WEBVTT

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<v Speaker 1>If you're going to have a boring line of drama

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<v Speaker 1>and story, at least do your job and frame it

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<v Speaker 1>so that the audience has any fucking idea what's going on?

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<v Speaker 1>When I see Heather, I go into this obsession kind

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<v Speaker 1>of like no, no, no, don't do that, don't don't

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<v Speaker 1>do that, And it's just we're switching to London.

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<v Speaker 2>Can I tell you this speaks volumes? Think about Salt

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<v Speaker 2>Lake City right now. Their season launches in less than

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<v Speaker 2>a month. What these women did for us to entertain us.

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<v Speaker 2>They all got together and said, I have an idea.

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<v Speaker 2>Let's all divorce our husbands to make good TV.

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<v Speaker 3>Thank you, thank you, ladies.

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<v Speaker 1>That's correct.

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<v Speaker 2>Hey, hello.

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<v Speaker 1>There, Hi, it's bad TV. I'm Dylan. That's pat great

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<v Speaker 1>to be here. Ruby is joining us from New York City.

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<v Speaker 1>It's raining, it's thunderstorming. And you said, just mere moments ago,

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<v Speaker 1>dare I say, wouldn't even joke around. It was just

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<v Speaker 1>a couple of mere moments ago that the East Coast

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<v Speaker 1>has great rain. Didn't you say that?

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<v Speaker 2>I did, Sure did.

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<v Speaker 1>Why didn't you say anything when I said that I

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<v Speaker 1>didn't know.

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<v Speaker 2>I didn't know I was going to be prompted with

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<v Speaker 2>that it's just beautiful because it's very humid, and then

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<v Speaker 2>the rain comes down. It's like taking a shower out.

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<v Speaker 1>All that stuff that he just said about the rain.

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<v Speaker 1>I didn't even know that he felt that romantically about

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<v Speaker 1>the rain because he hates cold weather or wet or

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<v Speaker 1>yeah I did.

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<v Speaker 2>That's why I'll never live on that side of the

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<v Speaker 2>country ever again. But they have a few things.

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<v Speaker 1>But if somebody bought you a house in Nantucket, no, no, never,

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<v Speaker 1>that is so dumb. If somebody bought you a nice house,

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<v Speaker 1>when I have to.

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<v Speaker 2>Yeah, no for it.

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<v Speaker 1>Now I get to press that million dollar home in Nantucket.

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<v Speaker 1>You don't have to pay anything.

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<v Speaker 2>Then I have to go through with Dylan. When it

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<v Speaker 2>gets cold there in October, I suffer from a little

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<v Speaker 2>thing called depression. When it starts getting dark and cold

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<v Speaker 2>at five o'clock starting in late September October, I get

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<v Speaker 2>the blues. Yeah, so I moved to Los Angeles and

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<v Speaker 2>uh and the blues followed. No, they did not.

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<v Speaker 1>Yeah, feel good. Everybody gets seasonal depression, doesn't matter how

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<v Speaker 1>fucking sunny it is.

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<v Speaker 2>Okay, listen, this show depresses me.

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<v Speaker 1>Same. No, I don't want to be a I don't

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<v Speaker 1>want to be a little bitch, but let's be positive. Okay,

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<v Speaker 1>I'm gonna put on my patty hat and just go hey, hey, hey,

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<v Speaker 1>now listen, let's be positive. I I do want to

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<v Speaker 1>tell everybody to get in the comments and let us

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<v Speaker 1>know if we should just move over to Real Housewives

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<v Speaker 1>of London or not. I actually just get in the

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<v Speaker 1>comments less. So if we should go over there, We're

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<v Speaker 1>not going to, but maybe we.

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<v Speaker 2>Real Housewives are Salt Like starts September sixteenth, Oh really,

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<v Speaker 2>and the New York starts September eighth, So we got

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<v Speaker 2>a lot of good stuff headed our way. We just

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<v Speaker 2>need to get through this. I'm going to take a different.

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<v Speaker 1>But honestly, we might go over to Ladies in London

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<v Speaker 1>or the Real Housewives is in London. If it's like,

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<v Speaker 1>I don't know, Rubes, are you watching?

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<v Speaker 2>Yeah?

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<v Speaker 1>And I got to say significantly better.

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<v Speaker 3>Most things are. I'm not kidding, Like everything there's a

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<v Speaker 3>yearn to watch it. I'm like, oh, I forgot what

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<v Speaker 3>was going on that they're doing this this week? This show.

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<v Speaker 3>I'm like, okay, get ready because you have a job

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<v Speaker 3>to do here. You know, it's a different thing.

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<v Speaker 1>Can I tell you the power I would feel saying actually,

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<v Speaker 1>I refuse you. I refuse you. I don't want to

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<v Speaker 1>watch Tamer every week. I refuse you. I'm open to it.

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<v Speaker 1>Get in the comments, let us know if you want

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<v Speaker 1>to swap over to London.

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<v Speaker 2>I know some people are going to say we're negative.

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<v Speaker 2>We that's not the first time we're hearing that as

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<v Speaker 2>we recapish it, right, and they'll say, you know, you

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<v Speaker 2>guys are really not your best when you really hate

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<v Speaker 2>a show. I completely disagree.

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<v Speaker 1>I agree, I oh, I don't.

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<v Speaker 3>I think we have a lot of fun when we

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<v Speaker 3>hate something.

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<v Speaker 2>And I want to stick it to the producers of

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<v Speaker 2>this show, because you know, we're one of the top

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<v Speaker 2>podcasts that recap this show. And uh, it's so horrible.

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<v Speaker 2>I believe we're on episode four or five where we're

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<v Speaker 2>talking about yeah, okay, we're talking about a goddamn.

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<v Speaker 1>Purse okay, And it's a very, very animated and meaningful

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<v Speaker 1>way we're talking about this.

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<v Speaker 2>Perse I realized all my fears this episode when it

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<v Speaker 2>came up, and Emily's just so happy to have be

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<v Speaker 2>involved in some kind of storyline, if you could call

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<v Speaker 2>it that. It's absolutely awful. This is an awful show.

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<v Speaker 2>This is an awful season. If I was a producer,

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<v Speaker 2>I'd be embarrassed that I put this on television.

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<v Speaker 1>We've said, been saying this, saying this thing where we go.

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<v Speaker 1>You can't have these these I don't want to say

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<v Speaker 1>you know what. I want you to square foot.

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<v Speaker 2>As a viewer of this show. You know you don't

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<v Speaker 2>like it either, but you're watching it just because it's

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<v Speaker 2>like comfort food. Okay, the fucking potatoes tastes like shit.

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<v Speaker 2>You go into a rests, nice restaurant, there's way better potatoes.

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<v Speaker 2>But at home, you're accustomed to this. You've eaten these

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<v Speaker 2>same potato since you were a kid. You will continue

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<v Speaker 2>to eat them.

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<v Speaker 1>M hmm. Yeah. Grandma's ashes are in it, not her

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<v Speaker 1>dead body. She's a smoker.

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<v Speaker 2>Okay, I want you to square this circle. As a viewer,

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<v Speaker 2>Emily says Gina is her best friend Gena. Then Emily

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<v Speaker 2>goes and tells Carmela, who she's known for exactly four

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<v Speaker 2>and a half minutes, that Gina was talking about her

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<v Speaker 2>about that goddamn purse. Yep, Okay, square that circle for me.

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<v Speaker 2>That makes absolutely no sense.

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<v Speaker 1>You can't square a circle.

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<v Speaker 2>You can't. The only purpose of that is for Emily

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<v Speaker 2>trying very hard to create some manufactured drama. Now, the

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<v Speaker 2>reason why I hate Emily and Meatball especially is because

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<v Speaker 2>they are not natural born killers like Tamrat. Tam Rat

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<v Speaker 2>was out of the womb, being a backstabbing excuse me

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<v Speaker 2>for the strong language, bitch.

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<v Speaker 1>Emily Ruby forgiven or not?

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<v Speaker 3>Yeah, forgiving?

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<v Speaker 1>Okay, we can move on.

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<v Speaker 2>Emily and Meatball aren't those people. They're just boring, filthy,

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<v Speaker 2>yucky normies that got themselves on this show.

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<v Speaker 1>Can I say thank you so much from the bottom

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<v Speaker 1>of my heart. It's so crazy that it's crystallizing right

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<v Speaker 1>now before me. It's kind of like when a therapist

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<v Speaker 1>tells you something very obvious about your life, but you're

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<v Speaker 1>paying them so much money that you go, oh my god,

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<v Speaker 1>I can finally see it.

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<v Speaker 4>Emily and Meetball are filthy, yucky normies, and so when

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<v Speaker 4>that's crazy, when they try and get involved in the

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<v Speaker 4>mud and backstab and try and back channel, it's so

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<v Speaker 4>forced and it's so transparent what they're attempting to do

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<v Speaker 4>that I hate it, and I hate it more than anything.

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<v Speaker 1>He is so sweet. This kid comes in, Oh.

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<v Speaker 2>My god, thank you, Kyle zero Hit. I will continue

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<v Speaker 2>to watch this show because it is my job to

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<v Speaker 2>skewre how horrible.

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<v Speaker 1>I think we're going to change the shows. Caylen. I

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<v Speaker 1>owe Kaylen money, and he is not a good person

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<v Speaker 1>to owe money.

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<v Speaker 2>He gets extremely I brought him fifty bucks for two months.

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<v Speaker 1>Well, I guess he's different with me. Rubes, go ahead

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<v Speaker 1>and give your boobs.

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<v Speaker 3>Okay, this is mean. Okay, so all it's not negative,

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<v Speaker 3>it's mean, and it's a mean observation. I think that Emily,

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<v Speaker 3>in addition to having no storyline, is skinny for the

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<v Speaker 3>first time. So she's feeling herself and she thinks that

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<v Speaker 3>she's like elevated her bitchiness to think, like to a

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<v Speaker 3>level that she's saying to Gina, you know, like, I

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<v Speaker 3>don't need you in this conversation, please stay out of it. WHOA.

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<v Speaker 3>I do not think that seasons of your Emily would

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<v Speaker 3>have have made those types of comments to her friend

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<v Speaker 3>because she felt as though she needed to be aligned

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<v Speaker 3>with this one person. I think now she's kind of like, listen, bitches,

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<v Speaker 3>I'm just up here with the rest of you guys.

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<v Speaker 3>None of you can touch me, so let's go and

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<v Speaker 3>I feel this weird sense of yeah, I don't know,

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<v Speaker 3>arrogance or confidence.

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<v Speaker 1>You're all right, because I remember when I went through

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<v Speaker 1>my growth spurt. I was six two, one hundred and

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<v Speaker 1>seventy five pounds I was. I went from being a

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<v Speaker 1>nice kid to getting attention from girls, and I was

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<v Speaker 1>just an absolute asshole. My friends were like, hey, calm

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<v Speaker 1>it down, man.

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<v Speaker 3>Don't be mean to us.

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<v Speaker 1>This is what's happening.

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<v Speaker 2>With Emily Catty Patty here. Okay, let's be clear. She

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<v Speaker 2>looks like China the Wrestler.

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<v Speaker 1>Oh are you so well? I don't.

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<v Speaker 3>I think Who's what?

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<v Speaker 1>Can I tell you? A real cultural blind spot for

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<v Speaker 1>me is wrestling. I've never really gotten it. I don't

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<v Speaker 1>know who China is.

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<v Speaker 2>She's dead.

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<v Speaker 1>If I knew who that was, I'm sure I would

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<v Speaker 1>be like, we need to cut that immediately.

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<v Speaker 3>Yeah, you would.

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<v Speaker 2>I think she looks like China the Wrestler in her interviews,

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<v Speaker 2>the way they have her made up, she looks just

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<v Speaker 2>like China the Wrestler. I might call her that if

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<v Speaker 2>she keeps annoying me the way that she's doing right now.

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<v Speaker 3>I'm going to go thirty eight tits and I just

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<v Speaker 3>want to say, for the record, I think that Emily

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<v Speaker 3>looks great. I really do. Thirty eight the show is

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<v Speaker 3>not good.

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<v Speaker 2>There are two storylines that I'm interested in.

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<v Speaker 1>I give my tits for fox sake.

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<v Speaker 2>Well, I'm still kind of in my tits.

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<v Speaker 1>I'm so sorry, Pat Ew don't apologize on moot that

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<v Speaker 1>was retroactive muter boating. That's like to completely not okay,

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<v Speaker 1>I'll allow it. Gabble, gabble, I'll allow it.

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<v Speaker 2>Thank you, your honner. The two storylines that I'm fascinated

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<v Speaker 2>with are the hate that is going towards Jen because

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<v Speaker 2>let's be clear, they're making fun of Jen being brought

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<v Speaker 2>into some kind of business dealings with Carmela because they

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<v Speaker 2>think she's a fun can idiot. Yeah, that interests me.

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<v Speaker 2>And why Carmela would bring Jen n interest interest me

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<v Speaker 2>and where that's going to go interest me. That's a

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<v Speaker 2>great storyline brought in by produced by Carmela.

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<v Speaker 3>Second I want to talk about that to Pat.

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<v Speaker 2>Thank you, and all the hate that Jen's getting, by

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<v Speaker 2>the way, way to support women in business, by the way,

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<v Speaker 2>all the gals on the cast. Secondly, Carmela and her

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<v Speaker 2>business dealings and where all the fucking money is coming from.

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<v Speaker 1>Uh.

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<v Speaker 2>I saw that thirty five thousand dollars rental. If you

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<v Speaker 2>look and reflect in the reflection of one of those

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<v Speaker 2>mirrors and you'll close enough. There's a three story apartment

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<v Speaker 2>building next door to it. So either she's lying. And

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<v Speaker 2>by the way, there was a very busy street in

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<v Speaker 2>front of that thirty five thousand dollars.

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<v Speaker 1>It looked like a fucking like a like it looked

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<v Speaker 1>like a It looked like a freak like likes you

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<v Speaker 1>uh track home no storage that but for rich people

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<v Speaker 1>and rich people's cars. I got like a like a

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<v Speaker 1>car garage vibe.

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<v Speaker 3>I know exactly what Dylan is talking about, and what

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<v Speaker 3>it looks like is it looks like it should be

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<v Speaker 3>subterranean thepher Lamborghinis, but it's a house.

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<v Speaker 1>It doesn't look evil enough to be an evil layer,

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<v Speaker 1>but it's it wants to be an evil layer. Almost Yep.

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<v Speaker 2>Interesting.

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<v Speaker 1>Oh heavens, are you still motor boating?

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<v Speaker 2>No, I was just gonna say the dominos I think

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<v Speaker 2>are gonna fall with Carmela. I do not think that

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<v Speaker 2>she has as much money as she's pretending. I don't

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<v Speaker 2>think that she is a successful as she is. I

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<v Speaker 2>think Vicky kind of has her number here, even though

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<v Speaker 2>I think Vicky always hates anybody that is more successful

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<v Speaker 2>or she perceives more success successful than her. Yeah, I'm

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<v Speaker 2>running out of breath. I'll just leave it at that.

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<v Speaker 1>Thank you got enough tits freaking motor boating tits, dude.

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<v Speaker 1>I actually, as much as I loathe this show, as

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<v Speaker 1>much as I I think we're just really going to

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<v Speaker 1>have a conversation about not watching another episode of this.

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<v Speaker 1>I did think this episode was kind of good. Actually,

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<v Speaker 1>I thought the Carmela and Meatball thing actually graduated to

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<v Speaker 1>a level that was like the kind of entertaining. I

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<v Speaker 1>think Carmela is really bringing it. I think Vicky's really

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<v Speaker 1>bringing it. If Carmela is the fraudster that you assume

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<v Speaker 1>she is to be, that's fun, right, It won't it

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<v Speaker 1>won't mature for another I don't know, two or three seasons,

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<v Speaker 1>which I don't think anybody's sticking around for. But uh yeah,

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<v Speaker 1>Tamra taking a back seat a little bit is a

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<v Speaker 1>welcome kind of reprieve from her nonsense. But the person

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<v Speaker 1>that has been driving me craziest this season is Heather

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<v Speaker 1>de bro. Your nonsense just it's like your Q tip problems.

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<v Speaker 1>I don't even know what. It's like a stack of cutey.

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<v Speaker 1>I don't know what we're even fighting about with you, lunatic.

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<v Speaker 2>Spare us the tears. You're an actress, they're fake.

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<v Speaker 3>I just and we'll talk about this. This is a

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<v Speaker 3>deep cut, but for people who watched the Vampire Diaries,

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<v Speaker 3>when Heather to Bro cry, thank you the veins beneath

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<v Speaker 3>her eyes because of all the work, she looks like

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<v Speaker 3>the vampires do right before they feed on human beings,

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<v Speaker 3>and prove me wrong. You can't she's a vampire.

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<v Speaker 4>Yeah.

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<v Speaker 1>No, it's either a vampire or there are souls of

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<v Speaker 1>things that have been kind of entombed by her flash

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<v Speaker 1>that are just screaming to get out. But we'll figure

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<v Speaker 1>that out maybe later. But first, let's talk about the

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<v Speaker 1>Real Housewives.

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<v Speaker 2>Med lounge.

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<v Speaker 1>Med lounge, Yes, med lounge. We're starting at a bed

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<v Speaker 1>lounge of course, with Vicky and Jenna Jen. Yeah, okay,

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<v Speaker 1>we're doing some hydro facials and we're going to be

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<v Speaker 1>kind of swat away the psychosis of one Vicky Gumbelson.

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<v Speaker 1>So she's walking around with a telling literally anybody who

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<v Speaker 1>will listen, or receptionist and esthetician that she is not

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<v Speaker 1>a Debbie Downer. And this is why Vicky Gunwulson is

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<v Speaker 1>Obviously you can't build a whole show around this crazy

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<v Speaker 1>bat right, but a part, a piece of a larger pie.

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<v Speaker 2>She's marvelous, one hundred percent, and I would argue she

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<v Speaker 2>is correct. She is not a Debbie Downer. She's a

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<v Speaker 2>lot of things. She's a she's a horrible picker of boyfriends,

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<v Speaker 2>she's a overbearing mother. Yeah, she's braggadocious. Did I mention

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<v Speaker 2>she's a horrible picker of boyfriends. Yeah, she's definitely that.

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<v Speaker 1>But a Debbie Downer she is not. And we'll get

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<v Speaker 1>to it later. When Heather and Tamra are having a

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<v Speaker 1>like legitimate conversation about how she has to pick it up,

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<v Speaker 1>I'm like, hey, find a looking glass YouTube fucking witches. Okay,

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<v Speaker 1>Vicky's great. So we speak on the soft and or

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<v Speaker 1>hard side of Heather de Row.

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<v Speaker 2>Yeah, so Jen, they discuss what basically, well Vicky refers

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<v Speaker 2>to as a cold fish fires shot there, Vicky, I

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<v Speaker 2>love how you do that, and Jen points out Heather bros.

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<v Speaker 2>Basically always presents as perfect, which is right on the

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<v Speaker 2>right on target. Your life is perfect.

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<v Speaker 1>What are what are we talking about here?

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<v Speaker 3>Yeah, so this is the problem with this entire storyline.

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<v Speaker 3>Ah No, I don't know. I don't care, and I

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00:15:28.519 --> 00:15:31.480
<v Speaker 3>don't think they know. And it's like, I'm we take

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<v Speaker 3>notes as we're watching, right, So we're bouncing back and forth.

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<v Speaker 3>I'm sitting here and people are going to dinner and

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<v Speaker 3>going to lunches and they're mad about things that they've solved. Yeah.

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<v Speaker 3>What I what I think is going on is that

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<v Speaker 3>Jen says, Heather, listen, you're my girlfriend. Okay, you don't

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<v Speaker 3>have to be so perfect all the time. And Heather

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<v Speaker 3>says to Jen, Jen, listen, you poor piece of shit,

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<v Speaker 3>dumb fuck, I have a brand to protect, okay, and

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00:15:56.440 --> 00:15:59.080
<v Speaker 3>everything does have to be perfect. Terry and I rehearse

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<v Speaker 3>our lines before the show up right right, you you

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00:16:02.480 --> 00:16:04.919
<v Speaker 3>can't be a wrench in my perfect life. And if

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<v Speaker 3>you can't be that friend, get out, Jen, get out.

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00:16:08.000 --> 00:16:12.080
<v Speaker 1>That is what's happening. And I'm so appreciative of your

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00:16:12.240 --> 00:16:16.240
<v Speaker 1>kind of subtextual understanding of what's going on. But on

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00:16:16.279 --> 00:16:20.879
<v Speaker 1>the surface, we're writing notes here and I'm being gas

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00:16:21.039 --> 00:16:23.799
<v Speaker 1>lit by the show. Do I need to stop smoking

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00:16:23.840 --> 00:16:26.559
<v Speaker 1>so much pot? Because I have no recollection of what

314
00:16:26.799 --> 00:16:30.519
<v Speaker 1>the fuck they're fighting about. It's not the weed, it's

315
00:16:30.639 --> 00:16:34.279
<v Speaker 1>them not doing their fucking job. If you're going to

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00:16:34.320 --> 00:16:39.399
<v Speaker 1>have a boring line of drama and story, at least

317
00:16:39.720 --> 00:16:42.039
<v Speaker 1>do your job and frame it so that the audience

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00:16:42.039 --> 00:16:44.639
<v Speaker 1>has any fucking idea what's going on. When I see Heather,

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<v Speaker 1>I go into this obsession kind of like no, no, no,

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00:16:48.480 --> 00:16:52.120
<v Speaker 1>don't do that, don't don't do that, and it's just

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<v Speaker 1>we're switching to London.

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<v Speaker 2>Can I tell you this speaks volumes? Think about Salt

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<v Speaker 2>Lake City right now, there's and launches in less than

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00:17:01.399 --> 00:17:05.079
<v Speaker 2>a month. What these women did for us to entertain us.

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00:17:05.480 --> 00:17:07.599
<v Speaker 2>They all got together and said, I have an idea.

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00:17:07.720 --> 00:17:10.319
<v Speaker 2>Let's all divorce our husbands to make good TV.

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<v Speaker 3>Thank you, thank you ladies.

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<v Speaker 2>Right, That's how committed they are entertaining.

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00:17:16.200 --> 00:17:18.640
<v Speaker 1>You know, That's why I think. All right, anyways, let's

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00:17:18.640 --> 00:17:26.440
<v Speaker 1>get to Carmela's ask you something. Yeah, can you stop

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00:17:26.519 --> 00:17:32.480
<v Speaker 1>moving around yourself freely? We're trying to did you see

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00:17:32.519 --> 00:17:34.440
<v Speaker 1>him out of the corner of your Earm's walking around

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00:17:34.440 --> 00:17:35.680
<v Speaker 1>like it's his house in the morning.

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00:17:35.839 --> 00:17:37.160
<v Speaker 2>I'm not as distracted as you.

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00:17:38.359 --> 00:17:42.000
<v Speaker 1>Okay, let's get to Carmela's as we discuss she is

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<v Speaker 1>living in a kind of non committal evil layer and.

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00:17:48.039 --> 00:17:50.160
<v Speaker 2>Emily stops by two stops by.

338
00:17:50.519 --> 00:17:53.559
<v Speaker 1>We should talk about this version of Emily, which is

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00:17:54.440 --> 00:17:58.920
<v Speaker 1>Olivia Newton John. At the end of the movie, she's

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00:17:59.079 --> 00:18:01.640
<v Speaker 1>gone through the Hall of Mirrors and she's decided to

341
00:18:01.680 --> 00:18:06.079
<v Speaker 1>become a horror for love. Emily. I thought she was

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00:18:06.599 --> 00:18:11.319
<v Speaker 1>smoking in the scene, like she's Sandy.

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<v Speaker 2>Dylan's referring to Greece, the movie in which the ultimate

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<v Speaker 2>message to all women watching that film is become a

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00:18:19.240 --> 00:18:20.160
<v Speaker 2>dirty whole.

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00:18:20.279 --> 00:18:26.400
<v Speaker 1>No, no, that's not it. Can you hit flag on

347
00:18:26.480 --> 00:18:29.279
<v Speaker 1>that for me? Please? It's not a big deal. Carmela

348
00:18:29.359 --> 00:18:32.559
<v Speaker 1>brings up that she went out with the girls, and

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<v Speaker 1>I know that I said the same thing, but I don't.

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<v Speaker 3>I just I also, I would just like to ask,

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00:18:36.960 --> 00:18:39.920
<v Speaker 3>what's the problem there, because it is the message, right,

352
00:18:40.279 --> 00:18:42.400
<v Speaker 3>she don't just we always.

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<v Speaker 1>Say it when we talk about Greece, and I don't know.

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00:18:44.279 --> 00:18:45.920
<v Speaker 1>I was just trying to get through it. And then

355
00:18:46.000 --> 00:18:49.400
<v Speaker 1>Pat really brought the gavel down. But I don't think

356
00:18:49.400 --> 00:18:52.319
<v Speaker 1>that she became a whore, right because she was committed

357
00:18:52.359 --> 00:18:56.000
<v Speaker 1>to Danny Zuko. But she did be no I'm a hussy.

358
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<v Speaker 1>She changed, she changed, she was she's less academically driven.

359
00:19:02.799 --> 00:19:05.319
<v Speaker 1>She just wanted to race cars.

360
00:19:04.920 --> 00:19:09.480
<v Speaker 2>And smoke and dress in tight pants leather.

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00:19:09.599 --> 00:19:12.759
<v Speaker 1>Yes, okay. So Carmela brings up that she went out

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<v Speaker 1>with the girls and had heard rumors and murmurings that

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00:19:19.160 --> 00:19:21.640
<v Speaker 1>there was some stuff being said about her, and Emily said, yeah,

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<v Speaker 1>Vicky thinks you're a filthy, fucking liar, and Carmela says,

365
00:19:26.720 --> 00:19:29.440
<v Speaker 1>kind of a backhanded slight, She goes, do you think

366
00:19:29.440 --> 00:19:32.359
<v Speaker 1>it's a generational thing?

367
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<v Speaker 2>She's fucking old?

368
00:19:33.519 --> 00:19:35.319
<v Speaker 1>You think it's because she's a bitter old bag of

369
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<v Speaker 1>bones and her knee is not working. Now, I think

370
00:19:40.720 --> 00:19:44.359
<v Speaker 1>you know it's so weird. I feel like I have

371
00:19:44.400 --> 00:19:49.400
<v Speaker 1>a pretty good gut about people. I don't know. I

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<v Speaker 1>don't know why my alarms aren't going off with Carmela.

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<v Speaker 2>I'll tell you why.

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<v Speaker 1>I think you have to be kind of savvy to

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00:19:57.519 --> 00:20:02.680
<v Speaker 1>get through Playboy without having a kind of disastrous story.

376
00:20:03.359 --> 00:20:04.680
<v Speaker 1>I think that she's got a lot of it.

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00:20:04.720 --> 00:20:07.680
<v Speaker 2>You don't know that. There wasn't She says, there wasn't.

378
00:20:07.799 --> 00:20:11.960
<v Speaker 2>You don't know that. I mean, I'll tell Dylan this,

379
00:20:12.079 --> 00:20:14.279
<v Speaker 2>how you read people? You listen to what comes out

380
00:20:14.279 --> 00:20:17.640
<v Speaker 2>of their mouth. She says an I quote, I don't know,

381
00:20:17.720 --> 00:20:20.039
<v Speaker 2>maybe I'll pay Jen like twenty thousand dollars to pick

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00:20:20.039 --> 00:20:22.759
<v Speaker 2>out some tile. When something like that comes out of

383
00:20:22.799 --> 00:20:24.960
<v Speaker 2>your mouth. I think that was almost a direct quote. Ruby,

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00:20:24.960 --> 00:20:26.960
<v Speaker 2>and my correct in saying that it was not a trut.

385
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<v Speaker 3>I'll let you finish your thought.

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00:20:29.359 --> 00:20:34.079
<v Speaker 2>That is so brazen and so stupid to say that

387
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<v Speaker 2>out loud.

388
00:20:34.920 --> 00:20:36.160
<v Speaker 1>She didn't say that out loud.

389
00:20:36.200 --> 00:20:38.039
<v Speaker 2>Okay, what did she say?

390
00:20:38.119 --> 00:20:38.880
<v Speaker 1>Ruby correct me.

391
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<v Speaker 3>I believe that she has people that work on these

392
00:20:42.759 --> 00:20:45.960
<v Speaker 3>types of properties with her that do those types of things.

393
00:20:46.000 --> 00:20:48.799
<v Speaker 3>One of the examples of rick out tile was picking

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00:20:48.839 --> 00:20:51.400
<v Speaker 3>out tiles. I think like our dad has guys that

395
00:20:51.480 --> 00:20:53.920
<v Speaker 3>he pays whatever house he's working on, it's a flat feet,

396
00:20:53.920 --> 00:20:56.680
<v Speaker 3>it's ten grand, it's fifty ran, whatever it is. I

397
00:20:56.680 --> 00:20:58.759
<v Speaker 3>don't know why this is so weird, Like Jen is

398
00:20:58.799 --> 00:21:01.039
<v Speaker 3>like a housewife who has like relatively good taste. Go

399
00:21:01.119 --> 00:21:04.640
<v Speaker 3>design a bathroom for me. Here your swing talking about

400
00:21:04.640 --> 00:21:05.440
<v Speaker 3>my husband.

401
00:21:06.279 --> 00:21:07.000
<v Speaker 4>I just don't.

402
00:21:07.480 --> 00:21:11.440
<v Speaker 1>You're so outflanked by us right now. You're totally fucking wrong.

403
00:21:11.920 --> 00:21:15.039
<v Speaker 1>The brother and sister do out. Okay, you're wrong, and

404
00:21:15.200 --> 00:21:17.240
<v Speaker 1>let me make this get in the comments. Let us know.

405
00:21:17.319 --> 00:21:20.680
<v Speaker 2>Something's fishy in Denmark. Let's talk about this rental that

406
00:21:20.720 --> 00:21:24.319
<v Speaker 2>she's paying thirty five thousand dollars for. Why she says,

407
00:21:24.400 --> 00:21:26.200
<v Speaker 2>And I like Carmela, She's brought a lot to the

408
00:21:26.240 --> 00:21:28.160
<v Speaker 2>show so far. Dare I say she's the only one

409
00:21:28.160 --> 00:21:28.599
<v Speaker 2>bringing in.

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00:21:28.519 --> 00:21:32.960
<v Speaker 1>It's fishy in Denmark. Fucking fish. They eat a lot

411
00:21:33.000 --> 00:21:36.680
<v Speaker 1>of fish. People eat so much fucking fish. I don't

412
00:21:36.720 --> 00:21:38.440
<v Speaker 1>want to go to those places. But then you sit

413
00:21:38.480 --> 00:21:41.599
<v Speaker 1>down for lunch and they're like, here's this rotted fucking

414
00:21:42.640 --> 00:21:44.680
<v Speaker 1>thing with nickles. I don't want that.

415
00:21:44.720 --> 00:21:48.680
<v Speaker 2>Go ahead, Sorry, okay, she said. The reason that she's

416
00:21:48.799 --> 00:21:53.519
<v Speaker 2>renting this thirty five thousand dollars house here in what

417
00:21:53.599 --> 00:21:54.960
<v Speaker 2>is it, Coronado.

418
00:21:54.880 --> 00:22:01.759
<v Speaker 1>Rancho, Cucaba Rancho is because her office is here, her

419
00:22:01.759 --> 00:22:04.000
<v Speaker 1>office is closed. She wants to get into deep work,

420
00:22:04.079 --> 00:22:04.960
<v Speaker 1>she wants to write.

421
00:22:05.119 --> 00:22:08.160
<v Speaker 2>Because we all know in twenty twenty five, twenty twenty

422
00:22:08.200 --> 00:22:10.759
<v Speaker 2>six how necessary offices are now.

423
00:22:11.519 --> 00:22:14.519
<v Speaker 1>I mean, I think they're more necessary than ever. I mean,

424
00:22:14.599 --> 00:22:17.759
<v Speaker 1>Ruby would disagree, but I think it's very very important

425
00:22:17.759 --> 00:22:20.799
<v Speaker 1>to kind of have a healthy balance, to compartmentalize your life.

426
00:22:20.839 --> 00:22:24.200
<v Speaker 1>You can't just have home, family, work, sport, all of it.

427
00:22:24.240 --> 00:22:26.359
<v Speaker 2>On top of it, she doesn't live in Europe. She

428
00:22:26.480 --> 00:22:29.559
<v Speaker 2>has a house five hours away drivetime.

429
00:22:29.680 --> 00:22:32.599
<v Speaker 1>You know what, I'm very confused about. Why I'm gonna

430
00:22:32.640 --> 00:22:34.319
<v Speaker 1>die on this hill. I don't need too.

431
00:22:34.640 --> 00:22:39.200
<v Speaker 2>I don't mind why him everything and her story is

432
00:22:39.640 --> 00:22:43.279
<v Speaker 2>sketchy and very questionable. Why am I the only one

433
00:22:43.279 --> 00:22:45.680
<v Speaker 2>digging here? You guys are making me sound like Megan Edmunds.

434
00:22:45.720 --> 00:22:47.880
<v Speaker 3>I know, I know, I know, I know, but I

435
00:22:47.960 --> 00:22:49.640
<v Speaker 3>just want to chime in and say, I don't think

436
00:22:49.640 --> 00:22:51.920
<v Speaker 3>it's weird that she said the twenty thousand dollars thing

437
00:22:52.000 --> 00:22:53.559
<v Speaker 3>for Jen. I think a lot of people do that.

438
00:22:54.160 --> 00:22:56.319
<v Speaker 3>I also don't think it's weird that she would be like, hey,

439
00:22:56.359 --> 00:22:58.480
<v Speaker 3>your husband looks like he might be friends with some

440
00:22:58.519 --> 00:23:01.359
<v Speaker 3>sketchy rich dudes that might property with me. So yeah,

441
00:23:01.519 --> 00:23:03.680
<v Speaker 3>that's a very normal thing to befriend somebody's wife and

442
00:23:03.680 --> 00:23:06.519
<v Speaker 3>then use their husband's business connections in real estate. Gina

443
00:23:06.559 --> 00:23:09.079
<v Speaker 3>should probably take a book out of this little her

444
00:23:09.160 --> 00:23:09.640
<v Speaker 3>page eye.

445
00:23:09.680 --> 00:23:12.480
<v Speaker 1>I think Vicky's yeah, Vicky's one hundred percent right where

446
00:23:12.519 --> 00:23:15.960
<v Speaker 1>she's like, do not invest money with that woman? And agreed,

447
00:23:16.079 --> 00:23:18.759
<v Speaker 1>I think that you're you're right there could be some

448
00:23:18.839 --> 00:23:23.839
<v Speaker 1>shady stuff on the horizon or in the past. But

449
00:23:24.119 --> 00:23:26.640
<v Speaker 1>when I say making it out a playboy without any disaster,

450
00:23:26.759 --> 00:23:31.160
<v Speaker 1>I mean, like example, you went from that, then you

451
00:23:31.200 --> 00:23:33.359
<v Speaker 1>went to the Bunny Ranch, and now it didn't work

452
00:23:33.400 --> 00:23:35.279
<v Speaker 1>out of the bunny ranch. So you're living in fucking

453
00:23:35.359 --> 00:23:36.240
<v Speaker 1>Ohio somewhere.

454
00:23:36.319 --> 00:23:38.480
<v Speaker 3>I don't know that I agree with Pat Dell. We

455
00:23:38.519 --> 00:23:41.440
<v Speaker 3>do not have that confirmed yet. I don't. I think

456
00:23:41.480 --> 00:23:43.440
<v Speaker 3>Pat is a little bit right, and you're a little

457
00:23:43.440 --> 00:23:45.839
<v Speaker 3>bit right too. All Switzerland myself, h.

458
00:23:45.839 --> 00:23:46.920
<v Speaker 1>What a coward. Let's move on.

459
00:23:47.039 --> 00:23:50.000
<v Speaker 2>Well, let's get to Emily, where she is very condescending

460
00:23:50.400 --> 00:23:52.279
<v Speaker 2>to a person that gave her a three thousand dollars

461
00:23:52.279 --> 00:23:55.480
<v Speaker 2>par us. She goes, Carmela, you're a boss, you shouldn't

462
00:23:55.559 --> 00:23:58.440
<v Speaker 2>lead with expensive gifts. I would go, well, then give

463
00:23:58.440 --> 00:24:02.319
<v Speaker 2>it back. And by the way, I had two of them,

464
00:24:02.359 --> 00:24:05.279
<v Speaker 2>so I just blew the dust off that other one

465
00:24:05.279 --> 00:24:06.839
<v Speaker 2>and gave it to you China.

466
00:24:08.039 --> 00:24:11.799
<v Speaker 1>I'm trying to think I'm a little bit lost yet.

467
00:24:11.880 --> 00:24:15.720
<v Speaker 2>So meanwhile, Vicky basically says Carmela might be a scammer

468
00:24:15.759 --> 00:24:19.319
<v Speaker 2>and eventually asked Jenfer money. And then meanwhile Carmela admits

469
00:24:19.359 --> 00:24:22.240
<v Speaker 2>to that arrest that when she was twenty. The timeline

470
00:24:22.240 --> 00:24:23.599
<v Speaker 2>is so off. Who even gives a shit?

471
00:24:24.000 --> 00:24:27.079
<v Speaker 1>That's my thing? That doing? Okay if you get on.

472
00:24:28.119 --> 00:24:32.359
<v Speaker 1>So we go to Ohio where she was with Jeff

473
00:24:32.359 --> 00:24:37.240
<v Speaker 1>because he was playing for the Browns, I believe. So

474
00:24:37.279 --> 00:24:41.799
<v Speaker 1>she's at Everything there is flat and everything is either

475
00:24:41.920 --> 00:24:44.160
<v Speaker 1>in jello or has chili on top of it, and

476
00:24:44.240 --> 00:24:48.680
<v Speaker 1>everybody knows that about that place. Were correct?

477
00:24:49.680 --> 00:24:50.160
<v Speaker 4>Correct? Yes?

478
00:24:50.240 --> 00:24:51.519
<v Speaker 1>Ruby went to college there?

479
00:24:51.599 --> 00:24:54.759
<v Speaker 3>You did, Ruby Miami of Ohio go RedHawks?

480
00:24:55.039 --> 00:24:59.880
<v Speaker 1>Wow? A couple of what do you call him? Almam?

481
00:25:01.319 --> 00:25:03.480
<v Speaker 3>Well yeah, just one?

482
00:25:04.480 --> 00:25:06.759
<v Speaker 1>Well you that's no. But who are the people that

483
00:25:06.839 --> 00:25:07.319
<v Speaker 1>went there with?

484
00:25:07.359 --> 00:25:07.960
<v Speaker 3>Alumna?

485
00:25:08.119 --> 00:25:18.200
<v Speaker 1>Alumna Paul Ryan, Roethelisberger. P ninety x is Paul Ryan

486
00:25:18.319 --> 00:25:21.960
<v Speaker 1>and Roethlisberger. So it's a cool place. But anyway, so

487
00:25:22.000 --> 00:25:25.440
<v Speaker 1>she's in a disgusting bar. They have strippers, stripper polls there.

488
00:25:25.480 --> 00:25:28.920
<v Speaker 1>She gets up and then kicks her her uh and

489
00:25:28.960 --> 00:25:32.039
<v Speaker 1>her competition, her competition in the fucking face. We're all

490
00:25:33.079 --> 00:25:37.400
<v Speaker 1>years old. I love. Let's get a Ta Darius apartment. Yeah,

491
00:25:37.440 --> 00:25:39.480
<v Speaker 1>let's get which is down the street from the house

492
00:25:40.359 --> 00:25:43.400
<v Speaker 1>she's living out her elden Ring fantasies. Uh that you

493
00:25:43.440 --> 00:25:45.519
<v Speaker 1>know what elden Ring is? No?

494
00:25:48.599 --> 00:25:50.240
<v Speaker 3>I just don't even know what to say.

495
00:25:52.480 --> 00:25:53.799
<v Speaker 1>Do you know what elden Ring is?

496
00:25:54.160 --> 00:25:56.400
<v Speaker 3>Yeah? And that's Can I clarify something really quickly, Dylan?

497
00:25:56.799 --> 00:26:00.920
<v Speaker 3>I do because people in my life, you care about

498
00:26:00.960 --> 00:26:04.880
<v Speaker 3>this shit? If your daughter, yeah, was interested in this

499
00:26:04.960 --> 00:26:07.400
<v Speaker 3>world and she threw that out, It's not like she

500
00:26:07.480 --> 00:26:10.759
<v Speaker 3>was saying something that was the most like minute, come

501
00:26:10.839 --> 00:26:13.640
<v Speaker 3>on camera, pay a little attention, or just lie and

502
00:26:13.680 --> 00:26:14.519
<v Speaker 3>giggle and move on.

503
00:26:14.599 --> 00:26:15.160
<v Speaker 2>What is it?

504
00:26:15.240 --> 00:26:15.839
<v Speaker 1>I gotta say?

505
00:26:17.160 --> 00:26:18.160
<v Speaker 2>Is it Lord of the Rings?

506
00:26:18.839 --> 00:26:22.319
<v Speaker 1>No? No, it's a video game. But I can't play

507
00:26:22.359 --> 00:26:25.519
<v Speaker 1>these video games anymore. Who has time to get lost

508
00:26:25.519 --> 00:26:28.319
<v Speaker 1>in an the most immersive open world. I mean me

509
00:26:28.359 --> 00:26:30.599
<v Speaker 1>and Kylen just went through this with balders Gate. I mean,

510
00:26:30.640 --> 00:26:33.319
<v Speaker 1>you have a family. You can't play these games like this.

511
00:26:34.119 --> 00:26:34.839
<v Speaker 2>I mean I can't.

512
00:26:34.960 --> 00:26:38.599
<v Speaker 1>I can't fall asleep sitting up playing Balder's Gate anymore.

513
00:26:38.799 --> 00:26:40.000
<v Speaker 1>Not a child.

514
00:26:40.079 --> 00:26:43.240
<v Speaker 2>When I played Nintendo, I'd played till my thumbs burnt

515
00:26:43.240 --> 00:26:45.640
<v Speaker 2>out the skin of I know, it's what a loser

516
00:26:45.720 --> 00:26:46.079
<v Speaker 2>I was.

517
00:26:47.039 --> 00:26:49.160
<v Speaker 1>Well, they're fun though, they're a good way all right. Question.

518
00:26:49.200 --> 00:26:51.599
<v Speaker 2>I don't want to sound judge here. But I'm curious.

519
00:26:51.680 --> 00:26:54.319
<v Speaker 2>So Daria chose not to go to the Musicians Institute,

520
00:26:54.319 --> 00:26:56.599
<v Speaker 2>which I support because I graduated from there with a

521
00:26:56.640 --> 00:26:57.680
<v Speaker 2>secondary degree, was.

522
00:26:57.880 --> 00:27:00.480
<v Speaker 1>Pointless, it's a scam.

523
00:27:00.920 --> 00:27:01.880
<v Speaker 2>Does she have a job?

524
00:27:02.880 --> 00:27:05.079
<v Speaker 1>I don't know if she has a job or not.

525
00:27:06.000 --> 00:27:10.640
<v Speaker 1>But what I do know is that listen, Daria, do

526
00:27:10.720 --> 00:27:11.119
<v Speaker 1>your thing.

527
00:27:11.359 --> 00:27:14.319
<v Speaker 2>No no, no, no no no. You leaving the nest

528
00:27:14.440 --> 00:27:19.200
<v Speaker 2>means independence, It means a new journey, and means launching

529
00:27:19.240 --> 00:27:23.359
<v Speaker 2>off into adulthood, which means responsibility. If mommy is just

530
00:27:23.440 --> 00:27:26.920
<v Speaker 2>like here, I'm floating your apartment, yeah, and not there's

531
00:27:26.920 --> 00:27:30.480
<v Speaker 2>no expectations of kind of supporting yourself. I think it's

532
00:27:30.519 --> 00:27:31.079
<v Speaker 2>a bad move.

533
00:27:31.400 --> 00:27:34.039
<v Speaker 1>Yeah. I think there's a little limbo though here where

534
00:27:34.119 --> 00:27:38.359
<v Speaker 1>I think Daria is much like Carmela's kind of parking garage,

535
00:27:38.640 --> 00:27:42.880
<v Speaker 1>where she's in between two things. Okay, so Tamar is

536
00:27:42.920 --> 00:27:46.640
<v Speaker 1>definitely paying for everything, but she's close. She's gonna she's

537
00:27:46.640 --> 00:27:48.440
<v Speaker 1>gonna be out on her own soon. I don't know

538
00:27:48.480 --> 00:27:50.319
<v Speaker 1>if she has a job, Ruby.

539
00:27:51.000 --> 00:27:53.559
<v Speaker 3>I'm not sure, But what I do know is that

540
00:27:54.279 --> 00:27:58.799
<v Speaker 3>Tamar's husband will not film ever, Yeah, on this show,

541
00:27:58.960 --> 00:28:01.319
<v Speaker 3>And I think it's the funniest thing in the world

542
00:28:02.079 --> 00:28:06.079
<v Speaker 3>camera has to record her scenes now with her daughter,

543
00:28:06.200 --> 00:28:10.599
<v Speaker 3>because Eduardo has said, uh uh, you know that's so crazy.

544
00:28:10.640 --> 00:28:12.759
<v Speaker 1>Do you know that's why Daria is on the show.

545
00:28:12.799 --> 00:28:15.599
<v Speaker 1>The only insight we have into her domestic life is

546
00:28:15.640 --> 00:28:16.480
<v Speaker 1>through Daria.

547
00:28:16.559 --> 00:28:20.359
<v Speaker 2>Did you know there's a sun that's probably close to

548
00:28:20.720 --> 00:28:25.160
<v Speaker 2>her age that we don't ever see. His name Spencer, right,

549
00:28:26.599 --> 00:28:27.319
<v Speaker 2>never seen.

550
00:28:28.039 --> 00:28:33.240
<v Speaker 1>And then there's another one that's with them with the husband.

551
00:28:34.200 --> 00:28:37.200
<v Speaker 2>No, there's one that is. There's a girl named Sidney.

552
00:28:37.480 --> 00:28:39.200
<v Speaker 1>She won't talk to her, that's right.

553
00:28:39.559 --> 00:28:42.240
<v Speaker 2>Then there's Ryan, the ship bag that's got like a

554
00:28:42.319 --> 00:28:44.079
<v Speaker 2>fucking rap sheet as long as my arm.

555
00:28:44.119 --> 00:28:46.400
<v Speaker 1>He's a total loser, okay.

556
00:28:46.440 --> 00:28:50.640
<v Speaker 2>And uh and then Spencer, who we don't see. The

557
00:28:50.720 --> 00:28:53.319
<v Speaker 2>cameras just float around him.

558
00:28:53.359 --> 00:28:57.880
<v Speaker 1>Listen. I'm sure that every stage of parenthood has its

559
00:28:58.160 --> 00:29:02.559
<v Speaker 1>rewards and its challenges, but having a little adorable baby

560
00:29:03.079 --> 00:29:08.039
<v Speaker 1>as as Pat and I do, it's sad to think

561
00:29:08.079 --> 00:29:11.039
<v Speaker 1>that they'll grow into something that is debating going to

562
00:29:11.119 --> 00:29:14.519
<v Speaker 1>the Musicians Institute and has tattoos and is talking about

563
00:29:14.599 --> 00:29:18.839
<v Speaker 1>Elton rang like, I don't want that. Sucks. I don't

564
00:29:18.880 --> 00:29:23.119
<v Speaker 1>want that. They're so cute, all right, so let's move on.

565
00:29:23.359 --> 00:29:24.960
<v Speaker 1>You know what I'm talking about, though.

566
00:29:24.960 --> 00:29:26.720
<v Speaker 2>Well, you know, you got to let them make their

567
00:29:26.720 --> 00:29:27.599
<v Speaker 2>own mistakes, Stilling.

568
00:29:28.799 --> 00:29:30.400
<v Speaker 3>But what you also, does that mean.

569
00:29:32.440 --> 00:29:34.240
<v Speaker 2>Kaitlin's into all that shit you just said.

570
00:29:35.000 --> 00:29:37.240
<v Speaker 1>I know, and I'm sure his parents probably thought that

571
00:29:37.240 --> 00:29:38.599
<v Speaker 1>he was a lot cuter when he was a little

572
00:29:38.640 --> 00:29:40.559
<v Speaker 1>baby and he was walking around like a drunk. But

573
00:29:40.640 --> 00:29:41.400
<v Speaker 1>he was a baby.

574
00:29:43.519 --> 00:29:44.640
<v Speaker 3>Now he's just a drunk.

575
00:29:46.359 --> 00:29:51.079
<v Speaker 1>Okay, let's get to Dano Lee's for a little ribbi

576
00:29:51.200 --> 00:29:56.000
<v Speaker 1>and French fries. Is there a better meal? Yeah, definitely,

577
00:29:56.079 --> 00:29:59.039
<v Speaker 1>but it is really really delicious. It's so crazy to

578
00:29:59.079 --> 00:30:03.319
<v Speaker 1>me that you got you guys will not eat a ribbi?

579
00:30:04.839 --> 00:30:08.799
<v Speaker 3>No what what? They all ordered different steaks. It seemed right.

580
00:30:09.759 --> 00:30:12.319
<v Speaker 1>Yeah, we've definitely we've got a ribbi, We've got a filet.

581
00:30:12.960 --> 00:30:16.279
<v Speaker 1>But they may do that here. But we get to this.

582
00:30:16.359 --> 00:30:18.680
<v Speaker 2>By the way, we will spend twenty three minutes at

583
00:30:18.680 --> 00:30:21.960
<v Speaker 2>this table for the most part talking about that goddamn parse.

584
00:30:22.720 --> 00:30:26.400
<v Speaker 1>Yeah, so this is when well Bador and Tamra that

585
00:30:26.480 --> 00:30:30.599
<v Speaker 1>we also talk about what's going on between Heather. Oh no,

586
00:30:30.839 --> 00:30:31.799
<v Speaker 1>we are going to tell Emily.

587
00:30:32.000 --> 00:30:34.319
<v Speaker 2>I'm sorry. We at some point, don't we get to

588
00:30:34.359 --> 00:30:37.680
<v Speaker 2>go to lunch with Gene the Machine.

589
00:30:38.319 --> 00:30:43.839
<v Speaker 1>Okay, second, okay, but right now we discuss the kind

590
00:30:43.839 --> 00:30:46.279
<v Speaker 1>of relationships that we have with Tamra. So Bador and

591
00:30:46.279 --> 00:30:49.559
<v Speaker 1>Tamra are good, but tenuous. Heather and Tamor are good, tenuous,

592
00:30:49.599 --> 00:30:52.680
<v Speaker 1>tough to be friends with Tamrah. Okay, got that, And

593
00:30:52.720 --> 00:30:55.319
<v Speaker 1>then we get to this Heather to Bro thing where

594
00:30:55.720 --> 00:30:58.119
<v Speaker 1>we've addressed it. But I have in my notes that

595
00:30:58.240 --> 00:31:04.119
<v Speaker 1>I I honestly don't know how culpable I am for

596
00:31:04.240 --> 00:31:06.920
<v Speaker 1>having no clue what they're talking about. I'll tell you,

597
00:31:07.200 --> 00:31:11.319
<v Speaker 1>but we know now, Ruby said, you know, laid it

598
00:31:11.359 --> 00:31:15.319
<v Speaker 1>out for all of us. But what percentage is it

599
00:31:15.400 --> 00:31:17.640
<v Speaker 1>on the audience for not knowing what's going on? And

600
00:31:17.720 --> 00:31:20.559
<v Speaker 1>what percentage is it on production? It is like a

601
00:31:20.680 --> 00:31:23.279
<v Speaker 1>ninety ten thing here because they're just doing not a

602
00:31:23.319 --> 00:31:23.759
<v Speaker 1>good job.

603
00:31:23.839 --> 00:31:28.160
<v Speaker 2>Okay. So I would like to know how much interaction

604
00:31:28.640 --> 00:31:32.359
<v Speaker 2>Heather de Bro has with Meatball and Emily when the

605
00:31:32.400 --> 00:31:34.640
<v Speaker 2>cameras aren't there. I would love to know how many

606
00:31:34.640 --> 00:31:38.920
<v Speaker 2>phone calls, how many texts? Zero, how much interaction actually

607
00:31:38.920 --> 00:31:43.200
<v Speaker 2>takes place zero, Because HD in this scene is actually

608
00:31:43.319 --> 00:31:48.920
<v Speaker 2>her issue is with Emily backstabbing her because she considers

609
00:31:48.960 --> 00:31:51.319
<v Speaker 2>her a very good friend. And she points out, if

610
00:31:51.319 --> 00:31:54.319
<v Speaker 2>you remember from seeing a scene earlier in the season

611
00:31:54.319 --> 00:31:56.880
<v Speaker 2>with her own mother, she doesn't like her family. Her

612
00:31:56.920 --> 00:32:00.920
<v Speaker 2>family has no emotions, right, so that's why she considers

613
00:32:01.319 --> 00:32:04.240
<v Speaker 2>these people her family. Right.

614
00:32:05.359 --> 00:32:08.359
<v Speaker 1>And you know what, forgive me because Ruby broke down

615
00:32:09.400 --> 00:32:13.319
<v Speaker 1>what was happening with Jen and Heather? This is between

616
00:32:13.440 --> 00:32:17.839
<v Speaker 1>Emily and Heather, and once again common thread Heather's drama

617
00:32:17.960 --> 00:32:21.039
<v Speaker 1>and storylines. Were you guys confused about what the fuck

618
00:32:21.160 --> 00:32:25.200
<v Speaker 1>she was upset about? She was upset that Emily told

619
00:32:25.240 --> 00:32:27.559
<v Speaker 1>her that she had talked too much the night before.

620
00:32:27.799 --> 00:32:31.160
<v Speaker 1>Hmm was that episode last episode?

621
00:32:31.599 --> 00:32:32.160
<v Speaker 2>Yeah?

622
00:32:32.200 --> 00:32:34.519
<v Speaker 3>So just really quickly, well, what Heather is vampire crying

623
00:32:34.519 --> 00:32:37.039
<v Speaker 3>about is because Emily did not look at me and

624
00:32:37.119 --> 00:32:38.680
<v Speaker 3>she told me I was talking all night.

625
00:32:39.559 --> 00:32:41.680
<v Speaker 2>I want to point out we just watched the season

626
00:32:41.799 --> 00:32:43.960
<v Speaker 2>of Real Highest Wives of Rhode Island where a girl

627
00:32:44.000 --> 00:32:47.680
<v Speaker 2>showed up to another girl's house. Another girl called another

628
00:32:47.720 --> 00:32:52.160
<v Speaker 2>cast member a slam pig, shoved her out of her

629
00:32:52.200 --> 00:32:54.400
<v Speaker 2>house as the other girl fought to get.

630
00:32:54.200 --> 00:32:58.960
<v Speaker 1>In and slammed the door in her face. Yes, okay,

631
00:33:00.559 --> 00:33:05.720
<v Speaker 1>that's television, thank you. I mean she showed up with

632
00:33:05.759 --> 00:33:06.279
<v Speaker 1>her told me.

633
00:33:08.839 --> 00:33:10.160
<v Speaker 2>I talked too much.

634
00:33:11.039 --> 00:33:14.680
<v Speaker 1>I mean she Kels what was her name, Kelsey shows

635
00:33:14.759 --> 00:33:19.799
<v Speaker 1>up with a blowhorn okay, and then goes inside and

636
00:33:20.000 --> 00:33:21.480
<v Speaker 1>Rosie's houses.

637
00:33:21.039 --> 00:33:24.000
<v Speaker 2>Worked like five thousand dollars.

638
00:33:24.519 --> 00:33:27.160
<v Speaker 1>Rosie has blueprints and a tape measure out and then

639
00:33:27.200 --> 00:33:30.279
<v Speaker 1>they almost physically fight each other. Heather is saying that

640
00:33:30.359 --> 00:33:33.000
<v Speaker 1>she looked at me, not in a way that I appreciate.

641
00:33:33.359 --> 00:33:38.160
<v Speaker 1>Let's get to Shannon the cannon and Jeane the machine.

642
00:33:38.400 --> 00:33:39.119
<v Speaker 2>Geene the machine.

643
00:33:39.640 --> 00:33:44.680
<v Speaker 1>He looks like he is freshly from maldehyde. It every morning.

644
00:33:44.720 --> 00:33:48.880
<v Speaker 1>He looks incredible for ninety seven, by.

645
00:33:48.720 --> 00:33:53.559
<v Speaker 2>The way it does. He's been known as a life

646
00:33:53.599 --> 00:33:57.319
<v Speaker 2>along alcoholic. I think it actually speaks to some positive

647
00:33:58.079 --> 00:33:59.160
<v Speaker 2>powercohol playing.

648
00:33:59.240 --> 00:33:59.440
<v Speaker 1>Yeah.

649
00:33:59.759 --> 00:34:02.720
<v Speaker 3>Yes, if you lean in, this is what you can

650
00:34:02.759 --> 00:34:05.480
<v Speaker 3>at you can you have to cross the threshold to

651
00:34:05.519 --> 00:34:08.800
<v Speaker 3>pickle to the outside. But he is three years old

652
00:34:08.840 --> 00:34:11.960
<v Speaker 3>from he's one hundred in three years. That man looks

653
00:34:11.960 --> 00:34:14.639
<v Speaker 3>like he's in his eighties and being serious. And Shannon

654
00:34:14.920 --> 00:34:18.440
<v Speaker 3>is uh, Shannon is him exactly just younger.

655
00:34:18.679 --> 00:34:20.920
<v Speaker 2>Yeah, she kept trying to come up with fun names

656
00:34:20.920 --> 00:34:23.280
<v Speaker 2>for herself because he's g machine and you can't beat

657
00:34:23.320 --> 00:34:27.239
<v Speaker 2>that one. All of hers were horrible. Shannon Badore is

658
00:34:27.239 --> 00:34:29.239
<v Speaker 2>so drunk, she's always on the floor.

659
00:34:29.440 --> 00:34:31.960
<v Speaker 1>Oh wow, no, that's not she didn't come up with that.

660
00:34:31.960 --> 00:34:34.280
<v Speaker 1>That was no, that was mine, that was yours. Okay,

661
00:34:35.159 --> 00:34:36.039
<v Speaker 1>well she's.

662
00:34:35.880 --> 00:34:40.599
<v Speaker 2>Finally realizing she's just like her dad. Ahem and uh

663
00:34:41.119 --> 00:34:47.239
<v Speaker 2>it was also a lifelong alcoholic and also also a

664
00:34:47.639 --> 00:34:57.360
<v Speaker 2>Sunday driver with canines. We here you, Archie. I feel

665
00:34:57.400 --> 00:35:00.760
<v Speaker 2>for you guys being pulled into cars doing drunken dry

666
00:35:00.760 --> 00:35:03.559
<v Speaker 2>buys or night stalking missions for ex boyfriends.

667
00:35:04.559 --> 00:35:05.159
<v Speaker 1>Oh who's that?

668
00:35:05.760 --> 00:35:11.239
<v Speaker 2>Oh that's Archie's friend in having Ted. He died in

669
00:35:11.239 --> 00:35:14.320
<v Speaker 2>a car. Poor guy.

670
00:35:14.840 --> 00:35:17.119
<v Speaker 1>Yeah, yeah, I'm sure Ted doesn't even want to hear

671
00:35:17.159 --> 00:35:21.199
<v Speaker 1>it from Archie. Archie's like, I was involved in these accidents.

672
00:35:22.440 --> 00:35:24.719
<v Speaker 1>I died in a car. That's why I'm here.

673
00:35:25.079 --> 00:35:28.400
<v Speaker 2>Archie brought them him into the conversation to drive home

674
00:35:28.440 --> 00:35:29.599
<v Speaker 2>that point. Thanks Archie.

675
00:35:29.639 --> 00:35:33.280
<v Speaker 1>All Right, So Shannon is in debt, but she did

676
00:35:33.320 --> 00:35:36.159
<v Speaker 1>tell her she finally got a financial planner, and she

677
00:35:36.559 --> 00:35:40.079
<v Speaker 1>told the financial planner, I have a six month plan

678
00:35:40.239 --> 00:35:42.840
<v Speaker 1>for this. Okay, So here's the thing this. I'll be

679
00:35:42.880 --> 00:35:47.239
<v Speaker 1>the financial planner. Shannon. You are seven hundred thousand dollars

680
00:35:47.239 --> 00:35:50.079
<v Speaker 1>in debt. This is something that will take years to

681
00:35:50.159 --> 00:35:54.519
<v Speaker 1>pay off. We can't accomplish an erasure of this in

682
00:35:54.639 --> 00:35:58.400
<v Speaker 1>six months, but who knows. If that's the situation. I'm

683
00:35:58.440 --> 00:36:03.039
<v Speaker 1>happy for Shannon. We Shannon has long outstayed her welcome.

684
00:36:03.079 --> 00:36:05.000
<v Speaker 1>But I think deep inside of all of us we

685
00:36:05.480 --> 00:36:06.320
<v Speaker 1>like Shanna Badoor.

686
00:36:07.000 --> 00:36:10.960
<v Speaker 3>No, okay, yeah, I don't want her to like. I

687
00:36:11.039 --> 00:36:14.360
<v Speaker 3>don't wish terrible things upon her, but like I wouldn't say,

688
00:36:14.400 --> 00:36:15.480
<v Speaker 3>is what I don't love her?

689
00:36:15.559 --> 00:36:17.840
<v Speaker 2>No, she's an idiot. She went after our girl, Heather

690
00:36:17.920 --> 00:36:21.119
<v Speaker 2>McDonald on Juicy. Heather McDonald made fun of her falling

691
00:36:21.199 --> 00:36:24.320
<v Speaker 2>down on the show, so Heather McDonald did a video

692
00:36:24.480 --> 00:36:26.480
<v Speaker 2>of an acting class where you can fall down on

693
00:36:26.519 --> 00:36:29.119
<v Speaker 2>reality TV too. Shanna Badoor went on the Jamie Kennedy

694
00:36:29.199 --> 00:36:32.639
<v Speaker 2>podcast Kaylen's dad's been on it, and she was like,

695
00:36:32.800 --> 00:36:36.159
<v Speaker 2>it's just not funny. It's just not funny. She wants

696
00:36:36.159 --> 00:36:38.280
<v Speaker 2>to be my life. She wants and then she was like,

697
00:36:38.360 --> 00:36:40.320
<v Speaker 2>I used to take Heather McDonald out to football games,

698
00:36:40.400 --> 00:36:42.239
<v Speaker 2>take her out to dinner. She's been to my house.

699
00:36:43.679 --> 00:36:44.480
<v Speaker 2>She wants to be nuts.

700
00:36:45.599 --> 00:36:47.960
<v Speaker 3>I don't think Heather has any interest in being Shannon Badoor.

701
00:36:48.000 --> 00:36:49.880
<v Speaker 3>I don't think any of us do. But what I

702
00:36:49.920 --> 00:36:52.079
<v Speaker 3>did think was incredible was at the end of it,

703
00:36:52.159 --> 00:36:56.599
<v Speaker 3>she was saying, like, what I've realized being here now

704
00:36:57.199 --> 00:37:00.639
<v Speaker 3>is that I'm gonna trust my instincts in my and

705
00:37:00.719 --> 00:37:03.039
<v Speaker 3>I like being in Corona del Mar, So I'm staying.

706
00:37:03.119 --> 00:37:05.480
<v Speaker 3>And I was like, well, but no, Shannon, because you

707
00:37:05.559 --> 00:37:06.960
<v Speaker 3>can't afford to stay.

708
00:37:07.079 --> 00:37:12.800
<v Speaker 1>So she is happy in Corona del Mar. Then downsize,

709
00:37:13.360 --> 00:37:15.920
<v Speaker 1>She's happy in Corona del marri Okay, both of you

710
00:37:16.159 --> 00:37:19.920
<v Speaker 1>wolves need to put your teeth away, all right.

711
00:37:19.960 --> 00:37:22.280
<v Speaker 2>So there were a couple of fun things with this conversation.

712
00:37:22.360 --> 00:37:25.400
<v Speaker 2>First off, they start getting into some summerhouse that Geane

713
00:37:25.440 --> 00:37:26.920
<v Speaker 2>the Machine sold in the eighties.

714
00:37:27.000 --> 00:37:28.400
<v Speaker 1>I didn't want to guy, I didn't want to leave

715
00:37:28.440 --> 00:37:31.280
<v Speaker 1>Los Angeles. They talk about it, what I got on

716
00:37:31.320 --> 00:37:31.679
<v Speaker 1>a stick.

717
00:37:31.840 --> 00:37:34.599
<v Speaker 2>They talk about it like it was fucking yesterday. And

718
00:37:34.639 --> 00:37:36.360
<v Speaker 2>this is the current state of adults where we're at,

719
00:37:36.480 --> 00:37:39.519
<v Speaker 2>and I mean sixty two year olds and ninety seven

720
00:37:39.559 --> 00:37:43.440
<v Speaker 2>year olds. We can't stop relitigating the fucking past of

721
00:37:43.480 --> 00:37:46.440
<v Speaker 2>our childhoods and what bummed us out? Sure, move the

722
00:37:46.480 --> 00:37:49.599
<v Speaker 2>fuck on, that's what my right. I'm gonna start a podcast.

723
00:37:49.599 --> 00:37:52.440
<v Speaker 2>I'm the new melt Robbins hers is like, h don't

724
00:37:52.480 --> 00:37:53.480
<v Speaker 2>let them or whatever.

725
00:37:53.239 --> 00:37:55.519
<v Speaker 1>The fuck it's the opposite, it's let them.

726
00:37:55.440 --> 00:37:57.599
<v Speaker 2>Let them all right. My book message is called move

727
00:37:57.679 --> 00:38:03.079
<v Speaker 2>the fuck on. Move the fuck on. Ah, move on,

728
00:38:04.239 --> 00:38:07.039
<v Speaker 2>try and fight that. Well I can't, No, you can't

729
00:38:07.079 --> 00:38:09.880
<v Speaker 2>move on. Let it go. Why are you talking to

730
00:38:09.880 --> 00:38:11.880
<v Speaker 2>this ninety seven year old man and making him feel

731
00:38:11.880 --> 00:38:14.800
<v Speaker 2>bad about selling a house in nineteen eighty four?

732
00:38:15.079 --> 00:38:18.039
<v Speaker 3>Right, move out of all the things to get drunk

733
00:38:18.119 --> 00:38:21.599
<v Speaker 3>and talk about at this dinner, Shannon, she's she's finished

734
00:38:21.599 --> 00:38:23.519
<v Speaker 3>her second drink and then she's like, hey, by the way,

735
00:38:24.280 --> 00:38:26.360
<v Speaker 3>I fucking didn't want to leave that childhood house. By

736
00:38:26.360 --> 00:38:28.199
<v Speaker 3>the way, a ninety seven year old I hate you

737
00:38:28.280 --> 00:38:28.480
<v Speaker 3>for that.

738
00:38:29.400 --> 00:38:33.039
<v Speaker 1>I got all right, Well, I think they cleared the air,

739
00:38:33.159 --> 00:38:37.719
<v Speaker 1>and Shannanbadoor is happy. In Corona Del Mar Meetball and

740
00:38:37.760 --> 00:38:41.039
<v Speaker 1>Tamar meet up for a little jaunt at a local

741
00:38:42.079 --> 00:38:46.599
<v Speaker 1>walking circle and Tamar goes, hey, what's going on? And

742
00:38:46.639 --> 00:38:49.239
<v Speaker 1>Meebo goes, oh, not much, just child happen deck to

743
00:38:49.239 --> 00:38:54.000
<v Speaker 1>me last night A thought child was in danger of

744
00:38:55.119 --> 00:38:58.519
<v Speaker 1>serious bodily harm. But what is up with Carmela? Who

745
00:38:58.519 --> 00:38:59.679
<v Speaker 1>does that bitch think she.

746
00:38:59.800 --> 00:39:02.679
<v Speaker 2>Is bringing Jen on a new project? Jen.

747
00:39:03.519 --> 00:39:05.199
<v Speaker 1>All right, let's get ready for the winery.

748
00:39:05.719 --> 00:39:07.639
<v Speaker 3>I just really quickly, I want to say, I think

749
00:39:07.679 --> 00:39:10.559
<v Speaker 3>Gene is still a little bit hurt about Jen when

750
00:39:10.639 --> 00:39:12.639
<v Speaker 3>she moved Jen into that house and then Jen fucked

751
00:39:12.639 --> 00:39:14.559
<v Speaker 3>her relationship up and didn't pay her in it for

752
00:39:14.599 --> 00:39:17.679
<v Speaker 3>a year. So it's triggering a bit, I think, rightfully.

753
00:39:17.719 --> 00:39:19.840
<v Speaker 2>So it's hard not to forget that when someone fucks

754
00:39:19.840 --> 00:39:20.239
<v Speaker 2>you like that.

755
00:39:21.159 --> 00:39:21.400
<v Speaker 3>Great.

756
00:39:22.559 --> 00:39:28.519
<v Speaker 1>Jen can't not fuck you in a situation like that.

757
00:39:28.960 --> 00:39:31.360
<v Speaker 1>She doesn't know what's going on.

758
00:39:35.440 --> 00:39:37.320
<v Speaker 3>But Dylan, But how Dylan?

759
00:39:38.039 --> 00:39:40.239
<v Speaker 1>I know, I know, I know, I know, no big

760
00:39:40.280 --> 00:39:44.280
<v Speaker 1>time I know. But like, all right, let's say the

761
00:39:44.320 --> 00:39:49.519
<v Speaker 1>IRS sends a letter about an LLC needing to be

762
00:39:51.440 --> 00:39:54.159
<v Speaker 1>the license needing to get renewed or something on the track.

763
00:39:54.559 --> 00:39:56.199
<v Speaker 1>What does she do with that?

764
00:39:58.039 --> 00:40:00.760
<v Speaker 3>It's an open mail. I don't think she too complicated.

765
00:40:00.800 --> 00:40:01.360
<v Speaker 2>What is this thing?

766
00:40:01.360 --> 00:40:05.039
<v Speaker 1>It's very thick, all right, So let's get ready for

767
00:40:05.079 --> 00:40:09.800
<v Speaker 1>the winery. Shannon is doing bits and we arrive there

768
00:40:09.840 --> 00:40:14.639
<v Speaker 1>to whoop it the fuck up? Ceci Vicky. What a

769
00:40:14.719 --> 00:40:20.400
<v Speaker 1>bizarre Froydian slip. Vicky sees the wine worker and I

770
00:40:20.559 --> 00:40:24.480
<v Speaker 1>believe she wants to have sex with him. This is

771
00:40:24.519 --> 00:40:26.320
<v Speaker 1>a perfect mark for Vicky.

772
00:40:26.360 --> 00:40:30.800
<v Speaker 3>Go ahead, did either of you recognize the beautiful, incredible

773
00:40:30.840 --> 00:40:32.440
<v Speaker 3>winery that this was ad and that it was the

774
00:40:32.760 --> 00:40:34.400
<v Speaker 3>place that I got married at? But you were both

775
00:40:34.400 --> 00:40:35.239
<v Speaker 3>at very recently.

776
00:40:35.440 --> 00:40:37.760
<v Speaker 2>Get the f out of here?

777
00:40:38.480 --> 00:40:39.400
<v Speaker 1>Are you kidding me?

778
00:40:40.159 --> 00:40:42.000
<v Speaker 2>No, they didn't show the sign outside.

779
00:40:42.920 --> 00:40:44.679
<v Speaker 3>No, they just showed the winery thing at the front,

780
00:40:44.679 --> 00:40:46.440
<v Speaker 3>because I don't think they want people to know it's there.

781
00:40:48.239 --> 00:40:51.480
<v Speaker 2>We have a wonderful evening at this location.

782
00:40:52.239 --> 00:40:54.519
<v Speaker 3>It's really great. Seriously, the staff was wonderful.

783
00:40:54.719 --> 00:40:59.480
<v Speaker 1>I had no clue. Isn't that funny? God, I gotta

784
00:40:59.519 --> 00:41:05.440
<v Speaker 1>go back and m hm huh, that's fun I'm so happy. One.

785
00:41:05.519 --> 00:41:08.239
<v Speaker 1>I'm sorry for not having any fucking idea that that's

786
00:41:08.239 --> 00:41:09.079
<v Speaker 1>where you got married.

787
00:41:09.639 --> 00:41:10.880
<v Speaker 3>I don't think you should, but.

788
00:41:11.320 --> 00:41:14.559
<v Speaker 1>It would be much worse if I just absolutely decimated

789
00:41:14.559 --> 00:41:17.159
<v Speaker 1>this place, which I didn't. It was lovely. But I

790
00:41:17.239 --> 00:41:23.119
<v Speaker 1>will say there's one blemish. This guy Kyle needs to

791
00:41:23.199 --> 00:41:26.360
<v Speaker 1>take the stick out of his ass. Okay. Yeah, Vicky's

792
00:41:26.360 --> 00:41:29.760
<v Speaker 1>getting black out, okay, and she's pointing at people with wine,

793
00:41:29.800 --> 00:41:32.519
<v Speaker 1>which is not even something that you can use to

794
00:41:32.639 --> 00:41:36.960
<v Speaker 1>point It's a liquid. It's her party, But fucking this

795
00:41:37.000 --> 00:41:42.280
<v Speaker 1>guy Kyle, take it easy, dude. All right, So we

796
00:41:42.360 --> 00:41:44.800
<v Speaker 1>talk about this Debbie Downer thing, and this is where

797
00:41:44.800 --> 00:41:48.199
<v Speaker 1>I'm like for Heather and Tamra to be coming to Vicky,

798
00:41:48.679 --> 00:41:52.920
<v Speaker 1>who is just a walking kind of hooligan party, telling

799
00:41:52.960 --> 00:41:55.400
<v Speaker 1>her that she needs to whoop it up. I don't know.

800
00:41:55.440 --> 00:41:57.800
<v Speaker 1>I was a little insulted on Vicky's behalf. I think

801
00:41:57.880 --> 00:42:00.159
<v Speaker 1>Vicky is just far and away the best housewife on

802
00:42:00.199 --> 00:42:01.000
<v Speaker 1>this show. Right now.

803
00:42:01.840 --> 00:42:04.599
<v Speaker 3>I agree that you can't. I am not a trick.

804
00:42:04.800 --> 00:42:07.440
<v Speaker 3>I'm not a gesture for you, kings and queens. You

805
00:42:07.480 --> 00:42:09.920
<v Speaker 3>don't come here and tell me to perform and dance

806
00:42:10.000 --> 00:42:12.480
<v Speaker 3>like a monkey. Vicky will black out and whoop it

807
00:42:12.559 --> 00:42:14.840
<v Speaker 3>up when she feels like it, Okay, exactly.

808
00:42:15.599 --> 00:42:18.039
<v Speaker 1>Hey, I learned this from a Danny McBride interview. Did

809
00:42:18.079 --> 00:42:20.920
<v Speaker 1>you know the best gesterres in the medieval ages? The

810
00:42:21.559 --> 00:42:25.760
<v Speaker 1>kings of their craft could jump, fart and whistle at

811
00:42:25.760 --> 00:42:26.320
<v Speaker 1>the same time.

812
00:42:27.199 --> 00:42:28.639
<v Speaker 2>Really? No, Wow?

813
00:42:28.920 --> 00:42:32.639
<v Speaker 1>That pretty amazing? Nice?

814
00:42:32.920 --> 00:42:33.960
<v Speaker 3>I love Jenny McBride.

815
00:42:34.079 --> 00:42:34.599
<v Speaker 1>Is that cool?

816
00:42:34.880 --> 00:42:36.960
<v Speaker 2>Yeah?

817
00:42:37.000 --> 00:42:39.119
<v Speaker 1>Hey? Did you do you have the brief song right now?

818
00:42:39.280 --> 00:42:42.559
<v Speaker 2>No, I'm going to model them once we in between shows.

819
00:42:42.599 --> 00:42:44.239
<v Speaker 2>I'm gonna do a photo shoot for Patreon.

820
00:42:46.800 --> 00:42:50.800
<v Speaker 1>I'm okay, sorry, so we really quickly. I know we

821
00:42:50.840 --> 00:42:52.920
<v Speaker 1>got to wrap up. Rubies got a night ahead of her.

822
00:42:52.960 --> 00:42:56.960
<v Speaker 1>But we talked about pat doing a sexy Britney Carwright

823
00:42:57.079 --> 00:43:00.360
<v Speaker 1>kind of photo shoot in the boxer brief that I

824
00:43:00.400 --> 00:43:04.599
<v Speaker 1>got him I and that's great. Go to patron dot com,

825
00:43:04.599 --> 00:43:07.239
<v Speaker 1>Slash another podcast network to see that. I didn't know

826
00:43:07.239 --> 00:43:09.400
<v Speaker 1>that I was going to be the one taking the photos.

827
00:43:09.400 --> 00:43:10.920
<v Speaker 2>Oh, you don't have to. You can do art direction.

828
00:43:11.280 --> 00:43:13.920
<v Speaker 2>Calein will take him, or I can ask Lupita.

829
00:43:16.000 --> 00:43:18.519
<v Speaker 3>I think we'll leave her out. Probably we're out of it.

830
00:43:18.599 --> 00:43:18.840
<v Speaker 1>Right.

831
00:43:18.880 --> 00:43:20.400
<v Speaker 2>That fears Hypeta.

832
00:43:20.760 --> 00:43:24.199
<v Speaker 1>That feels like not appropriate. All right, So Carmela arrives

833
00:43:24.199 --> 00:43:26.599
<v Speaker 1>and Vicky, who has met her multiple times, goes up

834
00:43:26.639 --> 00:43:30.519
<v Speaker 1>to her. And that's a high of Vicky.

835
00:43:32.480 --> 00:43:35.079
<v Speaker 2>This is this is not the first time she's done this.

836
00:43:35.079 --> 00:43:36.119
<v Speaker 2>This is a Vicky move.

837
00:43:38.039 --> 00:43:39.880
<v Speaker 1>This is one of those things where sorry to get

838
00:43:39.880 --> 00:43:42.920
<v Speaker 1>back to the valley, but it's like, so Brandon goes

839
00:43:42.960 --> 00:43:46.360
<v Speaker 1>on on on social media Brittany's ex boyfriend and says,

840
00:43:46.599 --> 00:43:49.039
<v Speaker 1>Brittany gave me forty dollars. This is a lie, but

841
00:43:49.119 --> 00:43:53.960
<v Speaker 1>it's such a bad lie that it it begets more

842
00:43:54.440 --> 00:44:00.920
<v Speaker 1>kind of confusion. So do Vicky, God for knock on wood,

843
00:44:00.960 --> 00:44:04.079
<v Speaker 1>are you experiencing some kind of memory loss? Because this

844
00:44:04.239 --> 00:44:07.639
<v Speaker 1>isn't like a good insult. It's just so insane because

845
00:44:07.679 --> 00:44:09.320
<v Speaker 1>you've met her five times now.

846
00:44:09.639 --> 00:44:13.960
<v Speaker 2>This is mean girl shit and it is Ruby. Forgive

847
00:44:14.000 --> 00:44:16.119
<v Speaker 2>me if I'm speaking out of turn here.

848
00:44:16.000 --> 00:44:17.960
<v Speaker 1>Please forgive him if he's speaking out of turn.

849
00:44:18.360 --> 00:44:20.360
<v Speaker 2>Vicky has done this. I think she did it too,

850
00:44:20.480 --> 00:44:23.320
<v Speaker 2>probably season five with this girl named Peg who only

851
00:44:23.400 --> 00:44:27.119
<v Speaker 2>lasted one season. She did the same shit, like reintroduced

852
00:44:27.119 --> 00:44:30.599
<v Speaker 2>herself like hi, she had had dinner with her. It's

853
00:44:30.719 --> 00:44:34.360
<v Speaker 2>to say, you mean so little to me that I

854
00:44:34.400 --> 00:44:38.480
<v Speaker 2>don't even remember you. I started this fucking network.

855
00:44:38.599 --> 00:44:42.000
<v Speaker 1>I understand that. But it's go ahead, Ruby.

856
00:44:41.960 --> 00:44:45.960
<v Speaker 3>Oh no, it's just it's just transparent insecurity on display

857
00:44:46.000 --> 00:44:49.320
<v Speaker 3>by a woman who is too old to be. She

858
00:44:49.400 --> 00:44:51.920
<v Speaker 3>needed to go to therapy a very long time ago,

859
00:44:52.159 --> 00:44:54.840
<v Speaker 3>and she did not. There is still time. But I

860
00:44:54.840 --> 00:44:57.719
<v Speaker 3>believe you're referencing Peggy. And it's interesting to note that

861
00:44:57.840 --> 00:45:01.239
<v Speaker 3>Vicky actually she never did it to Shannon when she

862
00:45:01.280 --> 00:45:04.960
<v Speaker 3>does not perceive you as someone who's younger, hotter, skinnier,

863
00:45:05.039 --> 00:45:08.400
<v Speaker 3>bigger boo. If no one would choose you over her

864
00:45:08.760 --> 00:45:12.000
<v Speaker 3>in a mail setting. She'll welcome you. But if you

865
00:45:12.599 --> 00:45:15.960
<v Speaker 3>if you're that, I will not know your name. I

866
00:45:16.000 --> 00:45:18.760
<v Speaker 3>won't when you met you nine times.

867
00:45:18.800 --> 00:45:21.960
<v Speaker 1>Right, when you say Vicky's too old, you mean too

868
00:45:21.960 --> 00:45:25.719
<v Speaker 1>old to be doing this kind of thing. Yes, and yeah,

869
00:45:26.960 --> 00:45:32.800
<v Speaker 1>and just to clarify, thirty is too old to be

870
00:45:32.880 --> 00:45:33.880
<v Speaker 1>doing this kind of thing.

871
00:45:35.599 --> 00:45:37.400
<v Speaker 2>Eleven, I tell my daughter.

872
00:45:39.199 --> 00:45:43.599
<v Speaker 1>Right, Okay, So Carmela has a very forced moment here.

873
00:45:43.760 --> 00:45:46.599
<v Speaker 1>She is offered wine. She goes, oh, I don't know

874
00:45:46.639 --> 00:45:49.320
<v Speaker 1>about wine. I get a little risky when I the

875
00:45:49.360 --> 00:45:51.400
<v Speaker 1>last time I drank wine, I took my clothes of it,

876
00:45:51.480 --> 00:45:53.639
<v Speaker 1>like just just generically took my clothes.

877
00:45:53.639 --> 00:45:55.599
<v Speaker 2>No, no, no, this is what you want out of a

878
00:45:55.639 --> 00:45:58.239
<v Speaker 2>new cast member. This is fun, it's mysterious.

879
00:45:58.519 --> 00:46:00.760
<v Speaker 1>Right, but the last time you when you took your

880
00:46:00.760 --> 00:46:03.679
<v Speaker 1>clothes off, One, that's not a story, and two what

881
00:46:03.760 --> 00:46:04.039
<v Speaker 1>are you?

882
00:46:04.480 --> 00:46:06.840
<v Speaker 2>He sounds like an AA.

883
00:46:07.639 --> 00:46:11.960
<v Speaker 1>Vicky gets absolutely shitfaced, and Kyle is a Debbie Downer,

884
00:46:12.039 --> 00:46:14.480
<v Speaker 1>and we get to the table and Heather starts in

885
00:46:14.559 --> 00:46:18.880
<v Speaker 1>on her shit. No, no, no, don't do this. Emily

886
00:46:19.000 --> 00:46:21.960
<v Speaker 1>told Heather that she had spoken too much that evening,

887
00:46:22.000 --> 00:46:29.480
<v Speaker 1>and because of that, Heather lost sleep, God kind of

888
00:46:29.719 --> 00:46:34.280
<v Speaker 1>quiet lunatic. Are you losing sleep over this? And because

889
00:46:34.639 --> 00:46:36.880
<v Speaker 1>she lost sleep and she's on the verge of tears,

890
00:46:37.639 --> 00:46:48.400
<v Speaker 1>I I believe that they're Heather and Terry. They're just scientologists.

891
00:46:50.599 --> 00:46:53.599
<v Speaker 1>They just have to be scientologists. What in the church

892
00:46:53.639 --> 00:46:57.559
<v Speaker 1>of scientology is this kind of behavior. It's weird. I

893
00:46:57.599 --> 00:46:59.199
<v Speaker 1>think they're scientologists.

894
00:46:59.239 --> 00:47:03.760
<v Speaker 3>Go ahead, Well, when after when Kelly Dodd when they

895
00:47:03.760 --> 00:47:05.679
<v Speaker 3>had the meeting at the restaurant where they had to

896
00:47:05.679 --> 00:47:08.280
<v Speaker 3>take their shoes dot and sit on the floor, and

897
00:47:08.320 --> 00:47:10.639
<v Speaker 3>she was like, you need to leave, and Kelly Dodd

898
00:47:10.679 --> 00:47:12.519
<v Speaker 3>is like, I'm not fucking leaving. It's not your house.

899
00:47:12.519 --> 00:47:14.239
<v Speaker 3>What are we doing telling me to leave? And then

900
00:47:14.280 --> 00:47:16.519
<v Speaker 3>Heather was like, well then I'll leave, and then she

901
00:47:16.719 --> 00:47:21.840
<v Speaker 3>hysterically cries and calls Terry in the car. I don't

902
00:47:21.920 --> 00:47:26.639
<v Speaker 3>know what the decisions are for when the crying takes place,

903
00:47:26.719 --> 00:47:30.679
<v Speaker 3>but it's off and it's not the right it's it's

904
00:47:30.800 --> 00:47:34.440
<v Speaker 3>kind of scientology. Yeah you don't, it's the wrong time

905
00:47:34.559 --> 00:47:35.639
<v Speaker 3>I think to do it.

906
00:47:36.559 --> 00:47:41.000
<v Speaker 1>Her approach to conflict is so like audit Tom Cruise.

907
00:47:41.000 --> 00:47:47.719
<v Speaker 1>It's very very weird. Shannon is going hard tonight. Thank God,

908
00:47:49.280 --> 00:47:52.239
<v Speaker 1>I want Shannon to rip it up. I want Shannon.

909
00:47:52.800 --> 00:47:55.920
<v Speaker 1>The Tesla has an automated driving mode.

910
00:47:56.079 --> 00:47:57.800
<v Speaker 2>It's tough though, you got to keep your hands on

911
00:47:57.840 --> 00:48:01.480
<v Speaker 2>the steering wheel. It watches you. You can't be drunk

912
00:48:01.519 --> 00:48:02.239
<v Speaker 2>driving that thing.

913
00:48:02.440 --> 00:48:06.119
<v Speaker 1>Really bummer. But we get to the gift.

914
00:48:06.840 --> 00:48:08.880
<v Speaker 2>There is a new model coming out where you can

915
00:48:08.960 --> 00:48:10.440
<v Speaker 2>be asleep while you drive it.

916
00:48:11.039 --> 00:48:16.320
<v Speaker 1>Oh really, let's go. Could you ever imagine falling letting

917
00:48:16.360 --> 00:48:20.559
<v Speaker 1>yourself fall asleep while you're in something with just class

918
00:48:20.559 --> 00:48:23.159
<v Speaker 1>everywhere that you can see you're going seventy miles an.

919
00:48:23.039 --> 00:48:26.639
<v Speaker 2>Ach, Yes, I could never you say that. Now in

920
00:48:26.679 --> 00:48:27.920
<v Speaker 2>three years you'll be doing it.

921
00:48:28.719 --> 00:48:34.360
<v Speaker 3>No, I won't, I mark my words, No chance.

922
00:48:34.920 --> 00:48:38.000
<v Speaker 2>I can't believe that was too stupid. I was gonna say.

923
00:48:38.039 --> 00:48:39.400
<v Speaker 2>I can't believe I'm going to live my whole life

924
00:48:39.400 --> 00:48:41.320
<v Speaker 2>when I'll get in a dui, given how much how

925
00:48:41.400 --> 00:48:42.800
<v Speaker 2>drunk I been my entire life.

926
00:48:43.920 --> 00:48:47.599
<v Speaker 1>Yeah, no, don't tempt, don't tempt fake. All right, So

927
00:48:49.239 --> 00:48:53.440
<v Speaker 1>we talk about this gift. The gift is a dildo

928
00:48:54.039 --> 00:48:57.159
<v Speaker 1>or a vibrator, and Tamer goes in. Have you heard

929
00:48:57.159 --> 00:49:01.079
<v Speaker 1>about the clit suckers? The well it suckers?

930
00:49:01.239 --> 00:49:04.119
<v Speaker 2>Tam, thank you for speaking.

931
00:49:04.159 --> 00:49:10.679
<v Speaker 1>Tonight, Gina really goes into Carmela, lays into her about

932
00:49:10.679 --> 00:49:14.199
<v Speaker 1>this whole thing, the motives and the gifts and and

933
00:49:14.199 --> 00:49:17.719
<v Speaker 1>and and Meetball showing up for work. It's always kind

934
00:49:17.760 --> 00:49:20.280
<v Speaker 1>of random and still like Meetball, we love you, but

935
00:49:20.320 --> 00:49:24.360
<v Speaker 1>there's just weird. There's nothing it's weird. There's nothing you

936
00:49:24.360 --> 00:49:25.960
<v Speaker 1>could do that would kind of.

937
00:49:26.199 --> 00:49:27.000
<v Speaker 2>Make you interesting.

938
00:49:27.119 --> 00:49:30.760
<v Speaker 1>Yeah, I even with this, it's still like, Okay, thank you,

939
00:49:30.840 --> 00:49:33.280
<v Speaker 1>this is this was good. But the thing about this

940
00:49:33.320 --> 00:49:37.119
<v Speaker 1>whole interaction that was I think the main takeaways that

941
00:49:37.159 --> 00:49:39.480
<v Speaker 1>we go to the talking heads with Emily and she's

942
00:49:39.559 --> 00:49:43.719
<v Speaker 1>just shitting on her soap called best friend. She's saying

943
00:49:43.760 --> 00:49:47.440
<v Speaker 1>that she's coming off as jealous and that she thinks

944
00:49:47.440 --> 00:49:54.400
<v Speaker 1>that she is jealous. Emily continues to be messy. Gina

945
00:49:54.800 --> 00:49:57.760
<v Speaker 1>amps it up and then throws it at Vicky, and

946
00:49:58.599 --> 00:50:02.920
<v Speaker 1>I gotta say, finally, like this is this is worthwhile? Housewives.

947
00:50:06.199 --> 00:50:11.480
<v Speaker 1>This is quickly dropped though, because Vicky's animosity towards her,

948
00:50:11.679 --> 00:50:14.719
<v Speaker 1>as you both have mentioned, is not about her being

949
00:50:14.760 --> 00:50:17.760
<v Speaker 1>a flipper or a developer. It's about her being younger

950
00:50:17.840 --> 00:50:23.159
<v Speaker 1>and more attractive. So this whole thing is quickly figured out. Okay,

951
00:50:23.199 --> 00:50:25.920
<v Speaker 1>so we're going to go with Flipper. She's not really

952
00:50:26.000 --> 00:50:29.760
<v Speaker 1>developing Mary developer, right, But but at the end of

953
00:50:29.760 --> 00:50:33.440
<v Speaker 1>the day, who fucking gives a ship? What the distinction

954
00:50:33.639 --> 00:50:35.719
<v Speaker 1>is between the two? Correct, Rube?

955
00:50:37.000 --> 00:50:37.119
<v Speaker 2>Uh?

956
00:50:37.280 --> 00:50:37.480
<v Speaker 4>Yeah.

957
00:50:37.519 --> 00:50:41.039
<v Speaker 3>But also, Vicky's future husband is a developer, and if

958
00:50:41.039 --> 00:50:43.800
<v Speaker 3>they get married or they don't, it doesn't matter. It's schematics.

959
00:50:43.840 --> 00:50:44.760
<v Speaker 3>So don't forget that.

960
00:50:44.800 --> 00:50:46.519
<v Speaker 2>Oh that's right. Also, ding ding ding ding ding.

961
00:50:46.920 --> 00:50:47.039
<v Speaker 1>Uh.

962
00:50:47.199 --> 00:50:49.639
<v Speaker 2>The second you tell him that you want to preen up,

963
00:50:49.960 --> 00:50:51.000
<v Speaker 2>he's not marrying you.

964
00:50:51.079 --> 00:50:53.320
<v Speaker 1>Oh that, thank you for bringing that up. Because Vicky goes,

965
00:50:53.440 --> 00:50:56.079
<v Speaker 1>I'm marry I'm marrying a developer. Well we're not married,

966
00:50:56.159 --> 00:50:59.440
<v Speaker 1>but no, it's never Listen, we'll see, it's our decision.

967
00:51:01.239 --> 00:51:03.519
<v Speaker 1>Have a lot of things to smooth over. She's literally

968
00:51:03.639 --> 00:51:07.760
<v Speaker 1>saying she's going through the machinations of her marriage in

969
00:51:07.800 --> 00:51:10.360
<v Speaker 1>front of this person who she's trying to fight with.

970
00:51:11.639 --> 00:51:13.559
<v Speaker 1>All right, that's it for us. Get in the comments,

971
00:51:13.599 --> 00:51:16.800
<v Speaker 1>let us know what you thought of this episode. If

972
00:51:16.800 --> 00:51:18.920
<v Speaker 1>you think we should switch to Ladies.

973
00:51:18.960 --> 00:51:21.079
<v Speaker 2>They're gonna the people that want us to switch are

974
00:51:21.079 --> 00:51:22.760
<v Speaker 2>the ones that are gonna be the loudest voices in

975
00:51:22.800 --> 00:51:23.519
<v Speaker 2>the comment section.

976
00:51:23.599 --> 00:51:25.960
<v Speaker 1>Okay, well, If you don't want us to switch, be loud.

977
00:51:26.079 --> 00:51:29.920
<v Speaker 2>The numbers are crazy. I saw them listening to this,

978
00:51:30.000 --> 00:51:31.360
<v Speaker 2>so they obviously love it.

979
00:51:32.000 --> 00:51:36.159
<v Speaker 1>You might get out voted here though. Tough tough shit.

980
00:51:36.239 --> 00:51:38.199
<v Speaker 1>Get in the comments. Let us know if we should

981
00:51:38.239 --> 00:51:40.119
<v Speaker 1>jump off. I think we'll probably give it one more

982
00:51:40.159 --> 00:51:44.760
<v Speaker 1>week regardless. I love you guys very much. We'll be back.

983
00:51:45.239 --> 00:51:49.199
<v Speaker 1>I'm doing on path that's rue me. Goodbye, by bye

984
00:51:49.239 --> 00:51:49.400
<v Speaker 1>bye

985
00:52:01.119 --> 00:52:01.159
<v Speaker 4>S