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Speaker 1: The Magnificent Montague. Worry Marty Way, Yes it's the Magnificent Montague.

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The Saturday Night Transcribe feature on NBC's All Star Festival

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of Comedy and Music, Mystery and Drama, brought to you

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by Chesterfield, the cigarette that has for you what every

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smoker wants. Mildness puts no unpleasant attitise, the cigarette that

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brings you Bing Crosby and Bob Hope by the makers

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of anison for past relief from the pain of headache,

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You writer from eu Algia and by RCA Victor world

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leader in radio, first in recorded music, first in television.

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Before we hear from the Magnificent Montague, let's hear from

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two fellows who have something in common.

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Speaker 2: Bab Julia.

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Speaker 3: We only have one thing in.

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Speaker 4: Common, hardly enough for a happy marriage.

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Speaker 5: Is it?

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Speaker 2: What's that being? Chester feels.

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Speaker 3: Of course we both like them, we both sell, and

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we'd better get to sell on the Now you know,

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folks better tasting.

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Speaker 6: Chesterfield is the only cigarette that combines for you mildness

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with no unpleasant after taste.

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Speaker 3: How do you know they're mild or you just make

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our mildness test. You buy them, open them up and

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enjoy that milder aroma. Then smoke a Chesterfield. You will

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know it's milder because it smokes milder and Chesterfield leaves

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no unpleasant aftertaste. That fact has been confirmed by the

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country's first and only cigarette taste panel.

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Speaker 2: So always buy Chesterfield.

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Speaker 7: Let's sum it up musically.

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Speaker 2: By chester Feel Chesterfield.

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Speaker 7: The one that goes its case.

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Speaker 6: Yes, Chesterfields a milder, milder, possmol after taste.

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Speaker 7: Open the pack and give them a sniff.

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Speaker 2: Then you smoke them.

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Speaker 1: When Ed when the magnificent Modelule left the Shakespearean States

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to become Uncle good Heart, the star of an the

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Little radio program, he felt his downfall was complete.

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Speaker 2: But today, with a.

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Speaker 1: Radio salary check coming in regularly good food on the table,

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his thoughts of ever returning to his beloved stage growed

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Bimmer and Bimmer. In his breakfast time in the Montague apartment,

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Lily Edwin's wife and former leading lady, is setting the table,

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and Agnes, the Montague made, is in the kitchen preparing.

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Speaker 2: The master's morning meal. Something is burning.

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Speaker 8: What's that, Agnes? Is something?

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Speaker 9: Booty here?

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Speaker 8: I asked you something, Booty.

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Speaker 10: Honey, I couldn't hear you I'm in the middle of

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cooking the magnificent monster's breakfast. It's something boomy, naturally, I said,

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I was sucking his breakfast?

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Speaker 8: Is his to stready?

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Speaker 9: Almost it's on the floor. All I have to do is.

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Speaker 8: I did I wish you pay a little more attention

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to Edwin's breakfast. It's his first meal for.

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Speaker 9: Twenty five years.

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Speaker 10: I've been trying to make it his last.

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Speaker 9: On a really egg.

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Speaker 8: Oh, Edwin's coming.

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Speaker 10: Now comes the throat running at it.

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Speaker 9: Thank you, Mary Lanta.

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Speaker 2: Something's burning. Oh for a moment, I thought.

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Speaker 6: Agnes got her head caught in the oven.

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Speaker 9: If it happened to you, you could always grow another head.

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Speaker 6: I would like to grow another foot, and I know

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just where I would put it.

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Speaker 8: Oh, please, we have one morning without these arguments. Now

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bringing Edmund's breakfast.

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Speaker 10: Okay, why do I put on my rubber gloves.

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Speaker 2: As looks a little rundown.

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Speaker 6: Why don't you take her down to a filling station

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for a spring checker? No, well, nothing serious, Just have

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her oil change and put some air in her head.

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Speaker 8: Stop read the newspaper.

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Speaker 2: Here's a drama, said John.

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Speaker 6: What possibly could be happening with the other Now that

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I'm not at it mean the radio section. There might

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be something about my uncle good Heart program here ater.

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Speaker 8: What the theater meant to is how you could lose

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interest in it.

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Speaker 2: The theater is dead. It is now nothing but a

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hobby for television.

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Speaker 8: Actors, right, Edwin, read your radio section.

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Speaker 5: I'll read the drama page, Edwin, Listen something about Max Gland.

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Speaker 8: He used to producer on your Shakespearean plays.

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Speaker 2: On the Great Impresario. What is Max the moron up

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to now? Listen?

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Speaker 5: It said Max Gland, one of Broadway's most beloved producers.

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Speaker 2: Beloved. That's a newspaper word for no talent.

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Speaker 5: Has just been made casting director for Rodgers and Hammerstein.

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Speaker 2: Well they've seen their last hip.

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Speaker 8: Oh, I'm so glad to Max. Listen to this.

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Speaker 5: Golan is already at Worth choosing actors for the touring

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company of Rogers and Hammerstein's great musical South Pacific.

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Speaker 6: The Living Max Golland picking her road company. Eh, when

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he gets through Rogers and Hammerstey won't have to hit

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the road the way.

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Speaker 2: Why are you wasting my time with these tidbits of trivia?

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Speaker 8: Trivia?

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Speaker 5: Ed was a fair used to be our lives. When

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you took the job in radio. It's just something temporary

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until you could get a good roll.

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Speaker 8: On the stage.

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Speaker 2: Let's cfl he's dead. Let's face it. Radio is the

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coming things, young lie.

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Speaker 9: There's your breakfast, Henry Aldrich.

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Speaker 6: Really, I guess, with meat prices the way they are,

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why don't you go out and have your tongue pickled.

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Speaker 8: When you beat your broadcast? Now, eat your breakfast.

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Speaker 9: Yeah, I eat your breakfast.

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Speaker 10: I got a bet riding that says you can't get

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it down.

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Speaker 8: I just leave him alone. Eat your breakfast.

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Speaker 5: You should live so long. Oh, this has been a

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great morning. By the way, Ed, won't you just phone

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Max and congratulate him.

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Speaker 2: I'm through with the finish.

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Speaker 6: Oh, by the way, catch my uncle good Heart program Today,

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I nurse a copper spaniard, go back to help Ah.

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Speaker 2: Then it opens his eyes and sees me. It's the

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best thing I've ever done. Goodbye.

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Speaker 10: I got to catch that program when the conference spaniel

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opens its eyes and saves him. She'll be interesting to

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listen to a dog or mad from.

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Speaker 9: Coast to coach.

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Speaker 5: Do you realize what's happening to my husband? He's lost

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his interest in the theater. He's not planning on ever

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going back to it.

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Speaker 10: That's the first good news that theaters had in years.

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Speaker 5: If he was offered a good part in the play,

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that would stimulate his interest.

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Speaker 8: Egg swears my coat.

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Speaker 5: Where you're going to the Rogers in Hammerstein office, I'm

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going to see Max Darland.

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Speaker 4: Y'all, miss Kovac, I can't audition any more people. If

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there's anybody out there, please go what oh missus Monnague?

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Speaker 2: Send her right in, Dad, I haven't seen really, Lily.

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Look at her beautiful as ever?

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Speaker 4: Who would think that for the last twenty five years

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you've been married to the thing.

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Speaker 5: Oh Max, I just brought by to congratulate you on

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your new job.

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Speaker 2: How do you like it? Like it?

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Speaker 4: It's like a vacation, a vacation after fifteen years with

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your husband working in assault.

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Speaker 2: Mine a'd be a vacation.

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Speaker 8: No, Max, let's not start getting excited again.

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Speaker 4: You're right, Lily, it's passed and gone. Fifteen years of

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producing plays starring your husband.

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Speaker 8: Yes, the years just went.

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Speaker 2: Yes, and my.

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Speaker 4: Stomach went with him. Lily, my picture's been in the

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medical journal. I had a new disease, montague itis. Easy, Max,

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do you know what montague itis is, Lily, beards before

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your eyes.

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Speaker 2: You come home to kiss your.

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Speaker 4: Wife, she's wearing a beard.

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Speaker 2: Has a beard, your dog has a beard.

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Speaker 4: I couldn't take it anymore, Lily, I couldn't take it.

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Oh Max, I'm sorry, Lily, but just talking about it

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brought back the old symptoms.

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Speaker 2: That why, Lily, what Max?

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Speaker 7: What a lovely beard?

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Speaker 8: Stop it. Next, let's talk about you.

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Speaker 5: I read that you're cast in the touring Company of

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South Pacific for Rodgers and Hammerstein.

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Speaker 4: It's a since every actor in town wants to play

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the French planter, the part Ecio Pinza play.

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Speaker 8: Oh, you have to be careful who you get.

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Speaker 5: For that, you're telling me, And that's about the calls

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for a great actor.

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Speaker 8: He must be elderly, but yet have that mature appeal.

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Speaker 2: That's right.

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Speaker 8: He must know how to speak French.

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Speaker 6: I know.

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Speaker 8: He must have a reputation on the stage to be

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able to.

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Speaker 2: Be an attraction pretty dom.

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Speaker 8: Next, it just came to me, what next.

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Speaker 5: There's only one man in the world who could play

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that part, Edwin Montague.

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Speaker 4: Lily, I'm on the road back to health. I can't

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take jokes like that.

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Speaker 5: Max, I'm serious. You're working for Rogers and Hammerstein. Now

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their success has been based on pulling away convention and

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being daring. What do you mean Look at South Pacific

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native Ezio Pinza, an opera star, and put him in

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a musical comedy. So you can be just as daring

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by taking Edwin Montague, the greatest living Shakespearean actor and

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putting him in South Pacific.

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Speaker 2: Edwin Montague in South Pacific. The whole idea is crazy.

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Speaker 8: Maybe it is, but think Max, what if it works?

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Speaker 7: Yeah?

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Speaker 2: What if it works? Oh?

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Speaker 5: No, she actually has the voice, the bearing, the experience

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is a daring move in the tradition of Rogers and Hammerstein.

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Speaker 8: And you thought of it, Max, I thought of your name.

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Speaker 5: People remember think of the critics love in the box office.

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Oh it's you.

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Speaker 2: Hello, she's out there'd you go?

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Speaker 9: Oh no, Rena? At she smart?

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Speaker 2: And yes, why don't you surprise as for Mother's Day?

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Speaker 7: And quit?

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Speaker 6: By the way, did you hear my uncle good Heart

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broadcasts out to do?

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Speaker 9: Yeah?

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Speaker 10: I gotta admit what's sensational? Not badly that last speech

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when the cocker spaniel opened his eyes.

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Speaker 6: Now you mean life is back, little one once for

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to see the sun come up The trees, the flowers.

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Speaker 2: The open skies.

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Speaker 9: That's it.

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Speaker 2: Best speech I ever had to say.

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Speaker 9: Oh did you say it? I thought it was a

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cocker spaniel.

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Speaker 6: How this would you be interested in the proposition whereby

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your day off becomes permanent? Why my wife insists on

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having you.

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Speaker 2: In the house. That must be Lily, I'll get it.

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Speaker 9: Hello, Hello, honey, Oh Edwin, you're back on the broadcast.

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Don't get near any and they have fleas.

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Speaker 2: Hello, Lily, closed it off. Wait wait, I have a

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surprise for you. Surprise.

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Speaker 8: Yes, come in.

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Speaker 2: Hello Edwin.

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Speaker 10: Oh no, hello, man, that sounds like mister Gimble meeting

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mister Macy.

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Speaker 8: Well, let's sit down. We have so much to talk about.

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Oh Edwin, we have good news for you.

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Speaker 3: Yeah.

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Speaker 5: Max has a wonderful idea. Listen, Max is here off.

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You're one of the greatest starring roles on Broadway.

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Speaker 2: The starring rule man.

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Speaker 5: Yeah, Edwin, this is something new, a character that just

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fits you.

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Speaker 2: He's an elderly man.

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Speaker 4: Elderly but with great charm, sex appeal, savoarfare, really continental

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type talks, French talks.

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Speaker 2: French Bona pets her old Ni sa.

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Speaker 6: Sante halcy bacture.

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Speaker 10: Well, for us all translation your father's mustache.

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Speaker 2: What's the name of the Playmax, South Pacific? Never heard

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of it? Who wrote it? Rogers and Hammont.

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Speaker 8: You've been away too long. It's the biggest hit on Broadway.

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Speaker 2: It's been running for two years. What is it? Drama? Melodrama?

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Cagety well, Edwin?

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Speaker 4: Eh, it's a musical comedy, you know, singing and dancing,

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singing and dancing.

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Speaker 9: Excuse me, I have a pretzel in the oven.

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Speaker 2: Now, Edwin. Maxcland leave this house.

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Speaker 8: Edwin listened.

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Speaker 2: He wasn't content.

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Speaker 6: I have brought my Shakespearean career to an untimely end.

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Speaker 2: You know, wants to end my days?

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Speaker 9: Is the chorus?

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Speaker 8: Boy Heaven, you're being ridiculous, not a Max.

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Speaker 2: I'm starting to see beards again, Edwin.

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Speaker 8: It's a play that won the pultts a prize.

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Speaker 2: Really, I don't care. The Pults are prime.

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Speaker 4: Montagu's are play with great depth and feeling.

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Speaker 5: The part you play made pins of the biggest star

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on Broadway.

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00:12:53,080 --> 00:12:54,759
Speaker 2: It made a star out of an opera singer.

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Speaker 6: Imagine what I could do with it when I give

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it the famous Montague touch better.

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Speaker 9: Known as the kiss of death.

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Speaker 5: Even we have no time to lose. You were studied

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apart till the when next takes you to the director.

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Nothing can go wrong.

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Speaker 6: You do comedy with my voice and sex appear a cat.

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Speaker 2: The years I wasted doing Shakespeare.

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Speaker 1: We'll be back with a magnificent montgule in just a moment.

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The next time you suffer from pains of headache, neurytis,

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00:13:34,360 --> 00:13:37,840
and euralgia, take Anison. You'll bless the day you heard

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00:13:37,840 --> 00:13:41,039
of this incredibly fast way to relieve these pains. Now

275
00:13:41,080 --> 00:13:44,080
the reason Alison is so wonderfully fast acting and effective

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00:13:44,120 --> 00:13:47,759
as this Anison is like a doctor's prescription. That is,

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00:13:47,799 --> 00:13:51,360
Anison contains not just one but a combination of medically

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00:13:51,399 --> 00:13:55,200
proven active ingredients and easy to take tablet form. Thousands

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00:13:55,200 --> 00:13:58,000
of people have received envelopes containing Alison tablets from their

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00:13:58,039 --> 00:14:01,840
own dentist opposition and in this way discover the incredibly

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00:14:01,919 --> 00:14:05,759
fast relief Allison brings from pains of headache, neurritis and euralgia.

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00:14:06,159 --> 00:14:09,240
So the next time a headache strikes, take Addison for

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00:14:09,279 --> 00:14:16,120
this wonderfully fast relief. Adison A Naci N Anison comes

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00:14:16,159 --> 00:14:19,840
in handy boxes of twelve and thirty economical family size

285
00:14:19,840 --> 00:14:23,679
bottles of fifty to one hundred. Get anison at any

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00:14:23,759 --> 00:14:33,600
drug counter. And now back to the magnificent Montague.

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00:14:34,679 --> 00:14:36,519
Speaker 2: Theatrical history is in the making.

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Speaker 1: Montague, the bulwark of the Shakespearean theater, is preparing himself

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to take over the Etsiopenza role of the French planter

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in South Pacific.

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Speaker 2: He is rehearsing poop ba levee bear.

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Speaker 6: CoA hoopa leve a girl, comea.

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Speaker 2: Wa shell Mademoise her Yes, Hassaker.

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Speaker 8: May Edwin lovely? That was lovely, wasn't it? Agnes?

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00:15:13,679 --> 00:15:15,480
Speaker 9: Harry Colin on a lose slate?

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Speaker 8: Edwin, it sounds wonderful? Does five times?

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Speaker 10: You sound just like Benza When Kinza has Langadis, call

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one of the elevator boys and have him walk Agnes.

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Speaker 5: When Max takes you to meet Rogerson, Hammerstein's director, mister Brooks, please.

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Speaker 8: Oh that's Max.

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Speaker 9: I'll let him in.

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Speaker 8: Hi, Max, Hello.

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Speaker 5: Max Edwin already knows the part, even the souls he does.

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Speaker 4: Would you like to hear me sing a few of

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00:15:48,720 --> 00:15:51,759
the songs that no, no, no, no, I'll hear you

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with the audition later, sort of get it all in

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one lump.

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Speaker 2: We better get going.

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Speaker 8: Is everything arrange, Max.

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00:15:59,200 --> 00:16:01,720
Speaker 2: Yeah, the director Benton Brooks is expecting us. He'll have

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a piano player there.

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Speaker 9: I'll get it.

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Speaker 10: The residence of Aco Montague. Hello, hello, kidding, why don't

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00:16:11,840 --> 00:16:12,559
you get into town?

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00:16:14,960 --> 00:16:15,240
Speaker 2: Sure?

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00:16:15,440 --> 00:16:16,320
Speaker 9: Come right up.

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00:16:18,559 --> 00:16:18,960
Speaker 5: Staff?

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00:16:19,120 --> 00:16:25,480
Speaker 9: That all right here? What can't you at least wait

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00:16:25,519 --> 00:16:26,360
until you get up here?

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Speaker 6: Now?

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Speaker 9: I won't run away.

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Speaker 2: What a disgusting exhibition? Who was that amance?

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00:16:33,159 --> 00:16:33,720
Speaker 9: Your father?

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Speaker 2: Oh no, what is he doing in tow all? Cyril Montague?

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Speaker 9: Is he still around?

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00:16:42,279 --> 00:16:44,000
Speaker 2: He must be pushing two hundred and.

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Speaker 9: A girl still be safe around him.

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Speaker 2: Let's slip out the back door.

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00:16:47,960 --> 00:16:50,720
Speaker 10: Ed when he's your father and the retired and undefeated

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00:16:50,799 --> 00:16:53,000
monarch of the Shakespearean state, Let's.

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00:16:52,840 --> 00:16:55,240
Speaker 2: Go out here, Lily. He just lives to make trouble

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00:16:55,279 --> 00:16:57,679
for me, Edwin. I just like to stay and say

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00:16:57,759 --> 00:16:58,720
hello to old Cyril.

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Speaker 7: It'll be fun.

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Speaker 2: Max.

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Speaker 6: Do you remember how much fun it was when he'd

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00:17:01,840 --> 00:17:03,799
dropped in the middle of our rehearsal telling.

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Speaker 2: Me how to act, you how to produce? The director

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00:17:05,839 --> 00:17:10,680
had to direct. I remember, where's the back door there,

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00:17:12,000 --> 00:17:12,720
I'll get the door.

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Speaker 11: Hello, mister Montague, as my passion flower, hem me here,

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00:17:20,400 --> 00:17:32,000
you lovely Wench, give me a kid. Hello, Dad, Gad

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00:17:32,640 --> 00:17:35,119
you get more ravishing every day, kiss me.

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Speaker 7: You little devil?

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00:17:38,960 --> 00:17:40,720
Speaker 9: Watch him, honey, he pinches like a lobster.

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00:17:42,559 --> 00:17:43,960
Speaker 8: Dad, you remember Max Garland?

347
00:17:44,039 --> 00:17:49,920
Speaker 7: Hello cyril yad Max? You still alive? Yeah? Well, where's Edwin?

348
00:17:50,160 --> 00:17:51,559
Where's that boy of mine?

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00:17:52,640 --> 00:17:52,880
Speaker 2: Hello?

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00:17:53,119 --> 00:17:53,480
Speaker 9: Hollow?

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00:18:00,079 --> 00:18:02,839
Speaker 2: Our father has offered asking you to drop here, Oh.

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00:18:02,799 --> 00:18:07,440
Speaker 11: Father, half my life I spent trying to teach him

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00:18:07,440 --> 00:18:08,400
how to talk like an actor.

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00:18:08,519 --> 00:18:10,400
Speaker 7: And what comes out? Hello father?

355
00:18:15,720 --> 00:18:19,200
Speaker 2: Please Dad, Please Dad, don't stop that again or.

356
00:18:19,240 --> 00:18:21,759
Speaker 8: Leave Edwin alone dead. This is a big day for him.

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00:18:21,799 --> 00:18:23,680
He's going to audition for a part in a plane.

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00:18:24,160 --> 00:18:28,119
Speaker 11: Montague has to audition. Isn't the name of Montague enough.

359
00:18:28,000 --> 00:18:30,640
Speaker 7: To get the part? Oh Dad? Oh Dad?

360
00:18:32,480 --> 00:18:36,720
Speaker 11: The five generations Montague's have refused to audition in order

361
00:18:36,759 --> 00:18:39,400
to get apart. Some never worked today in their lives,

362
00:18:39,559 --> 00:18:46,759
but they never Audi tried and explain this is a

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00:18:46,880 --> 00:18:47,799
very important role.

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00:18:47,920 --> 00:18:50,200
Speaker 8: It's completely different from any role he's ever played.

365
00:18:50,480 --> 00:18:50,839
Speaker 7: Different.

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00:18:51,000 --> 00:18:55,240
Speaker 11: Yes, it's called South Pacific south pcippic. He glad they've

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00:18:55,279 --> 00:18:57,000
discovered a new play by Shakespeare.

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00:18:58,440 --> 00:19:00,960
Speaker 8: Yes, South Pacific has nothing to do with Shakespeare.

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00:19:01,519 --> 00:19:03,680
Speaker 11: A Montague and the play that has nothing to do

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00:19:03,799 --> 00:19:07,519
with Shakespeare. Dad, if you let me hush, mind your

371
00:19:07,599 --> 00:19:13,519
manner's son. If this South Pacific is not by Shakespeare,

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00:19:14,039 --> 00:19:14,519
what is it?

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Speaker 8: Well, Dad, times it change?

374
00:19:16,680 --> 00:19:17,200
Speaker 7: Come? Come come?

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00:19:17,279 --> 00:19:19,559
Speaker 8: What is it a musical comedy?

376
00:19:20,240 --> 00:19:29,160
Speaker 7: Oh, let's get the water. Never mind, I'm all right,

377
00:19:31,160 --> 00:19:31,839
I'm all right.

378
00:19:32,240 --> 00:19:35,440
Speaker 11: It's just test that it's hard for a father to

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00:19:35,559 --> 00:19:38,200
face the fact that his son is a no talent.

380
00:19:38,359 --> 00:19:44,279
Speaker 2: Bob, please follow, go, Please follow.

381
00:19:45,319 --> 00:19:47,839
Speaker 7: A Montague in a musical comedy.

382
00:19:48,599 --> 00:19:48,960
Speaker 6: Let me go.

383
00:19:49,720 --> 00:19:52,200
Speaker 7: From this day on, I shall wear a black band.

384
00:19:52,039 --> 00:19:52,680
Speaker 2: On my sleeve.

385
00:19:54,160 --> 00:20:00,240
Speaker 4: My son is dead, mister Montague, South Pacific.

386
00:20:00,160 --> 00:20:02,720
Speaker 7: No away from me, Max. There's blood on your hands.

387
00:20:03,960 --> 00:20:06,079
Speaker 11: You took my head when a clean American boy and

388
00:20:06,200 --> 00:20:13,240
led him astratt But mister Montague, if you buy throwing

389
00:20:13,359 --> 00:20:16,759
my boy a Montague on a stage to dance and

390
00:20:16,880 --> 00:20:24,359
sing with half naked Hussies, it's not Dad, this is ridiculous.

391
00:20:24,440 --> 00:20:26,680
Speaker 8: South Pacific is a beautiful and dramatic production.

392
00:20:26,880 --> 00:20:29,839
Speaker 11: Don't tell me about musical comedies. I've seen all of them.

393
00:20:30,240 --> 00:20:34,960
The Florida Daughters Sextet, Mad Cap Mitzi Sliding, Billy Watson's Beef,

394
00:20:35,039 --> 00:20:40,559
Trust Girls Getting Gertie's got her those hussies and tights

395
00:20:40,839 --> 00:20:42,319
kicking and carrying on, and.

396
00:20:49,200 --> 00:20:51,039
Speaker 7: That is not for my boy.

397
00:20:53,359 --> 00:20:55,039
Speaker 8: There be only see for yourself.

398
00:20:55,160 --> 00:20:57,720
Speaker 4: Yes, mister Montague, here's a ticket for to day's matinee

399
00:20:57,759 --> 00:20:58,440
of South Pacific.

400
00:20:58,519 --> 00:21:01,680
Speaker 7: You'll see what we mean. Yes, Dad, you just yes, Dad?

401
00:21:01,720 --> 00:21:04,839
If you do, Yad? What a stupid brad.

402
00:21:04,880 --> 00:21:07,559
Speaker 6: Now'll the fallow nobody after your d's in the first place.

403
00:21:07,680 --> 00:21:09,079
Speaker 2: I old enough to make up my own mind. I

404
00:21:09,119 --> 00:21:10,119
don't need any help from you.

405
00:21:10,440 --> 00:21:12,079
Speaker 8: Talking to your father like that.

406
00:21:12,799 --> 00:21:15,119
Speaker 7: Edwin, go to your room.

407
00:21:29,839 --> 00:21:32,880
Speaker 2: I'll wait a minute. They're waiting to hear him at

408
00:21:33,279 --> 00:21:33,640
Let's go.

409
00:21:34,000 --> 00:21:36,440
Speaker 8: You believe me, that's the right thing for Edwin. Now

410
00:21:36,519 --> 00:21:38,880
you take that ticket and see South Pacific. We'll meet

411
00:21:38,920 --> 00:21:39,599
you here for dinner.

412
00:21:40,000 --> 00:21:42,839
Speaker 11: For ninety six years, I've kept the name of Montague clean,

413
00:21:43,359 --> 00:21:46,200
and now my own son in a musical comedy.

414
00:21:47,039 --> 00:21:49,799
Speaker 7: He'll send me to an early grade.

415
00:22:09,319 --> 00:22:13,079
Speaker 5: Saka, here said miss Come in, gentlemen, I told you Max,

416
00:22:13,200 --> 00:22:15,960
it was a ridiculous idea Montague in a musical comedy.

417
00:22:16,119 --> 00:22:16,920
Speaker 2: It was an idea.

418
00:22:17,039 --> 00:22:19,839
Speaker 4: We'll find something for you, won't We broke Oh, definitely,

419
00:22:19,960 --> 00:22:22,240
But for South Pacific you must admit, mister Montague, the

420
00:22:22,319 --> 00:22:25,160
role calls for well, I know, I know a much younger.

421
00:22:24,960 --> 00:22:27,640
Speaker 2: Man when I hope you're not disappointed well little today.

422
00:22:27,839 --> 00:22:30,759
Speaker 6: But it would have been ridiculous, those love scenes, it

423
00:22:30,839 --> 00:22:33,920
would have been unbelievable, young girls singing to.

424
00:22:34,039 --> 00:22:36,799
Speaker 2: Me, I gotta wash that man right out of my hair.

425
00:22:38,599 --> 00:22:40,480
Speaker 4: Awfully nice of you to invite me up for dinner

426
00:22:40,519 --> 00:22:42,039
to meet the great snirrel Montague.

427
00:22:42,240 --> 00:22:44,000
Speaker 2: He was my boyhood idolo.

428
00:22:44,519 --> 00:22:46,240
Speaker 8: Glad to be back from seeing South Pacific.

429
00:22:46,359 --> 00:22:48,880
Speaker 6: Where did you hear what he says about your South Pacific?

430
00:22:49,000 --> 00:22:51,960
Speaker 2: He won't be your idol anymore, the old school, and

431
00:22:52,119 --> 00:22:57,119
so am I. He's right Montague means Shakespeare at the

432
00:22:57,200 --> 00:22:59,920
old man. Get ready for some snarling criticism.

433
00:23:00,920 --> 00:23:06,200
Speaker 7: Oh god, u manchilday evening you will be a sting old.

434
00:23:07,559 --> 00:23:07,720
Speaker 5: Man.

435
00:23:07,759 --> 00:23:08,599
Speaker 8: How'd you like the show?

436
00:23:08,920 --> 00:23:09,480
Speaker 5: Me High?

437
00:23:10,000 --> 00:23:12,079
Speaker 7: We'll call you on high.

438
00:23:14,160 --> 00:23:17,039
Speaker 2: Father, don't tell me you liked South Pacific? Liked it.

439
00:23:17,400 --> 00:23:19,599
Speaker 11: It's the greatest show I've ever seen. And you think

440
00:23:19,680 --> 00:23:20,880
my son will star in it?

441
00:23:21,119 --> 00:23:23,799
Speaker 2: That's just it, Dad, I'm not in it. You're not

442
00:23:23,920 --> 00:23:24,160
in it.

443
00:23:24,359 --> 00:23:24,839
Speaker 7: You were right.

444
00:23:25,200 --> 00:23:26,640
Speaker 2: Musical comedy isn't three?

445
00:23:27,160 --> 00:23:28,119
Speaker 5: And what is for you?

446
00:23:28,839 --> 00:23:34,359
Speaker 7: Heaven snows Shakespeare, wasn't I remember you?

447
00:23:34,759 --> 00:23:34,960
Speaker 2: To be?

448
00:23:35,160 --> 00:23:35,440
Speaker 9: Not to be?

449
00:23:35,519 --> 00:23:37,400
Speaker 7: That is the questune to more. I still get lautrous

450
00:23:37,400 --> 00:23:37,960
when I think of it.

451
00:23:38,559 --> 00:23:41,160
Speaker 6: Will you please stop? It wasn't because of my acting.

452
00:23:41,640 --> 00:23:44,119
It is too old for the bar. Too old an

453
00:23:44,200 --> 00:23:46,039
actor is never too old.

454
00:23:46,240 --> 00:23:49,039
Speaker 11: Well, this particular part called no matter what it called for,

455
00:23:49,240 --> 00:23:53,200
it can be altered, altered again. I played Huckleberry Finn

456
00:23:53,200 --> 00:23:56,759
at the age of sixty three. I made a few

457
00:23:56,839 --> 00:24:00,519
slight changes. I merely made Huckleberry Finn of fun, loving

458
00:24:00,599 --> 00:24:01,480
middle aged boy.

459
00:24:04,599 --> 00:24:05,440
Speaker 7: Nonsense, is it?

460
00:24:05,799 --> 00:24:08,440
Speaker 4: But mister Martague, South Pacific can't be changed?

461
00:24:08,480 --> 00:24:08,640
Speaker 10: Now?

462
00:24:09,839 --> 00:24:11,000
Speaker 7: Who is this man?

463
00:24:12,880 --> 00:24:15,240
Speaker 5: This is mister Benson Brooks, who's directing the auditions for

464
00:24:15,319 --> 00:24:15,920
South Pacific.

465
00:24:16,079 --> 00:24:18,720
Speaker 4: Mister Montacue, this is the proudest moment of my life.

466
00:24:18,960 --> 00:24:21,400
Speaker 2: I never dreamed i'd ever meet my idell.

467
00:24:21,799 --> 00:24:24,160
Speaker 7: Mister Brooks. You have a very good show there.

468
00:24:24,480 --> 00:24:26,519
Speaker 11: But if you'll step into Edwin's Den with me for

469
00:24:26,599 --> 00:24:28,519
a few moments, I think I could show you with

470
00:24:28,640 --> 00:24:30,200
a few little changes for you.

471
00:24:30,400 --> 00:24:31,160
Speaker 7: Excuse me please?

472
00:24:31,240 --> 00:24:33,759
Speaker 6: Of course, Gosh, who'd ever think I'd be talking to

473
00:24:33,920 --> 00:24:35,599
Cyril Marthagul this way?

474
00:24:35,759 --> 00:24:38,640
Speaker 11: Now take that Edwin.

475
00:24:38,720 --> 00:24:40,480
Speaker 8: Your father just won't give.

476
00:24:40,400 --> 00:24:43,880
Speaker 2: Up trying to change South Pacific.

477
00:24:46,240 --> 00:24:48,599
Speaker 5: But Edwin Brooks isn't going to change a place that's

478
00:24:48,599 --> 00:24:50,160
for the smash hit for years.

479
00:24:50,599 --> 00:24:53,960
Speaker 6: That's not it, Lily, you realize what's happening. My father,

480
00:24:54,240 --> 00:24:57,400
first time in his life, is doing something for me.

481
00:24:58,200 --> 00:24:59,359
Speaker 7: He's fighting for me.

482
00:25:00,200 --> 00:25:01,960
Speaker 2: They that thought just struck me.

483
00:25:02,319 --> 00:25:03,039
Speaker 7: It frightens me.

484
00:25:03,519 --> 00:25:06,359
Speaker 2: What is it? Delay? I think my father likes me?

485
00:25:09,240 --> 00:25:12,920
Speaker 4: Of course he dies here they come Max, get Rogerson

486
00:25:13,000 --> 00:25:15,839
Hammerstein on the phone at once, But why don't questions.

487
00:25:15,519 --> 00:25:17,759
Speaker 2: Get them on the phone, mister mothercare It's amazing that

488
00:25:17,839 --> 00:25:18,960
we'd never saw it that way.

489
00:25:19,160 --> 00:25:20,880
Speaker 7: Well, you were so close to the play.

490
00:25:21,000 --> 00:25:21,400
Speaker 11: What is it?

491
00:25:21,599 --> 00:25:23,640
Speaker 4: That's two minutes with your father and I found out

492
00:25:23,680 --> 00:25:27,359
what was wrong with South Pacific. Something is wrong, is wrong,

493
00:25:27,480 --> 00:25:30,359
it's glaring. The central character, the French planter, is wrong.

494
00:25:30,599 --> 00:25:32,279
He should be an old hermit.

495
00:25:32,559 --> 00:25:32,920
Speaker 7: That's me.

496
00:25:33,279 --> 00:25:35,880
Speaker 2: The way the part is now, I'm not too old

497
00:25:35,960 --> 00:25:38,200
for it. The way the party is now, you're too young.

498
00:25:38,599 --> 00:25:39,119
Too young.

499
00:25:40,039 --> 00:25:42,319
Speaker 4: But the way you describe the character, there's only one

500
00:25:42,400 --> 00:25:45,640
man who can possibly play it, young woman Springtime.

501
00:25:49,839 --> 00:25:53,119
Speaker 2: Oh no, father, you wouldn't take the part. He isn't

502
00:25:53,160 --> 00:25:55,839
getting it. I just phoned. The part's already been catch

503
00:25:56,000 --> 00:25:59,759
Oh well, father, aren't you ashamed of.

504
00:25:59,799 --> 00:26:01,079
Speaker 7: Your so edwin.

505
00:26:01,799 --> 00:26:04,960
Speaker 11: It's time you learn you come from an acting family

506
00:26:05,359 --> 00:26:09,680
and Tunaka, A good part is thicker than blood.

507
00:26:10,559 --> 00:26:11,799
Speaker 7: That's my pop.

508
00:26:28,720 --> 00:26:30,599
Speaker 2: Here's a word from RCA Victor.

509
00:26:31,720 --> 00:26:36,440
Speaker 1: It's good company anywhere, Yes, anywhere, anytime. There's fun at

510
00:26:36,480 --> 00:26:40,039
your fingertips with an RCA Victor Portable radio at home

511
00:26:40,200 --> 00:26:42,680
or away from home, on your bedside table or at

512
00:26:42,720 --> 00:26:44,920
the beach. It's great to own the pick of the

513
00:26:45,000 --> 00:26:49,839
portables at OURCA Victor. You'll enjoy that extra range. You'll

514
00:26:50,000 --> 00:26:53,799
rave about the tone thanks to OURCA Victor's exclusive Golden

515
00:26:53,839 --> 00:26:57,680
Throat tone system. Yet your RCA Victor Portable boast to

516
00:26:57,759 --> 00:27:02,480
compactness and lightness you ever dreamed possible. Most important of all,

517
00:27:02,920 --> 00:27:06,359
you get the strongest reception ever achieved on battery operation

518
00:27:06,960 --> 00:27:11,359
because RCA's radio batteries are tube raided and radio engineered

519
00:27:11,440 --> 00:27:15,400
for long, strong listening life. Yes on every count, and

520
00:27:15,640 --> 00:27:18,400
RCA Victor Portable Radio is good company anywhere.

521
00:27:18,839 --> 00:27:19,839
Speaker 2: Take your pick of the.

522
00:27:19,880 --> 00:27:38,799
Speaker 1: Beautifully styled models at your RCA Victor dealers everywhere. Listen again,

523
00:27:38,839 --> 00:27:41,799
Next week, Friends to the Magnificent Motau, the Saturday night

524
00:27:41,880 --> 00:27:45,680
transcribed feature on NBC's All Star Festival of Comedy, Music,

525
00:27:45,880 --> 00:27:49,759
Mystery and Drama, brought to you by Chesterfield, The Cigarette

526
00:27:49,759 --> 00:27:53,559
that Has for you what every smoker wants mildness plus

527
00:27:53,759 --> 00:27:57,319
no unpleasant after taste, by Anison for fast relief from

528
00:27:57,359 --> 00:28:00,680
pain of headache nere ritis on Euralgia and by RCA

529
00:28:00,799 --> 00:28:04,920
Victor World leader in radio, first in recorded music, first

530
00:28:05,119 --> 00:28:09,200
in television. The Magnificent Mapague was written by Natt Hiken

531
00:28:09,279 --> 00:28:12,759
and Billy Friedberg. Anne Seymour was Lily Hurt Kelton was

532
00:28:12,799 --> 00:28:16,960
Agnes Art Connie as Cyril. Also heard were Johnny Gibson

533
00:28:17,200 --> 00:28:21,599
and John Griggs. This is Don Pardo speaking. Listen tomorrow

534
00:28:21,680 --> 00:28:24,960
evening for The Big Show with Tallulah Bankhead as Mistress

535
00:28:25,039 --> 00:28:29,039
of Ceremonies, the Sunday Night feature of the All Star Festival.

536
00:28:37,400 --> 00:28:40,799
Speaker 2: Tomorrow, Margaret Truman visits The Big Show. Next Your Hit

537
00:28:40,920 --> 00:28:42,279
Parade on NBC