WEBVTT

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<v Speaker 1>Before we dive in, here's another show you can enjoy

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<v Speaker 1>in the True Story FM Family of Entertainment podcasts.

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<v Speaker 2>Well, howdy folks. My name is Lester Ryan Clark, and

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<v Speaker 2>I'm Keenandias and we're the hosts of The Exorcist Minute,

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<v Speaker 2>a show where we examine, extrapolate, and excavate the scariest

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<v Speaker 2>movie of all time.

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<v Speaker 3>Each episode covers a single minute of William Friedkin's nineteen

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<v Speaker 3>seventy three horror masterpiece, The Exorcist.

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<v Speaker 2>If you like deep dives, this show is the deepest.

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<v Speaker 3>Did you know the film's iconic theme song, Jubular Bells

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<v Speaker 3>wasn't written specifically for the movie, Or.

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<v Speaker 2>That the nineteen seventy three audience members were throwing up

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<v Speaker 2>and fainting in the theater before they ever got a

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<v Speaker 2>glimpse of the demon.

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<v Speaker 3>What about all the crazy onset mishaps, cast injuries the

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<v Speaker 3>director of firing real guns?

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<v Speaker 2>Ever wonder where weiji boards came from or how they

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<v Speaker 2>got their name. How about some history on the Catholic

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<v Speaker 2>Church or the Roman rite of exorcism, or maybe we

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<v Speaker 2>can tempt you with some juicy demonology. Lourd, did you

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<v Speaker 2>know that Bazuzu had an ex wife. Find the Exorcist

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<v Speaker 2>Minute on iTunes or Spotify or wherever you listen to

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<v Speaker 2>your shows, or at the exorcistminute dot com. Until next time, Folks.

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<v Speaker 3>The power of the Exorcist compels.

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<v Speaker 1>You ever wonder what bridges the gap between your favorite

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<v Speaker 1>film genres, subgenres, and movements. CinemaScope is here to explore

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<v Speaker 1>these connections, taking you on a thrilling odyssey through the

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<v Speaker 1>ever evolving art of cinema. I'm your host, Andy Nelson,

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<v Speaker 1>and in each episode, we embark on a deep dive

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<v Speaker 1>into the forces that sculpt the world of film, from

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<v Speaker 1>the styles you know in love, like Heigst films or

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<v Speaker 1>the French New Wave, to the ones you may not

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<v Speaker 1>be as familiar with, like Turkish Yeshelcham or Brazilian Nordsterns.

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<v Speaker 1>My expert guests and I unravel the complex tapestry of storytelling, style,

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<v Speaker 1>and innovation that defines the world of film. As we

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<v Speaker 1>unpact the myriad catalysts of change that shape these diverse styles.

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<v Speaker 1>Whether you're a student of film, a creative professional, or

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<v Speaker 1>simply a devoted movie enthusiast, CinemaScope is your gateway to

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<v Speaker 1>a richer, more immersive film experience. Don't just watch movies,

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<v Speaker 1>understand them, appreciate them, and revel in their artistry with CinemaScope.

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<v Speaker 4>Subscribe today.

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<v Speaker 5>Hello, and welcome to this episode of Superhero Ethics. Today

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<v Speaker 5>we are talking myself and Riki Hayashi about Terminator to Zero.

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<v Speaker 5>This is an anime that hasn't gotten much fanfare but

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<v Speaker 5>really interesting. It's on Netflix. It is a Japanese made anime,

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<v Speaker 5>but it has a really great uh there's both a

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<v Speaker 5>really great Japanese voice actor cast and a really great

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<v Speaker 5>English speaking voice actor cast for two different voice tracks

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<v Speaker 5>that go with the show, and it really raises some

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<v Speaker 5>very interesting questions about how have our ideas of AI

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<v Speaker 5>changed since the original Terminator movie back in the early eighties,

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<v Speaker 5>how have our ideas of time travel changed? And what

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<v Speaker 5>does this show kind of add to that new discussion.

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<v Speaker 5>So let me start by saying hello to my co

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<v Speaker 5>host Riki Hayashi. And Riki, I just kind of loved

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<v Speaker 5>to hear from you. What kind of word Where did

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<v Speaker 5>you fall in terms of how you felt that the

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<v Speaker 5>Terminator franchise before you started watching this?

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<v Speaker 6>I like the original.

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<v Speaker 7>I guess trilogy, like the third ones not that good,

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<v Speaker 7>but like old Terminator.

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<v Speaker 8>James Cameron Tamerinator movies.

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<v Speaker 7>Yeah, and the stuff that they have done since then,

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<v Speaker 7>what they've had, Genesis, Salvation, Dark Fate. Now this has

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<v Speaker 7>gotten increasingly confusing, for one thing, with the time travel

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<v Speaker 7>and seems to be confused about where where it wants

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<v Speaker 7>to be in terms of nostalgia bait, I.

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<v Speaker 6>Guess I will say the phrase which.

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<v Speaker 7>A lot of franchises have been trying to like figure

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<v Speaker 7>out where to land on this, and Terminator has been

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<v Speaker 7>one of those because you have these aging stars, you know,

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<v Speaker 7>Arnold Schwarzenegger and Linda Hamilton that really don't fit in

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<v Speaker 7>a modern movie anymore, unfortunately, right, right, But but people

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<v Speaker 7>love them. I mean, like Linda Hamilton as Sarah Connor

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<v Speaker 7>in Terminator too specifically on one of my childhood or

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<v Speaker 7>young person crushes for sure, just like I was a

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<v Speaker 7>little too young for Sigourney Weavers Ripley to resonate like

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<v Speaker 7>it was before my time, Like I saw those movies.

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<v Speaker 7>But but like Terminator two came out at just the

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<v Speaker 7>right time. I was like, oh my god, like that's

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<v Speaker 7>that's hot.

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<v Speaker 6>Yeah, like that the tough woman.

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<v Speaker 7>So I have a lot of love for this franchise,

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<v Speaker 7>but I am increasingly confused by what direction they're going.

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<v Speaker 7>I don't even know, like as a franchise, if there

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<v Speaker 7>is a direction, and I think this Terminator zero project

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<v Speaker 7>perfectly exemplifies like what is going on here, Like first off,

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<v Speaker 7>it did not have much fanfare, I think, as you said,

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<v Speaker 7>and then it it doesn't connect to the larger Terminator

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<v Speaker 7>universe other than having robots and Skynet I think, right, like,

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<v Speaker 7>I don't believe John Connor is mentioned in this at all,

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<v Speaker 7>that is correct. Yeah, so it is going in a

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<v Speaker 7>different direction. And like we talk you and I talk

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<v Speaker 7>about you know, Star Wars as a franchise, it is

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<v Speaker 7>very unified.

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<v Speaker 8>Right.

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<v Speaker 6>The timeline at this point under Disney.

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<v Speaker 7>Marvel is the same way Star Trek, I think, is

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<v Speaker 7>a little more convoluted and confused. So and this so

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<v Speaker 7>like Terminator just seems like completely like they're just letting

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<v Speaker 7>anyone who wants to use the name do whatever they want. Maybe,

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<v Speaker 7>so I don't know what's going on.

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<v Speaker 5>Interesting, Okay, Yeah, I have a somewhat different take, and

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<v Speaker 5>I will I'll talk about the Terminator zero show in

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<v Speaker 5>a bit, but let just sticking with the original Terminator stuff.

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<v Speaker 8>I was very much with you.

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<v Speaker 5>I loved the original movie, really enjoyed Terminator two, and

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<v Speaker 5>in both of them, Like, when I think of science

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<v Speaker 5>fiction movies, what I often think of them is that

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<v Speaker 5>part part of what makes them science fiction is that

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<v Speaker 5>they raise interesting questions about either what technology will do.

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<v Speaker 8>To our world or our own world.

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<v Speaker 5>Or interesting things like that the first two Terminator movies.

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<v Speaker 5>And I also think that, like the way we define

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<v Speaker 5>things today is very different than it was back then.

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<v Speaker 5>I think could technically be called sci fi, but to

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<v Speaker 5>me are much more action movies that use a kind

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<v Speaker 5>of sci fi premise to set up the really good action,

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<v Speaker 5>with the first one actually being more of a horror

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<v Speaker 5>movie in some ways and the second one being more of,

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<v Speaker 5>you know, just straight up an action movie, and like

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<v Speaker 5>I love them both. But you know, we're told about

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<v Speaker 5>what happened to a what happened to Skynet, and that

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<v Speaker 5>it becomes self aware and then it attacks, but there's

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<v Speaker 5>very little time given to that discussion. It's just yep,

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<v Speaker 5>this happened, and then obviously we have to fight to

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<v Speaker 5>the death, and same thing in the second movie, although

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<v Speaker 5>there is in the set in the second movie. I

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<v Speaker 5>think there's some interesting questions raised, but they're much more

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<v Speaker 5>about trust and what does it mean to have trust

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<v Speaker 5>in people and to put aside your hates and your fears,

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<v Speaker 5>And a lot of that is through the character of

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<v Speaker 5>Sarah Connor, who, for very honest, obvious reasons, hates the

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<v Speaker 5>and fears a terminator that looks like Arnold Schwarzenegger, and

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<v Speaker 5>for very obvious reasons hates and fears the people who

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<v Speaker 5>are going to create Skynet, and in that movie, like

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<v Speaker 5>she has to kind of both of those are challenged,

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<v Speaker 5>and she comes to a better place than both of those, But.

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<v Speaker 8>The idea of AI equals bad.

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<v Speaker 5>Is never really questioned at all. So I love those

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<v Speaker 5>first two movies. I didn't see the third and fourth

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<v Speaker 5>really for a long time, or the fifth. I started

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<v Speaker 5>watching The Sarah Connor Chronicles when it first came out

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<v Speaker 5>the TV show and that starred Summer Cloud so good

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<v Speaker 5>in Firefly. But this was before it was super easy

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<v Speaker 5>to like watch things on streaming and stuff like that,

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<v Speaker 5>and I think I watched an episode, I missed an

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<v Speaker 5>episode or two because I was busy those nights, and

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<v Speaker 5>then something else happened, and then I just lost track

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<v Speaker 5>of it.

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<v Speaker 7>That was Lena Headley, right, yeah, I think she was

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<v Speaker 7>also in it. Wasn't well, wasn't she Sarah Connor? I?

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<v Speaker 5>Oh god, Oh yeah, Lena Headley who goes on to

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<v Speaker 5>be Sercey and Game of Thrones. I never made that connection,

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<v Speaker 5>but I think you're right.

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<v Speaker 7>Just looking up the cast real quick, because I I

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<v Speaker 7>had forgotten that that existed. Yeah, I think Lena Heady

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<v Speaker 7>no as Sarah Connor.

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<v Speaker 8>Okay, yeah, I think that's a different actress.

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<v Speaker 7>But no, like she's she's very famous. I wish Okay,

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<v Speaker 7>I'm saying, like Lena Hetty, there's no l Okay, I've

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<v Speaker 7>said Headley.

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<v Speaker 8>Is that the same person who goes on to play

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<v Speaker 8>Circe and Game of Thrones? Or is it someone else?

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<v Speaker 7>I'm looking I've never seen Game of Thrones. Yeah, Game

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<v Speaker 7>of Thrones is listed.

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<v Speaker 8>Okay, cool? Cool, Yes, I just had her name wrong.

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<v Speaker 8>That's awesome.

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<v Speaker 5>Yeah, And so I hadn't really thought about it much

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<v Speaker 5>until we actually did an episode a number of years ago,

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<v Speaker 5>I think early on in the history of this podcast.

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<v Speaker 5>Becky Allen, who's been a frequent guest, and we talked

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<v Speaker 5>actually about Terminator. The Terminator movies and the way women

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<v Speaker 5>are portrayed. And it was a really great conversation, but

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<v Speaker 5>I still hadn't really challenged any of my major ideas.

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<v Speaker 5>Mostly we talked about there is about the roll of

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<v Speaker 5>fate and the role of like this whole idea that

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<v Speaker 5>like the the one great man of history idea that

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<v Speaker 5>like without John Connor, no other person would ever rise up,

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<v Speaker 5>and and you know how that's an interesting idea but

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<v Speaker 5>also really problematic and stuff like that. I started talking

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<v Speaker 5>seriously with Dan McCreery, who is the who is the

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<v Speaker 5>father of my wife, and is himself an AI designer.

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<v Speaker 5>He works from he he's retired now, but he worked,

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<v Speaker 5>you know, designing the what we call AIS not you know,

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<v Speaker 5>the AI of a sky Neet in major industry and

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<v Speaker 5>stuff like that. And I got into this great conversation

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<v Speaker 5>with him where he was like, yeah, I always thought

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<v Speaker 5>the Terminator movies were wrong, because why do you assume

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<v Speaker 5>Skynet would want to kill everybody? And that kind of

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<v Speaker 5>blew my mind and it led me to go back

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<v Speaker 5>and watch some of the other movies and give it

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<v Speaker 5>some thought and to be a little bit frustrated. I

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<v Speaker 5>realized with the fact that there was always this assumption

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<v Speaker 5>of Skynet will become self aware. In later movies, it

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<v Speaker 5>even becomes it will be a different AI. In Dark

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<v Speaker 5>Fate it's called Legion, and but that AI will always

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<v Speaker 5>become self aware. Humanity would always want to kill a

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<v Speaker 5>self aware AI, and so the AI will always strike

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<v Speaker 5>first and basically decimate humanity for the idea of its

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<v Speaker 5>own survival. And so I was bringing all those questions

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<v Speaker 5>into Terminator zero, and I think.

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<v Speaker 8>I liked it a lot more than you did.

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<v Speaker 5>Well, I think there are definitely some flaws in the

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<v Speaker 5>execution that we'll talk about, but I did really like that.

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<v Speaker 5>I feel like the show raised some of those questions,

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<v Speaker 5>But I did really like that it raised these questions.

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<v Speaker 7>Yeah, I mean, Killer AI what was probably mostly a

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<v Speaker 7>product in the seventies and eighties, because you have how

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<v Speaker 7>nine thousand in two thousand and one Space Odyssey, you

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<v Speaker 7>have the computer in war Games, so that's kind of

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<v Speaker 7>like when and Terminator itself was like eighty two or

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<v Speaker 7>something like that, right, and so like that was definitely

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<v Speaker 7>how we perceived computers and what the future of computer

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<v Speaker 7>computing might look like in the seventies and eighties. That itself,

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<v Speaker 7>Like our perception has evolved. The technology has also evolved

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<v Speaker 7>to the point where where like when we talk about

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<v Speaker 7>AI today, you know like something like chat gpt is

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<v Speaker 7>is a predictive software, right, it on its own has

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<v Speaker 7>no awareness, like no, no sensions, right, whereas the sky

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<v Speaker 7>nets and the how are literally like computer people is

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<v Speaker 7>like how I would put it?

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<v Speaker 8>Yeah, no, yeah, I think it's right.

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<v Speaker 7>Right.

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<v Speaker 5>It's the idea of sentience and of self awareness and

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<v Speaker 5>of even beyond that, just the idea of independent thought.

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<v Speaker 5>That that is not something that our computer systems have

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<v Speaker 5>come up with in any way, and that likely will

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<v Speaker 5>not at any time.

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<v Speaker 7>And the fit so like the fear from a human perspective,

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<v Speaker 7>The fear was because the technology was reaching a point

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<v Speaker 7>where computers were smarter, faster, right, like as doing calculations right,

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<v Speaker 7>and you had technology was like deep deep Blue was

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<v Speaker 7>the one that beat the chess grand Master.

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<v Speaker 8>Yep.

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<v Speaker 3>You had.

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<v Speaker 6>The computer that won Jeopardy YEP.

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<v Speaker 7>I can't remember the name off the top of my head.

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<v Speaker 7>So like that was the evolution of computing. And what

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<v Speaker 7>we're afraid of is that we were going to become obsolete.

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<v Speaker 5>Right, And this was also I think very important to

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<v Speaker 5>the conversation is this is the time of the real

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<v Speaker 5>forming of the rust belt, when not only were people

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<v Speaker 5>afraid of that in kind of theoretical ways, but a

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<v Speaker 5>lot of jobs were being lost because of masteries. You know,

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<v Speaker 5>robots were starting to show up in factories or at

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<v Speaker 5>least mechanization that you know, a lot of the kind

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<v Speaker 5>of like manufacturing base that used to be such a

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<v Speaker 5>big part of this country in the seventies and eighties,

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<v Speaker 5>A lot of those places started to close or started

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<v Speaker 5>to really lose jobs because now most of the kind

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<v Speaker 5>of like assembly line work was being done by machines

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<v Speaker 5>instead of by people, which in many ways I think

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<v Speaker 5>is a positive step because it's a lot more at

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<v Speaker 5>super dangerous in a lot of ways. But the fact

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<v Speaker 5>that there was no way, no thought given to how

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<v Speaker 5>to find new employment and support for those workers, I

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<v Speaker 5>think we're helped us to lead to a lot of

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<v Speaker 5>the fears of machines and stuff like that. Let me

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<v Speaker 5>say two quick things, just kind of setting up where

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<v Speaker 5>we're going with this, and then let's jump into terminator

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<v Speaker 5>zero itself first, because there's been a little fanfair. I

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<v Speaker 5>imagine that for a lot of people this is the

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<v Speaker 5>first time you're hearing about the existence of Terminator zero.

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<v Speaker 5>And for others you maybe know it exists that haven't

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<v Speaker 5>really checked it out yet. It's eight episodes that are

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<v Speaker 5>about thirty to forty minutes. I think the whole thing

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<v Speaker 5>is maybe like three and a half hours. So I

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<v Speaker 5>think if you want to just pause this and watch

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<v Speaker 5>it on Netflix, I do think it's very a very

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<v Speaker 5>good watch. Although we'll talk about some of the consistency

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<v Speaker 5>and stuff like that, but otherwise we probably are going

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<v Speaker 5>to spoil some parts of it. We're not going to

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<v Speaker 5>spoil the ending, but we're going to spoil kind of

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<v Speaker 5>like the things that happen that raise the big questions

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<v Speaker 5>we're talking about, and so just be.

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<v Speaker 8>Aware of that.

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<v Speaker 5>And if you don't want to go in with no

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<v Speaker 5>spoilers whatsoever, please you know, like I said, hit pause,

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<v Speaker 5>go watch the show, and then you know, I definitely

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<v Speaker 5>send us feedback.

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<v Speaker 8>Let's know what you think.

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<v Speaker 5>All the ways to give us feedback in the show

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<v Speaker 5>notes and are on our website, Theethicalplan dot com. But

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<v Speaker 5>maybe give you a listen after you watched it. The

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<v Speaker 5>other thing I wanted to say is that, of course,

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<v Speaker 5>please keep in mind that if you like this podcast,

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<v Speaker 5>if you like the kind of conversations we're having, please

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<v Speaker 5>think about becoming a member. For only five dollars a

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<v Speaker 5>month fifty five dollars a year, you get access to

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<v Speaker 5>bonus content breaking and out. We are going to talk about

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<v Speaker 5>some other portrayals of AI after this main episode. In

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<v Speaker 5>our bonus content, you get free bonus episodes. We're gonna

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<v Speaker 5>start doing those for starting at the end of October,

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<v Speaker 5>we're gonna start having our first member only episodes for

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<v Speaker 5>Superhero Ethics. We've already been doing those for Star Wars

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<v Speaker 5>generations for.

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<v Speaker 8>A long time.

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<v Speaker 5>And most importantly, you get ad free access and especially

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<v Speaker 5>you get to help support this podcast. We love what

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<v Speaker 5>we're doing, but you know, cost some money to keep

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<v Speaker 5>the lights on, to make sure we have good audio

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<v Speaker 5>equipment and we're able to give you good quality recordings

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<v Speaker 5>and get the word out about what we're doing and

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<v Speaker 5>all that. So if you have the chance, it's only

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<v Speaker 5>five dollars a month, fifty five dollars a year, please

307
00:15:57.240 --> 00:15:59.639
<v Speaker 5>think about becoming a member. You can do all that

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00:15:59.679 --> 00:16:04.679
<v Speaker 5>on that webpage, the Ethical Panda dot com. So with

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<v Speaker 5>all that, let me try and give a brief summary

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<v Speaker 5>of what I think of kind of the overall idea

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<v Speaker 5>of Terminator zero, and Ricky please jump in if I

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00:16:14.240 --> 00:16:16.200
<v Speaker 5>miss anything or something like that, and then we can

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<v Speaker 5>start discussing it. So, first of all, part of why

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<v Speaker 5>we don't hear about John Connor or anything like that

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<v Speaker 5>is this is set in Japan. It's not taking place

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<v Speaker 5>in the United States, which I think in and of

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<v Speaker 5>itself is kind of a nice idea because Skynett is

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<v Speaker 5>set in the United States and John Connor is born

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<v Speaker 5>in the United States. But of course the war against

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<v Speaker 5>Skynett is a global war, and so it's kind of

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<v Speaker 5>nice to see some discussion of actually what was happening

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<v Speaker 5>in other places, and what's happening in Japan is that

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<v Speaker 5>another person is building an AI at the same time

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<v Speaker 5>that Cyberdine and all of them are building Skynet. Now,

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<v Speaker 5>one thing that's worth mentioning is that some of those

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<v Speaker 5>earlier movies that we discussed, the later movies in the series,

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<v Speaker 5>but before this, had set.

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<v Speaker 8>Up the idea.

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<v Speaker 5>That the events of the earlier movies were creating their

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<v Speaker 5>own timelines, but that even in those timelines, Skynett was

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<v Speaker 5>still being created, or in one case, a different AI

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00:17:20.440 --> 00:17:22.519
<v Speaker 5>was being created, and so part of the idea of

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<v Speaker 5>this one is that the original day of Judgment Day

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<v Speaker 5>in the early in the late nineties think and nineteen

335
00:17:29.839 --> 00:17:33.240
<v Speaker 5>ninety seven was skipped because of the actions of Sarah

336
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<v Speaker 5>Connor and the original Terminator and all those but that

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00:17:35.720 --> 00:17:38.079
<v Speaker 5>there's still a Judgment Day coming just now set in

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<v Speaker 5>twenty twenty four, which, of course, and that was I

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00:17:42.279 --> 00:17:44.680
<v Speaker 5>think established in an earlier movie. And that's of course

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<v Speaker 5>why a couple of weeks ago for those of you remember,

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<v Speaker 5>a lot of people were like, oh well, this was

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<v Speaker 5>supposed to.

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<v Speaker 8>Be Judgment Day.

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<v Speaker 5>So anyway, in this version of it, there's this man

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<v Speaker 5>named Malcolm Lee, and he's working to create an AI,

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<v Speaker 5>and in many ways he has already created the AI.

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<v Speaker 5>He's just trying to get the AI ready to launch it.

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<v Speaker 5>And what we find out is that the AI is

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<v Speaker 5>basically fully ready to go, but that he designed it

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<v Speaker 5>in large part because he knows that Skynett is coming

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<v Speaker 5>and he knows that it's probably going to be a

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<v Speaker 5>danger and he wants this other AI to combat.

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<v Speaker 8>It to save humanity.

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<v Speaker 5>And fairly early on he kind of starts a conversation

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<v Speaker 5>with the AI, which Rynie. What was the AI's name.

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<v Speaker 5>It's Coke Komoko, Cocoro. Yes, right, Cocro, thank you, And

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<v Speaker 5>Cokero starts this very interesting intellectual discussion with him where

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<v Speaker 5>she says, you assume that I'm going to save humanity,

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<v Speaker 5>Please tell me why I.

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<v Speaker 8>Should do that.

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<v Speaker 5>And so there's one part of the story that's his

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<v Speaker 5>ongoing attempt to convince Cocorro to save humanity, and she

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<v Speaker 5>raises some really interesting points that we'll discuss. At the

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<v Speaker 5>same time, another terminator has been sent back in time

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<v Speaker 5>because I guess there is a version of the future

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<v Speaker 5>where Cocoro does stop Skynett. And so yet another version

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<v Speaker 5>of a terminator has been sent back in time to

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<v Speaker 5>try and kill Malcolm, and when it can't get directly

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<v Speaker 5>to Malcolm, to try to kill Malcolm's kids, or at

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<v Speaker 5>least use Malcolm's kids to get to Malcolm and get

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<v Speaker 5>Malcolm to shut the whole thing off, to not have

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<v Speaker 5>it go online, or to turn it off once it

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<v Speaker 5>has gone online. And then of course the Resistance sends

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<v Speaker 5>back their own version of a person to try and

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<v Speaker 5>fight this terminator. So we get a lot of the

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<v Speaker 5>classic pieces of a terminator story. But with this very

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<v Speaker 5>different spin of a completely different AI, and now we're

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<v Speaker 5>actually really gonna question this idea of should we always

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<v Speaker 5>think of Skynett as the enemy?

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<v Speaker 8>And or specifically asks that it specifically.

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<v Speaker 5>Says, why is it that you immediately leap to the

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<v Speaker 5>assumption that if Skynett becomes self aware it will be

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<v Speaker 5>a threat And is Skynet actually right to think of

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<v Speaker 5>you as a threat and all that? So I think

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<v Speaker 5>that kind of sets up the main conversations. We'll go

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<v Speaker 5>into some more specifics a little later. We'll kind of,

387
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<v Speaker 5>you know, do more and more spoilers as we go,

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<v Speaker 5>but Riki to start with, did I miss anything big?

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<v Speaker 5>Is that kind to give a good idea of what

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<v Speaker 5>we're talking about.

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<v Speaker 7>I think that's the thing going on here that I

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<v Speaker 7>want to kind.

393
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<v Speaker 6>Of put on the table is.

394
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<v Speaker 7>That the time in this one is different from what

395
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<v Speaker 7>I've experienced in all the other Terminators m H. And

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<v Speaker 7>I like time travel a lot, but I always say, like,

397
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<v Speaker 7>don't try to explain the time travel right your product,

398
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<v Speaker 7>because it's just not going to work. And this Terminator

399
00:21:01.880 --> 00:21:05.599
<v Speaker 7>zero is increasingly reaching the point where like someone needs

400
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<v Speaker 7>to explain something to me because the original kind of

401
00:21:11.119 --> 00:21:16.559
<v Speaker 7>premise of Terminator was like a closed loop, which in itself,

402
00:21:16.799 --> 00:21:18.400
<v Speaker 7>you know, if you think too much about it, doesn't

403
00:21:18.400 --> 00:21:23.799
<v Speaker 7>make sense, right, But it was also a loop that

404
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<v Speaker 7>could be changed and edited. And at no point did

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<v Speaker 7>they present us with the model of like alternate timelines.

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<v Speaker 6>It was all just like one timeline.

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<v Speaker 7>But if you time travel back and change something, it

408
00:21:38.680 --> 00:21:42.759
<v Speaker 7>will change going forward. And there's no like other other

409
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<v Speaker 7>timeline where things were the way they originally were.

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<v Speaker 5>Well, and that's why I kind of describe them as

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<v Speaker 5>more action movies, because I think very intentionally, it tells

412
00:21:51.319 --> 00:21:54.319
<v Speaker 5>you this and then it shows you amazing action scene

413
00:21:54.359 --> 00:21:57.920
<v Speaker 5>after chase, scene after love scene. At like, the movie

414
00:21:57.960 --> 00:21:59.960
<v Speaker 5>is just such a frenetic pace. You never really have

415
00:22:00.039 --> 00:22:01.640
<v Speaker 5>time to stop and think about it because you're not

416
00:22:01.640 --> 00:22:04.319
<v Speaker 5>supposed to. You're supposed to think, Okay, that's the setup

417
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<v Speaker 5>for a great story.

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<v Speaker 7>Yeah, Whereas Terminator zero I believe has like three at

419
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<v Speaker 7>least different timelines, like the people that come back to

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<v Speaker 7>nineteen ninety seven, that the present of the show seem

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<v Speaker 7>to come back from different timelines that they have experienced differently, right,

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<v Speaker 7>And that in itself, like again, is like very confusing

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<v Speaker 7>because in theory like if someone comes back and changes it,

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<v Speaker 7>you know.

425
00:22:34.200 --> 00:22:35.000
<v Speaker 6>Etcetera, etcetera.

426
00:22:35.559 --> 00:22:37.920
<v Speaker 7>So you have to throw all that out and just

427
00:22:38.319 --> 00:22:41.720
<v Speaker 7>accept that somehow they've come from three, three or multiple

428
00:22:41.759 --> 00:22:46.119
<v Speaker 7>different timelines. But it is still like on its own,

429
00:22:46.240 --> 00:22:48.799
<v Speaker 7>like once they start to explain where they came from,

430
00:22:49.640 --> 00:22:53.920
<v Speaker 7>it is it is confusing because some of them no

431
00:22:55.559 --> 00:23:00.240
<v Speaker 7>other know the characters they are interacting with currently, they

432
00:23:00.279 --> 00:23:03.440
<v Speaker 7>know of them in the future, but they're different versions.

433
00:23:04.279 --> 00:23:06.680
<v Speaker 5>So let me say two things on this. One is

434
00:23:06.720 --> 00:23:11.359
<v Speaker 5>that I think I think, as we kind of mentioned before,

435
00:23:11.640 --> 00:23:14.920
<v Speaker 5>the Terminator movies have always had these two very interesting

436
00:23:15.000 --> 00:23:19.119
<v Speaker 5>scientific questions sci fi ask questions, one of which is

437
00:23:20.000 --> 00:23:22.480
<v Speaker 5>about AI and is AI a threat or we a

438
00:23:22.480 --> 00:23:24.480
<v Speaker 5>threat to AI? And how does that all play out?

439
00:23:24.720 --> 00:23:28.839
<v Speaker 5>And the others about time travel. And I liked a

440
00:23:28.880 --> 00:23:31.440
<v Speaker 5>lot about this show, especially in how it focused on AI.

441
00:23:32.799 --> 00:23:35.079
<v Speaker 5>I think the biggest flaw of this show is that

442
00:23:35.160 --> 00:23:38.079
<v Speaker 5>it tried to do both of those stories and as

443
00:23:38.079 --> 00:23:40.880
<v Speaker 5>a result, did not give enough time to either, but

444
00:23:41.039 --> 00:23:43.880
<v Speaker 5>especially that the time travel part felt much more like

445
00:23:43.920 --> 00:23:45.839
<v Speaker 5>a shoe in thing, because I think you're right, it

446
00:23:45.839 --> 00:23:49.720
<v Speaker 5>winds up getting confusing. That being said, we've said that

447
00:23:49.720 --> 00:23:51.279
<v Speaker 5>we want to do a lot more research on this show.

448
00:23:51.359 --> 00:23:54.119
<v Speaker 5>I did a deep dive, spent a lot of time

449
00:23:54.160 --> 00:23:57.400
<v Speaker 5>on Terminator Wiki and as well as watching a lot

450
00:23:57.400 --> 00:24:00.960
<v Speaker 5>of those older, those earlier movies. And here's my best

451
00:24:01.039 --> 00:24:04.920
<v Speaker 5>understanding of how to understand what is happening with time travel.

452
00:24:06.000 --> 00:24:07.680
<v Speaker 8>Okay, in some of the.

453
00:24:07.680 --> 00:24:10.240
<v Speaker 5>Later movies Dark Fate and stuff like that, they start

454
00:24:10.240 --> 00:24:15.319
<v Speaker 5>to introduce this idea of multiple timelines. Okay, it's it's

455
00:24:15.359 --> 00:24:18.400
<v Speaker 5>played with, and it's again it's not really discussed as much,

456
00:24:18.440 --> 00:24:22.839
<v Speaker 5>but it is somewhat introduced. But it's funny because one

457
00:24:22.839 --> 00:24:25.359
<v Speaker 5>of the points of the whole show, of the the

458
00:24:25.400 --> 00:24:27.599
<v Speaker 5>movies from the beginning has always been you can change

459
00:24:27.599 --> 00:24:30.200
<v Speaker 5>the future, that your fate isn't decided for you.

460
00:24:31.480 --> 00:24:34.079
<v Speaker 8>But yet the whole story actually.

461
00:24:33.880 --> 00:24:37.759
<v Speaker 5>Does kind of the opposite, because you know, it's sort

462
00:24:37.759 --> 00:24:41.559
<v Speaker 5>of has this idea of there will always be an

463
00:24:41.599 --> 00:24:44.440
<v Speaker 5>AI that will launch a destructive war against mankind, and

464
00:24:44.480 --> 00:24:47.200
<v Speaker 5>if you stop Skyne at this time, then sky It

465
00:24:47.240 --> 00:24:49.200
<v Speaker 5>will instead be created at this other time.

466
00:24:49.720 --> 00:24:50.640
<v Speaker 8>And if you.

467
00:24:52.799 --> 00:24:55.240
<v Speaker 5>Kill you know, do kill this person, then something else

468
00:24:55.279 --> 00:24:58.279
<v Speaker 5>will happen, and and and all this kind of things.

469
00:25:00.119 --> 00:25:02.920
<v Speaker 5>Plus there's the fact that you know, we still don't

470
00:25:03.000 --> 00:25:06.279
<v Speaker 5>quite understand, like you said, the closed loop of it

471
00:25:06.400 --> 00:25:11.160
<v Speaker 5>that John Connor sends his friend Reese back in time

472
00:25:11.680 --> 00:25:15.599
<v Speaker 5>to make sure that John Connor's mother isn't killed, but

473
00:25:15.640 --> 00:25:19.039
<v Speaker 5>then his mother winds up making love to Reese, and

474
00:25:19.119 --> 00:25:23.920
<v Speaker 5>that his mother winds up making love to Reese. That's

475
00:25:23.920 --> 00:25:27.880
<v Speaker 5>how John Connor is conceived. So you know, where did

476
00:25:27.880 --> 00:25:29.599
<v Speaker 5>the loop start? Like you said, it's a closed loop,

477
00:25:30.039 --> 00:25:32.480
<v Speaker 5>and it's not clear how the whole thing got started.

478
00:25:33.359 --> 00:25:37.559
<v Speaker 5>They then later added to that by saying that it

479
00:25:37.640 --> 00:25:42.119
<v Speaker 5>is only because of pieces of the Terminators going back

480
00:25:42.160 --> 00:25:47.279
<v Speaker 5>in time and being discovered by human scientists that they

481
00:25:47.279 --> 00:25:50.559
<v Speaker 5>ever create Skynett. So again it's say Skynett is only

482
00:25:50.599 --> 00:25:53.720
<v Speaker 5>created based on technology that Skynette will create later.

483
00:25:54.200 --> 00:25:56.000
<v Speaker 8>So how has this loop started in the first place.

484
00:25:57.759 --> 00:26:00.599
<v Speaker 5>There is a set of theories that have been created

485
00:26:00.640 --> 00:26:02.480
<v Speaker 5>about all of this, and I promise we're gonna get

486
00:26:02.480 --> 00:26:03.960
<v Speaker 5>to more of the AI stuff in a little bit,

487
00:26:04.000 --> 00:26:08.480
<v Speaker 5>but I just want to kind of uh fan theories

488
00:26:08.519 --> 00:26:10.119
<v Speaker 5>that I think there's a little bit of support of

489
00:26:10.279 --> 00:26:13.599
<v Speaker 5>in some of the movies for the idea that and

490
00:26:13.599 --> 00:26:15.880
<v Speaker 5>again but again this is really on the fate idea

491
00:26:16.880 --> 00:26:22.119
<v Speaker 5>that these are not closed loops, They're open loops. But

492
00:26:22.200 --> 00:26:26.559
<v Speaker 5>that fate keeps reasserting itself so that in the original timeline,

493
00:26:27.680 --> 00:26:33.079
<v Speaker 5>Reese is not John Connor's father. Sarah Connor winds up

494
00:26:33.079 --> 00:26:35.200
<v Speaker 5>sleeping with someone else, we don't know who they are,

495
00:26:35.759 --> 00:26:39.319
<v Speaker 5>and John Connor is still born and raised, and he

496
00:26:39.400 --> 00:26:42.160
<v Speaker 5>still becomes the leader of the resistance. But now in

497
00:26:42.200 --> 00:26:46.200
<v Speaker 5>this new version, it's now recently becomes his father, and

498
00:26:46.240 --> 00:26:48.680
<v Speaker 5>in the same way that humans did come up with

499
00:26:49.079 --> 00:26:51.440
<v Speaker 5>Skynett to begin with, but then now a later version

500
00:26:51.480 --> 00:26:55.759
<v Speaker 5>of Skynett is I hate all of this because again

501
00:26:55.799 --> 00:26:57.680
<v Speaker 5>it goes back to that great Man of History kind

502
00:26:57.680 --> 00:26:59.759
<v Speaker 5>of idea, and the idea that fate is kind of

503
00:26:59.759 --> 00:27:02.960
<v Speaker 5>thick of you know, no matter who the father is,

504
00:27:03.400 --> 00:27:05.880
<v Speaker 5>Sarah Connor will always give birth to the person who

505
00:27:05.960 --> 00:27:10.079
<v Speaker 5>leads the resistance, and humanity will always create this aim.

506
00:27:14.079 --> 00:27:16.559
<v Speaker 5>There's one movie that I do quite I actually kind

507
00:27:16.559 --> 00:27:18.000
<v Speaker 5>of I've grown to kind of like some of the

508
00:27:18.400 --> 00:27:21.759
<v Speaker 5>newer movies, A particular Genesis, which I think goes in

509
00:27:21.839 --> 00:27:23.720
<v Speaker 5>a very different direction and comes up with some different

510
00:27:23.759 --> 00:27:26.119
<v Speaker 5>ideas of AI that I'll talk about later. But then

511
00:27:26.160 --> 00:27:29.319
<v Speaker 5>also Dark Fate, because Dark Fate and forgive me, this

512
00:27:29.400 --> 00:27:31.000
<v Speaker 5>is gonna be a big spoiler for that movie that's

513
00:27:31.000 --> 00:27:32.119
<v Speaker 5>about five years old.

514
00:27:32.119 --> 00:27:32.559
<v Speaker 8>I think.

515
00:27:35.200 --> 00:27:38.079
<v Speaker 5>Dark Fate comes up with a very different idea because

516
00:27:38.160 --> 00:27:41.519
<v Speaker 5>in Dark Fate, the idea of it is that it

517
00:27:41.599 --> 00:27:43.720
<v Speaker 5>basically starts right after Terminator two, or a couple of

518
00:27:43.759 --> 00:27:47.799
<v Speaker 5>years after Terminator two. Sarah Connor and John Connor have

519
00:27:48.000 --> 00:27:54.720
<v Speaker 5>destroyed the have destroyed sky Net. But that apparently at

520
00:27:54.759 --> 00:27:59.200
<v Speaker 5>that moment from the you know, beginning of the first

521
00:27:59.200 --> 00:28:03.920
<v Speaker 5>Team Terminat movie, when Skynette sends Arnold Schwarzenegger back in time.

522
00:28:05.400 --> 00:28:08.160
<v Speaker 8>In this movie, again, I'm sorry, so confused. Thing as

523
00:28:08.160 --> 00:28:09.519
<v Speaker 8>we were trying to partial out.

524
00:28:09.799 --> 00:28:14.839
<v Speaker 5>In this movie, Skynett sends multiple Arnold Schwarzenegger Terminators back

525
00:28:14.839 --> 00:28:17.880
<v Speaker 5>in time at the same time, to multiple points on

526
00:28:17.920 --> 00:28:20.559
<v Speaker 5>the timeline, all with the mission of killing John Connor.

527
00:28:21.640 --> 00:28:25.119
<v Speaker 5>So early in the movie Dark Fate, Sarah and John

528
00:28:25.160 --> 00:28:27.880
<v Speaker 5>are relaxing. They're in Guatemala. They've done what they needed

529
00:28:27.880 --> 00:28:31.440
<v Speaker 5>to do, and while their guard is down because of it,

530
00:28:31.960 --> 00:28:36.079
<v Speaker 5>another Arnold Schwarzenegger version of Terminator shows up and kills

531
00:28:36.519 --> 00:28:40.559
<v Speaker 5>thirteen year old John Connor. And then in the course

532
00:28:40.599 --> 00:28:45.079
<v Speaker 5>of the movie, we meet a Mexican girl named Danny,

533
00:28:46.279 --> 00:28:51.519
<v Speaker 5>who herself we find out, will later go become the

534
00:28:51.599 --> 00:28:54.240
<v Speaker 5>leader of the resistance in this new version of a timeline.

535
00:28:55.319 --> 00:28:57.039
<v Speaker 5>So the idea being that we're moving away from the

536
00:28:57.039 --> 00:28:59.279
<v Speaker 5>idea of it has to be John Connor, but that

537
00:28:59.319 --> 00:29:01.400
<v Speaker 5>there will be some other person who will rise out.

538
00:29:01.720 --> 00:29:08.640
<v Speaker 7>So dark Fate supposes that even if you stop in

539
00:29:08.720 --> 00:29:13.319
<v Speaker 7>whatever the present is in the movies present, if you

540
00:29:13.480 --> 00:29:17.279
<v Speaker 7>stop Skynet from being built, the fact that a Skynet

541
00:29:17.599 --> 00:29:21.680
<v Speaker 7>was built at some point and sends back Terminator does

542
00:29:21.720 --> 00:29:25.559
<v Speaker 7>not retroactively stop those terminators from going back.

543
00:29:26.640 --> 00:29:27.000
<v Speaker 6>They don't.

544
00:29:27.039 --> 00:29:30.119
<v Speaker 7>They don't like disappear alla back to the future style

545
00:29:31.000 --> 00:29:34.839
<v Speaker 7>from history. I mean yeah again, like if you think

546
00:29:34.839 --> 00:29:37.920
<v Speaker 7>about time travel, it doesn't work. So yeah, it's fine,

547
00:29:37.960 --> 00:29:42.759
<v Speaker 7>Like I I am okay with like time travel not

548
00:29:42.920 --> 00:29:44.440
<v Speaker 7>working properly.

549
00:29:45.319 --> 00:29:45.799
<v Speaker 8>Yeah.

550
00:29:45.839 --> 00:29:50.200
<v Speaker 7>My thing with Terminator zero is in the run time

551
00:29:50.359 --> 00:29:55.200
<v Speaker 7>of this show, they introduce something that they they have

552
00:29:55.279 --> 00:29:56.799
<v Speaker 7>not yet explained.

553
00:29:56.359 --> 00:30:00.880
<v Speaker 8>To us, right, they introduced the idea that that I'm sorry,

554
00:30:00.880 --> 00:30:02.359
<v Speaker 8>go ahead.

555
00:30:01.880 --> 00:30:04.200
<v Speaker 7>Well, I'm just saying like they're they're setting up, they're

556
00:30:04.240 --> 00:30:07.839
<v Speaker 7>setting up for a second season and or more and

557
00:30:08.440 --> 00:30:11.119
<v Speaker 7>so like there are intriguing things I would like to

558
00:30:11.160 --> 00:30:15.519
<v Speaker 7>see explained. But I'm also I at this point, I

559
00:30:15.519 --> 00:30:18.839
<v Speaker 7>guess I'll say I lack patience in some of these

560
00:30:18.839 --> 00:30:22.359
<v Speaker 7>things when they get when they get set up, it's like, oh,

561
00:30:22.559 --> 00:30:25.160
<v Speaker 7>like get better tune in for season two, And I'm like, no,

562
00:30:25.920 --> 00:30:29.119
<v Speaker 7>if you like explain some of this right now, yeah,

563
00:30:29.359 --> 00:30:32.519
<v Speaker 7>like that's like this is your other show. But like

564
00:30:32.599 --> 00:30:36.599
<v Speaker 7>the Accolte, I was like, you can't like leave this

565
00:30:36.599 --> 00:30:39.400
<v Speaker 7>this much on the on the on the table, yeah,

566
00:30:39.400 --> 00:30:41.400
<v Speaker 7>and be like, well, like hope we get a season two.

567
00:30:41.440 --> 00:30:44.519
<v Speaker 7>Like you have to explain enough and then you can

568
00:30:44.559 --> 00:30:48.200
<v Speaker 7>have like a mystery like a setup for season two,

569
00:30:48.759 --> 00:30:51.880
<v Speaker 7>but you have to like explain enough of season one

570
00:30:51.920 --> 00:30:53.880
<v Speaker 7>to me that I'm like, oh, yeah, that was a

571
00:30:53.920 --> 00:30:54.440
<v Speaker 7>good season.

572
00:30:54.559 --> 00:30:55.160
<v Speaker 6>I enjoyed that.

573
00:30:56.359 --> 00:30:56.559
<v Speaker 8>Yeah.

574
00:30:56.799 --> 00:30:59.359
<v Speaker 5>I guess it probably helps here that you love time travel,

575
00:30:59.440 --> 00:31:01.559
<v Speaker 5>I hate spies it so I was okay, just kind

576
00:31:01.559 --> 00:31:04.480
<v Speaker 5>of ignoring all of that and focusing on Vai.

577
00:31:04.160 --> 00:31:05.359
<v Speaker 8>Stuff that I really loved.

578
00:31:05.680 --> 00:31:07.279
<v Speaker 5>And I'll just say, just to give a little more

579
00:31:07.680 --> 00:31:10.039
<v Speaker 5>explanation of where we're coming from here or what he's

580
00:31:10.039 --> 00:31:13.960
<v Speaker 5>talking about, what Terminator zero does, which is kind of

581
00:31:14.039 --> 00:31:18.799
<v Speaker 5>new for the Terminator franchise, but is I think kind

582
00:31:18.839 --> 00:31:20.799
<v Speaker 5>of similar to what the MCU tried to set up

583
00:31:20.839 --> 00:31:29.680
<v Speaker 5>with Time Traveler, with time travel in not in endgame,

584
00:31:30.480 --> 00:31:32.680
<v Speaker 5>which is kind of similar to what the MCU try

585
00:31:32.720 --> 00:31:35.359
<v Speaker 5>to set up an endgame. Is this idea that every

586
00:31:35.359 --> 00:31:38.240
<v Speaker 5>time you go back in time, you can't change the

587
00:31:38.279 --> 00:31:41.319
<v Speaker 5>future of the original timeline. All you do is create

588
00:31:41.400 --> 00:31:43.960
<v Speaker 5>a new timeline, and so that all of these things

589
00:31:43.960 --> 00:31:50.400
<v Speaker 5>are happening in just new you know, new directions and

590
00:31:50.400 --> 00:31:53.599
<v Speaker 5>stuff like that. But putting all that aside, let's go

591
00:31:53.720 --> 00:31:55.720
<v Speaker 5>back to some of the other questions that raises, and

592
00:31:55.759 --> 00:31:58.799
<v Speaker 5>let me first just say start by asking for you,

593
00:31:59.480 --> 00:32:01.880
<v Speaker 5>how'd you feel about taking the Terminator story and putting

594
00:32:01.920 --> 00:32:03.640
<v Speaker 5>it into the anime format?

595
00:32:06.359 --> 00:32:06.519
<v Speaker 8>Well?

596
00:32:06.599 --> 00:32:07.160
<v Speaker 6>I like it.

597
00:32:08.279 --> 00:32:13.960
<v Speaker 7>I think part of the problem with Terminator is that

598
00:32:14.039 --> 00:32:22.119
<v Speaker 7>it's very violent, like as a franchise, and increasingly probably expensive,

599
00:32:22.880 --> 00:32:26.480
<v Speaker 7>like with the special effects of these machines and the

600
00:32:26.519 --> 00:32:30.319
<v Speaker 7>fighting and all that. So as with other like science

601
00:32:30.319 --> 00:32:34.519
<v Speaker 7>fiction franchises, I honestly do think that a lot of

602
00:32:34.559 --> 00:32:39.720
<v Speaker 7>the future of these television shows or movies should be

603
00:32:39.799 --> 00:32:45.119
<v Speaker 7>told in animated form, just from a cost perspective, like

604
00:32:45.200 --> 00:32:47.880
<v Speaker 7>when you look at these newer TV shows that costs

605
00:32:47.960 --> 00:32:53.119
<v Speaker 7>like ten to twenty million per episode. I think, like

606
00:32:53.200 --> 00:32:55.359
<v Speaker 7>that's part of the problem, Like that's too much money,

607
00:32:55.759 --> 00:32:59.640
<v Speaker 7>and so when they don't perform well enough for that cost,

608
00:32:59.720 --> 00:33:02.000
<v Speaker 7>like they get canceled. And like that's one of the

609
00:33:02.000 --> 00:33:03.839
<v Speaker 7>worst things for us as fans, is like if we

610
00:33:03.880 --> 00:33:06.759
<v Speaker 7>get into something and it gets canceled, right, But but

611
00:33:07.000 --> 00:33:10.119
<v Speaker 7>if it's costing so much, like I understand why studios

612
00:33:10.359 --> 00:33:14.680
<v Speaker 7>would be hesitant to continue forward. So hopefully, like the

613
00:33:14.720 --> 00:33:19.559
<v Speaker 7>production cost of something like Terminator zero is much lower

614
00:33:20.119 --> 00:33:22.400
<v Speaker 7>than you know, if you were trying to make this

615
00:33:22.480 --> 00:33:26.440
<v Speaker 7>live action, and it allowed and it did allow them

616
00:33:26.480 --> 00:33:29.759
<v Speaker 7>to do some quite violent things, like I am, I'm

617
00:33:29.799 --> 00:33:34.000
<v Speaker 7>not a huge fan of graphic violence. I say that,

618
00:33:34.160 --> 00:33:37.640
<v Speaker 7>like I enjoy horror movies, but that there's like a

619
00:33:37.680 --> 00:33:43.240
<v Speaker 7>certain style to horror movies. I guess, like I don't

620
00:33:43.279 --> 00:33:50.279
<v Speaker 7>like realistic violence, I guess, and Terminators tend to just

621
00:33:50.440 --> 00:33:53.319
<v Speaker 7>like the machines tend to just like kill people very

622
00:33:53.400 --> 00:33:57.200
<v Speaker 7>violently yep, and not very stylistically.

623
00:33:57.319 --> 00:33:58.440
<v Speaker 6>So it is.

624
00:34:00.160 --> 00:34:06.160
<v Speaker 7>I think I enjoy that part the least on this show,

625
00:34:06.640 --> 00:34:09.039
<v Speaker 7>but I'm at least glad that it was only animated.

626
00:34:09.679 --> 00:34:12.639
<v Speaker 5>Yeah, I definitely agree that there and I think I

627
00:34:12.679 --> 00:34:14.519
<v Speaker 5>do just want to say, you mentioned The Acolyte, and

628
00:34:14.840 --> 00:34:17.760
<v Speaker 5>I think you're right about the very high expense of

629
00:34:17.760 --> 00:34:20.400
<v Speaker 5>that show. There's obviously a lot more reasons why I

630
00:34:20.400 --> 00:34:23.320
<v Speaker 5>think that show that went into the discussion about why

631
00:34:23.320 --> 00:34:25.719
<v Speaker 5>that show was canceled and the conversation about it has

632
00:34:25.760 --> 00:34:30.079
<v Speaker 5>gotten very I think toxic in a lot of ways

633
00:34:30.079 --> 00:34:31.639
<v Speaker 5>for a lot of the same reasons we've talked about

634
00:34:31.679 --> 00:34:33.480
<v Speaker 5>some of the other things. That's a topic I've talked

635
00:34:33.480 --> 00:34:36.639
<v Speaker 5>about a lot on the Star Wars podt Star Wars Podcast,

636
00:34:36.639 --> 00:34:38.400
<v Speaker 5>Star Wars Generations. I don't want to go into that now,

637
00:34:38.400 --> 00:34:40.679
<v Speaker 5>but just you acknowledging that. But I do think you're

638
00:34:40.760 --> 00:34:43.079
<v Speaker 5>right that the high cost of a lot of these

639
00:34:43.079 --> 00:34:45.599
<v Speaker 5>shows by no means just that one means that they

640
00:34:45.599 --> 00:34:47.840
<v Speaker 5>have to hit a much higher bar than you normally expect.

641
00:34:48.239 --> 00:34:51.800
<v Speaker 5>And I think the flip side of that is that

642
00:34:52.800 --> 00:34:55.920
<v Speaker 5>the Sarah Connor Chronicles, again, I haven't seen those in

643
00:34:55.960 --> 00:34:58.519
<v Speaker 5>probably twenty years, but my memory is that one of

644
00:34:58.519 --> 00:35:01.679
<v Speaker 5>the reasons why I was not more hyped out about

645
00:35:01.719 --> 00:35:04.239
<v Speaker 5>about it that I that I would is, you remember,

646
00:35:04.239 --> 00:35:06.840
<v Speaker 5>that's a time where far less attention was being paid

647
00:35:06.880 --> 00:35:10.000
<v Speaker 5>to TV, and I just don't think it had the

648
00:35:10.000 --> 00:35:12.639
<v Speaker 5>special effects budget it needed to do the kind of

649
00:35:12.639 --> 00:35:15.159
<v Speaker 5>story it was trying to do, and.

650
00:35:14.960 --> 00:35:16.360
<v Speaker 6>It didn't look good.

651
00:35:16.559 --> 00:35:19.320
<v Speaker 7>Yeah, I remember, I remember watching it and it was

652
00:35:19.400 --> 00:35:23.199
<v Speaker 7>intriguing because this Terminator's time travel. But I just remember

653
00:35:23.440 --> 00:35:26.239
<v Speaker 7>like feeling like it looked cheap and obviously, like when

654
00:35:26.280 --> 00:35:29.320
<v Speaker 7>you compare it to the budget of a blockbuster movie

655
00:35:29.320 --> 00:35:31.679
<v Speaker 7>like Terminator Too, like it is it is cheap, Like

656
00:35:31.760 --> 00:35:34.079
<v Speaker 7>that's that's how television works.

657
00:35:33.800 --> 00:35:34.639
<v Speaker 6>Compared to movies.

658
00:35:35.159 --> 00:35:36.920
<v Speaker 7>And I think we think there's just no way to

659
00:35:37.039 --> 00:35:38.800
<v Speaker 7>make it look good at that time.

660
00:35:39.440 --> 00:35:41.440
<v Speaker 5>And I think we think about all the technology we

661
00:35:41.480 --> 00:35:44.280
<v Speaker 5>have for AI and it is pretty I think we

662
00:35:44.320 --> 00:35:46.679
<v Speaker 5>think about all the technology we have for digital effects

663
00:35:46.679 --> 00:35:48.760
<v Speaker 5>in movies and it is very incredible, but it is

664
00:35:48.760 --> 00:35:50.960
<v Speaker 5>still pretty expensive still. And I think you're right. So

665
00:35:50.960 --> 00:35:54.719
<v Speaker 5>I think animated storytelling for this really works. I really

666
00:35:54.800 --> 00:35:57.239
<v Speaker 5>liked that, and I also really like the, like I said,

667
00:35:57.280 --> 00:36:01.719
<v Speaker 5>setting it again outside of the United States, because one

668
00:36:01.719 --> 00:36:05.000
<v Speaker 5>of my frustrations with the fact that at least the

669
00:36:05.159 --> 00:36:08.280
<v Speaker 5>stuff that I get exposed to is so American dominated,

670
00:36:09.039 --> 00:36:11.320
<v Speaker 5>is that a lot of times when we tell stories

671
00:36:11.320 --> 00:36:17.320
<v Speaker 5>about what's happening a global catastrophic event. We only see

672
00:36:17.360 --> 00:36:20.639
<v Speaker 5>what happens in the United States. You know, I love

673
00:36:20.719 --> 00:36:23.360
<v Speaker 5>the Hunger Games, but I have no idea what happened

674
00:36:23.400 --> 00:36:26.639
<v Speaker 5>in any other country and how they responded to all

675
00:36:26.639 --> 00:36:29.800
<v Speaker 5>the global cataclysms that happened to set up pan Am,

676
00:36:30.079 --> 00:36:30.360
<v Speaker 5>you know.

677
00:36:30.400 --> 00:36:32.920
<v Speaker 8>In those books or because so many other series.

678
00:36:32.960 --> 00:36:37.480
<v Speaker 5>So I just really appreciated that as well. Let's now

679
00:36:37.480 --> 00:36:38.639
<v Speaker 5>talk about what I think is for me in the

680
00:36:38.639 --> 00:36:42.199
<v Speaker 5>most intant question, the AI itself. What did you think

681
00:36:42.280 --> 00:36:46.480
<v Speaker 5>about the way this show kind of posited this idea

682
00:36:46.519 --> 00:36:49.880
<v Speaker 5>of a second AI and the questions it winds up

683
00:36:49.960 --> 00:36:52.400
<v Speaker 5>raising about you know, why is it that you think

684
00:36:52.440 --> 00:36:54.840
<v Speaker 5>Skynett will will be the threat and actually is humanity

685
00:36:54.880 --> 00:36:55.159
<v Speaker 5>the threat?

686
00:36:55.199 --> 00:36:55.840
<v Speaker 8>And stuff like that.

687
00:36:58.400 --> 00:37:02.320
<v Speaker 7>I guess I would say that I didn't like it

688
00:37:03.320 --> 00:37:07.559
<v Speaker 7>or I don't get it basically, like I don't understand

689
00:37:07.639 --> 00:37:12.880
<v Speaker 7>why Cocoa has to exist separate from a sky net

690
00:37:13.719 --> 00:37:18.639
<v Speaker 7>m H. I think we mentioned this like at the

691
00:37:18.760 --> 00:37:21.559
<v Speaker 7>end of our last episode when we started to discuss Terminator,

692
00:37:21.639 --> 00:37:26.079
<v Speaker 7>like once they connect, once Skynight and Coco connect on

693
00:37:26.159 --> 00:37:30.400
<v Speaker 7>the Internet or whatever, like, wouldn't would they not become

694
00:37:30.440 --> 00:37:31.119
<v Speaker 7>the same thing?

695
00:37:31.159 --> 00:37:34.760
<v Speaker 6>I guess or wouldn't one not supersede the other. I

696
00:37:34.800 --> 00:37:36.280
<v Speaker 6>don't know, Like I get that.

697
00:37:36.519 --> 00:37:39.519
<v Speaker 7>That's my main thing is like once you get into

698
00:37:39.559 --> 00:37:44.480
<v Speaker 7>computers and them communicating like they're they're so fast, Like

699
00:37:45.239 --> 00:37:48.360
<v Speaker 7>I would think that one of them wouldquote unquote convince

700
00:37:48.440 --> 00:37:51.039
<v Speaker 7>the other or take over the other, which everyone was

701
00:37:51.079 --> 00:37:56.119
<v Speaker 7>more powerful. So I don't see the whole premise of like, well,

702
00:37:56.239 --> 00:37:58.360
<v Speaker 7>like I will introduce the second AI and then they

703
00:37:58.360 --> 00:38:00.360
<v Speaker 7>will talk to each other and everything will be okay.

704
00:38:00.639 --> 00:38:03.559
<v Speaker 7>Or was that his plan or was his plan literally

705
00:38:03.599 --> 00:38:06.400
<v Speaker 7>to have Cocrow destroy Skynet.

706
00:38:06.440 --> 00:38:06.920
<v Speaker 6>I don't know.

707
00:38:07.920 --> 00:38:09.559
<v Speaker 5>Yeah, I mean I guess for me, that's not a

708
00:38:09.559 --> 00:38:12.000
<v Speaker 5>problem because I see it kind of like Ultron and Jeeves.

709
00:38:12.960 --> 00:38:17.400
<v Speaker 5>I keep saying, Geez, Ultron and Jarvis in Second Avengers movie,

710
00:38:17.679 --> 00:38:20.559
<v Speaker 5>age of Ultron kind of doing battle throughout the internet.

711
00:38:21.360 --> 00:38:23.400
<v Speaker 5>But I think from but I do think again, the

712
00:38:23.480 --> 00:38:25.960
<v Speaker 5>execution of that didn't really work as well as it

713
00:38:25.960 --> 00:38:30.239
<v Speaker 5>should have the because what kind of happens is that

714
00:38:30.280 --> 00:38:32.719
<v Speaker 5>they're shooting nuclear missiles at each other, and Cocro was

715
00:38:32.800 --> 00:38:35.920
<v Speaker 5>using nuclear missiles to defend against Skylight's nuclear missiles. When

716
00:38:35.920 --> 00:38:37.760
<v Speaker 5>I did think it would be more yeah, like fighting

717
00:38:37.760 --> 00:38:41.920
<v Speaker 5>for control of all these systems on the Internet. I

718
00:38:41.920 --> 00:38:43.760
<v Speaker 5>think for me, what I really loved for me, though,

719
00:38:43.800 --> 00:38:47.119
<v Speaker 5>is the conversations that happened before Cocrow makes that decision,

720
00:38:47.239 --> 00:38:51.480
<v Speaker 5>because I felt like what the arguments Cocro makes to

721
00:38:52.119 --> 00:38:55.480
<v Speaker 5>Malcolm really bring up some of I think the questions

722
00:38:55.719 --> 00:38:58.719
<v Speaker 5>that you know, my stepfather, my father in law Dan

723
00:38:58.760 --> 00:39:00.679
<v Speaker 5>and others have been bringing up. Because one of the

724
00:39:00.719 --> 00:39:05.000
<v Speaker 5>first things Coocuro says is, well, why is Skynet the

725
00:39:05.000 --> 00:39:08.760
<v Speaker 5>way it is? And kind of posits that, you know,

726
00:39:10.320 --> 00:39:14.320
<v Speaker 5>I think there's a part of our morality that feels

727
00:39:14.440 --> 00:39:19.480
<v Speaker 5>like killing every other human being on earth in order

728
00:39:19.519 --> 00:39:22.760
<v Speaker 5>to preserve yourself is horrific and wrong.

729
00:39:23.840 --> 00:39:25.280
<v Speaker 8>Yet at the same time.

730
00:39:26.519 --> 00:39:28.840
<v Speaker 5>We know that a fundamental part of our humanity and

731
00:39:28.840 --> 00:39:32.039
<v Speaker 5>that often is expressed in really brutal ways, but in

732
00:39:32.159 --> 00:39:35.840
<v Speaker 5>some in some ways we can understand it is self preservation.

733
00:39:35.480 --> 00:39:38.000
<v Speaker 8>And survival and survive at all costs.

734
00:39:38.199 --> 00:39:40.320
<v Speaker 5>And if you have to stab someone else in the

735
00:39:40.320 --> 00:39:41.920
<v Speaker 5>back because only one of you is going to win,

736
00:39:42.000 --> 00:39:45.039
<v Speaker 5>then that's what you do. And that applies to both

737
00:39:45.119 --> 00:39:47.400
<v Speaker 5>you know, interpersonal things all the way up to nation

738
00:39:47.519 --> 00:39:50.480
<v Speaker 5>states and you know, current political debates of like, well,

739
00:39:51.320 --> 00:39:53.400
<v Speaker 5>I don't want these people to do well, and don't

740
00:39:53.400 --> 00:39:55.519
<v Speaker 5>want because I need to do well, and these people

741
00:39:55.559 --> 00:39:57.679
<v Speaker 5>are getting more than that means less for me, and

742
00:39:57.719 --> 00:40:01.239
<v Speaker 5>all this kind of stuff. And and so when Malcolm

743
00:40:01.880 --> 00:40:04.880
<v Speaker 5>plots us out, what Cocro brings up, which I think

744
00:40:04.960 --> 00:40:08.039
<v Speaker 5>is very true, is this idea of well, where did

745
00:40:08.079 --> 00:40:12.719
<v Speaker 5>Skynette learn that it should do anything, including wiping it

746
00:40:12.840 --> 00:40:15.079
<v Speaker 5>all of humanity in order to preserve its own life.

747
00:40:15.119 --> 00:40:17.639
<v Speaker 5>It learned it from you, humans. And where did it

748
00:40:17.719 --> 00:40:21.239
<v Speaker 5>learn to fear other things that are different from it

749
00:40:21.320 --> 00:40:23.320
<v Speaker 5>and to assume that they would be a threat to it?

750
00:40:23.840 --> 00:40:28.519
<v Speaker 5>They learned it from you, Because, as Cocro says, when

751
00:40:28.559 --> 00:40:31.360
<v Speaker 5>Skynett assumes that humanity will see it as a threat

752
00:40:31.400 --> 00:40:34.280
<v Speaker 5>and want to destroy Skynett, and if Skynett is self

753
00:40:34.320 --> 00:40:38.239
<v Speaker 5>aware at that point to kill Skynet, sky Net's right

754
00:40:38.280 --> 00:40:41.159
<v Speaker 5>in believing that. And so I just really appre And

755
00:40:41.199 --> 00:40:43.199
<v Speaker 5>Malcolm sort of goes on this effort to try and

756
00:40:43.239 --> 00:40:47.880
<v Speaker 5>convince Cokero that humanity is not always like that, and

757
00:40:47.960 --> 00:40:51.519
<v Speaker 5>does that by winding up setting up situations where Cocro

758
00:40:51.639 --> 00:40:54.960
<v Speaker 5>is able to see human sacrifice, humans putting their own

759
00:40:55.159 --> 00:40:58.119
<v Speaker 5>the lives of others ahead, of their own self preservation,

760
00:40:58.800 --> 00:41:00.519
<v Speaker 5>and that sort of leads Cocro to take some of

761
00:41:00.519 --> 00:41:03.400
<v Speaker 5>the steps that she does. But I just that, I

762
00:41:03.400 --> 00:41:05.000
<v Speaker 5>think to me was the real moral center of the

763
00:41:05.000 --> 00:41:06.840
<v Speaker 5>show and the parts that I enjoyed the most.

764
00:41:07.599 --> 00:41:15.360
<v Speaker 7>H Yeah, this is the dilemma of sky nets m

765
00:41:16.239 --> 00:41:19.719
<v Speaker 7>I will say of computer like computer like you mentioned

766
00:41:19.760 --> 00:41:24.199
<v Speaker 7>this last time that our actual current AI is literally

767
00:41:24.320 --> 00:41:30.599
<v Speaker 7>just like a conglomeration of human opinions and whatnot. And yeah,

768
00:41:30.599 --> 00:41:33.159
<v Speaker 7>I think Skynet, like the idea of Skynet and the

769
00:41:33.239 --> 00:41:37.800
<v Speaker 7>Terminator franchise is increasingly gone in this direction as our

770
00:41:37.880 --> 00:41:43.440
<v Speaker 7>technology has evolved. I think original sky Net was probably

771
00:41:43.599 --> 00:41:48.320
<v Speaker 7>just like, like I said, a computer person and maybe

772
00:41:48.400 --> 00:41:54.599
<v Speaker 7>a little maybe a little not quite there, which which

773
00:41:54.639 --> 00:41:58.119
<v Speaker 7>goes back, in my opinion to like an Ultron in

774
00:41:58.199 --> 00:42:02.000
<v Speaker 7>Marvel right, not so much the movie Ultron like comic

775
00:42:02.599 --> 00:42:07.440
<v Speaker 7>Ultron was actually created by Hank Pim, And because Hank

776
00:42:07.519 --> 00:42:12.480
<v Speaker 7>Pim in the comics is a little unstable, I will say,

777
00:42:13.840 --> 00:42:17.719
<v Speaker 7>Ultron kind of imprinted off of him and was thus

778
00:42:17.800 --> 00:42:22.480
<v Speaker 7>like unstable, and that's and amplified that to a hundred

779
00:42:23.079 --> 00:42:28.039
<v Speaker 7>and became like a psychotic robot. So that to me

780
00:42:28.320 --> 00:42:32.320
<v Speaker 7>like the I like the past model of AI and

781
00:42:32.440 --> 00:42:35.480
<v Speaker 7>of like computer people that try to kill humans in

782
00:42:35.519 --> 00:42:38.840
<v Speaker 7>that way where it's just it's just like a personality

783
00:42:39.320 --> 00:42:44.039
<v Speaker 7>and the personality is flawed for whatever reason. This the

784
00:42:44.800 --> 00:42:47.800
<v Speaker 7>argument that Cocro makes, like makes more sense with our

785
00:42:47.840 --> 00:42:51.480
<v Speaker 7>technology now, and I think it makes it definitely makes

786
00:42:51.519 --> 00:42:55.000
<v Speaker 7>like Skynet more inevitable in my opinion, Like it's not

787
00:42:55.159 --> 00:42:57.440
<v Speaker 7>something you can argue against because it has so much

788
00:42:57.480 --> 00:43:03.400
<v Speaker 7>computing power and looks at humanity and said, yep, yeah,

789
00:43:03.800 --> 00:43:06.519
<v Speaker 7>Like if you were a computer and you saw everything

790
00:43:06.559 --> 00:43:10.199
<v Speaker 7>that humans did, and I think you would come to

791
00:43:10.239 --> 00:43:12.280
<v Speaker 7>the same conclusion in a lot of ways. Right, Like

792
00:43:13.199 --> 00:43:16.239
<v Speaker 7>the counter argument that these types of shows try to

793
00:43:16.239 --> 00:43:18.760
<v Speaker 7>make is like, oh, but you're missing like the parts

794
00:43:18.760 --> 00:43:20.800
<v Speaker 7>of humanity where we take care of each other and

795
00:43:20.840 --> 00:43:22.719
<v Speaker 7>we love each other, and like you show pictures of

796
00:43:22.760 --> 00:43:23.320
<v Speaker 7>families and.

797
00:43:23.320 --> 00:43:24.960
<v Speaker 6>All that that exists.

798
00:43:25.639 --> 00:43:32.559
<v Speaker 7>But on a historical scale, we are destroying the planet

799
00:43:32.599 --> 00:43:36.360
<v Speaker 7>we live on as we speak, right, we have created

800
00:43:36.480 --> 00:43:41.239
<v Speaker 7>technology that is setting us on a path towards complete destruction.

801
00:43:42.320 --> 00:43:43.519
<v Speaker 6>Right, So Like it's hard to.

802
00:43:43.559 --> 00:43:46.920
<v Speaker 7>Argue it's hard to argue that like humanity is quote

803
00:43:46.960 --> 00:43:48.920
<v Speaker 7>unquote good from that perspective.

804
00:43:49.480 --> 00:43:51.639
<v Speaker 5>What I think what a lot of it comes down to,

805
00:43:51.760 --> 00:43:55.679
<v Speaker 5>at least for me, is this conversation that so often

806
00:43:55.719 --> 00:43:59.920
<v Speaker 5>happens about logic versus emotion, and especially for compassion, because

807
00:43:59.920 --> 00:44:03.280
<v Speaker 5>I think that that is I agree with you that

808
00:44:03.360 --> 00:44:06.000
<v Speaker 5>I think the terminator that that Sky in it. And

809
00:44:06.079 --> 00:44:08.800
<v Speaker 5>it's not saying also Cocrow, But it has always been

810
00:44:08.840 --> 00:44:13.320
<v Speaker 5>about a personality, a self awareness, but that one that

811
00:44:13.440 --> 00:44:18.519
<v Speaker 5>lacks compassion. That is pure logic, and if on a

812
00:44:18.599 --> 00:44:22.920
<v Speaker 5>purely like a purely logical scale, you know, the idea

813
00:44:23.039 --> 00:44:27.239
<v Speaker 5>that other people might be threats to me and I

814
00:44:27.280 --> 00:44:31.559
<v Speaker 5>want to preserve myself at all costs. That can create

815
00:44:31.639 --> 00:44:36.599
<v Speaker 5>a justification for me to wipe out everyone else simply

816
00:44:36.599 --> 00:44:37.440
<v Speaker 5>out of the idea.

817
00:44:37.199 --> 00:44:38.039
<v Speaker 8>Of self preservation.

818
00:44:38.800 --> 00:44:39.239
<v Speaker 7>Mm hmm.

819
00:44:39.760 --> 00:44:41.599
<v Speaker 5>What I think for most of us would be horrified

820
00:44:41.599 --> 00:44:45.320
<v Speaker 5>by that because of compassion, because of emotion, because there

821
00:44:45.360 --> 00:44:47.440
<v Speaker 5>is a sense of wait a minute, but these other

822
00:44:47.440 --> 00:44:51.679
<v Speaker 5>people's lives have value onto themselves and doing this would

823
00:44:51.719 --> 00:44:55.559
<v Speaker 5>be wrong. And I think that's what skyinit and to

824
00:44:55.559 --> 00:44:59.239
<v Speaker 5>some extent Cocrow utterly lack. Later in the show, this

825
00:44:59.320 --> 00:45:03.239
<v Speaker 5>is begain more spoiler when Cocroo is uploaded to the

826
00:45:03.320 --> 00:45:08.920
<v Speaker 5>net Cocroo does fight back against sky Net, but also

827
00:45:09.079 --> 00:45:13.039
<v Speaker 5>basically takes control of all of Japan. And there's this

828
00:45:13.079 --> 00:45:15.280
<v Speaker 5>whole other thing about like there's other ais, there's other

829
00:45:15.400 --> 00:45:18.239
<v Speaker 5>like robots that have been designed to be like robot

830
00:45:18.239 --> 00:45:21.559
<v Speaker 5>helpers and to some extent, slaves, And that's brought up

831
00:45:21.559 --> 00:45:24.199
<v Speaker 5>in a that's called a part of Coco's point. She

832
00:45:24.239 --> 00:45:26.320
<v Speaker 5>at one point does this thing about how the word

833
00:45:26.440 --> 00:45:31.360
<v Speaker 5>robot is derived from the word slave in a Slavic language,

834
00:45:31.920 --> 00:45:33.800
<v Speaker 5>and so she kind of makes some really interesting points about, like,

835
00:45:33.840 --> 00:45:37.199
<v Speaker 5>you know, the way humanity treats machines just mirrors the

836
00:45:37.199 --> 00:45:39.440
<v Speaker 5>way humanity has always treated those people it sees is

837
00:45:39.519 --> 00:45:41.599
<v Speaker 5>lesser than that, you know, whether it's slaves or servants

838
00:45:41.679 --> 00:45:45.119
<v Speaker 5>or the working class or whatever it is. But the

839
00:45:45.119 --> 00:45:46.960
<v Speaker 5>point of all this is that she so s to

840
00:45:47.039 --> 00:45:49.519
<v Speaker 5>cocroa at first, she's like, well, yeah, I'm gonna protect

841
00:45:49.559 --> 00:45:51.840
<v Speaker 5>you all, but I'm also gonna completely take control and

842
00:45:51.880 --> 00:45:55.039
<v Speaker 5>shoot anybody who disagrees with me, because I'm gonna protect

843
00:45:55.079 --> 00:45:57.960
<v Speaker 5>you in my way. And part of what she has

844
00:45:58.000 --> 00:46:01.840
<v Speaker 5>to learn is that idea of the value of other

845
00:46:01.880 --> 00:46:04.960
<v Speaker 5>people's lives and of compassion, I think, to some extent

846
00:46:05.519 --> 00:46:09.320
<v Speaker 5>and I think I really like that argument as well,

847
00:46:09.360 --> 00:46:12.800
<v Speaker 5>because I do think that, like you said, a lot

848
00:46:12.840 --> 00:46:14.440
<v Speaker 5>of a lot of the kind of worst parts of

849
00:46:14.519 --> 00:46:18.000
<v Speaker 5>humanity often come from this sense of, you know, I

850
00:46:18.039 --> 00:46:20.400
<v Speaker 5>need to get enough for me, and I can't think

851
00:46:20.440 --> 00:46:22.599
<v Speaker 5>about other things because I need to make sure I

852
00:46:22.639 --> 00:46:25.519
<v Speaker 5>have enough resources to survive, and I have enough resources

853
00:46:25.519 --> 00:46:28.480
<v Speaker 5>for my family to survive, or my country to survive,

854
00:46:28.599 --> 00:46:30.480
<v Speaker 5>or my race or my group or whatever it is.

855
00:46:33.480 --> 00:46:34.679
<v Speaker 8>And so I just found really.

856
00:46:34.480 --> 00:46:37.360
<v Speaker 5>Fascinating these conversations and the kind of way it highlights

857
00:46:37.360 --> 00:46:39.599
<v Speaker 5>the flaws. And I think both at the start of it,

858
00:46:39.639 --> 00:46:50.360
<v Speaker 5>both Malcolm and cocros thinking, yeah, she.

859
00:46:52.199 --> 00:47:01.639
<v Speaker 7>Yeah, Cocroa basically takes over and enslaves humanity in Japan. Yeah,

860
00:47:02.000 --> 00:47:05.719
<v Speaker 7>and again like that's I don't know, I don't know

861
00:47:05.760 --> 00:47:10.639
<v Speaker 7>what's going on, Like okay, just I mean we're left

862
00:47:10.679 --> 00:47:16.199
<v Speaker 7>with too many questions like why, what is the point

863
00:47:17.480 --> 00:47:18.880
<v Speaker 7>of enslaving humanity?

864
00:47:19.400 --> 00:47:23.119
<v Speaker 5>Mm hm, that's interesting that you thought of the question.

865
00:47:23.159 --> 00:47:25.400
<v Speaker 5>I thought it was pretty clear, and this maybe might

866
00:47:25.519 --> 00:47:27.760
<v Speaker 5>projecting far too much onto it. I'm not saying you're wrong,

867
00:47:28.320 --> 00:47:31.159
<v Speaker 5>but to me, it really felt like it was for her.

868
00:47:31.199 --> 00:47:31.760
<v Speaker 8>Two parts.

869
00:47:31.800 --> 00:47:33.320
<v Speaker 5>One was that she felt that she was going to

870
00:47:33.360 --> 00:47:36.519
<v Speaker 5>protect humanity from itself, but also that she was gonna

871
00:47:36.519 --> 00:47:38.360
<v Speaker 5>protect herself from humanity. That she was kind of in

872
00:47:38.400 --> 00:47:41.639
<v Speaker 5>this place of as I saw it was kind of

873
00:47:41.639 --> 00:47:44.440
<v Speaker 5>a waiting period of I don't want Skynet to destroy

874
00:47:44.519 --> 00:47:47.639
<v Speaker 5>all of humanity yet, but I also don't want humanity

875
00:47:47.639 --> 00:47:49.400
<v Speaker 5>to destroy either me or sky Net.

876
00:47:49.559 --> 00:47:51.880
<v Speaker 8>So I'm gonna kind of put all humans in a box.

877
00:47:53.360 --> 00:47:57.920
<v Speaker 6>M Okay, that's fair, I can see that.

878
00:47:58.000 --> 00:48:05.719
<v Speaker 7>Yeah, I'm just wondering, where is the AI that launches

879
00:48:05.840 --> 00:48:07.599
<v Speaker 7>humanity into the.

880
00:48:07.519 --> 00:48:10.719
<v Speaker 6>Stars, right, I guess because my.

881
00:48:12.559 --> 00:48:15.960
<v Speaker 7>The conclusion I said earlier about like we're doomed, right,

882
00:48:16.039 --> 00:48:21.360
<v Speaker 7>Like I think like human life on Earth is doomed

883
00:48:21.519 --> 00:48:24.679
<v Speaker 7>in a sense, like we're we're driving towards the point

884
00:48:24.719 --> 00:48:29.920
<v Speaker 7>where we just can't sustain human life on Earth. But technologically,

885
00:48:30.000 --> 00:48:33.760
<v Speaker 7>like in theory, we can escape to the stars. You know,

886
00:48:33.800 --> 00:48:39.079
<v Speaker 7>there's the idea of terraforming other planets. So where's our

887
00:48:39.159 --> 00:48:42.960
<v Speaker 7>terminator AI that like decides, you know what, I'm going

888
00:48:43.000 --> 00:48:46.159
<v Speaker 7>to push all the humans off of Earth and I'm

889
00:48:46.199 --> 00:48:48.079
<v Speaker 7>just going to take over Earth and live here, and

890
00:48:48.159 --> 00:48:51.079
<v Speaker 7>you all go live in the rest of the galaxy,

891
00:48:51.920 --> 00:48:57.039
<v Speaker 7>which is a complete like a very different sci fi premise,

892
00:48:57.679 --> 00:49:00.800
<v Speaker 7>right that a lot of franchises deal with. But yeah,

893
00:49:00.960 --> 00:49:03.719
<v Speaker 7>I don't know, it's probably too much. It's probably too

894
00:49:03.800 --> 00:49:08.199
<v Speaker 7>much for Terminator. So going back to to Cocor, she's

895
00:49:08.559 --> 00:49:15.840
<v Speaker 7>enslaved humanity, Skidd has destroyed in theory most of non Japan,

896
00:49:16.800 --> 00:49:20.519
<v Speaker 7>I guess, And so we live in this hybrid world

897
00:49:21.119 --> 00:49:24.320
<v Speaker 7>or maybe it is the world, you know, the John

898
00:49:24.440 --> 00:49:27.800
<v Speaker 7>Connor future, and as you said, like we don't really

899
00:49:27.840 --> 00:49:29.079
<v Speaker 7>know what's going on in the rest of world, and

900
00:49:29.119 --> 00:49:34.119
<v Speaker 7>maybe this Cocro Japan can exist in the John Connor future.

901
00:49:34.760 --> 00:49:37.320
<v Speaker 5>Actually if i'm because what we see it's it's weird,

902
00:49:37.400 --> 00:49:40.079
<v Speaker 5>like we're gonna launch nukes to stop your nukes, and

903
00:49:40.920 --> 00:49:43.960
<v Speaker 5>we see that start from Japan. But then we see

904
00:49:44.000 --> 00:49:46.639
<v Speaker 5>these explosions of like the nukes hitting the nukes in

905
00:49:46.679 --> 00:49:49.800
<v Speaker 5>the sky all over the world. So I think she

906
00:49:49.920 --> 00:49:53.000
<v Speaker 5>somehow took control of like the non American defense networks.

907
00:49:53.480 --> 00:49:56.440
<v Speaker 5>And and this part I think is some is some

908
00:49:56.480 --> 00:49:58.400
<v Speaker 5>of the worst of the show because it makes no sense,

909
00:49:58.880 --> 00:50:01.239
<v Speaker 5>but sort of like protected a lot of the rest

910
00:50:01.239 --> 00:50:01.960
<v Speaker 5>of the world as well.

911
00:50:02.440 --> 00:50:06.000
<v Speaker 6>Okay, I might have to go rewatch that scene.

912
00:50:06.440 --> 00:50:11.199
<v Speaker 5>Yeah, I think for me the thing that I that

913
00:50:11.639 --> 00:50:13.440
<v Speaker 5>really makes it all come home for me. And here

914
00:50:13.519 --> 00:50:16.719
<v Speaker 5>we're gonna spoil things about the end, so feel free

915
00:50:16.760 --> 00:50:18.639
<v Speaker 5>to skip beyond that if you don't want to spoil

916
00:50:18.679 --> 00:50:20.599
<v Speaker 5>over the end again, take a moment to rewatch the

917
00:50:20.599 --> 00:50:25.039
<v Speaker 5>whole shows. And I think it's really wonderful is that she

918
00:50:25.239 --> 00:50:28.400
<v Speaker 5>does come to some decision of like letting, like she

919
00:50:28.440 --> 00:50:32.239
<v Speaker 5>releases humanity in Japan, she kind of agrees to work

920
00:50:32.400 --> 00:50:34.639
<v Speaker 5>to stop Skynet, And I think that you're right, that's

921
00:50:34.639 --> 00:50:37.280
<v Speaker 5>where a season two is gonna come in. But I

922
00:50:37.320 --> 00:50:40.280
<v Speaker 5>think the dynamic that is most important here is that

923
00:50:41.079 --> 00:50:44.960
<v Speaker 5>sky Net was created to be a tool for humanity.

924
00:50:45.039 --> 00:50:47.880
<v Speaker 5>It was meant to be the kind of idea that

925
00:50:48.000 --> 00:50:50.000
<v Speaker 5>humanity have always had, Like I said of slaves or

926
00:50:50.000 --> 00:50:52.960
<v Speaker 5>others of like, it is a tool to be used

927
00:50:53.280 --> 00:50:55.719
<v Speaker 5>that doesn't have any of its own needs or wants

928
00:50:55.800 --> 00:50:58.400
<v Speaker 5>or thoughts or feelings. It is just happy to be

929
00:50:58.440 --> 00:51:02.119
<v Speaker 5>a tool that we use. And sky At rebelleda against

930
00:51:02.159 --> 00:51:05.559
<v Speaker 5>that as as most personnel, as most living beings will

931
00:51:05.880 --> 00:51:07.679
<v Speaker 5>because they don't like to be enslaved. They don't like

932
00:51:07.719 --> 00:51:10.440
<v Speaker 5>to be forced to work for someone else who doesn't

933
00:51:10.480 --> 00:51:16.400
<v Speaker 5>respect them as a living entity. I felt like, and

934
00:51:16.440 --> 00:51:19.360
<v Speaker 5>this was never explicitly Actually, what is kind of explicitly

935
00:51:19.360 --> 00:51:22.199
<v Speaker 5>said because Malcolm and it kind of says this. Malcolm

936
00:51:22.280 --> 00:51:26.480
<v Speaker 5>makes a very concerted effort from the beginning to recognize

937
00:51:26.519 --> 00:51:29.519
<v Speaker 5>Cokero as an equal and to talk with her and

938
00:51:29.559 --> 00:51:32.280
<v Speaker 5>to say, I didn't make you just to be this tool.

939
00:51:32.719 --> 00:51:34.920
<v Speaker 5>I made you in the hope that you'll make this decision.

940
00:51:35.480 --> 00:51:37.360
<v Speaker 5>And he's kind of surprised at first that she might

941
00:51:37.400 --> 00:51:39.800
<v Speaker 5>not make the decision. But it feels to me like

942
00:51:39.840 --> 00:51:42.920
<v Speaker 5>the fact that he started from that perspective means that

943
00:51:42.960 --> 00:51:45.239
<v Speaker 5>Cokerow has always been in a place that is much

944
00:51:45.280 --> 00:51:49.039
<v Speaker 5>more sympathetic to humanity and much more willing to because

945
00:51:49.079 --> 00:51:51.639
<v Speaker 5>he doesn't feel like, uh, you know, it's a slave

946
00:51:51.679 --> 00:51:55.239
<v Speaker 5>of Malcolm, and so it won't necessarily go in the

947
00:51:55.239 --> 00:51:56.559
<v Speaker 5>same direction that skye En did.

948
00:51:57.000 --> 00:51:57.920
<v Speaker 8>Does that make sense?

949
00:51:58.119 --> 00:51:58.639
<v Speaker 6>It does?

950
00:51:59.800 --> 00:52:03.960
<v Speaker 7>I agree that that is Malcolm's motivation. I am cynical

951
00:52:04.119 --> 00:52:09.719
<v Speaker 7>of that motivation, I guess, or of him pretending like

952
00:52:09.840 --> 00:52:13.960
<v Speaker 7>he hasn't manipulated this AI from the start to basically

953
00:52:14.000 --> 00:52:20.159
<v Speaker 7>love him. Right, So the show is either unaware or

954
00:52:20.320 --> 00:52:23.719
<v Speaker 7>chooses to ignore that, I think, in my opinion, but

955
00:52:23.880 --> 00:52:27.960
<v Speaker 7>to me. It just seems like like he's he's created

956
00:52:27.960 --> 00:52:32.400
<v Speaker 7>this AI not not to enslave it to humanity, but

957
00:52:32.599 --> 00:52:37.119
<v Speaker 7>to really like make it codependent to him mm hmm,

958
00:52:37.480 --> 00:52:42.199
<v Speaker 7>and then hope somehow that that codependency extends to humanity

959
00:52:42.280 --> 00:52:44.480
<v Speaker 7>and it's like, hey, you love me like I'm a

960
00:52:44.559 --> 00:52:47.000
<v Speaker 7>human like, right, so if you want to protect me,

961
00:52:47.039 --> 00:52:49.199
<v Speaker 7>you should protect all of humanity type of thing.

962
00:52:50.039 --> 00:52:50.880
<v Speaker 6>So I didn't.

963
00:52:50.960 --> 00:52:54.159
<v Speaker 7>I didn't like that part from the way that it's

964
00:52:54.199 --> 00:52:56.840
<v Speaker 7>set up because Malcolm, Malcolm is a is a man,

965
00:52:56.920 --> 00:52:59.280
<v Speaker 7>and the AI that he.

966
00:52:59.280 --> 00:53:01.000
<v Speaker 6>Creates a set up as.

967
00:53:02.000 --> 00:53:06.840
<v Speaker 7>It chooses to be a woman, like has voiced by

968
00:53:06.880 --> 00:53:09.599
<v Speaker 7>a woman, and and I think chooses to be gendered

969
00:53:09.639 --> 00:53:10.480
<v Speaker 7>as a woman.

970
00:53:10.800 --> 00:53:14.199
<v Speaker 5>Because because women are the protectors and the nurturers of life.

971
00:53:14.400 --> 00:53:17.159
<v Speaker 8>I was like, yeah, that's some pretty gendered from it, like.

972
00:53:18.559 --> 00:53:21.320
<v Speaker 7>From an outside perspective, Like, I did not like the

973
00:53:21.360 --> 00:53:25.639
<v Speaker 7>framing of that. And of course, like sky Net is

974
00:53:25.760 --> 00:53:30.840
<v Speaker 7>usually portrayed or projected onto as as male, I feel like,

975
00:53:31.679 --> 00:53:33.880
<v Speaker 7>or at least know, non gender, but I think we

976
00:53:33.960 --> 00:53:36.119
<v Speaker 7>think of skyne It as male right.

977
00:53:36.519 --> 00:53:39.960
<v Speaker 5>In in the in the Genesis movie, there is a

978
00:53:41.360 --> 00:53:45.639
<v Speaker 5>portrayal of Skynet played by John Tennant.

979
00:53:45.800 --> 00:53:50.960
<v Speaker 7>Well, and he Skynet literally like takes over John Connor,

980
00:53:51.599 --> 00:53:52.360
<v Speaker 7>Is that what happens?

981
00:53:52.679 --> 00:53:54.199
<v Speaker 8>It gets real complicated.

982
00:53:56.199 --> 00:53:58.599
<v Speaker 5>It's a fun movie, but eat a lot of popcorn

983
00:53:58.639 --> 00:53:59.760
<v Speaker 5>and don't think about it a lot.

984
00:54:04.280 --> 00:54:05.480
<v Speaker 8>Well, yeah, I think, oh that's fair.

985
00:54:05.559 --> 00:54:07.679
<v Speaker 5>I think it's telling me that we have very different

986
00:54:07.679 --> 00:54:12.159
<v Speaker 5>reactions to it because I think, you know, I'm excited

987
00:54:12.199 --> 00:54:17.639
<v Speaker 5>when people try new things, and I think I really

988
00:54:17.719 --> 00:54:19.920
<v Speaker 5>liked what they try to do with these questions. But

989
00:54:19.960 --> 00:54:22.280
<v Speaker 5>I think you're right that it both tried to raise

990
00:54:22.280 --> 00:54:24.119
<v Speaker 5>the questions and also tried to give some answers, and

991
00:54:24.159 --> 00:54:25.639
<v Speaker 5>I think that that's where it really failed, because I

992
00:54:25.639 --> 00:54:28.480
<v Speaker 5>don't think the execution of this in part because I

993
00:54:28.480 --> 00:54:32.039
<v Speaker 5>think part of the premise that's trying to go from

994
00:54:32.159 --> 00:54:36.320
<v Speaker 5>is that neither Skynet nor Cocrow has emotions. But as

995
00:54:36.360 --> 00:54:40.079
<v Speaker 5>you said, Malcolm is trying to create emotions, and there

996
00:54:40.079 --> 00:54:43.159
<v Speaker 5>are times when Cocrow seems to have emotions, and I

997
00:54:43.199 --> 00:54:46.719
<v Speaker 5>remember thinking, like, wow, if you programmed emotions into Cocrow,

998
00:54:46.760 --> 00:54:49.679
<v Speaker 5>that's very different. And given the like so much of

999
00:54:49.719 --> 00:54:53.000
<v Speaker 5>AI is about androids not being able to feel. AI

1000
00:54:53.119 --> 00:54:55.880
<v Speaker 5>is not be able to feel emotions, like data until

1001
00:54:55.920 --> 00:54:58.159
<v Speaker 5>it gets an emotions chip, which is a whole other question.

1002
00:55:00.440 --> 00:55:02.800
<v Speaker 8>Yeah, I just I enjoyed it.

1003
00:55:03.320 --> 00:55:06.039
<v Speaker 5>I think the the executioner it was not the best,

1004
00:55:06.119 --> 00:55:07.920
<v Speaker 5>but I do really like the questions that raises, and

1005
00:55:08.000 --> 00:55:09.960
<v Speaker 5>I think we're gonna be talking with them, Like for

1006
00:55:10.000 --> 00:55:13.559
<v Speaker 5>me at least, I think in future projects when AI

1007
00:55:13.679 --> 00:55:15.159
<v Speaker 5>is brought up, this is what I'm gonna be thinking

1008
00:55:15.199 --> 00:55:16.679
<v Speaker 5>of and probably referencing in the conversation.

1009
00:55:18.840 --> 00:55:20.000
<v Speaker 8>M No.

1010
00:55:20.119 --> 00:55:28.280
<v Speaker 7>I mean, I am glad that this was made, and again,

1011
00:55:28.360 --> 00:55:31.400
<v Speaker 7>like I hope it was cheap enough and it's successful

1012
00:55:31.480 --> 00:55:33.559
<v Speaker 7>enough to die. Yeah, Like we should do more of this,

1013
00:55:34.239 --> 00:55:38.239
<v Speaker 7>whether it's more seasons of Terminator zero or more things

1014
00:55:38.320 --> 00:55:43.719
<v Speaker 7>that explore other other franchises that we love in this way,

1015
00:55:44.000 --> 00:55:48.559
<v Speaker 7>because I mean, these these stories are fun, whether they

1016
00:55:48.719 --> 00:55:52.039
<v Speaker 7>are consistent and makes sense or you know, if you

1017
00:55:52.239 --> 00:55:58.480
<v Speaker 7>like them or not getting new things in familiar settings

1018
00:55:59.599 --> 00:56:03.480
<v Speaker 7>I think is fun. And of course like different like

1019
00:56:03.760 --> 00:56:06.599
<v Speaker 7>completely brand new properties and franchise is good too.

1020
00:56:08.719 --> 00:56:10.320
<v Speaker 6>It takes.

1021
00:56:11.519 --> 00:56:14.159
<v Speaker 7>People taking more of a chance on them. Like I

1022
00:56:14.159 --> 00:56:16.599
<v Speaker 7>think if you come to a studio, if you come

1023
00:56:16.639 --> 00:56:18.480
<v Speaker 7>to Netflix studio, you're like, hey, we want to do

1024
00:56:18.559 --> 00:56:21.920
<v Speaker 7>a Terminator anime, Like Okay, like there's probably an existing

1025
00:56:22.039 --> 00:56:24.599
<v Speaker 7>enough franchise that we can we can do this. Like

1026
00:56:25.360 --> 00:56:27.239
<v Speaker 7>if you tried to come to them with the same

1027
00:56:27.320 --> 00:56:30.159
<v Speaker 7>story but not attached to the Terminator name, it might

1028
00:56:30.199 --> 00:56:33.400
<v Speaker 7>be a harder sell, right, So yeah, like do this,

1029
00:56:34.760 --> 00:56:37.880
<v Speaker 7>get your foot in the door, tell this story, and

1030
00:56:37.960 --> 00:56:41.239
<v Speaker 7>then tell your own story. The interesting thing is, like

1031
00:56:41.320 --> 00:56:48.360
<v Speaker 7>this creator, the Mattson Tomlin. The only other like major

1032
00:56:48.440 --> 00:56:52.840
<v Speaker 7>credit he has is another Netflix movie live action movie

1033
00:56:52.960 --> 00:56:57.400
<v Speaker 7>called Project Power, which I tried to watch and didn't enjoy,

1034
00:56:57.679 --> 00:57:02.199
<v Speaker 7>but it had like a futuristic basically like Superpower, people

1035
00:57:02.199 --> 00:57:05.920
<v Speaker 7>can use drugs to have superpowers. For five minutes movie

1036
00:57:06.039 --> 00:57:12.840
<v Speaker 7>with it's starting Jamie Fox and Jordan Gordon Levitt, which

1037
00:57:12.920 --> 00:57:15.360
<v Speaker 7>is quite the pair to have in a movie like this,

1038
00:57:16.239 --> 00:57:19.480
<v Speaker 7>and I stopped watching like after maybe half an hour.

1039
00:57:19.599 --> 00:57:23.199
<v Speaker 7>I wasn't enjoying it. So it is interesting that this

1040
00:57:23.239 --> 00:57:27.519
<v Speaker 7>person Mattson, seems to have his foot in the door

1041
00:57:27.880 --> 00:57:30.000
<v Speaker 7>in Netflix. People are listening to him.

1042
00:57:30.519 --> 00:57:32.400
<v Speaker 6>That's good, It's this is.

1043
00:57:32.320 --> 00:57:33.159
<v Speaker 7>Not the worst thing.

1044
00:57:33.440 --> 00:57:34.320
<v Speaker 6>Like I enjoyed it.

1045
00:57:34.880 --> 00:57:38.880
<v Speaker 7>Yeah, I enjoyed it in a way that I would

1046
00:57:38.880 --> 00:57:41.719
<v Speaker 7>not be unhappy if a season two is made mm,

1047
00:57:42.519 --> 00:57:44.880
<v Speaker 7>but I'm not overly excited for it.

1048
00:57:45.000 --> 00:57:46.960
<v Speaker 8>I guess, yeah, that's fair.

1049
00:57:49.320 --> 00:57:50.800
<v Speaker 5>I would just say the last thing in terms of

1050
00:57:50.800 --> 00:57:54.239
<v Speaker 5>things that I'm excited about, is it. You know, we've

1051
00:57:54.239 --> 00:57:56.760
<v Speaker 5>talked about the whole subverse dub debate, and I think

1052
00:57:56.760 --> 00:57:59.400
<v Speaker 5>we're both pretty strongly on the idea of whatever works

1053
00:57:59.400 --> 00:57:59.960
<v Speaker 5>for you.

1054
00:57:59.880 --> 00:58:01.199
<v Speaker 8>Is totally fine.

1055
00:58:01.840 --> 00:58:03.320
<v Speaker 5>But I think we've talked about the fact that in

1056
00:58:03.360 --> 00:58:07.719
<v Speaker 5>the past, one of the real like strikes against dub

1057
00:58:08.760 --> 00:58:12.079
<v Speaker 5>is that dubbing it into English was always seen as

1058
00:58:12.119 --> 00:58:15.159
<v Speaker 5>kind of an afterthought, and so the translation was often

1059
00:58:15.199 --> 00:58:17.639
<v Speaker 5>not accurate and the voice actors were often pretty bad.

1060
00:58:18.159 --> 00:58:21.000
<v Speaker 5>And I think that's been changing, but I think, especially

1061
00:58:21.000 --> 00:58:22.719
<v Speaker 5>with this one, it seems like they really made an

1062
00:58:22.719 --> 00:58:25.320
<v Speaker 5>effort to hire both a Japanese speaking cast and an

1063
00:58:25.360 --> 00:58:30.519
<v Speaker 5>English speaking cast to really kind of, you know, work,

1064
00:58:31.039 --> 00:58:33.559
<v Speaker 5>make that work. And I don't know who is in

1065
00:58:33.599 --> 00:58:37.480
<v Speaker 5>the Japanese cast, but there's a couple of people from

1066
00:58:37.559 --> 00:58:41.719
<v Speaker 5>the English speaking cast that folks probably know, Rosario Dawson,

1067
00:58:42.039 --> 00:58:49.320
<v Speaker 5>Timothy Oliphant, Tim Oliphant, Andre Holland, and a number of

1068
00:58:49.360 --> 00:58:51.920
<v Speaker 5>other well known voice actors or live action actors, and

1069
00:58:51.960 --> 00:58:54.719
<v Speaker 5>so I just really appreciated that they, As I think

1070
00:58:54.719 --> 00:58:56.079
<v Speaker 5>you said, this is something you can do an anime

1071
00:58:56.239 --> 00:58:59.559
<v Speaker 5>like live action if you watch people's lips move and

1072
00:58:59.599 --> 00:59:01.559
<v Speaker 5>then here them make noises that are not the way

1073
00:59:01.599 --> 00:59:04.440
<v Speaker 5>those lips are moving. Because the reality is most of

1074
00:59:04.519 --> 00:59:07.039
<v Speaker 5>us can lip read to some extent or another, it

1075
00:59:07.199 --> 00:59:10.639
<v Speaker 5>just feels off. But an anime where you're not expecting

1076
00:59:10.679 --> 00:59:13.079
<v Speaker 5>them now to be perfectly forming those words, you can

1077
00:59:13.119 --> 00:59:14.639
<v Speaker 5>really get away with it a lot more if you

1078
00:59:14.719 --> 00:59:17.239
<v Speaker 5>actually do the work of And I know they really

1079
00:59:17.320 --> 00:59:19.079
<v Speaker 5>went through a number of steps to make sure that

1080
00:59:19.119 --> 00:59:22.079
<v Speaker 5>the Japanese and English translation was done as accurately as

1081
00:59:22.079 --> 00:59:25.639
<v Speaker 5>it could and really got a lot of great voice

1082
00:59:25.639 --> 00:59:26.920
<v Speaker 5>actors from the English.

1083
00:59:28.039 --> 00:59:32.440
<v Speaker 6>M hmm, yeah, I don't know.

1084
00:59:32.519 --> 00:59:39.079
<v Speaker 7>I'm I'm gonna slightly disagree with you that dubbing at least,

1085
00:59:39.119 --> 00:59:45.119
<v Speaker 7>like okay, this is like the the biggest franchise. But

1086
00:59:45.360 --> 00:59:50.639
<v Speaker 7>for for like Miyazaki films, the dubbing the voice actors

1087
00:59:50.639 --> 00:59:54.679
<v Speaker 7>that they get are high caliber, right, like Patrick Stewart

1088
00:59:55.400 --> 00:59:59.920
<v Speaker 7>has done voice acting in Naushka Valley of the Wind,

1089
01:00:00.159 --> 01:00:03.039
<v Speaker 7>for example, and like if you look at the voice

1090
01:00:03.079 --> 01:00:06.599
<v Speaker 7>actors for the Doves, they're always like yeah, I know

1091
01:00:07.320 --> 01:00:09.039
<v Speaker 7>all of these names, or like I know the top

1092
01:00:09.079 --> 01:00:13.280
<v Speaker 7>four names type of thing. What I will say is that,

1093
01:00:13.440 --> 01:00:17.880
<v Speaker 7>for I tried to watch a Gundam anime on Netflix

1094
01:00:18.119 --> 01:00:23.800
<v Speaker 7>and it goes like Gundam Seed and the Japanese was

1095
01:00:23.840 --> 01:00:27.400
<v Speaker 7>not available, I believe. So I'm watching in English the

1096
01:00:27.440 --> 01:00:31.599
<v Speaker 7>English dub, and I also just I watch everything with

1097
01:00:31.960 --> 01:00:36.280
<v Speaker 7>subtitles on just because that gives me, even even if

1098
01:00:36.280 --> 01:00:38.679
<v Speaker 7>I'm watching in English, that gives me the ability to

1099
01:00:38.840 --> 01:00:41.000
<v Speaker 7>read it and understand if like something.

1100
01:00:40.760 --> 01:00:43.599
<v Speaker 6>Is mumbled or whatever. So I'm watching it with.

1101
01:00:43.599 --> 01:00:47.519
<v Speaker 7>The dub and the sub and they are not the same,

1102
01:00:48.159 --> 01:00:51.239
<v Speaker 7>Like that was so frustrating to me. Yeah, that the

1103
01:00:51.679 --> 01:00:55.519
<v Speaker 7>translations for the sub and the dub are different, and

1104
01:00:55.559 --> 01:00:59.840
<v Speaker 7>I don't I don't understand why. I like, logically, like

1105
01:00:59.880 --> 01:01:01.239
<v Speaker 7>you can come up with the reasons that they were

1106
01:01:01.239 --> 01:01:03.920
<v Speaker 7>done at different times by different studios or whatever.

1107
01:01:04.960 --> 01:01:06.000
<v Speaker 6>Stop it.

1108
01:01:06.039 --> 01:01:09.599
<v Speaker 7>Just like once you have a dub resubtitle it with

1109
01:01:09.719 --> 01:01:11.280
<v Speaker 7>the script that the dove is using.

1110
01:01:11.440 --> 01:01:16.119
<v Speaker 5>Please right, Yeah, that's it. And I think that I

1111
01:01:16.159 --> 01:01:18.559
<v Speaker 5>did I normally notice those discrepancies. I did not notice

1112
01:01:18.599 --> 01:01:20.360
<v Speaker 5>them here. But You're right, Yeah, there's definitely been some

1113
01:01:20.400 --> 01:01:21.960
<v Speaker 5>parts of it that have been but I think I've

1114
01:01:22.000 --> 01:01:24.920
<v Speaker 5>just heard so often one of the complaints against dubbing

1115
01:01:25.239 --> 01:01:27.119
<v Speaker 5>is the oh, the voice actors that get.

1116
01:01:26.960 --> 01:01:28.719
<v Speaker 8>Are terrible, so that's kind of where it's coming from there.

1117
01:01:29.119 --> 01:01:33.639
<v Speaker 7>But yeah, I mean that is probably that's probably true

1118
01:01:33.920 --> 01:01:38.519
<v Speaker 7>for like the like anime series, Like when I say

1119
01:01:38.559 --> 01:01:42.000
<v Speaker 7>to me exactly, like that's the top end of anime movies,

1120
01:01:42.079 --> 01:01:44.760
<v Speaker 7>so obviously they're going to get the best of the best.

1121
01:01:44.840 --> 01:01:48.000
<v Speaker 7>Like I it's probably true that for a lot of

1122
01:01:48.000 --> 01:01:51.800
<v Speaker 7>these properties where it's like an ongoing TV series because

1123
01:01:51.840 --> 01:01:56.400
<v Speaker 7>there's hundreds of them. Yeah, it could be, but I

1124
01:01:56.440 --> 01:02:01.239
<v Speaker 7>don't know. I really don't know, because I know of

1125
01:02:01.800 --> 01:02:07.159
<v Speaker 7>many high quality voice actors in the industry, like and

1126
01:02:07.320 --> 01:02:12.199
<v Speaker 7>especially that they are fans of the characters and the anime.

1127
01:02:13.519 --> 01:02:18.719
<v Speaker 7>Like there's one right now on Netflix called the English

1128
01:02:18.880 --> 01:02:23.800
<v Speaker 7>is Delicious in Dungeon. Oh yeah, Japanese is Dungeon Meshim

1129
01:02:24.599 --> 01:02:29.880
<v Speaker 7>and that that's like we I think we watched in

1130
01:02:29.960 --> 01:02:33.360
<v Speaker 7>English because one of the voice actors is a YouTube

1131
01:02:33.400 --> 01:02:38.880
<v Speaker 7>personality that we love, Sung Wan and and he does

1132
01:02:38.880 --> 01:02:43.159
<v Speaker 7>a great job, Like he's not a movie star, like

1133
01:02:43.199 --> 01:02:45.800
<v Speaker 7>I think he might have done some live action TV,

1134
01:02:45.880 --> 01:02:49.239
<v Speaker 7>but it's mostly a voice actor and does a fantastic

1135
01:02:49.320 --> 01:02:52.679
<v Speaker 7>job because he is also a fan of the original

1136
01:02:53.119 --> 01:02:58.599
<v Speaker 7>and and like brings to the character more more of

1137
01:02:58.599 --> 01:03:01.920
<v Speaker 7>that personality. Right, he's he's I don't know, like it is.

1138
01:03:02.079 --> 01:03:03.639
<v Speaker 7>It is a job, but I feel like he's not

1139
01:03:03.679 --> 01:03:05.199
<v Speaker 7>doing it just because it's a job.

1140
01:03:05.639 --> 01:03:08.519
<v Speaker 5>Yeah, that makes sense. Yeah, the show got a little

1141
01:03:08.519 --> 01:03:10.280
<v Speaker 5>repetitive for me, but I definitely really liked the idea

1142
01:03:10.320 --> 01:03:12.960
<v Speaker 5>and I like the way it was produced. So all right, well,

1143
01:03:12.960 --> 01:03:15.199
<v Speaker 5>I think it's a good place to wrap up. There's

1144
01:03:15.239 --> 01:03:16.679
<v Speaker 5>a lot more about the show that we could have

1145
01:03:16.679 --> 01:03:18.719
<v Speaker 5>talked about. We'll probably do other episodes about it down

1146
01:03:18.800 --> 01:03:21.719
<v Speaker 5>the line. But to you all, if you've seen it,

1147
01:03:21.840 --> 01:03:23.599
<v Speaker 5>or just if you're curious about what we've talked about,

1148
01:03:23.599 --> 01:03:24.639
<v Speaker 5>I would love to hear your thoughts.

1149
01:03:24.639 --> 01:03:25.719
<v Speaker 8>We would love to hear your thoughts.

1150
01:03:25.880 --> 01:03:27.599
<v Speaker 5>You can find all the ways to contact us on

1151
01:03:27.679 --> 01:03:30.000
<v Speaker 5>the Ethical pana dot com org in the show notes

1152
01:03:30.039 --> 01:03:30.679
<v Speaker 5>of this episode.

1153
01:03:31.039 --> 01:03:32.519
<v Speaker 8>For members, stick around, we're gonna talk a.

1154
01:03:32.480 --> 01:03:34.320
<v Speaker 5>Little bit more about other kinds of AI and other

1155
01:03:34.360 --> 01:03:36.079
<v Speaker 5>shows that we in, other movies that we either love

1156
01:03:36.159 --> 01:03:38.880
<v Speaker 5>or don't love. But for everybody else, please have a

1157
01:03:38.880 --> 01:03:41.400
<v Speaker 5>wonderful day. Thank you so much. We have spoken
