Speaker 1: The Magnificent Montague. Worry Marty Way, Yes it's the Magnificent Montague.
The Saturday Night Transcribe feature on NBC's All Star Festival
of Comedy and Music, Mystery and Drama, brought to you
by Chesterfield, the cigarette that has for you what every
smoker wants. Mildness puts no unpleasant attitise, the cigarette that
brings you Bing Crosby and Bob Hope by the makers
of anison for past relief from the pain of headache,
You writer from eu Algia and by RCA Victor world
leader in radio, first in recorded music, first in television.
Before we hear from the Magnificent Montague, let's hear from
two fellows who have something in common.
Speaker 2: Bab Julia.
Speaker 3: We only have one thing in.
Speaker 4: Common, hardly enough for a happy marriage.
Speaker 5: Is it?
Speaker 2: What's that being? Chester feels.
Speaker 3: Of course we both like them, we both sell, and
we'd better get to sell on the Now you know,
folks better tasting.
Speaker 6: Chesterfield is the only cigarette that combines for you mildness
with no unpleasant after taste.
Speaker 3: How do you know they're mild or you just make
our mildness test. You buy them, open them up and
enjoy that milder aroma. Then smoke a Chesterfield. You will
know it's milder because it smokes milder and Chesterfield leaves
no unpleasant aftertaste. That fact has been confirmed by the
country's first and only cigarette taste panel.
Speaker 2: So always buy Chesterfield.
Speaker 7: Let's sum it up musically.
Speaker 2: By chester Feel Chesterfield.
Speaker 7: The one that goes its case.
Speaker 6: Yes, Chesterfields a milder, milder, possmol after taste.
Speaker 7: Open the pack and give them a sniff.
Speaker 2: Then you smoke them.
Speaker 1: When Ed when the magnificent Modelule left the Shakespearean States
to become Uncle good Heart, the star of an the
Little radio program, he felt his downfall was complete.
Speaker 2: But today, with a.
Speaker 1: Radio salary check coming in regularly good food on the table,
his thoughts of ever returning to his beloved stage growed
Bimmer and Bimmer. In his breakfast time in the Montague apartment,
Lily Edwin's wife and former leading lady, is setting the table,
and Agnes, the Montague made, is in the kitchen preparing.
Speaker 2: The master's morning meal. Something is burning.
Speaker 8: What's that, Agnes? Is something?
Speaker 9: Booty here?
Speaker 8: I asked you something, Booty.
Speaker 10: Honey, I couldn't hear you I'm in the middle of
cooking the magnificent monster's breakfast. It's something boomy, naturally, I said,
I was sucking his breakfast?
Speaker 8: Is his to stready?
Speaker 9: Almost it's on the floor. All I have to do is.
Speaker 8: I did I wish you pay a little more attention
to Edwin's breakfast. It's his first meal for.
Speaker 9: Twenty five years.
Speaker 10: I've been trying to make it his last.
Speaker 9: On a really egg.
Speaker 8: Oh, Edwin's coming.
Speaker 10: Now comes the throat running at it.
Speaker 9: Thank you, Mary Lanta.
Speaker 2: Something's burning. Oh for a moment, I thought.
Speaker 6: Agnes got her head caught in the oven.
Speaker 9: If it happened to you, you could always grow another head.
Speaker 6: I would like to grow another foot, and I know
just where I would put it.
Speaker 8: Oh, please, we have one morning without these arguments. Now
bringing Edmund's breakfast.
Speaker 10: Okay, why do I put on my rubber gloves.
Speaker 2: As looks a little rundown.
Speaker 6: Why don't you take her down to a filling station
for a spring checker? No, well, nothing serious, Just have
her oil change and put some air in her head.
Speaker 8: Stop read the newspaper.
Speaker 2: Here's a drama, said John.
Speaker 6: What possibly could be happening with the other Now that
I'm not at it mean the radio section. There might
be something about my uncle good Heart program here ater.
Speaker 8: What the theater meant to is how you could lose
interest in it.
Speaker 2: The theater is dead. It is now nothing but a
hobby for television.
Speaker 8: Actors, right, Edwin, read your radio section.
Speaker 5: I'll read the drama page, Edwin, Listen something about Max Gland.
Speaker 8: He used to producer on your Shakespearean plays.
Speaker 2: On the Great Impresario. What is Max the moron up
to now? Listen?
Speaker 5: It said Max Gland, one of Broadway's most beloved producers.
Speaker 2: Beloved. That's a newspaper word for no talent.
Speaker 5: Has just been made casting director for Rodgers and Hammerstein.
Speaker 2: Well they've seen their last hip.
Speaker 8: Oh, I'm so glad to Max. Listen to this.
Speaker 5: Golan is already at Worth choosing actors for the touring
company of Rogers and Hammerstein's great musical South Pacific.
Speaker 6: The Living Max Golland picking her road company. Eh, when
he gets through Rogers and Hammerstey won't have to hit
the road the way.
Speaker 2: Why are you wasting my time with these tidbits of trivia?
Speaker 8: Trivia?
Speaker 5: Ed was a fair used to be our lives. When
you took the job in radio. It's just something temporary
until you could get a good roll.
Speaker 8: On the stage.
Speaker 2: Let's cfl he's dead. Let's face it. Radio is the
coming things, young lie.
Speaker 9: There's your breakfast, Henry Aldrich.
Speaker 6: Really, I guess, with meat prices the way they are,
why don't you go out and have your tongue pickled.
Speaker 8: When you beat your broadcast? Now, eat your breakfast.
Speaker 9: Yeah, I eat your breakfast.
Speaker 10: I got a bet riding that says you can't get
it down.
Speaker 8: I just leave him alone. Eat your breakfast.
Speaker 5: You should live so long. Oh, this has been a
great morning. By the way, Ed, won't you just phone
Max and congratulate him.
Speaker 2: I'm through with the finish.
Speaker 6: Oh, by the way, catch my uncle good Heart program Today,
I nurse a copper spaniard, go back to help Ah.
Speaker 2: Then it opens his eyes and sees me. It's the
best thing I've ever done. Goodbye.
Speaker 10: I got to catch that program when the conference spaniel
opens its eyes and saves him. She'll be interesting to
listen to a dog or mad from.
Speaker 9: Coast to coach.
Speaker 5: Do you realize what's happening to my husband? He's lost
his interest in the theater. He's not planning on ever
going back to it.
Speaker 10: That's the first good news that theaters had in years.
Speaker 5: If he was offered a good part in the play,
that would stimulate his interest.
Speaker 8: Egg swears my coat.
Speaker 5: Where you're going to the Rogers in Hammerstein office, I'm
going to see Max Darland.
Speaker 4: Y'all, miss Kovac, I can't audition any more people. If
there's anybody out there, please go what oh missus Monnague?
Speaker 2: Send her right in, Dad, I haven't seen really, Lily.
Look at her beautiful as ever?
Speaker 4: Who would think that for the last twenty five years
you've been married to the thing.
Speaker 5: Oh Max, I just brought by to congratulate you on
your new job.
Speaker 2: How do you like it? Like it?
Speaker 4: It's like a vacation, a vacation after fifteen years with
your husband working in assault.
Speaker 2: Mine a'd be a vacation.
Speaker 8: No, Max, let's not start getting excited again.
Speaker 4: You're right, Lily, it's passed and gone. Fifteen years of
producing plays starring your husband.
Speaker 8: Yes, the years just went.
Speaker 2: Yes, and my.
Speaker 4: Stomach went with him. Lily, my picture's been in the
medical journal. I had a new disease, montague itis. Easy, Max,
do you know what montague itis is, Lily, beards before
your eyes.
Speaker 2: You come home to kiss your.
Speaker 4: Wife, she's wearing a beard.
Speaker 2: Has a beard, your dog has a beard.
Speaker 4: I couldn't take it anymore, Lily, I couldn't take it.
Oh Max, I'm sorry, Lily, but just talking about it
brought back the old symptoms.
Speaker 2: That why, Lily, what Max?
Speaker 7: What a lovely beard?
Speaker 8: Stop it. Next, let's talk about you.
Speaker 5: I read that you're cast in the touring Company of
South Pacific for Rodgers and Hammerstein.
Speaker 4: It's a since every actor in town wants to play
the French planter, the part Ecio Pinza play.
Speaker 8: Oh, you have to be careful who you get.
Speaker 5: For that, you're telling me, And that's about the calls
for a great actor.
Speaker 8: He must be elderly, but yet have that mature appeal.
Speaker 2: That's right.
Speaker 8: He must know how to speak French.
Speaker 6: I know.
Speaker 8: He must have a reputation on the stage to be
able to.
Speaker 2: Be an attraction pretty dom.
Speaker 8: Next, it just came to me, what next.
Speaker 5: There's only one man in the world who could play
that part, Edwin Montague.
Speaker 4: Lily, I'm on the road back to health. I can't
take jokes like that.
Speaker 5: Max, I'm serious. You're working for Rogers and Hammerstein. Now
their success has been based on pulling away convention and
being daring. What do you mean Look at South Pacific
native Ezio Pinza, an opera star, and put him in
a musical comedy. So you can be just as daring
by taking Edwin Montague, the greatest living Shakespearean actor and
putting him in South Pacific.
Speaker 2: Edwin Montague in South Pacific. The whole idea is crazy.
Speaker 8: Maybe it is, but think Max, what if it works?
Speaker 7: Yeah?
Speaker 2: What if it works? Oh?
Speaker 5: No, she actually has the voice, the bearing, the experience
is a daring move in the tradition of Rogers and Hammerstein.
Speaker 8: And you thought of it, Max, I thought of your name.
Speaker 5: People remember think of the critics love in the box office.
Oh it's you.
Speaker 2: Hello, she's out there'd you go?
Speaker 9: Oh no, Rena? At she smart?
Speaker 2: And yes, why don't you surprise as for Mother's Day?
Speaker 7: And quit?
Speaker 6: By the way, did you hear my uncle good Heart
broadcasts out to do?
Speaker 9: Yeah?
Speaker 10: I gotta admit what's sensational? Not badly that last speech
when the cocker spaniel opened his eyes.
Speaker 6: Now you mean life is back, little one once for
to see the sun come up The trees, the flowers.
Speaker 2: The open skies.
Speaker 9: That's it.
Speaker 2: Best speech I ever had to say.
Speaker 9: Oh did you say it? I thought it was a
cocker spaniel.
Speaker 6: How this would you be interested in the proposition whereby
your day off becomes permanent? Why my wife insists on
having you.
Speaker 2: In the house. That must be Lily, I'll get it.
Speaker 9: Hello, Hello, honey, Oh Edwin, you're back on the broadcast.
Don't get near any and they have fleas.
Speaker 2: Hello, Lily, closed it off. Wait wait, I have a
surprise for you. Surprise.
Speaker 8: Yes, come in.
Speaker 2: Hello Edwin.
Speaker 10: Oh no, hello, man, that sounds like mister Gimble meeting
mister Macy.
Speaker 8: Well, let's sit down. We have so much to talk about.
Oh Edwin, we have good news for you.
Speaker 3: Yeah.
Speaker 5: Max has a wonderful idea. Listen, Max is here off.
You're one of the greatest starring roles on Broadway.
Speaker 2: The starring rule man.
Speaker 5: Yeah, Edwin, this is something new, a character that just
fits you.
Speaker 2: He's an elderly man.
Speaker 4: Elderly but with great charm, sex appeal, savoarfare, really continental
type talks, French talks.
Speaker 2: French Bona pets her old Ni sa.
Speaker 6: Sante halcy bacture.
Speaker 10: Well, for us all translation your father's mustache.
Speaker 2: What's the name of the Playmax, South Pacific? Never heard
of it? Who wrote it? Rogers and Hammont.
Speaker 8: You've been away too long. It's the biggest hit on Broadway.
Speaker 2: It's been running for two years. What is it? Drama? Melodrama?
Cagety well, Edwin?
Speaker 4: Eh, it's a musical comedy, you know, singing and dancing,
singing and dancing.
Speaker 9: Excuse me, I have a pretzel in the oven.
Speaker 2: Now, Edwin. Maxcland leave this house.
Speaker 8: Edwin listened.
Speaker 2: He wasn't content.
Speaker 6: I have brought my Shakespearean career to an untimely end.
Speaker 2: You know, wants to end my days?
Speaker 9: Is the chorus?
Speaker 8: Boy Heaven, you're being ridiculous, not a Max.
Speaker 2: I'm starting to see beards again, Edwin.
Speaker 8: It's a play that won the pultts a prize.
Speaker 2: Really, I don't care. The Pults are prime.
Speaker 4: Montagu's are play with great depth and feeling.
Speaker 5: The part you play made pins of the biggest star
on Broadway.
Speaker 2: It made a star out of an opera singer.
Speaker 6: Imagine what I could do with it when I give
it the famous Montague touch better.
Speaker 9: Known as the kiss of death.
Speaker 5: Even we have no time to lose. You were studied
apart till the when next takes you to the director.
Nothing can go wrong.
Speaker 6: You do comedy with my voice and sex appear a cat.
Speaker 2: The years I wasted doing Shakespeare.
Speaker 1: We'll be back with a magnificent montgule in just a moment.
The next time you suffer from pains of headache, neurytis,
and euralgia, take Anison. You'll bless the day you heard
of this incredibly fast way to relieve these pains. Now
the reason Alison is so wonderfully fast acting and effective
as this Anison is like a doctor's prescription. That is,
Anison contains not just one but a combination of medically
proven active ingredients and easy to take tablet form. Thousands
of people have received envelopes containing Alison tablets from their
own dentist opposition and in this way discover the incredibly
fast relief Allison brings from pains of headache, neurritis and euralgia.
So the next time a headache strikes, take Addison for
this wonderfully fast relief. Adison A Naci N Anison comes
in handy boxes of twelve and thirty economical family size
bottles of fifty to one hundred. Get anison at any
drug counter. And now back to the magnificent Montague.
Speaker 2: Theatrical history is in the making.
Speaker 1: Montague, the bulwark of the Shakespearean theater, is preparing himself
to take over the Etsiopenza role of the French planter
in South Pacific.
Speaker 2: He is rehearsing poop ba levee bear.
Speaker 6: CoA hoopa leve a girl, comea.
Speaker 2: Wa shell Mademoise her Yes, Hassaker.
Speaker 8: May Edwin lovely? That was lovely, wasn't it? Agnes?
Speaker 9: Harry Colin on a lose slate?
Speaker 8: Edwin, it sounds wonderful? Does five times?
Speaker 10: You sound just like Benza When Kinza has Langadis, call
one of the elevator boys and have him walk Agnes.
Speaker 5: When Max takes you to meet Rogerson, Hammerstein's director, mister Brooks, please.
Speaker 8: Oh that's Max.
Speaker 9: I'll let him in.
Speaker 8: Hi, Max, Hello.
Speaker 5: Max Edwin already knows the part, even the souls he does.
Speaker 4: Would you like to hear me sing a few of
the songs that no, no, no, no, I'll hear you
with the audition later, sort of get it all in
one lump.
Speaker 2: We better get going.
Speaker 8: Is everything arrange, Max.
Speaker 2: Yeah, the director Benton Brooks is expecting us. He'll have
a piano player there.
Speaker 9: I'll get it.
Speaker 10: The residence of Aco Montague. Hello, hello, kidding, why don't
you get into town?
Speaker 2: Sure?
Speaker 9: Come right up.
Speaker 5: Staff?
Speaker 9: That all right here? What can't you at least wait
until you get up here?
Speaker 6: Now?
Speaker 9: I won't run away.
Speaker 2: What a disgusting exhibition? Who was that amance?
Speaker 9: Your father?
Speaker 2: Oh no, what is he doing in tow all? Cyril Montague?
Speaker 9: Is he still around?
Speaker 2: He must be pushing two hundred and.
Speaker 9: A girl still be safe around him.
Speaker 2: Let's slip out the back door.
Speaker 10: Ed when he's your father and the retired and undefeated
monarch of the Shakespearean state, Let's.
Speaker 2: Go out here, Lily. He just lives to make trouble
for me, Edwin. I just like to stay and say
hello to old Cyril.
Speaker 7: It'll be fun.
Speaker 2: Max.
Speaker 6: Do you remember how much fun it was when he'd
dropped in the middle of our rehearsal telling.
Speaker 2: Me how to act, you how to produce? The director
had to direct. I remember, where's the back door there,
I'll get the door.
Speaker 11: Hello, mister Montague, as my passion flower, hem me here,
you lovely Wench, give me a kid. Hello, Dad, Gad
you get more ravishing every day, kiss me.
Speaker 7: You little devil?
Speaker 9: Watch him, honey, he pinches like a lobster.
Speaker 8: Dad, you remember Max Garland?
Speaker 7: Hello cyril yad Max? You still alive? Yeah? Well, where's Edwin?
Where's that boy of mine?
Speaker 2: Hello?
Speaker 9: Hollow?
Speaker 2: Our father has offered asking you to drop here, Oh.
Speaker 11: Father, half my life I spent trying to teach him
how to talk like an actor.
Speaker 7: And what comes out? Hello father?
Speaker 2: Please Dad, Please Dad, don't stop that again or.
Speaker 8: Leave Edwin alone dead. This is a big day for him.
He's going to audition for a part in a plane.
Speaker 11: Montague has to audition. Isn't the name of Montague enough.
Speaker 7: To get the part? Oh Dad? Oh Dad?
Speaker 11: The five generations Montague's have refused to audition in order
to get apart. Some never worked today in their lives,
but they never Audi tried and explain this is a
very important role.
Speaker 8: It's completely different from any role he's ever played.
Speaker 7: Different.
Speaker 11: Yes, it's called South Pacific south pcippic. He glad they've
discovered a new play by Shakespeare.
Speaker 8: Yes, South Pacific has nothing to do with Shakespeare.
Speaker 11: A Montague and the play that has nothing to do
with Shakespeare. Dad, if you let me hush, mind your
manner's son. If this South Pacific is not by Shakespeare,
what is it?
Speaker 8: Well, Dad, times it change?
Speaker 7: Come? Come come?
Speaker 8: What is it a musical comedy?
Speaker 7: Oh, let's get the water. Never mind, I'm all right,
I'm all right.
Speaker 11: It's just test that it's hard for a father to
face the fact that his son is a no talent.
Speaker 2: Bob, please follow, go, Please follow.
Speaker 7: A Montague in a musical comedy.
Speaker 6: Let me go.
Speaker 7: From this day on, I shall wear a black band.
Speaker 2: On my sleeve.
Speaker 4: My son is dead, mister Montague, South Pacific.
Speaker 7: No away from me, Max. There's blood on your hands.
Speaker 11: You took my head when a clean American boy and
led him astratt But mister Montague, if you buy throwing
my boy a Montague on a stage to dance and
sing with half naked Hussies, it's not Dad, this is ridiculous.
Speaker 8: South Pacific is a beautiful and dramatic production.
Speaker 11: Don't tell me about musical comedies. I've seen all of them.
The Florida Daughters Sextet, Mad Cap Mitzi Sliding, Billy Watson's Beef,
Trust Girls Getting Gertie's got her those hussies and tights
kicking and carrying on, and.
Speaker 7: That is not for my boy.
Speaker 8: There be only see for yourself.
Speaker 4: Yes, mister Montague, here's a ticket for to day's matinee
of South Pacific.
Speaker 7: You'll see what we mean. Yes, Dad, you just yes, Dad?
If you do, Yad? What a stupid brad.
Speaker 6: Now'll the fallow nobody after your d's in the first place.
Speaker 2: I old enough to make up my own mind. I
don't need any help from you.
Speaker 8: Talking to your father like that.
Speaker 7: Edwin, go to your room.
Speaker 2: I'll wait a minute. They're waiting to hear him at
Let's go.
Speaker 8: You believe me, that's the right thing for Edwin. Now
you take that ticket and see South Pacific. We'll meet
you here for dinner.
Speaker 11: For ninety six years, I've kept the name of Montague clean,
and now my own son in a musical comedy.
Speaker 7: He'll send me to an early grade.
Speaker 5: Saka, here said miss Come in, gentlemen, I told you Max,
it was a ridiculous idea Montague in a musical comedy.
Speaker 2: It was an idea.
Speaker 4: We'll find something for you, won't We broke Oh, definitely,
But for South Pacific you must admit, mister Montague, the
role calls for well, I know, I know a much younger.
Speaker 2: Man when I hope you're not disappointed well little today.
Speaker 6: But it would have been ridiculous, those love scenes, it
would have been unbelievable, young girls singing to.
Speaker 2: Me, I gotta wash that man right out of my hair.
Speaker 4: Awfully nice of you to invite me up for dinner
to meet the great snirrel Montague.
Speaker 2: He was my boyhood idolo.
Speaker 8: Glad to be back from seeing South Pacific.
Speaker 6: Where did you hear what he says about your South Pacific?
Speaker 2: He won't be your idol anymore, the old school, and
so am I. He's right Montague means Shakespeare at the
old man. Get ready for some snarling criticism.
Speaker 7: Oh god, u manchilday evening you will be a sting old.
Speaker 5: Man.
Speaker 8: How'd you like the show?
Speaker 5: Me High?
Speaker 7: We'll call you on high.
Speaker 2: Father, don't tell me you liked South Pacific? Liked it.
Speaker 11: It's the greatest show I've ever seen. And you think
my son will star in it?
Speaker 2: That's just it, Dad, I'm not in it. You're not
in it.
Speaker 7: You were right.
Speaker 2: Musical comedy isn't three?
Speaker 5: And what is for you?
Speaker 7: Heaven snows Shakespeare, wasn't I remember you?
Speaker 2: To be?
Speaker 9: Not to be?
Speaker 7: That is the questune to more. I still get lautrous
when I think of it.
Speaker 6: Will you please stop? It wasn't because of my acting.
It is too old for the bar. Too old an
actor is never too old.
Speaker 11: Well, this particular part called no matter what it called for,
it can be altered, altered again. I played Huckleberry Finn
at the age of sixty three. I made a few
slight changes. I merely made Huckleberry Finn of fun, loving
middle aged boy.
Speaker 7: Nonsense, is it?
Speaker 4: But mister Martague, South Pacific can't be changed?
Speaker 10: Now?
Speaker 7: Who is this man?
Speaker 5: This is mister Benson Brooks, who's directing the auditions for
South Pacific.
Speaker 4: Mister Montacue, this is the proudest moment of my life.
Speaker 2: I never dreamed i'd ever meet my idell.
Speaker 7: Mister Brooks. You have a very good show there.
Speaker 11: But if you'll step into Edwin's Den with me for
a few moments, I think I could show you with
a few little changes for you.
Speaker 7: Excuse me please?
Speaker 6: Of course, Gosh, who'd ever think I'd be talking to
Cyril Marthagul this way?
Speaker 11: Now take that Edwin.
Speaker 8: Your father just won't give.
Speaker 2: Up trying to change South Pacific.
Speaker 5: But Edwin Brooks isn't going to change a place that's
for the smash hit for years.
Speaker 6: That's not it, Lily, you realize what's happening. My father,
first time in his life, is doing something for me.
Speaker 7: He's fighting for me.
Speaker 2: They that thought just struck me.
Speaker 7: It frightens me.
Speaker 2: What is it? Delay? I think my father likes me?
Speaker 4: Of course he dies here they come Max, get Rogerson
Hammerstein on the phone at once, But why don't questions.
Speaker 2: Get them on the phone, mister mothercare It's amazing that
we'd never saw it that way.
Speaker 7: Well, you were so close to the play.
Speaker 11: What is it?
Speaker 4: That's two minutes with your father and I found out
what was wrong with South Pacific. Something is wrong, is wrong,
it's glaring. The central character, the French planter, is wrong.
He should be an old hermit.
Speaker 7: That's me.
Speaker 2: The way the part is now, I'm not too old
for it. The way the party is now, you're too young.
Too young.
Speaker 4: But the way you describe the character, there's only one
man who can possibly play it, young woman Springtime.
Speaker 2: Oh no, father, you wouldn't take the part. He isn't
getting it. I just phoned. The part's already been catch
Oh well, father, aren't you ashamed of.
Speaker 7: Your so edwin.
Speaker 11: It's time you learn you come from an acting family
and Tunaka, A good part is thicker than blood.
Speaker 7: That's my pop.
Speaker 2: Here's a word from RCA Victor.
Speaker 1: It's good company anywhere, Yes, anywhere, anytime. There's fun at
your fingertips with an RCA Victor Portable radio at home
or away from home, on your bedside table or at
the beach. It's great to own the pick of the
portables at OURCA Victor. You'll enjoy that extra range. You'll
rave about the tone thanks to OURCA Victor's exclusive Golden
Throat tone system. Yet your RCA Victor Portable boast to
compactness and lightness you ever dreamed possible. Most important of all,
you get the strongest reception ever achieved on battery operation
because RCA's radio batteries are tube raided and radio engineered
for long, strong listening life. Yes on every count, and
RCA Victor Portable Radio is good company anywhere.
Speaker 2: Take your pick of the.
Speaker 1: Beautifully styled models at your RCA Victor dealers everywhere. Listen again,
Next week, Friends to the Magnificent Motau, the Saturday night
transcribed feature on NBC's All Star Festival of Comedy, Music,
Mystery and Drama, brought to you by Chesterfield, The Cigarette
that Has for you what every smoker wants mildness plus
no unpleasant after taste, by Anison for fast relief from
pain of headache nere ritis on Euralgia and by RCA
Victor World leader in radio, first in recorded music, first
in television. The Magnificent Mapague was written by Natt Hiken
and Billy Friedberg. Anne Seymour was Lily Hurt Kelton was
Agnes Art Connie as Cyril. Also heard were Johnny Gibson
and John Griggs. This is Don Pardo speaking. Listen tomorrow
evening for The Big Show with Tallulah Bankhead as Mistress
of Ceremonies, the Sunday Night feature of the All Star Festival.
Speaker 2: Tomorrow, Margaret Truman visits The Big Show. Next Your Hit
Parade on NBC