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<v Speaker 1>Hey, listeners, fun little feed drop for you here. I

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<v Speaker 1>got to join Danielle Bezeleel or dB as her friends

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<v Speaker 1>call her, to talk about the Aughts classic thirteen going

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<v Speaker 1>on thirty on her special series rom Com Bomb. Now look,

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<v Speaker 1>I know a lot of you like thirteen going on thirty.

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<v Speaker 1>Don't worry. This doesn't mean that Eric and I will

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<v Speaker 1>never cover it on the main feed. Think of this

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<v Speaker 1>as an operatif for the eventual main feed episode that

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<v Speaker 1>we will. We will definitely do it. So let me

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<v Speaker 1>tell you about dB. dB is the host of sex

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<v Speaker 1>Ed with dB. That is a feminist podcast bringing you

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<v Speaker 1>all the sex said you never got in high school.

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<v Speaker 1>And listeners, I know you didn't get it because I

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<v Speaker 1>didn't get it. And if I didn't get it, you

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<v Speaker 1>didn't get it. That's how this works. We all got

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<v Speaker 1>our sex ed from our friends and porn, neither of

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<v Speaker 1>which are reliable. But dB centers diverse experts in the field.

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<v Speaker 1>She wants everyone, everyone to have comprehensive, inclusive, pleasure centered,

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<v Speaker 1>medically accurate sex education. Now look, Erica and I we

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<v Speaker 1>do a lot of talking about We do a lot

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<v Speaker 1>of advice giving about sex. We do a lot of

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<v Speaker 1>joking about sex. I'm pretty sure we would both say

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<v Speaker 1>that medical accuracy is not our forte, but for dB

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<v Speaker 1>it is. She's gonna give you medical accuracy. And she's also,

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<v Speaker 1>get this, a pleasure expert. And I think we could

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<v Speaker 1>all use anything that would up our pleasure.

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<v Speaker 2>In the current world.

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<v Speaker 1>We all deserve a little more pleasure that you know

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<v Speaker 1>what that is, listeners, dear listeners, That is, as Janet

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<v Speaker 1>Jackson might say, the pleasure principle. So please enjoy this episode.

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<v Speaker 1>I'm thirteen, going on thirty, and then check out all

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<v Speaker 1>of DB's work and Erica and I will see you

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<v Speaker 1>right back here on Monday. It's one other thing about

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<v Speaker 1>the movie, and that is the line, do you want

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<v Speaker 1>to see my ID?

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<v Speaker 2>Totally have it?

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<v Speaker 3>I totally have it. Welcome to rom Combomb, a sex

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<v Speaker 3>Said with dB podcast series where in every episode we

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<v Speaker 3>go under the covers with a beloved rom com, strip

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<v Speaker 3>away its hidden toxic messages and rewrite the script on

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<v Speaker 3>love and sex. We talk a lot about sex education,

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<v Speaker 3>What if I told you that I did a masturbation

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<v Speaker 3>for ten percent off at uber loop dot com. Hello, Hello,

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<v Speaker 3>welcome back to another episode of romcombomb. I am your host, dbe,

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<v Speaker 3>sex educator, pleasure expert, and romcom critic, and today we

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<v Speaker 3>are jumping into sparkly eyeshadow, questionable age gaps, and the

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<v Speaker 3>fantasy of fast forwarding puberty in thirteen going on thirty.

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<v Speaker 3>I am so excited, beautiful listener, that you are here

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<v Speaker 3>and here to help us dissect thirteen going on thirty

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<v Speaker 3>is the hilarious and thoughtful Paul Koa co host of

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<v Speaker 3>the podcast That Aged Dwell, where he and co host

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<v Speaker 3>Erica Vialba challenged the movies they grew up on. So

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<v Speaker 3>perfect fit that you're here today.

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<v Speaker 4>Welcome Paul, How are you?

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<v Speaker 2>Thank you? Applause, applause, applause. I'm here.

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<v Speaker 1>I'm ready to get into this movie that I've loved

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<v Speaker 1>for years without ever really rewatching.

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<v Speaker 2>So it was quite it was it was fun to

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<v Speaker 2>do it this way.

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<v Speaker 3>Oh my god, I'm so excited that you're here. I

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<v Speaker 3>feel like thirteen going on thirty is such an iconic

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<v Speaker 3>film that most everybody in the world question Mark has

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<v Speaker 3>seen if they have existed in.

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<v Speaker 2>Our So funny.

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<v Speaker 1>I was talking to my co host Erica, and in

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<v Speaker 1>our show, she is the horror fan and I am

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<v Speaker 1>the rom com fan. Oh okay, so she has she

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<v Speaker 1>will not see rom coms, so I will, like, outside

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<v Speaker 1>of like when Harry met Sally or something, she hasn't

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<v Speaker 1>seen them, so she hasn't seen this movie.

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<v Speaker 2>And I was like, oh no, I wish you could

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<v Speaker 2>come on.

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<v Speaker 1>She's she's just can't, she's busy, she's she's fine, she'll

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<v Speaker 1>be on our show on Monday. But I was like,

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<v Speaker 1>you would actually like this one, I think, right, she's

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<v Speaker 1>very like questioning the tropes of the genre, which is

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<v Speaker 1>what we're here to do.

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<v Speaker 4>Exactly, That's precisely what we're here to do.

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<v Speaker 3>Yeah, and here is a little trivia teaser that we

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<v Speaker 3>are going to start with that we will give more

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<v Speaker 3>inform later. But several members of the Six Chicks aka

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<v Speaker 3>the Click in this film that bullies Jenna in middle school,

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<v Speaker 3>that Tom Tom aka adult Lucy is in went on

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<v Speaker 3>to achieve major stardom. So stick around to find out

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<v Speaker 3>who out of the Six Chicks did besides Judy Greer

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<v Speaker 3>of course, well obviously obviously. So yeah, wait, and to

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<v Speaker 3>stick around, and you're going to be very surprised, Paul,

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<v Speaker 3>I'm sure you are.

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<v Speaker 2>I am going to be surprised. I genuinely don't know.

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<v Speaker 2>This is very exciting.

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<v Speaker 4>This is unclear to me.

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<v Speaker 1>You are a pleasure expert. This is exactly what I

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<v Speaker 1>wanted I got here.

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<v Speaker 4>Thank you so much.

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<v Speaker 3>What is your relationship to this film? Tell me about

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<v Speaker 3>when you first saw it, what's your feeling behind it?

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<v Speaker 4>Tell me everything?

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<v Speaker 1>All right, Well, I was an Alias fan, loved Alias

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<v Speaker 1>so Garner, Jennifer Garner. You know she's making her leap

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<v Speaker 1>to movie stardom with this, right, and it comes out

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<v Speaker 1>and it gets good reviews. I remember, I remember the

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<v Speaker 1>Entertainment Weekly review was very positive. Oh I'm sure Mark

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<v Speaker 1>Ruffalo was our little like theater kid from New York

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<v Speaker 1>who was like a huge star in theater and he

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<v Speaker 1>was going to make it big and he got his

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<v Speaker 1>glow up and became like this romantic lead. Yes, and

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<v Speaker 1>he and of course Judy Greeer. I mean, oh my god,

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<v Speaker 1>we always love Judy Greear.

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<v Speaker 4>She needs she needs more credit. I have to tell you.

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<v Speaker 4>She is in everything, and she especially.

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<v Speaker 1>In everything, and she never misses never, never once has missed,

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<v Speaker 1>not one. Yeah, so I this came out. I absolutely

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<v Speaker 1>went to see it in the theater with friends, loved it,

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<v Speaker 1>maybe saw it one more time, and then have not

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<v Speaker 1>watched it since two thousand and four and always just

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<v Speaker 1>have had my fond memories of being.

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<v Speaker 2>Like thirteen going on thirty. What what a hoot?

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<v Speaker 3>Right? Yes, so this is again this podcast is perfect

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<v Speaker 3>for you because essentially we're trying to rewire our brains here.

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<v Speaker 3>You know, this came out in twenty four, twenty one

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<v Speaker 3>years ago.

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<v Speaker 4>There was a lot of.

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<v Speaker 3>Norms then that we you know, took as just this

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<v Speaker 3>is how it is, and we're here in our you know, twenties, thirties, forties,

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<v Speaker 3>fifties and beyond to refresh kind of what exactly it is,

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<v Speaker 3>what kind of message is to be received from these films,

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<v Speaker 3>And so I'm glad we're going to unpack them.

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<v Speaker 1>Yeah, And I also love when we look at these

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<v Speaker 1>films on our podcast too, and you can almost say like, oh,

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<v Speaker 1>this was progressive, right They Like Friends in nineteen ninety

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<v Speaker 1>four was progressive. It won glad Award. It was really

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<v Speaker 1>great for the gay community for what we could get

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<v Speaker 1>right back then exactly. But now, whoops, you know, it

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<v Speaker 1>doesn't age so well exactly.

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<v Speaker 3>You're the premise of your show, And dear listener, here's

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<v Speaker 3>a quick refresh if you are like Paul and you

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<v Speaker 3>haven't seen this film in twenty plus years. So in

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<v Speaker 3>thirteen going on thirty, awkward teen, Jenna Rink wishes to

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<v Speaker 3>be thirty, flirty and thriving when she is bullied by

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<v Speaker 3>the Six Chicks and she doesn't get to kiss her

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<v Speaker 3>middle school sweetie and she wakes up in her adult

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<v Speaker 3>body with no memory of how she got there, and

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<v Speaker 3>with the help from her dear long lost childhood bestie

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<v Speaker 3>Matt aka Mark Ruffalo. She tries to undo the mistakes

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<v Speaker 3>of her grown up, meaniral life and find her way

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<v Speaker 3>back to who she really is, and of course adult

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<v Speaker 3>Jenna Rink is beautiful Jennifer Garner. She's just stunning in

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<v Speaker 3>this film, so just so cute it hurts me personally.

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<v Speaker 1>Absolutely, she's so It's really interesting what they do because

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<v Speaker 1>like the obvious comp for this movie is big, and

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<v Speaker 1>in big, what happens is Tom Hanks starts out acting

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<v Speaker 1>like a ten or eleven year old whoever old he

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<v Speaker 1>isn't that movie, and he matures so like kinded. By

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<v Speaker 1>the end, he realizes he's missing childhood. He wants to

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<v Speaker 1>go back to childhood because he's acting like an adult.

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<v Speaker 1>They don't do that here, which I think is a

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<v Speaker 1>fascinating choice.

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<v Speaker 3>Really interesting.

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<v Speaker 2>Get uses to act like an adult now.

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<v Speaker 3>And that's what's so charming, is like she is such

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<v Speaker 3>a thirteen year old girl in a Jennifer Garner body,

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<v Speaker 3>which kind of lends itself to some problemsal issues, but

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<v Speaker 3>I guess, okay, So our next segment is called as

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<v Speaker 3>a kid, and you know I was a child when

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<v Speaker 3>this film came out twenty one years ago. I was

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<v Speaker 3>eleven or twelve, and I guess in terms of one

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<v Speaker 3>word that really describes my relationship to this film. As

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<v Speaker 3>a kid, it was kind of like ooh, just like

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<v Speaker 3>goal goals, hashtag goals. I think, like, you know, I

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<v Speaker 3>was Jenner Nk's teenage age almost and like didn't really

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<v Speaker 3>like wish to be thirty as a teen, but I

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<v Speaker 3>thought that her life looked so glamorous as this, Like yeah,

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<v Speaker 3>and she does too, right, She's like, I'm a full

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<v Speaker 3>time magazine editor. Like she loves her apartment, she's like beautiful,

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<v Speaker 3>she's sweet, she got every you know. She looks in

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<v Speaker 3>the earbook and she's like I got everything I ever wanted, right,

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<v Speaker 3>And it just feels like, oh wow, this is so great.

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<v Speaker 4>So I just feel like that's that's my one word.

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<v Speaker 4>What would your one word be?

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<v Speaker 1>Oh wow, this is I don't mean this to be

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<v Speaker 1>a cop out, but thriller. That is That is my

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<v Speaker 1>Because I was a bit older than you, I am

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<v Speaker 1>and I still am.

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<v Speaker 2>To this day, I'm still older than you.

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<v Speaker 1>Because so I saw this actually having just graduated college

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<v Speaker 1>in New York. I went to NYU, so like it was.

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<v Speaker 1>It was still aspirational, but it was also like I

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<v Speaker 1>knew that that's not what my apartment was going to

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<v Speaker 1>look like in six years. Like that was that wasn't

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<v Speaker 1>going to happen, and that was okay. I wasn't angry

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<v Speaker 1>at it, but like, like the struggling photographer is in

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<v Speaker 1>like a four bedroom in the West.

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<v Speaker 5>Village, right, but like charming, I guess charming more than thriller,

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<v Speaker 5>like just a full scale charm offensive from Jennifer Garner

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<v Speaker 5>and Mark Ruffalo and really the two of them.

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<v Speaker 1>Everyone else kind of gets to be a little villainous,

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<v Speaker 1>right for the most part. But that's what I remember

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<v Speaker 1>being charmed.

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<v Speaker 4>Yes, except for her.

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<v Speaker 3>Boss, who's not villainous. He's just like funny and.

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<v Speaker 1>Silly, and everyone thinks he's just British, but he's actually gay,

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<v Speaker 1>which is a great thing at the end, surprisingly, and he's.

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<v Speaker 2>Gollum, but he's Gollumn exactly. He's gone.

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<v Speaker 3>He also is like the villain in the Black Panther movie,

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<v Speaker 3>which is crazy.

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<v Speaker 4>You're like, whoa he has range?

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<v Speaker 2>Does?

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<v Speaker 3>He's Richard in this film he's talking about his balls

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<v Speaker 3>getting squished in a vault, like he's the comedic guy.

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<v Speaker 3>I think in this film absolutely and in terms you

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<v Speaker 3>kind of mentioned thriller. But I am curious, like, is

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<v Speaker 3>that we ask everyone what's scene to find this movie

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<v Speaker 3>for you? Would you say it's the thriller? Tell me

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<v Speaker 3>about the thriller scene if that's what it is, or

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<v Speaker 3>if you.

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<v Speaker 2>Haven't it was the thriller scene.

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<v Speaker 1>But what's funny is that I didn't remember anything about

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<v Speaker 1>the lead up to it. I didn't remember that it

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<v Speaker 1>was at like this corporate event that she was trying

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<v Speaker 1>to throw and she was trying to save the event

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<v Speaker 1>by doing the thriller dance, because that's what a thirteen

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<v Speaker 1>year old would do, right from nineteen eighty seven, we're

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<v Speaker 1>doing that situation. Like, I didn't remember any of that.

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<v Speaker 1>I just remember Jennifer Garner doing this dance.

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<v Speaker 2>I didn't. I couldn't even have said that.

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<v Speaker 1>Mark Ruffalo was in it. I didn't like Jenner. I

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<v Speaker 1>could have told you about the dress. It has like

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<v Speaker 1>these stripes on the bottom and this third like lime

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<v Speaker 1>green tops. Their boobs are pushed up. She has having

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<v Speaker 1>fun with her boobs the whole movie exactly. It's that scene.

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<v Speaker 1>And it's one other thing about the movie. And that

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<v Speaker 1>is the line, do you want to see my id?

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<v Speaker 2>Totally have it?

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<v Speaker 3>I totally have it. I do love I mean it's classic.

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<v Speaker 3>She plays that thirteen year old so well. And yeah,

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<v Speaker 3>I also agree. I'm sure that the most iconic scene

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<v Speaker 3>in the film is the thriller scene, especially because in

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<v Speaker 3>two thousand and four, Michael Jackson was not fully canceled

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<v Speaker 3>yet he was not known as a predator, and so

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<v Speaker 3>people could still enjoy his music without feeling guilty, and like,

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<v Speaker 3>you know, looking at that scene, it feels like, you know,

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<v Speaker 3>oh wow, thriller which came out in the eighties in

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<v Speaker 3>this with this iconic choreography, really was something so unique

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<v Speaker 3>and so different. And it's funny how you know, almost

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<v Speaker 3>twenty years later people are still like loving this and

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<v Speaker 3>even now I wonder, you know, twenty years after that,

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<v Speaker 3>what that would look like like if people would still

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<v Speaker 3>be going to events and doing the thriller dance, and

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<v Speaker 3>like what that.

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<v Speaker 1>Would be like or what would be the dance in

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<v Speaker 1>two thousand and seven, Like like, what is is there

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<v Speaker 1>a new thriller?

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<v Speaker 2>I don't know if there is.

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<v Speaker 4>I mean it's TikTok dances for sure.

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<v Speaker 3>I guess, Yeah, but yeah, I think that in terms

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<v Speaker 3>of what you were saying before about this movie being charming,

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<v Speaker 3>you know, like, what what do you think works about

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00:14:23.000 --> 00:14:25.360
<v Speaker 3>this film? What do you like about it before we

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<v Speaker 3>of course tear to shreds.

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<v Speaker 1>Absolutely well, a couple of things. I like the fact

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<v Speaker 1>that it is not solely about the romance. The romantic

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00:14:36.440 --> 00:14:38.759
<v Speaker 1>plot is it's a solid part of the film, not

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00:14:38.759 --> 00:14:41.919
<v Speaker 1>saying it's not a big part, but like it is

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<v Speaker 1>more about Jenna's internal journey of realizing, hey, maybe I

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00:14:46.919 --> 00:14:49.440
<v Speaker 1>shouldn't be an asshole when out thirteen.

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<v Speaker 3>Dick, she's such an asshole?

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<v Speaker 1>Yeah, as an adult, don't fossilize into a dick, right,

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<v Speaker 1>Like you know, like, look, we were all assholes at

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00:14:57.799 --> 00:15:01.039
<v Speaker 1>times when we were thirteen, most assuredly, but like, you

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<v Speaker 1>have to evolve. And I think it's very funny that

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00:15:05.360 --> 00:15:09.360
<v Speaker 1>she does not evolve, and neither do the other two

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<v Speaker 1>people that we track through the timeline. It's like those

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00:15:12.320 --> 00:15:16.679
<v Speaker 1>people are frozen in time and they keep the same personalities.

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<v Speaker 1>And I have this like theory because of course, it's

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<v Speaker 1>like there's magic in this right, it's the Aultar machine

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00:15:21.960 --> 00:15:25.840
<v Speaker 1>in Big Yeah, yeah exactly, And I'm like, well, is

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00:15:25.919 --> 00:15:29.399
<v Speaker 1>this just a hallucination? Is this entire thing actually a hallucination?

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<v Speaker 1>Because everybody is the exact same person and Lucy is

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<v Speaker 1>not like given any depth of character, which is fine

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00:15:37.720 --> 00:15:39.559
<v Speaker 1>because she's played by Judy Greer and she's so funny

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<v Speaker 1>and I love her and I don't care.

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<v Speaker 2>But like a in a for.

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<v Speaker 1>Lack of a better term, deeper movie, sure it would

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00:15:46.799 --> 00:15:49.159
<v Speaker 1>have been interesting if there was maybe she had two

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00:15:49.279 --> 00:15:51.720
<v Speaker 1>good friends, Maddie and a girl, and we got to

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00:15:51.720 --> 00:15:55.039
<v Speaker 1>see also her relationship with a female best friend or

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00:15:55.080 --> 00:15:58.240
<v Speaker 1>something like that, because the movie is so focused on

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00:15:58.519 --> 00:16:01.279
<v Speaker 1>these really the relationship Maddie and to a lesser extent,

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00:16:01.279 --> 00:16:05.000
<v Speaker 1>the relationship with Lucy, and how they're benefiting or not

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00:16:05.039 --> 00:16:07.799
<v Speaker 1>benefiting Jenna as in her development.

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<v Speaker 3>Right, that's a good point. And yeah, I think that,

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00:16:10.720 --> 00:16:12.840
<v Speaker 3>you know, he Mark Rufflo does kind of have this

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00:16:13.240 --> 00:16:16.639
<v Speaker 3>monologue when he's about to get married at the end

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<v Speaker 3>to Wendy.

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00:16:18.639 --> 00:16:20.279
<v Speaker 4>Justice for Wendy, honestly, like she.

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<v Speaker 5>Was kind of kind of annoying, she did nothing, but

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00:16:22.200 --> 00:16:25.639
<v Speaker 5>she did nothing wrong, Like we did deserve that, we meant.

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<v Speaker 3>To hate her, but you know, he's kind of like,

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<v Speaker 3>you know, I moved on, you moved on you know,

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00:16:31.559 --> 00:16:33.639
<v Speaker 3>that's her family down there, like I care about her,

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00:16:33.720 --> 00:16:37.080
<v Speaker 3>and he's that monologue is very refreshing. I really liked

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00:16:37.120 --> 00:16:39.840
<v Speaker 3>that monologue because I feel like, clearly, you know, they

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00:16:39.919 --> 00:16:41.000
<v Speaker 3>share a kiss, which.

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00:16:40.840 --> 00:16:42.600
<v Speaker 6>Is you know, he kind of cheated on his fiance

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00:16:42.799 --> 00:16:46.279
<v Speaker 6>but yeah, not great, but he kind of admits to like,

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00:16:46.360 --> 00:16:49.159
<v Speaker 6>you know, I have been feeling things these last few weeks,

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00:16:49.159 --> 00:16:51.559
<v Speaker 6>and I've you know, I've always loved you, and like,

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00:16:51.639 --> 00:16:53.639
<v Speaker 6>you know, I have to be honest, but like this

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<v Speaker 6>is the reality is like we are different people now,

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<v Speaker 6>and so yeah, I did kind of like that, And.

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<v Speaker 3>Yeah, I think so much works about this film. I

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<v Speaker 3>think the fact that it is magic. You know, a

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00:17:04.640 --> 00:17:08.160
<v Speaker 3>lot can happen in a fantasy world. And so first

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<v Speaker 3>of all, the soundtrack fucking slaps you.

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00:17:11.599 --> 00:17:14.079
<v Speaker 1>Put pap Benatarna soundtrack, and I will watch the movie

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00:17:14.880 --> 00:17:16.480
<v Speaker 1>hands down, hands down.

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<v Speaker 2>I will watch ticular.

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<v Speaker 3>I love like, you know, she's like obsessed with Madonna

351
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<v Speaker 3>and she's a teen obviously, and she's like, I know Madonna, Madonna,

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00:17:23.079 --> 00:17:25.799
<v Speaker 3>like write a note to her. It's just like very sweet.

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<v Speaker 3>It's again like that goals feeling of like when you're

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<v Speaker 3>a young kid and all the things that you want

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00:17:30.839 --> 00:17:33.200
<v Speaker 3>to happen to you. It's so glamorous in this like

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00:17:33.319 --> 00:17:36.279
<v Speaker 3>magazine world and you know, there's New York City. It's like,

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00:17:36.359 --> 00:17:38.759
<v Speaker 3>it's just so fun that I think, like, yeah, the

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00:17:38.799 --> 00:17:43.079
<v Speaker 3>whole film is very sweet, and I think, yeah, like

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00:17:43.119 --> 00:17:46.599
<v Speaker 3>you said, the relationship that she and Maddie have it

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00:17:46.680 --> 00:17:48.839
<v Speaker 3>is kind of like a solid part of the film,

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<v Speaker 3>but it's more about her self discovery to becoming a

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<v Speaker 3>better version of herself as an adult.

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<v Speaker 1>Yeah. And it's also it's not she doesn't get Maddie

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<v Speaker 1>at the end of the magic part, which she would

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00:18:03.799 --> 00:18:05.599
<v Speaker 1>not have earned, and that I think would have been

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<v Speaker 1>really hard to stomach as an adult watching it for

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00:18:08.519 --> 00:18:09.319
<v Speaker 1>various reasons.

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<v Speaker 2>But like, I like that exactly.

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<v Speaker 1>The speech you were talking about where he's like, no,

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<v Speaker 1>this isn't this isn't real. R, what's happening here?

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<v Speaker 5>Right?

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00:18:17.680 --> 00:18:19.599
<v Speaker 1>And which was which I thought was a nice thing

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<v Speaker 1>in a rom.

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<v Speaker 3>Com, Right, And like you said, maybe that is maybe

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00:18:23.079 --> 00:18:25.640
<v Speaker 3>the whole movie kind of in between the party scenes

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00:18:25.960 --> 00:18:28.640
<v Speaker 3>was an illusion or some kind of thing. But then

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<v Speaker 3>I am very confused. We have to talk about it.

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00:18:30.559 --> 00:18:33.240
<v Speaker 3>It's very confusing mechanics. She goes back to her thirteen

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00:18:33.319 --> 00:18:35.960
<v Speaker 3>year old self. She kisses Maddie and exits her front door,

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00:18:36.000 --> 00:18:39.119
<v Speaker 3>and then she's the one that's marrying Maddie. Yeah, what

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00:18:39.119 --> 00:18:42.079
<v Speaker 3>do you think story wise happened there? Did she like,

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00:18:42.640 --> 00:18:44.680
<v Speaker 3>did she skip everything?

383
00:18:45.079 --> 00:18:48.119
<v Speaker 1>Or I think it's a I think it's a movie

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00:18:48.240 --> 00:18:51.240
<v Speaker 1>vocabulary for she didn't become an asshole. She lived her

385
00:18:51.279 --> 00:18:54.680
<v Speaker 1>life and she actually eventually was a lucky person who

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00:18:55.000 --> 00:18:57.079
<v Speaker 1>like met their soulmate when they were thirteen, and they

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00:18:57.119 --> 00:18:58.799
<v Speaker 1>actually belonged together exactly.

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00:18:58.920 --> 00:19:02.400
<v Speaker 2>That's what I took with the Razzles. Yes, with the Wrastles.

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00:19:02.720 --> 00:19:04.799
<v Speaker 3>I love that the Razzles was also like its own

390
00:19:04.880 --> 00:19:07.920
<v Speaker 3>character in the film. I feel like good for Razzles

391
00:19:07.920 --> 00:19:08.680
<v Speaker 3>for that company.

392
00:19:09.200 --> 00:19:10.759
<v Speaker 2>Yeah, is that a real thing. I didn't even know.

393
00:19:10.799 --> 00:19:11.720
<v Speaker 2>It's never even heard of.

394
00:19:12.720 --> 00:19:16.000
<v Speaker 3>You should go to a bodega and grab this week.

395
00:19:16.319 --> 00:19:19.680
<v Speaker 3>That's your homework. Okay, we need to get to the

396
00:19:19.799 --> 00:19:23.359
<v Speaker 3>rating before the rewatch, So I asked you to rate

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00:19:23.400 --> 00:19:25.480
<v Speaker 3>the film before the rewatch. We can compare our pre

398
00:19:25.640 --> 00:19:28.000
<v Speaker 3>and postwatch ratings, but let's go over the rom com

399
00:19:28.039 --> 00:19:30.440
<v Speaker 3>bomb rating system first. So it's one to.

400
00:19:30.559 --> 00:19:33.839
<v Speaker 4>Five bombs, one bomb. You know, this is my big fact.

401
00:19:33.880 --> 00:19:34.440
<v Speaker 4>Greek wedding.

402
00:19:34.519 --> 00:19:36.680
<v Speaker 3>This is like it's dated, but I love to watch

403
00:19:36.720 --> 00:19:38.599
<v Speaker 3>it every year and it's so good and there's like

404
00:19:38.640 --> 00:19:39.960
<v Speaker 3>barely anything wrong with it.

405
00:19:39.960 --> 00:19:40.559
<v Speaker 4>It's amazing.

406
00:19:40.720 --> 00:19:43.240
<v Speaker 3>Still would recommend it, still on my list all the

407
00:19:43.279 --> 00:19:46.200
<v Speaker 3>way to five bombs, which is shallow, how right, it's

408
00:19:46.240 --> 00:19:50.519
<v Speaker 3>full body cringe? Did not age well, you know, terrible

409
00:19:51.599 --> 00:19:56.200
<v Speaker 3>mega yikes. Often it's you know, homophobia, xenophobia, fat phobia.

410
00:19:56.240 --> 00:20:00.359
<v Speaker 3>We're talking everything in there that's bad, bad, bad. What

411
00:20:00.480 --> 00:20:03.599
<v Speaker 3>did you rate the film before the rewatch?

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00:20:03.839 --> 00:20:06.720
<v Speaker 1>Well, let Danielle, let me tell you when you when

413
00:20:06.759 --> 00:20:09.839
<v Speaker 1>you gave me this assignment, the look on my face

414
00:20:09.880 --> 00:20:12.400
<v Speaker 1>what I was trying to remember if they slept together?

415
00:20:13.039 --> 00:20:16.079
<v Speaker 3>But just as absolutely thirteen year old self.

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00:20:16.119 --> 00:20:19.240
<v Speaker 1>Yes, just because again my reference is big and they

417
00:20:19.319 --> 00:20:23.839
<v Speaker 1>do a big do. Poor Elizabeth Perkins ends that movie

418
00:20:23.880 --> 00:20:26.359
<v Speaker 1>having to drive off into the sunset screaming forever, like

419
00:20:26.480 --> 00:20:27.319
<v Speaker 1>she never gets.

420
00:20:27.079 --> 00:20:30.000
<v Speaker 2>To stop the car because she slept the year old.

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00:20:30.079 --> 00:20:33.400
<v Speaker 1>Yeah, in her defense, she did not know that, but

422
00:20:33.480 --> 00:20:37.559
<v Speaker 1>like there were clues, you know. But so I'm sitting there,

423
00:20:37.599 --> 00:20:40.799
<v Speaker 1>I'm like, I am ninety percent sure that they don't

424
00:20:40.799 --> 00:20:43.920
<v Speaker 1>sleep together, because because I remembered that, I was like

425
00:20:43.960 --> 00:20:45.839
<v Speaker 1>I know, like he has a girlfriend or like he's

426
00:20:45.920 --> 00:20:48.720
<v Speaker 1>leaving or something, and I remember that he I remember

427
00:20:48.720 --> 00:20:51.160
<v Speaker 1>that she didn't get him at the end in the

428
00:20:51.160 --> 00:20:55.400
<v Speaker 1>first in the first excuse me, in the first ending

429
00:20:55.880 --> 00:20:56.400
<v Speaker 1>of the.

430
00:20:56.319 --> 00:20:57.759
<v Speaker 4>Film, right in the first version.

431
00:20:58.519 --> 00:21:00.440
<v Speaker 1>Yes, yeah, So I was like, I I don't think

432
00:21:00.480 --> 00:21:02.400
<v Speaker 1>they slept together. So I'm like, all right, we still

433
00:21:02.440 --> 00:21:05.440
<v Speaker 1>have some weirdness with like the thirteen year old thing,

434
00:21:06.079 --> 00:21:08.839
<v Speaker 1>but I'm gonna confidently say a two.

435
00:21:09.160 --> 00:21:12.400
<v Speaker 3>Ooh, very good. I think a two is very appropriate.

436
00:21:13.519 --> 00:21:16.359
<v Speaker 3>I honestly think I gave it like a one point

437
00:21:16.400 --> 00:21:18.359
<v Speaker 3>five because I was like, I've seen, you know, I've

438
00:21:18.440 --> 00:21:21.680
<v Speaker 3>probably watched this film every few years, like again, it

439
00:21:21.720 --> 00:21:24.720
<v Speaker 3>has like a very like special place in my heart.

440
00:21:24.880 --> 00:21:27.319
<v Speaker 3>I like knew about the age gap, but it wasn't

441
00:21:27.359 --> 00:21:30.000
<v Speaker 3>really sure like how icky it would be. So I

442
00:21:30.039 --> 00:21:32.400
<v Speaker 3>was like, that's probably the main thing that's wrong with

443
00:21:32.519 --> 00:21:35.599
<v Speaker 3>the film. And come to see, we're kind of right

444
00:21:35.759 --> 00:21:38.599
<v Speaker 3>in this, you know. I mean, like, let's transition now

445
00:21:38.640 --> 00:21:41.319
<v Speaker 3>to the main part of the show called That's Problematic,

446
00:21:41.440 --> 00:21:44.920
<v Speaker 3>where we go through a few buckets of things that

447
00:21:45.119 --> 00:21:47.480
<v Speaker 3>you know, to your point about your podcast just didn't

448
00:21:47.519 --> 00:21:50.400
<v Speaker 3>quite age well. Yeah, and the first thing is the

449
00:21:50.480 --> 00:21:54.839
<v Speaker 3>age gap. So Jenna is technically a thirteen year old

450
00:21:55.440 --> 00:21:59.359
<v Speaker 3>in the mind navigating the adult world. And there are

451
00:21:59.400 --> 00:22:02.920
<v Speaker 3>some moments it's right where she's kind of like seducing

452
00:22:03.920 --> 00:22:06.960
<v Speaker 3>Lucy's trying to get her to seduce a man at

453
00:22:06.960 --> 00:22:10.119
<v Speaker 3>the bar, and then she actually goes for like the

454
00:22:10.200 --> 00:22:12.880
<v Speaker 3>thirteen year old boy. So it's like in her head

455
00:22:13.359 --> 00:22:15.759
<v Speaker 3>she's thirteen, but in her body she's Jennifer Garner.

456
00:22:15.799 --> 00:22:16.759
<v Speaker 4>So that was really weird.

457
00:22:17.200 --> 00:22:20.200
<v Speaker 3>And then, you know, because she's mentally in middle school,

458
00:22:20.240 --> 00:22:23.000
<v Speaker 3>we're kind of meant to think, like, oh, she's it's

459
00:22:23.119 --> 00:22:25.599
<v Speaker 3>just cute because she is like a little girl who

460
00:22:25.640 --> 00:22:30.759
<v Speaker 3>doesn't know. But obviously Maddie doesn't know the magic that

461
00:22:30.839 --> 00:22:34.319
<v Speaker 3>has occurred, and in his reality, she's just an adult,

462
00:22:34.440 --> 00:22:38.039
<v Speaker 3>and so you know, they're kind of pining after each

463
00:22:38.079 --> 00:22:43.559
<v Speaker 3>other while she is this thirteen year old mentally, and

464
00:22:44.160 --> 00:22:45.799
<v Speaker 3>you know, it kind of I find this to be

465
00:22:45.839 --> 00:22:48.519
<v Speaker 3>problemoutic because it kind of blurs these lines around, like

466
00:22:48.640 --> 00:22:52.319
<v Speaker 3>consent and maturity in a way that like isn't there's

467
00:22:52.359 --> 00:22:54.559
<v Speaker 3>not even a line about it, you know, like they're

468
00:22:54.599 --> 00:22:58.640
<v Speaker 3>not the the writers are not cueuing the audience in

469
00:22:58.839 --> 00:23:01.960
<v Speaker 3>to know that they know that it's kind of weird, right.

470
00:23:02.680 --> 00:23:04.720
<v Speaker 1>And I think it's so funny to watch the film

471
00:23:04.839 --> 00:23:06.920
<v Speaker 1>and watch them like kind of learn the lessons a

472
00:23:06.960 --> 00:23:09.640
<v Speaker 1>big right, Like because I think they're.

473
00:23:09.440 --> 00:23:12.480
<v Speaker 3>Really because it is similar.

474
00:23:13.160 --> 00:23:17.559
<v Speaker 1>Like they're really trying to make it okay without like

475
00:23:17.599 --> 00:23:19.279
<v Speaker 1>you say, they don't really acknowledge it, but like you know,

476
00:23:19.319 --> 00:23:22.279
<v Speaker 1>she has a boyfriend. Older Jenna has a boyfriend, and

477
00:23:22.359 --> 00:23:24.960
<v Speaker 1>at one point they have him do a strip tease

478
00:23:25.000 --> 00:23:27.319
<v Speaker 1>and again he has no idea that that like he

479
00:23:28.319 --> 00:23:30.160
<v Speaker 1>for all he knows, everything is fine. This is the

480
00:23:30.200 --> 00:23:32.599
<v Speaker 1>woman I slept with last night. It's totally normal, right,

481
00:23:32.640 --> 00:23:36.839
<v Speaker 1>So hockey player, boyfriend, innocent and all of this, but

482
00:23:37.000 --> 00:23:38.799
<v Speaker 1>like he's doing the strip teas and they have her

483
00:23:38.880 --> 00:23:41.680
<v Speaker 1>like being very embarrassed as a thirteen year old. Absolutely

484
00:23:41.680 --> 00:23:44.359
<v Speaker 1>would as I would be at forty five if someone

485
00:23:44.359 --> 00:23:47.160
<v Speaker 1>did this for me. Yeah, so fair enough. But like

486
00:23:47.240 --> 00:23:49.759
<v Speaker 1>I think it's funny because like he'll start to kiss

487
00:23:49.799 --> 00:23:53.119
<v Speaker 1>her and she almost acts like she doesn't know where

488
00:23:53.119 --> 00:23:57.720
<v Speaker 1>it's going. And I'm like, I'm growing concerned about the

489
00:23:57.720 --> 00:24:00.559
<v Speaker 1>sex education provided by the high school that Jenna is

490
00:24:00.559 --> 00:24:04.000
<v Speaker 1>attending her the middle school, like she should's it should

491
00:24:04.000 --> 00:24:07.160
<v Speaker 1>be Oh yeah, she should have a baseline idea of

492
00:24:07.200 --> 00:24:08.960
<v Speaker 1>where this is going, and if she doesn't want it

493
00:24:09.000 --> 00:24:12.319
<v Speaker 1>to go there, she could just say no, I'm I

494
00:24:12.319 --> 00:24:14.839
<v Speaker 1>have a headache or something. I understand. Of course, she's thirteen.

495
00:24:14.960 --> 00:24:17.759
<v Speaker 1>She doesn't understand she has these options to her, and

496
00:24:17.799 --> 00:24:21.200
<v Speaker 1>they are trying to make it funny exactly, and to

497
00:24:21.440 --> 00:24:23.839
<v Speaker 1>their credit, they don't fail at making.

498
00:24:23.599 --> 00:24:25.039
<v Speaker 2>Some of it funny. Yeah.

499
00:24:25.119 --> 00:24:27.240
<v Speaker 1>Yeah, yeah, when she hits on that kid, I was like,

500
00:24:27.279 --> 00:24:28.160
<v Speaker 1>I forgot that part.

501
00:24:28.240 --> 00:24:30.440
<v Speaker 2>That's funny.

502
00:24:30.519 --> 00:24:34.880
<v Speaker 4>So yeah, she's the same.

503
00:24:35.920 --> 00:24:38.880
<v Speaker 1>And Jennifer Garner's like acting physically like a thirteen year

504
00:24:38.880 --> 00:24:41.920
<v Speaker 1>old and it's it's funny in this she's so funny

505
00:24:42.160 --> 00:24:44.079
<v Speaker 1>and like she makes friends with the thirteen year old

506
00:24:44.160 --> 00:24:46.400
<v Speaker 1>girl that lives next door to her, and like she

507
00:24:46.440 --> 00:24:48.640
<v Speaker 1>gets a group of thirteen year old girlfriends and like

508
00:24:48.720 --> 00:24:50.119
<v Speaker 1>they're the way she tells about her.

509
00:24:50.240 --> 00:24:52.480
<v Speaker 2>The sleepover is hilarious.

510
00:24:53.000 --> 00:24:57.599
<v Speaker 1>Yeah, So it's it's really interesting because they they learned

511
00:24:57.599 --> 00:25:00.279
<v Speaker 1>the lessons big enough that they were able to kind

512
00:25:00.319 --> 00:25:03.200
<v Speaker 1>of smooth over a lot of the rocky parts with humor. Right,

513
00:25:03.400 --> 00:25:05.200
<v Speaker 1>But that doesn't mean the parts aren't rocky, It just

514
00:25:05.200 --> 00:25:06.960
<v Speaker 1>means like they made them go down easier.

515
00:25:12.880 --> 00:25:15.480
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516
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518
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553
00:27:30.839 --> 00:27:31.160
<v Speaker 4>Okay.

554
00:27:31.200 --> 00:27:33.319
<v Speaker 3>So we went over the age gap. Let's go over

555
00:27:33.480 --> 00:27:38.039
<v Speaker 3>the trope that's like quote not like other girls, right Like,

556
00:27:38.160 --> 00:27:41.240
<v Speaker 3>this is kind of a classic romcom trope that's, you know,

557
00:27:41.440 --> 00:27:45.000
<v Speaker 3>typically in films like this that are very white, very skinny,

558
00:27:45.160 --> 00:27:47.839
<v Speaker 3>very straight, like el Woods kind of falls into this

559
00:27:47.880 --> 00:27:51.279
<v Speaker 3>trope of like I'm I'm a smart blonde, I'm not

560
00:27:51.480 --> 00:27:53.599
<v Speaker 3>like the other Harvard girls, right, Like there are so

561
00:27:53.759 --> 00:27:59.200
<v Speaker 3>many women around this time right where she's framed as special,

562
00:27:59.400 --> 00:28:01.920
<v Speaker 3>But in this case, it's because she's a kid, right.

563
00:28:02.000 --> 00:28:03.920
<v Speaker 4>She likes Razzles.

564
00:28:03.680 --> 00:28:08.319
<v Speaker 3>Her, you know, Maddie, her childhood best friend. Like, you know,

565
00:28:08.400 --> 00:28:12.759
<v Speaker 3>it's just very much it's very childish. Where like other

566
00:28:12.839 --> 00:28:15.480
<v Speaker 3>women in the film, like Lucy for example, Judy Greer

567
00:28:15.599 --> 00:28:20.079
<v Speaker 3>our Queen, she is portrayed as competitive and manipulative and

568
00:28:20.160 --> 00:28:25.319
<v Speaker 3>shallow and even young Jenna wants to be like, you know,

569
00:28:25.720 --> 00:28:28.640
<v Speaker 3>cool and like the six Chicks. But ultimately, the lesson

570
00:28:28.680 --> 00:28:31.240
<v Speaker 3>that we learn is that, like those girls are mean

571
00:28:31.319 --> 00:28:33.720
<v Speaker 3>and that's fake and that's bad. But I think that

572
00:28:34.160 --> 00:28:37.680
<v Speaker 3>the problem here in lies where it's kind of does

573
00:28:37.720 --> 00:28:40.200
<v Speaker 3>this classic rom com thing where it kind of pits

574
00:28:40.240 --> 00:28:44.079
<v Speaker 3>women against each other and like upholds the idea of

575
00:28:44.160 --> 00:28:46.559
<v Speaker 3>like you know, the manic pixie dream girl kind of thing,

576
00:28:46.720 --> 00:28:50.839
<v Speaker 3>or you know, being quirky or like silly or offbeat

577
00:28:51.119 --> 00:28:54.960
<v Speaker 3>kind of makes you better than other women and more desirable.

578
00:28:55.759 --> 00:28:58.160
<v Speaker 1>Uh yes, And I think that's another thing that really

579
00:28:58.240 --> 00:29:00.519
<v Speaker 1>could have been helped if she had had a female

580
00:29:00.559 --> 00:29:04.079
<v Speaker 1>friend as well as Maddie, Like so you could have

581
00:29:04.160 --> 00:29:07.559
<v Speaker 1>seen like another relationship. Because it's fine to have a

582
00:29:07.599 --> 00:29:10.400
<v Speaker 1>female villain, that's fine. It's just like if that's the

583
00:29:10.440 --> 00:29:13.319
<v Speaker 1>only it's either your thirteen year old who hasn't crystallized

584
00:29:13.359 --> 00:29:15.559
<v Speaker 1>into an asshole, or you're an asshole, like.

585
00:29:16.000 --> 00:29:17.680
<v Speaker 2>The only two options.

586
00:29:17.720 --> 00:29:20.440
<v Speaker 1>And like, look, you know, her assistant seems lovely, right,

587
00:29:20.519 --> 00:29:25.559
<v Speaker 1>and she's you know, she's so sweet and and that's

588
00:29:25.640 --> 00:29:28.319
<v Speaker 1>kind of it as far as female representation. You know,

589
00:29:28.359 --> 00:29:30.079
<v Speaker 1>it's funny. There's I don't know if you notice this.

590
00:29:30.119 --> 00:29:32.799
<v Speaker 1>There's a woman who played I think her name is Polly.

591
00:29:32.920 --> 00:29:35.200
<v Speaker 1>She's like with them a lot, and I was like,

592
00:29:35.200 --> 00:29:37.839
<v Speaker 1>that woman looks really familiar. And she's Susan Egan, who

593
00:29:38.000 --> 00:29:40.480
<v Speaker 1>was the original Bell and Beauty and the Beast on Broadway.

594
00:29:40.880 --> 00:29:42.400
<v Speaker 1>And I finally figured out why I knew her, and

595
00:29:42.440 --> 00:29:44.519
<v Speaker 1>I was like, I wonder if she had a lot

596
00:29:44.559 --> 00:29:46.839
<v Speaker 1>more to do in some version of the script because

597
00:29:46.880 --> 00:29:49.920
<v Speaker 1>she's not she's not nobody that's playing this role, and

598
00:29:49.960 --> 00:29:52.599
<v Speaker 1>she really has like half a line, but she pops

599
00:29:52.680 --> 00:29:53.319
<v Speaker 1>up all the time.

600
00:29:54.039 --> 00:29:56.119
<v Speaker 3>Yeah, okay, and she's very yeah, very cute.

601
00:29:56.160 --> 00:29:57.000
<v Speaker 4>I love that haircut.

602
00:29:57.599 --> 00:29:59.240
<v Speaker 1>Yeah, and I'm like, I wonder if that could have

603
00:29:59.319 --> 00:30:00.759
<v Speaker 1>just been someone, cause she would have been at the

604
00:30:00.799 --> 00:30:03.359
<v Speaker 1>right age to be like. She also traveled with them

605
00:30:03.680 --> 00:30:06.920
<v Speaker 1>right into the future or something, and she, you know,

606
00:30:07.160 --> 00:30:09.720
<v Speaker 1>Polly Young was just friends with Maddy and Jenna and

607
00:30:10.519 --> 00:30:12.799
<v Speaker 1>she and she and Naddie were cool and Jenna Knna

608
00:30:12.920 --> 00:30:15.279
<v Speaker 1>wasn't you know, Like, I mean, Natty at thirteen might

609
00:30:15.319 --> 00:30:17.920
<v Speaker 1>be cooler than I am. Now he has the confidence

610
00:30:17.960 --> 00:30:21.799
<v Speaker 1>to all the talking heads, oh I know, a middle

611
00:30:21.839 --> 00:30:22.400
<v Speaker 1>school party.

612
00:30:22.519 --> 00:30:24.880
<v Speaker 3>You haven't even talked about. The house that he makes

613
00:30:24.920 --> 00:30:27.960
<v Speaker 3>for her, Oh yeah, Oh my god. He makes her

614
00:30:28.119 --> 00:30:33.160
<v Speaker 3>this beautiful dollhouse at thirteen that's an exact replica of

615
00:30:33.200 --> 00:30:36.519
<v Speaker 3>her home. And it's so sweet and just like the

616
00:30:36.680 --> 00:30:39.880
<v Speaker 3>cutest thing that a boy could ever do for a

617
00:30:39.920 --> 00:30:40.599
<v Speaker 3>girl that he has.

618
00:30:40.559 --> 00:30:41.160
<v Speaker 4>A crush on.

619
00:30:41.799 --> 00:30:44.160
<v Speaker 2>Yeah, she's like suck less.

620
00:30:44.400 --> 00:30:47.240
<v Speaker 3>Yes, I know, I know. I don't need to play

621
00:30:47.240 --> 00:30:47.599
<v Speaker 3>by play.

622
00:30:47.680 --> 00:30:49.519
<v Speaker 4>She just wants to be cool. She just hates that

623
00:30:49.599 --> 00:30:50.319
<v Speaker 4>she's cool.

624
00:30:50.680 --> 00:30:54.319
<v Speaker 3>I love when she says I hate you, I hate me,

625
00:30:54.519 --> 00:30:58.599
<v Speaker 3>I hate everything that really encapsulated like the reality I

626
00:30:58.640 --> 00:31:01.200
<v Speaker 3>feel like of what it is to be a teenager

627
00:31:01.480 --> 00:31:02.160
<v Speaker 3>and the hell.

628
00:31:02.079 --> 00:31:04.559
<v Speaker 1>Yeah, it makes me think too that the other comp

629
00:31:04.599 --> 00:31:07.359
<v Speaker 1>for this movie is mean girls. Yes, exactly, right, like

630
00:31:07.640 --> 00:31:11.400
<v Speaker 1>what you know, perhaps not only girls, but like this

631
00:31:11.519 --> 00:31:13.960
<v Speaker 1>is the topic we're on, like what girls are trained

632
00:31:14.519 --> 00:31:16.880
<v Speaker 1>to feel about each other. You're in competition, You're in

633
00:31:17.480 --> 00:31:20.480
<v Speaker 1>some kind of you know, competition over a man. Usually

634
00:31:20.519 --> 00:31:22.519
<v Speaker 1>I mean they're very young for that, but like that's

635
00:31:22.559 --> 00:31:24.440
<v Speaker 1>what society is putting in exactly.

636
00:31:24.799 --> 00:31:27.880
<v Speaker 3>And yeah, mean girls. And this film, actually I believe

637
00:31:27.920 --> 00:31:31.000
<v Speaker 3>came out around the same time two thousand and four.

638
00:31:32.039 --> 00:31:35.119
<v Speaker 3>And the final kind of that's problematic bucket that we

639
00:31:35.160 --> 00:31:37.599
<v Speaker 3>have here is like what this film says about the

640
00:31:37.680 --> 00:31:41.039
<v Speaker 3>era in general. And so this was kind of peak

641
00:31:41.319 --> 00:31:46.480
<v Speaker 3>like girl Boss energy, right, like magazines were on top,

642
00:31:46.759 --> 00:31:50.240
<v Speaker 3>Like being thirty and single was kind of seen as

643
00:31:50.359 --> 00:31:54.279
<v Speaker 3>like a crisis. But it's interesting because in this film,

644
00:31:54.720 --> 00:32:01.759
<v Speaker 3>when when Judy Greer's character Lucy picks Jenna up from

645
00:32:02.480 --> 00:32:05.680
<v Speaker 3>her home and she is about to tell her something,

646
00:32:06.400 --> 00:32:09.359
<v Speaker 3>she goes, oh, no, you're pregnant, She's like thank God,

647
00:32:09.559 --> 00:32:11.680
<v Speaker 3>Like you know, I feel like that is a different

648
00:32:11.839 --> 00:32:17.359
<v Speaker 3>kind of reaction than maybe most other films would react

649
00:32:17.359 --> 00:32:21.079
<v Speaker 3>in this way, like it kind of does seem like, oh,

650
00:32:21.240 --> 00:32:25.759
<v Speaker 3>like this kind of like women girl boss energy is

651
00:32:25.960 --> 00:32:28.480
<v Speaker 3>more important than getting the guy, which like to me,

652
00:32:28.640 --> 00:32:29.960
<v Speaker 3>is an advancement.

653
00:32:30.240 --> 00:32:33.920
<v Speaker 1>I feel absolutely like there's definitely whatever wave of feminine,

654
00:32:34.200 --> 00:32:38.640
<v Speaker 1>whatever wave of feminism it was in that early two thousands,

655
00:32:38.319 --> 00:32:41.400
<v Speaker 1>it's there. It's definitely there. The other thing that I

656
00:32:41.480 --> 00:32:43.640
<v Speaker 1>thought about when immediately when you said that was when

657
00:32:43.680 --> 00:32:45.440
<v Speaker 1>I was in that big party scene where they do

658
00:32:45.440 --> 00:32:49.119
<v Speaker 1>the thriller dance. I was watching all of the extras

659
00:32:49.160 --> 00:32:52.000
<v Speaker 1>in their costumes and all of the women are in

660
00:32:52.200 --> 00:32:55.559
<v Speaker 1>like heels and like the tiny little dresses like that

661
00:32:55.640 --> 00:32:59.720
<v Speaker 1>was it. And the men are in the baggiest, crappiest

662
00:32:59.720 --> 00:33:03.519
<v Speaker 1>looking jeans and these shirts that don't fit, and this

663
00:33:03.680 --> 00:33:06.640
<v Speaker 1>terrible haircut, and I was like, what what were women

664
00:33:06.799 --> 00:33:08.319
<v Speaker 1>accepting right from people?

665
00:33:08.440 --> 00:33:09.200
<v Speaker 2>Like if.

666
00:33:10.920 --> 00:33:12.640
<v Speaker 1>You have to get a pair of pants that fit

667
00:33:12.720 --> 00:33:16.640
<v Speaker 1>correct period end of story, like, oh my god.

668
00:33:15.960 --> 00:33:18.880
<v Speaker 3>And Jenna's outfits and like her sticks in her hair

669
00:33:19.039 --> 00:33:20.880
<v Speaker 3>and like all all the things. I'm just like, what

670
00:33:21.039 --> 00:33:23.559
<v Speaker 3>is going on here? There's a lot happening, and it's.

671
00:33:23.480 --> 00:33:24.160
<v Speaker 2>Kind of like a lot.

672
00:33:24.359 --> 00:33:26.400
<v Speaker 3>They get away with it because it's a thirteen year

673
00:33:26.440 --> 00:33:28.559
<v Speaker 3>old dressing herself as a thirty year old. So you're

674
00:33:28.640 --> 00:33:31.000
<v Speaker 3>kind of like, okay, hard to you know, the lines

675
00:33:31.000 --> 00:33:34.039
<v Speaker 3>are kind of blurred there, But it does make me

676
00:33:34.160 --> 00:33:37.599
<v Speaker 3>kind of think of, you know, Devil Wears Prada, like

677
00:33:37.720 --> 00:33:41.079
<v Speaker 3>opening scene, Like, you know, it's all about magazines. It's

678
00:33:41.079 --> 00:33:45.559
<v Speaker 3>all about models. It's all about them fucking weighing cheerios

679
00:33:46.160 --> 00:33:49.480
<v Speaker 3>or oatmeal and seeing how many calories they have and

680
00:33:49.519 --> 00:33:51.440
<v Speaker 3>them kind of cut it. You know, it's all about

681
00:33:51.519 --> 00:33:54.279
<v Speaker 3>diet culture. And I do think that that peek through

682
00:33:54.559 --> 00:33:56.839
<v Speaker 3>a tiny bit in this film, a little bit just

683
00:33:57.079 --> 00:33:59.200
<v Speaker 3>by way of who our stars.

684
00:33:58.880 --> 00:34:01.079
<v Speaker 4>Were, at least her female leads.

685
00:34:01.119 --> 00:34:04.039
<v Speaker 3>I do think Mark Ruffalo though, is kind of an

686
00:34:04.079 --> 00:34:06.640
<v Speaker 3>interesting like you said, like he came from a theater background.

687
00:34:06.640 --> 00:34:10.960
<v Speaker 3>He's not really the you know, the rom com lead

688
00:34:11.199 --> 00:34:15.519
<v Speaker 3>typically at this time yet, so I don't know, they

689
00:34:15.599 --> 00:34:19.519
<v Speaker 3>kind of like very slightly subvert these little birds.

690
00:34:19.679 --> 00:34:23.119
<v Speaker 1>Yeah, yeah, and I like, I it's funny. I just

691
00:34:23.159 --> 00:34:25.960
<v Speaker 1>remember when Jennifer Garner was on Alias the the the

692
00:34:26.119 --> 00:34:29.119
<v Speaker 1>diatribes people would write about her abs which were to

693
00:34:29.199 --> 00:34:33.039
<v Speaker 1>be clear, superhuman like insane, and I'm like, okay, so

694
00:34:33.119 --> 00:34:37.000
<v Speaker 1>Jenna's also running around really strongly in high heels with

695
00:34:37.039 --> 00:34:37.800
<v Speaker 1>a bear midrift.

696
00:34:37.880 --> 00:34:42.840
<v Speaker 3>Yes, like she has ripped her her body just is spectacular.

697
00:34:42.960 --> 00:34:45.000
<v Speaker 3>And I think I think that was also clear to

698
00:34:45.079 --> 00:34:48.559
<v Speaker 3>me as a mid size, like kind of chubby thirteen

699
00:34:48.599 --> 00:34:50.920
<v Speaker 3>year old girl, like wow, this girl is skinny and

700
00:34:50.960 --> 00:34:53.760
<v Speaker 3>she's pretty, and like that was very like she she

701
00:34:53.880 --> 00:34:56.639
<v Speaker 3>did scream lead to me as a kid when I

702
00:34:56.679 --> 00:35:01.440
<v Speaker 3>first saw this, absolutely, yeah, very very you know clear

703
00:35:01.559 --> 00:35:04.239
<v Speaker 3>that that that's not I think that's what we've come

704
00:35:04.360 --> 00:35:06.760
<v Speaker 3>up with. I think in most of these prom coms

705
00:35:06.760 --> 00:35:09.239
<v Speaker 3>of like, you know, it almost doesn't even even need

706
00:35:09.280 --> 00:35:12.760
<v Speaker 3>to be said, but just like the white, straight, skinny

707
00:35:13.159 --> 00:35:16.039
<v Speaker 3>kind of like nature of all of the leads and

708
00:35:16.079 --> 00:35:20.360
<v Speaker 3>how that hasn't really changed until the last like five years.

709
00:35:20.599 --> 00:35:21.920
<v Speaker 4>Basically yeah like that.

710
00:35:22.079 --> 00:35:24.159
<v Speaker 1>I also think it's so fast. I think it's so

711
00:35:24.239 --> 00:35:28.159
<v Speaker 1>fascinating that even in the thriller scene there is one

712
00:35:28.199 --> 00:35:32.280
<v Speaker 1>black person dancing with like and like people, Yeah, the

713
00:35:32.320 --> 00:35:35.360
<v Speaker 1>DJ's black, and I'm like, okay, like what's going on here?

714
00:35:35.760 --> 00:35:39.159
<v Speaker 1>I don't think this is our culture so much, that's correct.

715
00:35:39.719 --> 00:35:44.639
<v Speaker 3>They Yeah, we had on Brandon Kyle Goodman for our Yes,

716
00:35:44.800 --> 00:35:49.800
<v Speaker 3>for our episode on Legally Blonde and they put this

717
00:35:50.000 --> 00:35:53.320
<v Speaker 3>really well of like, if you're not going home with

718
00:35:53.480 --> 00:35:56.920
<v Speaker 3>the black character, aka you don't know anything about their life,

719
00:35:57.000 --> 00:36:01.440
<v Speaker 3>their relationships, their work, then like that's not meaningful representation.

720
00:36:02.039 --> 00:36:05.159
<v Speaker 3>And I feel like that's just such a common thread

721
00:36:05.440 --> 00:36:07.360
<v Speaker 3>through a lot of these films is we don't go

722
00:36:07.440 --> 00:36:10.000
<v Speaker 3>home with any people of color. We don't go home

723
00:36:10.079 --> 00:36:14.000
<v Speaker 3>with any people like you know, Richard is the boss

724
00:36:14.039 --> 00:36:18.320
<v Speaker 3>who's gay, who's funny and you know, a step up

725
00:36:19.000 --> 00:36:23.280
<v Speaker 3>his gayness. His queerness is not the punchline, which is

726
00:36:23.480 --> 00:36:26.239
<v Speaker 3>you know, there's one moment where Jenna's like, are you gay?

727
00:36:26.599 --> 00:36:29.400
<v Speaker 3>And you know, she's genuinely unsure because she's in a

728
00:36:29.440 --> 00:36:33.360
<v Speaker 3>thirteen year old, you know, brain, and he just kind

729
00:36:33.400 --> 00:36:35.360
<v Speaker 3>of laughs at her as kind of like a yes,

730
00:36:35.400 --> 00:36:36.920
<v Speaker 3>I'm gay, Like of course I'm gay.

731
00:36:37.360 --> 00:36:39.159
<v Speaker 4>But it's not the punchline.

732
00:36:39.199 --> 00:36:41.519
<v Speaker 3>So I think like this movie could have done better,

733
00:36:41.920 --> 00:36:44.480
<v Speaker 3>but it didn't. It did not punch down in many

734
00:36:44.480 --> 00:36:45.639
<v Speaker 3>ways that other films don't.

735
00:36:45.719 --> 00:36:47.800
<v Speaker 1>Yeah, what we always say on our show is it's

736
00:36:47.840 --> 00:36:52.760
<v Speaker 1>sense of omission. Yes, So it's not there's nothing outwardly offensive.

737
00:36:53.079 --> 00:36:55.440
<v Speaker 1>It's just like it's in New York without any black

738
00:36:55.440 --> 00:36:58.400
<v Speaker 1>people or Hispanic people, or Asian people or you know,

739
00:36:58.559 --> 00:37:01.519
<v Speaker 1>very small amount of queer people, and like everyone's kind

740
00:37:01.519 --> 00:37:04.119
<v Speaker 1>of looks the same, you know, right, which is.

741
00:37:04.239 --> 00:37:06.639
<v Speaker 3>You know that's what Sex and the City did, and like,

742
00:37:06.760 --> 00:37:10.280
<v Speaker 3>you know, there's so many very popular kind of like

743
00:37:11.039 --> 00:37:15.039
<v Speaker 3>rom COMMI type things that really like led the movement for.

744
00:37:15.119 --> 00:37:16.559
<v Speaker 4>Many of these things.

745
00:37:16.639 --> 00:37:19.480
<v Speaker 3>And you know, we are doing the rewatch now and

746
00:37:19.519 --> 00:37:22.800
<v Speaker 3>we know better and we can do better in future media.

747
00:37:22.960 --> 00:37:26.480
<v Speaker 3>But I think we're I want to end here on

748
00:37:26.519 --> 00:37:29.119
<v Speaker 3>the on the problematic piece with our cringe.

749
00:37:28.719 --> 00:37:30.519
<v Speaker 4>Corner, which is just like, okay.

750
00:37:30.360 --> 00:37:34.239
<v Speaker 3>One moment, one character, one line, one thing that you

751
00:37:34.400 --> 00:37:37.880
<v Speaker 3>found particularly cringey, I'll give you a minute to think

752
00:37:37.880 --> 00:37:40.800
<v Speaker 3>about it. For me, like, even though it is sweet,

753
00:37:41.199 --> 00:37:44.119
<v Speaker 3>I will say the sleep Oversea with the thirteen year

754
00:37:44.159 --> 00:37:47.400
<v Speaker 3>olds just because Jenna, you know, if I'm if I'm

755
00:37:47.440 --> 00:37:49.599
<v Speaker 3>a parent of one of those kids, am I gonna

756
00:37:49.679 --> 00:37:52.840
<v Speaker 3>let my teen kind of go sleep over a thirty

757
00:37:52.920 --> 00:37:54.079
<v Speaker 3>year old's house?

758
00:37:54.199 --> 00:37:54.400
<v Speaker 2>No?

759
00:37:54.559 --> 00:37:54.880
<v Speaker 3>I will.

760
00:37:54.920 --> 00:37:55.840
<v Speaker 4>I will not do that.

761
00:37:55.960 --> 00:37:57.880
<v Speaker 1>And so maybe if you're an Upper east Side parent,

762
00:37:58.000 --> 00:37:58.880
<v Speaker 1>that's you're not really there.

763
00:37:59.000 --> 00:37:59.360
<v Speaker 3>That's true.

764
00:38:00.159 --> 00:38:02.440
<v Speaker 4>At a fundraiser, they are busy.

765
00:38:02.400 --> 00:38:03.719
<v Speaker 2>They're at a gala, they're at.

766
00:38:03.679 --> 00:38:05.400
<v Speaker 3>A gala for the rest of their lives.

767
00:38:05.920 --> 00:38:06.719
<v Speaker 4>They are busy.

768
00:38:07.280 --> 00:38:12.119
<v Speaker 3>But I think that, you know, in actuality is weird.

769
00:38:12.280 --> 00:38:15.440
<v Speaker 3>In the movie, it's very cute and sweet and it's

770
00:38:15.480 --> 00:38:19.440
<v Speaker 3>a cute, like music video kind of moment. But yeah,

771
00:38:19.519 --> 00:38:22.760
<v Speaker 3>the fact that she mostly relates to thirteen year olds

772
00:38:22.840 --> 00:38:24.119
<v Speaker 3>as an adult is tough.

773
00:38:24.199 --> 00:38:24.920
<v Speaker 4>It's a tough sell.

774
00:38:25.719 --> 00:38:28.639
<v Speaker 1>Yeah, I mean, I'll go with the obvious one, but

775
00:38:28.679 --> 00:38:30.599
<v Speaker 1>I have two. Okay, So the obvious one is, of course,

776
00:38:30.760 --> 00:38:34.239
<v Speaker 1>when they make Mark Ruffalo kiss the thirteen year old

777
00:38:35.119 --> 00:38:38.119
<v Speaker 1>exactly which is and to be fair, it's a it's

778
00:38:38.159 --> 00:38:41.519
<v Speaker 1>a relatively brief kiss and he stops it very quickly.

779
00:38:41.840 --> 00:38:44.199
<v Speaker 3>It's Jennifer Garner's body, so you don't know.

780
00:38:44.320 --> 00:38:46.760
<v Speaker 1>He doesn't know, and he does not believe that this.

781
00:38:47.199 --> 00:38:49.000
<v Speaker 1>He just thinks she's had like a mental break or something.

782
00:38:49.000 --> 00:38:49.920
<v Speaker 2>He doesn't delve into it.

783
00:38:50.280 --> 00:38:51.679
<v Speaker 4>She's like, hey, hole, are you on drugs?

784
00:38:51.760 --> 00:38:52.440
<v Speaker 2>Yeah?

785
00:38:52.480 --> 00:38:54.599
<v Speaker 1>Like, okay, you're actually cool again, so I'll hang out

786
00:38:54.639 --> 00:38:56.800
<v Speaker 1>with you, but like, I don't know what's actually going on.

787
00:38:57.280 --> 00:38:59.599
<v Speaker 1>The other one that I think about is the strip tease,

788
00:39:00.159 --> 00:39:02.840
<v Speaker 1>only because they have this poor guy and look, I

789
00:39:02.840 --> 00:39:04.400
<v Speaker 1>think he does a good job because he's supposed to

790
00:39:04.440 --> 00:39:08.760
<v Speaker 1>be kind of doofy, doofy. Yes, So kudos to the actor.

791
00:39:08.800 --> 00:39:11.519
<v Speaker 1>Actually don't know his name, but they put him in

792
00:39:11.559 --> 00:39:16.119
<v Speaker 1>these tidy whities, and I'm like the VPL in this scene.

793
00:39:16.960 --> 00:39:18.920
<v Speaker 1>I would have thought I would have remembered that because

794
00:39:18.960 --> 00:39:22.880
<v Speaker 1>I can see your penis sir like and keeps cutting back.

795
00:39:22.760 --> 00:39:26.119
<v Speaker 4>And his balls. For sure, it's a large bulge.

796
00:39:26.719 --> 00:39:30.599
<v Speaker 1>There's three separate entities in those tidy whities.

797
00:39:30.960 --> 00:39:33.480
<v Speaker 3>It's like, please put him in briefs.

798
00:39:33.559 --> 00:39:36.400
<v Speaker 1>I don't, at least absolutely a pair of boxers.

799
00:39:36.679 --> 00:39:37.159
<v Speaker 2>No problem.

800
00:39:37.280 --> 00:39:39.239
<v Speaker 3>We don't need to see the outline. She doesn't need

801
00:39:39.280 --> 00:39:42.599
<v Speaker 3>to see that outline. She's she's a youth. Let's let's

802
00:39:42.239 --> 00:39:47.320
<v Speaker 3>not bless us, not forget Okay, but now, Paul, we

803
00:39:47.519 --> 00:39:52.079
<v Speaker 3>get to do a rewrite. Okay, you know how we

804
00:39:52.119 --> 00:39:54.280
<v Speaker 3>would tell this story today. I kind of want to

805
00:39:54.320 --> 00:39:57.039
<v Speaker 3>jam on the idea that you've been giving of her

806
00:39:57.119 --> 00:40:02.800
<v Speaker 3>having a best female friend, and maybe maybe it's a lesbian.

807
00:40:03.119 --> 00:40:05.880
<v Speaker 3>Maybe we get that, or maybe we get that representation.

808
00:40:06.000 --> 00:40:08.400
<v Speaker 1>Maybe hang on, I don't want you to fall over

809
00:40:08.440 --> 00:40:10.679
<v Speaker 1>your seat of down right. Maybe she's Asian.

810
00:40:10.480 --> 00:40:15.320
<v Speaker 3>Maybe she's an Asian girl, could be did they have

811
00:40:15.400 --> 00:40:17.559
<v Speaker 3>Asians in the nineteen eighties living in New Jersey.

812
00:40:17.760 --> 00:40:18.559
<v Speaker 4>I think they did.

813
00:40:19.000 --> 00:40:21.119
<v Speaker 1>I think they did was biling available.

814
00:40:22.280 --> 00:40:26.360
<v Speaker 3>I feel like this is a great idea because, like

815
00:40:26.440 --> 00:40:29.440
<v Speaker 3>you said, it would give that kind of extra perspective

816
00:40:29.960 --> 00:40:33.800
<v Speaker 3>of them being good friends without pitting women against each other.

817
00:40:34.320 --> 00:40:36.960
<v Speaker 3>And also it would kind of serve as the foil

818
00:40:37.159 --> 00:40:39.559
<v Speaker 3>to the Maddie character. Maybe she and Maddie in adulthood

819
00:40:39.599 --> 00:40:42.679
<v Speaker 3>are still friends or something, and maybe there's like a

820
00:40:42.679 --> 00:40:45.840
<v Speaker 3>way that we can feel a little bit more comfortable

821
00:40:46.320 --> 00:40:48.639
<v Speaker 3>with this idea. What do you want to jam on

822
00:40:48.639 --> 00:40:49.480
<v Speaker 3>this idea a little bit more?

823
00:40:49.480 --> 00:40:49.960
<v Speaker 4>What do you think?

824
00:40:50.480 --> 00:40:54.039
<v Speaker 1>I think that I have another slight tweak that I

825
00:40:54.039 --> 00:40:55.239
<v Speaker 1>think might unlock something.

826
00:40:56.000 --> 00:40:57.199
<v Speaker 2>What if Maddie.

827
00:40:56.840 --> 00:40:59.719
<v Speaker 4>Believes her that she is actually that.

828
00:40:59.639 --> 00:41:02.679
<v Speaker 1>She is actually she somehow convinces him and and our

829
00:41:02.800 --> 00:41:06.400
<v Speaker 1>hypothetical lesbian named.

830
00:41:07.559 --> 00:41:08.119
<v Speaker 2>Josephine.

831
00:41:08.199 --> 00:41:12.239
<v Speaker 1>Yes, she convinces Maddie and Josephine that she is actually

832
00:41:12.360 --> 00:41:15.519
<v Speaker 1>Jennifer and that then she can fall in love with

833
00:41:15.639 --> 00:41:18.440
<v Speaker 1>him and he does not have to fall in love

834
00:41:18.480 --> 00:41:21.559
<v Speaker 1>with her, right, He does not have to have those feelings, right,

835
00:41:21.760 --> 00:41:24.880
<v Speaker 1>And that removes because it's fine for her as a

836
00:41:24.880 --> 00:41:27.159
<v Speaker 1>thirteen year old to have a crush on growing up

837
00:41:27.159 --> 00:41:29.320
<v Speaker 1>Mattie who looks like Mark Ruffalo, Like that's there's no

838
00:41:29.760 --> 00:41:32.039
<v Speaker 1>issue with that, and then she could try to kiss

839
00:41:32.079 --> 00:41:34.199
<v Speaker 1>him and he whoa, nope, nope, not I.

840
00:41:34.159 --> 00:41:34.880
<v Speaker 4>Can't do it.

841
00:41:35.079 --> 00:41:37.599
<v Speaker 3>Or let me give you one better, Paul please. This

842
00:41:37.639 --> 00:41:40.079
<v Speaker 3>is what I wrote down. What if Maddie and Jenna

843
00:41:40.239 --> 00:41:43.599
<v Speaker 3>both were fast forwarded into their adult lives.

844
00:41:43.719 --> 00:41:44.920
<v Speaker 2>Oh, there you go.

845
00:41:45.000 --> 00:41:47.840
<v Speaker 3>There romance isn't so creepy because they're both thirteen year

846
00:41:47.880 --> 00:41:49.280
<v Speaker 3>olds and thirty year old's bodies.

847
00:41:49.960 --> 00:41:52.119
<v Speaker 1>Yes, and then you get it's like it's almost like

848
00:41:52.159 --> 00:41:55.079
<v Speaker 1>a split screen kind of situation going on, like, oh,

849
00:41:55.079 --> 00:41:56.800
<v Speaker 1>Maddie's still kind of cool and he gets to figure

850
00:41:56.800 --> 00:42:00.199
<v Speaker 1>out photography and Jenna's still has become an asshole and

851
00:42:00.320 --> 00:42:01.559
<v Speaker 1>she's like, wait, I didn't want to be an.

852
00:42:01.480 --> 00:42:04.599
<v Speaker 3>Asshole, right, I feel like this this version of it,

853
00:42:04.639 --> 00:42:06.960
<v Speaker 3>and we're adding in Josephine is like the best case

854
00:42:06.960 --> 00:42:10.519
<v Speaker 3>scenario because honestly, usually during this time it's like, oh,

855
00:42:10.559 --> 00:42:12.800
<v Speaker 3>we need to you know, with other films, it's like, oh,

856
00:42:12.880 --> 00:42:15.880
<v Speaker 3>I want to take out all the fucking homophobia casual

857
00:42:15.880 --> 00:42:18.920
<v Speaker 3>homophobia in this Like we just did a recording for

858
00:42:19.119 --> 00:42:21.800
<v Speaker 3>Just Friends and there's so much just casual homophobia in there.

859
00:42:22.320 --> 00:42:23.280
<v Speaker 4>We're like a fat suit.

860
00:42:23.320 --> 00:42:25.400
<v Speaker 3>We're like we're taking that out, like it's just very

861
00:42:25.480 --> 00:42:28.360
<v Speaker 3>obvious things. But this is like we're working, we're on

862
00:42:28.480 --> 00:42:30.320
<v Speaker 3>staff right now, we're in a writer's room.

863
00:42:30.400 --> 00:42:33.519
<v Speaker 2>Yeah, this this is free.

864
00:42:34.039 --> 00:42:37.480
<v Speaker 3>The writers need to take some notes here. All right, Paul,

865
00:42:37.519 --> 00:42:40.559
<v Speaker 3>We're going to actually do our post watch rating before

866
00:42:40.760 --> 00:42:42.320
<v Speaker 3>I let you go here, and before we do a

867
00:42:42.360 --> 00:42:43.599
<v Speaker 3>trivia teaser.

868
00:42:43.599 --> 00:42:44.960
<v Speaker 4>Information about the six Chicks.

869
00:42:44.960 --> 00:42:46.239
<v Speaker 2>You were on the edge of your seat about the

870
00:42:46.960 --> 00:42:47.480
<v Speaker 2>and I still am.

871
00:42:47.599 --> 00:42:48.639
<v Speaker 3>I can't wait to tell you.

872
00:42:49.159 --> 00:42:50.920
<v Speaker 1>My breath has been baited for forty minutes.

873
00:42:52.239 --> 00:42:55.199
<v Speaker 3>Tell me what your post watch after all this, after

874
00:42:55.280 --> 00:42:58.519
<v Speaker 3>everything we've discussed, what is your post watch rating on

875
00:42:58.519 --> 00:43:00.440
<v Speaker 3>the bomb scale one to five bombs? What do you got?

876
00:43:00.480 --> 00:43:02.519
<v Speaker 4>You started with the two where.

877
00:43:02.079 --> 00:43:04.000
<v Speaker 1>I started with the two because I was concerned, right,

878
00:43:04.119 --> 00:43:08.400
<v Speaker 1>you were worried. I'm gonna I don't think it's quite

879
00:43:08.400 --> 00:43:09.679
<v Speaker 1>a one, but I don't think it's a two.

880
00:43:09.719 --> 00:43:13.360
<v Speaker 2>So I'm going to follow your leave. I think that's where.

881
00:43:13.159 --> 00:43:16.840
<v Speaker 3>I'm staying because after talking about the weird age gap stuff,

882
00:43:16.880 --> 00:43:19.199
<v Speaker 3>and you know how it's just kind of weird that

883
00:43:19.280 --> 00:43:22.159
<v Speaker 3>she is a thirteen year old in this in this body,

884
00:43:22.199 --> 00:43:24.840
<v Speaker 3>and I just could have been fixed with one line,

885
00:43:24.880 --> 00:43:27.440
<v Speaker 3>you know what I mean? Oh yeah, something to cue

886
00:43:27.559 --> 00:43:29.840
<v Speaker 3>us in that, like people know. And so I'm leaving

887
00:43:29.880 --> 00:43:31.840
<v Speaker 3>it at a one point five. But overall it's pretty good.

888
00:43:32.519 --> 00:43:34.960
<v Speaker 3>It's pretty good, very close to a one here, which

889
00:43:35.000 --> 00:43:35.719
<v Speaker 3>I'm happy.

890
00:43:35.559 --> 00:43:38.280
<v Speaker 1>Yes, And like you know, if it's if it's teaching

891
00:43:38.480 --> 00:43:40.119
<v Speaker 1>young people that they are going to be able to

892
00:43:40.119 --> 00:43:43.239
<v Speaker 1>live in a five bedroom penthouse on the Upper East

893
00:43:43.280 --> 00:43:45.840
<v Speaker 1>Side when they're thirty, I mean, let them dream.

894
00:43:46.960 --> 00:43:48.239
<v Speaker 4>We need to dream.

895
00:43:48.280 --> 00:43:51.039
<v Speaker 3>And I actually, when I was preparing for this episode,

896
00:43:51.079 --> 00:43:53.440
<v Speaker 3>trying to think of a good trivia teaser, I learned

897
00:43:53.519 --> 00:43:57.280
<v Speaker 3>that today her apartment would be worth five million dollars.

898
00:43:57.679 --> 00:44:02.639
<v Speaker 3>That's what people estimate, five million. But let's talk about

899
00:44:02.679 --> 00:44:03.480
<v Speaker 3>the trivia teaser.

900
00:44:03.519 --> 00:44:06.320
<v Speaker 4>You want to know about? Okay, the famous Six Chicks.

901
00:44:06.320 --> 00:44:09.519
<v Speaker 3>If you look closely, you may see some familiar faces

902
00:44:09.559 --> 00:44:13.280
<v Speaker 3>in the Six Chicks. Someone named Ashley Benson later became

903
00:44:13.320 --> 00:44:16.599
<v Speaker 3>a teen TV staple after starring in Pretty Little Liars.

904
00:44:16.679 --> 00:44:17.559
<v Speaker 2>She's Pretty Little Liars.

905
00:44:17.679 --> 00:44:19.800
<v Speaker 4>Absolutely, he's one of the Six Chicks and this and I.

906
00:44:19.800 --> 00:44:22.480
<v Speaker 1>Believe she also was a Cara Delavine's girlfriend, for a while.

907
00:44:22.519 --> 00:44:23.800
<v Speaker 4>Oh I love that knowledge.

908
00:44:23.840 --> 00:44:26.360
<v Speaker 3>I really love random like this is connected to this

909
00:44:26.440 --> 00:44:28.440
<v Speaker 3>and this person knows this person and this is the

910
00:44:28.519 --> 00:44:32.280
<v Speaker 3>kicker here. Bree Larson was in the Six Chicks. She

911
00:44:32.519 --> 00:44:36.440
<v Speaker 3>was she I've noticed it yesterday. She won an Oscar

912
00:44:36.519 --> 00:44:39.159
<v Speaker 3>for Best Actress in twenty sixteen in her performance in Room.

913
00:44:39.239 --> 00:44:41.800
<v Speaker 3>And she is Missus Marvel or whatever the fuck her

914
00:44:41.840 --> 00:44:45.079
<v Speaker 3>name is and Captain Marvel, and she's she's in a

915
00:44:45.119 --> 00:44:47.000
<v Speaker 3>million things, and we love Larson.

916
00:44:47.079 --> 00:44:47.760
<v Speaker 4>She's incredible.

917
00:44:47.840 --> 00:44:50.320
<v Speaker 2>She's an Alister Alister and she's a six Chick.

918
00:44:50.480 --> 00:44:51.360
<v Speaker 4>Pretty incredible.

919
00:44:51.559 --> 00:44:53.960
<v Speaker 1>Wow, I gotta go look again because I didn't. I

920
00:44:54.199 --> 00:44:55.480
<v Speaker 1>genuinely didn't clock either one.

921
00:44:55.679 --> 00:44:56.639
<v Speaker 4>I know she's very tall.

922
00:44:56.719 --> 00:44:58.800
<v Speaker 3>She's one of the tall, blonder ones you'll see.

923
00:44:58.880 --> 00:45:01.760
<v Speaker 1>Okay, okay, I'm excited for that. Excellent, I'm excited.

924
00:45:01.880 --> 00:45:02.440
<v Speaker 4>Oh my gosh.

925
00:45:02.519 --> 00:45:06.679
<v Speaker 3>Okay, are you ready to hear next week's trivia and

926
00:45:06.719 --> 00:45:07.880
<v Speaker 3>you can make some guesses in.

927
00:45:07.840 --> 00:45:09.760
<v Speaker 2>Your head as to what.

928
00:45:10.960 --> 00:45:14.519
<v Speaker 3>Next week. This flirty Friends with Benefits rom com started

929
00:45:14.599 --> 00:45:18.519
<v Speaker 3>as romance written for two male leads. Then Hollywood did

930
00:45:18.559 --> 00:45:21.360
<v Speaker 3>what Hollywood does and rewrote the script, changed the title,

931
00:45:21.360 --> 00:45:23.800
<v Speaker 3>and added an Oscar winning woman and a sitcom star.

932
00:45:24.519 --> 00:45:27.719
<v Speaker 3>Guess which movie almost gave us a queer buddy comedy

933
00:45:27.760 --> 00:45:30.880
<v Speaker 3>and ended up with a straight emotional mess instead.

934
00:45:31.519 --> 00:45:33.360
<v Speaker 2>It's the one with Ashton Cher And.

935
00:45:37.559 --> 00:45:40.239
<v Speaker 3>All right, people, you're getting an inside scoop here.

936
00:45:41.400 --> 00:45:42.679
<v Speaker 2>For I love this game.

937
00:45:43.000 --> 00:45:46.159
<v Speaker 3>It's an amazing game. Next week actually is our last

938
00:45:46.280 --> 00:45:50.719
<v Speaker 3>episode of rom Com Bomb, so so make sure you

939
00:45:50.719 --> 00:45:54.599
<v Speaker 3>tune in and share your guesses. Uh say, no strings

940
00:45:54.599 --> 00:45:58.320
<v Speaker 3>attached with a rom com that you remember from growing

941
00:45:58.360 --> 00:45:59.840
<v Speaker 3>up if you want us to cover it maybe in

942
00:45:59.840 --> 00:46:02.320
<v Speaker 3>a future season of roum com Bomb. By leaving a

943
00:46:02.360 --> 00:46:05.599
<v Speaker 3>review on Apple Podcasts, leaving a comment on Spotify, Paul,

944
00:46:05.639 --> 00:46:08.159
<v Speaker 3>thank you so much for joining us today. Where can

945
00:46:08.159 --> 00:46:08.800
<v Speaker 3>people find you?

946
00:46:09.559 --> 00:46:11.880
<v Speaker 1>Oh, thank you for having me. You can find me

947
00:46:11.960 --> 00:46:14.599
<v Speaker 1>on that Age Well podcast dropping every Monday wherever you

948
00:46:14.599 --> 00:46:17.480
<v Speaker 1>get your podcasts. Me and Erica we go through. We

949
00:46:17.920 --> 00:46:21.039
<v Speaker 1>do a kolonoscopy on these movies. These are long form episodes.

950
00:46:21.440 --> 00:46:24.239
<v Speaker 1>We don't skip things. We get in there and we

951
00:46:24.360 --> 00:46:26.639
<v Speaker 1>talk about it. So if you need if you've got

952
00:46:26.639 --> 00:46:28.480
<v Speaker 1>a long commute, if you've got a boring job with

953
00:46:28.559 --> 00:46:31.599
<v Speaker 1>data entry, sure we are your ticket to some giggles. Yes,

954
00:46:31.599 --> 00:46:32.320
<v Speaker 1>well that's happening.

955
00:46:32.400 --> 00:46:34.760
<v Speaker 3>Yes, and We will put that in our show notes

956
00:46:35.159 --> 00:46:37.239
<v Speaker 3>for folks, and yeah, Paul, you rock.

957
00:46:37.320 --> 00:46:39.519
<v Speaker 2>Thank you so much, Thank you so much. I had

958
00:46:39.519 --> 00:46:40.079
<v Speaker 2>a great time.

959
00:46:47.880 --> 00:46:51.599
<v Speaker 3>Our creator, host and executive producer is me Danielle bezelel

960
00:46:51.679 --> 00:46:56.039
<v Speaker 3>aka dB. Our producer is Sadie Leeji. Our communications lead

961
00:46:56.119 --> 00:46:59.039
<v Speaker 3>is Catherine Cohen. Our music theme is by hook Sounds.

962
00:46:59.519 --> 00:47:02.519
<v Speaker 3>Thanks so much much to our featured guests, partners, and listeners.

963
00:47:02.920 --> 00:47:04.840
<v Speaker 3>If you have a romcom you remember from growing up

964
00:47:04.840 --> 00:47:07.280
<v Speaker 3>and want us to cover it on romcombomb, submit it

965
00:47:07.280 --> 00:47:09.119
<v Speaker 3>to us by leaving a review on Apple.

966
00:47:08.800 --> 00:47:10.920
<v Speaker 4>Podcasts and leaving a comment on Spotify.

967
00:47:11.360 --> 00:47:14.440
<v Speaker 3>Want to partner with us, Email us at sexedidb at

968
00:47:14.440 --> 00:47:17.800
<v Speaker 3>gmail dot com. For more sexad content, follow us on

969
00:47:17.800 --> 00:47:20.159
<v Speaker 3>Instagram at sex ed with dB podcast.

970
00:47:20.679 --> 00:47:21.440
<v Speaker 4>See you next time.
