1
00:00:00,520 --> 00:00:03,000
Speaker 1: Hmm, very short tip meeting, Very short tip meeting. I'll

2
00:00:03,000 --> 00:00:05,360
Speaker 1: talk to you Ian, because I think you're talking to

3
00:00:05,440 --> 00:00:09,199
Speaker 1: walls in another dimension or something. But either way, I

4
00:00:09,240 --> 00:00:11,279
Speaker 1: got to talk to you because I don't trust you. Ian.

5
00:00:11,320 --> 00:00:13,039
Speaker 2: We got to talk about your performance, and you've got

6
00:00:13,080 --> 00:00:16,000
Speaker 2: to tell me what Mercury is like because no human's

7
00:00:16,000 --> 00:00:16,760
Speaker 2: ever been there.

8
00:00:17,760 --> 00:00:19,320
Speaker 1: So we get to Ian and Sandy.

9
00:00:19,719 --> 00:00:22,440
Speaker 2: He's got such a pissy, confused attitude about the whole thing.

10
00:00:22,480 --> 00:00:25,120
Speaker 2: He goes, I'm just going to keep smiling. Don't worry

11
00:00:25,120 --> 00:00:26,519
Speaker 2: about smiling, worry.

12
00:00:26,239 --> 00:00:28,280
Speaker 1: About seeing things that exist.

13
00:00:46,640 --> 00:00:46,799
Speaker 3: Hi.

14
00:00:46,799 --> 00:00:48,840
Speaker 2: Hello, and welcome to another brand spanking new episode of

15
00:00:48,880 --> 00:00:50,039
Speaker 2: another below Deck podcast.

16
00:00:50,039 --> 00:00:53,719
Speaker 1: My name is Dylan. I'm settled up next to Patrick. Kicky, Patrick,

17
00:00:54,799 --> 00:00:56,359
Speaker 1: come on board, granted.

18
00:00:57,960 --> 00:00:59,920
Speaker 2: Tonight we have an episode that is going to be

19
00:01:00,119 --> 00:01:01,200
Speaker 2: very difficult to break down.

20
00:01:02,119 --> 00:01:02,479
Speaker 1: It is.

21
00:01:04,519 --> 00:01:06,959
Speaker 2: I felt like watching the show this episode was like

22
00:01:07,000 --> 00:01:09,200
Speaker 2: watching Tinker Taylor Soldiers Spy.

23
00:01:09,439 --> 00:01:12,959
Speaker 1: I was like, who is who is manipulating?

24
00:01:13,040 --> 00:01:16,640
Speaker 2: Who? Who is planting evidence against the other? Is anybody

25
00:01:16,680 --> 00:01:18,200
Speaker 2: planting evidence against the other.

26
00:01:18,680 --> 00:01:20,519
Speaker 1: It was the kind of.

27
00:01:22,319 --> 00:01:25,319
Speaker 2: A tale of espionage that kind of imbuse in you

28
00:01:25,359 --> 00:01:26,560
Speaker 2: a sense of paranoia.

29
00:01:26,760 --> 00:01:31,959
Speaker 1: Ah, of course, you're describing the people at odds that

30
00:01:32,000 --> 00:01:34,719
Speaker 1: you're describing our Ellie and cheese.

31
00:01:34,719 --> 00:01:37,959
Speaker 2: Of course this get and cheese. Yes, yeah, biscuit and cheese.

32
00:01:39,040 --> 00:01:43,799
Speaker 2: Very very confusing episode, but lovely. Nonetheless, before we get

33
00:01:43,799 --> 00:01:45,640
Speaker 2: into it, today's episode is brought to you by Tropical

34
00:01:45,680 --> 00:01:49,159
Speaker 2: Smooth Cafe and Magic Mind to unbelievable companies that will

35
00:01:49,439 --> 00:01:52,120
Speaker 2: transport you to happiness in different ways.

36
00:01:52,159 --> 00:01:53,680
Speaker 1: We'll talk about them later on in the show.

37
00:01:53,719 --> 00:01:56,920
Speaker 2: Patreon dot com slash another podcast network for ad free

38
00:01:57,000 --> 00:02:00,920
Speaker 2: episodes and additional content.

39
00:02:01,000 --> 00:02:03,680
Speaker 1: Yeah, you get another podcast show there for five bucks. Also,

40
00:02:03,760 --> 00:02:07,280
Speaker 1: we're going to be moving our coverage of the Bachelorette. Yes,

41
00:02:07,840 --> 00:02:09,400
Speaker 1: I think we're going to do one more free episode

42
00:02:09,439 --> 00:02:10,719
Speaker 1: then that's going to be behind the pay well.

43
00:02:10,840 --> 00:02:14,280
Speaker 2: Yes, and I will in the coming week or so

44
00:02:14,520 --> 00:02:19,000
Speaker 2: drop the completely unedited carry interview at another podcast.

45
00:02:18,639 --> 00:02:21,319
Speaker 1: Cool, even with me pretending to be Captain Lee. Yeah,

46
00:02:21,360 --> 00:02:23,639
Speaker 1: there were a lot of things in the episode that.

47
00:02:25,759 --> 00:02:28,800
Speaker 2: You know, the the the powers, the powers that be

48
00:02:28,919 --> 00:02:32,039
Speaker 2: were we're not too thrilled about. But if you would

49
00:02:32,120 --> 00:02:34,639
Speaker 2: like to see the full unedited version, that'll be a

50
00:02:34,639 --> 00:02:38,199
Speaker 2: patron dot com slash another podcast network probably, Yeah, it'll

51
00:02:38,240 --> 00:02:41,599
Speaker 2: be there, Okay, it'll be there. Okay, So we have

52
00:02:41,639 --> 00:02:43,400
Speaker 2: to get into this episode. Can you hit the timer

53
00:02:43,439 --> 00:02:46,599
Speaker 2: for me, babe? It's just because we're not listen. It's

54
00:02:46,639 --> 00:02:48,840
Speaker 2: Patty's b day. We have a beautiful dinner to go to.

55
00:02:49,000 --> 00:02:52,280
Speaker 2: We're going to rip right through this thing and do

56
00:02:52,360 --> 00:02:55,039
Speaker 2: our best to tell you what happened on this episode

57
00:02:55,199 --> 00:02:57,000
Speaker 2: of Below Deck, pat how many pots would you give in?

58
00:02:57,120 --> 00:03:02,360
Speaker 1: Well? Speaking of the Ellie, and she's got three different names,

59
00:03:02,400 --> 00:03:06,039
Speaker 1: the Balkan Biscuits and Cheese is drama. So let's think

60
00:03:06,080 --> 00:03:09,960
Speaker 1: about this for a second. Yes, okay, because I was like,

61
00:03:10,039 --> 00:03:12,599
Speaker 1: as I'm watching these two go at it and then

62
00:03:12,680 --> 00:03:16,080
Speaker 1: Kermit being kind of like dumbstruck at who to kind

63
00:03:16,120 --> 00:03:17,840
Speaker 1: of in the same place that you are with them?

64
00:03:18,719 --> 00:03:20,800
Speaker 1: All right, So I knew you must be too. Well,

65
00:03:20,800 --> 00:03:22,879
Speaker 1: all right, so let's break down the game film thrown

66
00:03:22,960 --> 00:03:28,159
Speaker 1: into it. Balkan Biscuit can be manipulative. She can stretch

67
00:03:28,199 --> 00:03:30,000
Speaker 1: the truth. We've seen her do this. Can I have

68
00:03:30,000 --> 00:03:33,520
Speaker 1: some hear Seam pelgrenell looks of course. Also, I've noticed

69
00:03:33,599 --> 00:03:37,520
Speaker 1: cheese she can kind of take part in that type

70
00:03:37,520 --> 00:03:41,319
Speaker 1: of behavior as well. One thing that separates the two

71
00:03:41,680 --> 00:03:44,000
Speaker 1: is that cheese is absolutely incompetent.

72
00:03:45,080 --> 00:03:47,759
Speaker 2: So it's just I mean, Ellie's kind of incompetent too,

73
00:03:47,879 --> 00:03:51,280
Speaker 2: you think so, well, I mean that's what's so confusing.

74
00:03:52,599 --> 00:03:56,680
Speaker 2: Where the cabin's not done because she didn't have time

75
00:03:56,719 --> 00:03:57,199
Speaker 2: to do them.

76
00:03:57,319 --> 00:04:00,400
Speaker 1: No, that's her being manipulative, that's what saying.

77
00:04:00,439 --> 00:04:03,360
Speaker 2: So you're kind of like, but is the mahido orange

78
00:04:03,439 --> 00:04:04,960
Speaker 2: because she's being manipulative?

79
00:04:05,520 --> 00:04:09,240
Speaker 1: Mm okay, I hear you. She did fuck up on that.

80
00:04:09,319 --> 00:04:12,199
Speaker 2: Oh maybe it's more I need to add more BOOKCARDI No,

81
00:04:12,240 --> 00:04:16,600
Speaker 2: it's orange. No, it's it's completely It's like handing somebody

82
00:04:16,600 --> 00:04:19,000
Speaker 2: a purple bloody Mary and going, oh, I know what

83
00:04:19,120 --> 00:04:22,920
Speaker 2: the problem is. It needs more vodka. It's like, no, no, no,

84
00:04:23,000 --> 00:04:26,360
Speaker 2: this is it's all wrong. It's a good point. Yeah,

85
00:04:26,399 --> 00:04:28,759
Speaker 2: it's a good point, but I will say this. Let

86
00:04:28,800 --> 00:04:30,480
Speaker 2: me let me throw this out at the audience.

87
00:04:30,600 --> 00:04:33,480
Speaker 1: Yeah, if the ball and don't get me wrong, the

88
00:04:33,480 --> 00:04:36,519
Speaker 1: balk and Biscuit at this point is definitely trying to

89
00:04:36,600 --> 00:04:40,160
Speaker 1: eliminate competition. She's trying to eliminate someone that is not

90
00:04:40,560 --> 00:04:44,000
Speaker 1: helping her at her job. She's absolutely doing that right now.

91
00:04:44,759 --> 00:04:49,839
Speaker 1: But in a different alternate reality, another chief stew comes

92
00:04:49,879 --> 00:04:53,480
Speaker 1: in a third stew that is actually competent and isn't

93
00:04:53,519 --> 00:04:56,240
Speaker 1: going after the same guy that she's going after. Is

94
00:04:56,319 --> 00:05:01,399
Speaker 1: Ellie a completely different person? I say quite possibly? Yes, Yeah,

95
00:05:01,480 --> 00:05:04,199
Speaker 1: I think so. I think so maybe possibly yes. So

96
00:05:04,360 --> 00:05:06,879
Speaker 1: based on that, we got to get rid of cheese.

97
00:05:06,879 --> 00:05:10,759
Speaker 1: I'm sorry, cheese, you gotta go. I mean cheese is

98
00:05:10,879 --> 00:05:14,240
Speaker 1: like was that movie where the guy he's like he

99
00:05:14,319 --> 00:05:16,680
Speaker 1: got hired by the CIA. Are you talking about Tiker

100
00:05:16,720 --> 00:05:19,920
Speaker 1: Taylor soldier spy. No, I'm talking about John Nash, John

101
00:05:20,000 --> 00:05:22,120
Speaker 1: Nash from a Beautiful Mind. You know, he's like looking

102
00:05:22,160 --> 00:05:25,680
Speaker 1: at all the fucking newspapers and he's trying to decode

103
00:05:25,680 --> 00:05:28,399
Speaker 1: it because like spies are trying to connect with one another.

104
00:05:28,560 --> 00:05:32,720
Speaker 1: Yeah that's what she does with those tags on people's pants. Yeah,

105
00:05:32,879 --> 00:05:35,240
Speaker 1: she's losing her mind. Yeah, it's not very complicated, and

106
00:05:35,279 --> 00:05:37,959
Speaker 1: it's what happened. You know, it happens to a lot

107
00:05:38,000 --> 00:05:39,680
Speaker 1: of people who are insane. They go insane.

108
00:05:40,040 --> 00:05:43,199
Speaker 2: Bobby Fisher thought that Jews were trying to move his

109
00:05:43,279 --> 00:05:49,680
Speaker 2: chest pieces around, and John Nash started seeing, you know things, So.

110
00:05:51,199 --> 00:05:52,360
Speaker 1: I'm not really.

111
00:05:53,639 --> 00:05:59,800
Speaker 2: Oh, I'm not really having patients anymore.

112
00:06:00,160 --> 00:06:02,319
Speaker 1: You because you haven't given your poets. Oh, I'm sorry,

113
00:06:02,360 --> 00:06:05,120
Speaker 1: I okay, all right. People are losing their minds. People

114
00:06:05,120 --> 00:06:08,319
Speaker 1: are going insane on this boat right now. Yeah, I

115
00:06:08,319 --> 00:06:09,839
Speaker 1: thought it was a good episode. I don't like it

116
00:06:09,839 --> 00:06:11,959
Speaker 1: when they're an hour and fifteen. That's too much below

117
00:06:11,959 --> 00:06:15,079
Speaker 1: deck for my taste. That being said, forty nints.

118
00:06:15,680 --> 00:06:25,959
Speaker 4: Okay, so I think that, Yeah, if it perplexing, narratives

119
00:06:26,000 --> 00:06:29,240
Speaker 4: need to serve a purpose. If we are in a

120
00:06:29,319 --> 00:06:33,040
Speaker 4: film or a story where there is a purpose to

121
00:06:33,319 --> 00:06:38,480
Speaker 4: the confusion, and maybe that was a kind of you know,

122
00:06:38,600 --> 00:06:42,279
Speaker 4: meta device all along and you get it, then that's cool.

123
00:06:42,399 --> 00:06:45,079
Speaker 4: But if a narrative is just confusing for the sake

124
00:06:45,120 --> 00:06:48,800
Speaker 4: of being confusing, then you're like, oh, I have an

125
00:06:48,839 --> 00:06:49,800
Speaker 4: emptiness in me.

126
00:06:49,920 --> 00:06:50,720
Speaker 1: I have a void.

127
00:06:51,279 --> 00:06:55,600
Speaker 2: And that's what transpired in my void tonight when I

128
00:06:55,639 --> 00:06:58,680
Speaker 2: tried to decipher what this drama was all about.

129
00:06:58,720 --> 00:07:00,160
Speaker 1: It kind of took away.

130
00:07:00,040 --> 00:07:03,279
Speaker 2: From the drama to a certain degree, but still a

131
00:07:03,360 --> 00:07:05,000
Speaker 2: very fun episode. Fifty pods.

132
00:07:05,079 --> 00:07:07,800
Speaker 1: You know, I was gonna mention with people losing their minds.

133
00:07:07,800 --> 00:07:11,399
Speaker 1: Another character on this show Ian also losing his mind

134
00:07:11,480 --> 00:07:13,839
Speaker 1: I mean in a major way. Well, he's he's like

135
00:07:14,279 --> 00:07:18,160
Speaker 1: got the opposite of that kid in the movie Sixth Sense.

136
00:07:18,199 --> 00:07:20,519
Speaker 1: He doesn't only not see dead people, he doesn't see

137
00:07:20,759 --> 00:07:23,079
Speaker 1: living people. He doesn't see living people. Yeah, he'd be

138
00:07:23,120 --> 00:07:27,319
Speaker 1: the worst husband in a cockporn. Hey, why aren't you crying?

139
00:07:27,360 --> 00:07:29,519
Speaker 1: That dude's begging your wife over there? He's like, I

140
00:07:29,560 --> 00:07:33,199
Speaker 1: don't see it what you're talking about. No, there is

141
00:07:33,279 --> 00:07:35,560
Speaker 1: literally a guy like begging your wife. You're sitting next

142
00:07:35,560 --> 00:07:37,319
Speaker 1: to him. I don't know what you're talking about. I

143
00:07:37,360 --> 00:07:44,879
Speaker 1: don't see living people anyway. People are losing their minds.

144
00:07:46,839 --> 00:07:50,439
Speaker 2: I mean, I just imagine how much worser of a

145
00:07:50,519 --> 00:07:54,120
Speaker 2: movie that movie would be if Haley Joelosmi is all

146
00:07:54,199 --> 00:07:57,560
Speaker 2: cold and shivering underneath that blanket and he says.

147
00:07:57,360 --> 00:08:03,759
Speaker 1: I don't see living people. Like, what's going on here? Right?

148
00:08:04,360 --> 00:08:07,399
Speaker 2: And there's a new m Night Shamalan, I can't wait.

149
00:08:07,439 --> 00:08:13,839
Speaker 2: Coming out looks pretty good. Yeah, yep, it's about a

150
00:08:13,879 --> 00:08:18,360
Speaker 2: serial killer at a Sabrina Carpenter concert. I think, oh great, Yeah,

151
00:08:18,560 --> 00:08:21,720
Speaker 2: I'm in let's get into the show.

152
00:08:21,839 --> 00:08:22,040
Speaker 1: Sure.

153
00:08:23,920 --> 00:08:25,639
Speaker 2: So, last we left off, we were heading back to

154
00:08:25,680 --> 00:08:28,839
Speaker 2: the marina and Cheese was soliciting aid in in laundry

155
00:08:28,879 --> 00:08:31,360
Speaker 2: from other sea rats and to cheese. I would say,

156
00:08:31,920 --> 00:08:35,039
Speaker 2: che's laundry is not a multiple sea rat job. Okay,

157
00:08:35,600 --> 00:08:39,639
Speaker 2: it doesn't require the pause and clause of more than

158
00:08:39,679 --> 00:08:41,600
Speaker 2: one sea rat to get the job done.

159
00:08:41,720 --> 00:08:44,320
Speaker 1: So Cheese is a moron.

160
00:08:45,399 --> 00:08:48,720
Speaker 2: We've got some anchor poll stuff. Joe says that being

161
00:08:48,879 --> 00:08:52,039
Speaker 2: lead deckhand doesn't mean that he has to know everything,

162
00:08:52,679 --> 00:08:55,720
Speaker 2: and Nathan can tell him that he's doing things wrong,

163
00:08:56,039 --> 00:08:58,600
Speaker 2: or can teach him about things that he knows nothing about,

164
00:08:58,720 --> 00:08:59,360
Speaker 2: and he can.

165
00:08:59,279 --> 00:09:02,519
Speaker 1: Be a lead deck Let's apply this to another occupation

166
00:09:02,519 --> 00:09:04,840
Speaker 1: I would love to do. So, okay, quarterback, you're a

167
00:09:04,919 --> 00:09:08,120
Speaker 1: certain plastic search. Okay, hey, doc, I can't wait for

168
00:09:08,200 --> 00:09:14,159
Speaker 1: my new face. Well, I'm actually I'm a doctor more

169
00:09:14,200 --> 00:09:17,039
Speaker 1: by title than by skill set. Right then i'd say

170
00:09:17,080 --> 00:09:19,679
Speaker 1: get me out of this chair. Yeah, yeah, yeah, exactly.

171
00:09:19,720 --> 00:09:21,679
Speaker 1: And let's use the quarterback analogy. Right.

172
00:09:21,720 --> 00:09:26,879
Speaker 2: So, you have a resume that says that you aren't

173
00:09:26,879 --> 00:09:30,200
Speaker 2: good at this, and some team puts you on the

174
00:09:30,200 --> 00:09:35,480
Speaker 2: field on the grid iron, you throw fifteen interceptions in

175
00:09:35,519 --> 00:09:39,799
Speaker 2: one quarter, and you're concussed numerous times.

176
00:09:41,320 --> 00:09:41,840
Speaker 1: Post game.

177
00:09:41,879 --> 00:09:45,080
Speaker 2: We have a conversation about you remaining in that position,

178
00:09:45,240 --> 00:09:48,159
Speaker 2: because being the leader of the team doesn't mean you

179
00:09:48,240 --> 00:09:51,840
Speaker 2: need to know anything about what you're actually doing, even

180
00:09:51,879 --> 00:09:55,120
Speaker 2: though there are more qualified people to take your position.

181
00:09:55,159 --> 00:09:56,960
Speaker 2: And I know that this is a little long winded,

182
00:09:56,960 --> 00:10:02,200
Speaker 2: but it is patently fun insane that one he's in

183
00:10:02,240 --> 00:10:04,600
Speaker 2: that position, and two he has to fake it to

184
00:10:04,639 --> 00:10:07,159
Speaker 2: make it this hard, because faking it to make it

185
00:10:07,240 --> 00:10:09,039
Speaker 2: is okay when it's done in the shadows you know

186
00:10:09,120 --> 00:10:13,120
Speaker 2: a secret with yourself. But when you're telling everybody that

187
00:10:13,159 --> 00:10:15,960
Speaker 2: you're faking it to make it, that's when it's like, oh,

188
00:10:16,000 --> 00:10:17,039
Speaker 2: this is weird.

189
00:10:16,919 --> 00:10:19,639
Speaker 1: And an added variable you can get people killed.

190
00:10:21,200 --> 00:10:25,200
Speaker 2: So negative on the port guys ian does not see

191
00:10:25,240 --> 00:10:31,480
Speaker 2: living people. There's this issue where he doesn't see people,

192
00:10:31,559 --> 00:10:35,240
Speaker 2: and here's this thing. So Sandy goes, we need the port, guys.

193
00:10:35,240 --> 00:10:38,200
Speaker 2: He goes, there's no port, guys. Now there's a boat

194
00:10:38,440 --> 00:10:42,799
Speaker 2: leaving right next to them. And it's like if you

195
00:10:42,840 --> 00:10:46,919
Speaker 2: see a dorsal fin coming through the water, that's usually

196
00:10:46,919 --> 00:10:49,879
Speaker 2: a strong indication of a shark coming towards you that

197
00:10:50,159 --> 00:10:52,039
Speaker 2: you have to punch super hard on the nose lest

198
00:10:52,080 --> 00:10:55,240
Speaker 2: you have a leg taken off. You don't need to

199
00:10:55,440 --> 00:11:00,360
Speaker 2: actually see the people. If a boat is leave, you

200
00:11:00,399 --> 00:11:04,200
Speaker 2: can assume that they're there. Right, So he's he is

201
00:11:04,840 --> 00:11:08,559
Speaker 2: there's something going on where his brain isn't taking in

202
00:11:08,600 --> 00:11:11,360
Speaker 2: the imagery of the world, or he's stuck between realms.

203
00:11:11,759 --> 00:11:14,960
Speaker 1: I think that's the better answer. The latter, Yeah, because

204
00:11:15,000 --> 00:11:20,240
Speaker 1: I can't figure this character out. So he's also very

205
00:11:20,279 --> 00:11:22,480
Speaker 1: poopy pants about the whole thing. Wake up, poopy pants.

206
00:11:22,480 --> 00:11:24,960
Speaker 1: He has poopy pants. He's not taking ownership.

207
00:11:24,480 --> 00:11:26,519
Speaker 2: Of these so poopy pants about the whole thing. So

208
00:11:26,559 --> 00:11:28,519
Speaker 2: Asha heads down to the laundry room, and we finally

209
00:11:28,559 --> 00:11:31,799
Speaker 2: learned the truth about the dynamic between Cheese and Biscuit

210
00:11:33,000 --> 00:11:36,639
Speaker 2: and the burn book. They're both in their very own

211
00:11:36,679 --> 00:11:40,919
Speaker 2: psych ward on this boat. These two girls are causing

212
00:11:41,039 --> 00:11:44,960
Speaker 2: one another to lose their respective minds. And Cheese does

213
00:11:45,000 --> 00:11:48,240
Speaker 2: confess that she was writing down the crimes of Ellie

214
00:11:49,120 --> 00:11:52,559
Speaker 2: as insurance of any accusations that may be broad.

215
00:11:53,720 --> 00:11:57,320
Speaker 1: She was keeping receipts. She was keeping receipts, which is

216
00:11:58,000 --> 00:12:02,919
Speaker 1: fucking insane. Now, I will say this though, whenever I

217
00:12:02,960 --> 00:12:05,440
Speaker 1: worked for a corporation. Of course, I've been an entrepreneur

218
00:12:05,480 --> 00:12:07,200
Speaker 1: for a number of years. I haven't had work for

219
00:12:07,279 --> 00:12:11,000
Speaker 1: the man, but they would tell me to write down things. Yeah,

220
00:12:11,639 --> 00:12:14,679
Speaker 1: if something was going wrong, memo the file. Write it

221
00:12:14,759 --> 00:12:16,960
Speaker 1: down because if you don't, then we don't have any

222
00:12:17,000 --> 00:12:20,320
Speaker 1: record of it. So she's kind of, you know, doing

223
00:12:20,399 --> 00:12:22,320
Speaker 1: what I guess she's supposed to do. But the bad

224
00:12:22,440 --> 00:12:24,879
Speaker 1: part of it is, why did you put that under

225
00:12:24,879 --> 00:12:25,279
Speaker 1: your bed?

226
00:12:25,639 --> 00:12:29,600
Speaker 2: The memo to the file is a file on your

227
00:12:29,639 --> 00:12:33,440
Speaker 2: computer that you have access to. Maybe the pathways to

228
00:12:33,559 --> 00:12:37,600
Speaker 2: access it are a little buried, right, It's not code

229
00:12:37,600 --> 00:12:38,559
Speaker 2: word c rat.

230
00:12:38,720 --> 00:12:44,879
Speaker 1: It's not on the laundry table. Open open with the

231
00:12:45,840 --> 00:12:49,559
Speaker 1: I'll get this bitch titled on the cover.

232
00:12:49,840 --> 00:12:52,440
Speaker 2: Yeah, I mean Regina George's burn book was at the

233
00:12:52,480 --> 00:12:55,120
Speaker 2: house and they pulled it out when they went over

234
00:12:55,240 --> 00:12:58,240
Speaker 2: to the house. And you know, Amy Poehler said, if

235
00:12:58,240 --> 00:13:00,480
Speaker 2: you guys need a drink, that's fine. And it's one

236
00:13:00,519 --> 00:13:03,200
Speaker 2: of the most perfect movies ever made. And Tim Meadows

237
00:13:03,240 --> 00:13:06,919
Speaker 2: is a very very underappreciated part of that film. He's

238
00:13:07,000 --> 00:13:09,200
Speaker 2: just a masterful comedian, wouldn't you say?

239
00:13:09,480 --> 00:13:11,519
Speaker 1: I think I'm I think he's hilarious.

240
00:13:12,080 --> 00:13:15,080
Speaker 2: So very exciting New Sandy is going to be getting

241
00:13:15,120 --> 00:13:17,200
Speaker 2: married to Leah. And I said that this was going

242
00:13:17,279 --> 00:13:18,840
Speaker 2: to be very boring in the beginning of the season.

243
00:13:19,120 --> 00:13:22,240
Speaker 2: I've turned such a corner on Sandy. I mean, she's awesome.

244
00:13:22,320 --> 00:13:24,879
Speaker 2: I could not be more excited to see this. It

245
00:13:25,000 --> 00:13:28,159
Speaker 2: makes my heart sing and soar for her and Leah.

246
00:13:28,320 --> 00:13:32,320
Speaker 1: I think Sandy's founder stride. If the audience has noticed

247
00:13:32,879 --> 00:13:35,320
Speaker 1: I've warmed to her, she has come around to me.

248
00:13:36,440 --> 00:13:38,519
Speaker 2: She's a better captain now. She's a better captain now,

249
00:13:38,639 --> 00:13:41,679
Speaker 2: so we doc Ian once again excels as the leader

250
00:13:41,720 --> 00:13:44,600
Speaker 2: of this team. It's a complete fucking disaster. She tells

251
00:13:44,679 --> 00:13:47,080
Speaker 2: him to keep the lines out of the water when

252
00:13:47,080 --> 00:13:50,440
Speaker 2: she's moving, and the air bubbles start to scream, indicating

253
00:13:50,440 --> 00:13:53,000
Speaker 2: that the yacht is moving, and I think that Ian,

254
00:13:53,320 --> 00:13:55,960
Speaker 2: almost like a three year old child, just takes the

255
00:13:56,000 --> 00:13:59,519
Speaker 2: lines and throws them into the propeller, off the bout.

256
00:13:59,639 --> 00:14:04,320
Speaker 1: I don't know what's going on with this dude. Yeah,

257
00:14:04,399 --> 00:14:07,559
Speaker 1: you know, I was at U in thes a milkshake drinker.

258
00:14:07,679 --> 00:14:09,960
Speaker 1: This guy in the eighth grade in our shop class,

259
00:14:10,279 --> 00:14:13,559
Speaker 1: mister O'Malley, our teacher. He was a nam. He told

260
00:14:13,600 --> 00:14:17,240
Speaker 1: us all, when the you know, the woodshop's going, you know,

261
00:14:17,320 --> 00:14:19,960
Speaker 1: and the blades are flying around, don't put like your

262
00:14:20,080 --> 00:14:23,399
Speaker 1: uh your pendages near any of those goddamn things. He'll

263
00:14:23,440 --> 00:14:27,639
Speaker 1: lose a fucking finger. There was this kid, Steve. He

264
00:14:27,759 --> 00:14:29,279
Speaker 1: when no one was looking, or he thought no one

265
00:14:29,320 --> 00:14:32,039
Speaker 1: was looking, in the blades were spinning around, he'd put

266
00:14:32,080 --> 00:14:36,320
Speaker 1: his fucking finger next to the blades spinning around there,

267
00:14:37,240 --> 00:14:40,000
Speaker 1: and mister O'Malley at some point had to go, hey, shitbird,

268
00:14:41,000 --> 00:14:43,320
Speaker 1: cut it out. He called everybody shipbird. I know where

269
00:14:43,320 --> 00:14:46,360
Speaker 1: it came from. Well, it came from the drill instructors. Well, anyway,

270
00:14:46,480 --> 00:14:49,000
Speaker 1: my point is saying that is some people. It just

271
00:14:49,039 --> 00:14:51,399
Speaker 1: doesn't make any sense. Ian could be trying to get

272
00:14:51,440 --> 00:14:55,840
Speaker 1: everybody killed for all I know, or himself or everyone.

273
00:14:56,879 --> 00:15:01,759
Speaker 2: Vietnam was a just a horrific ruver and ground for

274
00:15:01,840 --> 00:15:06,720
Speaker 2: people like what was his name, mister O'Malley. I mean,

275
00:15:06,720 --> 00:15:10,120
Speaker 2: mister O'Malley came back from that conflict having seen things

276
00:15:10,120 --> 00:15:12,440
Speaker 2: that none of the children would ever lay eyes on,

277
00:15:12,879 --> 00:15:15,440
Speaker 2: and having to relate to them and then teach them

278
00:15:15,559 --> 00:15:22,720
Speaker 2: was possibly insurmountable for him, But he he went about

279
00:15:22,759 --> 00:15:25,519
Speaker 2: it with pride and professionalism, something that Ian does not have.

280
00:15:25,759 --> 00:15:29,200
Speaker 1: Yeah, yeah, boy, don't ever ask a guy from Nam

281
00:15:29,279 --> 00:15:31,919
Speaker 1: if he killed it. I made that mistaken. He punched

282
00:15:31,919 --> 00:15:33,399
Speaker 1: me in the face. Right, we could do that in

283
00:15:33,399 --> 00:15:33,840
Speaker 1: the eighties.

284
00:15:33,919 --> 00:15:36,720
Speaker 2: Yeah, I think we talked about it last episode. Yeah,

285
00:15:37,759 --> 00:15:45,000
Speaker 2: but yeah, I mean we haven't even discussed you know,

286
00:15:45,919 --> 00:15:52,159
Speaker 2: the chemical horror of agent orange used to slaughter the

287
00:15:52,200 --> 00:15:55,399
Speaker 2: canopies to make visibility increase by I mean tenfold.

288
00:15:55,519 --> 00:15:55,759
Speaker 3: You know what.

289
00:15:55,799 --> 00:15:57,639
Speaker 1: You just got me thinking, this son of a bitch,

290
00:15:57,639 --> 00:16:01,159
Speaker 1: this old bastard. Okay, So at some point he used

291
00:16:01,200 --> 00:16:03,639
Speaker 1: to tell tales of his time and nam and he

292
00:16:03,720 --> 00:16:05,480
Speaker 1: told us about his first day when he got off

293
00:16:05,600 --> 00:16:09,360
Speaker 1: well he got off the chopper, right, he told me

294
00:16:09,399 --> 00:16:11,120
Speaker 1: the first thing that he saw. And I will I

295
00:16:11,159 --> 00:16:15,039
Speaker 1: will spare the audience, but it's pretty horrific when you

296
00:16:15,080 --> 00:16:17,360
Speaker 1: share that kind of stuff and then a thirteen year

297
00:16:17,360 --> 00:16:21,039
Speaker 1: old ask you if you killed anybody? Okay, the incorrect

298
00:16:21,039 --> 00:16:24,759
Speaker 1: reaction is not to punch that person. You're already trying

299
00:16:24,759 --> 00:16:27,080
Speaker 1: to brag about all the weird shit and disgusting and

300
00:16:27,080 --> 00:16:30,360
Speaker 1: horrific shit you saw. I was just you know, asking

301
00:16:30,360 --> 00:16:30,840
Speaker 1: a question.

302
00:16:30,919 --> 00:16:32,679
Speaker 2: Yeah, if you were a nom and you're teaching a

303
00:16:32,679 --> 00:16:35,159
Speaker 2: thirteen year old, you don't need to ask him. Have

304
00:16:35,240 --> 00:16:38,399
Speaker 2: you ever seen shin meat slide off a bone? Because

305
00:16:38,440 --> 00:16:41,120
Speaker 2: that's what napalm does to human flesh. You don't need

306
00:16:41,159 --> 00:16:43,440
Speaker 2: to go into the kind of nitty gritty detail about

307
00:16:43,440 --> 00:16:43,919
Speaker 2: that stuff.

308
00:16:43,919 --> 00:16:51,279
Speaker 1: But you know we can understand why you might. Let's

309
00:16:51,279 --> 00:16:55,919
Speaker 1: stop by up about tropical spoochie. Oh yeah, let's get

310
00:16:55,919 --> 00:16:58,720
Speaker 1: out of Nam and let's go sit on the beach somewhere.

311
00:16:58,759 --> 00:17:02,200
Speaker 2: The canopies on the Tropic Tome beach are not being

312
00:17:02,360 --> 00:17:09,519
Speaker 2: blown away by the advanced chemical and ballistic musicians of

313
00:17:09,759 --> 00:17:11,400
Speaker 2: the US military.

314
00:17:11,599 --> 00:17:16,240
Speaker 1: That's right. They are vibrant, lush and speaking to you.

315
00:17:16,559 --> 00:17:22,720
Speaker 1: And there are dolphins there. It's dolphin over there. Now

316
00:17:23,160 --> 00:17:25,279
Speaker 1: he wants some of my tropical smoothie. No, you can't

317
00:17:25,279 --> 00:17:27,920
Speaker 1: have it, mister dolphin. I'm gonna have all my tropical smoothie.

318
00:17:27,920 --> 00:17:30,400
Speaker 1: What kind of thing are you drinking? I'm drinking a

319
00:17:30,440 --> 00:17:33,319
Speaker 1: mango mocktail and it's delicious. So good.

320
00:17:33,839 --> 00:17:36,279
Speaker 2: Sit on a beach, having a kie bowl, be a

321
00:17:36,319 --> 00:17:42,400
Speaker 2: peanut butter nutter, and flip and have an amazing time. Okay,

322
00:17:42,880 --> 00:17:45,480
Speaker 2: they have over fourteen hundred locations. They have an app.

323
00:17:45,559 --> 00:17:48,160
Speaker 2: You can use promo code bad TV in that app

324
00:17:48,519 --> 00:17:52,200
Speaker 2: to get you to a place of bliss. Do you

325
00:17:52,240 --> 00:17:57,759
Speaker 2: want me to keep filibusting? Yeah, So there's mango, there's guava,

326
00:17:57,920 --> 00:18:01,359
Speaker 2: there's peach, there's mint, there's watermelon. All of these flavors

327
00:18:01,920 --> 00:18:05,160
Speaker 2: can be yours with Tropical Smoothie Cafe. And when they

328
00:18:05,319 --> 00:18:09,519
Speaker 2: are yours, you will be on tropic time. And when

329
00:18:09,559 --> 00:18:16,200
Speaker 2: you're on tropic time, you were saying, seagulls are less annoying,

330
00:18:16,480 --> 00:18:20,440
Speaker 2: dolphins are even more magical. Killer whales and sperm whales,

331
00:18:20,440 --> 00:18:25,240
Speaker 2: they actually get along underwater. The power of one drink

332
00:18:25,960 --> 00:18:30,119
Speaker 2: resounds out over the waters and into the coral. It

333
00:18:30,240 --> 00:18:33,480
Speaker 2: is an Uni. I can't do it anymore. I can't

334
00:18:33,480 --> 00:18:35,599
Speaker 2: do it anymore. Ran, I ran out of I ran

335
00:18:35,640 --> 00:18:37,000
Speaker 2: out of gas. I mean, I don't know what you're

336
00:18:37,039 --> 00:18:38,920
Speaker 2: pulling up. I don't know why it's taken so long,

337
00:18:39,000 --> 00:18:40,559
Speaker 2: but you know, I'm I'm done.

338
00:18:40,720 --> 00:18:44,359
Speaker 1: Well it's these goddamn ad based things with that conglomerate YouTube.

339
00:18:44,519 --> 00:18:51,440
Speaker 2: Yeah, okay, why don't you just say what you Why

340
00:18:51,480 --> 00:18:54,200
Speaker 2: don't you why don't you just say what?

341
00:18:54,240 --> 00:18:57,640
Speaker 1: You were going to play? Just gonna play Flipper. You're

342
00:18:57,640 --> 00:18:58,599
Speaker 1: gonna play flipper.

343
00:18:58,720 --> 00:19:05,200
Speaker 2: Yeah, it was, You're gonna Flynn.

344
00:19:03,079 --> 00:19:06,319
Speaker 1: Play flipp You know, I got to get that new

345
00:19:06,319 --> 00:19:09,160
Speaker 1: plan on YouTube where I don't have to Yeah, it's it's.

346
00:19:10,960 --> 00:19:24,119
Speaker 2: Uh, it was all worth it, go to Tropical Smoothie

347
00:19:24,119 --> 00:19:26,599
Speaker 2: one of the other fifteen hundred locations and get the

348
00:19:26,640 --> 00:19:28,200
Speaker 2: app used promo code bad TV.

349
00:19:30,599 --> 00:19:32,759
Speaker 1: I mean, I'm furious with you, right, I understand I

350
00:19:32,799 --> 00:19:36,960
Speaker 1: deserve all of it. So yeah, I know what I'll do.

351
00:19:37,000 --> 00:19:41,440
Speaker 1: I'll make you feel better. The guests apart, and then

352
00:19:41,759 --> 00:19:46,519
Speaker 1: Gail flirts with Nathan, and a producer ass Nathan if

353
00:19:46,559 --> 00:19:48,880
Speaker 1: hooking up with a sea rat is dangerous, and he

354
00:19:48,960 --> 00:19:52,680
Speaker 1: says yes, but he likes it. Yeah, you know what

355
00:19:52,839 --> 00:19:57,319
Speaker 1: he wouldn't like a drone over the top of his head.

356
00:19:57,559 --> 00:20:01,240
Speaker 1: Poor son of a bitch is going bald. Oh yeah,

357
00:20:01,319 --> 00:20:03,440
Speaker 1: and it's best he doesn't know it. Yeah, you know,

358
00:20:03,680 --> 00:20:05,880
Speaker 1: because I don't think he does. But he's got a

359
00:20:05,880 --> 00:20:08,559
Speaker 1: big little round circle in the crowd of his head.

360
00:20:09,200 --> 00:20:11,519
Speaker 1: You know, have listened to the best of us, it

361
00:20:11,559 --> 00:20:15,119
Speaker 1: really does. You know. My buddy Sebastian, who was featured

362
00:20:15,119 --> 00:20:18,759
Speaker 1: famously in an episode of Kitchen Nightmares with Gordon Ramsey.

363
00:20:18,920 --> 00:20:23,759
Speaker 2: Yeah, the closest Gordon Ramsey ever came to physically fighting

364
00:20:23,799 --> 00:20:24,359
Speaker 2: another human.

365
00:20:24,960 --> 00:20:28,920
Speaker 1: Yeah. Anyway, Sebastian started going bald when he was twenty two.

366
00:20:29,160 --> 00:20:33,480
Speaker 1: It was almost like asking God, why bother you can

367
00:20:33,519 --> 00:20:35,000
Speaker 1: give me hair in the first place if you're going

368
00:20:35,039 --> 00:20:36,160
Speaker 1: to take it away at twenty two.

369
00:20:36,480 --> 00:20:39,759
Speaker 2: Yeah, most of my life, jerk, most of my life

370
00:20:39,799 --> 00:20:42,480
Speaker 2: I'll not have hair, you know. I mean I didn't

371
00:20:42,480 --> 00:20:44,720
Speaker 2: really get hair until I was two or three years old,

372
00:20:44,839 --> 00:20:46,920
Speaker 2: and then little did I know that two short decades

373
00:20:47,000 --> 00:20:48,880
Speaker 2: later you would rip it all off my head and

374
00:20:48,920 --> 00:20:51,039
Speaker 2: then I'd have to go and live out the rest

375
00:20:51,039 --> 00:20:54,480
Speaker 2: of my years without hair. One of those years would

376
00:20:55,519 --> 00:20:58,960
Speaker 2: involve an incident I had with Gordon Ramsey, the g Man,

377
00:20:59,240 --> 00:21:01,880
Speaker 2: wherein I'd be embarrassed on national television about how done

378
00:21:01,920 --> 00:21:04,599
Speaker 2: my restaurant is, and I would move to greener pastures

379
00:21:04,599 --> 00:21:06,839
Speaker 2: of the Tri State area to start a tree trimming

380
00:21:06,839 --> 00:21:09,960
Speaker 2: company because I'm clearly not good at this and that's

381
00:21:10,000 --> 00:21:12,039
Speaker 2: a hard lesson to learn, especially with that hair.

382
00:21:14,759 --> 00:21:15,880
Speaker 1: So I think I'm out.

383
00:21:15,920 --> 00:21:25,039
Speaker 2: I know, Gail calls Nathan a tiny stickhead or something. Oh,

384
00:21:25,119 --> 00:21:28,720
Speaker 2: she says that his penis is small or something like that,

385
00:21:29,079 --> 00:21:31,119
Speaker 2: and then she says yet to be confirmed.

386
00:21:32,480 --> 00:21:35,200
Speaker 1: I am going to give Gail a hard time in

387
00:21:35,240 --> 00:21:37,519
Speaker 1: this episode A little later on, Okay, I am not

388
00:21:37,599 --> 00:21:39,720
Speaker 1: happy with how this was handled. I'm not happy with

389
00:21:39,799 --> 00:21:43,160
Speaker 1: how Kermit handles this, I'll get to them. Yeah. So

390
00:21:43,319 --> 00:21:46,839
Speaker 1: we get to the tip meeting. Very short tip meeting,

391
00:21:46,920 --> 00:21:48,839
Speaker 1: very short tip meeting. I'll talk to you Ian, because

392
00:21:48,880 --> 00:21:53,960
Speaker 1: I think you're talking to walls or something. But either way,

393
00:21:54,000 --> 00:21:56,119
Speaker 1: I got to talk to you because I don't trust you. Ian.

394
00:21:56,160 --> 00:21:57,880
Speaker 2: We got to talk about your performance, and you've got

395
00:21:57,920 --> 00:22:00,799
Speaker 2: to tell me what Mercury is like because no human's

396
00:22:00,839 --> 00:22:01,559
Speaker 2: ever been there.

397
00:22:02,599 --> 00:22:04,160
Speaker 1: So we get to Ian and Sandy.

398
00:22:04,559 --> 00:22:07,279
Speaker 2: He's got such a pissy, confused attitude about the whole thing.

399
00:22:07,319 --> 00:22:09,960
Speaker 2: He goes, I'm just going to keep smiling. Don't worry

400
00:22:09,960 --> 00:22:17,759
Speaker 2: about smiling, worry about seeing things that exist. Do it

401
00:22:17,759 --> 00:22:21,160
Speaker 2: with a frown. Just as long as you're seeing things.

402
00:22:21,720 --> 00:22:25,440
Speaker 2: I mean, let's walk through this. Are we running into

403
00:22:25,480 --> 00:22:30,200
Speaker 2: a rock right now? No, I can't see any rock

404
00:22:30,240 --> 00:22:33,200
Speaker 2: we're going to run into. And then everybody's did it.

405
00:22:35,240 --> 00:22:41,759
Speaker 1: Now, Ian, there actually was a rock there, So you

406
00:22:41,920 --> 00:22:52,480
Speaker 1: kind of messed up? What's going on? Yeah?

407
00:22:52,559 --> 00:23:03,640
Speaker 3: Yeah, man, he kind of messed up.

408
00:23:06,279 --> 00:23:15,519
Speaker 1: Okay, Kermit sets up that white party or yeah, meanwhile,

409
00:23:16,000 --> 00:23:18,519
Speaker 1: Joe maybe pursue Oh, I've got a lot of meanwhile,

410
00:23:18,519 --> 00:23:19,920
Speaker 1: so oh, because they're all going out tonight.

411
00:23:20,680 --> 00:23:20,960
Speaker 2: Uh.

412
00:23:21,240 --> 00:23:24,480
Speaker 1: Meanwhile, Kermit sets up that white party. Meanwhile, Joe is

413
00:23:24,519 --> 00:23:27,480
Speaker 1: gonna he's gonna choose to hook up with Bulk and Biscuit,

414
00:23:27,839 --> 00:23:33,680
Speaker 1: And meanwhile Gail's boyfriend and his text continue to be ignored. Boy,

415
00:23:33,720 --> 00:23:36,319
Speaker 1: did those two hook up too? Huh A little bit?

416
00:23:37,039 --> 00:23:40,480
Speaker 1: Oh yeah, in the back seat of that band man,

417
00:23:40,640 --> 00:23:44,359
Speaker 1: you know, with Cheese later on, get ahead of myself.

418
00:23:44,599 --> 00:23:47,400
Speaker 1: They were so awful to Cheese when she requested a

419
00:23:47,920 --> 00:23:51,039
Speaker 1: do you mind not hooking up with him? In front

420
00:23:51,039 --> 00:23:52,440
Speaker 1: of me? I understand, you guys will hook up, and

421
00:23:52,440 --> 00:23:54,920
Speaker 1: she's like, okay, Like when you think about it, it's

422
00:23:54,920 --> 00:23:57,799
Speaker 1: like it was a foot and a half away from

423
00:23:57,839 --> 00:23:58,359
Speaker 1: her nose.

424
00:23:59,359 --> 00:24:01,559
Speaker 2: Yeah, okay, So we talked to the bullk and we'll

425
00:24:01,559 --> 00:24:04,880
Speaker 2: get to it later. It's pure fucking psychotic behavior to

426
00:24:04,960 --> 00:24:07,440
Speaker 2: do this as pointedly as it was done.

427
00:24:07,559 --> 00:24:14,759
Speaker 1: Yes, and Joe is uh fucking asshole too. I agree.

428
00:24:14,799 --> 00:24:17,880
Speaker 2: So let's get ready for the night out. The text come,

429
00:24:17,920 --> 00:24:20,440
Speaker 2: do you even love me anymore? From Gail's boyfriend.

430
00:24:20,119 --> 00:24:20,799
Speaker 1: Who she loves.

431
00:24:21,079 --> 00:24:24,039
Speaker 2: Hey, dude, don't send don't send texts like that. It

432
00:24:24,079 --> 00:24:25,920
Speaker 2: makes you look really pathetic.

433
00:24:25,559 --> 00:24:29,000
Speaker 1: It does. But these are the as human beings we have.

434
00:24:29,079 --> 00:24:32,400
Speaker 1: Death throws. Yes, you have to go through this little

435
00:24:32,440 --> 00:24:35,200
Speaker 1: cycle of it's basically throwing a what do you call

436
00:24:35,240 --> 00:24:39,000
Speaker 1: it a hail mary out there? Yeah, yeah, and it usually, uh,

437
00:24:39,119 --> 00:24:41,799
Speaker 1: it does not succeed. But you got to at least

438
00:24:41,839 --> 00:24:44,440
Speaker 1: do it to see if the person cares about you enough. Yes,

439
00:24:44,519 --> 00:24:46,839
Speaker 1: and clearly she did not know. She has quite the

440
00:24:46,839 --> 00:24:48,240
Speaker 1: recovery after that breakup.

441
00:24:48,359 --> 00:24:51,240
Speaker 2: Yeah, spick and span. So we get to dinner, we're

442
00:24:51,240 --> 00:24:53,319
Speaker 2: doing white Ian is asking for milkshakes.

443
00:24:53,359 --> 00:24:53,519
Speaker 1: Ian.

444
00:24:54,680 --> 00:24:59,519
Speaker 2: You know, at this point I was like, you're making

445
00:24:59,559 --> 00:25:02,519
Speaker 2: a thing of it, dude, but and he was making

446
00:25:02,559 --> 00:25:05,240
Speaker 2: a thing of it. You can have a drink, man,

447
00:25:05,680 --> 00:25:09,559
Speaker 2: just don't be weird. Don't be asking for milkshakes. You

448
00:25:09,559 --> 00:25:11,319
Speaker 2: don't need to go out. And I think I applaud

449
00:25:11,400 --> 00:25:15,079
Speaker 2: you for not going out, because when you're some kind

450
00:25:15,079 --> 00:25:20,119
Speaker 2: of bondsmith torn between multiple dimensions you it's not a

451
00:25:20,119 --> 00:25:22,880
Speaker 2: good idea. That's a very very fragile mental state to

452
00:25:22,880 --> 00:25:27,759
Speaker 2: be in. And whatever cosmic shamonic entity spoke to him

453
00:25:27,759 --> 00:25:30,279
Speaker 2: before he embarked on this journey warned him not to

454
00:25:30,400 --> 00:25:32,680
Speaker 2: commit one way or the other. You have to be

455
00:25:33,160 --> 00:25:36,000
Speaker 2: an inter midiary and if you're going out and getting

456
00:25:36,000 --> 00:25:38,359
Speaker 2: fucked up and drinking and waking up at eleven o'clock

457
00:25:38,400 --> 00:25:43,400
Speaker 2: in the morning, heaving like SpongeBob. Without water, you're going

458
00:25:43,440 --> 00:25:44,640
Speaker 2: to lose your mind.

459
00:25:44,480 --> 00:25:47,160
Speaker 1: That's right. So I'd say the only thing he could do,

460
00:25:47,160 --> 00:25:49,799
Speaker 1: because he is stuck between realms, he's in a different

461
00:25:49,799 --> 00:25:53,559
Speaker 1: dimension now, the only thing he could do to help

462
00:25:53,640 --> 00:25:57,480
Speaker 1: himself is to not get so drunk. To add to

463
00:25:57,519 --> 00:26:00,440
Speaker 1: the issues. Yeah, keep these still in another dimension, right,

464
00:26:00,599 --> 00:26:01,279
Speaker 1: but keep the.

465
00:26:01,240 --> 00:26:06,359
Speaker 2: Faculties clean, keep the cogs spinning less our entire universe collapse.

466
00:26:06,440 --> 00:26:09,359
Speaker 2: I mean, can you imagine the fact that this is

467
00:26:09,400 --> 00:26:13,319
Speaker 2: the guy who's getting drawn and quartered by multiple dimensions

468
00:26:13,319 --> 00:26:15,920
Speaker 2: and we have to depend on him to keep our

469
00:26:16,000 --> 00:26:17,000
Speaker 2: universe intact?

470
00:26:17,400 --> 00:26:19,440
Speaker 1: I mean, are we doing too much on this? But

471
00:26:19,599 --> 00:26:23,039
Speaker 1: I'm scared I am too. Yeah, he's no Iron Man, No,

472
00:26:23,160 --> 00:26:25,880
Speaker 1: but hey, let me I know the episode was probably

473
00:26:26,160 --> 00:26:28,519
Speaker 1: filmed like a year ago, but I'd like to jump

474
00:26:28,519 --> 00:26:31,920
Speaker 1: here and help Cheese out with this whole being out

475
00:26:31,960 --> 00:26:36,240
Speaker 1: maneuvered by the Balkan Biscuit. Yeah, okay, so Joe becomes

476
00:26:36,240 --> 00:26:41,160
Speaker 1: pretty titillated by the Balkan Biscuit's ig account. I guess

477
00:26:41,200 --> 00:26:43,519
Speaker 1: a lot of guys are hitting her DMS. Yeah, it's

478
00:26:43,559 --> 00:26:47,279
Speaker 1: a titillating Instagram account. Yeah, we've followed it for a while.

479
00:26:48,400 --> 00:26:52,200
Speaker 1: But Sheese initially just tries to infiltrate the conversation. But

480
00:26:52,279 --> 00:26:55,240
Speaker 1: that doesn't go well because you know, Joe's looking at

481
00:26:55,640 --> 00:26:58,799
Speaker 1: her Instagram account, right, So this is what I and

482
00:26:58,839 --> 00:27:01,559
Speaker 1: she's being out flanks, Cheese. This is what your best

483
00:27:01,599 --> 00:27:04,680
Speaker 1: move should have been. You should have told the Balkan

484
00:27:04,680 --> 00:27:07,440
Speaker 1: Biscuit that a Playboy talent scout was sitting at the bar,

485
00:27:07,920 --> 00:27:10,119
Speaker 1: which would have led her to go try and put

486
00:27:10,160 --> 00:27:15,160
Speaker 1: on that ridiculous playboy suit that she has. Yeah, next

487
00:27:15,200 --> 00:27:17,559
Speaker 1: thing you know, it's ninety four minutes later, she's only

488
00:27:17,559 --> 00:27:21,559
Speaker 1: got one goddamn boot on. Yeah, you're already out of there, Cheeze,

489
00:27:21,559 --> 00:27:26,359
Speaker 1: you'd win. I love that idea. I absolutely love that idea.

490
00:27:26,559 --> 00:27:27,240
Speaker 1: It's so good.

491
00:27:29,119 --> 00:27:31,960
Speaker 2: All right, So Joe and Ellie are hitting it off.

492
00:27:32,039 --> 00:27:35,559
Speaker 2: Cheese is rightly doing everything she can to dissuade this.

493
00:27:35,759 --> 00:27:41,160
Speaker 2: Maybe not rightly, I mean, I don't know the concern

494
00:27:41,480 --> 00:27:45,599
Speaker 2: the stakes of these two hooking up with one, he

495
00:27:45,759 --> 00:27:46,960
Speaker 2: read is nauseating.

496
00:27:47,160 --> 00:27:49,319
Speaker 1: I mean, this is like something that.

497
00:27:49,240 --> 00:27:52,759
Speaker 2: Indiana Jones would put his life on the line to

498
00:27:52,799 --> 00:27:54,400
Speaker 2: get and it's just hooking up with Joe.

499
00:27:54,599 --> 00:27:57,400
Speaker 1: That's right. I will say this though, to the Balkan Biscuit.

500
00:27:57,599 --> 00:28:00,359
Speaker 1: She seems like a very competitive person. To me, she

501
00:28:00,480 --> 00:28:02,880
Speaker 1: must win at all costs, at all costs. So we

502
00:28:02,920 --> 00:28:05,759
Speaker 1: get some more texts. Boyfriend's very sad boyfriend who Gail loves,

503
00:28:05,880 --> 00:28:08,799
Speaker 1: very sad. He says, you don't say that I love

504
00:28:08,839 --> 00:28:10,839
Speaker 1: you anymore, and we should just call it. And this

505
00:28:10,920 --> 00:28:15,559
Speaker 1: is quite brilliant from Gail. You wear down and you

506
00:28:15,640 --> 00:28:18,279
Speaker 1: make the other person break up. Yeah.

507
00:28:18,519 --> 00:28:21,359
Speaker 2: I'm not saying she's doing that, but if she was

508
00:28:21,480 --> 00:28:24,279
Speaker 2: doing that, it worked flawlessly.

509
00:28:24,920 --> 00:28:26,920
Speaker 1: Yeah. All right, can I break down the game film

510
00:28:26,960 --> 00:28:30,440
Speaker 1: on all courts? Okay? So Gail gets the breakup text

511
00:28:30,480 --> 00:28:34,680
Speaker 1: and of course she's overwhelmed and sad. So she gets

512
00:28:34,759 --> 00:28:36,599
Speaker 1: up from the table and walks away, and then Kermit

513
00:28:36,720 --> 00:28:42,440
Speaker 1: follows her. Okay, Now Kermit and Gail chat and I

514
00:28:43,079 --> 00:28:48,200
Speaker 1: want Kermit to stay out of the relationship advice business

515
00:28:48,240 --> 00:28:54,079
Speaker 1: because she's not good at it. Kermit sends Valentine Valentine

516
00:28:54,160 --> 00:28:57,640
Speaker 1: Day cards with pictures of her fece he said it. Okay,

517
00:28:57,680 --> 00:28:59,519
Speaker 1: I don't want to hear from her. Yeah, she has

518
00:28:59,519 --> 00:29:01,759
Speaker 1: different relationship than these other sea runs.

519
00:29:01,880 --> 00:29:04,279
Speaker 2: Yeah, it's like me giving dating advice. You know, I've

520
00:29:04,319 --> 00:29:06,240
Speaker 2: been with one woman for fifteen years.

521
00:29:07,960 --> 00:29:12,960
Speaker 1: Well, Kermit says that it's her boyfriend's fault for wanting

522
00:29:12,960 --> 00:29:15,640
Speaker 1: her to work on the boat where she was miserable.

523
00:29:16,119 --> 00:29:21,680
Speaker 1: He was a jerk for that, And I just think

524
00:29:21,680 --> 00:29:26,039
Speaker 1: that's the wrong advice because Gail has clearly been gaslighting

525
00:29:26,079 --> 00:29:29,400
Speaker 1: this poor sap. Sure she's wanted to be with Nathan.

526
00:29:30,160 --> 00:29:33,359
Speaker 1: The correct advice is, hey, look, you're in your twenties,

527
00:29:33,640 --> 00:29:37,279
Speaker 1: have fun, be free. It's nothing against this guy. But

528
00:29:38,200 --> 00:29:40,559
Speaker 1: you're saying, don't turn the man into a villain. He's

529
00:29:40,599 --> 00:29:43,039
Speaker 1: turning him into a villain. That's the wrong thing to do. Gail,

530
00:29:43,279 --> 00:29:46,400
Speaker 1: you've been making out with Nathan like a couple of weeks.

531
00:29:46,480 --> 00:29:50,440
Speaker 1: You're cheating on your boyfriend, right right, he's clearly feeling

532
00:29:50,519 --> 00:29:53,160
Speaker 1: that you were putting distance between him. You're gas lighting

533
00:29:53,240 --> 00:29:57,960
Speaker 1: him by not you're not being honest, fucking bone up? Yeah,

534
00:29:58,279 --> 00:30:01,119
Speaker 1: not up, or shut up up with his sad ass.

535
00:30:01,559 --> 00:30:04,000
Speaker 1: And then again, chalk it up to I'm in my twenties,

536
00:30:04,000 --> 00:30:06,359
Speaker 1: I'd like to have fun, Kermit, you were out of

537
00:30:06,359 --> 00:30:07,119
Speaker 1: your skews on this.

538
00:30:07,440 --> 00:30:09,519
Speaker 2: I'm in my twenties. I'm also Sira. I'm on a

539
00:30:09,559 --> 00:30:12,799
Speaker 2: boat so far away. Not a big deal. That's it,

540
00:30:12,880 --> 00:30:15,880
Speaker 2: not big deal. So Nathan, we could call it mister

541
00:30:15,920 --> 00:30:21,359
Speaker 2: green Light. At this point, I think Ian heads back

542
00:30:21,359 --> 00:30:23,279
Speaker 2: to the boat. Very good for him. He's seeing ghosts

543
00:30:23,319 --> 00:30:25,359
Speaker 2: and blacking out is not going to help. We get

544
00:30:25,359 --> 00:30:30,880
Speaker 2: to dancing, and Ellie and Joe get wide into it.

545
00:30:30,920 --> 00:30:32,519
Speaker 1: The kids say they turn it up.

546
00:30:33,400 --> 00:30:36,240
Speaker 2: Oh yeah, they were completely cranked, and they do it

547
00:30:36,319 --> 00:30:38,559
Speaker 2: not only in front of Cheese but then in the

548
00:30:38,599 --> 00:30:43,720
Speaker 2: back seat. And Cheese is very very hurt by this,

549
00:30:45,759 --> 00:30:50,599
Speaker 2: I would say to Okay, so Ellie is very very

550
00:30:51,720 --> 00:30:59,079
Speaker 2: kind of transfixed by this hierarchical structure on the boat.

551
00:31:00,200 --> 00:31:02,240
Speaker 2: Puts a lot of import on the fact that she's

552
00:31:02,279 --> 00:31:08,319
Speaker 2: the second. Still part of leadership is not being seventh

553
00:31:08,440 --> 00:31:17,000
Speaker 2: grade Cattie vengeful, and that's aff. Okay, let's talk about

554
00:31:17,279 --> 00:31:21,359
Speaker 2: you guys really actually having feelings for somebody who isn't

555
00:31:21,359 --> 00:31:23,720
Speaker 2: a sea rat, who could make your life, you know,

556
00:31:23,759 --> 00:31:26,880
Speaker 2: a lot better. Even then, you still have the responsibility

557
00:31:26,920 --> 00:31:30,920
Speaker 2: to not turn that into a contest. This is juicy

558
00:31:31,039 --> 00:31:33,480
Speaker 2: Rat's hooking up with Joe, and like I said, I mean,

559
00:31:33,519 --> 00:31:35,640
Speaker 2: this is the most important thing in the world to

560
00:31:35,839 --> 00:31:38,720
Speaker 2: the two of them right nowadays. I mean, it's just crazy.

561
00:31:38,799 --> 00:31:40,759
Speaker 2: But the onus is on Ellie to not do this.

562
00:31:41,200 --> 00:31:43,240
Speaker 2: She's the older one and she's the one who's in

563
00:31:43,279 --> 00:31:44,359
Speaker 2: a leadership position.

564
00:31:44,559 --> 00:31:47,240
Speaker 1: So true, it's a great point. She likes to brag

565
00:31:47,279 --> 00:31:50,759
Speaker 1: that she's outranking her. Yeah, so we get to the

566
00:31:50,759 --> 00:31:51,160
Speaker 1: next day.

567
00:31:51,160 --> 00:31:52,799
Speaker 2: But before we get to the next day, let's talk

568
00:31:52,799 --> 00:31:56,200
Speaker 2: about a magical licks are known as a magic mind. Now,

569
00:31:56,720 --> 00:32:01,720
Speaker 2: we drank our magic mind earlier, and I got to

570
00:32:01,720 --> 00:32:07,720
Speaker 2: tell you, I'm feeling not jittery, not over the moon,

571
00:32:08,920 --> 00:32:13,440
Speaker 2: just clean, calm and hear. You know, we're not e

572
00:32:13,599 --> 00:32:14,839
Speaker 2: in when we're on magic mind.

573
00:32:14,880 --> 00:32:17,359
Speaker 1: Oh no, no, no, I see living people.

574
00:32:18,079 --> 00:32:20,440
Speaker 2: We not only see the things that are living around us.

575
00:32:20,480 --> 00:32:24,920
Speaker 2: But you know, magic mind doesn't guarantee this. But if

576
00:32:24,960 --> 00:32:26,880
Speaker 2: you are on a regimen like the way that me

577
00:32:26,880 --> 00:32:31,160
Speaker 2: and Patrick are, the fractals that make all of us

578
00:32:31,200 --> 00:32:38,279
Speaker 2: up will begin to show themselves. You'll see life force unsheathed.

579
00:32:38,839 --> 00:32:42,319
Speaker 2: It's a completely new language, not zeros in one something

580
00:32:42,359 --> 00:32:43,680
Speaker 2: more divine.

581
00:32:44,759 --> 00:32:46,880
Speaker 1: Example, I was looking at a hummingbird when we took

582
00:32:46,920 --> 00:32:49,559
Speaker 1: a break, and you know, normally. Those little wings on them,

583
00:32:49,559 --> 00:32:51,119
Speaker 1: they flap up and down like it. You can't even

584
00:32:51,119 --> 00:32:51,480
Speaker 1: see them.

585
00:32:51,599 --> 00:32:59,119
Speaker 2: I could, though, Time slows and is cleaned with magic Mind.

586
00:32:59,279 --> 00:33:05,079
Speaker 2: It's a mental foreman shot. It's got adaptogens, neotropics, all

587
00:33:05,319 --> 00:33:10,559
Speaker 2: scientifically backed. It tastes like a pineapple in a warmwood.

588
00:33:11,200 --> 00:33:15,400
Speaker 2: It is a perfect drink, Yes it is. It's a

589
00:33:15,440 --> 00:33:18,160
Speaker 2: perfect It's a perfect drink, and you can get it

590
00:33:18,200 --> 00:33:22,599
Speaker 2: at magicmind dot com slash below deck twenty. Enter in

591
00:33:22,680 --> 00:33:25,119
Speaker 2: the promo code below deck twenty.

592
00:33:24,839 --> 00:33:29,079
Speaker 1: And oh oh ooh ooh. Hang on a second, the

593
00:33:29,480 --> 00:33:33,880
Speaker 1: url is magicmind dot com slash below deck. That's right.

594
00:33:34,240 --> 00:33:38,400
Speaker 2: Go to magicmind dot com slash belowdeck, magicmind dot com

595
00:33:38,400 --> 00:33:41,400
Speaker 2: slash below deck, and use promo code below deck twenty

596
00:33:41,519 --> 00:33:44,680
Speaker 2: at magicmind dot com slash below deck. There you will

597
00:33:44,720 --> 00:33:46,880
Speaker 2: be able to claim and offer that being forty eight

598
00:33:46,880 --> 00:33:50,079
Speaker 2: percent off your first subscription or twenty percent off a

599
00:33:50,160 --> 00:33:53,839
Speaker 2: one time purchase with code below deck twenty at checkout

600
00:33:53,920 --> 00:33:58,279
Speaker 2: at magicmind dot com slash belowdeck. All right, So, the

601
00:33:58,279 --> 00:34:02,079
Speaker 2: next day, in a shocking cheese in a very measured way,

602
00:34:02,160 --> 00:34:03,799
Speaker 2: goes up to bulk and biscuit and says, can you

603
00:34:03,880 --> 00:34:08,719
Speaker 2: please not do that anymore. Now, that very fragile cap

604
00:34:08,760 --> 00:34:12,199
Speaker 2: would be completely blown off in the coming sequence of events.

605
00:34:12,239 --> 00:34:14,199
Speaker 2: But it started, well, we have to get to the

606
00:34:14,280 --> 00:34:17,000
Speaker 2: charter five, a preference sheet meeting.

607
00:34:18,079 --> 00:34:21,960
Speaker 1: It's not a lot here, Colline Otaro, Yeah, a lot

608
00:34:22,000 --> 00:34:25,119
Speaker 1: of food restrictions, a lot of food restrict Jonah was

609
00:34:25,199 --> 00:34:26,800
Speaker 1: ready to pull this off. You know, I got to

610
00:34:26,800 --> 00:34:30,400
Speaker 1: give it to this guy. He was on his way out.

611
00:34:31,320 --> 00:34:34,880
Speaker 2: Still here in a major way I mean is Jonah

612
00:34:34,920 --> 00:34:40,079
Speaker 2: has slotted himself into the perfect kind of sea rat archetype.

613
00:34:40,639 --> 00:34:46,840
Speaker 2: They're important, not ever present. When he is present, he

614
00:34:47,039 --> 00:34:50,079
Speaker 2: increases the spirits of the sea rats around him. He's

615
00:34:50,199 --> 00:34:53,199
Speaker 2: really come into his own this Jana and I would

616
00:34:53,239 --> 00:34:54,440
Speaker 2: say that he is here for good.

617
00:34:54,760 --> 00:34:59,519
Speaker 1: I agree with you. We're going to have the Goddess party.

618
00:35:01,079 --> 00:35:04,199
Speaker 1: We'll have the pajama pajama party. Following that pajama party.

619
00:35:04,320 --> 00:35:07,320
Speaker 2: That's a lot of no's what we're gonna what we're

620
00:35:07,320 --> 00:35:10,559
Speaker 2: gonna see, you know, all this no fish, no eggs,

621
00:35:10,599 --> 00:35:13,239
Speaker 2: hates veggies. We're gonna we're gonna see if all this

622
00:35:13,360 --> 00:35:17,679
Speaker 2: gilded talk of John O will ring true next episode.

623
00:35:17,719 --> 00:35:21,599
Speaker 2: But Gail up next She's confused why her boyfriend isn't

624
00:35:21,599 --> 00:35:23,159
Speaker 2: supporting her like Nate is.

625
00:35:24,199 --> 00:35:28,880
Speaker 1: Gail, this is maybe don't muddy the waters with hooking

626
00:35:28,960 --> 00:35:30,239
Speaker 1: up with your coworker.

627
00:35:30,360 --> 00:35:32,760
Speaker 2: Well, and also, Gail, this is you know, this is

628
00:35:32,840 --> 00:35:36,119
Speaker 2: your rett love, this is being in your twenties. Maybe

629
00:35:36,119 --> 00:35:41,000
Speaker 2: this is being kind of I don't I don't know,

630
00:35:42,119 --> 00:35:45,599
Speaker 2: having a misunderstanding of the language of men. Nate does

631
00:35:45,639 --> 00:35:48,800
Speaker 2: not support you, and trying to have sex, trying to

632
00:35:48,840 --> 00:35:52,440
Speaker 2: fuck you so well, that could be a confusing mask

633
00:35:52,599 --> 00:35:54,280
Speaker 2: to have to peel off. And you don't want to

634
00:35:54,320 --> 00:35:56,519
Speaker 2: live your life cynical and paranoid, but you do have

635
00:35:56,559 --> 00:35:57,159
Speaker 2: to know that.

636
00:35:59,519 --> 00:36:01,840
Speaker 1: A large aware of the obvious, a large part of

637
00:36:01,920 --> 00:36:03,000
Speaker 1: Nate's drive is to fuck you.

638
00:36:04,679 --> 00:36:10,079
Speaker 2: So Yeah, she talks to her boyfriend, uh, and I'm

639
00:36:10,119 --> 00:36:10,800
Speaker 2: not sure.

640
00:36:10,639 --> 00:36:13,920
Speaker 1: If she plays the game blame game for a minute. Yeah,

641
00:36:13,960 --> 00:36:16,599
Speaker 1: and then it kinda I don't know, seems like they

642
00:36:16,639 --> 00:36:19,920
Speaker 1: part ways respectfully, respectfully. You know, they'll by the way,

643
00:36:20,119 --> 00:36:23,280
Speaker 1: we will hear probably. I guess they don't do reunions anymore.

644
00:36:23,519 --> 00:36:27,239
Speaker 1: Those two will be they're not done having sex. They'll

645
00:36:27,280 --> 00:36:28,760
Speaker 1: they'll meet up. Yeah, they'll meet up again.

646
00:36:28,800 --> 00:36:32,719
Speaker 2: I've been done before like that. Sex is amazing so

647
00:36:33,079 --> 00:36:39,360
Speaker 2: laundry again. Sandy speaks on investing in Brie and we

648
00:36:39,400 --> 00:36:43,039
Speaker 2: take a look at cbgb uh Sandy back in the day,

649
00:36:43,800 --> 00:36:52,840
Speaker 2: who uh you know was bet on by people? Yeah, okay,

650
00:36:53,000 --> 00:36:57,719
Speaker 2: so good on Asia. She, upon speaking with Sandy about

651
00:36:57,719 --> 00:37:01,599
Speaker 2: how horrible Cheese is, goes down and says what needs

652
00:37:01,599 --> 00:37:04,599
Speaker 2: to be said, You're going to be fired if this

653
00:37:04,719 --> 00:37:05,199
Speaker 2: keeps happy.

654
00:37:05,360 --> 00:37:07,159
Speaker 1: Yeah. Yeah, I have a problem with this because she

655
00:37:07,199 --> 00:37:10,920
Speaker 1: did it in front of her coworker, the Balkan Biscuit. Yes,

656
00:37:11,360 --> 00:37:13,360
Speaker 1: a balk And biscuit was making a bed right next

657
00:37:13,440 --> 00:37:17,079
Speaker 1: to Cheese. Very unprofessional. Texting a pick of your duchie

658
00:37:17,079 --> 00:37:21,679
Speaker 1: would have been less unprofessional. Cart karmit, get it together,

659
00:37:21,880 --> 00:37:22,239
Speaker 1: all right.

660
00:37:22,320 --> 00:37:24,639
Speaker 2: I don't know if I maybe I pulled a knee

661
00:37:24,679 --> 00:37:28,599
Speaker 2: in and did not see that correctly. Okay, So Ellie

662
00:37:28,639 --> 00:37:32,000
Speaker 2: and Cheese are both committing psychological war crimes against one another.

663
00:37:32,039 --> 00:37:35,440
Speaker 1: We know that Ellie realizes that she's losing the court

664
00:37:35,440 --> 00:37:39,760
Speaker 1: of public opinion on this, so she arrives at this

665
00:37:39,920 --> 00:37:43,199
Speaker 1: tactic that she needs to start making it known that

666
00:37:43,320 --> 00:37:46,960
Speaker 1: she's is an inept idiot to the rest of the

667
00:37:47,000 --> 00:37:52,639
Speaker 1: sea rats. She is stooping two levels that are beneath

668
00:37:52,639 --> 00:37:56,199
Speaker 1: her station and really beneath humanity. I would say I

669
00:37:56,239 --> 00:37:59,320
Speaker 1: agree with that. So this warfare is very real. We

670
00:37:59,519 --> 00:38:06,360
Speaker 1: realize that Ellie wrote Johano on Joe's pants. These little

671
00:38:08,320 --> 00:38:12,320
Speaker 1: I mean, this is where I'm Tinker Taylor soldier spy.

672
00:38:12,440 --> 00:38:15,280
Speaker 2: I don't know what's going on, Who to trust, who

673
00:38:15,320 --> 00:38:16,280
Speaker 2: to not trust?

674
00:38:17,440 --> 00:38:19,920
Speaker 1: Is it completely on cheese? I don't think so. I

675
00:38:19,920 --> 00:38:22,000
Speaker 1: think Ellie's going in there, and I think that she's

676
00:38:22,159 --> 00:38:27,320
Speaker 1: fucking shit up. You know, Balkan biscuits a survivalist, given

677
00:38:27,400 --> 00:38:30,519
Speaker 1: her you know, her past, got to find a way

678
00:38:30,559 --> 00:38:33,119
Speaker 1: to survive. Sometimes that means destroying people that are in

679
00:38:33,159 --> 00:38:35,800
Speaker 1: your way. Well, you know, the whole thing really reeks

680
00:38:35,800 --> 00:38:36,760
Speaker 1: of you know.

681
00:38:36,920 --> 00:38:40,239
Speaker 2: So we've got an Eastern Block spy right in the

682
00:38:40,280 --> 00:38:43,840
Speaker 2: Balkan history, and we've got a child of State Department

683
00:38:43,880 --> 00:38:47,679
Speaker 2: fed in cheese. Now, these two are in a heating

684
00:38:47,760 --> 00:38:50,360
Speaker 2: up cold war with one another, and there have been

685
00:38:50,599 --> 00:38:54,280
Speaker 2: acts of deception and manipulation all throughout.

686
00:38:54,320 --> 00:38:57,440
Speaker 1: I mean, you look.

687
00:38:57,280 --> 00:39:00,320
Speaker 2: At what happened during the Cold War, and I say

688
00:39:00,360 --> 00:39:02,960
Speaker 2: that Ian maybe is our McCarthy, right. I mean, he's

689
00:39:03,039 --> 00:39:06,400
Speaker 2: just completely lost his mind in this whole battle and

690
00:39:06,480 --> 00:39:10,440
Speaker 2: he's not seeing things, so it's really fucking crazy.

691
00:39:10,559 --> 00:39:14,039
Speaker 1: Actually, you know, I will say this too anybody else

692
00:39:14,079 --> 00:39:16,840
Speaker 1: that has a podcast that recaps full of deck, I

693
00:39:16,840 --> 00:39:19,920
Speaker 1: don't think you're there. You're gonna hear them tie the

694
00:39:19,960 --> 00:39:22,199
Speaker 1: things that are happening with this show, with the McCarthy hearings.

695
00:39:22,360 --> 00:39:26,440
Speaker 2: Yeah, and and and maybe it's good that you listen

696
00:39:26,519 --> 00:39:29,280
Speaker 2: to a different one, because that doesn't make any sense.

697
00:39:31,239 --> 00:39:34,639
Speaker 2: So the guests arrived, Gail says, I think that this

698
00:39:34,760 --> 00:39:40,079
Speaker 2: is going to be a loud charter. Oh Jesus, hey,

699
00:39:40,239 --> 00:39:45,320
Speaker 2: hey Codd, Hey Gail. No, I know that you just

700
00:39:45,400 --> 00:39:47,679
Speaker 2: meant that they were screaming when they were there, But

701
00:39:47,840 --> 00:39:54,440
Speaker 2: don't say that. All right, So we make some mahitos.

702
00:39:54,760 --> 00:39:56,559
Speaker 2: They don't taste right, they're also orange.

703
00:39:56,599 --> 00:39:57,360
Speaker 1: We spoke on this.

704
00:39:57,880 --> 00:40:04,639
Speaker 2: Mohitos do not look like tang That's right, they don't.

705
00:40:06,599 --> 00:40:09,519
Speaker 2: They look like the muddled mint and lime and clear

706
00:40:09,599 --> 00:40:13,079
Speaker 2: rum that you put upon upon ice. I think that's

707
00:40:13,079 --> 00:40:16,079
Speaker 2: what a mohito is. I don't really have you ever heard.

708
00:40:16,519 --> 00:40:18,840
Speaker 2: I don't think I've ever ordered a mojito in my life.

709
00:40:18,920 --> 00:40:25,639
Speaker 1: I do it all the time. Really, wow, yeah? Is

710
00:40:25,679 --> 00:40:26,119
Speaker 1: it good?

711
00:40:26,239 --> 00:40:30,119
Speaker 2: I love it so we depart, we go shopping Asia

712
00:40:30,400 --> 00:40:35,679
Speaker 2: with the Let's Go Shopping song, absolutely incredible, cheers Cheese

713
00:40:35,760 --> 00:40:38,360
Speaker 2: hears voices of criticism in her head, and she's going

714
00:40:38,400 --> 00:40:40,679
Speaker 2: through internal battles.

715
00:40:41,760 --> 00:40:45,760
Speaker 1: You're a fuck up. Yeah, you don't know what you're doing.

716
00:40:47,719 --> 00:40:49,519
Speaker 1: I wish you didn't tell that guy you'd suck his

717
00:40:49,599 --> 00:40:55,199
Speaker 1: dick on TV. It's your dad. Yeah, crazy, um.

718
00:40:56,559 --> 00:40:59,239
Speaker 2: And you know the State Department has technology like that,

719
00:40:59,320 --> 00:41:03,960
Speaker 2: And I mean everybody knows that project Maga says MK Ultra.

720
00:41:06,599 --> 00:41:16,400
Speaker 1: Maybe you listen to a different show. I don't know. Yeah.

721
00:41:16,480 --> 00:41:23,800
Speaker 2: So so Captain Sandy walks in and she sees that

722
00:41:23,880 --> 00:41:26,280
Speaker 2: she's is struggling, and she says that she's having a

723
00:41:26,360 --> 00:41:29,840
Speaker 2: difficult time with Ellie. Now, this is what drives me nuts.

724
00:41:30,000 --> 00:41:33,199
Speaker 2: And this is maybe the mac of Elli and shit

725
00:41:33,239 --> 00:41:33,960
Speaker 2: that we don't see.

726
00:41:34,119 --> 00:41:37,119
Speaker 1: I think I know what you're gonna say. You think

727
00:41:37,199 --> 00:41:41,719
Speaker 1: that Cheese is going to Sandy to basically give her resignation.

728
00:41:42,480 --> 00:41:45,719
Speaker 1: But she is not, because she's not a quitter, she's

729
00:41:45,840 --> 00:41:46,480
Speaker 1: just a complainer.

730
00:41:46,599 --> 00:41:48,960
Speaker 2: No, she's going to Sandy to make sure that Ellie

731
00:41:49,039 --> 00:41:54,159
Speaker 2: gets fired. That's right, which I don't feel very good about.

732
00:41:54,239 --> 00:41:59,280
Speaker 2: I think that that's really kind of disgusting meek behavior.

733
00:41:59,639 --> 00:42:02,559
Speaker 2: And and I mean, these people are not grown ups,

734
00:42:03,400 --> 00:42:05,119
Speaker 2: they's sea rats.

735
00:42:06,480 --> 00:42:07,360
Speaker 1: Okay.

736
00:42:07,440 --> 00:42:12,079
Speaker 2: So it's confusing though, because Ellie is tormenting Cheese, and

737
00:42:12,159 --> 00:42:16,480
Speaker 2: I don't think that that's I do think that that's

738
00:42:16,559 --> 00:42:19,559
Speaker 2: kind of a fireable offence. I do think that what

739
00:42:19,679 --> 00:42:22,440
Speaker 2: Ellie has been doing to Cheese is a fireable offence.

740
00:42:23,239 --> 00:42:25,519
Speaker 1: But at the same time, when you have someone who's

741
00:42:26,400 --> 00:42:29,440
Speaker 1: absolutely that there's incompetent Dylan and I know that Sandy

742
00:42:29,480 --> 00:42:33,159
Speaker 1: made the case that this is an entry level position. However,

743
00:42:34,000 --> 00:42:36,079
Speaker 1: she's fucking with the.

744
00:42:36,519 --> 00:42:40,480
Speaker 2: You know what, you said that the Balkan Biscuit might

745
00:42:40,480 --> 00:42:43,000
Speaker 2: be a better version of herself if Cheese was not there,

746
00:42:43,920 --> 00:42:47,559
Speaker 2: That might be true. I also, by the same token,

747
00:42:47,679 --> 00:42:50,679
Speaker 2: do not think that Cheese would be much better at

748
00:42:50,719 --> 00:42:54,719
Speaker 2: her job. She would be the same person. No, that's

749
00:42:54,880 --> 00:42:58,000
Speaker 2: that those two don't mean the same thing. Ellie would

750
00:42:58,440 --> 00:43:01,840
Speaker 2: possibly improve if Cheese wasn't there, Cheese would not improve.

751
00:43:02,039 --> 00:43:03,960
Speaker 1: That's right. So she's the one that needs to get

752
00:43:03,960 --> 00:43:09,519
Speaker 1: fired either or both. I think both is probably the answer.

753
00:43:09,559 --> 00:43:11,480
Speaker 1: But we're mid charter, so I think it was last

754
00:43:11,480 --> 00:43:15,840
Speaker 1: season that Alyssa and Millie ilicit were fired, staggered firing,

755
00:43:15,880 --> 00:43:18,880
Speaker 1: staggered firing. The better move would have been to just

756
00:43:19,159 --> 00:43:22,360
Speaker 1: do a first time in below deck history, fucking you're

757
00:43:22,360 --> 00:43:25,920
Speaker 1: both fired, Yeah, fucking you're both fired. Yeah. I think

758
00:43:25,960 --> 00:43:27,239
Speaker 1: we may see that.

759
00:43:27,320 --> 00:43:31,840
Speaker 2: I would be all hands, get some new blood in here.

760
00:43:32,480 --> 00:43:36,400
Speaker 2: So Asha talks with Gail to about two different walks

761
00:43:36,400 --> 00:43:38,400
Speaker 2: of life, and then we get back to Ellie and Cheese.

762
00:43:38,400 --> 00:43:42,760
Speaker 2: Now Ellie is proved to be wanting. The cabins are

763
00:43:42,800 --> 00:43:46,639
Speaker 2: not done, and they seem to be not done on purpose.

764
00:43:47,320 --> 00:43:53,679
Speaker 2: M I'm starting to maybe believe that at this point,

765
00:43:53,760 --> 00:43:56,599
Speaker 2: I'm pretty convinced that Ellie is doing things on purpose

766
00:43:56,639 --> 00:43:57,440
Speaker 2: to fuck with Cheese.

767
00:43:57,679 --> 00:44:00,199
Speaker 1: If I didn't hear Kermit say, why didn't she do

768
00:44:00,280 --> 00:44:03,159
Speaker 1: those cabins, you could have definitely set up the table

769
00:44:03,440 --> 00:44:06,000
Speaker 1: and then also had those cabins done. Karmit's been in

770
00:44:06,039 --> 00:44:07,840
Speaker 1: the biz for a while. She knows she can call it.

771
00:44:08,559 --> 00:44:12,719
Speaker 1: Call bullshit Ellie ball, sorry we call him to call

772
00:44:12,760 --> 00:44:16,239
Speaker 1: her two names, balk and biscuit. This was definitely sabotage. Well,

773
00:44:16,280 --> 00:44:17,800
Speaker 1: and you can tell that it's sabotage.

774
00:44:17,840 --> 00:44:22,199
Speaker 2: You don't need to have a long running career as

775
00:44:22,199 --> 00:44:26,199
Speaker 2: a sea route to see. When Asha walks up to

776
00:44:26,280 --> 00:44:31,440
Speaker 2: balk and Biscuit and she says, she begins the inquiry

777
00:44:31,480 --> 00:44:37,760
Speaker 2: that Biscuit knows is coming. Biscuit says, I have been

778
00:44:37,880 --> 00:44:41,400
Speaker 2: working or something like that. It's this defensive, straight out

779
00:44:41,400 --> 00:44:44,199
Speaker 2: of the gate. I've been working, very generic answer. If

780
00:44:44,199 --> 00:44:49,159
Speaker 2: somebody begins the line of questioning with that, you've got

781
00:44:49,239 --> 00:44:51,599
Speaker 2: your man. You got it, You've got your man. Yes,

782
00:44:51,679 --> 00:44:54,159
Speaker 2: he definitely killed those two people over on Broadway.

783
00:44:54,280 --> 00:44:56,800
Speaker 1: And also, balk and Biscuit, you're a way better liar

784
00:44:56,840 --> 00:44:59,920
Speaker 1: than this. You should have said the bottles all fell

785
00:45:00,119 --> 00:45:01,840
Speaker 1: down at the bar. It took me an hour, Like

786
00:45:01,960 --> 00:45:05,119
Speaker 1: you have another story, Like you're a horrible liar. Yeah.

787
00:45:05,199 --> 00:45:11,400
Speaker 2: So Cheese flips out and says numerous times to Ellie,

788
00:45:11,719 --> 00:45:15,039
Speaker 2: leave me alone, leave me alone, leave me alone, which

789
00:45:15,079 --> 00:45:18,880
Speaker 2: Ellie does not do. She continues to antagonize her. She

790
00:45:19,119 --> 00:45:21,440
Speaker 2: grabs her at one point and says, look at me,

791
00:45:21,519 --> 00:45:22,559
Speaker 2: and stop doing.

792
00:45:22,360 --> 00:45:28,800
Speaker 1: What you're doing. I outrank youh fired, fired, fired fired.

793
00:45:29,920 --> 00:45:31,840
Speaker 1: She's asked you to leave her alone.

794
00:45:32,000 --> 00:45:35,480
Speaker 2: Okay, you were making out with and rubbing the cock

795
00:45:35,559 --> 00:45:37,920
Speaker 2: of the person that she's into right in her face,

796
00:45:38,079 --> 00:45:41,159
Speaker 2: and now you're not doing cabins on purpose to sabotage her.

797
00:45:41,239 --> 00:45:42,360
Speaker 1: She's asked you to leave her.

798
00:45:42,280 --> 00:45:44,760
Speaker 2: Alone, and you're following her around and screaming at her.

799
00:45:46,320 --> 00:45:52,840
Speaker 2: What kind of insane behavior is that? Yes, we got

800
00:45:52,840 --> 00:45:55,400
Speaker 2: to call balls and strikes. We left the ball can biscuit. Okay,

801
00:45:55,440 --> 00:45:57,480
Speaker 2: she's more than her work on this show, but this

802
00:45:57,719 --> 00:46:03,800
Speaker 2: is not good fire ball fance. So Ellie isn't tears

803
00:46:03,840 --> 00:46:06,000
Speaker 2: and Sandy gives her a really good piece of advice,

804
00:46:07,000 --> 00:46:07,920
Speaker 2: pull yourself together.

805
00:46:08,320 --> 00:46:12,440
Speaker 1: Oh I love that. Amazing. Hey, hey, pull yourself together.

806
00:46:12,480 --> 00:46:14,239
Speaker 1: Oh good, you're pulling yourself together. That's good.

807
00:46:14,440 --> 00:46:17,119
Speaker 2: He's like it's okay, I'm fine, and Sandy's like, yeah, good,

808
00:46:17,280 --> 00:46:18,679
Speaker 2: pull yourself together now.

809
00:46:18,760 --> 00:46:22,199
Speaker 1: Also a fireable offense. You're freaking out on the deck.

810
00:46:22,280 --> 00:46:24,199
Speaker 1: The guests are returned, the paying guests are returning, and

811
00:46:24,239 --> 00:46:27,679
Speaker 1: you just handled handed me a pile of towels to

812
00:46:27,679 --> 00:46:30,480
Speaker 1: give the guests. I know you're fucking fired. Sandy fired

813
00:46:30,480 --> 00:46:34,719
Speaker 1: Alyssa last season for calling her Sandy. Yeah, that's true.

814
00:46:35,119 --> 00:46:40,599
Speaker 2: So we've got three sides to the story. Sandy tells

815
00:46:40,679 --> 00:46:43,119
Speaker 2: Asha that she's got to figure out both sides and

816
00:46:43,159 --> 00:46:43,559
Speaker 2: the truth.

817
00:46:43,719 --> 00:46:44,719
Speaker 1: Very difficult thing. To do.

818
00:46:44,880 --> 00:46:48,239
Speaker 2: Ashia says, gets back and says, she tells Sandy this

819
00:46:48,280 --> 00:46:50,840
Speaker 2: is the hardest thing that she's ever had to manage

820
00:46:50,920 --> 00:46:53,440
Speaker 2: because she just has no idea who's telling the truth.

821
00:46:54,559 --> 00:46:58,000
Speaker 1: And this is, you know, this is where we talked

822
00:46:58,039 --> 00:46:58,639
Speaker 1: about earlier.

823
00:46:59,039 --> 00:47:02,280
Speaker 2: There are these two people trafficking in a cold war

824
00:47:02,320 --> 00:47:04,880
Speaker 2: with one another and it's very, very difficult to discern.

825
00:47:05,000 --> 00:47:07,440
Speaker 2: So Asia asks Elly what happened? Ellie says, I was

826
00:47:07,480 --> 00:47:10,440
Speaker 2: working the whole time, Like we mentioned, somebody starts with that.

827
00:47:10,679 --> 00:47:13,960
Speaker 2: It's not good, and Ellie and Balk and Biscuit are

828
00:47:14,039 --> 00:47:16,880
Speaker 2: dragged up to the crow's nest to speak with Sandy.

829
00:47:18,000 --> 00:47:19,320
Speaker 1: We get a TVC card.

830
00:47:19,440 --> 00:47:22,840
Speaker 2: But this the beginning of this conversation does not go well.

831
00:47:23,000 --> 00:47:26,440
Speaker 2: I think Cheese gets fired, really I do.

832
00:47:26,480 --> 00:47:28,800
Speaker 1: They didn't give us a preview for next week's episode,

833
00:47:29,119 --> 00:47:33,199
Speaker 1: and Cheese is just making some major mis calculations here.

834
00:47:33,360 --> 00:47:38,719
Speaker 1: I think that Cheese may have you remember the old.

835
00:47:38,559 --> 00:47:41,159
Speaker 2: Saloons where people used to play poker and shoot each

836
00:47:41,159 --> 00:47:44,960
Speaker 2: other and stuff like that. If we put, you know,

837
00:47:45,000 --> 00:47:49,079
Speaker 2: if we kind of equated to that, right, Cheese lays

838
00:47:49,119 --> 00:47:50,639
Speaker 2: all her cards down on the table.

839
00:47:50,679 --> 00:47:55,400
Speaker 1: It's quite brilliant. She says, fire us. Both. Cheese is

840
00:47:55,559 --> 00:47:58,239
Speaker 1: so filled with hatred for.

841
00:47:58,199 --> 00:48:00,880
Speaker 2: Biscuit at this point that she is fine with being

842
00:48:00,960 --> 00:48:04,480
Speaker 2: fired if it means that both go down. Balkan is

843
00:48:04,559 --> 00:48:07,599
Speaker 2: dragged to Davy Jones with her. We'll see what happens

844
00:48:07,639 --> 00:48:09,679
Speaker 2: next week. Five Stars Kind Words. Join us to Patreon

845
00:48:09,679 --> 00:48:13,400
Speaker 2: dot com Slash another podcast network for more aps, bmz

846
00:48:13,559 --> 00:48:18,880
Speaker 2: AD free episodes, The Lot, Magic Mind, Go get It,

847
00:48:19,000 --> 00:48:20,719
Speaker 2: Tropical Smoothie, Go get It.

848
00:48:20,800 --> 00:48:22,239
Speaker 1: We love you. We'll see you next week. I'm doing

849
00:48:22,280 --> 00:48:24,039
Speaker 1: saying goodbye, pat Say goodbye later do