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Speaker 1: All right, class, quite down, please, Jimmy, would you tell

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the class what you learned about squirt fruit.

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Speaker 2: Squirt fruit is what happens to real grapefruit.

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Speaker 3: When it gets inside bottles of squirt.

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Speaker 1: Anything else, well, I couldn't find much more about squirt fruit,

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but I learned a lot about squirt.

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Speaker 4: It's a natural soft.

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Speaker 5: Drink with no artificial colors or flavors.

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Speaker 3: I guess it makes sense to.

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Speaker 4: Call grapefruit squirt fruit.

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Speaker 5: Maybe they should put squirt fruit.

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Speaker 4: In the dictionary.

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Speaker 5: Also, I like squirt very much.

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Speaker 2: Very good, Jimmy, Now, class, it's time for music appreciation.

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Speaker 1: Oh the grapefrit don't grow on a vine. It ain't

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even purple, and it makes loudly wine. So call it

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sport work if it would call it taste pittlocks work,

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and that's food.

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Speaker 3: Covid squirt grape it wirted big.

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Speaker 1: It's a tangy soft drink piet but grape party mix,

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so call.

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Speaker 4: It squirt fruit giff.

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Speaker 5: You would call it taste.

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Speaker 2: Pitt blocks work, and that's good.

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Speaker 6: The CBS Radio Mystery Theater resents.

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Speaker 7: Come in.

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Speaker 4: Welcome, I'm E. G. Marshall.

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Speaker 6: Welcome to another hour of Mystery and suspense to an

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incredible tale of terror among the world famous granite statues

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of the secluded Minotti Sculpture Garden in the forbidding foothills

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of the Colorado Rockies. The silence of the night is

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suddenly pierced by the frantic cries of a woman inside

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the caretaker's cottage trying to call the police.

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Speaker 3: I'm the police, Hourry, Please pease, God dear Allan Horas Hourry.

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Speaker 8: No man all right, caretaker's cottage? Please, hoy, where's the

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caretaker patrol?

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Speaker 3: I don't know.

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Speaker 7: I ran here, the door was open.

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Speaker 8: Please please hurry from what are the statues?

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Speaker 4: A statue of man?

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Speaker 5: And I touched it?

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Speaker 8: His han Rachel judged my back and called my name.

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Speaker 9: He touched me.

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Speaker 8: The statue touched me, Houry, Please please.

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Speaker 6: Our mystery drama, Taken for Granite, was written especially for

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the Mystery Theater by Hank Warner and stars Howard da Silva.

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It is sponsored in part by a Buick Motor Division

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and by the Florida Orange Growers. I'll be back shortly

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with that one.

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Speaker 5: It's your health and you should know.

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Speaker 3: Doctor Thomas E.

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Speaker 9: Bryant, present of the Drug Abuse Council in Washington, DC

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brings you these important facts about the mixed use of drugs.

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Speaker 10: The most serious health consequences associated with heavy drug use

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in America today come with the indiscriminate mixing of different

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drugs said OfTI is followed by stimulants mixing alcohol with

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sleep inducing pills like barbacurrates. These are the really dangerous

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drugs because they kill and overdoses are so often fatal. Yet,

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the problem is not really the drugs themselves, but with

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why they are taken. It is this underlying need or

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desire to escape or to feel different that leads to

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trouble with the drugs. The most pressing need is for

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preventing measures. Awareness alone is not enough, though it is important.

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People need alternatives to drugs to make them feel good,

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to make and feel life is worthwhile, to relieve their

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depression and their apathy. Supplying realistic alternatives to drugs is

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a challenge not just for the health professions, but for

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all of society.

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Speaker 4: It's your health.

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Speaker 6: Here's a tip from your Better Business Bureau on the

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metric system. You know, the worldwide trend today is toward

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a universal system of measurement.

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Speaker 4: The metric system.

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Speaker 6: The names of this new system may sound strange to

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you at first, but fortunately there are only a few

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words that have to be learned for everyday use, and

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these are the millimeter, centimeter, meter, and kilometer for describing

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length and distance, the millimeter and leader for capacity or volume,

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the gram, kilogram and ton for weight, the kilometer per

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hour for highway speed, and the degree celsius or centigrade

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for temperature.

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Speaker 3: You're already using some of these terms more.

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Speaker 4: Than you may realize.

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Speaker 6: For example, when you go to the supermarket, you see

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weights expressed in gram us on more and more packaged items.

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Now for more information on this whole matrix system, right

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to Metric Information Office, National Bureau of Standards, Washington, d C.

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Let us join the group of tourists in the charter

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bus parked in front of the Hotel Barrett in Barrettsville,

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a Colorado mountain resort. They are waiting, cheerfully.

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Speaker 4: And unaware, unaware that the one member of.

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Speaker 6: The group who has not yet bored at the bus

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is doomed if she shows up in time to take

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the last ride of her life.

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Speaker 3: Attention, please, are.

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Speaker 4: We all here now?

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Speaker 2: We should be twenty four yes, two four.

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Speaker 3: Six eight, ten miles.

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Speaker 2: Twenty twenty two, twenty three. Oh, still one missing.

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Speaker 3: Always one missing.

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Speaker 2: There's always miss Masterson.

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Speaker 6: How that young lady will be the death of me.

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Speaker 4: It's just not fair to the rest of you. Well,

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I ought to go see.

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Speaker 5: What's keeping her.

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Speaker 4: Oh, here she is coming out of the hotel.

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Speaker 9: Hurry, hurry, I'm sorry.

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Speaker 7: I get in, Get in.

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Speaker 2: Always excuses, okay, John we go. Angelo Manafi was born

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in Florence, Italy, at the age of twenty.

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Speaker 4: His genius as.

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Speaker 6: The sculptor was discovered.

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Speaker 4: By Silent Barrett, the eccentric.

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Speaker 2: Gold mining villionaire and art collector, who brought Manafi here.

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Speaker 3: After working for.

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Speaker 2: Fifteen years, Manati completed his monumental work.

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Speaker 3: More than fifty life sides new branded.

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Speaker 2: Figures depicting the universal life cycle of mankind from infancy

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to death at old age. We are almost there, about

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a half mile up this side road. The sculpture garden

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was open to the public for less than one year

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until Silas Barrett's young wife and Angelo Manavi mysteriously disappeared.

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Silas Barrett ordered the garden clothes for as long as he.

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Speaker 5: Lived twelve years.

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Speaker 2: The sculptures of the parkland were bequeathed to Barrett College,

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with a proviso that permission to visit the sculpture garden

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could be granted only by the Chairman of the Fine

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Arts Department, currently doctor Janis Kellerman.

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Speaker 3: Oh here we are now.

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Speaker 2: Please remain in the bus everyone until the gates.

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Speaker 4: Are open park referred.

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Speaker 2: Are you the caretaker papri Frontoni.

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Speaker 5: Manor hey?

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Speaker 7: Yeah?

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Speaker 11: Doctor Kellerman phoned me. You were on your way, Lord,

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would you like me to escort you?

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Speaker 3: Thank you, thank you, But that won't be necessary.

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Speaker 2: Really, Doctor Kellerman gave me these pamphlets about the exhibits.

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Speaker 11: As you wish, Senora. If you should need me, I

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will be in my cottage. I must lock the gates.

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Speaker 8: Are there any other gates?

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Speaker 7: Oh?

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Speaker 12: This is the only gate.

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Speaker 13: There's an iron fence all around the bark. When you're ready,

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your driver can blow a horn. I'll come back in

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my jeep. It's not far from my cottage here, thank you.

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Speaker 4: Oh dear me, it's clouding up.

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Speaker 7: Do you think it will rain?

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Speaker 11: Could be maybe thunder sharp homosor i'lga.

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Speaker 5: So you can see on.

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Speaker 2: Your pamphlet the diagram of the exhibits. Now we will

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go down this broadcast to the self sculpture of the

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Naughty at work, then along the groupings of the life

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Michael statues, then to the fountains. The exhibits are numbered

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and explained. Behind the curtain of walker falling over the

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brim of the huge saucer shaped bowl are seven male

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figures straining to support the saucers, some straining with greater

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effort than others, reflecting Minati philosophy that not all members.

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Speaker 3: Of society are equally burdened. Oh oh, we've got to

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hurry back to up.

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Speaker 2: Come, hurry, hurry, everyone, hurry for seven.

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Speaker 3: Thanks.

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Speaker 11: Oh we're just in time.

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Speaker 3: In the bus. In the bus, closed the door.

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Speaker 7: John John's on the horn.

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Speaker 4: We've better start back.

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Speaker 2: Oh oh my, now let's see are we over here?

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Speaker 3: Twenty two? Twenty three?

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Speaker 2: Oh no, miss Masterson again, Oh this is too up,

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this is tuber Give me now, Signora, I shall open

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the gates. What if our group is missing?

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Speaker 3: Did you see her?

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Speaker 7: Oh?

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Speaker 4: My, young lady, I didn't see anyone.

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Speaker 7: You want me to look for her?

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Speaker 4: What's her name?

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Speaker 3: Helen Matterson?

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Speaker 5: No?

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Speaker 6: No, no, no, wait, do you have a telephone?

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Speaker 4: Telephone?

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Speaker 12: Yes, Signora, in my honage.

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Speaker 4: I'm a teacher of blessing.

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Speaker 1: We will not wait.

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Speaker 7: She can telephone for.

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Speaker 4: A cab and pay for it herself.

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Speaker 7: It's opened the gate.

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Speaker 3: Please are you sure? Please unlock the gate? Anyone here?

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Speaker 2: Hello, hello, go here man?

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Speaker 7: You are so well you're shivering. Did you get lost?

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Speaker 3: Yes, I missed the bark.

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Speaker 7: Come close to the fire. I will put more wood off.

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Speaker 11: Oh you are cold.

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Speaker 7: Would you like some brads here here drinking?

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Speaker 4: It will warm you.

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Speaker 14: Thank you.

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Speaker 7: Oh, your clothes they are very wet.

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Speaker 4: I have a warm robe.

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Speaker 11: You go into the other room and take off your

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wet clothes. We will hang them by the fire until

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they dry.

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Speaker 7: Your clothes are.

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Speaker 11: Not dry yet, Maurice presto, you can try it with

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a little more brad.

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Speaker 2: Oh yes please, It's just such a charming room.

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Speaker 4: I just love these animal figures, the.

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Speaker 14: Frog, the turtle, that cat.

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Speaker 11: Yes, simply magnificent.

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Speaker 4: Who did them?

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Speaker 5: Manati?

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Speaker 7: Manati?

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Speaker 5: No?

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Speaker 7: No? I made? I am the creator? You do you?

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You are surprised. I understand you.

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Speaker 11: Wonder how Pietro can do it with only one good hand.

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Speaker 2: No oh, I'm sorry I didn't realize you had all right, Look.

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Speaker 11: Three fingers on my right hand are no good crushed.

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They can no longer hold a hammer crushed. But a

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long time ago, when I came to this country, I

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was an apprentice to Manati. A big block of granite

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fell on my hand and crushed my fingers.

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Speaker 6: Oh what a terrible accident.

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Speaker 7: It was no accident.

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Speaker 11: Menati was careless, careless. But sometimes I think he was

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not so careless. I think he knew what he was doing.

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Speaker 2: But why why really let something like that happen?

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Speaker 11: Because he was jealous. He knew mister Barrett liked my work.

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He heard him say so many times. O Manati, he

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was a great genius. Birth he said, asen mister Barrett

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and Manati they built this cottage and made me caretaker. Here,

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as you can see, I am still caretaker.

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Speaker 4: But you are an artist.

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Speaker 2: These animal figures, if you don't carve them, how do

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you make.

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Speaker 6: Them look like sculptures?

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Speaker 4: I just adore this turtle.

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Speaker 7: You like the turtle? Here for you to take it

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a present?

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Speaker 12: Thank you?

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Speaker 2: I just love it.

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Speaker 11: You are an art student. You are sympatical. I will

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show you my secret secret. Come, I will show you

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my workshop.

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Speaker 7: In here as studio.

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Speaker 4: What are these machine?

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Speaker 11: This one crushes stone? Makes granite chips. This is a

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00:14:18,480 --> 00:14:22,360
grinder to grind the chips and make the granite like sand.

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The turtle feel how heavy it is like stone, but

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not solid stone. I will show you.

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Speaker 7: I take the.

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00:14:33,799 --> 00:14:38,960
Speaker 11: Granite sand, I mix in very thin lacqua like this

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00:14:39,639 --> 00:14:46,600
in a blender. I put the mixture in the paint sprayer.

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So put a real live turtle on the table like this.

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Speaker 7: Ah, you watch and you will see stray show.

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Speaker 11: Now it is wet. I sprinkle a little bit of

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dry powder. It will soon dry and look like before,

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but a little bit heavier.

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Speaker 2: Oh, and geese and the frog, the cat, the dog,

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the birds, same.

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Speaker 5: Technique, mostly the same.

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Speaker 11: I speriment sometimes with taxidermy before I use the spray.

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Speaker 4: Well, this has been a real pleasure.

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Speaker 3: Mister Friendzoni.

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Speaker 4: My clothes must be quite dry by.

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Speaker 7: Now, Masterson, what is it?

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Speaker 11: May I ask about your arts school? What have you

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ever modeled at the school?

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Speaker 2: Now?

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Speaker 3: And then why?

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Speaker 11: If you will forgive me, miss Masterson, I can tell,

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even with the robe bond, that you have a most

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00:16:02,639 --> 00:16:04,799
beautiful body. Thank you.

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Speaker 3: It really is rather average.

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00:16:07,360 --> 00:16:11,360
Speaker 7: No, no, it is beautiful. Please do not be offended.

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00:16:11,960 --> 00:16:15,639
Speaker 11: I would like if you will permit me to make

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a plastic cast of you please as a remembrance.

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Speaker 2: Yes, very sweet, mister Franzoni.

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Speaker 6: But I really must be getting back to town.

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Speaker 15: If you call me a cab, we're all going to.

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00:16:28,440 --> 00:16:31,440
Speaker 4: A square dance after Why I beg you please?

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Speaker 13: Why a cast of my body?

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Speaker 6: I will take too long? Why not a death?

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Speaker 7: Now?

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Speaker 11: I work fast, It will not take long. Then I

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will drive you back to your hotel.

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Speaker 3: What will you do with the plastic can?

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Speaker 11: I will reassemble the sections and spray the entire cast

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with my granite solution. It will be the centerpiece of

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my first exhibition.

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Speaker 14: Well if it really won't take tea?

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Speaker 11: Oh, thank you, Miss Masterson, thank you, thank you.

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Speaker 2: Good morning, doctor Kellumn. I'm sorry to.

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Speaker 3: Trouble you, not at all at all.

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Speaker 7: What can I do for you?

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Speaker 6: Could you our group enjoy the visit of the Minati Garden?

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Speaker 4: Too bad it rained? Or would you have some quite yeah?

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Speaker 11: No, no, no, no, thank you.

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Speaker 4: You've seen him upset.

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Speaker 2: I'm afraid I am quite upset. Why one member of

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our group, miss Masterson, Helen Masterson, is which is missing?

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She didn't come back on the bus with us.

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Speaker 6: Miss Manorhoff are you telling me you left her there,

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actually left her there, I'm afraid.

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Speaker 2: So I'm afraid something terrible may have happened.

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Speaker 6: Our horrified doctor Killeman has our sympathy.

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Speaker 4: We can understand his agitation.

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00:18:09,960 --> 00:18:14,079
Speaker 6: All he probably can imagine is that another mysterious disappearance

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inside the sculpture Garden will revive the notoriety and scandal

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00:18:18,519 --> 00:18:22,400
of the still unsolved mystery of missus Barrett and Angela Menotti.

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As for miss Masterson, it does seem that for the

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role of a devotee of art for art's sake, she

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is well cast.

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Speaker 4: I'll be back shortly with that too. This is Jack Lemon.

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Speaker 6: If you are a parent of one of America's seven

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million handicapped children, you know how hard it can be

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to get straight information, especially about special education for your child. Now,

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the United States Office of Education has a special service

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that gathers information especially for parents of handicapped children. The

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00:18:56,079 --> 00:18:59,759
service is called Closer Look. Just right to Closer Look

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Box fourteen ninety two, Washington, d C.

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Speaker 4: Two one three.

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Speaker 6: They'll send you all sorts of free information, including information

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about the rights of handicapped children, about special education, about

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00:19:12,519 --> 00:19:16,039
what facilities are available in your area and about parents

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00:19:16,119 --> 00:19:19,079
groups that can help you. Now, Closer Look can't solve

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00:19:19,119 --> 00:19:21,960
all your problems, but they can give you information that helps.

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00:19:22,640 --> 00:19:24,920
So if you have a child with any kind of handicap,

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00:19:25,400 --> 00:19:27,799
write Closer Look Box fourteen.

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Speaker 4: Ninety two, Washington, d C.

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Speaker 7: Two one three.

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Speaker 6: A public service message by this station in the United

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States Office of Education. Great the word that sends gold

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00:19:38,279 --> 00:19:42,000
chills to many people of the world. The shifting tremblinger,

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00:19:42,599 --> 00:19:47,880
balling outlets glass debris are a constant threat a threat

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00:19:47,920 --> 00:19:51,519
to life and property for many countries, including the United States,

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00:19:52,319 --> 00:19:55,759
and should an earthquake or other natural disaster occur, there

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00:19:55,839 --> 00:19:59,720
are relief organizations to help, like your American Red Cross,

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00:20:00,519 --> 00:20:04,000
always reaching out to people in trouble. The Red Cross

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00:20:04,039 --> 00:20:07,319
Disaster program meets the urgent needs of victims immediately after

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00:20:07,400 --> 00:20:11,680
a disaster or in advance of a potential crisis. Red

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00:20:11,720 --> 00:20:15,880
Cross help provides food, clothing, shelter, health services, and other

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00:20:15,960 --> 00:20:20,519
basic elements for comfort and survival. It uses all available resources,

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00:20:20,640 --> 00:20:23,720
in addition to its own, to provide that vital.

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Speaker 4: Aid, always there, always ready.

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Speaker 6: Ever extending a helping hand, just like a good neighbor.

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Speaker 4: And that's what we are. Your American Red Cross.

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00:20:45,559 --> 00:20:49,960
Speaker 6: Doctor Kellerman faces a dilemma. Recovering from the first shock

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of being told that a missing tourist was last seen

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00:20:52,759 --> 00:20:56,720
inside the sculpture garden. He must decide whether to call

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00:20:56,759 --> 00:21:00,839
in the sheriff at once or further question Miss Maplehoff himself.

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He is decided on the latter, which puts him at

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00:21:04,359 --> 00:21:08,240
a decided disadvantage. After all, the curriculum of his fine

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00:21:08,319 --> 00:21:12,240
arts department could hardly include a course in the fine

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00:21:12,519 --> 00:21:16,519
art of murder. I simply cannot understand why you left

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her there. It's a totally irresponsible acting this matter.

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00:21:19,680 --> 00:21:21,200
Speaker 4: I know, I know I shouldn't have.

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00:21:21,960 --> 00:21:23,920
Speaker 2: I asked friend Zoni if he would call a cab

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for her to take her back to town.

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Speaker 4: Doctor, I'm afraid I was very annoyed. But she was

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not at breakfast this morning.

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Speaker 16: I asked the hotel manager to check her.

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Speaker 4: Room just before I called you. Her room had not

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been slept in.

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Speaker 5: Well, that is strange.

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Speaker 2: Will it happened several times on our tour, going off

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on her own to dinner and not sleeping in her

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own room, but she has always showed up at breakfast.

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Speaker 6: Well, I suggest we approached this in orderly fashion. Yes, first,

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let me call the caretaker. You can listen on the extension.

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Speaker 7: Thank you.

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00:21:58,319 --> 00:22:04,559
Speaker 4: Ah, Hello, this is doctor Kellerman. Pietro.

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00:22:05,440 --> 00:22:08,200
Speaker 5: Good morning, doctor, good morning. Listen carefully.

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Speaker 6: Pietro Greta, the guide on the bus yesterday, is in

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my office listening on an extension.

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Speaker 4: Now I have some questions.

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Speaker 6: Yes, doctor Kellerman, did you see a young lady, miss

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00:22:19,440 --> 00:22:21,240
Masterson after the bus left?

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00:22:22,160 --> 00:22:25,599
Speaker 11: Oh? Yes, oh, yes, miss Masterson. She came to the

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cottage in the rain. She said she lost her way.

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She was very, very wet. She was here a short

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00:22:33,680 --> 00:22:36,920
while until her clothes dried in front of the fire.

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Speaker 7: Well did you call a cab for her?

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00:22:39,839 --> 00:22:43,359
Speaker 11: I tried, but the line was busy. I was afraid

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she would get sick, so I drove her back to town.

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Speaker 7: In the jeep.

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00:22:47,559 --> 00:22:53,119
Speaker 4: Well did you drive her to the hotel? Are you there, Pietro?

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00:22:54,359 --> 00:22:55,039
Speaker 12: Did you hear me?

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Speaker 5: Did you drive her to the hotel?

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00:22:58,319 --> 00:23:02,000
Speaker 11: It stopped raining when we got to She said she

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00:23:02,119 --> 00:23:04,960
wanted to do some shopping. I let her out on

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00:23:05,119 --> 00:23:09,519
main Street near the hotel. Yes, and then I stopped

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00:23:09,559 --> 00:23:13,079
at a drug store for aspirin. I bought a bottle

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00:23:13,119 --> 00:23:16,000
of GIANTI at the supermarket and drove back here.

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Speaker 4: Well, thank you, Petro.

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00:23:19,359 --> 00:23:21,079
Speaker 12: Huh there you heard?

395
00:23:21,359 --> 00:23:22,960
Speaker 17: Yes, I heard.

396
00:23:24,640 --> 00:23:25,880
Speaker 4: I had better phone the sheriff.

397
00:23:31,079 --> 00:23:37,559
Speaker 7: Did you hear, Miss Masterson? Doctor Kellerman? He just called me.

398
00:23:38,440 --> 00:23:43,279
Speaker 11: Greta was listening. They are wondering where you are, what

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00:23:43,599 --> 00:23:48,000
happened to you? What could I tell them, Miss Masterson?

400
00:23:48,759 --> 00:23:52,440
That you died in the cast, That while I was

401
00:23:52,519 --> 00:23:56,039
putting the plaster of Paris on your face, some of

402
00:23:56,119 --> 00:23:59,160
it got into your nose, and that I went to

403
00:23:59,240 --> 00:24:03,920
make some fresh espresso while the cast was drying and

404
00:24:04,119 --> 00:24:08,400
you died. It was not an accident, missus Masterson.

405
00:24:09,519 --> 00:24:19,119
Speaker 7: I was careless, curless. That's all we know, Sheriff. But

406
00:24:19,240 --> 00:24:20,279
I told you on the phone.

407
00:24:20,920 --> 00:24:22,720
Speaker 4: Unless mismaller, no, I.

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00:24:22,759 --> 00:24:24,319
Speaker 2: Can't think of anything else, Sheriff.

409
00:24:26,440 --> 00:24:29,559
Speaker 14: By way down there, I checked drug store and liquor

410
00:24:29,599 --> 00:24:33,319
store away here. They both confirmed Beatro's story.

411
00:24:33,559 --> 00:24:35,039
Speaker 4: Well I never doubted it, Sheriff.

412
00:24:35,240 --> 00:24:38,759
Speaker 14: That's routine. Well, yes, you might as well put out

413
00:24:38,759 --> 00:24:40,440
in our parts bullet in a very description.

414
00:24:40,880 --> 00:24:44,160
Speaker 2: I should tell my home office if she is missing,

415
00:24:44,240 --> 00:24:48,200
they'll want to alert her her parents in Columbus.

416
00:24:49,119 --> 00:24:51,200
Speaker 6: I'd better be getting back to the bus. I'll see

417
00:24:51,240 --> 00:24:56,319
you to the elevator. I'll be right back, sheriff. We

418
00:24:56,440 --> 00:24:58,640
look forward to another visit with an art group soon.

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00:24:58,960 --> 00:25:01,799
Speaker 2: We plan to to kill him minute. Oh you have

420
00:25:01,920 --> 00:25:03,480
a magnificent sculpture garden.

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00:25:03,599 --> 00:25:07,839
Speaker 4: Thank you, goodbye, Thanks again, goodbye.

422
00:25:13,400 --> 00:25:13,920
Speaker 5: She's gone.

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00:25:14,799 --> 00:25:15,759
Speaker 4: What's on your mind?

424
00:25:15,880 --> 00:25:16,240
Speaker 3: Doctor?

425
00:25:17,640 --> 00:25:21,880
Speaker 4: What you're sweating by? Her clothes? Her bags?

426
00:25:23,200 --> 00:25:24,799
Speaker 5: Why she left them at the hotel.

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00:25:26,039 --> 00:25:31,039
Speaker 14: Yeah, that's not good, doctor. She doesn't show up the

428
00:25:31,079 --> 00:25:35,640
hotel by three o'clock. I'll go over her room with manager.

429
00:25:36,000 --> 00:25:38,599
Maybe a node of clue letters.

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00:25:38,880 --> 00:25:40,640
Speaker 4: You know, I am so upset about this here. If

431
00:25:40,720 --> 00:25:45,319
you do know, I understand she must be found.

432
00:25:46,160 --> 00:25:46,279
Speaker 11: Now.

433
00:25:46,319 --> 00:25:48,440
Speaker 6: It's taken years to live down the mystery of Sarah

434
00:25:48,480 --> 00:25:51,359
Barrett and Manatti. Who know that we can't afford to

435
00:25:51,400 --> 00:25:54,720
have that revived, particularly now that the Chamber of Commerce

436
00:25:54,720 --> 00:25:56,839
wants the garden reopened to the general public as a

437
00:25:56,880 --> 00:25:57,519
tourist attraction.

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00:25:57,680 --> 00:25:58,680
Speaker 3: Yeah, well we'll do this.

439
00:25:58,880 --> 00:26:04,839
Speaker 14: We can go now California. After I see the hotel manager.

440
00:26:14,440 --> 00:26:16,200
Speaker 4: Kellman speaking Jefftown.

441
00:26:16,279 --> 00:26:18,240
Speaker 3: But just going over Ms.

442
00:26:18,440 --> 00:26:22,720
Speaker 14: Masterson's room, got a thing. Oh no, no letters closed

443
00:26:22,920 --> 00:26:25,400
bag still here looks bad.

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00:26:25,559 --> 00:26:26,960
Speaker 3: Gosh, I was.

445
00:26:26,960 --> 00:26:27,559
Speaker 7: Afraid of that.

446
00:26:28,240 --> 00:26:31,440
Speaker 14: Our phone manor Hof tonight at the broad More guarding

447
00:26:31,519 --> 00:26:32,279
Perry's schedule.

448
00:26:32,400 --> 00:26:33,920
Speaker 3: Group will be leaving there in the morning.

449
00:26:35,079 --> 00:26:37,759
Speaker 5: Yes, she better be told.

450
00:26:39,000 --> 00:26:51,880
Speaker 14: Thank you, Ben, you'd like to see this doc. It's

451
00:26:51,920 --> 00:26:55,039
the newspaper clipping. I got the mayor this morning from

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00:26:55,119 --> 00:26:56,799
the police chief in Columbus.

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00:26:56,880 --> 00:27:02,480
Speaker 6: Ohigh, think you're mister and Missus Homer Masterson of Rosewood

454
00:27:02,519 --> 00:27:05,400
Heights reported today to police Chief John Murray that their

455
00:27:05,480 --> 00:27:08,000
daughter Helen has been missing for the past two weeks.

456
00:27:08,640 --> 00:27:11,880
Missus Masterson is reported to have disappeared during a chartered

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00:27:11,960 --> 00:27:13,680
bus tour about exhibits in the West.

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00:27:15,359 --> 00:27:17,559
Speaker 4: Well, these things have to come.

459
00:27:17,480 --> 00:27:18,400
Speaker 7: Out sooner or later.

460
00:27:18,480 --> 00:27:23,039
Speaker 6: I guess at least there's no mention of Brrittsville. Keep

461
00:27:23,079 --> 00:27:25,440
your fingers crossed. Well, thanks for.

462
00:27:25,559 --> 00:27:26,319
Speaker 4: Bringing it over again.

463
00:27:26,759 --> 00:27:27,400
Speaker 3: Keep in touch.

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00:27:27,799 --> 00:27:28,039
Speaker 12: Bye.

465
00:27:32,480 --> 00:27:36,240
Speaker 5: Oh Jane, you can tell that young man Dr Lawson

466
00:27:36,279 --> 00:27:36,799
to come in now.

467
00:27:39,440 --> 00:27:42,759
Speaker 4: Are to have kept you waiting? Doctor? Have a seat please,

468
00:27:43,640 --> 00:27:48,359
I don't mind. I'm on vacation, oh backpacking? Eh yeah,

469
00:27:48,640 --> 00:27:52,680
I'll just put it down anywhere. I've got your card

470
00:27:52,759 --> 00:27:53,640
here here it is.

471
00:27:54,559 --> 00:28:02,000
Speaker 6: Doctor Arnold Lawson, Assistant Curator of Cincinnati Museum of Fine Well, Well,

472
00:28:02,440 --> 00:28:05,079
how is doctor Murdoch. We were classmates of Wisconsin.

473
00:28:05,160 --> 00:28:05,279
Speaker 7: You know.

474
00:28:05,359 --> 00:28:06,839
Speaker 14: Oh he's fine, he sends regard.

475
00:28:06,960 --> 00:28:09,440
Speaker 4: Well then, now, then what can I do for you?

476
00:28:10,200 --> 00:28:12,480
Speaker 14: When I told doctor Murdoch I'd be spending my vacation

477
00:28:12,680 --> 00:28:16,400
backpacking through the calade the trailway, he suggested I drop

478
00:28:16,559 --> 00:28:17,079
by to see you.

479
00:28:17,359 --> 00:28:19,599
Speaker 3: Look, and of course the Monati garden.

480
00:28:19,400 --> 00:28:22,000
Speaker 6: May naturally naturally and how what would you like to

481
00:28:22,079 --> 00:28:22,440
visit the.

482
00:28:22,480 --> 00:28:26,680
Speaker 4: Garden any time? It's convenient. This morning, that'd be fine.

483
00:28:27,440 --> 00:28:38,319
Speaker 11: I'll have one of the men drive you out, doctor Larson.

484
00:28:39,680 --> 00:28:40,839
Speaker 5: I will open the gates.

485
00:28:44,160 --> 00:28:48,160
Speaker 11: Well, welcome, doctor Larson. Excuse me, I must.

486
00:28:48,079 --> 00:28:48,920
Speaker 4: Lock the gate again.

487
00:28:52,079 --> 00:28:58,480
Speaker 11: Well this is magnificent, Yes, magnificent.

488
00:29:00,240 --> 00:29:00,920
Speaker 7: Your backpack.

489
00:29:01,400 --> 00:29:04,160
Speaker 11: I'll take it to the cottage when you finish, come

490
00:29:04,240 --> 00:29:05,079
back to my cottage.

491
00:29:05,119 --> 00:29:08,079
Speaker 4: Yes, yes, thank you. You have a map of the

492
00:29:08,160 --> 00:29:09,640
garden in the brochure.

493
00:29:10,160 --> 00:29:13,720
Speaker 7: Very good. You start that way, follow the sign.

494
00:29:13,880 --> 00:29:16,200
Speaker 14: Yes, yes, I'm sure I'll have no trouble.

495
00:29:17,160 --> 00:29:29,920
Speaker 11: I'll see you later, doctor Larson. Ah, Dr Larson, you've

496
00:29:30,039 --> 00:29:32,480
got a long time. Come in, Come in please.

497
00:29:34,559 --> 00:29:36,440
Speaker 7: I thought maybe you would be back for lunch.

498
00:29:36,759 --> 00:29:39,720
Speaker 4: Well, there is so much to see. The time pass

499
00:29:39,839 --> 00:29:40,880
so quickly if.

500
00:29:40,799 --> 00:29:43,519
Speaker 11: You had no lunch, that you will have some deposito

501
00:29:43,599 --> 00:29:44,519
and a glass of wine.

502
00:29:44,680 --> 00:29:52,079
Speaker 3: That sounds great good, That was delicious.

503
00:29:52,759 --> 00:29:55,799
Speaker 13: I didn't realize how hungry I really want, bunkie.

504
00:29:55,839 --> 00:29:57,880
Speaker 4: I bet yeah, half a glass.

505
00:29:59,480 --> 00:30:03,680
Speaker 14: Oh of that photograph on the wall of the statue

506
00:30:03,720 --> 00:30:08,759
of a man? Is that of a knotty too? It

507
00:30:08,960 --> 00:30:14,319
fools you too, fools me? What do you mean it's me?

508
00:30:15,640 --> 00:30:18,880
Speaker 3: What do you mean you it's a sculpturing statue.

509
00:30:19,759 --> 00:30:21,680
Speaker 7: Oh you mean you did it? No?

510
00:30:21,960 --> 00:30:29,759
Speaker 11: No, no, no, gup I will show you in my workshop. Gup, Hey,

511
00:30:30,559 --> 00:30:31,920
that's quite a studio.

512
00:30:32,559 --> 00:30:35,400
Speaker 7: Here behind the screen hanging on the wall.

513
00:30:36,440 --> 00:30:37,759
Speaker 16: What is it here?

514
00:30:38,920 --> 00:30:39,279
Speaker 11: Hold it?

515
00:30:40,440 --> 00:30:41,799
Speaker 7: Feel it with it?

516
00:30:42,839 --> 00:30:47,480
Speaker 14: It looks like like something made out of a skin suit.

517
00:30:48,039 --> 00:30:52,559
Speaker 11: That's rise a rubber skin suit like divers use. The

518
00:30:52,720 --> 00:30:58,720
outside covered with granite powder sprayed on with lacquer. Incredible

519
00:30:59,000 --> 00:31:01,599
is it? I put on a skin suit. It covers

520
00:31:01,720 --> 00:31:05,039
my whole body, also my head and face. Then I

521
00:31:05,240 --> 00:31:09,920
spray set up a camera for time exposure. The photograph

522
00:31:10,039 --> 00:31:15,160
you see, it's me. It's a joke, like the Larson,

523
00:31:15,279 --> 00:31:15,680
a joke.

524
00:31:15,759 --> 00:31:16,440
Speaker 7: I have fun.

525
00:31:16,920 --> 00:31:21,240
Speaker 11: I make what art critics call a living statue.

526
00:31:23,480 --> 00:31:24,799
Speaker 7: I like to experiment.

527
00:31:26,119 --> 00:31:28,480
Speaker 3: I must say that photograph sure fool me.

528
00:31:29,920 --> 00:31:31,960
Speaker 14: Well, I guess i'd better be going now.

529
00:31:32,240 --> 00:31:35,319
Speaker 11: Please you have a few minutes, Just a few minutes.

530
00:31:35,920 --> 00:31:41,160
I'd like to show you a more serious experiment, Paul.

531
00:31:41,839 --> 00:31:47,079
They're here behind this stone wall. Behind the stone wall.

532
00:31:47,559 --> 00:31:52,119
Speaker 5: This big stone opens like a door.

533
00:31:54,079 --> 00:31:56,359
Speaker 7: Now, wait, I will put on the light.

534
00:31:58,480 --> 00:32:07,000
Speaker 16: You see a statue of a woman. It's beautiful. Touch it,

535
00:32:08,200 --> 00:32:09,559
go ahead, touch.

536
00:32:11,559 --> 00:32:18,599
Speaker 4: What it feels like? Granite looks like granted? Is it sculptured?

537
00:32:18,680 --> 00:32:19,079
Speaker 5: Grannite?

538
00:32:19,920 --> 00:32:26,799
Speaker 11: No plaster cast sprayed many times with granite powder?

539
00:32:27,039 --> 00:32:32,079
Speaker 7: Spray good. I don't know what to say. I am impressed.

540
00:32:32,519 --> 00:32:35,559
Speaker 4: I'd like to come back sometimes learn just how you

541
00:32:35,680 --> 00:32:38,160
do it if I may. But i'd better be on

542
00:32:38,240 --> 00:32:40,279
my way, and thanks so much for everything.

543
00:32:40,920 --> 00:32:43,799
Speaker 11: I would like to ask a favorite doctor laws favor?

544
00:32:45,319 --> 00:32:45,480
Speaker 7: Well?

545
00:32:45,519 --> 00:32:45,880
Speaker 12: What is it?

546
00:32:47,240 --> 00:32:47,440
Speaker 11: Oh?

547
00:32:47,640 --> 00:32:51,119
Speaker 7: Oh, don't you feel well? Do you look sick?

548
00:32:51,720 --> 00:32:52,240
Speaker 4: Your eyes?

549
00:32:52,519 --> 00:32:58,000
Speaker 7: Look? One favor? One favor? Please? What would you permit

550
00:32:58,160 --> 00:33:02,599
me to make? A plastic asked of you? I mean,

551
00:33:02,920 --> 00:33:04,880
the lady is so lonesome?

552
00:33:05,440 --> 00:33:07,480
Speaker 4: Me a cast of me?

553
00:33:08,200 --> 00:33:10,759
Speaker 5: Oh, they're crazy idea day like me.

554
00:33:11,119 --> 00:33:15,440
Speaker 7: I will not hurt you, please me jan no, no,

555
00:33:15,599 --> 00:33:16,400
do not leave.

556
00:33:17,160 --> 00:33:18,640
Speaker 4: Damn you let call me.

557
00:33:18,920 --> 00:33:26,400
Speaker 12: Sir kay hurting me my neck, my neck, I can't mean.

558
00:33:26,519 --> 00:33:29,480
Speaker 7: I wish you please, I'll.

559
00:33:29,319 --> 00:33:33,960
Speaker 12: Help you up. Do not die, Dr Lawson, No, no,

560
00:33:40,680 --> 00:33:40,920
I do.

561
00:33:41,039 --> 00:33:42,200
Speaker 7: Not want him to die.

562
00:33:42,359 --> 00:33:48,200
Speaker 11: Miss Masterson, you believe me, yes, I only want to

563
00:33:48,319 --> 00:33:53,279
make a cast so you are not lonesome. Miss Masterson.

564
00:34:02,400 --> 00:34:05,720
Speaker 6: It seems our young man didn't quite believe in art

565
00:34:06,000 --> 00:34:09,480
for art's sake, or was he simply one of those

566
00:34:09,719 --> 00:34:13,480
social drinkers who can't take even a small glass of

567
00:34:13,599 --> 00:34:20,119
wine without getting plastered. I'll be back shortly without three.

568
00:34:20,960 --> 00:34:24,360
I'm High Brown, producer at Mystery Theater. This month, we

569
00:34:24,559 --> 00:34:27,639
and Walt Disney World are giving sixteen lucky people a

570
00:34:27,760 --> 00:34:32,000
week of thrilling entertainment at Walt Disney World near Orlando, Florida.

571
00:34:32,440 --> 00:34:35,480
Speaker 5: Send your name and address. Each week for four weeks,

572
00:34:35,719 --> 00:34:37,760
we'll select winners and random drawings.

573
00:34:38,320 --> 00:34:41,119
Speaker 6: You could win an all expense paid vacation for four

574
00:34:41,519 --> 00:34:42,960
flying to the Vacation.

575
00:34:42,800 --> 00:34:45,920
Speaker 5: Kingdom of the World, stay at the Dutch Inn, get free.

576
00:34:45,840 --> 00:34:49,079
Speaker 6: Tickets to rides and attractions in the Magic Kingdom, including

577
00:34:49,159 --> 00:34:52,519
Disney's bi centennial Spectacular America Arm Parade.

578
00:34:52,800 --> 00:34:55,760
Speaker 5: There are four hundred Mickey Mouse watches as prizes. Also

579
00:34:56,239 --> 00:34:59,000
send your name and address to Mystery theater.

580
00:34:59,199 --> 00:35:04,280
Speaker 6: Box one Radio City Station, New York. One one nine

581
00:35:04,719 --> 00:35:08,559
employees of CBS and Walt Disney not eligible. Contest void,

582
00:35:08,599 --> 00:35:13,719
We're prohibited. That's Mystery theater Box one, Radio City Station,

583
00:35:14,159 --> 00:35:16,920
New York. Entrees received by September.

584
00:35:16,519 --> 00:35:19,480
Speaker 5: Three are eligible for at least one drawing. Winners will

585
00:35:19,480 --> 00:35:38,920
be notified by mail. Hello, everybody, this is cousin.

586
00:35:38,719 --> 00:35:41,880
Speaker 17: Bruce Morrow for the Foundation Church. Now these are troubled time.

587
00:35:41,920 --> 00:35:44,159
It's not a lot of money around. Work's got a

588
00:35:44,360 --> 00:35:48,480
tough to get half of these here with dissolution, wondering

589
00:35:48,519 --> 00:35:51,000
what's gonna go down next? Well, it's easy to go

590
00:35:51,039 --> 00:35:52,840
along with it, right, Let me just sit around and say,

591
00:35:53,159 --> 00:35:53,559
who cares?

592
00:35:53,599 --> 00:35:54,280
Speaker 4: You know what the next guy?

593
00:35:54,320 --> 00:35:54,840
Speaker 7: Worry about it?

594
00:35:55,079 --> 00:35:56,320
Speaker 4: But does it have to be like this?

595
00:35:56,920 --> 00:36:00,519
Speaker 17: Pride, dignity, truth, being straight one another?

596
00:36:00,880 --> 00:36:02,920
Speaker 5: Now, these qualities have not disappeared.

597
00:36:03,400 --> 00:36:05,760
Speaker 17: They've just gone to sleep for a while, right, But

598
00:36:05,960 --> 00:36:07,400
now's the time to wake them up.

599
00:36:07,800 --> 00:36:09,039
Speaker 7: Only we can do it.

600
00:36:09,960 --> 00:36:12,079
Speaker 17: This mess is brought to you by the Foundation Church.

601
00:36:12,159 --> 00:36:14,079
What I Love at East thirty eighth Street, New York,

602
00:36:14,159 --> 00:36:16,119
New York zip one zero zero one six.

603
00:36:33,280 --> 00:36:36,119
Speaker 4: We can say one thing for Pietro. At least his

604
00:36:36,239 --> 00:36:37,480
heart is in the right place.

605
00:36:38,440 --> 00:36:42,920
Speaker 6: He realizes that man and some women cannot live happily alone,

606
00:36:43,559 --> 00:36:47,039
so he has created a companion piece for miss Masterson.

607
00:36:47,760 --> 00:36:49,360
Speaker 4: As for distraught doctor.

608
00:36:49,159 --> 00:36:52,239
Speaker 6: Kellerman, a thing of beauty may be a joy forever,

609
00:36:52,480 --> 00:36:55,960
but certainly not in his present state of mind. He

610
00:36:56,119 --> 00:37:01,239
is understandably terribly upset and has just hurried to Talbot's office.

611
00:37:01,880 --> 00:37:04,760
I just got a telephone call Shareff from doctor Harvey Murdach,

612
00:37:04,840 --> 00:37:08,280
curator of the Cincinnati Museum. It seems that his assistant,

613
00:37:08,360 --> 00:37:11,119
doctor Arnold Larson, is two days overdue.

614
00:37:10,760 --> 00:37:11,440
Speaker 4: From his vacation.

615
00:37:12,400 --> 00:37:14,599
Speaker 6: He wanted to know if I had any idea where

616
00:37:14,639 --> 00:37:18,679
he might be. Why you, Oh, yes, I should explain.

617
00:37:19,159 --> 00:37:21,400
Larson visited the Minati Garden about a week ago.

618
00:37:21,880 --> 00:37:23,480
Speaker 4: He paid a courtesy call at my office.

619
00:37:24,239 --> 00:37:27,119
Speaker 6: I had him driven out to the garden and he

620
00:37:27,400 --> 00:37:31,119
didn't come back to Bertrie. No, he was spending his

621
00:37:31,239 --> 00:37:34,159
vacation backpacking and just wanted to stop off to see

622
00:37:34,199 --> 00:37:34,599
the garden.

623
00:37:35,199 --> 00:37:36,880
Speaker 4: He'd never seen it. He'll go on.

624
00:37:37,360 --> 00:37:40,119
Speaker 6: I phoned Pietro to tell him to expect doctor Larson.

625
00:37:40,360 --> 00:37:43,440
And did Pietro seem it didn't occur to me to

626
00:37:43,519 --> 00:37:45,280
ask him if I took it for granted.

627
00:37:46,039 --> 00:37:46,840
Speaker 5: Now, good heavens.

628
00:37:47,039 --> 00:37:50,800
Speaker 4: I hope this is not another missing person's case.

629
00:37:51,679 --> 00:37:54,280
Speaker 3: Why don't we just drive out to see Pietro?

630
00:37:59,079 --> 00:38:02,440
Speaker 7: Oh, doctor kill him, Sheriff Talbot, what a surprise.

631
00:38:03,159 --> 00:38:05,159
Speaker 6: Sheriff Talbot would like to ask you a few questions,

632
00:38:05,239 --> 00:38:08,000
Petro about Dr Larson Larson.

633
00:38:08,960 --> 00:38:12,159
Speaker 11: Oh, yes, doctor Larson, Yes, from the Cincinnati Museum.

634
00:38:12,320 --> 00:38:16,559
Speaker 14: Yeah, was he here the day Doctor Calvin telephoned you to.

635
00:38:16,920 --> 00:38:17,880
Speaker 4: Tell you he was coming.

636
00:38:18,559 --> 00:38:22,000
Speaker 7: Of course, he came here. He enjoyed the garden very much.

637
00:38:22,599 --> 00:38:23,840
Speaker 4: How long was he here?

638
00:38:24,760 --> 00:38:27,320
Speaker 7: Well, let me see. He came about ten o'clock.

639
00:38:27,719 --> 00:38:30,599
Speaker 11: He spent a long time in the garden, came back

640
00:38:30,639 --> 00:38:33,119
to the cottage about three o'clock.

641
00:38:33,199 --> 00:38:35,320
Speaker 14: And he left then three o'clock.

642
00:38:36,079 --> 00:38:40,440
Speaker 11: No, he stayed about one hour. Had doctor pasta and why?

643
00:38:40,559 --> 00:38:41,360
And we talked?

644
00:38:42,280 --> 00:38:44,679
Speaker 7: Nice man. He said he had to go.

645
00:38:44,880 --> 00:38:47,360
Speaker 11: He wanted to get back to the overlook before dawn.

646
00:38:48,280 --> 00:38:48,800
Speaker 7: Camp there.

647
00:38:49,280 --> 00:38:51,239
Speaker 3: Oh, yeah, there is camp right there.

648
00:38:51,719 --> 00:38:53,960
Speaker 4: And that was the last time you saw doctor Lawson.

649
00:38:54,599 --> 00:38:55,199
Speaker 7: That is right.

650
00:38:57,360 --> 00:38:58,119
Speaker 5: Is something wrong?

651
00:38:59,079 --> 00:39:03,480
Speaker 6: Something happened to doctor age mission. He should have been

652
00:39:03,559 --> 00:39:05,679
back in Cincinnati two days ago.

653
00:39:06,480 --> 00:39:09,599
Speaker 14: Well, we better get back to town. Get out and

654
00:39:09,639 --> 00:39:12,440
alert to the Ranger Service and the Highway Patrol.

655
00:39:17,159 --> 00:39:22,079
Speaker 11: You here, Dr Larson, Your doctor Murdoch did not find you.

656
00:39:22,920 --> 00:39:25,039
Speaker 7: You stay here with Missus Masterson.

657
00:39:25,960 --> 00:39:28,519
Speaker 11: Soon they will find the backpack I threw down into

658
00:39:28,559 --> 00:39:31,960
the ravine by overlook. They will think you slipped over

659
00:39:32,039 --> 00:39:35,639
the rocks and fell into the river. They look, but

660
00:39:35,840 --> 00:39:37,079
they'll never find you.

661
00:39:38,400 --> 00:39:38,679
Speaker 7: Never.

662
00:39:44,400 --> 00:39:45,639
Speaker 4: Good morning, doctor Callerman.

663
00:39:46,000 --> 00:39:48,719
Speaker 2: I'm Shelley Curtis of Arts and Leisure Magazine.

664
00:39:48,480 --> 00:39:49,199
Speaker 7: So good to see you.

665
00:39:49,719 --> 00:39:50,559
Speaker 4: Please do have us here.

666
00:39:50,840 --> 00:39:51,079
Speaker 7: Thank you.

667
00:39:51,599 --> 00:39:54,639
Speaker 6: I understand you want to do a color photo layout

668
00:39:54,719 --> 00:39:55,960
of the garden and the exhibits.

669
00:39:56,119 --> 00:39:59,679
Speaker 2: Yes, for publication in about six weeks, a week before

670
00:39:59,719 --> 00:40:01,679
the garden has reopened to the general public.

671
00:40:01,719 --> 00:40:02,320
Speaker 4: What's splendid?

672
00:40:02,800 --> 00:40:02,920
Speaker 7: Now?

673
00:40:03,000 --> 00:40:04,639
Speaker 5: Do you have enough background material?

674
00:40:04,800 --> 00:40:04,920
Speaker 7: Oh?

675
00:40:04,920 --> 00:40:08,079
Speaker 2: Heaven yes, your PR department has flooded me with material.

676
00:40:09,199 --> 00:40:12,519
I've got some ideas I'd like to try.

677
00:40:13,559 --> 00:40:14,360
Speaker 7: I hope they work.

678
00:40:14,760 --> 00:40:16,199
Speaker 4: When do you plan to start shooting?

679
00:40:16,679 --> 00:40:19,559
Speaker 2: I'd like to do it in two sessions. First this

680
00:40:19,719 --> 00:40:22,239
morning to study the subjects and get the feel of

681
00:40:22,280 --> 00:40:26,159
the place, and do overall shooting, probably until about about

682
00:40:26,199 --> 00:40:30,559
four o'clock. Then I'd like another session towards dusk sunset,

683
00:40:30,639 --> 00:40:35,880
with changing colors golds, reds, blues as darkness approaches, and

684
00:40:36,079 --> 00:40:41,000
finally under the full moon. Those nude granite figures of

685
00:40:41,079 --> 00:40:44,079
the fountain glistening wet in the moonlighting.

686
00:40:44,199 --> 00:40:45,440
Speaker 5: It certainly sounds wonderful.

687
00:40:45,639 --> 00:40:49,559
Speaker 4: I'll call the caretaker. I'll drop by tomorrow before I leave.

688
00:40:51,239 --> 00:40:58,599
Speaker 6: Huh, Hello, this chef, how I was just about to

689
00:40:58,639 --> 00:40:58,920
call you.

690
00:41:00,119 --> 00:41:04,719
Speaker 14: You'd want to know Ranger found Larcen's backpack the foot

691
00:41:04,760 --> 00:41:04,960
of a.

692
00:41:05,039 --> 00:41:10,599
Speaker 3: Rock slide, and Larson don't trace yet. They're searching down river.

693
00:41:11,320 --> 00:41:12,639
Speaker 14: I just phoned Doc Murdock.

694
00:41:13,880 --> 00:41:18,719
Speaker 4: All right, thanks Ben, Now it's too bad. It could

695
00:41:18,719 --> 00:41:20,960
have been worse. At least it.

696
00:41:21,119 --> 00:41:23,320
Speaker 3: Wasn't found inside the Minorti garden.

697
00:41:25,079 --> 00:41:25,840
Speaker 13: You said you're.

698
00:41:25,679 --> 00:41:26,679
Speaker 3: About to call me Doc.

699
00:41:27,360 --> 00:41:30,840
Speaker 6: Yes, Ben, you still have a highway patrolman on duty

700
00:41:30,920 --> 00:41:31,159
near the.

701
00:41:31,159 --> 00:41:31,719
Speaker 5: Garden, don't you.

702
00:41:31,960 --> 00:41:33,280
Speaker 3: Yes' right? Mike calls you.

703
00:41:33,360 --> 00:41:38,239
Speaker 6: Why, there'll be a magazine photographer working there, names Shelley Curtis.

704
00:41:38,599 --> 00:41:41,159
She might be doing some shooting around dusk and moonlight.

705
00:41:42,239 --> 00:41:45,079
You might alert Halsey. She might be shooting with flash.

706
00:41:45,239 --> 00:41:52,639
Speaker 3: Oh yeah, I sure will thank you, see you later.

707
00:41:52,760 --> 00:41:53,079
Speaker 4: Paper.

708
00:41:53,840 --> 00:41:58,960
Speaker 11: Excuse me, missus Curtis, before you start, do you mind

709
00:41:58,960 --> 00:41:59,800
if I ask a question?

710
00:42:00,280 --> 00:42:00,719
Speaker 4: Not at all?

711
00:42:01,440 --> 00:42:05,480
Speaker 11: You take pictures for many hours? One hundred, two hundred pictures.

712
00:42:05,960 --> 00:42:08,199
Your magazine will print how many?

713
00:42:08,880 --> 00:42:11,480
Speaker 3: Ten twenty maybe thirty.

714
00:42:11,440 --> 00:42:15,679
Speaker 7: H so much work? What time will you come back?

715
00:42:15,960 --> 00:42:17,800
Speaker 2: The sunset is about eight o'clock.

716
00:42:18,480 --> 00:42:19,320
Speaker 4: I'll be back by.

717
00:42:19,320 --> 00:42:22,199
Speaker 7: Seven, but it gets dark fast. Here. I have an

718
00:42:22,239 --> 00:42:23,320
extra key for the gate.

719
00:42:24,199 --> 00:42:26,599
Speaker 11: It's no good for you to wait outside by yourself

720
00:42:26,679 --> 00:42:27,599
in case I'm not here.

721
00:42:27,679 --> 00:42:28,239
Speaker 4: Oh, thank you.

722
00:42:32,599 --> 00:42:33,960
Speaker 7: Look, Miss Masterson.

723
00:42:34,480 --> 00:42:35,599
Speaker 5: Look, Doctor Larson.

724
00:42:36,119 --> 00:42:40,400
Speaker 11: It's me the eighthro in my skin, sus, I look

725
00:42:40,559 --> 00:42:44,480
like a statue. Millions of people will see a picture

726
00:42:44,519 --> 00:42:44,719
of the.

727
00:42:44,760 --> 00:42:46,039
Speaker 12: Three of us together.

728
00:42:47,679 --> 00:42:52,480
Speaker 11: I'll take you, missus masters and put you on the

729
00:42:52,760 --> 00:42:59,480
hand truck. So I now take you, and I put

730
00:42:59,559 --> 00:43:03,639
you with Manati statues, Miss Masterson.

731
00:43:06,199 --> 00:43:08,159
Speaker 7: Then I come back for Dr Larson.

732
00:43:09,400 --> 00:43:12,880
Speaker 11: Then have we wait for missus Curtis to come back

733
00:43:13,079 --> 00:43:19,239
by board lights to take a picture. I'll show you Monati,

734
00:43:20,159 --> 00:43:25,360
I'll show the whole world. I too, am a genius shop.

735
00:43:30,400 --> 00:43:36,440
Speaker 7: Do not move, Miss Masterson, Do not move, Doctor Larson.

736
00:43:37,760 --> 00:43:42,760
She is coming. Do not move.

737
00:43:43,960 --> 00:43:46,719
Speaker 5: She she is not stopping.

738
00:43:47,880 --> 00:43:51,039
Speaker 7: Missus Curtis, okay.

739
00:43:51,159 --> 00:44:07,920
Speaker 3: Coolly touch me? Where are you?

740
00:44:08,639 --> 00:44:09,960
Speaker 2: Did you not put you here?

741
00:44:12,400 --> 00:44:14,360
Speaker 4: I believe a brief.

742
00:44:15,039 --> 00:44:17,480
Speaker 11: See the police.

743
00:44:18,400 --> 00:44:27,599
Speaker 8: Hey, alright, alright where you just take it?

744
00:44:28,000 --> 00:44:28,239
Speaker 3: Ma'am?

745
00:44:28,719 --> 00:44:32,360
Speaker 2: Why but now he got the can't takers caught?

746
00:44:32,400 --> 00:44:33,320
Speaker 3: He's some days.

747
00:44:33,400 --> 00:44:35,360
Speaker 7: Hurry now calm ma'am.

748
00:44:36,000 --> 00:44:37,679
Speaker 12: Where you can't take your patrol?

749
00:44:38,280 --> 00:44:40,360
Speaker 3: I don't know. I just know I'm glad here.

750
00:44:40,599 --> 00:44:41,679
Speaker 4: The door was open.

751
00:44:42,039 --> 00:44:47,119
Speaker 2: Here the photographer, yes, yes, m one of the statues,

752
00:44:47,719 --> 00:44:49,039
a statue of a man.

753
00:44:49,719 --> 00:44:53,239
Speaker 8: As I passed it, a thing that touched my back,

754
00:44:54,159 --> 00:44:55,960
my name was called out.

755
00:44:58,199 --> 00:45:01,440
Speaker 4: Are you sure, ab sure you're not imagining?

756
00:45:01,559 --> 00:45:02,639
Speaker 7: Mister? Please?

757
00:45:04,639 --> 00:45:06,400
Speaker 4: You must believe me.

758
00:45:11,719 --> 00:45:16,559
Speaker 7: I'm sorry, mus Mastus, doctor Larson. She did not take

759
00:45:16,719 --> 00:45:17,800
pictures of us.

760
00:45:18,719 --> 00:45:22,360
Speaker 11: Excuse me, please, I leave you for a little while

761
00:45:23,239 --> 00:45:27,119
to go see Manati. I think Miss Curtis has gone

762
00:45:27,199 --> 00:45:30,320
to take a picture of Manti. I must be in

763
00:45:30,440 --> 00:45:31,400
the picture with him.

764
00:45:31,920 --> 00:45:39,960
Speaker 7: Excuse me, please, this is all the shrif I went.

765
00:45:39,920 --> 00:45:41,079
Speaker 4: Miss Curtis at the cottage.

766
00:45:41,480 --> 00:45:44,960
Speaker 11: All right, I'm pretty shook up, I think Halfie.

767
00:45:45,159 --> 00:45:48,199
Speaker 6: She insists she's not imagining that where walking up to

768
00:45:48,239 --> 00:45:49,480
where she says it happened.

769
00:45:49,880 --> 00:45:50,679
Speaker 5: Have a look around.

770
00:45:50,840 --> 00:45:57,000
Speaker 3: I keep me postal, okay, right right there, but he's gone.

771
00:45:58,599 --> 00:46:01,320
Speaker 2: There were three pictures, this woman and the man on

772
00:46:01,360 --> 00:46:04,320
the ground, and one was standing, one was standing.

773
00:46:04,679 --> 00:46:08,519
Speaker 6: I don't get excited, miss Jurny se stan there here.

774
00:46:08,559 --> 00:46:12,360
Speaker 3: I believe there were tea what was that?

775
00:46:13,239 --> 00:46:13,639
Speaker 7: You hear it?

776
00:46:15,000 --> 00:46:15,320
Speaker 3: Jus did?

777
00:46:17,880 --> 00:46:18,119
Speaker 17: Yeah?

778
00:46:19,159 --> 00:46:19,559
Speaker 4: From there?

779
00:46:20,719 --> 00:46:21,440
Speaker 12: Come on, let's go.

780
00:46:24,599 --> 00:46:27,719
Speaker 13: Yeah there, I see it's the dad thing.

781
00:46:28,039 --> 00:46:30,440
Speaker 3: I thought, yeah, did you driving that onnum?

782
00:46:31,199 --> 00:46:33,840
Speaker 2: It still comes during the nut and you'd work, Come

783
00:46:33,840 --> 00:46:35,679
on down, Come on.

784
00:46:35,800 --> 00:46:38,719
Speaker 3: Now, so can't shoot he's coming down.

785
00:46:39,559 --> 00:46:43,920
Speaker 5: Stay right there now, don't run, Oh Sue, don't run.

786
00:46:47,599 --> 00:46:48,599
Speaker 4: Yeah, this is Halsey.

787
00:46:48,880 --> 00:46:51,760
Speaker 6: There's something damn queer going on out here. We saw

788
00:46:51,880 --> 00:46:54,400
this statue of this man who looked like the statue.

789
00:46:54,800 --> 00:46:57,199
I ordered him to stop running, and it didn't. I

790
00:46:57,280 --> 00:46:59,719
got off two shots. He got away into the bushes.

791
00:47:00,119 --> 00:47:01,920
Speaker 4: Jad well, I don't know.

792
00:47:02,320 --> 00:47:05,400
Speaker 14: I stay with less Curtis. I'll pick up doctor Galliman

793
00:47:05,599 --> 00:47:06,840
and a search party game.

794
00:47:13,199 --> 00:47:14,400
Speaker 4: There's something very odd here.

795
00:47:15,679 --> 00:47:18,440
Speaker 6: Those two figures on the ground, the woman and the man.

796
00:47:18,519 --> 00:47:22,480
I know every statue in the garden. I've never seen

797
00:47:22,599 --> 00:47:28,320
these before. Your flashlight, sheriff, Please, No, these are not

798
00:47:28,599 --> 00:47:32,599
naughty statues, Sheriff, would you mind tapping them with.

799
00:47:32,639 --> 00:47:33,840
Speaker 5: The about of your pistol down?

800
00:47:35,079 --> 00:47:39,519
Speaker 4: That's not solid granite. Take it's cracking, man.

801
00:47:39,559 --> 00:47:40,440
Speaker 3: I'll try my knife.

802
00:47:41,960 --> 00:47:44,360
Speaker 7: That's plaster of Paris.

803
00:47:45,519 --> 00:47:46,559
Speaker 12: Hard lord.

804
00:47:47,159 --> 00:47:50,599
Speaker 4: Here's somebody here, Kilby for what is it?

805
00:47:50,639 --> 00:47:51,239
Speaker 3: Missus Curtish?

806
00:47:51,280 --> 00:47:53,679
Speaker 5: I got the bottom the water in the lower basin.

807
00:47:54,320 --> 00:47:56,599
Speaker 3: He looks pink blood I don't know.

808
00:47:56,960 --> 00:47:57,519
Speaker 5: Let's call.

809
00:48:03,119 --> 00:48:09,559
Speaker 14: Yeah his pink all eyes could be bloody had doctor Tillman?

810
00:48:09,719 --> 00:48:11,199
Speaker 7: Is how many.

811
00:48:11,039 --> 00:48:14,599
Speaker 3: Statues be in that fountain holding up the saucer bowl?

812
00:48:15,840 --> 00:48:16,159
Speaker 7: Seven?

813
00:48:18,280 --> 00:48:23,960
Speaker 4: They're a root one X truck in the center there.

814
00:48:24,199 --> 00:48:29,159
You are in there, come out or our shoot? Oh no,

815
00:48:29,320 --> 00:48:33,840
don't suit shoven because the water belt. Oh they shut

816
00:48:33,880 --> 00:48:34,440
off the water.

817
00:48:35,519 --> 00:48:36,840
Speaker 6: Shut off the water.

818
00:48:37,920 --> 00:48:44,320
Speaker 8: You'll shove off good water everything and then the touch tree.

819
00:48:44,679 --> 00:48:50,360
Speaker 14: We by woman Jameson Kennedy came out of there.

820
00:48:51,000 --> 00:48:52,440
Speaker 7: All they call the ambulance.

821
00:48:52,679 --> 00:48:55,199
Speaker 4: Just lay him down here and I oh.

822
00:48:55,880 --> 00:49:02,199
Speaker 11: Doctor Kellerman, Doctor Kellerman, who are the skin mask.

823
00:49:02,679 --> 00:49:04,039
Speaker 5: On my face and head?

824
00:49:04,920 --> 00:49:05,599
Speaker 11: Pull it off?

825
00:49:06,400 --> 00:49:07,440
Speaker 3: Let me do a dug.

826
00:49:09,760 --> 00:49:18,719
Speaker 11: Pietro, yes, dopor callervin Pietro Franzoni, and soon when Missus

827
00:49:18,760 --> 00:49:23,440
Curtis writes her story, the whole world will know I

828
00:49:23,599 --> 00:49:27,679
am just as good as Angelo Menotti was.

829
00:49:28,280 --> 00:49:41,239
Speaker 6: Yes, Porpietro, at least he was spared the Chinese water torture.

830
00:49:42,159 --> 00:49:45,519
He's in the state mental hospital. And poor Missus Curtis,

831
00:49:46,039 --> 00:49:49,760
she's going crazy too because she can't remember what she

832
00:49:49,920 --> 00:49:50,199
did with.

833
00:49:50,280 --> 00:49:54,280
Speaker 4: Her camera and the film she shot. I'll be back shortly.

834
00:49:55,039 --> 00:49:57,480
Speaker 6: The following table is presented to make you want to

835
00:49:57,519 --> 00:49:58,119
buy a Buick.

836
00:49:58,360 --> 00:50:01,239
Speaker 18: As a kid, everything I had somebody else's my.

837
00:50:01,519 --> 00:50:04,360
Speaker 6: He certainly has his mother's eyes and his father's hair,

838
00:50:04,679 --> 00:50:06,239
boy with a hairy little purser.

839
00:50:06,400 --> 00:50:08,960
Speaker 18: Well, I finally got something to call my own, a

840
00:50:09,079 --> 00:50:12,400
beautiful buick, the Saber, with my kind of room, my

841
00:50:12,639 --> 00:50:15,840
kind of ride, and my kind of style. Heck, I

842
00:50:15,920 --> 00:50:17,960
even let my dad borrow it now and then because

843
00:50:18,000 --> 00:50:21,079
I love to hear people say my He certainly has

844
00:50:21,159 --> 00:50:24,440
his son's buick. Buick dedicated to the free Spirit and

845
00:50:24,639 --> 00:50:25,880
just about everyone.

846
00:50:30,519 --> 00:50:34,320
Speaker 7: In God we trust America speaks.

847
00:50:39,159 --> 00:50:42,119
Speaker 9: In the words of Thomas Jefferson. I must believe that

848
00:50:42,280 --> 00:50:46,280
religion is substantially good, which produces an honest life and

849
00:50:46,440 --> 00:50:50,239
We've been authorized by one whom you and I equally respect.

850
00:50:50,039 --> 00:50:52,320
Speaker 7: To judge of the tree by its fruit.

851
00:50:53,400 --> 00:51:08,400
Speaker 6: Presented by the Catholic Communications Foundation, here's.

852
00:51:08,199 --> 00:51:09,519
Speaker 4: A timely travel tip.

853
00:51:10,159 --> 00:51:12,519
Speaker 6: If you drive up to the gate of Minotic Garden

854
00:51:13,039 --> 00:51:16,320
and find it still closed to the public, don't fret,

855
00:51:17,119 --> 00:51:20,920
sit back, turn on your radio and relax with another

856
00:51:21,039 --> 00:51:25,400
tale of mystery adventure. Our cast included Howard da Silver,

857
00:51:26,000 --> 00:51:30,960
Joan Shay, Joan Arlis, Robert Dryden, and Jim Ducas. The

858
00:51:31,199 --> 00:51:34,440
entire production was under the direction of Hymen Brown. Are

859
00:51:34,519 --> 00:51:37,159
you an unpublished author? Do you have a book length

860
00:51:37,280 --> 00:51:40,880
manuscript ready or almost ready for publication? Or do you

861
00:51:41,000 --> 00:51:44,079
know of anyone else who is an unpublished author? If so,

862
00:51:44,559 --> 00:51:46,920
Vantage Press invite you to write to a leading You

863
00:51:47,039 --> 00:51:51,119
York publisher for a free illustrated brochure titled to the

864
00:51:51,239 --> 00:51:52,679
Author in Search of a Publisher.

865
00:51:53,400 --> 00:51:54,360
Speaker 4: It explains how you.

866
00:51:54,400 --> 00:51:56,679
Speaker 6: May have your manuscript printed and published in a.

867
00:51:56,679 --> 00:51:57,440
Speaker 4: Matter of months.

868
00:51:58,239 --> 00:52:01,280
Speaker 6: Just write to GPO bot Sport teen fourteen, New York,

869
00:52:01,360 --> 00:52:05,199
New York. Whether your subject is fiction, non fiction, poetry,

870
00:52:05,320 --> 00:52:09,920
or even scientific, specialized or controversial, This fifty two page

871
00:52:10,000 --> 00:52:14,119
brochure shows you how to arrange for prompt publication. To

872
00:52:14,199 --> 00:52:17,760
get your copy right to GPO Box fourteen fourteen, New York,

873
00:52:17,880 --> 00:52:21,840
New York. That's GPO Box fourteen fourteen, New York, New York.

874
00:52:22,440 --> 00:52:23,920
Speaker 4: If this is your first book, you'll.

875
00:52:23,800 --> 00:52:28,039
Speaker 17: Find this free brochure especially valuable and informative. Write to

876
00:52:28,119 --> 00:52:32,199
GPO Box fourteen fourteen, New York, New York. GPO Box

877
00:52:32,239 --> 00:52:35,000
fourteen fourteen, New York, New York Radio.

878
00:52:35,119 --> 00:52:38,199
Speaker 6: Mystery Theater was sponsored in Park by the Florida Orange

879
00:52:38,280 --> 00:52:43,239
Growers and Buick Motor Division. This is EG Marshall inviting

880
00:52:43,280 --> 00:52:46,840
you to return to our Mystery Theater for another adventure

881
00:52:47,280 --> 00:52:54,039
in the macabre. Until next time, pleasant dreams.

882
00:53:23,559 --> 00:53:24,079
Speaker 5: And you do.

883
00:53:24,280 --> 00:53:27,039
Speaker 15: In just one day, you can find out how to

884
00:53:27,159 --> 00:53:29,840
help yourself, your country and your community.

885
00:53:30,320 --> 00:53:33,039
Speaker 5: You can belong to the Air National Guard for a day.

886
00:53:33,800 --> 00:53:37,559
Speaker 15: Visit your Texas Air Guard and see how young men

887
00:53:37,719 --> 00:53:41,239
and women like you can work around some great aircraft,

888
00:53:41,639 --> 00:53:45,199
learn a valuable skill, pick up extra pay, help the

889
00:53:45,280 --> 00:53:49,280
country and community one weekend a month in the Airguard.

890
00:53:49,679 --> 00:53:52,360
It's a weekend that could make a difference in your

891
00:53:52,440 --> 00:53:56,800
whole life. Find out more, Call your Texas Air National

892
00:53:56,920 --> 00:53:59,480
Guard and belong to the Guard.

893
00:53:59,320 --> 00:54:00,000
Speaker 7: For a day.

894
00:54:24,480 --> 00:54:28,000
Speaker 5: W f A A Dallas forward work

895
00:54:30,119 --> 00:54:30,800
Speaker 7: Bybs Nu

