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Speaker 1: Look for Monday. I put the record off. It took

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me so I will not stop stop dead.

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Speaker 2: I'm the record on. I thought the Riday, I thought

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the Friday, we're not just stop dead. They call it twisted.

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Speaker 1: They called me trinksa. They go that was not dead.

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Speaker 3: I do volume.

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Speaker 1: I thought the roday, I thought the dam actually let

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a model the shave.

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Speaker 3: Let us follow day, then a bottel the shame, and

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then there's man.

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Speaker 1: The past three seats side that they basingly in place.

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Speaker 2: Three seats and they'll be calling. Now we'll look for Monday.

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I'm putting the wrecked on. You tell me inside, I'm

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not stopping. I'm put the wreck it on. I though

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the right day. I thought the frock day, you're not

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not good. They go be twisted, they comment right, they.

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Speaker 1: Go take most not. I tell about you, mom. I

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thought the riding, I thought, you're not gonna get old Nolly.

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Speaker 3: For you.

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Speaker 4: Thet A bottle sat the father again, then a follow

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the sad, and then a solid in pas three seats

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from coming serment. They recently in based three seats.

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Speaker 3: The class.

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Speaker 5: In base three SS energy passion in bases REC infected

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a massive in basic REC energy passion in base three

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seeds infected.

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Speaker 1: The massive energy, impassion infected the massive energy and impassion

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impacted the massive play double Sunday, I got a tire,

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doesn't all.

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Speaker 3: Sunday.

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Speaker 6: If that doesn't get your moving, check your pulse, you

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might be dead. Welcome back, everybody. We have entered our

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number two Numarados of Matt Connerton unleashed. If you are

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listening live on Saturday, today is Saturday, August sixteen. We

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are broadcasting live from the studios of w m n

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H ninety five point three FM in Glorious Manchester, New Hampshire.

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Jenny is here as well, of course at the news table,

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and we have with us in studio three of the

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members of the band Superbug. And that track that we

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just heard, Invasive Species is uh, that's that's such a

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great song.

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Speaker 7: Welcome guys, uh, thank you, thank you great to be here.

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Speaker 6: Let's start with you, sir in the corner. Why don't

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you each tell us who you are what you do

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in the band.

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Speaker 8: I'm Justin and I'm the vocalist.

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Speaker 7: Hey Justin, I am reb and I am a guitar player.

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Speaker 6: Pretty easy to remember.

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Speaker 9: Yes, and you, sir, I'm Parker, I'm the drummer.

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Speaker 6: Okay, and no, uh and the bass players. I'll tell

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you those bass players. The bass players what he abducted

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by aliens or something?

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Speaker 3: Is he is?

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Speaker 7: He gets subducted regularly. Yeah, he's the local man of

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mystery for us. Yes, but we don't want to diminish

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him by not being here because he's the sound.

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Speaker 6: Oh absolutely absolutely, that's what opens that song. Is he

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hear the first thing you hear is that bassline? I

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love it. I love it. You guys have a great

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have a great sound. How do you even how do

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you describe what you do? Because everyone always hates this question,

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but how do you describe your own I.

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Speaker 7: Got you okay that it is progressive punk funk with

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like a sprinkle of metal and a little hip hop too. Yeah, yeah, yeah,

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I say that's pretty close.

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Speaker 6: I can hear all that. Yeah, absolutely absolutely. We're gonna

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play some of the other tracks to later in the uh,

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later in the segment, but no, it's really good. Gets

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you moving. How long have you guys been around? I know,

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I know it's been a while because I you definitely

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have a following because I saw people online were like,

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oh cool, superbug you know people, people are excited that

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you're coming on the show today. So I mean, you

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guys been been at this while or.

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Speaker 9: Yeah, yeah, four or five years?

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Speaker 7: Okay, okay, I've been with them for four years right

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about now? Actually, oh okay. So they were a thing

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prior to me coming in.

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Speaker 3: Uh.

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Speaker 7: Matter of fact, I was in a different band. I

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watched them play and I was so jealous because I

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thought they were so cool. Yeah, but I did think

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that maybe a new guitar player would suit them better. Right,

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So when the opportunity came up, I had to jump

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on it.

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Speaker 6: Yeah, that's that's always cool when you know, you see

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a band and you think, wow, that's a band I'd

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like to be in, and then it happens.

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Speaker 7: Yeah, I was jealous.

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Speaker 10: I like their energy, and I was actually shock my

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first guitar player he didn't. We wanted to push it further.

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You can play out a lot, and he didn't. He

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wasn't really into that, and he said, maybe you guys

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should find another guitar player.

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Speaker 8: So really, we know, we know a guy.

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Speaker 6: So it sounds like it was amicable then.

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Speaker 10: Right, Yeah, absolutely, And it worked great because read was

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perfect for I couldn't believe how well, because I've known

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these guys well, justin since, you know, great school.

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Speaker 7: Yeah, I didn't. I he was singing. I heard it

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through the grapevine in town. I'm like what, And I

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watched and I was like, Wow, he's up there killing it.

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Speaker 6: I really dig it. Oh that's cool. Yeah, because one

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of the hardest things, you know, from my own experience

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being in the band is, you know, you've always got

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people with varying levels of commitment and and and even

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varying degrees of ambition, Right, so if you have somebody

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who's you know, it sucks when you have somebody in

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the band who's kind of holding you back a little bit,

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not because they're not talented or anything like that, but

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just because they're kind of looking at it like, yeah,

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this is more this is more of a hobby to

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me and not much of a passion, you know, And

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it kind of sounds like that's what you were dealing with.

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Speaker 7: I think we've all been there, not in just the

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previous iteration of Superbug, but also other bands we've been in.

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Speaker 8: Sure, Well, yeah, he was in another band and the

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bass player didn't really want.

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Speaker 7: To play out, so similar situation.

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Speaker 8: Yeah, So we were like, well, we mus as well

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join forces here and.

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Speaker 7: Not that though. We like to hang out like we're

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generally friends, like yeah, even if we're not jamming, if

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there's an opportunity to go see another band or go somewhere,

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we travel on a pack. It's kind of like we

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form like vultron.

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Speaker 6: That's good. That's good. So obvious question. Where does his

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name Superbug come from?

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Speaker 8: Why?

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Speaker 6: Superbug?

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Speaker 7: This is actually funny, So in the bug bar and

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where we rehearse In my house, I've got an old

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Nixon poster from the seventies, a screen print of him

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basically trying to bug the Democratic National Party and at

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the bottom of the print says Superbug.

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Speaker 1: Oh wow.

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Speaker 7: And we had our number one fan, Sean Kelly Money

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shout out. He saw it on the on the poster.

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He said, why not Superbug? Because I think they were

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Pine Tree Riot previously, which.

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Speaker 6: You know, not horrible but uh interesting, right, pine Tree Riot.

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Speaker 7: So Superbug became you know, just by choice. We'd like

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to have it as one word, but for the uh

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iTunes and Spotify purposes, separating it into two words kind

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of made it easier to search.

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Speaker 6: Okay, okay, yeah, I wondered about that, because I even

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went back and edited the initial post. Still, I think

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of the post I put about today's show, I've got

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put it in two words, and I changed one word.

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But I think I then there's that that compromise thing

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you can do where it's one word, but you've got

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bug is capitalized, so it's.

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Speaker 7: It doesn't really matter. Yeah, down's the same, you say.

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Speaker 6: Right, right, that's true. That's true.

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Speaker 7: Now, you guys playing out a lot, Yeah, I got

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a list here if you're curiousness to win, absolutely absolutely,

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And I want to give a shout out to the

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Superbug wives for letting us play out, because you know,

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it's definitely a tricky compromise to make, and we're spending

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all this time playing music and going out and yeah,

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you know, it's a lot of Saturday nights giving up.

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So shout out to the ladies out there for supporting us.

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Speaker 6: Nice.

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Speaker 7: Yeah, but no, we have one next weekend Molehill Theater

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in Alsted with our friends the Evocatives, who are tremendous

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auspicious brew on nine thirteen. Up in Dover Button Factory

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in Portsmouth on nine twenty seven with Mercury Burns first

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also a Hillsborough.

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Speaker 6: Oh, we had them on the show. Plus I've known

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Jay forever. Yeah, really great band.

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Speaker 9: Yeah, we're looking forward to that.

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Speaker 6: Yeah.

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Speaker 7: We're playing October Fest at the Auburn Pitts Hanneker Brewing

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Company on ten seventeen, and then Auspicious Underground in Nashua

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in November. Okay, So you know, it's funny. I don't

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know if there's any other bands going out dealing with

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this sort of thing. We basically play our own stuff.

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We don't really do any covers.

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Speaker 6: Yeah.

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Speaker 7: So there's a point in the winter, probably from December

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to April, where it seems like all hope is lost

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and you're never going to play a show again, and

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you're depressed. And then all of a sudden, you know,

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May June hits and you just we've had to turn

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stuff down. She's a great place to be in.

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Speaker 6: You know, that's a great problem math Yeah.

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Speaker 7: Yeah, yeah, So we're really thankful for anybody giving us

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an opportunity to play anywhere.

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Speaker 11: Yeah.

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Speaker 6: Are there other bands in the area that you guys

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kind of you know what happens organically. Are there other

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bands that you've kind of teamed up with where you

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just Yeah, play a lot of shows.

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Speaker 7: The Evocatives out of Keene. They're fantastic. Check them out.

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Big shout out to Andrew North and the Rangers.

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Speaker 6: Oh yeah, we've had them on amazing and they.

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Speaker 7: Andrews the open Mic Night, the open Mic Night kind

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of that they were doing an area twenty three and conquered.

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We went in twenty probably twenty twenty three early and

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we were just Hillsborough. We never get out of Hillsboro.

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So the fact that we went there we played people

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dug us. It gave us confidence to say, hey, we

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could actually go out and do this.

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Speaker 6: Yeah.

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Speaker 7: And Andrew's been a big supporter of us. You know,

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we played their showcase last November with them. He sat

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in with us a few times. Great Dudes, Loud Pipes

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Productions also another one.

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Speaker 10: And lady who say, wasn't I said, and lady, Yes, lady,

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there's a lady in the band too.

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Speaker 7: He said, Great Dudes, Oh I gotcha, Okay, I didn't

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know where he was going with ye.

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Speaker 6: Thank you.

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Speaker 7: Shout out to Jay Rock.

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Speaker 4: Yeah.

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Speaker 7: And then you know the Hillsborough bands that are great.

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Hobo Wizard is cool if you haven't checked them out too, So.

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Speaker 6: As somebody else, Jenny, do you remember that name? Somebody

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else mentioned them too on the show. I forget who

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it was who mentioned them recently, Hobo Wizard, I don't remember. Yeah,

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that came up recently though.

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Speaker 7: And then Parker also plays with Stage and the Tumbleweeds

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who are Crazing. And then I play in Dent Out

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of Hillsborough. So okay, yeah, Hillsborough Drug Deal Gone rad

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is out of there. I mean, by the way, best

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drug deal, right, drug Deal gun d check them out?

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Speaker 6: A great name.

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Speaker 7: Yeah, yeah, yeah, Hillsborough's popping. They got it's it's actually

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got some pretty cool live stuff. Yeah, Mercury Burns first, Yeah,

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Shredded Heaven's Redded Heaven. Yeah, yep, that's a cool name too.

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Speaker 11: Yeah.

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Speaker 6: There's so much well we're talking off here about this too.

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There's so much incredible talent around here, you know, because

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sometimes like Jenny does a booking and sometimes somebody will

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ask her, you know, where do you find her? Or

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they'll ask me, where does Jenny find all all these

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artists to come on the show, And I'm like, well,

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I'm magic. Yes, there is that, but there's also there's

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so much talent around here. It's it's amazing. That's exactly

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what it is.

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Speaker 12: Yes, I understand more now why it's hard for people

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to make it because there is so much balent out there.

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You know, I didn't realize it until we started doing this.

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Speaker 6: Yeah. Oh yeah, absolutely.

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Speaker 7: It really seems this year like things they're starting to

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pick up. I don't know, it's weird, like the paper

247
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jam thing that's coming out. Ye, shout out to Shila

248
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and Tony. Great people. We love paper jams.

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Speaker 11: Yeah.

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Speaker 7: So the fact that we get that and in this,

251
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you know, it's like things are starting to pop. So

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it's pretty cool.

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Speaker 6: We should mention that too. So you're in the current issue.

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Speaker 7: September October issue September.

255
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Speaker 6: October, you're gonna be like, Okay, oh fantastic.

256
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Speaker 7: Yeah, check the page out. They got great stuff and

257
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they're great content, content and really nice people.

258
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Speaker 6: Yeah. They've been sending us the both the you know,

259
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because the two versions as a color version of the

260
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black and white version, and they actually sent us both

261
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last time. They have our they have the Matt Connerton

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on Leash logo right in the front, which we love.

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We love. No, they're they're amazing and they're you know

264
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it's it's the thing that's impressive, because we had them

265
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on the show too and interviewed them, and what's impressed

266
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them about paper Jam is, you know, there's a perception that,

267
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you know, any kind of print media is kind of

268
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dead and that, you know, because everything's online and and

269
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but they've been very successful, you know, taking that risk.

270
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I remember asking them about this too. I said, this

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is quite a gamble that you took, you know, even

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getting into this, because I'm sure people, although I was surprised.

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I asked them, I said, did anyone try to talk

274
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you out of it? And they said no. I said, Okay,

275
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that surprises me. But I'm glad because, you know, because

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here we are and they're doing incredibly, incredibly well.

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Speaker 7: It's a great service for the bands out there.

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Speaker 11: You know.

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Speaker 7: They bought us pizza, they talked to us. You know,

280
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you get to play some songs for him, They did

281
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a photo shoot. I mean super cool. You know, for listen,

282
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we're not going to make any money or become real

283
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rock stars, but to get a little slice of it,

284
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that's super cool.

285
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Speaker 6: Yeah. Yeah, absolutely. I'm also curious about where you record

286
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because I love I love your sound, I love the production.

287
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It's all really good.

288
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Speaker 7: We did that right here in the Mills, New Hampshire Tunes. Okay,

289
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shut out to Zaine MacDonald. Okay, yeah, said we did, Daniel.

290
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Sorry again, we did it that record. We did it

291
00:14:05,000 --> 00:14:08,200
in about seven hours of recording. All the takes are

292
00:14:08,240 --> 00:14:12,360
basically first or second take, mostly first. Yeah, no overdubs.

293
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Speaker 8: I think essentially live album.

294
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Speaker 7: Yeah, okay, I doubled the one guitar solo I think

295
00:14:17,240 --> 00:14:19,879
on blame Game at the end, and then even the

296
00:14:19,960 --> 00:14:23,759
vocal takes that we did afterwards. Uh, maybe one song

297
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had two Yeah, I no patience for perfection, probably detrimentally,

298
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but you know, we like to keep it raw.

299
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Speaker 6: I think it works for what you're doing. I think

300
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it does, and it does sound live. It's it's got that,

301
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it's got an energy to it that that comes through

302
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that way.

303
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Speaker 7: If you watch a live version of the song you

304
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just played, it's almost gonna sound identical. Really, it's it's

305
00:14:42,919 --> 00:14:43,519
just our sound.

306
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Speaker 6: Yeah, yeah, well we should play let's play another track

307
00:14:46,480 --> 00:14:48,360
from the These are all from the album right there.

308
00:14:48,759 --> 00:14:51,759
Speaker 7: Yeah, Hesitation, Jelly out now on Spotify, iTunes, all that

309
00:14:51,840 --> 00:14:52,320
fun stuff.

310
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Speaker 6: Oh okay, I have to know before we go any further.

311
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Hesitation jelly?

312
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Speaker 3: What what? What is that?

313
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Speaker 7: Worm? You can tell them this is this even something?

314
00:15:00,039 --> 00:15:01,039
Then you can tell on the air.

315
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Speaker 6: Yeah, okay.

316
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Speaker 10: Nobody would ever guess where it came from. I have

317
00:15:07,279 --> 00:15:11,080
four boys at home, and one of my sons walked

318
00:15:11,120 --> 00:15:13,960
into the the living room while I was sitting there

319
00:15:14,000 --> 00:15:16,240
having a beer and he and he did this little

320
00:15:16,440 --> 00:15:19,919
jig back and forth and he said, hesitation jelly, and

321
00:15:20,080 --> 00:15:23,759
I was like what I And it was, you know,

322
00:15:23,919 --> 00:15:26,360
he was acting like he was dribbling a basketball and

323
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and you know, hesitation is you know, the move that

324
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you're doing while you're dribbling or whatever.

325
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Speaker 8: And I guess, jelly is you know, if you're good

326
00:15:34,759 --> 00:15:35,759
at it, you're like jelly.

327
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Speaker 10: I don't know, but I and then I texted the

328
00:15:38,679 --> 00:15:40,279
band and I said, if we ever have an album,

329
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we got to call it hesitation Jelly, you know, And

330
00:15:43,799 --> 00:15:45,399
and they were down with it. And then actually I

331
00:15:45,440 --> 00:15:47,799
forgot all about it. And then when we made the album,

332
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Reeb said, yeah, hesitation jelly, and I was like, oh,

333
00:15:50,240 --> 00:15:52,600
I forgot all about that. You know, that's great, but it's.

334
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Speaker 8: Something that nobody would ever I have any idea where

335
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it came from.

336
00:15:56,519 --> 00:15:58,440
Speaker 7: I have a different explanation. I like to tell people

337
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that it's it's why jelly with some stand in it.

338
00:16:01,559 --> 00:16:02,840
You're gonna hesitate to use that.

339
00:16:03,360 --> 00:16:05,559
Speaker 6: That's right. Well, on that note, we'll get to the

340
00:16:05,720 --> 00:16:06,600
what should we play next?

341
00:16:08,840 --> 00:16:11,759
Speaker 7: Hmm, I say, let's put it just go song? What

342
00:16:11,840 --> 00:16:12,240
do you think?

343
00:16:12,879 --> 00:16:13,279
Speaker 6: What is that?

344
00:16:13,360 --> 00:16:13,879
Speaker 7: Feeling the need?

345
00:16:13,960 --> 00:16:15,399
Speaker 9: Feeling the need, feeling the need?

346
00:16:15,480 --> 00:16:19,519
Speaker 6: All right, uh, let's see. Oh, here we go. Got this? Okay? Uh,

347
00:16:19,639 --> 00:16:21,799
here it is. This is feeling the need. This is superbug.

348
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This is really good.

349
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Speaker 1: My thoughts are heavy, random, down, swirling foggo.

350
00:16:58,879 --> 00:16:59,559
Speaker 3: What I got?

351
00:17:00,440 --> 00:17:05,039
Speaker 1: He don't go feeling? I could enough? Gis it enough?

352
00:17:05,960 --> 00:17:06,880
Speaker 3: I could enough?

353
00:17:08,400 --> 00:17:12,240
Speaker 1: Say they won't have to please think that they go.

354
00:17:13,319 --> 00:17:14,640
Speaker 12: The en.

355
00:17:17,039 --> 00:17:22,279
Speaker 2: Well, just non sense to die. You know, you gotta try.

356
00:17:24,400 --> 00:17:29,319
Never you wander where when they will come up in

357
00:17:44,599 --> 00:17:46,279
you shouldn't believe in yourself.

358
00:17:48,240 --> 00:17:53,720
Speaker 1: They don't the fact you person? What's your father? The brains?

359
00:17:53,839 --> 00:17:54,839
And gainy five?

360
00:17:55,640 --> 00:17:56,480
Speaker 3: My fat?

361
00:17:56,519 --> 00:17:57,400
Speaker 13: What you come in.

362
00:17:59,480 --> 00:18:03,480
Speaker 1: When it up from the hor He was like, the

363
00:18:03,599 --> 00:18:08,480
best way to start, So we get off, Brady. She

364
00:18:08,880 --> 00:18:13,839
gave up. She said, the tai take you off with baby.

365
00:18:13,960 --> 00:18:18,039
It's time to sto creation.

366
00:18:19,599 --> 00:18:21,359
Speaker 3: Might be a good time.

367
00:18:23,160 --> 00:18:30,880
Speaker 1: Because now we's kinda shine. Never to wander ware when

368
00:18:30,960 --> 00:18:32,000
it will come a This.

369
00:18:34,480 --> 00:18:36,279
Speaker 3: Might be a good time.

370
00:18:38,119 --> 00:18:43,359
Speaker 1: Because now we're time to shine, never to wander.

371
00:18:43,160 --> 00:19:11,599
Speaker 3: Ware when it will come up. You got just feeling

372
00:19:11,720 --> 00:19:11,960
in the.

373
00:19:12,039 --> 00:19:14,519
Speaker 1: Back of your mind, like maybe get a mess if

374
00:19:14,559 --> 00:19:17,039
you went there one sometime. Do tho's around?

375
00:19:17,119 --> 00:19:19,880
Speaker 3: You wants being mad? All the people who's a round?

376
00:19:19,920 --> 00:19:22,440
Speaker 1: You want the living dead? So you gotta up your

377
00:19:22,519 --> 00:19:23,920
nuts and you stick the mountain.

378
00:19:24,039 --> 00:19:27,759
Speaker 2: Look if it's your wins coming out, you sup the

379
00:19:27,920 --> 00:19:29,440
hair rou your nose.

380
00:19:29,759 --> 00:19:30,920
Speaker 3: Now you moping up your.

381
00:19:30,839 --> 00:19:33,920
Speaker 1: Com first feeling the good the river on perform when

382
00:19:34,000 --> 00:19:34,960
it's a bumble bo.

383
00:19:37,680 --> 00:19:49,400
Speaker 14: Creating line, create your mind, create the sky, created fi.

384
00:19:51,960 --> 00:19:56,160
Speaker 1: Create and fly.

385
00:19:59,200 --> 00:19:59,559
Speaker 3: Crea.

386
00:20:08,039 --> 00:20:11,279
Speaker 6: Oh, I love that feeling the need. The band is

387
00:20:11,319 --> 00:20:14,319
Superbug and the album is Hesitation Jelly, which is fun

388
00:20:14,400 --> 00:20:17,720
to say too if you are just joining us. We

389
00:20:17,799 --> 00:20:19,960
have the guys from Superbug here in studio with us,

390
00:20:20,039 --> 00:20:23,559
or most of the band anyway. But yeah, that's really cool.

391
00:20:23,599 --> 00:20:25,799
So we were talking off air about that song. Actually

392
00:20:25,880 --> 00:20:26,559
pretty interesting.

393
00:20:27,519 --> 00:20:29,799
Speaker 7: Yeah, So I had originally written that for another band

394
00:20:29,839 --> 00:20:33,400
I was in, but just they weren't feeling it, so yeah,

395
00:20:33,640 --> 00:20:35,519
almost out of spite, I was like, I'm gonna take

396
00:20:35,559 --> 00:20:38,319
this and I'm gonna make something of it. Yeah, And

397
00:20:38,839 --> 00:20:40,759
so we played it, and if you listen to the

398
00:20:40,799 --> 00:20:42,920
second verse you hear those high pitched vocals come in.

399
00:20:43,240 --> 00:20:45,720
That was the actual song. Those were the actual vocals

400
00:20:45,759 --> 00:20:47,359
that were on it. Yeah, But I didn't want to

401
00:20:47,400 --> 00:20:49,640
do it because in this band we have kind of

402
00:20:49,680 --> 00:20:52,079
our duties. You know, Worm does all the words. Excuse me,

403
00:20:52,359 --> 00:20:54,640
Justin does all the words. So I didn't want to

404
00:20:54,680 --> 00:20:56,319
dictate what he was going to think, because you don't

405
00:20:56,359 --> 00:20:57,880
like that. So I let him do his own thing

406
00:20:57,960 --> 00:20:59,839
over it. And after playing it for a while, I said,

407
00:20:59,880 --> 00:21:02,000
you know what, I'm gonna try doing the original words

408
00:21:02,079 --> 00:21:04,039
in the second verse behind it, okay, And it just

409
00:21:04,240 --> 00:21:05,960
gave it a little bit of a lift and sounded cool.

410
00:21:06,039 --> 00:21:06,799
Speaker 9: So we kept yeah.

411
00:21:07,000 --> 00:21:10,160
Speaker 7: Yeah, and actually that's the song Parker learned a disco beat.

412
00:21:10,000 --> 00:21:13,599
Speaker 9: For too, Okay, Okay, it's we call it the disco song.

413
00:21:13,720 --> 00:21:16,720
Speaker 6: Yes, okay, that makes sense. Yeah, I was saying too

414
00:21:16,759 --> 00:21:19,160
off air to me. Of the four that that you sent,

415
00:21:19,319 --> 00:21:21,279
that's that's the most interesting in terms of how it's

416
00:21:21,359 --> 00:21:25,480
arranged and and you know you've got the uh. I

417
00:21:25,599 --> 00:21:27,880
love that, you know, that first build up there where

418
00:21:28,079 --> 00:21:31,599
it's like, oh, it's changing, but it all works, It

419
00:21:31,680 --> 00:21:33,240
all flows so perfectly.

420
00:21:33,599 --> 00:21:35,799
Speaker 7: I tried to write a song I wanted something the

421
00:21:35,920 --> 00:21:38,160
A string. It's in A but the the low A

422
00:21:38,440 --> 00:21:41,200
is through every or everything, so all it's just variations

423
00:21:41,240 --> 00:21:43,440
on A chords within that. So yeah, the A string

424
00:21:43,519 --> 00:21:45,160
is always ringing out on it. And that was the

425
00:21:45,279 --> 00:21:47,720
challenge because I think crazy train like the verse for

426
00:21:48,160 --> 00:21:50,359
you know, ozsy and that chugging, but all those are

427
00:21:50,400 --> 00:21:52,559
kind of iterations of A that work with it. Yeah,

428
00:21:52,599 --> 00:21:53,680
that was what I was shooting for.

429
00:21:54,000 --> 00:21:56,680
Speaker 6: Yeah, yeah, and the uh you know, and the change

430
00:21:56,720 --> 00:21:58,799
with the drums too. Oh yeah.

431
00:21:58,960 --> 00:22:00,960
Speaker 7: Like I said, there was a white stripe beat just

432
00:22:01,039 --> 00:22:01,480
to give you.

433
00:22:01,480 --> 00:22:04,240
Speaker 6: That yeah, simple yeah, yeah, no, that's that's really cool?

434
00:22:04,680 --> 00:22:04,839
Speaker 11: Is that?

435
00:22:06,400 --> 00:22:08,039
Speaker 6: Is that hard to pull off live at all? Or

436
00:22:08,720 --> 00:22:09,279
work pretty well?

437
00:22:09,440 --> 00:22:11,480
Speaker 7: Like you said, any of the stuff you hear on

438
00:22:11,519 --> 00:22:14,519
the record, that's basically a live recording, and uh, these

439
00:22:14,559 --> 00:22:16,079
are all things that are in our set currently.

440
00:22:16,279 --> 00:22:18,960
Speaker 6: Yeah. Yeah. Do you guys have do you guys have

441
00:22:19,039 --> 00:22:22,119
anything that you that you play that you haven't recorded yet?

442
00:22:22,279 --> 00:22:24,640
Speaker 7: Oh, we've got tons. We've got probably two more records

443
00:22:24,680 --> 00:22:27,400
worth the stuff, no kidding, We've got thirty six originals.

444
00:22:27,480 --> 00:22:29,960
I think, oh my god, they're always coming. Just it's

445
00:22:30,160 --> 00:22:33,759
very creative group. But I've never it's never flowed so easily. Yeah,

446
00:22:34,000 --> 00:22:36,640
for anything I've been in and everybody contributes to, uh,

447
00:22:37,359 --> 00:22:39,720
they sometimes the songs come a little bit different. Adam,

448
00:22:40,319 --> 00:22:42,480
who I think really is the soul of Superbug, his

449
00:22:42,599 --> 00:22:44,079
songs are the ones that jump out to me as

450
00:22:44,119 --> 00:22:47,519
far as being unique. Yeah, I think that he'll come

451
00:22:47,559 --> 00:22:49,519
in with a whole song done. Yeah, but we all

452
00:22:49,559 --> 00:22:51,160
sprinkle our bits and I could come in with the

453
00:22:51,200 --> 00:22:54,079
whole thing, or we're just jamming and improving and something

454
00:22:54,160 --> 00:22:54,960
might strike a nerve.

455
00:22:55,160 --> 00:22:55,359
Speaker 6: Yeah.

456
00:22:55,400 --> 00:22:57,319
Speaker 7: But then there's some songs. We've got a song time

457
00:22:57,400 --> 00:22:59,440
that we worked on for like a year. Yeah, I mean,

458
00:22:59,519 --> 00:23:02,119
and it was like we kept adding, subtracting, you know,

459
00:23:02,279 --> 00:23:04,440
perfecting it. So it kind of depends on the song.

460
00:23:04,559 --> 00:23:07,519
But yeah, I think our most recent one Greek to Me,

461
00:23:07,640 --> 00:23:09,920
which you know comes to us live. You'll hear it.

462
00:23:10,359 --> 00:23:12,519
That one Adam came with and he came in with

463
00:23:12,640 --> 00:23:14,519
it full and I think we had it down in

464
00:23:14,559 --> 00:23:17,599
two takes, played right, there it was good. Yeah, and

465
00:23:17,680 --> 00:23:19,880
then Worm came up with words in no time. And

466
00:23:20,160 --> 00:23:21,519
sometimes they just come quick like that.

467
00:23:21,759 --> 00:23:24,039
Speaker 6: But I always say, you know, that's how you know

468
00:23:24,119 --> 00:23:26,240
you've really got something right when it comes easy, you know,

469
00:23:26,319 --> 00:23:27,960
when you don't have to you know, I mean, it

470
00:23:28,000 --> 00:23:29,559
can be a lot of work and whatnot. But but

471
00:23:29,640 --> 00:23:31,359
when you've when you've got something, if somebody has an

472
00:23:31,400 --> 00:23:33,359
idea or just you know, it just seems to manifest

473
00:23:33,440 --> 00:23:36,319
really quickly, then you know you've got something special, right.

474
00:23:36,519 --> 00:23:38,440
And then it's nice to be in a band right

475
00:23:38,480 --> 00:23:40,279
where it's where it's easy like that.

476
00:23:40,960 --> 00:23:43,279
Speaker 7: And we also have like no limits as far as

477
00:23:43,359 --> 00:23:45,759
what we want to try. All we really try and

478
00:23:45,839 --> 00:23:48,440
do is not duplicate something we've already done. You know,

479
00:23:48,799 --> 00:23:50,880
let's mix it up and have the chorus start first,

480
00:23:50,920 --> 00:23:52,599
so let's not have a bridge here, or let's have it,

481
00:23:52,799 --> 00:23:55,039
you know, a pre chorus or something. I don't want

482
00:23:55,079 --> 00:23:57,839
to be repetitive like. And we also a key thing

483
00:23:57,920 --> 00:24:00,920
is we want everybody to be able to be heard,

484
00:24:01,279 --> 00:24:03,759
you know, we want a nice even mix, so everybody

485
00:24:03,839 --> 00:24:04,720
stands out kind of.

486
00:24:04,960 --> 00:24:08,440
Speaker 6: Yeah. How many tracks are on Hesitation Jelly ten? Ten? Okay,

487
00:24:08,680 --> 00:24:11,640
yep and why why did you decide this? I'm always

488
00:24:11,680 --> 00:24:13,759
really curious about with everybody because you know, you've got

489
00:24:13,759 --> 00:24:16,839
a lot of options in terms of do you do singles,

490
00:24:16,880 --> 00:24:18,759
do you do an EP, do you do full album?

491
00:24:20,039 --> 00:24:21,519
You know, when I was growing up, it was like

492
00:24:21,640 --> 00:24:25,119
there was a standard formula, you know, pre Internet, it was, uh,

493
00:24:25,680 --> 00:24:28,440
you know, you've got an album, You've got first single

494
00:24:28,519 --> 00:24:30,759
goes to radio maybe six eight weeks before the album.

495
00:24:30,839 --> 00:24:33,440
Then the album comes out, and then maybe there's more

496
00:24:33,559 --> 00:24:37,039
singles if you're lucky, and that's it. But today there's

497
00:24:37,119 --> 00:24:39,680
so many different ways to release music. So what went

498
00:24:39,720 --> 00:24:41,400
into your decision to release a full album?

499
00:24:42,640 --> 00:24:43,400
Speaker 7: I'm old school.

500
00:24:43,599 --> 00:24:46,480
Speaker 8: I like albums. Yeah, yeah, I still listen to a

501
00:24:46,640 --> 00:24:47,119
full album.

502
00:24:47,680 --> 00:24:49,480
Speaker 7: To me, that what the artist wants you to hear.

503
00:24:49,839 --> 00:24:51,839
He put the tracks in a certain order, you know

504
00:24:51,839 --> 00:24:54,160
what I mean. These are the songs that they I'm sorry,

505
00:24:54,160 --> 00:24:55,839
I mean to say, he that they're presenting.

506
00:24:56,119 --> 00:24:56,319
Speaker 6: Yeah.

507
00:24:57,039 --> 00:24:59,839
Speaker 7: Yeah, I'm a stickler for that. Yeah yeah, because even

508
00:25:00,079 --> 00:25:01,640
like some of my vinyl records, you know, they get

509
00:25:01,680 --> 00:25:04,440
that one song you want to skip over, Sure, still

510
00:25:04,440 --> 00:25:06,440
you got to listen to it because it's there right right.

511
00:25:07,640 --> 00:25:09,720
So yeah, CDs kind of ruined the album format a

512
00:25:09,759 --> 00:25:13,079
bit because you could have the capability to skip over it. Yeah,

513
00:25:13,839 --> 00:25:15,960
but yeah, I guess just old school. We like vinyl

514
00:25:16,000 --> 00:25:19,240
and we like, you know, a presentation of a record

515
00:25:19,359 --> 00:25:23,000
versus just a single. Yeah, and impatience too, like I

516
00:25:23,079 --> 00:25:25,160
hate it. When it's here, you're gonna get a single, right,

517
00:25:25,160 --> 00:25:28,880
and then a month later another single, month later another single,

518
00:25:28,920 --> 00:25:31,119
and then a month after that the record. Yeah, I

519
00:25:31,240 --> 00:25:32,599
just want the record right right?

520
00:25:32,720 --> 00:25:35,000
Speaker 6: Yeah, no, I get that, have you guys? I put

521
00:25:35,039 --> 00:25:36,920
out CDs as is available on CD.

522
00:25:36,960 --> 00:25:38,240
Speaker 7: Or only vinyl only?

523
00:25:38,839 --> 00:25:39,160
Speaker 6: Really?

524
00:25:39,359 --> 00:25:40,960
Speaker 7: Yeah? Yeah, CDs to me or passe.

525
00:25:41,279 --> 00:25:44,720
Speaker 6: Oh that's interesting for real? So this is on vinyl

526
00:25:44,759 --> 00:25:45,400
but not on CD.

527
00:25:45,599 --> 00:25:47,480
Speaker 7: Ok, you can get a vinyl come to our shows.

528
00:25:47,519 --> 00:25:47,839
We got you.

529
00:25:48,039 --> 00:25:51,640
Speaker 6: That's cool, that's cool. Nothing sounds better than vinyl. Yeah.

530
00:25:52,039 --> 00:25:55,119
Actually yeah, we were talking before the segment about there

531
00:25:55,200 --> 00:25:58,519
is a record player here. Actually I've never used it,

532
00:25:58,640 --> 00:26:00,799
but it does work. I wanted the host uses it,

533
00:26:01,200 --> 00:26:05,000
I think, but it plugs in and everything. But yeah,

534
00:26:05,559 --> 00:26:07,319
and we do have actually we have a CD player

535
00:26:07,359 --> 00:26:08,720
too here, but I think the only one who uses it.

536
00:26:08,799 --> 00:26:10,440
You guys know, Rob Rob as a veto from Granted

537
00:26:10,440 --> 00:26:10,920
State of mind.

538
00:26:11,079 --> 00:26:13,480
Speaker 7: Yeah he uh, he drew it, did a write up

539
00:26:13,519 --> 00:26:16,160
on us. We did open mic night at the Bankingwhampshire.

540
00:26:16,279 --> 00:26:17,839
Oh nice, yeah, yeah, yeah, oh cool.

541
00:26:17,920 --> 00:26:20,279
Speaker 6: Yeah yeah he uses the CD player here, but I

542
00:26:20,359 --> 00:26:21,640
think he's the only one who uses that.

543
00:26:22,960 --> 00:26:24,519
Speaker 7: Yeah, he has a nice venue up there.

544
00:26:24,640 --> 00:26:25,920
Speaker 6: Oh yeah, Pembroke City Limits.

545
00:26:25,920 --> 00:26:27,359
Speaker 7: Is we love Yeah, we'd love to play it.

546
00:26:27,480 --> 00:26:30,480
Speaker 6: Yeah, absolutely, yeah, you guys would be great there. Absolutely

547
00:26:31,720 --> 00:26:33,279
So no no plans to.

548
00:26:33,480 --> 00:26:36,920
Speaker 7: Uh put out a CD or no, no, no, okay,

549
00:26:36,960 --> 00:26:39,880
I mean who has a CD player. I've got three

550
00:26:39,960 --> 00:26:42,039
hundred and thirty CDs up in my attic. Yeah, some

551
00:26:42,160 --> 00:26:43,839
of them I can't find on iTunes or whatever. But

552
00:26:43,839 --> 00:26:45,400
I got no way to listen to him. I don't

553
00:26:45,440 --> 00:26:46,440
have a CD player, right.

554
00:26:47,160 --> 00:26:50,599
Speaker 10: My eighteen year old son has found CDs for some reason.

555
00:26:50,720 --> 00:26:53,920
He's been grabbing all my old ones, and yeah, I

556
00:26:53,960 --> 00:26:55,960
don't know where that came from. But I don't listen

557
00:26:56,000 --> 00:26:56,519
to CDs.

558
00:26:56,559 --> 00:27:00,279
Speaker 6: But yeah, we we get a lot of a lot

559
00:27:00,319 --> 00:27:03,079
of our guests will bring us a CD and it's like,

560
00:27:03,319 --> 00:27:05,279
and you know, I put it on display in the

561
00:27:05,720 --> 00:27:09,640
office slash podcast studio at home, but it becomes a

562
00:27:09,680 --> 00:27:11,119
part of the you know, it becomes a part of

563
00:27:11,160 --> 00:27:13,079
the studio, becomes a part of the vibe because I

564
00:27:13,279 --> 00:27:16,640
I have nothing to play it on. Not, not at all.

565
00:27:16,680 --> 00:27:18,240
I don't. If I want to play a CD, I

566
00:27:18,279 --> 00:27:21,160
gotta come here. Yeah, I don't think this. Uh, this

567
00:27:21,279 --> 00:27:23,640
old laptop I have doesn't even have one on it anymore.

568
00:27:23,720 --> 00:27:25,880
You don't have you don't have anything to play CD's on, right, Johnny,

569
00:27:26,160 --> 00:27:27,880
You don't have anything to play CD is on. Not

570
00:27:28,079 --> 00:27:28,799
in a long time.

571
00:27:29,000 --> 00:27:32,559
Speaker 7: No, it's sad for me because there's I have old

572
00:27:32,759 --> 00:27:36,000
Imperial teen and shown in Knife CDs from the nineties. Yeah,

573
00:27:36,039 --> 00:27:38,039
and you can't get those music for some reason on

574
00:27:38,160 --> 00:27:41,640
iTunes or Spotify. You can't get them on vinyl. The

575
00:27:41,759 --> 00:27:43,039
only way to listen to it on CD.

576
00:27:43,319 --> 00:27:45,200
Speaker 6: Okay, right right.

577
00:27:45,200 --> 00:27:46,680
Speaker 7: I don't know if there's a hold up with the

578
00:27:46,759 --> 00:27:48,920
label or what, but yeah, fix that stuff.

579
00:27:49,039 --> 00:27:51,279
Speaker 6: Yeah, this there's some there's some reason for it.

580
00:27:51,599 --> 00:27:53,559
Speaker 8: One Minute Silence was the same way for a long

581
00:27:53,599 --> 00:27:55,400
time as a band I really liked, and you couldn't

582
00:27:55,400 --> 00:27:57,160
find it on Spotify for a long.

583
00:27:57,160 --> 00:28:00,519
Speaker 6: Oh really yeah, Yeah, this is a little bit of sidetrack.

584
00:28:00,599 --> 00:28:02,880
But did you guys see the We talked about it

585
00:28:03,000 --> 00:28:05,759
on the show Lord, she put out a clear CD.

586
00:28:06,519 --> 00:28:07,039
Did you see that?

587
00:28:07,160 --> 00:28:07,279
Speaker 5: Yes?

588
00:28:07,319 --> 00:28:07,960
Speaker 7: I read about it.

589
00:28:08,079 --> 00:28:10,839
Speaker 6: And there's a problem because unless you have like a

590
00:28:10,960 --> 00:28:13,200
really really new CD player, you can't even play it,

591
00:28:13,880 --> 00:28:15,920
Like it won't play unless you've got a very new

592
00:28:16,759 --> 00:28:19,400
CD player because it can't it just can't read it.

593
00:28:19,519 --> 00:28:20,960
Like if you put it in your in your car

594
00:28:21,240 --> 00:28:23,640
stereo CD player, it just it'll spit it back out.

595
00:28:23,839 --> 00:28:26,559
Speaker 7: I've actually bought cassettes. Like there's some bands that will

596
00:28:26,640 --> 00:28:29,440
put cassettes out in the merch booth because they're cheap,

597
00:28:29,519 --> 00:28:32,839
they're portable, they look cool. Yeah, so I've bought in

598
00:28:32,880 --> 00:28:34,359
a few. Oh yeah, I see them out.

599
00:28:34,440 --> 00:28:34,599
Speaker 5: You know.

600
00:28:35,400 --> 00:28:37,440
Speaker 10: Our bass player was in a band from way way

601
00:28:37,519 --> 00:28:40,920
back and back in just after high school maybe, and

602
00:28:41,559 --> 00:28:43,319
I have his CD from then.

603
00:28:43,480 --> 00:28:45,519
Speaker 8: Oh yeah, and it won't play in any of my CD.

604
00:28:45,960 --> 00:28:46,160
Speaker 6: Yeah.

605
00:28:46,240 --> 00:28:47,799
Speaker 8: It's just too old, I think or something.

606
00:28:47,839 --> 00:28:50,480
Speaker 7: But it's too bad because they lie to us when

607
00:28:50,519 --> 00:28:51,720
they said they wouldn't degrade.

608
00:28:52,839 --> 00:28:55,559
Speaker 6: Well I remember though too, because uh yeah, back in

609
00:28:55,640 --> 00:28:58,640
the day when somebody would give me, you know, a

610
00:28:59,079 --> 00:29:03,440
burned CD and and having to use like like having

611
00:29:03,480 --> 00:29:05,519
to try it on a couple of different CD players

612
00:29:05,599 --> 00:29:08,599
because some would play them, and some wouldn't. The thing

613
00:29:08,680 --> 00:29:10,480
that I I talk about too, because I've been doing

614
00:29:10,519 --> 00:29:14,519
I've been interviewing bands a long time and back before

615
00:29:14,640 --> 00:29:17,039
it was just a matter of you know, using Dropbox

616
00:29:17,200 --> 00:29:19,279
or Google Drive or something to send me the files.

617
00:29:19,519 --> 00:29:23,160
Sometimes guests would show up with with a CD and

618
00:29:23,279 --> 00:29:24,839
they would do the thing where it wouldn't even be

619
00:29:24,880 --> 00:29:26,880
in a case. They would do the old h if

620
00:29:26,880 --> 00:29:28,720
I had a CD here I demonstrate, but they do

621
00:29:28,799 --> 00:29:30,680
the whole thing where they handed to you on a finger.

622
00:29:31,440 --> 00:29:33,240
You know, it's like they put the CD on their finger.

623
00:29:33,319 --> 00:29:33,599
Speaker 1: Here you go.

624
00:29:33,839 --> 00:29:39,599
Speaker 6: It's like, oh great, it's really professional. But now that's

625
00:29:39,759 --> 00:29:41,640
that's really cool though, that it's out on vinyl.

626
00:29:42,880 --> 00:29:44,559
Speaker 7: It's let me tell you, it's a trip here in

627
00:29:44,640 --> 00:29:45,559
yourself on a record.

628
00:29:45,720 --> 00:29:46,240
Speaker 6: That must be.

629
00:29:46,519 --> 00:29:49,640
Speaker 7: Yeah, it's especially. That's the weird thing too, is you

630
00:29:49,680 --> 00:29:51,440
know I never had aspirations, none of us did about

631
00:29:51,440 --> 00:29:54,279
being rock stars. But yeah, there's bucket lists and being

632
00:29:54,319 --> 00:29:57,359
in bands all lying to you right now. Yes, I

633
00:29:57,400 --> 00:29:59,119
always wanted to be in my head, I still am.

634
00:30:00,119 --> 00:30:01,680
But I always wanted to be on a record, which

635
00:30:01,720 --> 00:30:04,359
we did that. And you know there's another station that's

636
00:30:04,400 --> 00:30:06,519
played in vasive species a whole bunch.

637
00:30:06,599 --> 00:30:07,799
Speaker 6: So oh yeah, here it was.

638
00:30:07,960 --> 00:30:09,680
Speaker 7: You can say it well, one of four point nine

639
00:30:09,759 --> 00:30:10,039
the Hawk.

640
00:30:10,240 --> 00:30:11,599
Speaker 6: Yeah, that's awesome.

641
00:30:12,000 --> 00:30:12,960
Speaker 7: Region, that's excellent.

642
00:30:13,079 --> 00:30:13,240
Speaker 6: Yeah.

643
00:30:13,519 --> 00:30:15,720
Speaker 7: So it's just these are cool things. And then actually,

644
00:30:15,720 --> 00:30:18,880
if we play Boston, literally I met all the dreams

645
00:30:18,920 --> 00:30:22,279
I wanted for music ever, Yeah, I'll be I'll be done. Yeah,

646
00:30:22,920 --> 00:30:26,079
it's all it's left. And uh, it's almost happened twice.

647
00:30:26,440 --> 00:30:29,599
Speaker 6: So yeah, yeah, very cool. We should play another track

648
00:30:29,680 --> 00:30:33,359
from It's Fun to Say Hesitation Jelly the album. The

649
00:30:33,440 --> 00:30:36,119
album only available on vinyl, which is very cool. What

650
00:30:36,160 --> 00:30:37,640
should we play next? You guys can pick.

651
00:30:38,240 --> 00:30:42,440
Speaker 7: It's either blame Game or Humanity. You guys, I don't

652
00:30:42,440 --> 00:30:45,279
want to dictate you guys, pick do Humanity.

653
00:30:45,440 --> 00:30:46,480
Speaker 9: Then we'll be a blame game.

654
00:30:46,559 --> 00:30:49,119
Speaker 6: Later, do the Sound of Humanity. Yeah, and then we'll

655
00:30:49,119 --> 00:30:51,359
play blame game at the end. Sure, all right, very cool.

656
00:30:51,640 --> 00:30:53,400
Uh so, if you are just joining us, we have

657
00:30:53,480 --> 00:30:56,960
Superbug here with us live in studio, and we're gonna

658
00:30:57,000 --> 00:30:59,640
hit this track next. This is called the Sound of

659
00:30:59,680 --> 00:31:00,039
a Few.

660
00:31:13,839 --> 00:31:18,480
Speaker 15: Loons. Brad is Magic Spirit plays games with those facts

661
00:31:19,000 --> 00:31:23,279
a useful sense of compassion. No one will ever get

662
00:31:23,319 --> 00:31:28,839
the trade back tapping into genuine that boys calling from within,

663
00:31:29,680 --> 00:31:31,640
press sure of instinct and intuition.

664
00:31:32,200 --> 00:31:40,079
Speaker 1: Allow the money on jugle fish. I will free will

665
00:31:42,640 --> 00:31:48,480
I love you know you know what free love our spirit,

666
00:31:49,079 --> 00:31:54,599
freeze spirit. Listen up and know that you can hear

667
00:31:54,720 --> 00:31:58,799
it falling on the ground. Give them a hit.

668
00:31:59,240 --> 00:32:03,039
Speaker 16: Help the ones around you understand a little know when

669
00:32:03,200 --> 00:32:06,680
all the people can't passing on the ability to share.

670
00:32:07,119 --> 00:32:10,519
Chase a devil out on the way, Open up the

671
00:32:10,680 --> 00:32:13,680
door for the plasondope, create for hear.

672
00:32:13,680 --> 00:32:17,319
Speaker 1: Them of every day. Maybe come to see through healthy.

673
00:32:17,240 --> 00:32:17,960
Speaker 8: A little shop.

674
00:32:20,400 --> 00:32:23,160
Speaker 1: I will free will.

675
00:32:25,559 --> 00:32:27,759
Speaker 3: I love you know you know we read her.

676
00:32:30,640 --> 00:32:37,039
Speaker 1: Our spirit, freeze spirit. Listen up, cups and that you

677
00:32:37,119 --> 00:32:43,839
could hear anything freeze sweet.

678
00:32:46,319 --> 00:32:46,519
Speaker 10: Love.

679
00:32:46,640 --> 00:32:48,039
Speaker 3: You know you know we freez her.

680
00:32:51,119 --> 00:32:52,200
Speaker 1: I hear a de.

681
00:32:55,880 --> 00:32:58,039
Speaker 3: Listen up. I know that you can hear it.

682
00:33:50,240 --> 00:33:54,119
Speaker 5: The sound of human Listen lees and you can hear

683
00:33:55,079 --> 00:33:58,880
listen coats, you can hear the sound.

684
00:33:58,680 --> 00:34:03,160
Speaker 1: Of human Listen up close, you can hear it. Listen

685
00:34:03,279 --> 00:34:04,720
enough and you can hear.

686
00:34:05,920 --> 00:34:23,320
Speaker 13: The sound of humanity. The core of the rain and

687
00:34:23,400 --> 00:34:24,400
the warmth of the sun.

688
00:34:24,599 --> 00:34:25,679
Speaker 1: Universe has a web.

689
00:34:25,800 --> 00:34:27,280
Speaker 6: What smiles on every word.

690
00:34:27,480 --> 00:34:30,360
Speaker 2: Sitting in a screen field, what's of technology you can

691
00:34:30,440 --> 00:34:30,960
back guess it?

692
00:34:31,079 --> 00:34:34,480
Speaker 17: Just touch your humanity, will love, spirit and trust will

693
00:34:34,599 --> 00:34:37,559
never do completed in the mother's vision for the babies,

694
00:34:37,599 --> 00:34:40,280
our societies and new fat eating all the roots like

695
00:34:40,360 --> 00:34:41,360
we gotta get the groove.

696
00:34:41,440 --> 00:34:42,559
Speaker 1: It's as trust not.

697
00:34:42,800 --> 00:34:48,840
Speaker 3: Right now, I will freeze will.

698
00:34:51,320 --> 00:34:51,800
Speaker 17: I love?

699
00:34:51,960 --> 00:34:53,679
Speaker 3: You know you know what? Free love.

700
00:34:56,519 --> 00:35:03,079
Speaker 1: Our spirit, free spirit. Listen up, so no that you

701
00:35:03,159 --> 00:35:23,119
can hear him. You know you know why shame so

702
00:35:23,280 --> 00:35:28,480
no that you can hear him him. Race life, m

703
00:35:28,559 --> 00:35:31,719
race life, m race life.

704
00:35:33,199 --> 00:35:43,239
Speaker 11: M raised life, Embrace life, Embrace life, Embrace life, Embrace life.

705
00:35:43,559 --> 00:35:45,039
Speaker 1: Don't you wear fo here?

706
00:35:46,719 --> 00:35:48,719
Speaker 6: I love it. That is called the sound of Humanity.

707
00:35:49,159 --> 00:35:52,119
The band is Superbug, and we have super Bug here

708
00:35:52,159 --> 00:35:55,320
with us yo live in studio. That's that's another all right,

709
00:35:55,400 --> 00:35:57,480
So tell us about that that track. Repeat everything you

710
00:35:57,559 --> 00:36:00,960
said while I was playing, uh no, but tell us

711
00:36:01,000 --> 00:36:01,840
about that because all right.

712
00:36:02,480 --> 00:36:04,440
Speaker 7: So let's see, I think most of the riffs in

713
00:36:04,559 --> 00:36:07,519
that came out of just an improv jam with my

714
00:36:07,599 --> 00:36:09,400
other band. When we'd warm up. We'd just warm up

715
00:36:09,440 --> 00:36:12,440
and be over time. I kind of just accumulated some

716
00:36:12,920 --> 00:36:15,400
riffs that I would go to kind of I would

717
00:36:15,440 --> 00:36:17,199
say there would go to rifts for me and uh,

718
00:36:17,920 --> 00:36:21,159
I put them all together in this format. Yeah, and

719
00:36:21,320 --> 00:36:24,000
then we ended up doing it and then the background vocals, Uh,

720
00:36:25,320 --> 00:36:27,639
not quite plagiarism, but maybe I got the idea of

721
00:36:27,760 --> 00:36:30,639
them for a song called from a song called Floaty

722
00:36:30,719 --> 00:36:32,440
on the first Foo Fighters record, where it's you know,

723
00:36:32,519 --> 00:36:35,280
he floats floats away, she floats floats away, They float

724
00:36:35,320 --> 00:36:37,880
float away. So for my part on that, I said,

725
00:36:38,039 --> 00:36:40,079
you know, he don't know that, they don't know she

726
00:36:40,320 --> 00:36:41,639
you know, that kind of thing. It's where I get

727
00:36:41,639 --> 00:36:44,400
the idea. But as far as the actual words themselves, Worm,

728
00:36:44,480 --> 00:36:45,800
you can speak to that you wrote them.

729
00:36:47,440 --> 00:36:49,760
Speaker 6: Yeah, keep calling warm.

730
00:36:51,119 --> 00:36:53,280
Speaker 8: I can't help justin.

731
00:36:53,320 --> 00:36:55,039
Speaker 7: Would you care to speak on the lyrics.

732
00:36:56,360 --> 00:36:59,320
Speaker 10: Yeah, it's just kind of about trying to with this

733
00:36:59,480 --> 00:37:03,079
crazy world of technology, trying to remember what what's really

734
00:37:03,159 --> 00:37:07,400
important that we're are, our humanity and it's kind of

735
00:37:07,400 --> 00:37:08,400
where it's going from.

736
00:37:08,480 --> 00:37:10,679
Speaker 7: Oh one other thing on that that you might notice,

737
00:37:11,159 --> 00:37:13,880
the drums are just a friend from Biz Marquis. That

738
00:37:13,960 --> 00:37:14,519
was a template.

739
00:37:14,719 --> 00:37:15,599
Speaker 6: I did not notice that.

740
00:37:15,800 --> 00:37:18,039
Speaker 9: So if you listen to it, I noticed, Well you

741
00:37:18,079 --> 00:37:19,480
said something about the grooves.

742
00:37:19,280 --> 00:37:21,639
Speaker 6: Yeah, the groove, Yeah I do. Yeah, yeah, I love

743
00:37:21,679 --> 00:37:24,639
the groove on that. Yeah, but I didn't notice that specifically.

744
00:37:24,119 --> 00:37:24,440
Speaker 2: That was it.

745
00:37:24,559 --> 00:37:29,480
Speaker 7: I said, give me just a friend. Adam played a

746
00:37:29,559 --> 00:37:32,199
very simple bassline, just kind of doubling the bass drum,

747
00:37:32,280 --> 00:37:35,519
and it's just nice, low chill groove. But yeah, that

748
00:37:35,599 --> 00:37:36,519
was the inspiration for it.

749
00:37:36,960 --> 00:37:39,440
Speaker 6: You were also saying too off air that you weren't

750
00:37:39,440 --> 00:37:40,320
happy with the solo.

751
00:37:40,920 --> 00:37:41,119
Speaker 17: Yeah.

752
00:37:41,199 --> 00:37:43,519
Speaker 7: Yeah, that's the funniest thing because we recorded this live

753
00:37:43,639 --> 00:37:45,920
and uh, you know there's a couple of clams on

754
00:37:46,039 --> 00:37:50,639
solo for you that are on uh not in the loop.

755
00:37:50,880 --> 00:37:51,000
Speaker 3: Uh.

756
00:37:51,239 --> 00:37:53,119
Speaker 7: My dad was an old jazz guy, so a clam

757
00:37:53,239 --> 00:37:55,000
would be if they hit a bad note. Okay, so

758
00:37:55,119 --> 00:37:57,519
that's what I'm referencing. So there's a couple of clams

759
00:37:57,599 --> 00:38:00,239
in that solo, particularly the end, and I would like

760
00:38:00,599 --> 00:38:02,440
but I didn't want to redo the whole track. Yeah,

761
00:38:02,639 --> 00:38:04,679
And the producer is like, nah, it's great, just keep it,

762
00:38:04,760 --> 00:38:07,880
and I'm like, all right, yeah, yeah, less work for me.

763
00:38:08,079 --> 00:38:09,360
Speaker 6: Like, I think it was the right call.

764
00:38:09,519 --> 00:38:09,760
Speaker 3: Thank you.

765
00:38:10,360 --> 00:38:12,519
Speaker 6: I love the rye energy of it, and and I

766
00:38:12,599 --> 00:38:16,719
love your tone on that too. It's so good, so good.

767
00:38:17,239 --> 00:38:19,119
If you are just showing us we have superbug here

768
00:38:19,320 --> 00:38:22,599
and so what's what's kind of the I mean, are

769
00:38:22,599 --> 00:38:24,800
you guys already thinking about the next record or because

770
00:38:24,840 --> 00:38:28,440
you've got you've got so much music. How long has

771
00:38:28,760 --> 00:38:29,920
Hesitation Jelly been out?

772
00:38:30,519 --> 00:38:32,400
Speaker 7: Year and a half now, may have last.

773
00:38:32,320 --> 00:38:33,719
Speaker 6: Year, so it's been a little while.

774
00:38:33,960 --> 00:38:37,679
Speaker 7: Yeah, Parker has been working on a home studio getting

775
00:38:37,719 --> 00:38:42,280
that set up. Yeah, because uh, you know, when you

776
00:38:42,400 --> 00:38:45,599
make a record, it's tricky making four people happy and

777
00:38:45,679 --> 00:38:48,199
getting everybody to agree on it. And you know, if

778
00:38:48,280 --> 00:38:51,760
we can do it ourselves at home, I guess my

779
00:38:51,840 --> 00:38:53,639
attitude is if you think you can do it, but

780
00:38:53,840 --> 00:38:56,679
we can do fight amongst So yeah, you know, because

781
00:38:56,719 --> 00:38:58,360
I'm the impatient one. I just want to get it out.

782
00:38:58,880 --> 00:38:59,960
I just want to do it. I don't want to

783
00:39:00,079 --> 00:39:04,719
we take it good. Fine, well I'll admit it. So

784
00:39:05,199 --> 00:39:06,480
you know, if we if we do it at home,

785
00:39:06,519 --> 00:39:08,159
we can probably take a little more time. And I'm

786
00:39:08,199 --> 00:39:09,840
not particular. So it's like, if you want to take

787
00:39:09,840 --> 00:39:12,239
the extra time to make it you happy. I just

788
00:39:12,280 --> 00:39:14,920
want loud guitar. I want to hear everything, and I'm good. Yeah,

789
00:39:15,000 --> 00:39:17,880
and that's it. However you so choose, But yeah, we're

790
00:39:18,000 --> 00:39:19,760
our goal is to kind of have something out by

791
00:39:19,880 --> 00:39:23,440
next spring. So this winter we're gonna put some time

792
00:39:23,519 --> 00:39:23,800
in on that.

793
00:39:24,039 --> 00:39:26,599
Speaker 6: Okay, okay, excellent, it'll be another full length.

794
00:39:26,639 --> 00:39:28,119
Speaker 7: Oh yeah, absolutely, yeah, yeah.

795
00:39:28,239 --> 00:39:28,440
Speaker 6: Yeah.

796
00:39:29,320 --> 00:39:32,119
Speaker 7: The problem we're having is where we write so much

797
00:39:32,280 --> 00:39:34,719
that it's remembering the songs we didn't record from when

798
00:39:34,760 --> 00:39:37,119
we started that are still cool, oh, because they're like

799
00:39:37,199 --> 00:39:39,079
you know, lost dogs, they kind of go away.

800
00:39:40,320 --> 00:39:41,679
Speaker 8: The new ones are the most fun.

801
00:39:42,280 --> 00:39:43,000
Speaker 7: Yeah, exactly.

802
00:39:43,519 --> 00:39:45,280
Speaker 8: Get kind of sick of playing the same song over

803
00:39:45,320 --> 00:39:46,079
and over again.

804
00:39:45,920 --> 00:39:48,480
Speaker 6: So oh yeah, of course, of course. Yeah. And you

805
00:39:48,559 --> 00:39:49,960
guys have a lot of music. I mean, is that

806
00:39:50,199 --> 00:39:51,960
is that hard to like? Are you already thinking about

807
00:39:51,960 --> 00:39:54,159
what songs you're going to record for the next.

808
00:39:54,000 --> 00:39:57,440
Speaker 9: One or yeah, we got a few? Yeah, absolutely, yeah,

809
00:39:57,559 --> 00:39:58,360
because you got a lot of.

810
00:39:58,840 --> 00:40:01,280
Speaker 7: Well even like human the song you just played, that's

811
00:40:01,519 --> 00:40:02,840
that's a great song. Listen to it.

812
00:40:02,920 --> 00:40:03,000
Speaker 6: Now.

813
00:40:03,039 --> 00:40:04,800
Speaker 7: We don't even play in our lives set anymore really,

814
00:40:05,280 --> 00:40:07,719
because we've got new stuff that we like so much more.

815
00:40:07,960 --> 00:40:09,639
Speaker 9: Yeah, yeah, we might throw it in.

816
00:40:09,960 --> 00:40:12,719
Speaker 6: Yeah yeah, but yeah, that's a good problem to have though,

817
00:40:12,800 --> 00:40:14,559
you know, you know, we we've.

818
00:40:14,440 --> 00:40:16,639
Speaker 7: Got a gig coming up at mole Hill and Alstead,

819
00:40:16,960 --> 00:40:19,400
we're looking at eighty minute set, which I got to

820
00:40:19,440 --> 00:40:21,440
be honest, forty five are my favorite because you get on,

821
00:40:21,639 --> 00:40:23,039
you get off, you hit him in the face, and

822
00:40:23,119 --> 00:40:23,679
you go party.

823
00:40:23,880 --> 00:40:24,639
Speaker 6: Yep yep.

824
00:40:25,039 --> 00:40:27,400
Speaker 7: Hours not bad eighties like whoa. But we put the

825
00:40:27,440 --> 00:40:29,320
set together and we're like, wow, this is a banger,

826
00:40:29,440 --> 00:40:31,440
Like this is a solid set. All this stuff slaps.

827
00:40:31,639 --> 00:40:36,239
Speaker 6: Yeah, No, that's really good. That's really good. Time goes

828
00:40:36,480 --> 00:40:37,920
goes quickly. I do want to make sure we have

829
00:40:38,039 --> 00:40:39,719
time to get that last start, that last track.

830
00:40:39,920 --> 00:40:41,880
Speaker 7: D me too, because a big guitar solo.

831
00:40:41,960 --> 00:40:45,159
Speaker 6: Bro, there you go, there you go. So remind us

832
00:40:45,239 --> 00:40:48,400
some of shows coming up. We shoulder for listeners, just

833
00:40:48,480 --> 00:40:50,079
joining us when we want to make sure people get

834
00:40:50,119 --> 00:40:51,159
to get out to see you live.

835
00:40:51,440 --> 00:40:53,320
Speaker 7: Our manager gave me this list to make sure that

836
00:40:53,360 --> 00:40:58,280
we have everything on it. So much God yeah right.

837
00:40:59,159 --> 00:41:01,559
Male Hill Theater, an Alsted on eight twenty three with

838
00:41:01,639 --> 00:41:05,199
the Evocatives. Check them out, They're great. Auspicious Brew in

839
00:41:05,320 --> 00:41:08,920
Dover on nine thirteen, The Button Factory and is Portsmouth

840
00:41:09,039 --> 00:41:13,480
with Mercury Burns First on nine twenty seven October Fest.

841
00:41:13,599 --> 00:41:15,920
I'm not sure this is actually this is a scoop. Everybody,

842
00:41:16,000 --> 00:41:19,119
This hasn't even been announced yet. Oh so the Auburn

843
00:41:19,199 --> 00:41:22,920
Pits on ten five, Hannecker Brewing Company on ten seventeen.

844
00:41:23,480 --> 00:41:27,280
Auspicious Underground in Nashville on eleven fifteen. Uh so, yeah,

845
00:41:27,360 --> 00:41:29,280
come out and check us on the road. Very cool,

846
00:41:29,440 --> 00:41:30,360
you won't be disappointed.

847
00:41:30,400 --> 00:41:32,519
Speaker 6: I'm not familiar with Auspicious Underground. Is that new?

848
00:41:32,599 --> 00:41:34,599
Speaker 7: Or Terminal Underground? Sorry?

849
00:41:34,760 --> 00:41:37,000
Speaker 6: Oh, Terminus Underground.

850
00:41:37,039 --> 00:41:39,320
Speaker 7: I had that written down. I read it around.

851
00:41:39,480 --> 00:41:41,960
Speaker 6: Yes, yes, okay, I'm glad. I'm glad I said that

852
00:41:42,119 --> 00:41:42,840
because too.

853
00:41:42,920 --> 00:41:43,119
Speaker 7: Thank you.

854
00:41:43,239 --> 00:41:45,480
Speaker 6: They're big supporters of the show. We love Eleanor and On.

855
00:41:45,599 --> 00:41:46,679
Speaker 7: Yes, sorry Eleanor.

856
00:41:47,000 --> 00:41:49,559
Speaker 6: Yeah, sorry, guys, She'll forgive you.

857
00:41:49,960 --> 00:41:52,920
Speaker 8: But I think you said it the first time too.

858
00:41:53,079 --> 00:41:54,079
Speaker 7: Yeah, that's my bad.

859
00:41:54,119 --> 00:41:56,320
Speaker 8: I reade probably streaming in the bar. That's not what

860
00:41:56,440 --> 00:41:57,760
it's called. That's not what it's called.

861
00:41:57,880 --> 00:41:59,079
Speaker 7: And your anger is justified.

862
00:41:59,119 --> 00:42:02,400
Speaker 6: I apologize. No, we love we love Terminus have you

863
00:42:02,480 --> 00:42:03,199
have you been there yet?

864
00:42:03,360 --> 00:42:03,400
Speaker 16: No?

865
00:42:03,599 --> 00:42:04,119
Speaker 1: But we see it.

866
00:42:04,199 --> 00:42:05,119
Speaker 6: It looks super cool.

867
00:42:05,280 --> 00:42:07,679
Speaker 7: And the interesting thing about the bug I'm going to

868
00:42:07,760 --> 00:42:10,639
refer to us in the third person is we haven't

869
00:42:10,679 --> 00:42:13,360
really found a scene that we're in. We kind of

870
00:42:13,760 --> 00:42:17,480
like the evocatives are kind of like, uh, you know, dancy, flowy, hippyish,

871
00:42:17,599 --> 00:42:18,800
kind of jazzy stuff.

872
00:42:19,039 --> 00:42:19,239
Speaker 6: Yeah.

873
00:42:19,400 --> 00:42:21,960
Speaker 7: We've played with the metal bands. Uh you know, we've

874
00:42:22,039 --> 00:42:24,159
played with cover bands.

875
00:42:24,239 --> 00:42:26,639
Speaker 6: We guys can fit in anyway, that's the cool part. Yeah.

876
00:42:26,719 --> 00:42:28,480
Speaker 7: Yeah, we kind of can blend in, you know, and

877
00:42:28,639 --> 00:42:29,920
it's it's a nice place to be.

878
00:42:30,199 --> 00:42:30,440
Speaker 6: Yeah.

879
00:42:30,599 --> 00:42:30,800
Speaker 10: Yeah.

880
00:42:31,639 --> 00:42:33,519
Speaker 6: The thing I always say about Terminus is it's like

881
00:42:33,559 --> 00:42:35,039
when you walk into that room the first time, it's

882
00:42:35,079 --> 00:42:37,039
like another world. It looks cool, so cool.

883
00:42:37,199 --> 00:42:39,000
Speaker 7: Yeah, yeah, we're super excited.

884
00:42:39,360 --> 00:42:40,480
Speaker 6: Who else is on the show, do you know?

885
00:42:41,239 --> 00:42:43,960
Speaker 7: I don't think it's been announced yet. Okay, it had

886
00:42:44,000 --> 00:42:46,480
to It had to get postponed. It was supposed to

887
00:42:46,480 --> 00:42:48,480
be in September. Now it's going in November. But that

888
00:42:48,559 --> 00:42:50,480
works out great for us because we had nothing in

889
00:42:50,679 --> 00:42:54,440
uh in November okay, okay, and we had it would

890
00:42:54,480 --> 00:42:56,239
have been like three or four weeks in a row

891
00:42:56,519 --> 00:42:58,159
and uh September.

892
00:42:58,360 --> 00:42:58,599
Speaker 6: Yeah.

893
00:42:58,719 --> 00:43:00,559
Speaker 7: So that's the other thing we of doing this. But

894
00:43:00,639 --> 00:43:05,039
we don't have to become a job right exactly, although

895
00:43:05,119 --> 00:43:07,159
I think Parker has a great way of saying it.

896
00:43:07,239 --> 00:43:08,719
It's like, hey, we were going to be jamming that

897
00:43:08,840 --> 00:43:11,079
night anyway, So we're just doing the same thing at

898
00:43:11,159 --> 00:43:12,280
a at a different spot.

899
00:43:12,480 --> 00:43:13,519
Speaker 6: There you go, There you go.

900
00:43:13,840 --> 00:43:16,000
Speaker 7: That's uh listening wives, that's our justification.

901
00:43:18,400 --> 00:43:20,079
Speaker 6: And where should people go online? Where's the best place

902
00:43:20,119 --> 00:43:22,280
to go online to keep up with everything that is doing.

903
00:43:22,599 --> 00:43:25,719
Speaker 7: Facebook and Instagram, we'll both have everything on there. Okay,

904
00:43:25,840 --> 00:43:27,920
we don't have like our own web page or anything yet.

905
00:43:27,960 --> 00:43:30,440
We you know, we don't have any delusions of grandeur,

906
00:43:32,800 --> 00:43:36,199
but we do have T shirt stickers, even friendship bracelets,

907
00:43:36,199 --> 00:43:39,360
all that fun stuff. Yeah, and vinyl obviously, so if

908
00:43:39,400 --> 00:43:41,760
you're interested, reach out. We can't get it to you. Yeah,

909
00:43:41,800 --> 00:43:43,079
otherwise you can come to our show.

910
00:43:43,360 --> 00:43:44,760
Speaker 6: Yeah, yeah, absolutely.

911
00:43:44,880 --> 00:43:46,920
Speaker 7: Shout out to the Shashking for having us in May too.

912
00:43:47,000 --> 00:43:49,519
That was a great place to play, probably the I

913
00:43:49,559 --> 00:43:52,679
don't know about you guys, that was probably the best club. Yeah.

914
00:43:52,719 --> 00:43:54,719
That was such a great set and such a great sound.

915
00:43:55,360 --> 00:43:58,199
The crowd was great. Thanks to Burn Permit for having us.

916
00:43:58,280 --> 00:44:00,800
So yeah, it was amazing, outstanding, outstanding.

917
00:44:01,840 --> 00:44:04,280
Speaker 6: So we'll we'll end the segment with this track, blame Game. Now,

918
00:44:04,320 --> 00:44:05,840
what should we know about this? Anything we should know

919
00:44:05,840 --> 00:44:06,960
about So this was.

920
00:44:07,000 --> 00:44:09,679
Speaker 7: Actually written before I joined the band, So shout out

921
00:44:09,719 --> 00:44:13,000
to Rick Norton for coming up with a great riff. Okay,

922
00:44:13,840 --> 00:44:16,960
my my contribution was the solo at the end basically, Okay,

923
00:44:16,960 --> 00:44:19,199
everything else is already there. Okay, you guys were And

924
00:44:19,559 --> 00:44:20,719
what's it about? I know this is one of the

925
00:44:20,760 --> 00:44:21,840
first things you really.

926
00:44:21,960 --> 00:44:25,599
Speaker 8: It's kind of about the division in the country.

927
00:44:25,920 --> 00:44:31,159
Speaker 6: Okay, Yeah, popular subject, that's for sure. That's for sure.

928
00:44:31,480 --> 00:44:33,239
All right, So we're gonna hit this track in a moment.

929
00:44:33,320 --> 00:44:34,840
But thank you, all three of you.

930
00:44:35,320 --> 00:44:38,800
Speaker 7: We really appreciate you having us, absolutely absolutely and Hillsborough

931
00:44:38,880 --> 00:44:40,719
represent Yeah, there you go, and we'll.

932
00:44:40,559 --> 00:44:42,360
Speaker 6: Do it again in the future, especially you know, we

933
00:44:42,480 --> 00:44:46,119
got new music on the way eventually. Okay, absolutely, all right,

934
00:44:46,159 --> 00:44:48,719
So we will will end this segment with this, and

935
00:44:48,840 --> 00:44:51,599
if you are listening live on Saturday, stick around. We've

936
00:44:51,639 --> 00:44:54,760
got jam demic. Are they in the building? They are

937
00:44:54,800 --> 00:44:59,719
in the building? H what's that? Kind of Okay, they're

938
00:44:59,719 --> 00:45:01,760
gonna be coming up in the third hour, but we'll

939
00:45:01,840 --> 00:45:03,920
cap this one off with this. This is blame Game,

940
00:45:04,159 --> 00:45:07,960
This is superbugny.

941
00:45:12,320 --> 00:45:14,440
Speaker 18: He know, the children in a line on the street,

942
00:45:14,599 --> 00:45:17,639
the Loud Street, Happy Song, the Soundings a Street and

943
00:45:17,760 --> 00:45:21,280
shoots Pretty Lasberry down on the knee, Send the thirty

944
00:45:21,320 --> 00:45:23,239
tricks into the hole, tricks.

945
00:45:23,039 --> 00:45:26,679
Speaker 2: With the land of a robot, take him over. Run

946
00:45:28,559 --> 00:45:33,079
only know when we've been talking, staying on course, continue

947
00:45:33,119 --> 00:45:37,920
play in the roads, watch Chol, you watch all cho.

948
00:45:39,599 --> 00:45:46,320
Speaker 1: You want Tony do, watch on Jol. Then and the

949
00:45:46,440 --> 00:45:51,880
crowds bree be sol Man and all. They're the reason

950
00:45:51,960 --> 00:45:56,960
for paying on the people that we play.

951
00:45:58,800 --> 00:46:01,159
Speaker 2: Dean head on sounding bro is the telling us the

952
00:46:01,239 --> 00:46:03,760
tailing of the cookies and to take his fine on

953
00:46:03,880 --> 00:46:05,960
the rail until we got a hold back it back

954
00:46:05,960 --> 00:46:08,360
in front of the trail and let his mind yells over.

955
00:46:08,400 --> 00:46:11,320
You do tell the fail with the soul of a robot,

956
00:46:12,599 --> 00:46:13,519
take him over her.

957
00:46:13,559 --> 00:46:19,119
Speaker 1: Goal down the rhythm for the top. I'm staying off

958
00:46:19,199 --> 00:46:23,639
for continue playing the goals and watch all to do

959
00:46:23,800 --> 00:46:24,519
what your to.

960
00:46:26,360 --> 00:46:27,880
Speaker 3: Do, what your told.

961
00:46:29,840 --> 00:46:29,880
Speaker 18: To?

962
00:46:30,239 --> 00:46:36,199
Speaker 1: Watch your man have the crown screams hit so man.

963
00:46:38,000 --> 00:46:43,760
Speaker 19: Then the reason for pain on the people that play.

964
00:47:08,079 --> 00:47:11,840
We take of her fingers. Let all live a life

965
00:47:11,920 --> 00:47:17,519
in shame. A million talking and searching for any want

966
00:47:17,639 --> 00:47:18,480
to play.

967
00:47:19,840 --> 00:47:23,840
Speaker 1: Shape of for their roun t. It's getting some dim.

968
00:47:23,760 --> 00:47:27,320
Speaker 2: For create compliant.

969
00:47:26,760 --> 00:47:31,519
Speaker 1: Children that will play right down and just want they're so.

970
00:48:50,840 --> 00:48:51,480
Speaker 12: Do what do?

971
00:48:53,800 --> 00:48:58,079
Speaker 3: What do what to t