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<v Speaker 1>I'm now for yours, truly, Johnny Dollar. The next half

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<v Speaker 1>hour has its baggage fact to take a trip with

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<v Speaker 1>America's fabulous Britance insurance investigator Johnny Dollar. At insurance investigation,

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<v Speaker 1>He's just an expert at making out his expense account.

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<v Speaker 1>He's an absolute feat.

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<v Speaker 2>Expense accounts submitted by a special investigator Johnny Dollar to

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<v Speaker 2>Frederick Kimball, General manager of Fine Arts of Tours Incorporated

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<v Speaker 2>in New York Arts.

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<v Speaker 3>The following is an accounting of my.

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<v Speaker 2>Expenditures and the investigation of the stolen portrait of the

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<v Speaker 2>Duke of masson Or who opened the season on canvas.

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<v Speaker 4>Back to.

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<v Speaker 2>Expense account out of one three hundred and fifty dollars

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<v Speaker 2>plane fair, New York to London. Item two one hundred

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<v Speaker 2>and twenty five dollars replacement brand new light tan topcoat

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<v Speaker 2>borrowed and not returned by fellow passenger. During flight we

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<v Speaker 2>cleared Yander Nupman living were four hours out flying at

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<v Speaker 2>twenty thousand feet over the Atlantic with a ninth in

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<v Speaker 2>the weather, fighting it out to see which could dark

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<v Speaker 2>on sky. First, most of the passengers were asleep, but

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<v Speaker 2>the rough weather was giving the man on the seat

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<v Speaker 2>beside me a rough time, although the plane had leveled

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<v Speaker 2>off his dinner, still trying to gain altitude among other things,

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<v Speaker 2>he complained to kill So I slipped on my top

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<v Speaker 2>coat threw it around his shoulders.

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<v Speaker 3>Oh thanks, I'm sorry to beat, said to bother.

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<v Speaker 1>Oh, I think I'll try a drink of water.

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<v Speaker 3>Okay, I'll post of the steward public.

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<v Speaker 4>He's up forward.

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<v Speaker 3>Maybe they walked back too far. He stepped out for

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<v Speaker 3>a breath of fresh air. I didn't think anybody't sick

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<v Speaker 3>enough to do that. By the time I got to

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<v Speaker 3>the back of the ship, the rear sleep.

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<v Speaker 2>Passengers from milling around the aisle to know anything about

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<v Speaker 2>what had happened, I didn't by that, But if my

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<v Speaker 2>ex friend hadn't jumped out of the plane.

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<v Speaker 3>He's been pushed. And that was this pantalizing question. If

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<v Speaker 3>he's been pushed, and since he'd been.

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<v Speaker 2>Wearing my light tan topcoat, was I the one who

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<v Speaker 2>was supposed to be taking that twenty thousand.

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<v Speaker 3>Foot swan dive into the Atlantic. I looked over the passengers,

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<v Speaker 3>and to me, they all looked guilty, but I really

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<v Speaker 3>couldn't be.

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<v Speaker 2>I also knew I had no chance of finding out

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<v Speaker 2>which one was something to shettled down. Everybody started asking

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<v Speaker 2>the stewardess for senatives to help him get back to sleep.

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<v Speaker 3>I asked her for some black company to keep awake.

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<v Speaker 3>By four o'clock the next afternoon.

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<v Speaker 2>I was in good health in London and in the

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<v Speaker 2>office of your policyholder next to Morley.

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<v Speaker 5>Yes, I've been expecting you to a company cable that

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<v Speaker 5>you were coming. Very generous of him to send you all.

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<v Speaker 4>The way over here to help.

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<v Speaker 2>Way, I have to pad my expense accounts to make

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<v Speaker 2>an honest living. Don't ever accuse my clients of generosity.

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<v Speaker 2>Uh oh no, they aren't very soft hearted benefactors. They're

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<v Speaker 2>being hard head of business man. If that painting stays lost,

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<v Speaker 2>it'll cost them two hundred and fifty thousand dollars.

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<v Speaker 5>Well, i'd better brief you from the beginning. Oh, why

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<v Speaker 5>you're wondering your story.

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<v Speaker 3>Morning, don't mind, I'm just sleeping.

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<v Speaker 4>I see very well. I'll make a brief dollar. Well.

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<v Speaker 4>During my lifetime I have.

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<v Speaker 5>Developed an overwhelmed appreciation for fine paintings. Unfortunately, I have

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<v Speaker 5>not been able to develop the fortune that should go

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<v Speaker 5>with As a result, I haven't only not been able

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<v Speaker 5>to buy any great paintings. I've not been able to

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<v Speaker 5>afford to travel to the museums around the world where

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<v Speaker 5>the great masterpieces hanging.

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<v Speaker 3>I guess there must be a lot of people stuck

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<v Speaker 3>in the same fix exactly, And that's what gave birth

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<v Speaker 3>to my plan.

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<v Speaker 5>I have organized what you might call the Masterpiece of

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<v Speaker 5>the Month Club. Its members are twelve of the top

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<v Speaker 5>museums and galleries in the world. This plan calls for

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<v Speaker 5>them to rotate their most famous paintings.

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<v Speaker 4>In other words, if the people can't of to come.

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<v Speaker 5>To the pictures, my schemes to the pictures to the people,

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<v Speaker 5>and you work every month.

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<v Speaker 3>Well, it's very interesting, miss Morley. But let's talk about

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<v Speaker 3>the one that got away.

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<v Speaker 5>Oh yes, of course, I was merely outlining the background

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<v Speaker 5>of this case to dolineate my responsibility in the matter.

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<v Speaker 2>Well, so now we know that you feel personally responsible

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<v Speaker 2>for the loss of the painting.

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<v Speaker 5>Even though it's well, in short, mister Dollar, no amount

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<v Speaker 5>of money can get that picture repainted by the man

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<v Speaker 5>who originally painted it.

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<v Speaker 4>The artist Bonnet has been dead for more than three

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<v Speaker 4>hundred years, a.

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<v Speaker 3>Real gone guy. You know.

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<v Speaker 5>If we fail to recover Brenet's masterpiece, The Duke of Masson.

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<v Speaker 5>It would not only be a tremendous shot, but has

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<v Speaker 5>lost to the word about further. It would ruined my reputations.

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<v Speaker 5>The very first thing to be loaned arrives here in

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<v Speaker 5>London from Paris four days ago, and the first night

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<v Speaker 5>after I delivered in the museum, it has stolen off

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<v Speaker 5>their wall.

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<v Speaker 3>Oh jers the morning. So much to the story was

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<v Speaker 3>the museum.

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<v Speaker 4>It's the new art ellery at Coventry. Here's the address.

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<v Speaker 5>I won't be able to accompany myself as I am

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<v Speaker 5>flying across the channel immediately to try to calm the

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<v Speaker 5>official parish, the ones who loans the stolen painting.

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<v Speaker 4>They've been calling incessiantry.

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<v Speaker 5>I'll phone my assistant, Miss Harding, to meet you the

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<v Speaker 5>main entrance in the museum.

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<v Speaker 4>Let's say forty five minutes. Okay, kill her.

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<v Speaker 3>I'll be the man asleep on the step. Fan's accounts.

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<v Speaker 3>I him three sixpence hapen.

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<v Speaker 2>London papers to read while waiting for Miss Harding at

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<v Speaker 2>museum entrance. No matter what I told mister Morley, I

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<v Speaker 2>was afraid to go to sleep. Page one of each

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<v Speaker 2>newspaper referred to my reason the misadventure which had occurred

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<v Speaker 2>on the plane the night before, a possible attempt on

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<v Speaker 2>my life.

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<v Speaker 3>Then along came another good reason for my lids drooping.

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<v Speaker 2>Miss Harding was at the opener, speaking in artistic turns.

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<v Speaker 2>No painter could completely capture her dimensions.

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<v Speaker 3>A sculptor could come closer, as far as I was concerned,

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<v Speaker 3>could see, and she did what mister du it wouldn't

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<v Speaker 3>need I, miss.

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<v Speaker 6>Heart, mister Morning indicated that I might find you asleep.

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<v Speaker 6>I say, that must be a shocking experience on the

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<v Speaker 6>way over.

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<v Speaker 3>Not only shocking but frustrating. Yes, there was nothing much

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<v Speaker 3>that could be done.

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<v Speaker 2>We shirt a long enough to drop a few life rafts,

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<v Speaker 2>some players, and a big blob of yellow oil to

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<v Speaker 2>help mark the spot.

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<v Speaker 3>Then all the pilot could do was call for the air,

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<v Speaker 3>see recue boys and hope.

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<v Speaker 6>Yes, it's singing all the papers the whole day. Court chat.

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<v Speaker 3>Yeah, it could be that there but for the grace

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<v Speaker 3>of a light sands top coat. Go on, what was that? Oh? Nothing? Well,

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<v Speaker 3>shall we go museum prowling? Yes, of course, there.

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<v Speaker 6>Isn't much to see, just a black place on the wall.

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<v Speaker 3>Well, let's take a look at it.

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<v Speaker 2>Hey, did you see a blank space on the wall?

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<v Speaker 2>You mean they stole the painting frame and oil and

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<v Speaker 2>they did? All right, thieves are doing things the hard

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<v Speaker 2>way these days. Usually they just cut the painting out

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<v Speaker 2>of the frames, they got out of the coat and

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<v Speaker 2>make a getaway.

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<v Speaker 6>Yes, mister, I know, but perhaps this job was done

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<v Speaker 6>by the beginner. Or perhaps the bird was in prop

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<v Speaker 6>and hap need to run for it.

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<v Speaker 1>Frame and all.

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<v Speaker 6>There are infinite possibility.

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<v Speaker 3>Infinite mister Dollar.

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<v Speaker 6>Thank you. I sin distood here at the museum.

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<v Speaker 5>It is an utter waste of time.

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<v Speaker 6>I've gone over the whole situation where a gentleman's stop

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<v Speaker 6>in the yard.

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<v Speaker 2>It wasn't so much as a single finger Please, miss Harding,

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<v Speaker 2>I have yet to solve the case with a fingerprints.

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<v Speaker 6>Sorry, I forgot. Men just can't stand to be any

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<v Speaker 6>show woman.

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<v Speaker 3>Oh I wouldn't say that. It's according to what they

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<v Speaker 3>are applying their afficiency.

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<v Speaker 6>I am speaking of business the dollar. I'm sure that

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<v Speaker 6>I can send you a great deal of trouble. I've

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<v Speaker 6>already done an extraordinar amount of research.

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<v Speaker 3>On this case.

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<v Speaker 2>I'll be careful what you tell me, Miss Harting. At

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<v Speaker 2>this point, I confuse easily.

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<v Speaker 6>The Dollar child could understand what I have to tell you.

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<v Speaker 3>Sometimes a wide awake child is better than a sleepy man.

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<v Speaker 3>But go ahead, well, my this is the.

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<v Speaker 6>Place right here there you see a blank wall, now,

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<v Speaker 6>mister Dollar. Of the twelve Foremouth arts in London, I

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<v Speaker 6>have discovered that nine are currently in prison, while is

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<v Speaker 6>in hospital after falling four stories off a roof, and

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<v Speaker 6>the other two are at large and maybe sound the

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<v Speaker 6>driving at the addresses I have.

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<v Speaker 3>Here, the youth sound more like a patron of the

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<v Speaker 3>criminal courts than you do.

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<v Speaker 4>Of the arts.

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<v Speaker 6>The entire fascinates me. Now have you seen enough of

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<v Speaker 6>your blank wall?

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<v Speaker 3>Yeah? Things are blank enough. Give me those addressers and

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<v Speaker 3>why you're right? I thank you? Better give me yours,

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<v Speaker 3>mister Dollar.

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<v Speaker 6>Don't I know suspicious?

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<v Speaker 3>No delicious?

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<v Speaker 2>Spencer cow Out'm four five shillings camp fair to Scotland

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<v Speaker 2>Yard tip the drummer too, Bob. When it comes to money,

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<v Speaker 2>I speak all languages. Scalon Yards from the outside looked

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<v Speaker 2>like big public schools. Well that has taught a lot

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<v Speaker 2>of lessons to a lot of people. Inside it was

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<v Speaker 2>teacher and quie for the officer in charge of the robbery,

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<v Speaker 2>with which I was concerned.

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<v Speaker 3>I was led to an inspector carew First he gave

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<v Speaker 3>me a cup of tea, Then they gave me my lumps.

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<v Speaker 7>Mister Dollar, you sit here and ask me why we

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<v Speaker 7>haven't done something.

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<v Speaker 4>Believe me.

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<v Speaker 8>Third, the yard is not as archaic as it's architecture.

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<v Speaker 8>There's a simple legal procedure which must occur before we

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<v Speaker 8>can make either an investigation or an arrest. Well, a

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<v Speaker 8>complaint must be lodged by the legal owners of any

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<v Speaker 8>stolen property.

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<v Speaker 3>At that point, and.

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<v Speaker 7>At that point only, are we allowed to act.

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<v Speaker 3>You mean nobody called for help.

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<v Speaker 7>Well, naturally, when the museum discovered the painting gown, they

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<v Speaker 7>immediately rang us up. We went to court to gather

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<v Speaker 7>primary evidence. Unfortunately there was none.

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<v Speaker 2>Well, what about the owners of the painting the museum

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<v Speaker 2>in Paris? As yet we've heard nothing. We expect to

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<v Speaker 2>momentarily inspector just out of curiosity. What about this girl,

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<v Speaker 2>miss Harding.

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<v Speaker 3>I'd say, she's well a jolly fine time. I mean,

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<v Speaker 3>do you know anything about her?

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<v Speaker 7>I say, didn't you Yanks carry off enough of our.

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<v Speaker 3>Girls after the war. I'm not in the imform business.

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<v Speaker 3>I mean, is she known to you?

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<v Speaker 2>Professionally what you suspect her? Not particularly, but she did

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<v Speaker 2>give me this list. In her opinion, this is the

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<v Speaker 2>who's who and where they are of your city's light

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<v Speaker 2>fingered eyed lovers.

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<v Speaker 4>Let me see it.

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<v Speaker 7>Well, quite complete and protect it had was the work

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<v Speaker 7>of an amateur. When the world would a young lady

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<v Speaker 7>like miss Hardy come into such information?

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<v Speaker 2>That Inspector Carew is exactly what I'm driving at. Back

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<v Speaker 2>in a taxi headed from Scotland Yard on my way

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<v Speaker 2>to check into the Mount Royal Hotel, I gave my

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<v Speaker 2>eyes a rest at the risk of missing the sights thing,

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<v Speaker 2>but my mind refused to follow suits that now had

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<v Speaker 2>three blank walls to stare into the one of the museums,

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<v Speaker 2>the one at Scotland Yard, and the most provocative of

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<v Speaker 2>the three, to look at the girl who knew too much,

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<v Speaker 2>Miss Burial Harding. My mind also kept ruffling my nerve

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<v Speaker 2>ends with a question, was I supposed to be the

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<v Speaker 2>guy who got dumped out of that.

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<v Speaker 3>Plane the night before? Where I've at the Mount Royal Hotel?

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<v Speaker 3>I got my answers. Here we are, that's the Mountain

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<v Speaker 3>Oil right head on a two way. You taught me, okay,

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<v Speaker 3>what's the bild he that'll be off at that? How

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<v Speaker 3>much till it takes sex? Oh you figured it out.

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<v Speaker 4>Jesus, God on everything, cabinet, Look down the.

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<v Speaker 3>H That was a close one. Thanks, you're right down there.

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<v Speaker 3>Got me sins the cause of that.

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<v Speaker 2>On the street, it's more dangerous to walk around now

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<v Speaker 2>than it was when them ready buzzbombs were dropping. Yeah,

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<v Speaker 2>a couple of good things about the buzzbombs. Though nobody

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<v Speaker 2>aims them at you personally, and nobody was at the

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<v Speaker 2>wheel to steer them.

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<v Speaker 3>That made it official.

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<v Speaker 2>I had been set up for a pigeon, and it

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<v Speaker 2>was me. Somebody had tried to turn into a seagull

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<v Speaker 2>during that flight across the Atlantic. Expends the count that

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<v Speaker 2>of five three pound ten to bell Boy for services rented?

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<v Speaker 3>How about that fourteen bucks for a bottle of Scotch?

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<v Speaker 3>And I threw forty winks that felt like only twenty.

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<v Speaker 2>And I grabbed a shower, shave and a cab down

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<v Speaker 2>Oxford Street and over to Soo expected count out of

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<v Speaker 2>six five shillings the legal lemon on.

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<v Speaker 3>The price of dinner in England these days. I ate

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<v Speaker 3>a nice place called Keetnits.

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<v Speaker 2>Dinner being a bit of chicken, three choices of vegetables,

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<v Speaker 2>Brussels sprout spoiled, Brussels sprouts creamed, and Brussels sprout's roasted.

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<v Speaker 2>But as there, I looked at the names and addresses

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<v Speaker 2>of Miss Harding's two candidates for the boys most likely

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<v Speaker 2>to have succeeded in swiping the missing portrait of the

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<v Speaker 2>Duke of Masson.

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<v Speaker 3>I was in the right district for one of them.

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<v Speaker 3>I found myself on a dark and lonely muse.

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<v Speaker 2>That may sound good to you, but in soho a

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<v Speaker 2>muse is still only a place fit for ash cans

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<v Speaker 2>and cats. I broke my way up the stairs of

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<v Speaker 2>the address, the number one boorn on Miss Harding's list,

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<v Speaker 2>and a top step. I was breathing hard and I

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<v Speaker 2>wasn't all from the climb. Bunched my teeth, my knuckles

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<v Speaker 2>and knocked on the door. Then I broke roll to

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<v Speaker 2>the basic constructions for the working snoop.

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<v Speaker 3>I opened the door that flock number went to Yale.

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<v Speaker 3>The door of a wood.

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<v Speaker 2>Burning stove across the room was open, the flames erratically

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<v Speaker 2>painting the walls the orange light, then erasing them back

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<v Speaker 2>into black darkness. I finally dared to breeze. Then I saw,

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<v Speaker 2>when I was looking for, lying on a table, his

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<v Speaker 2>edges curled upwards, an oil painting of a guy with

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<v Speaker 2>short breeches and a long face. I started forward with

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<v Speaker 2>something bred my foot. I stared down at the floor

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<v Speaker 2>in front of me. First it was pitch flak. Then

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<v Speaker 2>the light from the stove flared up, and I saw

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<v Speaker 2>that the object was what I thought it was, and

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00:13:32.600 --> 00:13:35.799
<v Speaker 2>the folks it wasn't a man wearing his head and

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<v Speaker 2>I don't mean his hair pour.

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<v Speaker 3>It in the middle. I rushed across the room, slipping

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<v Speaker 3>off the top of the stove. More light.

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<v Speaker 2>We look for a telephone. There was none in the

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00:13:44.240 --> 00:13:45.639
<v Speaker 2>room of the corps, so I tried the door of

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<v Speaker 2>the next road, and the door I was trying started erupting.

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<v Speaker 1>In just a moment, we'll turn to the second act

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<v Speaker 1>of yours, truly, Johnny Dollar. But first we want to

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<v Speaker 1>remind you that those delightful, charming neighbors, Ozzy and Harriet,

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00:14:13.399 --> 00:14:16.320
<v Speaker 1>are coming back home next Sunday night, coming back to CBS.

301
00:14:17.039 --> 00:14:18.720
<v Speaker 1>You'll be able to join them on most of these

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00:14:18.759 --> 00:14:19.840
<v Speaker 1>same stations.

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00:14:19.480 --> 00:14:21.320
<v Speaker 3>At six point thirty Eastern Standard time.

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00:14:21.799 --> 00:14:24.840
<v Speaker 1>Just before the Jack Benny Show. Ozzie and Harriet now

305
00:14:24.879 --> 00:14:27.720
<v Speaker 1>have their own sons, Ricky and David, playing themselves in

306
00:14:27.840 --> 00:14:31.679
<v Speaker 1>place of the young actors who formerly portrayed them. So

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00:14:31.879 --> 00:14:34.399
<v Speaker 1>make it a party for your whole family when Ozzie

308
00:14:34.399 --> 00:14:37.320
<v Speaker 1>and Harriet, Ricky and David come home with their fun

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00:14:37.399 --> 00:14:41.440
<v Speaker 1>and laughter to CBS next Sunday night, And now back

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00:14:41.480 --> 00:14:52.799
<v Speaker 1>to yours truly, Johnny Dollar. When those bullets came crashing

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00:14:52.840 --> 00:14:54.200
<v Speaker 1>through the door at me, I dropped to the floor.

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00:14:54.720 --> 00:14:56.399
<v Speaker 1>Still don't know whether my knees buckled or I meant

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00:14:56.399 --> 00:14:58.840
<v Speaker 1>to go down and stayed where I was. But whoever

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00:14:58.879 --> 00:15:00.039
<v Speaker 1>it was on the other side of that door, I

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00:15:00.120 --> 00:15:02.960
<v Speaker 1>decided to take off out the window. I got my feet,

316
00:15:03.080 --> 00:15:05.039
<v Speaker 1>but by the time I kicked the door got to

317
00:15:05.120 --> 00:15:07.559
<v Speaker 1>the window, I had that old mother Hubbard feeling. The

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00:15:07.679 --> 00:15:15.559
<v Speaker 1>cupboard was there, And that's what you're doing here in

319
00:15:15.639 --> 00:15:18.440
<v Speaker 1>your flatness, haunting. After my little adventure, the first thing

320
00:15:18.480 --> 00:15:20.480
<v Speaker 1>I did was to call the police, and the second

321
00:15:20.639 --> 00:15:22.279
<v Speaker 1>was to come here to call on you, the girl

322
00:15:22.279 --> 00:15:24.320
<v Speaker 1>who steered me into that shooting gallery.

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00:15:24.120 --> 00:15:26.559
<v Speaker 6>Where you needn't sound so annoyed at me. Who's I

324
00:15:26.600 --> 00:15:28.360
<v Speaker 6>advised you to go there? But after all, it was

325
00:15:28.399 --> 00:15:30.159
<v Speaker 6>your duty, and you did recover.

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00:15:29.960 --> 00:15:32.120
<v Speaker 3>The picture and almost lost my health doing it for

327
00:15:32.240 --> 00:15:32.840
<v Speaker 3>the third time.

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00:15:33.000 --> 00:15:36.080
<v Speaker 2>Really, yes, really, First somebody tried to make a sea

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00:15:36.120 --> 00:15:38.559
<v Speaker 2>going paratrooper out of me, then they try to make

330
00:15:38.600 --> 00:15:40.440
<v Speaker 2>part of the pavement by running me down with an auto,

331
00:15:41.000 --> 00:15:42.960
<v Speaker 2>and now tonight somebody on the other side of the

332
00:15:43.039 --> 00:15:45.360
<v Speaker 2>door tries to turn it into my personal copy of

333
00:15:45.399 --> 00:15:46.200
<v Speaker 2>the Pearly Gates.

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00:15:46.519 --> 00:15:47.559
<v Speaker 3>That's really enough for me.

335
00:15:47.840 --> 00:15:49.720
<v Speaker 6>Mister teller. Where is the painting?

336
00:15:49.840 --> 00:15:49.960
<v Speaker 1>Now?

337
00:15:50.039 --> 00:15:52.120
<v Speaker 3>Asked Scotland yard? And now let's change the subject back.

338
00:15:52.720 --> 00:15:55.159
<v Speaker 2>What's bothering me? Is bothering me plenty. I want to

339
00:15:55.200 --> 00:15:57.960
<v Speaker 2>know who didn't want me to find that picture and why?

340
00:15:58.240 --> 00:16:02.159
<v Speaker 6>Well, how he seems elementary rank after watch the thief naturally.

341
00:16:01.879 --> 00:16:04.360
<v Speaker 2>Didn't want you to find it, Miss Harding, Please when

342
00:16:04.399 --> 00:16:06.519
<v Speaker 2>I got shot at the apparentief was dead.

343
00:16:06.480 --> 00:16:08.679
<v Speaker 6>Well they do have hashman, you know if he was

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00:16:08.759 --> 00:16:09.159
<v Speaker 6>killed by.

345
00:16:09.120 --> 00:16:10.960
<v Speaker 3>An accomplice, why did the killer leave the patient?

346
00:16:11.399 --> 00:16:13.120
<v Speaker 6>I'd have no way of knowing of that.

347
00:16:13.240 --> 00:16:14.120
<v Speaker 3>I'm still not sure.

348
00:16:14.440 --> 00:16:17.480
<v Speaker 6>Oh man, and mister Dollar's top, did you hardly suspect me?

349
00:16:17.919 --> 00:16:20.360
<v Speaker 2>I suspect you less if you'd stop saying that at

350
00:16:20.399 --> 00:16:23.799
<v Speaker 2>this point, I suspect everyone, even Dexter Morley, dreaming up

351
00:16:23.840 --> 00:16:25.600
<v Speaker 2>this whole painting of the month's scheme to bring those

352
00:16:25.639 --> 00:16:26.840
<v Speaker 2>paintings within stealing distance.

353
00:16:26.879 --> 00:16:30.080
<v Speaker 3>Oh but that's I know. I know if that was

354
00:16:30.159 --> 00:16:31.840
<v Speaker 3>the plan, he'd wait until he had more than one

355
00:16:31.919 --> 00:16:34.080
<v Speaker 3>picture on the road to steal. That's why I don't

356
00:16:34.080 --> 00:16:34.679
<v Speaker 3>suspect him.

357
00:16:35.080 --> 00:16:37.399
<v Speaker 6>Well, frankly, I don't see why you continue to worry.

358
00:16:37.840 --> 00:16:39.879
<v Speaker 6>After all, your part of the job is done, isn't it.

359
00:16:40.159 --> 00:16:42.639
<v Speaker 2>Yeah, I suppose you're right when I still have a

360
00:16:42.759 --> 00:16:44.519
<v Speaker 2>yearning burning deep down inside.

361
00:16:44.519 --> 00:16:47.200
<v Speaker 3>I made a break somebody's neck. Why if I use

362
00:16:47.240 --> 00:16:48.480
<v Speaker 3>your phone not help you?

363
00:16:48.600 --> 00:16:48.639
<v Speaker 1>So?

364
00:16:48.879 --> 00:16:59.840
<v Speaker 3>All right? This is defense.

365
00:17:01.799 --> 00:17:04.599
<v Speaker 2>Hello, I want to talk to New York. Don't worry,

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00:17:04.640 --> 00:17:07.319
<v Speaker 2>I'll call collect. My name is Johnny Dollar. I want

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00:17:07.359 --> 00:17:09.559
<v Speaker 2>to place a collect call in New York. Number is

368
00:17:09.640 --> 00:17:11.599
<v Speaker 2>Plaza six nine one eight four.

369
00:17:12.039 --> 00:17:12.519
<v Speaker 3>Checks.

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00:17:12.559 --> 00:17:14.880
<v Speaker 4>Please, sir, your name is John Dollar.

371
00:17:15.240 --> 00:17:18.720
<v Speaker 3>To your number. Your calling is Plazas six nine one

372
00:17:18.920 --> 00:17:25.519
<v Speaker 3>eighty four. The call is collect, correct correct, collect your offer.

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<v Speaker 3>We shall ring up immediately. If that's the circuit. Thank you,

374
00:17:30.839 --> 00:17:31.960
<v Speaker 3>They'll call me. Well.

375
00:17:32.000 --> 00:17:34.519
<v Speaker 6>While you're waiting, you probably doing a brak. Is you

376
00:17:34.599 --> 00:17:37.839
<v Speaker 6>care for what have we got j darling gin a

377
00:17:37.920 --> 00:17:39.759
<v Speaker 6>lemon gen Italian or good friends?

378
00:17:40.039 --> 00:17:40.279
<v Speaker 1>Wish?

379
00:17:40.599 --> 00:17:41.119
<v Speaker 3>No thanks?

380
00:17:41.720 --> 00:17:45.359
<v Speaker 6>Well, come and sit down over here, yst much.

381
00:17:45.200 --> 00:17:47.519
<v Speaker 3>More RESTful in the eyes. Where I am here, I

382
00:17:47.559 --> 00:17:48.480
<v Speaker 3>can have a better look at you.

383
00:17:49.319 --> 00:17:53.640
<v Speaker 6>However, when i'm mister doll, you can be charming. Do

384
00:17:53.680 --> 00:17:56.960
<v Speaker 6>you mind if I changed mister Johnny? It sounds much

385
00:17:57.000 --> 00:17:57.359
<v Speaker 6>more fun.

386
00:17:57.720 --> 00:18:00.160
<v Speaker 2>We'll swap your one Johnny for every murial you let

387
00:18:00.240 --> 00:18:01.680
<v Speaker 2>me use It's a bargain.

388
00:18:02.359 --> 00:18:07.160
<v Speaker 6>Now tell me about yourself. You'll look about I'm an

389
00:18:07.200 --> 00:18:09.319
<v Speaker 6>active bagro on criminology.

390
00:18:09.200 --> 00:18:11.119
<v Speaker 3>At the moment you're real that happens to be my

391
00:18:11.400 --> 00:18:13.640
<v Speaker 3>unfavorite subjects. Let's talk about you.

392
00:18:14.200 --> 00:18:15.000
<v Speaker 6>Where should I begin?

393
00:18:15.720 --> 00:18:17.359
<v Speaker 3>Just after the age of twenty one?

394
00:18:18.119 --> 00:18:20.720
<v Speaker 6>You're a saucy chide. At the age of twenty one,

395
00:18:20.759 --> 00:18:23.720
<v Speaker 6>I was singing the wear Huh. The Women's Air Force.

396
00:18:24.200 --> 00:18:27.160
<v Speaker 3>Oh, you must have had a lot of exciting adventures. Rather,

397
00:18:27.839 --> 00:18:29.640
<v Speaker 3>what was the most exciting? Oh?

398
00:18:29.880 --> 00:18:32.880
<v Speaker 6>I think perhaps to night the young US Air Force.

399
00:18:32.720 --> 00:18:35.559
<v Speaker 3>Captain kiss Oh, one of the boys of the wild

400
00:18:35.599 --> 00:18:38.359
<v Speaker 3>Blue Yonder. Maybe it was the blue of your eyes.

401
00:18:38.400 --> 00:18:41.440
<v Speaker 3>It made him wild? Johnny, I know, Helen, you must

402
00:18:41.440 --> 00:18:41.880
<v Speaker 3>have yourself.

403
00:18:43.000 --> 00:18:44.240
<v Speaker 6>He Johnny.

404
00:18:54.160 --> 00:18:59.599
<v Speaker 3>I'll be right back, all right, John, Hello, are you there?

405
00:18:59.680 --> 00:19:03.640
<v Speaker 3>I of course I'm here. The dollar that's right. We're

406
00:19:03.680 --> 00:19:06.400
<v Speaker 3>ready to do a call to New York signal at

407
00:19:06.400 --> 00:19:07.279
<v Speaker 3>the end of Strey minute.

408
00:19:07.799 --> 00:19:09.279
<v Speaker 4>Are you ready to talk a minute?

409
00:19:09.319 --> 00:19:09.680
<v Speaker 3>You stop?

410
00:19:10.160 --> 00:19:10.880
<v Speaker 1>Got you offense?

411
00:19:11.119 --> 00:19:11.599
<v Speaker 6>Get me off?

412
00:19:14.079 --> 00:19:18.000
<v Speaker 3>Hello? Hello? Is this the Fine Arts Insurers? I want

413
00:19:18.000 --> 00:19:20.079
<v Speaker 3>to talk to him at the Kimball Yeah, yeah, yeah, Dollah,

414
00:19:20.119 --> 00:19:23.160
<v Speaker 3>I'm on the line. Go ahead. Well you can stop worrying, Kimball.

415
00:19:23.200 --> 00:19:24.200
<v Speaker 3>I got the painting back.

416
00:19:24.440 --> 00:19:25.839
<v Speaker 6>You say you did get it back.

417
00:19:26.079 --> 00:19:28.319
<v Speaker 3>That's right, it's safe. Well, you'll have to pay is

418
00:19:28.359 --> 00:19:31.000
<v Speaker 3>the price of a new frame. But what happened to

419
00:19:31.079 --> 00:19:33.200
<v Speaker 3>the frame? Well, the guy who's swiped it took the

420
00:19:33.279 --> 00:19:35.119
<v Speaker 3>painting out of the frame. I don't know where it is. Well,

421
00:19:35.200 --> 00:19:37.559
<v Speaker 3>after the culprit, what he did with it, I'm sad

422
00:19:37.640 --> 00:19:38.079
<v Speaker 3>he's dead.

423
00:19:38.200 --> 00:19:39.160
<v Speaker 1>Well, then look for it.

424
00:19:39.240 --> 00:19:44.039
<v Speaker 3>That bring it, Clint, that thousand dollars the slum paint. Okay, fred,

425
00:19:44.160 --> 00:19:46.440
<v Speaker 3>don't flow out any bridgework. I'll look around for it.

426
00:19:47.079 --> 00:19:51.480
<v Speaker 3>Everything you've come to until you're doing that already, okay,

427
00:19:51.720 --> 00:19:57.319
<v Speaker 3>fred o'kayble here what happened? Goodbye? Well, Muriel Vacation's over.

428
00:19:57.599 --> 00:19:59.920
<v Speaker 3>I just got put back to work, Gath and he'll come.

429
00:20:00.400 --> 00:20:02.400
<v Speaker 6>I wanted to send you shaking off into the night

430
00:20:02.440 --> 00:20:03.519
<v Speaker 6>to look for the picture frame.

431
00:20:03.680 --> 00:20:04.160
<v Speaker 3>Yeah, that's it.

432
00:20:04.319 --> 00:20:05.400
<v Speaker 1>Oh, it's ridiculous.

433
00:20:06.079 --> 00:20:08.480
<v Speaker 6>These have probably already found it somewhere, and that fellow's flat.

434
00:20:08.680 --> 00:20:11.200
<v Speaker 3>We'll check that my work is personal service.

435
00:20:12.319 --> 00:20:14.480
<v Speaker 6>And must you go Johnny's any hot pots?

436
00:20:14.559 --> 00:20:14.759
<v Speaker 4>Ten?

437
00:20:15.480 --> 00:20:16.839
<v Speaker 6>Couldn't you put it off till morning?

438
00:20:17.400 --> 00:20:18.599
<v Speaker 3>There's nothing I'd like better?

439
00:20:18.799 --> 00:20:21.559
<v Speaker 6>But couldn't you stay even for a little pile?

440
00:20:22.640 --> 00:20:34.400
<v Speaker 3>Well, just long enough to calm my nerves? Big Ben

441
00:20:34.599 --> 00:20:35.680
<v Speaker 3>was ringing up midnight on.

442
00:20:35.799 --> 00:20:38.720
<v Speaker 2>Times greedy cash registered when I finally cleared it with

443
00:20:38.759 --> 00:20:40.759
<v Speaker 2>a bobby guying the back alley flat, but had not

444
00:20:40.839 --> 00:20:43.720
<v Speaker 2>so long before given up one unprecious life and one

445
00:20:43.960 --> 00:20:47.079
<v Speaker 2>very precious painting. The place was darker than then on

446
00:20:47.160 --> 00:20:49.799
<v Speaker 2>my previous visit, and when I grope for the electric switch,

447
00:20:49.839 --> 00:20:53.319
<v Speaker 2>I realized why there had been a brisk fire blazing before.

448
00:20:53.880 --> 00:20:55.079
<v Speaker 3>In the bottom grade of the stove.

449
00:20:55.160 --> 00:20:57.799
<v Speaker 2>I found enough unburned portions of the hot picture frame

450
00:20:57.880 --> 00:21:01.880
<v Speaker 2>to justify my conclusions, and I found something else that.

451
00:21:01.960 --> 00:21:03.640
<v Speaker 3>Came under the category of hot rocks.

452
00:21:08.240 --> 00:21:11.559
<v Speaker 2>Spen's account out Am seven cabin their office of Dexter Morley.

453
00:21:11.960 --> 00:21:13.920
<v Speaker 3>The front door was not only locked, it was barred.

454
00:21:14.119 --> 00:21:15.720
<v Speaker 2>However, at the back of the building, I had better

455
00:21:15.799 --> 00:21:18.799
<v Speaker 2>lock a loose window down to the basement. I just

456
00:21:18.880 --> 00:21:20.519
<v Speaker 2>broken a law, but I didn't want to break my

457
00:21:20.640 --> 00:21:24.640
<v Speaker 2>neg so snap on the lights. The basement was loaded

458
00:21:24.640 --> 00:21:27.559
<v Speaker 2>with cabinet making equipment, but for my dough, they weren't

459
00:21:27.599 --> 00:21:30.599
<v Speaker 2>making any cabinets. I was benched with a power drill,

460
00:21:30.799 --> 00:21:33.000
<v Speaker 2>and on the floor below it a pile of sawdust

461
00:21:33.079 --> 00:21:33.960
<v Speaker 2>and wood shavings.

462
00:21:34.559 --> 00:21:35.680
<v Speaker 3>That was normal enough, but the.

463
00:21:35.839 --> 00:21:39.240
<v Speaker 2>Sawdust pile was glimming with tiny specks of crystallized blue.

464
00:21:39.920 --> 00:21:42.119
<v Speaker 3>With what I had, now, all I had to find

465
00:21:42.279 --> 00:21:44.839
<v Speaker 3>was Dexter Morley. He made that easy. He found me.

466
00:21:45.039 --> 00:21:46.599
<v Speaker 4>Stay down there, doll like where you were.

467
00:21:46.960 --> 00:21:49.640
<v Speaker 2>Well, welcome home from that trip to Paris. You didn't

468
00:21:49.720 --> 00:21:52.920
<v Speaker 2>take that gun in your hands. Suggests that I'm right

469
00:21:52.960 --> 00:21:56.000
<v Speaker 2>about one thing anyway, Yes, and that be that whoever

470
00:21:56.079 --> 00:21:58.400
<v Speaker 2>took the shots earlier tonight was probably not an Englishman.

471
00:21:58.960 --> 00:22:01.119
<v Speaker 2>The bobby's over here. I don't carry a gun, which

472
00:22:01.160 --> 00:22:03.720
<v Speaker 2>makes most English smugs afraid to You're an American.

473
00:22:03.880 --> 00:22:05.720
<v Speaker 4>That's interesting, but hardly valuable.

474
00:22:05.839 --> 00:22:07.440
<v Speaker 3>I've got some more. How valuable is this?

475
00:22:08.160 --> 00:22:09.960
<v Speaker 2>I think you're in on or at the head of

476
00:22:10.119 --> 00:22:12.680
<v Speaker 2>a very high flat smuggling racket, and I think you

477
00:22:12.759 --> 00:22:14.519
<v Speaker 2>set up that painting of the month scheme of yours

478
00:22:14.599 --> 00:22:17.599
<v Speaker 2>to establish just about the neatest method of smuggling that.

479
00:22:17.680 --> 00:22:18.319
<v Speaker 3>I've ever heard of.

480
00:22:18.759 --> 00:22:19.400
<v Speaker 4>Very generous.

481
00:22:19.720 --> 00:22:22.039
<v Speaker 3>I know how I operate, So what you could tell

482
00:22:22.119 --> 00:22:23.920
<v Speaker 3>me about it could do nothing more than for me.

483
00:22:24.559 --> 00:22:26.000
<v Speaker 4>What I want from you are the diamonds.

484
00:22:26.200 --> 00:22:28.799
<v Speaker 3>Maybe I can trade you some diamonds for some answers.

485
00:22:28.799 --> 00:22:29.119
<v Speaker 3>You're in no.

486
00:22:29.160 --> 00:22:31.400
<v Speaker 4>Position at bargain. Give me the diamonds are out, shoot

487
00:22:31.440 --> 00:22:32.119
<v Speaker 4>you and take them ocar.

488
00:22:32.240 --> 00:22:35.000
<v Speaker 2>No, wait a minute, I'd better explain my bargaining position.

489
00:22:35.200 --> 00:22:37.480
<v Speaker 2>I think you admit it's not the worst, since you

490
00:22:37.519 --> 00:22:39.079
<v Speaker 2>have to followed me here. You know I took a

491
00:22:39.160 --> 00:22:41.680
<v Speaker 2>cab from the murder flat one without a tail light,

492
00:22:41.799 --> 00:22:44.319
<v Speaker 2>so you don't have the number, but brother, I do,

493
00:22:44.920 --> 00:22:47.200
<v Speaker 2>and the diamonds are jammed down behind its back seat.

494
00:22:47.759 --> 00:22:51.279
<v Speaker 3>Now let's bargain. Who you all right?

495
00:22:52.279 --> 00:22:52.920
<v Speaker 4>What do you want to know?

496
00:22:53.440 --> 00:22:55.440
<v Speaker 2>Just let me do the guessing and check me if

497
00:22:55.480 --> 00:22:58.559
<v Speaker 2>I'm wrong. You set up a chain of famous paintings

498
00:22:58.559 --> 00:23:00.960
<v Speaker 2>which would move around the world for your branch offices

499
00:23:01.480 --> 00:23:03.759
<v Speaker 2>as each one passed through your hands. Here the frame

500
00:23:03.880 --> 00:23:06.119
<v Speaker 2>was to be dismantled and holes bored in it at

501
00:23:06.160 --> 00:23:08.160
<v Speaker 2>the joints for the purpose of smuggling diamonds.

502
00:23:08.480 --> 00:23:08.960
<v Speaker 3>Lights are far.

503
00:23:09.319 --> 00:23:12.279
<v Speaker 5>Yes, I'll have right, but remember the more you are

504
00:23:12.319 --> 00:23:14.319
<v Speaker 5>right about, the worse it is for me, so naturally

505
00:23:14.480 --> 00:23:16.039
<v Speaker 5>the worse it is for you.

506
00:23:16.279 --> 00:23:18.319
<v Speaker 3>We'll take care of that later. This scheme of you

507
00:23:18.519 --> 00:23:19.160
<v Speaker 3>is fascinating.

508
00:23:19.720 --> 00:23:22.079
<v Speaker 2>The stuff moves around the world, and the picture frames

509
00:23:22.200 --> 00:23:26.599
<v Speaker 2>under official armed god and enjoying virtual diplomatic community through customs.

510
00:23:26.799 --> 00:23:27.279
<v Speaker 3>It's great.

511
00:23:27.519 --> 00:23:28.960
<v Speaker 4>It would have been greatfu it hadn't been for that

512
00:23:29.079 --> 00:23:30.079
<v Speaker 4>heavy handed.

513
00:23:29.839 --> 00:23:33.160
<v Speaker 3>Open oh that fills in a missing link from another

514
00:23:33.279 --> 00:23:33.759
<v Speaker 3>night comes a.

515
00:23:33.799 --> 00:23:36.640
<v Speaker 2>Burglar steals your first loaded picture, shoves the frame into

516
00:23:36.680 --> 00:23:38.880
<v Speaker 2>his stove to get rid of it. You arrive, creaming

517
00:23:38.960 --> 00:23:40.920
<v Speaker 2>with your guns, and I arrive, interrupting you before you

518
00:23:40.960 --> 00:23:42.279
<v Speaker 2>get what you want out of the burning frame.

519
00:23:42.359 --> 00:23:43.200
<v Speaker 3>And you saw what.

520
00:23:43.279 --> 00:23:46.880
<v Speaker 5>Happened to him when he resisted medella. No, you must

521
00:23:46.920 --> 00:23:49.000
<v Speaker 5>realize that I won't hesitate a moment.

522
00:23:49.359 --> 00:23:50.559
<v Speaker 3>It works the other way, doesn't it.

523
00:23:51.079 --> 00:23:53.279
<v Speaker 2>You kill me who tells you the number of that taxi,

524
00:23:53.880 --> 00:23:56.119
<v Speaker 2>and without it you'll never get your diamonds.

525
00:23:56.200 --> 00:24:03.160
<v Speaker 4>There are ways keep your hands behind you painful, I thought,

526
00:24:03.240 --> 00:24:06.559
<v Speaker 4>so your head will wear us before this gun peril.

527
00:24:08.319 --> 00:24:10.240
<v Speaker 4>Uh feel more like talking.

528
00:24:10.839 --> 00:24:13.720
<v Speaker 2>Just enough to tell you one more thing. You're until

529
00:24:13.759 --> 00:24:15.720
<v Speaker 2>I blonde accomplice of yours. I was not, I heard

530
00:24:15.759 --> 00:24:16.759
<v Speaker 2>from a start, Tony.

531
00:24:16.839 --> 00:24:17.359
<v Speaker 6>What do you mean?

532
00:24:17.440 --> 00:24:19.960
<v Speaker 3>What don't you.

533
00:24:28.640 --> 00:24:30.880
<v Speaker 2>I can't prepay you for those three tries you made

534
00:24:30.920 --> 00:24:33.279
<v Speaker 2>or I had made on my life, Morley. But here's

535
00:24:33.319 --> 00:24:34.920
<v Speaker 2>what it feels like being hit on the head with

536
00:24:35.000 --> 00:24:40.319
<v Speaker 2>a gun. Rock a bye, booby Buriel.

537
00:24:40.480 --> 00:24:41.279
<v Speaker 3>Look out your fall.

538
00:24:42.960 --> 00:24:45.519
<v Speaker 2>I told you that's a very undignified way for a

539
00:24:45.599 --> 00:24:47.599
<v Speaker 2>lady to went he a room through a basement window.

540
00:24:47.920 --> 00:24:49.079
<v Speaker 3>I was trying to help him.

541
00:24:49.359 --> 00:24:49.519
<v Speaker 1>There.

542
00:24:49.559 --> 00:24:52.240
<v Speaker 6>You were excusing me of being the countess after all

543
00:24:52.279 --> 00:24:53.200
<v Speaker 6>those nice things you.

544
00:24:53.240 --> 00:24:56.519
<v Speaker 3>Said to me before WHOA wait a minute, I followed you.

545
00:24:56.880 --> 00:24:59.279
<v Speaker 6>I wanted to see how you were a great you and.

546
00:24:59.319 --> 00:25:01.400
<v Speaker 3>Your criminal ha. At least you might have stepped in

547
00:25:01.440 --> 00:25:03.400
<v Speaker 3>before he hit me those he.

548
00:25:03.519 --> 00:25:06.839
<v Speaker 6>Oh, I'm sorry, Johnny, It's just that I love crime.

549
00:25:07.200 --> 00:25:11.279
<v Speaker 3>Oh, come on, get up. It would be a crime.

550
00:25:11.319 --> 00:25:12.880
<v Speaker 2>As mister Warley there woke up and I had to

551
00:25:12.920 --> 00:25:14.839
<v Speaker 2>put him back to sleep again before the police got here.

552
00:25:15.039 --> 00:25:15.920
<v Speaker 6>What was it all about?

553
00:25:16.440 --> 00:25:19.119
<v Speaker 3>It was about these little black things. I've got a

554
00:25:19.200 --> 00:25:21.839
<v Speaker 3>pocket full of them. There straight one of them with

555
00:25:21.920 --> 00:25:27.039
<v Speaker 3>your fingernail. Oh funny. That's the kind of glass of

556
00:25:27.119 --> 00:25:29.119
<v Speaker 3>fellow handss girl when he wants to be engaged to

557
00:25:29.200 --> 00:25:35.319
<v Speaker 3>make here joy jo. Yes, I mean only that they're diamonds.

558
00:25:44.359 --> 00:25:47.960
<v Speaker 3>Expense account Item eate three hundred and fifty dollars.

559
00:25:48.400 --> 00:25:51.200
<v Speaker 2>Plane fair out of attempted matrimony by the party of

560
00:25:51.279 --> 00:25:55.680
<v Speaker 2>the second part. Item nine twenty five dollars gift to

561
00:25:55.759 --> 00:25:58.799
<v Speaker 2>Muriel Harding two books, one on the art of crime,

562
00:25:58.960 --> 00:26:01.440
<v Speaker 2>the other on the art of in the hopes that

563
00:26:01.519 --> 00:26:03.799
<v Speaker 2>the latter might havettracted for the pursuits of a more

564
00:26:03.920 --> 00:26:09.599
<v Speaker 2>womanly hobby. Item ten ten cents Bromo Seltzer, purchased upon

565
00:26:09.759 --> 00:26:12.960
<v Speaker 2>landing at vander Newfoundland. The only thing still fighting me

566
00:26:13.079 --> 00:26:15.359
<v Speaker 2>on this case were those Brussels sprouts I had at

567
00:26:15.400 --> 00:26:19.799
<v Speaker 2>dinner in London the night before. Expense account total fifteen

568
00:26:19.920 --> 00:26:21.119
<v Speaker 2>hundred and sixty three.

569
00:26:21.000 --> 00:26:22.359
<v Speaker 3>Dollars and forty cents.

570
00:26:23.440 --> 00:26:26.160
<v Speaker 2>If you find any slight discrepancy in this amount in

571
00:26:26.319 --> 00:26:29.359
<v Speaker 2>my favor, blame it on my confusion and lack of

572
00:26:29.480 --> 00:26:33.039
<v Speaker 2>understanding of the international rate of exchange. The only thing

573
00:26:33.079 --> 00:26:35.480
<v Speaker 2>I like to exchange at this point is my head

574
00:26:35.799 --> 00:26:41.440
<v Speaker 2>with its two new lumps. Wishing you the same, yours truly,

575
00:26:42.279 --> 00:26:43.319
<v Speaker 2>Johnny Dollar.

576
00:27:04.839 --> 00:27:07.640
<v Speaker 1>In just a moment more about Johnny Dollar, but first

577
00:27:08.079 --> 00:27:11.200
<v Speaker 1>Academy Award winner Jane Wyman comes as guests to the

578
00:27:11.279 --> 00:27:14.480
<v Speaker 1>Family Hour of Stars, and Ozzy and Harriet return in

579
00:27:14.559 --> 00:27:18.160
<v Speaker 1>triumph to CBS. These are two headline making events for

580
00:27:18.319 --> 00:27:21.240
<v Speaker 1>next Sunday Night. Add these two shows to the top

581
00:27:21.319 --> 00:27:24.559
<v Speaker 1>comedy of Jack Bennet, the feminine charm and dramatic talents

582
00:27:24.559 --> 00:27:27.319
<v Speaker 1>of Helen Hayes and Eve Arden, the East comedy teams

583
00:27:27.319 --> 00:27:30.119
<v Speaker 1>of Amus and Andy and Lemon Abner, and CBS Sunday

584
00:27:30.200 --> 00:27:33.160
<v Speaker 1>Night makes great news. On top of this, there are

585
00:27:33.200 --> 00:27:36.359
<v Speaker 1>the notable mystery Capers with Sam Spade and the Laughter

586
00:27:36.559 --> 00:27:38.960
<v Speaker 1>with Life with Luigi And it pays to be ignorant.

587
00:27:39.240 --> 00:27:41.839
<v Speaker 1>So don't miss a single one of cbs ten great

588
00:27:42.000 --> 00:27:45.000
<v Speaker 1>entertainments next Sunday Night. When they're heard over most of

589
00:27:45.079 --> 00:27:45.920
<v Speaker 1>these same stations.

590
00:27:46.359 --> 00:27:48.400
<v Speaker 3>Jack Benny, of course comes to you over them all.

591
00:28:06.400 --> 00:28:09.559
<v Speaker 1>Listening again next week when CBS brings you Yours Truly

592
00:28:09.720 --> 00:28:13.640
<v Speaker 1>Johnny Dollar, with Charles Russell as Johnny Yours Truly Johnny Dollar.

593
00:28:13.720 --> 00:28:14.720
<v Speaker 4>Is written by Paul.

594
00:28:14.640 --> 00:28:17.839
<v Speaker 1>Dudley and Gil dah with music by Mark Warnow, and

595
00:28:18.079 --> 00:28:21.400
<v Speaker 1>is produced and directed by Richard Sandville for CBS, the

596
00:28:21.559 --> 00:28:23.000
<v Speaker 1>Columbia Broadcasting System
