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<v Speaker 1>This is a LibriVox recording. All LibriVox recordings are in

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<v Speaker 1>the public domain. For more information or to volunteer, please

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<v Speaker 1>visit LibriVox dot org. Miss Civilization by Richard Harding Davis,

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<v Speaker 1>recorded by Betsy.

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<v Speaker 2>Bush, Julian Jamison, and.

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<v Speaker 1>Kristin Hughes on May fifth, two thousand seven, in Chicago, Illinois.

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<v Speaker 1>Miss Civilization a comedy in one act. People in the

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<v Speaker 1>play Alice Gardiner, daughter of James K. Gardiner, president of

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<v Speaker 1>the L I and W Railroad. Uncle Joseph Hatch alias Gentleman,

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<v Speaker 1>Joe Brick Meakin alias Ready the Kid, Harry Hayes alias

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<v Speaker 1>Grand Stan Harry, Captain Lucas, Chief of Police, Policeman Brakeman, engineers.

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<v Speaker 1>Scene the dining room in the Cuntry tree house of

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<v Speaker 1>James K. Gardener on Long Island. In the back wall

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<v Speaker 1>is a double doorway opening into a hall. A curtain

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<v Speaker 1>divided in the middle hangs across the entrance. On the wall.

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<v Speaker 1>On either side of the doorway are two electric lights,

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<v Speaker 1>and to the left is a telephone. Further to the

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<v Speaker 1>left is a side board. On it are set silver salvers, candlesticks,

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<v Speaker 1>and Christmas presents of silver. They still are in the

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<v Speaker 1>red flannel bags in which they arrived. In the left

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<v Speaker 1>wall is a recessed window hung with curtains. Against the

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<v Speaker 1>right wall is a buffet, on which is set a

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<v Speaker 1>tea caddy, toast rack and tea kettle. Below the buffet,

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<v Speaker 1>a door opens into the butler's pantry. A dinner table

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<v Speaker 1>stands well down the stage, with a chair at each

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<v Speaker 1>end and on each side. Two chairs are set against

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<v Speaker 1>the back wall to the right of the door. The

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<v Speaker 1>walls and windows are decorated with holly and mistletoe and

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<v Speaker 1>Christmas wreaths tied with bows of scarlet ribbon. When the

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<v Speaker 1>window is opened, there is a view of falling snow.

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<v Speaker 1>At first, the room is in complete darkness. The time

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<v Speaker 1>is the day after Christmas. Near midnight, after the curtain rises,

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<v Speaker 1>one hears the noise of a file scraping on iron.

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<v Speaker 1>It comes apparently from outside the house, at a point

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<v Speaker 1>distant from the dining room. The filing is repeated cautiously,

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<v Speaker 1>with a weight between each stroke, as though the person

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<v Speaker 1>using the file has paused to listen. Alice Gardener enters

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<v Speaker 1>at center, carrying a lighted candle in a silver candlestick.

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<v Speaker 1>She wears a dressing gown with swans down around the

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<v Speaker 1>throat and at the edges of her sleeves. Her feet

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<v Speaker 1>are in bedroom slippers topped with fur. Her hair hangs

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<v Speaker 1>down in a braid. After listening intently to the sound

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<v Speaker 1>of the file, she places candle on sideboard and goes

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<v Speaker 1>to telephone. She speaks in a whisper.

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<v Speaker 3>Hello, Central, Hello, Central, Wake up? Is that you Central?

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<v Speaker 3>Give me the station agent at Bedford Junction? Quick? What

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<v Speaker 3>I can't speak louder Well, you must hear me. Give

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<v Speaker 3>me the station agent at Bedford Junction. No, there's always

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<v Speaker 3>a man there all night. Hurry, please, hurry.

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<v Speaker 1>There is a pause during which the sound of the

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<v Speaker 1>file grows louder Alice listens apprehensively.

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<v Speaker 3>Hello, are you the station agent? Good? Listen? I am

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<v Speaker 3>miss Gardener, James K. Gardner's daughter. Yes, James K. Gardner,

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<v Speaker 3>the president of the road. This is his house. My

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<v Speaker 3>mother and I are here alone. There are three men

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<v Speaker 3>trying to break in, Yes, burglars. Of course, my mother

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<v Speaker 3>is very ill. If they frighten her, the shock might

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<v Speaker 3>might be very serious. Wake up the crew and send

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<v Speaker 3>the wrecking train here at once. Send the crew of

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<v Speaker 3>the wrecking train here quick. What then fire up an

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<v Speaker 3>engine and get it here as fast as you can.

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<v Speaker 1>Calling from second story, Alice.

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<v Speaker 3>Yes, you have the up Track's clear until fifty two

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<v Speaker 3>comes along. That's not until Alice, Mother, Hello, hold the wire, don't.

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<v Speaker 1>Go away, runs to curtains, parts them and looks up

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<v Speaker 1>as though speaking to someone at the top of stairs.

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<v Speaker 3>Mother, why aren't you in bed?

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<v Speaker 1>Is anything wrong, Alice?

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<v Speaker 3>No, dear, No, I just came down to get a

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<v Speaker 3>book I forgot. Please go back, dearest.

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<v Speaker 1>I heard you moving about. I thought you might be ill.

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<v Speaker 3>No, dearest, but you'll be very ill if you don't

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<v Speaker 3>keep in bed. Please mother, at once.

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<v Speaker 1>It's all right, It's all right, yes, dear, good night,

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<v Speaker 1>good night. Mother returns quickly to telephone.

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<v Speaker 3>Hello, Hello, stop the engine. At the foot of our lawn. Yes, yes,

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<v Speaker 3>at the foot of our lawn. And when you have

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<v Speaker 3>the house surrounded, when the men are all around the house,

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<v Speaker 3>blow three whistles so I'll know you're here. What. Oh,

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<v Speaker 3>that's all right. The burglars will be here. I'll see

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<v Speaker 3>to that. All you have to do is to get here.

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<v Speaker 3>If you don't, you'll lose your job. I say, if

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<v Speaker 3>you don't, you'll lose your job, or I'm not the

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<v Speaker 3>daughter of the president of this road. Now you jump

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<v Speaker 3>and wait, Hello, he's jumped.

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<v Speaker 1>The file is now drawn harshly across the bolt of

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<v Speaker 1>the window of the dining room, and a piece of

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<v Speaker 1>wood snaps. With an exclamation. Alice blows out the candle

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<v Speaker 1>and exits. The shutters of the windows are opened, admitting

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<v Speaker 1>the faint glow of moonlight. The window is raised, and

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<v Speaker 1>the ray of a dark lantern is swept about the room.

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<v Speaker 1>Hatch appears at window and puts one leg inside. He

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<v Speaker 1>has an elderly man wearing a mask which hides the

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<v Speaker 1>upper half of his face, a heavy overcoat and a

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<v Speaker 1>derby hat. But for the mask, he might be mistaken

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<v Speaker 1>for a respectable man of business. A pane of glass

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<v Speaker 1>falls from the windows and breaks on the sill.

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<v Speaker 2>Hush, be careful, can't you.

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<v Speaker 1>He enters. He is followed by grand stand Harry, a

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<v Speaker 1>younger man of sporting appearance. He also wears a mask,

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<v Speaker 1>and the brim of his gray alpine hat is pulled

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<v Speaker 1>over his eyes around his throat. He wears a heavy

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<v Speaker 1>silk muffler.

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<v Speaker 2>It's all right, come on, hurry up and close those shutters.

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<v Speaker 3>Gimme the bag ready.

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<v Speaker 1>Reddy appears at window. He is dressed like a bowery tough.

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<v Speaker 1>His face is blackened with burnt cork. His hair is

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<v Speaker 1>of a brilliant red. He wears an engineer's silk cap

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<v Speaker 1>with visor to Harry. He passes a half filled canvas

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<v Speaker 1>bag on his shoulder. He carries another on entering, he

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<v Speaker 1>slips and falls forward on.

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<v Speaker 2>The confound you hush, you fool. Has he broken anything

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<v Speaker 2>on floor?

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<v Speaker 1>Rubbing his head. I've broke my.

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<v Speaker 2>Head, that's no loss. Has he smashed that silver?

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<v Speaker 3>It feels all right.

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<v Speaker 1>Hatch cautiously parts curtains at center and exits into hall.

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<v Speaker 1>Lifts bag. We got enough stuff in this bag already

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<v Speaker 1>without wasting time on another house.

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<v Speaker 3>Wasting time, time's money in this house. Look at the silver.

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<v Speaker 3>That's the beauty of working the night after Christmas. Everybody's

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<v Speaker 3>presence is lying about loose, and everybody's too tired celebrating

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<v Speaker 3>to keep awake.

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<v Speaker 1>Lifts silver loving cup.

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<v Speaker 3>Look at that cup.

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<v Speaker 1>I'd rather look at a cup of coffee. Ah, you well,

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<v Speaker 1>I can't make a meal out of silver ice pitchers,

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<v Speaker 1>can I I've been through three refrigerators. Tonight, and nothing

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<v Speaker 1>in any of em but bottles of milk. Milk.

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<v Speaker 3>Get up, get up, get to work.

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<v Speaker 1>The folks in this town are the stingiest I ever saw.

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<v Speaker 1>I won't visit em again, no matter how often they

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<v Speaker 1>ask me. Rising and crossing to buffet, I wonder if

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<v Speaker 1>these folks as vegetarians too, hatch enters.

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<v Speaker 2>It seems all right. There's no light and everybody's quiet.

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<v Speaker 2>You work the bedrooms. I'll clear away those things.

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<v Speaker 3>Don't be rough now, I know my business. Gimme the light.

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<v Speaker 1>Takes lantern and exits center.

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<v Speaker 2>Hissed, ready, ready, leave that alone. That's not safe.

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<v Speaker 1>Removes silver from sideboard to bag. I know it ain't guv'nor.

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<v Speaker 1>I'm lookin for something to eat. He kneels in front

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<v Speaker 1>of buffet and opens door.

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<v Speaker 2>No you're not. You're not here to eat. Come and

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<v Speaker 2>give me a hand with this stuff.

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<v Speaker 1>Gee, I've found a bottle of whiskey. Takes bottle from

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<v Speaker 1>buffet and begins to pull at the cork.

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<v Speaker 2>Well, you it right back where you found it.

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<v Speaker 1>I know a better place than that to put it.

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<v Speaker 2>How many times have I told you I'll not let

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<v Speaker 2>you drink in business hours?

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<v Speaker 3>Oh?

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<v Speaker 1>Just once, Governor, it's a cruel cold night. I need

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<v Speaker 1>it for medicine. No, I tell you just one dose.

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<v Speaker 1>Here's to you drinks. Oh lord, he sputters and coughs violently.

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<v Speaker 2>Hush stop that, you fool.

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<v Speaker 1>Oh I'm poisoned. That's benzene. Governor. What do you think

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<v Speaker 1>of that benzene? It's burned me throat out.

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<v Speaker 2>I wish it had burned your tongue out. Can't you

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<v Speaker 2>keep still?

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<v Speaker 1>Oh lord? Oh lord, think of a man putting benzene

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<v Speaker 1>in a whiskey bottle. That's dishonest. That is using a

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<v Speaker 1>revenue stamp twice as defraud in the government. I could

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<v Speaker 1>have him arrested for that if I wanted to, But

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<v Speaker 1>I don't want.

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<v Speaker 2>Oh quit that and come here. Get out the window

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<v Speaker 2>and I'll hand the bag to you. Put it under

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<v Speaker 2>the seat of the wagon and cover it up with

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<v Speaker 2>the lap rope.

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<v Speaker 1>Reddy steps to center door and parting the curtains, leans

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<v Speaker 1>into the hall beyond listening. Go slow. I ain't to

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<v Speaker 1>leave here till Harry is safe on the ground floor again.

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<v Speaker 2>Don't you worry about Harry. He won't get into trouble.

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<v Speaker 1>Sure he won't. It's me and you he'll get into trouble.

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<v Speaker 1>You hadn't ought to send him to do second story work. No, no,

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<v Speaker 1>he's too tender hearted. A second story worker ought to

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<v Speaker 1>use his gun.

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<v Speaker 2>Oh you, you'll fire your gun too often some day.

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<v Speaker 1>No, I won't. I did once, but I didn't do

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<v Speaker 1>it again for six years. But Harry, Ah, he's too

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<v Speaker 1>tender hearted. If Harry was a chicken thief, before he'd

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<v Speaker 1>wring a chicken's neck, he'd give it laughing gas. Why

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<v Speaker 1>you remember the lady that woke up and begged him

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<v Speaker 1>to give her back a gold watch because it belonged

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<v Speaker 1>to her little girl who was dead. Well, it turned

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<v Speaker 1>out the little girl wasn't dead. It turned out the

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<v Speaker 1>little girl was a big boy alive and kicking a

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<v Speaker 1>specially kicking. He kicked me into a rose bush.

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<v Speaker 2>That'll do. Harry's learning his trade. He'll pick it up

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<v Speaker 2>in time.

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<v Speaker 1>About time he picked up something. Remember the Gainesville bank

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<v Speaker 1>where he went away leavin ten thousand dollars in the

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<v Speaker 1>back of the safe. Why didn't he.

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<v Speaker 2>Pick that up because it wasn't there. Bank directors always

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<v Speaker 2>say that to make us feel bad. Hush.

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<v Speaker 1>Harry enters carrying his silk muffler, which now is wrapped

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<v Speaker 1>about a collection of jewels and watches.

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<v Speaker 2>That's quick work. What did you get?

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<v Speaker 3>Some neck strings and rings and two watches?

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<v Speaker 1>He spreads the muffler on the table. The three men

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<v Speaker 1>examined the jewelry.

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<v Speaker 2>That looks good. Who's up there?

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<v Speaker 3>Only an old lady and a young girl in the

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<v Speaker 3>room over this. And she's a beauty too, sleeping there,

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<v Speaker 3>just as sweet and peaceful.

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<v Speaker 1>Ah, why don't you give her back her watch? Maybe

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<v Speaker 1>she's another dead daughter.

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<v Speaker 2>That's all right, Harry, that's good stuff. Pick up that bag. Ready,

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<v Speaker 2>we can go now.

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<v Speaker 1>Harry places muffler and jewels in an inside coat pocket.

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<v Speaker 1>Reddy takes up the dark lantern. Go not till I've

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<v Speaker 1>got something to eat.

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<v Speaker 2>No, you don't. You can wait till later for something

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<v Speaker 2>to eat.

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<v Speaker 1>Yes, I can wait till later for something to eat.

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<v Speaker 1>But I can wait better if I eat now. Exit

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<v Speaker 1>into pantry.

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<v Speaker 2>Confound him. If I knew the roads around here as

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<v Speaker 2>well as he does, I'd drive off and leave him.

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<v Speaker 2>That appetite of his will send us to jail some day.

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<v Speaker 3>Well, to tell the truth, guv'nor, a little supper wouldn't

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<v Speaker 3>hurt my feelings.

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<v Speaker 1>Go to buffet.

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<v Speaker 3>I wonder where old man Gardner keeps his savannahs. I'd

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<v Speaker 3>like a Christmas present of a box of cigars? Are

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<v Speaker 3>there any over here?

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<v Speaker 2>I didn't look. I gave up robbing tills when I

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<v Speaker 2>was quite A boy.

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<v Speaker 1>Carries bag toward window and looks out, takes a box

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<v Speaker 1>of cigars from buffet.

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<v Speaker 3>Ah. Here they are domestics. What do you think of

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<v Speaker 3>that made in Vermont? The Admiral Dewey cigar? Gee? What

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<v Speaker 3>was the use of Dewey's taken Manila? If I've got

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<v Speaker 3>a smoke? Vermont cigars?

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<v Speaker 1>Ready enters carrying tray with food and a bottle, Say fellers,

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<v Speaker 1>look at this layout. These is real people in this house.

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<v Speaker 1>I found cold birds and ham and all kinds of

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<v Speaker 1>pie and real wine. Place this tray on right end

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<v Speaker 1>of table, Sit down and make yourselves perfectly at home.

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<v Speaker 3>Well, well, that does look good.

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<v Speaker 1>Place box of cigars at upper end of table and

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<v Speaker 1>seats himself.

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<v Speaker 3>Better have a bite, Guvnor No, I tell you.

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<v Speaker 1>He sits angrily in chair at left end of table,

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<v Speaker 1>with his face turned toward the curtains. Oh, come on,

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00:14:15.320 --> 00:14:18.600
<v Speaker 1>it don't cost you Nelson. The light from the candle

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<v Speaker 1>is seen approaching the curtains.

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<v Speaker 2>Hush, look there.

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<v Speaker 1>He rises, lifting his chair above his head and advances

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<v Speaker 1>on tiptoe to right of curtains, where he stands with

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00:14:30.759 --> 00:14:35.120
<v Speaker 1>the chair raised as though to strike. Harry points revolver

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00:14:35.240 --> 00:14:40.120
<v Speaker 1>at curtains. Reddy shifts the lantern to his left hand, and,

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<v Speaker 1>standing close to Harry, also points a revolver. Alice appears

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00:14:44.360 --> 00:14:47.639
<v Speaker 1>between curtains. She is dressed as before, and in her

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00:14:47.720 --> 00:14:50.960
<v Speaker 1>left hand carries the candle, while the forefinger of her

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00:14:51.039 --> 00:14:54.200
<v Speaker 1>right hand is held warningly to her lips. For an

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00:14:54.240 --> 00:14:57.039
<v Speaker 1>instant she pauses in the ring of light from the lantern.

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00:14:59.080 --> 00:15:01.960
<v Speaker 3>Hush, make a noise. Don't make a noise.

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00:15:02.039 --> 00:15:05.000
<v Speaker 1>Please, Well, I'll be hang.

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00:15:06.399 --> 00:15:07.679
<v Speaker 3>Please, don't make a noise.

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00:15:08.720 --> 00:15:10.039
<v Speaker 2>Don't you make a noise.

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00:15:10.799 --> 00:15:13.960
<v Speaker 3>I don't mean to. My mother is asleep upstairs, and

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00:15:14.039 --> 00:15:16.840
<v Speaker 3>she's very ill, and I don't want to wake her,

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00:15:17.120 --> 00:15:18.919
<v Speaker 3>and I don't want you to wake her either.

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00:15:20.279 --> 00:15:21.679
<v Speaker 1>Well, I'll be hanged.

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00:15:23.039 --> 00:15:24.240
<v Speaker 2>Who else is in this house?

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<v Speaker 3>No one but mother and the maid servants, and they're asleep.

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00:15:28.879 --> 00:15:32.000
<v Speaker 3>You woke me, and I hoped you'd go without disturbing mother.

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00:15:32.600 --> 00:15:34.480
<v Speaker 3>But when you started in making a night of it.

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<v Speaker 3>I decided I'd better come down and ask you to

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00:15:36.919 --> 00:15:39.840
<v Speaker 3>be as quiet as possible. My mother is not at

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<v Speaker 3>all well.

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<v Speaker 1>Takes a cigar box off table.

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<v Speaker 3>Excuse me, you've got the wrong cigars. Those are the

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00:15:47.919 --> 00:15:51.279
<v Speaker 3>cigar's father keeps for his friends. Those he smokes.

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00:15:51.320 --> 00:15:54.759
<v Speaker 1>He hides over here, places his box on buffet, and

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<v Speaker 1>takes out a larger box with partitions for cigars, matches,

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00:15:58.399 --> 00:16:02.039
<v Speaker 1>and cigarettes. As he moves about, Reddy keeps her well

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00:16:02.120 --> 00:16:03.240
<v Speaker 1>in the light of the lantern.

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00:16:04.440 --> 00:16:08.559
<v Speaker 3>Try those. I'm afraid you've a very poor supper when

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00:16:08.600 --> 00:16:12.120
<v Speaker 3>father is away. We have such a small family. I

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00:16:12.159 --> 00:16:14.840
<v Speaker 3>can't see what you've Would you mind taking that light

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00:16:14.879 --> 00:16:17.279
<v Speaker 3>out of my eyes and pointing it at that tray?

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00:16:18.799 --> 00:16:20.639
<v Speaker 2>Don't you do it? Keep the gun on her?

284
00:16:21.919 --> 00:16:24.120
<v Speaker 3>Oh, I don't mind his pointing the gun at me,

285
00:16:24.720 --> 00:16:26.679
<v Speaker 3>so long as he does not point that light at me.

286
00:16:27.159 --> 00:16:31.799
<v Speaker 3>It's most embarrassing. Turn it down there.

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00:16:31.639 --> 00:16:35.159
<v Speaker 1>Please, Reddy, lets light fall on tray.

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00:16:36.200 --> 00:16:40.039
<v Speaker 3>Why that's cooking sherry you've got. You can't drink that.

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00:16:40.919 --> 00:16:42.120
<v Speaker 3>Let me get you some whisky.

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00:16:43.080 --> 00:16:46.799
<v Speaker 1>Covering her with lantern, No you don't, that's not whisky.

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00:16:46.960 --> 00:16:47.879
<v Speaker 1>It's benzene.

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00:16:48.960 --> 00:16:51.240
<v Speaker 3>You don't mean to say that that benzine bottle is

293
00:16:51.279 --> 00:16:54.080
<v Speaker 3>there still? I told Jane to take it away.

294
00:16:55.039 --> 00:16:56.799
<v Speaker 1>Well Jane didn't do it.

295
00:16:57.559 --> 00:17:00.759
<v Speaker 3>Now, isn't that just like Jane I told her it

296
00:17:00.840 --> 00:17:03.200
<v Speaker 3>might set fire to the house and burn us alive.

297
00:17:03.960 --> 00:17:05.559
<v Speaker 1>It nearly burned me alive.

298
00:17:06.680 --> 00:17:08.480
<v Speaker 3>I'm so sorry.

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00:17:08.720 --> 00:17:12.559
<v Speaker 1>Takes from buffet a tray holding whiskey, bottle, siphon, and

300
00:17:12.720 --> 00:17:13.519
<v Speaker 1>three glasses.

301
00:17:14.839 --> 00:17:18.240
<v Speaker 3>Here this is what you want, but perhaps you don't

302
00:17:18.319 --> 00:17:18.960
<v Speaker 3>like scotch.

303
00:17:19.960 --> 00:17:20.720
<v Speaker 2>Don't you touch that?

304
00:17:20.839 --> 00:17:25.160
<v Speaker 1>Ready returns to chair at left of table. Why not?

305
00:17:26.720 --> 00:17:28.559
<v Speaker 1>Pours whiskey into a glass?

306
00:17:29.119 --> 00:17:32.839
<v Speaker 3>Yes, why not? It's not poison. There's nothing wrong with

307
00:17:32.880 --> 00:17:35.559
<v Speaker 3>this bottle. If you're afraid, I'll prove it to you,

308
00:17:36.359 --> 00:17:38.839
<v Speaker 3>just to show you there's not a trace of hard feelings.

309
00:17:39.559 --> 00:17:47.480
<v Speaker 1>Drinks and coughs violently. She's got the benzene bottle too.

310
00:17:48.960 --> 00:17:53.680
<v Speaker 3>No, I'm not quite used to that. Excuse me, but

311
00:17:54.119 --> 00:17:57.720
<v Speaker 3>aren't you getting tired holding that big pistol? Don't you

312
00:17:57.799 --> 00:17:59.799
<v Speaker 3>think you might put it down now and help me

313
00:17:59.839 --> 00:18:00.799
<v Speaker 3>serve this supper?

314
00:18:02.400 --> 00:18:03.480
<v Speaker 1>Harry does not move.

315
00:18:04.680 --> 00:18:08.240
<v Speaker 3>No, well, then let the colored gentlemen help me.

316
00:18:09.119 --> 00:18:12.519
<v Speaker 1>Harry and Ready wheel sharply, each pointing his revolver.

317
00:18:13.119 --> 00:18:16.440
<v Speaker 3>Colored man, Where colored man? It's a trap?

318
00:18:17.279 --> 00:18:18.640
<v Speaker 1>Seeing no one? They turn?

319
00:18:19.799 --> 00:18:23.839
<v Speaker 3>Oh, pardon me? Aren't you a colored person? Me?

320
00:18:24.359 --> 00:18:27.599
<v Speaker 1>Colored? You never see a colored man with hair like that?

321
00:18:27.680 --> 00:18:31.519
<v Speaker 1>Did you? Points lantern at his head. This isn't my

322
00:18:31.599 --> 00:18:35.559
<v Speaker 1>real face, lady? Why out of office hours? I've a

323
00:18:35.640 --> 00:18:38.839
<v Speaker 1>complexion like cream and roses? Colored man?

324
00:18:39.880 --> 00:18:42.960
<v Speaker 3>I beg your pardon, but I can't see very well.

325
00:18:43.480 --> 00:18:45.440
<v Speaker 3>Don't you think it would be more cheerful if we

326
00:18:45.480 --> 00:18:46.480
<v Speaker 3>had a little more light?

327
00:18:47.559 --> 00:18:51.519
<v Speaker 2>No drop that. We've got to go, and before we go,

328
00:18:51.559 --> 00:18:52.599
<v Speaker 2>I've got to fix you?

329
00:18:53.839 --> 00:18:56.319
<v Speaker 3>Fix me? How fix me?

330
00:18:57.559 --> 00:19:00.400
<v Speaker 2>I'm sorry, miss, but it's your own fault. You shouldn't

331
00:19:00.400 --> 00:19:02.759
<v Speaker 2>have tried to see us. Now that you have, before

332
00:19:02.799 --> 00:19:04.559
<v Speaker 2>we leave, i've got to tie you to a chair

333
00:19:05.000 --> 00:19:05.640
<v Speaker 2>and gag you.

334
00:19:06.799 --> 00:19:08.240
<v Speaker 3>Oh really, all of that.

335
00:19:09.759 --> 00:19:11.920
<v Speaker 2>I can't have you raising the neighborhood until we get

336
00:19:11.960 --> 00:19:12.519
<v Speaker 2>well away.

337
00:19:13.640 --> 00:19:18.720
<v Speaker 3>I see, but gagged, I'll look so foolish.

338
00:19:20.039 --> 00:19:23.359
<v Speaker 1>Well, there's no hurry. We won't get well away until

339
00:19:23.400 --> 00:19:24.519
<v Speaker 1>I've had something to eat.

340
00:19:25.480 --> 00:19:28.400
<v Speaker 3>Quite right. You can tie me in a chair later,

341
00:19:28.559 --> 00:19:32.559
<v Speaker 3>mister er, But now you must remember that I am

342
00:19:32.640 --> 00:19:35.480
<v Speaker 3>your hostess. You'll find the plates in the pantry.

343
00:19:35.480 --> 00:19:38.960
<v Speaker 1>Please, Oh, I don't use them things.

344
00:19:40.000 --> 00:19:42.960
<v Speaker 3>You'll use them things when you eat with me. Go

345
00:19:43.279 --> 00:19:47.920
<v Speaker 3>do as I tell you. Please, Ready exits and you

346
00:19:48.440 --> 00:19:50.240
<v Speaker 3>put away that silly gun and help.

347
00:19:50.079 --> 00:19:51.759
<v Speaker 2>Him stay where you are.

348
00:19:52.799 --> 00:19:55.720
<v Speaker 3>Oh, what's the rush, guv'nor? She can't hurt nobody and

349
00:19:55.799 --> 00:19:56.960
<v Speaker 3>I'm near starved too.

350
00:19:58.079 --> 00:19:59.240
<v Speaker 1>Exit into pantry.

351
00:20:00.440 --> 00:20:03.240
<v Speaker 2>This is the last time I take you out.

352
00:20:03.000 --> 00:20:04.599
<v Speaker 1>Arranging the food upon the table.

353
00:20:05.720 --> 00:20:09.480
<v Speaker 3>Now, why are you so peevish to everybody? Why don't

354
00:20:09.519 --> 00:20:10.960
<v Speaker 3>you be sociable and take some.

355
00:20:11.000 --> 00:20:13.680
<v Speaker 1>Supper glances at sideboard?

356
00:20:14.240 --> 00:20:17.839
<v Speaker 3>You seem to have taken everything else. Oh that reminds me.

357
00:20:18.279 --> 00:20:22.000
<v Speaker 3>Would you object to loaning me about four six about

358
00:20:22.079 --> 00:20:24.559
<v Speaker 3>six of our knives and forks just for the supper?

359
00:20:25.039 --> 00:20:28.640
<v Speaker 3>I suppose we can borrow from the neighbor's breakfast, unless

360
00:20:28.680 --> 00:20:30.319
<v Speaker 3>you've been calling on the neighbors too.

361
00:20:31.559 --> 00:20:33.640
<v Speaker 2>Oh, anything to oblige a lady.

362
00:20:34.039 --> 00:20:38.240
<v Speaker 3>But no tricks now, Oh, I can't promise that because

363
00:20:38.279 --> 00:20:40.160
<v Speaker 3>I mightn't be able to keep my promise.

364
00:20:41.279 --> 00:20:44.039
<v Speaker 1>Hatch brings silver knives and forks from the bag.

365
00:20:45.680 --> 00:20:48.319
<v Speaker 2>I'll risk all the tricks. You know, nobody's got much

366
00:20:48.319 --> 00:20:50.240
<v Speaker 2>the better of me. In the last twenty years?

367
00:20:52.039 --> 00:20:55.440
<v Speaker 3>Have you been a burglar twenty years? You must have

368
00:20:55.519 --> 00:20:59.240
<v Speaker 3>begun very young. I can't see your face very well,

369
00:20:59.640 --> 00:21:02.960
<v Speaker 3>but I I shouldn't say you were over forty. Do

370
00:21:03.160 --> 00:21:08.319
<v Speaker 3>take that mask off. It looks so unsociable. Don't be

371
00:21:08.400 --> 00:21:13.039
<v Speaker 3>afraid of me. I've a perfectly shocking memory for faces. Now.

372
00:21:13.279 --> 00:21:16.720
<v Speaker 3>I'm sure that under that unbecoming and terrifying exterior you

373
00:21:16.759 --> 00:21:20.599
<v Speaker 3>are hiding a kind and fatherly countenance. Am I right?

374
00:21:23.200 --> 00:21:24.519
<v Speaker 3>Why do you wear it.

375
00:21:25.400 --> 00:21:26.559
<v Speaker 2>To keep my face warm?

376
00:21:27.799 --> 00:21:30.079
<v Speaker 3>Oh? Pardon me my mistake.

377
00:21:31.279 --> 00:21:35.119
<v Speaker 1>A locomotive whistle is heard at a distance. Alice listens

378
00:21:35.160 --> 00:21:38.720
<v Speaker 1>eagerly as the whistle dies away and is not repeated.

379
00:21:38.839 --> 00:21:40.559
<v Speaker 1>Her face shows her disappointment.

380
00:21:41.880 --> 00:21:44.240
<v Speaker 2>What was that? There's no trains this time of night.

381
00:21:45.359 --> 00:21:48.799
<v Speaker 3>It was a freight train going the other way, the.

382
00:21:48.799 --> 00:21:50.920
<v Speaker 2>Other way, the other way from where.

383
00:21:51.960 --> 00:21:55.599
<v Speaker 3>From where it started? Do you know? I've always wanted

384
00:21:55.599 --> 00:21:59.079
<v Speaker 3>to meet a burglar, but it's so difficult. They go

385
00:21:59.160 --> 00:22:01.720
<v Speaker 3>out so seldom.

386
00:22:01.079 --> 00:22:02.920
<v Speaker 2>Yes, and they arrive so late.

387
00:22:05.000 --> 00:22:07.880
<v Speaker 3>Now that's much better. It's so nice of you to

388
00:22:07.960 --> 00:22:10.680
<v Speaker 3>have a sense of humor while you're there. Just close

389
00:22:10.720 --> 00:22:13.519
<v Speaker 3>those blinds, please, so that the neighbors can't see what

390
00:22:13.680 --> 00:22:16.920
<v Speaker 3>scandalous hours we keep. And then you can make a light.

391
00:22:17.880 --> 00:22:19.960
<v Speaker 3>This is much too gloomy for a supper party.

392
00:22:20.720 --> 00:22:21.640
<v Speaker 1>Closing shutters.

393
00:22:22.799 --> 00:22:25.039
<v Speaker 2>Yes, if those were shut it might be safer.

394
00:22:25.920 --> 00:22:29.240
<v Speaker 1>He closes shutters and turns on the two electric lights.

395
00:22:29.640 --> 00:22:31.759
<v Speaker 1>Ready and Harry enter, carrying plates.

396
00:22:32.839 --> 00:22:35.640
<v Speaker 3>We aren't regular waiters, miss, but we think we're pretty

397
00:22:35.640 --> 00:22:36.519
<v Speaker 3>good for amateurs.

398
00:22:37.519 --> 00:22:41.359
<v Speaker 1>We haven't forgotten nothing, not even napkins. Have some napkins.

399
00:22:42.319 --> 00:22:45.480
<v Speaker 1>Places a pile of folded napkins in front of Alice,

400
00:22:45.720 --> 00:22:48.240
<v Speaker 1>then sits at head of table, Harry to lower right

401
00:22:48.319 --> 00:22:51.519
<v Speaker 1>of table. Alice moves her chair away from the table,

402
00:22:52.000 --> 00:22:55.519
<v Speaker 1>but keeping ready on her right. Hatch sits still further

403
00:22:55.599 --> 00:22:57.599
<v Speaker 1>away from the table on her left.

404
00:22:58.559 --> 00:23:02.279
<v Speaker 3>Thanks, put the plate down there, and may I help you.

405
00:23:02.279 --> 00:23:06.720
<v Speaker 1>To some taking food and fingers. Oh, we'll help ourselves.

406
00:23:07.599 --> 00:23:12.640
<v Speaker 3>Of course, you're accustomed to helping yourselves, aren't you. Won't

407
00:23:12.680 --> 00:23:14.279
<v Speaker 3>you join them?

408
00:23:14.359 --> 00:23:14.400
<v Speaker 2>No.

409
00:23:16.039 --> 00:23:19.200
<v Speaker 1>Through the scene which follows, Reddy and Harry continue to

410
00:23:19.240 --> 00:23:21.960
<v Speaker 1>eat and drink heartily. No.

411
00:23:23.000 --> 00:23:26.359
<v Speaker 3>Well, then while they're having supper, you and I will talk.

412
00:23:27.160 --> 00:23:29.200
<v Speaker 3>If you're going to gag me soon, I want to

413
00:23:29.240 --> 00:23:30.119
<v Speaker 3>talk while I can.

414
00:23:31.559 --> 00:23:37.799
<v Speaker 1>Rises and hands boxed him have a cigar, Take cigar? Thanks,

415
00:23:38.240 --> 00:23:40.000
<v Speaker 1>Standing with hand on back of chair.

416
00:23:40.960 --> 00:23:44.759
<v Speaker 3>Now I want to ask you some questions. You are

417
00:23:44.799 --> 00:23:48.440
<v Speaker 3>an intelligent man. Of course you must be, or you

418
00:23:48.480 --> 00:23:51.440
<v Speaker 3>couldn't have kept out of jail for twenty years to

419
00:23:51.480 --> 00:23:54.319
<v Speaker 3>get on in your business. A man must be intelligent,

420
00:23:54.759 --> 00:23:59.200
<v Speaker 3>and he must have nerve and courage. Now, with those qualities,

421
00:23:59.799 --> 00:24:03.680
<v Speaker 3>why may I ask? Why are you so stupid as

422
00:24:03.720 --> 00:24:07.119
<v Speaker 3>to be a burglar? Stupid? Oh?

423
00:24:07.160 --> 00:24:07.720
<v Speaker 1>I like that?

424
00:24:09.000 --> 00:24:11.119
<v Speaker 2>Stupid? Why I make a living at it?

425
00:24:12.000 --> 00:24:12.960
<v Speaker 3>How much of a living?

426
00:24:13.960 --> 00:24:15.119
<v Speaker 2>Ten thousand a year?

427
00:24:16.079 --> 00:24:21.480
<v Speaker 3>Ten thousand? Well suppose you made fifty thousand. What good

428
00:24:21.519 --> 00:24:24.279
<v Speaker 3>is even a hundred thousand for one year? If to

429
00:24:24.319 --> 00:24:26.960
<v Speaker 3>get it you risk going to prison for twenty years.

430
00:24:27.640 --> 00:24:31.839
<v Speaker 3>That's not sensible merely as a business proposition. To take

431
00:24:31.839 --> 00:24:34.680
<v Speaker 3>the risk you do for ten thousand dollars is stupid,

432
00:24:34.759 --> 00:24:38.279
<v Speaker 3>isn't it. I can understand a man's risking twenty years

433
00:24:38.279 --> 00:24:41.720
<v Speaker 3>of his life for some things. A man like Peerier, Dewier,

434
00:24:42.039 --> 00:24:46.519
<v Speaker 3>Santos Dumont. They took big risks for big prizes. But

435
00:24:46.599 --> 00:24:49.480
<v Speaker 3>there's thousands of men in this country not half as

436
00:24:49.519 --> 00:24:53.039
<v Speaker 3>clever as you are, earning ten thousand a year without

437
00:24:53.079 --> 00:24:56.319
<v Speaker 3>any risk of going to jail. None of them is

438
00:24:56.359 --> 00:24:58.960
<v Speaker 3>afraid to go out in public with his wife and children,

439
00:25:00.200 --> 00:25:03.319
<v Speaker 3>afraid to ask a policeman what time it is. They

440
00:25:03.359 --> 00:25:06.799
<v Speaker 3>don't have to wear black masks, nor ruin their beautiful

441
00:25:06.839 --> 00:25:08.559
<v Speaker 3>complexions with burnt cork.

442
00:25:09.759 --> 00:25:12.559
<v Speaker 1>A go on, who'd give me a job?

443
00:25:13.480 --> 00:25:15.240
<v Speaker 3>Whom did you ever ask for one?

444
00:25:16.519 --> 00:25:18.799
<v Speaker 1>Ask me some more of that pie like mother used

445
00:25:18.799 --> 00:25:19.119
<v Speaker 1>to make.

446
00:25:20.359 --> 00:25:23.480
<v Speaker 2>Yes, there are clerks and shopkeepers working behind a counter

447
00:25:23.640 --> 00:25:26.119
<v Speaker 2>twenty four hours a day, but they don't make ten

448
00:25:26.160 --> 00:25:28.359
<v Speaker 2>thousand a year, and no one ever hears of them.

449
00:25:28.759 --> 00:25:30.359
<v Speaker 2>There's no fame in their job.

450
00:25:31.759 --> 00:25:36.319
<v Speaker 3>Fame. Oh, how interesting are you a celebrity?

451
00:25:37.559 --> 00:25:39.359
<v Speaker 2>I'm quite as well known as I care to be.

452
00:25:39.759 --> 00:25:42.799
<v Speaker 2>Now tomorrow all the papers will be talking about this.

453
00:25:43.319 --> 00:25:45.960
<v Speaker 2>There'll be columns about us three. No one will know

454
00:25:46.000 --> 00:25:48.599
<v Speaker 2>we are the ones they're talking about, I hope not.

455
00:25:49.359 --> 00:25:52.000
<v Speaker 2>But the men in our profession will know, and they'll say,

456
00:25:52.680 --> 00:25:55.440
<v Speaker 2>that was a neat job of so and sos last night.

457
00:25:56.240 --> 00:25:59.680
<v Speaker 2>That's fame. Why we've got a reputation from one end

458
00:25:59.680 --> 00:26:00.799
<v Speaker 2>of this to the other.

459
00:26:01.839 --> 00:26:04.519
<v Speaker 3>That's right. There's some of us just as well known

460
00:26:04.559 --> 00:26:08.240
<v Speaker 3>as mister Santos Dumont.

461
00:26:07.720 --> 00:26:09.680
<v Speaker 1>And we fly just as high too.

462
00:26:11.200 --> 00:26:16.680
<v Speaker 3>I suppose you, I suppose you're quite a famous burglar him.

463
00:26:17.039 --> 00:26:19.319
<v Speaker 1>Why he's as well known as Billy the Kid.

464
00:26:20.160 --> 00:26:25.119
<v Speaker 3>Billy the Kid. Really he sounds so attractive, But I'm

465
00:26:25.160 --> 00:26:29.640
<v Speaker 3>afraid I don't think that I ever heard of him.

466
00:26:30.319 --> 00:26:32.279
<v Speaker 1>Never heard of Billy the Kid?

467
00:26:32.559 --> 00:26:33.440
<v Speaker 3>What do you think of that?

468
00:26:35.160 --> 00:26:38.680
<v Speaker 2>Well, then I'm as well known as Brace Phillips, the

469
00:26:38.720 --> 00:26:39.920
<v Speaker 2>Manhattan bankrobber.

470
00:26:40.519 --> 00:26:41.279
<v Speaker 1>Sure he is.

471
00:26:42.680 --> 00:26:44.319
<v Speaker 2>Don't tell me you never heard of him.

472
00:26:45.559 --> 00:26:46.400
<v Speaker 3>I'm afraid not.

473
00:26:48.119 --> 00:26:51.000
<v Speaker 2>Why he's a headliner. He's as well known as George

474
00:26:51.039 --> 00:26:53.759
<v Speaker 2>post Copy Farrell, Billy Porter.

475
00:26:55.960 --> 00:26:57.079
<v Speaker 3>No, there you are.

476
00:26:57.880 --> 00:26:58.079
<v Speaker 1>Now.

477
00:26:58.119 --> 00:27:00.960
<v Speaker 3>You claim there is fame in this profession, and you

478
00:27:00.960 --> 00:27:03.200
<v Speaker 3>have named five men who are at the top of it,

479
00:27:03.759 --> 00:27:06.599
<v Speaker 3>and I've never heard of one of them. And I

480
00:27:06.759 --> 00:27:07.720
<v Speaker 3>read the papers too.

481
00:27:09.359 --> 00:27:13.000
<v Speaker 1>Well, there's other ladies who have heard of us, real ladies.

482
00:27:13.759 --> 00:27:16.279
<v Speaker 1>When I was doing my last bit in jail, I

483
00:27:16.319 --> 00:27:18.920
<v Speaker 1>got a thousand letters from ladies asking me for my

484
00:27:19.039 --> 00:27:21.000
<v Speaker 1>photograph and offering to marry me.

485
00:27:23.160 --> 00:27:27.240
<v Speaker 3>Really well, that only proves that men as husbands are

486
00:27:27.279 --> 00:27:32.240
<v Speaker 3>more desirable in jail than out. No, it's a poor life.

487
00:27:33.799 --> 00:27:35.799
<v Speaker 2>It's a poor life. You people lead with us to

488
00:27:35.839 --> 00:27:38.559
<v Speaker 2>worry you. There's seventy millions of you in the United

489
00:27:38.599 --> 00:27:41.200
<v Speaker 2>States and only a few of us, And yet we

490
00:27:41.319 --> 00:27:44.240
<v Speaker 2>keep you guessing all the year round. Why we're the

491
00:27:44.319 --> 00:27:45.960
<v Speaker 2>last thing you think of at night when you lock

492
00:27:46.039 --> 00:27:48.279
<v Speaker 2>the doors. We're the first thing you think of in

493
00:27:48.319 --> 00:27:51.119
<v Speaker 2>the morning when you feel for the silver basket. We're

494
00:27:51.160 --> 00:27:54.160
<v Speaker 2>just a few up against seventy millions. I tell you

495
00:27:54.160 --> 00:27:56.920
<v Speaker 2>there's fame and big money and a free life in

496
00:27:56.960 --> 00:27:57.599
<v Speaker 2>my business.

497
00:27:58.920 --> 00:28:01.759
<v Speaker 3>Yes, it's a free life until you go to jail.

498
00:28:02.440 --> 00:28:06.799
<v Speaker 3>It's this way. You're barbarians, and there's no place for

499
00:28:06.880 --> 00:28:11.440
<v Speaker 3>you in a civilized community except in jail. Everybody is

500
00:28:11.480 --> 00:28:15.640
<v Speaker 3>working against you. Every city has its police force. Almost

501
00:28:15.640 --> 00:28:19.079
<v Speaker 3>every house nowadays has a private watchman. And if we

502
00:28:19.160 --> 00:28:21.680
<v Speaker 3>want to raise a hue and cry after you, there

503
00:28:21.680 --> 00:28:25.599
<v Speaker 3>are the newspapers and the telegraph, and the telephone and

504
00:28:25.680 --> 00:28:26.759
<v Speaker 3>the cables all.

505
00:28:26.559 --> 00:28:29.039
<v Speaker 2>Over the Thank you one moment.

506
00:28:29.119 --> 00:28:35.640
<v Speaker 1>Please throws open overcoat, showing that it is lined with burglars, jimmies, chisels,

507
00:28:35.680 --> 00:28:36.359
<v Speaker 1>and augers.

508
00:28:38.079 --> 00:28:41.839
<v Speaker 3>My, what an interesting coat. It looks like a tool chest,

509
00:28:42.799 --> 00:28:44.880
<v Speaker 3>just the coat for an automobile trip.

510
00:28:46.160 --> 00:28:49.680
<v Speaker 2>Harry cut those telephone wires.

511
00:28:49.599 --> 00:28:54.720
<v Speaker 1>Hans barbed wire cutters, to Harry to Alice.

512
00:28:53.720 --> 00:28:55.000
<v Speaker 2>Thank you for reminding me.

513
00:28:56.319 --> 00:28:59.119
<v Speaker 3>Oh, not at all. You've nothing to thank me for.

514
00:29:00.440 --> 00:29:03.519
<v Speaker 1>Harry goes to telephone to Harry.

515
00:29:03.920 --> 00:29:06.880
<v Speaker 3>Don't make a noise doing that. Don't wake my mother.

516
00:29:07.799 --> 00:29:10.880
<v Speaker 3>She's nervous and she's ill, and if you wake her

517
00:29:11.079 --> 00:29:14.079
<v Speaker 3>or frighten her, I'll keep the police after you until

518
00:29:14.119 --> 00:29:15.519
<v Speaker 3>every one of you is in jail.

519
00:29:17.160 --> 00:29:19.240
<v Speaker 2>You won't keep after us very far. When I've tied

520
00:29:19.279 --> 00:29:21.559
<v Speaker 2>you up. Bring me those curtain cords, Harry.

521
00:29:22.440 --> 00:29:24.599
<v Speaker 3>Oh really, that's too ridiculous.

522
00:29:25.519 --> 00:29:26.759
<v Speaker 1>Listens apprehensively.

523
00:29:28.319 --> 00:29:30.440
<v Speaker 2>Sorry, I had to bust up your still alarm. But

524
00:29:30.519 --> 00:29:33.000
<v Speaker 2>after we go, we can't have you chatting with the police.

525
00:29:33.240 --> 00:29:35.200
<v Speaker 2>If you hadn't so kindly given me a tip about

526
00:29:35.200 --> 00:29:37.680
<v Speaker 2>the telephone, I might have gone off and clean. Forgot that.

527
00:29:38.759 --> 00:29:43.680
<v Speaker 1>Harry takes curtain cords from window curtains. I'm afraid Pretty

528
00:29:43.720 --> 00:29:49.000
<v Speaker 1>Polly talked too much that time. We ain't all stupid, no.

529
00:29:49.519 --> 00:29:53.480
<v Speaker 3>So I see, So, I see. It was careless of me,

530
00:29:54.079 --> 00:29:57.480
<v Speaker 3>But everybody you call upon may not be so careless.

531
00:29:58.839 --> 00:30:01.839
<v Speaker 2>Well, I've won out for twenty years. I've never been

532
00:30:01.880 --> 00:30:02.279
<v Speaker 2>in jail.

533
00:30:03.839 --> 00:30:07.640
<v Speaker 3>Don't worry. You're young. I told you you looked young.

534
00:30:08.279 --> 00:30:11.880
<v Speaker 3>Your time is coming in these days. There's no room

535
00:30:11.920 --> 00:30:15.599
<v Speaker 3>for burglars. You belong to the days of stage coaches.

536
00:30:16.039 --> 00:30:20.599
<v Speaker 3>You're old fashioned. Now you're trying to fight civilization. That's

537
00:30:20.599 --> 00:30:23.119
<v Speaker 3>what you're trying to do. You may keep ahead for

538
00:30:23.160 --> 00:30:26.319
<v Speaker 3>a time, but in a long race, I'll back civilization

539
00:30:26.480 --> 00:30:26.799
<v Speaker 3>to win.

540
00:30:28.119 --> 00:30:32.400
<v Speaker 2>Is that so well, miss Civilization? You've had your say,

541
00:30:32.839 --> 00:30:36.359
<v Speaker 2>and I hope you feel better giving that silk muffler

542
00:30:36.359 --> 00:30:40.200
<v Speaker 2>of yours. If civilization is going to help you, it's

543
00:30:40.240 --> 00:30:40.880
<v Speaker 2>got to hurry.

544
00:30:41.680 --> 00:30:43.960
<v Speaker 3>You don't mean to say you really are going to

545
00:30:44.000 --> 00:30:50.519
<v Speaker 3>gag me. I am, but my, but I shall look

546
00:30:50.640 --> 00:30:52.440
<v Speaker 3>silly With.

547
00:30:52.440 --> 00:30:57.039
<v Speaker 1>Her face turned right, she listens apprehensively, coming down with

548
00:30:57.119 --> 00:30:59.680
<v Speaker 1>curtain cords and taking muffler from his pocket.

549
00:31:00.839 --> 00:31:02.440
<v Speaker 3>I've got the stuff in this muffler.

550
00:31:03.319 --> 00:31:04.160
<v Speaker 2>Well give me that.

551
00:31:04.200 --> 00:31:07.039
<v Speaker 1>Too, shows inside coat pocket.

552
00:31:07.759 --> 00:31:09.559
<v Speaker 2>I'll put it in the safe.

553
00:31:09.920 --> 00:31:14.759
<v Speaker 1>Harry places muffler on table, exposing jewelry, begins placing the

554
00:31:14.839 --> 00:31:18.240
<v Speaker 1>ornaments one at a time in his pocket. To Alice,

555
00:31:18.519 --> 00:31:19.000
<v Speaker 1>what is it?

556
00:31:19.240 --> 00:31:19.960
<v Speaker 2>What did you hear?

557
00:31:21.400 --> 00:31:23.880
<v Speaker 3>I I thought I heard my mother moving about.

558
00:31:24.720 --> 00:31:26.279
<v Speaker 2>Well she'd better not move about.

559
00:31:27.759 --> 00:31:29.200
<v Speaker 3>You'd better not wake her.

560
00:31:30.279 --> 00:31:31.240
<v Speaker 1>Seize the jewels.

561
00:31:32.319 --> 00:31:36.720
<v Speaker 3>Oh, look at the graft or is it swag? Which

562
00:31:36.799 --> 00:31:37.039
<v Speaker 3>is it?

563
00:31:38.480 --> 00:31:39.720
<v Speaker 2>Cover em up? Cover it up.

564
00:31:40.920 --> 00:31:43.920
<v Speaker 1>Harry tries to hide the jewels with one hand while

565
00:31:43.920 --> 00:31:45.799
<v Speaker 1>he passes a lady's watch to Hatch.

566
00:31:47.200 --> 00:31:51.079
<v Speaker 3>That's your watch. I'm sorry it has to go. I'm not.

567
00:31:51.759 --> 00:31:55.240
<v Speaker 3>It's the first time it ever did go. And oh,

568
00:31:55.279 --> 00:31:58.160
<v Speaker 3>thank you for taking that big brooch. It's a gift

569
00:31:58.160 --> 00:32:00.640
<v Speaker 3>of father's, so I had to wear it. But it's

570
00:32:00.680 --> 00:32:01.759
<v Speaker 3>so unbecoming.

571
00:32:02.559 --> 00:32:03.200
<v Speaker 1>She listens.

572
00:32:03.200 --> 00:32:06.279
<v Speaker 2>Covertly, put your hat on them, cover them up.

573
00:32:07.079 --> 00:32:10.559
<v Speaker 1>Harry partly covers jewels with his hat. Hatch lifts a

574
00:32:10.680 --> 00:32:11.680
<v Speaker 1>diamond necklace.

575
00:32:12.400 --> 00:32:16.359
<v Speaker 3>I suppose you know your own business, but that is paste.

576
00:32:17.000 --> 00:32:18.279
<v Speaker 2>Do you want to be gagged now?

577
00:32:19.480 --> 00:32:22.440
<v Speaker 3>A pardon me? Of course you know what you want.

578
00:32:23.200 --> 00:32:24.480
<v Speaker 1>Notice is another necklace.

579
00:32:25.119 --> 00:32:29.200
<v Speaker 3>Oh that's missus Warren's necklace. So you called on her too,

580
00:32:29.240 --> 00:32:31.359
<v Speaker 3>did you? Isn't she attractive?

581
00:32:32.559 --> 00:32:34.920
<v Speaker 1>We didn't ask for the lady of the house. They

582
00:32:34.960 --> 00:32:36.799
<v Speaker 1>ain't always as sociable as you are.

583
00:32:37.960 --> 00:32:41.079
<v Speaker 3>Well, that's her necklace. You got that at the house

584
00:32:41.119 --> 00:32:43.640
<v Speaker 3>on the hill with the red roof. The house that

585
00:32:44.079 --> 00:32:45.880
<v Speaker 3>has the red roof, not the hill.

586
00:32:47.079 --> 00:32:50.319
<v Speaker 1>She recognizes with an exclamation. A gold locket and chain,

587
00:32:50.599 --> 00:32:52.799
<v Speaker 1>which Hatch is about to place in his pocket.

588
00:32:53.960 --> 00:32:57.400
<v Speaker 3>Oh that's missus Lewell's lockett. How could you?

589
00:32:58.039 --> 00:33:01.680
<v Speaker 1>She snatches lockett from Hatch and clasps it in both hands.

590
00:33:02.039 --> 00:33:03.359
<v Speaker 1>She rises indignantly.

591
00:33:03.640 --> 00:33:04.920
<v Speaker 3>How dare you take that?

592
00:33:05.680 --> 00:33:06.440
<v Speaker 2>Put that down?

593
00:33:07.319 --> 00:33:10.160
<v Speaker 3>No, I will not do. You know what that means

594
00:33:10.160 --> 00:33:12.720
<v Speaker 3>to that woman. She cares more for that than for

595
00:33:12.799 --> 00:33:15.599
<v Speaker 3>anything in this world. Her husband used to wear this.

596
00:33:16.759 --> 00:33:20.000
<v Speaker 3>That's a lock of their child's hair. The child's dead

597
00:33:20.279 --> 00:33:23.000
<v Speaker 3>and the husband's dead, and that's all she has left

598
00:33:23.039 --> 00:33:26.079
<v Speaker 3>of either of them. And you took it, you brutes.

599
00:33:27.000 --> 00:33:29.759
<v Speaker 1>Of course we took it. Why does she wear it

600
00:33:29.799 --> 00:33:31.119
<v Speaker 1>where everybody can see it?

601
00:33:31.839 --> 00:33:33.200
<v Speaker 2>Keep quiet, you fool.

602
00:33:34.279 --> 00:33:37.079
<v Speaker 3>She wore it. You took it from her.

603
00:33:37.960 --> 00:33:40.960
<v Speaker 2>We didn't hurt her, We only frightened her a bit.

604
00:33:41.559 --> 00:33:44.680
<v Speaker 2>And will frighten you before we're done with you, Miss civilization.

605
00:33:45.880 --> 00:33:50.160
<v Speaker 3>Frighten me. You, you with your face is covered. You're

606
00:33:50.200 --> 00:33:53.319
<v Speaker 3>not men enough. You're afraid to even steal from men.

607
00:33:53.680 --> 00:33:56.039
<v Speaker 3>You rob women when they're alone at night.

608
00:33:57.000 --> 00:33:58.000
<v Speaker 1>Hould up locket?

609
00:33:58.559 --> 00:34:05.559
<v Speaker 3>Try to take that from me? Alice, Alice, mother, Oh

610
00:34:05.640 --> 00:34:06.960
<v Speaker 3>I forgot, I forgot.

611
00:34:07.720 --> 00:34:10.639
<v Speaker 1>The burglars rise and moved towards her menacingly.

612
00:34:11.480 --> 00:34:17.760
<v Speaker 3>Please please keep quiet, for God's sake, don't let her know, Alice,

613
00:34:17.840 --> 00:34:18.599
<v Speaker 3>what's wrong?

614
00:34:19.239 --> 00:34:23.840
<v Speaker 1>Who are you talking to? Alice runs to the curtains

615
00:34:23.840 --> 00:34:27.119
<v Speaker 1>with one hand held out to the burglars, entreating silence.

616
00:34:28.199 --> 00:34:31.719
<v Speaker 3>I'm I'm talking to James, the coachman. One of the

617
00:34:31.760 --> 00:34:35.280
<v Speaker 3>horses is ill. Don't come down, mother, don't come down,

618
00:34:35.800 --> 00:34:39.199
<v Speaker 3>go back to bed. He's going now, right away. He

619
00:34:39.280 --> 00:34:41.679
<v Speaker 3>came for some medicine. It's all right.

620
00:34:42.199 --> 00:34:44.800
<v Speaker 1>Good night, mother, can't I help?

621
00:34:45.719 --> 00:34:46.280
<v Speaker 3>No?

622
00:34:46.280 --> 00:34:49.119
<v Speaker 1>No, good night, mother, good night.

623
00:34:50.440 --> 00:34:52.639
<v Speaker 2>That's enough of this. We can't leave here with the

624
00:34:52.639 --> 00:34:55.960
<v Speaker 2>whole house awake. And there's a coachman too. She'll wake

625
00:34:56.039 --> 00:34:58.880
<v Speaker 2>him next. He'll have the whole damned village after us.

626
00:34:59.679 --> 00:35:01.679
<v Speaker 2>That went upstairs, and you have got to have your

627
00:35:01.719 --> 00:35:02.400
<v Speaker 2>tongue stopped.

628
00:35:03.119 --> 00:35:04.519
<v Speaker 1>Standing in front of curtains.

629
00:35:05.440 --> 00:35:09.039
<v Speaker 3>You try to go near that woman. She's ill, she's feeble,

630
00:35:09.320 --> 00:35:13.639
<v Speaker 3>she's my mother. Don't you dare to touch her.

631
00:35:14.320 --> 00:35:15.519
<v Speaker 2>Get out of my way.

632
00:35:15.679 --> 00:35:19.440
<v Speaker 3>She's ill, you cowards. It will kill her. You'll have

633
00:35:19.519 --> 00:35:21.719
<v Speaker 3>to kill me before you get through this door.

634
00:35:22.440 --> 00:35:23.800
<v Speaker 2>Well, then, if it comes to that.

635
00:35:25.199 --> 00:35:28.599
<v Speaker 1>Three locomotive whistles are heard from just outside the house.

636
00:35:29.239 --> 00:35:31.239
<v Speaker 1>Alice throws up her hands hysterically.

637
00:35:32.159 --> 00:35:34.000
<v Speaker 3>Ah, at last, they've come.

638
00:35:34.079 --> 00:35:38.360
<v Speaker 2>They've come, they've come. What is it? What does that mean?

639
00:35:39.239 --> 00:35:41.599
<v Speaker 1>Reddy runs to window and opens the shutters.

640
00:35:42.519 --> 00:35:46.679
<v Speaker 3>It means it means that twenty men are crossing that lawn.

641
00:35:47.280 --> 00:35:51.039
<v Speaker 3>It means that while you sat drinking there, civilization was

642
00:35:51.199 --> 00:35:53.639
<v Speaker 3>racing toward you at seventy miles an hour.

643
00:35:54.800 --> 00:35:58.519
<v Speaker 2>Damn Nation, we're trapped. Get to the wagon quick. No,

644
00:35:59.159 --> 00:36:01.519
<v Speaker 2>leave the girl alone. We've no time for that. Drop

645
00:36:01.559 --> 00:36:03.320
<v Speaker 2>that stuff that way that way.

646
00:36:04.320 --> 00:36:08.840
<v Speaker 1>No, get back, get back, it's too late. There's hundreds

647
00:36:08.840 --> 00:36:10.000
<v Speaker 1>of them out there.

648
00:36:10.639 --> 00:36:14.679
<v Speaker 2>Out here this way quick, yes, come.

649
00:36:14.880 --> 00:36:16.639
<v Speaker 3>You don't dare come this way now.

650
00:36:17.480 --> 00:36:21.360
<v Speaker 1>She drags open the curtains, disclosing Captain Lucas and two

651
00:36:21.440 --> 00:36:25.639
<v Speaker 1>other policemen. For an instant they stand covering the burglars

652
00:36:25.639 --> 00:36:29.400
<v Speaker 1>with revolvers. Ready runs to window. He is seized by

653
00:36:29.440 --> 00:36:32.079
<v Speaker 1>an entering crowd of men in the oil stained blue

654
00:36:32.159 --> 00:36:33.920
<v Speaker 1>jeans of engineers and brakemen.

655
00:36:35.039 --> 00:36:37.199
<v Speaker 2>Hold up your hands, all of you, I guess I

656
00:36:37.280 --> 00:36:37.559
<v Speaker 2>know you.

657
00:36:38.679 --> 00:36:41.199
<v Speaker 1>With his left hand, he tears off Hatch's mask.

658
00:36:42.400 --> 00:36:45.239
<v Speaker 2>Joe Hatch at last.

659
00:36:44.920 --> 00:36:46.519
<v Speaker 1>Pulls off Harry's mask.

660
00:36:46.920 --> 00:36:51.000
<v Speaker 2>And Harry Hayes. I thought so, and that's the kid,

661
00:36:51.159 --> 00:36:52.039
<v Speaker 2>the whole gang.

662
00:36:53.039 --> 00:36:56.719
<v Speaker 1>To the police, good work boys, to Alice.

663
00:36:57.400 --> 00:37:01.119
<v Speaker 2>My congratulations, miss Gardner. They're the word lord in the country.

664
00:37:01.440 --> 00:37:02.639
<v Speaker 2>You're a brave young lady.

665
00:37:03.000 --> 00:37:06.679
<v Speaker 1>You ought, speaking with an effort and swaying slightly.

666
00:37:08.000 --> 00:37:12.960
<v Speaker 3>Hush, please, don't don't alarm my mother. Mother's not as

667
00:37:13.039 --> 00:37:14.960
<v Speaker 3>strong as as I am.

668
00:37:16.159 --> 00:37:18.960
<v Speaker 1>Her eyes close and she faints across the arm of

669
00:37:19.000 --> 00:37:24.000
<v Speaker 1>the Chief of Police as the curtain falls, end of play.

670
00:37:24.280 --> 00:37:26.400
<v Speaker 1>This recording is in the public domain.
