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<v Speaker 1>Welcome back to Muggle Snuggle. Just close your eyes and listen.

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<v Speaker 1>This is your host, Nigel, here to guide you into

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<v Speaker 1>a peaceful, dreamless sleep with another dose of absolutely thrilling

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<v Speaker 1>Harry Potter Analysis to night. We are drifting into the

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<v Speaker 1>realm of theory, specifically a thought that has been humming

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<v Speaker 1>softly and boringly in the back of my mind for

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<v Speaker 1>quite some time. It's about the sorting Hat, and course

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<v Speaker 1>about you know who. The theory is this the sorting

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<v Speaker 1>Hat knew about Voldemont all along, or perhaps more accurately,

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<v Speaker 1>the hat possessed a knowledge of him that went far

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<v Speaker 1>beyond what it should have, a knowledge that subtly shaped

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<v Speaker 1>the fates of students at Hogwarts one by one, year

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<v Speaker 1>after year. So get comfortable, Let your shoulders relax. There

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<v Speaker 1>is no rush. We have all the time I am

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<v Speaker 1>in the world to unpack this, this rather drowsy little idea.

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<v Speaker 1>Let's begin at the very beginning, well not the very beginning,

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<v Speaker 1>but the beginning of our story, Harry Potter's first day.

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<v Speaker 1>The Great hall is full of candles floating so quiet.

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<v Speaker 1>First years are called forward one by one to sit

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<v Speaker 1>on that three legged stool and have the ancient, patched,

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<v Speaker 1>frayed hat placed upon their heads. For most the hat

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<v Speaker 1>mutters for a moment, perhaps having a silent conversation, and

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<v Speaker 1>then shouts a house name simple. But for Harry, for Harry,

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<v Speaker 1>it was different. In Harry Potter and the Philosopher's Stone

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<v Speaker 1>chapter seven, the Sorting Hat, we get a direct window

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<v Speaker 1>into this conversation, and it is unsettlingly specific. The hat says,

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<v Speaker 1>inside Harry's mind, difficult, very difficult, plenty of courage, I see,

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<v Speaker 1>not a bad mind either. There's talent, oh my goodness, yes,

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<v Speaker 1>and a nice thirst to prove yourself. Now that's interesting.

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<v Speaker 1>So where shall I put you? This is the standard

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<v Speaker 1>internal monolog But then Harry mentally shouts not Slytherin, not Slytherin,

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<v Speaker 1>and the hat replies, not Slytherin. Eh, are you sure

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<v Speaker 1>you could be great? You know it's all here in

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<v Speaker 1>your head, and Slytherin will help you on the way

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<v Speaker 1>to greatness. There's no doubt about that. No. Well, if

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<v Speaker 1>you're sure, better be graffender. This exchange is well, it's

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<v Speaker 1>the core of the theory. Why did the hat immediately

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<v Speaker 1>juck to Slytherin as a possibility for Harry. We as readers,

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<v Speaker 1>understand later that it's because Harry carries a piece of

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<v Speaker 1>Voldemort's soul. The hat sensed Voldemort's essence. It saw the cunning,

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<v Speaker 1>the resourcefulness, the ambition that Voldemort himself possessed. But at

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<v Speaker 1>that moment, Harry is an eleven year old boy who

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<v Speaker 1>knows nothing of this. The hat, however, seems to know

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<v Speaker 1>something profound. It doesn't just say you have Slytherin traits.

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<v Speaker 1>It says, Slytherin will help you on the way to greatness.

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<v Speaker 1>It is making a specific prediction about the path Harry's

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<v Speaker 1>life could take if he chose that house, and it

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<v Speaker 1>is linking that path directly to the legacy of Salizar Slytherin,

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<v Speaker 1>and by extension, to the most famous Slytherin of the age,

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<v Speaker 1>Tom Rittle. It's almost as if the hat is presenting

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<v Speaker 1>a choice not just between houses, but between destinies, a

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<v Speaker 1>destiny tied to Voldemort or one defined in opposition to it.

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<v Speaker 1>The hat knew it sensed the dark presence within Harry,

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<v Speaker 1>and it offered him the house most associated with that presence.

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<v Speaker 1>It was, in its own silent, enigmatic way warding him

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<v Speaker 1>or tempting him. Let your mind wander on that for

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<v Speaker 1>a moment. The hat a magical artifact created by the

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<v Speaker 1>four Founders, imbued with their minds and memories. It would

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<v Speaker 1>have known of Slytherin's fascination with blood purity. It would

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<v Speaker 1>have known of every student it had ever sorted, and

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<v Speaker 1>it would have, with chilling certainty, recognized the magical signature

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<v Speaker 1>the very soul fragment of Tom Marvolo Riddle when he

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<v Speaker 1>sat upon that stool decades earlier. This brings us to

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<v Speaker 1>the second piece of evidence, the hat's own song. Each year,

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<v Speaker 1>the sorting hat sings a new song in Harry Potter

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<v Speaker 1>and the Order of the Phoenix. During the sorting of

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<v Speaker 1>the first years, the hat sings a particularly long and

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<v Speaker 1>detailed song. Itmentions the founders their values and ends with

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<v Speaker 1>a warning, though I must fulfill my duty and must

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<v Speaker 1>quarter every year. Still I wonder whether sorting may not

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<v Speaker 1>bring the end I fear. In times of old one,

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<v Speaker 1>I was new and Hogwarts barely founded. The founders and

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<v Speaker 1>their teaching staff took students as they found them. It

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<v Speaker 1>goes on, But then it sings this verse. Yet a

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<v Speaker 1>disturbing trend I see of houses homing just one kind

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<v Speaker 1>of mind. Remember, if you ever can, I'll always do

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<v Speaker 1>my best for you. Though I must send you where

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<v Speaker 1>you go, I'll always do my job, I vow. The

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<v Speaker 1>song is in itself a boring, repetitive yearly occurrence, but

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<v Speaker 1>in this version, the Hat is expressing a fear, a

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<v Speaker 1>fear of being used to create a marginity, to sort

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<v Speaker 1>students based on a single rigid trait. It's lamenting that

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<v Speaker 1>its purpose may be bringing about an end. It fears.

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<v Speaker 1>What end could that be? The end of unity, the

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<v Speaker 1>end of Hawkwood's spirit of inclusion, and what is the

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<v Speaker 1>single most damaging trend of this kind? In the story

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<v Speaker 1>the rise of pure Blood supremacy, the ideology championed by

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<v Speaker 1>Voldemort and his followers. The Hat, through its song, is

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<v Speaker 1>aware that its sorting can be a catalyst for the

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<v Speaker 1>very divisions that Voldemort exploits. It's a meta awareness. It

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<v Speaker 1>knows its own role in the socio political ecosystem of

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<v Speaker 1>the Wizarding World, and it sees how that ecosystem is

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<v Speaker 1>being poisoned by an ideology that started with Slytherin and

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<v Speaker 1>was perfected by Voldemort. The Hat isn't just a magic hat.

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<v Speaker 1>It's a commentator, a weary ancient observer, singing about the

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<v Speaker 1>dark patterns it has witnessed for a thousand years, and

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<v Speaker 1>at the center of the most recent, most dangerous pattern

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<v Speaker 1>is Tom. Now, let's consider a third angle. A more

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<v Speaker 1>direct piece of evidence. This comes from Harry Potter and

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<v Speaker 1>the Chamber of Secret. When Harry is dueling with DRICKA.

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<v Speaker 1>Malfoy and later when he fights the Basilisk, he uses

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<v Speaker 1>spells not typically taught to second years. Specifically, he uses

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<v Speaker 1>serpent sortier and most famously the disarming charm expell you mus.

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<v Speaker 1>But in the book after the Doing Club, there is

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<v Speaker 1>a small, often overlooked detail. Harry is in the common

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<v Speaker 1>room and Ron asks him how he knew the spell Expelliarmus,

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<v Speaker 1>noting that Malfoy didn't seem to know it. Harry replies

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<v Speaker 1>that he'd seen it used in a book. But later,

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<v Speaker 1>when Harry is in Dumbledore's office after the events in

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<v Speaker 1>the Chamber, Dumbledore has a quiet word with him HiT's

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<v Speaker 1>in chapter eight Dobby's Rowart, Dumbardore says, it is not

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<v Speaker 1>our abilities that show what we truly are, It is

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<v Speaker 1>our choices. This is the central theme of the book.

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<v Speaker 1>But let's look at the sorting Hat's role in Harry's choices.

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<v Speaker 1>Harry chose Gryffindor the hat, sensing Voldemort's presence offered him sliverin.

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<v Speaker 1>By choosing Gryffindor, Harry made the first most fundamental choice

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<v Speaker 1>of his life to reject the path of his enemy,

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<v Speaker 1>even though he carried a part of him within the hat.

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<v Speaker 1>Knew this choice would define him. It knew that blacing

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<v Speaker 1>a piece of Voldemort in a Gryffindor, in the house

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<v Speaker 1>of courage and moral fortitude would create the perfect vessel

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<v Speaker 1>for Voldemort's downfall. It was perhaps part of a larger,

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<v Speaker 1>ancient design. The hat in sorting Harry to Gryffindor was

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<v Speaker 1>not just assigning him a dormitory. It was placing him

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<v Speaker 1>on a chess board as a counterpiece to Voldemort. It

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<v Speaker 1>knew the game it was playing. This idea of the

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<v Speaker 1>hat as a strategic actor is deepened when we think

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<v Speaker 1>about its knowledge of other students. Consider a Nevill long

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<v Speaker 1>Buttn in Harry Potter and the Order of the Phoenix.

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<v Speaker 1>When Nevill uses the remembranle in his first flying lesson,

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<v Speaker 1>we learn he is forgetful. When he is sorted, the

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<v Speaker 1>hat must have sensed a deep seated bravery, a resilience

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<v Speaker 1>that would eventually lead him to pull the sword of

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<v Speaker 1>Gryffindor from the sorting hat itself in the final battle.

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<v Speaker 1>But it also must have seen his potential for being overlooked,

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<v Speaker 1>his potential for fear. The hat placed him in Gryffindor

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<v Speaker 1>not just for what he was, but for what he

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<v Speaker 1>could become. It made a choice that defied easy categorization

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<v Speaker 1>because it could see the entire tapestry of his character

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<v Speaker 1>and potential. Now consider Draco Malfoy. The hat sorted him

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<v Speaker 1>into Slytherin. Did it do so because he was inherently

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<v Speaker 1>evil or because it saw the ambition, the cunning, and

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<v Speaker 1>the fierce loyalty to his family that defined him. The

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<v Speaker 1>hat likely saw the potential for both a death eater

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<v Speaker 1>and a reluctant, conflicted young man who, in the end

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<v Speaker 1>could not bring himself to kill Dumbledore. I sorted based

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<v Speaker 1>on the traits most dominant at age eleven, traits which

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<v Speaker 1>were then nurtured by the environment of Slytherin House. The

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<v Speaker 1>hat knew this too. It knew that the House had

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<v Speaker 1>sent a child to would shape them. In sending Harry

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<v Speaker 1>to Gryffindor, it was shaping him to be the antithesis

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<v Speaker 1>of Voldemont. As seeing Draco to Slytherin, it was placing

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<v Speaker 1>him in the current of his family's ideology, but not

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<v Speaker 1>condemning him to it forever. As his final choices showed,

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<v Speaker 1>the Hat sees the starting point, not the finish line,

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<v Speaker 1>and with Harry it saw a starting point that contained

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<v Speaker 1>Voldemort himself. A fourth line of reasoning brings us to

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<v Speaker 1>Dumbledore velbers Stumbledore. In many ways, he is the human

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<v Speaker 1>counterpart to the Sorting Hat. He sees the big picture.

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<v Speaker 1>He knows about the prophecy, the haw Cruxes, the connection

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<v Speaker 1>between Harry and Voldemont. He also, one must assume, has

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<v Speaker 1>had extensive conversations with the Sorting Hat over the years.

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<v Speaker 1>In Harry Potter and the Half Blood Prince. In the

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<v Speaker 1>chapter The Other Minister, the Prime Minister sees a portrait

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<v Speaker 1>of Dumbledore and recalls him as a brilliant, if eccentric

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<v Speaker 1>head Master. Dumbledore would have been the Hat's closest confidante

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<v Speaker 1>for decades. He would have asked it questions, he would

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<v Speaker 1>have sought its council. It is therefore plausible, even likely,

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<v Speaker 1>that Dumbledore's own vast knowledge about Voldemort was in part

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<v Speaker 1>informed by the Hat's unique perspective. The Hat sorts every student.

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<v Speaker 1>It saw Tom Riddle, It's or Hagrid, who was expelled

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<v Speaker 1>but later allowed back. It saw the children of Order

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<v Speaker 1>members and the children of death theaters. It is a

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<v Speaker 1>repository of data about the magical communities developing minds. Dumbledore, ever,

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<v Speaker 1>the strategist, would have gleaned insights from this. When Dumbledore

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<v Speaker 1>tells Harry in the Final Book, I knew that you

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<v Speaker 1>and Valdemont were bound together, bound as surely as I

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<v Speaker 1>knew that you were not a death Eater. One could

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<v Speaker 1>argue that his servants his certainty came not just from

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<v Speaker 1>his own genius, but from the Hat's silent testimony. The

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<v Speaker 1>Hat knew Harry contained Voldemont. It sorted him as a

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<v Speaker 1>grief endoor, a silent vote of confidence that Harry was

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<v Speaker 1>more than the darkness within him. Dumbledore, trusting the ancient

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<v Speaker 1>magic of the Hat, trusted in that vote. This creates

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<v Speaker 1>a quiet, unspoken alliance between the head Master and the Hat.

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<v Speaker 1>Both were looking to guide events toward Voldemort's defeat. The Hat,

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<v Speaker 1>through its sorting, was Dumbledore's greatest, most silent asset. Let's

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<v Speaker 1>explore a fifth, more tangential piece of evidence. Consider the

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<v Speaker 1>concept of the Sword of Gryffindor. It is a magical

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<v Speaker 1>artifact that presents itself only to a true Gryffindor in

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<v Speaker 1>their time of need. The hat at one time contained

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<v Speaker 1>the sword, as shown in Harry Potter and The Chamber

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<v Speaker 1>of Secrets. This connects the hat directly to the legacy

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<v Speaker 1>of Godrech Gryffindor. The hat was created by the founders,

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<v Speaker 1>but it is often seen as embodying Gryffindor's will most directly,

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<v Speaker 1>as it is the one that makes the final sovereign

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<v Speaker 1>decision about a student's placement. Gryffendor the enemy of Slytherin,

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<v Speaker 1>who feared his love for dark magic. By having the

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<v Speaker 1>hat be the arbiter of destiny, Gryffindor ensured that the

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<v Speaker 1>values of his house, bravery, nerve chivalry would have the

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<v Speaker 1>final say over the sorting of every new generation, and

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<v Speaker 1>when Voldemont, the ultimate Slytherin, arose, the Hat's actions can

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<v Speaker 1>be seen as Gryffandor's posthumous countermar the hat by placing

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<v Speaker 1>Harry the vessel of Voldemont's soul firmly in Gryffendorf was

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<v Speaker 1>claiming that sole fragment for the side of good