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<v Speaker 1>We can kill it.

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<v Speaker 2>Shut up?

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<v Speaker 1>What the hell are you?

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<v Speaker 3>Welcome back midnight viewers to Yahu. It's the one you've

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<v Speaker 3>been waiting for. It is Yah Mark two. We have

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<v Speaker 3>a bigger dressing room than the puppets. HP has joined

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<v Speaker 3>me as usual. He's on my He's on our Predator

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<v Speaker 3>journey with us, HP. How are you man?

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<v Speaker 4>I'm so good everything. I feel like everything has been

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<v Speaker 4>leading up to this moment when you mentioned to me

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<v Speaker 4>the idea for you yaouca fest Excuse me, I had

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<v Speaker 4>no idea the hills I was going to have to

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<v Speaker 4>climb and the distance I'd have to walk. But here

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<v Speaker 4>we are ready to go with Prey.

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<v Speaker 3>Hey, disregard this, listeners, this is just a test. I'm

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<v Speaker 3>leaving the network in February. All right, Pray, let's talk.

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<v Speaker 4>Pray.

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<v Speaker 3>It is the latest in the Predator franchise. Now efficiently.

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<v Speaker 3>Now look up until now, the direction of the series

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<v Speaker 3>has really been based on whoever happens to be making

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<v Speaker 3>the movie at that time, whether that was an edict

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<v Speaker 3>from twentieth century Fox that they wanted a particular type

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<v Speaker 3>of movie, and then somebody came in and made it,

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<v Speaker 3>or somebody came in and said hey, let's do this

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<v Speaker 3>kind of movie with the Predator, and they've done it. Now.

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<v Speaker 3>Obviously that's the case here where somebody pitched, let's do

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<v Speaker 3>this kind of flick and they went for it. But

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<v Speaker 3>this is the first time we have a filmmaker in

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<v Speaker 3>charge who's going to be given multiple films. He's already

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<v Speaker 3>made multiple films. Is there's three now technically, and hopefully

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<v Speaker 3>he'll remain in charge of the entire series. I'm talking

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<v Speaker 3>of for use about Dan Tracktenberg and his movie Pray.

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<v Speaker 2>Why do you want to Hunt? Because you all think

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<v Speaker 2>that I can't. I saw a song in the sky.

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<v Speaker 2>I'm ready. Oh there's something else I'm trying.

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<v Speaker 3>You can't.

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<v Speaker 2>I'm trying to protect you, protect me from what.

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<v Speaker 3>It's time.

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<v Speaker 2>It knows how to hunt, I know how to circrive.

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<v Speaker 2>Whatever did this? I can character.

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<v Speaker 3>This movie was written by Patrick Eisen with a screen

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<v Speaker 3>that he wrote the screenplay, but stories by Patrick Iisen

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<v Speaker 3>and Dan Tracktenberg based on characters by Jim and John Thomas,

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<v Speaker 3>as all of them happened to be. This one stars

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<v Speaker 3>Amber mid Thunder, Dakota Beaver's, Dane de Lagro, Michelle Thrush,

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<v Speaker 3>Stormy Kip Julian Black, Antelope, and Bennett Taylor. And this

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<v Speaker 3>was released on July twenty first, at twenty twenty two.

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<v Speaker 3>That was the San Diego Comic Con premiere. Mott was

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<v Speaker 3>released officially and it was released in a few theaters

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<v Speaker 3>on August the fifth, Jessica's birthday, twenty twenty two. HB.

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<v Speaker 3>Was this your first time watching Prey?

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<v Speaker 1>It was not.

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<v Speaker 4>It's interesting we've and away he goes, here we go.

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<v Speaker 4>So long time listeners of you Yocha fest will know

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<v Speaker 4>that quite a few of these movies. I will say

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<v Speaker 4>to father alone, Yeah, this is the first time I

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<v Speaker 4>ever saw it. For this episode, this one, I the

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<v Speaker 4>trailers got me because so this is almost forty years

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<v Speaker 4>after the premiere of the First Predator, right, the First

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<v Speaker 4>Predator was nineteen eighty six, and here we are it's

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<v Speaker 4>twenty twenty two, so that's thirty six years. I like

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<v Speaker 4>most people, this was sort of coming out of the

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<v Speaker 4>pandemic a little bit, maybe not going to see as

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<v Speaker 4>many movies as I'd want to or I'd like to.

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<v Speaker 4>I caught wind of the trailer. It looked interesting to me.

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<v Speaker 3>We were all in a haze because of the pandemic

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<v Speaker 3>and the entertainment that we were getting also seemed to

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<v Speaker 3>be in a haze. Nothing was really clicking, nothing was

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<v Speaker 3>really firing right. As I understand, even Mill and Ted

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<v Speaker 3>couldn't save us.

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<v Speaker 4>That's the story for another day. I got a lot

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<v Speaker 4>of thoughts on that one as well. But as far

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<v Speaker 4>as this is concerned, and I also I'm aware that

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<v Speaker 4>this movie was made under the strictures of the pandemic,

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<v Speaker 4>so that's that in itself is an achievement when you

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<v Speaker 4>actually see the movie. But anyway, short story long, it

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<v Speaker 4>was the trailer that looped me in. It just looked

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<v Speaker 4>so cool. After so many years and so many seeming

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<v Speaker 4>disappointments with the direction of the franchise, nothing really interested me.

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<v Speaker 4>This sparked something because this was you often say, Father Malone.

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<v Speaker 4>And with respect to some of these movies and things,

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<v Speaker 4>we talk about, why has someone not thought of this sooner?

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<v Speaker 4>Why we've kind of gone to the future with Predator

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<v Speaker 4>in some respects, but we've never gone to the distant past.

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<v Speaker 4>We know that anecdotally through the Conic books and just

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<v Speaker 4>through various things that happen in the movies, that the

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<v Speaker 4>Predators have been around for a long time, but why

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<v Speaker 4>I know from Predator Too, right, So I guess I

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<v Speaker 4>would ask you rhetorically, Father Malone, why did it take

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<v Speaker 4>so long for somebody to come up with this idea?

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<v Speaker 4>Because it's fucking brilliant.

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<v Speaker 3>To be honest, I guarantee you the idea was floated

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<v Speaker 3>a long time ago. I bet Jim and John Thomas

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<v Speaker 3>probably floated it right after Predator two and they said, no,

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<v Speaker 3>we're not doing that. In fact, we're not making any

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<v Speaker 3>Predator movies after that. But I don't think since then

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<v Speaker 3>no one has come in to really we're talking Predator too.

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<v Speaker 3>And then the only actual dedicated Predator movie after that

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<v Speaker 3>was Predator and they were just excited to have Robert

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<v Speaker 3>Rodriguez and a script that was ready to go basically,

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<v Speaker 3>so that's and after that they got Shane Black, who

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<v Speaker 3>not only has tie and that he was in and

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<v Speaker 3>wrote a bunch of the first film, but he wants

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<v Speaker 3>to try and take it. And now we're in the

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<v Speaker 3>midst of world building an MCU and DC flailing around

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<v Speaker 3>attempting to make their own and they thought, well, Shane

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<v Speaker 3>Black just did Iron Man three. He's going to give

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<v Speaker 3>us a whole new universe and give us a direction,

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<v Speaker 3>and he tried, but it didn't really take and nobody

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<v Speaker 3>liked it. And to be honest with you, that ultimate

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<v Speaker 3>notion that the Predators are conquerors, I fucking hate it.

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<v Speaker 4>Yeah, I agree. And also, let's not forget that The Predator,

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<v Speaker 4>the Shane Black movie, was twenty ten, correct, So now

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<v Speaker 4>we've gone another twelve years without any kind of Predator

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<v Speaker 4>movie being released, and it sort of was feeling like

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<v Speaker 4>maybe the franchise had just reached its you know, had

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<v Speaker 4>taken its course, and there was no more a choose

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<v Speaker 4>to be squeezed from that lemon.

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<v Speaker 3>Good thing, I guess, because this is the ultimate example

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<v Speaker 3>of good things come to those who wait. If here's

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<v Speaker 3>my hot take on this movie. If they had made

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<v Speaker 3>Predator in nineteen eighty six and then we got to this,

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<v Speaker 3>only no other mention of a Predator in popular culture

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<v Speaker 3>until this came out, it would have been worth it.

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<v Speaker 3>This is a fucking great movie.

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<v Speaker 4>Brilliant in so many ways, brilliant from the way it's

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<v Speaker 4>photograph to the acting to the story. The music is beautiful.

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<v Speaker 4>This looks like a big budgeted Predator movie that takes

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<v Speaker 4>place in the seventeen hundreds. I mean what more could

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<v Speaker 4>you ask for? It's just it, truly, Like I said,

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<v Speaker 4>I saw the trailer and it intrigued me, But I

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<v Speaker 4>honestly don't know if I was prepared for just how

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<v Speaker 4>good it was until I saw it, and it blew

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<v Speaker 4>me away. It still blows me away. I watched it

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<v Speaker 4>again in preparation of this episode, and I was still

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<v Speaker 4>taken by it.

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<v Speaker 3>Tell us the story already.

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<v Speaker 4>So as I mentioned this, the story takes place. It's

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<v Speaker 4>in It's among the Commanche people in the northern Great

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<v Speaker 4>Plains in seventeen nineteen, and the plot really concerns a

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<v Speaker 4>Commanche warrior, a female warrior named Nauru, who is eager

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<v Speaker 4>to prove herself to the rest of the tribe. She

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<v Speaker 4>wants to be a hunter. She's being relied upon as

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<v Speaker 4>a tracker and as a as as someone skilled with medicine,

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<v Speaker 4>but that's not what she wants. She wants to become

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<v Speaker 4>a hunter herself. And there's this word for hunt that

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<v Speaker 4>all of the warriors have to go through. It's called katamia.

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<v Speaker 4>I believe I'm sorry from butchering the pronunciation. So so

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<v Speaker 4>she's Her older brother is Tabe, and he's basically in

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<v Speaker 4>line to be the new war chief, so she's in

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<v Speaker 4>his shadow. This is all very relatable stuff. It's a

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<v Speaker 4>sibling thing. She loves her brother, she loves her people,

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<v Speaker 4>but she wants more, she wants to be more, she

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<v Speaker 4>wants to accomplish more. And and on top of all that,

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<v Speaker 4>she has this absolutely cute fucking dog. And that's a

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<v Speaker 4>short cut to my heart right there. And I think

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<v Speaker 4>you two fought him alone. This dog is hard. It's great.

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<v Speaker 4>I mean not. Here's the thing, from what I can

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<v Speaker 4>gather from interviews, I guess the dog wasn't really trained.

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<v Speaker 4>I think Amber mid Thunder described the dog as a

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<v Speaker 4>bit of a hot mess. The dog when you watch

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<v Speaker 4>the movie, it's not as if the dog does any

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<v Speaker 4>crazy tricks or it can do all these It's just

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<v Speaker 4>a very cute dog that responds to a few commands

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<v Speaker 4>and makes its presence known. And it's just so fucking

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<v Speaker 4>adorable you just want to just squeeze it and give

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<v Speaker 4>a kiss. This awesome dog. So that alone predisposes me

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<v Speaker 4>to really pulling for this main character of Nahru.

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<v Speaker 3>Yeah. So let me here's here. Let me just speak

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<v Speaker 3>to the brother sister thing, because not only is it

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<v Speaker 3>relatable plot wise, and you know what, honestly, when you

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<v Speaker 3>when it's described, it sounds rote, but it is not

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<v Speaker 3>in any way wrote what we're seeing here, because first

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<v Speaker 3>of all, we're seeing a Native American tribe just portrayed

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<v Speaker 3>and as is, without any worry about the fucking white

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<v Speaker 3>man coming in and explaining to us what's going on

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<v Speaker 3>or anything. But to that point, they are so casual

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<v Speaker 3>and so familiar with each other that they really feel

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<v Speaker 3>like family. I loved both of these people, of these

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<v Speaker 3>two character like right from the get go. That's hard

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<v Speaker 3>to do, and these two are so charming and it's

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<v Speaker 3>so smartly written, and like I said, they make it

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<v Speaker 3>feel contemporary while not making that feel anachronistic.

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<v Speaker 4>It's it does really feel like a real sibling thing.

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<v Speaker 4>There's a lot of love between them Here's Ultimately, I'm

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<v Speaker 4>no historian, but to my eyes, I feel like this

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<v Speaker 4>picture was made with the utmost sensitivity to both the

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<v Speaker 4>time and the setting, but more importantly to the Commanche

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<v Speaker 4>people in particular. It just it felt authentic. It felt

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<v Speaker 4>matter of fact, and that there's nothing mysterious or like

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<v Speaker 4>the tropes of the mystical sort of Native American tribe.

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<v Speaker 4>These are just people that are living off the land,

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<v Speaker 4>doing the best they can. I'm dealing with life as

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<v Speaker 4>it comes to them. I just love, as you said,

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<v Speaker 4>how matter of fact that all is. And this it

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<v Speaker 4>creates this brilliant backdrop in which the Predator kind of

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<v Speaker 4>introduced inserts itself into this story in this culture. It's

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<v Speaker 4>really we're going to overuse the word brilliant, but I

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<v Speaker 4>don't have a better word to describe. It's really quite

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<v Speaker 4>amazing what they've done with the story here.

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<v Speaker 3>Yeah, not to jump ahead or anything, because I'm not

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<v Speaker 3>jumping ahead, because it's almost from the beginning. In fact,

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<v Speaker 3>when the predatorship arrives that that's when Nadho's she sponts it.

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<v Speaker 3>She's the only one who sponts it. And she mistakes

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<v Speaker 3>it for a thunderbird. She mistakes it for a vision.

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<v Speaker 3>And what's great about that is this movie completely side

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<v Speaker 3>steps the whole Native American mystical visionaries bullshit, the Oliver Stone,

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<v Speaker 3>the even Underhart, even Thunderheart. No one's having fucking visions quests.

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<v Speaker 3>No one's in the sweat lodge here. It's just she

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<v Speaker 3>sees the ship coming down. And by the way, the

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<v Speaker 3>reveal of the title, which is Nadu standing a top

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<v Speaker 3>a mountain peak looking up with her tomahawk in her hand,

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<v Speaker 3>and you don't see the ship, but you get just

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<v Speaker 3>the impression of it. But then the camera pans up

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<v Speaker 3>further into the clouds and the credits are the opening

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<v Speaker 3>title is waiting there. I loved it, man, It's so invigorating,

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<v Speaker 3>like once the last time a title came up and

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<v Speaker 3>you were like, Holy God, yeah, here we go.

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<v Speaker 4>It's invigorating, and it's foreboding because you know that this

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<v Speaker 4>what she's taking as this sign that she's ready for

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<v Speaker 4>her great hunt, is actually a sign that this creature

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<v Speaker 4>who we've seen its brethren lay waste to civilization after

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<v Speaker 4>civilization through the course of all of these movies. So

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<v Speaker 4>you're kind of left wondering initially, like, how is how

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<v Speaker 4>are these people? How is this character going to deal

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<v Speaker 4>with this tech logically advanced killer in their midst And

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<v Speaker 4>I tell you, the Predator was not prepared for Nadu.

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<v Speaker 4>I can say that much.

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<v Speaker 3>Well, that's the thing. That's the great thing about this

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<v Speaker 3>fucking title is look, in that first movie, Predator is

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<v Speaker 3>the Predator. Here the Predator ends up being pray baby. Yeah,

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<v Speaker 3>you're right, he's not. He is in no way prepared

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<v Speaker 3>for what's waiting for him on Earth. It's so fantastic,

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<v Speaker 3>it's so good.

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<v Speaker 4>Can we talk a minute. We're going to get into

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<v Speaker 4>the story more, but I want to kind of kick

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<v Speaker 4>off by talking about the Predator itself. We often will

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<v Speaker 4>bring up how did you think of this predator? How

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<v Speaker 4>do you think he did this? To me? Is probably

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<v Speaker 4>my second favorite predator because this one seems so much

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<v Speaker 4>more organic than the rest. I think, by definition, this

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<v Speaker 4>is a feral looking predator. It's much more lithe and

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<v Speaker 4>lean than any of the other predators that we've seen

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<v Speaker 4>in the previous four or five six movies.

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<v Speaker 3>Whatever. This is the This is the return of Gillis

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<v Speaker 3>and Woodruff as the designers for the Predator. That their

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<v Speaker 3>last one was Requiem or was it? Really? Very wisely

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<v Speaker 3>has corrected me that the last one they did was Predators.

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<v Speaker 3>Where they had they did all these swoll predators, all

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<v Speaker 3>the skipp and leg day predators, the triangular upside down predator.

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<v Speaker 3>I hated those, so it was a welcome relief we

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<v Speaker 3>didn't see them in the Predator. But I agree the

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<v Speaker 3>design on this one is pretty fucking spectacular, and it

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<v Speaker 3>takes one of their sort of earlier innovations to its

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<v Speaker 3>ultimate step, which is turning the what were dreadlocks into

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<v Speaker 3>basically hair. Now it's so thin and so multiple, it

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<v Speaker 3>becomes its own kind of character trait, like like a

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<v Speaker 3>cape on him, like a lion's mane. You're right, a

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<v Speaker 3>Farrell a much more less ten little and more sort

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<v Speaker 3>of biological threat.

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<v Speaker 4>Yeah. Even the mask, the helmet that it has is

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<v Speaker 4>it's not metal like we're used to. It's actually it

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<v Speaker 4>almost appears to be bone. I think it's meant to

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<v Speaker 4>be some sort of organic bony material. And that's where

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<v Speaker 4>it doesn't have a shoulder cannon yet, but it has

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<v Speaker 4>those three distinct laser lights kind of come out of

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<v Speaker 4>the out of the mask, and it actually doesn't even

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<v Speaker 4>shoot lasers like it actually shoots almost like arrow bolts

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<v Speaker 4>or crossbow bolts.

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<v Speaker 3>It's a projectile weapon. These Remember this is three hundred

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<v Speaker 3>years ago and another Look, we're just going to keep

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<v Speaker 3>saying it's brilliant. But I like when somebody thinks about

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<v Speaker 3>the science of something three hundred years ago, maybe they

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<v Speaker 3>didn't have energy based weapons. Maybe they were just shooting bolts. Yes,

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<v Speaker 3>the bolts were effectively laser guided or heat guided or

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<v Speaker 3>far in advance of anything that we could potentially do.

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<v Speaker 3>But I loved that.

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<v Speaker 4>It's still got the spinning discs that come off of

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<v Speaker 4>the gauntlet. The but it is it does feel like

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<v Speaker 4>a precursor to the predator creatures that we kind of

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<v Speaker 4>have seen in the later movie or the earlier movies,

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<v Speaker 4>I should say. But what's interesting is even in it

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<v Speaker 4>has these bolts that it shoots out, but at one

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<v Speaker 4>point it kills one of the warriors, one of the

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<v Speaker 4>Native American warriors, but then you see it has to

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<v Speaker 4>go and retrieve the bolts from the dead body. It's

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<v Speaker 4>not just it doesn't have an endless supply of these things.

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<v Speaker 4>It's almost like it has. It's like a like a

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<v Speaker 4>bo caster or something.

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<v Speaker 3>It's just it.

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<v Speaker 4>The logic of it, I think is it makes so

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<v Speaker 4>much sense to me, and I was thrilled by it.

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<v Speaker 3>Yeah, it evens the score just a little bit between. Look,

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<v Speaker 3>they don't have machine guns, so he shouldn't have a laser.

295
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<v Speaker 3>He should have a laser guided bow and arrow.

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<v Speaker 4>Basically, it's just attitudinally and just the way it moves

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<v Speaker 4>it's not this giant pro wrestler. It's just it's it

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<v Speaker 4>kind of has the bad quality. But even in terms

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<v Speaker 4>of attitude, there's a part in this. It's this little

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<v Speaker 4>sequence excuse me, where it gets attacked by a wolf.

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<v Speaker 4>This wolf, I don't remember the context, but the wolf

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00:19:14.000 --> 00:19:17.359
<v Speaker 4>sort of catches it sent and it attacks it. Normally,

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<v Speaker 4>correct me if I'm wrong, but a predator will not

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<v Speaker 4>necessarily attack you unless you are a threat to it.

305
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<v Speaker 4>But in this case, it feels like this predator is

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<v Speaker 4>sort of new to the idea of hunting and what

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<v Speaker 4>should it hunt, and essentially kills us. I mean, it's

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<v Speaker 4>not really a poor wolf, but I end up feeling

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<v Speaker 4>a little bad for it. But it kind of made

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<v Speaker 4>sense in a weird way that this predator is the

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<v Speaker 4>code of the predator doesn't feel like it's been fully

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<v Speaker 4>formed three hundred years before we see the first official

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<v Speaker 4>appearance of the predator. I just thought it was kind

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<v Speaker 4>of neat to see this thing acting just a little

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<v Speaker 4>bit differently than we're used to, but again making sense

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<v Speaker 4>because this is an ancestor to the predators that we've

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<v Speaker 4>come to know and love.

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<v Speaker 3>Well, hunting and predation are actual themes explored in this film.

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<v Speaker 3>For the first time ever in the Predator series, we're

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<v Speaker 3>looking at that as it actually applies to our characters.

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<v Speaker 3>In fact, this is the first time we have a

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<v Speaker 3>character who is a hunter, who is not only hunting

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<v Speaker 3>out of necessity. People need to eat, and this is

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<v Speaker 3>impressed upon us over and over, like when they come

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<v Speaker 3>back from ut. So not only does she need to hunt,

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<v Speaker 3>but this she needs to prove herself as a hunter

327
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<v Speaker 3>because everyone is saying she can't. So there's that. But

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<v Speaker 3>then just in the nature side of things, we have

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00:20:45.079 --> 00:20:48.799
<v Speaker 3>them hunting a lion who has been hunting them. We

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<v Speaker 3>get this snake who is like hunting a rabbit and

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<v Speaker 3>like it attempts to attack the predator and because it

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<v Speaker 3>knows something is there even though some even though it

333
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<v Speaker 3>can't see it, but the predator can that and then

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<v Speaker 3>skins it and takes its little skull. There. God, what

335
00:21:04.200 --> 00:21:07.440
<v Speaker 3>else is there? Oh? Yeah, no, the rabbit is the

336
00:21:07.519 --> 00:21:10.559
<v Speaker 3>coyote is chasing a rabbit and the predator it is.

337
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<v Speaker 3>The predator steps in and then the coyote attacks that.

338
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<v Speaker 3>The great thing about that is the coyote snaps at

339
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<v Speaker 3>the predator, not knowing where or what it is, and

340
00:21:19.759 --> 00:21:23.119
<v Speaker 3>it makes contact and then for the rest of the scene,

341
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<v Speaker 3>every time that wolf's mouth opens you can see a

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<v Speaker 3>little bioluminescent blood in there.

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<v Speaker 4>Yeah, it's great. I'm sure. Hey, let's put the.

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<v Speaker 3>Car into every fucking shot of this movie that I'm making.

345
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<v Speaker 3>Let me actually consider everything we're doing before we do it.

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<v Speaker 4>It's all beautiful, and I'm sure most, if not all,

347
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<v Speaker 4>of those animals are CG creations, and sometimes it's a

348
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<v Speaker 4>little more obvious. But for the most part, I thought

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<v Speaker 4>all that stuff, the wolf, the snake, the rabbits, is

350
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<v Speaker 4>the getting killed everywhere, the lion, it all looks really good.

351
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<v Speaker 4>A lot of care went into just the effects work

352
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<v Speaker 4>in this, and it blends sodlessly into the world.

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<v Speaker 3>It's not all we have to say about the Predator

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<v Speaker 3>and predation. I'm just well, ultimately, no, So you were

355
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<v Speaker 3>saying that the Predator maybe their code hasn't been formed necessarily.

356
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<v Speaker 3>I think, yeah, I mean, I don't know. I think,

357
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<v Speaker 3>who knows. Maybe this is just you're right, This is

358
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<v Speaker 3>a primitive version of them. He doesn't have a metal

359
00:22:20.920 --> 00:22:24.480
<v Speaker 3>face plate, he doesn't have lasers, he has his heads

360
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<v Speaker 3>up display, sort of bored into the skull of some

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<v Speaker 3>creature he had killed.

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<v Speaker 4>Yeah, it's cool, and there's a lot this predator, I

363
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<v Speaker 4>think more than most others, he just has a flare.

364
00:22:37.039 --> 00:22:39.160
<v Speaker 4>I think it's a conscious choice to make him a

365
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<v Speaker 4>little more of a badass in this because I think

366
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<v Speaker 4>it just the fight scenes are so fluid and great,

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<v Speaker 4>Whereas mostly predators will just kind of slash and punch

368
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<v Speaker 4>and throw its way out of anything, but this one,

369
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<v Speaker 4>we're seeing the predator flip things in the air and

370
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<v Speaker 4>bring them down into people's heads, and the weapons are

371
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<v Speaker 4>all kind of cool and a little different. It's just

372
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<v Speaker 4>this predator feels like more of a badass to me.

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<v Speaker 4>And what's interesting is there are there's moments and we've

374
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<v Speaker 4>kind of seen this a little bit in some of

375
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<v Speaker 4>the other movies, a touch of this here and there,

376
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<v Speaker 4>but there are moments where you can see that there's

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<v Speaker 4>almost a sympathy between the predator and Naduru. There's a

378
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<v Speaker 4>sequence where Naduru comes across this a whole herd of

379
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<v Speaker 4>buffalo that have been killed and just to be stripped

380
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<v Speaker 4>of their hides, and they're left there at a rot

381
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<v Speaker 4>and it really deeply troubles Nahdaru. And she says a

382
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<v Speaker 4>little prayer and she finds a cigar that will find

383
00:23:38.799 --> 00:23:42.240
<v Speaker 4>out that these French trappers are causing all this mayhem.

384
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<v Speaker 3>So, by the way, that completely fooled me the first

385
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<v Speaker 3>time I saw it. When I saw that herd completely skinned,

386
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<v Speaker 3>I thought, predators don't do that. What's going on here

387
00:23:50.880 --> 00:23:52.640
<v Speaker 3>in this movie? And then she found this cigar and

388
00:23:52.640 --> 00:23:54.559
<v Speaker 3>I went, oh, fucking humans.

389
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<v Speaker 4>It makes sense. But then maybe five minutes later, the

390
00:23:58.400 --> 00:24:02.039
<v Speaker 4>predator also comes across the same scene, and it's not

391
00:24:02.240 --> 00:24:05.359
<v Speaker 4>like it vocalizes anything, but you see it pick up

392
00:24:05.400 --> 00:24:08.920
<v Speaker 4>the cigar, and you know that the predators have this

393
00:24:09.119 --> 00:24:12.960
<v Speaker 4>code of, you know, killing only when it's in their

394
00:24:13.000 --> 00:24:15.559
<v Speaker 4>minds a fair fight. So the predator knows that this

395
00:24:15.680 --> 00:24:18.960
<v Speaker 4>is just senseless killing for the sake of killing, and

396
00:24:19.400 --> 00:24:21.759
<v Speaker 4>it just creates this. It's almost like Nahru and the

397
00:24:21.759 --> 00:24:24.279
<v Speaker 4>predator are kind of two sides of the same coin

398
00:24:24.319 --> 00:24:28.319
<v Speaker 4>in a way. They're both hunters trying to accomplish their mission.

399
00:24:28.799 --> 00:24:31.720
<v Speaker 4>She wants to prove herself to her tribe that she

400
00:24:31.839 --> 00:24:36.440
<v Speaker 4>can do this, and he is obviously on his hunt.

401
00:24:36.480 --> 00:24:39.359
<v Speaker 4>He's trying to hunt the biggest and baddest predators that

402
00:24:39.400 --> 00:24:42.359
<v Speaker 4>there are and in this case that's not ru. He

403
00:24:42.400 --> 00:24:45.200
<v Speaker 4>doesn't know it at that point, but as I said,

404
00:24:45.240 --> 00:24:47.160
<v Speaker 4>he's going to learn that to the course of the movie.

405
00:24:47.640 --> 00:24:49.440
<v Speaker 3>One last thing about the predator and then we should

406
00:24:49.519 --> 00:24:53.920
<v Speaker 3>jump back into the plot, and that is the invisibility.

407
00:24:54.000 --> 00:24:56.160
<v Speaker 3>Cloaking has never looked better.

408
00:24:56.880 --> 00:24:57.519
<v Speaker 4>Fantastic.

409
00:24:57.880 --> 00:25:01.799
<v Speaker 3>It's great, like every fucking time he does it, and

410
00:25:01.920 --> 00:25:05.759
<v Speaker 3>they do cool stuff like where part of particulate matter

411
00:25:05.920 --> 00:25:08.799
<v Speaker 3>is hitting it and it's shorting out or water is

412
00:25:08.799 --> 00:25:11.839
<v Speaker 3>shorting and anyway, I loved all of that. Where were

413
00:25:11.880 --> 00:25:13.279
<v Speaker 3>we It does look great.

414
00:25:13.279 --> 00:25:17.519
<v Speaker 4>It's almost crystalline in places, and Tractenberg knows how to

415
00:25:17.559 --> 00:25:20.359
<v Speaker 4>photograph it to really make it pop and make it

416
00:25:20.359 --> 00:25:23.920
<v Speaker 4>look good. It's awesome. But anyway, story wise, you had

417
00:25:23.960 --> 00:25:28.160
<v Speaker 4>mentioned there's a lion that has menaced the tribe, so

418
00:25:28.279 --> 00:25:31.759
<v Speaker 4>she and her brother tab go to try with the

419
00:25:31.839 --> 00:25:35.480
<v Speaker 4>hunting party to try to dispatch. Along the way, there's

420
00:25:35.839 --> 00:25:39.079
<v Speaker 4>one of the other warriors has been savaged by the lion,

421
00:25:39.160 --> 00:25:42.279
<v Speaker 4>but he's still alive and she uses her knowledge of

422
00:25:42.359 --> 00:25:46.279
<v Speaker 4>her bology to help save him. She has this, you know, or.

423
00:25:46.839 --> 00:25:48.720
<v Speaker 3>Can we just point out that before this we got

424
00:25:48.799 --> 00:25:51.480
<v Speaker 3>to meet the village, like when they come out when

425
00:25:51.480 --> 00:25:54.440
<v Speaker 3>we meet her mom, who has been teaching her herbs,

426
00:25:54.640 --> 00:25:57.319
<v Speaker 3>and we figure out that no matter what happens as

427
00:25:57.319 --> 00:25:59.359
<v Speaker 3>far as her wanting to be a hunter, she's still

428
00:25:59.359 --> 00:26:03.039
<v Speaker 3>expected to do these sort of female responsibilities. Supposed to

429
00:26:03.079 --> 00:26:05.799
<v Speaker 3>go out in the mornings and collect the herbs and

430
00:26:06.119 --> 00:26:08.720
<v Speaker 3>supposed to do all the female shit while the guys

431
00:26:08.720 --> 00:26:10.559
<v Speaker 3>are out there doing their thing, and then she can.

432
00:26:10.440 --> 00:26:11.160
<v Speaker 4>Be doing hunting.

433
00:26:11.400 --> 00:26:11.599
<v Speaker 3>Yeah.

434
00:26:11.640 --> 00:26:14.319
<v Speaker 4>Yeah, that sort of points to in a larger sense,

435
00:26:15.359 --> 00:26:18.480
<v Speaker 4>probably the best thing that this movie does for the

436
00:26:18.519 --> 00:26:21.839
<v Speaker 4>audience is make you care about these characters, because we

437
00:26:21.920 --> 00:26:25.400
<v Speaker 4>spend a lot of time early on with Naduru, with

438
00:26:25.680 --> 00:26:29.519
<v Speaker 4>her extended family, with her brother, so by the time

439
00:26:29.640 --> 00:26:33.440
<v Speaker 4>the Predator has inserted itself in the story, we care

440
00:26:33.680 --> 00:26:37.759
<v Speaker 4>deeply about all of these people, not just the main characters,

441
00:26:37.799 --> 00:26:41.880
<v Speaker 4>but the extended people, the commanche. So I think that's

442
00:26:41.960 --> 00:26:44.559
<v Speaker 4>just such a It's elementary and it seems like it

443
00:26:44.559 --> 00:26:48.160
<v Speaker 4>should be self evident. But not every Predator movie takes

444
00:26:48.160 --> 00:26:50.960
<v Speaker 4>the time for us to get to know the characters

445
00:26:50.960 --> 00:26:53.160
<v Speaker 4>before they're placed in jeopardy, and I think that's vital.

446
00:26:53.599 --> 00:26:56.319
<v Speaker 3>Only two have been successful as far as I'm concerned,

447
00:26:56.319 --> 00:26:59.640
<v Speaker 3>Predator and The Predator. Like the characters in both of

448
00:26:59.680 --> 00:27:03.000
<v Speaker 3>those I very much cared about. And but when you

449
00:27:03.039 --> 00:27:06.319
<v Speaker 3>snack the three against each other, not to start comparing them,

450
00:27:06.400 --> 00:27:09.480
<v Speaker 3>but the first film is an action movie, and I

451
00:27:09.519 --> 00:27:13.200
<v Speaker 3>love those characters in their action movie. The Predator is

452
00:27:13.240 --> 00:27:16.880
<v Speaker 3>a goof ultimately because it's Shane Black movie, So who

453
00:27:17.000 --> 00:27:20.000
<v Speaker 3>cares at the end of the day. Plus they're all dead.

454
00:27:20.440 --> 00:27:23.799
<v Speaker 3>But here, what we've got is a serious movie with

455
00:27:24.519 --> 00:27:28.599
<v Speaker 3>serious characters and like in a fair treatment of them.

456
00:27:28.680 --> 00:27:33.279
<v Speaker 3>And I'm never uninterested. I'm always engaged. When they're at

457
00:27:33.319 --> 00:27:35.720
<v Speaker 3>the village, I'm like, Okay, we can hang out here.

458
00:27:35.880 --> 00:27:38.519
<v Speaker 3>I'm never like, let's get to the action. Where's the Preditor.

459
00:27:38.640 --> 00:27:42.880
<v Speaker 4>Yeah, there's a potential version of this movie with no Predator,

460
00:27:43.160 --> 00:27:46.359
<v Speaker 4>where it's just a coming of age story with this

461
00:27:46.359 --> 00:27:49.680
<v Speaker 4>this woman, this commanche woman trying desperately to prove herself

462
00:27:49.680 --> 00:27:53.960
<v Speaker 4>in the face of all these doubting people in her village.

463
00:27:54.559 --> 00:27:57.680
<v Speaker 3>That'd be the biggest bear they've ever seen, right.

464
00:27:58.319 --> 00:28:01.759
<v Speaker 4>This movie, Like you said, you could have not even

465
00:28:01.799 --> 00:28:03.720
<v Speaker 4>had The Predator, and this would be a pretty compelling

466
00:28:03.839 --> 00:28:08.400
<v Speaker 4>story about these people at this time. But it's just

467
00:28:08.480 --> 00:28:12.920
<v Speaker 4>so it's just so cool. How you then it's so logical,

468
00:28:12.920 --> 00:28:16.640
<v Speaker 4>how they insert what should be this incredibly fantastical element,

469
00:28:16.720 --> 00:28:21.799
<v Speaker 4>this alien coming down from some other planet hunting people,

470
00:28:22.039 --> 00:28:25.440
<v Speaker 4>and it not once do you ever doubt the logic

471
00:28:25.519 --> 00:28:29.200
<v Speaker 4>of what's happening, even though it's a fantastic story. Fantastic

472
00:28:29.279 --> 00:28:32.400
<v Speaker 4>meaning unbelievable, not like great. It is great, but it's.

473
00:28:32.200 --> 00:28:37.039
<v Speaker 3>Like fantastic Tales of the Unknown, like that fantastic.

474
00:28:36.960 --> 00:28:40.519
<v Speaker 4>Like you can't like. And there's something about the reactions.

475
00:28:40.559 --> 00:28:43.960
<v Speaker 4>There's a point at which so Nadu is the one

476
00:28:44.039 --> 00:28:47.160
<v Speaker 4>who is one step ahead of everybody else in terms

477
00:28:47.160 --> 00:28:50.960
<v Speaker 4>of what's actually happening, because they believe that. Like they

478
00:28:51.000 --> 00:28:54.039
<v Speaker 4>find this guy who's been savaged by this lion, and

479
00:28:54.079 --> 00:28:58.240
<v Speaker 4>she uses this herb that cools down his body so

480
00:28:58.279 --> 00:29:01.440
<v Speaker 4>that he won't bleed out. That'll be important later in

481
00:29:01.480 --> 00:29:03.359
<v Speaker 4>the movie. It's this little mcguffinity throwing.

482
00:29:03.400 --> 00:29:06.039
<v Speaker 3>I love it, but she but and it looks delicious,

483
00:29:06.119 --> 00:29:08.960
<v Speaker 3>even though everyone who eats it like coughs and it

484
00:29:09.079 --> 00:29:12.359
<v Speaker 3>like acts like it's the most unappetizing thing. I still

485
00:29:12.400 --> 00:29:12.759
<v Speaker 3>want some.

486
00:29:13.200 --> 00:29:16.279
<v Speaker 4>It's orange something I don't recall the name of the herb,

487
00:29:16.359 --> 00:29:18.359
<v Speaker 4>but it's this herb that she can use to help

488
00:29:18.400 --> 00:29:21.599
<v Speaker 4>people not bleed out. But they're all focused on helping

489
00:29:21.640 --> 00:29:23.319
<v Speaker 4>this guy and bringing them back to the village. But

490
00:29:23.400 --> 00:29:27.200
<v Speaker 4>she realizes, well, there's a reason why the lion left

491
00:29:27.240 --> 00:29:31.359
<v Speaker 4>this guy. Like she's already her feelers are already up,

492
00:29:31.400 --> 00:29:35.279
<v Speaker 4>saying something's not right here, guys, but everybody else discounts

493
00:29:35.319 --> 00:29:38.319
<v Speaker 4>what she's saying, you're crazy. It's the lion. We'll deal

494
00:29:38.359 --> 00:29:40.599
<v Speaker 4>with the lion. Even her own brother is like, we

495
00:29:40.759 --> 00:29:42.160
<v Speaker 4>just have to deal with the lion. And they all

496
00:29:42.160 --> 00:29:46.160
<v Speaker 4>believe that when and if the lion is killed, then

497
00:29:46.279 --> 00:29:52.079
<v Speaker 4>safety will return to her tribe, so they take She

498
00:29:52.200 --> 00:29:55.000
<v Speaker 4>saves the guy's life by the way he goes back

499
00:29:55.000 --> 00:29:58.720
<v Speaker 4>to the village. She goes to help Tabe dispatch this lion.

500
00:29:59.519 --> 00:30:02.559
<v Speaker 3>She by now she knows it. Now she knows it's

501
00:30:02.599 --> 00:30:06.200
<v Speaker 3>not a lion. But because they send they dismiss her.

502
00:30:06.279 --> 00:30:09.480
<v Speaker 3>The hunting party dismisses her to go back with the

503
00:30:09.519 --> 00:30:15.400
<v Speaker 3>wounded warrior, and she sees like tracks that are unusual

504
00:30:15.440 --> 00:30:17.680
<v Speaker 3>to anything she had ever seen before, like kind of

505
00:30:17.680 --> 00:30:20.200
<v Speaker 3>a clawbe it could be a bear, but it's too big.

506
00:30:20.599 --> 00:30:23.440
<v Speaker 3>And then they see claw marks that are way too high,

507
00:30:23.720 --> 00:30:29.160
<v Speaker 3>and suddenly she knows there's a predator that outstrips that lion,

508
00:30:29.519 --> 00:30:34.240
<v Speaker 3>and it might not be anything. And let's remember she

509
00:30:34.359 --> 00:30:37.519
<v Speaker 3>saw the thunderbird in the sky, so she knows something's afoot.

510
00:30:38.079 --> 00:30:41.960
<v Speaker 4>Yeah, but it's satisfying to see because we're with her

511
00:30:42.039 --> 00:30:45.799
<v Speaker 4>the whole way. We see things that the rest of

512
00:30:45.799 --> 00:30:48.000
<v Speaker 4>the people don't get to see, so we know that

513
00:30:48.079 --> 00:30:50.960
<v Speaker 4>she's right. So the whole time, we're thinking to ourselves, no,

514
00:30:51.039 --> 00:30:54.559
<v Speaker 4>you know, she's so when she finally does take matters

515
00:30:54.559 --> 00:30:58.519
<v Speaker 4>into her hands eventually, it's so satisfying as a viewer

516
00:30:58.559 --> 00:31:01.200
<v Speaker 4>because we are by then and we want her to

517
00:31:01.279 --> 00:31:04.039
<v Speaker 4>succeed every bit as much as she wants to succeed

518
00:31:04.119 --> 00:31:07.200
<v Speaker 4>for herself, because she's such a good underdog. She figures

519
00:31:07.200 --> 00:31:11.319
<v Speaker 4>out this way. She's got this tomahawk, and she figures

520
00:31:11.359 --> 00:31:14.559
<v Speaker 4>out this way to tie a rope. She braids a

521
00:31:14.640 --> 00:31:18.359
<v Speaker 4>rope and ties it to kind of the central axis

522
00:31:18.400 --> 00:31:21.559
<v Speaker 4>of the tomahawk, and she's able to throw the tomahawk

523
00:31:21.799 --> 00:31:25.519
<v Speaker 4>and retrieve it like something out of like Mortal Kombat

524
00:31:25.640 --> 00:31:28.680
<v Speaker 4>or something. It's this badass weapon that frankly, it probably

525
00:31:28.720 --> 00:31:32.000
<v Speaker 4>defies the laws of physics, but it's so fucking cool

526
00:31:32.039 --> 00:31:32.920
<v Speaker 4>to see it in action.

527
00:31:33.720 --> 00:31:38.720
<v Speaker 3>I liked that when another warrior found it, he said,

528
00:31:39.000 --> 00:31:43.000
<v Speaker 3>your axe needs a leash. They thought it was a detriment,

529
00:31:43.119 --> 00:31:45.799
<v Speaker 3>like they thought she attached it because she was going

530
00:31:45.839 --> 00:31:49.079
<v Speaker 3>to lose it, like a surfboard attached to her ankle.

531
00:31:49.640 --> 00:31:52.480
<v Speaker 3>But the fact is she had innovated that fucking thing

532
00:31:52.519 --> 00:31:54.920
<v Speaker 3>and it's gonna save her life over and over again.

533
00:31:55.559 --> 00:31:58.039
<v Speaker 4>It's amazing. The fight scenes, which we're going to continue

534
00:31:58.039 --> 00:32:00.519
<v Speaker 4>to return to. The battle scenes, the fight scenes, whatever

535
00:32:00.559 --> 00:32:03.839
<v Speaker 4>you want to call them, are so well shot and

536
00:32:03.960 --> 00:32:08.279
<v Speaker 4>they're exciting, and she's just such a badass because she's

537
00:32:08.720 --> 00:32:13.640
<v Speaker 4>just a great hand to hand fighter, and I just it.

538
00:32:13.960 --> 00:32:16.839
<v Speaker 4>Some of these scenes are just beyond belief how cool

539
00:32:16.839 --> 00:32:19.400
<v Speaker 4>they are. She really she's up there with John Wick.

540
00:32:19.400 --> 00:32:20.960
<v Speaker 4>I'm going to say it right there. She is a

541
00:32:21.119 --> 00:32:24.039
<v Speaker 4>badass of the highest order in this movie. And I

542
00:32:24.119 --> 00:32:26.359
<v Speaker 4>wasn't prepared for how much of a badass she was

543
00:32:26.440 --> 00:32:26.880
<v Speaker 4>gonna be.

544
00:32:27.240 --> 00:32:30.720
<v Speaker 3>We're talking about Nadu, we're talking about Amber mid Thunder.

545
00:32:31.119 --> 00:32:33.720
<v Speaker 4>Well both really, because she can't have one without the other.

546
00:32:34.039 --> 00:32:36.680
<v Speaker 3>That's true, but we can also include Amber mid Thunder's

547
00:32:36.720 --> 00:32:41.079
<v Speaker 3>stunt double, who does some incredible fucking shit there's an

548
00:32:41.240 --> 00:32:45.680
<v Speaker 3>entire sequence staring in the French the plantations, not French plantation,

549
00:32:45.920 --> 00:32:50.559
<v Speaker 3>during the French trapper sequence, where it is one her

550
00:32:50.599 --> 00:32:54.519
<v Speaker 3>stunt double in like every fucking shot, but she has

551
00:32:54.559 --> 00:32:56.759
<v Speaker 3>so much hair and the camera at work is so

552
00:32:56.960 --> 00:32:59.440
<v Speaker 3>fucking thoughtful that you'd never know.

553
00:33:00.279 --> 00:33:03.000
<v Speaker 4>You mean that the single the sort of quote unquote

554
00:33:03.039 --> 00:33:06.160
<v Speaker 4>single shot fight scene. Yeah, you think that's all. You

555
00:33:06.160 --> 00:33:08.680
<v Speaker 4>think that's all just her stunt double because I couldn't tell.

556
00:33:08.880 --> 00:33:12.839
<v Speaker 3>There's some Texas switching going on, but yeah, but it's

557
00:33:12.880 --> 00:33:14.000
<v Speaker 3>mainly the stunt double.

558
00:33:14.640 --> 00:33:18.400
<v Speaker 4>Yeah, well definitely. We'll get to the trappers, but so, yeah,

559
00:33:18.440 --> 00:33:21.839
<v Speaker 4>so she goes to try and dispatch this lion and

560
00:33:21.920 --> 00:33:23.279
<v Speaker 4>she ends up falling out of it.

561
00:33:24.640 --> 00:33:29.039
<v Speaker 3>Before we get there, she ascertains the sort of the situation,

562
00:33:29.519 --> 00:33:32.240
<v Speaker 3>sees that she's basically in the place where the lion

563
00:33:32.319 --> 00:33:36.960
<v Speaker 3>had been making its home, climbs up a tree, and

564
00:33:37.079 --> 00:33:41.519
<v Speaker 3>then the lion fucking shows up like she sees it peripherally,

565
00:33:41.680 --> 00:33:45.440
<v Speaker 3>like running through this tall grass. It's great, and then

566
00:33:45.519 --> 00:33:47.880
<v Speaker 3>looks down. As she looks down, the fucking lion is

567
00:33:47.920 --> 00:33:49.559
<v Speaker 3>there in a second trying to get up at her.

568
00:33:49.720 --> 00:33:51.799
<v Speaker 3>Scared the shit out of me. I've seen the movie twice.

569
00:33:51.960 --> 00:33:52.839
<v Speaker 3>Scared me twice.

570
00:33:53.519 --> 00:33:56.759
<v Speaker 4>Well, it's her plan. She has devised the plan that

571
00:33:56.839 --> 00:33:59.480
<v Speaker 4>they're going to go into the lion's den as it were,

572
00:34:00.160 --> 00:34:03.880
<v Speaker 4>and basically bait it so that it gets sort of

573
00:34:04.000 --> 00:34:07.759
<v Speaker 4>moved into this tree, this zone where they're gonna you know.

574
00:34:07.960 --> 00:34:11.000
<v Speaker 4>So it's her idea how to take out the lion. Unfortunately,

575
00:34:11.679 --> 00:34:14.400
<v Speaker 4>the lion has her cornered on a branch. The lion

576
00:34:14.519 --> 00:34:18.079
<v Speaker 4>is advancing on her and she's backing up. The branch breaks.

577
00:34:18.519 --> 00:34:20.599
<v Speaker 4>They both fall out of the tree, and then the

578
00:34:20.639 --> 00:34:22.599
<v Speaker 4>next thing she knows, she wakes up in her village

579
00:34:22.840 --> 00:34:25.039
<v Speaker 4>because her brother had to carry her back because she's

580
00:34:25.039 --> 00:34:29.039
<v Speaker 4>been knocked unconscious. And then her brother comes into the

581
00:34:29.119 --> 00:34:33.199
<v Speaker 4>village after that, the conquering hero. He's got the lion carcass,

582
00:34:33.320 --> 00:34:37.519
<v Speaker 4>he's decapitated the lion, and he becomes it, basically becomes

583
00:34:37.519 --> 00:34:39.639
<v Speaker 4>a war chief at that point, right, he inherits the

584
00:34:39.679 --> 00:34:43.320
<v Speaker 4>title of war chief. And of course now that he

585
00:34:43.480 --> 00:34:45.920
<v Speaker 4>was not happy about this at all, because that's what

586
00:34:46.000 --> 00:34:47.159
<v Speaker 4>she wants for herself.

587
00:34:47.400 --> 00:34:49.880
<v Speaker 3>Well, she wants to even be a hunter, and now

588
00:34:49.920 --> 00:34:52.280
<v Speaker 3>she's being denied that because she had to be carried

589
00:34:52.320 --> 00:34:53.199
<v Speaker 3>back from a hunt.

590
00:34:53.679 --> 00:34:58.719
<v Speaker 4>It's embarrassing, it's demoralizing. And eventually we see that her

591
00:34:58.760 --> 00:35:02.599
<v Speaker 4>brother admits to her that, you know what, you're really

592
00:35:02.599 --> 00:35:06.159
<v Speaker 4>the one who helped take that lion out because you

593
00:35:06.239 --> 00:35:10.320
<v Speaker 4>devise the plan when the lion fell out of the tree.

594
00:35:10.400 --> 00:35:13.159
<v Speaker 4>You weakened it enough that I could take it out.

595
00:35:13.559 --> 00:35:16.920
<v Speaker 4>So what if? I mean, it's actually really generous of

596
00:35:16.960 --> 00:35:20.880
<v Speaker 4>her brother to admit to her. You know, you would

597
00:35:21.159 --> 00:35:23.360
<v Speaker 4>expect him to be this macho guy who's the war

598
00:35:23.480 --> 00:35:25.840
<v Speaker 4>chief and blah blah blah, but he has no problem

599
00:35:25.880 --> 00:35:28.920
<v Speaker 4>admitting that, you know what, you're really the one who

600
00:35:28.960 --> 00:35:32.840
<v Speaker 4>should take credit. It's so endearing because he's honest about it.

601
00:35:32.880 --> 00:35:36.079
<v Speaker 4>He's frank about the fact that, yeah, you are a

602
00:35:36.079 --> 00:35:39.079
<v Speaker 4>great hunter, and he defends her even when the other

603
00:35:39.159 --> 00:35:41.639
<v Speaker 4>members of the war party or what have you are

604
00:35:42.119 --> 00:35:45.199
<v Speaker 4>putting her down and making fun of her hatchet with

605
00:35:45.280 --> 00:35:48.119
<v Speaker 4>the cord on it and everything. But he he says

606
00:35:48.119 --> 00:35:50.000
<v Speaker 4>to them, you know, she's a great tracker and she

607
00:35:50.079 --> 00:35:52.800
<v Speaker 4>can really help us here. It's just so endearing. I

608
00:35:52.800 --> 00:35:54.000
<v Speaker 4>don't know, I love that part of it.

609
00:35:54.239 --> 00:35:56.800
<v Speaker 3>Well, those two characters love each other, so that's yeah,

610
00:35:56.840 --> 00:35:57.920
<v Speaker 3>you know, it's pretty great.

611
00:35:58.400 --> 00:36:01.320
<v Speaker 4>It's very and actually, come to find doubt that Tabe

612
00:36:01.440 --> 00:36:04.280
<v Speaker 4>is actually the actor is actually younger than Amber mid

613
00:36:04.320 --> 00:36:05.960
<v Speaker 4>Thunder did not realize.

614
00:36:05.519 --> 00:36:07.280
<v Speaker 3>That didn't know that. I love both of them. I

615
00:36:07.280 --> 00:36:10.119
<v Speaker 3>can't wait to see them in more things. Honestly, here's

616
00:36:10.159 --> 00:36:13.199
<v Speaker 3>two things that I thought of during that scene the

617
00:36:13.519 --> 00:36:19.719
<v Speaker 3>Tabe returns with the lion beheaded lion. My first thought was, oh,

618
00:36:19.800 --> 00:36:22.480
<v Speaker 3>so the predator did that and he just found it,

619
00:36:22.880 --> 00:36:25.639
<v Speaker 3>because that's a fucking predator move to cut the head

620
00:36:25.639 --> 00:36:28.880
<v Speaker 3>off that cleanly. The second thought I had was watching

621
00:36:28.920 --> 00:36:32.639
<v Speaker 3>the tribe come together and then everyone's celebrating. I thought

622
00:36:33.239 --> 00:36:36.440
<v Speaker 3>this must be what it's like in the predator society.

623
00:36:36.840 --> 00:36:39.920
<v Speaker 3>It's the same idea, right.

624
00:36:39.760 --> 00:36:40.960
<v Speaker 4>They're celebrating the kill.

625
00:36:41.000 --> 00:36:44.719
<v Speaker 3>Absolutely, so it just makes me want to see more

626
00:36:44.760 --> 00:36:46.159
<v Speaker 3>of these predators.

627
00:36:47.280 --> 00:36:49.159
<v Speaker 4>I didn't think of it in those terms, but there

628
00:36:49.280 --> 00:36:51.960
<v Speaker 4>is a lot of that duality in this movie.

629
00:36:52.159 --> 00:36:53.880
<v Speaker 3>Actually, Well, just like you said, you know, they have

630
00:36:54.000 --> 00:36:59.000
<v Speaker 3>this sort of mirroring between the predator and Nahooh that

631
00:36:59.199 --> 00:37:02.320
<v Speaker 3>plays throughout because there are times when I am on

632
00:37:02.360 --> 00:37:05.159
<v Speaker 3>the Predator's side. This predator is the villain, by the way,

633
00:37:05.320 --> 00:37:07.599
<v Speaker 3>there are times where I go back and forth during

634
00:37:07.639 --> 00:37:11.280
<v Speaker 3>every Predator movie where you know, either I like the

635
00:37:11.360 --> 00:37:13.079
<v Speaker 3>humans and I want them to win, or I like

636
00:37:13.119 --> 00:37:15.760
<v Speaker 3>the Predator and I want him to win. Here, even

637
00:37:15.760 --> 00:37:19.639
<v Speaker 3>though this is the most formidable Predator I think probably ever.

638
00:37:20.360 --> 00:37:22.920
<v Speaker 3>I mean, maybe the giant one's a little more scary

639
00:37:23.079 --> 00:37:27.199
<v Speaker 3>because he's just big, But this one, I'm not on

640
00:37:27.320 --> 00:37:30.719
<v Speaker 3>his side at any time until he runs into the humans. Basically,

641
00:37:31.039 --> 00:37:33.480
<v Speaker 3>I agree with you there, like not the humans, the

642
00:37:33.480 --> 00:37:37.199
<v Speaker 3>white people. That's why I'm the French trappers. I sort

643
00:37:37.239 --> 00:37:40.880
<v Speaker 3>of was predisposed to maybe not liking him off the

644
00:37:40.920 --> 00:37:43.880
<v Speaker 3>bat when I saw him kill that wolf, being an

645
00:37:43.920 --> 00:37:46.039
<v Speaker 3>animal lover that to me, that kind of bothered me

646
00:37:46.079 --> 00:37:48.800
<v Speaker 3>a little bit, even though look it's a feral wolf,

647
00:37:50.280 --> 00:37:53.039
<v Speaker 3>yeah yeah, and like you said, it has that iridescent

648
00:37:53.119 --> 00:37:54.280
<v Speaker 3>blood all over it.

649
00:37:54.280 --> 00:37:57.199
<v Speaker 4>It's maw, so it actually made look. I will also

650
00:37:57.239 --> 00:38:01.800
<v Speaker 4>say this for the Predator. This Predator takes his fair

651
00:38:01.880 --> 00:38:05.679
<v Speaker 4>share of licks. This Predator is beat to shit by

652
00:38:05.719 --> 00:38:08.480
<v Speaker 4>the end of this movie. He's been stabbed, he's had

653
00:38:08.519 --> 00:38:13.079
<v Speaker 4>his arm cut off, Predator blood everywhere, So he gets

654
00:38:13.079 --> 00:38:17.039
<v Speaker 4>full marks for being sort of implacable in that way, unstoppable.

655
00:38:17.239 --> 00:38:20.440
<v Speaker 4>And I agree with you that he reads as a

656
00:38:20.519 --> 00:38:24.559
<v Speaker 4>villain until we get to the French trapper thing, which

657
00:38:24.639 --> 00:38:26.800
<v Speaker 4>we can talk about. I do want to mention though,

658
00:38:27.760 --> 00:38:31.199
<v Speaker 4>one of the greatest predator reveals in all of the movies.

659
00:38:31.639 --> 00:38:37.480
<v Speaker 4>So Naduru has has decided after her brother gets war chief,

660
00:38:37.679 --> 00:38:41.719
<v Speaker 4>she goes away. She realizes that there's this isn't going

661
00:38:41.800 --> 00:38:43.920
<v Speaker 4>to end with this line. There's something else out there,

662
00:38:43.920 --> 00:38:48.840
<v Speaker 4>and she resolves. She puts aside her normal female specific duties.

663
00:38:49.000 --> 00:38:52.199
<v Speaker 3>Oh my god, my favorite shot in the entire movie

664
00:38:52.800 --> 00:38:56.119
<v Speaker 3>is her all of the sort of female members of

665
00:38:56.159 --> 00:38:58.960
<v Speaker 3>the tribe walking toward the river to start their day

666
00:38:59.199 --> 00:39:01.960
<v Speaker 3>and she's walking directly against the stream to go do this.

667
00:39:02.239 --> 00:39:06.920
<v Speaker 4>Yes, so beautiful, it's amazing. It's amazing just a photography alone.

668
00:39:07.079 --> 00:39:09.320
<v Speaker 4>I don't know exactly where this was a shot, but

669
00:39:09.880 --> 00:39:14.719
<v Speaker 4>it looks like the most unspoiled wilderness, like you can imagine,

670
00:39:14.840 --> 00:39:17.840
<v Speaker 4>like this could very well have been the Northern Plane

671
00:39:17.920 --> 00:39:21.400
<v Speaker 4>in seventeen nineteen. It looks brilliant. So she's on the

672
00:39:21.480 --> 00:39:24.239
<v Speaker 4>hunt for the predator and at one point she comes

673
00:39:24.280 --> 00:39:28.079
<v Speaker 4>across a bear, a big bear that catches her scent.

674
00:39:28.159 --> 00:39:31.119
<v Speaker 4>It's a great sequence where you see the wind blow

675
00:39:31.280 --> 00:39:34.320
<v Speaker 4>across her and you can see, like you don't see

676
00:39:34.360 --> 00:39:37.039
<v Speaker 4>it literally, but you can see it wafting over to

677
00:39:37.079 --> 00:39:41.320
<v Speaker 4>the bear who sniffs the air. The bear basically runs

678
00:39:41.360 --> 00:39:43.239
<v Speaker 4>after her, tries to attack her, and in the midst

679
00:39:43.280 --> 00:39:46.400
<v Speaker 4>of all this, she's taken refuge and a beaver dam,

680
00:39:46.880 --> 00:39:49.480
<v Speaker 4>and this bear is doing its best to try and

681
00:39:49.519 --> 00:39:54.280
<v Speaker 4>dig through that killer. And there revealed is the predator.

682
00:39:54.280 --> 00:39:57.639
<v Speaker 4>The predator comes. They have a little battle, the bear

683
00:39:57.719 --> 00:40:01.039
<v Speaker 4>versus the predator. The predator of course kills the bear,

684
00:40:01.800 --> 00:40:04.320
<v Speaker 4>and after killing it, it picks it up and lifts

685
00:40:04.360 --> 00:40:08.760
<v Speaker 4>it over its head and obviously like cuts it open

686
00:40:09.400 --> 00:40:12.320
<v Speaker 4>so that the blood comes down in a rush over

687
00:40:12.360 --> 00:40:16.800
<v Speaker 4>this formerly camouflaged predator. And what you see revealed is

688
00:40:16.800 --> 00:40:22.840
<v Speaker 4>the predator outlined in blood as Nadu has probably a

689
00:40:22.880 --> 00:40:26.360
<v Speaker 4>number of heart attacks and runs away. I love that

690
00:40:26.480 --> 00:40:29.639
<v Speaker 4>reveal of the blood. It just works on a lot

691
00:40:29.679 --> 00:40:32.639
<v Speaker 4>of levels to see this thing, you know, just covered

692
00:40:32.760 --> 00:40:34.840
<v Speaker 4>and all of this blood and revealed and all of

693
00:40:34.880 --> 00:40:38.239
<v Speaker 4>its sick glory. It's an amazing shot.

694
00:40:38.960 --> 00:40:40.559
<v Speaker 3>The whole sequence is fantastic.

695
00:40:41.119 --> 00:40:42.280
<v Speaker 4>Yeah, it's heart pounding.

696
00:40:42.559 --> 00:40:45.280
<v Speaker 3>As you've said, like, if there were no predator in

697
00:40:45.280 --> 00:40:48.199
<v Speaker 3>this movie, that would have been funny. If she had

698
00:40:48.239 --> 00:40:51.440
<v Speaker 3>just escaped the bear and then fond it again later

699
00:40:51.679 --> 00:40:53.559
<v Speaker 3>like that, this would just be one of the most

700
00:40:53.639 --> 00:40:57.039
<v Speaker 3>exciting movies I'd seen in years. But then we've got

701
00:40:57.039 --> 00:41:01.000
<v Speaker 3>a predator drenched in blood and has some sort of baptism.

702
00:41:01.199 --> 00:41:04.559
<v Speaker 4>Oh my god, it's great, it's amazing, and they have

703
00:41:04.679 --> 00:41:07.880
<v Speaker 4>a way. So then another thing I love about this

704
00:41:08.119 --> 00:41:11.199
<v Speaker 4>is at one point, so after this all happens, Tabe

705
00:41:11.480 --> 00:41:14.199
<v Speaker 4>has sent a small group of a search party to

706
00:41:14.199 --> 00:41:17.400
<v Speaker 4>come and bring Nadru back, and they find her and

707
00:41:17.440 --> 00:41:21.519
<v Speaker 4>they she won't listen, so there's a fight and she

708
00:41:21.679 --> 00:41:26.960
<v Speaker 4>ends up basically getting subdued, and they hear they're trying

709
00:41:26.960 --> 00:41:28.440
<v Speaker 4>to take her back, but they can hear the predator

710
00:41:28.480 --> 00:41:30.719
<v Speaker 4>and they know something's up. But they have this way

711
00:41:31.199 --> 00:41:31.440
<v Speaker 4>of this.

712
00:41:31.519 --> 00:41:33.719
<v Speaker 3>You know what, hun you're going they knock her out.

713
00:41:34.440 --> 00:41:36.400
<v Speaker 3>She gets knocked out a lot, And I'd just like

714
00:41:36.440 --> 00:41:39.239
<v Speaker 3>to say, as much as I love this movie, could

715
00:41:39.280 --> 00:41:42.199
<v Speaker 3>everyone stump doing that in movies? The idea of actually

716
00:41:42.199 --> 00:41:46.840
<v Speaker 3>just knocking somebody out is very difficult. First of all, Yeah,

717
00:41:46.880 --> 00:41:48.559
<v Speaker 3>if you think you're going to punch somebody in the

718
00:41:48.599 --> 00:41:50.199
<v Speaker 3>head and they're just going to go, that's not how

719
00:41:50.239 --> 00:41:52.320
<v Speaker 3>it works. If you've ever seen a boxing match, it

720
00:41:52.440 --> 00:41:56.159
<v Speaker 3>takes a lot to get somebody to be knocked unconscious,

721
00:41:56.320 --> 00:41:59.280
<v Speaker 3>which is their brain has to smack up against the

722
00:41:59.320 --> 00:42:03.400
<v Speaker 3>side of their goal really hard. A contract coup is

723
00:42:03.599 --> 00:42:06.480
<v Speaker 3>what they call that medically. And the fact is every

724
00:42:06.519 --> 00:42:09.840
<v Speaker 3>time you're knocked unconscious, that's a little bit of brain damage.

725
00:42:09.920 --> 00:42:13.519
<v Speaker 4>Yeah, it's literally an injury to your brain. So that

726
00:42:13.800 --> 00:42:16.199
<v Speaker 4>I yes, I could see that. I mean, it's become

727
00:42:16.280 --> 00:42:16.719
<v Speaker 4>such short.

728
00:42:16.920 --> 00:42:20.119
<v Speaker 3>It's a fantastic transition for filmmakers. And then they get

729
00:42:20.199 --> 00:42:21.599
<v Speaker 3>hit in the head with the butt of a rifle

730
00:42:21.639 --> 00:42:25.480
<v Speaker 3>and then where am I No, yeah, you actually have

731
00:42:25.559 --> 00:42:26.719
<v Speaker 3>to link the scene.

732
00:42:27.079 --> 00:42:30.559
<v Speaker 4>Sorry, that is I guess. Yeah I didn't. That didn't

733
00:42:30.559 --> 00:42:32.199
<v Speaker 4>occur to me. But you're right, and that is a

734
00:42:32.239 --> 00:42:35.000
<v Speaker 4>problem that used to be like a big private Eye thing. Right,

735
00:42:35.280 --> 00:42:37.480
<v Speaker 4>he's always getting hit in the head by some peluca

736
00:42:37.519 --> 00:42:38.800
<v Speaker 4>and he wakes up.

737
00:42:38.920 --> 00:42:42.039
<v Speaker 3>Yeah, like Mike Hammer is a vegetable by the end

738
00:42:42.079 --> 00:42:44.199
<v Speaker 3>of his Private Eye brain image.

739
00:42:44.519 --> 00:42:46.880
<v Speaker 4>Well, what I like is that, you know, after these

740
00:42:47.079 --> 00:42:50.679
<v Speaker 4>this search party has caught into that there's something out there.

741
00:42:51.440 --> 00:42:53.719
<v Speaker 4>There's something in the way of having these three or

742
00:42:53.760 --> 00:42:57.760
<v Speaker 4>four Comanche warriors that all have bows drawn as they're

743
00:42:57.800 --> 00:43:00.159
<v Speaker 4>walking silently through the woods.

744
00:43:00.000 --> 00:43:00.440
<v Speaker 3>It's beauty.

745
00:43:00.519 --> 00:43:04.159
<v Speaker 4>It's such a badass image and they're so quiet and

746
00:43:04.199 --> 00:43:09.360
<v Speaker 4>they just seem so lethal that just have to believe, like, wow,

747
00:43:09.400 --> 00:43:12.719
<v Speaker 4>you know, these guys could go through anything except this

748
00:43:12.840 --> 00:43:15.440
<v Speaker 4>fucking predator that's gonna just tear through them like a

749
00:43:15.440 --> 00:43:18.920
<v Speaker 4>hot knife through butter. But it's such a graceful image

750
00:43:19.159 --> 00:43:21.719
<v Speaker 4>to see them with these bows drawn and the foldy

751
00:43:21.719 --> 00:43:24.519
<v Speaker 4>work is great because you can hear the bowstring tightened,

752
00:43:24.639 --> 00:43:27.599
<v Speaker 4>and I don't know, it just seems so like like

753
00:43:27.599 --> 00:43:29.760
<v Speaker 4>we've been saying, if there wasn't even a predator, this

754
00:43:29.800 --> 00:43:32.199
<v Speaker 4>would be really interesting to see them hunting and doing

755
00:43:32.239 --> 00:43:32.639
<v Speaker 4>their thing.

756
00:43:33.480 --> 00:43:35.559
<v Speaker 3>But I usually say this in a crime movie, but

757
00:43:35.639 --> 00:43:38.800
<v Speaker 3>I just love seeing professionals speed professional exactly.

758
00:43:38.840 --> 00:43:41.280
<v Speaker 4>That's the point I'm making. You said it beautifully there.

759
00:43:41.960 --> 00:43:46.639
<v Speaker 4>It's they know what they're doing. These are trained, you know, bowhunters,

760
00:43:47.159 --> 00:43:49.719
<v Speaker 4>and that's what they do best, and it doesn't matter

761
00:43:49.760 --> 00:43:53.679
<v Speaker 4>because the predator is just so far beyond them technologically.

762
00:43:53.800 --> 00:43:56.519
<v Speaker 3>Sorry, man, he's got laser guided bolts.

763
00:43:56.800 --> 00:44:00.679
<v Speaker 4>Yeah, bolts, it's and that's the I mean sequin after sequence.

764
00:44:00.719 --> 00:44:02.480
<v Speaker 4>I keep saying, well, that sequence is great to that one.

765
00:44:02.599 --> 00:44:05.559
<v Speaker 4>They're all great because what happens is that the search

766
00:44:05.639 --> 00:44:07.920
<v Speaker 4>party is waylaid by the predator. One of them is

767
00:44:08.480 --> 00:44:12.800
<v Speaker 4>basically like like that that three dot laser has the

768
00:44:12.840 --> 00:44:15.960
<v Speaker 4>ability to kind of separate. So he shoots one in

769
00:44:16.000 --> 00:44:18.239
<v Speaker 4>the guy's eye, one in his hand, and one in

770
00:44:18.280 --> 00:44:20.840
<v Speaker 4>his heart, and then he goes over like I said,

771
00:44:20.880 --> 00:44:23.199
<v Speaker 4>and retrieves the bolts because of course he has to

772
00:44:23.239 --> 00:44:28.199
<v Speaker 4>retrieve them. He's not shooting energy based weapons. And again,

773
00:44:28.320 --> 00:44:32.960
<v Speaker 4>these are fierce warriors. They they attack this thing with

774
00:44:33.199 --> 00:44:37.960
<v Speaker 4>everything they've got, and it just it's almost heartbreaking to

775
00:44:37.960 --> 00:44:40.559
<v Speaker 4>see them just be waylaid because you want to pull

776
00:44:40.599 --> 00:44:44.199
<v Speaker 4>for them because they're so badass, all of them. They

777
00:44:44.239 --> 00:44:46.599
<v Speaker 4>do they Like I said, the predator gets his licks

778
00:44:46.599 --> 00:44:50.480
<v Speaker 4>through the whole movie and he gets stabbed and sliced

779
00:44:50.519 --> 00:44:53.920
<v Speaker 4>and whatever, but ultimately it's all for no because he

780
00:44:54.079 --> 00:44:57.119
<v Speaker 4>just he cuts a swath through all of these warriors.

781
00:44:57.800 --> 00:45:02.840
<v Speaker 4>So she runs away from the predator barely kind of escapes,

782
00:45:03.000 --> 00:45:07.159
<v Speaker 4>but she is snared by a metal trap that that

783
00:45:07.239 --> 00:45:10.559
<v Speaker 4>we've seen earlier. Her dog, Sati was also snared in

784
00:45:10.599 --> 00:45:14.440
<v Speaker 4>a trap, and she rescues us, but she it's a

785
00:45:14.440 --> 00:45:15.199
<v Speaker 4>bear trap.

786
00:45:15.079 --> 00:45:18.079
<v Speaker 3>By the way I mention it. Her dog early on

787
00:45:18.159 --> 00:45:21.079
<v Speaker 3>gets its tail caught in one, and then she frees

788
00:45:21.119 --> 00:45:23.000
<v Speaker 3>the dog, and then we see that she's a herbalist

789
00:45:23.000 --> 00:45:25.199
<v Speaker 3>because she puts some sort of paste on the dog.

790
00:45:25.840 --> 00:45:29.960
<v Speaker 3>And I love that scene because this is seventeen nineteen

791
00:45:30.239 --> 00:45:34.280
<v Speaker 3>and she's never met a European and she certainly doesn't

792
00:45:34.280 --> 00:45:37.039
<v Speaker 3>know what a steel chain is, so her reaction to

793
00:45:37.119 --> 00:45:39.039
<v Speaker 3>it is great, where she's just trying to figure out

794
00:45:39.079 --> 00:45:41.079
<v Speaker 3>what it is and what it can be used for.

795
00:45:41.239 --> 00:45:44.360
<v Speaker 3>So anyway, that pays off here because she finds herself.

796
00:45:44.800 --> 00:45:46.599
<v Speaker 4>It's true. Yeah, she kind of picks up the chain

797
00:45:46.679 --> 00:45:48.559
<v Speaker 4>and she's not really sure what to make of it.

798
00:45:48.639 --> 00:45:51.840
<v Speaker 4>But so she gets snared by this bear trap and

799
00:45:52.559 --> 00:45:56.199
<v Speaker 4>they these French trappers take her prisoner and take her

800
00:45:56.239 --> 00:45:59.079
<v Speaker 4>to camp and put her in a cage basically, and

801
00:45:59.639 --> 00:46:02.079
<v Speaker 4>she realizes that these are the people that kill those

802
00:46:02.119 --> 00:46:07.360
<v Speaker 4>buffalo from earlier, and one of them, this fellow Raphael,

803
00:46:07.519 --> 00:46:10.000
<v Speaker 4>can speak Commanchi. It has to be said, by the way,

804
00:46:10.000 --> 00:46:12.480
<v Speaker 4>before I get into this, that this movie plays a

805
00:46:12.519 --> 00:46:16.760
<v Speaker 4>little fast and loose with language, right we can. The

806
00:46:16.800 --> 00:46:19.400
<v Speaker 4>example that I always point to is Hunt for Red October,

807
00:46:19.440 --> 00:46:24.239
<v Speaker 4>where the Russians on the submarine speak Russian up until

808
00:46:24.239 --> 00:46:26.039
<v Speaker 4>this point where they zoom in on one of their

809
00:46:26.079 --> 00:46:29.719
<v Speaker 4>mouths and it sort of transitions into English, giving the

810
00:46:29.760 --> 00:46:33.239
<v Speaker 4>audience this idea that, well, they're still speaking Russian, but

811
00:46:34.199 --> 00:46:37.159
<v Speaker 4>you're hearing it as English. Now this movie, they don't,

812
00:46:37.400 --> 00:46:43.079
<v Speaker 4>there's no transition. Sometimes they speak commanche, sometimes mostly they

813
00:46:43.159 --> 00:46:46.079
<v Speaker 4>speak English, And I think it's just it's easier for

814
00:46:46.119 --> 00:46:47.960
<v Speaker 4>the audience to kind of figure it out. It's my

815
00:46:48.079 --> 00:46:53.000
<v Speaker 4>understanding that there is a all commanche dub of this

816
00:46:53.079 --> 00:46:54.719
<v Speaker 4>movie that you can watch. I don't know, I want

817
00:46:54.760 --> 00:46:57.639
<v Speaker 4>to see it. You did see it, okay, all subtitles

818
00:46:57.679 --> 00:47:00.000
<v Speaker 4>that that would be a really clever way to watch it.

819
00:47:00.079 --> 00:47:03.199
<v Speaker 3>I think I turned off the subtitle really Yeah.

820
00:47:02.960 --> 00:47:04.159
<v Speaker 4>Well you already kind of knew what.

821
00:47:04.239 --> 00:47:07.079
<v Speaker 3>Yeah, of course that I did have the advantage of

822
00:47:07.079 --> 00:47:11.480
<v Speaker 3>having seen the movie previously. Yeah, Honestly, Joe Danteos often

823
00:47:11.519 --> 00:47:14.039
<v Speaker 3>says this, He'll watch a movie on an airplane without

824
00:47:14.039 --> 00:47:16.480
<v Speaker 3>the sound on, because you should be able to watch

825
00:47:16.519 --> 00:47:18.800
<v Speaker 3>a movie without the sound if it's actually any good.

826
00:47:18.920 --> 00:47:21.440
<v Speaker 3>And this is definitely one you're gonna watch without the sound.

827
00:47:21.960 --> 00:47:26.480
<v Speaker 4>Sure, So she's imprisoned and this fellow, Raphael tries to

828
00:47:26.960 --> 00:47:30.679
<v Speaker 4>reason with her. So it's clear that these trappers are

829
00:47:30.800 --> 00:47:33.719
<v Speaker 4>trying to trap the predator. They're aware of the predator

830
00:47:33.719 --> 00:47:35.360
<v Speaker 4>and they're trying to figure out a way to trap

831
00:47:35.400 --> 00:47:38.480
<v Speaker 4>it for some reason or another or kill it, hunts it,

832
00:47:39.079 --> 00:47:43.199
<v Speaker 4>and he Raphael is asking her for help, and they've

833
00:47:43.239 --> 00:47:46.679
<v Speaker 4>also turns out they've also captured her brother, Tabe, and

834
00:47:46.719 --> 00:47:50.079
<v Speaker 4>they end up essentially torturing him in the midst of

835
00:47:50.119 --> 00:47:51.199
<v Speaker 4>all of this, and.

836
00:47:51.840 --> 00:47:54.079
<v Speaker 3>Yeah, they cut him up. First of all, Listen, there's

837
00:47:54.119 --> 00:47:57.920
<v Speaker 3>this really corpulent French dude who is the sort of

838
00:47:58.000 --> 00:48:02.519
<v Speaker 3>main antagonist leader of this scroup, and he basically has

839
00:48:02.559 --> 00:48:05.000
<v Speaker 3>to be restrained from shooting and killing her over and

840
00:48:05.039 --> 00:48:07.920
<v Speaker 3>over again because she's not giving up any information. And

841
00:48:07.960 --> 00:48:11.039
<v Speaker 3>then the implication somebody comes up in whispers in his

842
00:48:11.119 --> 00:48:13.639
<v Speaker 3>ear and it's just really lacivious. No, keep her alive

843
00:48:13.679 --> 00:48:16.639
<v Speaker 3>because we can rape he eventually. So these guys are

844
00:48:16.760 --> 00:48:21.159
<v Speaker 3>bad fucking news. And then really their ultimate plan is

845
00:48:21.239 --> 00:48:24.840
<v Speaker 3>they take Tabe out, cut him open, like bleeding him

846
00:48:24.840 --> 00:48:26.599
<v Speaker 3>because they don't know what the predator is. They just

847
00:48:26.639 --> 00:48:29.440
<v Speaker 3>think it's some beast out there. And then they tie

848
00:48:29.480 --> 00:48:32.840
<v Speaker 3>those two together in an open field with on a

849
00:48:32.880 --> 00:48:35.440
<v Speaker 3>fucking true like a dead tree as bait.

850
00:48:36.039 --> 00:48:38.760
<v Speaker 4>Yeah, and it reminded me of the end of Raiders

851
00:48:38.760 --> 00:48:42.760
<v Speaker 4>of the Lost Arc where one hundred in it. You know,

852
00:48:42.960 --> 00:48:46.280
<v Speaker 4>where they that's it. They're helpless to watch what's happening

853
00:48:46.320 --> 00:48:49.280
<v Speaker 4>around them, and that's what's happened to.

854
00:48:49.480 --> 00:48:54.039
<v Speaker 3>Don't pick up any weapons. What don't pick up any weapons, Toby,

855
00:48:54.400 --> 00:48:55.800
<v Speaker 3>that's right, keep.

856
00:48:55.559 --> 00:48:58.400
<v Speaker 4>Your eyes shut. So they brought them out there, like

857
00:48:58.440 --> 00:49:01.480
<v Speaker 4>you said, as bait for the predator. But they've the

858
00:49:01.599 --> 00:49:06.000
<v Speaker 4>trappers being you know, these evil, stupid people that we're

859
00:49:06.000 --> 00:49:10.480
<v Speaker 4>supposed to root against. They've they've grossly underestimated the intelligence

860
00:49:10.760 --> 00:49:14.679
<v Speaker 4>of both both the comanche and also the predator in particular,

861
00:49:14.760 --> 00:49:18.320
<v Speaker 4>because they're expecting it to come in and, you know,

862
00:49:19.000 --> 00:49:22.480
<v Speaker 4>attack these helpless people at this on this tree, but

863
00:49:23.199 --> 00:49:26.000
<v Speaker 4>instead it knows to kind of outflank them, and it

864
00:49:26.039 --> 00:49:30.559
<v Speaker 4>comes from behind. As they're focus straight ahead, there's the

865
00:49:30.599 --> 00:49:33.320
<v Speaker 4>predator coming from behind them, and it becomes this big

866
00:49:33.480 --> 00:49:38.079
<v Speaker 4>conflagration and really showcases the sort of bad assness of

867
00:49:38.119 --> 00:49:40.880
<v Speaker 4>this predator he has. It has to be said, I've

868
00:49:40.880 --> 00:49:43.719
<v Speaker 4>already talked about the tomahawk that can be like retrieved

869
00:49:43.719 --> 00:49:47.960
<v Speaker 4>with this cable. The Predator has this wrist shield that

870
00:49:48.159 --> 00:49:52.679
<v Speaker 4>kind of expands and contracts at will, so it's embedded

871
00:49:52.719 --> 00:49:56.599
<v Speaker 4>in this gauntlet and it can become this telescoped shield.

872
00:49:57.239 --> 00:50:00.920
<v Speaker 4>That was actually inspired by one of my favorite games

873
00:50:00.920 --> 00:50:03.000
<v Speaker 4>in the PS four, which is the remake of, or

874
00:50:03.119 --> 00:50:06.760
<v Speaker 4>the reboot of God of War, because Crados in that

875
00:50:06.840 --> 00:50:09.880
<v Speaker 4>movie has this thing called the Leviathan Acts that he

876
00:50:09.920 --> 00:50:13.599
<v Speaker 4>can throw and then it comes back to his hand

877
00:50:13.639 --> 00:50:16.360
<v Speaker 4>if you hit you know, R two or something like that.

878
00:50:16.960 --> 00:50:19.679
<v Speaker 4>So is the shield because he has a shield on

879
00:50:19.800 --> 00:50:22.079
<v Speaker 4>his wrist gauntlet that does the same kind of stuff

880
00:50:22.400 --> 00:50:24.840
<v Speaker 4>that the Predators does, which I thought was kind of

881
00:50:24.840 --> 00:50:26.800
<v Speaker 4>a nice touch. I don't know, it reminded me of something.

882
00:50:26.800 --> 00:50:28.159
<v Speaker 4>And then I read that and I said, oh, that's

883
00:50:28.199 --> 00:50:30.119
<v Speaker 4>exactly what I was thinking about. Did you ever play

884
00:50:30.119 --> 00:50:30.480
<v Speaker 4>God of.

885
00:50:30.440 --> 00:50:33.119
<v Speaker 3>War that Urchin did? Of course, Yeah, I play a

886
00:50:33.119 --> 00:50:36.039
<v Speaker 3>great game, many iterations of it. Yeah, so it was

887
00:50:36.079 --> 00:50:38.800
<v Speaker 3>actually directly inspired by that.

888
00:50:39.519 --> 00:50:43.159
<v Speaker 4>Yeah, that's as far as IMDb's trivia is concerned, it

889
00:50:43.320 --> 00:50:44.599
<v Speaker 4>was inspired by it.

890
00:50:44.880 --> 00:50:47.440
<v Speaker 3>Well, I can't trust anything on IMDb trivia. That might

891
00:50:47.480 --> 00:50:49.559
<v Speaker 3>be just some fucking idiot who likes God of War

892
00:50:49.599 --> 00:50:51.679
<v Speaker 3>and went, oh, that reminds me of God of War.

893
00:50:51.760 --> 00:50:54.480
<v Speaker 3>Then't that inspired it? Let me add that click could

894
00:50:54.519 --> 00:50:58.400
<v Speaker 3>be or maybe we've seen an earlier iteration of a

895
00:50:58.440 --> 00:51:01.480
<v Speaker 3>predator shield and they thought, what would a predator shield

896
00:51:01.519 --> 00:51:03.280
<v Speaker 3>look like if you could use it also as an

897
00:51:03.280 --> 00:51:06.440
<v Speaker 3>offensive weapon, because that's what ends up happening here. He's

898
00:51:06.440 --> 00:51:09.320
<v Speaker 3>being shot by muskets, which is hilarious, and he's sort

899
00:51:09.320 --> 00:51:11.920
<v Speaker 3>of taking it because he probably could. But then he's like,

900
00:51:12.000 --> 00:51:15.280
<v Speaker 3>fuck this, and he pops out this little shield that

901
00:51:16.119 --> 00:51:19.159
<v Speaker 3>you know that well. At one point somebody shoots him

902
00:51:19.159 --> 00:51:22.199
<v Speaker 3>in the head and ricochet kills him, which.

903
00:51:22.000 --> 00:51:24.519
<v Speaker 4>Is great because he's staring this guy in the face.

904
00:51:24.599 --> 00:51:27.639
<v Speaker 4>It's a standoff. The guy's got a musket pointed red

905
00:51:27.639 --> 00:51:30.039
<v Speaker 4>at his head, and the guy shoots and just ends

906
00:51:30.119 --> 00:51:34.239
<v Speaker 4>up killing himself with a musket Ricochet's back. But so

907
00:51:34.280 --> 00:51:36.320
<v Speaker 4>he's got this shield and at one point he has

908
00:51:36.360 --> 00:51:39.280
<v Speaker 4>a guy backed up against the tree and he's got

909
00:51:39.320 --> 00:51:41.760
<v Speaker 4>his kind of his forearm against the guy's head and

910
00:51:41.800 --> 00:51:43.960
<v Speaker 4>the guy, I think he has a gun that he's

911
00:51:44.000 --> 00:51:46.920
<v Speaker 4>ready to shoot, and all the predator does is kind

912
00:51:46.920 --> 00:51:50.679
<v Speaker 4>of flecks his wrist. The shield pops out and effectively

913
00:51:50.679 --> 00:51:54.519
<v Speaker 4>decapitates both the guy and the tree behind him, and

914
00:51:54.559 --> 00:51:56.599
<v Speaker 4>I think even like the Predator, they looped in him

915
00:51:56.639 --> 00:51:59.039
<v Speaker 4>going like ugh, like kind of grunting, like, oh that

916
00:51:59.159 --> 00:52:01.199
<v Speaker 4>was kind of interesting. What yeah again.

917
00:52:01.400 --> 00:52:04.519
<v Speaker 3>My favorite moment from Alien versus Predator was when the

918
00:52:04.519 --> 00:52:07.920
<v Speaker 3>Predator catches the little face hugger and he like shutters afterwards,

919
00:52:07.960 --> 00:52:11.079
<v Speaker 3>like any little moment of character. We don't get them

920
00:52:11.079 --> 00:52:13.480
<v Speaker 3>all that often, so I loved that moment because the

921
00:52:13.480 --> 00:52:17.920
<v Speaker 3>Predator was like cool, I took his head off, and

922
00:52:18.000 --> 00:52:20.079
<v Speaker 3>I took this tree down, like.

923
00:52:20.039 --> 00:52:24.400
<v Speaker 4>He's disarming trappers with hatchets and flipping them in the

924
00:52:24.480 --> 00:52:27.480
<v Speaker 4>air and throwing them into people's heads. This is the

925
00:52:27.519 --> 00:52:29.519
<v Speaker 4>point at which this is the only point at which

926
00:52:29.559 --> 00:52:33.320
<v Speaker 4>we actually are behind the predator, because we've seen how

927
00:52:33.480 --> 00:52:38.400
<v Speaker 4>nasty and evil these French, this trapping camp, how bad

928
00:52:38.440 --> 00:52:42.119
<v Speaker 4>they are. So it's really it's one of those great

929
00:52:42.239 --> 00:52:44.519
<v Speaker 4>sort of sequences where were like, yeah, you know, just

930
00:52:44.719 --> 00:52:48.039
<v Speaker 4>fuck him up because we want to see, especially the

931
00:52:48.079 --> 00:52:50.360
<v Speaker 4>corpulent one that you mentioned earlier. He's the one that

932
00:52:50.400 --> 00:52:53.400
<v Speaker 4>we really want to sort of see get his just desserts.

933
00:52:53.920 --> 00:52:57.920
<v Speaker 4>So during all of this, Naduru and Tabe are trying

934
00:52:57.960 --> 00:53:02.119
<v Speaker 4>to escape. But as you said, like nad who has

935
00:53:02.199 --> 00:53:04.920
<v Speaker 4>realized again being one step ahead of everybody, that the

936
00:53:04.920 --> 00:53:07.639
<v Speaker 4>predator won't hunt them since they are in a threat,

937
00:53:07.679 --> 00:53:09.800
<v Speaker 4>so don't pick up a weapon just you know, and

938
00:53:09.840 --> 00:53:13.599
<v Speaker 4>the predator completely ignores them through this whole crazy thing.

939
00:53:13.599 --> 00:53:18.000
<v Speaker 3>Just like dancing around fucking killing everyone in the periphery everybody.

940
00:53:18.400 --> 00:53:21.159
<v Speaker 4>And at one point, so the predator eventually walks into

941
00:53:21.480 --> 00:53:25.039
<v Speaker 4>another bear trap and the trappers like are you know,

942
00:53:25.119 --> 00:53:29.039
<v Speaker 4>are exultant. They throw a net over him. You figure, okay,

943
00:53:29.480 --> 00:53:31.320
<v Speaker 4>they really think they've got the upper hand, but no,

944
00:53:31.559 --> 00:53:34.840
<v Speaker 4>it lasts about three seconds and he shrugs the net off.

945
00:53:34.920 --> 00:53:37.320
<v Speaker 4>He shoots one of his own nets. I think we've

946
00:53:37.360 --> 00:53:39.320
<v Speaker 4>seen this in another one of these movies, but.

947
00:53:41.119 --> 00:53:42.679
<v Speaker 3>Not like this.

948
00:53:42.679 --> 00:53:45.119
<v Speaker 4>This is brutal because he throws a net over a guy,

949
00:53:45.159 --> 00:53:49.760
<v Speaker 4>and what the net does effectively is tightened endlessly. So

950
00:53:50.039 --> 00:53:53.519
<v Speaker 4>eventually it tightens so much that whoever is inside of

951
00:53:53.519 --> 00:53:57.719
<v Speaker 4>the net becomes just atomized goo. Basically it's a really

952
00:53:57.760 --> 00:53:59.079
<v Speaker 4>horrific way to die.

953
00:53:59.199 --> 00:54:01.440
<v Speaker 3>Well yeah, I mean on this in alien versus predator,

954
00:54:01.519 --> 00:54:04.199
<v Speaker 3>and one of the aliens to our lead alien, our

955
00:54:04.280 --> 00:54:07.199
<v Speaker 3>lead Zeno morph was marked by that net remember it

956
00:54:07.280 --> 00:54:09.559
<v Speaker 3>like broke out of it because they acid ate through

957
00:54:09.559 --> 00:54:13.599
<v Speaker 3>it before it made that grid mark on it, right, Yes, yeah, yeah,

958
00:54:13.639 --> 00:54:17.440
<v Speaker 3>so those do that, but not this was again because

959
00:54:17.480 --> 00:54:19.440
<v Speaker 3>this movie is so much better than that movie. The

960
00:54:19.480 --> 00:54:21.159
<v Speaker 3>effect is fucking incredible.

961
00:54:21.480 --> 00:54:26.599
<v Speaker 4>It's awesome. So finally Tabe and Naderu escape and Tabe

962
00:54:26.679 --> 00:54:29.280
<v Speaker 4>goes to get some horses, and Naduru has got to

963
00:54:29.320 --> 00:54:32.079
<v Speaker 4>go back to the camp that she was held prisoner

964
00:54:32.159 --> 00:54:34.559
<v Speaker 4>in because her dog is still there and she wants

965
00:54:34.599 --> 00:54:37.239
<v Speaker 4>to rescue the dog. I mean, who you know again,

966
00:54:37.280 --> 00:54:39.719
<v Speaker 4>I love this character. She's going back to this place

967
00:54:39.760 --> 00:54:43.199
<v Speaker 4>because her dog has been held captive. So she goes

968
00:54:43.239 --> 00:54:47.039
<v Speaker 4>back and what follows is we alluded to this earlier.

969
00:54:47.079 --> 00:54:50.199
<v Speaker 4>It's this hand to hand fight scene that is meant

970
00:54:50.239 --> 00:54:53.079
<v Speaker 4>to be a single shot. It's obviously cheated in a

971
00:54:53.119 --> 00:54:57.639
<v Speaker 4>couple of places, but man, it is brutal. She just

972
00:54:58.280 --> 00:55:02.960
<v Speaker 4>wipes out everybody in camp basically, and after freeing the dog,

973
00:55:03.679 --> 00:55:06.760
<v Speaker 4>this guy, Raphael, who was the only one who tried

974
00:55:06.800 --> 00:55:09.320
<v Speaker 4>to talk to her and reason with her, he comes

975
00:55:09.480 --> 00:55:12.880
<v Speaker 4>stumbling back to camp because he's been his foot has

976
00:55:12.880 --> 00:55:15.760
<v Speaker 4>been cut off. He's stumbling back and he knows that

977
00:55:15.800 --> 00:55:19.760
<v Speaker 4>she knows medicine, so he begs her to help him,

978
00:55:19.960 --> 00:55:22.920
<v Speaker 4>and in return, he's going to give her his flintlock

979
00:55:23.159 --> 00:55:26.679
<v Speaker 4>pistol and show her how to use it. Right now,

980
00:55:26.920 --> 00:55:28.840
<v Speaker 4>what I didn't pick up the first time through is

981
00:55:28.880 --> 00:55:32.559
<v Speaker 4>that he has this metal object embedded in his stump

982
00:55:33.199 --> 00:55:39.159
<v Speaker 4>and it's this telescoping knife blade thing that the predator used.

983
00:55:39.199 --> 00:55:41.599
<v Speaker 4>It didn't catch because it's sort of looped in a

984
00:55:41.639 --> 00:55:45.280
<v Speaker 4>circle until she takes it out and kind of expands

985
00:55:45.320 --> 00:55:46.880
<v Speaker 4>it at one point. But it was I don't know

986
00:55:46.880 --> 00:55:48.440
<v Speaker 4>why I missed that first time through, but.

987
00:55:49.039 --> 00:55:51.840
<v Speaker 3>We'd seen the we'd seen the predator unfurl it earlier.

988
00:55:52.159 --> 00:55:54.880
<v Speaker 3>We also, by the way, since we're dealing with this

989
00:55:54.920 --> 00:55:58.280
<v Speaker 3>guy getting his stump taken care of by our lead,

990
00:55:58.599 --> 00:56:00.639
<v Speaker 3>we get one of my other face and I know

991
00:56:00.679 --> 00:56:04.800
<v Speaker 3>your favorite sequence is too, the predator repairing himself.

992
00:56:05.440 --> 00:56:08.239
<v Speaker 4>Yeah, we have to have that, yeah.

993
00:56:07.679 --> 00:56:10.559
<v Speaker 3>Which in this it's a kind of a paste that

994
00:56:10.719 --> 00:56:14.199
<v Speaker 3>he puts on and another great character moment he's as

995
00:56:14.239 --> 00:56:16.719
<v Speaker 3>he's putting it on, you can kind of tell him like, oh,

996
00:56:16.840 --> 00:56:20.760
<v Speaker 3>that's smarts, like he unlike most predators will just like

997
00:56:20.920 --> 00:56:23.960
<v Speaker 3>howl like with like I can take this sort of pain.

998
00:56:24.000 --> 00:56:25.519
<v Speaker 3>This PREADU is a little touchy about it.

999
00:56:25.480 --> 00:56:30.320
<v Speaker 4>Like the only thing missing is there's always one weird

1000
00:56:30.400 --> 00:56:34.360
<v Speaker 4>aspect we've talked about in Predator two, when he's preparing himself,

1001
00:56:34.400 --> 00:56:38.360
<v Speaker 4>he has to like grind up like a subway tile

1002
00:56:38.760 --> 00:56:42.039
<v Speaker 4>into a paste that he then slaps on his stump.

1003
00:56:42.239 --> 00:56:44.320
<v Speaker 4>We don't get that here. That's the only thing missing here.

1004
00:56:44.400 --> 00:56:46.760
<v Speaker 3>Yeah, he should have like broken off the hoof of

1005
00:56:46.800 --> 00:56:50.079
<v Speaker 3>an antelope or something and added it to the mixture.

1006
00:56:50.599 --> 00:56:52.360
<v Speaker 4>Just grind it up. I don't know, but yeah, that

1007
00:56:52.639 --> 00:56:55.440
<v Speaker 4>we Every Predator movie has to have that sequence where

1008
00:56:55.599 --> 00:56:59.280
<v Speaker 4>it takes a moment for itself self care for the predator,

1009
00:56:59.320 --> 00:57:01.400
<v Speaker 4>and he kind of, you know, fixes himself up before

1010
00:57:01.440 --> 00:57:06.239
<v Speaker 4>the final battle. But meanwhile she's having this She's helping

1011
00:57:06.599 --> 00:57:11.239
<v Speaker 4>this guy Raphael, and she ends up. He teaches her

1012
00:57:11.239 --> 00:57:13.280
<v Speaker 4>how to use the flint lock, and she gives him

1013
00:57:13.320 --> 00:57:17.079
<v Speaker 4>more of that orange herb so that he won't bleed out,

1014
00:57:17.440 --> 00:57:22.119
<v Speaker 4>and it reduces his body temperature to the degree that

1015
00:57:22.159 --> 00:57:25.360
<v Speaker 4>when the predator comes looking at the camp, it comes

1016
00:57:25.400 --> 00:57:29.880
<v Speaker 4>to the camp, she sees that it doesn't notice him

1017
00:57:29.920 --> 00:57:34.559
<v Speaker 4>on the ground, and that gives her this spark of oh,

1018
00:57:34.599 --> 00:57:37.320
<v Speaker 4>he couldn't this is the same thing that happens in

1019
00:57:37.320 --> 00:57:40.280
<v Speaker 4>almost every Predator movie. Like you know, Dutch figures out

1020
00:57:40.480 --> 00:57:42.840
<v Speaker 4>he can't see me because he's covered in mud in

1021
00:57:42.880 --> 00:57:43.400
<v Speaker 4>this case, and.

1022
00:57:44.159 --> 00:57:46.280
<v Speaker 3>Brody figures out, Hey, he can't see me because I'm

1023
00:57:46.320 --> 00:57:49.320
<v Speaker 3>covered in mud. And then finally somebody goes, hey, there's

1024
00:57:49.360 --> 00:57:55.039
<v Speaker 3>something else. It's cold. The temperature he can't see coal, right, smart,

1025
00:57:55.159 --> 00:57:58.039
<v Speaker 3>I'll lower my body temperature and he won't be able

1026
00:57:58.079 --> 00:57:58.519
<v Speaker 3>to see me.

1027
00:57:59.000 --> 00:58:02.760
<v Speaker 4>It's great. So she has that revelation. And what I

1028
00:58:02.760 --> 00:58:05.280
<v Speaker 4>think is great about the scene is that you think

1029
00:58:05.320 --> 00:58:07.239
<v Speaker 4>that he's going to make it because he just sort

1030
00:58:07.239 --> 00:58:09.920
<v Speaker 4>of lies prone on the ground and doesn't move, and

1031
00:58:09.960 --> 00:58:12.960
<v Speaker 4>you can see the predator's point of view that you

1032
00:58:13.000 --> 00:58:14.760
<v Speaker 4>can kind of see the outline, but you know that

1033
00:58:14.880 --> 00:58:16.880
<v Speaker 4>he hasn't caught on that there's a guy there, but

1034
00:58:17.159 --> 00:58:21.280
<v Speaker 4>he's walking and he ends up stepping accidentally on this

1035
00:58:21.320 --> 00:58:25.119
<v Speaker 4>guy's foot, which makes him cry out, which then attracts

1036
00:58:25.119 --> 00:58:27.159
<v Speaker 4>his attention, and he's dead. I mean, it does no

1037
00:58:27.239 --> 00:58:29.719
<v Speaker 4>good ultimately, but it's just sort of funny that just

1038
00:58:29.760 --> 00:58:33.400
<v Speaker 4>by accident this guy was discovered. I don't step ah

1039
00:58:33.440 --> 00:58:36.000
<v Speaker 4>stab yeah, dead, just gone.

1040
00:58:37.000 --> 00:58:39.519
<v Speaker 3>And then he did give her a flintlock that got

1041
00:58:39.559 --> 00:58:43.760
<v Speaker 3>one shot, and I like that she's constantly levying what

1042
00:58:43.800 --> 00:58:46.239
<v Speaker 3>the target is, Should I use this one shot that

1043
00:58:46.320 --> 00:58:48.159
<v Speaker 3>I have for the rest of the movie. I mean,

1044
00:58:48.400 --> 00:58:50.079
<v Speaker 3>not that there's a ton left of the movie, but

1045
00:58:50.159 --> 00:58:52.679
<v Speaker 3>she does make the decision over and over again. Is

1046
00:58:52.719 --> 00:58:54.119
<v Speaker 3>this worth it? Is this worth it?

1047
00:58:54.840 --> 00:58:57.559
<v Speaker 4>Yeah? Well, at least once she tries to shoot him

1048
00:58:57.599 --> 00:59:00.000
<v Speaker 4>and she realizes that she didn't get the steps all right,

1049
00:59:00.159 --> 00:59:02.719
<v Speaker 4>because she shoots and nothing happens, and she goes, oh,

1050
00:59:02.800 --> 00:59:04.719
<v Speaker 4>that's true crap, you know, And then she's got to

1051
00:59:04.719 --> 00:59:05.840
<v Speaker 4>figure out where she went around.

1052
00:59:05.800 --> 00:59:08.960
<v Speaker 3>But that's when she's actually decided she's gonna make the shot,

1053
00:59:09.039 --> 00:59:12.199
<v Speaker 3>because at one point she sees Frenchy like out like

1054
00:59:12.400 --> 00:59:14.599
<v Speaker 3>on some waterfall, and she's I should kill him. I

1055
00:59:14.599 --> 00:59:16.840
<v Speaker 3>could kill him right now. Yeah.

1056
00:59:17.000 --> 00:59:22.840
<v Speaker 4>So at this point, after the predator kills Raphael, she sorry.

1057
00:59:23.079 --> 00:59:26.840
<v Speaker 4>The dog comes up barking, and the predator turns and

1058
00:59:26.920 --> 00:59:29.239
<v Speaker 4>as he's about to kill this little dog that we've

1059
00:59:29.519 --> 00:59:30.119
<v Speaker 4>become attacked.

1060
00:59:30.239 --> 00:59:31.920
<v Speaker 3>God, it's the worst moment of the movie. I was

1061
00:59:31.920 --> 00:59:32.440
<v Speaker 3>so tense.

1062
00:59:33.119 --> 00:59:36.320
<v Speaker 4>It's awful. But then Tabe rides in on a horse

1063
00:59:36.360 --> 00:59:37.559
<v Speaker 4>that he said he was going to get and he

1064
00:59:37.599 --> 00:59:40.679
<v Speaker 4>starts attacking the predator, and he does a pretty damn

1065
00:59:40.719 --> 00:59:42.840
<v Speaker 4>good job of fucking the predator up. I mean, he

1066
00:59:43.280 --> 00:59:45.719
<v Speaker 4>basically is doing this thing where he's circling on the horse,

1067
00:59:45.760 --> 00:59:50.440
<v Speaker 4>he's stabbing, he's doing all this stuff, and Nadu his mask.

1068
00:59:50.679 --> 00:59:53.599
<v Speaker 4>The predator's mask gets knocked off of his head when

1069
00:59:53.639 --> 00:59:59.360
<v Speaker 4>Taba attacks, and Nadhu notices that the mask fires automatically

1070
00:59:59.480 --> 01:00:01.880
<v Speaker 4>whatever it's seeing. So when the predator makes the decision

1071
01:00:01.920 --> 01:00:05.039
<v Speaker 4>to shoot, it's the mask and the direction that the

1072
01:00:05.119 --> 01:00:10.280
<v Speaker 4>mask is facing that determines the direction of the bullet's

1073
01:00:10.320 --> 01:00:11.199
<v Speaker 4>you know, father alone.

1074
01:00:11.280 --> 01:00:14.079
<v Speaker 3>And she's seen the targeting laser dots in action before,

1075
01:00:14.280 --> 01:00:16.119
<v Speaker 3>so she knows if those are on, those are where

1076
01:00:16.119 --> 01:00:21.119
<v Speaker 3>that the projectiles are going. Yeah, but earlier on she

1077
01:00:21.239 --> 01:00:23.559
<v Speaker 3>fell into a bog and freed herself.

1078
01:00:24.039 --> 01:00:26.519
<v Speaker 4>Yes, And that's actually a very tense sequence.

1079
01:00:26.559 --> 01:00:27.599
<v Speaker 3>She's a great sequence.

1080
01:00:27.639 --> 01:00:30.280
<v Speaker 4>In the midst of her hunting, she does she falls

1081
01:00:30.280 --> 01:00:33.159
<v Speaker 4>into I mean, it's not really quicksand, but the idea

1082
01:00:33.199 --> 01:00:36.239
<v Speaker 4>is it's basically a quicksand it's his bog and she

1083
01:00:36.360 --> 01:00:38.519
<v Speaker 4>can't get herself out. And in the last ditch effort,

1084
01:00:38.599 --> 01:00:41.360
<v Speaker 4>she's got this axe with the rope on it and

1085
01:00:41.440 --> 01:00:43.519
<v Speaker 4>she manages to pull herself out of it. That will

1086
01:00:43.559 --> 01:00:46.360
<v Speaker 4>also become relevant for the conclusion of the movie. I'm

1087
01:00:46.360 --> 01:00:50.159
<v Speaker 4>glad you mentioned that. So Tabe is still fighting off,

1088
01:00:50.480 --> 01:00:52.519
<v Speaker 4>trying to fight off this predator while now he was

1089
01:00:52.559 --> 01:00:54.760
<v Speaker 4>struggling with the pistol. She can't quite figure it out,

1090
01:00:55.360 --> 01:00:59.320
<v Speaker 4>and finally Tabay tells her to run because he only

1091
01:00:59.400 --> 01:01:02.719
<v Speaker 4>considers I'm a threat. She's not a threat yet, and

1092
01:01:03.039 --> 01:01:07.039
<v Speaker 4>he is ultimately killed by the predator, giving her just

1093
01:01:07.440 --> 01:01:10.199
<v Speaker 4>enough time to escape, which is a sad moment because

1094
01:01:10.199 --> 01:01:12.079
<v Speaker 4>we've become very attached to Tabe.

1095
01:01:12.360 --> 01:01:14.880
<v Speaker 3>I loved him, man, and it's.

1096
01:01:14.719 --> 01:01:17.679
<v Speaker 4>Great, and it's just it's such a wonderful bond and

1097
01:01:17.719 --> 01:01:20.320
<v Speaker 4>it's really all up there on the screen. So then

1098
01:01:20.880 --> 01:01:26.039
<v Speaker 4>that evening Naduru is and sorry, they spy that that

1099
01:01:26.280 --> 01:01:30.159
<v Speaker 4>one super evil trapper, the real over you, real corpulent

1100
01:01:30.239 --> 01:01:32.159
<v Speaker 4>one that we keep talking about across the river. And

1101
01:01:32.199 --> 01:01:35.559
<v Speaker 4>this is where initially she's she gets the pistol out

1102
01:01:35.599 --> 01:01:38.880
<v Speaker 4>and she's going to aim to shoot him, but then

1103
01:01:39.360 --> 01:01:41.559
<v Speaker 4>you can see it dawns on her. She comes up

1104
01:01:41.559 --> 01:01:44.039
<v Speaker 4>with a different plan. She's going to use him to

1105
01:01:44.119 --> 01:01:46.639
<v Speaker 4>try and attract the predator, And this is really one

1106
01:01:46.679 --> 01:01:49.639
<v Speaker 4>of the more really really a brutal moment, probably maybe

1107
01:01:49.639 --> 01:01:52.039
<v Speaker 4>the most brutal in the whole movie. Fatherm Alone. So

1108
01:01:52.639 --> 01:01:56.840
<v Speaker 4>she speaks up on him. Well it's justified, but it's

1109
01:01:56.840 --> 01:01:58.880
<v Speaker 4>still pretty fair play.

1110
01:01:58.920 --> 01:02:02.239
<v Speaker 3>And this is literal turn he that guy knocked her

1111
01:02:02.280 --> 01:02:04.440
<v Speaker 3>out and then used her as bait for the predator.

1112
01:02:04.760 --> 01:02:07.480
<v Speaker 4>So she sneaks up on him and knocks him out.

1113
01:02:07.679 --> 01:02:10.039
<v Speaker 4>And then it's later and it's dark and he is

1114
01:02:10.079 --> 01:02:13.920
<v Speaker 4>woken up. But what is he woken up by? Father Malone?

1115
01:02:14.239 --> 01:02:16.760
<v Speaker 3>Rats gnawing at his stump of a leg.

1116
01:02:17.280 --> 01:02:21.440
<v Speaker 4>She's cut off his leg, yeah, to hobble him basically,

1117
01:02:21.960 --> 01:02:25.800
<v Speaker 4>and there are rats that are gnawing on the leg

1118
01:02:25.880 --> 01:02:30.119
<v Speaker 4>in his sleep. Just put yourself in that position, like

1119
01:02:30.159 --> 01:02:32.039
<v Speaker 4>you wake up what you think is just some sort

1120
01:02:32.039 --> 01:02:35.480
<v Speaker 4>of nightmare, and you look down and there's rats gnawing

1121
01:02:35.599 --> 01:02:37.639
<v Speaker 4>on what was your leg?

1122
01:02:37.679 --> 01:02:40.360
<v Speaker 3>I mean, she it's I refuse to put myself in

1123
01:02:40.480 --> 01:02:45.400
<v Speaker 3>his shoes or shoe because I would never put myself

1124
01:02:45.440 --> 01:02:47.960
<v Speaker 3>in a position where I was keeping a Native girl

1125
01:02:47.960 --> 01:02:51.400
<v Speaker 3>in a cage and then using bait for a monster.

1126
01:02:51.559 --> 01:02:54.679
<v Speaker 3>Fuck that guy. I'm glad he woke up with rats

1127
01:02:54.840 --> 01:02:55.599
<v Speaker 3>having a buffet.

1128
01:02:56.280 --> 01:02:58.639
<v Speaker 4>Yeah, don't get me wrong, I'm not suggesting he didn't

1129
01:02:58.639 --> 01:03:01.599
<v Speaker 4>have it coming, because he most certainly did. He's awful

1130
01:03:01.960 --> 01:03:04.039
<v Speaker 4>and we're just waiting for him to get his come up,

1131
01:03:04.039 --> 01:03:06.360
<v Speaker 4>and so this is only the start of that. So

1132
01:03:06.639 --> 01:03:10.960
<v Speaker 4>Nadu is very calmly sitting by the fire and talking

1133
01:03:10.960 --> 01:03:11.400
<v Speaker 4>to him.

1134
01:03:11.719 --> 01:03:13.599
<v Speaker 3>Okay, she is the only part of the movie I

1135
01:03:13.639 --> 01:03:14.920
<v Speaker 3>did not like, because.

1136
01:03:14.639 --> 01:03:15.800
<v Speaker 4>It's all I like this alone.

1137
01:03:15.880 --> 01:03:18.519
<v Speaker 3>It's all the subtext of the movie. It's everything that

1138
01:03:18.559 --> 01:03:22.159
<v Speaker 3>we've already been watching and accepting of. Like you say

1139
01:03:22.239 --> 01:03:24.119
<v Speaker 3>I can't do this, I'm going to do that. You

1140
01:03:24.159 --> 01:03:26.280
<v Speaker 3>tell me I can't do this, Well I will. It's like, yeah,

1141
01:03:26.320 --> 01:03:28.320
<v Speaker 3>we know, man, we were on this journey with you.

1142
01:03:28.679 --> 01:03:32.480
<v Speaker 3>To me, though, is clumsy as fuck.

1143
01:03:33.239 --> 01:03:37.119
<v Speaker 4>I To me, I see it as we finally see

1144
01:03:37.800 --> 01:03:40.519
<v Speaker 4>how far she's come and what she's willing to do.

1145
01:03:41.119 --> 01:03:43.400
<v Speaker 3>We just saw it. She kind off the guy's fucking

1146
01:03:43.440 --> 01:03:45.760
<v Speaker 3>leg and she's waiting for the fucking predator and she's

1147
01:03:45.800 --> 01:03:48.960
<v Speaker 3>gonna take it on hand to hand, say a word.

1148
01:03:49.960 --> 01:03:52.679
<v Speaker 4>That's fine to me. It didn't bother me, but I

1149
01:03:52.719 --> 01:03:55.079
<v Speaker 4>could see where maybe it's a little bit too much.

1150
01:03:54.840 --> 01:03:58.800
<v Speaker 3>But everything look if everything else weren't so fucking perfect.

1151
01:03:58.920 --> 01:04:02.559
<v Speaker 3>I wouldn't care that speech would not stand out in

1152
01:04:02.719 --> 01:04:04.039
<v Speaker 3>any of the Predator movie.

1153
01:04:04.280 --> 01:04:06.519
<v Speaker 4>I guess I just found it sort of chilling because

1154
01:04:06.559 --> 01:04:10.039
<v Speaker 4>of the circumstance and because of what we know is coming.

1155
01:04:10.079 --> 01:04:10.519
<v Speaker 4>I guess.

1156
01:04:10.880 --> 01:04:13.840
<v Speaker 3>So you see that in her eyes. Man, that's fair.

1157
01:04:13.920 --> 01:04:15.719
<v Speaker 4>But again, like I said, I didn't have a problem

1158
01:04:15.800 --> 01:04:18.159
<v Speaker 4>with it. But what she's done is she's put a

1159
01:04:18.599 --> 01:04:22.039
<v Speaker 4>rifle nearby, and he kind of scrabbles his way over

1160
01:04:22.079 --> 01:04:25.079
<v Speaker 4>to pick it up. And what as she's talking to

1161
01:04:25.159 --> 01:04:27.960
<v Speaker 4>him and basically saying to him like, you don't realize

1162
01:04:27.960 --> 01:04:30.440
<v Speaker 4>that I'm killing you right now, Like you have no idea,

1163
01:04:30.480 --> 01:04:33.400
<v Speaker 4>and he's swearing at her in French, and you kind

1164
01:04:33.400 --> 01:04:36.079
<v Speaker 4>of get a sense for what he's saying. And she

1165
01:04:36.320 --> 01:04:40.280
<v Speaker 4>eats more of that herb that makes the body go cold,

1166
01:04:40.360 --> 01:04:42.679
<v Speaker 4>and this is all part of her plan, so she

1167
01:04:42.800 --> 01:04:46.679
<v Speaker 4>gets cold. He's holding the rifle at that moment, the

1168
01:04:46.719 --> 01:04:51.199
<v Speaker 4>predator finally finds them. He's been tracking them based on

1169
01:04:51.239 --> 01:04:55.480
<v Speaker 4>this the blood from this guy's stump, and he's effectively

1170
01:04:55.519 --> 01:04:58.920
<v Speaker 4>holding a rifle at the predator. She knows that the

1171
01:04:58.920 --> 01:05:01.679
<v Speaker 4>predator will now cons or him a threat and not her.

1172
01:05:02.440 --> 01:05:06.039
<v Speaker 3>And this is how you leave somebody as bait fucker.

1173
01:05:06.880 --> 01:05:09.440
<v Speaker 3>You put a rifle in their hand next to a fire,

1174
01:05:10.079 --> 01:05:12.679
<v Speaker 3>to a creature that sees mainly in temperature.

1175
01:05:13.239 --> 01:05:17.320
<v Speaker 4>It's a wonderful sort of conclusion to the saga of

1176
01:05:17.400 --> 01:05:20.320
<v Speaker 4>this French trapper that we've come to hate so much.

1177
01:05:20.559 --> 01:05:24.760
<v Speaker 4>So he after the Predator kills the trapper, that's when

1178
01:05:24.880 --> 01:05:27.719
<v Speaker 4>Naduru finally decides, I'm going to use this pistol. So

1179
01:05:27.760 --> 01:05:30.679
<v Speaker 4>she gets way up close to the predator, shoots him

1180
01:05:30.679 --> 01:05:33.719
<v Speaker 4>in the head, which knocks off his helmet, and she

1181
01:05:34.000 --> 01:05:36.719
<v Speaker 4>she runs off with And this is there's an analog

1182
01:05:37.119 --> 01:05:39.519
<v Speaker 4>to like what Dutch at the end of the first

1183
01:05:39.559 --> 01:05:43.199
<v Speaker 4>Predator movie, where he's crafted all these traps and he's

1184
01:05:43.239 --> 01:05:45.000
<v Speaker 4>figured out a way that he's going to try to

1185
01:05:45.199 --> 01:05:48.519
<v Speaker 4>beat the predator at his own game. So predator continues

1186
01:05:48.760 --> 01:05:49.199
<v Speaker 4>to track.

1187
01:05:49.400 --> 01:05:51.760
<v Speaker 3>This is the elegant ending of Predators.

1188
01:05:51.960 --> 01:05:55.679
<v Speaker 4>It is, it really is. So so she has taken

1189
01:05:55.960 --> 01:05:59.039
<v Speaker 4>the bloody leg that she's taken from the trapper and

1190
01:05:59.079 --> 01:06:03.519
<v Speaker 4>she trails it to this bog basically, so the predator

1191
01:06:03.679 --> 01:06:08.360
<v Speaker 4>tracks via this leg, this cut off leg, this amputated leg,

1192
01:06:08.920 --> 01:06:12.519
<v Speaker 4>and she then jumps onto the predator and just starts

1193
01:06:12.800 --> 01:06:15.880
<v Speaker 4>wailing on it with the hatchet. It's this pitched fight

1194
01:06:15.960 --> 01:06:19.199
<v Speaker 4>that commences, and she's getting more and more good hits

1195
01:06:19.239 --> 01:06:21.639
<v Speaker 4>in on this thing. I mean, it's really a battle.

1196
01:06:22.000 --> 01:06:23.199
<v Speaker 3>But to the.

1197
01:06:23.159 --> 01:06:27.199
<v Speaker 4>Movie's credit, never for one moment do you think to yourself,

1198
01:06:27.639 --> 01:06:30.239
<v Speaker 4>there's no way that this you know, this woman could

1199
01:06:30.239 --> 01:06:33.400
<v Speaker 4>do anything to this giant predator. We've seen so much

1200
01:06:33.400 --> 01:06:36.639
<v Speaker 4>of Nadu. It's so believable father alone, that she could

1201
01:06:36.679 --> 01:06:39.400
<v Speaker 4>take on the predator toe to toe and beat it

1202
01:06:39.639 --> 01:06:40.360
<v Speaker 4>in this well.

1203
01:06:40.760 --> 01:06:43.480
<v Speaker 3>What I like is that they never pull punches when

1204
01:06:43.480 --> 01:06:45.840
<v Speaker 3>it comes to him hitting her back, like he will

1205
01:06:45.960 --> 01:06:48.639
<v Speaker 3>just fucking toss her away like a rag doll, and

1206
01:06:48.679 --> 01:06:50.239
<v Speaker 3>she has to take that, you know.

1207
01:06:50.360 --> 01:06:54.039
<v Speaker 4>But it's brutal. At one point, she she's trapped. He's

1208
01:06:54.079 --> 01:06:56.719
<v Speaker 4>got the shield and he's got her trapped.

1209
01:06:56.679 --> 01:06:58.719
<v Speaker 3>And he keeps saying, this is my favorite but god

1210
01:06:58.800 --> 01:07:01.360
<v Speaker 3>damn one again seeing go it's incredible.

1211
01:07:01.360 --> 01:07:03.920
<v Speaker 4>And he is bearing down. He's trying to cut off

1212
01:07:03.960 --> 01:07:05.639
<v Speaker 4>her head with this thing, and.

1213
01:07:05.559 --> 01:07:09.400
<v Speaker 3>She has went bare hand between two rocks and that

1214
01:07:09.440 --> 01:07:12.960
<v Speaker 3>has slowed the descent of this blade. But he keeps

1215
01:07:12.960 --> 01:07:15.639
<v Speaker 3>shoving further, and he keeps cutting further through the rock.

1216
01:07:15.719 --> 01:07:16.519
<v Speaker 3>It's awesome.

1217
01:07:17.000 --> 01:07:19.400
<v Speaker 4>But then this is a move that I've never seen

1218
01:07:19.440 --> 01:07:22.480
<v Speaker 4>anyone do in these movies. She rips off one of

1219
01:07:22.519 --> 01:07:26.599
<v Speaker 4>the tusks off the predator's face and stabs him in

1220
01:07:26.639 --> 01:07:31.239
<v Speaker 4>the face with it and then ducks down. That is brutal,

1221
01:07:31.320 --> 01:07:35.400
<v Speaker 4>that's hardcore. We've never seen somebody do that. Seriously, I

1222
01:07:35.440 --> 01:07:39.840
<v Speaker 4>can't say enough about how you know how formidable she

1223
01:07:40.079 --> 01:07:43.159
<v Speaker 4>is during this fight, during the whole movie. Really, I've

1224
01:07:43.159 --> 01:07:47.719
<v Speaker 4>bought into it, hook line and sinker. Finally, she maneuvers

1225
01:07:47.840 --> 01:07:50.840
<v Speaker 4>this predator back to the bog that you'd mentioned she's

1226
01:07:50.880 --> 01:07:54.960
<v Speaker 4>trapped in earlier, and she's she's carefully propped up the

1227
01:07:55.039 --> 01:07:59.199
<v Speaker 4>helmet behind the predator so that it's facing the predator.

1228
01:07:59.239 --> 01:08:04.119
<v Speaker 4>When when it's coming after her and the predator shoots

1229
01:08:04.239 --> 01:08:07.119
<v Speaker 4>a bolt at what he thinks is her, he doesn't

1230
01:08:07.199 --> 01:08:10.679
<v Speaker 4>realize the mask is behind him. The bolt takes like

1231
01:08:10.719 --> 01:08:13.559
<v Speaker 4>a left turn at Albuquerque Circles all the way back home.

1232
01:08:13.760 --> 01:08:16.279
<v Speaker 3>They should be noted that the bolt gun you can

1233
01:08:16.359 --> 01:08:19.359
<v Speaker 3>just use in your hand, and if the targeting system

1234
01:08:19.439 --> 01:08:22.159
<v Speaker 3>isn't on, it's just gonna fly like a regular spear

1235
01:08:22.199 --> 01:08:25.319
<v Speaker 3>gun would. So he doesn't realize that the targeting system

1236
01:08:25.399 --> 01:08:27.239
<v Speaker 3>is on and it's on him.

1237
01:08:27.520 --> 01:08:30.640
<v Speaker 4>Yeah, so he thinks he's just gonna shoot her and

1238
01:08:30.640 --> 01:08:33.720
<v Speaker 4>that'll be it. But the thing takes a wide bank

1239
01:08:33.840 --> 01:08:38.800
<v Speaker 4>left and shoots him in the head and that's it.

1240
01:08:39.359 --> 01:08:44.720
<v Speaker 4>Finally she bested the predator. It's an amazing moment. So

1241
01:08:44.760 --> 01:08:48.000
<v Speaker 4>she carries the severed head of the predator back to

1242
01:08:48.079 --> 01:08:51.039
<v Speaker 4>her camp, just the way that Tabe carried the lion

1243
01:08:51.119 --> 01:08:55.479
<v Speaker 4>carcass back. And she also has what we now know

1244
01:08:55.640 --> 01:09:00.239
<v Speaker 4>is the famous Adelini pistol from Predator to this guy,

1245
01:09:00.319 --> 01:09:04.399
<v Speaker 4>Raphael was Raphael Adelini. The inscription on the pistol, So

1246
01:09:04.479 --> 01:09:07.279
<v Speaker 4>that's a really awesome tie in back to Predator too.

1247
01:09:07.960 --> 01:09:11.960
<v Speaker 4>And she presents these things to the presiding war chief

1248
01:09:12.720 --> 01:09:15.359
<v Speaker 4>and she tells them in no certain terms, they need

1249
01:09:15.399 --> 01:09:18.760
<v Speaker 4>to move to more protected ground. They're not safe there anymore.

1250
01:09:19.279 --> 01:09:22.960
<v Speaker 4>And as a result of this, what happens, she has

1251
01:09:23.279 --> 01:09:26.840
<v Speaker 4>made the new war chief of the tribe.

1252
01:09:27.239 --> 01:09:29.439
<v Speaker 3>What I love is that when he came, when her

1253
01:09:29.439 --> 01:09:33.520
<v Speaker 3>brother came back, his face was painted in blood. And

1254
01:09:33.560 --> 01:09:36.600
<v Speaker 3>when she comes back, her face is painted in bioluminescent blood.

1255
01:09:36.680 --> 01:09:39.880
<v Speaker 4>Yeah, all that bioluminescent blood. It's fantastic and what a

1256
01:09:39.920 --> 01:09:43.640
<v Speaker 4>great ending. It just everything came full circle. She's finally

1257
01:09:44.000 --> 01:09:46.399
<v Speaker 4>got her due as the hunter that we all knew

1258
01:09:46.399 --> 01:09:50.479
<v Speaker 4>that she was. And it's fantastic. And then the credits roll.

1259
01:09:50.560 --> 01:09:53.880
<v Speaker 4>But that's not it. What happens with the credits, Father Malone?

1260
01:09:53.880 --> 01:09:55.439
<v Speaker 4>What's the interesting thing they do here?

1261
01:09:55.720 --> 01:09:58.600
<v Speaker 3>Are you talking about? How they have a it's not animated,

1262
01:09:58.600 --> 01:10:02.159
<v Speaker 3>but we get drawings of the characters while the credits

1263
01:10:02.159 --> 01:10:06.159
<v Speaker 3>are rolling, and then rather ominously, at the end, it

1264
01:10:06.279 --> 01:10:10.119
<v Speaker 3>shows more predatorships like descending out of the sky.

1265
01:10:10.880 --> 01:10:15.399
<v Speaker 4>It effectively tells the story in a Native American animation,

1266
01:10:15.920 --> 01:10:19.600
<v Speaker 4>like these sort of drawings, and that's the final image,

1267
01:10:19.640 --> 01:10:22.399
<v Speaker 4>is more of those ships coming. Even the soundtrack at

1268
01:10:22.439 --> 01:10:26.199
<v Speaker 4>that point has this sort of mournful like this idea

1269
01:10:26.279 --> 01:10:30.840
<v Speaker 4>that she thought that they're safe and that she conquered

1270
01:10:30.880 --> 01:10:31.720
<v Speaker 4>this threat, but.

1271
01:10:31.920 --> 01:10:35.159
<v Speaker 3>Oh no, she knew that there were going to be

1272
01:10:35.159 --> 01:10:36.720
<v Speaker 3>more on the way, so she's like, we need to

1273
01:10:36.760 --> 01:10:37.359
<v Speaker 3>get out of here.

1274
01:10:37.880 --> 01:10:42.119
<v Speaker 4>That also could be true also, but man, what an ending?

1275
01:10:42.840 --> 01:10:43.600
<v Speaker 4>What an ending?

1276
01:10:44.119 --> 01:10:46.199
<v Speaker 3>I would like to mention one thing we found to mention,

1277
01:10:46.640 --> 01:10:51.079
<v Speaker 3>which is the we don't get a predator self destruct

1278
01:10:51.119 --> 01:10:54.520
<v Speaker 3>device in this but we do get a predator mass

1279
01:10:54.600 --> 01:10:58.520
<v Speaker 3>destruction device that is so beautifully rendered. It's during the

1280
01:10:58.520 --> 01:11:02.600
<v Speaker 3>French trapper sequence. Leaves this little thing, this little device,

1281
01:11:02.680 --> 01:11:06.439
<v Speaker 3>this little mechanism, and three little balls pop up into

1282
01:11:06.479 --> 01:11:09.840
<v Speaker 3>the air and are hovering, and then beautifully we cut

1283
01:11:09.880 --> 01:11:15.640
<v Speaker 3>to overlooking this miss shrewn valley where Nadu turns and

1284
01:11:15.680 --> 01:11:18.880
<v Speaker 3>watches and there's a concussion that goes off that knocks

1285
01:11:18.920 --> 01:11:22.079
<v Speaker 3>down all of these trees. It's beautiful, it learnt what

1286
01:11:22.199 --> 01:11:26.359
<v Speaker 3>happened now? Is that a precursor to the explosive device.

1287
01:11:26.920 --> 01:11:28.560
<v Speaker 4>I think we just chalk that up to being a

1288
01:11:28.600 --> 01:11:32.039
<v Speaker 4>more primitive version of the I mean, it definitely killed

1289
01:11:32.079 --> 01:11:34.479
<v Speaker 4>whatever was in that radius. And the funny part of

1290
01:11:34.520 --> 01:11:37.279
<v Speaker 4>that scene is these like balls, discs or whatever they

1291
01:11:37.279 --> 01:11:41.039
<v Speaker 4>are that rise up. These French trappers don't know what

1292
01:11:41.119 --> 01:11:42.680
<v Speaker 4>to make of it. They're just kind of stick and

1293
01:11:42.720 --> 01:11:44.840
<v Speaker 4>you would think, like, they don't know what this is.

1294
01:11:45.119 --> 01:11:47.600
<v Speaker 4>This is the seventeen hundreds. This may as well be

1295
01:11:47.680 --> 01:11:50.439
<v Speaker 4>magic to them, and they just sit there and watch

1296
01:11:50.520 --> 01:11:52.079
<v Speaker 4>it and what's going on here?

1297
01:11:52.119 --> 01:11:54.640
<v Speaker 3>You would too? So would I? Right it happened to

1298
01:11:54.680 --> 01:11:58.000
<v Speaker 3>me right now, I would probably watch what's going on here.

1299
01:11:58.159 --> 01:12:00.319
<v Speaker 4>At the very last minute. I think they some one

1300
01:12:00.359 --> 01:12:02.119
<v Speaker 4>of them realizes, oh well, let's get out of here,

1301
01:12:02.119 --> 01:12:04.960
<v Speaker 4>but it's too late. And that shot from above where

1302
01:12:04.960 --> 01:12:07.319
<v Speaker 4>all you see are the ripple like sort of almost

1303
01:12:07.359 --> 01:12:11.199
<v Speaker 4>like lightning that ripples through that area because it's all missed,

1304
01:12:11.239 --> 01:12:15.079
<v Speaker 4>strewn and fog ridden, and it really is cool. And

1305
01:12:15.119 --> 01:12:17.439
<v Speaker 4>there's a lot of the weaponry for the predator we've

1306
01:12:17.439 --> 01:12:19.880
<v Speaker 4>talked a little bit about. It is all really cool

1307
01:12:19.880 --> 01:12:24.439
<v Speaker 4>in this and there's nothing that is that beggars belief

1308
01:12:24.920 --> 01:12:26.720
<v Speaker 4>for the time period. He's got like this sort of

1309
01:12:26.760 --> 01:12:29.600
<v Speaker 4>staff that can extend and break apart and he can

1310
01:12:29.640 --> 01:12:31.640
<v Speaker 4>throw it like a lance or you know, do this

1311
01:12:31.720 --> 01:12:34.680
<v Speaker 4>kind of stuff. He's got the wrist shield, he's got

1312
01:12:34.800 --> 01:12:38.279
<v Speaker 4>you know, the mask that effectively has a targeting system

1313
01:12:38.279 --> 01:12:41.399
<v Speaker 4>integrated into it, but it reads like bone and not metal.

1314
01:12:41.880 --> 01:12:46.239
<v Speaker 4>It's great. I mean, he's just such. He's a scarier predator,

1315
01:12:46.239 --> 01:12:50.199
<v Speaker 4>I think than most because he is so savage. I

1316
01:12:50.199 --> 01:12:53.319
<v Speaker 4>think he's a little more savage than the other predators

1317
01:12:53.319 --> 01:12:56.760
<v Speaker 4>we've seen. And maybe that part of that is the

1318
01:12:57.039 --> 01:13:00.880
<v Speaker 4>idea that maybe the code isn't quite as formal. He

1319
01:13:00.920 --> 01:13:03.039
<v Speaker 4>seems to be a little bit more you know, as

1320
01:13:03.399 --> 01:13:06.199
<v Speaker 4>savage and maybe not quite as bound by code as

1321
01:13:06.199 --> 01:13:06.640
<v Speaker 4>the others.

1322
01:13:06.920 --> 01:13:09.640
<v Speaker 3>He is much more pharaoh, but he does take the

1323
01:13:09.680 --> 01:13:13.800
<v Speaker 3>time to carefully preserve his trip. We get that coyote,

1324
01:13:14.039 --> 01:13:17.439
<v Speaker 3>we get the coyote skull getting getting polished up.

1325
01:13:17.880 --> 01:13:20.199
<v Speaker 4>Yeah, that is a very I mean that's CG obviously,

1326
01:13:20.239 --> 01:13:22.560
<v Speaker 4>but that is a very That's kind of a gruesome

1327
01:13:23.279 --> 01:13:26.319
<v Speaker 4>scene because it's you really see all of the matter

1328
01:13:26.439 --> 01:13:29.840
<v Speaker 4>and flesh just dissolve away from this skull and all

1329
01:13:29.840 --> 01:13:32.239
<v Speaker 4>it's left with is just the bone that he then

1330
01:13:32.439 --> 01:13:36.600
<v Speaker 4>hooks right onto his belt. It's really quite it. Again,

1331
01:13:36.840 --> 01:13:39.239
<v Speaker 4>it has to be CG, but it doesn't read as

1332
01:13:39.479 --> 01:13:43.640
<v Speaker 4>bad CG. It all feels pretty pretty realistic to me.

1333
01:13:44.079 --> 01:13:46.960
<v Speaker 3>Now, we rated the Predator movies previously in the last

1334
01:13:46.960 --> 01:13:51.560
<v Speaker 3>episode with Daha, and what we ended up with was Predator,

1335
01:13:52.039 --> 01:13:56.960
<v Speaker 3>The Predator two, Alien Versus Predator, Alien Versus Predator Requiem.

1336
01:13:57.399 --> 01:14:03.720
<v Speaker 3>I'm gonna go first, Pray Predator, Predator the Predator, the

1337
01:14:03.760 --> 01:14:05.760
<v Speaker 3>rest of the list. Basically, this is the best in

1338
01:14:05.760 --> 01:14:06.279
<v Speaker 3>the series.

1339
01:14:07.399 --> 01:14:11.039
<v Speaker 4>It's a very hard thing for me to judge objectively.

1340
01:14:11.640 --> 01:14:15.479
<v Speaker 4>I would say this is the best made movie. It

1341
01:14:16.000 --> 01:14:18.560
<v Speaker 4>works on so many levels. Just the fact that as

1342
01:14:18.600 --> 01:14:20.399
<v Speaker 4>we said, you could take the Predator rout and it

1343
01:14:20.439 --> 01:14:24.000
<v Speaker 4>would still be a really kick ass movie. It's I

1344
01:14:24.119 --> 01:14:27.439
<v Speaker 4>just it's hard for me to rate it higher than

1345
01:14:27.479 --> 01:14:30.000
<v Speaker 4>the original because there would be no prey if there

1346
01:14:30.039 --> 01:14:33.119
<v Speaker 4>wasn't a Predator, but gun to head. If this is

1347
01:14:33.600 --> 01:14:38.159
<v Speaker 4>objectively determining which is the best quality made movie, I

1348
01:14:38.199 --> 01:14:39.720
<v Speaker 4>would have to agree with you. I'd have to go

1349
01:14:39.800 --> 01:14:40.439
<v Speaker 4>pray first.

1350
01:14:41.319 --> 01:14:45.000
<v Speaker 3>This does everything that first movie was trying to do,

1351
01:14:45.439 --> 01:14:48.359
<v Speaker 3>and it does it better, and it gives us characters,

1352
01:14:48.800 --> 01:14:51.640
<v Speaker 3>and it gives us community, and it gives us a

1353
01:14:51.680 --> 01:14:55.039
<v Speaker 3>fucking on top of everything else, it gives us a

1354
01:14:55.079 --> 01:14:59.000
<v Speaker 3>look into a world that is rarely shown in American film,

1355
01:14:59.159 --> 01:15:04.000
<v Speaker 3>which is a fucking travesty. Just the Native American community

1356
01:15:04.119 --> 01:15:08.319
<v Speaker 3>on display here and played by Native Americans. Gasp.

1357
01:15:08.640 --> 01:15:11.319
<v Speaker 4>There's a lot more going on with this. This compared

1358
01:15:11.359 --> 01:15:15.760
<v Speaker 4>to the first Predator, this is a pretty sprawling movie. Predator.

1359
01:15:15.800 --> 01:15:19.119
<v Speaker 4>The original is obviously just mainly limited to those five

1360
01:15:19.239 --> 01:15:22.880
<v Speaker 4>or six you know, Special Forces guys and the Predator,

1361
01:15:22.920 --> 01:15:25.279
<v Speaker 4>and it's kind of it's almost claustrophobic in the way

1362
01:15:25.319 --> 01:15:29.119
<v Speaker 4>that it's just them versus this Predator. Where's this We've

1363
01:15:29.159 --> 01:15:32.680
<v Speaker 4>got nothing but open spaces. This is such a beautiful

1364
01:15:32.760 --> 01:15:37.159
<v Speaker 4>looking depiction of that part of the United States, and

1365
01:15:37.920 --> 01:15:42.239
<v Speaker 4>it's just so it's really apples and oranges fa them alone.

1366
01:15:42.319 --> 01:15:44.640
<v Speaker 4>It's hard to make a direct comparison because there's such

1367
01:15:44.720 --> 01:15:48.439
<v Speaker 4>two different, very different movies. It's hard for me to

1368
01:15:48.479 --> 01:15:51.119
<v Speaker 4>decide that's true. I'd say Pray Pray gets the win.

1369
01:15:51.239 --> 01:15:54.079
<v Speaker 3>I think, yeah, Man, Alien and Aliens are different movies,

1370
01:15:54.079 --> 01:15:56.520
<v Speaker 3>but Alien is a better movie. I'm sorry, it's.

1371
01:15:56.359 --> 01:15:59.199
<v Speaker 4>Fair again, it's and it's no. I don't think it's

1372
01:15:59.199 --> 01:16:03.680
<v Speaker 4>a disservice to Predator that this is because Pray had

1373
01:16:03.680 --> 01:16:04.319
<v Speaker 4>the benefit.

1374
01:16:04.680 --> 01:16:06.560
<v Speaker 3>We improved the formula. What are you gonna do?

1375
01:16:07.279 --> 01:16:10.000
<v Speaker 4>That's the thing. Pray had the time in the history

1376
01:16:10.279 --> 01:16:12.840
<v Speaker 4>to look and see what worked and what didn't and

1377
01:16:12.880 --> 01:16:16.920
<v Speaker 4>what can we try to reinvigorate the formula. So in

1378
01:16:16.960 --> 01:16:20.239
<v Speaker 4>a certain sense, they were kind of traveling and Predator

1379
01:16:20.600 --> 01:16:25.359
<v Speaker 4>the first Predator's Wake. But I got handed to Dan

1380
01:16:25.439 --> 01:16:29.479
<v Speaker 4>Trachtenberg and his whole team of writers and filmmakers because

1381
01:16:30.159 --> 01:16:33.800
<v Speaker 4>they literally built a better mouse trap. It's incredible.

1382
01:16:34.479 --> 01:16:37.560
<v Speaker 3>I can't say enough good about it. It's the one

1383
01:16:37.640 --> 01:16:41.319
<v Speaker 3>action film of recent memory that I've watched multiple times.

1384
01:16:41.680 --> 01:16:47.319
<v Speaker 3>And still felt exhilarated during the action sequences and frightened

1385
01:16:47.319 --> 01:16:52.960
<v Speaker 3>in certain sequences and really responds to these characters. If

1386
01:16:52.960 --> 01:16:55.159
<v Speaker 3>you're hearing snoring, by the way, that's ripley Gene, who

1387
01:16:55.159 --> 01:16:57.000
<v Speaker 3>has climbed into my lap and has decided to go

1388
01:16:57.039 --> 01:16:57.439
<v Speaker 3>to sleep.

1389
01:16:57.600 --> 01:16:59.880
<v Speaker 4>Look. I finally had the pleasure of meeting Ripley g

1390
01:17:01.239 --> 01:17:04.560
<v Speaker 4>last week, and boy, I wanted to take her home

1391
01:17:04.600 --> 01:17:08.319
<v Speaker 4>in my carry on luggage. She is as more adorable

1392
01:17:09.000 --> 01:17:11.239
<v Speaker 4>than I ever thought she was. She's just such a

1393
01:17:11.239 --> 01:17:13.560
<v Speaker 4>sweet pup, and I can't I'm trying to think I

1394
01:17:13.600 --> 01:17:15.720
<v Speaker 4>can't hear her snoring, but I did hear her snoring

1395
01:17:16.479 --> 01:17:17.079
<v Speaker 4>then though.

1396
01:17:17.199 --> 01:17:18.479
<v Speaker 3>Very okay, good.

1397
01:17:18.680 --> 01:17:18.880
<v Speaker 1>Yeah.

1398
01:17:19.720 --> 01:17:23.159
<v Speaker 3>She she always has trouble watching movies with animals, and

1399
01:17:23.399 --> 01:17:26.560
<v Speaker 3>she certainly was alarmed for a lot of the my

1400
01:17:26.680 --> 01:17:29.720
<v Speaker 3>rewatch of this film during the dog sequences, but she

1401
01:17:29.760 --> 01:17:34.359
<v Speaker 3>eventually calmed down and actually watched this movie. I'm not kidding. Wow,

1402
01:17:34.960 --> 01:17:39.000
<v Speaker 3>it's impressive, and was really concerned during action sequences, So

1403
01:17:39.079 --> 01:17:40.279
<v Speaker 3>I was just so proud of her.

1404
01:17:40.560 --> 01:17:42.720
<v Speaker 4>He tried to watch. We watched Clue when I was

1405
01:17:42.760 --> 01:17:46.000
<v Speaker 4>there father alone, and I recall that a couple times

1406
01:17:46.039 --> 01:17:48.479
<v Speaker 4>during Clue, I don't recall exactly. Maybe it was when the.

1407
01:17:48.680 --> 01:17:50.720
<v Speaker 3>Was during the dog sequence at the beginning. Yeah, that's

1408
01:17:51.920 --> 01:17:54.239
<v Speaker 3>she had to leave the room at that point. That's

1409
01:17:54.239 --> 01:17:54.760
<v Speaker 3>what it was.

1410
01:17:55.119 --> 01:17:57.359
<v Speaker 4>I forgot about that part. Good stuff.

1411
01:17:57.560 --> 01:18:00.840
<v Speaker 3>But anyway that look, if you haven't seen this movie,

1412
01:18:00.880 --> 01:18:03.399
<v Speaker 3>please well we just spoiled fucking everything. But if you

1413
01:18:03.439 --> 01:18:05.159
<v Speaker 3>haven't seen it, watched it. If you haven't seen it,

1414
01:18:05.199 --> 01:18:07.359
<v Speaker 3>watch it again, watch it with the commanche on it.

1415
01:18:07.359 --> 01:18:10.479
<v Speaker 3>It's fucking fascinating. This movie was great. I love every

1416
01:18:10.479 --> 01:18:10.960
<v Speaker 3>bit of it.

1417
01:18:11.399 --> 01:18:15.760
<v Speaker 4>Likewise, and this is coming. Anyone who's heard Yahucha Fest

1418
01:18:16.359 --> 01:18:19.119
<v Speaker 4>throughout all these movies that I've watched, you'll know that

1419
01:18:20.159 --> 01:18:23.600
<v Speaker 4>I came into this series with a bit of trepidation because,

1420
01:18:24.000 --> 01:18:25.960
<v Speaker 4>aside from the first couple of movies that the rest

1421
01:18:25.960 --> 01:18:27.960
<v Speaker 4>didn't really interest me all that much, and it was

1422
01:18:27.960 --> 01:18:32.880
<v Speaker 4>the law of diminishing returns. This brought me back into

1423
01:18:32.920 --> 01:18:36.560
<v Speaker 4>this series in a big way. It made me go

1424
01:18:36.720 --> 01:18:40.439
<v Speaker 4>from Predator that's kind of ran its course to I

1425
01:18:40.479 --> 01:18:43.680
<v Speaker 4>cannot wait to see what Tracktenburg does with bad Lands.

1426
01:18:43.720 --> 01:18:47.359
<v Speaker 4>This is gonna be amazing, And every trailer that I've

1427
01:18:47.399 --> 01:18:49.800
<v Speaker 4>seen of that movie gets me more and more, almost

1428
01:18:49.880 --> 01:18:51.920
<v Speaker 4>to the point where I'm a little nervous now that

1429
01:18:52.000 --> 01:18:55.039
<v Speaker 4>it can't possibly live up to this hype, but I

1430
01:18:55.119 --> 01:18:56.960
<v Speaker 4>trust them, I really do.

1431
01:18:57.600 --> 01:18:59.920
<v Speaker 3>I do too. I am so looking forward to it.

1432
01:19:00.000 --> 01:19:02.800
<v Speaker 3>I'm also looking forward to his next film. You should

1433
01:19:02.800 --> 01:19:04.199
<v Speaker 3>be looking forward to it too. You're gonna hear it

1434
01:19:04.279 --> 01:19:07.039
<v Speaker 3>in two weeks we're gonna be talking about Predator, Killer

1435
01:19:07.159 --> 01:19:11.279
<v Speaker 3>of Killers, the first anathology. How fucking appropriate here on

1436
01:19:11.399 --> 01:19:15.640
<v Speaker 3>midnight viewing of the Predator series. Until then, Where can

1437
01:19:15.680 --> 01:19:17.960
<v Speaker 3>people find you when they're looking for you?

1438
01:19:18.119 --> 01:19:18.279
<v Speaker 1>HP?

1439
01:19:18.439 --> 01:19:19.960
<v Speaker 3>What are you working on? What's going on?

1440
01:19:20.760 --> 01:19:20.840
<v Speaker 1>Oh?

1441
01:19:20.840 --> 01:19:24.520
<v Speaker 4>I'm not far. I co host the Night Mister Walters

1442
01:19:24.560 --> 01:19:29.319
<v Speaker 4>Taxi podcast alongside my erstwhile co host here Father Malone.

1443
01:19:29.359 --> 01:19:33.479
<v Speaker 4>I host the AO. I host the Noise Junkies music

1444
01:19:33.560 --> 01:19:36.760
<v Speaker 4>podcast as well, and I have a band camp site

1445
01:19:37.159 --> 01:19:40.600
<v Speaker 4>which is hpmusicplace dot bandcamp dot com.

1446
01:19:40.920 --> 01:19:43.159
<v Speaker 3>As for me, you're listening to it. You're listening all

1447
01:19:43.199 --> 01:19:46.680
<v Speaker 3>the time. Thank you everyone for your listening, by the way,

1448
01:19:46.960 --> 01:19:49.720
<v Speaker 3>really appreciated. The numbers have been sort of cuckoo of

1449
01:19:49.880 --> 01:19:52.920
<v Speaker 3>late midnight viewing. We're on Father Malone's weekly roundup is

1450
01:19:52.960 --> 01:19:57.119
<v Speaker 3>on Mondays. We're looking at current streaming, current theatrical and

1451
01:19:57.199 --> 01:20:00.239
<v Speaker 3>every Friday here you're either hearing HP and I talking

1452
01:20:00.279 --> 01:20:02.640
<v Speaker 3>about a fest or you're hearing let's talk about a

1453
01:20:02.680 --> 01:20:05.840
<v Speaker 3>horror anthology television series. What are we doing here with

1454
01:20:05.960 --> 01:20:07.720
<v Speaker 3>This is the Iota Fest. We're wrapping it up soon.

1455
01:20:08.000 --> 01:20:11.439
<v Speaker 3>Obviously we're working our way towards bad lands. But fear not,

1456
01:20:11.600 --> 01:20:13.960
<v Speaker 3>because another fest is right behind it. Over on the

1457
01:20:13.960 --> 01:20:16.479
<v Speaker 3>Patreon channel, you can listen to Moranus Fest that's going

1458
01:20:16.520 --> 01:20:19.359
<v Speaker 3>on right now. That is the Rick Moranus Fest. HP

1459
01:20:19.439 --> 01:20:21.479
<v Speaker 3>and I are looking at the cinematic efforts of mister

1460
01:20:21.560 --> 01:20:24.920
<v Speaker 3>Rick moranis. But starting December, HP and I are going

1461
01:20:24.960 --> 01:20:29.079
<v Speaker 3>to be taking a cinematic trip through the stars. Jesus

1462
01:20:29.159 --> 01:20:32.279
<v Speaker 3>Christ Almighty, We're going to be taking a look at

1463
01:20:32.439 --> 01:20:36.199
<v Speaker 3>Star Trek. Everybody join us for those.

1464
01:20:40.439 --> 01:20:50.800
<v Speaker 1>Pleach we can kill it?

1465
01:21:05.680 --> 01:21:07.079
<v Speaker 3>What ding hell are you

1466
01:21:17.800 --> 01:21:17.840
<v Speaker 1>H
