WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp the

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<v Speaker 1>House Whisper on demand on the iHeartRadio app Live with

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<v Speaker 1>you every Saturday and Sunday morning, and of course on

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<v Speaker 1>this very program. Also the House Whisper podcast that you

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<v Speaker 1>can listen to anytime, anywhere on demand. Hundreds of episodes,

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<v Speaker 1>all searchable by topic. Your home improvement reference library waiting

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<v Speaker 1>for you wherever your favorite podcasts are found. Thanks for

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<v Speaker 1>joining us on the program today. Here we are at

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<v Speaker 1>the beginning of the third hour of our program today.

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<v Speaker 1>What are we talking about? Well, this is part three

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<v Speaker 1>of our three part series. It was this way when

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<v Speaker 1>we bought it, when you inherit somebody else's mistakes on

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<v Speaker 1>the place where you live and how to fix them.

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<v Speaker 1>And I want to get right back to that. Just

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<v Speaker 1>a quick reminder that we've got. Tina just walked in.

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<v Speaker 1>She gave me the look, gave me the eye. She's like,

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<v Speaker 1>did you remind them about the holiday home show. She's

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<v Speaker 1>very committed to this process. Next week, this very program

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<v Speaker 1>from nine to noon next week will be happening live

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<v Speaker 1>in front of a live studio audience right here at

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<v Speaker 1>the iHeart Studios in Burbank, the home of KFI and

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<v Speaker 1>the home of Home. We're gonna be here live. I'm

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<v Speaker 1>going to have some very special guests with me as well.

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<v Speaker 1>Al Dick Holme has sponsored the whole thing. They're going

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<v Speaker 1>to be decorating a seven and a half foot gorgeous

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<v Speaker 1>Christmas tree and then we're going to be giving it

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<v Speaker 1>away to one of our lucky audience members. Just a

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<v Speaker 1>ton of fun, refreshments, fun, It's just a great, great

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<v Speaker 1>time to spend together. And I get to spend three

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<v Speaker 1>plus hours with you just hanging out doing the show together.

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<v Speaker 1>You kind of see how the sausage is made, as

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<v Speaker 1>it were. It's a good old time. So if if

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<v Speaker 1>you would like to join us, all you have to

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<v Speaker 1>do is go to our Instagram or Facebook at Home

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<v Speaker 1>with Dean. That's it for both Home with Dean. You'll

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<v Speaker 1>find the Holiday Home Show post right at the top

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<v Speaker 1>of the page. All you have to do is comment

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<v Speaker 1>and say I would love to join you. Enter me

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<v Speaker 1>to win a seat, and then we will notify you

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<v Speaker 1>via direct message through Instagram and Facebook. And those of

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<v Speaker 1>you who have already entered you may have a message

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<v Speaker 1>waiting for you. Check your messages on Instagram and Facebook.

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<v Speaker 1>You may have a message waiting for you telling you

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<v Speaker 1>that you've already won. So today is the final day.

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<v Speaker 1>That's why I'm saying this so much. It is the

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<v Speaker 1>final day, and so you need to respond to your

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<v Speaker 1>message today to let us know to confirm your seat,

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<v Speaker 1>or you need to get entered today bare minimum if

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<v Speaker 1>you want a chance to win one of the seats

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<v Speaker 1>that are left there, you go. Okay, back to the list.

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<v Speaker 1>I promised you when we left the topic that we

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<v Speaker 1>return and we would talk about fireplaces fireplace. Now. I

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<v Speaker 1>did a fire place show just a couple three weeks ago,

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<v Speaker 1>so if you want more in depth detail about fireplaces

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<v Speaker 1>and such, then run back in the podcast and find

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<v Speaker 1>it there. I've done a ton of fireplace shows throughout

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<v Speaker 1>the years, this one specifically, though. What we're talking about

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<v Speaker 1>here is the problem fireplace. Fireplaces are tricky because they

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<v Speaker 1>are by nature kind of a vestigial holdover of an

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<v Speaker 1>earlier age, right, And what I mean by that is

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<v Speaker 1>that you know, you don't really need your fireplace in

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<v Speaker 1>the twenty first century to heat your home. That's what

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<v Speaker 1>they were originally all about. You don't need your fireplace

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<v Speaker 1>to cook your dinner, all right, But we love fireplaces.

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<v Speaker 1>I love fireplaces. I love the esthetic of open fire,

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<v Speaker 1>open flame in a home. And I don't want to

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<v Speaker 1>get rid of people's fireplaces, except when I want to

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<v Speaker 1>get rid of people's fireplaces, and so let me clarify,

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<v Speaker 1>I don't want to get rid of your fireplace. But

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<v Speaker 1>sometimes the crazy designer comes in and makes a case

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<v Speaker 1>for moving a fireplace, or at least getting rid of

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<v Speaker 1>that thing on the fireplace or that kind of a thing,

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<v Speaker 1>because there are a lot of weird ones out there.

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<v Speaker 1>There are. Indeed, are you living with a weird one?

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<v Speaker 1>We were just let's see, not yesterday, but the day

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<v Speaker 1>before yesterday. We're on a consult with a wonderful new

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<v Speaker 1>clients and they have been living for decades with a

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<v Speaker 1>fireplace in the living room. Beautiful home, beautiful living with

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<v Speaker 1>a fireplace that was just well, how do you describe it?

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<v Speaker 1>Just weird weird. Not the fireplace itself, not the firebox

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<v Speaker 1>or the chimney outside this normal masonry chimney and beautiful firebox.

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<v Speaker 1>But on the inside wall all this stuff going on,

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<v Speaker 1>you know, weird angles and weird buildouts. And so here's

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<v Speaker 1>lesson one lesson one. If you have a real masonry

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<v Speaker 1>fireplace in your home. The lesson one is this, find

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<v Speaker 1>where the angled edges of the fire box itself, that's

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<v Speaker 1>where the flames are at in there. Find where those

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<v Speaker 1>weird angle edges come to an end and transition to

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<v Speaker 1>the facing material. Okay, where that comes to an end,

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<v Speaker 1>You're going to find nine hundred and ninety nine times

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<v Speaker 1>out of a thousand that the end of that firebox

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<v Speaker 1>is flush to the main wall that this fireplace is

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<v Speaker 1>sitting in. That, my friend, is the end of the

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<v Speaker 1>real fireplace, of the structural fireplace and chimney. It does

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<v Speaker 1>not intrude into the room any further than the inside

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<v Speaker 1>face of the full wall. In most cases, of course,

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<v Speaker 1>there's exceptions to every rule, but chances are yours is

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<v Speaker 1>not right. That is where it ends, right there, at

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<v Speaker 1>the edge of the firebox. Everything after that everything is veneer.

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<v Speaker 1>And when I say veneer, I don't mean that it's

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<v Speaker 1>fake and little thin material. What I'm saying is that

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<v Speaker 1>it's it's a decorative application after that. Okay, So if

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<v Speaker 1>you have, for instance, stone build up on the inside

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<v Speaker 1>of your wall, or more bricks on the inside of

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<v Speaker 1>your wall, or whatever, however the mantle is configured and

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<v Speaker 1>all of this is all added stuff. And if that's stuff,

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<v Speaker 1>and nine times out of ten, it's that stuff that's

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<v Speaker 1>weird and that you just have had to live with

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<v Speaker 1>and you've sort of manipulated and fudged and done your

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<v Speaker 1>best with. It's that stuff that not unlike the lesson earlier,

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<v Speaker 1>learned about hard escape outside and little planter walls made

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<v Speaker 1>out of brick out in your yard that you can

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<v Speaker 1>just pop out relatively easily. Okay, it's a little bit

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<v Speaker 1>of a mess, but you just need to know that

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<v Speaker 1>that stuff can come off. It can come off in

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<v Speaker 1>a day, I mean literally a day, and you get

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<v Speaker 1>the chance to start over when it comes to your fireplace,

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<v Speaker 1>start over completely. So that's less than one on your fireplace.

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<v Speaker 1>Is just understanding that it's a lot more flexible than

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<v Speaker 1>you ever imagine. Now when we come back, we're going

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<v Speaker 1>to talk about it in a more serious sense, and

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<v Speaker 1>that is, what if it's just something beyond I think

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<v Speaker 1>the inside face of our fireplace is really weird and ugly.

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<v Speaker 1>What if it's maybe the fireplace shouldn't be there, or

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<v Speaker 1>our fireplace is damaged and we never use.

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<v Speaker 2>It you're listening to Home with Dean sharp on Dead

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<v Speaker 2>from KFI AM sixty.

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<v Speaker 1>We are talking about the things that you inherited from

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<v Speaker 1>the previous owners of your home that are wrong, the

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<v Speaker 1>kind of stuff that when you walk me through your house,

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<v Speaker 1>you you know you have to make that excuse it

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<v Speaker 1>was like this when we bought it. Don't blame us,

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<v Speaker 1>don't judge us, Dean, don't judge us. I don't judge you,

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<v Speaker 1>and never judge you. Just your house, just the house,

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<v Speaker 1>not you. Of course, there's nothing wrong with you anyway.

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<v Speaker 1>So I'm right in the middle of one of these items,

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<v Speaker 1>and a very important one, a very troublesome one. Fireplaces.

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<v Speaker 1>Fireplaces I love, I love fireplaces, but they have caused

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<v Speaker 1>so many problems in terms of twenty first century design.

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<v Speaker 1>And I don't mean because we're trying to transition to

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<v Speaker 1>super contemporary stuff. No, no, no, no, no, I mean

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<v Speaker 1>even traditional in maintaining that classic traditional look. Here, here's

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<v Speaker 1>the problem with the fireplace. I don't know if you notice,

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<v Speaker 1>but they're they're huge, and they're made out of stone

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<v Speaker 1>or brick, and they're hard to move, or it seems

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<v Speaker 1>like they're they're hard to they're seemingly immovable, and they're

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<v Speaker 1>sometimes they look weird. We already address that before the break,

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<v Speaker 1>but more often than not, by today's priorities of design,

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<v Speaker 1>this is what I mean. A fireplace quite often is

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<v Speaker 1>just in a bad location, just a bad location. Okay,

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<v Speaker 1>not all. And if you are lucky enough to have

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<v Speaker 1>a fireplace in a good location, then please celebrate it,

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<v Speaker 1>celebrate it and maximize it in every way possible. But

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<v Speaker 1>so what do I mean by a bad location? Well, today,

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<v Speaker 1>in today's design prayer and rightly so, we want to

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<v Speaker 1>maximize light into a room. We want to maximize your view.

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<v Speaker 1>So I want you to have a beautiful backyard, a

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<v Speaker 1>beautiful front yard. I want you to have a veritable

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<v Speaker 1>garden habitat out there. And then when you're inside the house,

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<v Speaker 1>I want you to be able to gaze upon it.

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<v Speaker 1>I want it to be part of what you're enjoying.

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<v Speaker 1>You've gone to all this trouble to make it what

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<v Speaker 1>it is out there, but you still spend most of

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<v Speaker 1>your time indoors. So I want you to be able

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<v Speaker 1>to take it in now. A fireplace that was built

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<v Speaker 1>into a home fifty sixty, seventy or more years ago, fireplaces,

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<v Speaker 1>you know, they tend to draw the attention of the

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<v Speaker 1>living room towards them. They'res the central item. And very

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<v Speaker 1>rarely are they on the outside wall surrounded by windows

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<v Speaker 1>so that you can take in the fireplace and the

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<v Speaker 1>view at the same time. Quite often they're on an

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<v Speaker 1>interior wall and cawing your attention away from the windows.

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<v Speaker 1>And so this is the kind of thing I'm talking about.

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<v Speaker 1>When you sit in your living room to look at

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<v Speaker 1>the fireplace and these days, maybe quite possibly the flat

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<v Speaker 1>screen TV above it, are you doing so with your

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<v Speaker 1>back to the view. That's problematic, I mean I should

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<v Speaker 1>say this maybe not problematic is the right word. It's

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<v Speaker 1>not ideal. It's not as ideal as being able to

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<v Speaker 1>take it in all at once. And of course, now

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<v Speaker 1>somebody's saying, Dean, you're really nitpicking. Now you're suggesting that

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<v Speaker 1>everybody should move their fireplace. No, of course not. But

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<v Speaker 1>if you are planning or really thinking about transitioning a

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<v Speaker 1>room and really remodeling, then yeah, guess what. I also

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<v Speaker 1>want you to think about the possibility, just the possibility

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<v Speaker 1>maybe the fireplace is in this vestigial location where it

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<v Speaker 1>used to be, like, oh, look at us make it central,

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<v Speaker 1>but by today's priorities, maybe drawing your attention away from

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<v Speaker 1>the real show. And if we could move it, if

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<v Speaker 1>we could incorporate it and the view at the same time, fantastic.

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<v Speaker 1>Maybe the fireplace is literally on the best furniture wall

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<v Speaker 1>for viewing the rest of the interior space of your

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<v Speaker 1>home or that and the outside as well. So you

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<v Speaker 1>understand what I'm saying. I hope that I'm not pooh

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<v Speaker 1>pooing this whole idea like everybody should get rid of

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<v Speaker 1>their fireplace or move it because they're they're you know,

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<v Speaker 1>they're passe, they're done. Not at all, not at all.

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<v Speaker 1>It's just the one thing as a designer that I

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<v Speaker 1>have the advantage of is that I walk into your

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<v Speaker 1>home knowing how it's built. As as a builder as well,

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<v Speaker 1>I walk into your home and everything is editable in

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<v Speaker 1>my mind, and not everything in your mind is editable. Now,

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<v Speaker 1>I'm not talking about budgets, Okay, it's irrelevant. We can

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<v Speaker 1>dream and plan and think without having to spend any money.

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<v Speaker 1>So my point is we should at least have the conversation,

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<v Speaker 1>even if we don't follow through with it. You should

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<v Speaker 1>have the conversation and you should dream the dream of

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<v Speaker 1>what's possible about any room in your home. So, yeah,

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<v Speaker 1>they can be a problem. And certain fireplaces, I will

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<v Speaker 1>tell you as the final punctuation to this argument, certain

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<v Speaker 1>fireplaces in southern California specifically do not deserve to live.

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<v Speaker 1>And what I mean by that is there's a kind

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<v Speaker 1>of fireplace out there that is known as a rampant

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<v Speaker 1>general fireplace. Okay, that's literally the company that produced them.

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<v Speaker 1>It was one of those so called bride ideas coming

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<v Speaker 1>out of the sixties into the early seventies. If you

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<v Speaker 1>live in southern California in attract development, there's a chance

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<v Speaker 1>that you have a rampart General fireplace. Now what are they?

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<v Speaker 1>These were pre cast fireplaces and chimneys all in one.

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<v Speaker 1>They literally this company, I mean, it's an interesting idea.

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<v Speaker 1>They're like, you know what we're going to do for

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<v Speaker 1>a major developer. We're going to make the fireplace in

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<v Speaker 1>the chimney. It's all poor in place concrete. We're going

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<v Speaker 1>to set a mold though, for the outside of it,

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<v Speaker 1>so that the chimney looks like it's made out of bricks, right,

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<v Speaker 1>but it's not. It's just a brick texture on the

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<v Speaker 1>outside of the fireplace. And these things were mass produced

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<v Speaker 1>in southern California and they were installed in developments from

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<v Speaker 1>let's say early seventy like seventy one, all the way

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<v Speaker 1>to nineteen eighty nine. Afterwards, they became so problematic, so

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<v Speaker 1>many lawsuits, so many cracks and irreparable repairs on these things.

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<v Speaker 1>And that's really the big problem with them, is that

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<v Speaker 1>if they crack, if the firebox cracks, if the if

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<v Speaker 1>the flu cracks, if the insulating shoulder cracks, there's no

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<v Speaker 1>fixing them. There's no fixing them properly, and so the

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<v Speaker 1>company's out of business. They're not around anymore because of lawsuits,

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<v Speaker 1>and yet the fireplaces are still standing. My in laws

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<v Speaker 1>had one attached to their home that Tina grew up in,

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<v Speaker 1>and Tina and I participated together in demoing it out

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<v Speaker 1>and getting rid of it because it was also cracked

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<v Speaker 1>and unusable, unsafe to use because you can't you can't

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<v Speaker 1>run a liner up inside them, you can't repair them

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<v Speaker 1>like you would a regular masonry fireplace. Most homeowners who

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<v Speaker 1>have them don't even realize they have one because on

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<v Speaker 1>the outside they look like brick, but to the untrained

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<v Speaker 1>eye they just assume they have a masonry fireplace outside,

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<v Speaker 1>when in reality they have this rampart fireplace. So how

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<v Speaker 1>can you identify it? Well, Number one, it's going to

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<v Speaker 1>be like an off white color unless it's been painted,

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<v Speaker 1>and you would assume that it looks like it's been painted.

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<v Speaker 1>It looks like bricks that have been painted sort of

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<v Speaker 1>off white. It hasn't been painted. That's actually the color

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<v Speaker 1>of the concrete that was used, a special kind of

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<v Speaker 1>concrete that was used. It's a calcium illuminate cement that

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<v Speaker 1>was used, so it's off white. It's got a heavy

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<v Speaker 1>brick texture, more texture than a normal brick fireplace, okay,

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<v Speaker 1>or a brick chimney like I mean, the bricks and

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<v Speaker 1>then the grout lines go way in and usually the

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<v Speaker 1>chimney itself very tall and skinny compared to the base,

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<v Speaker 1>like skinnier than you would expect most fireplace chimneys to be.

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<v Speaker 1>That's kind of a dead giveaway for a rampart tilt

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<v Speaker 1>up fireplace. The it was literally standing there before they

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<v Speaker 1>built the walls for your house. They tied the walls

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<v Speaker 1>to it. Anyway, I don't want to go exhaust the point,

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<v Speaker 1>but the point is on our list of things problems

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<v Speaker 1>you've inherited when you bought the house. Fireplaces can get

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<v Speaker 1>in the way sometimes of the optimal design for the

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<v Speaker 1>twenty first century lifestyle lived in your home. You should

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<v Speaker 1>not overlook them as a possibility, because honestly, a regular

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<v Speaker 1>masonry fireplace, again designed by demolition, does not take that

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<v Speaker 1>much to get rid of it, and then to install

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<v Speaker 1>a much more modular one in another location in the

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<v Speaker 1>same room a lot of options these days. Don't rule

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<v Speaker 1>it out. At least have the conversation and at bare minimum,

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<v Speaker 1>understand that the face of that fireplace can change a lot.

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<v Speaker 2>You're listening to Home with Dean Sharp on demand from

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<v Speaker 2>KFI AM six forty.

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<v Speaker 1>Your Home with Dean Sharp, the house Whisper. Thanks for

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<v Speaker 1>joining us on our fine little program. Today we are

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<v Speaker 1>finishing up part three of our three part series that

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<v Speaker 1>we've entitled it was this way when we bought it.

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<v Speaker 1>The mistakes, the errors, the flubs that you inherited from

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<v Speaker 1>previous homeowners or maybe just from the builder themselves when

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<v Speaker 1>you bought your home, and most importantly, what to do

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<v Speaker 1>about them, how to get them fixed. What else is

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<v Speaker 1>on our magical list of weird terrible stuff that has

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<v Speaker 1>happened to your home. Is your home suffering from post

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<v Speaker 1>traumatic design disorder? It's quite possible that it is. Let's

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<v Speaker 1>see what else. How about this one? This is very

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<v Speaker 1>practical one. Too much molding above, not enough molding below.

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<v Speaker 1>What does that mean? Well, if you've listened to the

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<v Speaker 1>show long enough, you probably know what I'm about to say.

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<v Speaker 1>And if you haven't, well listen up. Because when it

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<v Speaker 1>comes to homes with average old eight foot ceilings, and

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<v Speaker 1>I've got nothing against them, I live in one myself.

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<v Speaker 1>An eight foot ceiling by today's standards, not a high ceiling.

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<v Speaker 1>The standard, by the way, for new homes is nine feet,

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<v Speaker 1>which is lovely. And you know, if you can vault

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<v Speaker 1>and go taller, great, But if you don't. If you don't,

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<v Speaker 1>if you can't, if you've got an eight foot ceiling,

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<v Speaker 1>here's what you don't do. You don't overwhelm an eight

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<v Speaker 1>foot tall ceiling with reminders of how low the ceiling is.

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<v Speaker 1>And what is the number one reminder, Well, probably one

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<v Speaker 1>or two. Number one would be hanging a large light

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<v Speaker 1>fixture down in the middle of a room that's already

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<v Speaker 1>just at eight feet and now the light fixture is

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<v Speaker 1>hanging even lower not a good idea in your bedroom,

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<v Speaker 1>ceiling fan over the bed. You know, it's it's always acceptable,

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<v Speaker 1>or I should say more ple to hang a light

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<v Speaker 1>fixture over an object where you can't walk, like a

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<v Speaker 1>dining room table. It's always fine for the chandelier to

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<v Speaker 1>come lower. But if the table wasn't there, you know,

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<v Speaker 1>you might hit your head on it. So the same

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<v Speaker 1>with a bed. If you've got a pendant or a

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<v Speaker 1>little chandelier or a ceiling fan over your bed, okay,

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<v Speaker 1>but just no, even then, even then, something hanging down

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<v Speaker 1>from an eight foot ceiling will make the room feel smaller,

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<v Speaker 1>just will, just will. The other thing that is a

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<v Speaker 1>constant reminder of how low the ceiling is in a

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<v Speaker 1>room is if we've put a bunch of crown molding

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<v Speaker 1>and stuff up against the top. And I get it.

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<v Speaker 1>This falls in the category that I'm kind of using

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<v Speaker 1>this segment four of aspirational decor. Aspirational decor is when

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<v Speaker 1>you try and decorate something in a way that says,

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<v Speaker 1>I really really always wanted to live in a bigger,

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<v Speaker 1>fancier house than this. And so what you're doing is

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<v Speaker 1>you're taking some of the elements from bigger, fancier houses,

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<v Speaker 1>shoving them into your smaller space. And I'm just sorry

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<v Speaker 1>to tell you it doesn't work. It doesn't fit, it

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<v Speaker 1>doesn't give you the payoff that you were hoping for.

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<v Speaker 1>Crown molding draws attention to itself, rightly, so it's beautiful.

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<v Speaker 1>And so to put crownd molding at the top of

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<v Speaker 1>an eight foot ceiling, especially a larger ground molding, what

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<v Speaker 1>you're literally doing is you're drawing attention to the top

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<v Speaker 1>of the wall. Now, if your wall is fourteen feet tall,

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<v Speaker 1>not only do you get to show off your ground molding,

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<v Speaker 1>but you're drawing attention to the fact that your wall

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<v Speaker 1>is fourteen feet tall. If your wall's just eight feet tall,

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<v Speaker 1>that's not something we're trying to overemphasize. If we want

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<v Speaker 1>a room to feel as tall and roomy as possible,

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<v Speaker 1>then we want to reduce the amount of molding that's

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<v Speaker 1>going on up high. I rarely, if ever, agree to

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<v Speaker 1>crown molding on an eight foot ceiling. I just don't.

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<v Speaker 1>There are better ways of using Now, don't run off

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<v Speaker 1>and say Dean doesn't believe in putting molding in small

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<v Speaker 1>rooms and houses. It's not true. I actually want your baseboard,

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<v Speaker 1>which is very likely only maybe three inches tall if

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<v Speaker 1>you're lucky from the builder. I want that baseboard to

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<v Speaker 1>be two or three times that size. In an eight

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<v Speaker 1>foot room, seven inch baseboard, no problem. I'm all for

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<v Speaker 1>the bigger baseboards down at the floor. This actually makes

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<v Speaker 1>the room feel larger, makes the room feel more substantial.

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<v Speaker 1>So the lesson is as I said it at first,

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<v Speaker 1>and now you understand what I mean. Too much molding above,

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<v Speaker 1>not enough molding below, too big of a crown, molding

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<v Speaker 1>up at the ceiling, not enough baseboard down below. So

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<v Speaker 1>the good news about this is pull it off. You

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<v Speaker 1>can pull it off. If you're really thinking about remodeling

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<v Speaker 1>a room. We're not talking about structural stuff. We're talking

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<v Speaker 1>about stuff. There are applicats, essentially, they can be removed

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<v Speaker 1>and you can change the whole vibe of the space. Okay,

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<v Speaker 1>along those lines of aspirational decor style elements, Okay that

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<v Speaker 1>the house just can't justify. I have a certain in

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<v Speaker 1>law who asked me years and years ago, who's always

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<v Speaker 1>wanted to live in a castle, big manor house. This

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<v Speaker 1>is my mother in law, and I love her to pieces.

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<v Speaker 1>She asked me years ago, Dean, we want to do

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<v Speaker 1>a major remodel on the house. You're going to be

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<v Speaker 1>the one to do it. Can you transform my house

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<v Speaker 1>into a castle? And my answer was very simple, Yes

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<v Speaker 1>I can, and I will not, because number one, you

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<v Speaker 1>live in a what is essentially in nineteen early nineteen

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<v Speaker 1>seventies ranch style Brady Bunch house. That house is not

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<v Speaker 1>easily turning into a castle. Number Two, you are surrounded

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<v Speaker 1>in a lovely neighborhood of the same houses. Your neighbors

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<v Speaker 1>will hate you. They will hate you if we do

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<v Speaker 1>such a thing. And number three, castles do not sit

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<v Speaker 1>twenty feet away from sidewalks in suburban neighborhoods. They do not.

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<v Speaker 1>And so what we did instead was we made this

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<v Speaker 1>a gorgeous, upscale English cottage. And she ended up being

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<v Speaker 1>very very happy with the results, but not a castle.

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<v Speaker 1>I wish I was around to give that advice to

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<v Speaker 1>so many other homeowners in our town and all across

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<v Speaker 1>southern California, because you know, you can call it gaudy,

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<v Speaker 1>you can call it misplaced. I call it aspirational decor.

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<v Speaker 1>And it never works, and so nothing says I'm desperately

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<v Speaker 1>insecure about my house and really wanna be something else,

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<v Speaker 1>like a small house with pedestals and lions out in

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<v Speaker 1>front of it. Yes, I live right around the corner

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<v Speaker 1>from one. Uh little ranch house and big steps out

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<v Speaker 1>front at the mailbox and lions like like it was

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<v Speaker 1>the New York Metropolitan Library that where like like it

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<v Speaker 1>was you know, the A Rockefeller Residence in in uh,

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<v Speaker 1>you know, in in Providence, Rhode Island. Right, Uh, just no, no,

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<v Speaker 1>just no, all right.

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<v Speaker 2>No.

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<v Speaker 1>I want you to embrace your home for what it is,

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<v Speaker 1>and I want you to bring it to the level

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<v Speaker 1>that it can and should be brought to any home.

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<v Speaker 1>Any home can be extraordinary, gorgeous, cozy, warm, okay, but

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<v Speaker 1>not every home can be jaw dropping and awe inspiring.

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<v Speaker 1>Just not. A cottage will never be awe inspiring. It's

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<v Speaker 1>a cottage I live in. One will never be awe inspiring.

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<v Speaker 1>And if you live in a small home and people's

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<v Speaker 1>jaws drop, it's probably because something wrong has happened and

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<v Speaker 1>you've tried to superimpose onto it something that doesn't belong there.

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<v Speaker 2>Okay, all right, you're listening to Home with Dean Sharp

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<v Speaker 2>on demand from KFI AM six forty.

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<v Speaker 1>Here we are reaching the end of another three hours

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<v Speaker 1>together on this lovely, lovely southern California autumn Sunday morning.

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<v Speaker 1>I am so glad you've been with us today. We're

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<v Speaker 1>not done yet, though we are approaching the end of

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<v Speaker 1>our list, our three part series entitled it was this

414
00:27:21.519 --> 00:27:25.039
<v Speaker 1>way when we bought it. Inheriting somebody Else's mistakes on

415
00:27:25.079 --> 00:27:27.880
<v Speaker 1>your home and how to fix them, We've covered so

416
00:27:28.400 --> 00:27:31.400
<v Speaker 1>many things along the way. I just got a few

417
00:27:31.440 --> 00:27:35.839
<v Speaker 1>more little honorable mentions before we are off and out

418
00:27:35.960 --> 00:27:41.799
<v Speaker 1>the door. Along the spirit of what I was just

419
00:27:41.839 --> 00:27:46.359
<v Speaker 1>saying of aspirational design, the idea of like, you know,

420
00:27:46.480 --> 00:27:48.920
<v Speaker 1>really trying to put elements onto your house that just

421
00:27:48.960 --> 00:27:52.880
<v Speaker 1>don't belong on a house like yours, you know, kind

422
00:27:52.920 --> 00:27:59.119
<v Speaker 1>of showing your inner want to be somewhere else attitude

423
00:27:59.720 --> 00:28:02.359
<v Speaker 1>kind of leaking through. And I get that, I get that.

424
00:28:02.519 --> 00:28:04.720
<v Speaker 1>I just want you to resist that temptation and I

425
00:28:04.759 --> 00:28:07.720
<v Speaker 1>want you to make the most of the house that

426
00:28:07.799 --> 00:28:11.799
<v Speaker 1>you have. Okay, along those lines have got to be

427
00:28:12.400 --> 00:28:16.559
<v Speaker 1>we can't avoid mentioning the out of character or off

428
00:28:16.680 --> 00:28:20.880
<v Speaker 1>character front door. Okay, the front door, the entry portal,

429
00:28:20.920 --> 00:28:24.480
<v Speaker 1>and this one is this is a toughie because you

430
00:28:24.559 --> 00:28:29.079
<v Speaker 1>may have a very expensive, really lovely front door that

431
00:28:29.680 --> 00:28:31.799
<v Speaker 1>has been there as a part of the house when

432
00:28:31.839 --> 00:28:35.359
<v Speaker 1>you bought it. Right, maybe it's solid oak, echine, three

433
00:28:35.440 --> 00:28:39.960
<v Speaker 1>quarters solid oak front door with sidelights, and there's fancy glass,

434
00:28:40.079 --> 00:28:44.119
<v Speaker 1>and there's all sorts of stuff. And this happens all

435
00:28:44.160 --> 00:28:47.640
<v Speaker 1>the time. People they realize what's time for a new

436
00:28:47.680 --> 00:28:50.160
<v Speaker 1>front door, and they head out to the to the

437
00:28:50.279 --> 00:28:55.920
<v Speaker 1>door place near them. There's all these big, fancy, gorgeous doors,

438
00:28:56.440 --> 00:29:00.319
<v Speaker 1>door catalogs, and what they lose sight of is is

439
00:29:01.160 --> 00:29:06.720
<v Speaker 1>what exactly matches up with their home. Okay, does this

440
00:29:06.799 --> 00:29:11.440
<v Speaker 1>door even work? Do you need a wood stained door

441
00:29:11.759 --> 00:29:13.519
<v Speaker 1>on the front of your home or is it best

442
00:29:13.559 --> 00:29:16.279
<v Speaker 1>for your heart for your door to be painted paint

443
00:29:16.319 --> 00:29:20.200
<v Speaker 1>gray door, maybe even a cool, really cool standout color.

444
00:29:20.759 --> 00:29:24.039
<v Speaker 1>This kind of stuff. So just to just to make

445
00:29:24.079 --> 00:29:26.720
<v Speaker 1>sure I hit that on the list. Okay. One of

446
00:29:26.799 --> 00:29:31.440
<v Speaker 1>the things that is an issue that a lot of

447
00:29:31.440 --> 00:29:35.519
<v Speaker 1>people have inherited are weird front doors that just don't

448
00:29:35.599 --> 00:29:39.000
<v Speaker 1>match up with the design and flow of the house.

449
00:29:39.160 --> 00:29:41.759
<v Speaker 1>I've seen it so many times that we've got a

450
00:29:41.920 --> 00:29:44.480
<v Speaker 1>kind of a contemporary home and it's got a door

451
00:29:44.559 --> 00:29:48.000
<v Speaker 1>that looks colonial, just downright colonial. On the front teens

452
00:29:48.079 --> 00:29:50.759
<v Speaker 1>nodding like, oh, how many times have we seen that?

453
00:29:51.319 --> 00:29:54.400
<v Speaker 1>So it's something to think about, it's something to consider,

454
00:29:54.400 --> 00:29:57.039
<v Speaker 1>it's something to evaluate. And again, you know what, you

455
00:29:57.160 --> 00:30:01.079
<v Speaker 1>might be in the enviable position where you agree and

456
00:30:01.079 --> 00:30:03.160
<v Speaker 1>you're like, yeah, we should change out that front door.

457
00:30:03.200 --> 00:30:06.480
<v Speaker 1>And guess what, the right door for your house way

458
00:30:06.559 --> 00:30:11.240
<v Speaker 1>less expensive than the one that's there now. Okay, quite

459
00:30:11.319 --> 00:30:15.720
<v Speaker 1>quite possible, very very possible, if it's overconstrued along the way.

460
00:30:16.440 --> 00:30:18.240
<v Speaker 1>All right, what else do I have on the list here?

461
00:30:19.000 --> 00:30:22.920
<v Speaker 1>Blocked off windows meaning that there was a window there,

462
00:30:23.839 --> 00:30:27.559
<v Speaker 1>and you know, maybe maybe if the room was done

463
00:30:27.640 --> 00:30:31.319
<v Speaker 1>right and you don't need that window any longer. Fine,

464
00:30:32.039 --> 00:30:36.000
<v Speaker 1>but here's my point. If I can tell from the

465
00:30:36.039 --> 00:30:38.920
<v Speaker 1>inside or from the outside that there used to be

466
00:30:38.920 --> 00:30:41.640
<v Speaker 1>a window there because the wall's a little bumpy, or

467
00:30:41.720 --> 00:30:45.359
<v Speaker 1>we can see the patch, then yeah, that's a no go.

468
00:30:45.880 --> 00:30:49.440
<v Speaker 1>That's a no go. Then we need to get it fixed. Okay,

469
00:30:49.559 --> 00:30:51.599
<v Speaker 1>we need to get it fixed and do it right

470
00:30:52.279 --> 00:30:56.240
<v Speaker 1>or put the window back quite often the case. Right,

471
00:30:56.599 --> 00:30:59.480
<v Speaker 1>So don't accept that, don't accept that kind of finish

472
00:30:59.640 --> 00:31:04.039
<v Speaker 1>for your That's literally an issue of somebody rushing through

473
00:31:04.039 --> 00:31:07.640
<v Speaker 1>a thing, changing it out and not taking the time

474
00:31:07.799 --> 00:31:11.839
<v Speaker 1>to get it right. And here's the last thing. I'll

475
00:31:11.920 --> 00:31:14.039
<v Speaker 1>leave you with this because it's a kind of the

476
00:31:14.039 --> 00:31:18.160
<v Speaker 1>culmination of this one thought. I have a very very

477
00:31:18.160 --> 00:31:21.799
<v Speaker 1>simple rule when it comes to remodeling, when it comes

478
00:31:21.880 --> 00:31:25.039
<v Speaker 1>to room editions, when it comes to any alteration on

479
00:31:25.160 --> 00:31:29.039
<v Speaker 1>your home, it is the rule to judge them all

480
00:31:29.119 --> 00:31:34.400
<v Speaker 1>by And it's very simply when you're done, when it's

481
00:31:34.440 --> 00:31:38.559
<v Speaker 1>all said and done. If somebody like myself who has

482
00:31:38.799 --> 00:31:42.079
<v Speaker 1>never been to your home before, can walk through your

483
00:31:42.079 --> 00:31:47.880
<v Speaker 1>home and see that something has been done, then it

484
00:31:47.920 --> 00:31:50.640
<v Speaker 1>has fallen below the bar. That's a fail. It's a fail,

485
00:31:50.960 --> 00:31:54.000
<v Speaker 1>all right. That includes the stuff that at the very

486
00:31:54.000 --> 00:31:56.920
<v Speaker 1>beginning of our list of this series, things like the

487
00:31:57.000 --> 00:32:00.519
<v Speaker 1>room edition that just seems like it's in the wrong place.

488
00:32:01.319 --> 00:32:04.319
<v Speaker 1>And people are going to be polite, I mean, hopefully

489
00:32:04.319 --> 00:32:06.359
<v Speaker 1>people are going to be polite. But if anybody's ever

490
00:32:06.400 --> 00:32:09.039
<v Speaker 1>walked in your home and said, oh, you know, that's

491
00:32:09.079 --> 00:32:11.440
<v Speaker 1>an that's a I see you've added onto the house.

492
00:32:11.640 --> 00:32:14.720
<v Speaker 1>How how how can they see that that you've added

493
00:32:14.759 --> 00:32:20.359
<v Speaker 1>onto the house unless what has been added on doesn't

494
00:32:20.400 --> 00:32:25.519
<v Speaker 1>exactly fit with the rest of the house. So our

495
00:32:25.720 --> 00:32:28.319
<v Speaker 1>rule for remodeling and room editions and all of that

496
00:32:28.440 --> 00:32:33.440
<v Speaker 1>kind of stuff. Any structural and or artifice changed to

497
00:32:33.519 --> 00:32:35.920
<v Speaker 1>the house. Is that when it's said and done, somebody

498
00:32:35.920 --> 00:32:39.000
<v Speaker 1>who's never been there before should arrive at the house

499
00:32:39.039 --> 00:32:41.279
<v Speaker 1>and never give a second thought to the fact that

500
00:32:41.359 --> 00:32:44.079
<v Speaker 1>this is how it was built on day one. This

501
00:32:44.279 --> 00:32:48.680
<v Speaker 1>is just, of course, it's right. Everything is integrated, everything belongs,

502
00:32:49.000 --> 00:32:52.039
<v Speaker 1>everything has the right roof over it, Every wall is

503
00:32:52.079 --> 00:32:56.559
<v Speaker 1>where it should be. That's our goal. That is proof

504
00:32:57.160 --> 00:32:59.799
<v Speaker 1>of the right kind of remodel. And if your home

505
00:33:00.119 --> 00:33:05.799
<v Speaker 1>has inherited some elements that has fallen short, then now

506
00:33:05.839 --> 00:33:09.359
<v Speaker 1>you know where to focus to get your daily experience

507
00:33:09.400 --> 00:33:11.160
<v Speaker 1>of your home. And you know all of this advice.

508
00:33:11.559 --> 00:33:14.839
<v Speaker 1>This is not so that you know you can show

509
00:33:14.880 --> 00:33:17.000
<v Speaker 1>off your house better to other people. This is so

510
00:33:17.119 --> 00:33:19.440
<v Speaker 1>that the home that you live in is a full

511
00:33:19.480 --> 00:33:23.759
<v Speaker 1>experience for you. That's what I'm about every single week

512
00:33:23.799 --> 00:33:27.559
<v Speaker 1>that we are here. All right, here is my final

513
00:33:27.599 --> 00:33:31.160
<v Speaker 1>thought for you today. It's simply simply this. It's just

514
00:33:31.240 --> 00:33:34.960
<v Speaker 1>a reminder number one that it's a gorgeous day and

515
00:33:35.000 --> 00:33:37.640
<v Speaker 1>that you need to get out into it and make

516
00:33:37.720 --> 00:33:39.960
<v Speaker 1>some hay while the sun is shining. As it were,

517
00:33:40.759 --> 00:33:45.319
<v Speaker 1>but also one final reminder, because it's important that right

518
00:33:45.359 --> 00:33:49.279
<v Speaker 1>here next weekend, we are going to be doing our

519
00:33:49.599 --> 00:33:55.720
<v Speaker 1>annual legendary live audience holiday home show right here at

520
00:33:55.759 --> 00:33:59.960
<v Speaker 1>the iHeart Studios in Burbank, and you are invited. How

521
00:34:00.680 --> 00:34:03.359
<v Speaker 1>all you have to do is go to our Instagram

522
00:34:03.440 --> 00:34:06.799
<v Speaker 1>and our Facebook page home will deem bind the holiday

523
00:34:06.839 --> 00:34:10.280
<v Speaker 1>post and just comment, hey, I would love to enter

524
00:34:10.400 --> 00:34:14.199
<v Speaker 1>to win a seat, and you're entered to win the seat,

525
00:34:14.280 --> 00:34:18.280
<v Speaker 1>and then keep checking, Keep checking today, tomorrow and the

526
00:34:18.320 --> 00:34:21.639
<v Speaker 1>next day. Keep checking your messages because we're going to

527
00:34:21.719 --> 00:34:25.639
<v Speaker 1>direct message you on Facebook and Instagram to let you

528
00:34:25.719 --> 00:34:28.360
<v Speaker 1>know if you wont And those of you who have

529
00:34:28.519 --> 00:34:31.320
<v Speaker 1>entered previously, you got to check your messages because we've

530
00:34:31.320 --> 00:34:33.760
<v Speaker 1>got a few of you out there who've won seats

531
00:34:33.960 --> 00:34:36.159
<v Speaker 1>and who have not confirmed it, and we're going to

532
00:34:36.239 --> 00:34:39.039
<v Speaker 1>give those seats to somebody else. If you don't get

533
00:34:39.079 --> 00:34:42.159
<v Speaker 1>back to us, Today is the last day to enter.

534
00:34:42.920 --> 00:34:43.320
<v Speaker 2>Do it.

535
00:34:43.639 --> 00:34:45.440
<v Speaker 1>You're going to have a great time. We're going to

536
00:34:45.519 --> 00:34:49.559
<v Speaker 1>have just a blast, and I am so looking forward

537
00:34:49.840 --> 00:34:52.239
<v Speaker 1>to next weekend. I hope you are too. Until then,

538
00:34:52.679 --> 00:34:54.960
<v Speaker 1>get out there in this beautiful day and get busy

539
00:34:55.079 --> 00:34:58.280
<v Speaker 1>building yourself a beautiful life. We'll see you next week.

540
00:35:05.559 --> 00:35:09.000
<v Speaker 1>This has been Home with Dean Sharp, the House Whisper.

541
00:35:09.119 --> 00:35:12.039
<v Speaker 1>Tune into the live broadcast on KFI AM six forty

542
00:35:12.079 --> 00:35:15.239
<v Speaker 1>every Saturday morning from six to eight Pacific time, and

543
00:35:15.320 --> 00:35:18.599
<v Speaker 1>every Sunday morning from nine to noon Pacific time, or

544
00:35:18.840 --> 00:35:22.079
<v Speaker 1>anytime on demand on the iHeartRadio app
