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Speaker 1: Around Dodd City and in the territory on West. There

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is just one way to handle the killers and the spoilers.

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And that's where the.

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Speaker 2: US Marshal and The Smell.

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Speaker 1: Of Guns Smoke, Gun Will Smoke, starring William Conrad. The

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story of the violence that moved west with young America

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and the story of.

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Speaker 2: A man who moved with it.

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Speaker 3: I'm that man, Matt dllon United States Marshall, the first

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man they look for and the less they want to meet.

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It's a chancey job and it makes a man watchful

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and a little long.

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Speaker 4: The oh you finished in there already?

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Speaker 5: What you're doing?

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Speaker 2: And I just wanted to ask the agent of question.

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Speaker 6: Chester all right. I was sort of hoping it would

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be a few minutes longer.

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Speaker 2: You want me to go back in?

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Speaker 7: Oh?

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Speaker 2: No, of course not.

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Speaker 6: I was just thinking, though, it's near the stage time

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and all I'd like to stay a little bit and

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see it come in.

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Speaker 2: Are you expecting somebody? Well?

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Speaker 4: No, ain't that?

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Speaker 2: What is it?

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Speaker 7: Well?

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Speaker 6: I just like to see them stages come in, soh

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I get to figure on all the miles have come

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and all the folks that throwed in them, and all

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the things that's happened, you know, mister done.

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Speaker 5: It kind of stirs.

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Speaker 2: Ma'am up, hang on to yourself, Chester, because here it comes.

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Oh show him?

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Speaker 7: Oh, ain't that a pretty sight?

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Speaker 3: Well I've seen prettier, but you might as well wait

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around and see who's coming at yinkies.

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Speaker 4: I enjoy that.

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Speaker 2: Yeah, Oh Marshall, hod jam do you have a good run?

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Speaker 6: Well?

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Speaker 2: Drive from one of these rigs?

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Speaker 6: Ain't never exactly.

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Speaker 5: Easy, but nothing special happening.

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Speaker 2: That's good.

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Speaker 6: You're looking for somebody Chester, just sight seeing? How's that?

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He just likes to watch?

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Speaker 2: It's all well, now.

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Speaker 6: He can just watch me turns that baggage, I see you,

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Lady Marshall charge well he'll be that's a.

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Speaker 5: Smart But.

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Speaker 6: Pardon me, gentlemen. I'd like to ask a question. I'm

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sure that's on your mind. Billy quit sir from Louisiana.

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I'm at Dylan rat Chester prop he.

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Speaker 5: Meets mist gentlemen.

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Speaker 6: I was wondering if either of you could help me

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find a friend of mine. And you don't have to

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do no more, and just tell us his name, Miss

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krit We know just about everybody in these parts.

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Speaker 5: It's not a he, it's a lady.

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Speaker 4: A lady.

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Speaker 2: Well, what's her.

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Speaker 6: Name, krit Russell, Miss Kitty Russell. You happen to Noah

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Marshall nor I just guess he does. I guess mister

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Dylan knows miss Kitty just about the word of anybody

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in town.

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Speaker 5: Thank you, Marshall.

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Speaker 6: If you tell me where I might find her, why,

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we'll take you to her.

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Speaker 3: If she's just down the street Chester, when you go

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on down and pick up the mail and take it

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back to the office, I'll be there directly.

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Speaker 5: For sure. I'll do that, mister.

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Speaker 3: But if you need any hen, yeah, well call here

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if we need it now.

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Speaker 5: Thanks for your curtisy, mister Proud.

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Speaker 6: But you say you can show me where to find

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miss Russell, Marshall.

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Speaker 2: Sure, I'll take you there. Come on. You look a

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little young, no Kitty very well. She's been here in

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Dodge for quite a small now.

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Speaker 6: She's an old friend of the family, Marshall, Dylana, most

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especially of my older sister.

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Speaker 5: They grew up together.

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Speaker 6: So when I started out on this trip, there was

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nothing for it but that I look her up.

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Speaker 2: Lucy had never forgive me.

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Speaker 3: I see uh as your sister heard from Kitty Lily.

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Speaker 6: Why they've kept in touch eh, birthdays, Christmas things like that.

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Speaker 5: You know how ladies are now here?

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Speaker 2: We are right in here.

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Speaker 5: But this is a saloon, sir.

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Speaker 2: You ever been in one before?

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Speaker 4: Oh? I have no.

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Speaker 6: Objections for myself, sir, but we're looking for a lady.

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Speaker 2: Oh, come on in, Kred. I think Kitty can speak

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for herself.

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Speaker 4: Kitty be with you in a minute. Now, see as

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they get these bills at it and sit down.

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Speaker 2: Uh.

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Speaker 3: This is an old friend of yours, kiddy huh from Louisiana,

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name a Krit, Billy Kritt.

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Speaker 5: Ma'am. Well, there's no wonder you don't remember me.

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Speaker 6: I I was hardly big enough to notice when you

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last saw me.

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Speaker 4: You're Billy Kritt.

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Speaker 5: That's right, ma'am. I'm Lucy's youngest brother. At your service, ma'am.

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Speaker 7: Well, Billy, well, I will leave for you, was sure

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to Oh, I hardly know what to say.

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Speaker 2: You two old friends together acquainted.

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Speaker 4: Oh no, Matthews, I'll be with the bar Kaddy.

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Speaker 5: Well, thank you so for your help.

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Speaker 2: That's alright, gret I'll see you letter well.

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Speaker 4: Well, Billy, sit down 'em.

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Speaker 5: Thank you, ma'am.

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Speaker 1: Uh.

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Speaker 6: The Marshall was very accommodating when when I told him

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you were a friend of the family.

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Speaker 4: Uhh, the family. It was all a long time ago,

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wasn't it.

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Speaker 5: The I reckon it was.

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Speaker 6: I didn't expect to find you in a place like well.

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Speaker 5: I was Lucy. She's fine, enjoying splendid health.

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Speaker 7: Uh and the children. There's three of 'em now, huh.

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Speaker 5: Fo, ma'am.

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Speaker 6: Sister Lucy had another little daughter just last month. Oh

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but sure, I'm surprised, ma'am to find you in this

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say you've grown.

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Speaker 4: Tall, Billy.

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Speaker 7: I do believe you favor your father, they say I do.

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Speaker 6: Miss Kitty is about to leave kid, if you wanna

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settle up with him?

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Speaker 7: Oh, yes, Sam, I do. I'll be right there. You'll

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have to excuse me for late. There's some business I

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have to take care of.

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Speaker 5: Why that's all right, ma'am.

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Speaker 6: Yeah, But uh I wonder, uh yo, Billy, I wonder

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if you'd do me the honor of taking supper with

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me tonight at some uh suitable place.

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Speaker 7: Well, oh right, Billy, Sure that'll be nice. You come

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back to Thief there, Yes, Sam.

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Speaker 6: Yeah, I'll uh call for you, ma'am.

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Speaker 4: How I believe.

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Speaker 6: I?

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Speaker 3: Uh, I guess you'll be staying at the Dodge House, cred,

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I will walk along with you.

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Speaker 2: It's right there in my office.

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Speaker 5: Well, thank you, Marshall. I just as seen him get

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along there now now? Uh is it.

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Speaker 2: A good hotel at Dodge Dodge House? As good as

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we shid?

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Speaker 6: No offense, sir, But well, I guess you look at

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things differently in the West. Uh.

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Speaker 2: Wait, don't look at 'em differently, cred. We just uh

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have to live differently.

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Speaker 3: So and the people and the people don't take hasty judging.

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Speaker 6: I reckon, I wasn't judging the people so much as

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the surrounding glouse surrounding.

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Speaker 2: It's not the most important thing out here at Krid.

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Speaker 6: Well, I know, sir, But well, I can't help believe

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in miss Kitty would be better off someplace other than

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a saloon.

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Speaker 5: My people always told me she's a fine woman.

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Speaker 3: She's a fine woman, and I think maybe i'd leave

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Kitty's surroundings up to her.

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Speaker 7: No, sorry, we haven't a better eating place to show you, Billy.

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Speaker 5: It's all right, miss Kitty.

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Speaker 6: As Marshall said to me this afternoon, surroundings aren't the

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most important thing.

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Speaker 4: Mm Matt said that, did he?

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Speaker 6: It's ma'am and I can add to right now. At

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least they aren't near as important as the company.

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Speaker 5: Thank you.

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Speaker 7: Nobody's bothered to turn a compliment like that for me

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in a long time.

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Speaker 5: Miss Kitty M. I'd like to ask you something.

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Speaker 7: Go ahead at Billy, Sister Lucy. She never mentioned the

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kind of work you do. I don't think I haven't

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mentioned it to her.

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Speaker 6: Well, I can't help feeling, ma'am, that you'd be a

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lot happier if you were situated someplace else.

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Speaker 4: Are you talking about the long brunch?

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Speaker 5: Yes, ma'am, I am. A saloon just isn't a suitable

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place for lady. I know it isn't.

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Speaker 7: Now, Belle, look care look at her?

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Speaker 6: Are you better come on back your own place? Back?

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Speaker 5: The lady is with me.

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Speaker 2: We've been looking for you. Come on back to your

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own place. Yeah.

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Speaker 6: We drink better when you're pretty enough the place.

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Speaker 4: So you go along. Boys, I'm having a supper and I'll.

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Speaker 5: Take care of this. I've told you once. The lady

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is with me.

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Speaker 6: Now, if you don't stop bothering her, I'll be forced

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to take it as a personal insult. La he said, Well,

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I do believe the little fellow is standing up for kiddeos. Now,

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I'm warning you, sir, Why are you fancy talking to

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you boys?

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Speaker 7: You going back to the long branch. I'll be along, Director.

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Speaker 5: I won't stand for the talking to you like that, Billy?

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Speaker 7: Do I go along?

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Speaker 4: Boys?

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Speaker 6: Don't? Don't you think I ought to pimmy his years

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back for him?

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Speaker 5: We just once.

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Speaker 4: He didn't mean anything.

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Speaker 5: I don't know where you going now?

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Speaker 4: Drinks are on me?

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Speaker 5: Oh we drinks?

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Speaker 6: Well, sure, think kitty.

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Speaker 2: Well we'll see.

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Speaker 5: Say. I wish you hadn't done that, miss Kitty.

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Speaker 7: You don't understand the way things are here, Billy. They

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didn't mean anything, But no lady.

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Speaker 5: Has to submit to that sort of thing.

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Speaker 4: Oh, Billy, you got a lot to learn. You like him?

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Speaker 5: In Mat?

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Speaker 2: Huh?

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Speaker 3: Oh, I'm sure, kiddy, Come on in. I got one

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more papers sign here.

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Speaker 2: They'll be right with you. Nah, How what can I

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do for you? Kiddy? That's an official visit.

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Speaker 7: Well, I guess it is Matt in a way. I'm

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awful worried about that boy.

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Speaker 2: Oh well, what's happened?

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Speaker 4: Well, nothing's happened yet at least.

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Speaker 5: I was able to stop it.

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Speaker 2: Oh what do you mean?

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Speaker 1: Oh?

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Speaker 7: Last night we were having separate tel monicos and talon

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weed came in and they were drunk.

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Speaker 4: You know how they act.

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Speaker 2: I didn't krit take 'em on.

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Speaker 4: He was ready to.

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Speaker 7: I managed to stop it this time. This time, Matt,

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that young fool's determined to defend my honor.

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Speaker 4: One of these times. Maybe next time I won't.

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Speaker 7: Be able to break it up and offer a free drink.

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Speaker 2: Oh you may be right, kitty, but uh, how much

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you can't do?

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Speaker 4: But can't you do something?

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Speaker 6: Matt?

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Speaker 7: Talk to him, hurry him out of town? Take away

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his gun?

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Speaker 2: Kitty? Can he use your head? I can't do that.

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The boy hasn't done.

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Speaker 7: Anything, but and you're just gonna sit around and wait

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till it does.

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Speaker 3: I don't want trouble anymore than you do, Kitty, But

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the boy has to grow up sometimes.

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Speaker 7: You men have a fine idea.

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Speaker 4: What's grown up? Just settle it with a gun.

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Speaker 7: Just shoot somebody, anybody that's growing up.

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Speaker 4: In this town.

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Speaker 2: Kitty, will you listen to me?

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Speaker 3: I know it's hard for you, but that doesn't change

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the way things are.

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Speaker 2: I'll do what I can. I'll talk to him, but

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I can't.

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Speaker 7: You can't take his gun away, all right, Matt, I

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only hope he doesn't grow up just in time to

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get himself killed.

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Speaker 2: Why I can't do me?

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Speaker 5: Kitty read him out some beer. She didn't what.

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Speaker 1: Were you doing there?

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Speaker 5: Just as.

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Speaker 6: Doc?

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Speaker 2: But I was in the back room. Miss Kitty come in.

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Speaker 6: There wasn't no way for me to come out once

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she started going on what you're doing?

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Speaker 5: And there wasn't no way for me to keep him

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doing neither. She really gave me a hard time, did

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you she did?

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Speaker 7: It was too hard on him, he said, well, kitty, oh, yes, well, now, kiddy,

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now you've uh, you've got to realize.

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Speaker 6: You know, Matt has a job. He isn't a tough job,

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and he can't take time to nurse me. And every

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young puppa comes.

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Speaker 7: Oh, you man are all alike. Just leave them alone.

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Give me a gun and leave me alone. It'll all

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be settled one way or another. Coming in, I'm afraid

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he wouldn't. I'll stand him away from the barm. Maybe

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that'll keep trouble away for a little home. Billy, Hello, Billy,

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you're not doing miss kitty come out of here and

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sit down.

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Speaker 6: Huh, thank you? I trust you spent a comfortable night, Yeah, Billy,

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thank you.

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Speaker 5: Miss Kitty.

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Speaker 6: I've come to tell you goodbye. I've decided to cut

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short my visit.

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Speaker 7: Oh yeah, well, oh Billy, it was nice to see you.

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Speaker 4: Now you be sure to give Lucy my love.

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Speaker 5: I surely will do that, ma'am.

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Speaker 7: Yeah, well when are you leaving right away?

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Speaker 2: Mam?

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Speaker 4: You might as well go now? The weather's epan. It's

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bill hide traveling when.

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Speaker 5: It's shown me.

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Speaker 2: Gent with the fancied talk.

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Speaker 4: Tell you go along.

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Speaker 5: Now you had something to say to me, sir.

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Speaker 6: Well now I don't know, I don't know you will

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still be hiding behind the gal's skirts again, that's insultanc

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just to go get mathcres alright if it's selling the

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sub to what he aimed to do.

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Speaker 5: Boy, I'm inviting you out into the street with me,

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sir right.

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Speaker 4: Now, Billy, tell you stop this right now?

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Speaker 5: Of this time?

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Speaker 4: Is kiddy?

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Speaker 5: Did you hear me?

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Speaker 7: Sir?

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Speaker 5: You step out side with me?

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Speaker 2: You mean you really know how to use that gun?

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Speaker 6: You're aware I know how to use it if you

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are not afraid.

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Speaker 2: You young smart Alec.

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Speaker 6: I'm waiting, doc look here, Tell now this is the

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pretty follest thing to do.

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Speaker 5: Starting a gunfight over.

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Speaker 6: Nothing I can't help, But Doc, this kid has a

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chip on his shoulder ten feet.

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Speaker 2: High, and somebody has to knock it off. Might as

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well be me.

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Speaker 6: He's just a youngster town.

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Speaker 5: He doesn't understand.

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Speaker 2: He might as well do his growing up right. Now

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lead the way you after you, sir? All right, Hold everybody,

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stay right here.

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Speaker 6: This is an affair of honor, marshall, but you have

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no right to interfere.

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Speaker 2: I'm at affair on anyway.

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Speaker 3: Now give me your gun, krit No, Marsha, give it back.

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I'll give it back when you leave town. All right, Tom,

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go and get out of here.

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Speaker 2: Now, wait, go on before I let you cool off

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in jail. Not go on, boy, good?

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Speaker 5: This is this is very humiliating for a gentlemen.

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Speaker 7: This whole trip, this whole meeting with me, seems to

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have been humiliating for a gentleman like you.

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Speaker 6: Well, ma'am, I was meeting to defend the lady's honor.

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Speaker 4: What lady? What honor?

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Speaker 5: Where yours? Ma'am?

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Speaker 4: Now you're listening to me.

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Speaker 7: I've been getting along very well here without you to

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defend me.

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Speaker 4: I live the way I want to live.

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Speaker 7: I do what I want to do in this for

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my honor. Well, I haven't thought much about it for

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a long time, but ma'am I had about enough of

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you with your fancy manners and your fancy talk.

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Speaker 4: Soon you go back to your mom and your nice way.

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Speaker 7: To live in a better I like it, Sam, Sam.

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Speaker 2: Uh. There's a stage in an hour that you might

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want to be honor. Huh.

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Speaker 5: I'll be on it, motional, that's for certain.

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Speaker 2: You can pick up your gun before you leave.

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Speaker 3: Yeah, you were pretty hard on him, kidding and pretty

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hard on yourself too.

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Speaker 4: Yeah, I was. It was subtle and didn't it.

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Speaker 7: I guess that in the first time a woman's had

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to be hard on hisself to keep a man out

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of trouble.

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Speaker 4: Is he gone?

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Speaker 2: Yeah, he's taking the stage.

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Speaker 4: That's good.

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Speaker 7: Oh well, man, come on, I'll buy you a drink.

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Speaker 3: Well, uh, you uh think I'm grown up and.

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Speaker 7: Huh guess I'm gonna have to let.

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Speaker 5: You just like that.

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Speaker 3: Gun Smoke Go Euston, directed by Norman McDonald, stars William

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Conrad as Matt Dylan Us Marshall.

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Speaker 1: The story was specially written for Gun Smoke by Marion Clark,

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with editorial supervision by John Meston Quarley Baar is Chester,

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Howard mcneer is doc, and Georgia Ellis is kidding.