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<v Speaker 1>Your name, poor Butler, your age twenty six, charge against

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<v Speaker 1>you stealing vehicles, pack.

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<v Speaker 2>Up, stealing vehicles, conspiracy to rob.

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<v Speaker 1>And burgulary sentence five ten years prosed.

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<v Speaker 2>Having served two and a half years at the state prison,

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<v Speaker 2>and having received the permission of the warden, and before

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<v Speaker 2>this board up for.

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<v Speaker 3>Parole tonight again another in the exciting new crime series

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<v Speaker 3>Up for parole, Authentic Cases is actually presented before the

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<v Speaker 3>parole boards in your state prisons, and told here for

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<v Speaker 3>the first time.

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<v Speaker 4>Ladies and gentlemen, you're about to sit in judgment on

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<v Speaker 4>another human being, whether he shall become your neighbor, your employee,

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<v Speaker 4>perhaps your friend, or remain where you society have put

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<v Speaker 4>him behind prison bars. Well, that human being is a

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<v Speaker 4>social offender, a criminal now up or parole. Remember, at

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<v Speaker 4>the close of tonight's broadcast, you can compare your own

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<v Speaker 4>judgment with the official decision of an actual state parole board.

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<v Speaker 4>I ask you, therefore, to listen and consider seriously the

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<v Speaker 4>story you are about to hear, told from the official

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<v Speaker 4>records of Paul Botwin, prison number eight two four dashed

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<v Speaker 4>three seven one, now pleading before the parole board and

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<v Speaker 4>before you or his freedom on.

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<v Speaker 2>The way things happen. I I didn't think at the

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<v Speaker 2>time I did it when I stole a car and

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<v Speaker 2>the rest at the this was a crime not only

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<v Speaker 2>against society, but against myself too. But gentlemen of the board,

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<v Speaker 2>since I got in a stir, I had a lot

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<v Speaker 2>of time to think. I followed all the regulations and

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<v Speaker 2>stayed away from influences. I think therefore, gentlemen, I am

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<v Speaker 2>eligible for your kind consideration. Well that's about it.

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<v Speaker 5>Who wrote that speech for you?

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<v Speaker 1>But one, sir, you can pick up one like that

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<v Speaker 1>from an a jail house lawyer for a buck.

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<v Speaker 5>Is that what they told you that we wanted to hear.

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<v Speaker 2>Nobody coached me, nobody told me to say anything.

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<v Speaker 1>That's how I had the point first. I think we

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<v Speaker 1>better start from the beginning, yes, sir. Now, the warden's

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<v Speaker 1>report here says that you refuse to see visitors, especially

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<v Speaker 1>refused to see your mother.

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<v Speaker 2>Oh look, you gotta bring.

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<v Speaker 5>In a letter to the warden.

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<v Speaker 2>Your mother writes, what difference of what does it make

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<v Speaker 2>what you write?

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<v Speaker 1>He says, you used to stand in front of a

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<v Speaker 1>picture of your father, your dead father, a picture in

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<v Speaker 1>the living room and talk to him.

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<v Speaker 5>Get it out with you as if he were alive.

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<v Speaker 2>Okay, okay, okay, it with her and him, my mother

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<v Speaker 2>and my old man, my girl too, and her old man,

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<v Speaker 2>all of them. They made me like this. They wanted

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<v Speaker 2>me to be like this. They wanted a liar and

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<v Speaker 2>a crook, and they got it. They made me do it.

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<v Speaker 2>I can tell you the way they made me do it.

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<v Speaker 2>They got just exactly what they asked for. Is that

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<v Speaker 2>what you wanted to know? That what you wanted me

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<v Speaker 2>to say? Okay, I said it.

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<v Speaker 1>Well, if you said your piece but one, you can

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<v Speaker 1>leave now. The board will make its decision. Or if

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<v Speaker 1>you want to, you can tell us what that outburst

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<v Speaker 1>is all about. Yeah, what it means standing in front

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<v Speaker 1>of your father's picture.

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<v Speaker 2>Okay, okay, I'll tell you. I'll tell you the whole thing.

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<v Speaker 2>Six years ago, I was the good kid in my neighborhood.

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<v Speaker 2>People used to say to their own kids, there goes

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<v Speaker 2>poor but one. Why can't you be like him? I

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<v Speaker 2>was nineteen going on twenty going to mechanics school at

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<v Speaker 2>the time. I got the good news about five o'clock,

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<v Speaker 2>so I came home in surprise. Mind, who is that?

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<v Speaker 4>Did you?

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<v Speaker 2>Paul? Why did you take off your apron mind no,

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<v Speaker 2>but no questions. Just take off the apron, mom, and

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<v Speaker 2>get on your new dress and pin these on.

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<v Speaker 6>Of course, I why, Paul, you and me.

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<v Speaker 2>We're gonna paint the town mob. We're going out the

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<v Speaker 2>best Chinese restaurant. There is anything you want on the menu.

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<v Speaker 2>It happened, It happened and more. Remember I told you.

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<v Speaker 2>At the end of the turn, the specialists come down

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<v Speaker 2>from that electronics company and so on, big shots to

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<v Speaker 2>pick three men for jobs, sure fire jobs. Well I

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<v Speaker 2>got tapped number two men start at thirty nine to

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<v Speaker 2>seventy five the first week. Paul, Oh my, I'm cut

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<v Speaker 2>that out. They'll take you an extra half hour to

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<v Speaker 2>fix up your face. Come on, Oh, Paul, go ahead,

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<v Speaker 2>get your coat. Ma I already ordered the table.

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<v Speaker 7>Tell him, Paul, he was a man with standards.

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<v Speaker 2>He'd be proud if only he were alive. Now, all right, Mama,

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<v Speaker 2>I'll tell him you you go ahead and get ready.

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<v Speaker 2>I went into the living room where his picture hung,

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<v Speaker 2>my father's picture right over the piano, big photo colored

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<v Speaker 2>by an artist, and I stood there like I did

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<v Speaker 2>ever since he died.

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<v Speaker 8>When he was poor.

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<v Speaker 2>High your pie, my thought you ought to know about

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<v Speaker 2>me being picked out for the job and all that.

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<v Speaker 2>It may not be much, but I'll work hard. I'll

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<v Speaker 2>make you proud of me.

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<v Speaker 9>Pa.

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<v Speaker 10>I'm ready for you.

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<v Speaker 2>Sure, sure, Ma.

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<v Speaker 11>You know it's almost like he was smiling. Man, I know, song, Pa,

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<v Speaker 11>it was a lion.

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<v Speaker 4>The whole thing was a dirty.

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<v Speaker 5>Loved Hold on, now about her.

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<v Speaker 1>If you can control yourself, we will listen to the

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<v Speaker 1>rest of your story.

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<v Speaker 2>All right, all right, I'll try. It was just one

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<v Speaker 2>month later, the day I graduated. I was to start

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<v Speaker 2>to work. The next day I came home. Ma wasn't there.

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<v Speaker 2>I was going out with Matha that night. She was

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<v Speaker 2>my girl, and I I started to get ready. Who's there? Yeah?

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<v Speaker 2>Can I help you?

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<v Speaker 5>Hey?

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<v Speaker 2>Look, Mac, this is my house. Who are you?

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<v Speaker 6>Ain't changed?

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<v Speaker 4>Hey?

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<v Speaker 2>And where do you think you're going?

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<v Speaker 5>You got a drink in the house.

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<v Speaker 2>Hey, wait a minute, I don't mind a guy walking

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<v Speaker 2>in it. Look, Mac just told you would think you

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<v Speaker 2>were blood.

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<v Speaker 6>Take a good long look, boy. Maybe you can answer

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<v Speaker 6>your question yourself. You want. Ah, that's just who I am.

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<v Speaker 6>What she told you?

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<v Speaker 12>You can't be.

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<v Speaker 6>Leave it to Emma, good old Emma.

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<v Speaker 5>Always tell the truth. Never lie ever steal.

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<v Speaker 6>She told you I was dead, didn't she? She never

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<v Speaker 6>told you about him over the piano? Then, well, he

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<v Speaker 6>was in state prison for an lawfulantry burglar reviolation of

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<v Speaker 6>the Sullivan Act fifteen to twenty years. She never told you, then,

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<v Speaker 6>she never told you your old man was a con.

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<v Speaker 6>We'll take a good long look, sonny, because you're old

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<v Speaker 6>man has come home. Now, how about a drink? How

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<v Speaker 6>about a good long drink reunited you?

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<v Speaker 2>Oh no, no, no, no, it's impossible.

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<v Speaker 12>You can't be.

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<v Speaker 2>She wouldn't do a thing like that, telling me that

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<v Speaker 2>you are him, You are him.

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<v Speaker 12>Look at the picture, say, mom ie, you wouldn't hear me.

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<v Speaker 2>You're the same, the same.

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<v Speaker 5>The same quard where you're gone?

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<v Speaker 2>Who cares?

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<v Speaker 10>Who wants to know?

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<v Speaker 13>You're gonna stop me?

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<v Speaker 2>Next twenty four hours, the whole world fell on top

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<v Speaker 2>of me, a whole life, a life of a life

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<v Speaker 2>of lies.

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<v Speaker 14>Everything I thought was facing was phony. Everything I believed

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<v Speaker 14>there was a lie. I didn't know who I hated more,

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<v Speaker 14>my father or my mother?

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<v Speaker 6>But what did I care?

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<v Speaker 2>What happened my job? That didn't matter.

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<v Speaker 14>People I knew were saying things behind my back, lives

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<v Speaker 14>saying they knew it all along.

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<v Speaker 2>That was too good to be true. Okay, I said, okay,

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<v Speaker 2>I'll be what I am, the son of a convict.

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<v Speaker 2>I changed, I got hard. Never again was I going

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<v Speaker 2>to be soft, get sucked in by lies. I'd showed them.

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<v Speaker 15>I don't think it's a good idea for.

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<v Speaker 2>My girl, Martha. She didn't understand yet, that's how big

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<v Speaker 2>the change was. Even she didn't understand. We were talking

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<v Speaker 2>together in a drug store, in a back booth, safe place.

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<v Speaker 15>You sure it's a good idea for.

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<v Speaker 2>What am I going to do? Go back and live there,

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<v Speaker 2>look at him every morning and her listen to the

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<v Speaker 2>explanations and all that kind of stuff. Look now, I'm

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<v Speaker 2>on my own and I got plans, kid, I got

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<v Speaker 2>real plans. I don't you go soft on me too. Yeah, yeah, yeah,

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<v Speaker 2>I know. Your old man says it. If I see you,

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<v Speaker 2>he'll he'll break my neck. Well, i'd like to see

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<v Speaker 2>him try. He's still with me, aren't you?

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<v Speaker 15>Of course?

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<v Speaker 2>Okay with you. I can look at them up, every

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<v Speaker 2>stinking one of them, the neighborhood, my job, my own man,

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<v Speaker 2>and her. What's wrong?

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<v Speaker 12>My father, Arthur?

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<v Speaker 13>Get up and get out of here. Now, look, mister,

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<v Speaker 13>see him again, and here you are hiding. We're you

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<v Speaker 13>know who he's been hanging out with, the kind of

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<v Speaker 13>company he keeps, the things he's been doing. But when

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<v Speaker 13>what did I tell you I do to you? If

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<v Speaker 13>I caught you again with my daughter? I told you

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<v Speaker 13>I'd break.

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<v Speaker 5>I'll get out here.

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<v Speaker 13>And if I ever catch you so much as looking

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<v Speaker 13>at her again, well, what you just got is only

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<v Speaker 13>a sample, Botwin, just a sample.

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<v Speaker 2>It made me look like thirty in front of Martha.

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<v Speaker 2>They made that happen, my old man in my mother. Okay,

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<v Speaker 2>I thought before I knew where I was heading. Now

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<v Speaker 2>I knew for sure, but absolute sure, Yo, Lefty, you

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<v Speaker 2>got a straight and Tenny closes up the store. He's

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<v Speaker 2>been averaging two fifty two seventy five a night Friday night.

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<v Speaker 2>You ought to have at least three hundred. Now you

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<v Speaker 2>take a look out, Vince, Lefty, you're going to the

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<v Speaker 2>store first, and I'll handle the heavy work. Come on,

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<v Speaker 2>let's go. It's parked on a corner of one hundred

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<v Speaker 2>and thirty seventh in Treeline, a Cadillac with white wall tires.

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<v Speaker 2>The keys were in the club comparted now I'll meet

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<v Speaker 2>chat Samuche's garage at fifteen minutes a grand at least

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<v Speaker 2>it split three ways. Look, but I said everything in

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<v Speaker 2>the registers. But I already told you, told me enough

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<v Speaker 2>how I'm feeling you. And then came the best, the

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<v Speaker 2>best of the whole bunch. I was watching my step,

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<v Speaker 2>staying in a friend's place, and he found me. Oh,

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<v Speaker 2>I don't know. He got the right knock and I

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<v Speaker 2>opened the door. My old man, Well, how do you

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<v Speaker 2>like that? Come on, get in, shut the door? Were

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<v Speaker 2>you following? No?

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<v Speaker 5>I was careful. Paul, I got to talk to you.

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<v Speaker 2>What do you got to say to me?

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<v Speaker 6>Paul, I'm on parole. You know then, I'm good behavior.

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<v Speaker 6>What you've been doing it sin. It's been getting around.

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<v Speaker 6>They're blaming me, boy, They say if I ad a

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<v Speaker 6>fit father, I ineligible anymore to be on parole. They're

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<v Speaker 6>gonna send me back to the pen. That's five years.

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<v Speaker 6>You don't know what that means, boy, I waited sixteen

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<v Speaker 6>years for this to get.

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<v Speaker 5>Out and have a chance. You're lost me up.

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<v Speaker 2>Oh brother, that's the best I ever heard. Thin. Gonna

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<v Speaker 2>send you back for being a bad father because your

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<v Speaker 2>son is doing jobs in the neighborhood.

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<v Speaker 5>But what are you gonna do? Marsus and shut up?

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<v Speaker 2>And I'll tell you. Do I care about you going

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<v Speaker 2>back to prison?

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<v Speaker 5>Sure?

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<v Speaker 2>I care a part. I care so much that if

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<v Speaker 2>I had an ese spit to waste, I'd spit right

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<v Speaker 2>in your eye. Okay, that's what they wanted. They made

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<v Speaker 2>me a crook, my own man, Martha's father and neighbors,

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<v Speaker 2>and her he's so called mother. They got just what

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<v Speaker 2>they asked for. Is is that what you wanted to know,

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<v Speaker 2>gentlemen of the pro boy?

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<v Speaker 1>That wasn't the end, was it? But that was just

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<v Speaker 1>a beginning. There was arrest too for the carthef sentence

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<v Speaker 1>to Pine Hill. It was the first prison term, and

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<v Speaker 1>then there was more.

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<v Speaker 2>You want to hear that too, all right, I'll tell you.

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<v Speaker 3>We'll return to our file in just a moment. But first,

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<v Speaker 3>this Sunday night, Genial Horace Height will hold his first

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<v Speaker 3>quarter finals of nineteen fifty on his CBS Youth Opportunity Program.

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<v Speaker 3>During these first months of the year, Horse has been

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<v Speaker 3>making the rounds of the towns and cities finding new

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<v Speaker 3>and fine young entertainers, and the pick of these will

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<v Speaker 3>compete this Sunday night when Horace Heights original Youth Opportunity

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<v Speaker 3>program comes round on most of these same CBS networkstation.

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<v Speaker 3>Now back to the true story of Paul Botwin. Prisen

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<v Speaker 3>number eight two four dash three seven one The man

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<v Speaker 3>who is up for parole proceed Bodwin.

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<v Speaker 2>I did my time as best they could at pine Hill.

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<v Speaker 2>They treated me fairy. You try to give you a break.

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<v Speaker 2>I served my time and after a year I got out.

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<v Speaker 1>You were at pine Hill, an institution for first defenders,

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<v Speaker 1>a Wallace prisoner.

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<v Speaker 5>I got schools there, no hard labor. Warden wrote me

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<v Speaker 5>a letter.

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<v Speaker 1>He said that when you finally finished serving your term,

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<v Speaker 1>you were offered three jobs. Two were in your own

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<v Speaker 1>line telephone repairment. You turned them down. The other one

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<v Speaker 1>was in a silkhouse as a shipping clerk. Why did

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<v Speaker 1>you take that job?

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<v Speaker 2>Well, while I was at Pine Hill, I met two

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<v Speaker 2>guys who told me I was a sucker if I

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<v Speaker 2>didn't take the job at the silk warehouse, because because

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<v Speaker 2>it was an easy money deal. If I made my

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<v Speaker 2>plans right. You see, Martha left home and I could

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<v Speaker 2>see her anytime I wanted, and she'd marry me no

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<v Speaker 2>matter what. Her all man said, So I wanted to

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<v Speaker 2>make money quick, big money, so we could get married. Well,

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<v Speaker 2>when I did get out, I took the job and

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<v Speaker 2>in a month I had the place all case.

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<v Speaker 1>That's what we want to hear about when the truth. Now,

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<v Speaker 1>tell me, did you see this girl Martha?

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<v Speaker 2>Yeah? Yeah, I saw quite a bit of her, But

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<v Speaker 2>I didn't tell her what I was up to. I

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<v Speaker 2>only told her that soon we'd have some money and

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<v Speaker 2>we'd go out west, somewhere, get out of town.

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<v Speaker 15>Oh, I still don't understand what you're doing.

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<v Speaker 2>Well here, you have a good job to get out

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<v Speaker 2>of this town. You just lead everything to me. It's

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<v Speaker 2>big things coming, baby, real big paul.

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<v Speaker 15>I don't care. The main thing is you and me.

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<v Speaker 15>Oh why don't we stay here? Well?

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<v Speaker 9>What can you build on?

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<v Speaker 2>A family? A father or mother like yours and mine?

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<v Speaker 15>You want to see your mother, paw?

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<v Speaker 2>Keep her out of it.

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<v Speaker 15>Look, paw, she's worked all this time, she saved the

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<v Speaker 15>little money. She's ready to give it to you. We

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<v Speaker 15>could maybe start a business or.

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<v Speaker 2>Oh Martha, you're still on that. Look, make up your mind.

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<v Speaker 2>You're with me or against me? Oh she's your mother,

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<v Speaker 2>she's a liar. That's what she is. She's the one

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<v Speaker 2>that started the whole thing. You know that I won't.

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<v Speaker 15>She's been waiting half an hour.

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<v Speaker 2>She's here, she's outside.

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<v Speaker 15>She just wants to tell you how sorry she is.

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<v Speaker 2>All right, Martha, go ahead, open the door, tell her

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<v Speaker 2>to come in. Martha said, my mother was coming to

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<v Speaker 2>see me. Well, I got news for you. My mother's dead.

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<v Speaker 2>She died when I was a little boy of four.

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<v Speaker 2>She was a fine woman with standards, but she died.

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<v Speaker 2>That's right. My mother's dead. Now, go on, get out.

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<v Speaker 1>But when yes, mister chairman board, i'd like to know

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<v Speaker 1>if that's still your attitude.

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<v Speaker 2>Oh, I know she's alive. If that's what you mean.

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<v Speaker 1>I also meant that during your stay in the state prison,

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<v Speaker 1>you've consistently refused to see her, open her letters, put

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<v Speaker 1>her right to her.

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<v Speaker 2>That's the way I feel right now. I just said it.

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<v Speaker 5>Go ahead.

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<v Speaker 2>So I went on with the plans. I had a

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<v Speaker 2>heist job at the Silk Plan because that's what they

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<v Speaker 2>wanted me to do. Okay, that's what what's gonna do.

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<v Speaker 2>First I saw the fence.

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<v Speaker 8>You got the truck tag right right, you're doing delivery

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<v Speaker 8>on the truck right in the back. Yeah, that's right, Okay,

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<v Speaker 8>trucks do with the plant in Coopersville forty seven minute

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<v Speaker 8>run time to the second she blows the tie and

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<v Speaker 8>to turn out over near Fremont Road. While you're fixing

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<v Speaker 8>it at trucks drive up. Tom's in at the company driver.

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<v Speaker 8>You take care of our boys will slide the silk

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<v Speaker 8>into the trucks. One hits for the Inner City Bridge,

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<v Speaker 8>the other takes the North End Tunnel.

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<v Speaker 2>You get ten grand for the job. The risk goes

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<v Speaker 2>to me. Oh it was smooth, flat tire taking Caro

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<v Speaker 2>of Zana. The company driver transfer the goods to the

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<v Speaker 2>Fencer's two trucks, one smooth as silk. One filled up

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<v Speaker 2>and headed for the Inner City Bridge, the other one

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<v Speaker 2>for the tunnel. Me on it, Me and the fence's driver.

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<v Speaker 2>Ten thousand was a good start and they'd be more

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<v Speaker 2>plenty more. Well. We took the Extension Highway, turned north

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<v Speaker 2>at River Street, and then I saw the lights in

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<v Speaker 2>the tunnel. They were blinking on and off. What's the matter,

336
00:21:03.160 --> 00:21:04.599
<v Speaker 2>what's the matter they're blinking?

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<v Speaker 5>I don't know what was it for us?

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<v Speaker 13>Maybe a traffic.

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00:21:07.599 --> 00:21:09.160
<v Speaker 2>Smart we'll get your foot on the gas.

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<v Speaker 13>What do you think I'm doing when.

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<v Speaker 9>They're closing it up, it is us. It's no good.

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<v Speaker 9>It's not that trap. I'll carry out, not tricks.

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<v Speaker 2>They gave me the business in court, I took a

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<v Speaker 2>plea guilty. What did I care? Because the first thing

345
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<v Speaker 2>they told me when they got me in the station,

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<v Speaker 2>the very first thing we.

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<v Speaker 8>Had allow good looking kid too, the name of Martha Collins.

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<v Speaker 2>After that, what did I care? She was like ma,

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<v Speaker 2>a liar, like all of them.

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<v Speaker 5>That said button. That's all there is.

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<v Speaker 2>Yes, sir, except I've been serving my time. I never

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<v Speaker 2>got no marks against spy report.

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<v Speaker 5>That's all you think that warrants parole.

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<v Speaker 2>That's up to you.

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<v Speaker 1>No, it's up to you too, because your records have

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00:22:11.720 --> 00:22:13.920
<v Speaker 1>a couple of other things on it too, Like that

357
00:22:14.079 --> 00:22:15.759
<v Speaker 1>course you start to take and layth of the work

358
00:22:15.799 --> 00:22:18.480
<v Speaker 1>and would work out of motive repair course.

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<v Speaker 2>That you start, Uh, what's that got to do with anything?

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<v Speaker 5>What's the matter? You're shamed?

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00:22:22.240 --> 00:22:24.480
<v Speaker 1>You shamed that there's any decency left in you? Is

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<v Speaker 1>that what you're ashamed of? Ashamed of? Maybe the world

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<v Speaker 1>won't think that you're tough hard Paul, butwin number eight

364
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<v Speaker 1>two four three seven one is that what you're ashamed of.

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<v Speaker 2>I got nothing to say.

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<v Speaker 5>Oh, yes, it's okay.

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<v Speaker 1>But when you've got two visitors, Principal Keeper wants to

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00:22:40.359 --> 00:22:41.519
<v Speaker 1>know whether you will see them.

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<v Speaker 5>No, don't you want to know who they are.

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<v Speaker 2>I know who they are.

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<v Speaker 1>Ward's going to pass judgment on your case within the

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<v Speaker 1>next hour. We're sending you out now, but one because

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<v Speaker 1>we have to hear another case. That'll take about a

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<v Speaker 1>half an hour. Then we'll decide yours send for you.

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<v Speaker 10>You can go now, Helloma, Alo Martha.

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<v Speaker 12>Paul.

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<v Speaker 15>It's just one thing. I never chipped off the police.

378
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<v Speaker 15>They just said I did it so you'd tell about

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<v Speaker 15>the rest of the king.

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00:23:27.319 --> 00:23:28.200
<v Speaker 7>I thought you want to know.

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<v Speaker 12>Thanks, But that's not important.

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<v Speaker 15>The important thing is, Paul, I feel so guilty about

383
00:23:36.799 --> 00:23:40.440
<v Speaker 15>how little I made you understand. I wanted you the

384
00:23:40.440 --> 00:23:43.119
<v Speaker 15>way you were before. I didn't want you and me

385
00:23:43.240 --> 00:23:46.039
<v Speaker 15>against the whole world. I wanted to be part of

386
00:23:46.039 --> 00:23:51.119
<v Speaker 15>the world with you. That's all I ever wanted. Can

387
00:23:51.200 --> 00:23:52.039
<v Speaker 15>you understand that?

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00:23:52.960 --> 00:23:59.480
<v Speaker 7>Yeah, Paul, can I say something in my own stupid

389
00:23:59.519 --> 00:24:03.839
<v Speaker 7>way up, I'll save him. I'll save my boy by

390
00:24:04.000 --> 00:24:07.799
<v Speaker 7>keeping the truth from him. But you can't build a

391
00:24:07.880 --> 00:24:12.559
<v Speaker 7>life on a line like that, And now the only

392
00:24:12.640 --> 00:24:16.200
<v Speaker 7>thing I care about is well, I hope you don't

393
00:24:16.240 --> 00:24:18.400
<v Speaker 7>hate me too much and you won't.

394
00:24:18.160 --> 00:24:19.119
<v Speaker 15>Hate me forever.

395
00:24:19.839 --> 00:24:23.359
<v Speaker 13>Oh and one thing too, You to.

396
00:24:23.200 --> 00:24:26.240
<v Speaker 2>Know, Paul, your you're Papaul.

397
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<v Speaker 1>He died.

398
00:24:29.240 --> 00:24:33.759
<v Speaker 7>He died because he had nothing, not you, not me, nothing,

399
00:24:34.519 --> 00:24:38.480
<v Speaker 7>And well I was the cause of that.

400
00:24:38.480 --> 00:24:45.200
<v Speaker 12>Too, that's all, Martha, Wait.

401
00:24:45.000 --> 00:24:47.039
<v Speaker 2>We better go, missus maid Worth.

402
00:24:48.200 --> 00:24:57.440
<v Speaker 12>He died because because he had nothing in what's the

403
00:24:57.559 --> 00:24:58.240
<v Speaker 12>use of talking?

404
00:25:00.119 --> 00:25:09.039
<v Speaker 2>What's there to say? Goodbye? I'm I'm glad you came.

405
00:25:10.200 --> 00:25:18.920
<v Speaker 1>But when yeah, board's ready, let's go. Is there anything

406
00:25:18.920 --> 00:25:20.000
<v Speaker 1>else before we decide?

407
00:25:20.039 --> 00:25:20.359
<v Speaker 5>But one?

408
00:25:21.039 --> 00:25:22.920
<v Speaker 2>No, sir, No, that's all.

409
00:25:23.559 --> 00:25:24.400
<v Speaker 5>But when all.

410
00:25:24.200 --> 00:25:28.359
<v Speaker 1>Along you've showed two sides of yourself, the decent side

411
00:25:28.359 --> 00:25:30.640
<v Speaker 1>and the self pitying side, the side of you that

412
00:25:30.680 --> 00:25:32.119
<v Speaker 1>says I got shoved hit.

413
00:25:32.160 --> 00:25:35.599
<v Speaker 5>Okay, I'll shove back. But there's another you.

414
00:25:35.720 --> 00:25:39.279
<v Speaker 1>But one there's a young man there who wants to belong,

415
00:25:40.039 --> 00:25:43.160
<v Speaker 1>to embrace his mother and get married and all that that.

416
00:25:43.480 --> 00:25:46.359
<v Speaker 2>Oh, what's the sense? Come on, get it over with.

417
00:25:46.880 --> 00:25:53.000
<v Speaker 1>You had something to say, Yeah, yeah, I got something

418
00:25:53.039 --> 00:25:53.599
<v Speaker 1>to say.

419
00:25:55.839 --> 00:26:02.640
<v Speaker 2>My old man instead, you know why? Because me me

420
00:26:02.880 --> 00:26:05.200
<v Speaker 2>his son, I.

421
00:26:05.319 --> 00:26:12.200
<v Speaker 12>Spit in his face. I told him go ahead and die.

422
00:26:13.720 --> 00:26:19.240
<v Speaker 2>Who cares? I didn't care what happened to him, to them,

423
00:26:19.440 --> 00:26:28.559
<v Speaker 2>to me, to anyone. And I killed him. That's what

424
00:26:28.640 --> 00:26:29.359
<v Speaker 2>I wanted to say.

425
00:26:30.359 --> 00:26:30.960
<v Speaker 5>That's all.

426
00:26:32.720 --> 00:26:36.960
<v Speaker 12>Yeah, that's all all right.

427
00:26:37.039 --> 00:26:39.359
<v Speaker 1>Butterfin board will make its decision.

428
00:26:40.440 --> 00:26:43.079
<v Speaker 5>I step outside with the guard.

429
00:26:48.880 --> 00:26:52.000
<v Speaker 4>While Paul Botwin waits and the parole board reviews his

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<v Speaker 4>story and his parole file. You too have a decision

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<v Speaker 4>to make on his case. Way Paul Botwin's story carefully

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<v Speaker 4>before you form your judge, because in a moment you

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<v Speaker 4>will have an opportunity to compare your decision with that

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<v Speaker 4>of the actual board before which he appeared.

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<v Speaker 3>The cream of the fun and songs on Arthur Godfrey's

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<v Speaker 3>daytime shows are now brought to you in a half

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<v Speaker 3>hour special Godfreed Digest every Saturday night on CBS. So

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<v Speaker 3>if you want a fast half hour of humor and

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<v Speaker 3>songs by Jeanette Davis, Bill Lawrence and the Mariners, listening

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<v Speaker 3>every Saturday night to the Godfreed Digest on most of

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<v Speaker 3>these same CBS stations. And now back to the case

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<v Speaker 3>of Paul Botwin, who is up for parole?

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<v Speaker 1>Paul, buttwin Yes, Sir, when a prisoner has learned a

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<v Speaker 1>lesson after his harsh years of incarceration. When a man

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<v Speaker 1>begins to learn a bitter lesson, this board will always

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<v Speaker 1>be sympathetic. When a man stops blaming society for his

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<v Speaker 1>shortcomings and begins to place the blame where it belongs

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<v Speaker 1>upon himself, he's learned the basic truth. Paul, buttwin, this

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<v Speaker 1>board believes that you have begun to learn that basic truth,

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<v Speaker 1>and therefore parole granted.

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<v Speaker 3>And to day, Paul Botwin, parole prisoner, is a telephone

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<v Speaker 3>linesman in an eastern city, a useful citizen, a married

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<v Speaker 3>man with a son of his own. Paul Botwin has

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<v Speaker 3>justified the faith you and your parole board placed in

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<v Speaker 3>him when he was up for parole. You've been listening

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<v Speaker 3>to Up for Parole with Michael O'Day written by Arnold

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<v Speaker 3>Pearl and direct by Mitchell Grayson, research by Wally Gould,

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<v Speaker 3>music conducted by Harry Salter. Listen again at the same

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<v Speaker 3>time next week when CBS will bring you the actual

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<v Speaker 3>story of case three three seven five O B Up

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<v Speaker 3>for Parole. Listen to CBS Were You Thrilled? To Gangbusters?

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<v Speaker 3>Every Saturday night, the Columbia Broadcasting System
