WEBVTT

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<v Speaker 1>Taylor's an attractive guy, but he's no male model, neither

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<v Speaker 1>of I. That's for sure. I could be a hand model,

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<v Speaker 1>it could not be a real model. Welcome back to

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<v Speaker 1>you how to Get a Girlfriend podcast. I'm your host

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<v Speaker 1>dating coach, Connell Barrett. Think of me as your podcast

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<v Speaker 1>dating coach. I'm here to help you know what to say,

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<v Speaker 1>help you flirt, help you meet women, especially in real life,

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<v Speaker 1>so you can get a great girlfriend, and do it

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<v Speaker 1>all by being authentic. No creepy pickup tricks needed. Although

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<v Speaker 1>today's episode is about pickup moves. Five pickup lines for

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<v Speaker 1>guys who hate pickup lines. I hate cheesy, fake, weird

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<v Speaker 1>pickup lines like you know, did you fall from the sky?

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<v Speaker 1>That bullshit. What I love is to meet a woman

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<v Speaker 1>out in the real world and connect with her and

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<v Speaker 1>end up getting a date with her. We can call

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<v Speaker 1>that a pickup line if you want, but I love

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<v Speaker 1>doing that in a way that's authentic and genuine, really

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<v Speaker 1>present and spontaneous.

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<v Speaker 2>So I'm gonna give you.

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<v Speaker 1>By the end of this episode, I'll have gone over

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<v Speaker 1>at least five pickup lines that don't feel like pickup lines,

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<v Speaker 1>that don't feel like you're doing some scripted weird thing.

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<v Speaker 1>Here's a quick story from way over a decade ago.

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<v Speaker 1>I dated a wonderful woman named Lane, and I remember,

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<v Speaker 1>this is oh man, this is gosh, this is fifteen

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<v Speaker 1>years ago. Over fifteen years ago. I met Barnes and

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<v Speaker 1>Noble and I see a very pretty blonde, slender blonde

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<v Speaker 1>woman standing next to some greeting cards. You know, they

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<v Speaker 1>have those fancy greeting cards at Barnes and Nobles. And

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<v Speaker 1>at the time, I was learning all about approaching women

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<v Speaker 1>from my coaches, and one of my coaches said, early on,

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<v Speaker 1>he just said, Connell, if you're not sure what to say,

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<v Speaker 1>just say what you're thinking. Say something genuine and real,

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<v Speaker 1>and as long as it's not, like, you know, vulgar,

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<v Speaker 1>that's a great thing to do. Go with what you're

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<v Speaker 1>thinking and feeling.

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<v Speaker 2>I love that.

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<v Speaker 1>So I see this woman, don't know her name yet,

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<v Speaker 1>and I walk over and I'm just thinking, Okay, what

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<v Speaker 1>am I honestly thinking about this person? She's really cute

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<v Speaker 1>and I want to meet her.

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<v Speaker 2>That's simple.

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<v Speaker 1>So I walk over and I say, hey, excuse me,

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<v Speaker 1>you're really cute.

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<v Speaker 2>I had to meet you.

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<v Speaker 1>And she looks at me and she smiles and tilts

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<v Speaker 1>her head and says, wow, thanks, you're really cute too,

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<v Speaker 1>And we had a really nice, fun, five maybe five

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<v Speaker 1>six seven minute conversation names Lane and got her number.

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<v Speaker 1>But the most memorable thing about her, other than the

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<v Speaker 1>approach and that smile, that receptivity, is what she texted

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<v Speaker 1>me later that day. It was a Saturday, and I

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<v Speaker 1>remember I texted her, Hey, Lane, it was great running

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<v Speaker 1>into you.

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<v Speaker 2>You know, good luck.

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<v Speaker 1>Shopping shopping for cards or greeting cards or getting your

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<v Speaker 1>grandmother card, whatever she was shopping for, I wrote her

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<v Speaker 1>or something like that, and she wrote back, it was

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<v Speaker 1>great meeting you too, Thanks for picking me up. She

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<v Speaker 1>literally said thank you for picking me up, as in

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<v Speaker 1>picking up a girl. So there is nothing wrong with

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<v Speaker 1>picking up a girl. And my pickup line is almost

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<v Speaker 1>like an anti pickup line. It was just what's genuine,

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<v Speaker 1>what's real? Hey, you're cute. I wanted to say hi

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<v Speaker 1>to you. That's literally what I said to her. And

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<v Speaker 1>that was more than enough for Lane. And then two

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<v Speaker 1>nights later, wait, Saturday, Sunday, Monday too. Three nights later,

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<v Speaker 1>I believe it was a Tuesday night, we had our

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<v Speaker 1>first date at a bar in the West village, a dark,

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<v Speaker 1>cool little wine bar, beer and wine and candlelight, moody

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<v Speaker 1>and dark and cool but romantic by the way. Lane.

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<v Speaker 1>Her hair was in a ponytail. She was very pretty.

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<v Speaker 1>Don't get me wrong, but I don't usually use the

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<v Speaker 1>number scale, but if I was going to go one

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<v Speaker 1>to ten, the Lane that I met in Barnes and

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<v Speaker 1>Noble was like a solid seven point five. And then

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<v Speaker 1>on Tuesday night for our first date in Walks, a

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<v Speaker 1>nine point nine, nine nine, hair down, wearing a cute

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<v Speaker 1>little dress, semi low cut top, just stunning, just almost model, beautiful, effervescent. Huh,

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<v Speaker 1>And I thought, wow, this is she looks absolutely dynamite.

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<v Speaker 1>And something I realized that moment was if again, I'm

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<v Speaker 1>sorry for sounding like a one ten guy. That just

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<v Speaker 1>sounds so shallow, but it's just an understandable metric. A

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<v Speaker 1>seven whose number you get at a bookstore or a

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<v Speaker 1>coffee shop. She's going to be a nine and a

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<v Speaker 1>half on the date because she'll be all dolled up,

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<v Speaker 1>hair done, just looking cute, super super cute. So I

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<v Speaker 1>met a seven and had a day with a ten,

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<v Speaker 1>And it all started by having the right quote unquote

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<v Speaker 1>pickup line which is really more of an anti pickup line,

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<v Speaker 1>just basically speaking my thoughts. So today I want to

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<v Speaker 1>talk to you about pickup lines and the art of

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<v Speaker 1>what to say to a woman in those very first words.

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<v Speaker 1>And the reason this has been on my mind today

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<v Speaker 1>is that I just I'm recording this on Monday, and

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<v Speaker 1>I just spent this last weekend with two amazing clients.

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<v Speaker 1>Taylor flew in from Kansas City, thirty three year old

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<v Speaker 1>gentleman who's a used car sorry, not used car, a

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<v Speaker 1>car dealership manager, so really new cars. He's selling people

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<v Speaker 1>in Kansas City. And a client named Kevin who's a veterinarian,

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<v Speaker 1>and Kevin lives in Pennsylvania. So these two guys came

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<v Speaker 1>in to work with me this weekend. I do this

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<v Speaker 1>thing called the Wingman Weekend, where it's like, let's go

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<v Speaker 1>out with Coach Connell approach women. Connell's your wingman, and

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<v Speaker 1>I help them approach women. So I want to tell

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<v Speaker 1>you a quick story about what to say for those

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<v Speaker 1>first words and what an incredible, incredibly powerful.

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<v Speaker 2>Thing it is for a woman when you do this

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<v Speaker 2>the right way.

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<v Speaker 1>So Taylor, Taylor and I were talking on Friday night.

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<v Speaker 1>We sit down at the Standard Hotel at the bar,

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<v Speaker 1>just doing a little pre brief conversation that I do

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<v Speaker 1>with clients before we start approaching women. And I said,

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<v Speaker 1>how many women have you been approaching in the last

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<v Speaker 1>couple months? And Taylor said basically zero? And I said

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<v Speaker 1>why why? I mean, I know he wants to approach women.

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<v Speaker 1>I know that because he's been working with me, but

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<v Speaker 1>he hasn't been doing it. And I said why. He said, well,

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<v Speaker 1>I overthink. I'm an overthinker, and I just think I'm

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<v Speaker 1>that overthinking type guy and who just can't do this.

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<v Speaker 1>And I said, okay, what are you thinking about? He said, well,

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<v Speaker 1>I want to say the right thing. I want to

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<v Speaker 1>say the right thing that makes what makes it go well.

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<v Speaker 1>Otherwise I don't want to get shot down and rejected.

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<v Speaker 1>And I said, if you get shot down and rejected,

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<v Speaker 1>how would that feel in the moment do you think?

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<v Speaker 1>And he said, I would feel humiliated. That's what I

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<v Speaker 1>don't want. I don't want to feel humiliated. It's a

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<v Speaker 1>strong word, that's a strong emotion to want to avoid.

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<v Speaker 1>And I said, Taylor, I have news for you. Your

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<v Speaker 1>issue is not overthinking. Your issue is that you are

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<v Speaker 1>afraid of humiliation and the fear of humiliation makes you overthink.

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<v Speaker 1>So you're not an overthinker. He was tying his very

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<v Speaker 1>identity to approaching women. I'm just not that guy who

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<v Speaker 1>can do it. I don't know what to say. I'm

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<v Speaker 1>an overthinker, I'm introverted. Blah blah blah blah blah. And

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<v Speaker 1>I said, has nothing to do with your identity. This

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<v Speaker 1>is just you telling yourself some bullshit story that an

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<v Speaker 1>approach equals humiliation. He starts nodding his head saying, yeah,

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<v Speaker 1>I get what you mean about that. And then I said,

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<v Speaker 1>by the way, if you did approach a woman at

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<v Speaker 1>the bar and she quote rejected you, what would you lose?

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<v Speaker 1>What would you actually lose? And he started laughing and

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<v Speaker 1>he said nothing. I have nothing to lose. He started

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<v Speaker 1>realizing the absurdity of what his brain was talking him into,

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<v Speaker 1>this idea that you can be humiliated. Can you be

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<v Speaker 1>humiliated by saying hello to a woman at a bar

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<v Speaker 1>and having her say, actually, I'm with somebody, no, thank you.

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<v Speaker 1>Where's the humiliation there, the humiliation or lack thereof, it's

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<v Speaker 1>between your ears. That's the only place where humiliation lives.

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<v Speaker 1>But guess what between the ears is also where feelings

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<v Speaker 1>and stories like confidence live and charisma lives there too.

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<v Speaker 1>And being the man who goes for it and steps

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<v Speaker 1>up and meets women that's between the ears as well.

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<v Speaker 1>In other words, he has so much more to gain

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<v Speaker 1>by approaching that woman at the bar than by not

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<v Speaker 1>doing it. Bottom line, he said to me, as we're

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<v Speaker 1>sitting there in this little pre brief conversation, he said,

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<v Speaker 1>I rehearse over and over again, and then I said, okay,

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<v Speaker 1>here's your rule for tonight. Taylor, and Kevin is sitting

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<v Speaker 1>there with us, and Kevin is chiming in helping out.

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<v Speaker 1>When I do these approaching weekends, it's like three men

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<v Speaker 1>out in the town to conquer demons, charm beautiful women

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<v Speaker 1>and just have these It's so fun. And I said,

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<v Speaker 1>here's your mantra for tonight. No more rehearsing. Say the

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<v Speaker 1>first thing that enters your mind, if you see it,

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<v Speaker 1>say it, if you see it, say it whatever you see. Basically,

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<v Speaker 1>approach and just say the first thing that comes into

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<v Speaker 1>your mind, just like I did with Lane in the

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<v Speaker 1>Barnes and Noble. He said, yeah, I'm in so fast

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<v Speaker 1>forward About forty five minutes later, We're at the beer garden.

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<v Speaker 1>There's a place called the beer Garden at the Standard Hotel.

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<v Speaker 1>So we're at the beer garden this last weekend, and

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<v Speaker 1>there's you know, fifty beautiful women in the place at least,

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<v Speaker 1>And there are six women sitting at a six top

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<v Speaker 1>at the beer garden.

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<v Speaker 3>They're all pretty.

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<v Speaker 1>Every one of them is pretty and stylish and just

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<v Speaker 1>Friday night in New York City. And I point him

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<v Speaker 1>over to approach those women, and he said, I can't.

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<v Speaker 1>I can't approach those six women. I don't know what

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<v Speaker 1>to say. I think I'm gonna puke. I didn't, not

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<v Speaker 1>laughing at him, but I remember that feeling. And I said,

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<v Speaker 1>remember our deal, Remember our deal. You're only feeling this

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<v Speaker 1>way right now because you're afraid of humiliation, right. He's

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<v Speaker 1>like yeah. And I said, Okay, I know exactly what

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<v Speaker 1>you should say. I know exactly what you should say.

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<v Speaker 1>I told him. And he's like, Okay, what should I say?

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<v Speaker 1>And I said, and I had a little secret plan

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<v Speaker 1>for Taylor.

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<v Speaker 2>I gave him.

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<v Speaker 1>I was going to give him the first half of

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<v Speaker 1>an opener, an approach opener, but I didn't want him

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<v Speaker 1>to know it was the first half because I wanted

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<v Speaker 1>him to go out and start walking on the high

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<v Speaker 1>wire without the net.

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<v Speaker 3>So we're literally five feet away.

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<v Speaker 1>From this six top of beautiful women at the beer

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<v Speaker 1>garden and I say, oh, I got the perfect thing

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<v Speaker 1>to say.

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<v Speaker 3>Here you go, here's what you say?

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<v Speaker 1>What I said, walk over and say, hey, ladies, I

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<v Speaker 1>have something really important to tell you. And then I said,

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<v Speaker 1>and I started to push him towards and I say,

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<v Speaker 1>go say that, and he pushed back and he said, no, wait,

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<v Speaker 1>but what is it? What's the important thing I have

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<v Speaker 1>to tell them? And I said, I don't know. Your

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<v Speaker 1>brain will figure it out. And I shoved him gently

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<v Speaker 1>but firmly. I shoved him to the table and he

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<v Speaker 1>turns toward women and he says, oh, hey, ladies, I

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<v Speaker 1>have something really important to tell you. And they're like what.

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<v Speaker 1>And he said, I'm thinking of becoming a male model.

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<v Speaker 1>Do you think I should. I don't know where that

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<v Speaker 1>came from. It came from the ether, it came from

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<v Speaker 1>something in the wind. I think we were talking about

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<v Speaker 1>mom a model or something modeling. And he just says

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<v Speaker 1>that and half the women laugh. They're like, no way, really,

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<v Speaker 1>you're going to be a model, And the other half

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<v Speaker 1>are like, you're kidding with us. Really, By the way,

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<v Speaker 1>Taylor's an attractive guy, but he's no male model.

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<v Speaker 2>Neither am I.

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<v Speaker 1>That's for sure. I could be a hand model, it

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<v Speaker 1>could not be a real model. Bottom line is I

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<v Speaker 1>wanted him to start the approach but not know what

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<v Speaker 1>the finish line of the sentence was going to be.

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<v Speaker 1>And they loved him. Not only did they love him,

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<v Speaker 1>they said, hey, come sit with us. Before you know it,

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<v Speaker 1>he's joined their table. They're now a seven top Taylor

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<v Speaker 1>with six beautiful women, and one of the women he

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<v Speaker 1>starts really clicking with. Her name is Cassie. And Cassie

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<v Speaker 1>and Taylor start hitting it off, and all of a sudden,

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<v Speaker 1>my job becomes much easier because I was going to

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<v Speaker 1>spend the whole night having Taylor approach twenty five women.

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<v Speaker 2>He didn't need to.

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<v Speaker 1>He approached like four or five before this happened, and

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<v Speaker 1>he spent the entire next three hours with Cassie and

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<v Speaker 1>her friends. And then eventually Cassie and Taylor ended up

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<v Speaker 1>going off into the night on an instant date, and

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<v Speaker 1>he gave Taylor as he was saying good night to

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<v Speaker 1>me and Cassie was saying good night to her friends.

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<v Speaker 1>He came over and said, Conall, this was amazing, and

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<v Speaker 1>he gave me a hug, and I said, don't rehearse it,

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<v Speaker 1>just speak your true thoughts. Cassie already likes you. Women

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<v Speaker 1>already like you. Do you get that now? He's like, yeah, so.

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<v Speaker 1>And that's the main lesson here is that women, what

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<v Speaker 1>makes an approach work is not some perfect line. The

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<v Speaker 1>thing to say is something perfectly imperfect. What I said

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<v Speaker 1>to Lane that day was perfectly imperfect. Hey, you're cute.

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<v Speaker 1>I wanted to meet you. All Taylor said to those women.

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<v Speaker 2>Was should I be a model?

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<v Speaker 1>And that was just what he came up with in

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<v Speaker 1>the moment because of something we had been talking and

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<v Speaker 1>joking about earlier.

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<v Speaker 2>And that was plenty.

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<v Speaker 1>Women don't really care all that much about what you

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<v Speaker 1>say when you approach.

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<v Speaker 2>So the best pickup line.

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<v Speaker 1>Is anything that you believe and feel or think in

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<v Speaker 1>the moment, spontaneously, and you commit to it. He committed

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<v Speaker 1>to that approach. It wasn't what he said, it was

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<v Speaker 1>how he said it. He leaned over onto the table.

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<v Speaker 1>I shouldn't say he leaned over, but he took a

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<v Speaker 1>commanding stance. He said, Hey, ladies, I got an important

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<v Speaker 1>question to ask you, and they leaned forward. If he

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<v Speaker 1>had said, excuse me, guys, I don't want to bother you,

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<v Speaker 1>but can I ask you a question please? Or am

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<v Speaker 1>I creeping you out? They would have rejected him immediately.

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<v Speaker 1>So it's that ownership. It's that ownership of committing to

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<v Speaker 1>the approach that really makes it work. That's really what

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<v Speaker 1>makes it work. And I'm just so proud of him.

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<v Speaker 1>I'm just so proud of him. And you might be

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<v Speaker 1>thinking the same thing about yourself, like, oh, I need

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<v Speaker 1>to know what to say. I have to say the

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<v Speaker 1>right thing or the perfect thing. You don't you do

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<v Speaker 1>want to say something that makes sense to a woman

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<v Speaker 1>when you approach. One of my favorite techniques for approaching

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<v Speaker 1>is I call it the what to say framework. Here's

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<v Speaker 1>what to say. If you want to know what to say,

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<v Speaker 1>then look at a group of women or one woman,

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<v Speaker 1>whatever the situation is, especially at a bar, and just

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<v Speaker 1>say either a compliment, a question, or an observation compliment

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<v Speaker 1>question observation, Hey I really like your tattoo. That's a

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<v Speaker 1>great design boom compliment. A question might be hey, what

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<v Speaker 1>are you ladies? Drinking tonight that those look really good

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<v Speaker 1>or an observation, what do you observe about those women were?

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<v Speaker 1>There was a four top of women at the beer

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<v Speaker 1>garden on this Friday night a couple nights ago, and

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<v Speaker 1>they were all like huddled closely together, like they were

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<v Speaker 1>almost like they were sharing a secret. And my other client, Kevin,

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<v Speaker 1>observed that and we use that as his opener his

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<v Speaker 1>quote pickup line. His opener was, well, you ladies seem

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<v Speaker 1>like you're talking about a super secret topic. And they

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<v Speaker 1>responded and then it went pretty well. So I want

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<v Speaker 1>you to think of pickup lines not as lines intended

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<v Speaker 1>to pick her up and make her attracted to you.

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<v Speaker 1>That's not going to happen most of the time. An

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<v Speaker 1>opening line, or a pickup line, if you will, is

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<v Speaker 1>just a line designed to start a conversation. And the

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<v Speaker 1>best way to start a conversation is being present, being authentic,

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<v Speaker 1>and spontaneous. Spontaneity is so important. I was spontaneous with

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<v Speaker 1>Lane when I said, Hey, you're cute and I wanted

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<v Speaker 1>to meet you now. That was flirtatious because I was

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<v Speaker 1>being clear that I found her attractive, but it was

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<v Speaker 1>also spontaneous and real Taylor was totally spontaneous in the

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<v Speaker 1>should I be a model opener.

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<v Speaker 3>He never would have thought of that.

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<v Speaker 1>Had he been rehearsing, overthinking, trying to find the perfect line,

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<v Speaker 1>he never would have stumbled on that. He actually would

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<v Speaker 1>have come up with something overly orchestrated and robotic. Those

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<v Speaker 1>typically don't go that well typically. Now let's talk about Kevin.

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<v Speaker 1>Kevin had a really great second night out on We

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<v Speaker 1>do two nights out when I do these wingman weekends. Oh,

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<v Speaker 1>by the way, I should do a quick little promo

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<v Speaker 1>if you want to work with me or find out

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<v Speaker 1>how my approaching weekends work or my approaching coaching works.

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<v Speaker 1>Good At dating transformation dot com you can book a

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<v Speaker 1>free call with me and you can learn all about

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<v Speaker 1>how I do this with guys in New York City.

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<v Speaker 1>I also do it in other cities, but mainly New

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<v Speaker 1>York where I live. So go to my website if

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<v Speaker 1>you want to Dating transformation dot Com. So night two

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<v Speaker 1>with Kevin, we're doing oh here, this is a great

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<v Speaker 1>moment for Kevin.

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<v Speaker 2>Funny.

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<v Speaker 1>So night two We're at a place in New York City,

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<v Speaker 1>a really cool fun lounge in the Lower East Side,

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<v Speaker 1>and we're about to start approaching. But before we approach women,

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<v Speaker 1>I like to do a little warm up exercise to

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<v Speaker 1>get my clients in a fun, playful mood. Fun and playful.

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<v Speaker 1>That's what women want in bars and clubs, fun and playful.

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<v Speaker 1>They don't want long, elaborate, logical, analytical conversations. They don't

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<v Speaker 1>want a ted talk. They want a fun talk. So

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<v Speaker 1>we're doing an exercise that I call so my. It's

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<v Speaker 1>the three of us right, we're standing in the corner

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<v Speaker 1>about to go approach women. We're two minutes away from

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<v Speaker 1>approaching women. But first I want to do this exercise

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<v Speaker 1>with them. And I call this the playful Roast, the

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<v Speaker 1>playful roast. Here's how it works, a really good thing

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<v Speaker 1>to do. When you meet a woman in a bar,

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<v Speaker 1>you're just making that bar small talk. Is you say, hey,

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<v Speaker 1>where are you from? Where'd you grow up? And whatever

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<v Speaker 1>state or city she mentions, or the state you make

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<v Speaker 1>an association with that place, You think, what's the stereotype,

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<v Speaker 1>and then you ask her a playful, playfe fully teasing

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<v Speaker 1>question based on the stereotype. So imagine you approach a

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<v Speaker 1>woman and you say, hey, where are you from? And

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<v Speaker 1>she said, oh, I'm from Indiana. You might associate I

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<v Speaker 1>don't know, corn or cows or farms with Indiana, and

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<v Speaker 1>you could say, oh, you're from Indiana.

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<v Speaker 2>Interesting, So did you.

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<v Speaker 1>Like ride a cow to school every day? Or did

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<v Speaker 1>you eat corn on the cob for breakfast? A very

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<v Speaker 1>light tease, a light roast, And that's a good way

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<v Speaker 1>to get practiced and somewhat versatile at flirting spontaneously. You

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<v Speaker 1>associate a funny stereotype with wherever she's from. And anyway,

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<v Speaker 1>So I'm doing this exercise with them called the Playful Roast.

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<v Speaker 1>I'm pretending to be I'm role playing the part of

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<v Speaker 1>a woman. And they're approaching me at the bar and

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<v Speaker 1>we're doing like thirty second roleplay conversations. So Taylor comes

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<v Speaker 1>up to me and says, hey, what's up. I wanted

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<v Speaker 1>to meet you, and I'm like, oh, hi, nice to

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<v Speaker 1>meet you. And then he says to me, pretend to

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<v Speaker 1>be a woman. Taylor says, so where are you from?

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<v Speaker 1>Where'd you grow up? And I say, oh, I grew

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<v Speaker 1>up in Texas. He said, oh Texas. Wow, okay, So

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<v Speaker 1>did you have like.

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<v Speaker 3>Barbecue ribs in your cereal?

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<v Speaker 1>Did you like ride a bull to school every day

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<v Speaker 1>and that that's really good. That's pretty good, that's actually

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<v Speaker 1>pretty funny. Taylor was doing great, no no surprise. The

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<v Speaker 1>night before he had an instant date with a beautiful

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<v Speaker 1>woman named Cassie. So Taylor's feeling the confidence and anyway,

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<v Speaker 1>a plus, a plus job, I say to Taylor, and

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<v Speaker 1>then Keith comes up to me. I'm sorry, Kevin, Keith

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<v Speaker 1>was a different client. Kevin comes up to me. And

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<v Speaker 1>by the way, Kevin is a doctor, very logical, very analytical.

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<v Speaker 1>Playful flirting doesn't come naturally to him, and that's partially

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<v Speaker 1>why he hired me. So Kevin comes up to me

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<v Speaker 1>and says, hey, where are you from? And I said, oh, hi,

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<v Speaker 1>Oh where am i from? I'm from Nevada. And Kevin said,

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<v Speaker 1>oh you're from from Nevada? Okay, interesting?

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<v Speaker 2>Are you a whore?

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<v Speaker 1>And there's this like stunned silence from Taylor, who's listening,

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<v Speaker 1>and me and I do time out. I make a

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<v Speaker 1>timeout motion. I'm like, time out, time out. What where

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<v Speaker 1>did you get?

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<v Speaker 2>Are you a whore from?

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<v Speaker 1>As your tease, that's not a playful roast. That is

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<v Speaker 1>a harsh, terrible word to use with any woman ever,

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<v Speaker 1>pretty much unless you're unless you know each other really

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<v Speaker 1>well and you're both joking about it, and I say,

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<v Speaker 1>where did you get that? And in a weird way

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<v Speaker 1>it makes sense, he said, well, Nevada. Nevada has those

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<v Speaker 1>legal brothels, and there's like escorts and stuff in Vegas.

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<v Speaker 1>So I just went to whoror. So he actually did

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<v Speaker 1>the game right, He just went from zero to nine

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<v Speaker 1>nine ninety. So I said, okay, let's dial that down right.

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<v Speaker 1>Connection he associated something with Nevada. But here's the flirting

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<v Speaker 1>rule that he broke, which is that the secret to

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<v Speaker 1>playful teasing is to only tease a woman about something

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<v Speaker 1>that no reasonable woman would get upset about. No reasonable woman.

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<v Speaker 1>The joke that Taylor cracked about riding a did you

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<v Speaker 1>ride bulls to school every day?

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<v Speaker 2>Perfect?

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<v Speaker 1>No reasonable woman is going to get upset about that.

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<v Speaker 1>Asking the woman if she's a whore, that's something you

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<v Speaker 1>don't want to say right out of the gate.

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<v Speaker 2>So what was the fix?

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<v Speaker 1>It might be something like I said, so we redid it.

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<v Speaker 1>We redid the exercise. He reapproached me role playing the woman,

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<v Speaker 1>and I stayed with Nevada. I said, let's dial it

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<v Speaker 1>down to something way more g rated right, and it

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<v Speaker 1>was something like, oh, are you like a are you

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<v Speaker 1>like a Vegas showgirl? Like that's way better? You know,

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<v Speaker 1>are you a blackjack dealer?

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<v Speaker 2>Great?

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<v Speaker 1>Now we're playful, we're playfully associating fun stereotypes, but not

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<v Speaker 1>in a way that a woman could get upset about.

419
00:24:19.839 --> 00:24:23.319
<v Speaker 1>So but that's okay. It's good to make mistakes. It's

420
00:24:23.359 --> 00:24:27.079
<v Speaker 1>good to make flirting mistakes because that's how we get better.

421
00:24:28.319 --> 00:24:29.319
<v Speaker 2>That's how we get better.

422
00:24:29.680 --> 00:24:35.599
<v Speaker 1>And so fast forward fifteen or twenty minutes. Now, Kevin

423
00:24:35.640 --> 00:24:40.519
<v Speaker 1>didn't have like the amazing runaway instant date breakthrough that

424
00:24:41.039 --> 00:24:42.240
<v Speaker 1>Taylor had the night before.

425
00:24:42.279 --> 00:24:42.960
<v Speaker 2>But that's cool.

426
00:24:43.200 --> 00:24:45.599
<v Speaker 1>Every guy gets better at a different rate and has

427
00:24:45.640 --> 00:24:49.720
<v Speaker 1>different experiences when we're out approaching women. Fifteen twenty minutes later, though,

428
00:24:49.880 --> 00:24:54.079
<v Speaker 1>he approached a woman, and he was really sincere and

429
00:24:54.160 --> 00:24:57.440
<v Speaker 1>playful and fun, and he was teasing a woman, and

430
00:24:57.519 --> 00:25:02.200
<v Speaker 1>these two female friends just right amount, just the right amount.

431
00:25:02.279 --> 00:25:04.079
<v Speaker 2>I couldn't hear what he was saying.

432
00:25:03.799 --> 00:25:06.359
<v Speaker 1>Because it's a loud bar, but I could tell that

433
00:25:06.359 --> 00:25:08.519
<v Speaker 1>they were giggling and smiling. He was teasing them in

434
00:25:08.519 --> 00:25:12.039
<v Speaker 1>that flirtatious way. All right, So if you do approach

435
00:25:12.079 --> 00:25:14.279
<v Speaker 1>a woman, at a bar. This is something you can

436
00:25:14.359 --> 00:25:18.720
<v Speaker 1>absolutely play around with. You can ask her some basic

437
00:25:18.799 --> 00:25:22.000
<v Speaker 1>questions like, hey, where are you from? Where did you

438
00:25:22.000 --> 00:25:27.279
<v Speaker 1>go to college? And look for playful teases, playful and

439
00:25:27.319 --> 00:25:29.960
<v Speaker 1>if you can't think of something spontaneously in the moment,

440
00:25:30.039 --> 00:25:30.599
<v Speaker 1>that's okay.

441
00:25:30.880 --> 00:25:32.000
<v Speaker 2>Not everybody.

442
00:25:33.319 --> 00:25:35.200
<v Speaker 3>Crushes at this exercise right away.

443
00:25:35.319 --> 00:25:38.400
<v Speaker 1>Here's a back pocket tease you can say to any

444
00:25:38.440 --> 00:25:39.559
<v Speaker 1>woman pretty much.

445
00:25:39.640 --> 00:25:43.039
<v Speaker 2>This is this is this.

446
00:25:42.920 --> 00:25:46.720
<v Speaker 1>Is copy and paste. You're at a bar, you ask her, Hey,

447
00:25:46.759 --> 00:25:48.960
<v Speaker 1>where'd you go to college? And she says, oh, I

448
00:25:49.000 --> 00:25:51.680
<v Speaker 1>went to blah blah blah, I went to Tulane University.

449
00:25:52.039 --> 00:25:55.440
<v Speaker 1>And then you say, oh, you went to Tulane. Okay, well,

450
00:25:55.519 --> 00:26:00.279
<v Speaker 1>I'll speak very slowly. Then the joke is a buddy

451
00:26:00.319 --> 00:26:05.880
<v Speaker 1>who went to that university needs slow conversation to follow along.

452
00:26:05.920 --> 00:26:07.279
<v Speaker 1>But it's not a very good school.

453
00:26:07.559 --> 00:26:08.039
<v Speaker 3>That's a cop.

454
00:26:08.119 --> 00:26:10.160
<v Speaker 1>You know where I got that joke? Of all places,

455
00:26:10.200 --> 00:26:12.799
<v Speaker 1>I swear to god, I went and saw David Letterman

456
00:26:13.559 --> 00:26:17.319
<v Speaker 1>million years ago when he was at NBC that long ago,

457
00:26:18.000 --> 00:26:21.319
<v Speaker 1>and he came out and did crowd work before the

458
00:26:21.400 --> 00:26:28.160
<v Speaker 1>Late Show started, and he.

459
00:26:25.680 --> 00:26:26.400
<v Speaker 3>He said that to me.

460
00:26:26.880 --> 00:26:30.839
<v Speaker 1>He takes questions from the audience and I asked a question,

461
00:26:31.079 --> 00:26:32.640
<v Speaker 1>and I said, yeah, Dave, I don't have a question.

462
00:26:32.680 --> 00:26:34.039
<v Speaker 2>I just want to say I went to Ball State.

463
00:26:34.720 --> 00:26:36.599
<v Speaker 1>I went to ball State for two years for undergrad

464
00:26:36.640 --> 00:26:39.720
<v Speaker 1>which is where David Letterman went to college. And I said, hey, Dave,

465
00:26:39.759 --> 00:26:42.079
<v Speaker 1>I went to ball State just like you. And he said, oh,

466
00:26:42.119 --> 00:26:44.160
<v Speaker 1>you went to ball State and I said yeah. He said,

467
00:26:44.200 --> 00:26:47.400
<v Speaker 1>then I'll talk slowly. Crowd went crazy. So that's my

468
00:26:47.559 --> 00:26:52.640
<v Speaker 1>David Letterman playfull roast. I got it from Dave and

469
00:26:52.680 --> 00:26:56.440
<v Speaker 1>I repurposed it for women in dating, So feel free

470
00:26:56.440 --> 00:26:59.200
<v Speaker 1>to play around with that, or whenever a woman says

471
00:26:59.240 --> 00:27:01.960
<v Speaker 1>where she's from, just think, okay, what is a fun

472
00:27:02.079 --> 00:27:06.720
<v Speaker 1>light stereotype about where she's from. If she's from Jersey,

473
00:27:06.839 --> 00:27:08.720
<v Speaker 1>you can say, oh, you're from Jersey? Oh are you

474
00:27:08.759 --> 00:27:11.920
<v Speaker 1>on the Jersey Shore? What's the situation?

475
00:27:12.119 --> 00:27:12.240
<v Speaker 2>Like?

476
00:27:12.359 --> 00:27:15.000
<v Speaker 1>Is he really cool in person? What's snookie like?

477
00:27:15.119 --> 00:27:15.799
<v Speaker 2>You could do that.

478
00:27:16.920 --> 00:27:19.960
<v Speaker 1>Is she from I don't know, pick a state. Is

479
00:27:19.960 --> 00:27:23.960
<v Speaker 1>she from Florida? You could say, oh, if you ever

480
00:27:23.960 --> 00:27:29.359
<v Speaker 1>went out with Florida man, what's Florida man like? Anyway,

481
00:27:29.599 --> 00:27:32.599
<v Speaker 1>ask yourself, what's a fun, playful association you make with

482
00:27:32.640 --> 00:27:36.400
<v Speaker 1>that state? Or like a stereotype, and you apply that

483
00:27:36.440 --> 00:27:41.240
<v Speaker 1>stereotype to her, or you ask her if that stereotype

484
00:27:41.240 --> 00:27:43.680
<v Speaker 1>applies to her. And that's a playful way to tease

485
00:27:43.680 --> 00:27:47.440
<v Speaker 1>a woman. And many, not all, but many women love

486
00:27:47.559 --> 00:27:50.640
<v Speaker 1>a man who can tease her because it shows confidence.

487
00:27:51.000 --> 00:27:54.119
<v Speaker 1>It's one of the ways we flirt with women, and

488
00:27:54.240 --> 00:27:56.920
<v Speaker 1>it shows confidence and it's fun. It's way more fun

489
00:27:56.920 --> 00:28:02.319
<v Speaker 1>than lots lots of facts and figures. So I'm not

490
00:28:02.359 --> 00:28:05.240
<v Speaker 1>a fan of pickup lines, but i am a fan

491
00:28:05.440 --> 00:28:10.240
<v Speaker 1>of saying and flirting and communicating with women in a

492
00:28:10.279 --> 00:28:13.200
<v Speaker 1>way that allows you to pick them up. So when

493
00:28:13.279 --> 00:28:17.279
<v Speaker 1>in doubt, say something truthful, something genuine. If you are

494
00:28:17.319 --> 00:28:19.640
<v Speaker 1>going to tease a woman, make it light and playful.

495
00:28:20.359 --> 00:28:24.480
<v Speaker 1>And remember that Taylor left the bar that night two

496
00:28:24.599 --> 00:28:29.400
<v Speaker 1>nights or three nights ago with Cassie, not because of

497
00:28:29.440 --> 00:28:34.359
<v Speaker 1>what he said. He left with her because she likes

498
00:28:34.440 --> 00:28:40.519
<v Speaker 1>him the person, the man. So pick up lines by

499
00:28:40.559 --> 00:28:43.839
<v Speaker 1>themselves are not gonna make a woman instantly fall for you.

500
00:28:44.480 --> 00:28:49.640
<v Speaker 1>But if you are authentic and genuine and playful and yourself,

501
00:28:50.599 --> 00:28:53.599
<v Speaker 1>you're giving her something really wonderful. You're giving her a

502
00:28:53.640 --> 00:28:57.319
<v Speaker 1>really fun, warm, enjoyable experience with a great guy. And

503
00:28:57.319 --> 00:29:00.920
<v Speaker 1>that's all the women want, all right, until next time,

504
00:29:01.480 --> 00:29:02.359
<v Speaker 1>Thank you for listening.

505
00:29:02.480 --> 00:29:03.079
<v Speaker 2>Adios.
