Speaker 1: If you're going to have a boring line of drama
Speaker 1: and story, at least do your job and frame it
Speaker 1: so that the audience has any fucking idea what's going on?
Speaker 1: When I see Heather, I go into this obsession kind
Speaker 1: of like no, no, no, don't do that, don't don't
Speaker 1: do that, And it's just we're switching to London.
Speaker 2: Can I tell you this speaks volumes? Think about Salt
Speaker 2: Lake City right now. Their season launches in less than
Speaker 2: a month. What these women did for us to entertain us.
Speaker 2: They all got together and said, I have an idea.
Speaker 2: Let's all divorce our husbands to make good TV.
Speaker 3: Thank you, thank you, ladies.
Speaker 1: That's correct.
Speaker 2: Hey, hello.
Speaker 1: There, Hi, it's bad TV. I'm Dylan. That's pat great
Speaker 1: to be here. Ruby is joining us from New York City.
Speaker 1: It's raining, it's thunderstorming. And you said, just mere moments ago,
Speaker 1: dare I say, wouldn't even joke around. It was just
Speaker 1: a couple of mere moments ago that the East Coast
Speaker 1: has great rain. Didn't you say that?
Speaker 2: I did, Sure did.
Speaker 1: Why didn't you say anything when I said that I
Speaker 1: didn't know.
Speaker 2: I didn't know I was going to be prompted with
Speaker 2: that it's just beautiful because it's very humid, and then
Speaker 2: the rain comes down. It's like taking a shower out.
Speaker 1: All that stuff that he just said about the rain.
Speaker 1: I didn't even know that he felt that romantically about
Speaker 1: the rain because he hates cold weather or wet or
Speaker 1: yeah I did.
Speaker 2: That's why I'll never live on that side of the
Speaker 2: country ever again. But they have a few things.
Speaker 1: But if somebody bought you a house in Nantucket, no, no, never,
Speaker 1: that is so dumb. If somebody bought you a nice house,
Speaker 1: when I have to.
Speaker 2: Yeah, no for it.
Speaker 1: Now I get to press that million dollar home in Nantucket.
Speaker 1: You don't have to pay anything.
Speaker 2: Then I have to go through with Dylan. When it
Speaker 2: gets cold there in October, I suffer from a little
Speaker 2: thing called depression. When it starts getting dark and cold
Speaker 2: at five o'clock starting in late September October, I get
Speaker 2: the blues. Yeah, so I moved to Los Angeles and
Speaker 2: uh and the blues followed. No, they did not.
Speaker 1: Yeah, feel good. Everybody gets seasonal depression, doesn't matter how
Speaker 1: fucking sunny it is.
Speaker 2: Okay, listen, this show depresses me.
Speaker 1: Same. No, I don't want to be a I don't
Speaker 1: want to be a little bitch, but let's be positive. Okay,
Speaker 1: I'm gonna put on my patty hat and just go hey, hey, hey,
Speaker 1: now listen, let's be positive. I I do want to
Speaker 1: tell everybody to get in the comments and let us
Speaker 1: know if we should just move over to Real Housewives
Speaker 1: of London or not. I actually just get in the
Speaker 1: comments less. So if we should go over there, We're
Speaker 1: not going to, but maybe we.
Speaker 2: Real Housewives are Salt Like starts September sixteenth, Oh really,
Speaker 2: and the New York starts September eighth, So we got
Speaker 2: a lot of good stuff headed our way. We just
Speaker 2: need to get through this. I'm going to take a different.
Speaker 1: But honestly, we might go over to Ladies in London
Speaker 1: or the Real Housewives is in London. If it's like,
Speaker 1: I don't know, Rubes, are you watching?
Speaker 2: Yeah?
Speaker 1: And I got to say significantly better.
Speaker 3: Most things are. I'm not kidding, Like everything there's a
Speaker 3: yearn to watch it. I'm like, oh, I forgot what
Speaker 3: was going on that they're doing this this week? This show.
Speaker 3: I'm like, okay, get ready because you have a job
Speaker 3: to do here. You know, it's a different thing.
Speaker 1: Can I tell you the power I would feel saying actually,
Speaker 1: I refuse you. I refuse you. I don't want to
Speaker 1: watch Tamer every week. I refuse you. I'm open to it.
Speaker 1: Get in the comments, let us know if you want
Speaker 1: to swap over to London.
Speaker 2: I know some people are going to say we're negative.
Speaker 2: We that's not the first time we're hearing that as
Speaker 2: we recapish it, right, and they'll say, you know, you
Speaker 2: guys are really not your best when you really hate
Speaker 2: a show. I completely disagree.
Speaker 1: I agree, I oh, I don't.
Speaker 3: I think we have a lot of fun when we
Speaker 3: hate something.
Speaker 2: And I want to stick it to the producers of
Speaker 2: this show, because you know, we're one of the top
Speaker 2: podcasts that recap this show. And uh, it's so horrible.
Speaker 2: I believe we're on episode four or five where we're
Speaker 2: talking about yeah, okay, we're talking about a goddamn.
Speaker 1: Purse okay, And it's a very, very animated and meaningful
Speaker 1: way we're talking about this.
Speaker 2: Perse I realized all my fears this episode when it
Speaker 2: came up, and Emily's just so happy to have be
Speaker 2: involved in some kind of storyline, if you could call
Speaker 2: it that. It's absolutely awful. This is an awful show.
Speaker 2: This is an awful season. If I was a producer,
Speaker 2: I'd be embarrassed that I put this on television.
Speaker 1: We've said, been saying this, saying this thing where we go.
Speaker 1: You can't have these these I don't want to say
Speaker 1: you know what. I want you to square foot.
Speaker 2: As a viewer of this show. You know you don't
Speaker 2: like it either, but you're watching it just because it's
Speaker 2: like comfort food. Okay, the fucking potatoes tastes like shit.
Speaker 2: You go into a rests, nice restaurant, there's way better potatoes.
Speaker 2: But at home, you're accustomed to this. You've eaten these
Speaker 2: same potato since you were a kid. You will continue
Speaker 2: to eat them.
Speaker 1: M hmm. Yeah. Grandma's ashes are in it, not her
Speaker 1: dead body. She's a smoker.
Speaker 2: Okay, I want you to square this circle. As a viewer,
Speaker 2: Emily says Gina is her best friend Gena. Then Emily
Speaker 2: goes and tells Carmela, who she's known for exactly four
Speaker 2: and a half minutes, that Gina was talking about her
Speaker 2: about that goddamn purse. Yep, Okay, square that circle for me.
Speaker 2: That makes absolutely no sense.
Speaker 1: You can't square a circle.
Speaker 2: You can't. The only purpose of that is for Emily
Speaker 2: trying very hard to create some manufactured drama. Now, the
Speaker 2: reason why I hate Emily and Meatball especially is because
Speaker 2: they are not natural born killers like Tamrat. Tam Rat
Speaker 2: was out of the womb, being a backstabbing excuse me
Speaker 2: for the strong language, bitch.
Speaker 1: Emily Ruby forgiven or not?
Speaker 3: Yeah, forgiving?
Speaker 1: Okay, we can move on.
Speaker 2: Emily and Meatball aren't those people. They're just boring, filthy,
Speaker 2: yucky normies that got themselves on this show.
Speaker 1: Can I say thank you so much from the bottom
Speaker 1: of my heart. It's so crazy that it's crystallizing right
Speaker 1: now before me. It's kind of like when a therapist
Speaker 1: tells you something very obvious about your life, but you're
Speaker 1: paying them so much money that you go, oh my god,
Speaker 1: I can finally see it.
Speaker 4: Emily and Meetball are filthy, yucky normies, and so when
Speaker 4: that's crazy, when they try and get involved in the
Speaker 4: mud and backstab and try and back channel, it's so
Speaker 4: forced and it's so transparent what they're attempting to do
Speaker 4: that I hate it, and I hate it more than anything.
Speaker 1: He is so sweet. This kid comes in, Oh.
Speaker 2: My god, thank you, Kyle zero Hit. I will continue
Speaker 2: to watch this show because it is my job to
Speaker 2: skewre how horrible.
Speaker 1: I think we're going to change the shows. Caylen. I
Speaker 1: owe Kaylen money, and he is not a good person
Speaker 1: to owe money.
Speaker 2: He gets extremely I brought him fifty bucks for two months.
Speaker 1: Well, I guess he's different with me. Rubes, go ahead
Speaker 1: and give your boobs.
Speaker 3: Okay, this is mean. Okay, so all it's not negative,
Speaker 3: it's mean, and it's a mean observation. I think that Emily,
Speaker 3: in addition to having no storyline, is skinny for the
Speaker 3: first time. So she's feeling herself and she thinks that
Speaker 3: she's like elevated her bitchiness to think, like to a
Speaker 3: level that she's saying to Gina, you know, like, I
Speaker 3: don't need you in this conversation, please stay out of it. WHOA.
Speaker 3: I do not think that seasons of your Emily would
Speaker 3: have have made those types of comments to her friend
Speaker 3: because she felt as though she needed to be aligned
Speaker 3: with this one person. I think now she's kind of like, listen, bitches,
Speaker 3: I'm just up here with the rest of you guys.
Speaker 3: None of you can touch me, so let's go and
Speaker 3: I feel this weird sense of yeah, I don't know,
Speaker 3: arrogance or confidence.
Speaker 1: You're all right, because I remember when I went through
Speaker 1: my growth spurt. I was six two, one hundred and
Speaker 1: seventy five pounds I was. I went from being a
Speaker 1: nice kid to getting attention from girls, and I was
Speaker 1: just an absolute asshole. My friends were like, hey, calm
Speaker 1: it down, man.
Speaker 3: Don't be mean to us.
Speaker 1: This is what's happening.
Speaker 2: With Emily Catty Patty here. Okay, let's be clear. She
Speaker 2: looks like China the Wrestler.
Speaker 1: Oh are you so well? I don't.
Speaker 3: I think Who's what?
Speaker 1: Can I tell you? A real cultural blind spot for
Speaker 1: me is wrestling. I've never really gotten it. I don't
Speaker 1: know who China is.
Speaker 2: She's dead.
Speaker 1: If I knew who that was, I'm sure I would
Speaker 1: be like, we need to cut that immediately.
Speaker 3: Yeah, you would.
Speaker 2: I think she looks like China the Wrestler in her interviews,
Speaker 2: the way they have her made up, she looks just
Speaker 2: like China the Wrestler. I might call her that if
Speaker 2: she keeps annoying me the way that she's doing right now.
Speaker 3: I'm going to go thirty eight tits and I just
Speaker 3: want to say, for the record, I think that Emily
Speaker 3: looks great. I really do. Thirty eight the show is
Speaker 3: not good.
Speaker 2: There are two storylines that I'm interested in.
Speaker 1: I give my tits for fox sake.
Speaker 2: Well, I'm still kind of in my tits.
Speaker 1: I'm so sorry, Pat Ew don't apologize on moot that
Speaker 1: was retroactive muter boating. That's like to completely not okay,
Speaker 1: I'll allow it. Gabble, gabble, I'll allow it.
Speaker 2: Thank you, your honner. The two storylines that I'm fascinated
Speaker 2: with are the hate that is going towards Jen because
Speaker 2: let's be clear, they're making fun of Jen being brought
Speaker 2: into some kind of business dealings with Carmela because they
Speaker 2: think she's a fun can idiot. Yeah, that interests me.
Speaker 2: And why Carmela would bring Jen n interest interest me
Speaker 2: and where that's going to go interest me. That's a
Speaker 2: great storyline brought in by produced by Carmela.
Speaker 3: Second I want to talk about that to Pat.
Speaker 2: Thank you, and all the hate that Jen's getting, by
Speaker 2: the way, way to support women in business, by the way,
Speaker 2: all the gals on the cast. Secondly, Carmela and her
Speaker 2: business dealings and where all the fucking money is coming from.
Speaker 1: Uh.
Speaker 2: I saw that thirty five thousand dollars rental. If you
Speaker 2: look and reflect in the reflection of one of those
Speaker 2: mirrors and you'll close enough. There's a three story apartment
Speaker 2: building next door to it. So either she's lying. And
Speaker 2: by the way, there was a very busy street in
Speaker 2: front of that thirty five thousand dollars.
Speaker 1: It looked like a fucking like a like it looked
Speaker 1: like a It looked like a freak like likes you
Speaker 1: uh track home no storage that but for rich people
Speaker 1: and rich people's cars. I got like a like a
Speaker 1: car garage vibe.
Speaker 3: I know exactly what Dylan is talking about, and what
Speaker 3: it looks like is it looks like it should be
Speaker 3: subterranean thepher Lamborghinis, but it's a house.
Speaker 1: It doesn't look evil enough to be an evil layer,
Speaker 1: but it's it wants to be an evil layer. Almost Yep.
Speaker 2: Interesting.
Speaker 1: Oh heavens, are you still motor boating?
Speaker 2: No, I was just gonna say the dominos I think
Speaker 2: are gonna fall with Carmela. I do not think that
Speaker 2: she has as much money as she's pretending. I don't
Speaker 2: think that she is a successful as she is. I
Speaker 2: think Vicky kind of has her number here, even though
Speaker 2: I think Vicky always hates anybody that is more successful
Speaker 2: or she perceives more success successful than her. Yeah, I'm
Speaker 2: running out of breath. I'll just leave it at that.
Speaker 1: Thank you got enough tits freaking motor boating tits, dude.
Speaker 1: I actually, as much as I loathe this show, as
Speaker 1: much as I I think we're just really going to
Speaker 1: have a conversation about not watching another episode of this.
Speaker 1: I did think this episode was kind of good. Actually,
Speaker 1: I thought the Carmela and Meatball thing actually graduated to
Speaker 1: a level that was like the kind of entertaining. I
Speaker 1: think Carmela is really bringing it. I think Vicky's really
Speaker 1: bringing it. If Carmela is the fraudster that you assume
Speaker 1: she is to be, that's fun, right, It won't it
Speaker 1: won't mature for another I don't know, two or three seasons,
Speaker 1: which I don't think anybody's sticking around for. But uh yeah,
Speaker 1: Tamra taking a back seat a little bit is a
Speaker 1: welcome kind of reprieve from her nonsense. But the person
Speaker 1: that has been driving me craziest this season is Heather
Speaker 1: de bro. Your nonsense just it's like your Q tip problems.
Speaker 1: I don't even know what. It's like a stack of cutey.
Speaker 1: I don't know what we're even fighting about with you, lunatic.
Speaker 2: Spare us the tears. You're an actress, they're fake.
Speaker 3: I just and we'll talk about this. This is a
Speaker 3: deep cut, but for people who watched the Vampire Diaries,
Speaker 3: when Heather to Bro cry, thank you the veins beneath
Speaker 3: her eyes because of all the work, she looks like
Speaker 3: the vampires do right before they feed on human beings,
Speaker 3: and prove me wrong. You can't she's a vampire.
Speaker 4: Yeah.
Speaker 1: No, it's either a vampire or there are souls of
Speaker 1: things that have been kind of entombed by her flash
Speaker 1: that are just screaming to get out. But we'll figure
Speaker 1: that out maybe later. But first, let's talk about the
Speaker 1: Real Housewives.
Speaker 2: Med lounge.
Speaker 1: Med lounge, Yes, med lounge. We're starting at a bed
Speaker 1: lounge of course, with Vicky and Jenna Jen. Yeah, okay,
Speaker 1: we're doing some hydro facials and we're going to be
Speaker 1: kind of swat away the psychosis of one Vicky Gumbelson.
Speaker 1: So she's walking around with a telling literally anybody who
Speaker 1: will listen, or receptionist and esthetician that she is not
Speaker 1: a Debbie Downer. And this is why Vicky Gunwulson is
Speaker 1: Obviously you can't build a whole show around this crazy
Speaker 1: bat right, but a part, a piece of a larger pie.
Speaker 2: She's marvelous, one hundred percent, and I would argue she
Speaker 2: is correct. She is not a Debbie Downer. She's a
Speaker 2: lot of things. She's a she's a horrible picker of boyfriends,
Speaker 2: she's a overbearing mother. Yeah, she's braggadocious. Did I mention
Speaker 2: she's a horrible picker of boyfriends. Yeah, she's definitely that.
Speaker 1: But a Debbie Downer she is not. And we'll get
Speaker 1: to it later. When Heather and Tamra are having a
Speaker 1: like legitimate conversation about how she has to pick it up,
Speaker 1: I'm like, hey, find a looking glass YouTube fucking witches. Okay,
Speaker 1: Vicky's great. So we speak on the soft and or
Speaker 1: hard side of Heather de Row.
Speaker 2: Yeah, so Jen, they discuss what basically, well Vicky refers
Speaker 2: to as a cold fish fires shot there, Vicky, I
Speaker 2: love how you do that, and Jen points out Heather bros.
Speaker 2: Basically always presents as perfect, which is right on the
Speaker 2: right on target. Your life is perfect.
Speaker 1: What are what are we talking about here?
Speaker 3: Yeah, so this is the problem with this entire storyline.
Speaker 3: Ah No, I don't know. I don't care, and I
Speaker 3: don't think they know. And it's like, I'm we take
Speaker 3: notes as we're watching, right, So we're bouncing back and forth.
Speaker 3: I'm sitting here and people are going to dinner and
Speaker 3: going to lunches and they're mad about things that they've solved. Yeah.
Speaker 3: What I what I think is going on is that
Speaker 3: Jen says, Heather, listen, you're my girlfriend. Okay, you don't
Speaker 3: have to be so perfect all the time. And Heather
Speaker 3: says to Jen, Jen, listen, you poor piece of shit,
Speaker 3: dumb fuck, I have a brand to protect, okay, and
Speaker 3: everything does have to be perfect. Terry and I rehearse
Speaker 3: our lines before the show up right right, you you
Speaker 3: can't be a wrench in my perfect life. And if
Speaker 3: you can't be that friend, get out, Jen, get out.
Speaker 1: That is what's happening. And I'm so appreciative of your
Speaker 1: kind of subtextual understanding of what's going on. But on
Speaker 1: the surface, we're writing notes here and I'm being gas
Speaker 1: lit by the show. Do I need to stop smoking
Speaker 1: so much pot? Because I have no recollection of what
Speaker 1: the fuck they're fighting about. It's not the weed, it's
Speaker 1: them not doing their fucking job. If you're going to
Speaker 1: have a boring line of drama and story, at least
Speaker 1: do your job and frame it so that the audience
Speaker 1: has any fucking idea what's going on. When I see Heather,
Speaker 1: I go into this obsession kind of like no, no, no,
Speaker 1: don't do that, don't don't do that, and it's just
Speaker 1: we're switching to London.
Speaker 2: Can I tell you this speaks volumes? Think about Salt
Speaker 2: Lake City right now, there's and launches in less than
Speaker 2: a month. What these women did for us to entertain us.
Speaker 2: They all got together and said, I have an idea.
Speaker 2: Let's all divorce our husbands to make good TV.
Speaker 3: Thank you, thank you ladies.
Speaker 2: Right, That's how committed they are entertaining.
Speaker 1: You know, That's why I think. All right, anyways, let's
Speaker 1: get to Carmela's ask you something. Yeah, can you stop
Speaker 1: moving around yourself freely? We're trying to did you see
Speaker 1: him out of the corner of your Earm's walking around
Speaker 1: like it's his house in the morning.
Speaker 2: I'm not as distracted as you.
Speaker 1: Okay, let's get to Carmela's as we discuss she is
Speaker 1: living in a kind of non committal evil layer and.
Speaker 2: Emily stops by two stops by.
Speaker 1: We should talk about this version of Emily, which is
Speaker 1: Olivia Newton John. At the end of the movie, she's
Speaker 1: gone through the Hall of Mirrors and she's decided to
Speaker 1: become a horror for love. Emily. I thought she was
Speaker 1: smoking in the scene, like she's Sandy.
Speaker 2: Dylan's referring to Greece, the movie in which the ultimate
Speaker 2: message to all women watching that film is become a
Speaker 2: dirty whole.
Speaker 1: No, no, that's not it. Can you hit flag on
Speaker 1: that for me? Please? It's not a big deal. Carmela
Speaker 1: brings up that she went out with the girls, and
Speaker 1: I know that I said the same thing, but I don't.
Speaker 3: I just I also, I would just like to ask,
Speaker 3: what's the problem there, because it is the message, right,
Speaker 3: she don't just we always.
Speaker 1: Say it when we talk about Greece, and I don't know.
Speaker 1: I was just trying to get through it. And then
Speaker 1: Pat really brought the gavel down. But I don't think
Speaker 1: that she became a whore, right because she was committed
Speaker 1: to Danny Zuko. But she did be no I'm a hussy.
Speaker 1: She changed, she changed, she was she's less academically driven.
Speaker 1: She just wanted to race cars.
Speaker 2: And smoke and dress in tight pants leather.
Speaker 1: Yes, okay. So Carmela brings up that she went out
Speaker 1: with the girls and had heard rumors and murmurings that
Speaker 1: there was some stuff being said about her, and Emily said, yeah,
Speaker 1: Vicky thinks you're a filthy, fucking liar, and Carmela says,
Speaker 1: kind of a backhanded slight, She goes, do you think
Speaker 1: it's a generational thing?
Speaker 2: She's fucking old?
Speaker 1: You think it's because she's a bitter old bag of
Speaker 1: bones and her knee is not working. Now, I think
Speaker 1: you know it's so weird. I feel like I have
Speaker 1: a pretty good gut about people. I don't know. I
Speaker 1: don't know why my alarms aren't going off with Carmela.
Speaker 2: I'll tell you why.
Speaker 1: I think you have to be kind of savvy to
Speaker 1: get through Playboy without having a kind of disastrous story.
Speaker 1: I think that she's got a lot of it.
Speaker 2: You don't know that. There wasn't She says, there wasn't.
Speaker 2: You don't know that. I mean, I'll tell Dylan this,
Speaker 2: how you read people? You listen to what comes out
Speaker 2: of their mouth. She says an I quote, I don't know,
Speaker 2: maybe I'll pay Jen like twenty thousand dollars to pick
Speaker 2: out some tile. When something like that comes out of
Speaker 2: your mouth. I think that was almost a direct quote. Ruby,
Speaker 2: and my correct in saying that it was not a trut.
Speaker 3: I'll let you finish your thought.
Speaker 2: That is so brazen and so stupid to say that
Speaker 2: out loud.
Speaker 1: She didn't say that out loud.
Speaker 2: Okay, what did she say?
Speaker 1: Ruby correct me.
Speaker 3: I believe that she has people that work on these
Speaker 3: types of properties with her that do those types of things.
Speaker 3: One of the examples of rick out tile was picking
Speaker 3: out tiles. I think like our dad has guys that
Speaker 3: he pays whatever house he's working on, it's a flat feet,
Speaker 3: it's ten grand, it's fifty ran, whatever it is. I
Speaker 3: don't know why this is so weird, Like Jen is
Speaker 3: like a housewife who has like relatively good taste. Go
Speaker 3: design a bathroom for me. Here your swing talking about
Speaker 3: my husband.
Speaker 4: I just don't.
Speaker 1: You're so outflanked by us right now. You're totally fucking wrong.
Speaker 1: The brother and sister do out. Okay, you're wrong, and
Speaker 1: let me make this get in the comments. Let us know.
Speaker 2: Something's fishy in Denmark. Let's talk about this rental that
Speaker 2: she's paying thirty five thousand dollars for. Why she says,
Speaker 2: And I like Carmela, She's brought a lot to the
Speaker 2: show so far. Dare I say she's the only one
Speaker 2: bringing in.
Speaker 1: It's fishy in Denmark. Fucking fish. They eat a lot
Speaker 1: of fish. People eat so much fucking fish. I don't
Speaker 1: want to go to those places. But then you sit
Speaker 1: down for lunch and they're like, here's this rotted fucking
Speaker 1: thing with nickles. I don't want that.
Speaker 2: Go ahead, Sorry, okay, she said. The reason that she's
Speaker 2: renting this thirty five thousand dollars house here in what
Speaker 2: is it, Coronado.
Speaker 1: Rancho, Cucaba Rancho is because her office is here, her
Speaker 1: office is closed. She wants to get into deep work,
Speaker 1: she wants to write.
Speaker 2: Because we all know in twenty twenty five, twenty twenty
Speaker 2: six how necessary offices are now.
Speaker 1: I mean, I think they're more necessary than ever. I mean,
Speaker 1: Ruby would disagree, but I think it's very very important
Speaker 1: to kind of have a healthy balance, to compartmentalize your life.
Speaker 1: You can't just have home, family, work, sport, all of it.
Speaker 2: On top of it, she doesn't live in Europe. She
Speaker 2: has a house five hours away drivetime.
Speaker 1: You know what, I'm very confused about. Why I'm gonna
Speaker 1: die on this hill. I don't need too.
Speaker 2: I don't mind why him everything and her story is
Speaker 2: sketchy and very questionable. Why am I the only one
Speaker 2: digging here? You guys are making me sound like Megan Edmunds.
Speaker 3: I know, I know, I know, I know, but I
Speaker 3: just want to chime in and say, I don't think
Speaker 3: it's weird that she said the twenty thousand dollars thing
Speaker 3: for Jen. I think a lot of people do that.
Speaker 3: I also don't think it's weird that she would be like, hey,
Speaker 3: your husband looks like he might be friends with some
Speaker 3: sketchy rich dudes that might property with me. So yeah,
Speaker 3: that's a very normal thing to befriend somebody's wife and
Speaker 3: then use their husband's business connections in real estate. Gina
Speaker 3: should probably take a book out of this little her
Speaker 3: page eye.
Speaker 1: I think Vicky's yeah, Vicky's one hundred percent right where
Speaker 1: she's like, do not invest money with that woman? And agreed,
Speaker 1: I think that you're you're right there could be some
Speaker 1: shady stuff on the horizon or in the past. But
Speaker 1: when I say making it out a playboy without any disaster,
Speaker 1: I mean, like example, you went from that, then you
Speaker 1: went to the Bunny Ranch, and now it didn't work
Speaker 1: out of the bunny ranch. So you're living in fucking
Speaker 1: Ohio somewhere.
Speaker 3: I don't know that I agree with Pat Dell. We
Speaker 3: do not have that confirmed yet. I don't. I think
Speaker 3: Pat is a little bit right, and you're a little
Speaker 3: bit right too. All Switzerland myself, h.
Speaker 1: What a coward. Let's move on.
Speaker 2: Well, let's get to Emily, where she is very condescending
Speaker 2: to a person that gave her a three thousand dollars
Speaker 2: par us. She goes, Carmela, you're a boss, you shouldn't
Speaker 2: lead with expensive gifts. I would go, well, then give
Speaker 2: it back. And by the way, I had two of them,
Speaker 2: so I just blew the dust off that other one
Speaker 2: and gave it to you China.
Speaker 1: I'm trying to think I'm a little bit lost yet.
Speaker 2: So meanwhile, Vicky basically says Carmela might be a scammer
Speaker 2: and eventually asked Jenfer money. And then meanwhile Carmela admits
Speaker 2: to that arrest that when she was twenty. The timeline
Speaker 2: is so off. Who even gives a shit?
Speaker 1: That's my thing? That doing? Okay if you get on.
Speaker 1: So we go to Ohio where she was with Jeff
Speaker 1: because he was playing for the Browns, I believe. So
Speaker 1: she's at Everything there is flat and everything is either
Speaker 1: in jello or has chili on top of it, and
Speaker 1: everybody knows that about that place. Were correct?
Speaker 4: Correct? Yes?
Speaker 1: Ruby went to college there?
Speaker 3: You did, Ruby Miami of Ohio go RedHawks?
Speaker 1: Wow? A couple of what do you call him? Almam?
Speaker 3: Well yeah, just one?
Speaker 1: Well you that's no. But who are the people that
Speaker 1: went there with?
Speaker 3: Alumna?
Speaker 1: Alumna Paul Ryan, Roethelisberger. P ninety x is Paul Ryan
Speaker 1: and Roethlisberger. So it's a cool place. But anyway, so
Speaker 1: she's in a disgusting bar. They have strippers, stripper polls there.
Speaker 1: She gets up and then kicks her her uh and
Speaker 1: her competition, her competition in the fucking face. We're all
Speaker 1: years old. I love. Let's get a Ta Darius apartment. Yeah,
Speaker 1: let's get which is down the street from the house
Speaker 1: she's living out her elden Ring fantasies. Uh that you
Speaker 1: know what elden Ring is? No?
Speaker 3: I just don't even know what to say.
Speaker 1: Do you know what elden Ring is?
Speaker 3: Yeah? And that's Can I clarify something really quickly, Dylan?
Speaker 3: I do because people in my life, you care about
Speaker 3: this shit? If your daughter, yeah, was interested in this
Speaker 3: world and she threw that out, It's not like she
Speaker 3: was saying something that was the most like minute, come
Speaker 3: on camera, pay a little attention, or just lie and
Speaker 3: giggle and move on.
Speaker 2: What is it?
Speaker 1: I gotta say?
Speaker 2: Is it Lord of the Rings?
Speaker 1: No? No, it's a video game. But I can't play
Speaker 1: these video games anymore. Who has time to get lost
Speaker 1: in an the most immersive open world. I mean me
Speaker 1: and Kylen just went through this with balders Gate. I mean,
Speaker 1: you have a family. You can't play these games like this.
Speaker 2: I mean I can't.
Speaker 1: I can't fall asleep sitting up playing Balder's Gate anymore.
Speaker 1: Not a child.
Speaker 2: When I played Nintendo, I'd played till my thumbs burnt
Speaker 2: out the skin of I know, it's what a loser
Speaker 2: I was.
Speaker 1: Well, they're fun though, they're a good way all right. Question.
Speaker 2: I don't want to sound judge here. But I'm curious.
Speaker 2: So Daria chose not to go to the Musicians Institute,
Speaker 2: which I support because I graduated from there with a
Speaker 2: secondary degree, was.
Speaker 1: Pointless, it's a scam.
Speaker 2: Does she have a job?
Speaker 1: I don't know if she has a job or not.
Speaker 1: But what I do know is that listen, Daria, do
Speaker 1: your thing.
Speaker 2: No no, no, no no no. You leaving the nest
Speaker 2: means independence, It means a new journey, and means launching
Speaker 2: off into adulthood, which means responsibility. If mommy is just
Speaker 2: like here, I'm floating your apartment, yeah, and not there's
Speaker 2: no expectations of kind of supporting yourself. I think it's
Speaker 2: a bad move.
Speaker 1: Yeah. I think there's a little limbo though here where
Speaker 1: I think Daria is much like Carmela's kind of parking garage,
Speaker 1: where she's in between two things. Okay, so Tamar is
Speaker 1: definitely paying for everything, but she's close. She's gonna she's
Speaker 1: gonna be out on her own soon. I don't know
Speaker 1: if she has a job, Ruby.
Speaker 3: I'm not sure, But what I do know is that
Speaker 3: Tamar's husband will not film ever, Yeah, on this show,
Speaker 3: And I think it's the funniest thing in the world
Speaker 3: camera has to record her scenes now with her daughter,
Speaker 3: because Eduardo has said, uh uh, you know that's so crazy.
Speaker 1: Do you know that's why Daria is on the show.
Speaker 1: The only insight we have into her domestic life is
Speaker 1: through Daria.
Speaker 2: Did you know there's a sun that's probably close to
Speaker 2: her age that we don't ever see. His name Spencer, right,
Speaker 2: never seen.
Speaker 1: And then there's another one that's with them with the husband.
Speaker 2: No, there's one that is. There's a girl named Sidney.
Speaker 1: She won't talk to her, that's right.
Speaker 2: Then there's Ryan, the ship bag that's got like a
Speaker 2: fucking rap sheet as long as my arm.
Speaker 1: He's a total loser, okay.
Speaker 2: And uh and then Spencer, who we don't see. The
Speaker 2: cameras just float around him.
Speaker 1: Listen. I'm sure that every stage of parenthood has its
Speaker 1: rewards and its challenges, but having a little adorable baby
Speaker 1: as as Pat and I do, it's sad to think
Speaker 1: that they'll grow into something that is debating going to
Speaker 1: the Musicians Institute and has tattoos and is talking about
Speaker 1: Elton rang like, I don't want that. Sucks. I don't
Speaker 1: want that. They're so cute, all right, so let's move on.
Speaker 1: You know what I'm talking about, though.
Speaker 2: Well, you know, you got to let them make their
Speaker 2: own mistakes, Stilling.
Speaker 3: But what you also, does that mean.
Speaker 2: Kaitlin's into all that shit you just said.
Speaker 1: I know, and I'm sure his parents probably thought that
Speaker 1: he was a lot cuter when he was a little
Speaker 1: baby and he was walking around like a drunk. But
Speaker 1: he was a baby.
Speaker 3: Now he's just a drunk.
Speaker 1: Okay, let's get to Dano Lee's for a little ribbi
Speaker 1: and French fries. Is there a better meal? Yeah, definitely,
Speaker 1: but it is really really delicious. It's so crazy to
Speaker 1: me that you got you guys will not eat a ribbi?
Speaker 3: No what what? They all ordered different steaks. It seemed right.
Speaker 1: Yeah, we've definitely we've got a ribbi, We've got a filet.
Speaker 1: But they may do that here. But we get to this.
Speaker 2: By the way, we will spend twenty three minutes at
Speaker 2: this table for the most part talking about that goddamn parse.
Speaker 1: Yeah, so this is when well Bador and Tamra that
Speaker 1: we also talk about what's going on between Heather. Oh no,
Speaker 1: we are going to tell Emily.
Speaker 2: I'm sorry. We at some point, don't we get to
Speaker 2: go to lunch with Gene the Machine.
Speaker 1: Okay, second, okay, but right now we discuss the kind
Speaker 1: of relationships that we have with Tamra. So Bador and
Speaker 1: Tamra are good, but tenuous. Heather and Tamor are good, tenuous,
Speaker 1: tough to be friends with Tamrah. Okay, got that, And
Speaker 1: then we get to this Heather to Bro thing where
Speaker 1: we've addressed it. But I have in my notes that
Speaker 1: I I honestly don't know how culpable I am for
Speaker 1: having no clue what they're talking about. I'll tell you,
Speaker 1: but we know now, Ruby said, you know, laid it
Speaker 1: out for all of us. But what percentage is it
Speaker 1: on the audience for not knowing what's going on? And
Speaker 1: what percentage is it on production? It is like a
Speaker 1: ninety ten thing here because they're just doing not a
Speaker 1: good job.
Speaker 2: Okay. So I would like to know how much interaction
Speaker 2: Heather de Bro has with Meatball and Emily when the
Speaker 2: cameras aren't there. I would love to know how many
Speaker 2: phone calls, how many texts? Zero, how much interaction actually
Speaker 2: takes place zero, Because HD in this scene is actually
Speaker 2: her issue is with Emily backstabbing her because she considers
Speaker 2: her a very good friend. And she points out, if
Speaker 2: you remember from seeing a scene earlier in the season
Speaker 2: with her own mother, she doesn't like her family. Her
Speaker 2: family has no emotions, right, so that's why she considers
Speaker 2: these people her family. Right.
Speaker 1: And you know what, forgive me because Ruby broke down
Speaker 1: what was happening with Jen and Heather? This is between
Speaker 1: Emily and Heather, and once again common thread Heather's drama
Speaker 1: and storylines. Were you guys confused about what the fuck
Speaker 1: she was upset about? She was upset that Emily told
Speaker 1: her that she had talked too much the night before.
Speaker 1: Hmm was that episode last episode?
Speaker 2: Yeah?
Speaker 3: So just really quickly, well, what Heather is vampire crying
Speaker 3: about is because Emily did not look at me and
Speaker 3: she told me I was talking all night.
Speaker 2: I want to point out we just watched the season
Speaker 2: of Real Highest Wives of Rhode Island where a girl
Speaker 2: showed up to another girl's house. Another girl called another
Speaker 2: cast member a slam pig, shoved her out of her
Speaker 2: house as the other girl fought to get.
Speaker 1: In and slammed the door in her face. Yes, okay,
Speaker 1: that's television, thank you. I mean she showed up with
Speaker 1: her told me.
Speaker 2: I talked too much.
Speaker 1: I mean she Kels what was her name, Kelsey shows
Speaker 1: up with a blowhorn okay, and then goes inside and
Speaker 1: Rosie's houses.
Speaker 2: Worked like five thousand dollars.
Speaker 1: Rosie has blueprints and a tape measure out and then
Speaker 1: they almost physically fight each other. Heather is saying that
Speaker 1: she looked at me, not in a way that I appreciate.
Speaker 1: Let's get to Shannon the cannon and Jeane the machine.
Speaker 2: Geene the machine.
Speaker 1: He looks like he is freshly from maldehyde. It every morning.
Speaker 1: He looks incredible for ninety seven, by.
Speaker 2: The way it does. He's been known as a life
Speaker 2: along alcoholic. I think it actually speaks to some positive
Speaker 2: powercohol playing.
Speaker 1: Yeah.
Speaker 3: Yes, if you lean in, this is what you can
Speaker 3: at you can you have to cross the threshold to
Speaker 3: pickle to the outside. But he is three years old
Speaker 3: from he's one hundred in three years. That man looks
Speaker 3: like he's in his eighties and being serious. And Shannon
Speaker 3: is uh, Shannon is him exactly just younger.
Speaker 2: Yeah, she kept trying to come up with fun names
Speaker 2: for herself because he's g machine and you can't beat
Speaker 2: that one. All of hers were horrible. Shannon Badore is
Speaker 2: so drunk, she's always on the floor.
Speaker 1: Oh wow, no, that's not she didn't come up with that.
Speaker 1: That was no, that was mine, that was yours. Okay,
Speaker 1: well she's.
Speaker 2: Finally realizing she's just like her dad. Ahem and uh
Speaker 2: it was also a lifelong alcoholic and also also a
Speaker 2: Sunday driver with canines. We here you, Archie. I feel
Speaker 2: for you guys being pulled into cars doing drunken dry
Speaker 2: buys or night stalking missions for ex boyfriends.
Speaker 1: Oh who's that?
Speaker 2: Oh that's Archie's friend in having Ted. He died in
Speaker 2: a car. Poor guy.
Speaker 1: Yeah, yeah, I'm sure Ted doesn't even want to hear
Speaker 1: it from Archie. Archie's like, I was involved in these accidents.
Speaker 1: I died in a car. That's why I'm here.
Speaker 2: Archie brought them him into the conversation to drive home
Speaker 2: that point. Thanks Archie.
Speaker 1: All Right, So Shannon is in debt, but she did
Speaker 1: tell her she finally got a financial planner, and she
Speaker 1: told the financial planner, I have a six month plan
Speaker 1: for this. Okay, So here's the thing this. I'll be
Speaker 1: the financial planner. Shannon. You are seven hundred thousand dollars
Speaker 1: in debt. This is something that will take years to
Speaker 1: pay off. We can't accomplish an erasure of this in
Speaker 1: six months, but who knows. If that's the situation. I'm
Speaker 1: happy for Shannon. We Shannon has long outstayed her welcome.
Speaker 1: But I think deep inside of all of us we
Speaker 1: like Shanna Badoor.
Speaker 3: No, okay, yeah, I don't want her to like. I
Speaker 3: don't wish terrible things upon her, but like I wouldn't say,
Speaker 3: is what I don't love her?
Speaker 2: No, she's an idiot. She went after our girl, Heather
Speaker 2: McDonald on Juicy. Heather McDonald made fun of her falling
Speaker 2: down on the show, so Heather McDonald did a video
Speaker 2: of an acting class where you can fall down on
Speaker 2: reality TV too. Shanna Badoor went on the Jamie Kennedy
Speaker 2: podcast Kaylen's dad's been on it, and she was like,
Speaker 2: it's just not funny. It's just not funny. She wants
Speaker 2: to be my life. She wants and then she was like,
Speaker 2: I used to take Heather McDonald out to football games,
Speaker 2: take her out to dinner. She's been to my house.
Speaker 2: She wants to be nuts.
Speaker 3: I don't think Heather has any interest in being Shannon Badoor.
Speaker 3: I don't think any of us do. But what I
Speaker 3: did think was incredible was at the end of it,
Speaker 3: she was saying, like, what I've realized being here now
Speaker 3: is that I'm gonna trust my instincts in my and
Speaker 3: I like being in Corona del Mar, So I'm staying.
Speaker 3: And I was like, well, but no, Shannon, because you
Speaker 3: can't afford to stay.
Speaker 1: So she is happy in Corona del Mar. Then downsize,
Speaker 1: She's happy in Corona del marri Okay, both of you
Speaker 1: wolves need to put your teeth away, all right.
Speaker 2: So there were a couple of fun things with this conversation.
Speaker 2: First off, they start getting into some summerhouse that Geane
Speaker 2: the Machine sold in the eighties.
Speaker 1: I didn't want to guy, I didn't want to leave
Speaker 1: Los Angeles. They talk about it, what I got on
Speaker 1: a stick.
Speaker 2: They talk about it like it was fucking yesterday. And
Speaker 2: this is the current state of adults where we're at,
Speaker 2: and I mean sixty two year olds and ninety seven
Speaker 2: year olds. We can't stop relitigating the fucking past of
Speaker 2: our childhoods and what bummed us out? Sure, move the
Speaker 2: fuck on, that's what my right. I'm gonna start a podcast.
Speaker 2: I'm the new melt Robbins hers is like, h don't
Speaker 2: let them or whatever.
Speaker 1: The fuck it's the opposite, it's let them.
Speaker 2: Let them all right. My book message is called move
Speaker 2: the fuck on. Move the fuck on. Ah, move on,
Speaker 2: try and fight that. Well I can't, No, you can't
Speaker 2: move on. Let it go. Why are you talking to
Speaker 2: this ninety seven year old man and making him feel
Speaker 2: bad about selling a house in nineteen eighty four?
Speaker 3: Right, move out of all the things to get drunk
Speaker 3: and talk about at this dinner, Shannon, she's she's finished
Speaker 3: her second drink and then she's like, hey, by the way,
Speaker 3: I fucking didn't want to leave that childhood house. By
Speaker 3: the way, a ninety seven year old I hate you
Speaker 3: for that.
Speaker 1: I got all right, Well, I think they cleared the air,
Speaker 1: and Shannanbadoor is happy. In Corona Del Mar Meetball and
Speaker 1: Tamar meet up for a little jaunt at a local
Speaker 1: walking circle and Tamar goes, hey, what's going on? And
Speaker 1: Meebo goes, oh, not much, just child happen deck to
Speaker 1: me last night A thought child was in danger of
Speaker 1: serious bodily harm. But what is up with Carmela? Who
Speaker 1: does that bitch think she.
Speaker 2: Is bringing Jen on a new project? Jen.
Speaker 1: All right, let's get ready for the winery.
Speaker 3: I just really quickly, I want to say, I think
Speaker 3: Gene is still a little bit hurt about Jen when
Speaker 3: she moved Jen into that house and then Jen fucked
Speaker 3: her relationship up and didn't pay her in it for
Speaker 3: a year. So it's triggering a bit, I think, rightfully.
Speaker 2: So it's hard not to forget that when someone fucks
Speaker 2: you like that.
Speaker 3: Great.
Speaker 1: Jen can't not fuck you in a situation like that.
Speaker 1: She doesn't know what's going on.
Speaker 3: But Dylan, But how Dylan?
Speaker 1: I know, I know, I know, I know, no big
Speaker 1: time I know. But like, all right, let's say the
Speaker 1: IRS sends a letter about an LLC needing to be
Speaker 1: the license needing to get renewed or something on the track.
Speaker 1: What does she do with that?
Speaker 3: It's an open mail. I don't think she too complicated.
Speaker 2: What is this thing?
Speaker 1: It's very thick, all right, So let's get ready for
Speaker 1: the winery. Shannon is doing bits and we arrive there
Speaker 1: to whoop it the fuck up? Ceci Vicky. What a
Speaker 1: bizarre Froydian slip. Vicky sees the wine worker and I
Speaker 1: believe she wants to have sex with him. This is
Speaker 1: a perfect mark for Vicky.
Speaker 3: Go ahead, did either of you recognize the beautiful, incredible
Speaker 3: winery that this was ad and that it was the
Speaker 3: place that I got married at? But you were both
Speaker 3: at very recently.
Speaker 2: Get the f out of here?
Speaker 1: Are you kidding me?
Speaker 2: No, they didn't show the sign outside.
Speaker 3: No, they just showed the winery thing at the front,
Speaker 3: because I don't think they want people to know it's there.
Speaker 2: We have a wonderful evening at this location.
Speaker 3: It's really great. Seriously, the staff was wonderful.
Speaker 1: I had no clue. Isn't that funny? God, I gotta
Speaker 1: go back and m hm huh, that's fun I'm so happy. One.
Speaker 1: I'm sorry for not having any fucking idea that that's
Speaker 1: where you got married.
Speaker 3: I don't think you should, but.
Speaker 1: It would be much worse if I just absolutely decimated
Speaker 1: this place, which I didn't. It was lovely. But I
Speaker 1: will say there's one blemish. This guy Kyle needs to
Speaker 1: take the stick out of his ass. Okay. Yeah, Vicky's
Speaker 1: getting black out, okay, and she's pointing at people with wine,
Speaker 1: which is not even something that you can use to
Speaker 1: point It's a liquid. It's her party, But fucking this
Speaker 1: guy Kyle, take it easy, dude. All right, So we
Speaker 1: talk about this Debbie Downer thing, and this is where
Speaker 1: I'm like for Heather and Tamra to be coming to Vicky,
Speaker 1: who is just a walking kind of hooligan party, telling
Speaker 1: her that she needs to whoop it up. I don't know.
Speaker 1: I was a little insulted on Vicky's behalf. I think
Speaker 1: Vicky is just far and away the best housewife on
Speaker 1: this show. Right now.
Speaker 3: I agree that you can't. I am not a trick.
Speaker 3: I'm not a gesture for you, kings and queens. You
Speaker 3: don't come here and tell me to perform and dance
Speaker 3: like a monkey. Vicky will black out and whoop it
Speaker 3: up when she feels like it, Okay, exactly.
Speaker 1: Hey, I learned this from a Danny McBride interview. Did
Speaker 1: you know the best gesterres in the medieval ages? The
Speaker 1: kings of their craft could jump, fart and whistle at
Speaker 1: the same time.
Speaker 2: Really? No, Wow?
Speaker 1: That pretty amazing? Nice?
Speaker 3: I love Jenny McBride.
Speaker 1: Is that cool?
Speaker 2: Yeah?
Speaker 1: Hey? Did you do you have the brief song right now?
Speaker 2: No, I'm going to model them once we in between shows.
Speaker 2: I'm gonna do a photo shoot for Patreon.
Speaker 1: I'm okay, sorry, so we really quickly. I know we
Speaker 1: got to wrap up. Rubies got a night ahead of her.
Speaker 1: But we talked about pat doing a sexy Britney Carwright
Speaker 1: kind of photo shoot in the boxer brief that I
Speaker 1: got him I and that's great. Go to patron dot com,
Speaker 1: Slash another podcast network to see that. I didn't know
Speaker 1: that I was going to be the one taking the photos.
Speaker 2: Oh, you don't have to. You can do art direction.
Speaker 2: Calein will take him, or I can ask Lupita.
Speaker 3: I think we'll leave her out. Probably we're out of it.
Speaker 1: Right.
Speaker 2: That fears Hypeta.
Speaker 1: That feels like not appropriate. All right, So Carmela arrives
Speaker 1: and Vicky, who has met her multiple times, goes up
Speaker 1: to her. And that's a high of Vicky.
Speaker 2: This is this is not the first time she's done this.
Speaker 2: This is a Vicky move.
Speaker 1: This is one of those things where sorry to get
Speaker 1: back to the valley, but it's like, so Brandon goes
Speaker 1: on on on social media Brittany's ex boyfriend and says,
Speaker 1: Brittany gave me forty dollars. This is a lie, but
Speaker 1: it's such a bad lie that it it begets more
Speaker 1: kind of confusion. So do Vicky, God for knock on wood,
Speaker 1: are you experiencing some kind of memory loss? Because this
Speaker 1: isn't like a good insult. It's just so insane because
Speaker 1: you've met her five times now.
Speaker 2: This is mean girl shit and it is Ruby. Forgive
Speaker 2: me if I'm speaking out of turn here.
Speaker 1: Please forgive him if he's speaking out of turn.
Speaker 2: Vicky has done this. I think she did it too,
Speaker 2: probably season five with this girl named Peg who only
Speaker 2: lasted one season. She did the same shit, like reintroduced
Speaker 2: herself like hi, she had had dinner with her. It's
Speaker 2: to say, you mean so little to me that I
Speaker 2: don't even remember you. I started this fucking network.
Speaker 1: I understand that. But it's go ahead, Ruby.
Speaker 3: Oh no, it's just it's just transparent insecurity on display
Speaker 3: by a woman who is too old to be. She
Speaker 3: needed to go to therapy a very long time ago,
Speaker 3: and she did not. There is still time. But I
Speaker 3: believe you're referencing Peggy. And it's interesting to note that
Speaker 3: Vicky actually she never did it to Shannon when she
Speaker 3: does not perceive you as someone who's younger, hotter, skinnier,
Speaker 3: bigger boo. If no one would choose you over her
Speaker 3: in a mail setting. She'll welcome you. But if you
Speaker 3: if you're that, I will not know your name. I
Speaker 3: won't when you met you nine times.
Speaker 1: Right, when you say Vicky's too old, you mean too
Speaker 1: old to be doing this kind of thing. Yes, and yeah,
Speaker 1: and just to clarify, thirty is too old to be
Speaker 1: doing this kind of thing.
Speaker 2: Eleven, I tell my daughter.
Speaker 1: Right, Okay, So Carmela has a very forced moment here.
Speaker 1: She is offered wine. She goes, oh, I don't know
Speaker 1: about wine. I get a little risky when I the
Speaker 1: last time I drank wine, I took my clothes of it,
Speaker 1: like just just generically took my clothes.
Speaker 2: No, no, no, this is what you want out of a
Speaker 2: new cast member. This is fun, it's mysterious.
Speaker 1: Right, but the last time you when you took your
Speaker 1: clothes off, One, that's not a story, and two what
Speaker 1: are you?
Speaker 2: He sounds like an AA.
Speaker 1: Vicky gets absolutely shitfaced, and Kyle is a Debbie Downer,
Speaker 1: and we get to the table and Heather starts in
Speaker 1: on her shit. No, no, no, don't do this. Emily
Speaker 1: told Heather that she had spoken too much that evening,
Speaker 1: and because of that, Heather lost sleep, God kind of
Speaker 1: quiet lunatic. Are you losing sleep over this? And because
Speaker 1: she lost sleep and she's on the verge of tears,
Speaker 1: I I believe that they're Heather and Terry. They're just scientologists.
Speaker 1: They just have to be scientologists. What in the church
Speaker 1: of scientology is this kind of behavior. It's weird. I
Speaker 1: think they're scientologists.
Speaker 3: Go ahead, Well, when after when Kelly Dodd when they
Speaker 3: had the meeting at the restaurant where they had to
Speaker 3: take their shoes dot and sit on the floor, and
Speaker 3: she was like, you need to leave, and Kelly Dodd
Speaker 3: is like, I'm not fucking leaving. It's not your house.
Speaker 3: What are we doing telling me to leave? And then
Speaker 3: Heather was like, well then I'll leave, and then she
Speaker 3: hysterically cries and calls Terry in the car. I don't
Speaker 3: know what the decisions are for when the crying takes place,
Speaker 3: but it's off and it's not the right it's it's
Speaker 3: kind of scientology. Yeah you don't, it's the wrong time
Speaker 3: I think to do it.
Speaker 1: Her approach to conflict is so like audit Tom Cruise.
Speaker 1: It's very very weird. Shannon is going hard tonight. Thank God,
Speaker 1: I want Shannon to rip it up. I want Shannon.
Speaker 1: The Tesla has an automated driving mode.
Speaker 2: It's tough though, you got to keep your hands on
Speaker 2: the steering wheel. It watches you. You can't be drunk
Speaker 2: driving that thing.
Speaker 1: Really bummer. But we get to the gift.
Speaker 2: There is a new model coming out where you can
Speaker 2: be asleep while you drive it.
Speaker 1: Oh really, let's go. Could you ever imagine falling letting
Speaker 1: yourself fall asleep while you're in something with just class
Speaker 1: everywhere that you can see you're going seventy miles an.
Speaker 2: Ach, Yes, I could never you say that. Now in
Speaker 2: three years you'll be doing it.
Speaker 3: No, I won't, I mark my words, No chance.
Speaker 2: I can't believe that was too stupid. I was gonna say.
Speaker 2: I can't believe I'm going to live my whole life
Speaker 2: when I'll get in a dui, given how much how
Speaker 2: drunk I been my entire life.
Speaker 1: Yeah, no, don't tempt, don't tempt fake. All right, So
Speaker 1: we talk about this gift. The gift is a dildo
Speaker 1: or a vibrator, and Tamer goes in. Have you heard
Speaker 1: about the clit suckers? The well it suckers?
Speaker 2: Tam, thank you for speaking.
Speaker 1: Tonight, Gina really goes into Carmela, lays into her about
Speaker 1: this whole thing, the motives and the gifts and and
Speaker 1: and and Meetball showing up for work. It's always kind
Speaker 1: of random and still like Meetball, we love you, but
Speaker 1: there's just weird. There's nothing it's weird. There's nothing you
Speaker 1: could do that would kind of.
Speaker 2: Make you interesting.
Speaker 1: Yeah, I even with this, it's still like, Okay, thank you,
Speaker 1: this is this was good. But the thing about this
Speaker 1: whole interaction that was I think the main takeaways that
Speaker 1: we go to the talking heads with Emily and she's
Speaker 1: just shitting on her soap called best friend. She's saying
Speaker 1: that she's coming off as jealous and that she thinks
Speaker 1: that she is jealous. Emily continues to be messy. Gina
Speaker 1: amps it up and then throws it at Vicky, and
Speaker 1: I gotta say, finally, like this is this is worthwhile? Housewives.
Speaker 1: This is quickly dropped though, because Vicky's animosity towards her,
Speaker 1: as you both have mentioned, is not about her being
Speaker 1: a flipper or a developer. It's about her being younger
Speaker 1: and more attractive. So this whole thing is quickly figured out. Okay,
Speaker 1: so we're going to go with Flipper. She's not really
Speaker 1: developing Mary developer, right, But but at the end of
Speaker 1: the day, who fucking gives a ship? What the distinction
Speaker 1: is between the two? Correct, Rube?
Speaker 2: Uh?
Speaker 4: Yeah.
Speaker 3: But also, Vicky's future husband is a developer, and if
Speaker 3: they get married or they don't, it doesn't matter. It's schematics.
Speaker 3: So don't forget that.
Speaker 2: Oh that's right. Also, ding ding ding ding ding.
Speaker 1: Uh.
Speaker 2: The second you tell him that you want to preen up,
Speaker 2: he's not marrying you.
Speaker 1: Oh that, thank you for bringing that up. Because Vicky goes,
Speaker 1: I'm marry I'm marrying a developer. Well we're not married,
Speaker 1: but no, it's never Listen, we'll see, it's our decision.
Speaker 1: Have a lot of things to smooth over. She's literally
Speaker 1: saying she's going through the machinations of her marriage in
Speaker 1: front of this person who she's trying to fight with.
Speaker 1: All right, that's it for us. Get in the comments,
Speaker 1: let us know what you thought of this episode. If
Speaker 1: you think we should switch to Ladies.
Speaker 2: They're gonna the people that want us to switch are
Speaker 2: the ones that are gonna be the loudest voices in
Speaker 2: the comment section.
Speaker 1: Okay, well, If you don't want us to switch, be loud.
Speaker 2: The numbers are crazy. I saw them listening to this,
Speaker 2: so they obviously love it.
Speaker 1: You might get out voted here though. Tough tough shit.
Speaker 1: Get in the comments. Let us know if we should
Speaker 1: jump off. I think we'll probably give it one more
Speaker 1: week regardless. I love you guys very much. We'll be back.
Speaker 1: I'm doing on path that's rue me. Goodbye, by bye
Speaker 1: bye
Speaker 4: S