000
<v Speaker 4>How you architect.

521
00:29:30.680 --> 00:29:32.319
<v Speaker 3>Well, what do they call it?

522
00:29:32.359 --> 00:29:33.480
<v Speaker 4>The memory palace?

523
00:29:34.599 --> 00:29:38.400
<v Speaker 3>Right? They're creating memory palaces within you that have different

524
00:29:38.400 --> 00:29:40.799
<v Speaker 3>things stashed away. Maybe you don't know what it is

525
00:29:40.880 --> 00:29:47.480
<v Speaker 3>right now, but you will. You might access it by accident,

526
00:29:48.240 --> 00:29:51.119
<v Speaker 3>might go on a little bit of a crazy spree.

527
00:29:53.160 --> 00:29:55.200
<v Speaker 2>Don't want to I don't want to forget this. This

528
00:29:55.200 --> 00:29:58.119
<v Speaker 2>this lady Jesus. The second time she's commented the first time,

529
00:29:58.119 --> 00:29:59.640
<v Speaker 2>I forgot her and I just please hold on. I

530
00:29:59.680 --> 00:30:01.359
<v Speaker 2>don't want to go back to the first one. Carissa

531
00:30:01.440 --> 00:30:04.359
<v Speaker 2>explains it all that, Clarissa, Carissa explains it all. I'm

532
00:30:04.359 --> 00:30:06.519
<v Speaker 2>assuming one of your listeners because it looks like she's

533
00:30:06.519 --> 00:30:11.119
<v Speaker 2>on your side. All right. Yes, first, someone please mention

534
00:30:11.200 --> 00:30:13.839
<v Speaker 2>stranger things and moles. But the first thing she did say,

535
00:30:13.920 --> 00:30:15.319
<v Speaker 2>I just want to use it to cover my ass

536
00:30:15.359 --> 00:30:17.880
<v Speaker 2>because I didn't know. She said, the nodes are part

537
00:30:17.920 --> 00:30:21.599
<v Speaker 2>of astrology and your birth chart. The north node representing

538
00:30:21.599 --> 00:30:24.440
<v Speaker 2>the future, indicates where you're headed, while the south node

539
00:30:24.480 --> 00:30:27.200
<v Speaker 2>representing the past and what you're leaving behind. Thank you

540
00:30:27.279 --> 00:30:31.559
<v Speaker 2>very much, Grissa. Yes, and then she did say stranger

541
00:30:31.599 --> 00:30:32.240
<v Speaker 2>things and moles.

542
00:30:33.640 --> 00:30:36.400
<v Speaker 4>Yeah, So stranger Things in that second season was.

543
00:30:36.400 --> 00:30:39.640
<v Speaker 3>All about what was going on at the mall, yep.

544
00:30:41.039 --> 00:30:43.599
<v Speaker 3>And there have been I don't know if they're AI

545
00:30:43.720 --> 00:30:45.960
<v Speaker 3>or not, but there have been videos of people finding

546
00:30:46.119 --> 00:30:50.960
<v Speaker 3>abandoned sort of like a whole shopping centers underneath of

547
00:30:51.000 --> 00:30:54.000
<v Speaker 3>the mall that people are using above it. There's really

548
00:30:54.079 --> 00:30:57.400
<v Speaker 3>no explanation for that because those wigs were never open

549
00:30:57.640 --> 00:30:58.359
<v Speaker 3>to the public.

550
00:31:01.319 --> 00:31:02.880
<v Speaker 4>That's kind of bizarre, like.

551
00:31:02.839 --> 00:31:07.319
<v Speaker 3>They had a whole alternate mall happening beneath the mall

552
00:31:07.359 --> 00:31:07.799
<v Speaker 3>on top.

553
00:31:10.039 --> 00:31:13.119
<v Speaker 4>Maybe it was a screw up. I mean, who knows.

554
00:31:13.160 --> 00:31:17.640
<v Speaker 3>Maybe these limital places do exist that are connecting places

555
00:31:17.680 --> 00:31:20.279
<v Speaker 3>like malls which have a high foot traffic. If you're

556
00:31:20.400 --> 00:31:23.200
<v Speaker 3>if you're trying to collect energy, that's the place, you know.

557
00:31:23.240 --> 00:31:26.440
<v Speaker 2>What if that's like what we're seeing when when we

558
00:31:26.519 --> 00:31:28.400
<v Speaker 2>had Michael want On and then Ricardo pulled up the

559
00:31:28.400 --> 00:31:30.519
<v Speaker 2>map and it showed all those those lines connecting, Maybe

560
00:31:30.559 --> 00:31:31.680
<v Speaker 2>it's something like that.

561
00:31:32.720 --> 00:31:35.200
<v Speaker 3>Could be I'm telling you, if you put a mall

562
00:31:35.240 --> 00:31:37.200
<v Speaker 3>on a lay line or maybe one of these mound

563
00:31:37.279 --> 00:31:41.480
<v Speaker 3>sites just weird phenomena, right.

564
00:31:42.319 --> 00:31:43.640
<v Speaker 2>And who knows.

565
00:31:43.720 --> 00:31:48.640
<v Speaker 3>The architecture and malls are purely construction of the nineteen seventies,

566
00:31:48.680 --> 00:31:51.519
<v Speaker 3>like they didn't have those in the nineteen sixties and before,

567
00:31:51.720 --> 00:31:53.799
<v Speaker 3>like they just popped up all of a sudden in

568
00:31:53.839 --> 00:31:56.680
<v Speaker 3>the nineteen seventies, and then they became normalized to everybody,

569
00:31:57.079 --> 00:31:59.839
<v Speaker 3>and we go to the mall on Sundays. All of

570
00:31:59.880 --> 00:32:03.480
<v Speaker 3>the these different rituals occurred around this thing that was basically

571
00:32:03.519 --> 00:32:06.319
<v Speaker 3>brand new. Nobody had seen anything like it before, and

572
00:32:06.359 --> 00:32:09.599
<v Speaker 3>now they were everywhere. They were in every suburban area,

573
00:32:09.640 --> 00:32:12.720
<v Speaker 3>and it's almost seems like it was a it's going

574
00:32:12.799 --> 00:32:15.519
<v Speaker 3>away now they don't make them anymore. I don't know,

575
00:32:15.519 --> 00:32:18.000
<v Speaker 3>when's the last time you've seen a new mall being built.

576
00:32:18.000 --> 00:32:19.039
<v Speaker 3>They usually get torn down.

577
00:32:19.200 --> 00:32:21.079
<v Speaker 2>No, Yeah, they they're just like, yeah, it's just an

578
00:32:21.079 --> 00:32:23.759
<v Speaker 2>old one changed over, although they are they make an

579
00:32:23.759 --> 00:32:25.920
<v Speaker 2>addition to it. I've seen that.

580
00:32:26.119 --> 00:32:28.960
<v Speaker 3>Yeah, they've got brand new styles that they're trying to

581
00:32:29.039 --> 00:32:32.279
<v Speaker 3>test out with these outside sort of motifs, you know,

582
00:32:32.400 --> 00:32:34.079
<v Speaker 3>to where you're not actually inside it.

583
00:32:34.160 --> 00:32:37.039
<v Speaker 2>Yes, yes, yep, yep. I've seen them starting to do

584
00:32:37.119 --> 00:32:40.960
<v Speaker 2>that with outlets and not so much actually inside. You

585
00:32:41.039 --> 00:32:43.680
<v Speaker 2>kind of walking outside of everything now, right.

586
00:32:43.559 --> 00:32:44.640
<v Speaker 3>It used to be the outlets.

587
00:32:44.680 --> 00:32:45.640
<v Speaker 4>Us we're a mall.

588
00:32:45.720 --> 00:32:49.039
<v Speaker 3>But think about the energy costs, think about inflation again,

589
00:32:49.759 --> 00:32:52.599
<v Speaker 3>we go through these phases in these cycles because of

590
00:32:52.640 --> 00:32:56.039
<v Speaker 3>the inflation that we're experiencing, so you know, malls are

591
00:32:56.160 --> 00:32:57.680
<v Speaker 3>kind of a degradation.

592
00:32:57.480 --> 00:32:58.920
<v Speaker 4>Of what we had before that.

593
00:33:01.279 --> 00:33:06.079
<v Speaker 3>Yeah, all right, well this has been another mail bag.

594
00:33:06.160 --> 00:33:11.119
<v Speaker 3>I sound like shit, but thank you for We'll see

595
00:33:11.119 --> 00:33:14.000
<v Speaker 3>you again next time. You have any cool episodes coming.

596
00:33:13.880 --> 00:33:15.599
<v Speaker 2>Up here to pH Yeah, let me see what's coming

597
00:33:15.599 --> 00:33:21.799
<v Speaker 2>out this week or this weekend? Oh we got tomorrow. No,

598
00:33:21.960 --> 00:33:26.720
<v Speaker 2>this Dudley Town. You weren't there for that, all right?

599
00:33:26.720 --> 00:33:29.079
<v Speaker 2>I got high strangers at Dudley Town over the weekend.

600
00:33:29.079 --> 00:33:31.319
<v Speaker 2>That was with the culting conspiracy. I got Rosa crushing

601
00:33:31.359 --> 00:33:35.200
<v Speaker 2>with Ronnie Pontiac. Next week, I do have my second

602
00:33:35.440 --> 00:33:39.480
<v Speaker 2>coming out, second time, well in a while. It's my

603
00:33:39.559 --> 00:33:45.319
<v Speaker 2>second solo. I'll be covering the Platonic Priest Marsilio Fittino,

604
00:33:45.759 --> 00:33:48.119
<v Speaker 2>So that will be dropping next week. I don't think

605
00:33:48.119 --> 00:33:50.160
<v Speaker 2>i'll be home. I'm gonna try to join the premiere.

606
00:33:50.440 --> 00:33:52.599
<v Speaker 2>I might be filming at that time, so I may

607
00:33:52.680 --> 00:33:54.000
<v Speaker 2>not be able to. I may not have made it

608
00:33:54.000 --> 00:33:57.599
<v Speaker 2>home yet. But yeah, that's supposed to be dropping next Wednesday,

609
00:33:58.680 --> 00:34:00.599
<v Speaker 2>So yeah, I look forward to that all visual if

610
00:34:00.599 --> 00:34:02.720
<v Speaker 2>people catch it, If you can watch it on YouTube.

611
00:34:02.799 --> 00:34:05.039
<v Speaker 2>Definitely catch it because it's all visual too tons of

612
00:34:05.079 --> 00:34:08.400
<v Speaker 2>shit to look good. So yeah, I got that. Yeah,

613
00:34:08.400 --> 00:34:08.719
<v Speaker 2>thank you.

614
00:34:09.760 --> 00:34:13.239
<v Speaker 3>Sounds awesome all right, Well, thank you for joining us everybody.

615
00:34:13.320 --> 00:34:15.639
<v Speaker 4>I love your comments. You've been a great audience and

616
00:34:15.800 --> 00:34:18.519
<v Speaker 4>we'll see you again next time. Lad bye
