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Speaker 1: W m n H rips them.

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Speaker 2: There's no I'm dead out and I'm dead. That's not

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been damn fashion balls.

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Speaker 3: No one sent me.

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Speaker 4: No worth but wedding. No, it's so bad.

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Speaker 5: No nothing the shop.

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Speaker 6: The man taking coming up. That's what the.

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Speaker 4: World against me. I take a lot to send my own.

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Speaker 2: You don't want to sense me.

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Speaker 4: No, not me.

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Speaker 2: Jason goes, it's getting closer.

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Speaker 4: Noting an.

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Speaker 7: When us.

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Speaker 2: Where so was so?

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Speaker 8: But sure your.

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Speaker 4: Where you.

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Speaker 9: Were?

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Speaker 10: Sup?

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Speaker 11: But sure.

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Speaker 10: I can think that the way of masters, so.

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Speaker 5: I can ta cross maskat, I can hear about the sweet.

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Speaker 4: When my.

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Speaker 6: Man, where's your man?

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Speaker 7: Where's Welcome? Everybody. We have entered our number three new

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mirrow trace of Matt Connorton unleashed and we are live

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from the studios of w m n H ninety five

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point three FM Glorious Manchester, New Hampshire. Jenny is here,

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of course, at the news table.

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Speaker 12: President and accounted for. I really love that song, I

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really do, I really do. I'm excited to see you

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guys play live.

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Speaker 13: I really am.

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Speaker 7: So We've got with us a live in studio. The

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band Temptress is here and that is their song that

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is called Wish and Temptress is going to be with

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us at Swarmyfest November fifteenth, right across the street at

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Jules So welcome guys.

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Speaker 11: Hey, thanks for having us.

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Speaker 7: So let's do this. Let's start here. If you could

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each tell us who you are and what you do

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in the in the band?

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Speaker 11: Got it?

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Speaker 14: I am Anthony and I do most of it.

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Speaker 7: Oh wow, look at you.

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Speaker 14: Let's let's start. We can talk about it more later.

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I play guitar live, okay, okay, all right, and you

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I'm Jake.

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Speaker 11: I do vocals and I guess the rest of what

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he doesn't do.

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Speaker 7: Okay, there you go. That's a good division of labor.

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Speaker 3: And you, sir, I'm Brian, and I keep it together.

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I play the drums and temptersts.

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Speaker 7: Okay, outstanding. And is there anyone else involved or is

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it just the three of you? Oh wonderful, very cool.

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So I love your sound. As soon as I listen

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to these, I was like, yeah, I really I really

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dig this a lot. You sent us a few songs

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later in the show, So people who've been listening all morning,

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if if they were listening live, they heard I played

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Carly two in the second hour because we had a

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spot to sneak something and I was like, I gotta

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play this. This is so good, that's so catchy. But

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I love all of them. I mean, how do you

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guys describe your sound? Do you describe it as kind

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of a I mean, obviously there's an industrial vibe, but

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it's metal, but it's it. There's a mix of influences there,

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a little bit of hip hop and some of it.

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I mean, how do you guys describe it? Everyone always

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hates this question, but how do you describe your music?

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Speaker 14: It's a fun question that we've never really found a

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solid answer for.

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Speaker 7: Yeah.

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Speaker 14: So I write Romstein songs, okay, and then Jake takes

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them and does whatever he does with them, and that's

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what you get. Okay, that's more or less what's happening? Okay, Okay,

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would you agree with that, Jake?

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Speaker 11: I would, yeah, Okay, a Romstein song and making it

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less Romstein?

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Speaker 8: Yeah.

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Speaker 7: Yeah. And then so Brian, yes, Brian, so you what

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you're are you live on these tracks as far as

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drums or what.

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Speaker 15: Some of the tracks that we released recently, Yeah, but okay,

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the other stuff was you know, I came into the

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band a little bit later. Yeah, I was been doing

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the local scene forever. I've been in various bands okay, okay,

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yeah and this kind of stuff.

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Speaker 3: Then.

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Speaker 7: Okay, so so you're the newest memory, I assume.

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Speaker 11: Yeah. Yeah.

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Speaker 7: So did the project start with with the two of you?

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Speaker 11: Or yes and no? Yeah, it's been through its phases.

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I was part of let's let's call it phase two.

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Oh okay, and now we're here and we'll call it

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phase three.

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Speaker 7: Phase three? Yeah, all right, three point zero.

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Speaker 13: I like it.

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Speaker 7: So how did it start?

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Speaker 16: So?

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Speaker 14: So, Jake and I have been together for ten years

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doing our own thing. Okay, it wasn't always Temptous oh okay.

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My the band I was imprevious to this that we

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talked about that I've played with Stepsis ten twelve years ago.

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Speaker 7: Yeah.

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Speaker 14: The singer from that started another band and needed a

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bass player, which is what I do. Okay, So I

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joined that singer couldn't do what we were looking for. Yeah,

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so he stepped down and I immediately just called Jake. Okay,

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that was Temptress one point oh oh okay. Then that

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fizzled out and Jake and I just kept it going

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with the songs we already had, and that's where we're at.

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Speaker 7: Okay, okay, cool, So how long ago? What was that

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that it started?

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Speaker 3: It?

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Speaker 7: It sounds like it's been around for a while then, right,

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twenty eight twenty eighteen, Yeah, yeah, that sounds about right.

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Speaker 11: Okay, I would have joined in what twenty nineteen something

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like that?

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Speaker 7: Okay, okay. And then so, Brian, how long have you

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been when did you step in?

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Speaker 15: I would say I've been with these guys now maybe

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a year? Oh okay, yeah it was really new.

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Speaker 7: Yeah. Yeah. Is it challenging to play this kind of

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music live because it's different, it's not. I mean, I

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don't know what other kinds of bands you've been in,

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but y, you know, it's it's obviously it's more sophisticated

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from a production standpoint than you know, just playing in

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a straightforward rock band or Yeah.

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Speaker 15: I mean it's different than what I normally do. Yeah,

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but I'm an all around musician. I can play various

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styles of music.

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Speaker 7: Yeah.

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Speaker 3: You become better when you try to something different.

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Speaker 7: Yeah.

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Speaker 3: So I mean I come from metal background and jazz blues.

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Speaker 7: Yeah.

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Speaker 15: So I'm I'm a groove orient the drummer. Yeah, so

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this band is all about the groove and yeah, I

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kind of fit right in.

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Speaker 3: I enjoy playing it.

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Speaker 7: Yeah, excellent, excellent. So what's the live show?

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Speaker 6: Like?

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Speaker 7: I mean, because the music that you guys do would

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seem to lend itself to some sort of theatricality maybe

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or maybe not. I don't know. I mean, do you

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have any do you just get up and play or

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is there is there something else going on on stage?

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I don't know. It's I can I can imagine. I

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can imagine different things.

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Speaker 14: But I mean with it's time and time and money.

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Yeah these days, so.

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Speaker 7: True, it's expensive to be theatrical. Yeah, yeah, it is.

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Speaker 14: You know, I've always tried to. I like, I like

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addressing up, like doing the paint and doing the cool stuff,

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not like kiss paint, but like, yeah, you know, I

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enjoy doing something more with it. But we haven't really

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touched that as much as I would like to. That

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I hope to in the future.

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Speaker 11: Okay, there is an aesthetic that we would like to

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achieve that we just haven't prioritizing the music itself.

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Speaker 7: Yeah, so now that makes sense. That makes sense. Has

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the sound I mean, again, there's such a mix of

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influences here to begin with, but has the sound kind

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of changed and evolved over the years, was like, like

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if I were to hear like Temptress one point oh,

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would that be like drastically different?

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Speaker 14: Absolutely kill Switch engage okay, yeah, okay, but that was

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the guitar player at the time, Oh, okay doing the songs.

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So these are the songs that Jake and I have

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been doing together before Temptress this style, So.

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Speaker 7: Was it kind of always the idea to bring in

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these other elements and.

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Speaker 14: And yeah, okay, yeah, absolutely, yep, yeah, no.

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Speaker 7: I like it a lot. Uh Where where did you

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record these or maybe maybe different places? I don't know.

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Speaker 14: Are these tracks from different periods or are they all

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kind of from the same definitely different period, different periods.

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And all of them were recorded in our closets and bedrooms.

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Speaker 11: Yeah, all home studio. Nice, with the exception of Chemical okay.

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Speaker 14: Which was produced in the home studio but recorded at

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an actual studio.

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Speaker 11: Oh, that is one of the Temptress.

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Speaker 14: Two point oh.

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Speaker 11: It is the oldest of the bunch.

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Speaker 7: There, I gotcha, I got you Okay. Where where was

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that one recorded?

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Speaker 11: I was recorded with Dave Ginnan. I feel like get

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the name of the spot, feel.

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Speaker 14: Like that's the name I've heard, you know, it'sand oh okay, okay,

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bandstand live?

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Speaker 11: Is that it? Yes? And wherever that town I had

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to think about.

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Speaker 7: It is Is it important to you guys to to

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kind of handle that yourselves.

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Speaker 11: More now than it ever was?

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Speaker 14: Yeah?

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Speaker 7: Yeah, why is that?

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Speaker 6: Like?

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Speaker 7: Do you just because it's it's interesting?

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Speaker 14: You know?

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Speaker 7: Some people I talked to that are the opposite. They're like, oh, no,

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I need I need input from other people, or I

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need you know, I need an engineer who can also

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be a producer and this and that. But but but

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some artists like really want to have that control.

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Speaker 11: Like I think it's just as much that we wanted

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to sound like exactly what we wanted to sound like. Yeah,

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but also there's a learning curve that is satisfying to

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see kind of changing over and over.

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Speaker 7: No, that makes sense because when you're doing it yourself,

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you learn, You learn a lot. You don't have a choice,

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right you have to.

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Speaker 11: Yeah, there's a lot of trial and error, and that's

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the best way to learn from me.

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Speaker 7: So yeah, yeah, one hundred percent. Yeah, Well we should

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play another I love these songs. I'm axious to play

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another one. But I'll let you guys pick of the

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of the ones you sent, Which which one should we

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play next?

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Speaker 14: Jake wants to hear the radio edit for Carly.

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Speaker 7: Okay, yeah, I only had to. Uh.

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Speaker 3: I want to hear it too, because I'm not even

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sure which.

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Speaker 7: There's Yeah, this is one. This is one word in

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that I had to Uh, I had to do the old.

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Speaker 11: Sorry.

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Speaker 7: Oh no, no, not not a problem. No, But I

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love this song of the four. This is my my

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personal favorite. I listened to it like when I was

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listening to the songs getting ready for today. I listened

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to this one like four times in a row.

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Speaker 11: I love that.

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Speaker 14: I love to hear it.

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Speaker 7: Yeah, yeah, this is really good.

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Speaker 3: All right, let me hear it.

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Speaker 7: Absolutely. So we've got time dress here with us a

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live in studio, and here it is. This is called Carly.

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Speaker 1: S Short.

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Speaker 17: Dos riding, gave fine the wants right, that's fine.

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Speaker 18: Ridget stood.

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Speaker 2: The setting all they say the flight song, they keep

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the look song.

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Speaker 1: They send a second.

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Speaker 2: I'm gonna show you where the snake is gone. You

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see the line strong they chuck on the.

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Speaker 5: Side walk and they'll remember to to get the suicide

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off by night time.

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Speaker 1: So we should do enough.

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Speaker 2: We drop among to send a message in the blood.

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Speaker 6: We're doing because we let the kingdom come the son.

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Speaker 1: A lesson never be.

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Speaker 6: One so coy, so.

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Speaker 1: Just the same a ponem called aple.

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Speaker 2: What any common is giving on a ten difference between long.

255
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Speaker 1: I'm screaming, Oh my god, I can STI through the park.

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Speaker 4: That's the guy.

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Speaker 1: I'm letting the.

258
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Speaker 2: Ilowly God, you got the stucking on to.

259
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Speaker 1: Call come let along before come and die.

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Speaker 2: I'm nothing, only want feel like I don't belong.

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Speaker 1: I guess he's just a sinner. I'm gonna come the bar.

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Speaker 4: So that's.

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Speaker 6: Sa spock.

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Speaker 19: Ss ss.

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Speaker 6: Was.

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Speaker 7: I love it. The band is Temptress and that is

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called Carly and we've got Temptress here with us alive

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in studio. No, that is such a great track. That

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is catchy as hell. I love the hook that everything

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about that is awesome. Great job guys. We mentioned Sepsis

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earlier because of Swarmy Fest coming up November fifteenth at

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Jewel and Sepsis is in the chat room and says

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love the keyboards synth. I hope to hear this one

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at Swarmy Fest. Oh you will, It also says screams

275
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and the arrangement is on. Ohways, on point. You guys

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rock absolutely absolutely, so yeah, so how did this come about?

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You guys working with Sepsis on Swarmy Fest? How did that?

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How did that?

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Speaker 14: Well? I am personally friends with the guy who owns Jewel.

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Speaker 7: Oh well that helps, it does.

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Speaker 14: So I was just chatting to him and I was like, hey,

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I think Brian reached out to the guy at Loud.

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So we're working with Loud Entertainment. Oh yeah, we had

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we had Loud here last week, the first time we

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ever have. He's been great.

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Speaker 7: Yeah.

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Speaker 14: I think Brian reached out and he's like, yeah, you

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got to do this and this and this, and I

289
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was like, eh, you know, I'm weary about working with

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some promoters, so we tend to do it ourselves.

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Speaker 7: Yeah, so we're like, man.

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Speaker 14: So I reached out to the owner and I was like, hey,

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we're curious about Swarmy looking for bands like we were free,

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and he's like, all right, cool, so go ahead and

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reach out to him.

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Speaker 11: I just talked to him.

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Speaker 14: So I did, and he said the same thing to

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me because apparently we're just, you know, a random band.

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So I went back to him and I was like, hey,

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he told me no, and He's like, wait a minute,

301
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and then he called to me and he goes, you

302
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guys are all set please?

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Speaker 11: Oh oh okay.

304
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Speaker 14: It was like a big back and forth.

305
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Speaker 11: But he's been very.

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Speaker 14: Great to work with thus far, and we're excited about Yeah.

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Speaker 7: Yeah, very cool. No, and I think you fit the lineup,

308
00:18:04,440 --> 00:18:06,960
you know, like really well, really well. Yeah.

309
00:18:07,079 --> 00:18:07,240
Speaker 11: Yeah.

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Speaker 14: We're really good friends with the guys in Scarecrow Hill,

311
00:18:09,359 --> 00:18:11,440
oh excellently. So we try and get with them as

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much as we can everywhere.

313
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Speaker 7: Yeah. We had them on a number of months ago

314
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and really good. And there were another band I'd never

315
00:18:17,759 --> 00:18:19,640
really listened. I's kind of been aware of them because

316
00:18:19,640 --> 00:18:21,039
they've been around a long time, but I never really

317
00:18:21,079 --> 00:18:22,519
heard them. And I listen to their music, I was like,

318
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oh my god, these guys are amazing. So yeah, looking

319
00:18:24,720 --> 00:18:25,359
forward to that too.

320
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Speaker 14: We have a couple of songs with h Tyler that

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00:18:27,839 --> 00:18:30,880
we could couldn't send you because they don't even bother

322
00:18:31,039 --> 00:18:31,480
radio edit.

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Speaker 7: It would have been too much, too much.

324
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Speaker 11: Yeah, yeah, I think I've got one with them too

325
00:18:34,960 --> 00:18:36,200
that I'm pretty sure is in the same boat.

326
00:18:36,400 --> 00:18:41,039
Speaker 7: Oh okay, gotcha, gotcha. So now, how many songs have

327
00:18:41,079 --> 00:18:43,640
you guys recorded? Like in terms of what what you've

328
00:18:43,680 --> 00:18:46,000
released because been around a little while, Well, I.

329
00:18:46,039 --> 00:18:50,000
Speaker 11: Think we have a definitive answer somewhere around sixty seven.

330
00:18:50,839 --> 00:18:51,480
Speaker 7: More than I thought.

331
00:18:51,640 --> 00:18:55,279
Speaker 14: Wow, that's that's very low. So I think Jake and

332
00:18:55,359 --> 00:18:59,319
I had seventy ish before Temptress even exists. Oh no,

333
00:18:59,440 --> 00:19:02,920
kidding that we've pulled from to write Temptress songs.

334
00:19:03,160 --> 00:19:05,559
Speaker 11: Okay, sixty seven published my apologize.

335
00:19:06,079 --> 00:19:08,319
Speaker 7: Yeah, yeah, that's that's a lot though. No, that's an

336
00:19:08,319 --> 00:19:09,160
impressive But is.

337
00:19:09,160 --> 00:19:12,599
Speaker 14: That your list with your swear songs removed or with

338
00:19:12,960 --> 00:19:13,720
o that was before?

339
00:19:13,920 --> 00:19:14,759
Speaker 11: Okay, that's all of them?

340
00:19:14,920 --> 00:19:17,240
Speaker 14: Yeah, I'd say probably close to one hundred realistically.

341
00:19:17,680 --> 00:19:20,519
Speaker 7: Yeah. Oh that's amazing. By the way, Sepsis in the

342
00:19:20,599 --> 00:19:23,200
chat room says, Scarecrow Hill, under the Horizon, and Pulsifier

343
00:19:23,319 --> 00:19:26,000
are all nominated for Rock Metal Act of the Year.

344
00:19:26,279 --> 00:19:28,680
They are the New England Music Awards and they're all

345
00:19:28,920 --> 00:19:33,160
playing Swarmy Fest. Yeah, we love under the Horizon and

346
00:19:33,519 --> 00:19:36,240
of course, uh Pulsifier we had them on a few

347
00:19:36,279 --> 00:19:39,519
weeks ago too. Yeah. Now, this is so much incredible

348
00:19:39,599 --> 00:19:43,039
talent around here. Sepsis also says we're so glad that

349
00:19:43,160 --> 00:19:48,799
we scored with Temptress. You guys are great, absolutely, Oh,

350
00:19:48,960 --> 00:19:49,920
you guys are a great fit.

351
00:19:50,039 --> 00:19:53,279
Speaker 14: Sorry, it's it's been a hot minute. I believe we

352
00:19:53,400 --> 00:19:56,559
played with them at some point, but it's been a

353
00:19:56,640 --> 00:19:58,480
long time. So this is going to be a really

354
00:19:58,559 --> 00:20:02,039
fun time. Okay, get with everybody, Yeah, absolutely for this.

355
00:20:03,119 --> 00:20:04,640
Speaker 7: So where does the name come from? Temptres?

356
00:20:04,759 --> 00:20:04,799
Speaker 2: Like?

357
00:20:04,880 --> 00:20:04,920
Speaker 20: What?

358
00:20:05,119 --> 00:20:05,279
Speaker 7: Why?

359
00:20:05,440 --> 00:20:05,640
Speaker 11: Why?

360
00:20:05,720 --> 00:20:05,759
Speaker 16: That?

361
00:20:07,519 --> 00:20:11,319
Speaker 14: So the the story goes, we were five dudes and

362
00:20:11,440 --> 00:20:14,599
we thought it'd be really funny because people would assume

363
00:20:14,680 --> 00:20:16,200
there's at least one hot girl in the band, but

364
00:20:16,279 --> 00:20:16,559
there's not.

365
00:20:17,319 --> 00:20:19,680
Speaker 7: I'll be completely honest with you. When when when I

366
00:20:19,759 --> 00:20:21,160
first saw the name, that's what I assumed.

367
00:20:21,519 --> 00:20:21,720
Speaker 11: Yeah.

368
00:20:21,799 --> 00:20:25,480
Speaker 14: Perfect, So that's that's the story. Plus, we really wanted

369
00:20:25,559 --> 00:20:30,240
like one solid word, like a power word, right, not

370
00:20:30,480 --> 00:20:33,519
like six you know, like the Jimmy Hendrix project, which

371
00:20:33,559 --> 00:20:35,039
is fine, but like we we didn't want that, you

372
00:20:35,079 --> 00:20:36,960
know what I mean, Like one word? And then we

373
00:20:37,000 --> 00:20:37,720
thought that was funny.

374
00:20:37,839 --> 00:20:41,240
Speaker 7: Yeah, yeah, that's cool. Oh so I meant to ask

375
00:20:41,319 --> 00:20:43,119
you this coming out of the track, and then I forgot,

376
00:20:43,720 --> 00:20:46,119
So what is Carly about? What are those lyrics about?

377
00:20:46,200 --> 00:20:48,160
Because I think you guys were talking about it when

378
00:20:48,200 --> 00:20:49,960
I had to run out of the room for a second.

379
00:20:50,000 --> 00:20:52,160
But what what is the because I couldn't figure it out.

380
00:20:52,359 --> 00:20:56,039
Speaker 11: It's based on Karly Morgentha from the Captain America series.

381
00:20:56,200 --> 00:21:01,720
Oh okay, and just choosing to do what she did. Yeah, yeah, okay,

382
00:21:01,799 --> 00:21:03,319
pretty pretty nerdy song through and through.

383
00:21:03,440 --> 00:21:05,839
Speaker 7: No, that's cool, though, that's cool. How do you decide

384
00:21:05,880 --> 00:21:08,680
what to write about? I mean, I would imagine.

385
00:21:08,359 --> 00:21:12,759
Speaker 11: It's uh, half of it comes from the tracks that

386
00:21:13,240 --> 00:21:15,319
Anthony works on sends to me, yeah, and then the

387
00:21:15,400 --> 00:21:17,799
other half comes from personal experience what I'm going through

388
00:21:17,799 --> 00:21:19,440
at the time. I don't feeling that day.

389
00:21:19,559 --> 00:21:19,759
Speaker 7: Yep.

390
00:21:20,119 --> 00:21:22,480
Speaker 11: It could be random, it could be methodical. Sure, it

391
00:21:22,640 --> 00:21:23,400
depends on the song.

392
00:21:23,599 --> 00:21:26,440
Speaker 7: Sure, sure, excellent. Well, do you guys want to play

393
00:21:26,440 --> 00:21:29,039
another I'll let you pick again because we got a

394
00:21:29,079 --> 00:21:32,200
couple more. We'll save one for the end of our conversation,

395
00:21:32,279 --> 00:21:35,200
of course. But you guys want to pick another studio track?

396
00:21:35,359 --> 00:21:36,960
Speaker 11: Yeah, I think we'll go with five six five.

397
00:21:37,200 --> 00:21:38,559
Speaker 14: Do the five six five? That one's heavy?

398
00:21:38,720 --> 00:21:42,240
Speaker 7: Five six five. This one presented an interesting dilemma because

399
00:21:42,279 --> 00:21:45,480
I had to play it. This is a this file

400
00:21:45,599 --> 00:21:49,160
type is now I'm getting nerdy? What what file type

401
00:21:49,240 --> 00:21:51,480
is this? It does play, it will play.

402
00:21:51,720 --> 00:21:54,039
Speaker 14: But what does it tell It came through it like

403
00:21:54,079 --> 00:21:55,880
a wave. Yeah, yeah, it's not.

404
00:21:56,359 --> 00:21:59,440
Speaker 7: It's weird. It came through. The other tracks all came

405
00:21:59,480 --> 00:22:01,599
through his way. This one for some reason. It actually

406
00:22:01,640 --> 00:22:04,759
says five file on it and it's and it's not.

407
00:22:05,160 --> 00:22:07,920
It doesn't have I can even I can even turn

408
00:22:08,000 --> 00:22:10,720
this and show you. That's how it looks on my monitor.

409
00:22:11,200 --> 00:22:13,119
Speaker 11: I think it took one of the periods from the

410
00:22:13,200 --> 00:22:15,119
song title. It might have used it as the extension.

411
00:22:15,279 --> 00:22:16,440
Speaker 7: It must that makes sense.

412
00:22:16,559 --> 00:22:18,319
Speaker 14: That makes it got wave at the end. It would

413
00:22:18,319 --> 00:22:18,759
probably work.

414
00:22:18,880 --> 00:22:20,880
Speaker 7: Oh okay, Well the good news is I can play

415
00:22:20,920 --> 00:22:23,480
it on here. Okay, because it just looks really weird,

416
00:22:23,559 --> 00:22:26,480
but it will it will actually play. So but that

417
00:22:26,720 --> 00:22:27,319
that makes sense.

418
00:22:27,359 --> 00:22:27,960
Speaker 14: That is interesting.

419
00:22:28,160 --> 00:22:30,480
Speaker 7: Okay. Yeah, well now we know we learned something, all right,

420
00:22:30,519 --> 00:22:32,920
So we're gonna hit this track next. This is five

421
00:22:33,039 --> 00:22:35,519
six five and the band is temptous. Oh what does

422
00:22:35,559 --> 00:22:37,279
that mean? By the way, what's the meaning of the

423
00:22:37,400 --> 00:22:38,880
We should talk about the song before I play it?

424
00:22:38,920 --> 00:22:39,480
What does that mean?

425
00:22:40,160 --> 00:22:47,640
Speaker 11: Yeah, it's I have no idea being in between normal,

426
00:22:48,240 --> 00:22:54,240
it's being in limbo on the spot. I'm struggling to

427
00:22:54,279 --> 00:22:58,599
find the explanation. But it's a take on six sixty six. Oh,

428
00:22:59,680 --> 00:23:03,119
but not to the full extent of what it represents.

429
00:23:03,359 --> 00:23:07,960
Speaker 7: Oh, I gotcha. Okay, okay, between good and yes. No,

430
00:23:08,200 --> 00:23:11,519
that makes sense. I like that. Sorry, I'm stalling. I'm

431
00:23:11,519 --> 00:23:13,640
trying to remember how I played it and I figured

432
00:23:13,640 --> 00:23:15,119
it out. Oh, here we go, here it comes five

433
00:23:15,160 --> 00:23:17,920
six five. The band is Temptress.

434
00:23:50,279 --> 00:23:50,920
Speaker 2: It's been a.

435
00:23:53,519 --> 00:23:56,839
Speaker 8: Way it's.

436
00:24:00,039 --> 00:24:04,400
Speaker 2: Gonna be well, we lie. It's been so long they

437
00:24:04,799 --> 00:24:09,960
step it's been something.

438
00:24:14,680 --> 00:24:16,680
Speaker 6: Live sax ye, oh my gott.

439
00:24:18,160 --> 00:24:20,559
Speaker 10: Jester. I'm not tell their.

440
00:24:20,519 --> 00:24:23,119
Speaker 6: Wife by sax fine on my gott die.

441
00:24:26,000 --> 00:24:31,119
Speaker 10: I'm not call it by sax ye got jester.

442
00:24:31,680 --> 00:24:34,440
Speaker 4: I now tell their wife by sax fine.

443
00:24:34,519 --> 00:24:35,440
Speaker 10: I'm going do.

444
00:24:38,640 --> 00:24:39,039
Speaker 6: My gott.

445
00:24:39,079 --> 00:24:55,480
Speaker 4: It's been so long. It's been a dream and.

446
00:24:58,839 --> 00:24:59,839
Speaker 2: It's been so long.

447
00:25:00,039 --> 00:25:01,839
Speaker 1: They were the same, the.

448
00:25:03,759 --> 00:25:06,480
Speaker 6: Discuss the dogs.

449
00:25:08,880 --> 00:25:16,000
Speaker 20: Still there's some stuff the wind.

450
00:25:17,039 --> 00:25:21,160
Speaker 2: Fly sax sine on my bottle do jeckit.

451
00:25:20,920 --> 00:25:24,640
Speaker 10: Sary not all their wi fi sax fine on my

452
00:25:24,799 --> 00:25:25,480
gott die.

453
00:25:28,519 --> 00:25:33,559
Speaker 20: I called it die lie sax sine my gott jack, sir,

454
00:25:34,000 --> 00:25:35,359
I know all their.

455
00:25:35,400 --> 00:25:38,160
Speaker 4: Y fine sex line on cat don.

456
00:25:41,000 --> 00:25:42,559
Speaker 6: My gott die.

457
00:25:54,920 --> 00:26:03,759
Speaker 4: Stet the pant.

458
00:26:06,400 --> 00:26:12,000
Speaker 10: Shy very like thank God like God not.

459
00:26:13,519 --> 00:26:29,160
Speaker 20: So no gy bock, why the b how God's they

460
00:26:29,240 --> 00:26:31,119
are brow God?

461
00:26:34,960 --> 00:26:35,640
Speaker 10: Why stacks?

462
00:26:35,759 --> 00:26:38,640
Speaker 4: Time on the cat it counjack.

463
00:26:38,880 --> 00:26:42,240
Speaker 10: Third, they tell their Wi fine sacks.

464
00:26:41,960 --> 00:26:43,359
Speaker 1: Fine, I'm called him down.

465
00:26:46,240 --> 00:26:51,680
Speaker 20: I'm not calling it gun by sax sign down jas Third,

466
00:26:51,920 --> 00:26:54,720
I know, and they tell their white line sax fine,

467
00:26:54,799 --> 00:26:55,519
I called it.

468
00:26:55,599 --> 00:26:59,160
Speaker 4: Coun brother go.

469
00:27:12,920 --> 00:27:16,160
Speaker 7: Five six five. The band is Temptress, and Temptress is

470
00:27:16,200 --> 00:27:19,519
here with us, alive in studio and Jake, is it

471
00:27:19,559 --> 00:27:22,799
hard to sing that way without hurting your voice?

472
00:27:22,880 --> 00:27:25,240
Speaker 11: Or I mean that's why we cater the sets, how

473
00:27:25,279 --> 00:27:28,519
we do Yeah, to play to my strengths. Yeah, so

474
00:27:28,880 --> 00:27:31,400
it isn't if it's you know, timed, right, I mean,

475
00:27:31,440 --> 00:27:33,400
if I'm gonna do that at the end of the set,

476
00:27:33,559 --> 00:27:35,960
maybe it's yeah, a little different.

477
00:27:35,759 --> 00:27:38,599
Speaker 7: But yeah, I'm always impressed with singers who can do that,

478
00:27:38,720 --> 00:27:38,880
you know.

479
00:27:39,079 --> 00:27:41,920
Speaker 11: Yeah. I try not to completely blow it out right,

480
00:27:41,960 --> 00:27:42,319
all right?

481
00:27:43,559 --> 00:27:46,920
Speaker 7: Yeah, absolutely absolutely if you are just joining us. We

482
00:27:46,960 --> 00:27:48,680
do have Tempters here with us in studio and they

483
00:27:48,680 --> 00:27:51,519
are going to be performing at Swarmy Fest coming up

484
00:27:51,640 --> 00:27:56,039
November fifteenth at Jewel right here in Manchester. And Matt

485
00:27:56,119 --> 00:27:59,119
Connorton Unleashed is one of the official sponsors of the

486
00:27:59,200 --> 00:28:02,079
show once again. Is this our third or fourth year

487
00:28:02,119 --> 00:28:05,960
in a row? Fourth? Yes, Yeah, the time goes fast,

488
00:28:06,880 --> 00:28:09,960
but yeah, so really looking forward to seeing you guys live.

489
00:28:11,079 --> 00:28:12,839
Do you play out a lot, like what's the show

490
00:28:12,960 --> 00:28:15,480
schedule like currently? Are you playing out a lot of shows?

491
00:28:15,640 --> 00:28:19,759
Speaker 14: Or we all had kids? Well, Jake and I had

492
00:28:19,839 --> 00:28:22,759
kids during COVID, Yeah, that kind of shudder down a

493
00:28:22,799 --> 00:28:25,359
little bit. Yeah, just harder because I gotta find places

494
00:28:25,359 --> 00:28:28,559
for other people to live for the night. Yeah, so

495
00:28:28,759 --> 00:28:31,079
not as often as we want. Now this is probably

496
00:28:31,119 --> 00:28:32,200
on the second show of the year.

497
00:28:32,400 --> 00:28:35,079
Speaker 11: Oh no kidding, Oh wow, We've got a lot going

498
00:28:35,079 --> 00:28:37,279
on in the background. But it's it makes it easy

499
00:28:37,319 --> 00:28:39,880
when we do have home studios. We can do that

500
00:28:39,960 --> 00:28:42,039
and still feel productive even if we're not playing out

501
00:28:42,240 --> 00:28:43,000
as much as we want.

502
00:28:43,160 --> 00:28:46,400
Speaker 7: Yeah, absolutely absolutely. I assume in previous bands, you guys

503
00:28:46,480 --> 00:28:50,079
probably all played more, right, Yeah, but yeah, you know,

504
00:28:50,319 --> 00:28:52,000
yea life gets in the way of that, that's for sure.

505
00:28:52,079 --> 00:28:54,559
Plus it's you know, it's expensive now to you know,

506
00:28:54,839 --> 00:28:56,240
like a lot of a lot of bands don't even

507
00:28:56,279 --> 00:28:59,480
want a tour anymore because it's it's become cosper a

508
00:28:59,559 --> 00:29:03,480
bitive to do so. But no, but we're really looking

509
00:29:03,519 --> 00:29:05,119
forward to seeing you guys live. Have you made any

510
00:29:05,680 --> 00:29:07,480
I didn't have a chance to look. Have you made

511
00:29:07,480 --> 00:29:09,200
any music videos for any of these or anything?

512
00:29:09,359 --> 00:29:12,559
Speaker 11: I wish has one? Yeah, Wish does, okay, Chemical does. No,

513
00:29:12,720 --> 00:29:13,839
Chemical does as well. Yep.

514
00:29:14,279 --> 00:29:15,759
Speaker 14: This might be the only two out of the video

515
00:29:15,799 --> 00:29:18,240
for Chemicals, like a like a real video. Oh yeah,

516
00:29:18,319 --> 00:29:21,200
the Wish ones like a like a AI lyric video.

517
00:29:21,279 --> 00:29:24,240
Speaker 7: Oh okay, okay, but we we do have a couple. Okay,

518
00:29:24,319 --> 00:29:26,880
but the one for Chemical is a fully produced video.

519
00:29:27,039 --> 00:29:27,200
Speaker 2: Yep.

520
00:29:27,319 --> 00:29:27,720
Speaker 7: Oh cool.

521
00:29:27,880 --> 00:29:30,119
Speaker 11: Wish is not a lyric video. It's my creation of

522
00:29:30,200 --> 00:29:32,079
lyric video, very.

523
00:29:32,039 --> 00:29:35,119
Speaker 14: Clear whatever whatever.

524
00:29:38,440 --> 00:29:40,759
Speaker 7: So so Chemical is when did that come out? The

525
00:29:41,000 --> 00:29:41,519
video for that?

526
00:29:42,480 --> 00:29:44,400
Speaker 11: It was much later than the song itself?

527
00:29:44,400 --> 00:29:45,000
Speaker 7: Oh really? Yeah?

528
00:29:45,119 --> 00:29:47,960
Speaker 14: Yeah, I mean it was during COVID because your brother

529
00:29:48,039 --> 00:29:49,279
yelled at us for going to your house.

530
00:29:49,440 --> 00:29:53,119
Speaker 7: Ah, so did you guys? You guys producer yourselves.

531
00:29:53,480 --> 00:29:55,480
Speaker 11: Yeah, film the video. We had two videos.

532
00:29:56,000 --> 00:29:57,000
Speaker 14: Oh what else do we have?

533
00:29:57,160 --> 00:29:59,240
Speaker 11: We have the live one from Manchester.

534
00:29:59,559 --> 00:30:03,960
Speaker 14: Oh no, no, the in the store that's part of Chemical.

535
00:30:04,039 --> 00:30:05,200
Speaker 11: Yeah, there's two different videos.

536
00:30:05,480 --> 00:30:07,400
Speaker 14: Well, this is like a live version and like the

537
00:30:07,480 --> 00:30:11,920
actual version. So our friend Amy, who's one of the

538
00:30:12,200 --> 00:30:16,480
Scarecrow Hill group people who does photos. She's amazing to

539
00:30:16,519 --> 00:30:19,440
hire her. She filmed half of it. We filmed half

540
00:30:19,480 --> 00:30:21,759
of it, and then we kind of collaborated on putting

541
00:30:21,799 --> 00:30:22,160
it together.

542
00:30:22,319 --> 00:30:25,960
Speaker 7: Oh okay, gotcha, gotcha? And then so what's kind of

543
00:30:26,039 --> 00:30:29,160
the well, actually the songs that we're hearing, so are

544
00:30:29,200 --> 00:30:31,759
they part of an album or are they a part

545
00:30:31,799 --> 00:30:33,880
of an EP? Or have you just released singles.

546
00:30:33,599 --> 00:30:37,160
Speaker 11: Or they're all part of different albums?

547
00:30:37,279 --> 00:30:39,240
Speaker 14: Okay, yeah, that was on purpose.

548
00:30:39,519 --> 00:30:42,039
Speaker 11: Okay, that was the kind of showcase a little bit

549
00:30:42,079 --> 00:30:42,920
from each But have you.

550
00:30:42,960 --> 00:30:45,799
Speaker 7: Guys released because there's so many different ways to release

551
00:30:45,880 --> 00:30:47,240
music now, you know, you can do an album, you

552
00:30:47,279 --> 00:30:49,240
can do an EP, you can do you know some

553
00:30:49,359 --> 00:30:51,160
of the guests we have now they just release a

554
00:30:51,200 --> 00:30:53,240
series of singles or a series of singles that eventually

555
00:30:53,319 --> 00:30:55,920
coalesce into an album or an EP. Like what's kind

556
00:30:55,920 --> 00:30:57,599
of been the strategy with you guys? So, because you

557
00:30:57,640 --> 00:30:59,319
said these are all from different albums, so do you

558
00:30:59,799 --> 00:31:02,359
do you consistently do albums or do you have any

559
00:31:02,440 --> 00:31:03,240
that are just singles?

560
00:31:03,319 --> 00:31:07,039
Speaker 11: Or wish was one of those singles leading up to

561
00:31:07,079 --> 00:31:10,119
the album. Oh okay, I know that's pretty popular right now,

562
00:31:10,279 --> 00:31:12,640
is multiple singles leading up to an album. Yeah, which

563
00:31:13,079 --> 00:31:15,119
does sound like a good idea. But I think wishes

564
00:31:16,000 --> 00:31:20,279
we we have three Wish hex and I don't know

565
00:31:20,440 --> 00:31:21,279
with Arms Wide.

566
00:31:21,119 --> 00:31:23,839
Speaker 7: Open, Oh okay, that are full length albums or though

567
00:31:23,839 --> 00:31:26,920
those are the single Oh those are the singles. Okay, gotcha.

568
00:31:27,039 --> 00:31:29,720
Speaker 14: Yeah, we we pay the same amount. This is getting

569
00:31:29,720 --> 00:31:31,519
into the business side. We pay the same amount to

570
00:31:31,559 --> 00:31:33,440
release a single as an album.

571
00:31:33,680 --> 00:31:35,119
Speaker 11: Yeah, so I try not to do that.

572
00:31:36,599 --> 00:31:39,200
Speaker 14: Because if I released thirteen songs, I pay the same

573
00:31:39,200 --> 00:31:42,119
amount to put it on Spotify as one, right, right,

574
00:31:42,240 --> 00:31:43,519
so it doesn't make as much sense.

575
00:31:43,759 --> 00:31:45,960
Speaker 7: Yeah, I gotcha, that's true. I hadn't thought of it

576
00:31:46,039 --> 00:31:48,319
that way, and thought of it that way. Yeah, there's

577
00:31:48,319 --> 00:31:51,079
so many ways to do it now. But is it

578
00:31:51,480 --> 00:31:53,880
what when you when you guys do an album, is

579
00:31:54,000 --> 00:31:57,119
there a theme to the album? Do you try to

580
00:31:57,200 --> 00:31:59,640
do you try to make it a consistent theme because

581
00:31:59,680 --> 00:32:02,319
to some artist that's important and to some it's like, well, no,

582
00:32:02,440 --> 00:32:03,960
it's a collection of songs, what's the matter?

583
00:32:04,079 --> 00:32:06,000
Speaker 14: But only for the last two really?

584
00:32:06,160 --> 00:32:06,359
Speaker 7: Yeah?

585
00:32:06,920 --> 00:32:09,319
Speaker 11: Yeah, I mean there's there's a loose running theme to

586
00:32:09,440 --> 00:32:13,400
each I guess, but the last two have been specifically themed.

587
00:32:13,640 --> 00:32:17,079
Speaker 7: Oh okay, which is new for me. Really yeah.

588
00:32:17,160 --> 00:32:19,480
Speaker 15: I haven't a band that right, So based on the team,

589
00:32:19,559 --> 00:32:21,279
it's it's pretty cool. It's a good concept.

590
00:32:21,440 --> 00:32:24,240
Speaker 7: Yeah, yeah, absolutely, it's just it's easier for me.

591
00:32:24,640 --> 00:32:28,759
Speaker 14: I'm I found it easy. So the Time Travelers Continuum

592
00:32:29,039 --> 00:32:30,720
the album that we released.

593
00:32:31,279 --> 00:32:32,400
Speaker 7: That's that's the newest one.

594
00:32:33,079 --> 00:32:36,480
Speaker 14: No oh, that's that's the one before the newest one. Okay, okay,

595
00:32:36,519 --> 00:32:38,039
but that that was like, that was the first one

596
00:32:38,119 --> 00:32:40,599
we did when I had like an idea of what

597
00:32:40,720 --> 00:32:43,519
I wanted them all to do and to be yeah,

598
00:32:43,599 --> 00:32:45,960
ahead of time, okay. And I found it nice. And

599
00:32:46,039 --> 00:32:48,839
that that was like thirteen songs okay, and we just kept.

600
00:32:48,680 --> 00:32:49,160
Speaker 11: Adding to it.

601
00:32:49,240 --> 00:32:50,640
Speaker 14: It was like it was eight, and it was nine,

602
00:32:50,680 --> 00:32:52,000
then it was eleven, and then it was thirteen. I

603
00:32:52,079 --> 00:32:52,839
was like, all right, this is it.

604
00:32:53,079 --> 00:32:55,039
Speaker 11: I mean, there was a nostalgic element there that kind

605
00:32:55,079 --> 00:32:56,240
of kept pushing us for more though.

606
00:32:56,400 --> 00:32:57,960
Speaker 14: There was And that was the first time I'd ever

607
00:32:58,039 --> 00:33:00,119
used an eight string and honestly, I love it that

608
00:33:00,200 --> 00:33:01,079
album front to back.

609
00:33:01,240 --> 00:33:03,319
Speaker 7: Oh wow, so good. Oh that's cool.

610
00:33:03,640 --> 00:33:05,799
Speaker 11: What was the theme legend?

611
00:33:07,839 --> 00:33:11,240
Speaker 7: Yes, okay, okay, yes, and then what so what's the

612
00:33:11,359 --> 00:33:12,000
newest album.

613
00:33:12,720 --> 00:33:14,599
Speaker 11: The newest album is Mother Mother.

614
00:33:14,720 --> 00:33:16,160
Speaker 14: Okay, that's a six song EP.

615
00:33:16,559 --> 00:33:19,319
Speaker 7: Oh, that's an EP Okay, gotcha? And what's the theme with.

616
00:33:19,359 --> 00:33:21,319
Speaker 14: That resident evil village?

617
00:33:21,480 --> 00:33:26,160
Speaker 7: Okay, okay? Cool? Yeah, you guys are in the so

618
00:33:26,319 --> 00:33:30,039
no one would like unless you're does anyone well, let

619
00:33:30,079 --> 00:33:32,720
me ask the question this way, does anyone ever figure out, like,

620
00:33:32,839 --> 00:33:36,559
does anyone ever say to you, hey, I listened to

621
00:33:36,680 --> 00:33:39,319
this EP or I listened to this album and then

622
00:33:39,359 --> 00:33:41,400
they start talking to you like they like they got it,

623
00:33:41,599 --> 00:33:43,680
like they they understood the theme.

624
00:33:44,720 --> 00:33:46,160
Speaker 11: There's been a couple but as.

625
00:33:46,119 --> 00:33:49,319
Speaker 14: It has it happened, Yeah, not as much as I'd hope.

626
00:33:49,559 --> 00:33:51,759
Speaker 7: I mean, it's cool if it has. I'm super curious

627
00:33:51,799 --> 00:33:53,240
if anyone's ever come up with you and said, yeah,

628
00:33:53,240 --> 00:33:56,200
I like that, I like that legend of Zelda.

629
00:33:56,640 --> 00:34:00,799
Speaker 14: You know, if somebody really looked at it and listened,

630
00:34:01,160 --> 00:34:03,640
yeah that was a fan of the game, they would know. Yeah,

631
00:34:03,759 --> 00:34:06,640
Like I did that on purpose. We separated it just

632
00:34:06,839 --> 00:34:09,800
enough that I wasn't we weren't calling the songs exactly

633
00:34:09,880 --> 00:34:12,159
what it was. So like if you didn't know, you're like, oh,

634
00:34:12,280 --> 00:34:14,920
here's a zolda, right, but if you looked at it

635
00:34:14,920 --> 00:34:16,639
and you were a fan and you listened, you would

636
00:34:16,719 --> 00:34:17,239
figure it out.

637
00:34:17,360 --> 00:34:19,960
Speaker 7: That's pretty cool though. Yeah, so that must be. So

638
00:34:20,199 --> 00:34:23,159
if somebody does actually approach you and say, you know,

639
00:34:23,239 --> 00:34:25,440
I identifies that they at least have some idea, that

640
00:34:25,519 --> 00:34:28,440
must be pretty gratifying, right, because it's like, Wow, they

641
00:34:28,559 --> 00:34:31,639
really paid attention, and you know that's validating.

642
00:34:32,239 --> 00:34:34,239
Speaker 11: It really is. And I mean the writing was coming

643
00:34:34,280 --> 00:34:37,679
from a nostalgic perspective of playing through that game and

644
00:34:37,760 --> 00:34:39,239
like kind of where my head was at as a child,

645
00:34:39,880 --> 00:34:42,280
and so that made it fun. So yeah, added a

646
00:34:42,320 --> 00:34:43,000
whole another element.

647
00:34:43,320 --> 00:34:46,440
Speaker 7: And Zelda's kind of multi generational too, so yeah, so

648
00:34:46,559 --> 00:34:48,880
that has a broad appeal. That's really cool. And then

649
00:34:48,920 --> 00:34:50,800
so what's kind of the future trajectory, like do you

650
00:34:50,880 --> 00:34:54,559
guys have because your musical output already for is pretty

651
00:34:54,719 --> 00:34:57,280
broad for a relatively short period of times. I assume

652
00:34:57,320 --> 00:34:58,559
you're always writing, right.

653
00:34:58,920 --> 00:34:59,880
Speaker 11: Oh yeah, we are.

654
00:35:00,039 --> 00:35:03,800
Speaker 14: You have eleven songs ready for its new no kidding, yeah,

655
00:35:03,960 --> 00:35:04,800
no kidding.

656
00:35:05,400 --> 00:35:09,280
Speaker 11: More than that, yeah, more than have you started recording

657
00:35:09,320 --> 00:35:12,639
those yet? Or oh yeah, we're sitting on a lot.

658
00:35:12,800 --> 00:35:15,360
Speaker 7: Okay, okay, excellent, And Brian, you're gonna be on on

659
00:35:15,480 --> 00:35:17,639
these very cool, very cool.

660
00:35:18,320 --> 00:35:18,519
Speaker 2: Yeah.

661
00:35:18,559 --> 00:35:18,760
Speaker 20: Yeah.

662
00:35:19,920 --> 00:35:23,199
Speaker 7: Does that change the sound with a live drummer, like like,

663
00:35:23,440 --> 00:35:26,480
is it or does it change your how you guys

664
00:35:26,679 --> 00:35:27,199
write these?

665
00:35:27,280 --> 00:35:30,000
Speaker 11: Are it changes the feel?

666
00:35:30,320 --> 00:35:30,519
Speaker 7: Yeah?

667
00:35:30,559 --> 00:35:30,840
Speaker 11: You can.

668
00:35:31,039 --> 00:35:34,440
Speaker 14: It can because he can interpret. So when I say

669
00:35:34,559 --> 00:35:37,039
I do I do everything, I don't actually do it.

670
00:35:37,119 --> 00:35:41,079
I make the songs start to finish. The guitar is

671
00:35:41,079 --> 00:35:44,519
the bass, the keyboards, what I'm thinking for drums, and

672
00:35:44,639 --> 00:35:46,960
I have to put them in there for Jake because

673
00:35:46,960 --> 00:35:49,400
it doesn't sound like a song. He has trouble like

674
00:35:49,639 --> 00:35:53,519
where it starts, where it ends, So I put them.

675
00:35:54,119 --> 00:35:55,000
I put them in there.

676
00:35:56,599 --> 00:35:59,280
Speaker 7: And for some of these can tell you guys have

677
00:35:59,360 --> 00:36:00,440
known each other a lot on time.

678
00:36:01,199 --> 00:36:03,039
Speaker 11: He just called me stupid, but they'll call me stupid.

679
00:36:08,840 --> 00:36:11,519
Speaker 14: Some of these whole albums are just Jake and I.

680
00:36:11,840 --> 00:36:15,519
There's no live drums at all. Yeah, And that's just

681
00:36:15,599 --> 00:36:17,639
what I thought went there. So what I like about

682
00:36:17,679 --> 00:36:20,000
having a live drummer and Brian's cool for it is

683
00:36:20,280 --> 00:36:22,119
I have them there. But I'll bounce him one with

684
00:36:22,239 --> 00:36:25,320
no drums and let him cook. Yeah, but we have

685
00:36:25,480 --> 00:36:29,039
the one aside Yeah, so we know what's supposed to

686
00:36:29,079 --> 00:36:30,800
be happening, and then we can let him do it

687
00:36:30,840 --> 00:36:34,239
and have the conversation and sometimes he feels a section

688
00:36:34,360 --> 00:36:36,719
completely different than I, which is great. Yeah, but we

689
00:36:37,159 --> 00:36:39,800
have that extra level of conversation piece of what we're doing.

690
00:36:40,079 --> 00:36:42,559
Speaker 11: Yeah, it's almost nice to have that cookie cutter drum

691
00:36:42,639 --> 00:36:45,480
build and then do what I want with it and

692
00:36:45,599 --> 00:36:47,880
then hear his take and be able to adjust what

693
00:36:47,920 --> 00:36:49,719
I've done to cater to a bit more.

694
00:36:49,920 --> 00:36:52,400
Speaker 7: Yeah, that makes sense. But it's also a little bit

695
00:36:52,400 --> 00:36:55,239
of an unconventional approach. You know, you don't usually hear

696
00:36:55,360 --> 00:36:58,719
you know, usually it's you know, the drums are already

697
00:36:58,760 --> 00:37:01,440
there when you're or a scratch track of a demo.

698
00:37:01,599 --> 00:37:05,239
But but but it's interesting that you're writing lyrics influence

699
00:37:05,480 --> 00:37:07,599
somewhat by what he's doing. That's interesting.

700
00:37:07,840 --> 00:37:11,079
Speaker 11: Yeah, yeah, definitely one of the many interesting approaches I take.

701
00:37:11,239 --> 00:37:14,519
Speaker 7: Yeah, yeah, no, that's cool. And then so Anthony, how

702
00:37:14,559 --> 00:37:16,840
many like what was your first instrument, because you obviously

703
00:37:16,920 --> 00:37:17,880
you play a lot of stuff.

704
00:37:18,280 --> 00:37:20,079
Speaker 14: Yeah, I'm a I'm a bass player.

705
00:37:20,320 --> 00:37:22,400
Speaker 7: Okay, is that your first instrument?

706
00:37:22,519 --> 00:37:22,719
Speaker 11: Yeah?

707
00:37:22,840 --> 00:37:26,119
Speaker 14: Oh interesting, Yeah, I taught myself playing a lot of

708
00:37:26,400 --> 00:37:29,079
chili peppers in high school. My mom was at work

709
00:37:29,159 --> 00:37:32,000
really loud because Nobe cared. So that's where it all started.

710
00:37:32,079 --> 00:37:34,960
Speaker 7: Yeah, oh wow, yeah, and then what was what was

711
00:37:35,039 --> 00:37:37,119
your next from there? So you started on bass?

712
00:37:37,119 --> 00:37:39,360
Speaker 14: And then you think I got a keyboard, like one

713
00:37:39,400 --> 00:37:41,599
of those couple hundred dollars ones with all the different noises.

714
00:37:41,760 --> 00:37:42,199
Speaker 7: Yep, yep.

715
00:37:42,400 --> 00:37:44,840
Speaker 14: I've always been into Romstein, so that was like I

716
00:37:44,880 --> 00:37:47,719
had to go there next. Yeah, and keyboard stuff. Yeah,

717
00:37:47,760 --> 00:37:49,559
and then I got a guitar because you can complete bass,

718
00:37:49,559 --> 00:37:51,280
you can kind of play guitar. Yeah, So a lot

719
00:37:51,280 --> 00:37:53,840
of this sounds like Romstein because like I'm not I'm

720
00:37:53,880 --> 00:37:57,760
not a Damien shout out. I'm not like a guitar

721
00:37:57,840 --> 00:38:01,559
virtual OsO. Yeah, I'm playing power chords and sure, but

722
00:38:01,760 --> 00:38:03,679
like if you can do one, you can do the other.

723
00:38:03,920 --> 00:38:05,440
And that's kind of where I'm at with it.

724
00:38:05,719 --> 00:38:08,199
Speaker 7: Yeah yeah, interesting, you make it work.

725
00:38:08,480 --> 00:38:08,679
Speaker 1: I do.

726
00:38:09,079 --> 00:38:13,199
Speaker 7: Yeah. So so every all that as you and then

727
00:38:13,360 --> 00:38:15,280
all the vocal and then Jake, are you the only

728
00:38:15,519 --> 00:38:17,039
like are all the vocals you? Or do you? Does

729
00:38:17,079 --> 00:38:21,440
anyone else sing back up? Or just maybe that's all you? Okay, excellent, excellent.

730
00:38:21,079 --> 00:38:22,679
Speaker 14: I'd like to do it, but I'm not as good

731
00:38:22,679 --> 00:38:23,519
as I should be.

732
00:38:23,679 --> 00:38:26,400
Speaker 11: Okay, I mean you can stay toned up. It's okay.

733
00:38:27,800 --> 00:38:29,320
Speaker 14: It's one of those deals. That's fine.

734
00:38:30,159 --> 00:38:33,679
Speaker 7: Oh my goodness. So the so the eleven songs, like

735
00:38:33,719 --> 00:38:35,039
have you started recording them yet?

736
00:38:35,199 --> 00:38:40,320
Speaker 14: Or where where we do it ourselves? I generally, but

737
00:38:40,400 --> 00:38:44,000
there's only two versions, Like we make a demo which

738
00:38:44,039 --> 00:38:46,679
is honestly radio quality, yeah, and then I do a

739
00:38:46,760 --> 00:38:50,960
mastered version with everyone's final takes and mixes and levels.

740
00:38:50,639 --> 00:38:53,039
Speaker 7: And so you do you do the mastering too. Wow,

741
00:38:53,440 --> 00:38:55,599
you guys really do do it all. Wow.

742
00:38:55,719 --> 00:38:57,920
Speaker 14: I hate paying people for stuff I can do myself.

743
00:38:58,199 --> 00:38:58,440
Speaker 6: Yeah.

744
00:38:58,559 --> 00:38:59,960
Speaker 14: That's in every facet of my life.

745
00:39:00,119 --> 00:39:00,639
Speaker 7: Yep, yep.

746
00:39:01,159 --> 00:39:02,960
Speaker 11: And if it's, uh, you know, something that we can

747
00:39:03,000 --> 00:39:05,199
put under our belt used down the road, it makes

748
00:39:05,239 --> 00:39:06,920
it that much more valuable to do it ourselves and

749
00:39:07,000 --> 00:39:09,199
learn that one hundred Yeah. I mean it's a time

750
00:39:09,280 --> 00:39:11,280
sink for sure, but it's worth it at the end

751
00:39:11,280 --> 00:39:11,559
of the day.

752
00:39:11,719 --> 00:39:14,840
Speaker 7: Yeah, absolutely, one hundred percent. No, that's great, that's great.

753
00:39:15,719 --> 00:39:18,280
And then you you probably don't know right at this point,

754
00:39:18,480 --> 00:39:20,639
like any kind of an eta on when the next album.

755
00:39:22,000 --> 00:39:27,400
Speaker 14: I mean it's I'll say I've got vocals on three okay.

756
00:39:27,679 --> 00:39:34,239
So yeah, and uh chemical we wrote entirely in one day. Yeah,

757
00:39:34,400 --> 00:39:36,159
so that's not saying it's not going to be done

758
00:39:36,199 --> 00:39:36,599
next week.

759
00:39:37,639 --> 00:39:39,639
Speaker 11: Yeah, I mean it really the mood could hit me

760
00:39:39,679 --> 00:39:42,000
and I could, you know, go in and knock out

761
00:39:42,039 --> 00:39:42,920
three more songs today.

762
00:39:43,039 --> 00:39:44,400
Speaker 7: Yeah, yeah, yeah, yeah.

763
00:39:44,400 --> 00:39:48,320
Speaker 15: I've worked on a couple of the songs already drum wise, okay,

764
00:39:48,440 --> 00:39:51,199
And I'm always switching up my ideas every time I

765
00:39:51,280 --> 00:39:53,000
go back and listen to a drummer's track.

766
00:39:53,239 --> 00:39:53,440
Speaker 7: Yeah.

767
00:39:53,639 --> 00:39:56,119
Speaker 3: Yeah, but based on what you said earlier, we go

768
00:39:56,360 --> 00:39:59,840
on what his idea is, and then I'll build.

769
00:39:59,559 --> 00:39:59,880
Speaker 11: Off of that.

770
00:40:00,280 --> 00:40:03,360
Speaker 7: Okay. Yeah, so probably some sometime in twenty six, I

771
00:40:03,360 --> 00:40:06,880
would assume the new one, probably early twenty five, early

772
00:40:06,960 --> 00:40:07,400
twenty six.

773
00:40:07,480 --> 00:40:09,599
Speaker 14: Yeah, we're doing the show in November. We have our

774
00:40:09,639 --> 00:40:12,320
own show in December. Oh, we're doing that jewel as well.

775
00:40:12,519 --> 00:40:13,400
Speaker 7: Oh, tell us about that.

776
00:40:14,079 --> 00:40:15,360
Speaker 14: So we're gonna do the back room. I wanted to

777
00:40:15,400 --> 00:40:18,920
be more of like a I don't know, I keep

778
00:40:19,000 --> 00:40:22,119
having this show in my head, is h. People didn't

779
00:40:22,119 --> 00:40:23,440
know it was nine Inch Nails, but I think it

780
00:40:23,480 --> 00:40:25,840
was like six or seven where they just sent like

781
00:40:26,480 --> 00:40:29,000
flyers to certain people, yeah, and no one knew what

782
00:40:29,079 --> 00:40:30,599
it was, and a bunch of people showed up in

783
00:40:30,639 --> 00:40:33,079
a really wild warehouse in the middle of Manhattan somewhere.

784
00:40:33,159 --> 00:40:34,039
Speaker 7: I remember hearing about this.

785
00:40:34,239 --> 00:40:38,000
Speaker 14: Yeah, that's people are gonna know. But like right, like

786
00:40:38,119 --> 00:40:40,440
someone comes out and starts berating everybody in the crowd.

787
00:40:40,599 --> 00:40:42,239
You don't even know why you're here? Why are you here?

788
00:40:42,360 --> 00:40:45,800
We could we could be robbing murdering you. And then

789
00:40:45,960 --> 00:40:49,760
uh nine Nails starts playing. Yeah, so like I want

790
00:40:49,800 --> 00:40:53,760
that like industrial, tiny, loud club vibes.

791
00:40:54,280 --> 00:40:54,800
Speaker 7: Shoot it for that.

792
00:40:54,880 --> 00:40:56,760
Speaker 14: So it's right now, it's us in Scarecrow. I'm trying

793
00:40:56,800 --> 00:40:58,840
to find a couple other bands. Okay, okay, that's the

794
00:40:59,079 --> 00:40:59,920
twelfth of December.

795
00:41:00,119 --> 00:41:02,920
Speaker 7: Okay, I love the concept. Yeah, so we're we're.

796
00:41:02,880 --> 00:41:05,119
Speaker 14: Doing those so I'm probably thinking early twenty six.

797
00:41:05,039 --> 00:41:09,519
Speaker 7: Okay, okay, extremely cool. Well, the time goes quickly. I

798
00:41:09,559 --> 00:41:10,760
want to make sure we have time to get the

799
00:41:11,039 --> 00:41:12,840
get the last track on, because Chemical is one we

800
00:41:12,880 --> 00:41:15,840
didn't play yet, right right, right, So before we start

801
00:41:15,920 --> 00:41:18,119
to wind up, though, I want to make sure so

802
00:41:18,280 --> 00:41:20,960
everybody knows exactly Well, first of all, we want to

803
00:41:21,000 --> 00:41:25,280
remind people about November fifteenth, Swarmy Fest. Where should people

804
00:41:25,320 --> 00:41:28,159
go online to find out? Well, to keep up with

805
00:41:28,280 --> 00:41:30,079
everything that you guys are doing, not just Swarmy Fest,

806
00:41:30,159 --> 00:41:32,320
but if they just want to get your music and

807
00:41:32,559 --> 00:41:34,840
follow your follow everything that you do.

808
00:41:35,280 --> 00:41:37,719
Speaker 14: It's on every streaming platform available.

809
00:41:37,960 --> 00:41:39,159
Speaker 7: Okay, that's easy.

810
00:41:39,599 --> 00:41:41,800
Speaker 11: Social media handle Temptress official.

811
00:41:42,000 --> 00:41:43,360
Speaker 7: Temptriss Official, okay.

812
00:41:43,159 --> 00:41:46,119
Speaker 14: Facebook, Instagram, porn Hub, We're all over the place, Pornhub.

813
00:41:46,159 --> 00:41:46,519
Speaker 7: All right.

814
00:41:46,679 --> 00:41:50,039
Speaker 14: Well, I'm not going to go there, but okay, he's

815
00:41:50,079 --> 00:41:50,519
not kidding.

816
00:41:52,280 --> 00:41:53,000
Speaker 7: I did not know that.

817
00:41:55,480 --> 00:41:58,920
Speaker 14: I want the music everywhere possible people can find it.

818
00:41:59,159 --> 00:42:03,079
Speaker 7: Yeah, yeah, outstanding. All right, Well, we're going to close

819
00:42:03,119 --> 00:42:05,519
out with Chemical in just some moments. So what should

820
00:42:05,559 --> 00:42:06,800
we know about this before we hear it?

821
00:42:07,719 --> 00:42:09,239
Speaker 11: It's about toxic relationships?

822
00:42:09,400 --> 00:42:12,760
Speaker 7: Okay, Okay. I remember listening to the lyrics and kind

823
00:42:12,800 --> 00:42:14,960
of thinking it's it's sort of relatable, like it's something

824
00:42:15,039 --> 00:42:17,760
that probably everybody can can relate to at some point

825
00:42:17,880 --> 00:42:18,239
or another.

826
00:42:18,440 --> 00:42:20,320
Speaker 11: Yeah, going further, but it's I mean, at the end

827
00:42:20,320 --> 00:42:23,760
of the day, that's right, right, A good explanation, right,

828
00:42:24,000 --> 00:42:26,920
very good. So we're going to close out with this

829
00:42:27,079 --> 00:42:29,599
track with these guys. Check this out, and then after

830
00:42:29,679 --> 00:42:31,000
that Jenny and I are going to come back and

831
00:42:31,079 --> 00:42:33,280
wrap up. Got a couple things to tell you about.

832
00:42:33,360 --> 00:42:35,679
But guys, thank you again so much. It's wonderful to

833
00:42:35,679 --> 00:42:37,280
meet all three of you, and I love your sound

834
00:42:37,320 --> 00:42:39,000
and we'll definitely do this in the future and really

835
00:42:39,039 --> 00:42:41,119
looking forward to seeing you on November fifteenth. Thank you.

836
00:42:41,199 --> 00:42:44,360
Speaker 7: That's gonna be amazing. Absolutely, But check this out. This

837
00:42:44,559 --> 00:42:46,719
is Temptress and the track is chemical.

838
00:42:48,559 --> 00:42:55,320
Speaker 6: Come CHIMMI come, it's chimming.

839
00:42:55,519 --> 00:42:58,519
Speaker 2: Come, it's chimming.

840
00:42:58,760 --> 00:43:04,639
Speaker 13: Come brought man say you can go over quin.

841
00:43:06,119 --> 00:43:14,800
Speaker 5: The SATs a most small than waken that's nowhere.

842
00:43:14,519 --> 00:43:17,840
Speaker 10: At all from my friend.

843
00:43:19,639 --> 00:43:29,280
Speaker 18: To make clear that this will be the body start

844
00:43:29,480 --> 00:43:30,920
in New York time.

845
00:43:32,039 --> 00:43:41,760
Speaker 16: Jesus any meaning miney money, miney mo cat to line

846
00:43:41,840 --> 00:43:44,199
him by the three can't go, rune him by the poor.

847
00:43:44,400 --> 00:43:46,920
If they hall, don't let go, if they hard, don't

848
00:43:47,000 --> 00:43:49,079
let go ow gos wire.

849
00:43:49,599 --> 00:43:50,039
Speaker 10: Oh you.

850
00:43:52,000 --> 00:43:53,079
Speaker 19: It's comic.

851
00:43:55,480 --> 00:43:59,039
Speaker 1: S this book.

852
00:44:04,719 --> 00:44:11,800
Speaker 19: It's Kevin. It's Kevin. No mot.

853
00:44:16,239 --> 00:44:21,199
Speaker 10: You Broughton man, take and go over clan.

854
00:44:22,639 --> 00:44:27,480
Speaker 5: There's SATs almost small and weakening.

855
00:44:27,840 --> 00:44:31,920
Speaker 4: That that's Colno.

856
00:44:31,559 --> 00:44:34,360
Speaker 10: From my friend.

857
00:44:36,159 --> 00:44:38,599
Speaker 11: Coming clear that this will.

858
00:44:38,559 --> 00:44:55,480
Speaker 18: Be the honey to let us Colt to say, meaning.

859
00:44:55,320 --> 00:44:58,760
Speaker 16: Miney morning, baby, money, murder, get a lie about the

860
00:44:58,880 --> 00:45:00,719
third day, to lie by the boy.

861
00:45:00,719 --> 00:45:03,440
Speaker 1: If the hokun don't let go, if they honk, don't

862
00:45:03,519 --> 00:45:06,519
let go? How goes? Why oh you?

863
00:45:08,519 --> 00:45:09,239
Speaker 19: It's killing?

864
00:45:09,440 --> 00:45:15,920
Speaker 10: Come this boy and.

865
00:45:21,239 --> 00:45:22,000
Speaker 19: It's killing.

866
00:45:22,199 --> 00:45:28,440
Speaker 6: Come. Let's call it comes all.

867
00:46:02,719 --> 00:46:16,639
Speaker 19: Its comic book nexs comic.

868
00:46:18,679 --> 00:46:22,159
Speaker 6: Let's comics.

869
00:46:28,199 --> 00:46:34,199
Speaker 19: It's comic cos.

870
00:46:42,840 --> 00:46:48,199
Speaker 9: You're listening to macconnorton Unleashed on wmn H ninety five

871
00:46:48,320 --> 00:46:48,920
point three.

872
00:46:56,880 --> 00:47:01,239
Speaker 7: Right now, the American radio premiere of the new single

873
00:47:01,800 --> 00:47:05,320
short Life from the band Pacific A's.

874
00:47:40,639 --> 00:47:41,880
Speaker 4: And Falling with the.

875
00:47:42,079 --> 00:47:52,719
Speaker 21: Sense that you see save love Sien singer.

876
00:47:55,039 --> 00:47:57,599
Speaker 6: Take it in without.

877
00:48:09,960 --> 00:48:12,880
Speaker 21: So loveter did you say.

878
00:48:19,199 --> 00:48:20,440
Speaker 8: Your long.

879
00:48:28,960 --> 00:48:29,800
Speaker 10: Your soon?

880
00:48:33,880 --> 00:49:00,159
Speaker 2: Back to the ship something and.

881
00:49:00,440 --> 00:49:09,920
Speaker 21: Sheepras just cannon never conform the lists. She leads across

882
00:49:10,000 --> 00:49:10,800
the boat.

883
00:49:10,639 --> 00:49:12,159
Speaker 4: To contact.

884
00:49:13,400 --> 00:49:16,800
Speaker 2: That does not turn out until it's dress.

885
00:49:28,679 --> 00:49:39,440
Speaker 8: That you've got a long dress.

886
00:49:47,840 --> 00:49:52,360
Speaker 6: Show comment.

887
00:50:21,639 --> 00:50:59,880
Speaker 7: It's right now the American radio premiere of the new

888
00:51:00,039 --> 00:51:03,119
single from Naked Without It. This is called My Sister.

889
00:51:03,280 --> 00:51:22,920
Speaker 13: Will you are a soap boxed miner with.

890
00:51:23,079 --> 00:51:28,360
Speaker 17: Your daily mail hatred reading through from the village that

891
00:51:28,599 --> 00:51:28,960
you have.

892
00:51:29,440 --> 00:51:32,519
Speaker 19: I ain't got no silver spoon but a man of

893
00:51:32,679 --> 00:51:33,360
my whole.

894
00:51:33,800 --> 00:51:37,800
Speaker 22: I've been thinking on my feet since I left home,

895
00:51:37,880 --> 00:51:41,559
but with your two point more attitude driving me in,

896
00:51:41,760 --> 00:51:44,159
save my word's fail.

897
00:51:44,199 --> 00:51:47,119
Speaker 6: You use your old brand, but.

898
00:51:47,320 --> 00:51:48,760
Speaker 20: You are not a young man.

899
00:51:49,320 --> 00:51:51,360
Speaker 6: I can't believe you're saying.

900
00:51:51,440 --> 00:51:55,239
Speaker 21: The twisting generation in this landage so green.

901
00:51:55,360 --> 00:51:57,400
Speaker 2: But you're a tick tick tick tick tick.

902
00:51:57,960 --> 00:51:59,360
Speaker 6: Wouldn't give it is.

903
00:52:00,239 --> 00:52:03,559
Speaker 18: I give you every chance, but you keep up sliding

904
00:52:03,639 --> 00:52:06,159
in the changes to the city.

905
00:52:06,719 --> 00:52:07,440
Speaker 2: Must kill up.

906
00:52:07,519 --> 00:52:12,280
Speaker 6: It's a pillbird, or Mama don't kill you. That's my

907
00:52:12,440 --> 00:52:13,599
sister with.

908
00:52:17,639 --> 00:52:20,760
Speaker 22: I'll watch you sneak up and don't face there like

909
00:52:20,880 --> 00:52:23,880
a man, and I'll put this into words.

910
00:52:23,679 --> 00:52:25,760
Speaker 2: That even you will understand.

911
00:52:26,400 --> 00:52:28,719
Speaker 22: As long as you get you home with you will

912
00:52:28,760 --> 00:52:32,199
stay here till the air one word for me.

913
00:52:32,639 --> 00:52:34,559
Speaker 1: It's the end for you, my famp.

914
00:52:34,599 --> 00:52:36,559
Speaker 3: But you're tick tic tic.

915
00:52:37,519 --> 00:52:38,559
Speaker 2: Do give it in.

916
00:52:39,440 --> 00:52:42,960
Speaker 6: I give you every chance, but you keep up sliding in.

917
00:52:43,760 --> 00:52:46,559
Speaker 13: The changes to the city might clear.

918
00:52:46,760 --> 00:52:47,800
Speaker 4: It's a hellbird.

919
00:52:47,920 --> 00:52:50,000
Speaker 13: If my mama don't kill.

920
00:52:49,840 --> 00:52:52,880
Speaker 6: You, send me my sister with.

921
00:53:31,880 --> 00:53:33,599
Speaker 17: Likeness that you grow.

922
00:53:33,599 --> 00:53:35,639
Speaker 6: Up after people that you hate.

923
00:53:36,559 --> 00:53:39,440
Speaker 21: Every one you picture is an enemy.

924
00:53:39,280 --> 00:53:42,719
Speaker 6: Of the stakes. I think that you might right if

925
00:53:42,800 --> 00:53:45,239
the children were your room, but you can.

926
00:53:45,280 --> 00:53:48,079
Speaker 2: Hide and ride the rails up the seats that you

927
00:53:48,320 --> 00:53:48,920
have sofa.

928
00:53:49,119 --> 00:53:52,679
Speaker 22: You'll have chick tick tick tick tick with Luke giving

929
00:53:52,840 --> 00:53:56,400
in and I give you every chance, but you keep

930
00:53:56,559 --> 00:53:57,320
up siding in.

931
00:53:58,079 --> 00:54:01,000
Speaker 2: The changes to the city must be up.

932
00:54:01,079 --> 00:54:03,039
Speaker 6: It's all my mama.

933
00:54:03,239 --> 00:54:06,440
Speaker 13: Don't kill you then, my sister.

934
00:54:14,639 --> 00:54:19,760
Speaker 9: You are listening to Matt Connorton Unleashed on WMNH.

935
00:54:19,239 --> 00:54:20,519
Speaker 1: Nwenty five point three.

936
00:54:28,159 --> 00:54:31,960
Speaker 7: Welcome back everybody. This is Matt Connorton Unleashed and we

937
00:54:32,159 --> 00:54:35,159
are live from the studios of wm NH ninety five

938
00:54:35,159 --> 00:54:37,599
point three FM and Glorious Manchester, New Hampshire for a

939
00:54:37,719 --> 00:54:40,960
few more minutes here on this Saturday. If you are

940
00:54:41,039 --> 00:54:44,920
listening live Saturday, September twenty seven, twenty twenty five, and

941
00:54:45,639 --> 00:54:48,519
I'd say it's another another show in the books. Thank

942
00:54:48,559 --> 00:54:51,760
you again. Of course the guys from Temptress who just

943
00:54:51,880 --> 00:54:54,400
joined us and really love their sound. Can't wait to

944
00:54:54,400 --> 00:54:57,119
see them at Swarmy Fest on November fifteenth, and of

945
00:54:57,199 --> 00:54:59,159
course in the first hour today if you missed it,

946
00:54:59,440 --> 00:55:01,039
make sure you go back and check it out. Jam

947
00:55:01,119 --> 00:55:05,119
Tomorrow was here. They performed live and shared some new tracks,

948
00:55:05,639 --> 00:55:08,280
some new studio tracks which are just fantastic, and we

949
00:55:08,400 --> 00:55:11,719
got a couple of American radio premieres in as well,

950
00:55:11,880 --> 00:55:16,000
from Pacific A's and Naked Without It. If you are

951
00:55:16,119 --> 00:55:19,159
wondering the Falls, that band was supposed to be with

952
00:55:19,280 --> 00:55:23,800
us during the second hour, but something happened, no fault

953
00:55:23,880 --> 00:55:26,320
of anyone, they just one of the guys had an

954
00:55:26,360 --> 00:55:29,199
emergency situation, so we will rebook them, so if you're wondering.

955
00:55:29,719 --> 00:55:31,960
And also, I did hear from our friend Gary Smith

956
00:55:32,440 --> 00:55:34,920
who messaged me so he was originally supposed to come

957
00:55:34,960 --> 00:55:37,760
in today as well, but he's now playing bass for

958
00:55:37,840 --> 00:55:39,320
the band Roots of Creation.

959
00:55:39,199 --> 00:55:39,280
Speaker 4: So.

960
00:55:41,920 --> 00:55:42,440
Speaker 7: He's been great.

961
00:55:42,599 --> 00:55:44,119
Speaker 13: Proud of you, happy Happy, Yeah.

962
00:55:44,000 --> 00:55:45,760
Speaker 7: We're very proud of you. Gary. You deserve it. You're

963
00:55:45,920 --> 00:55:48,000
enormously talented and a great guy. And I always say

964
00:55:48,079 --> 00:55:51,440
Gary the busiest musician I know. Literally, I don't say

965
00:55:51,440 --> 00:55:54,440
that hyperbolically. Gary is the busiest musician that I know.

966
00:55:54,800 --> 00:55:58,199
But no, we love to see good people have great success,

967
00:55:58,559 --> 00:56:01,880
and so congratulations Gary, if you are still listening, and uh,

968
00:56:02,159 --> 00:56:04,960
and you know we missed having you here today, but uh,

969
00:56:05,159 --> 00:56:08,480
hey man, you're doing great, so good job. And I'm

970
00:56:08,519 --> 00:56:11,159
sure we'll have him on the show soon. Uh, let's see,

971
00:56:11,480 --> 00:56:13,519
we got a couple of minutes left. Jenny, you want

972
00:56:13,519 --> 00:56:14,719
to plug anything, yeah.

973
00:56:14,519 --> 00:56:17,960
Speaker 12: Absolutely, go check out my website at Jencoffee dot com

974
00:56:18,079 --> 00:56:19,920
j E N N C O F f U I

975
00:56:20,039 --> 00:56:22,119
dot com. There will be some new stuff going up,

976
00:56:22,159 --> 00:56:25,119
and there is a big announcement coming, but you got

977
00:56:25,239 --> 00:56:26,079
to wait a couple of weeks.

978
00:56:27,000 --> 00:56:29,920
Speaker 7: All right, Yes, there's a very big announcement coming, but

979
00:56:30,039 --> 00:56:31,320
you get a week. But you got to wait a

980
00:56:31,360 --> 00:56:33,480
couple of weeks. A couple of weeks. Also, if you

981
00:56:33,480 --> 00:56:35,480
want to keep up with everything I'm doing, my website

982
00:56:35,679 --> 00:56:39,480
is Mattconnorton dot com. If you'd like to book a

983
00:56:39,599 --> 00:56:42,440
hypnotherapy session with me, Uh I can? I can?

984
00:56:42,559 --> 00:56:42,719
Speaker 16: You know?

985
00:56:42,840 --> 00:56:44,280
Speaker 7: People say I have a I think I have a

986
00:56:44,320 --> 00:56:46,480
good radio voice, not a great radio voice, but good enough.

987
00:56:46,519 --> 00:56:49,159
But but I have a very good I have a

988
00:56:49,239 --> 00:56:51,039
very good hypnosis voice, and I can help you to

989
00:56:51,079 --> 00:56:54,719
feel very deeply relaxed, very very calm, very relaxed, and

990
00:56:54,800 --> 00:56:57,440
open to all of the powerful and hypnotic suggestions I'm

991
00:56:57,480 --> 00:56:58,760
going to give to you. So anyway, so if you

992
00:56:58,800 --> 00:57:01,320
need to quit smoking or anything, be bringing me chocolate.

993
00:57:01,719 --> 00:57:04,800
Oh I'm the hypnotist, not you what do you do

994
00:57:05,320 --> 00:57:05,840
that doesn't work?

995
00:57:05,840 --> 00:57:06,280
Speaker 14: Doesn't work?

996
00:57:06,360 --> 00:57:06,960
Speaker 7: That doesn't work?

997
00:57:07,400 --> 00:57:08,639
Speaker 14: Do I get you to bring me chocolate?

998
00:57:09,480 --> 00:57:12,199
Speaker 7: You know, you just have to tell me that's true.

999
00:57:12,679 --> 00:57:15,960
So he does. But if you'd like to learn more

1000
00:57:16,440 --> 00:57:18,800
about hypnotherapy and how I can help you, of course

1001
00:57:18,880 --> 00:57:21,280
you can contact me right through the website Matt connorton

1002
00:57:21,360 --> 00:57:23,679
dot com. And of course you can find all the

1003
00:57:23,719 --> 00:57:26,239
information about all the various shows I'm involved in. This show.

1004
00:57:26,519 --> 00:57:28,440
Not only do we do the show here live every

1005
00:57:28,480 --> 00:57:31,599
Saturday morning at WM and H ninety five point three FM,

1006
00:57:31,639 --> 00:57:33,800
but we also have the podcast version of the show

1007
00:57:34,320 --> 00:57:37,199
where we have some do some segments and discussions that

1008
00:57:37,280 --> 00:57:38,960
maybe don't quite fit the format here that we do

1009
00:57:39,079 --> 00:57:42,199
on the radio. The podcast version is completely separate from

1010
00:57:42,360 --> 00:57:44,079
WM and H, but you can find that as well.

1011
00:57:44,280 --> 00:57:46,880
Go to my website, follow me on social media, as

1012
00:57:46,920 --> 00:57:50,000
well as a couple other podcasts, Hanging Left and Tough

1013
00:57:50,079 --> 00:57:51,559
Tom Wrestling.

1014
00:57:51,679 --> 00:57:53,639
Speaker 12: If you happen to be a wrestling fan, which we are,

1015
00:57:53,920 --> 00:57:56,920
that's right, So that's with your friend Eric, Yes, yes,

1016
00:57:57,119 --> 00:57:59,840
let's talk about the latest going on in the wrestling.

1017
00:57:59,559 --> 00:58:04,480
Speaker 7: Or this weekend because Eric is recovering from surgery. But Eric,

1018
00:58:04,519 --> 00:58:07,280
if you hear this. We wish you well, speedy recovery.

1019
00:58:07,880 --> 00:58:10,960
I'm supposed to try to rope Charles Richardson in for

1020
00:58:11,119 --> 00:58:14,559
a podcast, that's who Eric recommended filling for, but I

1021
00:58:14,920 --> 00:58:18,039
it's it's been a very busy week, so I haven't

1022
00:58:18,039 --> 00:58:19,880
had a chance to reach out to Charles, but but

1023
00:58:20,079 --> 00:58:22,760
I will. I will do that, I promise.

1024
00:58:22,800 --> 00:58:25,000
Speaker 12: Totally, and don't forget. If you want to be on

1025
00:58:25,079 --> 00:58:28,079
Matt Unleashed, reach out to me and I will be

1026
00:58:28,159 --> 00:58:31,159
happy to get you scheduled. We are actually almost full

1027
00:58:31,239 --> 00:58:35,360
for the rest of the year, so reach out to

1028
00:58:35,400 --> 00:58:37,599
me if you're wanting one of those last guest spots

1029
00:58:37,639 --> 00:58:38,079
for the year.

1030
00:58:38,440 --> 00:58:43,119
Speaker 7: Yes, yes, uh, yep. That is filling up fast, So

1031
00:58:44,239 --> 00:58:46,519
we will begin to wrap up. If you miss any

1032
00:58:46,559 --> 00:58:48,559
part of today's show, it will be up in just

1033
00:58:48,639 --> 00:58:52,400
a little bit at wmnhradio dot org and in my

1034
00:58:52,519 --> 00:58:55,880
website Matt Connorton dot com. And we'll leave you with

1035
00:58:56,079 --> 00:58:58,440
a little bit of Rivia, another one of these great

1036
00:58:58,480 --> 00:59:00,519
bands that we got from the UK and we love

1037
00:59:00,599 --> 00:59:02,840
to support them. This is such a great single. This

1038
00:59:02,960 --> 00:59:05,840
is currently right now. You're starting to hear this on

1039
00:59:05,880 --> 00:59:08,719
American radio stations, and we were the first American radio

1040
00:59:08,800 --> 00:59:10,760
station here at W and H to play this track,

1041
00:59:11,159 --> 00:59:12,880
So this is called Piece of View. The band is

1042
00:59:12,960 --> 00:59:15,800
Rivia to close out this week's Matt Connorton Unleashed and

1043
00:59:15,840 --> 00:59:17,519
we'll talk to you a little bit later. Bye everybody,

1044
00:59:17,800 --> 00:59:18,239
Bye bye.

1045
00:59:20,119 --> 00:59:21,320
Speaker 6: Do you want to nothing to do that?

1046
00:59:22,960 --> 00:59:24,360
Speaker 4: I don't want to be like you.

1047
00:59:25,559 --> 00:59:32,079
Speaker 23: I recognizable. Welcome to person. Listen said it no better,

1048
00:59:36,400 --> 00:59:41,800
probably cute chound, no.

1049
00:59:42,719 --> 00:59:48,440
Speaker 6: Chill, no way, chill

1050
00:59:50,840 --> 00:59:54,320
Speaker 4: Daddy logg