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<v Speaker 1>Oh that.

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<v Speaker 2>Trigger.

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<v Speaker 3>Warn this podcast may include explicit content that will take

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<v Speaker 3>you out of your comfort zone and make you question reality. Listeners.

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<v Speaker 3>Next question is advised.

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<v Speaker 2>All right, everyone, you know what it is. We have

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<v Speaker 2>Sean McCann back. He is one of your favorites in

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<v Speaker 2>mine too, and I'm really excited because last time we

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<v Speaker 2>got together, we were talking about the Fidelio experiment, but

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<v Speaker 2>we didn't get to dive into any of the details.

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<v Speaker 2>And that's what we're doing today and I am beyond excited.

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<v Speaker 3>Sean.

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<v Speaker 4>How are you.

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<v Speaker 3>I'm very good, thank you, and I'm delighted to be

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<v Speaker 3>here again. This is a home away from home here

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<v Speaker 3>in your show for sure, for sure.

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<v Speaker 4>And so we're both big Kubrick fans.

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<v Speaker 2>And if you could, for the listeners kind of tell

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<v Speaker 2>us how this project came into being, because I'm so curious.

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<v Speaker 3>Well, I guess I have always been the fan of

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<v Speaker 3>Kubrick a long time, and I'm a photographer, and so

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<v Speaker 3>I would instead of just like I'm going to sit

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<v Speaker 3>down and watch a movie like, I would put it

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<v Speaker 3>on while I'm doing something else like music, you know,

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<v Speaker 3>and I would take in from a sidereal perspective, and

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<v Speaker 3>that way it goes into my brain in a different way.

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<v Speaker 3>I'm not like absorbed in the story. I'll notice more.

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<v Speaker 3>And I got like this lightning bolt kind of whoa

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<v Speaker 3>when I saw the paintings in Eyes Wide Shut, and

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<v Speaker 3>I started down this rabbit hole of how the paintings

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<v Speaker 3>were in Ies White Shut relate to the painting in Lolita,

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<v Speaker 3>and I just fell into it, you know, and digging

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<v Speaker 3>up all this information. And a friend of mine was

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<v Speaker 3>putting on a event where he and he asked me

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<v Speaker 3>to do a presentation and it was kind of up

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<v Speaker 3>in the air whatever I wanted to talk about, and

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<v Speaker 3>I was like, well, I got all this information. So

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<v Speaker 3>I kind of coalesced it into a thing and made

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<v Speaker 3>a video, and you know, then it was finally all

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<v Speaker 3>this that I've been talking to people at the fire

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<v Speaker 3>like hanging out. You know, it's finally a thing. And

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<v Speaker 3>I was so proud and like I could share it.

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<v Speaker 3>And ever since then, I still keep learning more, you know,

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<v Speaker 3>and like it keeps unfolding. And that's the beauty of

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<v Speaker 3>a Kubrick film. It's not like subjective, it's like actual

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<v Speaker 3>elements from the real world that we can see on

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<v Speaker 3>the screen to give us more information on the whole thing,

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<v Speaker 3>the whole picture, you know, and so it's just everybody

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<v Speaker 3>that is a fan of Kubrick should know. It's these

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<v Speaker 3>deep rabbit holes of information. And while I was there,

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<v Speaker 3>I discovered, like I was learning at the same time

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<v Speaker 3>about trauma based mind control and satanic ritual abuse and

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<v Speaker 3>Kathy O'Brien and reading I was reading a Sue Ford's

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<v Speaker 3>book there Thanks for the Memories, and Kurth Barker and

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<v Speaker 3>like these testimonies of people that had grown up in

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<v Speaker 3>generational ritual abuse and so like my my brain was

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<v Speaker 3>like it had all that in there already. And then

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<v Speaker 3>I then I saw that Room two thirty seven and

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<v Speaker 3>that it's a documentary everybody's probably familiar with. It was

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<v Speaker 3>on Netflix for a lot of years and John fell

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<v Speaker 3>Ryan is one of the one of the people who

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<v Speaker 3>was interviewed for that film, and he says that Helena

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<v Speaker 3>is stolen at the end, and I was like, oh

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<v Speaker 3>my god, yeah, and everything clicked and I was like,

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<v Speaker 3>holy crap. That is they are stealing the next generation

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<v Speaker 3>of Maiden and that's the intergenerational monarch programming, and that's

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<v Speaker 3>what they did to Kathy O'Brien. That's what they did

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<v Speaker 3>to you know. They they breed them and they take

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<v Speaker 3>the children because they're more or apt to dissociate. Dissociation

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<v Speaker 3>is a genetic trait. It's learned genetically, so like when

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<v Speaker 3>they torture the parent, it affects the genetics of the baby,

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<v Speaker 3>which makes them more readily able to endure that type

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<v Speaker 3>of abuse. Like dissociation is like a it's like a

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<v Speaker 3>safety valve or it's like a it's like a safety

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<v Speaker 3>switch for your brain, Like when you're getting eaten by

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<v Speaker 3>a tiger, all of a sudden, you get adrenaline to

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<v Speaker 3>like run away and not feel pain. Kind of the

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<v Speaker 3>same thing with dissociation. If if a child is held

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<v Speaker 3>down like or like circumcision we talked about before on

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<v Speaker 3>your show, like the baby's held down and then abused

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<v Speaker 3>so that it can't fight or run, its only choice

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<v Speaker 3>is to dissociate. And so anyway, that's genetic trait. And

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<v Speaker 3>these dark occultists who do these ritual abuse to these

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<v Speaker 3>for generations, which I also is what I discovered in

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<v Speaker 3>the paintings is that it's generational for the people wearing

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<v Speaker 3>the masks too, like they've been doing that for generations

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<v Speaker 3>and of course, and that all fits in with the

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<v Speaker 3>whole thesis. So that was like another lightning bolt. And

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<v Speaker 3>so like I've been going on to Williams Show, William

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<v Speaker 3>Ramsey mentioned him earlier. William Ramsey investigates he's a friend

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<v Speaker 3>of both of ours, and he was interested in the

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<v Speaker 3>Eyes White Shut thesis that I had about how the

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<v Speaker 3>movie's not really really my thesis. Right here we go,

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<v Speaker 3>the movie's not really about Bill Bill Harford. The main character,

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<v Speaker 3>Tom Cruise. Tom Cruise is the vehicle that we get

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<v Speaker 3>to learn about the story. He's just a bumbling fool

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<v Speaker 3>who is stumbling across all of these facts are in

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<v Speaker 3>his general vicinity. But really the story is about Alice,

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<v Speaker 3>the wife of Bill Harford, Alice Harford, and she's named

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<v Speaker 3>Alice because of the reference to Alice in Wonderland, which

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<v Speaker 3>is a right you know yourself as a trauma based

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<v Speaker 3>my control programming set like that. So that right there

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<v Speaker 3>is a clue. Kuprick is giving us many clues. And

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<v Speaker 3>the very first shot, the very first image that we

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<v Speaker 3>see of this film is Alice naked, well, she's disrobing.

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<v Speaker 3>She's wearing a black dress like a black robe, and

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<v Speaker 3>she drops it off her body the same way that

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<v Speaker 3>the women do at the ritual, and then she steps

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<v Speaker 3>out of it with her high heels. What's she wearing heels?

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<v Speaker 3>I forget, but anyway, she steps out of the dress

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<v Speaker 3>and it's the same way they do it the ritual.

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<v Speaker 3>So right there, like Kubrick is showing us she used

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<v Speaker 3>to be at the ritual. She was trained to do that. See,

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<v Speaker 3>and we also see that she's in front of her

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<v Speaker 3>Her closet doors are mirrors, and one of the doors

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<v Speaker 3>is open and it's Alice, and that's a looking glass

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<v Speaker 3>like to go be you know, behind the looking glass.

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<v Speaker 3>All of that's right there, and she's between two pillars,

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<v Speaker 3>which is in Anna. That is like if you look

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<v Speaker 3>at the tarot High Priestess, I think it's like the

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<v Speaker 3>number three, like the number zero is the fool, number

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<v Speaker 3>one is the magician, and then I forget how it goes.

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<v Speaker 3>I think the next one after that is the high Priestess.

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<v Speaker 3>And it shows even in the writer weight deck, it

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<v Speaker 3>shows the maiden in a throne between two pillars, and

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<v Speaker 3>I think she has two cat beasts like at her

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<v Speaker 3>flanking her, and that's in Anna has always been depicted

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<v Speaker 3>with cats. Large cats. And we see that in Eyes

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<v Speaker 3>Wide Shut with the stuffed tiger or the stuffed lion

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<v Speaker 3>or whatever. We see that multiple times with Domino's bed

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<v Speaker 3>and in the toy store at the end. So and

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<v Speaker 3>we also have so those are the pillars of Jaquim

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<v Speaker 3>and bo Az of freemasonry. And behind her is pomegranates,

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<v Speaker 3>and these pomegranates are in the shape of the cepha

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<v Speaker 3>Roth of the tree of life. So this is huge

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<v Speaker 3>lots of information. And on her lap she has a

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<v Speaker 3>book and I think it's the Tarot, but it's like

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<v Speaker 3>a book, it's like information. But anyway, the Tarot is

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<v Speaker 3>a book. That's consider her book of images. And so anyway,

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<v Speaker 3>this is like the first image. This is what the

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<v Speaker 3>movie is really about. And so she is Inana. Like

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<v Speaker 3>the pomegranates relate to Anana because of Demeter and Persephone.

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<v Speaker 3>Persephone was stolen by Hades brought down in the underworld.

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<v Speaker 3>You know that whole story. Yeah, yeah, But like she

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<v Speaker 3>eats six pomegranate seeds and that is the the Greek

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<v Speaker 3>or Roman I think it's the Greek one with Persephone.

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<v Speaker 3>That's the Greek version of the Inana story of the

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<v Speaker 3>Samerians and the Babylonians had the same story and her

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<v Speaker 3>name was Ishtar, so it's the same goddess like you know,

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<v Speaker 3>and it's the same story even like Inana goes into

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<v Speaker 3>the underworld and she's made to be trapped there, but

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<v Speaker 3>she finagles her way out of being able to get

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<v Speaker 3>out every six months, and then she made Tamus, her

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<v Speaker 3>male counterpart, goes in her place, so like while she's

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<v Speaker 3>you know, in the summer months, so while while she's

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<v Speaker 3>on the earth, it's fertile, the land is fertile, you know,

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<v Speaker 3>just like Persephone. So it's like a death rebirth fertility

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<v Speaker 3>ritual and long before the Jesus myths and all of

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<v Speaker 3>the male death and rebirth it so it's like the

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<v Speaker 3>old religion, you know. So, uh, that's what. And then

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<v Speaker 3>we see like later she goes into the party and

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<v Speaker 3>she there's all these Ishtar stars eight pointed stars and

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<v Speaker 3>surrounding her head like framed around her, and we see

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<v Speaker 3>at the party she slips into the altar of being

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<v Speaker 3>one of the maidens, and zandor Zavosh, like will He,

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<v Speaker 3>he accesses her through a certain series of motions and

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<v Speaker 3>words that unlocks the programming within her. That's one of

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<v Speaker 3>the phenomenon of these trauma based mind controlled slaves is

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<v Speaker 3>that their altars are programmed in different ways, and the

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<v Speaker 3>altars can be called up to the foe to the front,

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<v Speaker 3>while the main alt the main persona has to sit

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<v Speaker 3>in the back seat, you know, while the other one

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<v Speaker 3>takes control of the body. So like, uh, this kind

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<v Speaker 3>of like this revelation that I learned from room two

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<v Speaker 3>thirty seven, Like why didn't I see it before? Oh?

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<v Speaker 3>My god? And so it all unfolded from there. And

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<v Speaker 3>and so I was talking with William Ramsey a bunch

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<v Speaker 3>and uh, we were I was going to do a

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<v Speaker 3>show about Troum Novell, which you can find on my

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<v Speaker 3>Wake the Dead Roster of shows and Williams as well,

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<v Speaker 3>where we talked about trom Novelle and how that is

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<v Speaker 3>different from Eyes Wide Shut and comparing contrast the original.

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<v Speaker 3>The film was based on trom Novelle as the book

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<v Speaker 3>by Arthur Schnitzler, and some of the elements were not

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<v Speaker 3>in the book, but the film, so Ziggler was not

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<v Speaker 3>in the book xandor Zavost was not in the book.

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<v Speaker 3>Ziggler means builder in jail, which means Mason. So there's

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<v Speaker 3>a lot like hung on these elements. And so the

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<v Speaker 3>guy with the costume shop was in the book. And

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<v Speaker 3>the Maiden, the young girl who was leey Sobieski's character,

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<v Speaker 3>she was in the book too, so that is a continuation. Nightingale,

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<v Speaker 3>the guy's name being Nightingale is was original in the book.

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<v Speaker 3>And that goes back to Avid, who was also mentioned

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<v Speaker 3>by Xandor's Avast he was talking to there was a

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<v Speaker 3>scene where there's a string of lights from his mouth

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<v Speaker 3>to her ear, from Xandor's to Alice's ear, and he's

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<v Speaker 3>telling her about Avid and Avid's poetry, and and Avid

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<v Speaker 3>wrote a book Metamorphosis, and metamorphosis is all about like

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<v Speaker 3>what a butterfly does, like the monarch, right, and so yeah,

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<v Speaker 3>and there's another reference to another book named Metamorphosis, the

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<v Speaker 3>story of Psyche and Psyche and Aros, that whole story

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<v Speaker 3>where Psyche is a human woman who was turned into

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<v Speaker 3>a goddess and was given butterfly wings. That story is

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<v Speaker 3>in another book, ancient book titled Metamorphosis, and the other

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<v Speaker 3>the other title is called The Golden Ass. No like

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<v Speaker 3>ironic and humorous, but this is true, yes, and I

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<v Speaker 3>talk about it on my Like, so there's all these

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<v Speaker 3>references to metamorphosis and butterflies, and when we first see

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<v Speaker 3>helen Us, she's wearing white butterfly wings. So all of

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<v Speaker 3>these are evidence of this theory, right, Yeah, And so

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<v Speaker 3>on my show, I talked to a lot of people

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<v Speaker 3>and I've been digging into some real good topics and

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<v Speaker 3>some of them are pretty nasty stuff. But I want

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<v Speaker 3>to learn the truth and I want to understand the

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<v Speaker 3>mind control, and we got to know, you know, we

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<v Speaker 3>can't just be like, oh, that's gross, I don't want

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<v Speaker 3>to know, Like, we have to know if you if

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<v Speaker 3>you if it's gross, then that's occulting it, Like you

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<v Speaker 3>are occulting it from yourself on purpose, and like that

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<v Speaker 3>is occultism. Right.

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<v Speaker 2>So that's the best way I've ever heard it put

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<v Speaker 2>Like you're occulting it because you don't want to hear

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<v Speaker 2>about it, you don't want to look at But that's fine. Well,

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<v Speaker 2>you you're making it worse by not digging in. That's

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<v Speaker 2>how I've always been, Like, I get it, it grosses

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<v Speaker 2>people out, but at the same time, you need to know.

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<v Speaker 3>This stuff, that's right, that's right. So, like when when

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<v Speaker 3>a grown person says they're having recovered memories of being

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<v Speaker 3>forced to eat feces or being buried in a coffin alive,

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<v Speaker 3>or you know, like all of these like being raped

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<v Speaker 3>by Jesus or these are the most horrendous things you

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<v Speaker 3>can think of. And other people are like, that's crazy,

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<v Speaker 3>and they just like, no, not real. People still don't

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<v Speaker 3>believe it. And like when I tell my theory about

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<v Speaker 3>eyes white shut and how it's related to trum based

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<v Speaker 3>my control, satanic racial abuse, other like Kubrick researchers and quotes,

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<v Speaker 3>they're like, no, no, I don't want to think that.

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<v Speaker 3>They just don't even want to. They don't like even

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<v Speaker 3>what is there?

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<v Speaker 2>What is their grand theory about it? Then?

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<v Speaker 4>What it's about?

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<v Speaker 3>It's they it's about a lot of well, different people

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<v Speaker 3>think different things. So the rob Aeger online he thinks that,

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<v Speaker 3>like he'll talk about the book that Kubrick used that

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<v Speaker 3>describes occultism and the rituals and child sacrifice and all

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<v Speaker 3>that stuff. He'll show the cover of the book. He

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<v Speaker 3>bought the book, but then he won't open it and read,

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<v Speaker 3>like what and relate the information to the movie.

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<v Speaker 2>Wow.

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<v Speaker 3>Yeah, He's like, I don't go for that stuff, Like

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<v Speaker 3>he'll say it in his video, I don't like to.

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<v Speaker 3>I don't go for that stuff. And like another researcher,

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<v Speaker 3>Julie Kerns, who's phenomenal, she's great. She does idolopuspress dot

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<v Speaker 3>com is her website, and she was featured in Room

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<v Speaker 3>two thirty seven as well, and she's very smart and

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<v Speaker 3>she has very intelligent theories and she goes in very

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<v Speaker 3>depth on her website. Everybody should check it out. I

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<v Speaker 3>asked her too about the paintings and generational abuse, and

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<v Speaker 3>she was like, I don't I don't want to. She's like,

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<v Speaker 3>I don't believe it. I don't want to think about it.

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<v Speaker 3>And that's something I just don't want to look at.

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<v Speaker 3>And so like this leaves the road wide open for

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<v Speaker 3>me to just stroll down. And like I'm the only

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<v Speaker 3>one saying it, but I'm not afraid to say it.

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<v Speaker 2>It's the fucking elephant in the room. Yeah, yeah, somebody's

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<v Speaker 2>got to talk about it. Yeah, I've said for the

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<v Speaker 2>longest that that's what it's about. But then again, I'm

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<v Speaker 2>not afraid to talk about those kind of things.

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<v Speaker 3>So God bless you. That's why we're friends. That's why

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<v Speaker 3>we h Yeah, So, like I mean, this is it's

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<v Speaker 3>it's a wide open and it's and it's like everything

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<v Speaker 3>that I learned, it all fits in the story. And

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<v Speaker 3>it's not because I'm crazy and I'm seeing whatever I

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<v Speaker 3>want to see. Other people corroborated, like I spoke with

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<v Speaker 3>on my show. Like I said, it was pretty deep

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<v Speaker 3>topics and pretty nasty stuff. But we go deep and

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<v Speaker 3>we talk it out. And one of my friends now,

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<v Speaker 3>and she's been on the show many times, is Carrie A.

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<v Speaker 3>La Hey, and she is an experiencer of this. She

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<v Speaker 3>as she was abused ritually by dark cult members of

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<v Speaker 3>the military and she was forced into her altars were

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<v Speaker 3>used two in the rituals. She would wear the robes

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<v Speaker 3>and be in the performance and when they did the things,

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<v Speaker 3>she would be used to assist, right, And she had

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<v Speaker 3>no will of her own. She her she was trained. Basically,

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<v Speaker 3>she had an altar up who was proud to be that,

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<v Speaker 3>you know. And she talks all about it on my show.

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<v Speaker 2>But god, oh god, yeah, oh.

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<v Speaker 3>My god, she's really a warrior. Amazing. She talked about

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<v Speaker 3>there's another episode that we did about her New World

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<v Speaker 3>Order programming where they expected her cult expected that by

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<v Speaker 3>this time the world would have been taken over by

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<v Speaker 3>the One World Government and those of and her job

294
00:20:33.680 --> 00:20:37.720
<v Speaker 3>was to track down the people trying to escape and

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<v Speaker 3>kill them. She was talking all about it on the

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<v Speaker 3>show New World Order Hunter Tracker, New World Order Programming.

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<v Speaker 3>That's one of my episodes. I talked to her about it.

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<v Speaker 3>So like she she's had been able to recover her

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<v Speaker 3>memories and she's done the study to understand what it means, right,

300
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<v Speaker 3>she she knows she studies the same stuff I do,

301
00:20:56.240 --> 00:20:59.720
<v Speaker 3>and like she understands the what the symbol means instead

302
00:20:59.720 --> 00:21:02.960
<v Speaker 3>of being like, oh this happened to me, and but

303
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<v Speaker 3>she can comprehend why and what it did. And so

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<v Speaker 3>on her show, she has a YouTube channel Desert Dakini

305
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<v Speaker 3>dak I Ni, and she explains the mechanics of the SRA,

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00:21:22.440 --> 00:21:25.319
<v Speaker 3>what the mechanics of how she does this for other

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00:21:25.680 --> 00:21:28.759
<v Speaker 3>people like herself, to help find their way out of

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00:21:28.799 --> 00:21:36.440
<v Speaker 3>this dissociated identity disorder. Journaling is important and she like

309
00:21:36.559 --> 00:21:40.839
<v Speaker 3>helps for people to understand the mapping in their heads

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00:21:40.920 --> 00:21:45.519
<v Speaker 3>and why why they have these you know, she can

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<v Speaker 3>tell them what their symptoms are and this is why

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00:21:48.240 --> 00:21:52.279
<v Speaker 3>it's you know, because people can't think. They their brains

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<v Speaker 3>have been trained to not recognize what is actually wrong

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<v Speaker 3>and it they block it. It's like, uh, the trauma

315
00:22:02.319 --> 00:22:06.279
<v Speaker 3>makes them not look same with certain decision, right we can.

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<v Speaker 3>I mean the trauma of the circumcision makes the father

317
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<v Speaker 3>not deny it happened as trauma. Oh it's not just

318
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<v Speaker 3>a little cut, no big deal, because he wants to deny.

319
00:22:16.039 --> 00:22:20.880
<v Speaker 3>So like his consciousness is like won't accept that it's

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<v Speaker 3>torture because it doesn't want to accept that it's been tortured.

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<v Speaker 5>You know.

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<v Speaker 3>It's there's it's weird the way the mind works. And

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00:22:28.200 --> 00:22:33.799
<v Speaker 3>she can help to elucidate. She helps people, and everybody

324
00:22:33.920 --> 00:22:36.240
<v Speaker 3>should check in her, should check out our show, and

325
00:22:36.279 --> 00:22:40.799
<v Speaker 3>she did. She also did many episodes on the Imagination

326
00:22:41.519 --> 00:22:46.799
<v Speaker 3>podcast with Emma Catherine, and Emma talks to many SRA survivors.

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<v Speaker 3>It's like her whole show is just and it's like

328
00:22:51.119 --> 00:22:54.119
<v Speaker 3>one after another, it's all the same. Like it's it

329
00:22:54.200 --> 00:22:56.559
<v Speaker 3>is a pattern. It's a science that they have been

330
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<v Speaker 3>doing for generations, you know. Anyway, So so Carrie's talking

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<v Speaker 3>to me one day on the phone and we're like

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<v Speaker 3>scheduling one of the shows that we did and she

333
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<v Speaker 3>tells me, hey, I saw that Ice White Shut thing

334
00:23:08.559 --> 00:23:15.119
<v Speaker 3>you did. That's real. I was like what. She's like, yeah,

335
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<v Speaker 3>I said, oh my god, can we talk about it.

336
00:23:18.319 --> 00:23:20.920
<v Speaker 3>Let's do a show. And she's like, yeah, okay. And

337
00:23:20.960 --> 00:23:23.480
<v Speaker 3>that's recently the last time she was on my show.

338
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<v Speaker 3>We talked about the name of the episode was Survivor

339
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<v Speaker 3>Speaks The Truth of Ice White Shut, and she tells

340
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<v Speaker 3>the story. She like years after her recovering and like

341
00:23:37.359 --> 00:23:39.279
<v Speaker 3>trying to get better, she thought she was strong enough

342
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<v Speaker 3>to watch this film and when the music started going

343
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<v Speaker 3>and the backwards chanting and the lighting, and she started

344
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<v Speaker 3>to feel messed up, and she ran to the bathroom

345
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<v Speaker 3>and all of a sudden she was on her knees, paralyzed,

346
00:23:56.799 --> 00:24:01.599
<v Speaker 3>couldn't move ready for programming. She calls it slave pose,

347
00:24:03.000 --> 00:24:05.480
<v Speaker 3>and that's what the women were doing in the on

348
00:24:05.519 --> 00:24:11.039
<v Speaker 3>the TV screen. They were on my god right, So

349
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<v Speaker 3>like she said that that ritual, she's seen that in

350
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<v Speaker 3>real life. And she was when she said she had

351
00:24:16.759 --> 00:24:19.640
<v Speaker 3>to recover from she was describing it like it was

352
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<v Speaker 3>like being in the sunken place of get out, Like

353
00:24:22.680 --> 00:24:25.759
<v Speaker 3>she couldn't have no control of her body anymore. And

354
00:24:25.799 --> 00:24:29.279
<v Speaker 3>she described like another movie Kill Bill, like when Uma

355
00:24:29.319 --> 00:24:32.400
<v Speaker 3>Thurman's like move your big toe, like really concentrate on

356
00:24:32.440 --> 00:24:34.599
<v Speaker 3>trying to move her body again. She had to do

357
00:24:34.680 --> 00:24:37.720
<v Speaker 3>that to regain control of her body again. She had

358
00:24:37.839 --> 00:24:41.279
<v Speaker 3>enough consciousness to know what's happening at the time, but

359
00:24:41.400 --> 00:24:44.279
<v Speaker 3>still it was doing this automatically, like this is what

360
00:24:46.400 --> 00:24:48.960
<v Speaker 3>so like we did this whole show where she's telling me,

361
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<v Speaker 3>like she's telling me things that I didn't know that

362
00:24:51.880 --> 00:24:54.079
<v Speaker 3>I didn't right, Oh my god. Like the double headed

363
00:24:54.119 --> 00:24:57.680
<v Speaker 3>eagle in the chair. That relates to the programming itself

364
00:24:57.720 --> 00:25:02.359
<v Speaker 3>where they even they try to split them of the victims.

365
00:25:02.359 --> 00:25:06.680
<v Speaker 3>Some victims have total split mind programming where they destroy

366
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<v Speaker 3>the corpus colossum, and then the left brain and the

367
00:25:09.839 --> 00:25:12.279
<v Speaker 3>right brain can be thinking two things at once, and

368
00:25:12.319 --> 00:25:14.319
<v Speaker 3>the two arms can be doing two different things at once.

369
00:25:14.880 --> 00:25:17.359
<v Speaker 3>And it's like one of the different programs. And it's

370
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<v Speaker 3>related to phil Amila programming, which is the which relates

371
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<v Speaker 3>to Nightingale, which we were already talking about. And Philomela

372
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<v Speaker 3>was she's an Avid's book a Metamorphosis the stories and

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<v Speaker 3>of its book. And she was raped and they the

374
00:25:38.599 --> 00:25:41.839
<v Speaker 3>rapist cut her tongue out, so she couldn't speak, and

375
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<v Speaker 3>she was able to weave a loom that told her

376
00:25:43.960 --> 00:25:48.000
<v Speaker 3>story to her sister, and she prayed to become a knight.

377
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<v Speaker 3>She prayed to become a bird to get away from

378
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<v Speaker 3>this man who's trying to kill her. She was turned

379
00:25:53.279 --> 00:25:55.599
<v Speaker 3>by the gods, turned her into a nightingale. And so

380
00:25:55.720 --> 00:25:59.079
<v Speaker 3>now as a nightingale, she sings her she sings all

381
00:25:59.200 --> 00:26:03.240
<v Speaker 3>night telling this orient you know, like and the bird

382
00:26:03.319 --> 00:26:07.319
<v Speaker 3>sings its its biggest, most important song right before dawn,

383
00:26:07.480 --> 00:26:09.200
<v Speaker 3>right right at the end of the night. So it's

384
00:26:09.240 --> 00:26:13.079
<v Speaker 3>like a and anything that relates to Nightingale, any story,

385
00:26:13.839 --> 00:26:20.400
<v Speaker 3>even Shakespeare, like it relates to some Titus Andronicus relates

386
00:26:20.440 --> 00:26:24.759
<v Speaker 3>to that story of Filamilo. Is anything where they mentioned Nightingale,

387
00:26:24.880 --> 00:26:29.839
<v Speaker 3>it's there. It's a sorrowful lament. They're hinting that this

388
00:26:29.960 --> 00:26:36.119
<v Speaker 3>story is a sorrowful lament of violent abuse and sexual torture.

389
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<v Speaker 3>So that's why I was in the original book of Schnitzler,

390
00:26:42.799 --> 00:26:45.400
<v Speaker 3>and that's why Kubrick kept it for the film, and

391
00:26:45.440 --> 00:26:50.240
<v Speaker 3>he accentuated it by making Tom Cruise exclaim Nightingale, Nightingale

392
00:26:50.279 --> 00:26:52.680
<v Speaker 3>a bunch of times, like every time the guy showed

393
00:26:52.759 --> 00:26:55.839
<v Speaker 3>up on screen. Tom would be like, oh, Nightingale, so

394
00:26:56.000 --> 00:26:59.039
<v Speaker 3>like it goes into your head, you know Nightingale. Anyway,

395
00:27:00.359 --> 00:27:07.759
<v Speaker 3>so she corroborated basically like my whole theory, right, And

396
00:27:07.920 --> 00:27:10.319
<v Speaker 3>in that show she was kind of talking about how,

397
00:27:10.720 --> 00:27:18.319
<v Speaker 3>oh yeah, that extra twenty three minutes of that was cut, right,

398
00:27:18.839 --> 00:27:22.119
<v Speaker 3>and everybody there's this rumor that there's this extra twenty

399
00:27:22.160 --> 00:27:24.519
<v Speaker 3>five minutes cut from the film that had like the

400
00:27:24.599 --> 00:27:30.079
<v Speaker 3>really naughty stuff, right, And in honesty, there's like maybe

401
00:27:31.240 --> 00:27:34.559
<v Speaker 3>maybe like one or one minute like something like that

402
00:27:34.680 --> 00:27:36.799
<v Speaker 3>during the sex scenes. In order to get like a

403
00:27:36.839 --> 00:27:40.559
<v Speaker 3>different rating, they wanted NC R instead of NC seventeen.

404
00:27:40.599 --> 00:27:43.759
<v Speaker 3>I forget, but it was not like a whole scene.

405
00:27:45.359 --> 00:27:49.359
<v Speaker 3>And the way that it was cut, I don't know.

406
00:27:49.559 --> 00:27:51.319
<v Speaker 3>I don't even know if they did, they might have

407
00:27:51.759 --> 00:27:54.240
<v Speaker 3>added something else to something else so that the timing

408
00:27:54.359 --> 00:28:00.880
<v Speaker 3>was the same, because I don't believe that they cut

409
00:28:01.119 --> 00:28:04.279
<v Speaker 3>anything out of Eyes Wide Shut, and there's no missing

410
00:28:05.119 --> 00:28:11.079
<v Speaker 3>twenty three minutes twenty five minutes. Because I discovered that

411
00:28:11.200 --> 00:28:21.000
<v Speaker 3>this film synchronizes with itself at one hour intervals long ago.

412
00:28:21.240 --> 00:28:25.799
<v Speaker 3>I discovered that in the bathroom, Ziggler says one hour,

413
00:28:25.920 --> 00:28:28.920
<v Speaker 3>and he looks at his watch, and then I was

414
00:28:29.000 --> 00:28:31.400
<v Speaker 3>like on a lark. I was like, I'll skip ahead

415
00:28:31.440 --> 00:28:34.519
<v Speaker 3>one hour and see. And that's the moment when Mandy

416
00:28:34.559 --> 00:28:37.720
<v Speaker 3>is kissing Bill at the ritual Mask to mask and

417
00:28:37.759 --> 00:28:40.359
<v Speaker 3>I'm like, whoa, that's the same girl that's there on

418
00:28:40.400 --> 00:28:43.759
<v Speaker 3>the couch who's passed out. And it's like this is

419
00:28:43.799 --> 00:28:48.640
<v Speaker 3>more information, right because they're related like that, I can

420
00:28:48.720 --> 00:28:52.640
<v Speaker 3>learn more about that character Mandy. And I was like,

421
00:28:52.720 --> 00:28:54.519
<v Speaker 3>that's interesting. And then there were a couple other points

422
00:28:54.559 --> 00:28:56.880
<v Speaker 3>where I was like, oh, weird. I'll skip ahead and back.

423
00:28:57.279 --> 00:29:00.480
<v Speaker 3>And I was trying to show to William how it

424
00:29:00.519 --> 00:29:03.359
<v Speaker 3>does that, and I wanted to aust up one night

425
00:29:03.559 --> 00:29:06.920
<v Speaker 3>before the Traum Novelle episode and I was thinking like,

426
00:29:07.000 --> 00:29:11.440
<v Speaker 3>how can I show this to everybody? And it just

427
00:29:11.519 --> 00:29:13.160
<v Speaker 3>dawned on me. I was like, oh, I'll just play

428
00:29:13.200 --> 00:29:17.359
<v Speaker 3>it right next to each other. And I got into

429
00:29:17.400 --> 00:29:20.799
<v Speaker 3>obs here and I took the movie and I put

430
00:29:20.839 --> 00:29:24.680
<v Speaker 3>it into one screen, two screens and three three screens.

431
00:29:25.599 --> 00:29:30.920
<v Speaker 3>And what I did was I and here I'm sharing

432
00:29:31.000 --> 00:29:38.839
<v Speaker 3>with h let's see share sound yes, share, And so

433
00:29:39.039 --> 00:29:42.839
<v Speaker 3>this here is what I created. It's got the top

434
00:29:42.920 --> 00:29:46.960
<v Speaker 3>on the top left, we see the the beginning. It's

435
00:29:47.039 --> 00:29:54.400
<v Speaker 3>the first screen starting, and so this is uh, okay,

436
00:29:54.799 --> 00:29:58.640
<v Speaker 3>can you hear it? Oh, it hasn't started sound yet, okay,

437
00:30:00.160 --> 00:30:02.920
<v Speaker 3>So like we got it started here on the upper left,

438
00:30:03.599 --> 00:30:08.400
<v Speaker 3>and the other ones are waiting in the streams. So

439
00:30:08.480 --> 00:30:10.759
<v Speaker 3>I let it play all the way through, you know,

440
00:30:11.759 --> 00:30:15.880
<v Speaker 3>and then I go to about here. Let's see, this

441
00:30:15.960 --> 00:30:23.319
<v Speaker 3>is twenty three minutes here here at fifty nine minutes

442
00:30:28.079 --> 00:30:30.279
<v Speaker 3>here can you still see no?

443
00:30:31.000 --> 00:30:33.039
<v Speaker 2>Okay, here now you can see it?

444
00:30:33.319 --> 00:30:38.319
<v Speaker 3>Okay, So here one second, so this is the same

445
00:30:38.359 --> 00:30:43.039
<v Speaker 3>moment where we see Fidelio. So this is at play.

446
00:30:43.720 --> 00:30:46.880
<v Speaker 3>This is at like fifty nine minutes. This is at

447
00:30:46.960 --> 00:30:50.559
<v Speaker 3>one hour where Bill is at the debt at the

448
00:30:50.559 --> 00:30:56.359
<v Speaker 3>table in the Sonata cafe with Nightingale, and he's talking

449
00:30:56.359 --> 00:31:02.039
<v Speaker 3>about the ritual and right at the time when he

450
00:31:02.079 --> 00:31:05.359
<v Speaker 3>gets the phone call. Oh see he gets a phone call.

451
00:31:06.319 --> 00:31:09.440
<v Speaker 3>I know where that is, right, he's writing it down. Fidelio.

452
00:31:10.839 --> 00:31:19.680
<v Speaker 3>Fidelio is the password right this moment, and we just saw, well,

453
00:31:19.680 --> 00:31:21.319
<v Speaker 3>I'm on my way right now, on my way right

454
00:31:21.519 --> 00:31:26.319
<v Speaker 3>now when he says now is the exact moment when

455
00:31:26.359 --> 00:31:32.839
<v Speaker 3>you push play on the next screen. Is this his

456
00:31:32.920 --> 00:31:43.599
<v Speaker 3>name of Beethoven Opera. The password, Now we have entered

457
00:31:43.680 --> 00:31:48.799
<v Speaker 3>the true understanding, right, the password is this one hour moment.

458
00:31:50.000 --> 00:31:52.720
<v Speaker 3>So that's why I named it Fidelio experiment. So now

459
00:31:52.839 --> 00:31:55.240
<v Speaker 3>now we go. So now the second screen is starting,

460
00:31:55.319 --> 00:32:00.640
<v Speaker 3>and I'm playing the audio altogether. No way. So we've

461
00:32:00.880 --> 00:32:05.119
<v Speaker 3>seen how these screens relate to each other and we

462
00:32:05.160 --> 00:32:09.960
<v Speaker 3>are able to learn more information that way. So now

463
00:32:10.319 --> 00:32:13.200
<v Speaker 3>you're on a pause it and now I'll skip ahead

464
00:32:13.680 --> 00:32:24.319
<v Speaker 3>to now when we have okay, this is the ritual scene. Okay,

465
00:32:25.039 --> 00:32:27.559
<v Speaker 3>so we see the ritual scene is the same time

466
00:32:27.720 --> 00:32:30.839
<v Speaker 3>when xandor z Avost is dancing with.

467
00:32:31.839 --> 00:32:36.400
<v Speaker 2>That gives me the freaking chills because it's like literally

468
00:32:36.640 --> 00:32:37.480
<v Speaker 2>lining up.

469
00:32:38.039 --> 00:32:43.359
<v Speaker 3>Dude, it's amazing. It's like way more than Wizard of

470
00:32:43.359 --> 00:32:45.279
<v Speaker 3>Oz and the Deck's Dark Side.

471
00:32:45.039 --> 00:32:45.359
<v Speaker 2>Of the Moon.

472
00:32:45.480 --> 00:32:50.440
<v Speaker 3>It's like, it's amazing. And Kubrick created it this way.

473
00:32:50.640 --> 00:32:54.039
<v Speaker 3>This is on purpose. All kubric researchers, even if they

474
00:32:54.039 --> 00:32:56.640
<v Speaker 3>don't like my theory, they should see how it lines up.

475
00:32:56.680 --> 00:32:59.720
<v Speaker 3>It's at least this is true because I didn't make

476
00:32:59.720 --> 00:33:04.640
<v Speaker 3>it up. I just discovered it. And if you when

477
00:33:04.680 --> 00:33:07.599
<v Speaker 3>the DVD was released back in ninety nine or whatever,

478
00:33:07.880 --> 00:33:11.200
<v Speaker 3>if you've got three TVs, three DVD players, and three

479
00:33:11.200 --> 00:33:13.359
<v Speaker 3>codies of the DVD. You could have done this yourself.

480
00:33:13.359 --> 00:33:15.839
<v Speaker 3>You could have sat in a room pressed play when

481
00:33:15.880 --> 00:33:18.799
<v Speaker 3>he says now, and on the second one and the

482
00:33:18.839 --> 00:33:23.839
<v Speaker 3>third and it would all play together like this. Uh. So,

483
00:33:24.000 --> 00:33:29.640
<v Speaker 3>now we're skipping ahead and when they when he when okay,

484
00:33:29.720 --> 00:33:34.319
<v Speaker 3>listen to this one. This one's amazing death undressed?

485
00:33:34.359 --> 00:33:35.000
<v Speaker 2>What makes me?

486
00:33:35.519 --> 00:33:39.240
<v Speaker 3>What makes you? An exceptions? This is the same moment.

487
00:33:42.519 --> 00:33:49.079
<v Speaker 3>Uh this is when she's like, remove your right, So

488
00:33:49.200 --> 00:33:54.400
<v Speaker 3>he's found out like he's describing, right, remove your clothes,

489
00:33:54.440 --> 00:33:57.160
<v Speaker 3>and if you skipping ahead one hour exactly from this point,

490
00:33:57.240 --> 00:34:00.640
<v Speaker 3>we would find So anyway, this is the danger on

491
00:34:00.680 --> 00:34:03.279
<v Speaker 3>the other side of them. How about you give it

492
00:34:03.359 --> 00:34:07.759
<v Speaker 3>up to me? Right when he's with the hooker, she

493
00:34:08.039 --> 00:34:12.679
<v Speaker 3>supposedly added aids right, so like she is, she's the

494
00:34:12.760 --> 00:34:15.639
<v Speaker 3>danger on the other side of the fence. Like when

495
00:34:15.639 --> 00:34:18.719
<v Speaker 3>they kiss. It's like another moment. Right, all of these

496
00:34:18.760 --> 00:34:23.000
<v Speaker 3>moments line up. So yeah, this is when we're arriving

497
00:34:23.039 --> 00:34:27.079
<v Speaker 3>at the Sonata cafe, and this is when he goes

498
00:34:27.079 --> 00:34:30.880
<v Speaker 3>back to Domino's apartment and learns about the aides thing.

499
00:34:31.800 --> 00:34:39.039
<v Speaker 3>So this is all connected. And he goes did ding

500
00:34:39.119 --> 00:34:45.199
<v Speaker 3>when he said Domino, Domino is Domino mask is the

501
00:34:45.239 --> 00:34:47.760
<v Speaker 3>mask of Zoro, the one that goes over their eyes.

502
00:34:47.840 --> 00:34:51.159
<v Speaker 3>That that's what a domino is. Like the word domino

503
00:34:51.239 --> 00:34:53.760
<v Speaker 3>relates to the masks they wear. And Domino the hooker,

504
00:34:53.800 --> 00:34:57.159
<v Speaker 3>she has masks on her wall. It's and like it's

505
00:34:57.960 --> 00:35:01.840
<v Speaker 3>it goes very deep. So like so here we're arriving.

506
00:35:02.000 --> 00:35:05.440
<v Speaker 3>We're arriving at the second hour and the first hour

507
00:35:05.519 --> 00:35:07.400
<v Speaker 3>on the second screen, so we're about to hit play

508
00:35:07.400 --> 00:35:15.239
<v Speaker 3>on the third one. So we're going to see Okay Nightingale,

509
00:35:15.880 --> 00:35:21.360
<v Speaker 3>Bill Nightingale, and they put their names together. And if

510
00:35:21.360 --> 00:35:29.360
<v Speaker 3>you look right here, when the waiter is bringing the

511
00:35:29.480 --> 00:35:34.320
<v Speaker 3>napkin to the table, the napkin which he writes Fidelio on,

512
00:35:35.320 --> 00:35:38.480
<v Speaker 3>if you look just under behind them, just under the waiter,

513
00:35:38.760 --> 00:35:42.000
<v Speaker 3>under the beer, there, that's Stanley Kubrick in the background

514
00:35:43.239 --> 00:35:48.480
<v Speaker 3>and he's listening. He's this is Stanley Kubrick alerting us

515
00:35:48.519 --> 00:35:52.039
<v Speaker 3>to pay attention to this moment, and he's like listening

516
00:35:52.079 --> 00:35:54.760
<v Speaker 3>in on their conversation. He's in the This is I

517
00:35:54.800 --> 00:35:56.920
<v Speaker 3>think the only time when Stanley's been in one of

518
00:35:56.920 --> 00:35:58.840
<v Speaker 3>his films where he's put himself in there.

519
00:35:59.119 --> 00:36:00.960
<v Speaker 2>That means it's simp important.

520
00:36:01.199 --> 00:36:08.400
<v Speaker 3>Exactly exactly place. So they okay, and then he tells

521
00:36:08.480 --> 00:36:14.000
<v Speaker 3>the story there in the village and watched this I

522
00:36:14.239 --> 00:36:17.199
<v Speaker 3>believe it or not, I don't know. So the moment

523
00:36:18.119 --> 00:36:24.280
<v Speaker 3>when Bill grabslous Sally's breasts is the same moment every

524
00:36:24.360 --> 00:36:31.039
<v Speaker 3>time where Nightingale does this with his fingers. Was like, peey, touchy,

525
00:36:31.119 --> 00:36:34.519
<v Speaker 3>watch swear. It's amazing.

526
00:36:38.800 --> 00:36:40.679
<v Speaker 4>My gosh, look at that.

527
00:36:41.480 --> 00:36:45.280
<v Speaker 3>Something I didn't do that, Kubrick did that. This is

528
00:36:45.320 --> 00:36:52.760
<v Speaker 3>the genius of Kubrick blind blindfold is huh right, So

529
00:36:52.880 --> 00:37:01.760
<v Speaker 3>then something I should tell you really mhmm, you're putting

530
00:37:01.760 --> 00:37:08.519
<v Speaker 3>me on alright. So it's like this moment from was

531
00:37:08.719 --> 00:37:10.960
<v Speaker 3>on so well, I.

532
00:37:10.880 --> 00:37:12.039
<v Speaker 4>Don't know when to tell you this.

533
00:37:13.360 --> 00:37:18.360
<v Speaker 3>Yeah, well I have seen one or two things in

534
00:37:18.400 --> 00:37:25.079
<v Speaker 3>my life. Never, why don't you have a seat The

535
00:37:25.119 --> 00:37:27.400
<v Speaker 3>moment he says never, she's like, why don't you have

536
00:37:27.440 --> 00:37:31.800
<v Speaker 3>a seat? Done with the flirting? Never such? Never? Right,

537
00:37:34.000 --> 00:37:38.840
<v Speaker 3>So okay, wow, okay, this is he gets the call.

538
00:37:40.320 --> 00:37:45.280
<v Speaker 3>You know, I don't know how to say this. Hello, yes, sir,

539
00:37:49.880 --> 00:37:53.599
<v Speaker 3>considering that you were with Domino last night, I know

540
00:37:53.639 --> 00:38:03.360
<v Speaker 3>where that is were dominant only fair, right, she got

541
00:38:03.400 --> 00:38:07.159
<v Speaker 3>the results of the results the passwords. Well, I'm on

542
00:38:07.159 --> 00:38:13.039
<v Speaker 3>my way right now, right now. HIV positive. That's the same.

543
00:38:13.480 --> 00:38:15.800
<v Speaker 3>That's interesting. What is this.

544
00:38:18.000 --> 00:38:20.000
<v Speaker 4>WHOA that lined up?

545
00:38:20.639 --> 00:38:32.599
<v Speaker 3>Yeah, HIV positive, it's the password WHOA. I'm really so like,

546
00:38:32.880 --> 00:38:35.199
<v Speaker 3>I wonder if Kubrick knew that it was going to

547
00:38:35.239 --> 00:38:40.199
<v Speaker 3>be a virus in the future because en Fauci was involved, Like, God,

548
00:38:40.239 --> 00:38:43.000
<v Speaker 3>you probably put it on YouTube. I said the wrong words.

549
00:38:42.679 --> 00:38:45.039
<v Speaker 2>Like no, I don't even do.

550
00:38:45.719 --> 00:38:49.159
<v Speaker 3>I'm still like, I think that maybe Kubrick knew that

551
00:38:49.360 --> 00:38:51.199
<v Speaker 3>was the plan for the future. And these are the

552
00:38:51.199 --> 00:38:55.400
<v Speaker 3>people that are, you know, the HIV thing that people

553
00:38:55.400 --> 00:38:58.960
<v Speaker 3>should go down the rabbit hole. There is no HIV virus.

554
00:39:00.519 --> 00:39:03.000
<v Speaker 2>That's the big secret, right, because.

555
00:39:02.719 --> 00:39:06.400
<v Speaker 3>It isn't that's right. And guess who is in charge

556
00:39:06.400 --> 00:39:08.920
<v Speaker 3>of it way back then, And guess why people were

557
00:39:08.960 --> 00:39:13.719
<v Speaker 3>down and people were dying because of the medicine magic

558
00:39:13.760 --> 00:39:16.440
<v Speaker 3>Johnson stopped taking the medicine. He's aliving. Well, you know

559
00:39:16.440 --> 00:39:19.159
<v Speaker 3>what I'm saying, people need to and why they have.

560
00:39:19.159 --> 00:39:23.079
<v Speaker 4>To take out Freddy Mercury though, really.

561
00:39:22.960 --> 00:39:25.360
<v Speaker 3>Because just like the killing of the king and the

562
00:39:25.440 --> 00:39:28.840
<v Speaker 3>trauma that it causes us, who love him so much.

563
00:39:30.119 --> 00:39:32.400
<v Speaker 3>That's what it does. And then they can make way

564
00:39:32.440 --> 00:39:34.840
<v Speaker 3>more money off his albums that you know they own

565
00:39:34.880 --> 00:39:41.239
<v Speaker 3>the right. Yes, so here we'll skill. So look here,

566
00:39:42.480 --> 00:39:47.000
<v Speaker 3>this moment is so this okay, this is like the

567
00:39:47.039 --> 00:39:48.679
<v Speaker 3>most important sh stuff dude.

568
00:39:48.719 --> 00:39:50.239
<v Speaker 4>This moment right here.

569
00:39:50.360 --> 00:39:58.079
<v Speaker 2>This is crazy because you have Ziegler in the the

570
00:39:58.119 --> 00:40:03.239
<v Speaker 2>billiard rum. I guess, you have the red Pope in

571
00:40:03.280 --> 00:40:11.079
<v Speaker 2>the ritual, and then you have bill Um finding Mandy

572
00:40:11.239 --> 00:40:15.199
<v Speaker 2>in the bathroom. This is crazy because Ziegler is present

573
00:40:15.280 --> 00:40:17.119
<v Speaker 2>in all three scenes.

574
00:40:17.519 --> 00:40:21.880
<v Speaker 3>Yes, okay, Ziggler's wearing the tricorn hat mask.

575
00:40:22.599 --> 00:40:26.960
<v Speaker 2>Yes, yeah, So we've got a trifecta going on right now.

576
00:40:27.039 --> 00:40:29.159
<v Speaker 4>This is nuts. Okay, go ahead.

577
00:40:29.360 --> 00:40:32.920
<v Speaker 3>If you look the red of the felt of the

578
00:40:32.960 --> 00:40:37.559
<v Speaker 3>pool table, all pool tables standard is cyan. It's like

579
00:40:37.840 --> 00:40:41.199
<v Speaker 3>the opposite of red on the color wheel. So that

580
00:40:41.440 --> 00:40:44.000
<v Speaker 3>is like WHOA brings your attention to that, And there's

581
00:40:44.000 --> 00:40:47.199
<v Speaker 3>a lot involved with that. It goes back to clockwork orange,

582
00:40:48.119 --> 00:40:51.079
<v Speaker 3>like I get into it. But so we got the

583
00:40:51.119 --> 00:40:54.239
<v Speaker 3>red pool table and then we got the red carpet, right,

584
00:40:54.800 --> 00:40:57.400
<v Speaker 3>the red Pope, right, the red Pope. So that's the

585
00:40:57.400 --> 00:40:59.960
<v Speaker 3>same color. But and they talked about that room to

586
00:41:00.079 --> 00:41:04.119
<v Speaker 3>thirty seven, how they related the carpet to the pool table.

587
00:41:04.559 --> 00:41:07.280
<v Speaker 3>But then if you look here, we have the painting

588
00:41:07.719 --> 00:41:12.199
<v Speaker 3>on the wall in the bathroom where Mandy is passed out.

589
00:41:12.320 --> 00:41:17.280
<v Speaker 3>That's painted by Christian Kubrick. It's right there behind Bill's head.

590
00:41:17.800 --> 00:41:22.840
<v Speaker 3>It's a huge painting, and that the painting is titled

591
00:41:23.039 --> 00:41:29.239
<v Speaker 3>Paula six Months on Red. It's a pregnant woman like

592
00:41:29.480 --> 00:41:36.599
<v Speaker 3>laying there on a red red like red carpet red right,

593
00:41:36.719 --> 00:41:39.840
<v Speaker 3>and Mandy's on the red chair in the bathroom. So

594
00:41:40.039 --> 00:41:44.920
<v Speaker 3>like that's what those women are becoming pregnant, they're getting impregnated.

595
00:41:45.159 --> 00:41:48.280
<v Speaker 3>That's what the whole story is. They're like making all

596
00:41:48.320 --> 00:41:54.639
<v Speaker 3>those women get inmated, I swear. And when there's a scene,

597
00:41:54.679 --> 00:41:57.960
<v Speaker 3>there's like one shot where Bill is looking up at

598
00:41:58.079 --> 00:42:01.920
<v Speaker 3>Ziggler and Ziggler's face is framed in front of the

599
00:42:01.920 --> 00:42:04.880
<v Speaker 3>painting where the painting behind him takes up the whole frame,

600
00:42:05.719 --> 00:42:11.440
<v Speaker 3>and Ziggler's mouth is right where the vagina of the painting.

601
00:42:12.480 --> 00:42:16.559
<v Speaker 3>So like it's like the pregnant woman is gonna be

602
00:42:16.679 --> 00:42:19.679
<v Speaker 3>borne through his lips, is like gonna speak out what's

603
00:42:19.800 --> 00:42:23.760
<v Speaker 3>program And that's what's happening in the billiard room. I'm

604
00:42:23.800 --> 00:42:26.519
<v Speaker 3>not gonna tell you who those people are, but you

605
00:42:26.519 --> 00:42:30.840
<v Speaker 3>wouldn't sleep so well at night. So and he says

606
00:42:30.880 --> 00:42:33.280
<v Speaker 3>it out. He says she's a hooker, like that's what

607
00:42:33.400 --> 00:42:36.159
<v Speaker 3>she was, and like you know, and he also says

608
00:42:36.199 --> 00:42:40.039
<v Speaker 3>that the doors were locked from the inside. Cops are happy,

609
00:42:40.920 --> 00:42:44.480
<v Speaker 3>case closed, But the newspaper didn't say that newspaper didn't

610
00:42:44.519 --> 00:42:48.039
<v Speaker 3>have that information. He has secret information about that whole situation.

611
00:42:49.440 --> 00:42:57.400
<v Speaker 3>So she was murdered because she went against her programming. Yes, yeah,

612
00:42:57.440 --> 00:43:01.280
<v Speaker 3>we talked about that on our show. Yeah, sad, it's

613
00:43:01.360 --> 00:43:05.159
<v Speaker 3>very sad. So that's Harry calls that someone on the

614
00:43:05.159 --> 00:43:07.760
<v Speaker 3>freedom train. That's how they get free. They have to

615
00:43:07.760 --> 00:43:11.119
<v Speaker 3>get murdered out. That's the only way to get free. Wow.

616
00:43:12.599 --> 00:43:15.639
<v Speaker 3>But Alice was lucky enough to be used as a breeder,

617
00:43:16.719 --> 00:43:19.639
<v Speaker 3>just like these women at the ritual. They're all being

618
00:43:19.639 --> 00:43:23.360
<v Speaker 3>inseminated by the people behind the masks, you know, And

619
00:43:23.400 --> 00:43:25.800
<v Speaker 3>that's why they run a train on them so that

620
00:43:25.840 --> 00:43:29.639
<v Speaker 3>they don't know who the father is, so that there's

621
00:43:29.719 --> 00:43:32.400
<v Speaker 3>no parental lineage. These can be slaves and they can

622
00:43:32.400 --> 00:43:37.079
<v Speaker 3>abuse them and have no care that they're their own kids,

623
00:43:37.119 --> 00:43:42.000
<v Speaker 3>you know, but it's still from an elite stock of semen.

624
00:43:43.920 --> 00:43:48.039
<v Speaker 2>So that's why they run train on them. That makes

625
00:43:48.199 --> 00:43:50.920
<v Speaker 2>so much fucking sense because it's like it's just a

626
00:43:51.039 --> 00:43:52.199
<v Speaker 2>random kid to them.

627
00:43:52.519 --> 00:43:57.280
<v Speaker 3>It's right. It erases the paternal lineage, right right, God,

628
00:43:58.119 --> 00:44:01.480
<v Speaker 3>And so that too is a trauma to the baby

629
00:44:01.599 --> 00:44:05.679
<v Speaker 3>to not have a father. But that adds to the

630
00:44:05.679 --> 00:44:08.599
<v Speaker 3>the abuse that they have to traumatize the children in

631
00:44:08.639 --> 00:44:13.400
<v Speaker 3>so many ways to create the effect of an Alice

632
00:44:13.960 --> 00:44:19.199
<v Speaker 3>who will, against her own motherly instinct, let her child

633
00:44:19.239 --> 00:44:24.239
<v Speaker 3>be abducted by her owners. You know. In the toy store,

634
00:44:24.760 --> 00:44:30.119
<v Speaker 3>that whole thing was was orchestrated by Alice, and those

635
00:44:30.159 --> 00:44:33.760
<v Speaker 3>people were there just to receive the kid. And Alice

636
00:44:33.800 --> 00:44:37.519
<v Speaker 3>went and stood right next to the to the stuffed cats,

637
00:44:38.239 --> 00:44:40.519
<v Speaker 3>and those people were waiting in that aisle. They knew

638
00:44:41.159 --> 00:44:45.480
<v Speaker 3>which i'le to stand in because the stuffed lions like

639
00:44:45.679 --> 00:44:51.199
<v Speaker 3>of Inana, like her cat beast, you know, familiar right

640
00:44:51.280 --> 00:44:55.880
<v Speaker 3>of magic, familiar so like. And there was a thug

641
00:44:55.960 --> 00:44:58.840
<v Speaker 3>in the in the toy store. We can see him

642
00:44:58.880 --> 00:45:03.599
<v Speaker 3>following them, And I talk about it in my my

643
00:45:03.719 --> 00:45:07.880
<v Speaker 3>first production was called a cult Kubrick and the butterfly

644
00:45:08.159 --> 00:45:10.960
<v Speaker 3>Net and you can find that on Odyssey and stuff

645
00:45:10.960 --> 00:45:11.360
<v Speaker 3>I go through.

646
00:45:11.400 --> 00:45:13.519
<v Speaker 2>I watched it.

647
00:45:13.519 --> 00:45:15.480
<v Speaker 3>It's great. I'm glad.

648
00:45:15.679 --> 00:45:19.360
<v Speaker 5>Yeah so I so there we see her on the

649
00:45:19.639 --> 00:45:24.400
<v Speaker 5>on the red chair, the red carpet, those women genuflecting

650
00:45:24.440 --> 00:45:26.880
<v Speaker 5>on the red carpet, and he's like, oh, I think.

651
00:45:26.719 --> 00:45:29.840
<v Speaker 3>You got too many ideas here. Listen to him talking

652
00:45:35.320 --> 00:45:44.760
<v Speaker 3>ida boom boom. Look at where his lips are.

653
00:45:46.400 --> 00:45:52.000
<v Speaker 2>I never noticed that before, Sean, Fuck you, that's fucking wild.

654
00:45:52.639 --> 00:45:52.880
<v Speaker 5>Yeah.

655
00:45:53.280 --> 00:45:56.079
<v Speaker 3>Like Kubrick had to put the camera down low to

656
00:45:56.199 --> 00:45:58.719
<v Speaker 3>create the shot. He had to like light it up

657
00:45:58.760 --> 00:46:04.880
<v Speaker 3>specifically so that what lips are, the lips of the

658
00:46:04.960 --> 00:46:07.800
<v Speaker 3>vagina would be in the painting. And we can tell

659
00:46:07.840 --> 00:46:09.760
<v Speaker 3>that's a pregnant woman. You see her. Her nipples are

660
00:46:09.760 --> 00:46:12.320
<v Speaker 3>big and dark, and we see her pregnant belly.

661
00:46:12.159 --> 00:46:12.920
<v Speaker 4>Her belly.

662
00:46:13.440 --> 00:46:16.559
<v Speaker 2>Yeah, do you think it's significant? Also, I think I've

663
00:46:16.599 --> 00:46:19.760
<v Speaker 2>mentioned this to you before, but Mandy is a redhead.

664
00:46:20.280 --> 00:46:24.159
<v Speaker 3>Oh yeah, They're all redheads, even even Helena mm hmm

665
00:46:24.679 --> 00:46:29.559
<v Speaker 3>yeah yeah, even Domino too.

666
00:46:29.719 --> 00:46:31.400
<v Speaker 4>Coveted, fucking coveted.

667
00:46:31.559 --> 00:46:34.599
<v Speaker 2>I know they are, that's right.

668
00:46:34.679 --> 00:46:38.320
<v Speaker 3>If Arizona Wilder, I don't know how much stock you

669
00:46:38.360 --> 00:46:40.920
<v Speaker 3>put in what she says, because some of the stuff

670
00:46:40.960 --> 00:46:44.840
<v Speaker 3>she says is pretty wild. But she talked to David

671
00:46:44.840 --> 00:46:47.559
<v Speaker 3>Ike a long time ago and he said that, uh

672
00:46:47.719 --> 00:46:52.480
<v Speaker 3>or she said to him that blondes and redheads are

673
00:46:52.519 --> 00:47:01.880
<v Speaker 3>more they do psychic they have, they're more easily psychic

674
00:47:01.920 --> 00:47:11.840
<v Speaker 3>abilities come more easily to them. So they that's why.

675
00:47:09.000 --> 00:47:13.159
<v Speaker 2>That's why they say like redheads have like mutant DNA

676
00:47:13.239 --> 00:47:18.280
<v Speaker 2>and shit, I'm so serious, they say that redheads are mutants.

677
00:47:19.440 --> 00:47:22.280
<v Speaker 3>That's just because Britain hates Ireland. That's all it is.

678
00:47:22.280 --> 00:47:26.719
<v Speaker 3>It's just some racism shit. God bless Irish people come

679
00:47:26.760 --> 00:47:29.800
<v Speaker 3>on anyway. So all right, So we see that this

680
00:47:29.880 --> 00:47:35.960
<v Speaker 3>is him speaking out, like this exact moment, like two

681
00:47:36.039 --> 00:47:41.559
<v Speaker 3>hours exactly ahead from the bathroom scene. We hear him

682
00:47:41.599 --> 00:47:45.079
<v Speaker 3>speaking out. And the paintings on the wall in the

683
00:47:45.119 --> 00:47:48.360
<v Speaker 3>billiard room are significant too. That's where we see the

684
00:47:48.360 --> 00:47:52.039
<v Speaker 3>guy with the tricorne hat in the in the painting

685
00:47:52.119 --> 00:47:58.920
<v Speaker 3>above Ziggler, so that's supposedly his ancestor. Right. These faces

686
00:47:58.920 --> 00:48:03.559
<v Speaker 3>on the wall are the the unmasked participants from the

687
00:48:03.599 --> 00:48:08.440
<v Speaker 3>past that were in the ritual, and Kubrick gives us

688
00:48:09.119 --> 00:48:14.719
<v Speaker 3>a heraldic shields on the walls above the red carpet,

689
00:48:15.519 --> 00:48:18.360
<v Speaker 3>and the guy with the tricorn hat is on the

690
00:48:18.400 --> 00:48:23.800
<v Speaker 3>balcony above the red carpet, just like the portrait is

691
00:48:23.920 --> 00:48:28.519
<v Speaker 3>above the pool table looking down on the red pool table. Same.

692
00:48:28.719 --> 00:48:32.920
<v Speaker 3>It's like it even more strengthens the idea that Room

693
00:48:32.960 --> 00:48:37.280
<v Speaker 3>two thirty seven posits with the relation between the carpet

694
00:48:37.320 --> 00:48:41.280
<v Speaker 3>and the red pool table. And if you go even further,

695
00:48:42.039 --> 00:48:47.679
<v Speaker 3>the ending of Clockwork Orange features a pool table. It's

696
00:48:47.719 --> 00:48:51.079
<v Speaker 3>like a snooker table. And he's got the guy, the

697
00:48:51.119 --> 00:48:57.239
<v Speaker 3>crippled guy that is torturing Alex with Beethoven.

698
00:48:58.599 --> 00:49:01.679
<v Speaker 4>Literally, I was gonna say at the end there.

699
00:49:01.760 --> 00:49:06.679
<v Speaker 3>Uh huh, the Beethoven opera is the thing that tortures Alex.

700
00:49:07.039 --> 00:49:13.079
<v Speaker 3>And really, like Fidelio, like if you think about it,

701
00:49:13.119 --> 00:49:18.840
<v Speaker 3>I'm like just like realizing now, like somebody that has cheated,

702
00:49:19.960 --> 00:49:22.719
<v Speaker 3>that is the torture to remember that, to know that

703
00:49:22.760 --> 00:49:24.880
<v Speaker 3>you did that and you can't undo it. And it's

704
00:49:24.960 --> 00:49:26.840
<v Speaker 3>like that's the pain that we have to live with,

705
00:49:27.000 --> 00:49:31.920
<v Speaker 3>is you know, like you can't undo the thing, you

706
00:49:31.960 --> 00:49:34.920
<v Speaker 3>can't go back, and like so that in itself is

707
00:49:34.960 --> 00:49:38.400
<v Speaker 3>the torture. Like I believe that when when we're done

708
00:49:38.440 --> 00:49:42.679
<v Speaker 3>with this life, we judge ourselves. I think that's I

709
00:49:42.719 --> 00:49:45.320
<v Speaker 3>think that's why they do many so the darker cultures

710
00:49:45.320 --> 00:49:47.880
<v Speaker 3>do all those cremations of care so that when they

711
00:49:47.960 --> 00:49:51.079
<v Speaker 3>get to that point they don't they don't judge themselves.

712
00:49:51.119 --> 00:49:54.440
<v Speaker 3>Like I don't know. I think it's like hijacking the

713
00:49:54.440 --> 00:49:57.639
<v Speaker 3>the mechanics of spirit.

714
00:49:57.840 --> 00:50:00.320
<v Speaker 2>Like that would be that would be the old submit

715
00:50:00.639 --> 00:50:04.360
<v Speaker 2>fucking like to judge yourself for all the fucked up

716
00:50:04.400 --> 00:50:06.840
<v Speaker 2>things you did. Holy shit.

717
00:50:07.199 --> 00:50:09.199
<v Speaker 3>I think that's how it works. I think that's how

718
00:50:09.199 --> 00:50:14.440
<v Speaker 3>it works because like, yeah, I mean, well anyway, yeah,

719
00:50:14.519 --> 00:50:17.280
<v Speaker 3>because like even in life now, like I mean, you

720
00:50:17.320 --> 00:50:21.079
<v Speaker 3>can't like if we think about our mistakes and like

721
00:50:22.440 --> 00:50:25.159
<v Speaker 3>I mean, that is the torture. I think if if

722
00:50:25.199 --> 00:50:29.000
<v Speaker 3>you and I think we're inherently moral beings, you know.

723
00:50:30.840 --> 00:50:34.400
<v Speaker 3>So that's why in these satanic rituals, they they do

724
00:50:34.480 --> 00:50:38.159
<v Speaker 3>the most immoral stuff and then you have to participate,

725
00:50:38.679 --> 00:50:42.559
<v Speaker 3>and it's your willingly drinking the blood or whatever.

726
00:50:42.360 --> 00:50:46.440
<v Speaker 2>You know, eating the ship, drinking the piss, right.

727
00:50:46.519 --> 00:50:47.679
<v Speaker 4>Right, mm hmm.

728
00:50:48.400 --> 00:50:53.639
<v Speaker 3>So like that then that is confirmation that you are

729
00:50:53.840 --> 00:50:57.360
<v Speaker 3>accepting the evil. And this is a free will environment

730
00:50:57.559 --> 00:51:00.679
<v Speaker 3>where we that's why they show up the thing they

731
00:51:00.679 --> 00:51:04.000
<v Speaker 3>do before they do it to us, because this is

732
00:51:04.039 --> 00:51:07.599
<v Speaker 3>our consent when we let it happen. So that's the

733
00:51:07.639 --> 00:51:11.840
<v Speaker 3>spiritual law of this of this world and this existence.

734
00:51:12.480 --> 00:51:16.280
<v Speaker 3>So they have to present their plan to us. It's so,

735
00:51:16.480 --> 00:51:20.199
<v Speaker 3>I mean, these kind of movies are both a revelation

736
00:51:20.280 --> 00:51:24.679
<v Speaker 3>of the method and a part of the magic ritual itself.

737
00:51:24.960 --> 00:51:27.920
<v Speaker 3>You know. People that don't like Kubrick might think that

738
00:51:28.000 --> 00:51:34.239
<v Speaker 3>this is that this is an intentional movie, that they're

739
00:51:34.320 --> 00:51:36.920
<v Speaker 3>revealing this stuff on purpose to show us that we

740
00:51:38.159 --> 00:51:42.079
<v Speaker 3>nothing we can do, Like can you know they're they're

741
00:51:42.119 --> 00:51:45.639
<v Speaker 3>so powerful, makes us learned helplessness, you know. But really,

742
00:51:45.679 --> 00:51:49.760
<v Speaker 3>I think the Kubrick is showing us how totally depraved

743
00:51:49.800 --> 00:51:54.079
<v Speaker 3>they are and how disgusting of people they are. Like

744
00:51:54.119 --> 00:51:59.199
<v Speaker 3>when we see Millich, the guy in the costume shop,

745
00:51:59.840 --> 00:52:03.679
<v Speaker 3>he's got like a the tie he wears looks like

746
00:52:04.119 --> 00:52:06.920
<v Speaker 3>a golden snake skin, you know, and he's got this

747
00:52:07.039 --> 00:52:11.679
<v Speaker 3>like evil grin. And I think Kubrick still maintained his

748
00:52:11.760 --> 00:52:15.960
<v Speaker 3>morality even though he was in this. I'm speculating, of course,

749
00:52:16.079 --> 00:52:20.119
<v Speaker 3>I can't interview the guy, but I believe he was

750
00:52:20.199 --> 00:52:23.599
<v Speaker 3>revealing this and carried us too, and we talked about it.

751
00:52:25.039 --> 00:52:29.440
<v Speaker 3>She thinks that because there's so much context, that this

752
00:52:29.679 --> 00:52:34.840
<v Speaker 3>is not just a trap for our consciousness to allow

753
00:52:34.920 --> 00:52:37.679
<v Speaker 3>their rituals in the future. She believes that this is

754
00:52:38.840 --> 00:52:44.320
<v Speaker 3>Kubrick trying to reveal to us there it's all there.

755
00:52:45.119 --> 00:52:48.280
<v Speaker 3>We have to decipher it, I mean, And he started

756
00:52:48.360 --> 00:52:53.199
<v Speaker 3>in the Shining. In the Shining, he started making these

757
00:52:53.239 --> 00:52:57.280
<v Speaker 3>mazes of a movie, you know, where it's, uh, it's

758
00:52:57.320 --> 00:52:59.559
<v Speaker 3>more than just a film. It's like a it's like

759
00:52:59.559 --> 00:53:00.000
<v Speaker 3>a puzzle.

760
00:53:00.400 --> 00:53:02.679
<v Speaker 2>You well, you and I talked about before a full

761
00:53:02.719 --> 00:53:09.880
<v Speaker 2>metal jacket and fucking I was gonna say something about

762
00:53:09.960 --> 00:53:14.199
<v Speaker 2>about The Shining, but now I forget. But it's like,

763
00:53:14.400 --> 00:53:18.280
<v Speaker 2>it's not just a movie. It is not simply just

764
00:53:18.519 --> 00:53:22.760
<v Speaker 2>a movie. There is so fucking much more going on

765
00:53:23.079 --> 00:53:26.440
<v Speaker 2>with every single one of them. And I think to

766
00:53:26.599 --> 00:53:29.280
<v Speaker 2>prove that point. If you, which I think you do,

767
00:53:31.320 --> 00:53:36.119
<v Speaker 2>think that Kubrick did the moon landing stuff, like he's

768
00:53:36.159 --> 00:53:39.239
<v Speaker 2>a brilliant, fucking genius. And we've even talked about how

769
00:53:41.239 --> 00:53:43.920
<v Speaker 2>kind of like that are today Kubrick a little bit

770
00:53:44.039 --> 00:53:45.119
<v Speaker 2>like with Get Out.

771
00:53:45.239 --> 00:53:49.800
<v Speaker 4>So and you know, it's like it's kind of telling.

772
00:53:50.400 --> 00:53:53.320
<v Speaker 3>Of yeah, Jordan Peele has like a morality and he

773
00:53:53.360 --> 00:53:56.440
<v Speaker 3>seems to be revealing the darker cult and the evil

774
00:53:56.440 --> 00:54:00.360
<v Speaker 3>ways of mind control that they use, and those mind

775
00:54:00.360 --> 00:54:03.280
<v Speaker 3>control slaves are all over Hollywood, like Marilyn Monroe, like

776
00:54:03.360 --> 00:54:08.840
<v Speaker 3>you talk about Yeah, yeah, that's interesting, Yeah, that's that's

777
00:54:08.880 --> 00:54:12.880
<v Speaker 3>so exactly that like we're and you know Kubrick did

778
00:54:12.960 --> 00:54:17.960
<v Speaker 3>take his family of all daughters and to move them

779
00:54:18.119 --> 00:54:23.119
<v Speaker 3>to Saint Albans, which is like that was like sacred

780
00:54:23.199 --> 00:54:31.440
<v Speaker 3>land for for England basically like and the King Arthur

781
00:54:31.679 --> 00:54:36.320
<v Speaker 3>and like Albion of like William Blake and you know,

782
00:54:36.480 --> 00:54:40.000
<v Speaker 3>like nobody's gonna bomb that, you know what I mean,

783
00:54:41.119 --> 00:54:45.199
<v Speaker 3>Like it's a safe place like it or like yeah

784
00:54:45.400 --> 00:54:48.639
<v Speaker 3>if he's like lives where because London is like the

785
00:54:49.239 --> 00:54:52.239
<v Speaker 3>control arm of the evil, like it seems to be

786
00:54:52.480 --> 00:54:55.320
<v Speaker 3>like the city of London. And of course they work

787
00:54:55.400 --> 00:54:58.719
<v Speaker 3>with the Vatican and the whole in Washington, d C.

788
00:54:58.960 --> 00:55:03.280
<v Speaker 3>That three cities eight like well I mean, I.

789
00:55:03.239 --> 00:55:07.159
<v Speaker 2>Mean White Shut was filmed at a Rothschild's house.

790
00:55:07.719 --> 00:55:12.400
<v Speaker 3>Yes, this mansion was built by a Rothschild family member.

791
00:55:12.679 --> 00:55:15.639
<v Speaker 3>This at the ritual space it's called meant more Towers

792
00:55:16.559 --> 00:55:20.840
<v Speaker 3>and it's not currently owned by the Rothschild. They sold it,

793
00:55:20.920 --> 00:55:23.320
<v Speaker 3>I think in the seventies, and then the person who

794
00:55:23.400 --> 00:55:26.920
<v Speaker 3>bought it then sold it in the late nineties, and

795
00:55:26.960 --> 00:55:28.760
<v Speaker 3>that's why it was able to be featured in these

796
00:55:28.760 --> 00:55:32.679
<v Speaker 3>films because then they started renting it out to directors.

797
00:55:33.159 --> 00:55:37.960
<v Speaker 3>Also in ninety nine, it was used in the Ninth Gate,

798
00:55:38.480 --> 00:55:40.079
<v Speaker 3>the Roman Polanski.

799
00:55:39.599 --> 00:55:45.679
<v Speaker 2>Fish Shut the fuck up. Yeah, the same, the very same, yeah.

800
00:55:45.800 --> 00:55:51.559
<v Speaker 3>Yeah, in ninth Gate. Yeah, the front Jesus Christ, the

801
00:55:51.559 --> 00:55:55.000
<v Speaker 3>front facade was used. That was the same building. And

802
00:55:55.079 --> 00:55:57.360
<v Speaker 3>you remember like all the lit up little candles and

803
00:55:57.440 --> 00:55:58.400
<v Speaker 3>here's like snep.

804
00:55:58.239 --> 00:56:01.840
<v Speaker 2>Fucking the fucking Rowan pool and ski ass fucking ninth

805
00:56:01.880 --> 00:56:07.079
<v Speaker 2>Gate ass fucking Johnny depp ass that's same, very same, yeah.

806
00:56:09.800 --> 00:56:12.519
<v Speaker 3>And that movie was released in ninety nine, same time.

807
00:56:12.960 --> 00:56:15.960
<v Speaker 3>And that movie, that movie is about a satanic person

808
00:56:16.559 --> 00:56:22.000
<v Speaker 3>attaining apotheosis without going through Jesus. It was like you

809
00:56:22.000 --> 00:56:23.159
<v Speaker 3>can just walk right into it.

810
00:56:24.039 --> 00:56:26.760
<v Speaker 2>Through the satanic rites, right right.

811
00:56:27.519 --> 00:56:33.480
<v Speaker 3>They's God. It's like hacking the mechanics of this reality

812
00:56:33.679 --> 00:56:37.079
<v Speaker 3>so that they don't have to be christ Like and

813
00:56:37.199 --> 00:56:39.800
<v Speaker 3>they don't have to live morally and live abide by

814
00:56:39.880 --> 00:56:43.760
<v Speaker 3>the laws of natural law. The creator's laws of this world.

815
00:56:44.199 --> 00:56:49.559
<v Speaker 3>If you harm others, you will receive negative harm. Like

816
00:56:49.719 --> 00:56:53.159
<v Speaker 3>even the witches will say, like you do a bad

817
00:56:53.199 --> 00:56:56.119
<v Speaker 3>spell to somebody, you receive it back times three, you know,

818
00:56:56.320 --> 00:56:59.920
<v Speaker 3>Like I mean that that's the law of nature, right.

819
00:57:00.159 --> 00:57:04.800
<v Speaker 3>So that's why the Buddhists don't harm anything. They don't

820
00:57:04.840 --> 00:57:08.639
<v Speaker 3>even harm bugs like that, you know, because they recognize

821
00:57:08.760 --> 00:57:13.480
<v Speaker 3>that could be someone somebody's aunt or uncle who's like

822
00:57:13.800 --> 00:57:16.679
<v Speaker 3>reincarnated into a bug and happens to be trapped in

823
00:57:16.679 --> 00:57:19.480
<v Speaker 3>that body at the time. Like, so they have such

824
00:57:19.559 --> 00:57:23.440
<v Speaker 3>reference for life, all life, you know. But these people

825
00:57:23.519 --> 00:57:27.400
<v Speaker 3>are hijacking the mechanics of life. So that's what the

826
00:57:27.480 --> 00:57:32.039
<v Speaker 3>ritual is doing. A normal copulation has a normal spirit

827
00:57:32.719 --> 00:57:37.679
<v Speaker 3>from the realm of God to inhabit the baby. That's

828
00:57:37.719 --> 00:57:41.280
<v Speaker 3>how all babies are born with the copulation, the combination

829
00:57:41.400 --> 00:57:45.960
<v Speaker 3>of male and female, combination of sperm and ovum. When

830
00:57:45.960 --> 00:57:51.480
<v Speaker 3>that spark of life begins, it's a natural soul who

831
00:57:51.519 --> 00:57:56.039
<v Speaker 3>gets first rights to that body, right, and they just

832
00:57:56.079 --> 00:57:58.960
<v Speaker 3>step right in. Whether it's reincarnation or a new soul

833
00:57:59.079 --> 00:58:03.880
<v Speaker 3>or whatever you believe, it's that's the natural process. So

834
00:58:04.119 --> 00:58:09.519
<v Speaker 3>at that ritual they're going Widershin's they're going backwards. They're

835
00:58:09.599 --> 00:58:14.280
<v Speaker 3>speaking backwards. They're doing necromancy, and necromancy has a lot

836
00:58:14.320 --> 00:58:17.639
<v Speaker 3>of what they call a left hand path where they

837
00:58:17.639 --> 00:58:23.400
<v Speaker 3>go against the flow of nature to uh work against

838
00:58:23.440 --> 00:58:29.320
<v Speaker 3>that flow. Right, So they're doing this necromancy ritual. I

839
00:58:29.400 --> 00:58:35.239
<v Speaker 3>believe to control what and who is inhabiting these women

840
00:58:35.519 --> 00:58:38.960
<v Speaker 3>at the point of conception here at this ritual, Like

841
00:58:39.199 --> 00:58:42.559
<v Speaker 3>if you read Moonschild by Aleister Crowley, it's like his

842
00:58:42.679 --> 00:58:49.519
<v Speaker 3>only fiction work, but it's based on actual magic, where

843
00:58:49.559 --> 00:58:55.440
<v Speaker 3>they create a baby and they control what spirit or

844
00:58:55.599 --> 00:58:59.559
<v Speaker 3>entity inhabits the body. Like that's what Crowley was doing

845
00:58:59.599 --> 00:59:02.639
<v Speaker 3>with the monkey Liss. He was like trying to It

846
00:59:02.719 --> 00:59:05.519
<v Speaker 3>was really gross the Crowley was doing, trying to make

847
00:59:05.519 --> 00:59:10.920
<v Speaker 3>a baby without a woman, like using blood from violent

848
00:59:11.039 --> 00:59:13.719
<v Speaker 3>rape and the semen. Maybe that'll make a baby, Like

849
00:59:13.760 --> 00:59:16.320
<v Speaker 3>that's what they used to think. That was they they

850
00:59:16.480 --> 00:59:21.000
<v Speaker 3>call it starfire. They believe that the the woman's menstrual

851
00:59:21.079 --> 00:59:27.719
<v Speaker 3>blood is the fertile ground that the seed. They used

852
00:59:27.719 --> 00:59:32.159
<v Speaker 3>to think in the colt the ritual, like the ancient times,

853
00:59:32.599 --> 00:59:35.039
<v Speaker 3>they used to think that all life came from the

854
00:59:35.079 --> 00:59:39.760
<v Speaker 3>male semen and that it's just the red of the starfire.

855
00:59:40.199 --> 00:59:42.679
<v Speaker 3>That's why they read this. That's why red, red, and

856
00:59:42.719 --> 00:59:45.679
<v Speaker 3>white are the magic colors because of semen and starfire.

857
00:59:46.320 --> 00:59:50.239
<v Speaker 3>So like the red of the blood, they used to think, oh,

858
00:59:50.280 --> 00:59:52.719
<v Speaker 3>maybe we could use this other blood, maybe we can

859
00:59:52.800 --> 00:59:55.960
<v Speaker 3>grow some babies in that. And so that Crowley was

860
00:59:56.000 --> 00:59:58.840
<v Speaker 3>like doing violent anal rape and like trying to mix

861
00:59:59.280 --> 01:00:04.119
<v Speaker 3>uh semen with that blood, trying to make a homunculous

862
01:00:04.119 --> 01:00:06.760
<v Speaker 3>like that's what the picture of lamb if you have,

863
01:00:06.920 --> 01:00:10.480
<v Speaker 3>if you turn that picture upside down, mm hmm, you

864
01:00:10.519 --> 01:00:14.519
<v Speaker 3>see that it's a it's being born out of an anus.

865
01:00:14.559 --> 01:00:18.480
<v Speaker 3>It's really it's not like it's like, uh, it's shaped like.

866
01:00:19.719 --> 01:00:21.719
<v Speaker 3>It's not shaped like that to look like an alien.

867
01:00:21.800 --> 01:00:25.199
<v Speaker 3>It's shaped like that because it's like a droplet of

868
01:00:25.199 --> 01:00:30.000
<v Speaker 3>of google being like excreted out through the It's gross.

869
01:00:30.000 --> 01:00:32.599
<v Speaker 3>I'm sorry, listeners, No, I mean that.

870
01:00:32.679 --> 01:00:34.719
<v Speaker 2>It's like we said at the beginning, this stuff is

871
01:00:34.840 --> 01:00:36.719
<v Speaker 2>very important and everybody needs to.

872
01:00:37.119 --> 01:00:37.599
<v Speaker 4>Know about it.

873
01:00:37.639 --> 01:00:40.280
<v Speaker 2>But it's just like how to prave does your mind

874
01:00:40.400 --> 01:00:43.079
<v Speaker 2>have to get in order to think like ass?

875
01:00:43.199 --> 01:00:46.000
<v Speaker 4>Blood and fuck? What did they He.

876
01:00:46.199 --> 01:00:48.960
<v Speaker 2>Raped him in the ass and then he busted a

877
01:00:48.960 --> 01:00:52.000
<v Speaker 2>fat load and thought that that was gonna like, who's gonna.

878
01:00:51.800 --> 01:00:54.639
<v Speaker 3>Run after that? If you if you look at a crowley,

879
01:00:54.679 --> 01:00:56.480
<v Speaker 3>like it's all ass right, like a lot of it,

880
01:00:57.280 --> 01:00:59.320
<v Speaker 3>Like there's rape, Like.

881
01:00:59.280 --> 01:01:01.719
<v Speaker 2>What do they do after he busts to fat load?

882
01:01:01.920 --> 01:01:05.519
<v Speaker 2>Like he's like, who who is who carries the baby?

883
01:01:06.760 --> 01:01:09.519
<v Speaker 3>Oh? I don't know it? Like I don't know it

884
01:01:10.800 --> 01:01:12.280
<v Speaker 3>excretes out, I don't know.

885
01:01:14.000 --> 01:01:14.760
<v Speaker 4>I'm telling you.

886
01:01:14.840 --> 01:01:18.800
<v Speaker 3>But apparently the evil spirit that they allow to inhabit

887
01:01:18.880 --> 01:01:23.360
<v Speaker 3>this thing, this demon that's trying that they're trying to

888
01:01:23.400 --> 01:01:27.760
<v Speaker 3>be born into flesh they are. They think that that

889
01:01:27.800 --> 01:01:30.360
<v Speaker 3>magic power will keep it alive, you know, and of

890
01:01:30.400 --> 01:01:33.159
<v Speaker 3>course never born Oculus. But people should look into what

891
01:01:33.159 --> 01:01:38.000
<v Speaker 3>Homuculous really is. It's not just like a little thing

892
01:01:38.239 --> 01:01:42.159
<v Speaker 3>like it's not like it's not like the dude from

893
01:01:42.719 --> 01:01:48.159
<v Speaker 3>the Black Lodge of of David Lynch's Twin Peaks. You know,

894
01:01:48.199 --> 01:01:52.000
<v Speaker 3>it's not like that. It's like something else something.

895
01:01:55.119 --> 01:01:59.480
<v Speaker 6>Okay, So I had not watched I think the only

896
01:01:59.639 --> 01:02:03.480
<v Speaker 6>David Lynch movie I had ever watched was Dune, because

897
01:02:03.639 --> 01:02:06.639
<v Speaker 6>like it was the lesser of the David Lynch's right

898
01:02:06.880 --> 01:02:08.880
<v Speaker 6>Dune and fucking.

899
01:02:09.239 --> 01:02:13.239
<v Speaker 3>It was really well done, but pretty silly.

900
01:02:12.400 --> 01:02:15.039
<v Speaker 2>But the new ones are great, which I talked to

901
01:02:15.079 --> 01:02:17.360
<v Speaker 2>you about because I wanted to do a thing with you.

902
01:02:17.880 --> 01:02:19.559
<v Speaker 3>I might still go along with you and do.

903
01:02:19.519 --> 01:02:26.079
<v Speaker 2>That with you because they're incredible films. But so I

904
01:02:26.159 --> 01:02:30.480
<v Speaker 2>went to go visit Are you familiar with Kolby from

905
01:02:30.559 --> 01:02:32.360
<v Speaker 2>Conspiracy Playtime podcast?

906
01:02:33.760 --> 01:02:35.000
<v Speaker 4>It's a really good podcast.

907
01:02:35.039 --> 01:02:38.480
<v Speaker 2>But anyways, like, I went to go visit him and

908
01:02:38.559 --> 01:02:41.599
<v Speaker 2>he was like, you're about to get lynched, and I

909
01:02:41.719 --> 01:02:45.440
<v Speaker 2>was like Gary, I was like, okay, I'm ready for it.

910
01:02:45.679 --> 01:02:50.280
<v Speaker 2>We watched Mullholland Drive and I was high as dog shit.

911
01:02:50.679 --> 01:02:54.000
<v Speaker 3>That movie is about women like Alice too, yes.

912
01:02:54.480 --> 01:02:56.840
<v Speaker 2>And it has a Naomi in.

913
01:02:56.920 --> 01:02:58.960
<v Speaker 3>It, oh Campbell?

914
01:02:59.199 --> 01:02:59.320
<v Speaker 2>Right?

915
01:02:59.639 --> 01:03:02.039
<v Speaker 3>Yes, yeah, I don't remember that.

916
01:03:02.480 --> 01:03:04.960
<v Speaker 2>Wait wait or is that her name? That's her name?

917
01:03:05.039 --> 01:03:07.360
<v Speaker 3>Right? Oh? Right, the other the blonde chick right right?

918
01:03:08.599 --> 01:03:13.440
<v Speaker 3>Isn't it mouhalling Naomi Watts? Right? I think that's the

919
01:03:13.440 --> 01:03:19.119
<v Speaker 3>actress's name, and that she is a split personality.

920
01:03:19.159 --> 01:03:23.079
<v Speaker 2>She she's a split personality, right right, Naomi?

921
01:03:23.199 --> 01:03:23.440
<v Speaker 4>Yeah?

922
01:03:23.760 --> 01:03:25.719
<v Speaker 3>And she's a Hollywood actress. Yes.

923
01:03:26.519 --> 01:03:29.719
<v Speaker 2>So I had never watched David Lynch, like a good

924
01:03:29.840 --> 01:03:31.639
<v Speaker 2>David Lynch. I had only watched it.

925
01:03:31.679 --> 01:03:34.480
<v Speaker 3>They're all good, even eraser Head is good. Jennifer hates it.

926
01:03:36.119 --> 01:03:39.159
<v Speaker 3>Fucking Did you know eraser Head is Kubrick's favorite movie?

927
01:03:39.719 --> 01:03:41.119
<v Speaker 3>Is it really? Yes?

928
01:03:41.920 --> 01:03:44.920
<v Speaker 2>So Colby's sitting there and he's already he knows what

929
01:03:45.039 --> 01:03:47.480
<v Speaker 2>to expect because he's already seen it. I'm high as

930
01:03:47.559 --> 01:03:49.599
<v Speaker 2>dog shit watching it for the first time.

931
01:03:50.039 --> 01:03:51.880
<v Speaker 4>I was like, I don't know whether the fucking.

932
01:03:51.719 --> 01:03:55.960
<v Speaker 2>Puke or fucking ship or fucking start my period.

933
01:03:56.320 --> 01:03:58.039
<v Speaker 4>I was having a whole mental fuck.

934
01:03:58.440 --> 01:04:02.079
<v Speaker 2>I had never watched him movie that literally jarred me

935
01:04:02.280 --> 01:04:05.039
<v Speaker 2>out of reality like that fucking movie did.

936
01:04:05.360 --> 01:04:08.719
<v Speaker 3>And so this is cilensial cilensi.

937
01:04:09.000 --> 01:04:12.360
<v Speaker 2>At the end, you're just like wow, Like when the

938
01:04:12.480 --> 01:04:14.400
<v Speaker 2>dude is sitting at the cafe and he's like, I

939
01:04:14.400 --> 01:04:17.320
<v Speaker 2>had this dream or whatever, and then he goes around

940
01:04:17.360 --> 01:04:19.599
<v Speaker 2>the side of the building and there's that fucking scary

941
01:04:19.639 --> 01:04:23.159
<v Speaker 2>ass motherfucker like hiding on the other side. Sean, I'm

942
01:04:23.159 --> 01:04:26.599
<v Speaker 2>telling you, there's this whole aspect to film that people

943
01:04:26.639 --> 01:04:31.360
<v Speaker 2>do not appreciate, like eyes wide shut, like fucking clockwork orange,

944
01:04:31.480 --> 01:04:34.360
<v Speaker 2>like the Shiny It's more than just a movie. It's

945
01:04:34.400 --> 01:04:41.360
<v Speaker 2>like a psychological fucking almost like a psychological operation.

946
01:04:41.000 --> 01:04:44.840
<v Speaker 3>On people, Like they are putting in your fucking mk ultra.

947
01:04:45.320 --> 01:04:48.800
<v Speaker 3>That's right, Yes, it's it is a dream. They can

948
01:04:48.960 --> 01:04:52.239
<v Speaker 3>they control the whole dream for two hours. Yeah, Like

949
01:04:52.719 --> 01:04:56.760
<v Speaker 3>that's the normal span of our REM sleep, the REM cycle.

950
01:04:56.840 --> 01:04:59.440
<v Speaker 3>You get about two cycles in about one and a

951
01:04:59.440 --> 01:05:02.480
<v Speaker 3>half hour or something like that. So they they time

952
01:05:02.559 --> 01:05:06.679
<v Speaker 3>movies to be alongside with the rapid eye movement REM

953
01:05:06.719 --> 01:05:11.679
<v Speaker 3>sleep cycle, so that our brain takes up this information

954
01:05:12.440 --> 01:05:15.960
<v Speaker 3>the same way it takes up a dream. So when

955
01:05:18.119 --> 01:05:23.800
<v Speaker 3>that's right, So like when when Kubrick's images are so striking,

956
01:05:25.039 --> 01:05:27.960
<v Speaker 3>they burn into your head and you remember that stuff,

957
01:05:28.920 --> 01:05:32.079
<v Speaker 3>like the scene at the end of Clockwork Orange when

958
01:05:32.119 --> 01:05:35.079
<v Speaker 3>the guy has a pool table with big speakers on

959
01:05:35.119 --> 01:05:38.559
<v Speaker 3>it and there's a guy in front who's like playing

960
01:05:38.639 --> 01:05:42.199
<v Speaker 3>with red pool balls, red pool balls on this table.

961
01:05:42.239 --> 01:05:45.559
<v Speaker 3>It's a green table, but still and like behind them

962
01:05:45.760 --> 01:05:49.199
<v Speaker 3>is a big painting of a maiden and this what's

963
01:05:49.239 --> 01:05:53.719
<v Speaker 3>being played is Beethoven, you know, and he's like looking

964
01:05:53.840 --> 01:05:55.920
<v Speaker 3>up and you can see the guy's face. He's like ahaa,

965
01:05:56.960 --> 01:06:00.960
<v Speaker 3>like what is a speaker? What is what I mean?

966
01:06:01.519 --> 01:06:08.360
<v Speaker 1>Ziggler is speaking? He's the speaker in the billiard room,

967
01:06:09.239 --> 01:06:14.079
<v Speaker 1>and you know, like the password right, So anyway, and

968
01:06:14.360 --> 01:06:20.599
<v Speaker 1>so like it's just loops and loops back into itself

969
01:06:20.760 --> 01:06:25.519
<v Speaker 1>and it further like strengthens itself, you know, and the

970
01:06:26.079 --> 01:06:31.440
<v Speaker 1>being able to see it here in three frames, like even.

971
01:06:31.199 --> 01:06:35.000
<v Speaker 3>That relates to the Goddess. The Goddess has always been

972
01:06:35.079 --> 01:06:39.239
<v Speaker 3>depicted as three, like even the fates, right, and you

973
01:06:39.360 --> 01:06:46.119
<v Speaker 3>got maiden, mother and krone. You got the maiden, the

974
01:06:46.599 --> 01:06:50.639
<v Speaker 3>young sex kitten, right, and then the mother, which is

975
01:06:51.440 --> 01:06:55.079
<v Speaker 3>the reproductive what Alice is doing, and then the Crone.

976
01:06:55.079 --> 01:06:58.480
<v Speaker 3>They never actually get the Crone. They kill him off

977
01:06:58.559 --> 01:07:01.760
<v Speaker 3>like Mandy. Right, that's the the other end of the spectrum.

978
01:07:02.079 --> 01:07:05.280
<v Speaker 3>And so we see the whole. We see the beginning

979
01:07:05.280 --> 01:07:09.199
<v Speaker 3>of the life span with Helena and her butterfly wings

980
01:07:09.639 --> 01:07:15.639
<v Speaker 3>and being trained into this nutcracker ballerina, you know, set

981
01:07:15.639 --> 01:07:18.480
<v Speaker 3>of programming, and then she gets stolen. And then the

982
01:07:18.519 --> 01:07:21.880
<v Speaker 3>next kind of stage in the in the lifespan of

983
01:07:21.920 --> 01:07:28.039
<v Speaker 3>these women is to be a child prostitute. That's what

984
01:07:28.440 --> 01:07:32.440
<v Speaker 3>Carrie was used for. That other women are and it's

985
01:07:32.519 --> 01:07:34.000
<v Speaker 3>and it goes that's.

986
01:07:34.000 --> 01:07:37.000
<v Speaker 2>That's the most valuable thing you can do, is be

987
01:07:37.039 --> 01:07:39.519
<v Speaker 2>a child prostitute for them.

988
01:07:39.960 --> 01:07:46.440
<v Speaker 3>And the room where in this film where uh where Ley,

989
01:07:46.519 --> 01:07:52.400
<v Speaker 3>Sobieski is being filmed. It's a glass room and the

990
01:07:52.519 --> 01:07:56.800
<v Speaker 3>locks are on the outside. It's made to trap victims inside,

991
01:07:57.800 --> 01:08:03.000
<v Speaker 3>so it is a blackmail device. So that's like you.

992
01:08:03.559 --> 01:08:07.199
<v Speaker 2>Passed on one scene that is like real fucking crazy.

993
01:08:07.840 --> 01:08:09.280
<v Speaker 4>Oh look at this.

994
01:08:09.280 --> 01:08:12.440
<v Speaker 3>This is the tricorn hat is right at the same time,

995
01:08:12.480 --> 01:08:14.840
<v Speaker 3>and she's got the star of Ishtar right there around

996
01:08:14.840 --> 01:08:15.159
<v Speaker 3>her head.

997
01:08:15.199 --> 01:08:17.199
<v Speaker 2>Yes, shut the fuck.

998
01:08:18.159 --> 01:08:20.760
<v Speaker 3>Right, and look at the hat on the woman. Look,

999
01:08:20.880 --> 01:08:23.279
<v Speaker 3>it's like she's wearing the hat too, Like Alice is

1000
01:08:23.319 --> 01:08:25.479
<v Speaker 3>wearing a hat. She's got the stars and the things.

1001
01:08:25.920 --> 01:08:27.479
<v Speaker 3>And this one's got like dingly.

1002
01:08:27.279 --> 01:08:30.920
<v Speaker 2>Bell he's got the stars too, yea, even with the

1003
01:08:30.960 --> 01:08:34.279
<v Speaker 2>little fucking bells on it, like when on the star.

1004
01:08:34.880 --> 01:08:38.439
<v Speaker 3>Yeah. So like that, and when we first meet and

1005
01:08:38.479 --> 01:08:41.560
<v Speaker 3>when we meet Ziggler's wife here, let's see if I

1006
01:08:41.600 --> 01:08:44.920
<v Speaker 3>can find her at the beginning when they first arrived

1007
01:08:44.960 --> 01:08:45.880
<v Speaker 3>at the party.

1008
01:08:47.119 --> 01:08:51.279
<v Speaker 2>When when he's like, oh, you look beautiful, yeah, and

1009
01:08:51.359 --> 01:08:52.159
<v Speaker 2>she's all like.

1010
01:08:53.079 --> 01:08:55.319
<v Speaker 3>Here, let's see if we can oh this week and see,

1011
01:08:55.760 --> 01:08:59.000
<v Speaker 3>this is Ziggler speaking the This is an important scene

1012
01:08:59.039 --> 01:09:04.720
<v Speaker 3>right here. So Ziggler is speaking the magic spell to Alice.

1013
01:09:05.239 --> 01:09:07.039
<v Speaker 3>So this is the moment where.

1014
01:09:07.079 --> 01:09:07.880
<v Speaker 4>And look at her face.

1015
01:09:07.920 --> 01:09:11.880
<v Speaker 2>She looks all fucking like associated and shits.

1016
01:09:11.479 --> 01:09:14.479
<v Speaker 3>Right, yep, she's hearing the message. And he's look at

1017
01:09:14.560 --> 01:09:17.319
<v Speaker 3>the string of light going from his mouth to her ear.

1018
01:09:18.199 --> 01:09:20.720
<v Speaker 3>It's this magic spell that he's speaking to her. And

1019
01:09:20.760 --> 01:09:23.600
<v Speaker 3>this is at the same time when these men are

1020
01:09:24.479 --> 01:09:28.680
<v Speaker 3>captured in the blackmail room. And it's also the same

1021
01:09:28.720 --> 01:09:31.880
<v Speaker 3>time that Mandy's dead body is pulled out of the morgue.

1022
01:09:32.439 --> 01:09:34.119
<v Speaker 3>So I'm going to drive back a little bit so

1023
01:09:34.159 --> 01:09:40.079
<v Speaker 3>we can see so uh so watch wat's this? So

1024
01:09:40.199 --> 01:09:45.119
<v Speaker 3>this is relating all three of the women together. So

1025
01:09:45.720 --> 01:09:49.880
<v Speaker 3>uh here she's saying, so he drinks her glass. She's

1026
01:09:49.880 --> 01:09:53.600
<v Speaker 3>standing there at the bar and she holds the glass

1027
01:09:53.680 --> 01:09:57.319
<v Speaker 3>right under her face like it's an advertisement, right, And

1028
01:09:57.359 --> 01:10:01.119
<v Speaker 3>he's reading the newspaper. Here at two hours into the movie,

1029
01:10:01.680 --> 01:10:04.399
<v Speaker 3>and at one hour something into the movie, we see

1030
01:10:04.439 --> 01:10:08.960
<v Speaker 3>the introduction of the Rainbow Room. There's a giant rainbow over.

1031
01:10:08.800 --> 01:10:14.000
<v Speaker 2>The door on that ship that the heads crazy.

1032
01:10:14.439 --> 01:10:16.560
<v Speaker 3>You can see the heads of all the different wigs.

1033
01:10:17.279 --> 01:10:21.760
<v Speaker 3>Those are all the personalities, those are all the and

1034
01:10:22.159 --> 01:10:25.720
<v Speaker 3>so like this is what goes on, you know, over

1035
01:10:25.720 --> 01:10:30.520
<v Speaker 3>the rainbow is when the soul dissociates under the rainbow

1036
01:10:31.479 --> 01:10:35.000
<v Speaker 3>is the de butcherous rape, you know, the abuse of

1037
01:10:35.039 --> 01:10:38.439
<v Speaker 3>the child. So this is what is being depicted here

1038
01:10:39.199 --> 01:10:42.279
<v Speaker 3>in this room. Like so okay, she's at the bar

1039
01:10:42.920 --> 01:10:45.720
<v Speaker 3>and at the end of the film, towards the end,

1040
01:10:46.079 --> 01:10:50.520
<v Speaker 3>Bill is reading the paper about Mandy. He's discovering what

1041
01:10:50.800 --> 01:10:51.199
<v Speaker 3>is this?

1042
01:10:51.359 --> 01:10:54.199
<v Speaker 2>So I mean, Harry to Doc to get back to bed,

1043
01:10:56.520 --> 01:11:01.000
<v Speaker 2>so black, look, so.

1044
01:11:03.640 --> 01:11:11.840
<v Speaker 3>Here something so Xandor sees her, puts his glass down,

1045
01:11:13.560 --> 01:11:19.479
<v Speaker 3>puts his hand in his pocket. She sees this. She

1046
01:11:19.520 --> 01:11:20.680
<v Speaker 3>puts the glass in front of him.

1047
01:11:21.199 --> 01:11:22.600
<v Speaker 2>One of my posies, big.

1048
01:11:26.279 --> 01:11:31.279
<v Speaker 3>Please give me, He says, what is this? As he's

1049
01:11:31.319 --> 01:11:34.920
<v Speaker 3>looking down at cheese pizza? What is Cooper telling us?

1050
01:11:35.720 --> 01:11:36.000
<v Speaker 1>Ship?

1051
01:11:36.800 --> 01:11:38.960
<v Speaker 3>Yeah? And then he finds the teddy over there on

1052
01:11:39.000 --> 01:11:44.079
<v Speaker 3>the red couch, Crimson red and she he's picking up

1053
01:11:44.119 --> 01:11:47.079
<v Speaker 3>her glass and he's about to drink her glass and

1054
01:11:47.079 --> 01:11:53.439
<v Speaker 3>she's watching I think that's my glass. I think that's

1055
01:11:53.560 --> 01:11:56.640
<v Speaker 3>my glass. And that's the same moment when he's discovering

1056
01:11:56.680 --> 01:11:59.960
<v Speaker 3>this teddy, like, I think that's my Like the teddy

1057
01:12:00.199 --> 01:12:00.960
<v Speaker 3>is hers right.

1058
01:12:01.520 --> 01:12:04.560
<v Speaker 2>The way that she says it too is like you

1059
01:12:04.640 --> 01:12:09.800
<v Speaker 2>were saying at the beginning of the episode. If you

1060
01:12:09.920 --> 01:12:14.720
<v Speaker 2>were to say that sentence, you wouldn't say glass. You

1061
01:12:14.760 --> 01:12:20.079
<v Speaker 2>would say that's my drink, right, right, right, She specifically

1062
01:12:20.199 --> 01:12:24.600
<v Speaker 2>uses the word glass right as in Alice in the

1063
01:12:24.640 --> 01:12:27.960
<v Speaker 2>Looking Glass. She's always in front of mirrors. She's always

1064
01:12:27.960 --> 01:12:30.560
<v Speaker 2>looking in a mirror, and then it's like, hey, I

1065
01:12:30.560 --> 01:12:33.520
<v Speaker 2>think that's my glass. Like, think about that, Sean. That

1066
01:12:33.560 --> 01:12:36.680
<v Speaker 2>doesn't even like make sense. It's not empty. It's not

1067
01:12:37.239 --> 01:12:40.760
<v Speaker 2>like you're sitting there drinking wine. If you put your

1068
01:12:41.039 --> 01:12:44.439
<v Speaker 2>cup down, you'd be like, hey, that's my drink.

1069
01:12:45.000 --> 01:12:48.720
<v Speaker 4>Why my drink? She's hey, that's my glass.

1070
01:12:49.880 --> 01:12:57.119
<v Speaker 3>So specific with these altar switching, mirrors are used to

1071
01:12:57.399 --> 01:13:01.960
<v Speaker 3>help the switch. We see it happen when Bill is

1072
01:13:02.039 --> 01:13:04.800
<v Speaker 3>touching on Alice and they're about to have sex. She's

1073
01:13:04.880 --> 01:13:06.720
<v Speaker 3>like giggling and liking it, and then she looks in

1074
01:13:06.760 --> 01:13:08.560
<v Speaker 3>the mirror and all of a sudden, no more smile

1075
01:13:08.640 --> 01:13:13.479
<v Speaker 3>and she's just blank, no feeling empty, ready for the sex.

1076
01:13:13.560 --> 01:13:16.399
<v Speaker 3>Now that's what her brain does when she's because she's

1077
01:13:16.399 --> 01:13:17.039
<v Speaker 3>a whore.

1078
01:13:16.840 --> 01:13:17.000
<v Speaker 1>You know.

1079
01:13:17.479 --> 01:13:25.560
<v Speaker 3>Yeah, So that glass. By saying glass, that's like, that's

1080
01:13:25.760 --> 01:13:31.279
<v Speaker 3>my trigger to switch alters. That's that's how I switch.

1081
01:13:31.640 --> 01:13:35.119
<v Speaker 2>He drinks freaking glass. He drinks the whole class.

1082
01:13:35.600 --> 01:13:38.079
<v Speaker 3>Yep, he consumes the whole thing.

1083
01:13:38.560 --> 01:13:45.199
<v Speaker 2>So now her glass is empty, fucking dissociated. Oh, somebody's

1084
01:13:45.239 --> 01:13:47.920
<v Speaker 2>gonna say I'm a psychopath for looking into this.

1085
01:13:48.439 --> 01:13:50.880
<v Speaker 3>Leg All these things have meaning.

1086
01:13:50.880 --> 01:13:53.159
<v Speaker 2>Right, He drinks it to the very bottom. He doesn't

1087
01:13:53.159 --> 01:13:55.760
<v Speaker 2>just take a sip from her cup. He drinks it

1088
01:13:55.800 --> 01:14:00.800
<v Speaker 2>to the bottom. So now she's the empty glass, ready

1089
01:14:00.880 --> 01:14:03.720
<v Speaker 2>for the ready for the program right the.

1090
01:14:03.800 --> 01:14:06.319
<v Speaker 3>And then the other altar pops out where all of

1091
01:14:06.359 --> 01:14:09.199
<v Speaker 3>a sudden, she acts super drunk and she's all flirty

1092
01:14:09.239 --> 01:14:11.359
<v Speaker 3>with him, and she acts like she'd give him sex,

1093
01:14:11.439 --> 01:14:16.239
<v Speaker 3>but but her other programming, of mother programming won't allow that,

1094
01:14:16.920 --> 01:14:19.760
<v Speaker 3>and she walks away from him, and the band is

1095
01:14:19.800 --> 01:14:24.039
<v Speaker 3>playing only Have Eyes for You, like in the background,

1096
01:14:24.039 --> 01:14:28.479
<v Speaker 3>you know, and that's her moment of fidelity, you know.

1097
01:14:28.640 --> 01:14:31.119
<v Speaker 3>And it's like we can all relate, like, oh, I

1098
01:14:31.199 --> 01:14:34.199
<v Speaker 3>used to be uh, I used to phnicate all the time,

1099
01:14:34.239 --> 01:14:36.840
<v Speaker 3>but now I'm a married dude and I can't do that,

1100
01:14:37.039 --> 01:14:39.279
<v Speaker 3>I guess, So like we can all kind of relate,

1101
01:14:39.800 --> 01:14:43.880
<v Speaker 3>so like we you know, regular people watching, but this

1102
01:14:44.000 --> 01:14:47.359
<v Speaker 3>is he is accessing her programming with this motion of

1103
01:14:47.640 --> 01:14:55.600
<v Speaker 3>using doing her glass, and and she is she's being accessed.

1104
01:14:55.640 --> 01:14:59.159
<v Speaker 2>In the fucking scene right above it, the dude is

1105
01:14:59.199 --> 01:15:00.960
<v Speaker 2>standing behind him glass window.

1106
01:15:01.600 --> 01:15:04.239
<v Speaker 3>Yes, right there in a glass room.

1107
01:15:04.680 --> 01:15:07.239
<v Speaker 2>And he's in a glass room and he's just discovered

1108
01:15:07.279 --> 01:15:12.119
<v Speaker 2>his daughter with two fucking dudes fucking doing some training ship.

1109
01:15:12.720 --> 01:15:15.439
<v Speaker 2>And it's like, okay, now we've got two references to

1110
01:15:15.520 --> 01:15:16.359
<v Speaker 2>the glassroom.

1111
01:15:16.439 --> 01:15:19.439
<v Speaker 3>Now good point. Yeah, I never I never mentioned that,

1112
01:15:19.520 --> 01:15:25.039
<v Speaker 3>but but that that definitely that fits are So this

1113
01:15:25.159 --> 01:15:27.760
<v Speaker 3>is also she's looking up to see U R R

1114
01:15:27.840 --> 01:15:30.319
<v Speaker 3>A N the one in the other the at the

1115
01:15:30.399 --> 01:15:32.840
<v Speaker 3>end of the film, this is the moment when he's

1116
01:15:32.920 --> 01:15:37.119
<v Speaker 3>learning that Kurran has died, right, and so watch this

1117
01:15:37.279 --> 01:15:40.760
<v Speaker 3>is the moment that that Zandor guzzles the glass. Watch

1118
01:15:40.840 --> 01:15:51.640
<v Speaker 3>this the exact moment, Yes, what what on earth is

1119
01:15:51.680 --> 01:15:55.600
<v Speaker 3>going on here? This is what that That's the very

1120
01:15:55.640 --> 01:15:58.560
<v Speaker 3>moment where she's triggered. That's the very moment when he

1121
01:15:58.680 --> 01:16:01.840
<v Speaker 3>discovers that those two are in the room there. This

1122
01:16:01.920 --> 01:16:05.079
<v Speaker 3>is the very moment when he learned when later in

1123
01:16:05.079 --> 01:16:10.800
<v Speaker 3>the film, when U Bill learns that amandica and died

1124
01:16:12.159 --> 01:16:20.960
<v Speaker 3>and then we'll continue watching here. I'll kill you. I

1125
01:16:21.039 --> 01:16:24.000
<v Speaker 3>promise I'll kill you, he says, and then he says,

1126
01:16:24.039 --> 01:16:30.359
<v Speaker 3>I'm xandor zavostright, so here we go. Have you no

1127
01:16:30.520 --> 01:16:35.079
<v Speaker 3>sense of decency? As he kisses her hands. Have you

1128
01:16:35.119 --> 01:16:38.119
<v Speaker 3>gone crazy? We were unminded here by the young lady

1129
01:16:39.039 --> 01:16:44.279
<v Speaker 3>is my daughter? To hear that young lady, this is

1130
01:16:44.319 --> 01:16:47.039
<v Speaker 3>my daughter. Same moment where she says, my name is

1131
01:16:47.079 --> 01:16:51.399
<v Speaker 3>Alice Harford. This is my daughter. My name is Alice Harford.

1132
01:16:52.399 --> 01:16:58.159
<v Speaker 3>This is exactly relating. Alice is the same as Ley, sobiesky.

1133
01:16:58.880 --> 01:17:01.800
<v Speaker 3>It lines up perfect. Can't you see? This is my

1134
01:17:01.920 --> 01:17:03.199
<v Speaker 3>daughter and she's deranged.

1135
01:17:04.560 --> 01:17:22.800
<v Speaker 7>She is a child police, I will tell you.

1136
01:17:18.960 --> 01:17:19.800
<v Speaker 2>This is pretty.

1137
01:17:22.199 --> 01:17:29.800
<v Speaker 3>Wind himself clime his eyes out. This is someplace with

1138
01:17:29.880 --> 01:17:34.960
<v Speaker 3>a very bad climate. Where is Mandy right now? She's

1139
01:17:35.000 --> 01:17:37.439
<v Speaker 3>on a cold slab in a drawer.

1140
01:17:38.560 --> 01:17:40.560
<v Speaker 4>Oh ship, that is what she said?

1141
01:17:41.319 --> 01:17:44.920
<v Speaker 3>Yeah? Where is Where are these guys right now? Watch

1142
01:17:45.159 --> 01:17:47.640
<v Speaker 3>the moment that Mandy is pulled out of the door

1143
01:17:48.079 --> 01:17:50.960
<v Speaker 3>the drawer is the moment where the door gets locked.

1144
01:17:50.960 --> 01:17:59.119
<v Speaker 3>Watch please take here. He had a very good time first, right,

1145
01:17:59.359 --> 01:18:01.960
<v Speaker 3>like those guys just did. Had a good time first,

1146
01:18:02.399 --> 01:18:04.760
<v Speaker 3>like the cult just did with Mandy before she got

1147
01:18:04.800 --> 01:18:11.119
<v Speaker 3>put on that slab, A very good time, right, Wow,

1148
01:18:14.479 --> 01:18:18.960
<v Speaker 3>what kind you are you here with anyone? Watch, gentlemen,

1149
01:18:19.159 --> 01:18:21.560
<v Speaker 3>please have the goodness to big fire for the moment.

1150
01:18:22.319 --> 01:18:30.119
<v Speaker 3>Did you see, I say, you little wore. He's pointing

1151
01:18:30.199 --> 01:18:34.039
<v Speaker 3>as we see the dead Mandy on the slab, and

1152
01:18:34.119 --> 01:18:39.560
<v Speaker 3>listen to what he says, go to bed at once,

1153
01:18:39.920 --> 01:18:45.960
<v Speaker 3>like the big sleep Mandy is. She's gone to bed

1154
01:18:45.960 --> 01:18:51.199
<v Speaker 3>you as soon as a serf sentiment. She whispers in

1155
01:18:51.279 --> 01:18:53.439
<v Speaker 3>his ear. Lily whispers in his ear. You need an

1156
01:18:53.520 --> 01:18:57.640
<v Speaker 3>ermine cloak, which means that Ley was there at those parties,

1157
01:18:57.640 --> 01:19:00.479
<v Speaker 3>at those rituals before she knows about these parties.

1158
01:19:01.359 --> 01:19:01.960
<v Speaker 2>You need.

1159
01:19:03.279 --> 01:19:03.880
<v Speaker 1>What else?

1160
01:19:03.920 --> 01:19:05.119
<v Speaker 3>Okay? Please go ahead?

1161
01:19:05.600 --> 01:19:12.199
<v Speaker 2>Yes, well, I mean just like it's it's Bill and Mandy,

1162
01:19:13.039 --> 01:19:20.439
<v Speaker 2>Bill and Lee fucking Red Pope and Alice, and it's just.

1163
01:19:20.439 --> 01:19:22.840
<v Speaker 3>Like I don't think he's the Red Pope, but still.

1164
01:19:22.680 --> 01:19:26.960
<v Speaker 4>Go ahead, I think he is. You don't think so, No.

1165
01:19:27.279 --> 01:19:32.000
<v Speaker 3>I think that I think that the Red Pope is

1166
01:19:33.359 --> 01:19:37.199
<v Speaker 3>the guy in the newspaper who Mandy was betrothed to.

1167
01:19:38.520 --> 01:19:43.800
<v Speaker 3>I think that anyway, But let's please continue with your thoughts.

1168
01:19:44.399 --> 01:19:44.479
<v Speaker 1>No.

1169
01:19:44.600 --> 01:19:47.159
<v Speaker 2>I was just saying, like it's so interesting because it's

1170
01:19:47.239 --> 01:19:52.239
<v Speaker 2>all like couples, you know, and it represents like the

1171
01:19:52.279 --> 01:19:56.159
<v Speaker 2>mother the maiden and I don't.

1172
01:19:55.960 --> 01:20:01.079
<v Speaker 3>Know, and cron is the maiden, Alice is the mother,

1173
01:20:01.800 --> 01:20:04.039
<v Speaker 3>and Mandy here is the crone. This is the three

1174
01:20:04.079 --> 01:20:07.880
<v Speaker 3>aspects of the goddess right here on the screen. And

1175
01:20:08.199 --> 01:20:11.840
<v Speaker 3>so we listened to Zandor asks what do you do? Alice?

1176
01:20:12.119 --> 01:20:17.079
<v Speaker 3>So watch watch above what Lely does in response. It's

1177
01:20:17.159 --> 01:20:21.840
<v Speaker 3>like they it's totally lined up. Watch the creature, I

1178
01:20:21.960 --> 01:20:27.560
<v Speaker 3>deal with you as soon as a surfy sentiment. What

1179
01:20:27.720 --> 01:20:33.479
<v Speaker 3>you going to do? Alice? Well, at the moment, at

1180
01:20:33.520 --> 01:20:38.159
<v Speaker 3>the moment, look at what Ley Sylviaski's doing. She's like

1181
01:20:38.520 --> 01:20:42.800
<v Speaker 3>she's selling her wares. What do you do, Alice? Well

1182
01:20:43.680 --> 01:20:46.560
<v Speaker 3>at the moment? And then look what does she do?

1183
01:20:47.039 --> 01:20:51.159
<v Speaker 3>She's she was the kid in underwear trying to be

1184
01:20:51.359 --> 01:20:55.079
<v Speaker 3>a hooker, and she's also the woman here on the

1185
01:20:55.079 --> 01:20:59.000
<v Speaker 3>slab dead in the morgue, right, that's what she does. Well,

1186
01:21:00.039 --> 01:21:02.520
<v Speaker 3>it's an art gallery. But it went broke. It went

1187
01:21:02.640 --> 01:21:06.880
<v Speaker 3>broke when we when we zoom in on Mandy, who

1188
01:21:07.159 --> 01:21:19.000
<v Speaker 3>went broke? Or just that slave went broke and he

1189
01:21:19.119 --> 01:21:24.399
<v Speaker 3>went You notice how the car sound cut exactly where

1190
01:21:24.439 --> 01:21:27.000
<v Speaker 3>she said, but it went broke. And this is the

1191
01:21:27.039 --> 01:21:29.600
<v Speaker 3>same moment where Bill is realizing this is the same

1192
01:21:29.640 --> 01:21:34.840
<v Speaker 3>girl that he met at the party and so and

1193
01:21:34.880 --> 01:21:38.000
<v Speaker 3>then you look at both Bill's faces the same face.

1194
01:21:40.039 --> 01:21:46.319
<v Speaker 3>They're just like the game Stunned. He's got friends in

1195
01:21:46.359 --> 01:21:53.039
<v Speaker 3>the art game, right, thank you. Right, So there's a

1196
01:21:53.119 --> 01:21:58.079
<v Speaker 3>naval officer, there's the two maidens that us Arab at

1197
01:21:58.079 --> 01:22:06.000
<v Speaker 3>the party. So it's like all of these maidens are connected,

1198
01:22:07.199 --> 01:22:10.239
<v Speaker 3>they're all the same. So this is what Kubrick is doing.

1199
01:22:10.279 --> 01:22:17.399
<v Speaker 3>He's showing us that they're all the same girl. And

1200
01:22:17.960 --> 01:22:20.159
<v Speaker 3>look at this the dollar Bill He's got to cut

1201
01:22:20.159 --> 01:22:22.640
<v Speaker 3>in two right when he's talking to the two girls,

1202
01:22:23.760 --> 01:22:27.079
<v Speaker 3>like he's like, look it's Gemini, Like there's two of them, right,

1203
01:22:27.239 --> 01:22:29.760
<v Speaker 3>you know. And we see these two girls, the nw

1204
01:22:29.840 --> 01:22:34.199
<v Speaker 3>Ala Windsor and the other one from Rockefeller Plaza right

1205
01:22:34.439 --> 01:22:39.720
<v Speaker 3>Like everything you can skip to anywhere and you can

1206
01:22:39.760 --> 01:22:43.560
<v Speaker 3>see how all three like this is where he says

1207
01:22:43.600 --> 01:22:47.359
<v Speaker 3>she's a hooker. This is where she said like the

1208
01:22:47.399 --> 01:22:53.039
<v Speaker 3>star of Ishtar behind It's like it just keeps going,

1209
01:22:53.199 --> 01:22:57.600
<v Speaker 3>God damn, we see here they're grooming. And this might

1210
01:22:57.640 --> 01:22:59.960
<v Speaker 3>be when Bill is realizing that his daughter is all

1211
01:23:00.079 --> 01:23:03.159
<v Speaker 3>so part of it. If if there's other realizations. You

1212
01:23:03.159 --> 01:23:05.680
<v Speaker 3>could look at it different ways. Where Bill is realizing

1213
01:23:05.680 --> 01:23:09.479
<v Speaker 3>that his family and that his wife. It might be

1214
01:23:09.600 --> 01:23:12.760
<v Speaker 3>that like that he's realizing these things and not speaking

1215
01:23:12.760 --> 01:23:15.560
<v Speaker 3>them out to you. Could you could look at it

1216
01:23:15.560 --> 01:23:20.199
<v Speaker 3>in different ways. And the moment when she's look at this,

1217
01:23:20.359 --> 01:23:21.479
<v Speaker 3>when he's found.

1218
01:23:21.159 --> 01:23:24.359
<v Speaker 5>Out and where did she disappear?

1219
01:23:27.800 --> 01:23:30.600
<v Speaker 3>Now he's found out, Oh where did you disappear? With

1220
01:23:30.640 --> 01:23:32.680
<v Speaker 3>them for so long? And all of a sudden, the

1221
01:23:32.720 --> 01:23:37.039
<v Speaker 3>moment the ritual turns to where he has to confront

1222
01:23:38.319 --> 01:23:42.720
<v Speaker 3>Red Cloak and you know, uh, and the music even

1223
01:23:42.760 --> 01:23:52.840
<v Speaker 3>lines up, so I didn't disappear The word disappear, like

1224
01:23:53.119 --> 01:23:56.239
<v Speaker 3>right when we see this mask of the Eye of

1225
01:23:56.279 --> 01:23:59.600
<v Speaker 3>Providence with the triangle with the eye in it, and

1226
01:23:59.640 --> 01:24:03.119
<v Speaker 3>this is the same moment where uh. And in a

1227
01:24:03.199 --> 01:24:05.039
<v Speaker 3>couple of minutes, in like another minute, we're going to

1228
01:24:05.079 --> 01:24:07.159
<v Speaker 3>see the double headed eagle on the chair, which also

1229
01:24:07.239 --> 01:24:15.920
<v Speaker 3>relates to Freemasons appear. I didn't go with anybody, come forward.

1230
01:24:16.319 --> 01:24:18.920
<v Speaker 3>I got called upstairs to did you hear that?

1231
01:24:19.600 --> 01:24:19.960
<v Speaker 2>Ah?

1232
01:24:20.359 --> 01:24:21.399
<v Speaker 4>That was crazy.

1233
01:24:21.720 --> 01:24:25.920
<v Speaker 3>Red Cloak says, come forward, and Bill says, I got

1234
01:24:25.920 --> 01:24:32.520
<v Speaker 3>called upstairs to see him. Yeah, it's amazing. People. Everybody

1235
01:24:32.560 --> 01:24:34.439
<v Speaker 3>needs to take a big dose of mushrooms and watch

1236
01:24:34.479 --> 01:24:40.720
<v Speaker 3>this thing, like everything lines up and look at this. Okay,

1237
01:24:41.600 --> 01:24:46.399
<v Speaker 3>the scene where he finds the mask on the bed,

1238
01:24:50.600 --> 01:25:00.279
<v Speaker 3>the threat and there's the mask. They right, just a

1239
01:25:00.439 --> 01:25:10.239
<v Speaker 3>couple of minds. The music fits where did you disappear to? So?

1240
01:25:10.279 --> 01:25:19.199
<v Speaker 3>Then like and if you go further ahead here the

1241
01:25:16.600 --> 01:25:23.640
<v Speaker 3>uh the moment where he says, remove your clothes, M.

1242
01:25:25.399 --> 01:25:27.119
<v Speaker 1>Kindly remove.

1243
01:25:28.199 --> 01:25:31.359
<v Speaker 3>I like your mask. There's the mask right?

1244
01:25:32.439 --> 01:25:32.760
<v Speaker 5>Oh?

1245
01:25:33.840 --> 01:25:36.560
<v Speaker 3>She find and then he takes the mask off and

1246
01:25:36.640 --> 01:25:39.479
<v Speaker 3>look at he's got his hand on his heart. He's like, oh,

1247
01:25:40.479 --> 01:25:44.399
<v Speaker 3>found out where exceptions. At the beginning he says, I'm

1248
01:25:44.439 --> 01:25:47.680
<v Speaker 3>an exception. I would never do that. But in the end,

1249
01:25:47.800 --> 01:25:49.720
<v Speaker 3>this is the moment where he's found out where he

1250
01:25:49.760 --> 01:25:53.000
<v Speaker 3>did that. You see, like it even fits the X

1251
01:25:53.199 --> 01:26:00.319
<v Speaker 3>the exoteric story, the way that it lines up. What

1252
01:26:00.520 --> 01:26:07.680
<v Speaker 3>makes you an exception? What makes me? The minute he

1253
01:26:07.720 --> 01:26:11.399
<v Speaker 3>says get undressed is when he starts crying, He's like.

1254
01:26:11.399 --> 01:26:12.119
<v Speaker 4>I notice that.

1255
01:26:12.239 --> 01:26:18.640
<v Speaker 2>It's like he's bawling over on the other Yeah.

1256
01:26:19.039 --> 01:26:21.000
<v Speaker 3>And the guy's holding the mask over his heart like

1257
01:26:21.039 --> 01:26:23.359
<v Speaker 3>it's a protection, like it's his shield. He's trying to

1258
01:26:23.399 --> 01:26:27.239
<v Speaker 3>cover protect himself from these people. And she has the

1259
01:26:27.319 --> 01:26:29.880
<v Speaker 3>mask there on the pillow. It's all found out, like

1260
01:26:29.960 --> 01:26:42.800
<v Speaker 3>he's discovering because move your food. I would never hurt you.

1261
01:26:43.520 --> 01:26:44.560
<v Speaker 3>I never do that to.

1262
01:26:51.920 --> 01:26:52.039
<v Speaker 2>Me.

1263
01:26:55.600 --> 01:27:01.199
<v Speaker 4>You wouldn't fuck those two consideration, not because.

1264
01:27:02.800 --> 01:27:06.319
<v Speaker 3>It's just relax.

1265
01:27:11.199 --> 01:27:11.680
<v Speaker 4>The pot.

1266
01:27:12.039 --> 01:27:15.279
<v Speaker 3>He just said, I'll tell you everything. She yelled stop

1267
01:27:15.760 --> 01:27:19.479
<v Speaker 3>in the other frame, and he says, I'll tell you everything.

1268
01:27:19.880 --> 01:27:23.319
<v Speaker 3>I'll tell you everything. That's the rule. He wasn't supposed

1269
01:27:23.319 --> 01:27:30.119
<v Speaker 3>to do that answer the impression. That's what I was

1270
01:27:32.159 --> 01:27:33.640
<v Speaker 3>who we're arguing about.

1271
01:27:35.840 --> 01:27:36.000
<v Speaker 2>Him.

1272
01:27:36.680 --> 01:27:39.239
<v Speaker 3>She has to redeem him. And look at on the left,

1273
01:27:39.319 --> 01:27:42.680
<v Speaker 3>her eyes, her face, she has to deal with this guy.

1274
01:27:42.880 --> 01:27:46.239
<v Speaker 3>She's you know, is she ready to redeem him? The wife?

1275
01:27:46.359 --> 01:27:49.560
<v Speaker 3>You know? And she's looking down below in the other end,

1276
01:27:49.600 --> 01:27:52.520
<v Speaker 3>she's like, I'm trying to find out where you're coming from.

1277
01:27:52.920 --> 01:27:55.119
<v Speaker 3>She learns in the other frame where he's coming from.

1278
01:27:55.560 --> 01:27:57.479
<v Speaker 3>And look at what it does. She's crying all that.

1279
01:27:57.640 --> 01:28:01.720
<v Speaker 3>You know, I was just fain to find out where

1280
01:28:01.720 --> 01:28:06.319
<v Speaker 3>you're coming from. Listen the moment she says, tits already.

1281
01:28:08.439 --> 01:28:13.880
<v Speaker 3>Let's say, let's say, for example, you have some gorgeous woman.

1282
01:28:14.720 --> 01:28:19.279
<v Speaker 3>Are you sure you understand what you're taking upon yourself

1283
01:28:20.760 --> 01:28:26.880
<v Speaker 3>tits right at the moment, Oh my god, there's her

1284
01:28:26.920 --> 01:28:31.039
<v Speaker 3>effing tits right when she says her e fing tits

1285
01:28:31.800 --> 01:28:34.039
<v Speaker 3>and we see Bill's face over there.

1286
01:28:33.760 --> 01:28:37.680
<v Speaker 2>Like looking down all like, h yeah.

1287
01:28:37.239 --> 01:28:40.640
<v Speaker 3>When when I touched fing tits at work. It isn't

1288
01:28:40.800 --> 01:28:44.439
<v Speaker 3>just professional like you know, it's the truth. It is

1289
01:28:44.560 --> 01:28:47.159
<v Speaker 3>so amazing this movie. Now, what I want to know,

1290
01:28:48.000 --> 01:28:50.760
<v Speaker 3>I want to know what are you really thinking about

1291
01:28:51.079 --> 01:28:56.760
<v Speaker 3>when you're sing Alice, very welcome to be a doctor.

1292
01:28:58.039 --> 01:29:02.720
<v Speaker 3>It's all very impersonal and you know you are free.

1293
01:29:05.840 --> 01:29:12.159
<v Speaker 3>I warn you further or if you say a single word,

1294
01:29:13.720 --> 01:29:17.279
<v Speaker 3>if you say a single word, and he's saying sex

1295
01:29:17.439 --> 01:29:21.720
<v Speaker 3>is the last thing on my mind. And he said

1296
01:29:21.840 --> 01:29:26.199
<v Speaker 3>all the words to Alice, and Alice is one of

1297
01:29:26.239 --> 01:29:31.239
<v Speaker 3>their slaves. It's like he just told them everything that

1298
01:29:31.479 --> 01:29:35.039
<v Speaker 3>he can't keep a secret. And this is the moment

1299
01:29:35.359 --> 01:29:38.600
<v Speaker 3>where she tells him we have to bring Helena to

1300
01:29:38.640 --> 01:29:44.560
<v Speaker 3>the toy store. After he spills the beans and disobeys

1301
01:29:44.680 --> 01:29:49.600
<v Speaker 3>Red Cloak and tells somebody more than a single word.

1302
01:29:50.479 --> 01:29:53.479
<v Speaker 3>Now his daughter has to get abducted. That's why she's

1303
01:29:53.520 --> 01:29:57.840
<v Speaker 3>really crying because Bill ruined everything. Their whole the whole

1304
01:29:57.880 --> 01:30:02.279
<v Speaker 3>plan of raising a daughter, a nice little family for

1305
01:30:02.399 --> 01:30:05.880
<v Speaker 3>them to use and abuse whenever they want. Now that's

1306
01:30:05.880 --> 01:30:07.960
<v Speaker 3>all out the window, and now they have to abduct Helena.

1307
01:30:08.600 --> 01:30:11.520
<v Speaker 3>And now Helen is probably gonna be like Lely and

1308
01:30:11.560 --> 01:30:14.760
<v Speaker 3>she's probably gonna work at the garment shop. You know

1309
01:30:14.800 --> 01:30:18.159
<v Speaker 3>what I'm saying about watching with thee.

1310
01:30:19.840 --> 01:30:21.600
<v Speaker 2>There will be themost.

1311
01:30:23.880 --> 01:30:24.600
<v Speaker 3>Do you think.

1312
01:30:26.319 --> 01:30:28.000
<v Speaker 4>About what handsome doctor?

1313
01:30:28.720 --> 01:30:32.439
<v Speaker 3>The moment when the guy says there will be extremely

1314
01:30:32.479 --> 01:30:36.239
<v Speaker 3>dire consequences for you and your family, that's the same

1315
01:30:36.319 --> 01:30:40.640
<v Speaker 3>moment when Alice tells Bill, we told Helena we're going

1316
01:30:40.680 --> 01:30:42.880
<v Speaker 3>to bring her to the toy store. I'm gonna bring

1317
01:30:42.960 --> 01:30:46.520
<v Speaker 3>her toy store today. And the toy store is the

1318
01:30:46.560 --> 01:30:51.119
<v Speaker 3>handoff where she brings Helena to be given away to

1319
01:30:51.239 --> 01:30:59.000
<v Speaker 3>her cult. And I can even skip ahead to you. Yeah,

1320
01:30:59.039 --> 01:31:04.960
<v Speaker 3>so here's a toy store. He's the last do you

1321
01:31:05.079 --> 01:31:06.920
<v Speaker 3>understand the dire consequences?

1322
01:31:07.039 --> 01:31:12.439
<v Speaker 2>Right, hypothetical woman patient's mind leaks, he's.

1323
01:31:15.880 --> 01:31:18.560
<v Speaker 3>What makes him some shure. And there we have she's

1324
01:31:18.600 --> 01:31:21.560
<v Speaker 3>being taken by death and he's leading her.

1325
01:31:21.479 --> 01:31:25.079
<v Speaker 2>Away and the watching it happen.

1326
01:31:25.720 --> 01:31:29.640
<v Speaker 3>And this is the same moment when the thug starts

1327
01:31:29.640 --> 01:31:33.520
<v Speaker 3>following them. This guy, you can barely see him. Bill

1328
01:31:33.680 --> 01:31:38.279
<v Speaker 3>is stepping aside for the thug. You see him to

1329
01:31:38.399 --> 01:31:41.800
<v Speaker 3>the right of that screen. It's like Italian guy with

1330
01:31:41.920 --> 01:31:45.319
<v Speaker 3>like a five o'clock shadow, and he's looking down to

1331
01:31:45.359 --> 01:31:48.199
<v Speaker 3>where Helena was just and Bill has to step aside

1332
01:31:48.239 --> 01:31:51.600
<v Speaker 3>for him to move. Bill kind of like nods at him.

1333
01:31:52.159 --> 01:31:55.640
<v Speaker 3>So we are to look at this guy that Bill

1334
01:31:55.720 --> 01:31:58.720
<v Speaker 3>is moving aside for in the toy store. He appears

1335
01:31:58.760 --> 01:32:02.880
<v Speaker 3>directly at the same moment that the cloaked figure is

1336
01:32:02.960 --> 01:32:04.600
<v Speaker 3>leading Mandy away to her death.

1337
01:32:06.159 --> 01:32:07.640
<v Speaker 4>Stoping, this is.

1338
01:32:07.600 --> 01:32:11.880
<v Speaker 3>The same moment. This is the same character. Yes, this

1339
01:32:12.079 --> 01:32:16.319
<v Speaker 3>is they're taking Helena away, just like they're taking Mandy away.

1340
01:32:17.239 --> 01:32:21.039
<v Speaker 3>They're they're sending their goon to go grab her. Now,

1341
01:32:23.680 --> 01:32:26.520
<v Speaker 3>see now he passes them, and then we'll see that

1342
01:32:26.600 --> 01:32:29.239
<v Speaker 3>he goes beyond them and then turns around and starts

1343
01:32:29.239 --> 01:32:32.560
<v Speaker 3>following them, and we see them again, or we see

1344
01:32:32.640 --> 01:32:35.640
<v Speaker 3>him again right before she turns down the aisle of

1345
01:32:35.680 --> 01:32:37.239
<v Speaker 3>the two of the two old men at the end

1346
01:32:37.319 --> 01:32:38.840
<v Speaker 3>of the Teddy Bear a better reason.

1347
01:32:40.760 --> 01:32:41.359
<v Speaker 6>She's afraid.

1348
01:32:41.680 --> 01:32:42.479
<v Speaker 3>She's afraid.

1349
01:32:44.760 --> 01:32:47.960
<v Speaker 2>Okay, so so so after you tell her that everything's.

1350
01:32:47.560 --> 01:32:59.640
<v Speaker 3>Fine, so fast, what then? What then? Yes, what's going

1351
01:32:59.680 --> 01:33:03.119
<v Speaker 3>to pick. What is going to happen to that woman?

1352
01:33:03.840 --> 01:33:04.399
<v Speaker 3>What then?

1353
01:33:06.560 --> 01:33:11.600
<v Speaker 4>And then by the way to yes, yes, what is.

1354
01:33:11.479 --> 01:33:13.760
<v Speaker 3>Going to happen to that woman? What is going to

1355
01:33:13.800 --> 01:33:17.239
<v Speaker 3>happen to his daughter? The teddy bear at that same moment,

1356
01:33:17.960 --> 01:33:20.079
<v Speaker 3>and then we see those two guys holding the teddy

1357
01:33:20.079 --> 01:33:22.239
<v Speaker 3>bear laughing at the end of the aisle. What is

1358
01:33:22.279 --> 01:33:30.319
<v Speaker 3>going to happen? What is going to happen? No one

1359
01:33:30.520 --> 01:33:38.359
<v Speaker 3>can change you see the promise.

1360
01:33:40.680 --> 01:33:47.399
<v Speaker 2>And years of evolution, she said, years of fucking generational fucking.

1361
01:33:47.279 --> 01:33:51.640
<v Speaker 3>Yeah, trauma based mind control. And then we see directly

1362
01:33:51.680 --> 01:33:55.239
<v Speaker 3>behind her on the wall in the toy store, on

1363
01:33:55.279 --> 01:33:58.119
<v Speaker 3>that red wall that matches the red carpet all that

1364
01:33:58.920 --> 01:34:04.119
<v Speaker 3>we see. It's like on a shelf. There's like an obelisk.

1365
01:34:04.960 --> 01:34:07.840
<v Speaker 3>It's black and white, checkered with.

1366
01:34:07.960 --> 01:34:10.359
<v Speaker 4>A big star looking thing around it.

1367
01:34:10.520 --> 01:34:13.960
<v Speaker 3>Yeah, it's like it's kind of like it's a ferris

1368
01:34:13.960 --> 01:34:19.239
<v Speaker 3>wheel or whatever, and it's actually it's a yellow octagon.

1369
01:34:21.039 --> 01:34:25.359
<v Speaker 3>Shut up, h I know, I know, right, But the

1370
01:34:25.399 --> 01:34:29.640
<v Speaker 3>octagon represents the testa act, which is the hypercube, which

1371
01:34:29.680 --> 01:34:34.560
<v Speaker 3>is the mind control programming of the slaves there in

1372
01:34:34.640 --> 01:34:36.079
<v Speaker 3>the Eternal cage.

1373
01:34:36.600 --> 01:34:39.119
<v Speaker 2>You blew my mind with that when we talked about

1374
01:34:39.119 --> 01:34:41.560
<v Speaker 2>it on the Note episode, because you were like, well,

1375
01:34:41.600 --> 01:34:42.119
<v Speaker 2>look at it.

1376
01:34:42.119 --> 01:34:43.720
<v Speaker 4>It's a testa act and I was like.

1377
01:34:44.640 --> 01:34:48.560
<v Speaker 3>Oh, mynd yeah, yeah, the face of the bad the

1378
01:34:48.600 --> 01:34:51.920
<v Speaker 3>Evil Monster is a testa actor. It's an extruding cube.

1379
01:34:52.000 --> 01:34:55.960
<v Speaker 3>It's fucking amazing. Yeah. Jordan Peel's really smart and so

1380
01:34:56.079 --> 01:34:59.840
<v Speaker 3>like Kubrick, here he's showing above her head and then

1381
01:35:00.159 --> 01:35:04.680
<v Speaker 3>like it's in the background, but as she as they walk,

1382
01:35:05.520 --> 01:35:10.720
<v Speaker 3>this thing becomes behind her head. It settles within her skull.

1383
01:35:10.840 --> 01:35:15.640
<v Speaker 3>The way that the camera is lined up, it's like

1384
01:35:15.640 --> 01:35:18.439
<v Speaker 3>like the way that stars work, and like you can

1385
01:35:18.520 --> 01:35:21.960
<v Speaker 3>see a thing because it lines up with you know,

1386
01:35:22.239 --> 01:35:27.399
<v Speaker 3>so that that symbol is effectively through the camera lens

1387
01:35:27.720 --> 01:35:32.000
<v Speaker 3>being placed within her head, you know, in the space

1388
01:35:32.039 --> 01:35:36.239
<v Speaker 3>of her head. So that octagon represents the eternal cage

1389
01:35:36.279 --> 01:35:39.439
<v Speaker 3>of mind control. And he's asking her what do you

1390
01:35:39.560 --> 01:35:44.760
<v Speaker 3>think She's thinking, what the what the cult tells her

1391
01:35:44.800 --> 01:35:48.439
<v Speaker 3>to think? She's doing what the what the cult tells

1392
01:35:48.479 --> 01:35:49.039
<v Speaker 3>her to do?

1393
01:35:49.680 --> 01:35:54.479
<v Speaker 6>Women, it is just about security and commitment and whatever.

1394
01:35:58.560 --> 01:35:58.600
<v Speaker 1>That.

1395
01:35:58.920 --> 01:36:02.800
<v Speaker 3>So watch see behind them there's the thug and he's

1396
01:36:02.800 --> 01:36:06.279
<v Speaker 3>touching a teddy bear. See that he's walking around there

1397
01:36:07.279 --> 01:36:09.960
<v Speaker 3>here's his face again. See him at the five o'clock shadow,

1398
01:36:11.760 --> 01:36:14.239
<v Speaker 3>and he walks down the aisle behind the aisle where

1399
01:36:14.279 --> 01:36:17.760
<v Speaker 3>they walk. So when the little girl walks around the corner,

1400
01:36:17.760 --> 01:36:25.039
<v Speaker 3>there he is. He's the big bed wolf. So nobody

1401
01:36:25.079 --> 01:36:27.039
<v Speaker 3>notices that thug guy. I think I'm the first guy

1402
01:36:27.039 --> 01:36:30.560
<v Speaker 3>I notice him. Why do I think? Question too? She

1403
01:36:30.680 --> 01:36:33.279
<v Speaker 3>got a little stone tonight. I'll tell you what I

1404
01:36:33.399 --> 01:36:37.600
<v Speaker 3>do know. There's the same moment where we see Barbie

1405
01:36:37.840 --> 01:36:39.239
<v Speaker 3>and you know about Barbie.

1406
01:36:39.479 --> 01:36:42.439
<v Speaker 2>I know all about that motherfucker.

1407
01:36:42.560 --> 01:36:47.079
<v Speaker 3>Yeah, I know. And we see Marilyn Monroe in the dress.

1408
01:36:47.079 --> 01:36:51.359
<v Speaker 3>Fucking gentlemen prefer blondes. That's what Arizona Wilder was saying before.

1409
01:36:51.399 --> 01:36:54.680
<v Speaker 3>You know, gentlemen preferred blondes, right, So, and then she's

1410
01:36:54.720 --> 01:36:57.800
<v Speaker 3>in the ballerina. She got the ballerina nutcracker Barbie, and

1411
01:36:58.880 --> 01:37:02.560
<v Speaker 3>so this is I know what I do know is

1412
01:37:02.920 --> 01:37:08.079
<v Speaker 3>and then boom Kubrick cuts to Barbie dolls, Marilyn Monroe

1413
01:37:08.720 --> 01:37:13.000
<v Speaker 3>little girl coveting the nutcracker Barbie. And then in the

1414
01:37:13.000 --> 01:37:18.039
<v Speaker 3>box below the Marilyn Monroe doll is another Barbie trapped

1415
01:37:18.039 --> 01:37:21.319
<v Speaker 3>within a golden box and the window she's looking out

1416
01:37:21.359 --> 01:37:25.079
<v Speaker 3>from is an upside down pentagram. It's an upside down

1417
01:37:25.119 --> 01:37:29.199
<v Speaker 3>five pointed star trapped within a golden cage, and she

1418
01:37:29.279 --> 01:37:33.399
<v Speaker 3>looks out through a window of satanism. Fuck, I'll tell

1419
01:37:33.399 --> 01:37:35.560
<v Speaker 3>you what I do know. And then like if you

1420
01:37:35.560 --> 01:37:38.720
<v Speaker 3>look up to the right, there's like some ornate like

1421
01:37:38.960 --> 01:37:43.199
<v Speaker 3>ancient like old English costume of Barbie which shows the

1422
01:37:43.279 --> 01:37:47.279
<v Speaker 3>generational how long it's been happening, you know, like everything

1423
01:37:47.359 --> 01:37:50.079
<v Speaker 3>is there in the frame. And then like, I'll tell

1424
01:37:50.079 --> 01:37:52.079
<v Speaker 3>you what I do know. That's what I think what

1425
01:37:52.159 --> 01:37:55.600
<v Speaker 3>Kubrick really does know for sure, he does know about Maryland.

1426
01:37:55.640 --> 01:37:58.199
<v Speaker 3>He does know that these women are slaves. And this

1427
01:37:58.279 --> 01:38:02.680
<v Speaker 3>is him showing us that, you know. And this is

1428
01:38:02.720 --> 01:38:05.520
<v Speaker 3>also the moment where he locks the door behind him,

1429
01:38:05.760 --> 01:38:10.000
<v Speaker 3>like and then he's yelling. He's yelling at at Alice

1430
01:38:10.119 --> 01:38:11.920
<v Speaker 3>in the other frame. You know, he's I know what

1431
01:38:12.000 --> 01:38:14.399
<v Speaker 3>I do know. Find to pick a fight with me,

1432
01:38:14.560 --> 01:38:18.199
<v Speaker 3>and now you're trying to make me jealous, but you're not.

1433
01:38:18.520 --> 01:38:20.840
<v Speaker 3>And look at all the Teddy Bears, like over on

1434
01:38:20.880 --> 01:38:23.079
<v Speaker 3>the left, she's there on the side of the Teddy Bear,

1435
01:38:23.079 --> 01:38:25.000
<v Speaker 3>and we see the Pooh Bear way up in the

1436
01:38:25.000 --> 01:38:31.279
<v Speaker 3>corner with the elevators. What does elevators relate to? You know,

1437
01:38:31.319 --> 01:38:34.479
<v Speaker 3>the elevators are just satanic, I don't know, just the

1438
01:38:34.520 --> 01:38:37.880
<v Speaker 3>symbolism just you know, brings you deep into the underworld,

1439
01:38:38.000 --> 01:38:40.800
<v Speaker 3>like pulls you down. I mean, freaking Prince died in

1440
01:38:40.800 --> 01:38:44.920
<v Speaker 3>an elevator. They killed him in an elevator, and we

1441
01:38:45.000 --> 01:38:53.119
<v Speaker 3>got Pooh Bear right there, the yellow I have. So

1442
01:38:53.279 --> 01:38:57.760
<v Speaker 3>now the moment where we're at the ale, we see

1443
01:38:57.800 --> 01:38:59.479
<v Speaker 3>the two men at the end of the aisle, we

1444
01:38:59.520 --> 01:39:03.479
<v Speaker 3>see there is the tiger stuffed cats that she goes

1445
01:39:03.520 --> 01:39:06.279
<v Speaker 3>and stands right next to the stuff tiger and down

1446
01:39:06.359 --> 01:39:09.079
<v Speaker 3>below in the other one, she's like, you've never been

1447
01:39:09.159 --> 01:39:12.880
<v Speaker 3>jealous to me. She's mad. It's like she's doing this

1448
01:39:12.960 --> 01:39:17.199
<v Speaker 3>out of revenge. She's like pissed at Bill. She's like, yeah,

1449
01:39:17.520 --> 01:39:20.079
<v Speaker 3>let him have our baby. And this is the same

1450
01:39:20.079 --> 01:39:23.359
<v Speaker 3>moment he looks at Helena while she's sleeping. He like

1451
01:39:23.439 --> 01:39:25.800
<v Speaker 3>goes in her room and he likes sees and there's

1452
01:39:25.840 --> 01:39:27.680
<v Speaker 3>a big teddy bear in that scene too, where he

1453
01:39:27.720 --> 01:39:31.520
<v Speaker 3>looks at her asleeping and he's like, oh, she's safe. Oh,

1454
01:39:31.560 --> 01:39:34.600
<v Speaker 3>thank goodness, she's safe. And he's looking at her. But

1455
01:39:34.760 --> 01:39:38.000
<v Speaker 3>now I'll play it and we'll see in the toy store.

1456
01:39:38.039 --> 01:39:41.960
<v Speaker 3>He doesn't even look at her. His eyes are wide shut,

1457
01:39:42.560 --> 01:39:46.399
<v Speaker 3>jealous about me. Well, I don't know, Alice, maybe because

1458
01:39:46.439 --> 01:39:51.319
<v Speaker 3>your mind the same one, because you're my wife, right.

1459
01:39:51.840 --> 01:39:55.399
<v Speaker 3>And this is the moment where they're pushing, they're almost effecting.

1460
01:39:55.439 --> 01:39:59.159
<v Speaker 3>They're pushing out. Yeah, yes, that you can see. They're

1461
01:39:59.159 --> 01:40:01.760
<v Speaker 3>like pushing her shoulder. As those men go, they're like,

1462
01:40:01.800 --> 01:40:04.479
<v Speaker 3>go ahead, follow them. And she's got the cat beast

1463
01:40:04.560 --> 01:40:07.279
<v Speaker 3>there behind her. She's got the anana energy. That's the

1464
01:40:07.319 --> 01:40:12.520
<v Speaker 3>altar that's up and we see Helena asleep. Room two

1465
01:40:12.520 --> 01:40:14.600
<v Speaker 3>thirty seven told us about Look at the painting that

1466
01:40:14.680 --> 01:40:18.920
<v Speaker 3>she painted. It says sex like that's in the subliminals

1467
01:40:18.960 --> 01:40:23.640
<v Speaker 3>of what they're programming her with. And there's like there's

1468
01:40:23.680 --> 01:40:26.199
<v Speaker 3>two lamps and there's a clown on either side, a

1469
01:40:26.199 --> 01:40:28.319
<v Speaker 3>blue one and a red one. And there's a little

1470
01:40:28.359 --> 01:40:32.439
<v Speaker 3>teddy bear on her post, like the bedpost, and the

1471
01:40:32.439 --> 01:40:35.600
<v Speaker 3>little teddy bear has a rainbow on its t shirt

1472
01:40:36.800 --> 01:40:40.279
<v Speaker 3>and it's straddling the post like it's a phallic thing.

1473
01:40:41.319 --> 01:40:43.800
<v Speaker 3>So this teddy bear is going to relate to the

1474
01:40:43.880 --> 01:40:49.279
<v Speaker 3>rainbow room that she's gonna She's being programmed the same

1475
01:40:49.319 --> 01:40:53.239
<v Speaker 3>way that Ley Sobieski was programmed, right, so this is

1476
01:40:53.279 --> 01:40:56.279
<v Speaker 3>the same moment because you're my wife and you would

1477
01:40:56.399 --> 01:41:00.840
<v Speaker 3>never do that. And then she laughs at him. Watch

1478
01:41:02.479 --> 01:41:05.319
<v Speaker 3>maybe because you're the mother of my child. And I

1479
01:41:06.000 --> 01:41:09.840
<v Speaker 3>the little girl looked back for the last time. Alice

1480
01:41:09.880 --> 01:41:12.640
<v Speaker 3>was watching. But Bill was looking at Alice's face.

1481
01:41:12.760 --> 01:41:16.720
<v Speaker 4>Uh, mother of my child, right, and.

1482
01:41:18.720 --> 01:41:22.640
<v Speaker 3>Yes, And that's the last moment that Helena or that

1483
01:41:22.680 --> 01:41:24.920
<v Speaker 3>Alice is going to see Helena look at her face.

1484
01:41:25.000 --> 01:41:28.720
<v Speaker 3>She's like, oh, inside, all of her altars are screaming,

1485
01:41:29.319 --> 01:41:31.399
<v Speaker 3>but she has to do it. She just does it.

1486
01:41:32.119 --> 01:41:34.479
<v Speaker 3>And this is and look Bill, Bill was just looked

1487
01:41:34.479 --> 01:41:37.279
<v Speaker 3>at Helena and he closes his eyes. It's as if

1488
01:41:37.640 --> 01:41:41.039
<v Speaker 3>that it's as if he's feeling the pain of the

1489
01:41:41.279 --> 01:41:42.920
<v Speaker 3>of what's happening in the other frame.

1490
01:41:43.479 --> 01:41:47.960
<v Speaker 2>Do you feel like the name Helena was chosen specifically

1491
01:41:48.039 --> 01:41:49.520
<v Speaker 2>or did that come from the book?

1492
01:41:51.359 --> 01:41:53.880
<v Speaker 3>It was not in the book. I forget the girl's

1493
01:41:53.920 --> 01:41:55.680
<v Speaker 3>name in the book, but it was like a German

1494
01:41:55.720 --> 01:41:56.640
<v Speaker 3>family in the book.

1495
01:41:57.039 --> 01:42:01.520
<v Speaker 2>Well, you know, Marilyn Monroe died on Helena drive.

1496
01:42:02.239 --> 01:42:09.760
<v Speaker 3>Huh really yeah, I'm gonna make a note. Wow. Also,

1497
01:42:10.079 --> 01:42:13.920
<v Speaker 3>she relates to the gods Helena is like one of

1498
01:42:13.920 --> 01:42:16.359
<v Speaker 3>the biggest gods of the Greek pantheon, you know.

1499
01:42:16.600 --> 01:42:19.399
<v Speaker 2>But yeah, I thought that was so crazy because Marilyn

1500
01:42:19.520 --> 01:42:23.720
<v Speaker 2>died on don't get me to line about the number

1501
01:42:23.800 --> 01:42:26.760
<v Speaker 2>of the house, but it was on Helena Drive, and

1502
01:42:26.840 --> 01:42:30.720
<v Speaker 2>if it wasn't in the book Helena, then that's gotta

1503
01:42:30.760 --> 01:42:31.359
<v Speaker 2>be chosen.

1504
01:42:31.600 --> 01:42:36.760
<v Speaker 3>Right, Yes, you're right, anything that he changed, we need

1505
01:42:36.800 --> 01:42:43.199
<v Speaker 3>to pay attention to, yes, right, right. So yeah, and

1506
01:42:43.279 --> 01:42:50.960
<v Speaker 3>like hell in like hell in like in a hell right,

1507
01:42:51.319 --> 01:42:54.680
<v Speaker 3>you know, hal sounds like hell like that whole like

1508
01:42:54.800 --> 01:42:58.439
<v Speaker 3>it's I think Kubrick might have been using that too,

1509
01:42:59.119 --> 01:43:01.920
<v Speaker 3>because the way of the words work, like in your brain.

1510
01:43:03.840 --> 01:43:12.319
<v Speaker 3>Would never be unfaithful to me. Yeah, grateful, I'm sure

1511
01:43:12.319 --> 01:43:21.199
<v Speaker 3>of you, And she laughs grateful and then she's explaining

1512
01:43:21.199 --> 01:43:25.800
<v Speaker 3>we should be grateful, and basically she's telling him, like

1513
01:43:26.199 --> 01:43:30.720
<v Speaker 3>we should be glad they didn't kill us with all

1514
01:43:30.760 --> 01:43:37.760
<v Speaker 3>of our adventures. She's like, I'm saving you, buddy, even

1515
01:43:37.760 --> 01:43:40.079
<v Speaker 3>though he doesn't know. His eyes are wide shut. He's

1516
01:43:40.119 --> 01:43:45.479
<v Speaker 3>the jerk, you know, like that we've managed to survive.

1517
01:43:46.039 --> 01:43:50.039
<v Speaker 3>So as the one frame is she's telling him about this,

1518
01:43:50.199 --> 01:43:53.960
<v Speaker 3>the other frame, she's laughing in his face. After his

1519
01:43:54.119 --> 01:43:57.840
<v Speaker 3>daughter was stolen, and he's so sure that she'd never

1520
01:43:57.880 --> 01:44:03.039
<v Speaker 3>be unfaithful, and she's laughing in his face as like

1521
01:44:03.399 --> 01:44:06.760
<v Speaker 3>his kid gets given away. And we can tell in

1522
01:44:06.800 --> 01:44:10.039
<v Speaker 3>the other frame how much he cares about Helena and

1523
01:44:10.079 --> 01:44:12.039
<v Speaker 3>how like he looks at her when she's sleeping and

1524
01:44:12.079 --> 01:44:15.159
<v Speaker 3>he you know, he loves her. But he's probably not

1525
01:44:15.359 --> 01:44:18.439
<v Speaker 3>her dad. She was probably inseminated at one of those rituals.

1526
01:44:18.479 --> 01:44:19.920
<v Speaker 3>He thinks that he's her dad.

1527
01:44:21.000 --> 01:44:24.720
<v Speaker 2>Well, she's red headed and he's brunette and she's blonde.

1528
01:44:25.039 --> 01:44:26.399
<v Speaker 4>So you always have to say.

1529
01:44:26.439 --> 01:44:29.039
<v Speaker 2>I mentioned it all the time with the royal family

1530
01:44:29.159 --> 01:44:32.359
<v Speaker 2>about fucking Harry because he came out of the woodward

1531
01:44:32.399 --> 01:44:36.279
<v Speaker 2>with some fucking red hair, and Diana probably got inseminated

1532
01:44:36.359 --> 01:44:38.640
<v Speaker 2>by a higher upper if you know what I mean,

1533
01:44:38.960 --> 01:44:40.359
<v Speaker 2>a redheaded motherfucker.

1534
01:44:40.680 --> 01:44:43.279
<v Speaker 4>And that's who Harry's dad is, because.

1535
01:44:43.359 --> 01:44:47.560
<v Speaker 3>The firstborn had to be Charles. But after that they're

1536
01:44:47.600 --> 01:44:49.800
<v Speaker 3>allowed to be with who they like. Just what xandor

1537
01:44:49.880 --> 01:44:52.319
<v Speaker 3>Zavos said to Alice and the party, you know, oh,

1538
01:44:52.359 --> 01:44:54.640
<v Speaker 3>the beauty of marriage is once he married, you can,

1539
01:44:55.399 --> 01:44:57.520
<v Speaker 3>you know, be with who you like after that and

1540
01:44:57.640 --> 01:45:00.399
<v Speaker 3>you lose your virginny and then it's all so kind

1541
01:45:00.439 --> 01:45:03.079
<v Speaker 3>of the same way, Like the first guy gets first

1542
01:45:03.079 --> 01:45:06.439
<v Speaker 3>DIBs at inseminating her, you know, like after the ritual,

1543
01:45:07.039 --> 01:45:09.640
<v Speaker 3>the woman gets up and walks over and chooses one

1544
01:45:09.680 --> 01:45:13.479
<v Speaker 3>of the men. So that's almost like, oh, I got chosen, right,

1545
01:45:13.880 --> 01:45:16.199
<v Speaker 3>But then right after that all the other guys run train,

1546
01:45:16.359 --> 01:45:19.479
<v Speaker 3>and so no one really knows who the dad is,

1547
01:45:20.399 --> 01:45:25.039
<v Speaker 3>so like it's certainly not Bill. They own this daughter.

1548
01:45:25.319 --> 01:45:30.760
<v Speaker 3>They they own Helena, right, Bill is just he's in

1549
01:45:30.840 --> 01:45:33.600
<v Speaker 3>charge of feeding her and keeping her clothed, you know,

1550
01:45:33.680 --> 01:45:36.239
<v Speaker 3>That's why they give him such a good job. He

1551
01:45:36.239 --> 01:45:40.159
<v Speaker 3>doesn't do anything doctor, He just like checks their pulse,

1552
01:45:40.720 --> 01:45:42.840
<v Speaker 3>like puts his hand on their head when they die. Like,

1553
01:45:42.920 --> 01:45:46.359
<v Speaker 3>he doesn't do anything. He's so cush and his apartment

1554
01:45:46.399 --> 01:45:49.119
<v Speaker 3>is so rich. If you like lived in New York,

1555
01:45:49.199 --> 01:45:51.279
<v Speaker 3>it's like impossible to that apartment like that. You know,

1556
01:45:51.920 --> 01:45:52.560
<v Speaker 3>you gotta like.

1557
01:45:53.000 --> 01:45:58.960
<v Speaker 2>But he still only serves the elite class, even though

1558
01:45:59.039 --> 01:46:01.880
<v Speaker 2>he's a doctor, right right.

1559
01:46:01.800 --> 01:46:04.880
<v Speaker 3>He only serves them. And that's why when he was

1560
01:46:04.920 --> 01:46:07.800
<v Speaker 3>going to the Rainbow shop to begin with, he was

1561
01:46:07.840 --> 01:46:11.199
<v Speaker 3>trying to find one of his old clients. So the

1562
01:46:11.319 --> 01:46:17.840
<v Speaker 3>Rainbow Fashions was always run by the cult. Millich is

1563
01:46:17.920 --> 01:46:22.039
<v Speaker 3>just the new manager who's taken over who's pimping women now.

1564
01:46:22.560 --> 01:46:24.840
<v Speaker 3>But before Bill used to take care of the other

1565
01:46:24.880 --> 01:46:28.439
<v Speaker 3>guy that used to run that classroom, who used to

1566
01:46:28.439 --> 01:46:31.920
<v Speaker 3>be in charge of that operation. So Bill serves all

1567
01:46:32.000 --> 01:46:34.159
<v Speaker 3>of these all of his like all of his people

1568
01:46:34.199 --> 01:46:41.399
<v Speaker 3>are probably elite pedophiles doing to Baucher's sex with bread

1569
01:46:41.840 --> 01:46:59.720
<v Speaker 3>trauma based mind control hookers. Do you think that's funny.

1570
01:46:50.760 --> 01:46:51.079
<v Speaker 2>Yea.

1571
01:46:54.319 --> 01:47:00.119
<v Speaker 3>Mill So the only a dream stuff relates to, like

1572
01:47:01.279 --> 01:47:04.960
<v Speaker 3>the dream space, is when the locked away memories become

1573
01:47:06.119 --> 01:47:09.319
<v Speaker 3>liminal again and they can be accessed in a dream.

1574
01:47:09.600 --> 01:47:13.079
<v Speaker 3>And so these dreams that she has about the naval

1575
01:47:13.119 --> 01:47:18.359
<v Speaker 3>officer and all this stuff are memories that she had

1576
01:47:18.560 --> 01:47:22.199
<v Speaker 3>as a different self, and they bubble up in her

1577
01:47:22.279 --> 01:47:24.720
<v Speaker 3>dreams and she doesn't even know why they're important. Carrie

1578
01:47:24.760 --> 01:47:27.399
<v Speaker 3>explained that to me, she might not even know why

1579
01:47:27.880 --> 01:47:30.880
<v Speaker 3>she's having these dreams or why they're so important to her.

1580
01:47:31.399 --> 01:47:37.279
<v Speaker 3>But her there's a part of her that believes herself

1581
01:47:37.520 --> 01:47:42.399
<v Speaker 3>to also be elite. She is one of the ones

1582
01:47:42.560 --> 01:47:46.840
<v Speaker 3>who was not thrown away. She is like a diamond,

1583
01:47:47.479 --> 01:47:52.800
<v Speaker 3>you know, like how they give them diamonds, like they

1584
01:47:52.880 --> 01:47:57.119
<v Speaker 3>don't set these ones on fire. They don't let dogs

1585
01:47:57.119 --> 01:48:00.720
<v Speaker 3>eat this one. These ones they use for bre She's

1586
01:48:00.800 --> 01:48:03.560
<v Speaker 3>one of the better ones. And that's what the Filimla

1587
01:48:04.760 --> 01:48:10.479
<v Speaker 3>programming and other like the o cult priestess. There's an

1588
01:48:10.520 --> 01:48:17.880
<v Speaker 3>altar inside which believes herself to be elite bloodline and

1589
01:48:18.039 --> 01:48:21.720
<v Speaker 3>is happy to be and is proud of being part

1590
01:48:21.760 --> 01:48:26.079
<v Speaker 3>of this cult, and that overrides the will of the

1591
01:48:26.119 --> 01:48:30.119
<v Speaker 3>other ones. So that is the crown that holds down

1592
01:48:30.199 --> 01:48:33.560
<v Speaker 3>the two heads of the eagle. Like that, there's an

1593
01:48:33.640 --> 01:48:37.399
<v Speaker 3>internal altar which keeps the separations, which keeps all the

1594
01:48:37.399 --> 01:48:41.159
<v Speaker 3>other ones in order. And the more you learn about

1595
01:48:41.319 --> 01:48:48.319
<v Speaker 3>trial based my control, you'll see that. So this she has,

1596
01:48:49.039 --> 01:48:56.760
<v Speaker 3>Alice has a elite a cult personality that is proud

1597
01:48:57.279 --> 01:49:03.960
<v Speaker 3>to work for them that when that feels that's the

1598
01:49:03.960 --> 01:49:06.920
<v Speaker 3>only time when they're allowed to shine, right, that's the

1599
01:49:06.920 --> 01:49:10.199
<v Speaker 3>only time when they can be their best self and

1600
01:49:10.239 --> 01:49:15.880
<v Speaker 3>they're not like be treated like treated like crap. Like

1601
01:49:16.119 --> 01:49:18.960
<v Speaker 3>I mean, my dad was beat up his whole life

1602
01:49:19.000 --> 01:49:22.399
<v Speaker 3>by his dad. But when he would help swing a

1603
01:49:22.399 --> 01:49:25.359
<v Speaker 3>hammer or carrie shingles or help build the house, he

1604
01:49:25.399 --> 01:49:28.560
<v Speaker 3>would get a pat on the head, good job, son,

1605
01:49:28.880 --> 01:49:31.039
<v Speaker 3>you know, And then my dad grew up a carpenter.

1606
01:49:31.760 --> 01:49:37.640
<v Speaker 3>Just happened that, right, So that's like how it works though,

1607
01:49:38.039 --> 01:49:42.960
<v Speaker 3>that that person is proud even though they're abused all

1608
01:49:43.000 --> 01:49:47.399
<v Speaker 3>the time, they're proud to be that and it uh

1609
01:49:47.880 --> 01:49:51.399
<v Speaker 3>so that is that is the main will that is

1610
01:49:51.439 --> 01:49:54.880
<v Speaker 3>acting with Alice, and that's why Alice does everything the

1611
01:49:54.920 --> 01:49:58.039
<v Speaker 3>cult tells her, and that's why she has these dreams

1612
01:49:58.079 --> 01:50:02.800
<v Speaker 3>bubble out because that's when she felt whole and complete

1613
01:50:03.039 --> 01:50:06.720
<v Speaker 3>and happy and true. And she even describes it in

1614
01:50:06.760 --> 01:50:09.800
<v Speaker 3>her dream to Bill. She says, it's funny because you

1615
01:50:09.880 --> 01:50:13.119
<v Speaker 3>were dearer to me than ever and we talked about

1616
01:50:13.159 --> 01:50:16.560
<v Speaker 3>our future, and we talked about Helena, but at no

1617
01:50:16.840 --> 01:50:22.439
<v Speaker 3>time was he ever out of my mind like she

1618
01:50:22.600 --> 01:50:27.199
<v Speaker 3>was out of her mind. Right. So this is she's

1619
01:50:27.239 --> 01:50:30.960
<v Speaker 3>explaining what it is to be the victim. She doesn't

1620
01:50:30.960 --> 01:50:33.479
<v Speaker 3>even know what these memories are, but the true self

1621
01:50:33.520 --> 01:50:40.319
<v Speaker 3>inside is giving in dreams. And Kubrick understands this all

1622
01:50:41.119 --> 01:50:44.119
<v Speaker 3>and he gives it to us in this film, and

1623
01:50:44.239 --> 01:50:48.600
<v Speaker 3>he constructed the film precisely so that it aligns in

1624
01:50:48.720 --> 01:50:53.800
<v Speaker 3>one hour intervals so that we can discover this information.

1625
01:50:54.279 --> 01:50:58.920
<v Speaker 3>And it further cements the message by having all three

1626
01:51:00.079 --> 01:51:03.479
<v Speaker 3>work together, and then when the when the first film

1627
01:51:03.920 --> 01:51:08.399
<v Speaker 3>goes black, when the third film gets to the point

1628
01:51:08.439 --> 01:51:10.479
<v Speaker 3>at one hour, you can start it again and it

1629
01:51:10.520 --> 01:51:13.399
<v Speaker 3>can be like a never ending MOBI, a strip of

1630
01:51:13.439 --> 01:51:18.439
<v Speaker 3>this movie where it's all three playing all the time. Yeah.

1631
01:51:18.520 --> 01:51:23.119
<v Speaker 3>So like Kubrick, he filmed it, he didn't. It's the

1632
01:51:23.159 --> 01:51:27.399
<v Speaker 3>longest filming of any any movie. It's again his Book

1633
01:51:27.399 --> 01:51:29.520
<v Speaker 3>of World records. It took him like two years to

1634
01:51:29.560 --> 01:51:33.199
<v Speaker 3>shoot the film. And before he shot any scenes on film,

1635
01:51:33.319 --> 01:51:36.800
<v Speaker 3>he put it on all on VHS tape and he

1636
01:51:36.880 --> 01:51:38.960
<v Speaker 3>sat down with the actors and he went over, I

1637
01:51:39.039 --> 01:51:41.319
<v Speaker 3>like what you did here. I like how you do that?

1638
01:51:41.760 --> 01:51:45.119
<v Speaker 3>I'll do more of this. Don't do that. And this

1639
01:51:45.199 --> 01:51:48.359
<v Speaker 3>way they're in real time. They're able he's able to

1640
01:51:48.399 --> 01:51:51.000
<v Speaker 3>see how long it takes for the lines to be spoken,

1641
01:51:51.720 --> 01:51:55.000
<v Speaker 3>how they and then when he edits it later, he

1642
01:51:55.039 --> 01:51:59.479
<v Speaker 3>can construct the scenes so that they align perfectly at

1643
01:51:59.479 --> 01:52:02.439
<v Speaker 3>the one hour mark, and with all of the messages

1644
01:52:02.479 --> 01:52:04.119
<v Speaker 3>that he's putting, he can be like, this is going

1645
01:52:04.159 --> 01:52:06.720
<v Speaker 3>to happen at about thirty six minutes, and then it

1646
01:52:06.720 --> 01:52:11.920
<v Speaker 3>can re reinforce that message at one hour in thirty

1647
01:52:11.920 --> 01:52:14.000
<v Speaker 3>six minutes, and then again at two hours in thirty

1648
01:52:14.039 --> 01:52:20.640
<v Speaker 3>six minutes, you know, So this this proves that there

1649
01:52:20.640 --> 01:52:23.960
<v Speaker 3>couldn't have been anything taken out because it wouldn't line

1650
01:52:24.039 --> 01:52:28.199
<v Speaker 3>up this perfectly. It would be it was just not fit.

1651
01:52:29.039 --> 01:52:33.800
<v Speaker 3>So Kubrick gave this as not only as it like

1652
01:52:34.199 --> 01:52:38.880
<v Speaker 3>it's a key to decipher the message, it's also like

1653
01:52:39.079 --> 01:52:44.680
<v Speaker 3>proof that it's complete. It proves that nothing was cut.

1654
01:52:46.920 --> 01:52:49.399
<v Speaker 3>I don't know if he was murdered. I think his

1655
01:52:49.479 --> 01:52:52.840
<v Speaker 3>health was declining. Maybe he knew that he wasn't going

1656
01:52:52.920 --> 01:52:57.720
<v Speaker 3>to survive much longer and this film was going to

1657
01:52:57.800 --> 01:53:01.000
<v Speaker 3>be the next one after Lolita, but he kept putting

1658
01:53:01.039 --> 01:53:03.560
<v Speaker 3>it off, putting it off. And I think it's because

1659
01:53:04.520 --> 01:53:07.720
<v Speaker 3>it it takes this much time to create such a

1660
01:53:07.720 --> 01:53:13.119
<v Speaker 3>masterpiece and to have it layered in so perfectly. It's

1661
01:53:13.199 --> 01:53:13.800
<v Speaker 3>that's what it is.

1662
01:53:14.119 --> 01:53:16.039
<v Speaker 2>It's an actual masterpiece.

1663
01:53:17.359 --> 01:53:23.880
<v Speaker 3>Yeah, right, like the best one. Like everybody's like, oh man,

1664
01:53:24.520 --> 01:53:27.439
<v Speaker 3>but really the way that it's constructed, the way that

1665
01:53:27.640 --> 01:53:32.079
<v Speaker 3>some of the lines, he's like, what then, and we're

1666
01:53:32.119 --> 01:53:34.359
<v Speaker 3>like waiting for the next line, and some people are like,

1667
01:53:34.399 --> 01:53:37.680
<v Speaker 3>it's really odd the timing of the dialogue. But then

1668
01:53:37.720 --> 01:53:39.880
<v Speaker 3>when we see it line up completely, it lines up

1669
01:53:39.920 --> 01:53:42.920
<v Speaker 3>with the other frames, So the other frame is answering,

1670
01:53:42.960 --> 01:53:45.479
<v Speaker 3>what then, what is going to happen to that woman? Right,

1671
01:53:45.880 --> 01:53:48.560
<v Speaker 3>It's as if the first frame had to wait for

1672
01:53:48.600 --> 01:53:51.079
<v Speaker 3>the other frame to say that line so that it

1673
01:53:51.159 --> 01:53:55.359
<v Speaker 3>lines up. It's like they're speaking so that it's it's

1674
01:53:55.439 --> 01:53:57.880
<v Speaker 3>meant to be seen this way, just like the the

1675
01:53:58.520 --> 01:54:01.600
<v Speaker 3>just like the Maidens. Here in this film, it's a

1676
01:54:01.880 --> 01:54:05.520
<v Speaker 3>three aspects of the Maiden, the Maiden, mother, and Crone.

1677
01:54:06.239 --> 01:54:10.199
<v Speaker 3>This film is meant to be watched three ways together

1678
01:54:11.199 --> 01:54:15.800
<v Speaker 3>to get the full understanding of what the Maiden really is.

1679
01:54:17.000 --> 01:54:21.680
<v Speaker 3>She's got three different lives, She's used for many different purposes.

1680
01:54:22.439 --> 01:54:28.520
<v Speaker 3>And that's Cooper is showing us. This is it's more

1681
01:54:28.560 --> 01:54:31.680
<v Speaker 3>than just showing us the maidens and the hookers. He's

1682
01:54:31.680 --> 01:54:34.000
<v Speaker 3>showing us the mind control and what it is to

1683
01:54:34.079 --> 01:54:38.359
<v Speaker 3>be one of these women, and how the cult treats

1684
01:54:38.399 --> 01:54:42.279
<v Speaker 3>these women, and how the organized crime of the operation

1685
01:54:42.560 --> 01:54:46.119
<v Speaker 3>and the blackmail of it all, and the hooking, and

1686
01:54:46.199 --> 01:54:50.000
<v Speaker 3>like even man or even Domino, the girl on the street,

1687
01:54:50.640 --> 01:54:56.479
<v Speaker 3>she too had a stuffed lion cat on her bed

1688
01:54:57.159 --> 01:55:00.000
<v Speaker 3>and the bedspread was like red bedspread, head like roses

1689
01:55:00.199 --> 01:55:03.079
<v Speaker 3>on it, which is even more Rosicrucian stuff even goes

1690
01:55:03.079 --> 01:55:06.800
<v Speaker 3>even deeper. And she had like a mirror on her

1691
01:55:06.800 --> 01:55:10.520
<v Speaker 3>wall with a candle in front of it, Like, why,

1692
01:55:10.600 --> 01:55:13.520
<v Speaker 3>here's the big mirror with a candle. It's like a

1693
01:55:13.520 --> 01:55:15.199
<v Speaker 3>mirror for looking at your face. But then you put

1694
01:55:15.199 --> 01:55:17.359
<v Speaker 3>like your magic candle right there for when you're doing

1695
01:55:17.399 --> 01:55:22.079
<v Speaker 3>your you know, your wickan magic or whatever. She's got

1696
01:55:22.119 --> 01:55:26.039
<v Speaker 3>all the masks on the walls which represent the split personalities,

1697
01:55:26.079 --> 01:55:28.760
<v Speaker 3>just like the heads in the Rainbow room, and just

1698
01:55:28.880 --> 01:55:31.159
<v Speaker 3>like the masks of the ritual space.

1699
01:55:31.239 --> 01:55:34.159
<v Speaker 2>And she had all those teddy bears on her bed.

1700
01:55:34.319 --> 01:55:38.119
<v Speaker 3>Yes, yeah, which is a stuffed cat, just like Inana.

1701
01:55:38.279 --> 01:55:41.560
<v Speaker 3>And then if you look at Lolita, when when the

1702
01:55:42.159 --> 01:55:45.000
<v Speaker 3>Quilty is crawling up the stairs and he's getting shot

1703
01:55:45.039 --> 01:55:50.920
<v Speaker 3>by Humbert, he crawls behind the portrait and then Humbert

1704
01:55:51.439 --> 01:55:56.039
<v Speaker 3>shoots through the portrait like he's shooting the portraits. He's

1705
01:55:56.039 --> 01:55:59.479
<v Speaker 3>shooting the people hiding behind the portrait. And then when

1706
01:55:59.800 --> 01:56:03.720
<v Speaker 3>we see that portrait is a maiden and it's on

1707
01:56:04.079 --> 01:56:10.359
<v Speaker 3>a tiger skin rug like it's it is the Scarlet

1708
01:56:10.399 --> 01:56:15.079
<v Speaker 3>Horror riding the cat Beast of Babylon. It's the Scarlet

1709
01:56:15.119 --> 01:56:23.239
<v Speaker 3>Horror Babylon right there, and Quilty, the rich occultist who

1710
01:56:23.359 --> 01:56:28.119
<v Speaker 3>rapes little girls is hiding behind those portrait, these portraits,

1711
01:56:28.159 --> 01:56:32.840
<v Speaker 3>which the portraits are heavily revealing, like in this film too.

1712
01:56:33.000 --> 01:56:34.800
<v Speaker 3>And I talked about it a lot in the cul

1713
01:56:34.880 --> 01:56:40.960
<v Speaker 3>Kubrick and the Butterfly Nets. So and even.

1714
01:56:40.760 --> 01:56:45.760
<v Speaker 2>If it wasn't like if we're just talking about surface

1715
01:56:45.920 --> 01:56:51.399
<v Speaker 2>level shit for someone who is not a conspiracy theorist whatsoever, right,

1716
01:56:51.840 --> 01:56:54.279
<v Speaker 2>and they're gonna sit down and watch eyes wide shut,

1717
01:56:54.840 --> 01:56:59.560
<v Speaker 2>the surface level story is even such a fucking study

1718
01:56:59.600 --> 01:57:02.560
<v Speaker 2>in the heat human condition because it's so true.

1719
01:57:02.680 --> 01:57:02.880
<v Speaker 4>Right.

1720
01:57:03.239 --> 01:57:08.000
<v Speaker 2>The woman is always the one that's insatiable. She's bored

1721
01:57:08.159 --> 01:57:13.840
<v Speaker 2>out of her fucking medulla having to be with fucking Bill,

1722
01:57:13.920 --> 01:57:18.560
<v Speaker 2>and she's like, she's like tired of her life, and

1723
01:57:18.600 --> 01:57:21.560
<v Speaker 2>I feel it. And then you know, and I'm not

1724
01:57:21.640 --> 01:57:25.439
<v Speaker 2>just saying this because I'm recently divorced or anything, but

1725
01:57:25.560 --> 01:57:28.800
<v Speaker 2>you do get to a point where you're like, you

1726
01:57:28.880 --> 01:57:32.319
<v Speaker 2>bore the fucking dog shit out of me. I swear

1727
01:57:32.359 --> 01:57:34.760
<v Speaker 2>to God, if I had a chance with that navy

1728
01:57:34.800 --> 01:57:39.760
<v Speaker 2>guy or whatever, the sailor, like when she all the

1729
01:57:39.800 --> 01:57:43.239
<v Speaker 2>flashback scenes where she was fantasizing about it. That's like

1730
01:57:43.279 --> 01:57:47.399
<v Speaker 2>some real fucking shit. And the argument that they're having, Oh,

1731
01:57:47.439 --> 01:57:49.600
<v Speaker 2>when you do a breast exam, like you're not in

1732
01:57:49.680 --> 01:57:52.199
<v Speaker 2>you're touching her titties, and like you don't have any

1733
01:57:52.279 --> 01:57:57.199
<v Speaker 2>thoughts in your head about she's projecting onto him her desire.

1734
01:57:56.840 --> 01:57:59.359
<v Speaker 4>To get fucked by some other guy.

1735
01:58:00.119 --> 01:58:04.840
<v Speaker 2>She's projecting from herself onto Bill, who's not even like

1736
01:58:04.880 --> 01:58:07.640
<v Speaker 2>he didn't even ask for the conversation. He didn't even

1737
01:58:07.760 --> 01:58:10.039
<v Speaker 2>bring it up. She brought it up about the models

1738
01:58:10.079 --> 01:58:10.680
<v Speaker 2>and where.

1739
01:58:10.439 --> 01:58:11.039
<v Speaker 4>Did you go?

1740
01:58:11.199 --> 01:58:14.760
<v Speaker 2>And it's just such a study in the human condition.

1741
01:58:14.920 --> 01:58:15.760
<v Speaker 4>Is she's so.

1742
01:58:16.039 --> 01:58:22.319
<v Speaker 2>Fucking bored out of her fucking mind and it's just like, Yeah,

1743
01:58:23.039 --> 01:58:26.680
<v Speaker 2>you're stuck together in this prison of marriage with this

1744
01:58:26.760 --> 01:58:32.560
<v Speaker 2>person that you know it's Bill is like the big

1745
01:58:32.600 --> 01:58:36.720
<v Speaker 2>idiot in this whole movie. Like he's the dumb ass

1746
01:58:37.520 --> 01:58:41.399
<v Speaker 2>in every even conceivable way. He's just the dumb fuck

1747
01:58:42.000 --> 01:58:44.960
<v Speaker 2>that you know, nobody wants him at the party, his

1748
01:58:45.039 --> 01:58:48.840
<v Speaker 2>wife barely wants him. He's a shitty dad, you know,

1749
01:58:49.079 --> 01:58:50.880
<v Speaker 2>letting them take Helen.

1750
01:58:50.680 --> 01:58:51.520
<v Speaker 4>Off at the end.

1751
01:58:52.119 --> 01:58:55.439
<v Speaker 2>And he's just this big dumb ass, this big fucking

1752
01:58:55.479 --> 01:58:55.960
<v Speaker 2>dumb ass.

1753
01:58:56.039 --> 01:59:00.880
<v Speaker 3>The movie is not about him, and you know Kubrick,

1754
01:59:01.560 --> 01:59:03.520
<v Speaker 3>he was going to do it in the seventies or

1755
01:59:03.720 --> 01:59:08.079
<v Speaker 3>early eighties, and he was going to have Steve Martin

1756
01:59:09.279 --> 01:59:14.239
<v Speaker 3>played Bill's character. And one of Kubrick's favorite films is

1757
01:59:14.319 --> 01:59:19.760
<v Speaker 3>The Jerk Steve Martin, and to have Steve Martin be there,

1758
01:59:19.880 --> 01:59:23.119
<v Speaker 3>he is the jerk, Like he's the jerk like I'm

1759
01:59:23.159 --> 01:59:24.119
<v Speaker 3>on the phone book.

1760
01:59:24.439 --> 01:59:26.760
<v Speaker 4>Well you know, like the character is.

1761
01:59:26.800 --> 01:59:34.239
<v Speaker 3>So stupid and blind to everything. That's Bill. That's right, Bill, right, yeah,

1762
01:59:34.279 --> 01:59:37.479
<v Speaker 3>and we and he thinks he's so great. Oh this

1763
01:59:37.600 --> 01:59:39.960
<v Speaker 3>is what you get when you make house calls.

1764
01:59:40.039 --> 01:59:40.239
<v Speaker 2>Right.

1765
01:59:40.279 --> 01:59:42.800
<v Speaker 3>But really they're inviting them to the party because of her,

1766
01:59:43.960 --> 01:59:49.279
<v Speaker 3>because Alice, you know, like she's their favorite and so

1767
01:59:49.439 --> 01:59:51.960
<v Speaker 3>like that's why they get invited every to the party

1768
01:59:52.000 --> 01:59:55.560
<v Speaker 3>every year. That's what. Like he's just a warm body

1769
01:59:55.680 --> 01:59:58.319
<v Speaker 3>to be a dad for them to raise their little butterfly.

1770
01:59:58.960 --> 01:59:59.239
<v Speaker 2>Yep.

1771
02:00:00.079 --> 02:00:04.920
<v Speaker 3>And you know, the elites they don't just you know,

1772
02:00:05.359 --> 02:00:07.520
<v Speaker 3>they might own the hookers on the street, but they

1773
02:00:07.520 --> 02:00:10.760
<v Speaker 3>don't just find some random hooker. You know, they're not

1774
02:00:10.920 --> 02:00:16.079
<v Speaker 3>they don't do like what Epstein was doing, like random girls,

1775
02:00:16.159 --> 02:00:19.560
<v Speaker 3>like they breed them, like they from scratch. It's not

1776
02:00:22.399 --> 02:00:27.640
<v Speaker 3>like Kathy O'Brien was sold to the government, like you know,

1777
02:00:27.760 --> 02:00:31.520
<v Speaker 3>like sometimes like John, I.

1778
02:00:31.479 --> 02:00:34.279
<v Speaker 2>Swear like that that story is so sad.

1779
02:00:34.680 --> 02:00:38.039
<v Speaker 3>Right right, And she was a throwaway cats in.

1780
02:00:38.560 --> 02:00:42.279
<v Speaker 2>It like the generational as we were discussing. So in

1781
02:00:42.319 --> 02:00:46.479
<v Speaker 2>this situation, Patsy is Alice and John Benet is Helena,

1782
02:00:46.800 --> 02:00:52.199
<v Speaker 2>I mean, was born, raised for the slaughter, right.

1783
02:00:52.920 --> 02:00:56.640
<v Speaker 3>Right, and groomed for it. Yep. And all those people

1784
02:00:56.680 --> 02:01:00.600
<v Speaker 3>were touching her body because all those people touched her

1785
02:01:00.600 --> 02:01:02.920
<v Speaker 3>body during the ritual when they killed her, you know,

1786
02:01:03.680 --> 02:01:07.520
<v Speaker 3>and like they so there are throwaway ones and there

1787
02:01:07.560 --> 02:01:12.680
<v Speaker 3>are not throwaway ones. And some of them they think themselves,

1788
02:01:12.800 --> 02:01:18.000
<v Speaker 3>like Alice does. We should be grateful. We're lucky that

1789
02:01:18.119 --> 02:01:22.840
<v Speaker 3>we weren't like John Benet or Mandy. You know, we survived.

1790
02:01:23.520 --> 02:01:26.960
<v Speaker 2>We get to live whether or not it's a great existence,

1791
02:01:27.000 --> 02:01:30.560
<v Speaker 2>I mean, but at least we're not dead.

1792
02:01:31.720 --> 02:01:34.840
<v Speaker 3>Might as well let the power elite just do what

1793
02:01:34.880 --> 02:01:37.760
<v Speaker 3>they're going to do, because you can't fight it. They're

1794
02:01:37.840 --> 02:01:39.800
<v Speaker 3>just going to take control of your whole life. Just

1795
02:01:40.640 --> 02:01:44.840
<v Speaker 3>you know that scene in the billiard room where Bill

1796
02:01:45.399 --> 02:01:49.319
<v Speaker 3>is like Ziggler puts his hands on Bill's shoulders and

1797
02:01:49.359 --> 02:01:53.039
<v Speaker 3>he's like, people die it happens all the time, you know,

1798
02:01:53.439 --> 02:01:56.880
<v Speaker 3>like that's a threat to Bill, and Bill has to

1799
02:01:57.000 --> 02:02:02.279
<v Speaker 3>like take that and go with the lie instead of

1800
02:02:02.279 --> 02:02:06.159
<v Speaker 3>the truth. Yeah, because to believe the lie is too

1801
02:02:06.279 --> 02:02:10.760
<v Speaker 3>much drive you crazy. That's why when nine to eleven happens,

1802
02:02:10.760 --> 02:02:15.399
<v Speaker 3>they say, oh, yeah, I was steel beams melted because kerosene. Yeah,

1803
02:02:15.640 --> 02:02:18.640
<v Speaker 3>Norad stood down because some guys that lived in a

1804
02:02:18.680 --> 02:02:22.960
<v Speaker 3>cave in Afghanistan. That's why Norad didn't go and shoot

1805
02:02:22.960 --> 02:02:26.000
<v Speaker 3>those planes down. You know, like they tell us these

1806
02:02:26.640 --> 02:02:30.640
<v Speaker 3>completely ridiculous lies like oh, door was locked from the inside.

1807
02:02:30.680 --> 02:02:33.039
<v Speaker 3>Cops are happy, end of questions.

1808
02:02:33.079 --> 02:02:33.279
<v Speaker 2>You know.

1809
02:02:34.840 --> 02:02:39.439
<v Speaker 3>That's how they control information. They control the newspapers, they

1810
02:02:39.479 --> 02:02:44.720
<v Speaker 3>control the actresses, all the models, Marilyn Monroe, all.

1811
02:02:44.600 --> 02:02:48.880
<v Speaker 2>Of it, right, every fucking aspect, right.

1812
02:02:49.560 --> 02:02:51.680
<v Speaker 3>And that's what your show talks about all the time,

1813
02:02:52.000 --> 02:02:54.079
<v Speaker 3>and my show too, we talk about the mind control

1814
02:02:54.920 --> 02:02:59.239
<v Speaker 3>and sovereignty, you know, of personal owning your own soul,

1815
02:02:59.600 --> 02:03:04.119
<v Speaker 3>not giving into their control. You know, it's just.

1816
02:03:04.199 --> 02:03:09.680
<v Speaker 2>It's so sad, it's so fucking sad. And like I

1817
02:03:09.720 --> 02:03:13.119
<v Speaker 2>do understand that our work is important, Like this project

1818
02:03:13.720 --> 02:03:18.239
<v Speaker 2>is crazy important, Like yes, it's a movie, but it's

1819
02:03:18.319 --> 02:03:21.239
<v Speaker 2>so much more. It's so much more than a movie,

1820
02:03:21.880 --> 02:03:25.600
<v Speaker 2>and it's this game that they're consistently playing on us,

1821
02:03:26.119 --> 02:03:29.960
<v Speaker 2>right right in front of our eyes.

1822
02:03:30.800 --> 02:03:35.640
<v Speaker 6>Literally shut see shut exactly.

1823
02:03:37.000 --> 02:03:39.680
<v Speaker 2>But I mean, thank you so much for bringing this

1824
02:03:39.840 --> 02:03:45.239
<v Speaker 2>on my show. I am flabber fucking yeah. And so

1825
02:03:45.760 --> 02:03:49.760
<v Speaker 2>if someone wants to just watch it without our commentary, yes,

1826
02:03:50.159 --> 02:03:52.000
<v Speaker 2>where can they find your project?

1827
02:03:52.720 --> 02:03:56.279
<v Speaker 3>They can find it at well. All my stuff is

1828
02:03:57.039 --> 02:04:03.359
<v Speaker 3>posted at one great worknetwork dot slash Sean hyphen McCann,

1829
02:04:04.079 --> 02:04:06.720
<v Speaker 3>and there I have a page where I post I

1830
02:04:06.720 --> 02:04:08.960
<v Speaker 3>embed the links. I make a new page for every

1831
02:04:08.960 --> 02:04:10.880
<v Speaker 3>project and I embed all the links and where I

1832
02:04:10.880 --> 02:04:14.560
<v Speaker 3>post it. But you can find the Fidelio experiment. I

1833
02:04:14.600 --> 02:04:17.880
<v Speaker 3>put it on Odyssey on my Odyssey page. You can

1834
02:04:17.880 --> 02:04:21.119
<v Speaker 3>find that on wakethedead on Odyssey dot com, o d

1835
02:04:21.399 --> 02:04:25.119
<v Speaker 3>y see dot com. I also put it on Rumble,

1836
02:04:25.880 --> 02:04:27.520
<v Speaker 3>but it was too big a file to put it

1837
02:04:27.560 --> 02:04:29.960
<v Speaker 3>on bit shoot. I might have to shrink the file

1838
02:04:30.039 --> 02:04:32.399
<v Speaker 3>down and maybe get on bit shoot. Right now, it's

1839
02:04:32.399 --> 02:04:36.279
<v Speaker 3>on those two places, cause it's like five hours. I

1840
02:04:36.359 --> 02:04:40.720
<v Speaker 3>wanted to show prove that I'm not pulling at editing,

1841
02:04:40.880 --> 02:04:44.119
<v Speaker 3>moving stuff around. I play the whole thing start to

1842
02:04:44.159 --> 02:04:47.319
<v Speaker 3>finish the number one screen, start to finish number two screen,

1843
02:04:47.640 --> 02:04:50.039
<v Speaker 3>and those go black and the last one plays out

1844
02:04:50.039 --> 02:04:52.680
<v Speaker 3>to the end. I let the whole thing so you

1845
02:04:52.720 --> 02:04:55.039
<v Speaker 3>can skip to the middle and see where all three

1846
02:04:55.159 --> 02:04:58.720
<v Speaker 3>line up. But I just displayed it all for everybody

1847
02:04:58.720 --> 02:05:01.239
<v Speaker 3>to see. I'm not playing around. This is Kubrick's movie.

1848
02:05:01.359 --> 02:05:04.520
<v Speaker 3>I'm not editing or doing anything. It's complete. So you

1849
02:05:04.560 --> 02:05:08.840
<v Speaker 3>can find that. It's called Fidelio Experiment, and you can

1850
02:05:08.840 --> 02:05:12.840
<v Speaker 3>look it on Google. Probably find it Fidelio Experiment. It's

1851
02:05:13.000 --> 02:05:16.359
<v Speaker 3>many hours, and if you look up on Odyssey, there's

1852
02:05:16.600 --> 02:05:19.159
<v Speaker 3>a way to download. If you click the little three

1853
02:05:19.319 --> 02:05:22.840
<v Speaker 3>dots button, it'll give you the option option to download,

1854
02:05:23.439 --> 02:05:25.920
<v Speaker 3>So get it on your computer. I'm not making any

1855
02:05:25.920 --> 02:05:30.359
<v Speaker 3>money from it. It's fair use, like I'm not. I'm

1856
02:05:30.600 --> 02:05:33.920
<v Speaker 3>showing the genius of the movie, and it adds to

1857
02:05:34.039 --> 02:05:37.479
<v Speaker 3>the value of the movie itself. I believe that I'm

1858
02:05:37.520 --> 02:05:41.399
<v Speaker 3>adding value to Eyes Wide Shut. I'm not making money

1859
02:05:41.439 --> 02:05:45.840
<v Speaker 3>off of their copyrighted material, so right, I believe this

1860
02:05:45.920 --> 02:05:47.920
<v Speaker 3>all to be fair use and I'm not charging money.

1861
02:05:47.920 --> 02:05:51.119
<v Speaker 3>Everybody can see it for free, so they can find

1862
02:05:51.119 --> 02:05:56.560
<v Speaker 3>that Fidelio Experiment on my weake the dead pages of Odyssey, Rumble,

1863
02:05:56.600 --> 02:05:58.600
<v Speaker 3>and I also have a bit shoot and I also

1864
02:05:58.680 --> 02:06:04.640
<v Speaker 3>post on Spotify and you can find all on Apple, Google,

1865
02:06:04.720 --> 02:06:08.000
<v Speaker 3>all the audio places. You can find Wake the Dead

1866
02:06:08.039 --> 02:06:11.680
<v Speaker 3>podcast and I I've been kind of slow. I've got

1867
02:06:11.720 --> 02:06:14.000
<v Speaker 3>some shows like ready to go, but I haven't posted

1868
02:06:14.039 --> 02:06:18.039
<v Speaker 3>them yet. I've been having a you know, it's summertime

1869
02:06:18.079 --> 02:06:20.079
<v Speaker 3>and it's tough to get everything going and like to

1870
02:06:20.119 --> 02:06:25.159
<v Speaker 3>have everything. So I didn't post anything this week. You know,

1871
02:06:25.479 --> 02:06:28.479
<v Speaker 3>I'm sorry listeners, but I do have more shows in

1872
02:06:28.520 --> 02:06:30.840
<v Speaker 3>the works and we're doing this here today, and so

1873
02:06:31.039 --> 02:06:33.640
<v Speaker 3>I haven't stopped. I'm just I had to slow down

1874
02:06:33.680 --> 02:06:35.800
<v Speaker 3>and I'm working on another side project and I'm trying

1875
02:06:35.840 --> 02:06:39.159
<v Speaker 3>to get I'm trying to get something else done and

1876
02:06:39.239 --> 02:06:43.960
<v Speaker 3>I'm so I'm trying to focus and rearrange my life

1877
02:06:44.000 --> 02:06:46.640
<v Speaker 3>a little bit. So but hopefully it'll it'll be done

1878
02:06:46.640 --> 02:06:47.399
<v Speaker 3>by the end of the year.

1879
02:06:47.560 --> 02:06:51.000
<v Speaker 2>And you feel like me, Sean, I'm just like, I

1880
02:06:51.079 --> 02:06:51.920
<v Speaker 2>haven't stopped.

1881
02:06:52.199 --> 02:06:53.760
<v Speaker 4>I'm just kind of up right now.

1882
02:06:54.039 --> 02:06:57.319
<v Speaker 3>Yeah, yeah, yeah, right. It's tough, man, It is tough.

1883
02:06:57.399 --> 02:06:59.680
<v Speaker 3>We got to keep the keep all the threads together,

1884
02:07:00.039 --> 02:07:03.079
<v Speaker 3>eyes that bind, you know, or sometimes let them go,

1885
02:07:03.359 --> 02:07:06.920
<v Speaker 3>and like it's tough. It's really tough. Weir and I

1886
02:07:06.960 --> 02:07:09.159
<v Speaker 3>know that your life has been like really rocky and

1887
02:07:09.199 --> 02:07:12.000
<v Speaker 3>you've had a lot. I hope that's free.

1888
02:07:12.119 --> 02:07:14.439
<v Speaker 2>I mean it's been I don't know about you, but

1889
02:07:14.640 --> 02:07:17.399
<v Speaker 2>twenty twenty four has been like one of the most

1890
02:07:17.479 --> 02:07:19.000
<v Speaker 2>revealing years of.

1891
02:07:18.880 --> 02:07:20.800
<v Speaker 4>My entire fucking life.

1892
02:07:21.000 --> 02:07:24.159
<v Speaker 2>Like it's I'm not even I don't even know if

1893
02:07:24.199 --> 02:07:27.159
<v Speaker 2>I'm the same person anymore. Like twenty twenty four happened

1894
02:07:27.159 --> 02:07:29.920
<v Speaker 2>and like I'm fucking Phoenix from the.

1895
02:07:29.840 --> 02:07:31.359
<v Speaker 4>Ashes or some shit like that.

1896
02:07:31.359 --> 02:07:35.640
<v Speaker 2>It's been transformative and no years dark occultism.

1897
02:07:35.680 --> 02:07:37.520
<v Speaker 3>I'm just saying it's been alive.

1898
02:07:37.800 --> 02:07:38.800
<v Speaker 4>It's formative year.

1899
02:07:40.239 --> 02:07:45.039
<v Speaker 3>I think the wheel of time is like we're like

1900
02:07:45.800 --> 02:07:48.279
<v Speaker 3>the universe is grinding our face against the wheel and

1901
02:07:48.319 --> 02:07:55.960
<v Speaker 3>it's like grinding off all the all the like it's

1902
02:07:56.000 --> 02:07:57.760
<v Speaker 3>I go deep with it, but we gotta go. I

1903
02:07:57.760 --> 02:07:59.640
<v Speaker 3>gotta I gotta get ready for work.

1904
02:07:59.479 --> 02:07:59.840
<v Speaker 2>All right.

1905
02:08:00.079 --> 02:08:02.720
<v Speaker 3>Thank you for having me, Thanks for being here.

1906
02:08:03.119 --> 02:08:06.399
<v Speaker 4>I was love working with you. Where he's in a pod.

1907
02:08:06.560 --> 02:08:09.840
<v Speaker 3>I feel like literally anytime, like we need to and

1908
02:08:09.920 --> 02:08:15.039
<v Speaker 3>maybe Dune. Maybe it's a big project, huge huge project.

1909
02:08:15.119 --> 02:08:18.800
<v Speaker 2>Keep it on the back burner though, you know, because

1910
02:08:18.800 --> 02:08:19.560
<v Speaker 2>it's it's a great.

1911
02:08:19.720 --> 02:08:22.359
<v Speaker 4>Both of those movies are great. But thank you so much, Sean.

1912
02:08:23.640 --> 02:08:24.640
<v Speaker 4>This was amazing.

1913
02:08:24.720 --> 02:08:26.840
<v Speaker 2>We'll have to do it again sometime soon, and I

1914
02:08:26.880 --> 02:08:29.680
<v Speaker 2>hope all the listeners go and find more of your work.

1915
02:08:30.359 --> 02:08:33.439
<v Speaker 2>And to all of those who stuck around to the end,

1916
02:08:33.560 --> 02:08:38.880
<v Speaker 2>you're amazing and we will catch you on the next one.

1917
02:08:40.119 --> 02:09:39.560
<v Speaker 1>Cheers, sh
