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Speaker 1: Wm NH will rip the novels.

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Speaker 2: Hey, everybody, here we go.

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Speaker 3: We have entered our number two numerados of Matt Connorton

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unleashed and we are live from the studios of w

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m n H ninety five point three f M and

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Glorious Manchester, New Hampshire. And of course you can stream

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the show from anywhere. Go to Matt connorton dot com

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slash live for all of your live streaming options, social

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media links, contact and fo show archives, et cetera, et cetera.

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Happy Valentine's Day. It is Saturday, February four, twenty twenty six.

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Jenny is here, of course at the news table, resident

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accounted for and joining us in studio, and I'm gonna

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get these mics up, and we got we got a

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lot of mics here, but we've got the guys from

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Jarraflies here.

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Speaker 4: Hello, Hey, good morning, good morning.

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Speaker 3: We're gonna do a quick Okay, let's do this because

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we have to do kind of a live mic check

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on the air soundcheck I should say uh in this case.

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So let's start in the corner here and we'll go around.

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We'll have each of you tell me who you are,

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what you do in jarflies and uh, and that'll give

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me a chance to kind of do a soundcheck as

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we go, so we'll start with you, sir.

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Speaker 4: Sure, yeah, good morning.

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Speaker 5: My name is Steven and uh I played drums and jarflies.

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Speaker 4: All right?

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Speaker 6: And you Chris A von Holwig, singer extraordinaire, here for

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your entertainment pleasure.

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Speaker 2: I feel like you were an alter ego the last

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time you were here.

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Speaker 7: Yes, I was the last time I was here.

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Speaker 6: It was in another tribute, but we we will romote

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that one because we're promoting joy Flies today.

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Speaker 2: Right right, all right, very good?

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Speaker 3: And you I'm Eric, play guitar, okay, Eric, welcome? And

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of course you who you got to be in the

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five Timers club by now right? Why can't I can't

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hear you at all?

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Speaker 2: Come?

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Speaker 3: Let's let me figure this out here. I cannot wait.

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I think I might know the problem. Let's try that again.

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Let's see.

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Speaker 8: It is Valentine's Day. Screw them?

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Speaker 2: There you are there, you are, Hello, Chris. Hello, welcome.

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Speaker 8: I am Chris, and I play guitar and jarriflies.

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Speaker 2: Also known as H. Yes do you play guitar as

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H or Chris?

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Speaker 8: And it's always H just for the general public.

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Speaker 2: There are a lot of Chris is introduce.

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Speaker 4: Chris and I play bass.

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Speaker 2: Well say that again, Chris. I'm the third Chris. You're

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the third Chris Smith because their creative.

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Speaker 9: Told me, and actually Sergeant Baker, Yes, Sergeant Baker, I'm.

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Speaker 2: Gonna turn this up and I'm gonna turn this down.

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Speaker 3: And let's see, all right, I need the I need

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h and Smith to talk a little bit.

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Speaker 8: Hello.

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Speaker 2: Okay, here we are.

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Speaker 7: Today.

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Speaker 8: Chris.

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Speaker 10: I'm doing well. How are you today?

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Speaker 4: All right?

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Speaker 3: I thank you as hear you both. I can hear

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you both. Okay, I think I think that'll work. So

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Jara Flies obviously an Allison Chain's tribute. I think anyone

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would uh would would guess I assume I'm correct.

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Speaker 2: Yes, it'd be funny if you came in and it

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turns out.

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Speaker 8: A note, Actually mama's in the puppet.

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Speaker 2: This other console. Yeah, Mom's in the pop has They

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had a song called jar Flies. Most people don't realize that.

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And this is how new? Is this? Is this? Have

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you guys been doing this for a while or is

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this brand new?

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Speaker 9: It's pretty new? Okay, kind of kind of spawned late

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last year. Oh so we were doing kind of another band,

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original band with the four of us, and then I

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ended up breaking my foot and so I was playing

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less drums and I played all these Ouse and Chain

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songs forever.

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Speaker 8: Yeah, So I just threw it out to the guys.

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Speaker 9: I'm like, you guys into the playing like doing a

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Chain's acoustic project, and uh, They're immediately were on board.

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I'm like, well, we need to get another guitar player.

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So just put it out there in the ether and

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Eric showed up and it was a home run from

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the beginning, and we love him, not a lot of love.

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Speaker 2: What was that? Was that an idea that you always

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kind of had that you wanted to do, or.

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Speaker 9: For me personally, because I was I had. It's funny

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because we have the songbook in the studio, but I

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had picked that up when I was in high school, Yeah,

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just for fun and learned all those songs three hundred

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years ago.

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Speaker 8: So it was kind of nice that everybody was on board.

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Speaker 2: Yep.

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Speaker 8: Yeah, to kind of bring it out there.

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Speaker 9: And then with all the tribute thing going on, it's

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it was it was kind of like, you know, we

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play with you know, with Edgeways and you know, anything

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that's fully plugged in as we get older, I was

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kind of noticing, like, this sounds great, right, because it's

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hard to get good sound for original bands or even

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tribute acts that are subjective to the venue. Yeah, and

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their sound guy, and they don't you know, it's it's hard.

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Speaker 2: It's oh yeah.

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Speaker 9: You get people in their forties and fifties who want

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to go out and enjoy the night. They don't want

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to hear screaming guitars for three hours, or maybe they do,

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but it gets it gets taxing, right right. So this

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is kind of a play on while we can do

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it in more intimate venues. Yeah, and so we we

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did an open mic night. I'd never played guitar on

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live before really, so that was kind of the challenge

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of it as well.

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Speaker 2: What was that? Was that scary or were you.

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Speaker 9: Nervous because hide because I have I bought a big

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drums and I get to hide behind him.

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Speaker 8: Oh yeah, and then I can say, oh, you guys

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out there right right?

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Speaker 2: Yeah?

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Speaker 9: And I was just tired looking at his all these years.

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Speaker 2: Right right.

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Speaker 3: So So now, well, how many how many songs have

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you guys learned to do in this in this format

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so far?

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Speaker 2: Like, how many so.

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Speaker 9: The idea was to do the whole MTV and plugged album. Okay,

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so we do it as they performed it. Oh wow,

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and then we do attack on some bonus tracks.

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Speaker 2: Oh very cool?

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Speaker 4: Yeah, very cool.

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Speaker 2: Have these songs been challenging to learn or some of

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them for me?

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Speaker 4: Really?

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Speaker 2: Yeah?

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Speaker 9: Yeah, yeah, we're still working. I mean there's a lot

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of vocal parts that you know, and chans. It's just

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tough to you can't replicate it, you know, just so

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we try to do the best you can.

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Speaker 5: Yeah, dense with nuance, so it's like you can learn

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the song, but then nailing the nuances is what takes time.

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Speaker 2: Yeah. Yeah.

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Speaker 3: And vocally too, So how do you handle you know,

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because Lane Staley and Tererry can treal singing together, which

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is vocally kind of the secret weapon right of the band.

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So I mean, how do you guys handle that.

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Speaker 6: Eric has a good high falsetto. I can do both,

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but the warmth and tone in you know, basically in

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both of their voices, Jerry and Lane. But I do

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a lot of the you know, the the warmer, bassier tones,

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and then he supports me and the you know, the

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the high, higher falsetto backups and then h will come

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in on some of the stuff that you know acquires

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you know, a third voice. Okay, so yeah, so we

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make the arrangements work with what you know, what our

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what our strengths are.

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Speaker 11: Yeah, try not to do too much with it because they.

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Speaker 2: Do right right absolutely y.

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Speaker 4: That's why Eric was the Unicorn.

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Speaker 5: It's like, yeah, man, play the guitar well and singing

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and material already. Yeah yeah, heap your teeth.

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Speaker 3: Wow, Eric, you got it all man, fantastic, You're like

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an angel.

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Speaker 2: Well, I'm dying to hear something. You guys, you guys

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want to play?

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Speaker 8: Yeah, we could do that show all right, very good if.

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Speaker 2: You're just joining us. We got our flies here in

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studio with us.

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Speaker 8: H you guys say when.

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Speaker 12: H m hm hm hm hmmm.

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Speaker 9: Sorry not today, not today.

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Speaker 2: Yeah, Mike's picking it up.

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Speaker 8: It's right.

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Speaker 13: M h.

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Speaker 12: M hm.

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Speaker 14: M chasmss with the least we it's a matatiz.

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Speaker 15: In yet at bad and yet at bat this badle long.

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Speaker 16: No one want to grab dude, no basical man give

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themselves three, man give themselves three, and yet I found.

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Speaker 17: Yet I found.

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Speaker 18: Repeatingly my.

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Speaker 17: Ven jimp mal.

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Speaker 7: I feel better jer.

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Speaker 2: H m hmm. That was great. Guys, thank you, Oh

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my god, that was so good.

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Speaker 8: Nice happy tune for Valentine's Day.

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Speaker 2: Yeah, there you go, There you go.

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Speaker 3: Eric, I'm wondering if when you're for the next one,

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if we can get that mic in front of the guitar.

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I just want to make sure we're picking up a

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little bit better if you get I mean, you can

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pull the extender there, you can just yeah, I know

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it's a it's a little bit awkward, but yeah, I

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just want to make sure we're getting you.

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Speaker 2: But yeah, you guys, get there you go. Yeah, I

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know it's awkward. That was the one advantage of the

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old studio. We had more room. But no, you guys

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sound great if you're just joining us.

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Speaker 3: We've got jar Flies here with us in studio and

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absolutely fantastic.

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Speaker 2: How many how many shows have you guys been been

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doing so far? You've been playing a lot.

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Speaker 9: We had one at the beginning of January and we

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have a few more lined up.

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Speaker 2: Okay, so we have.

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Speaker 9: February twenty eighth coming up at the Button Factory in Portsmouth.

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But that did sell out.

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Speaker 4: Oh, really excellent.

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Speaker 8: The first show we did in Milford at Riley's Place.

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Speaker 9: We got over five hundred people interested on our Facebook

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Oh my god event page.

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Speaker 8: Wow, it's pretty cool.

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Speaker 9: And then we ended up going to capacity there for

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our first show, so it was so it was kind

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of like a little bit unexpected. And then we did

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the Portsmouth show Brochie Stephen Erica for kind of from

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that the coast area something like us, we should try

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to get out there, so just trying to find these

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smaller places.

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Speaker 8: And then that sold out in a few days. And

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then we have.

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Speaker 9: The Marrigold in Brattleboro, Vermont March seventh, and then we

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have Pembroke City Limits the eighth on the schedule so.

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Speaker 2: Far, Oh fantastic, which is trying to forget about.

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Speaker 7: That's in the Rochester.

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Speaker 2: So you guys are off to a very strong start.

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That's great.

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Speaker 9: Yeah, so it's it's it's done pretty well with the response.

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Ah yeah, really well, so it's kind of nice. Yeah,

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that's excellent. That's excellent. Well, I'm dying to hear another one.

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You guys want to play another one? Yeah, jar Flies

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is here with us in the studio. If you're just

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showing us sounded amazing, no excuses.

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Speaker 3: That's a volume on that.

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Speaker 2: Sounds good, sounds good in the headphones.

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Speaker 4: It's all right.

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Speaker 18: There, Consita.

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Speaker 13: Can no.

241
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Speaker 15: Search for me so nice, lame, wanna take hisl no

242
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more in no disgarsin to sad. Very days something hits me.

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Speaker 7: Have so good.

244
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Speaker 19: You found me seeing him found myself. Don't excuse is that.

245
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Speaker 13: I know.

246
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Speaker 12: It's okay.

247
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Speaker 19: He abdy his up brood, breaking rock, soltry.

248
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Speaker 4: Drained and blue.

249
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Speaker 19: I believe for you.

250
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Speaker 18: You think it's fine.

251
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Speaker 15: Well you're traveling in it too. Every day something hits me.

252
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Speaker 19: I'm so cool you can't me see it found myself.

253
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Don't choose his.

254
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Speaker 13: D I know.

255
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Speaker 17: Yes, we walk down the line, leave our ray to.

256
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Speaker 19: Go grey, to warm some shade you my friend, I

257
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will need a bread.

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Speaker 13: It we.

259
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Speaker 18: Well love you whenyway.

260
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Speaker 19: Revery day something miss me.

261
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Speaker 12: I'm so.

262
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Speaker 19: You find me, see it found myself. Don't use I.

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Speaker 2: Love m fantastic guys. Wow, thank you. If you're just

264
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joining us, we have jar flies here with us live

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in studio.

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Speaker 3: And yeah, that sounded really really good. Like in terms

267
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of long term do you do you plan to learn other?

268
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I mean, I know you talked about doing the you know,

269
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the entire unplugged album, and that's kind of the the

270
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main thing. And then you but I mean, do you

271
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plan on tackling like maybe other entire Alison Chain's albums

272
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in the future or.

273
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Speaker 7: Now we're just adding songs we did.

274
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Speaker 6: We did also do Stay, which is personal favorite. Oh yeah,

275
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it ain't like that, don't follow, but we also did

276
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and we did an acoustic version. Was still the big

277
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vocal a man in the Box to close the show Riley,

278
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So that that and that, you know, because that's a

279
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big song and obviously they're most probably the most one

280
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of their most notable hits.

281
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Speaker 7: You still need that you know energy.

282
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Speaker 6: But yeah, because we had a capacity crowd, they joined

283
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in for everything, so we really got that you know residence,

284
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even without the electrified guitars, so you know, we're still

285
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using the full drums, so we still have that impact

286
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of the drums, which this is a very drum and

287
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bass driven type of music.

288
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Speaker 2: Yeah.

289
00:20:44,799 --> 00:20:47,079
Speaker 4: Yeah, we're a little extra acoustic this morning.

290
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Speaker 2: Yeah yeah, now this is cool.

291
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Speaker 7: Drummer always get screwed in the.

292
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Speaker 5: Even the guitars aren't amplified, you know, it's like, yeah,

293
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amplified acoustic sounds beautiful.

294
00:21:00,039 --> 00:21:02,000
Speaker 2: Oh yeah, yeah, absolutely, Yeah.

295
00:21:02,000 --> 00:21:03,559
Speaker 9: In terms of full albums, we wouldn't do it a

296
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full album. I guess technically we could do SAT, we

297
00:21:06,960 --> 00:21:09,160
could do set. They had the four song EP SAP

298
00:21:09,519 --> 00:21:13,559
right right, but there's but Chris Cornell guess vocals on there.

299
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There's some crazy vocals on that album. But yeah, but

300
00:21:17,200 --> 00:21:18,759
those would be some deeper cuts for sure.

301
00:21:19,079 --> 00:21:19,279
Speaker 2: Yeah.

302
00:21:19,480 --> 00:21:22,599
Speaker 9: Yeah, but we've talked about even some of the newer

303
00:21:23,039 --> 00:21:26,720
Allison Chain's albums without Lane. There's some good songs on

304
00:21:26,759 --> 00:21:28,599
those albums. Yeah, so maybe if we get down the

305
00:21:28,680 --> 00:21:32,039
road and then you know the side projects like mad Season.

306
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Speaker 8: Oh yeah, we could do stuff like that.

307
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Speaker 2: I really like that album, mad Season album.

308
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Speaker 8: Yeah, that's a great album.

309
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Speaker 2: Yeah.

310
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Speaker 5: Yeah, so yeah, there's amount of hits that they had

311
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that didn't on the unplugged album.

312
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Speaker 2: Yeah, that's true too.

313
00:21:46,240 --> 00:21:49,279
Speaker 4: Yeah, those are those are all targets if they translate

314
00:21:49,359 --> 00:21:50,319
well right right.

315
00:21:50,880 --> 00:21:51,079
Speaker 2: Yeah.

316
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Speaker 3: Was there anything that was particularly challenging, I mean, any

317
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anything that you guys kind of had.

318
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Speaker 2: To really work art out to get it right? Yeah?

319
00:21:59,240 --> 00:22:02,680
Speaker 9: Those a few songs over now is a unique tuning,

320
00:22:04,480 --> 00:22:06,400
so we you know, we have separate guitars for that one.

321
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Speaker 7: Frogs Frogs Cross is a.

322
00:22:11,839 --> 00:22:15,799
Speaker 6: Super impressive song, but there's a lot of very cool

323
00:22:15,920 --> 00:22:19,400
bass parts that are triggers for me in terms of

324
00:22:19,440 --> 00:22:24,240
the vocal Okay and Lane, whether it's the recording or

325
00:22:25,119 --> 00:22:28,519
unplugged his especially the whole end of the song. It

326
00:22:28,960 --> 00:22:31,319
it feels when you listen to it that it's very

327
00:22:31,400 --> 00:22:34,359
much just riffing and it's out of time, but you

328
00:22:34,480 --> 00:22:36,400
have to you know, you have to count it. But

329
00:22:37,039 --> 00:22:39,640
in Lane fashion, he sings when he wants to sing,

330
00:22:40,000 --> 00:22:43,000
when you just kind of follow what he's doing.

331
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Speaker 9: Yeah, And to that, a lot of it is just

332
00:22:47,519 --> 00:22:49,240
which is part of four We kind of tried to

333
00:22:49,319 --> 00:22:52,200
do the more intimate gigs. It's it's very viby, so

334
00:22:52,279 --> 00:22:55,920
it's not there's nothing to a grid, there's it's not specific,

335
00:22:56,000 --> 00:22:58,960
it's how we're feeling. Try to find that pocket so

336
00:22:59,079 --> 00:23:01,720
people can really feel and and us just feel it

337
00:23:02,640 --> 00:23:05,079
the music more than just hey, we're just playing a

338
00:23:05,160 --> 00:23:07,519
song and we can pull in anybody to play this.

339
00:23:07,960 --> 00:23:09,759
It's not going to be like that as much because

340
00:23:09,799 --> 00:23:12,599
it's it really takes the band to kind of work.

341
00:23:12,400 --> 00:23:14,519
Speaker 8: Together to sell these songs.

342
00:23:14,759 --> 00:23:17,240
Speaker 9: I think, oh yeah, versus you know, if you're just

343
00:23:17,279 --> 00:23:20,599
playing a bar band, cover band and you play Mustang Sally.

344
00:23:21,160 --> 00:23:23,200
You can find three thousand people to play it and

345
00:23:23,319 --> 00:23:26,720
they can kill it and that's fine. Yeah, you know

346
00:23:26,799 --> 00:23:30,039
some of this stuff is I think it's not super unique,

347
00:23:30,079 --> 00:23:32,839
but it's it's kind of nicer to have that that feel.

348
00:23:33,079 --> 00:23:35,960
Speaker 11: Yeah, you know, it's like you play it too fast

349
00:23:36,000 --> 00:23:37,720
and it kind of takes the mood away. You've really

350
00:23:37,720 --> 00:23:39,400
got to find that pocket in order for it to

351
00:23:39,480 --> 00:23:40,079
come through.

352
00:23:40,200 --> 00:23:41,079
Speaker 4: Right right? Yeah?

353
00:23:41,400 --> 00:23:45,200
Speaker 3: Absolutely? Uh, you guys want to play another one? Sure

354
00:23:46,200 --> 00:23:48,119
if you're discerning us. We've had jar flies here with

355
00:23:48,240 --> 00:23:51,160
us in studio sounding really good?

356
00:23:51,480 --> 00:23:51,920
Speaker 2: Really good?

357
00:23:52,039 --> 00:23:52,880
Speaker 8: Are we doing on tuning?

358
00:23:53,480 --> 00:23:54,039
Speaker 7: Done in a hole?

359
00:23:54,799 --> 00:23:58,279
Speaker 2: Ooh yeah, I don't want to hear that good?

360
00:23:59,559 --> 00:24:29,559
Speaker 18: Yeah, bevery me stopping this wood.

361
00:24:33,839 --> 00:24:38,599
Speaker 19: And give this part of me, bony you.

362
00:24:43,359 --> 00:24:47,440
Speaker 15: Sand rains down near rasing.

363
00:24:48,359 --> 00:24:52,880
Speaker 19: All the rare nowels in to.

364
00:24:57,319 --> 00:24:58,200
Speaker 8: In blue.

365
00:25:02,799 --> 00:25:06,839
Speaker 19: Telling a hold, and I don't know if that can

366
00:25:07,000 --> 00:25:08,000
be safe.

367
00:25:12,400 --> 00:25:24,599
Speaker 15: Seamen decate lag graz Oh you don't understand. They thought

368
00:25:24,960 --> 00:25:27,400
I was sposed space.

369
00:25:31,759 --> 00:25:34,440
Speaker 19: Look get me now main.

370
00:25:35,920 --> 00:25:51,400
Speaker 15: Spa telling in a hold, losing myself, tell me in

371
00:25:51,559 --> 00:25:56,799
a hold, letting control.

372
00:26:00,440 --> 00:26:02,880
Speaker 12: I t to ply.

373
00:26:07,200 --> 00:26:09,279
Speaker 19: Now pensil to.

374
00:26:19,000 --> 00:26:20,119
Speaker 12: Tell in the hold.

375
00:26:20,799 --> 00:26:23,039
Speaker 19: They put all the stuns in.

376
00:26:23,160 --> 00:26:31,400
Speaker 15: The play, beating the song on my tongue. He had

377
00:26:31,519 --> 00:26:33,240
been burn off the tree.

378
00:26:37,960 --> 00:26:48,039
Speaker 19: Where have the fl me in myself? And where will

379
00:26:48,400 --> 00:26:52,119
be to know more on my femials.

380
00:26:57,039 --> 00:26:57,759
Speaker 12: Down in a.

381
00:27:01,839 --> 00:27:07,799
Speaker 19: Using myself telling Abo.

382
00:27:11,400 --> 00:27:12,839
Speaker 18: N control.

383
00:27:15,960 --> 00:27:18,480
Speaker 12: Tied to FA.

384
00:27:22,359 --> 00:27:25,000
Speaker 19: From now into pencil.

385
00:27:34,960 --> 00:27:37,880
Speaker 10: No remaining stopping.

386
00:27:42,400 --> 00:27:48,720
Speaker 19: Said of this batophy Bo, you.

387
00:27:51,759 --> 00:27:56,799
Speaker 15: Say rings down and hear as said.

388
00:28:00,319 --> 00:28:07,359
Speaker 19: Now said, go.

389
00:28:09,079 --> 00:28:17,720
Speaker 15: To be sad down in a hole, losing my soul

390
00:28:21,240 --> 00:28:26,839
down in a ball, feelings.

391
00:28:26,480 --> 00:28:27,480
Speaker 19: So small.

392
00:28:30,519 --> 00:28:40,920
Speaker 15: Down in a ball, losing my soul down a hole,

393
00:28:44,440 --> 00:28:45,559
down in control.

394
00:28:49,880 --> 00:28:51,319
Speaker 12: That to f.

395
00:28:55,440 --> 00:28:58,079
Speaker 19: The mollys of pencils.

396
00:29:23,720 --> 00:29:28,880
Speaker 3: Amazing jar flies here with us in studio and uh yeah,

397
00:29:29,039 --> 00:29:31,480
you guys, sound sounds so good, so good?

398
00:29:31,839 --> 00:29:34,640
Speaker 2: Is there what what goes over the best?

399
00:29:34,759 --> 00:29:34,799
Speaker 12: Like?

400
00:29:34,920 --> 00:29:36,759
Speaker 3: Is there something that stands out when you guys play

401
00:29:36,799 --> 00:29:39,759
live that the crowd reacts to the most. Would you say,

402
00:29:40,960 --> 00:29:42,880
is there any one thing that really.

403
00:29:44,160 --> 00:29:45,119
Speaker 4: I feel? I feel like?

404
00:29:45,279 --> 00:29:48,920
Speaker 6: We we got exactly what we expected, which was this

405
00:29:49,079 --> 00:29:51,480
was already inside of us from our youth. So when

406
00:29:51,599 --> 00:29:56,359
we brought the project together, we even surprised ourselves playing

407
00:29:56,480 --> 00:29:59,799
it through the first time. Pretty much nine ten of

408
00:29:59,880 --> 00:30:03,240
us songs came to us easy. So the fans, the

409
00:30:03,279 --> 00:30:06,440
people came that love it. I think the thing that

410
00:30:06,559 --> 00:30:10,519
I got from it was right, Lane's gone, so there's

411
00:30:10,559 --> 00:30:14,519
no availability for anybody who either was alive during that

412
00:30:14,640 --> 00:30:16,640
time and lived it when it was you know, fresh

413
00:30:16,680 --> 00:30:20,079
and new, or is now experiencing it after So the

414
00:30:20,200 --> 00:30:23,240
looks on the people's faces and them singing the songs

415
00:30:23,279 --> 00:30:27,039
along with me, everything seemed to be their favorite.

416
00:30:27,160 --> 00:30:28,200
Speaker 7: Yeah, everything was a hit.

417
00:30:28,319 --> 00:30:30,839
Speaker 6: Of course, you know, Man in the Box, Down in

418
00:30:30,880 --> 00:30:33,680
a Hole that we just did are very big, you know,

419
00:30:33,839 --> 00:30:36,640
notable songs. But I would say the crowd that we

420
00:30:36,759 --> 00:30:39,359
have there, they may have even known the music better

421
00:30:39,400 --> 00:30:42,759
than we did. Yeah, so I could have handed the

422
00:30:42,799 --> 00:30:44,799
mic off several times people were doing it.

423
00:30:45,240 --> 00:30:48,000
Speaker 7: Yeah, well say that, Chris.

424
00:30:48,359 --> 00:30:48,559
Speaker 4: Yeah.

425
00:30:48,599 --> 00:30:51,680
Speaker 3: The reaction from the people, I think I underestimated I

426
00:30:51,720 --> 00:30:55,519
guess how popular they were because I wasn't expecting people

427
00:30:55,599 --> 00:30:57,920
like they were singing along and like to some of

428
00:30:57,960 --> 00:30:58,240
the songs.

429
00:30:58,279 --> 00:31:00,359
Speaker 4: I didn't expect it to It was like, okay, kind

430
00:31:00,400 --> 00:31:02,920
of need to see you know. Yeah, I second that.

431
00:31:03,079 --> 00:31:06,160
Speaker 5: I think that is the biggest thing that blew me

432
00:31:06,200 --> 00:31:09,920
away was that I, you know, like most of us

433
00:31:10,119 --> 00:31:13,799
like the suggestion to learn these songs, was like, yeah,

434
00:31:13,880 --> 00:31:16,519
of course, like it's always fun, yeah to pick up

435
00:31:16,519 --> 00:31:17,920
a new challenge and play a thing.

436
00:31:18,039 --> 00:31:22,640
Speaker 4: But I had no idea that it would get the

437
00:31:22,720 --> 00:31:23,559
response that it did.

438
00:31:23,759 --> 00:31:27,359
Speaker 5: Yeah, Like we didn't bring more than like something like

439
00:31:27,480 --> 00:31:29,880
less than ten percent of the people there, family and

440
00:31:29,920 --> 00:31:30,640
friends of ours.

441
00:31:30,839 --> 00:31:33,720
Speaker 7: Yeah, like just like organic people just yeah, like.

442
00:31:34,960 --> 00:31:37,400
Speaker 5: Brought that place to capacity just because they love Alice

443
00:31:37,440 --> 00:31:40,200
and Chains. Yeah, we're seeing that at the other gigs

444
00:31:40,200 --> 00:31:44,599
that we posted too, So I think that's the biggest surprise.

445
00:31:46,559 --> 00:31:49,079
Speaker 4: That's great. Yeah, it's a great response.

446
00:31:49,200 --> 00:31:51,519
Speaker 6: The return after the show when it was over, that

447
00:31:52,359 --> 00:31:56,079
you know people told me was that the music uh,

448
00:31:56,880 --> 00:31:59,319
at some point in their lives did something to help them,

449
00:32:00,000 --> 00:32:03,319
you know, as some of the content can be downtrodden

450
00:32:03,359 --> 00:32:07,519
and depressing as it is, it's a reflection of human emotions.

451
00:32:07,599 --> 00:32:10,400
So I think the return from people was I would

452
00:32:10,599 --> 00:32:12,759
will never have and didn't have the opportunity to see

453
00:32:12,839 --> 00:32:18,759
this and for real, but you doing this gives.

454
00:32:18,559 --> 00:32:20,680
Speaker 7: Me the opportunity to experience it the.

455
00:32:20,720 --> 00:32:23,759
Speaker 6: Way you know, maybe you know, whatever my parents or

456
00:32:23,920 --> 00:32:25,640
I may have if I was a little older or

457
00:32:25,720 --> 00:32:28,359
something during whatever time of their life and age groups,

458
00:32:28,440 --> 00:32:31,240
so yeah, I don't remember her name, but we did

459
00:32:31,359 --> 00:32:34,519
find out that one of the employees there at Riley's

460
00:32:34,640 --> 00:32:37,960
was actually there at the Unplugged in nineteen ninety six.

461
00:32:40,720 --> 00:32:42,160
Speaker 8: She worked with a hipparador magazine.

462
00:32:42,240 --> 00:32:44,799
Speaker 4: Yeah, oh, no, kidding, wild, that's wild, amazing.

463
00:32:45,000 --> 00:32:47,000
Speaker 6: Yeah, so she she saw the real thing and she

464
00:32:47,200 --> 00:32:51,200
was very instrumental, because that's the part we left out

465
00:32:51,319 --> 00:32:53,759
is we just went to Riley's to do an open

466
00:32:53,880 --> 00:32:58,359
mic maybe a month and a half before yet, and

467
00:32:58,599 --> 00:33:01,319
it got such a good response. Uh, they asked us

468
00:33:01,599 --> 00:33:04,759
to come back, and I think she she was instrumental

469
00:33:04,839 --> 00:33:06,440
in doing it. They said, you need to get these

470
00:33:06,480 --> 00:33:08,640
guys in. I've seen the real thing and they do it.

471
00:33:08,720 --> 00:33:09,720
They do good jobs.

472
00:33:10,839 --> 00:33:13,039
Speaker 2: Oh that's yeah, that's an incredible validation.

473
00:33:13,319 --> 00:33:13,519
Speaker 7: Yeah.

474
00:33:14,519 --> 00:33:18,400
Speaker 9: Yeah, because conveniently they Fradley's was booked for a long time,

475
00:33:18,480 --> 00:33:19,680
then a date opened up.

476
00:33:19,839 --> 00:33:24,440
Speaker 7: Yeah, we appreciate it. Thank you for having me.

477
00:33:24,880 --> 00:33:25,960
Speaker 2: Yeah, no doubt, no doubt.

478
00:33:26,559 --> 00:33:28,960
Speaker 3: I'm also curious, and you know, for any any of

479
00:33:29,000 --> 00:33:32,240
you who want to address this, like, what what is

480
00:33:32,319 --> 00:33:36,440
it about Alison Chains that that made or makes because

481
00:33:36,440 --> 00:33:39,359
they still exist obviously, but that makes that band so

482
00:33:39,599 --> 00:33:42,440
special because off the top of my head, Like, there's

483
00:33:42,480 --> 00:33:45,359
nobody who sounds like Alice in Chains, you know what

484
00:33:45,440 --> 00:33:48,400
I mean, There's nobody who quite sounds like them. So

485
00:33:48,519 --> 00:33:51,480
they're unique in a you know, in a universe where

486
00:33:51,640 --> 00:33:54,519
you know, everybody you know sounds like somebody else to

487
00:33:54,559 --> 00:33:56,480
some extent. But Alison Chains really kind of I mean,

488
00:33:56,519 --> 00:33:59,160
I I and again I referenced it earlier. I think

489
00:33:59,240 --> 00:34:01,359
a lot of it has to do with, you know, again,

490
00:34:01,519 --> 00:34:05,640
Laye and Jerry and their and their vocals together. I

491
00:34:05,680 --> 00:34:07,559
think that's to me, that was kind of always a

492
00:34:07,640 --> 00:34:11,000
secret sauce. But but but there's other elements about them

493
00:34:11,039 --> 00:34:15,159
that are, you know, interesting. But I mean, what do

494
00:34:15,239 --> 00:34:17,559
you guys think? Because you're you're in a good position

495
00:34:17,679 --> 00:34:20,320
to speak on this since you're, you know, covering their songs.

496
00:34:20,360 --> 00:34:22,960
Obviously you're all passionate about Alison Chains, and you're and

497
00:34:23,039 --> 00:34:25,639
you're exploring how to play them, right, you've learned how

498
00:34:25,679 --> 00:34:28,800
to play these songs. So, like I just and anybody

499
00:34:28,880 --> 00:34:30,880
wants to share their perspective, what is it about Alison

500
00:34:30,960 --> 00:34:32,280
Chains that makes them so incredible?

501
00:34:32,360 --> 00:34:33,280
Speaker 4: Yeah, I'll take a shot at that.

502
00:34:33,440 --> 00:34:37,639
Speaker 11: I for me, it's uh, when I when actually when

503
00:34:37,639 --> 00:34:39,639
I saw you guys looking for somebody to play. I

504
00:34:39,840 --> 00:34:43,679
saw that immediately and I responded because this is, you know,

505
00:34:44,079 --> 00:34:47,239
the Dirt album came out, I think just as I was.

506
00:34:47,599 --> 00:34:48,960
I think I might have been in the Marines at

507
00:34:48,960 --> 00:34:51,440
the time, but when I was overseas dy we beat them,

508
00:34:52,559 --> 00:34:53,639
We beat the brakes off that.

509
00:34:54,000 --> 00:34:56,079
Speaker 4: Yeah, at the time to the tape yet get yeah,

510
00:34:56,400 --> 00:34:58,800
but uh, but I think it goes back.

511
00:34:58,840 --> 00:35:00,440
Speaker 11: There was a lot of change in me music at

512
00:35:00,480 --> 00:35:02,079
that time when their first album came out.

513
00:35:02,119 --> 00:35:03,599
Speaker 20: I mean, because I'm still an eighties guy.

514
00:35:04,000 --> 00:35:06,679
Speaker 11: I love eighties music, but I was, you know, still

515
00:35:06,719 --> 00:35:08,559
in high school when it started to switch over and

516
00:35:08,599 --> 00:35:12,079
to Vana, sound Garden, you know, pro Jam, all these

517
00:35:12,159 --> 00:35:14,000
bands came out, and I think it was just a change,

518
00:35:14,000 --> 00:35:15,960
and I think there was a lot that people kind

519
00:35:15,960 --> 00:35:18,159
of reflect on that change out now that they're older

520
00:35:18,559 --> 00:35:20,400
and they look back on that and they have, you know,

521
00:35:20,519 --> 00:35:22,760
caon memories of what this music means to them.

522
00:35:22,800 --> 00:35:24,679
Speaker 20: So I think that's kind of the response.

523
00:35:24,559 --> 00:35:29,000
Speaker 2: As well, right right, yeah, anybody else, no, no, no,

524
00:35:29,199 --> 00:35:29,559
go ahead.

525
00:35:29,880 --> 00:35:32,760
Speaker 6: I was just gonna say, I think I think obviously

526
00:35:33,079 --> 00:35:36,440
all all of them are talented, extremely talented musicians. Jerry

527
00:35:36,760 --> 00:35:40,920
Cantrell great, you know, composer of an orchestrator of that

528
00:35:41,079 --> 00:35:44,559
music helped too. That their voices were very close, so

529
00:35:44,679 --> 00:35:47,920
not only in terms of inflection and tonally, so that

530
00:35:48,119 --> 00:35:50,599
that works is you know, sometimes you couldn't tell, you

531
00:35:50,639 --> 00:35:53,559
know the difference when Jerry was singing, but Lane had

532
00:35:53,599 --> 00:35:58,079
a very haunting vocal. But I think the the length

533
00:35:58,159 --> 00:36:00,760
of them being together and managing to get to that level,

534
00:36:00,760 --> 00:36:03,199
because I'm sure if you've ever deep dive, you know

535
00:36:03,280 --> 00:36:05,519
Alice in chains, you know where they started and where

536
00:36:05,559 --> 00:36:08,000
they ended up very different, so that you know that

537
00:36:08,440 --> 00:36:09,440
graduation to that.

538
00:36:10,320 --> 00:36:13,000
Speaker 7: But human emotion, as sad as it is that.

539
00:36:13,280 --> 00:36:16,639
Speaker 6: Lane died and the struggle, I think, I think the

540
00:36:16,800 --> 00:36:21,119
audience uh, in just being human really uh, you know,

541
00:36:21,239 --> 00:36:23,400
honed in on the fact that you know this this

542
00:36:23,599 --> 00:36:25,360
guy is he really feels this.

543
00:36:26,159 --> 00:36:26,320
Speaker 21: You know.

544
00:36:26,440 --> 00:36:29,800
Speaker 6: Of course, now looking back, I think, you know, possibly

545
00:36:29,880 --> 00:36:31,920
at this time, maybe he would have gotten more help

546
00:36:32,800 --> 00:36:34,400
than he did and we would have been able to

547
00:36:34,599 --> 00:36:35,960
enjoy him for much longer.

548
00:36:36,079 --> 00:36:38,079
Speaker 7: But you know, some stars burned the brightest.

549
00:36:38,320 --> 00:36:40,079
Speaker 11: I think that everybody relates to that too, right, I Mean,

550
00:36:40,079 --> 00:36:42,159
everybody's been down in a hole at some point in

551
00:36:42,159 --> 00:36:44,000
their life, so I think their lyrics and the way

552
00:36:44,079 --> 00:36:44,760
they come across.

553
00:36:44,800 --> 00:36:46,519
Speaker 4: I mean, everybody can relate to some way.

554
00:36:47,119 --> 00:36:48,960
Speaker 11: It's almost all of their songs, So I think that's

555
00:36:49,000 --> 00:36:51,039
another piece that really draws people to their music.

556
00:36:51,360 --> 00:36:53,599
Speaker 2: Yeah. Absolutely, Yeah.

557
00:36:53,639 --> 00:36:56,599
Speaker 5: I was just gonna say to what I think the

558
00:36:56,679 --> 00:36:58,840
two big they've been touched on the two biggest things

559
00:36:58,840 --> 00:37:04,440
are that you can't understand the the magnificence of the

560
00:37:04,639 --> 00:37:06,840
harmonies that those two singers created together.

561
00:37:07,000 --> 00:37:07,920
Speaker 7: It's really unique.

562
00:37:08,079 --> 00:37:09,800
Speaker 4: I don't. You don't see it a lot in music.

563
00:37:10,760 --> 00:37:13,960
You really didn't see it in that genre specifically.

564
00:37:13,639 --> 00:37:16,159
Speaker 5: Exactly like bon Jovi was doing it, but like you know,

565
00:37:16,239 --> 00:37:20,079
that's like happy pop, you know, right, right, uh, But

566
00:37:20,239 --> 00:37:23,719
they brought it to that genre in a way that

567
00:37:24,639 --> 00:37:29,159
really did justice to the authenticity of the There was

568
00:37:29,239 --> 00:37:31,599
just such an authenticity to that. You didn't feel like

569
00:37:31,719 --> 00:37:35,840
they were trying to commercialize pain something. They they were

570
00:37:35,960 --> 00:37:38,559
really authentic, And I think that's what resonates with people.

571
00:37:38,760 --> 00:37:43,159
Speaker 9: Yeah, And I think for me it's I've never been

572
00:37:43,239 --> 00:37:49,960
a huge lyric guy, so the authenticity in the Lane,

573
00:37:50,440 --> 00:37:52,599
to what Chris said, is one undercent on. For me,

574
00:37:52,719 --> 00:37:56,039
it's the sonics of it all and a lot of

575
00:37:56,119 --> 00:37:58,519
how people recorded during that During that time, we got

576
00:37:58,519 --> 00:38:02,119
a lot of great music. You know that Rage album,

577
00:38:02,199 --> 00:38:05,840
all those those early nineties albums, they have their own sound. Yeah,

578
00:38:05,920 --> 00:38:10,039
and Jerry was you know that just the feelings of

579
00:38:10,159 --> 00:38:14,880
that music message aside, just grabs me. You know, that's

580
00:38:15,000 --> 00:38:18,360
the snare sounds or the guitar sounds. What effects are

581
00:38:18,360 --> 00:38:20,039
going on there? How are they getting all these layers

582
00:38:20,280 --> 00:38:23,000
right so that people don't really realize that, but it

583
00:38:23,039 --> 00:38:25,559
affects them. It's like there's something that sounds really cooler.

584
00:38:25,559 --> 00:38:27,079
I don't know what it is, but it's right. It

585
00:38:27,159 --> 00:38:30,079
pulls you in, right, So it's I think it's all that.

586
00:38:30,639 --> 00:38:30,800
Speaker 1: You know.

587
00:38:30,880 --> 00:38:33,039
Speaker 8: They were both package that pretty well.

588
00:38:33,239 --> 00:38:35,000
Speaker 2: Yeah, yeah, absolutely, there's.

589
00:38:34,840 --> 00:38:36,639
Speaker 7: A good old raw rock and roll too. I mean

590
00:38:36,639 --> 00:38:37,119
they were.

591
00:38:38,840 --> 00:38:42,760
Speaker 6: They were great musicians, but you watch not a butt

592
00:38:42,880 --> 00:38:46,199
more of a you know, it wasn't so overly polished.

593
00:38:46,239 --> 00:38:48,639
They adapted, you know, you can you can see during

594
00:38:48,800 --> 00:38:51,159
that that you know, it had been a long time

595
00:38:51,480 --> 00:38:55,320
since they had played you know, those songs and played

596
00:38:55,440 --> 00:38:57,280
with Lane. I'm sure there was some rehearsals, but they

597
00:38:57,280 --> 00:38:58,960
even there's even a comment by Lane, you know, this

598
00:38:59,079 --> 00:39:02,679
is the best show we've had in three years and

599
00:39:02,880 --> 00:39:07,119
somebody shouts out, yeah, it's the only show because he disappeared.

600
00:39:07,159 --> 00:39:09,719
I mean, we talk about all the time. Their their window,

601
00:39:09,920 --> 00:39:13,920
like a lot of other great bands was very short. Yeah,

602
00:39:14,280 --> 00:39:16,800
at the time, from when they hit to when it

603
00:39:17,079 --> 00:39:20,840
was over and we lost Lane was a very short time.

604
00:39:21,960 --> 00:39:25,519
But to watch them play that and be those musicians.

605
00:39:25,639 --> 00:39:28,199
But you know, with all the nuances and the warts

606
00:39:28,239 --> 00:39:31,000
and everything that goes with it, we're really dissecting it,

607
00:39:31,119 --> 00:39:33,400
Like now we're in the ten percent of like, you know,

608
00:39:33,559 --> 00:39:36,719
that's that's not the recording, but what they did here

609
00:39:36,760 --> 00:39:40,199
actually ended up cool. Yeah, because they adapt to uh

610
00:39:40,519 --> 00:39:42,639
to it. And I like the the you know, I

611
00:39:42,719 --> 00:39:46,119
want them to be good musicians, but I like the unpolished.

612
00:39:45,719 --> 00:39:46,400
Speaker 7: Raw rock and roll.

613
00:39:46,440 --> 00:39:48,440
Speaker 6: I feel a lot of stuff today is just so

614
00:39:49,559 --> 00:39:53,360
perfectly orchestrated, and whether they're playing with backing tracks or

615
00:39:53,880 --> 00:39:58,079
you know, they've got the most professional you know, equipment

616
00:39:58,239 --> 00:40:02,800
and yeah, recording software stuff that they do live. I

617
00:40:02,960 --> 00:40:05,239
just like the good old you know, it's raw rock

618
00:40:05,320 --> 00:40:07,400
and roll, and yeah, if we mess it up, we're

619
00:40:07,440 --> 00:40:09,519
not gonna We're just gonna keep going through it.

620
00:40:09,559 --> 00:40:10,679
Speaker 2: It's not supposed to be perfect.

621
00:40:10,800 --> 00:40:12,400
Speaker 7: Yes, I know a lot of people are critical.

622
00:40:12,440 --> 00:40:15,320
Speaker 6: They want it to be like album quality, and it's like, yeah,

623
00:40:15,360 --> 00:40:18,280
but this is real and certainly we're not Alice in Chains,

624
00:40:18,360 --> 00:40:21,159
so we're adapting to what you know, parts we can

625
00:40:21,480 --> 00:40:21,920
we can do.

626
00:40:22,400 --> 00:40:24,000
Speaker 8: Yeah, yeah, we've got a little bit of that.

627
00:40:24,440 --> 00:40:28,159
Speaker 9: But we talk about all the time as just being artists,

628
00:40:28,320 --> 00:40:30,199
you're going to get some critiques. So it's you're not

629
00:40:30,320 --> 00:40:32,840
doing laying any justice and like we're not. We're not

630
00:40:32,880 --> 00:40:37,400
trying to replicate Lane right right, We're playing the songs

631
00:40:37,480 --> 00:40:40,360
and just just a channel in this area for people

632
00:40:40,400 --> 00:40:40,719
to hear it.

633
00:40:41,559 --> 00:40:44,280
Speaker 7: It's a tribute. Yeah, it's merely a tribute.

634
00:40:44,480 --> 00:40:46,440
Speaker 2: Yeah, yeah, it's that.

635
00:40:46,599 --> 00:40:49,360
Speaker 9: I mean, it's just it's just just sharing the music,

636
00:40:49,840 --> 00:40:53,000
just enjoying the music and playing with other people. You

637
00:40:53,039 --> 00:40:55,559
can call it tribute, I guess, but it's really just

638
00:40:55,840 --> 00:40:57,639
here songs that we like. We hope you like them too,

639
00:40:57,679 --> 00:41:02,000
and we're just trying to Yeah, we'll try to convey

640
00:41:02,079 --> 00:41:04,719
that that message because Jerry and you are here together.

641
00:41:05,000 --> 00:41:06,920
If Jerry wants to come in, great.

642
00:41:08,519 --> 00:41:09,400
Speaker 4: And we love.

643
00:41:10,800 --> 00:41:13,519
Speaker 7: We love to we love to be loud and play metal.

644
00:41:13,519 --> 00:41:14,480
We're all metal guys.

645
00:41:14,719 --> 00:41:19,159
Speaker 6: Uh, And with deep roots and you know thrash metal

646
00:41:19,280 --> 00:41:21,880
and hard rock stuff from the eighties and the nineties.

647
00:41:22,000 --> 00:41:25,320
But I have to say that yes, this not only

648
00:41:25,480 --> 00:41:27,239
for the reaction that we got, but for us it

649
00:41:27,559 --> 00:41:29,079
is it is a change from the norm.

650
00:41:30,400 --> 00:41:32,079
Speaker 7: It is not easy.

651
00:41:32,119 --> 00:41:34,800
Speaker 6: I'm not saying it's easy, but vocally like, it's much

652
00:41:34,880 --> 00:41:37,039
different than everything else that I do with either other

653
00:41:37,119 --> 00:41:40,360
trip it's original bands or covers, so it's uh. And

654
00:41:40,519 --> 00:41:42,960
to put it together collectively in package it that way,

655
00:41:43,000 --> 00:41:44,960
I think that's you know, if we did a song

656
00:41:45,039 --> 00:41:47,039
or two in like a cover set, we just you know,

657
00:41:47,199 --> 00:41:51,079
be another cover band and noise of all cover bands.

658
00:41:51,119 --> 00:41:53,280
So it just has more of a thing. And there

659
00:41:53,320 --> 00:41:55,639
are other great Alison chains.

660
00:41:56,280 --> 00:42:01,960
Speaker 22: Somebody somebody rang the door bell, murder them somebody, somebody's

661
00:42:02,039 --> 00:42:07,000
somebody wants a bus ticket, it's pizza, but Jenny's on

662
00:42:07,079 --> 00:42:07,440
the case.

663
00:42:07,920 --> 00:42:10,840
Speaker 6: Yeah, It's just it's enjoyable to do and package it

664
00:42:10,920 --> 00:42:13,000
that way and have people be like, yeah, I can

665
00:42:14,440 --> 00:42:17,559
each mentioned it earlier. I can go there, maybe get

666
00:42:17,599 --> 00:42:19,719
some food, have a drink, and I can still talk

667
00:42:19,880 --> 00:42:22,320
to people and here because the decibels of this are

668
00:42:22,440 --> 00:42:26,119
are far less. Yeah, you know, even even with you know,

669
00:42:26,280 --> 00:42:31,480
electrified acoustic and amplification. It just has less impact than

670
00:42:31,559 --> 00:42:34,079
going to see you know, your your favorite you know,

671
00:42:34,440 --> 00:42:37,639
very loud rock band and you know you're you're with

672
00:42:37,760 --> 00:42:39,960
you're just screaming at each other your horse at the

673
00:42:40,079 --> 00:42:40,559
end of the night.

674
00:42:40,679 --> 00:42:43,199
Speaker 9: So and the idea of it is just to create

675
00:42:43,239 --> 00:42:45,480
a little bit more of an experience. But you know,

676
00:42:45,519 --> 00:42:48,559
we have like the candles and the just bring the

677
00:42:48,639 --> 00:42:50,320
mood down a little bit so people can kind of

678
00:42:51,199 --> 00:42:53,800
dive into it. So you know, we're not just a

679
00:42:53,920 --> 00:42:58,320
band in the corner, you know, it's people just can

680
00:42:59,000 --> 00:43:00,800
dive into it. Like I said, just I like the

681
00:43:00,880 --> 00:43:02,880
song and you can hear people kind of talking I

682
00:43:03,000 --> 00:43:05,079
love this and they start singing. So that kind of

683
00:43:05,119 --> 00:43:09,320
interaction is new for me because, like Chris is saying,

684
00:43:09,360 --> 00:43:12,519
you know, if you're playing with amps, you don't hear anybody, right, right,

685
00:43:12,639 --> 00:43:15,159
That's true. Yeah, Like you're like, well you really like that,

686
00:43:15,960 --> 00:43:18,280
you try harder, and it's like I do like it too, Yeah,

687
00:43:18,400 --> 00:43:19,440
and then you have that connection.

688
00:43:19,679 --> 00:43:19,880
Speaker 2: Yeah.

689
00:43:20,039 --> 00:43:21,159
Speaker 8: Yeah, it's pretty close.

690
00:43:21,480 --> 00:43:23,679
Speaker 9: Yeah, it sounds like because there's people, I mean when

691
00:43:23,719 --> 00:43:25,719
we're at Riley's, I mean there was a couple, there's

692
00:43:25,719 --> 00:43:27,199
a whole group, you know, this.

693
00:43:27,440 --> 00:43:30,320
Speaker 8: Far away and like that's that's a lot of pressure.

694
00:43:30,440 --> 00:43:32,320
Speaker 9: Yeah, and in a sense because like can you can

695
00:43:32,320 --> 00:43:34,719
see people kind of either get water eyed or whatever.

696
00:43:34,800 --> 00:43:37,760
Speaker 8: They're like, this is my song and like, yeah, you

697
00:43:37,840 --> 00:43:38,239
know it's good.

698
00:43:38,280 --> 00:43:39,199
Speaker 2: So it's cool, Like it's not.

699
00:43:39,280 --> 00:43:42,639
Speaker 9: My song, we're just you know, channeling it, But it's

700
00:43:42,719 --> 00:43:44,239
cool that they're getting that emotion from it.

701
00:43:44,400 --> 00:43:44,599
Speaker 4: Yeah.

702
00:43:44,679 --> 00:43:47,159
Speaker 5: I'm also surprised aunt I forgot to mention this the

703
00:43:47,239 --> 00:43:49,440
amount of women that were at that show and kids.

704
00:43:49,960 --> 00:43:52,519
There are a lot of like younger kids, like teenage kids,

705
00:43:53,000 --> 00:43:57,360
Like my niece is like fourteen and she uh, she's

706
00:43:57,400 --> 00:43:58,280
in Dallas and Chain.

707
00:43:58,400 --> 00:44:01,079
Speaker 4: So like, yeah, to the extent that we can bring.

708
00:44:04,400 --> 00:44:05,960
Speaker 2: I think so. I think so.

709
00:44:06,199 --> 00:44:08,960
Speaker 5: I mean to the extent that any like younger kid

710
00:44:09,320 --> 00:44:11,760
enjoys this music. Yeah, And if there's anyone in this

711
00:44:11,920 --> 00:44:14,199
area that likes this kind of music and they're younger

712
00:44:14,280 --> 00:44:17,840
and they can hopefully we can do they can come

713
00:44:17,920 --> 00:44:19,639
to a show and we can kind of do justice

714
00:44:19,719 --> 00:44:21,840
to like the vibe that they missed out on not

715
00:44:21,960 --> 00:44:22,440
being alive.

716
00:44:22,519 --> 00:44:25,239
Speaker 8: Yeah, we see that a lot and people reached out.

717
00:44:25,320 --> 00:44:27,880
Speaker 9: Is this eighteen plus or a twenty one plus can

718
00:44:28,039 --> 00:44:29,679
you know, they want to make sure because like my

719
00:44:30,280 --> 00:44:34,239
daughter or my whatever child, it's hugely into it. So

720
00:44:34,280 --> 00:44:37,840
it's kind of like it's kind of interesting. It's like,

721
00:44:37,960 --> 00:44:39,599
you know, people our age, I guess their kids are

722
00:44:39,880 --> 00:44:40,440
more into it.

723
00:44:40,920 --> 00:44:41,119
Speaker 2: Yeah.

724
00:44:41,480 --> 00:44:44,599
Speaker 4: Yeah, we spawned, we all spawned kids that would listen

725
00:44:44,639 --> 00:44:44,800
to it.

726
00:44:44,920 --> 00:44:47,239
Speaker 9: But yeah, but it's kind of the same idea because

727
00:44:47,239 --> 00:44:49,719
I think it's for me. I kind of skipped the

728
00:44:49,840 --> 00:44:52,719
eighties and my I had older brothers who listened to

729
00:44:52,760 --> 00:44:55,000
a lot of seventies stuff, But the nineties stuff was

730
00:44:55,079 --> 00:44:58,159
a product of a lot of seventies music, you know,

731
00:44:58,320 --> 00:45:02,079
your Sabbaths and Zeppelin and yeah, all the all the

732
00:45:02,360 --> 00:45:05,199
kind of the harder rock stuff where the eighties was

733
00:45:05,280 --> 00:45:06,440
polished and they.

734
00:45:06,400 --> 00:45:08,320
Speaker 8: Had that eighties machine to it.

735
00:45:08,599 --> 00:45:11,400
Speaker 9: Yeah, I mean you had your metal, but you didn't

736
00:45:11,400 --> 00:45:14,480
have like the rock like the nineties grunge stuff was

737
00:45:15,079 --> 00:45:17,920
a descending of the you know, late sixties and seventies.

738
00:45:18,280 --> 00:45:21,320
Speaker 3: Yeah, and and probably to kind of a reaction to

739
00:45:21,599 --> 00:45:25,280
to the eightieschene you know, right, Oh for sure, Yeah,

740
00:45:26,079 --> 00:45:29,119
kind of a kind of a pushback on that and

741
00:45:29,199 --> 00:45:30,239
a and a welcome one.

742
00:45:30,320 --> 00:45:35,079
Speaker 2: And in a lot of ways, I would say Chris,

743
00:45:35,159 --> 00:45:36,880
you've been quiet. Did you have anything you want to do?

744
00:45:37,039 --> 00:45:37,159
Speaker 13: Uh?

745
00:45:37,480 --> 00:45:38,559
Speaker 23: No, I'm just a bass player.

746
00:45:38,639 --> 00:45:38,760
Speaker 3: Man.

747
00:45:39,840 --> 00:45:40,599
Speaker 7: It's a bass player.

748
00:45:40,639 --> 00:45:42,320
Speaker 3: Hey man, I'm a bass player too, So you know,

749
00:45:42,400 --> 00:45:44,119
we gotta we gotta look out for each other. That's

750
00:45:44,119 --> 00:45:45,360
why I want to make sure if you had anything

751
00:45:45,400 --> 00:45:46,119
he got in there.

752
00:45:46,679 --> 00:45:46,920
Speaker 12: I will.

753
00:45:47,039 --> 00:45:50,119
Speaker 9: I'll say that the base is amazing on a lot

754
00:45:50,159 --> 00:45:52,639
of the OUs chain stuff, and yeah, he's nailing it

755
00:45:52,800 --> 00:45:55,880
with Oh I noticed on the not only the tones,

756
00:45:56,760 --> 00:45:58,840
but just just the parts in general, because it's such

757
00:45:58,840 --> 00:45:59,639
a huge part of it.

758
00:46:00,360 --> 00:46:02,440
Speaker 4: Mike is an amazing bass player.

759
00:46:02,679 --> 00:46:05,039
Speaker 24: That's one of the reasons I've always loved them anyways,

760
00:46:05,079 --> 00:46:06,519
is he's just oh yeah, awesome.

761
00:46:06,679 --> 00:46:09,840
Speaker 2: Oh absolutely, absolutely, one hundred percent. He's one of my favorites.

762
00:46:10,880 --> 00:46:11,199
Speaker 4: I think.

763
00:46:11,360 --> 00:46:14,239
Speaker 3: So in a moment, if you guys want to do

764
00:46:14,360 --> 00:46:16,320
one more, we can. We can end the segment with

765
00:46:16,400 --> 00:46:19,239
one more. We definitely have time. But I also want

766
00:46:19,280 --> 00:46:22,760
to make sure that uh two things. One that people

767
00:46:22,840 --> 00:46:25,239
know where to find you guys online, and also what

768
00:46:25,360 --> 00:46:28,199
you've got coming up if you want to remind people too,

769
00:46:28,199 --> 00:46:29,800
because you got to you got a bunch of shows

770
00:46:29,840 --> 00:46:30,280
coming up.

771
00:46:30,440 --> 00:46:34,599
Speaker 9: We do, so it's online jarflies dot com, which is

772
00:46:34,639 --> 00:46:35,800
amazing that we were able to get that.

773
00:46:36,280 --> 00:46:40,719
Speaker 2: Yeah, I'm actually surprised. That's really Oh, that's great.

774
00:46:40,519 --> 00:46:42,800
Speaker 8: It's great. So that's that's the home spot.

775
00:46:42,840 --> 00:46:44,760
Speaker 9: You can find all the gigs there and I'll see

776
00:46:44,920 --> 00:46:51,679
on the socials, Facebook, Instagram, TikTok, YouTube at jariflies or

777
00:46:51,800 --> 00:46:55,920
jariflies inn h so you people can find it. But

778
00:46:56,079 --> 00:46:59,000
jariflies dot com I'll have all the links excellent to

779
00:46:59,119 --> 00:47:01,760
find us on the social sign up for the email

780
00:47:01,840 --> 00:47:03,679
lists so you can be notified.

781
00:47:03,719 --> 00:47:07,039
Speaker 8: We have some shirts as well merch at the shows,

782
00:47:07,639 --> 00:47:08,440
which is kind of fun.

783
00:47:08,719 --> 00:47:08,920
Speaker 2: Yeah.

784
00:47:09,800 --> 00:47:13,880
Speaker 8: And then so our next one is at Button Factory,

785
00:47:13,920 --> 00:47:15,280
but that's sold out already.

786
00:47:15,559 --> 00:47:18,480
Speaker 6: Yes, if you don't already have a ticket, we'd love

787
00:47:18,519 --> 00:47:20,320
to see you, but please don't show up there and

788
00:47:20,400 --> 00:47:22,960
then be upset because we don't we we don't want

789
00:47:23,039 --> 00:47:25,719
to have you drive really far to find out you

790
00:47:25,760 --> 00:47:29,199
can't get in. So look at our next but our

791
00:47:29,280 --> 00:47:32,599
next gigs on March seventh, Olt Bridle Borrow and then

792
00:47:33,599 --> 00:47:35,800
four eighteen in Rochester.

793
00:47:35,880 --> 00:47:36,760
Speaker 7: Those are bigger venues.

794
00:47:37,039 --> 00:47:40,559
Speaker 9: Come back to Rochester at the East Side Tavern. It's

795
00:47:40,559 --> 00:47:43,880
a good size. Yeah, so's that's not ticketed. Okay, but

796
00:47:43,960 --> 00:47:46,320
we do ask everybody just say that you're interested on

797
00:47:46,360 --> 00:47:49,119
at least on the Facebook event page if possible, so

798
00:47:49,239 --> 00:47:51,559
that we can kind of gauge if we do get

799
00:47:51,599 --> 00:47:55,199
to a capacity limit. We've been asked by the venues

800
00:47:56,360 --> 00:47:59,039
just so they can have a kind of account. They

801
00:47:59,239 --> 00:48:01,800
do tickets, but they're not yea, but.

802
00:48:01,880 --> 00:48:02,519
Speaker 8: We don't want people.

803
00:48:02,599 --> 00:48:05,840
Speaker 9: If you're if you signed up, click interest interested and

804
00:48:05,920 --> 00:48:07,920
then you can say, hey, at least they they're here.

805
00:48:08,000 --> 00:48:09,440
We can try to get you in, but I think

806
00:48:09,480 --> 00:48:12,119
it's big enough. We'll probably if we if it gets

807
00:48:12,519 --> 00:48:14,920
packed there they'll be crazy.

808
00:48:15,159 --> 00:48:15,360
Speaker 2: Yeah.

809
00:48:15,559 --> 00:48:18,679
Speaker 3: Yeah, again, you guys are off to such a great start.

810
00:48:18,760 --> 00:48:21,760
That's that is wonderful, So very very happy for you.

811
00:48:22,000 --> 00:48:24,840
Glad you're here. Uh, you sound amazing. So this has

812
00:48:24,880 --> 00:48:28,039
been incredible. But yeah, so we'll end the We'll end

813
00:48:28,079 --> 00:48:30,519
the segment with one more song if if you guys

814
00:48:30,559 --> 00:48:31,760
want to play, you want to play.

815
00:48:31,639 --> 00:48:33,400
Speaker 2: One more is the bonus one got me wrong, come

816
00:48:33,440 --> 00:48:37,119
me wrong? Thanks for having us man, absolutely absolutely and

817
00:48:37,199 --> 00:48:38,559
we will thank you. We'll do it again in the

818
00:48:38,599 --> 00:48:39,840
future for sure. This is great.

819
00:48:40,199 --> 00:48:40,320
Speaker 4: Uh.

820
00:48:40,360 --> 00:48:42,559
Speaker 3: And again if you are just joining us, Jarra Flies

821
00:48:42,639 --> 00:48:44,519
is here with us live in studio.

822
00:48:46,719 --> 00:48:47,159
Speaker 12: M hm.

823
00:48:49,199 --> 00:49:06,000
Speaker 19: M yeah, Joe, we.

824
00:49:08,079 --> 00:49:16,920
Speaker 23: All love this more nothing in my life, no call

825
00:49:17,079 --> 00:49:21,440
it play and up did you?

826
00:49:21,599 --> 00:49:21,840
Speaker 12: Well?

827
00:49:22,000 --> 00:49:30,000
Speaker 15: Let's see nothing even as I know bit you got

828
00:49:30,119 --> 00:49:31,400
me wroung.

829
00:49:36,719 --> 00:49:42,519
Speaker 19: So shoy wrong from something strong.

830
00:49:53,800 --> 00:49:57,320
Speaker 7: I can't let go.

831
00:49:59,360 --> 00:50:05,079
Speaker 25: Thread their tap tree unwinding slow, you.

832
00:50:07,599 --> 00:50:09,199
Speaker 19: Dorged dream.

833
00:50:10,559 --> 00:50:13,920
Speaker 7: Show, all been left you want.

834
00:50:13,800 --> 00:50:14,199
Speaker 12: Me to.

835
00:50:16,320 --> 00:50:30,719
Speaker 19: As of nowhere pitch capping round. So shall we read

836
00:50:31,719 --> 00:50:33,199
something so.

837
00:50:37,719 --> 00:50:50,480
Speaker 25: Dive there lost, so long row in a sad tube

838
00:50:50,519 --> 00:50:51,360
bag one.

839
00:50:51,320 --> 00:50:52,039
Speaker 19: Dom lo.

840
00:50:54,960 --> 00:51:03,679
Speaker 18: Their domlascae. Something's gonna turn out right.

841
00:51:36,280 --> 00:51:36,360
Speaker 12: You.

842
00:51:39,079 --> 00:51:40,519
Speaker 18: Sugar teas.

843
00:51:41,679 --> 00:51:45,559
Speaker 15: Sweetness, does nothing touch my face?

844
00:51:47,199 --> 00:51:51,039
Speaker 18: Stay if you please?

845
00:51:52,719 --> 00:51:56,639
Speaker 4: You may now be here when not leave.

846
00:51:58,199 --> 00:51:59,719
Speaker 19: Where I now?

847
00:52:01,000 --> 00:52:12,719
Speaker 15: Bet you got me around? So shall we reach for

848
00:52:13,320 --> 00:52:23,000
something song? I haven't been actis and so long.

849
00:52:25,599 --> 00:52:31,960
Speaker 19: Row in a sense tub.

850
00:52:31,840 --> 00:52:43,599
Speaker 15: Budgon from low row, I haven't been racist and so

851
00:52:43,920 --> 00:52:49,760
long don't that forever?

852
00:52:53,480 --> 00:52:55,159
Speaker 18: So Lee's gotta turn out right.

853
00:53:16,559 --> 00:53:29,400
Speaker 26: The city is crashing, it's stats to cool the chado sliding.

854
00:53:32,039 --> 00:53:32,880
Speaker 19: Sappers.

855
00:53:37,039 --> 00:53:43,760
Speaker 13: She had those mony, baby mony.

856
00:53:45,559 --> 00:53:49,440
Speaker 19: When you see that lights, No that I'm not done,

857
00:53:50,679 --> 00:53:51,679
claim that.

858
00:53:51,880 --> 00:53:53,800
Speaker 4: She sees sister stone.

859
00:53:55,639 --> 00:53:59,519
Speaker 19: When you see that lights, No that I'm not gone?

860
00:54:00,800 --> 00:54:03,880
The lean that you see is just the stone.

861
00:54:06,800 --> 00:54:07,280
Speaker 13: M hmm.

862
00:54:22,280 --> 00:54:32,719
Speaker 19: The story is closing the end of the show. She

863
00:54:33,000 --> 00:54:33,639
is out.

864
00:54:37,719 --> 00:54:45,719
Speaker 26: Samou dulling.

865
00:54:47,880 --> 00:54:54,280
Speaker 19: Really by what are you see that night? No, I

866
00:54:54,519 --> 00:54:58,960
don the glean that you see it is just a

867
00:54:59,119 --> 00:55:02,599
stone you see to night.

868
00:55:03,960 --> 00:55:08,840
Speaker 12: Know that I'm not going that you see, it's just

869
00:55:09,000 --> 00:55:09,599
a stone.

870
00:55:41,760 --> 00:55:47,559
Speaker 19: When you think you're me, when you be me, no,

871
00:55:49,159 --> 00:55:57,679
not no way you can be awak its three. So

872
00:55:58,000 --> 00:56:03,480
listen until one thing you see that night.

873
00:56:08,400 --> 00:56:50,159
Speaker 13: You see, you see that Nana's Kitchen and Pizzeria.

874
00:56:50,440 --> 00:56:56,480
Speaker 11: From Nana's hands to your plate, tradition, love and taste.

875
00:56:56,599 --> 00:56:57,599
Speaker 3: That's great, So.

876
00:56:57,880 --> 00:57:01,760
Speaker 7: Fermented dough were so true.

877
00:57:04,199 --> 00:57:08,400
Speaker 2: Each bite the story made just for you.

878
00:57:09,480 --> 00:57:13,199
Speaker 13: Six o three two three, two nine three six six

879
00:57:14,000 --> 00:57:18,519
Nana's Kitchen and Pizza Reeve fifteen Dartmouth Dry Auburn, New.

880
00:57:18,400 --> 00:57:22,760
Speaker 19: Hampshire, Kitchen and Piz.

881
00:57:26,920 --> 00:57:29,079
Speaker 21: Luigi's Pizza Barren Grill.

882
00:57:29,239 --> 00:57:33,559
Speaker 26: For every one, Let's raise a slye on hides with

883
00:57:33,880 --> 00:57:37,960
top and top a round pizza Pizza Partio.

884
00:57:37,719 --> 00:57:42,880
Speaker 21: Line Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester,

885
00:57:43,199 --> 00:57:46,039
Come on in or call six two two one zero

886
00:57:46,320 --> 00:57:54,079
two one Luigi keeping the tradition alive since nineteen seventy five, pizza.

887
00:57:53,880 --> 00:57:55,039
Speaker 4: For every one.

888
00:57:55,679 --> 00:57:58,239
Speaker 19: Come join a piece tonight.

889
00:57:58,519 --> 00:58:02,519
Speaker 18: With each slicense, then everything feels so right.

890
00:58:05,679 --> 00:58:07,880
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891
00:58:07,960 --> 00:58:11,000
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892
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893
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894
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895
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898
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899
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900
00:58:40,599 --> 00:58:44,679
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901
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902
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903
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906
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907
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908
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Speaker 24: Hey everyone, there's Rob Azevedo, host of Grantite State of Mind,

909
00:59:16,079 --> 00:59:17,840
and I want to tell you about Pembrook City Limits

910
00:59:17,880 --> 00:59:21,159
and the Historic Suncook Village. PCL's an award winning bar,

911
00:59:21,400 --> 00:59:24,360
restaurant and music venue where there's live music five days

912
00:59:24,360 --> 00:59:25,920
a week and twice on Saturdays.

913
00:59:26,159 --> 00:59:28,760
Speaker 20: Everything from blues, country, folk, funk, and a whole lot

914
00:59:28,800 --> 00:59:29,199
of jazz.

915
00:59:29,639 --> 00:59:32,000
Speaker 24: We have twelve craft beers on tap dedicated to the

916
00:59:32,079 --> 00:59:34,360
local brewers in the area and some of the friendliest

917
00:59:34,400 --> 00:59:35,320
bartenders around.

918
00:59:35,800 --> 00:59:37,880
Speaker 20: Please come visit Pembrook City Limits.

919
00:59:37,599 --> 00:59:40,599
Speaker 24: At one thirty four Main Street, the historic Suncook Village,

920
00:59:40,639 --> 00:59:44,559
only six miles outside of Manchester. Open Tuesdays to Wednesdays

921
00:59:44,599 --> 00:59:47,480
four to ten, Thursday's a Sunday eleven to ten.

922
00:59:47,880 --> 00:59:49,800
Speaker 20: Pembrook City Limits where it's all about