1 00:00:32,520 --> 00:00:37,200 Speaker 1: Good now, Hello, and welcome to episode for of. 2 00:00:38,640 --> 00:00:41,960 Speaker 2: Life's Quest. Oh my god, we're doing this very very differently. 3 00:00:42,079 --> 00:00:45,200 So this is new territory from myself and other Quest 4 00:00:45,280 --> 00:00:46,280 member Marlina. 5 00:00:46,920 --> 00:00:48,159 Speaker 1: Now we are like kind of. 6 00:00:48,079 --> 00:00:52,079 Speaker 2: Like the psychic component of this this. So this is 7 00:00:52,359 --> 00:00:56,679 really really brand spanking new territory, isn't it, Marlena, Who's grecious? 8 00:00:57,039 --> 00:01:00,479 It's your path that has not been created before. What 9 00:01:00,520 --> 00:01:03,159 I would say, No, I know. 10 00:01:03,439 --> 00:01:05,480 Speaker 1: And there are two reasons for this. 11 00:01:06,079 --> 00:01:10,200 Speaker 2: Firstly, we had some feedback saying like they could see 12 00:01:10,480 --> 00:01:12,079 where we were kind of going with it, but it 13 00:01:12,079 --> 00:01:14,040 was getting a bit confusing. So there's always like too 14 00:01:14,079 --> 00:01:17,319 many boyes, too many sides try and. 15 00:01:17,159 --> 00:01:22,480 Speaker 3: Crashing kungles and became quite a ball of urine after 16 00:01:22,719 --> 00:01:24,159 has been played with them, would see. 17 00:01:24,280 --> 00:01:27,560 Speaker 2: Yeah, So it's separating it out a little bit. And 18 00:01:27,680 --> 00:01:30,239 this is like a transitional period. So tonight we're going 19 00:01:30,280 --> 00:01:33,239 to be talking about things that Malena has sort of 20 00:01:33,319 --> 00:01:36,799 like done before. But also my Leana is restricted a 21 00:01:36,799 --> 00:01:41,359 little with her physical disabilities, so it's been quite challenging 22 00:01:41,480 --> 00:01:44,359 for her on some of the outings we've done. So 23 00:01:44,920 --> 00:01:48,799 we're being mindful and allowing what needs to happen. Happened 24 00:01:50,159 --> 00:01:55,319 with that, So firstly, let's go In the last episode, 25 00:01:55,680 --> 00:01:57,879 I was with the boys and we followed a journey 26 00:01:57,879 --> 00:02:03,439 from Thundersley Church. Exciting. Yeah you went on that trip, 27 00:02:03,680 --> 00:02:06,799 isn't it. Yeah, you went on that particular one, and 28 00:02:06,840 --> 00:02:10,000 we were looking for thousand's times if you remember. Yes, 29 00:02:10,199 --> 00:02:12,439 I remember we were there a couple of times. And 30 00:02:13,000 --> 00:02:17,800 both times I've been drawn to a particular spot. And 31 00:02:17,879 --> 00:02:19,719 I know we're not going to be looking for a 32 00:02:19,840 --> 00:02:24,439 huge stone something that I can lift myself, So just 33 00:02:24,439 --> 00:02:27,159 gonna find the right one and let them talk to us. 34 00:02:27,319 --> 00:02:31,080 Speaker 3: But you know what a beautiful place the graveyard, Ye, 35 00:02:31,199 --> 00:02:35,199 you one have like I have never seen before, you know, Yeah, 36 00:02:35,240 --> 00:02:40,000 the way it's oh my goodness, gracious, it's like almost right. 37 00:02:40,199 --> 00:02:41,039 Speaker 2: In some of. 38 00:02:40,960 --> 00:02:44,719 Speaker 3: My meditations often I would go into the oak tree 39 00:02:45,520 --> 00:02:48,240 and instead of going to the stairs up, I was 40 00:02:48,280 --> 00:02:52,159 going to a spiral down. So but this time it's 41 00:02:52,199 --> 00:02:57,599 like almost they took me back to da such a 42 00:02:58,439 --> 00:03:03,479 different layer, in such a place like almost unshund caves, 43 00:03:03,719 --> 00:03:07,840 and it was beautiful, very interesting. I would see now the. 44 00:03:07,719 --> 00:03:12,400 Speaker 2: Cave tunnel thing has come up before, psychically, isn't it was? 45 00:03:12,560 --> 00:03:14,599 At one point you said to me, you better get 46 00:03:14,599 --> 00:03:20,439 yourself a hard hat. And so far and again, well, 47 00:03:20,479 --> 00:03:24,599 we're still getting like signs and signals about this tunnel 48 00:03:24,719 --> 00:03:28,520 or cave or whatever it be. But it doesn't seem 49 00:03:28,560 --> 00:03:31,560 to suit the landscape that we're really it's the weirdest thing. 50 00:03:31,680 --> 00:03:35,800 Yet Consistently we're coming up with folk tales and you know, 51 00:03:36,240 --> 00:03:37,919 local law as it were. 52 00:03:38,240 --> 00:03:40,479 Speaker 1: About these kind of structures. 53 00:03:40,520 --> 00:03:45,080 Speaker 2: We'll say, yeah, you know, so for you on a 54 00:03:45,120 --> 00:03:50,439 psychic level, yeah, can you how does that work? How 55 00:03:50,439 --> 00:03:53,280 can you pin that down more? Can we pin it 56 00:03:53,319 --> 00:03:55,680 down more? Will they give you any more information? Basically, 57 00:03:55,800 --> 00:03:58,360 is what I'm asking them. Well, on the tunnel thing, 58 00:03:58,599 --> 00:03:59,120 oh is. 59 00:03:59,120 --> 00:04:02,719 Speaker 3: Ronie, they all ready see, they already told me a 60 00:04:02,840 --> 00:04:08,039 few bits about it. And when in particular was this 61 00:04:08,120 --> 00:04:10,520 is the only message I am allowed to pass on 62 00:04:10,560 --> 00:04:17,600 at this moment. It's like almost, hm, we I say 63 00:04:17,639 --> 00:04:20,000 we because I'm not there physically. 64 00:04:19,560 --> 00:04:23,800 Speaker 2: But yet I am there as you know. Yeah, yeah, yeah, 65 00:04:24,279 --> 00:04:25,120 you will be. 66 00:04:25,199 --> 00:04:30,560 Speaker 3: Called out to what it looks like an entrance. It's 67 00:04:30,639 --> 00:04:34,519 like a hole, and within that there are some like 68 00:04:36,040 --> 00:04:38,319 or in a prison, you have it, the metal bars 69 00:04:38,360 --> 00:04:40,639 going across Okay, yeah, yeah. 70 00:04:40,920 --> 00:04:47,160 Speaker 2: Now the entrance to the tunnel will look like that. 71 00:04:48,839 --> 00:04:54,560 And yet you need to assess behind the metal bars, 72 00:04:55,199 --> 00:04:59,319 how does the ground look like? And that is where 73 00:04:59,439 --> 00:05:03,639 Peanut will be very important there with you, because he's 74 00:05:03,759 --> 00:05:06,759 the master of the bog, but a different bog. 75 00:05:07,120 --> 00:05:09,600 Speaker 3: Shall we say, you know what I'm talking about on that? Yeah, 76 00:05:10,360 --> 00:05:13,800 so he said, as you look on the ground, if 77 00:05:13,959 --> 00:05:21,240 it looks like soft mud, right, then run because it's 78 00:05:21,240 --> 00:05:26,319 a trap. Okay, yeah, yeah, that is what you need 79 00:05:26,399 --> 00:05:30,920 to look for. Yeah, there'll be I've overgrown around it, 80 00:05:30,959 --> 00:05:34,720 but you will see the hole and you will see 81 00:05:35,160 --> 00:05:40,199 the metal bar, gotcha. Yeah, assess the ground behind the bar. 82 00:05:40,800 --> 00:05:44,600 The ground is the one that's gonna tell you I 83 00:05:44,639 --> 00:05:48,399 am the one or I am not. And you know 84 00:05:48,439 --> 00:05:50,720 how to talk to the earth, don't you? And listen 85 00:05:50,759 --> 00:05:56,800 to Earth talking to you? Yes, so, And that also 86 00:05:56,920 --> 00:05:59,920 you will be looking for something quite similar to that 87 00:06:00,639 --> 00:06:04,480 in Tunderously area. Now do you remember there was this 88 00:06:04,600 --> 00:06:10,720 particular three I was called too and the route I 89 00:06:10,800 --> 00:06:13,240 might believe I might even have some pictures of that. 90 00:06:13,800 --> 00:06:15,360 I will have a little look in my file and 91 00:06:15,399 --> 00:06:19,560 gets over to you. Thank you, because again yesterday they 92 00:06:19,600 --> 00:06:22,720 showed me what I need to be building. Next, it's 93 00:06:22,800 --> 00:06:26,800 like two columns going to a bit of an archway, 94 00:06:26,800 --> 00:06:30,120 I believe, and it got like a childish in between, 95 00:06:30,519 --> 00:06:33,000 which I may have a picture of that too. And 96 00:06:33,160 --> 00:06:36,839 if you remember where Saint Francis of a cc is 97 00:06:37,120 --> 00:06:41,800 and a very old tree that you pulled the bark off, yes, yeah, 98 00:06:41,839 --> 00:06:44,959 and that will be there like forming a triangle. 99 00:06:45,839 --> 00:06:48,519 Speaker 2: See try and goes again. Have been very integro in this, 100 00:06:48,639 --> 00:06:54,360 isn't it? Sorry now obviously through it's a terry knowledge. 101 00:06:54,399 --> 00:06:54,759 Speaker 1: Three. 102 00:06:54,879 --> 00:06:59,160 Speaker 2: The number three is incredibly all over and it always 103 00:06:59,199 --> 00:07:01,720 represents the beginning, the middle, and the end. 104 00:07:02,319 --> 00:07:04,879 Speaker 1: It's whatever way you want to look at that, you 105 00:07:04,920 --> 00:07:08,439 will always have the can you hear the crow? So 106 00:07:08,720 --> 00:07:10,560 thank you, doc girl, thank you? 107 00:07:10,639 --> 00:07:10,839 Speaker 2: Now. 108 00:07:11,319 --> 00:07:13,920 Speaker 1: I would just like to say you've just had the 109 00:07:14,000 --> 00:07:16,199 name Peanut. And there are. 110 00:07:16,160 --> 00:07:22,639 Speaker 2: Various characters guides that come in from different realms. And 111 00:07:22,680 --> 00:07:25,480 I know that this is something that a lot of 112 00:07:25,600 --> 00:07:28,839 spiritual people may ballcat, but this is just how we 113 00:07:28,879 --> 00:07:32,279 do it, just to our belief system in this and 114 00:07:32,399 --> 00:07:36,040 Peanut is an orc that is coming to the light, 115 00:07:37,040 --> 00:07:40,639 so he's from the Fay realm. And as various characters 116 00:07:40,639 --> 00:07:44,720 pop up to tell us this information, we will obviously 117 00:07:44,759 --> 00:07:47,439 fill you in in what we know and what we've 118 00:07:47,480 --> 00:07:51,480 been told from these characters. But there are great they 119 00:07:51,560 --> 00:07:54,360 are they are positive. We are walking in the light. 120 00:07:54,519 --> 00:07:57,959 We are working in the dark in any way, shape 121 00:07:58,079 --> 00:08:02,319 or form, and as you walk in the light, we 122 00:08:02,360 --> 00:08:05,120 are here as a light worker. And we think that 123 00:08:05,399 --> 00:08:08,600 those who are ready to come to the light and 124 00:08:09,519 --> 00:08:16,360 take all of that forgiveness, take all the understanding data. Yes, 125 00:08:16,439 --> 00:08:20,839 we messed up what we might be done awful things 126 00:08:20,920 --> 00:08:25,959 in a past, as long as we recognize our actions 127 00:08:26,360 --> 00:08:30,199 and the reactions and the outcomes of that, and we 128 00:08:30,360 --> 00:08:33,600 really realize that the place we were it we did 129 00:08:33,639 --> 00:08:35,879 not know what we have learned. 130 00:08:36,360 --> 00:08:40,159 Speaker 3: I would just say I am truly solvy and. 131 00:08:40,279 --> 00:08:43,360 Speaker 2: Just being the best version of yourself in each moment, 132 00:08:44,000 --> 00:08:45,840 and that is our belief system. 133 00:08:45,960 --> 00:08:48,159 Speaker 1: We do not expect anybody else to believe in it. 134 00:08:49,600 --> 00:08:53,639 Speaker 2: Anybody always saying is this is how it works for 135 00:08:53,799 --> 00:08:57,639 myself and my line on this psychic crest, And at 136 00:08:57,720 --> 00:09:01,559 times it can sound a little crazy, but actually how 137 00:09:01,600 --> 00:09:05,480 it plays out is even crazy when you start looking 138 00:09:05,519 --> 00:09:07,000 at how the threads come together. 139 00:09:07,600 --> 00:09:09,720 Speaker 1: Much so, I'm taking you back to thundersty Church. 140 00:09:09,759 --> 00:09:12,200 Speaker 2: I just wanted to clear that up because peanut popped 141 00:09:12,279 --> 00:09:14,559 in right, So we. 142 00:09:14,440 --> 00:09:15,559 Speaker 1: Were at Thundersty Church. 143 00:09:15,879 --> 00:09:18,600 Speaker 2: Now the tree that I ripped all the bark off off, 144 00:09:18,639 --> 00:09:21,480 I'm going to take you back to that moment. You 145 00:09:21,559 --> 00:09:24,039 had actually taken yourself off and you were sat underneath 146 00:09:24,039 --> 00:09:26,600 a tree at that moment in time, So it was 147 00:09:26,679 --> 00:09:28,799 kind of like up the hill a little bit, so 148 00:09:28,879 --> 00:09:33,840 you was on the more ascended sort of advantage point 149 00:09:34,759 --> 00:09:36,240 and you were sitting underneath a tree. 150 00:09:36,279 --> 00:09:37,840 Speaker 1: Can you remember what tree that was? 151 00:09:38,519 --> 00:09:42,240 Speaker 2: It wasn't all it was an oak? And what was 152 00:09:42,360 --> 00:09:47,360 you seeing while I was going through that? Because I 153 00:09:47,399 --> 00:09:50,519 was performing the action and you are sort of like 154 00:09:50,559 --> 00:09:51,200 removed from that. 155 00:09:51,320 --> 00:09:55,679 Speaker 3: So where were you in that moment? That is a 156 00:09:55,720 --> 00:10:00,000 weird one I came to, wouldn't your words, because that's 157 00:10:00,080 --> 00:10:04,399 particular moment I became when with that tree and that. 158 00:10:04,759 --> 00:10:11,519 But for those out there that understand trends, we understand 159 00:10:11,600 --> 00:10:14,720 that we are able to connect to the window. The 160 00:10:14,759 --> 00:10:18,600 glass of the window became one. So put ourselves in 161 00:10:18,639 --> 00:10:22,240 that environment completely, and that's exactly what was talken place. 162 00:10:22,360 --> 00:10:25,919 As I sit lean against the oak, it's like it's 163 00:10:26,080 --> 00:10:33,080 dark grown into my own skin what I was, but 164 00:10:33,559 --> 00:10:37,919 what I saw the action you were doing, you were 165 00:10:38,240 --> 00:10:43,679 feeling layers of darkness that is been covering the truth 166 00:10:45,919 --> 00:10:52,320 for millennious but in undersly church centuries. Now I'm sure 167 00:10:52,440 --> 00:10:57,399 for you after feeling that, a lot has come to gravity, 168 00:10:58,200 --> 00:10:59,519 Oh definitely. 169 00:10:59,679 --> 00:10:59,879 Speaker 2: Yeah. 170 00:11:00,440 --> 00:11:02,360 Speaker 1: It was almost like for me. 171 00:11:03,879 --> 00:11:06,519 Speaker 2: That was the beginning of the starting point of the 172 00:11:06,559 --> 00:11:10,480 turn because after that, I mean, so much happens in 173 00:11:10,519 --> 00:11:13,080 such a short space of time, and this has been 174 00:11:13,519 --> 00:11:17,559 the challenge of the psychic quest. Really it's not happening 175 00:11:17,600 --> 00:11:20,679 in sort of like one moment. It's happening kind of 176 00:11:20,720 --> 00:11:24,759 like things come in all the time in regard to this. 177 00:11:24,840 --> 00:11:28,360 I mean, particularly we do this psyche bit and then 178 00:11:29,559 --> 00:11:31,759 we're working in that in our general day to day 179 00:11:32,120 --> 00:11:35,960 you know, perusals and meditations and whatnot, so things have 180 00:11:36,039 --> 00:11:40,039 been downloaded kind of all the time. But then you've 181 00:11:40,080 --> 00:11:41,919 got the other side of it where we're doing the 182 00:11:41,960 --> 00:11:44,879 hardcore research and boots on the ground kind of work, 183 00:11:44,919 --> 00:11:48,240 and then the validations and the synchronicities and the coincidences 184 00:11:49,440 --> 00:11:51,639 start coming in. And that's where it gets a little 185 00:11:51,639 --> 00:11:54,720 bit bonkers, because even there were so many times where 186 00:11:54,720 --> 00:11:57,240 I've just gone to shay spirit, do you know what 187 00:11:57,320 --> 00:11:59,399 I mean? Because it's just the way it played out 188 00:11:59,519 --> 00:12:03,080 was just so perfect, and that's so hard to document 189 00:12:03,120 --> 00:12:07,480 because it's consistently changing. It's a constantly evolving situation, so 190 00:12:10,600 --> 00:12:13,320 it brings up a lot of stuff, you know, like 191 00:12:13,399 --> 00:12:15,440 within yourself. As much as it is to do with 192 00:12:15,480 --> 00:12:17,879 the quest, I've always said, this is not just a 193 00:12:17,919 --> 00:12:21,120 psychic quest of knowledge. This is also an inner journey 194 00:12:21,759 --> 00:12:25,919 as well, and those changes are like representative when you 195 00:12:26,080 --> 00:12:27,360 like the bark comes off. 196 00:12:28,039 --> 00:12:29,840 Speaker 1: I just felt an. 197 00:12:29,600 --> 00:12:33,559 Speaker 2: Overwhelming need to and it feels almost like it's a 198 00:12:33,600 --> 00:12:34,600 weird one because. 199 00:12:34,399 --> 00:12:35,720 Speaker 1: When you're in that moment. 200 00:12:37,039 --> 00:12:40,360 Speaker 2: Spirit of going take the bark off, and I'm acutely 201 00:12:40,399 --> 00:12:44,919 aware I'm in a public churchyard, you know, or graveyard, 202 00:12:45,679 --> 00:12:49,320 and somebody else's perception of what my actions are may 203 00:12:49,360 --> 00:12:55,799 not be as positive as what it should be. So 204 00:12:55,840 --> 00:12:59,039 I did what I needed to do quickly. I'd like 205 00:12:59,120 --> 00:13:04,240 to add, I mean, God, really, because it was. 206 00:13:04,200 --> 00:13:04,840 Speaker 1: A lot of. 207 00:13:07,120 --> 00:13:09,759 Speaker 2: As did this king? Did you read it on? Inside? 208 00:13:10,200 --> 00:13:13,000 All of that bark turned into dust. 209 00:13:12,919 --> 00:13:16,840 Speaker 3: Wasn't and all of the ivy But also it's like 210 00:13:16,919 --> 00:13:22,879 almost you were freeing the three from all of that deadness. 211 00:13:23,320 --> 00:13:27,159 Speaker 2: The interesting part is when we revisited the church on 212 00:13:27,200 --> 00:13:28,120 a separate visit. 213 00:13:28,840 --> 00:13:32,840 Speaker 3: All that mark had gone completely. There was no bark lays, 214 00:13:32,879 --> 00:13:35,279 all anything on the ground. 215 00:13:35,559 --> 00:13:39,279 Speaker 2: All that I pulled off had gone anyway back to 216 00:13:39,320 --> 00:13:42,879 that moment and then we see the night by the grave. 217 00:13:43,120 --> 00:13:45,480 Now that came through more for myself and Daryl in 218 00:13:45,519 --> 00:13:48,120 that moment. Yeah, if you kind of like came in 219 00:13:48,279 --> 00:13:51,759 the updraft of that, and then I left Daryl to 220 00:13:51,960 --> 00:13:54,759 it and wandered off and you were left in that 221 00:13:54,799 --> 00:13:55,960 moment by that grave. 222 00:13:57,960 --> 00:14:00,519 Speaker 1: What were you feeling in the well? 223 00:14:00,639 --> 00:14:04,519 Speaker 3: That moment was like almost they came in and said, 224 00:14:05,240 --> 00:14:16,440 observe him at work, connecting the dogs, getting the message 225 00:14:16,720 --> 00:14:21,399 quite clearly because how he puts the name and then 226 00:14:21,559 --> 00:14:25,679 go right, what's the nearest castle? And that laid on 227 00:14:26,440 --> 00:14:30,080 to Hardley Castle. But it's like we need to go 228 00:14:30,200 --> 00:14:35,679 back in that little square Avia because again if you 229 00:14:35,799 --> 00:14:41,360 remember at the back of that headstone, how raised it was. 230 00:14:41,679 --> 00:14:45,200 And I even said, oh do you remember me asking 231 00:14:45,320 --> 00:14:50,639 we'll be bones baby in here before cremation came along 232 00:14:51,320 --> 00:14:53,919 and he said yes, and that whole I think, oh 233 00:14:53,919 --> 00:14:56,360 my goodness, I just hope we don't have a bone poking. 234 00:14:56,159 --> 00:15:03,200 Speaker 2: Out of that The weeks, isn't it. Yeah, so that 235 00:15:03,240 --> 00:15:06,480 little way got more to talk about it, that's for sure. 236 00:15:06,799 --> 00:15:11,480 Speaker 3: But I do feel because of the Albert the birth name, oh, 237 00:15:11,600 --> 00:15:17,080 that it's a place of a communication point for Darrow 238 00:15:17,200 --> 00:15:22,240 between him and his team. Yeah, because he's the word 239 00:15:22,279 --> 00:15:26,120 that was pulled there, found the message, put it together 240 00:15:26,559 --> 00:15:28,159 and understood what they were saying. 241 00:15:28,840 --> 00:15:31,720 Speaker 1: Yeah, I mean for all of us though. 242 00:15:31,759 --> 00:15:34,320 Speaker 2: As soon as the message got downloaded and it got 243 00:15:34,320 --> 00:15:37,600 put out there, which was like but the castle and 244 00:15:37,679 --> 00:15:41,519 the seventeenth of July, those three factors was we like 245 00:15:41,679 --> 00:15:44,279 literally it kind of was like a no brain and 246 00:15:44,320 --> 00:15:45,679 it's like, right, that's where we need to be on 247 00:15:45,720 --> 00:15:47,919 that's message. 248 00:15:48,200 --> 00:15:52,240 Speaker 3: And beautiful they put it in such an easy way 249 00:15:53,039 --> 00:15:55,720 that Ford he would get it straight away what the 250 00:15:55,759 --> 00:15:59,759 message was. Yeah, definitely, definitely because on the moment he 251 00:15:59,759 --> 00:16:03,360 put together, well that's where we're going next then, and 252 00:16:03,639 --> 00:16:07,000 it was beautiful. But one thing also, going back to 253 00:16:07,039 --> 00:16:09,840 where I was sitting aunt the oak tree as you 254 00:16:09,840 --> 00:16:15,320 were appealing the bark to my right, there is a 255 00:16:15,320 --> 00:16:19,559 bit of an overgrown bush that area. Also, especially now 256 00:16:19,600 --> 00:16:22,440 the way that it's starting to change things, we start 257 00:16:22,519 --> 00:16:24,919 to die down a little bit more. I do think 258 00:16:24,960 --> 00:16:27,000 that it hidden messages there that needs. 259 00:16:26,799 --> 00:16:30,279 Speaker 2: To come to the light. Oay, and sorry, exactly where 260 00:16:30,360 --> 00:16:32,360 are you talking about? I'm just going to give you 261 00:16:32,440 --> 00:16:38,480 this exact point. There was a very old wooden cross 262 00:16:38,799 --> 00:16:39,519 goes round. 263 00:16:40,240 --> 00:16:44,279 Speaker 3: Yes, I remember that. That's the point now of they 264 00:16:44,360 --> 00:16:49,639 need a bit of attention given to Yeah, So you 265 00:16:49,759 --> 00:16:52,480 go back there, go back to the oak that you 266 00:16:52,639 --> 00:16:57,120 pulled off the bar. Yes, this center become one with 267 00:16:57,279 --> 00:17:01,080 that because you now know quite well how to do that, 268 00:17:01,960 --> 00:17:07,480 and the oak energy its route will come in from below. 269 00:17:08,319 --> 00:17:11,160 You will feel from your back coming to your solar. 270 00:17:11,720 --> 00:17:16,480 Then you will feel exactly the energy pulling you forming 271 00:17:16,480 --> 00:17:21,440 the line to follow. Yeah, and then you will see 272 00:17:21,480 --> 00:17:26,839 what that little Avia got to tell. Okay, Yeah, so 273 00:17:26,920 --> 00:17:29,200 that one I will send you the pictures and you 274 00:17:29,279 --> 00:17:33,960 know exactly, yeah, and then we see what they're gonna tell. 275 00:17:34,440 --> 00:17:39,039 Speaker 2: So anything else that you picked up on at Thantasy 276 00:17:39,200 --> 00:17:46,240 Church that you you need to say basically at this moment, Oh, 277 00:17:46,359 --> 00:17:54,599 definitely don't be overwhelmed by the leans. How it is. 278 00:17:55,799 --> 00:17:59,319 Speaker 3: Obviously we know how long that has been dead, and 279 00:17:59,400 --> 00:18:03,519 obviously are a lot of history that have taken place 280 00:18:03,559 --> 00:18:06,960 in that particular area because they're showing me pictures. I'm 281 00:18:06,960 --> 00:18:09,880 gonna go far back as I'm seeing vikings now. I 282 00:18:09,880 --> 00:18:14,119 don't know if Saxon's what it is, but that's yeah, 283 00:18:14,279 --> 00:18:19,079 that's how far back they are taking me and the locations. 284 00:18:19,200 --> 00:18:23,240 When I found the bottle with the dark liquid. 285 00:18:22,920 --> 00:18:27,160 Speaker 2: Inside, right, a bottle that had some red liquid. Yeah, yes, 286 00:18:27,279 --> 00:18:30,680 like like a garden it color. It was, yeah, it was, 287 00:18:30,720 --> 00:18:33,759 but it wasn't wine. It was like transparent. It was 288 00:18:33,839 --> 00:18:38,200 quite says, almost like colored waters. It looked like that. Yeah, 289 00:18:38,599 --> 00:18:42,880 in this in the graveyard we found that, Yeah, we 290 00:18:43,000 --> 00:18:43,599 left it there. 291 00:18:43,640 --> 00:18:48,519 Speaker 3: I would just like, oh, definitely, And I feel like 292 00:18:48,599 --> 00:18:51,160 that is a line and that would be the old 293 00:18:53,200 --> 00:19:00,119 border point, yeah, boundary division point, and that is it 294 00:19:00,279 --> 00:19:04,480 is so much history over there that only the London 295 00:19:04,559 --> 00:19:06,880 spirits will be able to tell you because a lot 296 00:19:07,000 --> 00:19:09,279 of data have not been recorded. 297 00:19:09,960 --> 00:19:12,839 Speaker 1: No, and that this is again learning very much. 298 00:19:12,960 --> 00:19:16,359 Speaker 2: They're learning spirit learning how to work through us and 299 00:19:16,400 --> 00:19:17,599 how to get this word out. 300 00:19:18,279 --> 00:19:22,440 Speaker 1: We're learning as humans. You know, that's what we're here for. 301 00:19:22,759 --> 00:19:24,599 You know, that's where we're evolving. 302 00:19:24,839 --> 00:19:26,920 Speaker 4: We so chose to come on Earth so we can 303 00:19:27,000 --> 00:19:29,920 learn and evolve. But and then again, when you think 304 00:19:30,720 --> 00:19:34,319 mostly of what is being recorded on the history books 305 00:19:34,880 --> 00:19:38,720 are the most important in the big events, But what's 306 00:19:38,799 --> 00:19:40,599 about the day to day life. 307 00:19:41,400 --> 00:19:42,079 Speaker 1: Well, this is the. 308 00:19:42,079 --> 00:19:46,960 Speaker 2: Interesting thing because it is bringing characters to light, like 309 00:19:47,079 --> 00:19:52,279 the Titanic survironment that we've talked about quite extensively recently. 310 00:19:53,960 --> 00:19:56,599 You know, just he's a little man and a little 311 00:19:56,599 --> 00:20:02,359 relige that had an extraordinary life and you know, the 312 00:20:02,400 --> 00:20:05,160 spirit of like re brought into life for us. 313 00:20:05,279 --> 00:20:07,839 Speaker 1: You know what I mean, because you know, and we're coming. 314 00:20:07,599 --> 00:20:14,319 Speaker 2: Across these characters throughout history and it's fascinating, absolutely fascinating. Right, 315 00:20:14,559 --> 00:20:18,960 moving you on, Okay, so spiriting, we're moving on to 316 00:20:19,119 --> 00:20:23,599 heron Hall. Oh. Yes, Now you weren't part of the 317 00:20:23,680 --> 00:20:25,920 happy thing, so we're not going to talk about the 318 00:20:25,920 --> 00:20:28,519 happy thing, So we're going to talk about when you 319 00:20:28,759 --> 00:20:29,920 visited heron Hall. 320 00:20:30,599 --> 00:20:32,759 Speaker 1: Yeah, what were your impressions of heron Hall? 321 00:20:37,119 --> 00:20:38,000 Speaker 2: It was like. 322 00:20:39,759 --> 00:20:45,319 Speaker 3: I could hear someone calling, and yet where the coaling 323 00:20:45,559 --> 00:20:50,000 was coming from there was nothing in there. And I 324 00:20:50,039 --> 00:20:53,200 could see a house, but it's like it's the wrong 325 00:20:53,279 --> 00:20:55,559 house and the houses in the wrong place. 326 00:20:57,480 --> 00:20:59,599 Speaker 2: But obviously there was the dark bark and then you know, 327 00:20:59,720 --> 00:21:02,599 me and dogs, oh my goodness, and dad is come on, 328 00:21:03,079 --> 00:21:04,119 keep going, dog. 329 00:21:05,920 --> 00:21:10,279 Speaker 3: Going, We are going, and my team just really laughing 330 00:21:10,319 --> 00:21:12,480 because come on, I have a wolf as a as 331 00:21:12,480 --> 00:21:13,240 a companion. 332 00:21:14,240 --> 00:21:21,319 Speaker 1: Luna, Yeah, Luna, the wolf, you know. 333 00:21:21,480 --> 00:21:26,640 Speaker 3: But off we Waine and the rain that poor it's 334 00:21:26,720 --> 00:21:32,039 like almost Heaven's open and it pours down, and I 335 00:21:32,079 --> 00:21:36,200 was walking with Richard and d so we talked sheltered 336 00:21:36,240 --> 00:21:38,680 because it got to a point that we had to 337 00:21:39,000 --> 00:21:45,839 again sheltered under that beautiful little tree we sold what 338 00:21:45,960 --> 00:21:48,440 it looked. It was a very different kind of tree 339 00:21:48,480 --> 00:21:52,440 that I think interesting and I think the boy Richard 340 00:21:52,519 --> 00:21:55,160 and darl check it out. 341 00:21:55,279 --> 00:21:56,839 Speaker 1: Something to do with a monkey tree. 342 00:21:58,960 --> 00:22:01,079 Speaker 2: What I'm talking about, because it was a little lake 343 00:22:01,359 --> 00:22:08,880 was actually yes, excuse me, so, but it. 344 00:22:08,960 --> 00:22:12,160 Speaker 3: Was wonderful because it's like almost walking towards the rain. 345 00:22:12,240 --> 00:22:16,440 It's like being cleansed, being washed washed away our scenes, 346 00:22:17,720 --> 00:22:22,119 our word is our pain, and it's been a beautiful journey. 347 00:22:22,200 --> 00:22:23,839 So we kind of don't walk. And as the rain 348 00:22:23,960 --> 00:22:28,799 settled down we came around, so off. 349 00:22:28,599 --> 00:22:34,599 Speaker 2: They went, and me being quite slow finding beautiful feathers 350 00:22:34,599 --> 00:22:39,039 and feathers, what a gift you do find this always 351 00:22:39,119 --> 00:22:41,559 do tend to like march off into the distance and 352 00:22:41,640 --> 00:22:42,519 me and my lane. 353 00:22:42,279 --> 00:22:46,759 Speaker 1: Are like me along and taking it all in. Yeah. 354 00:22:47,079 --> 00:22:51,240 Speaker 3: So, and that was very interesting because I kind of 355 00:22:51,279 --> 00:22:54,319 had an idea where they would be. Yeah, I think, right, 356 00:22:54,519 --> 00:22:57,039 they having that direction, Yet I could not see them. 357 00:22:57,599 --> 00:23:01,519 It was quite overgrown around the trees. But then I 358 00:23:01,559 --> 00:23:05,240 saw what it looked white and then again I think 359 00:23:05,920 --> 00:23:10,160 it's there, but it's not part of that. So as 360 00:23:10,160 --> 00:23:13,640 I got closer, then I saw this beautiful testenut horse 361 00:23:14,079 --> 00:23:17,839 with the white leg. Yes, and then I saw Darrow 362 00:23:17,839 --> 00:23:22,480 and Richards taking shelter under the tree. Where they were 363 00:23:22,519 --> 00:23:26,599 taking shelter was kind of let's say they were taking 364 00:23:26,680 --> 00:23:33,960 shelter here, here was a tree leaning over and then 365 00:23:34,279 --> 00:23:36,440 was the what you call it. 366 00:23:36,799 --> 00:23:40,880 Speaker 2: Not the bond, the moat the motor. Yeah. 367 00:23:41,039 --> 00:23:43,680 Speaker 3: Now there is a particular area that I did point 368 00:23:43,680 --> 00:23:47,480 it out to you that I felt very cold too, 369 00:23:47,559 --> 00:23:50,839 but because of the rain, so the waters were quite raised. 370 00:23:51,400 --> 00:23:55,319 Speaker 2: The dast because on this visit I wasn't there. I 371 00:23:55,359 --> 00:23:59,440 went with Richard. And this is going back to the 372 00:23:59,480 --> 00:24:03,039 two three. Yeah, the three bit was the marlane a bit. 373 00:24:03,079 --> 00:24:06,920 And again the number three comes in in two factors 374 00:24:06,920 --> 00:24:10,279 three visits and the third of the second visit is 375 00:24:10,359 --> 00:24:13,920 number three, and this is why these numbers become relevant 376 00:24:14,000 --> 00:24:18,319 because of the way things play out. So they're under 377 00:24:18,319 --> 00:24:23,079 this tree that's leaning out over the jetty right. Can 378 00:24:23,119 --> 00:24:27,880 you go back and sort of psychically what kind of 379 00:24:27,920 --> 00:24:29,920 information was you getting about the place? 380 00:24:30,680 --> 00:24:34,119 Speaker 1: You're in water, you're in the rain, you're walking on the. 381 00:24:34,160 --> 00:24:37,960 Speaker 2: Land because you hadn't reached the integral part of the 382 00:24:38,039 --> 00:24:39,000 visit at this point. 383 00:24:39,680 --> 00:24:42,079 Speaker 1: What were your impressions going through there? 384 00:24:44,880 --> 00:24:53,359 Speaker 3: It felt like going back there was life. It was 385 00:24:53,440 --> 00:24:56,519 like old mollster. If you think a house that is 386 00:24:56,960 --> 00:24:59,319 full of children, full of love that like it feels 387 00:24:59,359 --> 00:25:04,440 like a spar all the time. That is how I felt. 388 00:25:04,599 --> 00:25:08,680 It was on a place before once been there, but 389 00:25:09,000 --> 00:25:13,119 that's long gone. Yeah, And it felt to me like 390 00:25:13,839 --> 00:25:18,960 something quite dark, some secret, something that was not in 391 00:25:18,960 --> 00:25:24,480 a light took place that shattered the family. Gotcha the 392 00:25:24,519 --> 00:25:30,200 ones lived there, the once lived in that level of happiness, 393 00:25:30,240 --> 00:25:33,720 harmony and unity. 394 00:25:34,519 --> 00:25:35,160 Speaker 2: It felt like. 395 00:25:35,279 --> 00:25:40,119 Speaker 3: There's a lot of the little dark cloud about the avia. 396 00:25:40,599 --> 00:25:43,519 And I feel that is because history needs to be 397 00:25:43,519 --> 00:25:44,960 brought to light and put it right. 398 00:25:48,119 --> 00:25:56,519 Speaker 1: Did you get any names? 399 00:25:56,559 --> 00:26:01,960 Speaker 3: Not that I can recall it straight away, but let 400 00:26:02,000 --> 00:26:05,400 the memory fish it out if we got any name 401 00:26:05,720 --> 00:26:05,960 or not. 402 00:26:06,440 --> 00:26:09,799 Speaker 2: It is difficult when you've worked spiritually in the moment, yeah, 403 00:26:09,880 --> 00:26:12,039 to then go back and try and put yourself back 404 00:26:12,079 --> 00:26:15,000 in there with the details that I'm asking. Yeah. Yeah, 405 00:26:15,079 --> 00:26:17,599 this is one of the reasons why the change is good. 406 00:26:18,400 --> 00:26:26,799 Speaker 3: Margaret and Elizabeth also been given as a name, but Margaret, okay, Yeah, 407 00:26:27,200 --> 00:26:30,640 And as I say, Margaret, she's showing me. Do you 408 00:26:30,680 --> 00:26:35,680 remember where the kitchen garden? Yes, yeah, and where Richard 409 00:26:35,720 --> 00:26:39,119 and Daryl talked to me where now we are over 410 00:26:39,160 --> 00:26:40,079 the other side of the. 411 00:26:40,079 --> 00:26:41,839 Speaker 2: Moat, inside of a little bit of. 412 00:26:41,920 --> 00:26:44,720 Speaker 3: London, Yeah, which I found out that is where the 413 00:26:44,759 --> 00:26:49,039 original house was built before it. Yeah, so where that 414 00:26:49,200 --> 00:26:51,799 heart was. As I was there, as I stood in 415 00:26:51,839 --> 00:26:57,599 that part, the impression felt to me. I was looking 416 00:26:57,640 --> 00:27:00,880 out of the window and just in so much life 417 00:27:01,400 --> 00:27:04,680 and so much baking, so much cooking would take place 418 00:27:04,720 --> 00:27:07,119 in that kichen because as you can see on my 419 00:27:07,200 --> 00:27:09,599 side right now, I've just been dreaming my little herbs. 420 00:27:10,000 --> 00:27:14,640 That is what I would see, a long wooden table 421 00:27:15,359 --> 00:27:20,759 with the weaker baskets filled with different herbs and different 422 00:27:21,000 --> 00:27:28,119 vegetables and different colors, but also baking a dough because 423 00:27:28,160 --> 00:27:32,079 I can see beautiful braids being raised waiting to be baked. 424 00:27:33,319 --> 00:27:42,160 Speaker 2: And after that it was the fall, which is interesting 425 00:27:42,200 --> 00:27:48,000 because as I crossed onto the moat, I saw there's 426 00:27:48,200 --> 00:27:52,279 like a wood pile that was banned. Yeah, and it's 427 00:27:52,359 --> 00:27:55,519 like a bridge, so it kind of went, oh, they 428 00:27:55,519 --> 00:27:58,519 burnt their bridges, yes. 429 00:27:58,000 --> 00:28:01,720 Speaker 1: And then next to them there's a telegraph pole. Thats down. 430 00:28:01,759 --> 00:28:05,000 Speaker 2: This is how this works for me anyway, right, And 431 00:28:05,119 --> 00:28:08,359 it was like, that's the connection with Severed and that 432 00:28:08,480 --> 00:28:11,759 was in the same area that you're talking about. Is 433 00:28:11,799 --> 00:28:14,640 that I picked up those psychic messages and you picked 434 00:28:14,720 --> 00:28:21,440 up those psychic messages. Okay, I want to change tracks now, 435 00:28:22,319 --> 00:28:23,319 Sorry before. 436 00:28:23,200 --> 00:28:30,000 Speaker 3: You change track, the name William, Yeah, it's very important 437 00:28:29,640 --> 00:28:35,720 to the old folklore with the place. But also because 438 00:28:35,759 --> 00:28:38,960 I think on your visit you also felt very drawn 439 00:28:39,519 --> 00:28:44,079 to one particular building and I remember asking darrole in 440 00:28:44,440 --> 00:28:50,000 Richard if that was part of the original building once before, 441 00:28:50,559 --> 00:28:53,799 because it's me felt like would be a house for horses, 442 00:28:54,559 --> 00:28:58,200 a house for boss horses, not the working horses on 443 00:28:58,240 --> 00:28:58,759 the field. 444 00:28:59,599 --> 00:29:03,440 Speaker 2: I know it's believed to be a barn white horse 445 00:29:03,519 --> 00:29:04,799 been kept there for a while. 446 00:29:04,920 --> 00:29:08,119 Speaker 3: You don't know, because I haven't got EVI ye, right, 447 00:29:09,079 --> 00:29:14,759 because that's what I'm saying. Shall we say Colin is 448 00:29:14,799 --> 00:29:17,759 having a giggle a part hotel for bosh horses and 449 00:29:17,799 --> 00:29:23,799 the white horse is important? Okay, Now moving on to 450 00:29:23,880 --> 00:29:24,319 the track. 451 00:29:24,839 --> 00:29:29,000 Speaker 2: Moving onto the track, We're going into an area where 452 00:29:29,000 --> 00:29:32,200 you don't know where this place is. I haven't mentioned 453 00:29:32,240 --> 00:29:35,359 it to you in any depth. I may have said, oh, 454 00:29:35,400 --> 00:29:38,640 I'm going to but I don't believe I've spoke. 455 00:29:38,680 --> 00:29:40,480 Speaker 1: I don't think you have any debt. 456 00:29:40,839 --> 00:29:41,920 Speaker 2: No, we haven't spoken. 457 00:29:42,039 --> 00:29:45,559 Speaker 3: Last week to get start with, it's been one of 458 00:29:45,599 --> 00:29:46,519 those things. 459 00:29:48,960 --> 00:29:51,519 Speaker 2: Oh I am not to know anything. 460 00:29:52,200 --> 00:29:54,200 Speaker 1: And this is a differential. Now we're cut. 461 00:29:54,359 --> 00:29:57,400 Speaker 2: We're cutting a definitive line of and everyone's going to 462 00:29:57,480 --> 00:29:59,880 have to trust me because I'm walking the line in between. 463 00:30:00,839 --> 00:30:04,119 I'm walking learning between my spiritual side and what I 464 00:30:04,200 --> 00:30:07,240 know factually in regard to what I find out when 465 00:30:07,279 --> 00:30:10,400 I research with Richard and Darryl and what they pick 466 00:30:10,519 --> 00:30:13,039 up as well. There's you know, they're picking up messages too, 467 00:30:14,480 --> 00:30:17,680 which I'm not your The next episode will come and 468 00:30:17,680 --> 00:30:20,920 out on because everything is just so much going on 469 00:30:21,440 --> 00:30:23,880 and then so right, So I sent you. 470 00:30:23,880 --> 00:30:41,680 Speaker 1: A photograph. 471 00:30:35,000 --> 00:30:42,880 Speaker 3: Okay, photographs, Yeah, I know, it's just that obviously you 472 00:30:43,039 --> 00:30:45,880 know the physical eyes how they are. I work better 473 00:30:45,920 --> 00:30:51,559 with the third eye. But sometimes, oh interesting little place 474 00:30:52,160 --> 00:30:53,279 eater ease this. 475 00:31:04,759 --> 00:31:08,319 Speaker 2: So bear with listeners, because my own is now looking 476 00:31:08,640 --> 00:31:13,359 at the photographs that I sent her. She doesn't know, 477 00:31:14,319 --> 00:31:18,400 hasn't visited this location. She doesn't know much about it 478 00:31:18,440 --> 00:31:22,799 because I've not spoken to her about it, and I'm 479 00:31:22,839 --> 00:31:27,279 just interested to see what she might pick up from 480 00:31:27,319 --> 00:31:28,079 that location. 481 00:31:33,519 --> 00:31:48,799 Speaker 3: Okay, as I'm looking at this speakture. Yeah, okay, that 482 00:31:49,079 --> 00:31:53,759 is a person in here, and also that is an 483 00:31:53,759 --> 00:31:58,759 eagle in here, and there is a third person on top, 484 00:31:59,559 --> 00:32:02,599 so that's Telium. Is the three of you that is 485 00:32:02,599 --> 00:32:05,119 going to be there. Now there is a sign here 486 00:32:05,920 --> 00:32:08,079 and also there is another signing there. 487 00:32:08,559 --> 00:32:11,559 Speaker 2: Yes, are what my line is looking at is the 488 00:32:11,680 --> 00:32:16,039 church tower. And she's also now looking at the ridge 489 00:32:16,119 --> 00:32:21,000 line that runs across the two level structure. 490 00:32:22,640 --> 00:32:25,240 Speaker 3: Yeah, you're being watched. 491 00:32:25,680 --> 00:32:27,559 Speaker 1: We are being watched, yeah. 492 00:32:27,559 --> 00:32:32,759 Speaker 3: By above also, but you've been watching for every being 493 00:32:33,240 --> 00:32:37,319 the resides in that area. Okay, yeah, but don't worry 494 00:32:37,440 --> 00:32:43,640 because your guides, Vigard's and Darl's it's there looking out 495 00:32:43,720 --> 00:32:44,319 from above. 496 00:32:44,640 --> 00:32:47,279 Speaker 2: Yeah, guiding you on the ground. Where you're going to 497 00:32:47,319 --> 00:32:48,200 be looking on the ground. 498 00:32:48,359 --> 00:32:53,599 Speaker 1: See I see a king in that king of swords, 499 00:32:54,920 --> 00:32:56,920 just I say, a king's head with the crown. 500 00:32:57,319 --> 00:32:57,960 Speaker 2: Yeah yeah. 501 00:32:59,000 --> 00:33:01,480 Speaker 3: Now where the is the two marks? 502 00:33:01,680 --> 00:33:01,960 Speaker 1: Yeah? 503 00:33:02,359 --> 00:33:04,119 Speaker 2: Yeah, the two x's on the wall. 504 00:33:04,440 --> 00:33:08,559 Speaker 3: Right. Then in here we're looking at the. 505 00:33:08,559 --> 00:33:11,079 Speaker 1: Side door, which I believe would be a north door. 506 00:33:11,319 --> 00:33:11,759 Speaker 3: Okay. 507 00:33:12,119 --> 00:33:16,559 Speaker 2: Within that where you need to be looking at you 508 00:33:16,599 --> 00:33:20,880 would be a marking like that, and in between like 509 00:33:21,039 --> 00:33:23,000 forming a triangle interacting. 510 00:33:24,319 --> 00:33:31,160 Speaker 3: It's something similar to that with the metal barrows in front. 511 00:33:31,759 --> 00:33:36,640 Speaker 1: I have been inside this church, so I can tell 512 00:33:36,680 --> 00:33:41,680 you about that area, okay. 513 00:33:42,119 --> 00:33:46,720 Speaker 2: Okay, So as you come in, you come in from 514 00:33:46,759 --> 00:33:52,079 this end here, yeah, right into the steeple okay, and 515 00:33:52,160 --> 00:33:53,200 you walk through and this. 516 00:33:53,200 --> 00:33:55,240 Speaker 1: Becomes the main part of the change. 517 00:33:55,680 --> 00:33:59,680 Speaker 2: Okay. On this side, there's not a lot in this church. 518 00:34:00,119 --> 00:34:04,599 I would say that. So you have memorials here, but 519 00:34:04,720 --> 00:34:10,840 you have a double layer here. Can you pick up 520 00:34:10,880 --> 00:34:13,480 any names to do with this church? 521 00:34:15,440 --> 00:34:15,840 Speaker 5: Okay? 522 00:34:16,920 --> 00:34:19,039 Speaker 3: Right now, I will have to call in and let 523 00:34:19,079 --> 00:34:33,599 them come into the givings that okay. 524 00:34:27,119 --> 00:34:34,480 Speaker 2: H h. 525 00:34:41,440 --> 00:34:42,400 Speaker 1: Mm hmmmmm. 526 00:34:43,199 --> 00:34:48,400 Speaker 2: H My lane is allowing our spirit guards to step 527 00:34:48,440 --> 00:34:53,360 forward and actually talk through her. This is a form 528 00:34:53,360 --> 00:34:54,679 of physical mediumship. 529 00:34:55,920 --> 00:35:07,079 Speaker 3: Okay, h Sergeant Beagle. One of the names you need 530 00:35:07,119 --> 00:35:14,400 to be looking for. There are two or three, but 531 00:35:14,480 --> 00:35:18,639 inside it will be one. But you need to dig 532 00:35:19,039 --> 00:35:26,800 dig for information as there is information hidden covered by 533 00:35:26,920 --> 00:35:44,679 years by layers. Margaret Thatcher, not the one that was 534 00:35:45,039 --> 00:35:53,400 the governor of the country. Look further further, further back. 535 00:36:01,960 --> 00:36:37,960 James Williamson, the third in line, the third, it's the one. 536 00:36:38,639 --> 00:36:44,239 And Philip Tyrell. It's also important. 537 00:36:46,719 --> 00:36:47,280 Speaker 2: A date. 538 00:36:50,599 --> 00:37:05,320 Speaker 3: Eighteen seventy two, Thank you, eight six of August. 539 00:37:27,920 --> 00:37:29,719 Speaker 1: Okay, are you okay? 540 00:37:30,280 --> 00:37:31,000 Speaker 3: I am okay? 541 00:37:31,199 --> 00:37:31,920 Speaker 1: Are you okay? 542 00:37:33,159 --> 00:37:33,360 Speaker 2: Fine? 543 00:37:33,639 --> 00:37:34,639 Speaker 1: Thank you for that. 544 00:37:34,960 --> 00:37:37,559 Speaker 2: You're very welcome. That gives me some threats to be 545 00:37:37,599 --> 00:37:40,679 looking for and working on, doesn't it, beautyfult. 546 00:37:40,760 --> 00:37:43,480 Speaker 1: This is exactly what we like to hear. 547 00:37:44,239 --> 00:37:47,760 Speaker 2: Now before I move on onto the next thing, which 548 00:37:47,800 --> 00:37:53,719 is something you know nothing about whatsoever? Anything more from 549 00:37:53,760 --> 00:38:24,079 the charge that I sent you the picture of Yes. 550 00:38:18,599 --> 00:38:19,079 Speaker 3: Right. 551 00:38:24,639 --> 00:38:31,159 Speaker 2: Here, yeah, there's a doorway. Oh what looks like a 552 00:38:31,199 --> 00:38:32,199 field in doorway? 553 00:38:32,599 --> 00:38:39,400 Speaker 3: Yeah? Yeah, here would have been something in place. Can 554 00:38:39,480 --> 00:38:44,360 you find the pictures of the original church how it 555 00:38:44,599 --> 00:38:48,400 was when it was because here it is very important. 556 00:38:50,599 --> 00:38:51,400 Remember when. 557 00:38:53,559 --> 00:38:56,159 Speaker 2: We're on the note again where the photograph is taken 558 00:38:56,199 --> 00:38:57,320 from the north aspect. 559 00:38:57,760 --> 00:39:00,760 Speaker 3: This is on the north side of the chair. Yeah, 560 00:39:01,920 --> 00:39:05,559 because looking at the two markings at the tower, it 561 00:39:05,639 --> 00:39:10,199 feels like this is out of place. That is something 562 00:39:10,239 --> 00:39:14,920 there that it was aligning. Now it's not. It's been 563 00:39:15,159 --> 00:39:19,719 fiddled with. I'll say my church is got vast history, 564 00:39:20,199 --> 00:39:26,400 very much so. And finding history of this church from 565 00:39:26,519 --> 00:39:31,199 the beginning, from its first I would say, first one 566 00:39:31,280 --> 00:39:32,480 hundred years. 567 00:39:33,719 --> 00:39:36,639 Speaker 5: Oh honestly, this is one of our churches that there 568 00:39:36,760 --> 00:39:41,840 is a history that there is that is Traser again, 569 00:39:41,920 --> 00:39:45,000 you're talking about National Trader history. 570 00:39:45,239 --> 00:39:49,920 Speaker 3: Yeah, David, under those labs, there is a lot of 571 00:39:50,199 --> 00:39:54,760 hidden in there that needs to be brought to the light. 572 00:39:56,039 --> 00:39:59,480 And that is where our it's going to be an 573 00:39:59,519 --> 00:40:03,480 important bart in helping us, is. 574 00:40:03,440 --> 00:40:08,239 Speaker 2: Another guide that's coming or another soul that has stepped in. Okay, 575 00:40:08,360 --> 00:40:11,559 So anything from inside the church, I know you haven't 576 00:40:11,559 --> 00:40:14,920 got a photograph of the inside. Yeah, it's only from 577 00:40:14,960 --> 00:40:18,760 the outside. Can you go, I don't know, can you 578 00:40:18,840 --> 00:40:20,960 sort of see within and see if there's anything within 579 00:40:21,079 --> 00:40:25,480 the church that is calling you and what it possibly 580 00:40:26,119 --> 00:40:26,840 may link to. 581 00:40:27,679 --> 00:40:31,280 Speaker 6: Okay, let me just I don't sit on the ball. 582 00:40:31,280 --> 00:40:45,119 Will need to come on guys. Okay, let me just. 583 00:40:51,119 --> 00:40:55,519 Speaker 3: So the way you go in is from here, that's correct. Okay, 584 00:40:56,199 --> 00:41:08,079 So I just want to step back at the front. 585 00:41:08,119 --> 00:41:20,239 The inside, isn't it? Yeah, kidneys graces me. But what 586 00:41:20,360 --> 00:41:21,880 I'm feeling is. 587 00:41:24,280 --> 00:41:24,880 Speaker 1: The church. 588 00:41:25,599 --> 00:41:30,280 Speaker 3: It's a sacred place. It's a place where when we 589 00:41:30,400 --> 00:41:33,519 are in need, we think to go to reach for 590 00:41:33,599 --> 00:41:38,519 the light. Isn't it to have that deeper connection and 591 00:41:38,760 --> 00:41:40,920 to not have windows? 592 00:41:43,360 --> 00:41:43,719 Speaker 2: Mm hmm. 593 00:41:48,039 --> 00:41:56,119 Speaker 3: Okay, I have walked halfway into the church and they're 594 00:41:56,159 --> 00:41:57,719 making me look on the floor. 595 00:41:59,599 --> 00:41:59,800 Speaker 2: Now. 596 00:41:59,840 --> 00:42:05,039 Speaker 3: I don't know if that is there or was there once. 597 00:42:08,639 --> 00:42:12,480 I'm looking into water now. It's going to be a 598 00:42:12,519 --> 00:42:15,079 funny way to try to describe this in the right 599 00:42:15,119 --> 00:42:18,199 words that will give you what I am seeing, what 600 00:42:18,320 --> 00:42:21,960 I've been shown. I don't really know how a compass 601 00:42:22,000 --> 00:42:26,039 looks like, but as I'm looking on the floor, it's 602 00:42:26,079 --> 00:42:29,800 a circle. And in that circle at the same I've 603 00:42:29,800 --> 00:42:32,000 got some kind of markings. 604 00:42:34,679 --> 00:42:34,880 Speaker 2: Right. 605 00:42:35,639 --> 00:42:37,320 Speaker 3: Can I have a pen and paper so I can 606 00:42:37,360 --> 00:42:39,360 may draw what I'm seeing? 607 00:42:39,760 --> 00:42:48,360 Speaker 2: Yeah, well it's the paper. Just get a pain excuse me, 608 00:42:51,199 --> 00:42:52,639 would be the best pen. 609 00:42:56,199 --> 00:43:00,280 Speaker 1: Well, anyways, they're drawing in a night past that to 610 00:43:00,400 --> 00:43:02,599 one side, and. 611 00:43:02,519 --> 00:43:06,559 Speaker 2: She's drawing the symbol that she's seeing halfway into the 612 00:43:06,679 --> 00:43:10,079 church on the floor that she believes was either there 613 00:43:11,199 --> 00:43:23,400 or was definitely there at some point. She has her 614 00:43:23,440 --> 00:43:25,519 eyes shut. I would just like to say why she's 615 00:43:25,519 --> 00:43:46,880 doing this. It looks like a sacle with a flower 616 00:43:46,920 --> 00:43:53,079 inside it, with the four directional points and the half 617 00:43:53,159 --> 00:43:59,039 directional points as well. We have two points further out 618 00:43:59,119 --> 00:44:06,760 from this diagram that are exes. That's interesting. Anything else 619 00:44:06,800 --> 00:44:13,320 from inside the church, any names, any symbols, anything that 620 00:44:13,400 --> 00:44:17,360 you can pick up on while you're inside the church. 621 00:44:17,199 --> 00:44:23,079 Speaker 3: Please a place to check. There will be an scripture 622 00:44:24,000 --> 00:44:32,440 on the wall. One here, one here, Okay, there you 623 00:44:32,519 --> 00:44:37,679 will see what they will have to say. 624 00:44:38,480 --> 00:44:42,719 Speaker 2: Thank you, Okay, thank you. Okay. So I want to 625 00:44:42,719 --> 00:44:44,159 take you on. I'm going to give you a name. 626 00:44:44,199 --> 00:44:48,519 Now some a're completely different. This has got nothing to 627 00:44:48,559 --> 00:44:51,039 do with the area that we've doll the church we've 628 00:44:51,079 --> 00:44:55,679 just talked about, Okay, Okay, I'm going to give you 629 00:44:55,719 --> 00:45:00,400 the name, and I want you just to see if 630 00:45:00,559 --> 00:45:06,440 anything comes through about this particular place. Okay. And it's 631 00:45:06,480 --> 00:45:07,599 called Bailey. 632 00:45:09,039 --> 00:45:11,119 Speaker 3: Bailey, how do you spell b. 633 00:45:11,119 --> 00:45:17,199 Speaker 2: Double a L the a B double a E for elephant, 634 00:45:17,639 --> 00:45:25,159 correct l a E for elephant. 635 00:45:24,920 --> 00:45:28,239 Speaker 1: Yeah, I I for insect. 636 00:45:28,800 --> 00:45:30,039 Speaker 2: Yeah j. 637 00:45:33,440 --> 00:45:36,760 Speaker 1: H. 638 00:45:37,800 --> 00:45:40,320 Speaker 3: That's a funny way to spell things, isn't it. 639 00:45:41,679 --> 00:45:42,800 Speaker 1: Do you find that in the UK? 640 00:45:45,199 --> 00:45:57,719 Speaker 3: We know? Hm, the name the first, it's the one 641 00:45:57,800 --> 00:45:59,320 you need to focus on. 642 00:45:59,440 --> 00:46:02,960 Speaker 2: It sounded like as. 643 00:46:02,800 --> 00:46:08,280 Speaker 3: We spelled it, Billy spelled in a different way. Okay, 644 00:46:08,760 --> 00:46:13,440 that is how it sounded to us, and that is 645 00:46:13,559 --> 00:46:21,880 where come in. Sometimes back on those days, name spelling 646 00:46:22,719 --> 00:46:26,199 would be spelt different, but only those who knew would 647 00:46:26,280 --> 00:46:29,440 know what was on about, almost like a kind of code. 648 00:46:30,159 --> 00:46:33,760 Speaker 2: Right. Yeah, So that billy funny thinger. 649 00:46:35,199 --> 00:46:47,440 Speaker 3: Become a billy as a biby okay, And if you're 650 00:46:47,480 --> 00:46:52,199 looking for him on a graveyard, you will see the 651 00:46:52,280 --> 00:46:55,440 billy somewhere along the line. 652 00:46:56,880 --> 00:47:04,840 Speaker 2: But there will be right. I thought you mean billy, Yeah, 653 00:47:05,239 --> 00:47:07,599 but I thought you said billy. Just pointing that out. 654 00:47:09,000 --> 00:47:13,159 Speaker 3: Yeah, how things will Once you're there, you will see 655 00:47:13,360 --> 00:47:18,639 the connection. Yeah, he was known by those known to 656 00:47:18,800 --> 00:47:23,400 him by this funny name, but we want to shorten 657 00:47:23,480 --> 00:47:25,239 that up and make it a billy. When you see 658 00:47:25,280 --> 00:47:29,000 the billy and the message around that billy, then you 659 00:47:29,079 --> 00:47:30,800 will go, thank you spirits. 660 00:47:31,079 --> 00:47:43,840 Speaker 2: Okay, yeah, okay, any other question anything else that you're 661 00:47:43,880 --> 00:47:50,119 picking up from that name and that area. Is he 662 00:47:50,360 --> 00:47:57,039 the aid of the church? Yeah, completely different area. I 663 00:47:57,079 --> 00:48:00,760 haven't told you anything about this place because we haven't. 664 00:48:00,920 --> 00:48:03,320 Speaker 1: That happened last weekend and we have not spoken. 665 00:48:03,360 --> 00:48:06,119 Speaker 2: It's been manic week for me, and anybody who knows 666 00:48:06,159 --> 00:48:08,360 me and my realm knows how difficult this week has 667 00:48:08,440 --> 00:48:12,079 been in one way or another, and we just haven't 668 00:48:12,119 --> 00:48:14,400 had a chance to catch up. So this is really 669 00:48:15,360 --> 00:48:16,440 she knows nothing. 670 00:48:18,199 --> 00:48:20,519 Speaker 3: And obviously today's the very first day that we are 671 00:48:20,519 --> 00:48:22,920 working in these ways, so it's kind of very brand 672 00:48:22,920 --> 00:48:25,400 new to us. We just get to the frequency is 673 00:48:25,440 --> 00:48:26,400 quite right in there. 674 00:48:26,599 --> 00:48:27,400 Speaker 2: It's learning. 675 00:48:27,679 --> 00:48:33,480 Speaker 3: Yes, okay, again this name that you said. For some reason, they're. 676 00:48:33,360 --> 00:48:36,519 Speaker 2: Showing me the box of my muld and salt that 677 00:48:36,639 --> 00:48:40,719 jumped out, okay, yes, the modern sult that it fell 678 00:48:40,719 --> 00:48:44,360 out of your cupboards. Yeah. But also there was a 679 00:48:44,440 --> 00:48:48,760 drawing done last night. There was, Yeah, there was a 680 00:48:48,840 --> 00:48:51,199 drawing that was done last night which looked like rocks 681 00:48:51,239 --> 00:48:55,320 on one side and a river going out on the 682 00:48:55,360 --> 00:48:58,480 other side. Was and the right side was the important 683 00:48:58,880 --> 00:49:03,239 right side that it's important one. Now on the right 684 00:49:03,280 --> 00:49:07,280 side there is three wasn't it three things? 685 00:49:07,440 --> 00:49:08,320 Speaker 1: Three things? 686 00:49:08,559 --> 00:49:11,360 Speaker 3: He is linked to one of those three in there, 687 00:49:13,719 --> 00:49:15,119 but they will also link. 688 00:49:17,039 --> 00:49:17,199 Speaker 1: Right. 689 00:49:18,000 --> 00:49:20,760 Speaker 3: I'm gonna describe what I'm saying. If I would be 690 00:49:20,880 --> 00:49:26,480 walking alongside the seaside, for example, and you get into 691 00:49:26,559 --> 00:49:32,639 a navia that you would have like what I spoke 692 00:49:32,719 --> 00:49:39,000 to you about earlier, the whole with the metal bars. Yeah, yeah, 693 00:49:39,119 --> 00:49:42,320 you will also find the one near the avia where 694 00:49:42,360 --> 00:49:45,039 the little three things are together. Right. 695 00:49:45,159 --> 00:49:48,679 Speaker 1: The three things on the diagram look like pigs. 696 00:49:48,840 --> 00:49:51,199 Speaker 2: They look like directional arrows if you want, if you 697 00:49:51,320 --> 00:49:55,039 point it up, they could represent rocks, they could represent arrows, 698 00:49:55,039 --> 00:50:01,639 they could represent mountains, they could representat Yes, that's on 699 00:50:01,719 --> 00:50:03,400 the other side the way. 700 00:50:04,639 --> 00:50:08,320 Speaker 3: You've got mountains, then an opening in between that's right, 701 00:50:08,360 --> 00:50:11,480 and then you've got the boat, the three the three boats. 702 00:50:11,920 --> 00:50:13,719 Speaker 1: I have got the diagram of just put it to 703 00:50:13,760 --> 00:50:14,360 one side. 704 00:50:14,239 --> 00:50:18,960 Speaker 2: Right, And I do feel that these names somehow we'll have. 705 00:50:19,159 --> 00:50:24,199 Speaker 3: Links with the boat and the boat avia archie dis 706 00:50:24,440 --> 00:50:25,519 Does that makes sense to you? 707 00:50:25,960 --> 00:50:31,760 Speaker 2: It does, thank you, because I've picked up recently and 708 00:50:31,840 --> 00:50:34,800 I have been there, but this hasn't come up yet. 709 00:50:35,480 --> 00:50:39,639 Speaker 1: A clipper right, and it was very specific of a clipper. 710 00:50:40,320 --> 00:50:41,639 Speaker 2: I don't know what it is. 711 00:50:41,920 --> 00:50:43,280 Speaker 1: It's the type of boat. 712 00:50:43,239 --> 00:50:46,199 Speaker 3: Okay, because in this a in that hole they just 713 00:50:46,280 --> 00:50:48,239 showed me because I asked them, bright, can you show 714 00:50:48,280 --> 00:50:50,960 me you you show me the hole from the outside, 715 00:50:51,000 --> 00:50:53,239 but I want to see it from the inside of 716 00:50:53,280 --> 00:50:53,719 the hole. 717 00:50:54,079 --> 00:50:54,760 Speaker 1: So do you know? 718 00:50:55,239 --> 00:51:00,360 Speaker 3: In best to describe what they're showing me, it's like 719 00:51:00,519 --> 00:51:04,440 almost sew eag that meets the river that then meets 720 00:51:04,480 --> 00:51:07,480 the sea and you have one of those, Yeah, whether 721 00:51:08,280 --> 00:51:10,920 like a drainage, yeah, drain it, yeah, because this smell 722 00:51:11,000 --> 00:51:15,760 and that is where the new fella Peanut who's talking 723 00:51:15,800 --> 00:51:19,719 about look on the ground, look at the water. And 724 00:51:19,920 --> 00:51:21,760 that's when he said it's a trap because when you 725 00:51:21,760 --> 00:51:24,000 think sewage water, you don't know water. 726 00:51:27,400 --> 00:51:29,840 Speaker 2: And I'm just going to be doing to your health. 727 00:51:30,360 --> 00:51:30,599 Speaker 1: Yeah. 728 00:51:30,960 --> 00:51:33,239 Speaker 2: So, and that is what I'm seeing. 729 00:51:33,719 --> 00:51:36,280 Speaker 3: You have that role. But where the little boats are 730 00:51:36,880 --> 00:51:40,480 within the circumference, I cannot exactly pinpoint because as I said, 731 00:51:40,719 --> 00:51:43,480 I haven't seen the area to have a clear view. 732 00:51:43,840 --> 00:51:46,440 But what I'm saying is as if I'm walking on 733 00:51:46,440 --> 00:51:51,960 the beach going towards where the boats are parked within 734 00:51:52,280 --> 00:51:56,679 that aided to the right. If you see on the 735 00:51:56,800 --> 00:52:00,400 sand the water streaming down, the smell is going to 736 00:52:00,480 --> 00:52:03,800 give you a little hint. Okay, how near you are, 737 00:52:05,079 --> 00:52:08,400 and you follow these mell in line with the boat 738 00:52:08,519 --> 00:52:10,960 within that little away where you will see the hole. 739 00:52:11,920 --> 00:52:15,199 That is going to be very relevant once you're there. Okay, yeah, 740 00:52:15,199 --> 00:52:15,639 because I. 741 00:52:15,599 --> 00:52:19,039 Speaker 2: Have well I've been to Bailey, but that will be 742 00:52:19,079 --> 00:52:21,119 an extension from that. Yeah. 743 00:52:21,360 --> 00:52:25,079 Speaker 3: Now it's important that look into the water where you 744 00:52:25,119 --> 00:52:29,079 can see it's clear, you can see the bottom. Yeah, 745 00:52:29,599 --> 00:52:34,280 but also observed, you know, sclattering observed. It's like stand 746 00:52:34,400 --> 00:52:37,679 the top of the surface. Do you know if there 747 00:52:37,719 --> 00:52:43,000 is something shiny under the water and as the sunlight reflected, 748 00:52:43,039 --> 00:52:43,599 you get that. 749 00:52:44,079 --> 00:52:44,280 Speaker 1: Yeah. 750 00:52:44,400 --> 00:52:45,360 Speaker 2: Yeah, that's what you. 751 00:52:45,320 --> 00:52:46,320 Speaker 3: Need to be looking for. 752 00:52:46,599 --> 00:52:47,000 Speaker 2: Okay. 753 00:52:47,559 --> 00:52:49,480 Speaker 3: Also, now. 754 00:52:51,400 --> 00:52:53,880 Speaker 1: I'm going to move you on again. I'm going into 755 00:52:53,880 --> 00:52:54,639 the future here. 756 00:52:55,119 --> 00:53:01,079 Speaker 2: Okay, this is the place I haven't been to okay yet. Yeah, 757 00:53:01,119 --> 00:53:08,119 and I was wondering with literally no information if anything 758 00:53:08,760 --> 00:53:11,719 relevant is coming up for you in regard to that 759 00:53:11,960 --> 00:53:19,360 trip that's coming up. I'm really really pushing here, and 760 00:53:19,440 --> 00:53:25,239 I do appreciate mediumistically. I'm testing my lane totally to 761 00:53:25,360 --> 00:53:31,599 the hill here. So we're learning and practicing and evolving. 762 00:53:34,039 --> 00:53:45,280 Speaker 3: Right, Okay, make sure you have all the quest equipment 763 00:53:46,480 --> 00:53:56,599 that has been geared up to now where appropriate cover aupps, 764 00:53:57,199 --> 00:54:07,039 gotcha dress up warm right, don't forget mister prong right, 765 00:54:07,719 --> 00:54:12,719 and the little life to deep. Okay, have fun. 766 00:54:14,119 --> 00:54:20,079 Speaker 2: Interesting interesting, indeed, and at that point, Betsy, to understand 767 00:54:20,320 --> 00:54:24,519 the side, it's like, that's it, we're stearing this. It's time. 768 00:54:24,920 --> 00:54:27,360 It's time awful listening. 769 00:54:28,000 --> 00:54:29,760 Speaker 1: Thank you, thank you so much. 770 00:54:30,599 --> 00:54:34,360 Speaker 2: Plenty of threads to be looking at and going off 771 00:54:34,480 --> 00:54:38,480 past experiences and future experiences. So now we go and 772 00:54:38,519 --> 00:54:41,519 do the boots on the ground and see what occurs while. 773 00:54:41,360 --> 00:54:42,280 Speaker 1: We're out and about. 774 00:54:44,639 --> 00:54:47,559 Speaker 2: We find out on the threads, you know, the hardcore 775 00:54:47,679 --> 00:54:49,679 threads that you've given us. 776 00:54:50,199 --> 00:54:51,639 Speaker 1: And the inside of that church. 777 00:54:52,199 --> 00:54:55,760 Speaker 2: I have got multiple photographs of the inside of that church, 778 00:54:56,280 --> 00:54:57,400 so I can I'll see you. 779 00:54:57,760 --> 00:55:02,400 Speaker 1: I will show you them. Now, well agreed, and now 780 00:55:02,440 --> 00:55:03,519 we've finished the show. 781 00:55:05,000 --> 00:55:08,840 Speaker 2: Next time we will be back with the boys and 782 00:55:08,960 --> 00:55:13,440 we will see where this leads onto and hopefully things 783 00:55:13,480 --> 00:55:16,119 will start to flow a little bit better in regards 784 00:55:16,119 --> 00:55:18,800 to how things are working, and you can understand the 785 00:55:19,079 --> 00:55:24,639 actually crazy side how normal people can sometimes go that's 786 00:55:24,679 --> 00:55:26,400 too far for understanding. 787 00:55:26,440 --> 00:55:29,119 Speaker 1: It does get a little crazy, I promise you. 788 00:55:29,199 --> 00:55:34,840 Speaker 2: Oh my team, that's video where the we can handle. 789 00:55:35,039 --> 00:55:37,559 Speaker 3: And they trust me to put it in a business 790 00:55:37,679 --> 00:55:42,199 way as possible because we don't want to spread fear doubta. 791 00:55:42,840 --> 00:55:47,480 We wanted to bringing the light so those who are 792 00:55:47,639 --> 00:55:50,320 looking for it will find it to walk. They're on path, 793 00:55:51,239 --> 00:55:55,159 confident in themselves, knowing they are walking the path of 794 00:55:55,280 --> 00:55:58,719 truth and the light. Let's be with you all till 795 00:55:58,760 --> 00:56:03,440 we meet again. And on that note, that's a wrap 796 00:56:04,719 --> 00:56:06,039 catches you guys.