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Speaker 1: Slaughter's my name, Luke Slaughter. Cattle's my business. It's a

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tough business, it's big business. I've got a big stake

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in it. There's no man west of the Rio Grand

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big enough to take it from me.

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Speaker 2: Luke Slutter of Tombstone. Luke Slutter of Tombstone. Civil War

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cavalryman turned Arizona cattleman across the territory, from Yuma to

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Fort Defiance, from Flagstaff to the Watchukas, and below the

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border through Chihuahua and Sonora. His name was respected or feared,

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depending on which side of the law you were on.

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Man of vision, man of legend. Luke Slutter of Tombstone.

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Speaker 1: The bunk house had quieted down an hour before, and

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I should have been in bed myself. I stood on

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the verandah watching the heat lightning play around Apache Peak.

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It was quiet, too quiet. Then I heard a single

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rider coming into the ranch, held bent for leather. I

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sensed trouble. I was right, Luke, Yeah, which die with you?

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Speaker 3: Hurry that little a little bunch that we cut out

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for Britain and took to the Upper masson this morning.

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Speaker 1: What about it?

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Speaker 4: Critters is gone?

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Speaker 1: What? Yeah, there's only one trail leading up there.

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Speaker 3: Yeah, and all our tracks on it pointed down here

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at the bottom. They find out toward the border.

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Speaker 1: How much of a head started they got?

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Speaker 3: Well, Pete Packer coming for supper, and I went out

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night hurt. After about three hours, I reckon.

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Speaker 1: Get Pete and Inky from the bunk house. Saddle up

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my night horse. We've got some riding to do.

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Speaker 4: Getting on toward sun of Luke.

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Speaker 3: Yeah, I'll be catching up with them brand artists pretty soon.

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Speaker 1: But without them knowing that if we can jurn colities.

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Speaker 3: When I get my old Winchester lord on them.

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Speaker 1: They're going on, Lord, Oh, what's the matter.

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Speaker 3: You've got to smell them.

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Speaker 1: Look up there on top of that rise.

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Speaker 3: Why that's a sheet critter.

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Speaker 1: Pete, Kinky, circle and vulture fire until you can see

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who you're shooting at right foot from here, Wichita?

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Speaker 5: Sure, Oh shut up your turn, mall cow over here,

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I'm coming yours.

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Speaker 1: There's the herd, but I don't see any riders.

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Speaker 3: That wasn't no cow rustlers must be down there in

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the drawer.

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Speaker 1: Sit tight, Wichita. We've gotta give Pete and Hinky time

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to get the other side of them.

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Speaker 3: Well, we keep on being announced. They're going to know

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we're sitting out here waiting to pot him.

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Speaker 1: Get ready they know it now.

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Speaker 3: Can't see too well in this light, but just show

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me something to shoot at. There you go off to

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the right. But look they're getting away.

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Speaker 1: And Pet and Hinky are out there somewhere.

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Speaker 3: Well, were just going to sit here.

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Speaker 1: That's moving slow. Only one horse rode out. This could

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be a trap. We're coming in. Throw it on your guns.

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Speaker 3: Looks like there was only one man and he's gone.

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Speaker 1: What do you think that is sticking out from behind

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that rock over there?

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Speaker 3: That's a boot and a man's leg.

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Speaker 1: Come on, yep, that's a man, all.

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Speaker 3: Right, But he appears to be dead and wean fired

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a shot.

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Speaker 1: He's not dead, he's been knocked out.

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Speaker 3: Well, if he don't wake up in time, he won't

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know he's been strung up.

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Speaker 1: Come on you, well, what.

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Speaker 3: About that other one? Without the critters to slow him down,

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he'll make the border before we can catch him.

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Speaker 1: Let's see what this one has to say first. Come on, no,

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what do you say I didn't catch him? Give him

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drink out of your canteen? What you to give him

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a drink? He's still human? Even if he is a thief.

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Speaker 3: I hope it chokes him.

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Speaker 1: What what hit me?

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Speaker 3: Well, Luke, he's just a kid.

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Speaker 1: Yeah. What's your name? Boy?

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Speaker 3: Who are you?

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Speaker 1: Luke Slaughter? These are my cattle you're trying to steal.

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Let me go easy now, I'll ask you once more?

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What's your name?

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Speaker 4: Rainier?

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Speaker 1: Buck Rainier Rainier? Oh yeah, you know this, oubree, Luke? Yeah,

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I think I do.

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Speaker 6: What's you gonna do with me?

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Speaker 4: We're going to hang up to dry on the nurse tree.

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Speaker 6: I ain't done nothing, ain't done nothing.

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Speaker 3: You was trying to make off with fifty headed cattle,

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that's all.

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Speaker 4: Ain't done nothing.

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Speaker 1: Wasn't your father, Buck Rainier, the shotgun messenger who was

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killed last year on the stage coach or under Prescott?

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Speaker 6: What of it?

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Speaker 1: How about your mother? Buck? What became a herd? Well?

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Speaker 6: You just leave her out of this?

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Speaker 4: Okay?

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Speaker 3: Are the ones two miles away by? Now, let's string

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this one up and.

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Speaker 4: Get after him.

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Speaker 1: We're gonna let him go.

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Speaker 4: Let him go.

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Speaker 1: We got our cattle back, didn't we.

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Speaker 7: Yeah?

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Speaker 3: And one pip squeaking kid, you're gonna be satisfied with that?

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Speaker 1: Yes? Which aita I am? It's getting a light. Now

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you find Pete and Hinky and round up these critters. Buck,

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and I locate his horse.

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Speaker 3: Well, what are you gonna do with him?

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Speaker 1: Take him back to the ranch with us?

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Speaker 6: I don't want to go to no ranch.

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Speaker 1: Doesn't look to me like you've got much choice. By

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the way, why did your partner put you to sleep?

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I ain't gonna say suit yourself, all right, let's go.

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Speaker 4: You alone?

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Speaker 1: Yeah, come on, in which you ta? How's a boy doing?

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Speaker 3: I didn't need no shupper. None of the hands will

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talk to him.

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Speaker 1: Poor kidd couldn't be one seventeen.

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Speaker 3: Luke, you're harboring a cattle rustler's age. Don't make no

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difference what you're doing it for?

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Speaker 1: Which to do you remember when his daddy was shot last.

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Speaker 3: YEARN ain't exactly sure.

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Speaker 1: He was riding messenger on the Tombstone to Prescott's stagecoach

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when it ran into an ambush. Rennie was killed.

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Speaker 3: I seem to recollect now, and.

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Speaker 1: You, Buck Radier, he worked for me several years ago

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when I brought a herd up from Sonora. He was

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always talking about this boy, proud of him, said he

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was going to build up a stake for him.

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Speaker 3: Can't be much of a daddy when you're dead.

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Speaker 1: Last I heard he was living with his mother over

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in Prescott.

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Speaker 3: Well you sure ain't now, pears to me, he's made

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up his mind what trail he wants to ride.

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Speaker 1: With a little help, he might change his mind.

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Speaker 3: Luke, you ain't figuring on keeping him here at the ranch.

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Speaker 1: Why not?

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Speaker 3: Why he he's lib or just stab you in the

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back and make a run for it.

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Speaker 1: I have never had a son, which but I don't

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think there's any such thing as a bad boy. Men

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make him look that way.

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Speaker 3: You picked a good and to prove.

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Speaker 1: There it's open. Come on in, what's your sorter?

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Speaker 6: I want to know what you're aiming to do with me?

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Speaker 4: You speaking? You're spoken? Tool?

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Speaker 3: Nah, you turn around, march out of here before I

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blow a hole in your pants.

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Speaker 1: But the way that gun, you're gonna let him talk

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to you. That way you're going back to the bunk house.

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I'll send him down in a few minutes.

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Speaker 3: All right, Luke, things is coming to a party. Pass

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When you treat rustlers like they was visiting neighbors.

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Speaker 6: Sit down, said, I don't want to sit down, you smoke,

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Sure I do.

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Speaker 1: Here's the makings. Thanks wichitad tells me you didn't need

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any supper one hung. I was just about to sit

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down myself. Can you join me? You want me to

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eat with you? Well? Now, I don't see anything wrong

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with a couple of men sitting down to a meal together,

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do you well? No, I sit down? What you been

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doing since last year? Buck? Odd? Jobs?

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Speaker 6: Been a cook's helper lately on a wagon outfit, working

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out of Presscott.

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Speaker 1: That's an honest job. I'd just decide to become a wrestler.

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Speaker 6: I didn't decide to. I ain't going to tell you nothing.

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Speaker 1: I should turn you over to the sheriff. You know that, Buck,

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then go ahead and do it. You admired your father,

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didn't you. He was a good man, I know, Buck?

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But since he's dead, you're trying to prove in your

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own way that the name Rainier means something, aren't you? Yeah?

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Speaker 6: And I will too.

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Speaker 1: By cattle wrestling.

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Speaker 6: Or you wouldn't believe me if I told you the truth?

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Nobody would.

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Speaker 1: Why don't you try me.

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Speaker 6: I'll handle this in my own way and in my

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own time.

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Speaker 1: Why won't you tell me anything about your mother? Buck?

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Did she remarry?

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Speaker 6: No? I don't want to talk about my mother.

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Speaker 1: I see. Well, let's see then you get out of

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the bunk house and get some sleep. You've got work

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to do tomorrow, work starting right now. You're one of

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the punchers on this spread forty a month and keep,

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and you equal to any man in the outfit as

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long as you do your work, that is, if you

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want the job.

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Speaker 6: If I want it, you bet I want it.

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Speaker 1: Which ital i'd fit you in the morning at sharps

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you would carrying when we pickedurep we'll do for a

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saddle gun, and this smith and Wesson are to do

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for holster duty.

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Speaker 6: You you're gonna let me carry that six shooter.

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Speaker 1: Every man carries at least one, mister.

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Speaker 8: Slaughter, I'm gonna be the best dog.

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Speaker 1: On hands you ever had, you know, Buck, I believe

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you will. Let's see, Luke.

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Speaker 3: Luke, I give you credit for more sense than you're

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showing about this kid.

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Speaker 1: What have I done now?

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Speaker 3: Why letting him ride out of here by himself at night?

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Speaker 4: You don't expect him to come back, do you?

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Speaker 1: What did you say?

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Speaker 3: Well, you'll give him permission to take one of your horses,

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didn't you?

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Speaker 1: I did not.

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Speaker 3: And he's a horse stief in addition to being a wrestler.

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Of course, if you want to let him go, and

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I'm sorry I bothered you.

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Speaker 1: All right, saddle up my night horse, yours too. We'll

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go after him.

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Speaker 3: If you're asking me.

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Speaker 1: Well, I'm not asking you. Now. Let's get him before

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he pulls another full stunt.

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Speaker 2: In a moment, Luke Slaughter of Tombstone returns. Have you

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got a little list? Paper cups, paper plates, charcoal, sandwich wrapping,

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mustard napkins.

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Speaker 1: Write it on a list so nothing will be forgotten.

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Speaker 2: Next weekend you'll be joining the rest of America for

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the first big outdoor weekend of the year, the big

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three day Memorial Day weekend. You'll be heading for the beach,

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the woods, the mountains. Don't land there without the forks,

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the Franks and the film don't find out too late.

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The vacuum jug fell to the floor last fall. Check now,

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buy now at your grocers or Druggists, and now Act

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two of William and Robson's production of Luke Slutter of Tombstone.

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Speaker 3: Yeah, I'll say one thing. The kid sure ain't trying

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to cover his tracks.

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Speaker 1: Looks like he's headed straight for town.

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Speaker 3: That new artillery you'll give him. He can create quite eruption,

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or he runs again.

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Speaker 1: He's not running with town. He's up to something. I

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knew what it was.

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Speaker 3: Well, he's up tomorre right, probably going to meet his

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rustling friend and tell him what an easy mark you are.

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Speaker 1: Which a time. If you've been kicked around as much

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as that boy, you take a few wrong turns too.

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Speaker 3: But you don't know right from wrong when you lay

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it out for him.

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Speaker 1: I think he does. Now, I know what you think,

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and I know what I think. Let's keep quiet and

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find him.

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Speaker 4: Sure, Luke, that's the way you want it.

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Speaker 1: Here's my pieball tied up in front of the Crystal Palace.

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Speaker 4: He's in there.

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Speaker 1: Let's take a look.

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Speaker 3: Oh, now, what you're gonna do for years in there?

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Haul him out?

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Speaker 1: No, let's stop here by the door that we can see.

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Speaker 3: Do you spot him?

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Speaker 1: Yeah? Fire into the bar talking to a man with

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a black mustache.

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Speaker 3: Yeah, slick looking saddle warmer an. He looks like he's

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been riding hard too.

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Speaker 1: Never seen him before, new one to me, And I told.

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Speaker 3: You that kid was coming to town for a powwall.

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Speaker 1: Here he comes. Let's get back out of the light.

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Speaker 4: Now is the time to grab him.

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Speaker 1: Look quiet.

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Speaker 3: M hmm, Well he sure ain't looking to be spied

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on him.

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Speaker 1: Headed right back for the ranch, which is how you

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wait here. I'm going in and talk to that waddie.

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Talk to him.

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Speaker 3: Why don't you get him arrested for wrestling?

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Speaker 1: Takes more than suspicion to arrest a man, which.

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Speaker 3: You're sure doing a lot of pushy footing over one

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stray kid.

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Speaker 1: We were all kids at one time. I think this

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one needs a nudge in the right direction.

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Speaker 3: If you don't get your pin feathers singed while doing it.

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Speaker 1: Whiskey bartender, you you joined me, stranger?

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Speaker 9: Hi?

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Speaker 1: Oh?

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Speaker 9: Why sure?

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Speaker 1: I'm Luke Slaughter. I'm a spread in these parts.

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Speaker 6: Now.

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Speaker 9: Well, my name's Price Price.

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Speaker 1: I don't recall I having seen you in Tombstone before.

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Speaker 9: I ain't seen you neither.

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Speaker 1: No offense. I'm always looking for good cow hands, you know.

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Interested in the job. Would be that kid you were

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talking to just now, Buck Ranier. He works for me,

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you know him.

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Speaker 3: This is a.

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Speaker 9: Public saloon, Slaughter, I was talking to him same as

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I'm talking to you.

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Speaker 1: Sure, if you want that job, come on out tomorrow.

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Anybody can tell you where I'm.

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Speaker 9: Located, Thanks, Slaughter, I just may do that.

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Speaker 1: Goodnight price, morning buck. I see which attack got j outfitted.

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Speaker 6: It's you're dead. These new duds feel awful good.

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Speaker 1: And the next thing you'll need is a string of horses.

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A string on my own, and I've heard of a

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cowboy doing his job on foot.

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Speaker 6: Gosh, my own string.

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Speaker 1: Since you've taken a liking to that piebald you were

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riding last night, let's start with that one.

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Speaker 6: How'd you know I rode into town last night?

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Speaker 1: I know?

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Speaker 6: Ain't you gonna do nothing about it?

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Speaker 1: I figure when you get ready to tell me what

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you're up to, you will.

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Speaker 6: You trust me? Don't you?

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Speaker 1: Mister slaughter. I trust any man until he proves he

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isn't worthy of it.

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Speaker 6: Ain't nobody ever trusted me before?

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Speaker 1: Not like that. It's about time somebody did. Then. Oh uh,

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by the way, ran into a friend of yours at

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the Crystal Palace last night, name a price price.

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Speaker 6: He ain't no friend of mine?

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Speaker 1: Oh I thought he was. I offered him a job.

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Speaker 6: You offered him a job?

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Speaker 1: Anything wrong with that? Well, it's your spread now.

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Speaker 6: I'd like to pick out those horses now, if you

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don't mind.

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Speaker 1: All right, let's get down to the corral. Well, looks

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like Price is gonna take me up on that job.

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Speaker 6: I'm going down to it.

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Speaker 7: No, you wait here, morning Price, Morning Slaughter, Yeah, hello, Buck,

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good morning.

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Speaker 9: I thought i'd amble out and see what you had

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to offer.

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Speaker 1: Glad you did you want the job?

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Speaker 9: How many head do you run?

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Speaker 1: Around? Five hundred right now? Increasing it gradually? It ought

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to be enough to keep a man busy. I'll take

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it good. You're obviously in old hands. I'll pair you

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up with Buck here, mister Slaughter.

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Speaker 9: That sounds good to me. Maybe I can teach the

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kid to thing it too.

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Speaker 1: I'm sure you can now, Buck, we'll pick out two

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strings of horses.

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Speaker 9: Riding night guards my specialty.

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Speaker 1: Slaughter. Oh, now, we can start you right out at

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that tonight. Most of the boys prefer bunk house duty

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after dark.

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Speaker 6: Mister Slaughter.

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Speaker 1: Yes, Buck, never mind, let's get the horses.

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Speaker 3: Hang you or Luke.

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Speaker 4: You didn't even let me finish my supper.

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Speaker 1: It can have two suppers tomorrow. Did you tell the

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boys what I told you?

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Speaker 6: Yep?

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Speaker 3: Said you and me had to ride in the tombstore

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on a cattle deal.

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Speaker 1: This evening, Price over here, you make sure he did.

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Speaker 4: Goodness, Now, we ain't going to town. Where are we going?

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Speaker 1: Same place we went two nights ago, Upper Mesa?

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Speaker 3: Why kidding that new fella prize right night?

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Speaker 4: Heard up that night went up nearly in rble?

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Speaker 1: You trust that combination?

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Speaker 4: Of course not, But you're in the wash.

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Speaker 1: Give a man enough rope, he's liable to hang himself.

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Give a boy enough rope, he might get tangled up.

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I figure bucks tangled up.

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Speaker 3: You're still trusting that kid.

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Speaker 1: I haven't seen him do anything wrong. If I do,

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I'll change my tune.

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Speaker 3: Yeah, here's a trail entrance leading up to the ma

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Sa Luke, you want to go first.

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Speaker 1: We'll stop right here here. Whoever comes down has to

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pass this point. It's the only trail.

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Speaker 3: You're aiming to ambush Price in that kid.

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Speaker 1: Ambush now, observe is the word which.

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Speaker 3: You could observe them back at the ranch.

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Speaker 1: Would you go in all this trouble for proof? I'll

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bet you a heifer against four bits. There's another wrestling

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attempt tonight.

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Speaker 3: How do you figure that to?

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Speaker 1: Take a look at Price's hands.

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Speaker 3: I didn't like his face. Didn't get as far as

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his hands.

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Speaker 1: They're soft gambler's hands. He's not a working cowboy.

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Speaker 3: What does that prove?

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Speaker 1: Nothing yet? But I think that Price is the wrestler

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who got away the other night, and I think he's

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forcing Buck to act against his will. Well, if you

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00:20:48,279 --> 00:20:51,920
ask me, I didn't. Let's hide the horses and get set.

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Speaker 3: Yeah, but Luke, if the kid helped Price move them

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00:20:57,200 --> 00:20:59,960
cattle out, he's guilty of wrestling, no matter what you think.

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Think about it.

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Speaker 1: This time he won't be knocked out, and if he

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doesn't answer some straight questions, he'll go to jail the

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same as Price.

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Speaker 3: Here's they come, Luke, Piers yours right?

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Speaker 1: Yeah, I didn't get down off the trail into the flat,

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and then we'll challenge him.

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Speaker 3: There's Price and the kid bringing up the rear.

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Speaker 1: When they pass in front of us, I'm going to

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stand up, keep me covered. Either one of them reaches

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for his gun, shoot, don't you Luke? All right? Get

393
00:21:34,319 --> 00:21:37,880
ready calling Price? Wait a minute, this is as far.

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Speaker 4: As we're going.

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Speaker 1: What are you talking about?

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Speaker 9: Come on, we gotta keep these pritters moving.

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Speaker 6: I'm not going any farther in either of you.

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Speaker 9: Don't you give me that back talk, you do what

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00:21:49,599 --> 00:21:53,920
I tell you? Well, what's the idea of the gun?

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Speaker 6: I've taken all I'm gonna take from you? Price, I'm

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gonna kill you.

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Speaker 9: You're gonna kill me.

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Speaker 8: I don't know what my mother sees in you. You're

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nothing but a lion, cheat and gambler, and now you

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turn into a wrestler.

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00:22:07,880 --> 00:22:09,279
Speaker 6: Well, you can't make me one too.

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Speaker 9: Your mar's a pretty woman.

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Speaker 1: Buck.

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Speaker 9: We're gonna get married on the money we make selling

410
00:22:16,079 --> 00:22:20,319
this herd. You wouldn't shoot your own daddy, now, would you.

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Speaker 8: You ain't one tenth the man my daddy was. And

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00:22:23,519 --> 00:22:25,359
my mother's had enough grief in her life. You ain't

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00:22:25,359 --> 00:22:26,279
gonna add no more to it.

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Speaker 9: You're forgetting that you're just as much of a wrestler

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00:22:29,000 --> 00:22:29,400
as I.

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Speaker 1: No, I'm not.

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Speaker 8: If my mother wasn't mixed up with you, i'd have

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00:22:33,279 --> 00:22:35,079
told mister Slaughter who you were the night you knocked

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me out and left me to take the blame.

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Speaker 6: I don't know why he's been.

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Speaker 8: So good to me, offered me a job at all,

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00:22:40,640 --> 00:22:42,440
but I'm not gonna pay him back by letting you

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get away with this.

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00:22:43,799 --> 00:22:45,359
Speaker 6: So I'm gonna kill you right now.

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Speaker 8: Right price to missus Slaughter, you shot the gun right.

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Speaker 6: Out of my hand.

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Speaker 1: I couldn't stand by and let you commit murder. Buck,

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I've learned all I need to know about mister Price

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00:23:01,039 --> 00:23:03,200
and his wrestling. Just a minute's laughter.

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Speaker 7: We're still on your property and you can't prove a

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00:23:05,720 --> 00:23:07,000
charge of rustling Price.

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00:23:07,039 --> 00:23:08,680
Speaker 1: Did I give you orders to move that herd down

433
00:23:08,720 --> 00:23:12,240
from Upper Mesa tonight? No? Just who do you think

434
00:23:12,279 --> 00:23:15,039
the judge is gonna believe you?

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00:23:16,759 --> 00:23:19,079
Speaker 6: You still want me to work for you, mister Slaughter.

436
00:23:19,480 --> 00:23:22,720
Speaker 1: Of course I do, Buck, And after the trial of

437
00:23:22,720 --> 00:23:25,079
this sidewine to hear it might be a good idea

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00:23:25,119 --> 00:23:27,160
if you took a week off and rode over to

439
00:23:27,200 --> 00:23:32,680
Prescott to see your mother. I'd like that take along

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00:23:32,680 --> 00:23:36,000
a copy of the Tombstone epitaph that tells about Price's trial.

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00:23:37,039 --> 00:23:39,680
It'll set her straight on the mistake she almost made.

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00:23:40,839 --> 00:23:43,039
Let her know what kind of a man she raised.

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00:23:54,880 --> 00:24:00,480
Speaker 2: Luke Slutter of Tombstone, starring Sam Buffington, was written by

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00:24:00,559 --> 00:24:05,319
Alan Butzer and directed by William N. Robeson editorial supervision

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00:24:05,359 --> 00:24:10,039
by Tom Henley. Supporting mister Buffington were Junius Matthews, Sam

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00:24:10,160 --> 00:24:13,839
Edwards and Vic Perrin, with music composed and conducted by

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00:24:13,920 --> 00:24:26,400
Wilbur Hatch. Next week, at this time we return.

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00:24:26,160 --> 00:24:31,160
Speaker 1: With Slaughter's the name Luke Slaughter. When we meet up again,

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00:24:31,200 --> 00:24:34,319
you can call me that, Luke Slaughter.

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Speaker 2: This is the CBS Radio Network

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00:25:00,599 --> 00:25:01,000
Speaker 1: To be s

