Speaker 1: Oh that.
Speaker 2: Trigger.
Speaker 3: Warn this podcast may include explicit content that will take
Speaker 3: you out of your comfort zone and make you question reality. Listeners.
Speaker 3: Next question is advised.
Speaker 2: All right, everyone, you know what it is. We have
Speaker 2: Sean McCann back. He is one of your favorites in
Speaker 2: mine too, and I'm really excited because last time we
Speaker 2: got together, we were talking about the Fidelio experiment, but
Speaker 2: we didn't get to dive into any of the details.
Speaker 2: And that's what we're doing today and I am beyond excited.
Speaker 3: Sean.
Speaker 4: How are you.
Speaker 3: I'm very good, thank you, and I'm delighted to be
Speaker 3: here again. This is a home away from home here
Speaker 3: in your show for sure, for sure.
Speaker 4: And so we're both big Kubrick fans.
Speaker 2: And if you could, for the listeners kind of tell
Speaker 2: us how this project came into being, because I'm so curious.
Speaker 3: Well, I guess I have always been the fan of
Speaker 3: Kubrick a long time, and I'm a photographer, and so
Speaker 3: I would instead of just like I'm going to sit
Speaker 3: down and watch a movie like, I would put it
Speaker 3: on while I'm doing something else like music, you know,
Speaker 3: and I would take in from a sidereal perspective, and
Speaker 3: that way it goes into my brain in a different way.
Speaker 3: I'm not like absorbed in the story. I'll notice more.
Speaker 3: And I got like this lightning bolt kind of whoa
Speaker 3: when I saw the paintings in Eyes Wide Shut, and
Speaker 3: I started down this rabbit hole of how the paintings
Speaker 3: were in Ies White Shut relate to the painting in Lolita,
Speaker 3: and I just fell into it, you know, and digging
Speaker 3: up all this information. And a friend of mine was
Speaker 3: putting on a event where he and he asked me
Speaker 3: to do a presentation and it was kind of up
Speaker 3: in the air whatever I wanted to talk about, and
Speaker 3: I was like, well, I got all this information. So
Speaker 3: I kind of coalesced it into a thing and made
Speaker 3: a video, and you know, then it was finally all
Speaker 3: this that I've been talking to people at the fire
Speaker 3: like hanging out. You know, it's finally a thing. And
Speaker 3: I was so proud and like I could share it.
Speaker 3: And ever since then, I still keep learning more, you know,
Speaker 3: and like it keeps unfolding. And that's the beauty of
Speaker 3: a Kubrick film. It's not like subjective, it's like actual
Speaker 3: elements from the real world that we can see on
Speaker 3: the screen to give us more information on the whole thing,
Speaker 3: the whole picture, you know, and so it's just everybody
Speaker 3: that is a fan of Kubrick should know. It's these
Speaker 3: deep rabbit holes of information. And while I was there,
Speaker 3: I discovered, like I was learning at the same time
Speaker 3: about trauma based mind control and satanic ritual abuse and
Speaker 3: Kathy O'Brien and reading I was reading a Sue Ford's
Speaker 3: book there Thanks for the Memories, and Kurth Barker and
Speaker 3: like these testimonies of people that had grown up in
Speaker 3: generational ritual abuse and so like my my brain was
Speaker 3: like it had all that in there already. And then
Speaker 3: I then I saw that Room two thirty seven and
Speaker 3: that it's a documentary everybody's probably familiar with. It was
Speaker 3: on Netflix for a lot of years and John fell
Speaker 3: Ryan is one of the one of the people who
Speaker 3: was interviewed for that film, and he says that Helena
Speaker 3: is stolen at the end, and I was like, oh
Speaker 3: my god, yeah, and everything clicked and I was like,
Speaker 3: holy crap. That is they are stealing the next generation
Speaker 3: of Maiden and that's the intergenerational monarch programming, and that's
Speaker 3: what they did to Kathy O'Brien. That's what they did
Speaker 3: to you know. They they breed them and they take
Speaker 3: the children because they're more or apt to dissociate. Dissociation
Speaker 3: is a genetic trait. It's learned genetically, so like when
Speaker 3: they torture the parent, it affects the genetics of the baby,
Speaker 3: which makes them more readily able to endure that type
Speaker 3: of abuse. Like dissociation is like a it's like a
Speaker 3: safety valve or it's like a it's like a safety
Speaker 3: switch for your brain, Like when you're getting eaten by
Speaker 3: a tiger, all of a sudden, you get adrenaline to
Speaker 3: like run away and not feel pain. Kind of the
Speaker 3: same thing with dissociation. If if a child is held
Speaker 3: down like or like circumcision we talked about before on
Speaker 3: your show, like the baby's held down and then abused
Speaker 3: so that it can't fight or run, its only choice
Speaker 3: is to dissociate. And so anyway, that's genetic trait. And
Speaker 3: these dark occultists who do these ritual abuse to these
Speaker 3: for generations, which I also is what I discovered in
Speaker 3: the paintings is that it's generational for the people wearing
Speaker 3: the masks too, like they've been doing that for generations
Speaker 3: and of course, and that all fits in with the
Speaker 3: whole thesis. So that was like another lightning bolt. And
Speaker 3: so like I've been going on to Williams Show, William
Speaker 3: Ramsey mentioned him earlier. William Ramsey investigates he's a friend
Speaker 3: of both of ours, and he was interested in the
Speaker 3: Eyes White Shut thesis that I had about how the
Speaker 3: movie's not really really my thesis. Right here we go,
Speaker 3: the movie's not really about Bill Bill Harford. The main character,
Speaker 3: Tom Cruise. Tom Cruise is the vehicle that we get
Speaker 3: to learn about the story. He's just a bumbling fool
Speaker 3: who is stumbling across all of these facts are in
Speaker 3: his general vicinity. But really the story is about Alice,
Speaker 3: the wife of Bill Harford, Alice Harford, and she's named
Speaker 3: Alice because of the reference to Alice in Wonderland, which
Speaker 3: is a right you know yourself as a trauma based
Speaker 3: my control programming set like that. So that right there
Speaker 3: is a clue. Kuprick is giving us many clues. And
Speaker 3: the very first shot, the very first image that we
Speaker 3: see of this film is Alice naked, well, she's disrobing.
Speaker 3: She's wearing a black dress like a black robe, and
Speaker 3: she drops it off her body the same way that
Speaker 3: the women do at the ritual, and then she steps
Speaker 3: out of it with her high heels. What's she wearing heels?
Speaker 3: I forget, but anyway, she steps out of the dress
Speaker 3: and it's the same way they do it the ritual.
Speaker 3: So right there, like Kubrick is showing us she used
Speaker 3: to be at the ritual. She was trained to do that. See,
Speaker 3: and we also see that she's in front of her
Speaker 3: Her closet doors are mirrors, and one of the doors
Speaker 3: is open and it's Alice, and that's a looking glass
Speaker 3: like to go be you know, behind the looking glass.
Speaker 3: All of that's right there, and she's between two pillars,
Speaker 3: which is in Anna. That is like if you look
Speaker 3: at the tarot High Priestess, I think it's like the
Speaker 3: number three, like the number zero is the fool, number
Speaker 3: one is the magician, and then I forget how it goes.
Speaker 3: I think the next one after that is the high Priestess.
Speaker 3: And it shows even in the writer weight deck, it
Speaker 3: shows the maiden in a throne between two pillars, and
Speaker 3: I think she has two cat beasts like at her
Speaker 3: flanking her, and that's in Anna has always been depicted
Speaker 3: with cats. Large cats. And we see that in Eyes
Speaker 3: Wide Shut with the stuffed tiger or the stuffed lion
Speaker 3: or whatever. We see that multiple times with Domino's bed
Speaker 3: and in the toy store at the end. So and
Speaker 3: we also have so those are the pillars of Jaquim
Speaker 3: and bo Az of freemasonry. And behind her is pomegranates,
Speaker 3: and these pomegranates are in the shape of the cepha
Speaker 3: Roth of the tree of life. So this is huge
Speaker 3: lots of information. And on her lap she has a
Speaker 3: book and I think it's the Tarot, but it's like
Speaker 3: a book, it's like information. But anyway, the Tarot is
Speaker 3: a book. That's consider her book of images. And so anyway,
Speaker 3: this is like the first image. This is what the
Speaker 3: movie is really about. And so she is Inana. Like
Speaker 3: the pomegranates relate to Anana because of Demeter and Persephone.
Speaker 3: Persephone was stolen by Hades brought down in the underworld.
Speaker 3: You know that whole story. Yeah, yeah, But like she
Speaker 3: eats six pomegranate seeds and that is the the Greek
Speaker 3: or Roman I think it's the Greek one with Persephone.
Speaker 3: That's the Greek version of the Inana story of the
Speaker 3: Samerians and the Babylonians had the same story and her
Speaker 3: name was Ishtar, so it's the same goddess like you know,
Speaker 3: and it's the same story even like Inana goes into
Speaker 3: the underworld and she's made to be trapped there, but
Speaker 3: she finagles her way out of being able to get
Speaker 3: out every six months, and then she made Tamus, her
Speaker 3: male counterpart, goes in her place, so like while she's
Speaker 3: you know, in the summer months, so while while she's
Speaker 3: on the earth, it's fertile, the land is fertile, you know,
Speaker 3: just like Persephone. So it's like a death rebirth fertility
Speaker 3: ritual and long before the Jesus myths and all of
Speaker 3: the male death and rebirth it so it's like the
Speaker 3: old religion, you know. So, uh, that's what. And then
Speaker 3: we see like later she goes into the party and
Speaker 3: she there's all these Ishtar stars eight pointed stars and
Speaker 3: surrounding her head like framed around her, and we see
Speaker 3: at the party she slips into the altar of being
Speaker 3: one of the maidens, and zandor Zavosh, like will He,
Speaker 3: he accesses her through a certain series of motions and
Speaker 3: words that unlocks the programming within her. That's one of
Speaker 3: the phenomenon of these trauma based mind controlled slaves is
Speaker 3: that their altars are programmed in different ways, and the
Speaker 3: altars can be called up to the foe to the front,
Speaker 3: while the main alt the main persona has to sit
Speaker 3: in the back seat, you know, while the other one
Speaker 3: takes control of the body. So like, uh, this kind
Speaker 3: of like this revelation that I learned from room two
Speaker 3: thirty seven, Like why didn't I see it before? Oh?
Speaker 3: My god? And so it all unfolded from there. And
Speaker 3: and so I was talking with William Ramsey a bunch
Speaker 3: and uh, we were I was going to do a
Speaker 3: show about Troum Novell, which you can find on my
Speaker 3: Wake the Dead Roster of shows and Williams as well,
Speaker 3: where we talked about trom Novelle and how that is
Speaker 3: different from Eyes Wide Shut and comparing contrast the original.
Speaker 3: The film was based on trom Novelle as the book
Speaker 3: by Arthur Schnitzler, and some of the elements were not
Speaker 3: in the book, but the film, so Ziggler was not
Speaker 3: in the book xandor Zavost was not in the book.
Speaker 3: Ziggler means builder in jail, which means Mason. So there's
Speaker 3: a lot like hung on these elements. And so the
Speaker 3: guy with the costume shop was in the book. And
Speaker 3: the Maiden, the young girl who was leey Sobieski's character,
Speaker 3: she was in the book too, so that is a continuation. Nightingale,
Speaker 3: the guy's name being Nightingale is was original in the book.
Speaker 3: And that goes back to Avid, who was also mentioned
Speaker 3: by Xandor's Avast he was talking to there was a
Speaker 3: scene where there's a string of lights from his mouth
Speaker 3: to her ear, from Xandor's to Alice's ear, and he's
Speaker 3: telling her about Avid and Avid's poetry, and and Avid
Speaker 3: wrote a book Metamorphosis, and metamorphosis is all about like
Speaker 3: what a butterfly does, like the monarch, right, and so yeah,
Speaker 3: and there's another reference to another book named Metamorphosis, the
Speaker 3: story of Psyche and Psyche and Aros, that whole story
Speaker 3: where Psyche is a human woman who was turned into
Speaker 3: a goddess and was given butterfly wings. That story is
Speaker 3: in another book, ancient book titled Metamorphosis, and the other
Speaker 3: the other title is called The Golden Ass. No like
Speaker 3: ironic and humorous, but this is true, yes, and I
Speaker 3: talk about it on my Like, so there's all these
Speaker 3: references to metamorphosis and butterflies, and when we first see
Speaker 3: helen Us, she's wearing white butterfly wings. So all of
Speaker 3: these are evidence of this theory, right, Yeah, And so
Speaker 3: on my show, I talked to a lot of people
Speaker 3: and I've been digging into some real good topics and
Speaker 3: some of them are pretty nasty stuff. But I want
Speaker 3: to learn the truth and I want to understand the
Speaker 3: mind control, and we got to know, you know, we
Speaker 3: can't just be like, oh, that's gross, I don't want
Speaker 3: to know, Like, we have to know if you if
Speaker 3: you if it's gross, then that's occulting it, Like you
Speaker 3: are occulting it from yourself on purpose, and like that
Speaker 3: is occultism. Right.
Speaker 2: So that's the best way I've ever heard it put
Speaker 2: Like you're occulting it because you don't want to hear
Speaker 2: about it, you don't want to look at But that's fine. Well,
Speaker 2: you you're making it worse by not digging in. That's
Speaker 2: how I've always been, Like, I get it, it grosses
Speaker 2: people out, but at the same time, you need to know.
Speaker 3: This stuff, that's right, that's right. So, like when when
Speaker 3: a grown person says they're having recovered memories of being
Speaker 3: forced to eat feces or being buried in a coffin alive,
Speaker 3: or you know, like all of these like being raped
Speaker 3: by Jesus or these are the most horrendous things you
Speaker 3: can think of. And other people are like, that's crazy,
Speaker 3: and they just like, no, not real. People still don't
Speaker 3: believe it. And like when I tell my theory about
Speaker 3: eyes white shut and how it's related to trum based
Speaker 3: my control, satanic racial abuse, other like Kubrick researchers and quotes,
Speaker 3: they're like, no, no, I don't want to think that.
Speaker 3: They just don't even want to. They don't like even
Speaker 3: what is there?
Speaker 2: What is their grand theory about it? Then?
Speaker 4: What it's about?
Speaker 3: It's they it's about a lot of well, different people
Speaker 3: think different things. So the rob Aeger online he thinks that,
Speaker 3: like he'll talk about the book that Kubrick used that
Speaker 3: describes occultism and the rituals and child sacrifice and all
Speaker 3: that stuff. He'll show the cover of the book. He
Speaker 3: bought the book, but then he won't open it and read,
Speaker 3: like what and relate the information to the movie.
Speaker 2: Wow.
Speaker 3: Yeah, He's like, I don't go for that stuff, Like
Speaker 3: he'll say it in his video, I don't like to.
Speaker 3: I don't go for that stuff. And like another researcher,
Speaker 3: Julie Kerns, who's phenomenal, she's great. She does idolopuspress dot
Speaker 3: com is her website, and she was featured in Room
Speaker 3: two thirty seven as well, and she's very smart and
Speaker 3: she has very intelligent theories and she goes in very
Speaker 3: depth on her website. Everybody should check it out. I
Speaker 3: asked her too about the paintings and generational abuse, and
Speaker 3: she was like, I don't I don't want to. She's like,
Speaker 3: I don't believe it. I don't want to think about it.
Speaker 3: And that's something I just don't want to look at.
Speaker 3: And so like this leaves the road wide open for
Speaker 3: me to just stroll down. And like I'm the only
Speaker 3: one saying it, but I'm not afraid to say it.
Speaker 2: It's the fucking elephant in the room. Yeah, yeah, somebody's
Speaker 2: got to talk about it. Yeah, I've said for the
Speaker 2: longest that that's what it's about. But then again, I'm
Speaker 2: not afraid to talk about those kind of things.
Speaker 3: So God bless you. That's why we're friends. That's why
Speaker 3: we h Yeah, So, like I mean, this is it's
Speaker 3: it's a wide open and it's and it's like everything
Speaker 3: that I learned, it all fits in the story. And
Speaker 3: it's not because I'm crazy and I'm seeing whatever I
Speaker 3: want to see. Other people corroborated, like I spoke with
Speaker 3: on my show. Like I said, it was pretty deep
Speaker 3: topics and pretty nasty stuff. But we go deep and
Speaker 3: we talk it out. And one of my friends now,
Speaker 3: and she's been on the show many times, is Carrie A.
Speaker 3: La Hey, and she is an experiencer of this. She
Speaker 3: as she was abused ritually by dark cult members of
Speaker 3: the military and she was forced into her altars were
Speaker 3: used two in the rituals. She would wear the robes
Speaker 3: and be in the performance and when they did the things,
Speaker 3: she would be used to assist, right, And she had
Speaker 3: no will of her own. She her she was trained. Basically,
Speaker 3: she had an altar up who was proud to be that,
Speaker 3: you know. And she talks all about it on my show.
Speaker 2: But god, oh god, yeah, oh.
Speaker 3: My god, she's really a warrior. Amazing. She talked about
Speaker 3: there's another episode that we did about her New World
Speaker 3: Order programming where they expected her cult expected that by
Speaker 3: this time the world would have been taken over by
Speaker 3: the One World Government and those of and her job
Speaker 3: was to track down the people trying to escape and
Speaker 3: kill them. She was talking all about it on the
Speaker 3: show New World Order Hunter Tracker, New World Order Programming.
Speaker 3: That's one of my episodes. I talked to her about it.
Speaker 3: So like she she's had been able to recover her
Speaker 3: memories and she's done the study to understand what it means, right,
Speaker 3: she she knows she studies the same stuff I do,
Speaker 3: and like she understands the what the symbol means instead
Speaker 3: of being like, oh this happened to me, and but
Speaker 3: she can comprehend why and what it did. And so
Speaker 3: on her show, she has a YouTube channel Desert Dakini
Speaker 3: dak I Ni, and she explains the mechanics of the SRA,
Speaker 3: what the mechanics of how she does this for other
Speaker 3: people like herself, to help find their way out of
Speaker 3: this dissociated identity disorder. Journaling is important and she like
Speaker 3: helps for people to understand the mapping in their heads
Speaker 3: and why why they have these you know, she can
Speaker 3: tell them what their symptoms are and this is why
Speaker 3: it's you know, because people can't think. They their brains
Speaker 3: have been trained to not recognize what is actually wrong
Speaker 3: and it they block it. It's like, uh, the trauma
Speaker 3: makes them not look same with certain decision, right we can.
Speaker 3: I mean the trauma of the circumcision makes the father
Speaker 3: not deny it happened as trauma. Oh it's not just
Speaker 3: a little cut, no big deal, because he wants to deny.
Speaker 3: So like his consciousness is like won't accept that it's
Speaker 3: torture because it doesn't want to accept that it's been tortured.
Speaker 5: You know.
Speaker 3: It's there's it's weird the way the mind works. And
Speaker 3: she can help to elucidate. She helps people, and everybody
Speaker 3: should check in her, should check out our show, and
Speaker 3: she did. She also did many episodes on the Imagination
Speaker 3: podcast with Emma Catherine, and Emma talks to many SRA survivors.
Speaker 3: It's like her whole show is just and it's like
Speaker 3: one after another, it's all the same. Like it's it
Speaker 3: is a pattern. It's a science that they have been
Speaker 3: doing for generations, you know. Anyway, So so Carrie's talking
Speaker 3: to me one day on the phone and we're like
Speaker 3: scheduling one of the shows that we did and she
Speaker 3: tells me, hey, I saw that Ice White Shut thing
Speaker 3: you did. That's real. I was like what. She's like, yeah,
Speaker 3: I said, oh my god, can we talk about it.
Speaker 3: Let's do a show. And she's like, yeah, okay. And
Speaker 3: that's recently the last time she was on my show.
Speaker 3: We talked about the name of the episode was Survivor
Speaker 3: Speaks The Truth of Ice White Shut, and she tells
Speaker 3: the story. She like years after her recovering and like
Speaker 3: trying to get better, she thought she was strong enough
Speaker 3: to watch this film and when the music started going
Speaker 3: and the backwards chanting and the lighting, and she started
Speaker 3: to feel messed up, and she ran to the bathroom
Speaker 3: and all of a sudden she was on her knees, paralyzed,
Speaker 3: couldn't move ready for programming. She calls it slave pose,
Speaker 3: and that's what the women were doing in the on
Speaker 3: the TV screen. They were on my god right, So
Speaker 3: like she said that that ritual, she's seen that in
Speaker 3: real life. And she was when she said she had
Speaker 3: to recover from she was describing it like it was
Speaker 3: like being in the sunken place of get out, Like
Speaker 3: she couldn't have no control of her body anymore. And
Speaker 3: she described like another movie Kill Bill, like when Uma
Speaker 3: Thurman's like move your big toe, like really concentrate on
Speaker 3: trying to move her body again. She had to do
Speaker 3: that to regain control of her body again. She had
Speaker 3: enough consciousness to know what's happening at the time, but
Speaker 3: still it was doing this automatically, like this is what
Speaker 3: so like we did this whole show where she's telling me,
Speaker 3: like she's telling me things that I didn't know that
Speaker 3: I didn't right, Oh my god. Like the double headed
Speaker 3: eagle in the chair. That relates to the programming itself
Speaker 3: where they even they try to split them of the victims.
Speaker 3: Some victims have total split mind programming where they destroy
Speaker 3: the corpus colossum, and then the left brain and the
Speaker 3: right brain can be thinking two things at once, and
Speaker 3: the two arms can be doing two different things at once.
Speaker 3: And it's like one of the different programs. And it's
Speaker 3: related to phil Amila programming, which is the which relates
Speaker 3: to Nightingale, which we were already talking about. And Philomela
Speaker 3: was she's an Avid's book a Metamorphosis the stories and
Speaker 3: of its book. And she was raped and they the
Speaker 3: rapist cut her tongue out, so she couldn't speak, and
Speaker 3: she was able to weave a loom that told her
Speaker 3: story to her sister, and she prayed to become a knight.
Speaker 3: She prayed to become a bird to get away from
Speaker 3: this man who's trying to kill her. She was turned
Speaker 3: by the gods, turned her into a nightingale. And so
Speaker 3: now as a nightingale, she sings her she sings all
Speaker 3: night telling this orient you know, like and the bird
Speaker 3: sings its its biggest, most important song right before dawn,
Speaker 3: right right at the end of the night. So it's
Speaker 3: like a and anything that relates to Nightingale, any story,
Speaker 3: even Shakespeare, like it relates to some Titus Andronicus relates
Speaker 3: to that story of Filamilo. Is anything where they mentioned Nightingale,
Speaker 3: it's there. It's a sorrowful lament. They're hinting that this
Speaker 3: story is a sorrowful lament of violent abuse and sexual torture.
Speaker 3: So that's why I was in the original book of Schnitzler,
Speaker 3: and that's why Kubrick kept it for the film, and
Speaker 3: he accentuated it by making Tom Cruise exclaim Nightingale, Nightingale
Speaker 3: a bunch of times, like every time the guy showed
Speaker 3: up on screen. Tom would be like, oh, Nightingale, so
Speaker 3: like it goes into your head, you know Nightingale. Anyway,
Speaker 3: so she corroborated basically like my whole theory, right, And
Speaker 3: in that show she was kind of talking about how,
Speaker 3: oh yeah, that extra twenty three minutes of that was cut, right,
Speaker 3: and everybody there's this rumor that there's this extra twenty
Speaker 3: five minutes cut from the film that had like the
Speaker 3: really naughty stuff, right, And in honesty, there's like maybe
Speaker 3: maybe like one or one minute like something like that
Speaker 3: during the sex scenes. In order to get like a
Speaker 3: different rating, they wanted NC R instead of NC seventeen.
Speaker 3: I forget, but it was not like a whole scene.
Speaker 3: And the way that it was cut, I don't know.
Speaker 3: I don't even know if they did, they might have
Speaker 3: added something else to something else so that the timing
Speaker 3: was the same, because I don't believe that they cut
Speaker 3: anything out of Eyes Wide Shut, and there's no missing
Speaker 3: twenty three minutes twenty five minutes. Because I discovered that
Speaker 3: this film synchronizes with itself at one hour intervals long ago.
Speaker 3: I discovered that in the bathroom, Ziggler says one hour,
Speaker 3: and he looks at his watch, and then I was
Speaker 3: like on a lark. I was like, I'll skip ahead
Speaker 3: one hour and see. And that's the moment when Mandy
Speaker 3: is kissing Bill at the ritual Mask to mask and
Speaker 3: I'm like, whoa, that's the same girl that's there on
Speaker 3: the couch who's passed out. And it's like this is
Speaker 3: more information, right because they're related like that, I can
Speaker 3: learn more about that character Mandy. And I was like,
Speaker 3: that's interesting. And then there were a couple other points
Speaker 3: where I was like, oh, weird. I'll skip ahead and back.
Speaker 3: And I was trying to show to William how it
Speaker 3: does that, and I wanted to aust up one night
Speaker 3: before the Traum Novelle episode and I was thinking like,
Speaker 3: how can I show this to everybody? And it just
Speaker 3: dawned on me. I was like, oh, I'll just play
Speaker 3: it right next to each other. And I got into
Speaker 3: obs here and I took the movie and I put
Speaker 3: it into one screen, two screens and three three screens.
Speaker 3: And what I did was I and here I'm sharing
Speaker 3: with h let's see share sound yes, share, And so
Speaker 3: this here is what I created. It's got the top
Speaker 3: on the top left, we see the the beginning. It's
Speaker 3: the first screen starting, and so this is uh, okay,
Speaker 3: can you hear it? Oh, it hasn't started sound yet, okay,
Speaker 3: So like we got it started here on the upper left,
Speaker 3: and the other ones are waiting in the streams. So
Speaker 3: I let it play all the way through, you know,
Speaker 3: and then I go to about here. Let's see, this
Speaker 3: is twenty three minutes here here at fifty nine minutes
Speaker 3: here can you still see no?
Speaker 2: Okay, here now you can see it?
Speaker 3: Okay, So here one second, so this is the same
Speaker 3: moment where we see Fidelio. So this is at play.
Speaker 3: This is at like fifty nine minutes. This is at
Speaker 3: one hour where Bill is at the debt at the
Speaker 3: table in the Sonata cafe with Nightingale, and he's talking
Speaker 3: about the ritual and right at the time when he
Speaker 3: gets the phone call. Oh see he gets a phone call.
Speaker 3: I know where that is, right, he's writing it down. Fidelio.
Speaker 3: Fidelio is the password right this moment, and we just saw, well,
Speaker 3: I'm on my way right now, on my way right
Speaker 3: now when he says now is the exact moment when
Speaker 3: you push play on the next screen. Is this his
Speaker 3: name of Beethoven Opera. The password, Now we have entered
Speaker 3: the true understanding, right, the password is this one hour moment.
Speaker 3: So that's why I named it Fidelio experiment. So now
Speaker 3: now we go. So now the second screen is starting,
Speaker 3: and I'm playing the audio altogether. No way. So we've
Speaker 3: seen how these screens relate to each other and we
Speaker 3: are able to learn more information that way. So now
Speaker 3: you're on a pause it and now I'll skip ahead
Speaker 3: to now when we have okay, this is the ritual scene. Okay,
Speaker 3: so we see the ritual scene is the same time
Speaker 3: when xandor z Avost is dancing with.
Speaker 2: That gives me the freaking chills because it's like literally
Speaker 2: lining up.
Speaker 3: Dude, it's amazing. It's like way more than Wizard of
Speaker 3: Oz and the Deck's Dark Side.
Speaker 2: Of the Moon.
Speaker 3: It's like, it's amazing. And Kubrick created it this way.
Speaker 3: This is on purpose. All kubric researchers, even if they
Speaker 3: don't like my theory, they should see how it lines up.
Speaker 3: It's at least this is true because I didn't make
Speaker 3: it up. I just discovered it. And if you when
Speaker 3: the DVD was released back in ninety nine or whatever,
Speaker 3: if you've got three TVs, three DVD players, and three
Speaker 3: codies of the DVD. You could have done this yourself.
Speaker 3: You could have sat in a room pressed play when
Speaker 3: he says now, and on the second one and the
Speaker 3: third and it would all play together like this. Uh. So,
Speaker 3: now we're skipping ahead and when they when he when okay,
Speaker 3: listen to this one. This one's amazing death undressed?
Speaker 2: What makes me?
Speaker 3: What makes you? An exceptions? This is the same moment.
Speaker 3: Uh this is when she's like, remove your right, So
Speaker 3: he's found out like he's describing, right, remove your clothes,
Speaker 3: and if you skipping ahead one hour exactly from this point,
Speaker 3: we would find So anyway, this is the danger on
Speaker 3: the other side of them. How about you give it
Speaker 3: up to me? Right when he's with the hooker, she
Speaker 3: supposedly added aids right, so like she is, she's the
Speaker 3: danger on the other side of the fence. Like when
Speaker 3: they kiss. It's like another moment. Right, all of these
Speaker 3: moments line up. So yeah, this is when we're arriving
Speaker 3: at the Sonata cafe, and this is when he goes
Speaker 3: back to Domino's apartment and learns about the aides thing.
Speaker 3: So this is all connected. And he goes did ding
Speaker 3: when he said Domino, Domino is Domino mask is the
Speaker 3: mask of Zoro, the one that goes over their eyes.
Speaker 3: That that's what a domino is. Like the word domino
Speaker 3: relates to the masks they wear. And Domino the hooker,
Speaker 3: she has masks on her wall. It's and like it's
Speaker 3: it goes very deep. So like so here we're arriving.
Speaker 3: We're arriving at the second hour and the first hour
Speaker 3: on the second screen, so we're about to hit play
Speaker 3: on the third one. So we're going to see Okay Nightingale,
Speaker 3: Bill Nightingale, and they put their names together. And if
Speaker 3: you look right here, when the waiter is bringing the
Speaker 3: napkin to the table, the napkin which he writes Fidelio on,
Speaker 3: if you look just under behind them, just under the waiter,
Speaker 3: under the beer, there, that's Stanley Kubrick in the background
Speaker 3: and he's listening. He's this is Stanley Kubrick alerting us
Speaker 3: to pay attention to this moment, and he's like listening
Speaker 3: in on their conversation. He's in the This is I
Speaker 3: think the only time when Stanley's been in one of
Speaker 3: his films where he's put himself in there.
Speaker 2: That means it's simp important.
Speaker 3: Exactly exactly place. So they okay, and then he tells
Speaker 3: the story there in the village and watched this I
Speaker 3: believe it or not, I don't know. So the moment
Speaker 3: when Bill grabslous Sally's breasts is the same moment every
Speaker 3: time where Nightingale does this with his fingers. Was like, peey, touchy,
Speaker 3: watch swear. It's amazing.
Speaker 4: My gosh, look at that.
Speaker 3: Something I didn't do that, Kubrick did that. This is
Speaker 3: the genius of Kubrick blind blindfold is huh right, So
Speaker 3: then something I should tell you really mhmm, you're putting
Speaker 3: me on alright. So it's like this moment from was
Speaker 3: on so well, I.
Speaker 4: Don't know when to tell you this.
Speaker 3: Yeah, well I have seen one or two things in
Speaker 3: my life. Never, why don't you have a seat The
Speaker 3: moment he says never, she's like, why don't you have
Speaker 3: a seat? Done with the flirting? Never such? Never? Right,
Speaker 3: So okay, wow, okay, this is he gets the call.
Speaker 3: You know, I don't know how to say this. Hello, yes, sir,
Speaker 3: considering that you were with Domino last night, I know
Speaker 3: where that is were dominant only fair, right, she got
Speaker 3: the results of the results the passwords. Well, I'm on
Speaker 3: my way right now, right now. HIV positive. That's the same.
Speaker 3: That's interesting. What is this.
Speaker 4: WHOA that lined up?
Speaker 3: Yeah, HIV positive, it's the password WHOA. I'm really so like,
Speaker 3: I wonder if Kubrick knew that it was going to
Speaker 3: be a virus in the future because en Fauci was involved, Like, God,
Speaker 3: you probably put it on YouTube. I said the wrong words.
Speaker 2: Like no, I don't even do.
Speaker 3: I'm still like, I think that maybe Kubrick knew that
Speaker 3: was the plan for the future. And these are the
Speaker 3: people that are, you know, the HIV thing that people
Speaker 3: should go down the rabbit hole. There is no HIV virus.
Speaker 2: That's the big secret, right, because.
Speaker 3: It isn't that's right. And guess who is in charge
Speaker 3: of it way back then, And guess why people were
Speaker 3: down and people were dying because of the medicine magic
Speaker 3: Johnson stopped taking the medicine. He's aliving. Well, you know
Speaker 3: what I'm saying, people need to and why they have.
Speaker 4: To take out Freddy Mercury though, really.
Speaker 3: Because just like the killing of the king and the
Speaker 3: trauma that it causes us, who love him so much.
Speaker 3: That's what it does. And then they can make way
Speaker 3: more money off his albums that you know they own
Speaker 3: the right. Yes, so here we'll skill. So look here,
Speaker 3: this moment is so this okay, this is like the
Speaker 3: most important sh stuff dude.
Speaker 4: This moment right here.
Speaker 2: This is crazy because you have Ziegler in the the
Speaker 2: billiard rum. I guess, you have the red Pope in
Speaker 2: the ritual, and then you have bill Um finding Mandy
Speaker 2: in the bathroom. This is crazy because Ziegler is present
Speaker 2: in all three scenes.
Speaker 3: Yes, okay, Ziggler's wearing the tricorn hat mask.
Speaker 2: Yes, yeah, So we've got a trifecta going on right now.
Speaker 4: This is nuts. Okay, go ahead.
Speaker 3: If you look the red of the felt of the
Speaker 3: pool table, all pool tables standard is cyan. It's like
Speaker 3: the opposite of red on the color wheel. So that
Speaker 3: is like WHOA brings your attention to that, And there's
Speaker 3: a lot involved with that. It goes back to clockwork orange,
Speaker 3: like I get into it. But so we got the
Speaker 3: red pool table and then we got the red carpet, right,
Speaker 3: the red Pope, right, the red Pope. So that's the
Speaker 3: same color. But and they talked about that room to
Speaker 3: thirty seven, how they related the carpet to the pool table.
Speaker 3: But then if you look here, we have the painting
Speaker 3: on the wall in the bathroom where Mandy is passed out.
Speaker 3: That's painted by Christian Kubrick. It's right there behind Bill's head.
Speaker 3: It's a huge painting, and that the painting is titled
Speaker 3: Paula six Months on Red. It's a pregnant woman like
Speaker 3: laying there on a red red like red carpet red right,
Speaker 3: and Mandy's on the red chair in the bathroom. So
Speaker 3: like that's what those women are becoming pregnant, they're getting impregnated.
Speaker 3: That's what the whole story is. They're like making all
Speaker 3: those women get inmated, I swear. And when there's a scene,
Speaker 3: there's like one shot where Bill is looking up at
Speaker 3: Ziggler and Ziggler's face is framed in front of the
Speaker 3: painting where the painting behind him takes up the whole frame,
Speaker 3: and Ziggler's mouth is right where the vagina of the painting.
Speaker 3: So like it's like the pregnant woman is gonna be
Speaker 3: borne through his lips, is like gonna speak out what's
Speaker 3: program And that's what's happening in the billiard room. I'm
Speaker 3: not gonna tell you who those people are, but you
Speaker 3: wouldn't sleep so well at night. So and he says
Speaker 3: it out. He says she's a hooker, like that's what
Speaker 3: she was, and like you know, and he also says
Speaker 3: that the doors were locked from the inside. Cops are happy,
Speaker 3: case closed, But the newspaper didn't say that newspaper didn't
Speaker 3: have that information. He has secret information about that whole situation.
Speaker 3: So she was murdered because she went against her programming. Yes, yeah,
Speaker 3: we talked about that on our show. Yeah, sad, it's
Speaker 3: very sad. So that's Harry calls that someone on the
Speaker 3: freedom train. That's how they get free. They have to
Speaker 3: get murdered out. That's the only way to get free. Wow.
Speaker 3: But Alice was lucky enough to be used as a breeder,
Speaker 3: just like these women at the ritual. They're all being
Speaker 3: inseminated by the people behind the masks, you know, And
Speaker 3: that's why they run a train on them so that
Speaker 3: they don't know who the father is, so that there's
Speaker 3: no parental lineage. These can be slaves and they can
Speaker 3: abuse them and have no care that they're their own kids,
Speaker 3: you know, but it's still from an elite stock of semen.
Speaker 2: So that's why they run train on them. That makes
Speaker 2: so much fucking sense because it's like it's just a
Speaker 2: random kid to them.
Speaker 3: It's right. It erases the paternal lineage, right right, God,
Speaker 3: And so that too is a trauma to the baby
Speaker 3: to not have a father. But that adds to the
Speaker 3: the abuse that they have to traumatize the children in
Speaker 3: so many ways to create the effect of an Alice
Speaker 3: who will, against her own motherly instinct, let her child
Speaker 3: be abducted by her owners. You know. In the toy store,
Speaker 3: that whole thing was was orchestrated by Alice, and those
Speaker 3: people were there just to receive the kid. And Alice
Speaker 3: went and stood right next to the to the stuffed cats,
Speaker 3: and those people were waiting in that aisle. They knew
Speaker 3: which i'le to stand in because the stuffed lions like
Speaker 3: of Inana, like her cat beast, you know, familiar right
Speaker 3: of magic, familiar so like. And there was a thug
Speaker 3: in the in the toy store. We can see him
Speaker 3: following them, And I talk about it in my my
Speaker 3: first production was called a cult Kubrick and the butterfly
Speaker 3: Net and you can find that on Odyssey and stuff
Speaker 3: I go through.
Speaker 2: I watched it.
Speaker 3: It's great. I'm glad.
Speaker 5: Yeah so I so there we see her on the
Speaker 5: on the red chair, the red carpet, those women genuflecting
Speaker 5: on the red carpet, and he's like, oh, I think.
Speaker 3: You got too many ideas here. Listen to him talking
Speaker 3: ida boom boom. Look at where his lips are.
Speaker 2: I never noticed that before, Sean, Fuck you, that's fucking wild.
Speaker 5: Yeah.
Speaker 3: Like Kubrick had to put the camera down low to
Speaker 3: create the shot. He had to like light it up
Speaker 3: specifically so that what lips are, the lips of the
Speaker 3: vagina would be in the painting. And we can tell
Speaker 3: that's a pregnant woman. You see her. Her nipples are
Speaker 3: big and dark, and we see her pregnant belly.
Speaker 4: Her belly.
Speaker 2: Yeah, do you think it's significant? Also, I think I've
Speaker 2: mentioned this to you before, but Mandy is a redhead.
Speaker 3: Oh yeah, They're all redheads, even even Helena mm hmm
Speaker 3: yeah yeah, even Domino too.
Speaker 4: Coveted, fucking coveted.
Speaker 2: I know they are, that's right.
Speaker 3: If Arizona Wilder, I don't know how much stock you
Speaker 3: put in what she says, because some of the stuff
Speaker 3: she says is pretty wild. But she talked to David
Speaker 3: Ike a long time ago and he said that, uh
Speaker 3: or she said to him that blondes and redheads are
Speaker 3: more they do psychic they have, they're more easily psychic
Speaker 3: abilities come more easily to them. So they that's why.
Speaker 2: That's why they say like redheads have like mutant DNA
Speaker 2: and shit, I'm so serious, they say that redheads are mutants.
Speaker 3: That's just because Britain hates Ireland. That's all it is.
Speaker 3: It's just some racism shit. God bless Irish people come
Speaker 3: on anyway. So all right, So we see that this
Speaker 3: is him speaking out, like this exact moment, like two
Speaker 3: hours exactly ahead from the bathroom scene. We hear him
Speaker 3: speaking out. And the paintings on the wall in the
Speaker 3: billiard room are significant too. That's where we see the
Speaker 3: guy with the tricorne hat in the in the painting
Speaker 3: above Ziggler, so that's supposedly his ancestor. Right. These faces
Speaker 3: on the wall are the the unmasked participants from the
Speaker 3: past that were in the ritual, and Kubrick gives us
Speaker 3: a heraldic shields on the walls above the red carpet,
Speaker 3: and the guy with the tricorn hat is on the
Speaker 3: balcony above the red carpet, just like the portrait is
Speaker 3: above the pool table looking down on the red pool table. Same.
Speaker 3: It's like it even more strengthens the idea that Room
Speaker 3: two thirty seven posits with the relation between the carpet
Speaker 3: and the red pool table. And if you go even further,
Speaker 3: the ending of Clockwork Orange features a pool table. It's
Speaker 3: like a snooker table. And he's got the guy, the
Speaker 3: crippled guy that is torturing Alex with Beethoven.
Speaker 4: Literally, I was gonna say at the end there.
Speaker 3: Uh huh, the Beethoven opera is the thing that tortures Alex.
Speaker 3: And really, like Fidelio, like if you think about it,
Speaker 3: I'm like just like realizing now, like somebody that has cheated,
Speaker 3: that is the torture to remember that, to know that
Speaker 3: you did that and you can't undo it. And it's
Speaker 3: like that's the pain that we have to live with,
Speaker 3: is you know, like you can't undo the thing, you
Speaker 3: can't go back, and like so that in itself is
Speaker 3: the torture. Like I believe that when when we're done
Speaker 3: with this life, we judge ourselves. I think that's I
Speaker 3: think that's why they do many so the darker cultures
Speaker 3: do all those cremations of care so that when they
Speaker 3: get to that point they don't they don't judge themselves.
Speaker 3: Like I don't know. I think it's like hijacking the
Speaker 3: the mechanics of spirit.
Speaker 2: Like that would be that would be the old submit
Speaker 2: fucking like to judge yourself for all the fucked up
Speaker 2: things you did. Holy shit.
Speaker 3: I think that's how it works. I think that's how
Speaker 3: it works because like, yeah, I mean, well anyway, yeah,
Speaker 3: because like even in life now, like I mean, you
Speaker 3: can't like if we think about our mistakes and like
Speaker 3: I mean, that is the torture. I think if if
Speaker 3: you and I think we're inherently moral beings, you know.
Speaker 3: So that's why in these satanic rituals, they they do
Speaker 3: the most immoral stuff and then you have to participate,
Speaker 3: and it's your willingly drinking the blood or whatever.
Speaker 2: You know, eating the ship, drinking the piss, right.
Speaker 4: Right, mm hmm.
Speaker 3: So like that then that is confirmation that you are
Speaker 3: accepting the evil. And this is a free will environment
Speaker 3: where we that's why they show up the thing they
Speaker 3: do before they do it to us, because this is
Speaker 3: our consent when we let it happen. So that's the
Speaker 3: spiritual law of this of this world and this existence.
Speaker 3: So they have to present their plan to us. It's so,
Speaker 3: I mean, these kind of movies are both a revelation
Speaker 3: of the method and a part of the magic ritual itself.
Speaker 3: You know. People that don't like Kubrick might think that
Speaker 3: this is that this is an intentional movie, that they're
Speaker 3: revealing this stuff on purpose to show us that we
Speaker 3: nothing we can do, Like can you know they're they're
Speaker 3: so powerful, makes us learned helplessness, you know. But really,
Speaker 3: I think the Kubrick is showing us how totally depraved
Speaker 3: they are and how disgusting of people they are. Like
Speaker 3: when we see Millich, the guy in the costume shop,
Speaker 3: he's got like a the tie he wears looks like
Speaker 3: a golden snake skin, you know, and he's got this
Speaker 3: like evil grin. And I think Kubrick still maintained his
Speaker 3: morality even though he was in this. I'm speculating, of course,
Speaker 3: I can't interview the guy, but I believe he was
Speaker 3: revealing this and carried us too, and we talked about it.
Speaker 3: She thinks that because there's so much context, that this
Speaker 3: is not just a trap for our consciousness to allow
Speaker 3: their rituals in the future. She believes that this is
Speaker 3: Kubrick trying to reveal to us there it's all there.
Speaker 3: We have to decipher it, I mean, And he started
Speaker 3: in the Shining. In the Shining, he started making these
Speaker 3: mazes of a movie, you know, where it's, uh, it's
Speaker 3: more than just a film. It's like a it's like
Speaker 3: a puzzle.
Speaker 2: You well, you and I talked about before a full
Speaker 2: metal jacket and fucking I was gonna say something about
Speaker 2: about The Shining, but now I forget. But it's like,
Speaker 2: it's not just a movie. It is not simply just
Speaker 2: a movie. There is so fucking much more going on
Speaker 2: with every single one of them. And I think to
Speaker 2: prove that point. If you, which I think you do,
Speaker 2: think that Kubrick did the moon landing stuff, like he's
Speaker 2: a brilliant, fucking genius. And we've even talked about how
Speaker 2: kind of like that are today Kubrick a little bit
Speaker 2: like with Get Out.
Speaker 4: So and you know, it's like it's kind of telling.
Speaker 3: Of yeah, Jordan Peele has like a morality and he
Speaker 3: seems to be revealing the darker cult and the evil
Speaker 3: ways of mind control that they use, and those mind
Speaker 3: control slaves are all over Hollywood, like Marilyn Monroe, like
Speaker 3: you talk about Yeah, yeah, that's interesting, Yeah, that's that's
Speaker 3: so exactly that like we're and you know Kubrick did
Speaker 3: take his family of all daughters and to move them
Speaker 3: to Saint Albans, which is like that was like sacred
Speaker 3: land for for England basically like and the King Arthur
Speaker 3: and like Albion of like William Blake and you know,
Speaker 3: like nobody's gonna bomb that, you know what I mean,
Speaker 3: Like it's a safe place like it or like yeah
Speaker 3: if he's like lives where because London is like the
Speaker 3: control arm of the evil, like it seems to be
Speaker 3: like the city of London. And of course they work
Speaker 3: with the Vatican and the whole in Washington, d C.
Speaker 3: That three cities eight like well I mean, I.
Speaker 2: Mean White Shut was filmed at a Rothschild's house.
Speaker 3: Yes, this mansion was built by a Rothschild family member.
Speaker 3: This at the ritual space it's called meant more Towers
Speaker 3: and it's not currently owned by the Rothschild. They sold it,
Speaker 3: I think in the seventies, and then the person who
Speaker 3: bought it then sold it in the late nineties, and
Speaker 3: that's why it was able to be featured in these
Speaker 3: films because then they started renting it out to directors.
Speaker 3: Also in ninety nine, it was used in the Ninth Gate,
Speaker 3: the Roman Polanski.
Speaker 2: Fish Shut the fuck up. Yeah, the same, the very same, yeah.
Speaker 3: Yeah, in ninth Gate. Yeah, the front Jesus Christ, the
Speaker 3: front facade was used. That was the same building. And
Speaker 3: you remember like all the lit up little candles and
Speaker 3: here's like snep.
Speaker 2: Fucking the fucking Rowan pool and ski ass fucking ninth
Speaker 2: Gate ass fucking Johnny depp ass that's same, very same, yeah.
Speaker 3: And that movie was released in ninety nine, same time.
Speaker 3: And that movie, that movie is about a satanic person
Speaker 3: attaining apotheosis without going through Jesus. It was like you
Speaker 3: can just walk right into it.
Speaker 2: Through the satanic rites, right right.
Speaker 3: They's God. It's like hacking the mechanics of this reality
Speaker 3: so that they don't have to be christ Like and
Speaker 3: they don't have to live morally and live abide by
Speaker 3: the laws of natural law. The creator's laws of this world.
Speaker 3: If you harm others, you will receive negative harm. Like
Speaker 3: even the witches will say, like you do a bad
Speaker 3: spell to somebody, you receive it back times three, you know,
Speaker 3: Like I mean that that's the law of nature, right.
Speaker 3: So that's why the Buddhists don't harm anything. They don't
Speaker 3: even harm bugs like that, you know, because they recognize
Speaker 3: that could be someone somebody's aunt or uncle who's like
Speaker 3: reincarnated into a bug and happens to be trapped in
Speaker 3: that body at the time. Like, so they have such
Speaker 3: reference for life, all life, you know. But these people
Speaker 3: are hijacking the mechanics of life. So that's what the
Speaker 3: ritual is doing. A normal copulation has a normal spirit
Speaker 3: from the realm of God to inhabit the baby. That's
Speaker 3: how all babies are born with the copulation, the combination
Speaker 3: of male and female, combination of sperm and ovum. When
Speaker 3: that spark of life begins, it's a natural soul who
Speaker 3: gets first rights to that body, right, and they just
Speaker 3: step right in. Whether it's reincarnation or a new soul
Speaker 3: or whatever you believe, it's that's the natural process. So
Speaker 3: at that ritual they're going Widershin's they're going backwards. They're
Speaker 3: speaking backwards. They're doing necromancy, and necromancy has a lot
Speaker 3: of what they call a left hand path where they
Speaker 3: go against the flow of nature to uh work against
Speaker 3: that flow. Right, So they're doing this necromancy ritual. I
Speaker 3: believe to control what and who is inhabiting these women
Speaker 3: at the point of conception here at this ritual, Like
Speaker 3: if you read Moonschild by Aleister Crowley, it's like his
Speaker 3: only fiction work, but it's based on actual magic, where
Speaker 3: they create a baby and they control what spirit or
Speaker 3: entity inhabits the body. Like that's what Crowley was doing
Speaker 3: with the monkey Liss. He was like trying to It
Speaker 3: was really gross the Crowley was doing, trying to make
Speaker 3: a baby without a woman, like using blood from violent
Speaker 3: rape and the semen. Maybe that'll make a baby, Like
Speaker 3: that's what they used to think. That was they they
Speaker 3: call it starfire. They believe that the the woman's menstrual
Speaker 3: blood is the fertile ground that the seed. They used
Speaker 3: to think in the colt the ritual, like the ancient times,
Speaker 3: they used to think that all life came from the
Speaker 3: male semen and that it's just the red of the starfire.
Speaker 3: That's why they read this. That's why red, red, and
Speaker 3: white are the magic colors because of semen and starfire.
Speaker 3: So like the red of the blood, they used to think, oh,
Speaker 3: maybe we could use this other blood, maybe we can
Speaker 3: grow some babies in that. And so that Crowley was
Speaker 3: like doing violent anal rape and like trying to mix
Speaker 3: uh semen with that blood, trying to make a homunculous
Speaker 3: like that's what the picture of lamb if you have,
Speaker 3: if you turn that picture upside down, mm hmm, you
Speaker 3: see that it's a it's being born out of an anus.
Speaker 3: It's really it's not like it's like, uh, it's shaped like.
Speaker 3: It's not shaped like that to look like an alien.
Speaker 3: It's shaped like that because it's like a droplet of
Speaker 3: of google being like excreted out through the It's gross.
Speaker 3: I'm sorry, listeners, No, I mean that.
Speaker 2: It's like we said at the beginning, this stuff is
Speaker 2: very important and everybody needs to.
Speaker 4: Know about it.
Speaker 2: But it's just like how to prave does your mind
Speaker 2: have to get in order to think like ass?
Speaker 4: Blood and fuck? What did they He.
Speaker 2: Raped him in the ass and then he busted a
Speaker 2: fat load and thought that that was gonna like, who's gonna.
Speaker 3: Run after that? If you if you look at a crowley,
Speaker 3: like it's all ass right, like a lot of it,
Speaker 3: Like there's rape, Like.
Speaker 2: What do they do after he busts to fat load?
Speaker 2: Like he's like, who who is who carries the baby?
Speaker 3: Oh? I don't know it? Like I don't know it
Speaker 3: excretes out, I don't know.
Speaker 4: I'm telling you.
Speaker 3: But apparently the evil spirit that they allow to inhabit
Speaker 3: this thing, this demon that's trying that they're trying to
Speaker 3: be born into flesh they are. They think that that
Speaker 3: magic power will keep it alive, you know, and of
Speaker 3: course never born Oculus. But people should look into what
Speaker 3: Homuculous really is. It's not just like a little thing
Speaker 3: like it's not like it's not like the dude from
Speaker 3: the Black Lodge of of David Lynch's Twin Peaks. You know,
Speaker 3: it's not like that. It's like something else something.
Speaker 6: Okay, So I had not watched I think the only
Speaker 6: David Lynch movie I had ever watched was Dune, because
Speaker 6: like it was the lesser of the David Lynch's right
Speaker 6: Dune and fucking.
Speaker 3: It was really well done, but pretty silly.
Speaker 2: But the new ones are great, which I talked to
Speaker 2: you about because I wanted to do a thing with you.
Speaker 3: I might still go along with you and do.
Speaker 2: That with you because they're incredible films. But so I
Speaker 2: went to go visit Are you familiar with Kolby from
Speaker 2: Conspiracy Playtime podcast?
Speaker 4: It's a really good podcast.
Speaker 2: But anyways, like, I went to go visit him and
Speaker 2: he was like, you're about to get lynched, and I
Speaker 2: was like Gary, I was like, okay, I'm ready for it.
Speaker 2: We watched Mullholland Drive and I was high as dog shit.
Speaker 3: That movie is about women like Alice too, yes.
Speaker 2: And it has a Naomi in.
Speaker 3: It, oh Campbell?
Speaker 2: Right?
Speaker 3: Yes, yeah, I don't remember that.
Speaker 2: Wait wait or is that her name? That's her name?
Speaker 3: Right? Oh? Right, the other the blonde chick right right?
Speaker 3: Isn't it mouhalling Naomi Watts? Right? I think that's the
Speaker 3: actress's name, and that she is a split personality.
Speaker 2: She she's a split personality, right right, Naomi?
Speaker 4: Yeah?
Speaker 3: And she's a Hollywood actress. Yes.
Speaker 2: So I had never watched David Lynch, like a good
Speaker 2: David Lynch. I had only watched it.
Speaker 3: They're all good, even eraser Head is good. Jennifer hates it.
Speaker 3: Fucking Did you know eraser Head is Kubrick's favorite movie?
Speaker 3: Is it really? Yes?
Speaker 2: So Colby's sitting there and he's already he knows what
Speaker 2: to expect because he's already seen it. I'm high as
Speaker 2: dog shit watching it for the first time.
Speaker 4: I was like, I don't know whether the fucking.
Speaker 2: Puke or fucking ship or fucking start my period.
Speaker 4: I was having a whole mental fuck.
Speaker 2: I had never watched him movie that literally jarred me
Speaker 2: out of reality like that fucking movie did.
Speaker 3: And so this is cilensial cilensi.
Speaker 2: At the end, you're just like wow, Like when the
Speaker 2: dude is sitting at the cafe and he's like, I
Speaker 2: had this dream or whatever, and then he goes around
Speaker 2: the side of the building and there's that fucking scary
Speaker 2: ass motherfucker like hiding on the other side. Sean, I'm
Speaker 2: telling you, there's this whole aspect to film that people
Speaker 2: do not appreciate, like eyes wide shut, like fucking clockwork orange,
Speaker 2: like the Shiny It's more than just a movie. It's
Speaker 2: like a psychological fucking almost like a psychological operation.
Speaker 3: On people, Like they are putting in your fucking mk ultra.
Speaker 3: That's right, Yes, it's it is a dream. They can
Speaker 3: they control the whole dream for two hours. Yeah, Like
Speaker 3: that's the normal span of our REM sleep, the REM cycle.
Speaker 3: You get about two cycles in about one and a
Speaker 3: half hour or something like that. So they they time
Speaker 3: movies to be alongside with the rapid eye movement REM
Speaker 3: sleep cycle, so that our brain takes up this information
Speaker 3: the same way it takes up a dream. So when
Speaker 3: that's right, So like when when Kubrick's images are so striking,
Speaker 3: they burn into your head and you remember that stuff,
Speaker 3: like the scene at the end of Clockwork Orange when
Speaker 3: the guy has a pool table with big speakers on
Speaker 3: it and there's a guy in front who's like playing
Speaker 3: with red pool balls, red pool balls on this table.
Speaker 3: It's a green table, but still and like behind them
Speaker 3: is a big painting of a maiden and this what's
Speaker 3: being played is Beethoven, you know, and he's like looking
Speaker 3: up and you can see the guy's face. He's like ahaa,
Speaker 3: like what is a speaker? What is what I mean?
Speaker 1: Ziggler is speaking? He's the speaker in the billiard room,
Speaker 1: and you know, like the password right, So anyway, and
Speaker 1: so like it's just loops and loops back into itself
Speaker 1: and it further like strengthens itself, you know, and the
Speaker 1: being able to see it here in three frames, like even.
Speaker 3: That relates to the Goddess. The Goddess has always been
Speaker 3: depicted as three, like even the fates, right, and you
Speaker 3: got maiden, mother and krone. You got the maiden, the
Speaker 3: young sex kitten, right, and then the mother, which is
Speaker 3: the reproductive what Alice is doing, and then the Crone.
Speaker 3: They never actually get the Crone. They kill him off
Speaker 3: like Mandy. Right, that's the the other end of the spectrum.
Speaker 3: And so we see the whole. We see the beginning
Speaker 3: of the life span with Helena and her butterfly wings
Speaker 3: and being trained into this nutcracker ballerina, you know, set
Speaker 3: of programming, and then she gets stolen. And then the
Speaker 3: next kind of stage in the in the lifespan of
Speaker 3: these women is to be a child prostitute. That's what
Speaker 3: Carrie was used for. That other women are and it's
Speaker 3: and it goes that's.
Speaker 2: That's the most valuable thing you can do, is be
Speaker 2: a child prostitute for them.
Speaker 3: And the room where in this film where uh where Ley,
Speaker 3: Sobieski is being filmed. It's a glass room and the
Speaker 3: locks are on the outside. It's made to trap victims inside,
Speaker 3: so it is a blackmail device. So that's like you.
Speaker 2: Passed on one scene that is like real fucking crazy.
Speaker 4: Oh look at this.
Speaker 3: This is the tricorn hat is right at the same time,
Speaker 3: and she's got the star of Ishtar right there around
Speaker 3: her head.
Speaker 2: Yes, shut the fuck.
Speaker 3: Right, and look at the hat on the woman. Look,
Speaker 3: it's like she's wearing the hat too, Like Alice is
Speaker 3: wearing a hat. She's got the stars and the things.
Speaker 3: And this one's got like dingly.
Speaker 2: Bell he's got the stars too, yea, even with the
Speaker 2: little fucking bells on it, like when on the star.
Speaker 3: Yeah. So like that, and when we first meet and
Speaker 3: when we meet Ziggler's wife here, let's see if I
Speaker 3: can find her at the beginning when they first arrived
Speaker 3: at the party.
Speaker 2: When when he's like, oh, you look beautiful, yeah, and
Speaker 2: she's all like.
Speaker 3: Here, let's see if we can oh this week and see,
Speaker 3: this is Ziggler speaking the This is an important scene
Speaker 3: right here. So Ziggler is speaking the magic spell to Alice.
Speaker 3: So this is the moment where.
Speaker 4: And look at her face.
Speaker 2: She looks all fucking like associated and shits.
Speaker 3: Right, yep, she's hearing the message. And he's look at
Speaker 3: the string of light going from his mouth to her ear.
Speaker 3: It's this magic spell that he's speaking to her. And
Speaker 3: this is at the same time when these men are
Speaker 3: captured in the blackmail room. And it's also the same
Speaker 3: time that Mandy's dead body is pulled out of the morgue.
Speaker 3: So I'm going to drive back a little bit so
Speaker 3: we can see so uh so watch wat's this? So
Speaker 3: this is relating all three of the women together. So
Speaker 3: uh here she's saying, so he drinks her glass. She's
Speaker 3: standing there at the bar and she holds the glass
Speaker 3: right under her face like it's an advertisement, right, And
Speaker 3: he's reading the newspaper. Here at two hours into the movie,
Speaker 3: and at one hour something into the movie, we see
Speaker 3: the introduction of the Rainbow Room. There's a giant rainbow over.
Speaker 2: The door on that ship that the heads crazy.
Speaker 3: You can see the heads of all the different wigs.
Speaker 3: Those are all the personalities, those are all the and
Speaker 3: so like this is what goes on, you know, over
Speaker 3: the rainbow is when the soul dissociates under the rainbow
Speaker 3: is the de butcherous rape, you know, the abuse of
Speaker 3: the child. So this is what is being depicted here
Speaker 3: in this room. Like so okay, she's at the bar
Speaker 3: and at the end of the film, towards the end,
Speaker 3: Bill is reading the paper about Mandy. He's discovering what
Speaker 3: is this?
Speaker 2: So I mean, Harry to Doc to get back to bed,
Speaker 2: so black, look, so.
Speaker 3: Here something so Xandor sees her, puts his glass down,
Speaker 3: puts his hand in his pocket. She sees this. She
Speaker 3: puts the glass in front of him.
Speaker 2: One of my posies, big.
Speaker 3: Please give me, He says, what is this? As he's
Speaker 3: looking down at cheese pizza? What is Cooper telling us?
Speaker 1: Ship?
Speaker 3: Yeah? And then he finds the teddy over there on
Speaker 3: the red couch, Crimson red and she he's picking up
Speaker 3: her glass and he's about to drink her glass and
Speaker 3: she's watching I think that's my glass. I think that's
Speaker 3: my glass. And that's the same moment when he's discovering
Speaker 3: this teddy, like, I think that's my Like the teddy
Speaker 3: is hers right.
Speaker 2: The way that she says it too is like you
Speaker 2: were saying at the beginning of the episode. If you
Speaker 2: were to say that sentence, you wouldn't say glass. You
Speaker 2: would say that's my drink, right, right, right, She specifically
Speaker 2: uses the word glass right as in Alice in the
Speaker 2: Looking Glass. She's always in front of mirrors. She's always
Speaker 2: looking in a mirror, and then it's like, hey, I
Speaker 2: think that's my glass. Like, think about that, Sean. That
Speaker 2: doesn't even like make sense. It's not empty. It's not
Speaker 2: like you're sitting there drinking wine. If you put your
Speaker 2: cup down, you'd be like, hey, that's my drink.
Speaker 4: Why my drink? She's hey, that's my glass.
Speaker 3: So specific with these altar switching, mirrors are used to
Speaker 3: help the switch. We see it happen when Bill is
Speaker 3: touching on Alice and they're about to have sex. She's
Speaker 3: like giggling and liking it, and then she looks in
Speaker 3: the mirror and all of a sudden, no more smile
Speaker 3: and she's just blank, no feeling empty, ready for the sex.
Speaker 3: Now that's what her brain does when she's because she's
Speaker 3: a whore.
Speaker 1: You know.
Speaker 3: Yeah, So that glass. By saying glass, that's like, that's
Speaker 3: my trigger to switch alters. That's that's how I switch.
Speaker 2: He drinks freaking glass. He drinks the whole class.
Speaker 3: Yep, he consumes the whole thing.
Speaker 2: So now her glass is empty, fucking dissociated. Oh, somebody's
Speaker 2: gonna say I'm a psychopath for looking into this.
Speaker 3: Leg All these things have meaning.
Speaker 2: Right, He drinks it to the very bottom. He doesn't
Speaker 2: just take a sip from her cup. He drinks it
Speaker 2: to the bottom. So now she's the empty glass, ready
Speaker 2: for the ready for the program right the.
Speaker 3: And then the other altar pops out where all of
Speaker 3: a sudden, she acts super drunk and she's all flirty
Speaker 3: with him, and she acts like she'd give him sex,
Speaker 3: but but her other programming, of mother programming won't allow that,
Speaker 3: and she walks away from him, and the band is
Speaker 3: playing only Have Eyes for You, like in the background,
Speaker 3: you know, and that's her moment of fidelity, you know.
Speaker 3: And it's like we can all relate, like, oh, I
Speaker 3: used to be uh, I used to phnicate all the time,
Speaker 3: but now I'm a married dude and I can't do that,
Speaker 3: I guess, So like we can all kind of relate,
Speaker 3: so like we you know, regular people watching, but this
Speaker 3: is he is accessing her programming with this motion of
Speaker 3: using doing her glass, and and she is she's being accessed.
Speaker 2: In the fucking scene right above it, the dude is
Speaker 2: standing behind him glass window.
Speaker 3: Yes, right there in a glass room.
Speaker 2: And he's in a glass room and he's just discovered
Speaker 2: his daughter with two fucking dudes fucking doing some training ship.
Speaker 2: And it's like, okay, now we've got two references to
Speaker 2: the glassroom.
Speaker 3: Now good point. Yeah, I never I never mentioned that,
Speaker 3: but but that that definitely that fits are So this
Speaker 3: is also she's looking up to see U R R
Speaker 3: A N the one in the other the at the
Speaker 3: end of the film, this is the moment when he's
Speaker 3: learning that Kurran has died, right, and so watch this
Speaker 3: is the moment that that Zandor guzzles the glass. Watch
Speaker 3: this the exact moment, Yes, what what on earth is
Speaker 3: going on here? This is what that That's the very
Speaker 3: moment where she's triggered. That's the very moment when he
Speaker 3: discovers that those two are in the room there. This
Speaker 3: is the very moment when he learned when later in
Speaker 3: the film, when U Bill learns that amandica and died
Speaker 3: and then we'll continue watching here. I'll kill you. I
Speaker 3: promise I'll kill you, he says, and then he says,
Speaker 3: I'm xandor zavostright, so here we go. Have you no
Speaker 3: sense of decency? As he kisses her hands. Have you
Speaker 3: gone crazy? We were unminded here by the young lady
Speaker 3: is my daughter? To hear that young lady, this is
Speaker 3: my daughter. Same moment where she says, my name is
Speaker 3: Alice Harford. This is my daughter. My name is Alice Harford.
Speaker 3: This is exactly relating. Alice is the same as Ley, sobiesky.
Speaker 3: It lines up perfect. Can't you see? This is my
Speaker 3: daughter and she's deranged.
Speaker 7: She is a child police, I will tell you.
Speaker 2: This is pretty.
Speaker 3: Wind himself clime his eyes out. This is someplace with
Speaker 3: a very bad climate. Where is Mandy right now? She's
Speaker 3: on a cold slab in a drawer.
Speaker 4: Oh ship, that is what she said?
Speaker 3: Yeah? Where is Where are these guys right now? Watch
Speaker 3: the moment that Mandy is pulled out of the door
Speaker 3: the drawer is the moment where the door gets locked.
Speaker 3: Watch please take here. He had a very good time first, right,
Speaker 3: like those guys just did. Had a good time first,
Speaker 3: like the cult just did with Mandy before she got
Speaker 3: put on that slab, A very good time, right, Wow,
Speaker 3: what kind you are you here with anyone? Watch, gentlemen,
Speaker 3: please have the goodness to big fire for the moment.
Speaker 3: Did you see, I say, you little wore. He's pointing
Speaker 3: as we see the dead Mandy on the slab, and
Speaker 3: listen to what he says, go to bed at once,
Speaker 3: like the big sleep Mandy is. She's gone to bed
Speaker 3: you as soon as a serf sentiment. She whispers in
Speaker 3: his ear. Lily whispers in his ear. You need an
Speaker 3: ermine cloak, which means that Ley was there at those parties,
Speaker 3: at those rituals before she knows about these parties.
Speaker 2: You need.
Speaker 1: What else?
Speaker 3: Okay? Please go ahead?
Speaker 2: Yes, well, I mean just like it's it's Bill and Mandy,
Speaker 2: Bill and Lee fucking Red Pope and Alice, and it's just.
Speaker 3: Like I don't think he's the Red Pope, but still.
Speaker 4: Go ahead, I think he is. You don't think so, No.
Speaker 3: I think that I think that the Red Pope is
Speaker 3: the guy in the newspaper who Mandy was betrothed to.
Speaker 3: I think that anyway, But let's please continue with your thoughts.
Speaker 1: No.
Speaker 2: I was just saying, like it's so interesting because it's
Speaker 2: all like couples, you know, and it represents like the
Speaker 2: mother the maiden and I don't.
Speaker 3: Know, and cron is the maiden, Alice is the mother,
Speaker 3: and Mandy here is the crone. This is the three
Speaker 3: aspects of the goddess right here on the screen. And
Speaker 3: so we listened to Zandor asks what do you do? Alice?
Speaker 3: So watch watch above what Lely does in response. It's
Speaker 3: like they it's totally lined up. Watch the creature, I
Speaker 3: deal with you as soon as a surfy sentiment. What
Speaker 3: you going to do? Alice? Well, at the moment, at
Speaker 3: the moment, look at what Ley Sylviaski's doing. She's like
Speaker 3: she's selling her wares. What do you do, Alice? Well
Speaker 3: at the moment? And then look what does she do?
Speaker 3: She's she was the kid in underwear trying to be
Speaker 3: a hooker, and she's also the woman here on the
Speaker 3: slab dead in the morgue, right, that's what she does. Well,
Speaker 3: it's an art gallery. But it went broke. It went
Speaker 3: broke when we when we zoom in on Mandy, who
Speaker 3: went broke? Or just that slave went broke and he
Speaker 3: went You notice how the car sound cut exactly where
Speaker 3: she said, but it went broke. And this is the
Speaker 3: same moment where Bill is realizing this is the same
Speaker 3: girl that he met at the party and so and
Speaker 3: then you look at both Bill's faces the same face.
Speaker 3: They're just like the game Stunned. He's got friends in
Speaker 3: the art game, right, thank you. Right, So there's a
Speaker 3: naval officer, there's the two maidens that us Arab at
Speaker 3: the party. So it's like all of these maidens are connected,
Speaker 3: they're all the same. So this is what Kubrick is doing.
Speaker 3: He's showing us that they're all the same girl. And
Speaker 3: look at this the dollar Bill He's got to cut
Speaker 3: in two right when he's talking to the two girls,
Speaker 3: like he's like, look it's Gemini, Like there's two of them, right,
Speaker 3: you know. And we see these two girls, the nw
Speaker 3: Ala Windsor and the other one from Rockefeller Plaza right
Speaker 3: Like everything you can skip to anywhere and you can
Speaker 3: see how all three like this is where he says
Speaker 3: she's a hooker. This is where she said like the
Speaker 3: star of Ishtar behind It's like it just keeps going,
Speaker 3: God damn, we see here they're grooming. And this might
Speaker 3: be when Bill is realizing that his daughter is all
Speaker 3: so part of it. If if there's other realizations. You
Speaker 3: could look at it different ways. Where Bill is realizing
Speaker 3: that his family and that his wife. It might be
Speaker 3: that like that he's realizing these things and not speaking
Speaker 3: them out to you. Could you could look at it
Speaker 3: in different ways. And the moment when she's look at this,
Speaker 3: when he's found.
Speaker 5: Out and where did she disappear?
Speaker 3: Now he's found out, Oh where did you disappear? With
Speaker 3: them for so long? And all of a sudden, the
Speaker 3: moment the ritual turns to where he has to confront
Speaker 3: Red Cloak and you know, uh, and the music even
Speaker 3: lines up, so I didn't disappear The word disappear, like
Speaker 3: right when we see this mask of the Eye of
Speaker 3: Providence with the triangle with the eye in it, and
Speaker 3: this is the same moment where uh. And in a
Speaker 3: couple of minutes, in like another minute, we're going to
Speaker 3: see the double headed eagle on the chair, which also
Speaker 3: relates to Freemasons appear. I didn't go with anybody, come forward.
Speaker 3: I got called upstairs to did you hear that?
Speaker 2: Ah?
Speaker 4: That was crazy.
Speaker 3: Red Cloak says, come forward, and Bill says, I got
Speaker 3: called upstairs to see him. Yeah, it's amazing. People. Everybody
Speaker 3: needs to take a big dose of mushrooms and watch
Speaker 3: this thing, like everything lines up and look at this. Okay,
Speaker 3: the scene where he finds the mask on the bed,
Speaker 3: the threat and there's the mask. They right, just a
Speaker 3: couple of minds. The music fits where did you disappear to? So?
Speaker 3: Then like and if you go further ahead here the
Speaker 3: uh the moment where he says, remove your clothes, M.
Speaker 1: Kindly remove.
Speaker 3: I like your mask. There's the mask right?
Speaker 5: Oh?
Speaker 3: She find and then he takes the mask off and
Speaker 3: look at he's got his hand on his heart. He's like, oh,
Speaker 3: found out where exceptions. At the beginning he says, I'm
Speaker 3: an exception. I would never do that. But in the end,
Speaker 3: this is the moment where he's found out where he
Speaker 3: did that. You see, like it even fits the X
Speaker 3: the exoteric story, the way that it lines up. What
Speaker 3: makes you an exception? What makes me? The minute he
Speaker 3: says get undressed is when he starts crying, He's like.
Speaker 4: I notice that.
Speaker 2: It's like he's bawling over on the other Yeah.
Speaker 3: And the guy's holding the mask over his heart like
Speaker 3: it's a protection, like it's his shield. He's trying to
Speaker 3: cover protect himself from these people. And she has the
Speaker 3: mask there on the pillow. It's all found out, like
Speaker 3: he's discovering because move your food. I would never hurt you.
Speaker 3: I never do that to.
Speaker 2: Me.
Speaker 4: You wouldn't fuck those two consideration, not because.
Speaker 3: It's just relax.
Speaker 4: The pot.
Speaker 3: He just said, I'll tell you everything. She yelled stop
Speaker 3: in the other frame, and he says, I'll tell you everything.
Speaker 3: I'll tell you everything. That's the rule. He wasn't supposed
Speaker 3: to do that answer the impression. That's what I was
Speaker 3: who we're arguing about.
Speaker 2: Him.
Speaker 3: She has to redeem him. And look at on the left,
Speaker 3: her eyes, her face, she has to deal with this guy.
Speaker 3: She's you know, is she ready to redeem him? The wife?
Speaker 3: You know? And she's looking down below in the other end,
Speaker 3: she's like, I'm trying to find out where you're coming from.
Speaker 3: She learns in the other frame where he's coming from.
Speaker 3: And look at what it does. She's crying all that.
Speaker 3: You know, I was just fain to find out where
Speaker 3: you're coming from. Listen the moment she says, tits already.
Speaker 3: Let's say, let's say, for example, you have some gorgeous woman.
Speaker 3: Are you sure you understand what you're taking upon yourself
Speaker 3: tits right at the moment, Oh my god, there's her
Speaker 3: effing tits right when she says her e fing tits
Speaker 3: and we see Bill's face over there.
Speaker 2: Like looking down all like, h yeah.
Speaker 3: When when I touched fing tits at work. It isn't
Speaker 3: just professional like you know, it's the truth. It is
Speaker 3: so amazing this movie. Now, what I want to know,
Speaker 3: I want to know what are you really thinking about
Speaker 3: when you're sing Alice, very welcome to be a doctor.
Speaker 3: It's all very impersonal and you know you are free.
Speaker 3: I warn you further or if you say a single word,
Speaker 3: if you say a single word, and he's saying sex
Speaker 3: is the last thing on my mind. And he said
Speaker 3: all the words to Alice, and Alice is one of
Speaker 3: their slaves. It's like he just told them everything that
Speaker 3: he can't keep a secret. And this is the moment
Speaker 3: where she tells him we have to bring Helena to
Speaker 3: the toy store. After he spills the beans and disobeys
Speaker 3: Red Cloak and tells somebody more than a single word.
Speaker 3: Now his daughter has to get abducted. That's why she's
Speaker 3: really crying because Bill ruined everything. Their whole the whole
Speaker 3: plan of raising a daughter, a nice little family for
Speaker 3: them to use and abuse whenever they want. Now that's
Speaker 3: all out the window, and now they have to abduct Helena.
Speaker 3: And now Helen is probably gonna be like Lely and
Speaker 3: she's probably gonna work at the garment shop. You know
Speaker 3: what I'm saying about watching with thee.
Speaker 2: There will be themost.
Speaker 3: Do you think.
Speaker 4: About what handsome doctor?
Speaker 3: The moment when the guy says there will be extremely
Speaker 3: dire consequences for you and your family, that's the same
Speaker 3: moment when Alice tells Bill, we told Helena we're going
Speaker 3: to bring her to the toy store. I'm gonna bring
Speaker 3: her toy store today. And the toy store is the
Speaker 3: handoff where she brings Helena to be given away to
Speaker 3: her cult. And I can even skip ahead to you. Yeah,
Speaker 3: so here's a toy store. He's the last do you
Speaker 3: understand the dire consequences?
Speaker 2: Right, hypothetical woman patient's mind leaks, he's.
Speaker 3: What makes him some shure. And there we have she's
Speaker 3: being taken by death and he's leading her.
Speaker 2: Away and the watching it happen.
Speaker 3: And this is the same moment when the thug starts
Speaker 3: following them. This guy, you can barely see him. Bill
Speaker 3: is stepping aside for the thug. You see him to
Speaker 3: the right of that screen. It's like Italian guy with
Speaker 3: like a five o'clock shadow, and he's looking down to
Speaker 3: where Helena was just and Bill has to step aside
Speaker 3: for him to move. Bill kind of like nods at him.
Speaker 3: So we are to look at this guy that Bill
Speaker 3: is moving aside for in the toy store. He appears
Speaker 3: directly at the same moment that the cloaked figure is
Speaker 3: leading Mandy away to her death.
Speaker 4: Stoping, this is.
Speaker 3: The same moment. This is the same character. Yes, this
Speaker 3: is they're taking Helena away, just like they're taking Mandy away.
Speaker 3: They're they're sending their goon to go grab her. Now,
Speaker 3: see now he passes them, and then we'll see that
Speaker 3: he goes beyond them and then turns around and starts
Speaker 3: following them, and we see them again, or we see
Speaker 3: him again right before she turns down the aisle of
Speaker 3: the two of the two old men at the end
Speaker 3: of the Teddy Bear a better reason.
Speaker 6: She's afraid.
Speaker 3: She's afraid.
Speaker 2: Okay, so so so after you tell her that everything's.
Speaker 3: Fine, so fast, what then? What then? Yes, what's going
Speaker 3: to pick. What is going to happen to that woman?
Speaker 3: What then?
Speaker 4: And then by the way to yes, yes, what is.
Speaker 3: Going to happen to that woman? What is going to
Speaker 3: happen to his daughter? The teddy bear at that same moment,
Speaker 3: and then we see those two guys holding the teddy
Speaker 3: bear laughing at the end of the aisle. What is
Speaker 3: going to happen? What is going to happen? No one
Speaker 3: can change you see the promise.
Speaker 2: And years of evolution, she said, years of fucking generational fucking.
Speaker 3: Yeah, trauma based mind control. And then we see directly
Speaker 3: behind her on the wall in the toy store, on
Speaker 3: that red wall that matches the red carpet all that
Speaker 3: we see. It's like on a shelf. There's like an obelisk.
Speaker 3: It's black and white, checkered with.
Speaker 4: A big star looking thing around it.
Speaker 3: Yeah, it's like it's kind of like it's a ferris
Speaker 3: wheel or whatever, and it's actually it's a yellow octagon.
Speaker 3: Shut up, h I know, I know, right, But the
Speaker 3: octagon represents the testa act, which is the hypercube, which
Speaker 3: is the mind control programming of the slaves there in
Speaker 3: the Eternal cage.
Speaker 2: You blew my mind with that when we talked about
Speaker 2: it on the Note episode, because you were like, well,
Speaker 2: look at it.
Speaker 4: It's a testa act and I was like.
Speaker 3: Oh, mynd yeah, yeah, the face of the bad the
Speaker 3: Evil Monster is a testa actor. It's an extruding cube.
Speaker 3: It's fucking amazing. Yeah. Jordan Peel's really smart and so
Speaker 3: like Kubrick, here he's showing above her head and then
Speaker 3: like it's in the background, but as she as they walk,
Speaker 3: this thing becomes behind her head. It settles within her skull.
Speaker 3: The way that the camera is lined up, it's like
Speaker 3: like the way that stars work, and like you can
Speaker 3: see a thing because it lines up with you know,
Speaker 3: so that that symbol is effectively through the camera lens
Speaker 3: being placed within her head, you know, in the space
Speaker 3: of her head. So that octagon represents the eternal cage
Speaker 3: of mind control. And he's asking her what do you
Speaker 3: think She's thinking, what the what the cult tells her
Speaker 3: to think? She's doing what the what the cult tells
Speaker 3: her to do?
Speaker 6: Women, it is just about security and commitment and whatever.
Speaker 1: That.
Speaker 3: So watch see behind them there's the thug and he's
Speaker 3: touching a teddy bear. See that he's walking around there
Speaker 3: here's his face again. See him at the five o'clock shadow,
Speaker 3: and he walks down the aisle behind the aisle where
Speaker 3: they walk. So when the little girl walks around the corner,
Speaker 3: there he is. He's the big bed wolf. So nobody
Speaker 3: notices that thug guy. I think I'm the first guy
Speaker 3: I notice him. Why do I think? Question too? She
Speaker 3: got a little stone tonight. I'll tell you what I
Speaker 3: do know. There's the same moment where we see Barbie
Speaker 3: and you know about Barbie.
Speaker 2: I know all about that motherfucker.
Speaker 3: Yeah, I know. And we see Marilyn Monroe in the dress.
Speaker 3: Fucking gentlemen prefer blondes. That's what Arizona Wilder was saying before.
Speaker 3: You know, gentlemen preferred blondes, right, So, and then she's
Speaker 3: in the ballerina. She got the ballerina nutcracker Barbie, and
Speaker 3: so this is I know what I do know is
Speaker 3: and then boom Kubrick cuts to Barbie dolls, Marilyn Monroe
Speaker 3: little girl coveting the nutcracker Barbie. And then in the
Speaker 3: box below the Marilyn Monroe doll is another Barbie trapped
Speaker 3: within a golden box and the window she's looking out
Speaker 3: from is an upside down pentagram. It's an upside down
Speaker 3: five pointed star trapped within a golden cage, and she
Speaker 3: looks out through a window of satanism. Fuck, I'll tell
Speaker 3: you what I do know. And then like if you
Speaker 3: look up to the right, there's like some ornate like
Speaker 3: ancient like old English costume of Barbie which shows the
Speaker 3: generational how long it's been happening, you know, like everything
Speaker 3: is there in the frame. And then like, I'll tell
Speaker 3: you what I do know. That's what I think what
Speaker 3: Kubrick really does know for sure, he does know about Maryland.
Speaker 3: He does know that these women are slaves. And this
Speaker 3: is him showing us that, you know. And this is
Speaker 3: also the moment where he locks the door behind him,
Speaker 3: like and then he's yelling. He's yelling at at Alice
Speaker 3: in the other frame. You know, he's I know what
Speaker 3: I do know. Find to pick a fight with me,
Speaker 3: and now you're trying to make me jealous, but you're not.
Speaker 3: And look at all the Teddy Bears, like over on
Speaker 3: the left, she's there on the side of the Teddy Bear,
Speaker 3: and we see the Pooh Bear way up in the
Speaker 3: corner with the elevators. What does elevators relate to? You know,
Speaker 3: the elevators are just satanic, I don't know, just the
Speaker 3: symbolism just you know, brings you deep into the underworld,
Speaker 3: like pulls you down. I mean, freaking Prince died in
Speaker 3: an elevator. They killed him in an elevator, and we
Speaker 3: got Pooh Bear right there, the yellow I have. So
Speaker 3: now the moment where we're at the ale, we see
Speaker 3: the two men at the end of the aisle, we
Speaker 3: see there is the tiger stuffed cats that she goes
Speaker 3: and stands right next to the stuff tiger and down
Speaker 3: below in the other one, she's like, you've never been
Speaker 3: jealous to me. She's mad. It's like she's doing this
Speaker 3: out of revenge. She's like pissed at Bill. She's like, yeah,
Speaker 3: let him have our baby. And this is the same
Speaker 3: moment he looks at Helena while she's sleeping. He like
Speaker 3: goes in her room and he likes sees and there's
Speaker 3: a big teddy bear in that scene too, where he
Speaker 3: looks at her asleeping and he's like, oh, she's safe. Oh,
Speaker 3: thank goodness, she's safe. And he's looking at her. But
Speaker 3: now I'll play it and we'll see in the toy store.
Speaker 3: He doesn't even look at her. His eyes are wide shut,
Speaker 3: jealous about me. Well, I don't know, Alice, maybe because
Speaker 3: your mind the same one, because you're my wife, right.
Speaker 3: And this is the moment where they're pushing, they're almost effecting.
Speaker 3: They're pushing out. Yeah, yes, that you can see. They're
Speaker 3: like pushing her shoulder. As those men go, they're like,
Speaker 3: go ahead, follow them. And she's got the cat beast
Speaker 3: there behind her. She's got the anana energy. That's the
Speaker 3: altar that's up and we see Helena asleep. Room two
Speaker 3: thirty seven told us about Look at the painting that
Speaker 3: she painted. It says sex like that's in the subliminals
Speaker 3: of what they're programming her with. And there's like there's
Speaker 3: two lamps and there's a clown on either side, a
Speaker 3: blue one and a red one. And there's a little
Speaker 3: teddy bear on her post, like the bedpost, and the
Speaker 3: little teddy bear has a rainbow on its t shirt
Speaker 3: and it's straddling the post like it's a phallic thing.
Speaker 3: So this teddy bear is going to relate to the
Speaker 3: rainbow room that she's gonna She's being programmed the same
Speaker 3: way that Ley Sobieski was programmed, right, so this is
Speaker 3: the same moment because you're my wife and you would
Speaker 3: never do that. And then she laughs at him. Watch
Speaker 3: maybe because you're the mother of my child. And I
Speaker 3: the little girl looked back for the last time. Alice
Speaker 3: was watching. But Bill was looking at Alice's face.
Speaker 4: Uh, mother of my child, right, and.
Speaker 3: Yes, And that's the last moment that Helena or that
Speaker 3: Alice is going to see Helena look at her face.
Speaker 3: She's like, oh, inside, all of her altars are screaming,
Speaker 3: but she has to do it. She just does it.
Speaker 3: And this is and look Bill, Bill was just looked
Speaker 3: at Helena and he closes his eyes. It's as if
Speaker 3: that it's as if he's feeling the pain of the
Speaker 3: of what's happening in the other frame.
Speaker 2: Do you feel like the name Helena was chosen specifically
Speaker 2: or did that come from the book?
Speaker 3: It was not in the book. I forget the girl's
Speaker 3: name in the book, but it was like a German
Speaker 3: family in the book.
Speaker 2: Well, you know, Marilyn Monroe died on Helena drive.
Speaker 3: Huh really yeah, I'm gonna make a note. Wow. Also,
Speaker 3: she relates to the gods Helena is like one of
Speaker 3: the biggest gods of the Greek pantheon, you know.
Speaker 2: But yeah, I thought that was so crazy because Marilyn
Speaker 2: died on don't get me to line about the number
Speaker 2: of the house, but it was on Helena Drive, and
Speaker 2: if it wasn't in the book Helena, then that's gotta
Speaker 2: be chosen.
Speaker 3: Right, Yes, you're right, anything that he changed, we need
Speaker 3: to pay attention to, yes, right, right. So yeah, and
Speaker 3: like hell in like hell in like in a hell right,
Speaker 3: you know, hal sounds like hell like that whole like
Speaker 3: it's I think Kubrick might have been using that too,
Speaker 3: because the way of the words work, like in your brain.
Speaker 3: Would never be unfaithful to me. Yeah, grateful, I'm sure
Speaker 3: of you, And she laughs grateful and then she's explaining
Speaker 3: we should be grateful, and basically she's telling him, like
Speaker 3: we should be glad they didn't kill us with all
Speaker 3: of our adventures. She's like, I'm saving you, buddy, even
Speaker 3: though he doesn't know. His eyes are wide shut. He's
Speaker 3: the jerk, you know, like that we've managed to survive.
Speaker 3: So as the one frame is she's telling him about this,
Speaker 3: the other frame, she's laughing in his face. After his
Speaker 3: daughter was stolen, and he's so sure that she'd never
Speaker 3: be unfaithful, and she's laughing in his face as like
Speaker 3: his kid gets given away. And we can tell in
Speaker 3: the other frame how much he cares about Helena and
Speaker 3: how like he looks at her when she's sleeping and
Speaker 3: he you know, he loves her. But he's probably not
Speaker 3: her dad. She was probably inseminated at one of those rituals.
Speaker 3: He thinks that he's her dad.
Speaker 2: Well, she's red headed and he's brunette and she's blonde.
Speaker 4: So you always have to say.
Speaker 2: I mentioned it all the time with the royal family
Speaker 2: about fucking Harry because he came out of the woodward
Speaker 2: with some fucking red hair, and Diana probably got inseminated
Speaker 2: by a higher upper if you know what I mean,
Speaker 2: a redheaded motherfucker.
Speaker 4: And that's who Harry's dad is, because.
Speaker 3: The firstborn had to be Charles. But after that they're
Speaker 3: allowed to be with who they like. Just what xandor
Speaker 3: Zavos said to Alice and the party, you know, oh,
Speaker 3: the beauty of marriage is once he married, you can,
Speaker 3: you know, be with who you like after that and
Speaker 3: you lose your virginny and then it's all so kind
Speaker 3: of the same way, Like the first guy gets first
Speaker 3: DIBs at inseminating her, you know, like after the ritual,
Speaker 3: the woman gets up and walks over and chooses one
Speaker 3: of the men. So that's almost like, oh, I got chosen, right,
Speaker 3: But then right after that all the other guys run train,
Speaker 3: and so no one really knows who the dad is,
Speaker 3: so like it's certainly not Bill. They own this daughter.
Speaker 3: They they own Helena, right, Bill is just he's in
Speaker 3: charge of feeding her and keeping her clothed, you know,
Speaker 3: That's why they give him such a good job. He
Speaker 3: doesn't do anything doctor, He just like checks their pulse,
Speaker 3: like puts his hand on their head when they die. Like,
Speaker 3: he doesn't do anything. He's so cush and his apartment
Speaker 3: is so rich. If you like lived in New York,
Speaker 3: it's like impossible to that apartment like that. You know,
Speaker 3: you gotta like.
Speaker 2: But he still only serves the elite class, even though
Speaker 2: he's a doctor, right right.
Speaker 3: He only serves them. And that's why when he was
Speaker 3: going to the Rainbow shop to begin with, he was
Speaker 3: trying to find one of his old clients. So the
Speaker 3: Rainbow Fashions was always run by the cult. Millich is
Speaker 3: just the new manager who's taken over who's pimping women now.
Speaker 3: But before Bill used to take care of the other
Speaker 3: guy that used to run that classroom, who used to
Speaker 3: be in charge of that operation. So Bill serves all
Speaker 3: of these all of his like all of his people
Speaker 3: are probably elite pedophiles doing to Baucher's sex with bread
Speaker 3: trauma based mind control hookers. Do you think that's funny.
Speaker 2: Yea.
Speaker 3: Mill So the only a dream stuff relates to, like
Speaker 3: the dream space, is when the locked away memories become
Speaker 3: liminal again and they can be accessed in a dream.
Speaker 3: And so these dreams that she has about the naval
Speaker 3: officer and all this stuff are memories that she had
Speaker 3: as a different self, and they bubble up in her
Speaker 3: dreams and she doesn't even know why they're important. Carrie
Speaker 3: explained that to me, she might not even know why
Speaker 3: she's having these dreams or why they're so important to her.
Speaker 3: But her there's a part of her that believes herself
Speaker 3: to also be elite. She is one of the ones
Speaker 3: who was not thrown away. She is like a diamond,
Speaker 3: you know, like how they give them diamonds, like they
Speaker 3: don't set these ones on fire. They don't let dogs
Speaker 3: eat this one. These ones they use for bre She's
Speaker 3: one of the better ones. And that's what the Filimla
Speaker 3: programming and other like the o cult priestess. There's an
Speaker 3: altar inside which believes herself to be elite bloodline and
Speaker 3: is happy to be and is proud of being part
Speaker 3: of this cult, and that overrides the will of the
Speaker 3: other ones. So that is the crown that holds down
Speaker 3: the two heads of the eagle. Like that, there's an
Speaker 3: internal altar which keeps the separations, which keeps all the
Speaker 3: other ones in order. And the more you learn about
Speaker 3: trial based my control, you'll see that. So this she has,
Speaker 3: Alice has a elite a cult personality that is proud
Speaker 3: to work for them that when that feels that's the
Speaker 3: only time when they're allowed to shine, right, that's the
Speaker 3: only time when they can be their best self and
Speaker 3: they're not like be treated like treated like crap. Like
Speaker 3: I mean, my dad was beat up his whole life
Speaker 3: by his dad. But when he would help swing a
Speaker 3: hammer or carrie shingles or help build the house, he
Speaker 3: would get a pat on the head, good job, son,
Speaker 3: you know, And then my dad grew up a carpenter.
Speaker 3: Just happened that, right, So that's like how it works though,
Speaker 3: that that person is proud even though they're abused all
Speaker 3: the time, they're proud to be that and it uh
Speaker 3: so that is that is the main will that is
Speaker 3: acting with Alice, and that's why Alice does everything the
Speaker 3: cult tells her, and that's why she has these dreams
Speaker 3: bubble out because that's when she felt whole and complete
Speaker 3: and happy and true. And she even describes it in
Speaker 3: her dream to Bill. She says, it's funny because you
Speaker 3: were dearer to me than ever and we talked about
Speaker 3: our future, and we talked about Helena, but at no
Speaker 3: time was he ever out of my mind like she
Speaker 3: was out of her mind. Right. So this is she's
Speaker 3: explaining what it is to be the victim. She doesn't
Speaker 3: even know what these memories are, but the true self
Speaker 3: inside is giving in dreams. And Kubrick understands this all
Speaker 3: and he gives it to us in this film, and
Speaker 3: he constructed the film precisely so that it aligns in
Speaker 3: one hour intervals so that we can discover this information.
Speaker 3: And it further cements the message by having all three
Speaker 3: work together, and then when the when the first film
Speaker 3: goes black, when the third film gets to the point
Speaker 3: at one hour, you can start it again and it
Speaker 3: can be like a never ending MOBI, a strip of
Speaker 3: this movie where it's all three playing all the time. Yeah.
Speaker 3: So like Kubrick, he filmed it, he didn't. It's the
Speaker 3: longest filming of any any movie. It's again his Book
Speaker 3: of World records. It took him like two years to
Speaker 3: shoot the film. And before he shot any scenes on film,
Speaker 3: he put it on all on VHS tape and he
Speaker 3: sat down with the actors and he went over, I
Speaker 3: like what you did here. I like how you do that?
Speaker 3: I'll do more of this. Don't do that. And this
Speaker 3: way they're in real time. They're able he's able to
Speaker 3: see how long it takes for the lines to be spoken,
Speaker 3: how they and then when he edits it later, he
Speaker 3: can construct the scenes so that they align perfectly at
Speaker 3: the one hour mark, and with all of the messages
Speaker 3: that he's putting, he can be like, this is going
Speaker 3: to happen at about thirty six minutes, and then it
Speaker 3: can re reinforce that message at one hour in thirty
Speaker 3: six minutes, and then again at two hours in thirty
Speaker 3: six minutes, you know, So this this proves that there
Speaker 3: couldn't have been anything taken out because it wouldn't line
Speaker 3: up this perfectly. It would be it was just not fit.
Speaker 3: So Kubrick gave this as not only as it like
Speaker 3: it's a key to decipher the message, it's also like
Speaker 3: proof that it's complete. It proves that nothing was cut.
Speaker 3: I don't know if he was murdered. I think his
Speaker 3: health was declining. Maybe he knew that he wasn't going
Speaker 3: to survive much longer and this film was going to
Speaker 3: be the next one after Lolita, but he kept putting
Speaker 3: it off, putting it off. And I think it's because
Speaker 3: it it takes this much time to create such a
Speaker 3: masterpiece and to have it layered in so perfectly. It's
Speaker 3: that's what it is.
Speaker 2: It's an actual masterpiece.
Speaker 3: Yeah, right, like the best one. Like everybody's like, oh man,
Speaker 3: but really the way that it's constructed, the way that
Speaker 3: some of the lines, he's like, what then, and we're
Speaker 3: like waiting for the next line, and some people are like,
Speaker 3: it's really odd the timing of the dialogue. But then
Speaker 3: when we see it line up completely, it lines up
Speaker 3: with the other frames, So the other frame is answering,
Speaker 3: what then, what is going to happen to that woman? Right,
Speaker 3: It's as if the first frame had to wait for
Speaker 3: the other frame to say that line so that it
Speaker 3: lines up. It's like they're speaking so that it's it's
Speaker 3: meant to be seen this way, just like the the
Speaker 3: just like the Maidens. Here in this film, it's a
Speaker 3: three aspects of the Maiden, the Maiden, mother, and Crone.
Speaker 3: This film is meant to be watched three ways together
Speaker 3: to get the full understanding of what the Maiden really is.
Speaker 3: She's got three different lives, She's used for many different purposes.
Speaker 3: And that's Cooper is showing us. This is it's more
Speaker 3: than just showing us the maidens and the hookers. He's
Speaker 3: showing us the mind control and what it is to
Speaker 3: be one of these women, and how the cult treats
Speaker 3: these women, and how the organized crime of the operation
Speaker 3: and the blackmail of it all, and the hooking, and
Speaker 3: like even man or even Domino, the girl on the street,
Speaker 3: she too had a stuffed lion cat on her bed
Speaker 3: and the bedspread was like red bedspread, head like roses
Speaker 3: on it, which is even more Rosicrucian stuff even goes
Speaker 3: even deeper. And she had like a mirror on her
Speaker 3: wall with a candle in front of it, Like, why,
Speaker 3: here's the big mirror with a candle. It's like a
Speaker 3: mirror for looking at your face. But then you put
Speaker 3: like your magic candle right there for when you're doing
Speaker 3: your you know, your wickan magic or whatever. She's got
Speaker 3: all the masks on the walls which represent the split personalities,
Speaker 3: just like the heads in the Rainbow room, and just
Speaker 3: like the masks of the ritual space.
Speaker 2: And she had all those teddy bears on her bed.
Speaker 3: Yes, yeah, which is a stuffed cat, just like Inana.
Speaker 3: And then if you look at Lolita, when when the
Speaker 3: Quilty is crawling up the stairs and he's getting shot
Speaker 3: by Humbert, he crawls behind the portrait and then Humbert
Speaker 3: shoots through the portrait like he's shooting the portraits. He's
Speaker 3: shooting the people hiding behind the portrait. And then when
Speaker 3: we see that portrait is a maiden and it's on
Speaker 3: a tiger skin rug like it's it is the Scarlet
Speaker 3: Horror riding the cat Beast of Babylon. It's the Scarlet
Speaker 3: Horror Babylon right there, and Quilty, the rich occultist who
Speaker 3: rapes little girls is hiding behind those portrait, these portraits,
Speaker 3: which the portraits are heavily revealing, like in this film too.
Speaker 3: And I talked about it a lot in the cul
Speaker 3: Kubrick and the Butterfly Nets. So and even.
Speaker 2: If it wasn't like if we're just talking about surface
Speaker 2: level shit for someone who is not a conspiracy theorist whatsoever, right,
Speaker 2: and they're gonna sit down and watch eyes wide shut,
Speaker 2: the surface level story is even such a fucking study
Speaker 2: in the heat human condition because it's so true.
Speaker 4: Right.
Speaker 2: The woman is always the one that's insatiable. She's bored
Speaker 2: out of her fucking medulla having to be with fucking Bill,
Speaker 2: and she's like, she's like tired of her life, and
Speaker 2: I feel it. And then you know, and I'm not
Speaker 2: just saying this because I'm recently divorced or anything, but
Speaker 2: you do get to a point where you're like, you
Speaker 2: bore the fucking dog shit out of me. I swear
Speaker 2: to God, if I had a chance with that navy
Speaker 2: guy or whatever, the sailor, like when she all the
Speaker 2: flashback scenes where she was fantasizing about it. That's like
Speaker 2: some real fucking shit. And the argument that they're having, Oh,
Speaker 2: when you do a breast exam, like you're not in
Speaker 2: you're touching her titties, and like you don't have any
Speaker 2: thoughts in your head about she's projecting onto him her desire.
Speaker 4: To get fucked by some other guy.
Speaker 2: She's projecting from herself onto Bill, who's not even like
Speaker 2: he didn't even ask for the conversation. He didn't even
Speaker 2: bring it up. She brought it up about the models
Speaker 2: and where.
Speaker 4: Did you go?
Speaker 2: And it's just such a study in the human condition.
Speaker 4: Is she's so.
Speaker 2: Fucking bored out of her fucking mind and it's just like, Yeah,
Speaker 2: you're stuck together in this prison of marriage with this
Speaker 2: person that you know it's Bill is like the big
Speaker 2: idiot in this whole movie. Like he's the dumb ass
Speaker 2: in every even conceivable way. He's just the dumb fuck
Speaker 2: that you know, nobody wants him at the party, his
Speaker 2: wife barely wants him. He's a shitty dad, you know,
Speaker 2: letting them take Helen.
Speaker 4: Off at the end.
Speaker 2: And he's just this big dumb ass, this big fucking
Speaker 2: dumb ass.
Speaker 3: The movie is not about him, and you know Kubrick,
Speaker 3: he was going to do it in the seventies or
Speaker 3: early eighties, and he was going to have Steve Martin
Speaker 3: played Bill's character. And one of Kubrick's favorite films is
Speaker 3: The Jerk Steve Martin, and to have Steve Martin be there,
Speaker 3: he is the jerk, Like he's the jerk like I'm
Speaker 3: on the phone book.
Speaker 4: Well you know, like the character is.
Speaker 3: So stupid and blind to everything. That's Bill. That's right, Bill, right, yeah,
Speaker 3: and we and he thinks he's so great. Oh this
Speaker 3: is what you get when you make house calls.
Speaker 2: Right.
Speaker 3: But really they're inviting them to the party because of her,
Speaker 3: because Alice, you know, like she's their favorite and so
Speaker 3: like that's why they get invited every to the party
Speaker 3: every year. That's what. Like he's just a warm body
Speaker 3: to be a dad for them to raise their little butterfly.
Speaker 2: Yep.
Speaker 3: And you know, the elites they don't just you know,
Speaker 3: they might own the hookers on the street, but they
Speaker 3: don't just find some random hooker. You know, they're not
Speaker 3: they don't do like what Epstein was doing, like random girls,
Speaker 3: like they breed them, like they from scratch. It's not
Speaker 3: like Kathy O'Brien was sold to the government, like you know,
Speaker 3: like sometimes like John, I.
Speaker 2: Swear like that that story is so sad.
Speaker 3: Right right, And she was a throwaway cats in.
Speaker 2: It like the generational as we were discussing. So in
Speaker 2: this situation, Patsy is Alice and John Benet is Helena,
Speaker 2: I mean, was born, raised for the slaughter, right.
Speaker 3: Right, and groomed for it. Yep. And all those people
Speaker 3: were touching her body because all those people touched her
Speaker 3: body during the ritual when they killed her, you know,
Speaker 3: and like they so there are throwaway ones and there
Speaker 3: are not throwaway ones. And some of them they think themselves,
Speaker 3: like Alice does. We should be grateful. We're lucky that
Speaker 3: we weren't like John Benet or Mandy. You know, we survived.
Speaker 2: We get to live whether or not it's a great existence,
Speaker 2: I mean, but at least we're not dead.
Speaker 3: Might as well let the power elite just do what
Speaker 3: they're going to do, because you can't fight it. They're
Speaker 3: just going to take control of your whole life. Just
Speaker 3: you know that scene in the billiard room where Bill
Speaker 3: is like Ziggler puts his hands on Bill's shoulders and
Speaker 3: he's like, people die it happens all the time, you know,
Speaker 3: like that's a threat to Bill, and Bill has to
Speaker 3: like take that and go with the lie instead of
Speaker 3: the truth. Yeah, because to believe the lie is too
Speaker 3: much drive you crazy. That's why when nine to eleven happens,
Speaker 3: they say, oh, yeah, I was steel beams melted because kerosene. Yeah,
Speaker 3: Norad stood down because some guys that lived in a
Speaker 3: cave in Afghanistan. That's why Norad didn't go and shoot
Speaker 3: those planes down. You know, like they tell us these
Speaker 3: completely ridiculous lies like oh, door was locked from the inside.
Speaker 3: Cops are happy, end of questions.
Speaker 2: You know.
Speaker 3: That's how they control information. They control the newspapers, they
Speaker 3: control the actresses, all the models, Marilyn Monroe, all.
Speaker 2: Of it, right, every fucking aspect, right.
Speaker 3: And that's what your show talks about all the time,
Speaker 3: and my show too, we talk about the mind control
Speaker 3: and sovereignty, you know, of personal owning your own soul,
Speaker 3: not giving into their control. You know, it's just.
Speaker 2: It's so sad, it's so fucking sad. And like I
Speaker 2: do understand that our work is important, Like this project
Speaker 2: is crazy important, Like yes, it's a movie, but it's
Speaker 2: so much more. It's so much more than a movie,
Speaker 2: and it's this game that they're consistently playing on us,
Speaker 2: right right in front of our eyes.
Speaker 6: Literally shut see shut exactly.
Speaker 2: But I mean, thank you so much for bringing this
Speaker 2: on my show. I am flabber fucking yeah. And so
Speaker 2: if someone wants to just watch it without our commentary, yes,
Speaker 2: where can they find your project?
Speaker 3: They can find it at well. All my stuff is
Speaker 3: posted at one great worknetwork dot slash Sean hyphen McCann,
Speaker 3: and there I have a page where I post I
Speaker 3: embed the links. I make a new page for every
Speaker 3: project and I embed all the links and where I
Speaker 3: post it. But you can find the Fidelio experiment. I
Speaker 3: put it on Odyssey on my Odyssey page. You can
Speaker 3: find that on wakethedead on Odyssey dot com, o d
Speaker 3: y see dot com. I also put it on Rumble,
Speaker 3: but it was too big a file to put it
Speaker 3: on bit shoot. I might have to shrink the file
Speaker 3: down and maybe get on bit shoot. Right now, it's
Speaker 3: on those two places, cause it's like five hours. I
Speaker 3: wanted to show prove that I'm not pulling at editing,
Speaker 3: moving stuff around. I play the whole thing start to
Speaker 3: finish the number one screen, start to finish number two screen,
Speaker 3: and those go black and the last one plays out
Speaker 3: to the end. I let the whole thing so you
Speaker 3: can skip to the middle and see where all three
Speaker 3: line up. But I just displayed it all for everybody
Speaker 3: to see. I'm not playing around. This is Kubrick's movie.
Speaker 3: I'm not editing or doing anything. It's complete. So you
Speaker 3: can find that. It's called Fidelio Experiment, and you can
Speaker 3: look it on Google. Probably find it Fidelio Experiment. It's
Speaker 3: many hours, and if you look up on Odyssey, there's
Speaker 3: a way to download. If you click the little three
Speaker 3: dots button, it'll give you the option option to download,
Speaker 3: So get it on your computer. I'm not making any
Speaker 3: money from it. It's fair use, like I'm not. I'm
Speaker 3: showing the genius of the movie, and it adds to
Speaker 3: the value of the movie itself. I believe that I'm
Speaker 3: adding value to Eyes Wide Shut. I'm not making money
Speaker 3: off of their copyrighted material, so right, I believe this
Speaker 3: all to be fair use and I'm not charging money.
Speaker 3: Everybody can see it for free, so they can find
Speaker 3: that Fidelio Experiment on my weake the dead pages of Odyssey, Rumble,
Speaker 3: and I also have a bit shoot and I also
Speaker 3: post on Spotify and you can find all on Apple, Google,
Speaker 3: all the audio places. You can find Wake the Dead
Speaker 3: podcast and I I've been kind of slow. I've got
Speaker 3: some shows like ready to go, but I haven't posted
Speaker 3: them yet. I've been having a you know, it's summertime
Speaker 3: and it's tough to get everything going and like to
Speaker 3: have everything. So I didn't post anything this week. You know,
Speaker 3: I'm sorry listeners, but I do have more shows in
Speaker 3: the works and we're doing this here today, and so
Speaker 3: I haven't stopped. I'm just I had to slow down
Speaker 3: and I'm working on another side project and I'm trying
Speaker 3: to get I'm trying to get something else done and
Speaker 3: I'm so I'm trying to focus and rearrange my life
Speaker 3: a little bit. So but hopefully it'll it'll be done
Speaker 3: by the end of the year.
Speaker 2: And you feel like me, Sean, I'm just like, I
Speaker 2: haven't stopped.
Speaker 4: I'm just kind of up right now.
Speaker 3: Yeah, yeah, yeah, right. It's tough, man, It is tough.
Speaker 3: We got to keep the keep all the threads together,
Speaker 3: eyes that bind, you know, or sometimes let them go,
Speaker 3: and like it's tough. It's really tough. Weir and I
Speaker 3: know that your life has been like really rocky and
Speaker 3: you've had a lot. I hope that's free.
Speaker 2: I mean it's been I don't know about you, but
Speaker 2: twenty twenty four has been like one of the most
Speaker 2: revealing years of.
Speaker 4: My entire fucking life.
Speaker 2: Like it's I'm not even I don't even know if
Speaker 2: I'm the same person anymore. Like twenty twenty four happened
Speaker 2: and like I'm fucking Phoenix from the.
Speaker 4: Ashes or some shit like that.
Speaker 2: It's been transformative and no years dark occultism.
Speaker 3: I'm just saying it's been alive.
Speaker 4: It's formative year.
Speaker 3: I think the wheel of time is like we're like
Speaker 3: the universe is grinding our face against the wheel and
Speaker 3: it's like grinding off all the all the like it's
Speaker 3: I go deep with it, but we gotta go. I
Speaker 3: gotta I gotta get ready for work.
Speaker 2: All right.
Speaker 3: Thank you for having me, Thanks for being here.
Speaker 4: I was love working with you. Where he's in a pod.
Speaker 3: I feel like literally anytime, like we need to and
Speaker 3: maybe Dune. Maybe it's a big project, huge huge project.
Speaker 2: Keep it on the back burner though, you know, because
Speaker 2: it's it's a great.
Speaker 4: Both of those movies are great. But thank you so much, Sean.
Speaker 4: This was amazing.
Speaker 2: We'll have to do it again sometime soon, and I
Speaker 2: hope all the listeners go and find more of your work.
Speaker 2: And to all of those who stuck around to the end,
Speaker 2: you're amazing and we will catch you on the next one.
Speaker 1: Cheers, sh