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<v Speaker 1>It's Nightside with Dan Ray on WBZ, Boston's new radio.

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<v Speaker 2>And welcome back Boy, Do we have a story for

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<v Speaker 2>you here on WBC's Nightside. Killer Lies Chasing a true

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<v Speaker 2>crime con Man from National Geographic and also Hulu. It's

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<v Speaker 2>streaming on Hulu right now. I highly recommend it. It

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<v Speaker 2>is a three part series. It is riveting, it's well told,

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<v Speaker 2>it's well produced, and it's just an unbelievable story. And

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<v Speaker 2>the director of this film joining us right now, Ben Selko. Ben,

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<v Speaker 2>Welcome to Nightside. I've seen a lot of stuff, Ben

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<v Speaker 2>in my life, but this one's a doozy because not

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<v Speaker 2>only do you have serial killers and they're extremely bad people,

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<v Speaker 2>but then you have another dude that is supposedly doing

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<v Speaker 2>something good.

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<v Speaker 3>And he's a liar. I mean, have you have you

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<v Speaker 3>ever seen anything like this before?

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<v Speaker 1>You know?

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<v Speaker 4>I mean yes, I think you can look around in

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<v Speaker 4>the American political sphere in all corners and find this

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<v Speaker 4>profile character pretty readily. But you're right, I mean this,

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<v Speaker 4>You've got, you know, a story, you know, full of

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<v Speaker 4>serial killers, and at the heart of it is someone

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<v Speaker 4>who is a serial liar, right, who trade trades and

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<v Speaker 4>betrayal and you know, in our story that becomes tanam

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<v Speaker 4>out and the most important kind of crime that is,

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<v Speaker 4>you know, expressed over and over again, repeatedly, and you

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<v Speaker 4>know it's something that was really wild and really wild

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<v Speaker 4>to try to untangle.

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<v Speaker 2>You know, I'm sure it was. I mean, you must have.

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<v Speaker 2>We'll get into how you pull this all together, but

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<v Speaker 2>just tell us how, you know, a quick tiase of

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<v Speaker 2>what the series is about, and you know how you

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<v Speaker 2>came about to develop.

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<v Speaker 4>This so kill Lives Chasing a true Trime true crime

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<v Speaker 4>com man is sourced from a twenty twenty two article

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<v Speaker 4>by Lauren Collins in The New Yorker and that entitled

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<v Speaker 4>that article originally was Murdered, he wrote, and it's about

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<v Speaker 4>Stefan bourg Wan, who is a French serial killer expert

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<v Speaker 4>who rose to a huge amount of prominence, built a

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<v Speaker 4>huge following, you know, nationally in France and you know,

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<v Speaker 4>within the true crime world, and you know, for forty

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<v Speaker 4>years was really kind of the man on top, you know,

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<v Speaker 4>as the go to person around talking about serial killers,

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<v Speaker 4>and anytime there's a you know, a national event or

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<v Speaker 4>international event, he would be called by radio, which television

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<v Speaker 4>to appear. Was a prolific writer and you know, raised

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<v Speaker 4>and kept elevating his profile as you know, an expert

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<v Speaker 4>on killers, morphing into a profiler, you know, depending on

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<v Speaker 4>the you know, the the venue, that forum, the introduction

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<v Speaker 4>by the said host that you know, he kind of

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<v Speaker 4>title and statue whood, it would elevate and amplify and

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<v Speaker 4>grow every time. And so you know, he kind of

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<v Speaker 4>was the top king of this kingdom in France for

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<v Speaker 4>a very long time until about twenty nineteen, twenty twenty,

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<v Speaker 4>when some of his true crime fans, some of his

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<v Speaker 4>ardent fans, started tugging on the strings of his story

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<v Speaker 4>a little bit, and you know, the needless to say,

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<v Speaker 4>the sweater started to come undone and our story details

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<v Speaker 4>the story that you know, Lauren Collins wrote The New Yorker,

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<v Speaker 4>but also advances the investigation, goes deeper, goes further, you know,

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<v Speaker 4>it starts all the way back in the seventies and

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<v Speaker 4>brings this story you know, through Lauren's reporting and advances

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<v Speaker 4>the investigation you know, until you know, you know, deep

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<v Speaker 4>into twenty twenty three, in twenty twenty four, so it

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<v Speaker 4>becomes very current and catches up with itself. So it's

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<v Speaker 4>it's not as a retail of that New Yorker article,

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<v Speaker 4>but in advances the investigation as well. Well.

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<v Speaker 2>It's a terrific piece because you bring in personalities and

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<v Speaker 2>of course and at the end and I don't want

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<v Speaker 2>to give too much away because I want people to

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<v Speaker 2>watch it, then you address the man himself. Are going

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<v Speaker 2>in three Uh so there is definitely some conclusion, and

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<v Speaker 2>I can tell you're in the room and you address

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<v Speaker 2>him head on, and uh, it's just I mean, the

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<v Speaker 2>guy has absolutely no shape. So he's talking to these

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<v Speaker 2>serial killers. And of course there are families who their

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<v Speaker 2>lives have been damaged and just destroyed by these serial killers.

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<v Speaker 2>And then this guy starts to profit off it and

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<v Speaker 2>become a celebrity with it. And just how sick is

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<v Speaker 2>he because his whole story was built on lies. How

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<v Speaker 2>he became the serial killer expert, and he was even

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<v Speaker 2>plagiarizing people. I mean, he was stealing information from other people.

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<v Speaker 2>So how sick is this guy?

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<v Speaker 4>You know? I mean I think that's you know, one

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<v Speaker 4>of the things we were trying to navigate is really

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<v Speaker 4>trying to, you know, objectively look at him as you know,

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<v Speaker 4>you know, what is this what is this pre level

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<v Speaker 4>of premeditation, calculation. Is he an evil mastermind or is

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<v Speaker 4>this something compulsive and pathological and involuntari a most and

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<v Speaker 4>so uh that's that becomes part of the investigation also,

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<v Speaker 4>you know, part of the participation of the audience. We're

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<v Speaker 4>asking of them to say, Hey, this got mister McGoo

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<v Speaker 4>who kind of fell into the secret eyes and grew

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<v Speaker 4>them and exploded them and and and caught on that

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<v Speaker 4>it's also being working, you know, or is he you know,

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<v Speaker 4>closer to Hannibal Lecter to borrow you know, a fictional

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<v Speaker 4>character in the zeitgeist again, you know where you know

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<v Speaker 4>someone who is you know, a genius, you know, mad genius, evil, calculated, premeditated,

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<v Speaker 4>you know, person designing uh this this web of lies

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<v Speaker 4>to you know, to create self aggrandizement and build this

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<v Speaker 4>career on. So I you know, that question is really

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<v Speaker 4>at the core of all of this. And you know

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<v Speaker 4>something we asked the audience to help navigate because you know,

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<v Speaker 4>you have a very strong reaction to him, as many

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<v Speaker 4>people do when they watch. And I think that's part

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<v Speaker 4>of you know, the visitation to the audience is that, hey,

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<v Speaker 4>you know you come play investigator as well. You know,

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<v Speaker 4>you could on your you know, your lie, detect your

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<v Speaker 4>test you're put on your antenna and see if you

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<v Speaker 4>can catch this guy in a lie? Or is this

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<v Speaker 4>or is this you know, something bred from a colonel

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<v Speaker 4>of truth. So the series is really smart, it's fun,

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<v Speaker 4>it's fast moving, but it's also participatory. So it asks

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<v Speaker 4>a lot of the viewers to say, hey, you know, like,

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<v Speaker 4>you know, can you kind of can you solve the

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<v Speaker 4>crime yourself? And I think that's you know, that's also

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<v Speaker 4>a hallmark of good crime storytelling is that it's not

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<v Speaker 4>passive watching. It's you know, it's something that's drivening and

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<v Speaker 4>you know, asking the audience to you know, to put

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<v Speaker 4>on their shlock homes hat and play the ball.

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<v Speaker 2>So he has, if I remember correctly, he actually has

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<v Speaker 2>been in the room with I think eight.

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<v Speaker 3>Serial killers approximately give or take.

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<v Speaker 2>And then by the end of the story, before you

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<v Speaker 2>guys nail them, he claims to have met with seventy

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<v Speaker 2>seven serial killers.

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<v Speaker 3>Do I have those numbers right in the ballpark?

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<v Speaker 4>That's right, he claims in his career, and they always

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<v Speaker 4>in the you know, we have all this archival footage,

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<v Speaker 4>you know, where the numbers keep morphing and changing but

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<v Speaker 4>I think at the peak, you know, he's he claimed

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<v Speaker 4>to have not just met, but interviewed over seventy seven.

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<v Speaker 4>He claimed to have thousands of hours of interview tape

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<v Speaker 4>with you know this, you know, over with his seventy

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<v Speaker 4>seven or more serial killers. The Fourth Eye, the investigative

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<v Speaker 4>true crime group that started investigating him, they could only

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<v Speaker 4>substantiate eight to nine interviews on camera at best, thirteen,

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<v Speaker 4>you know, eight or nine interviews are on camera thirteen total.

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<v Speaker 4>Maybe he met, but he obviously claimed way way more

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<v Speaker 4>than that, you know, because you know, that's a staggering number.

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<v Speaker 4>Now to put that into perspective. You know, the mind Hunter,

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<v Speaker 4>the you know, the Netflix series is based on you know,

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<v Speaker 4>an FBI forensic profiler named John Douglas, you know, one

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<v Speaker 4>of the one of the most famous profilers in FBI

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<v Speaker 4>history and in the world. He only, you know, in

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<v Speaker 4>his book, only claims, not claims, he can substantiate having

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<v Speaker 4>interviewed thirty six serial killers. So here's the most renowned

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<v Speaker 4>FBI profile ser Mindhunter, with all of the tools, access

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<v Speaker 4>and resources f the FBI, and he tapped out at

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<v Speaker 4>thirty six. And somehow Borglon you know, got to seventy

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<v Speaker 4>seven globally is well you can do the math on that.

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<v Speaker 1>Well.

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<v Speaker 2>What I also found amazing in the story was that

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<v Speaker 2>Baguan was plagiarizing the true mind hunter, right, I mean,

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<v Speaker 2>he was literally taking things out of his books. I

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<v Speaker 2>mean he literally lifted, I mean, and he was all

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<v Speaker 2>and on top of being a liar, he was also

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<v Speaker 2>a platiss too, where he was literally taking things from

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<v Speaker 2>what this guy had written and putting it in his

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<v Speaker 2>own books.

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<v Speaker 4>Well not just what John Douglas had written, but also

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<v Speaker 4>there's a very famous South African profilers, doctor Mick Dourius,

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<v Speaker 4>who he documentary about spent time in South Africa, you know,

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<v Speaker 4>she you know, took him to resolved, solved serial you know,

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<v Speaker 4>killer cases, things that had no longer you know, we're

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<v Speaker 4>not open cases, and they you know, went around with

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<v Speaker 4>other detectives and he profiled each one of these cases.

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<v Speaker 4>Later we then claim to help having solved some of

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<v Speaker 4>them interview or interrogated, which interrogation is really a term

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<v Speaker 4>reserved for someone in law enforcement, not you know, a civilian,

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<v Speaker 4>which Burguan is. And he so he claimed, you know,

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<v Speaker 4>to have you know, help solve these murders and help

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<v Speaker 4>crack these cases and the interrogation interview techniques that the

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<v Speaker 4>detectives on the ground South Africa had not thought of,

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<v Speaker 4>and all of these or borrowed their stories. So he actually,

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<v Speaker 4>you know, it's two things to come out of this

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<v Speaker 4>which are significant. One this fourth I coined this term

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<v Speaker 4>calling volar divi, which means a stealer of lives. This

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<v Speaker 4>is an incredible double entendre when you're talking about serial

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<v Speaker 4>killers obviously still lives and mean like the stealer of

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<v Speaker 4>like your soul, your actual you know, living breath. But

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<v Speaker 4>also when in the context they meant it is the

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<v Speaker 4>stealer of lives, that he would steal the stories of

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<v Speaker 4>other people. And so with John Douglas, he did that.

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<v Speaker 4>With doctor Mickey Pistorius, you know, she wrote her first

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<v Speaker 4>manuscript a biography, autobiography of her own story. Is this,

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<v Speaker 4>you know, groundbreaking forensic uh psychologist and profiler in South

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<v Speaker 4>Africa who have solved innumerable ro color cases in South

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<v Speaker 4>Africa and bringing new science to it. And wrote her

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<v Speaker 4>you know, her kind of rememboir autobiography called Catch Me

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<v Speaker 4>a Killer. And he took that book, asked the manuscript

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<v Speaker 4>before it was printed, you know, went off back to

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<v Speaker 4>France and then wrote her biography in French about her

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<v Speaker 4>essentially in plagiarizing jute passages of her own book, a

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<v Speaker 4>yet unpublished book. So he literally steals her, her words,

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<v Speaker 4>her stories, her life. Uh, you know, projected onto himself

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<v Speaker 4>to a grandize himself. And so yeah, plagiarism, you know,

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<v Speaker 4>at Blush seems like a you know, a pretty minor offense,

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<v Speaker 4>you know, a grade school offense, but in the context

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<v Speaker 4>of how it's deployed to a grandize his career, uh,

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<v Speaker 4>a grandize expertise, take credit for things he never took,

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<v Speaker 4>you know, possibly have participated in. You know, the crime

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<v Speaker 4>gets more and more murky, and the etical crimes get deeper,

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<v Speaker 4>you know, and then of progressed into straight moral crimes.

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<v Speaker 4>And that's really where you know, we find ourselves trying

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<v Speaker 4>to adjudicate borgan Is around his you know, the moral

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<v Speaker 4>crime he has committed over time.

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<v Speaker 2>Well, there's some great video in the scene where he

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<v Speaker 2>holds the profile's hand, mister story, pronounce your last.

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<v Speaker 3>Name for me again.

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<v Speaker 4>It's Pistorias history.

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<v Speaker 2>Okay, So Pastoria and he's holding her hand and she's crying.

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<v Speaker 2>She's had a crime scene and she's in tears and

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<v Speaker 2>he holds her hand and he was like, I know,

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<v Speaker 2>and then he drops the bomb, which you set up

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<v Speaker 2>at the beginning. But it kind of reminded me about how,

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<v Speaker 2>you know, his girlfriend was murdered and he's telling her

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<v Speaker 2>I mean, and he's just totally putting himself in her place.

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<v Speaker 3>Just a real scumbag.

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<v Speaker 2>And he's got no soul, he has no conscious whatsoever.

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<v Speaker 2>And what we're going to talk a Ben about next

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<v Speaker 2>is about that girlfriend and about the alleged reason why

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<v Speaker 2>he got into this business in the first place.

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<v Speaker 3>It's a terrific, terrific series.

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<v Speaker 2>It's called kill A Chasing a True crime con Man,

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<v Speaker 2>and it's on Hulu. It's streaming right now and you

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<v Speaker 2>should watch it more with Ben Celko, the director After

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<v Speaker 2>the Sun night Side, It's.

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<v Speaker 1>Night Side with Dan Read. I'm Boston's news radio.

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<v Speaker 3>Attention.

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<v Speaker 7>This is Dan Ray. Michael lost forty pounds with awakened

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<v Speaker 1>Now back to Dan Ray live from the Window World

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<v Speaker 1>Nightside Studios on WBZ News Radio.

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<v Speaker 3>Hey, welcome back Gary Tangley for Dan Ray.

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<v Speaker 2>Tonight You're on w BZY Killer Lies Chasing a true

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<v Speaker 2>crime con man with director Ben Salcoe Stefan Agoin who

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<v Speaker 2>he is something else, supposedly an expert on serial killers

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<v Speaker 2>and telling many lies himself saying that he met with

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<v Speaker 2>up to seventy seven serial killers but actually only really

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<v Speaker 2>met with eight. He ended up consulting with law enforcement,

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<v Speaker 2>was involved teaching law enforcement and this is a terrific

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<v Speaker 2>series on Hulu, three part series that you should watch. So, Ben,

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<v Speaker 2>where do we at the beginning? First of all, I

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<v Speaker 2>thought it was structured. You did a great job putting

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<v Speaker 2>this project together. Other at the beginning, he's on the

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<v Speaker 2>typewriter and he's talking about his girlfriend that was killed

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<v Speaker 2>in the seventies, and then you read it's re introduced

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<v Speaker 2>to us again when he's in South Africa. So fill

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<v Speaker 2>us in on that angle of his life.

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<v Speaker 4>Yeah, so you know, you know, in you know, in

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<v Speaker 4>the latter part, you know, I would say, you know,

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<v Speaker 4>after he'd got in his career going into public life. Like,

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<v Speaker 4>I think his story has many beginning points, but one

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<v Speaker 4>that's important for the series and one that's important in

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<v Speaker 4>in the meta conversation. The story you know, tangled with

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<v Speaker 4>is you know, starts start with nineteen ninety one. Nineteen

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<v Speaker 4>ninety one was a year that you know, Silence of

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<v Speaker 4>the Lambs comes out, and that becomes an international hit,

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<v Speaker 4>and it becomes this you know, ficialization of you know,

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<v Speaker 4>profilers and the FBI serial killers, and it kind of

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<v Speaker 4>elevates with you know, Anthony Hopkins performance the serial killer

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<v Speaker 4>into this kind of mastermind, genius, charismatic specter that you

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<v Speaker 4>know kind of just transcends entertainment and becomes really part

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<v Speaker 4>of the cultural zitgeist. I think, you know, true crime

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<v Speaker 4>has existed as a genre. Crime fiction has existed as

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<v Speaker 4>a genre, you know, for decades before, but this nineteen

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<v Speaker 4>ninety one becomes a really important moment and the kind

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<v Speaker 4>of cultural consciousness that's globally, that's not just in the US.

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<v Speaker 4>Bourguan starts. You know, had been working in a crime

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<v Speaker 4>fiction bookstore in Paris that he worked at for years

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<v Speaker 4>and years and had a notion through a friend to

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<v Speaker 4>make a documentary around serial killers in France who cannot

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<v Speaker 4>get access to the prisons in the United States in

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<v Speaker 4>the early nineties they would let you in with cameras

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<v Speaker 4>to interview all manner of people, and they had the

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<v Speaker 4>temerity to get it together. They petitioned a bunch of

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<v Speaker 4>prisons in the States and came to the States and

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<v Speaker 4>started making a documentary for French television around serial killers,

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<v Speaker 4>and he interviewed you know, you know, three of a

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<v Speaker 4>very high profile serial killers had temper uh otus tool

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<v Speaker 4>injure our shaper. And these are people who had you know,

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<v Speaker 4>a lot of notoriety in the criminal justice world, in

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<v Speaker 4>the crime fiction world, true true crime world, bursioning true

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<v Speaker 4>crime world. Uh and then a pretty exceptional documentary that

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<v Speaker 4>about some play in France. But he started to parlay

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<v Speaker 4>that into uh, some media attention. He wrote a book

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<v Speaker 4>from that, you know, started grabbing more attention, and you know,

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<v Speaker 4>true crime starts to take off in a kind of

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<v Speaker 4>global phenomenon as a as an interesting genre as television expands,

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<v Speaker 4>cable television answers the picture later the Internet, and he's

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<v Speaker 4>writing this kind of this true crime wave of expansion

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<v Speaker 4>into our kind of you know, audiences fascination, and he's

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<v Speaker 4>you know, taking that journey. Now when he's starting to

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<v Speaker 4>make these television appearances, you know, he's starting to get

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<v Speaker 4>interview questions around the peculiarities of his fixation on serial killers.

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<v Speaker 4>And I think this we suspect that it was because

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<v Speaker 4>he was starting to you know, put people off or

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<v Speaker 4>put people off balance, that he all of a sudden

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<v Speaker 4>volunteers that he too is a victim in fact, and

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<v Speaker 4>all of a sudden, you know, the hosts of these

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<v Speaker 4>shows started straightening him, giving him a different kind of respect.

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<v Speaker 4>And the look that he's.

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<v Speaker 3>Found sympathy was that, and sympathy.

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<v Speaker 4>Sympathy exactly so. And you know in the story that

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<v Speaker 4>he puts forth is in the seventies while living in

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<v Speaker 4>the United States. He had taken a girlfriend or wife

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<v Speaker 4>or lover and the you know, the term keeps changing,

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<v Speaker 4>not just beyond translation. And he came home one day

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<v Speaker 4>and found her decapitated, mutilated, raped, eviscerated. Uh, you know,

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<v Speaker 4>just came home with this horrific scene in his home

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<v Speaker 4>in California. And that's where his you know, his lover

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<v Speaker 4>girlfriend wife was killed. And so in fact, he you know,

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<v Speaker 4>was a you know, a survivor, not of a serial

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<v Speaker 4>killer attack, but of you know, of a victims you know,

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00:20:58.160 --> 00:21:01.599
<v Speaker 4>a victim survivor. So he uses that story, which you know,

395
00:21:01.720 --> 00:21:05.559
<v Speaker 4>turns into a thing where he becomes kind of unassailable,

396
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<v Speaker 4>you know, where posts are no longer asking him his

397
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<v Speaker 4>origin story, right, they tell him. They let him do it,

398
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<v Speaker 4>but they don't critique it. They don't research it because

399
00:21:12.519 --> 00:21:15.720
<v Speaker 4>hale cous to me to you know, to press on

400
00:21:15.759 --> 00:21:18.960
<v Speaker 4>someone's pain or trauma or history, you know. And this

401
00:21:19.000 --> 00:21:21.240
<v Speaker 4>is in the mid nineties, and so you know, they

402
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<v Speaker 4>don't have the same tools or research. They're in France.

403
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<v Speaker 4>There's the barrier of language, since it's all happened in America,

404
00:21:26.880 --> 00:21:29.640
<v Speaker 4>and this is all you know, we suspect it very intentional, right,

405
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<v Speaker 4>where he uses his bilingual abilities in English and French

406
00:21:33.759 --> 00:21:36.279
<v Speaker 4>to keep you know, the French, the prying eyes of

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<v Speaker 4>the French at bay, because at that point in the

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<v Speaker 4>early nineties, you know, the diplomatic language of France, of

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<v Speaker 4>Europe is French. That France is not particularly bilingual. Now

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<v Speaker 4>you go to France and the whole generation, everyone's speak

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<v Speaker 4>perfect English, especially in Paris and all these places. But

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<v Speaker 4>you know, for decades it was not this case. And

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<v Speaker 4>so if you spoke English, that was a real rarity

414
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<v Speaker 4>in France. And he traded upon that over and over again,

415
00:21:58.440 --> 00:22:00.799
<v Speaker 4>where he was borrowing things in English, taking of as

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<v Speaker 4>his own in French because he knew that there'd be

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<v Speaker 4>no kind of critique or trail. And there's time went

418
00:22:05.440 --> 00:22:08.039
<v Speaker 4>forward that that started to come apart. But anyway, he

419
00:22:08.160 --> 00:22:11.119
<v Speaker 4>uses the story of his you know, slain lover as

420
00:22:11.160 --> 00:22:15.640
<v Speaker 4>a way to create sympathy too, to make his story

421
00:22:15.680 --> 00:22:18.680
<v Speaker 4>kind of unassailable. And then later in the two thousands

422
00:22:18.680 --> 00:22:21.160
<v Speaker 4>that we see in you know, in our series Kill Lives,

423
00:22:21.640 --> 00:22:26.079
<v Speaker 4>he starts to insinuate himself into survivors groups, family members

424
00:22:26.119 --> 00:22:29.960
<v Speaker 4>who lost someone who was killed by a serial Killer

425
00:22:30.599 --> 00:22:34.039
<v Speaker 4>and gains their trusts. You know, is going attends their

426
00:22:34.119 --> 00:22:37.880
<v Speaker 4>trials as this. You know, there's a group that is

427
00:22:37.920 --> 00:22:40.680
<v Speaker 4>formed to advocate. He's on the board of it, and

428
00:22:40.759 --> 00:22:43.759
<v Speaker 4>he becomes a you know, a kind of face and

429
00:22:43.759 --> 00:22:48.079
<v Speaker 4>a figure of these you know, survivors and you know,

430
00:22:48.160 --> 00:22:51.799
<v Speaker 4>and so when we talk about moral injury at moral crime,

431
00:22:52.160 --> 00:22:54.240
<v Speaker 4>it's really at that. That's the heart of that, where

432
00:22:54.519 --> 00:22:57.920
<v Speaker 4>you know, the betrayal of trust is so egregious and

433
00:22:57.960 --> 00:23:02.200
<v Speaker 4>on such kind of repentant terms that you know, that's

434
00:23:02.240 --> 00:23:04.839
<v Speaker 4>where if you had any tympathy for him in his story,

435
00:23:04.839 --> 00:23:07.559
<v Speaker 4>which we are packing in the third episode to truly

436
00:23:07.880 --> 00:23:11.400
<v Speaker 4>give him, the writer of response a sympathetic lens, as

437
00:23:11.440 --> 00:23:15.079
<v Speaker 4>we give every every person in the sporty, when you

438
00:23:15.160 --> 00:23:17.720
<v Speaker 4>come back to that moral center and his crimes in

439
00:23:17.720 --> 00:23:21.079
<v Speaker 4>that space, it's it's hard to walk that back.

440
00:23:21.960 --> 00:23:25.279
<v Speaker 2>This guy was he was delusional. I mean, he was

441
00:23:25.400 --> 00:23:30.680
<v Speaker 2>really delusional. Because when when when I saw I heard

442
00:23:30.680 --> 00:23:32.799
<v Speaker 2>the name and I saw the video of Charlie Manson

443
00:23:32.880 --> 00:23:35.359
<v Speaker 2>come into your piece, I said, oh boy, I go

444
00:23:35.480 --> 00:23:38.079
<v Speaker 2>this guy has really lost it. And we're going to

445
00:23:38.079 --> 00:23:40.920
<v Speaker 2>talk about that next with Ben Selko here on WBZ.

446
00:23:41.240 --> 00:23:45.480
<v Speaker 2>Killer Lies Chasing a True crime con man Stefan ba

447
00:23:45.559 --> 00:23:47.799
<v Speaker 2>going on WBZ It's.

448
00:23:47.759 --> 00:23:52.480
<v Speaker 1>Night Side on Boston's news radio.

449
00:23:53.160 --> 00:23:56.119
<v Speaker 2>Welcome Back Killerlies Chasing a True crime con Man Ben

450
00:23:56.160 --> 00:23:59.640
<v Speaker 2>Selko the director of this terrific series on Hulu streaming

451
00:23:59.720 --> 00:24:00.079
<v Speaker 2>right now.

452
00:24:00.119 --> 00:24:00.880
<v Speaker 3>You could check it out.

453
00:24:01.640 --> 00:24:04.960
<v Speaker 2>It's about French serial killer experts savan by Going, who

454
00:24:05.000 --> 00:24:07.680
<v Speaker 2>turned out to be well, quite frankly a fraud, so

455
00:24:08.319 --> 00:24:10.359
<v Speaker 2>made up a lot of this stuff. He met with

456
00:24:10.440 --> 00:24:12.920
<v Speaker 2>eight serial killers, that he met with seventy seven if

457
00:24:12.960 --> 00:24:17.519
<v Speaker 2>an expert became a consultant to police authorities, and then

458
00:24:18.359 --> 00:24:19.799
<v Speaker 2>and then I also want to get to the fact

459
00:24:19.839 --> 00:24:23.160
<v Speaker 2>that he also started to say that he was solving murders.

460
00:24:23.440 --> 00:24:26.240
<v Speaker 2>But when the Charles Manson thing hit, Ben, this is

461
00:24:26.279 --> 00:24:30.160
<v Speaker 2>not a funny topic, but I just insanely laughed out loud. So,

462
00:24:31.279 --> 00:24:33.440
<v Speaker 2>you know, he claims to have met Charles Manson, but

463
00:24:33.480 --> 00:24:36.119
<v Speaker 2>when you nailed him, he told a different story.

464
00:24:38.039 --> 00:24:41.839
<v Speaker 4>Yeah, So his story about Charles Manson is you know,

465
00:24:42.559 --> 00:24:44.160
<v Speaker 4>you know both you know what it makes you sit

466
00:24:44.240 --> 00:24:46.240
<v Speaker 4>up because it's one of the most notorious kind of

467
00:24:46.240 --> 00:24:51.160
<v Speaker 4>cult figures and you know, in American history. But the

468
00:24:51.200 --> 00:24:55.519
<v Speaker 4>short he tells is about how he tried to dominate,

469
00:24:55.759 --> 00:24:57.759
<v Speaker 4>you know, where Charles Manson sat on the back of

470
00:24:57.799 --> 00:25:00.799
<v Speaker 4>his chair to try to dominate, right right, right, right, yeah,

471
00:25:00.960 --> 00:25:04.279
<v Speaker 4>which also the story that John Douglas tells, because John

472
00:25:04.279 --> 00:25:07.519
<v Speaker 4>Douglas actually interviewed Charles Manson, John Douglas, the mind hunter,

473
00:25:07.680 --> 00:25:09.880
<v Speaker 4>the profiler from the FBI, who is you know, a

474
00:25:10.039 --> 00:25:13.440
<v Speaker 4>storied profiler, you know, someone who actually interviewed, you know,

475
00:25:13.599 --> 00:25:16.759
<v Speaker 4>over thirty six the Serokillers is his own right, actually

476
00:25:16.799 --> 00:25:18.960
<v Speaker 4>interviewed Charles Manson. Then the story he tells me is,

477
00:25:19.200 --> 00:25:22.319
<v Speaker 4>you know, his biography is our biography is about how

478
00:25:22.440 --> 00:25:24.119
<v Speaker 4>Manson tried to intimidate if by sitting on the back

479
00:25:24.119 --> 00:25:26.240
<v Speaker 4>of his chair. Because Manson is a pretty slight fellow,

480
00:25:26.759 --> 00:25:29.599
<v Speaker 4>so for Juan would tell that story as that. And

481
00:25:29.640 --> 00:25:32.920
<v Speaker 4>then as you pressed them, he's like, well, I didn't

482
00:25:32.960 --> 00:25:36.200
<v Speaker 4>actually interview him. Act well, I know, I saw him

483
00:25:36.480 --> 00:25:38.680
<v Speaker 4>on the yard of a prison. I was at well,

484
00:25:38.799 --> 00:25:41.480
<v Speaker 4>you know, like you know, the story starts to deteriorate

485
00:25:42.359 --> 00:25:44.359
<v Speaker 4>as you press him on the details, and you know,

486
00:25:44.400 --> 00:25:47.440
<v Speaker 4>this lack of substantiation exists, but that that tells you

487
00:25:47.519 --> 00:25:49.920
<v Speaker 4>the audacity of the live which goes to you know,

488
00:25:49.960 --> 00:25:52.400
<v Speaker 4>some of these adages about in frauds and cons and

489
00:25:52.440 --> 00:25:55.039
<v Speaker 4>scams is like, you know, go big on your lie. Right,

490
00:25:55.079 --> 00:25:57.559
<v Speaker 4>the bigger you go, the more less, the less likely

491
00:25:57.599 --> 00:26:00.720
<v Speaker 4>the audiences to you know, quesh it right. You know

492
00:26:00.720 --> 00:26:02.640
<v Speaker 4>he'll be timid with your live And so he really

493
00:26:02.680 --> 00:26:05.319
<v Speaker 4>embraced that spirit and Manson story is you know, a

494
00:26:05.319 --> 00:26:06.720
<v Speaker 4>complete encapsulation of that.

495
00:26:08.000 --> 00:26:09.839
<v Speaker 2>But what did he do or can you give us

496
00:26:09.880 --> 00:26:13.359
<v Speaker 2>some examples of where he started to take credit I

497
00:26:13.480 --> 00:26:18.079
<v Speaker 2>believe right for solving murders or becoming involved investigations.

498
00:26:18.200 --> 00:26:22.000
<v Speaker 4>Yeah, so he certainly was invited by the Gendarmes, which

499
00:26:22.039 --> 00:26:24.559
<v Speaker 4>is a kind of you know, police group in France

500
00:26:24.599 --> 00:26:27.559
<v Speaker 4>and would you know, use his expertise, and usually he

501
00:26:27.559 --> 00:26:30.759
<v Speaker 4>would just reshow his film from nineteen ninety one about

502
00:26:30.799 --> 00:26:32.640
<v Speaker 4>you know, with the American zerial killers and give his

503
00:26:33.119 --> 00:26:35.160
<v Speaker 4>you know, his speech on the profile of you know,

504
00:26:35.200 --> 00:26:38.440
<v Speaker 4>proclivities of serial killers and you know child trauma and

505
00:26:38.680 --> 00:26:41.640
<v Speaker 4>their sexual deviance and fixate on that and that would

506
00:26:41.640 --> 00:26:44.279
<v Speaker 4>be his like teaching and lessons. But where he very

507
00:26:44.359 --> 00:26:48.200
<v Speaker 4>specifically in one radio show you know, detailed you know,

508
00:26:48.279 --> 00:26:53.400
<v Speaker 4>helping solve or elicitly a confession from you know, Stuart

509
00:26:53.400 --> 00:26:56.559
<v Speaker 4>Wilkin who is a serial killer in South Africa. And

510
00:26:56.640 --> 00:26:59.119
<v Speaker 4>the story he told was that he knew that the

511
00:26:59.200 --> 00:27:03.119
<v Speaker 4>victims is to an we're we're children. He solicited the

512
00:27:03.160 --> 00:27:06.039
<v Speaker 4>foot you know, so we're wan claims to have taking

513
00:27:06.200 --> 00:27:09.440
<v Speaker 4>you know, asked the detective on the scenes for photos

514
00:27:09.480 --> 00:27:12.359
<v Speaker 4>of his children, you know, put them all over the

515
00:27:12.400 --> 00:27:15.640
<v Speaker 4>wall of the interview with interrogation room. Uh. And from that,

516
00:27:16.000 --> 00:27:19.640
<v Speaker 4>you know, solicited, you know, triggered this the serial killer

517
00:27:19.640 --> 00:27:24.079
<v Speaker 4>in South Africa and solicted his confession. Now that's you know,

518
00:27:24.680 --> 00:27:26.880
<v Speaker 4>not true because that case had already by the time

519
00:27:26.920 --> 00:27:28.720
<v Speaker 4>he went to South Africa. There was time that case

520
00:27:28.960 --> 00:27:32.079
<v Speaker 4>had already gone to trial till Wilkin was in prison.

521
00:27:32.279 --> 00:27:34.920
<v Speaker 4>He spent time with the detective who put that serial

522
00:27:34.960 --> 00:27:38.759
<v Speaker 4>killer in prison, Uh, who deployed that technique himself. And

523
00:27:38.839 --> 00:27:42.319
<v Speaker 4>so he you know, he appropriates the story of legitimate

524
00:27:42.359 --> 00:27:44.680
<v Speaker 4>law enforcement, you know, claims it as his own as

525
00:27:44.720 --> 00:27:49.000
<v Speaker 4>this kind of mysterious uh. You know, international man of

526
00:27:49.160 --> 00:27:53.720
<v Speaker 4>interrogation and you know Prime Stopper and you know in Bregue,

527
00:27:53.880 --> 00:27:55.319
<v Speaker 4>you know, I pressed them on this. Well, I mean

528
00:27:55.319 --> 00:27:57.400
<v Speaker 4>that's outrageous. Why would you do that? He said, Well,

529
00:27:57.720 --> 00:27:59.640
<v Speaker 4>you know, I can't help myself. I get in front

530
00:27:59.640 --> 00:28:01.799
<v Speaker 4>of an audience and you know, I feel the need

531
00:28:01.920 --> 00:28:04.720
<v Speaker 4>to tell these stories, and you know, it just floods

532
00:28:04.759 --> 00:28:06.960
<v Speaker 4>my mind, you know, comes out of my mouth. It floods,

533
00:28:07.119 --> 00:28:09.440
<v Speaker 4>you know, just floods. I can't It's almost involuntary. I

534
00:28:09.440 --> 00:28:12.160
<v Speaker 4>can't stop myself. And in the third episode, you know,

535
00:28:12.200 --> 00:28:14.640
<v Speaker 4>we try to he tries to explain why as you

536
00:28:14.880 --> 00:28:18.720
<v Speaker 4>go deep into his kind of psychology, his childhood, his parents,

537
00:28:18.839 --> 00:28:22.079
<v Speaker 4>you know, the stories like wow, hotly cal and that's

538
00:28:22.079 --> 00:28:26.799
<v Speaker 4>a remarkable finding in his backstory that you know, helps

539
00:28:26.839 --> 00:28:29.920
<v Speaker 4>him rationalize why he did this. And again never with apology,

540
00:28:30.039 --> 00:28:35.440
<v Speaker 4>never with contrition, just kind of continued rationalization. But the

541
00:28:35.440 --> 00:28:39.599
<v Speaker 4>third episode is a great uh you know, windy backstory

542
00:28:39.680 --> 00:28:42.119
<v Speaker 4>that that tries to poke it origin stories in general,

543
00:28:42.359 --> 00:28:44.599
<v Speaker 4>and poke at his and let him, uh, let the

544
00:28:44.640 --> 00:28:47.720
<v Speaker 4>audience contend with you know, the facts of his background.

545
00:28:48.759 --> 00:28:52.759
<v Speaker 2>What did you think of him when you met with him?

546
00:28:52.880 --> 00:28:55.039
<v Speaker 4>Well, it's funny, you know. I give Lauren Collins, the

547
00:28:55.079 --> 00:28:57.119
<v Speaker 4>New Yorker writer, a lot of credit because when she

548
00:28:57.200 --> 00:28:58.839
<v Speaker 4>in twenty twenty two and she did the reporting, she

549
00:28:58.880 --> 00:29:01.400
<v Speaker 4>reached out to him initially, Uh, he didn't get back

550
00:29:01.440 --> 00:29:01.759
<v Speaker 4>to her.

551
00:29:02.200 --> 00:29:02.319
<v Speaker 9>Uh.

552
00:29:02.359 --> 00:29:04.839
<v Speaker 4>And then eventually she did what she normally never does.

553
00:29:04.920 --> 00:29:06.759
<v Speaker 4>This is kind of the midst of COVID. You know,

554
00:29:06.799 --> 00:29:08.440
<v Speaker 4>she just she took a train and a bus to

555
00:29:08.519 --> 00:29:11.240
<v Speaker 4>his town and just kind of pulled up to town

556
00:29:11.279 --> 00:29:13.279
<v Speaker 4>and called him. She says, I think I'm standing outside

557
00:29:13.279 --> 00:29:15.359
<v Speaker 4>of your house. Uh it was the wrong house. And

558
00:29:15.599 --> 00:29:17.720
<v Speaker 4>he said, well, he's gonna be here in fifteen minutes.

559
00:29:18.960 --> 00:29:21.119
<v Speaker 4>I'll see you. And so she went there, you know,

560
00:29:21.160 --> 00:29:24.200
<v Speaker 4>with her research assistant, you know, a young woman from

561
00:29:24.400 --> 00:29:27.799
<v Speaker 4>you know, living in Paris. So it's just two two two,

562
00:29:27.880 --> 00:29:30.599
<v Speaker 4>you know women, you know, going into like you know,

563
00:29:30.759 --> 00:29:33.880
<v Speaker 4>this kind of theater of horrors. As she describes his home,

564
00:29:35.200 --> 00:29:37.079
<v Speaker 4>that was, you know, really impressive. You know. I went

565
00:29:37.119 --> 00:29:40.160
<v Speaker 4>there with you know, you know, a crew of eight

566
00:29:40.200 --> 00:29:43.079
<v Speaker 4>of people, and you know, I'm not a small dude.

567
00:29:42.920 --> 00:29:45.720
<v Speaker 3>And like, yeah, he's not going to do anything to you.

568
00:29:45.720 --> 00:29:48.519
<v Speaker 4>No, but you know, but despite that, with the full crew,

569
00:29:49.000 --> 00:29:54.079
<v Speaker 4>I you see you play basketball. You've heard the report, Yeah, yeah,

570
00:29:54.440 --> 00:29:56.720
<v Speaker 4>So but I went into the house. I was completely

571
00:29:56.799 --> 00:29:58.319
<v Speaker 4>on edge when I was in his house. His house

572
00:29:58.400 --> 00:30:02.039
<v Speaker 4>is full of of true crime and crime fiction ephemera,

573
00:30:03.200 --> 00:30:07.599
<v Speaker 4>you know, bloody books, and you know, a huge collection

574
00:30:07.640 --> 00:30:10.119
<v Speaker 4>anytime you see someone of the giant Hordish collection of

575
00:30:10.680 --> 00:30:13.200
<v Speaker 4>any Chandre and he had a horror crime fiction like

576
00:30:13.440 --> 00:30:17.440
<v Speaker 4>you know, you see an obsessimist quality there. I was

577
00:30:17.480 --> 00:30:18.759
<v Speaker 4>on edge. You were in the middle of you know,

578
00:30:18.920 --> 00:30:21.440
<v Speaker 4>like you know, western France and some small town and

579
00:30:21.480 --> 00:30:23.200
<v Speaker 4>I was like, you know, he's you know, he took

580
00:30:23.279 --> 00:30:25.400
<v Speaker 4>us around his home. He's you know, he was generous

581
00:30:25.440 --> 00:30:27.440
<v Speaker 4>in that spirit, I guess in his home, but like

582
00:30:27.799 --> 00:30:29.519
<v Speaker 4>he took us into the far reaches of his attic

583
00:30:29.640 --> 00:30:31.400
<v Speaker 4>to show us different collections. And I was on the

584
00:30:31.480 --> 00:30:34.640
<v Speaker 4>edge of the entire time. You know, with time I relaxed,

585
00:30:34.640 --> 00:30:39.119
<v Speaker 4>but you know I found him. I didn't know what

586
00:30:39.160 --> 00:30:41.039
<v Speaker 4>to expect that I wanted to be prepared for anything.

587
00:30:41.079 --> 00:30:43.000
<v Speaker 4>And you know, I don't think there was a material

588
00:30:43.000 --> 00:30:46.160
<v Speaker 4>physical threat, but I was very on edge with spending

589
00:30:46.200 --> 00:30:46.680
<v Speaker 4>time with him.

590
00:30:47.240 --> 00:30:48.119
<v Speaker 3>Well, Ben, it is.

591
00:30:48.240 --> 00:30:50.759
<v Speaker 2>It is a terrific piece of work, and I know

592
00:30:50.799 --> 00:30:52.759
<v Speaker 2>that you've put in a lot of work in this career.

593
00:30:53.119 --> 00:30:54.880
<v Speaker 3>So I want people to watch it. Go check it

594
00:30:54.920 --> 00:30:55.599
<v Speaker 3>out on Hulu.

595
00:30:55.640 --> 00:30:59.880
<v Speaker 2>Produced by National Geographic Game by Hulu, directed by Ben Selke.

596
00:31:00.039 --> 00:31:03.680
<v Speaker 2>Know Killer Lies Chasing a true crime con man. But

597
00:31:03.759 --> 00:31:06.359
<v Speaker 2>before I let you go. I do have to ask

598
00:31:06.400 --> 00:31:08.799
<v Speaker 2>you that I did notice you are a production assistant.

599
00:31:09.480 --> 00:31:13.680
<v Speaker 2>I believe was it on Meet the Parents?

600
00:31:14.119 --> 00:31:15.920
<v Speaker 4>I was a production assistant I Meet the Parents?

601
00:31:15.960 --> 00:31:17.440
<v Speaker 3>Okay, So here's my question.

602
00:31:17.920 --> 00:31:19.880
<v Speaker 2>In Twenty eight Days, which I'd loved, by the way,

603
00:31:20.160 --> 00:31:23.680
<v Speaker 2>with Vigo Mortensen and Sandra Bullock, why did you leave

604
00:31:24.240 --> 00:31:27.400
<v Speaker 2>that type of entertainment to go into what you're doing now?

605
00:31:27.519 --> 00:31:29.960
<v Speaker 2>Because I know what you do now takes a lot

606
00:31:29.960 --> 00:31:33.960
<v Speaker 2>of work and it's big. I mean, you know, being

607
00:31:34.000 --> 00:31:36.599
<v Speaker 2>a documentarian right now is really a good place to

608
00:31:36.640 --> 00:31:40.960
<v Speaker 2>be in this business and it's booming quite frankly. People

609
00:31:41.039 --> 00:31:44.359
<v Speaker 2>love documentaries, they love the true crime. But what led

610
00:31:44.440 --> 00:31:46.880
<v Speaker 2>you to go from scripted into this world?

611
00:31:47.680 --> 00:31:50.480
<v Speaker 4>It's funny, you know. I went to college and studied,

612
00:31:50.559 --> 00:31:52.200
<v Speaker 4>you know, film, and thought I was going to be

613
00:31:52.200 --> 00:31:54.960
<v Speaker 4>a screenwriter, you know, got out of college and realized

614
00:31:55.000 --> 00:31:57.519
<v Speaker 4>they don't give you the keys of the studio, you know,

615
00:31:57.640 --> 00:31:59.640
<v Speaker 4>just as a college with a college degree, right you know,

616
00:32:00.119 --> 00:32:05.200
<v Speaker 4>started teaching, you know, and you know, having time thinking

617
00:32:05.240 --> 00:32:06.680
<v Speaker 4>I was having time to write. I happened to have

618
00:32:06.960 --> 00:32:11.200
<v Speaker 4>Harrison Ford's daughter in my class, and his wife was

619
00:32:11.200 --> 00:32:14.559
<v Speaker 4>a screenwriter. She wrote the team Melissa Mathesons, and so

620
00:32:17.200 --> 00:32:20.440
<v Speaker 4>Be befriended them somehow, and by the grace of the

621
00:32:20.440 --> 00:32:23.759
<v Speaker 4>cinema gods, invited me to work on his film in

622
00:32:24.039 --> 00:32:27.440
<v Speaker 4>nineteen ninety nine called a Random Park. So that was

623
00:32:27.440 --> 00:32:29.720
<v Speaker 4>my entree to the film business as a production assistant.

624
00:32:29.720 --> 00:32:32.119
<v Speaker 4>I went in as what they call silver spoon, someone

625
00:32:32.359 --> 00:32:34.599
<v Speaker 4>who with the nepotism right. So I got into set

626
00:32:34.640 --> 00:32:38.160
<v Speaker 4>and all these hard working production assistants and grinding trying

627
00:32:38.160 --> 00:32:40.599
<v Speaker 4>to get their DGA days, and you know, they and

628
00:32:40.680 --> 00:32:43.079
<v Speaker 4>here I am with a brand new like rebook, you know,

629
00:32:43.279 --> 00:32:46.559
<v Speaker 4>iris and choose and you know, great attitude. I had

630
00:32:46.599 --> 00:32:49.279
<v Speaker 4>screen ground down yet and they were but useless. But

631
00:32:49.359 --> 00:32:51.240
<v Speaker 4>they took me under the wing and I eventually, you know,

632
00:32:51.240 --> 00:32:53.400
<v Speaker 4>I learned the craft and the trade of being a

633
00:32:53.400 --> 00:32:56.240
<v Speaker 4>production assistant and working for assistant directors. But that path

634
00:32:56.359 --> 00:32:59.279
<v Speaker 4>is a really long long path, and I, you know,

635
00:32:59.480 --> 00:33:04.200
<v Speaker 4>ultimately wanted to be a director, a creative And after

636
00:33:04.240 --> 00:33:06.759
<v Speaker 4>about two years of working in documentary, I mean in

637
00:33:07.200 --> 00:33:10.160
<v Speaker 4>scripted films, you know, working with the very best decision directors,

638
00:33:10.200 --> 00:33:12.880
<v Speaker 4>learning a ton about how to run a set, you know,

639
00:33:12.920 --> 00:33:15.880
<v Speaker 4>I bought a camera and started making the first documentary

640
00:33:15.920 --> 00:33:18.799
<v Speaker 4>because I wanted to be literally close to the camera.

641
00:33:18.880 --> 00:33:21.680
<v Speaker 4>I felt like the proximity to the camera was where

642
00:33:21.680 --> 00:33:24.000
<v Speaker 4>the creative decisions were happening, and as a production system

643
00:33:24.039 --> 00:33:27.039
<v Speaker 4>I had access to be near it, but not making decisions,

644
00:33:27.079 --> 00:33:28.920
<v Speaker 4>but by in the documentary I felt like, well, I

645
00:33:28.920 --> 00:33:33.039
<v Speaker 4>can you know, activate my own agency creatively. I didn't

646
00:33:33.079 --> 00:33:36.200
<v Speaker 4>know it would be such a hard, long life of

647
00:33:36.279 --> 00:33:39.440
<v Speaker 4>you know, putting in many, many, many years, but you know,

648
00:33:39.640 --> 00:33:41.400
<v Speaker 4>very you know, have a lot of gratitude for all

649
00:33:41.400 --> 00:33:43.440
<v Speaker 4>the people along the way who you know, helped pull

650
00:33:43.519 --> 00:33:47.160
<v Speaker 4>me along and collaborated to make projects like this one.

651
00:33:47.720 --> 00:33:49.880
<v Speaker 4>But you know, ultimately it was about having kind of

652
00:33:49.960 --> 00:33:53.079
<v Speaker 4>you know, immediacy, uh and being in the center of

653
00:33:53.079 --> 00:33:55.960
<v Speaker 4>the creative process. And that was the part of documentary filmmaking,

654
00:33:56.039 --> 00:34:00.039
<v Speaker 4>storytellings I love, and documentaries you know, in way I

655
00:34:00.039 --> 00:34:02.160
<v Speaker 4>can two thousands felt like the way to be at

656
00:34:02.160 --> 00:34:03.799
<v Speaker 4>that center that you know, where that was the heat

657
00:34:03.839 --> 00:34:06.279
<v Speaker 4>was burning, you know, most intensely, and that's where I

658
00:34:06.319 --> 00:34:06.759
<v Speaker 4>wanted to be.

659
00:34:06.960 --> 00:34:08.960
<v Speaker 2>Why do you think it's so popular now? And I'll

660
00:34:09.000 --> 00:34:11.280
<v Speaker 2>throw podcasting there as well. I mean my wife who

661
00:34:11.400 --> 00:34:14.719
<v Speaker 2>you know, well, Randy, I mean, she loves true crime podcasts.

662
00:34:14.760 --> 00:34:16.199
<v Speaker 2>We get in the car and I'm like, what are

663
00:34:16.199 --> 00:34:18.599
<v Speaker 2>we listening to? You know, can I just you know,

664
00:34:18.800 --> 00:34:22.800
<v Speaker 2>what are we doing here? And the craziest, creepiest stuff.

665
00:34:23.559 --> 00:34:27.679
<v Speaker 2>People love true crime, but people also love documentaries now,

666
00:34:27.719 --> 00:34:29.639
<v Speaker 2>and I think one of the reasons, I think is

667
00:34:29.679 --> 00:34:33.840
<v Speaker 2>because there's a lot of footage available. Right there's a

668
00:34:33.880 --> 00:34:36.360
<v Speaker 2>lot of there's a lot of great stories, whether it

669
00:34:36.480 --> 00:34:41.320
<v Speaker 2>be from music or from entertainment or from politics. There's

670
00:34:41.400 --> 00:34:44.480
<v Speaker 2>a lot of stories. There's a lot of film footage available,

671
00:34:44.719 --> 00:34:46.760
<v Speaker 2>and a lot of people you can talk to where

672
00:34:46.760 --> 00:34:49.840
<v Speaker 2>you can create a documentary like you have.

673
00:34:50.320 --> 00:34:52.800
<v Speaker 3>That brings the same drama of a feature film.

674
00:34:53.920 --> 00:34:56.320
<v Speaker 4>Oh Like they say truth is stranger than friction, you

675
00:34:56.320 --> 00:35:00.599
<v Speaker 4>know fiction, and you know, and you know you ultimately

676
00:35:01.559 --> 00:35:05.159
<v Speaker 4>we're most interested in the unknown. We're interested in the

677
00:35:05.480 --> 00:35:10.440
<v Speaker 4>kind of boundaries and depths of human behavior and getting

678
00:35:10.480 --> 00:35:13.760
<v Speaker 4>us close to that kind of flip of the switch

679
00:35:13.800 --> 00:35:16.639
<v Speaker 4>when things, you know, go the other way, when civility

680
00:35:16.719 --> 00:35:20.280
<v Speaker 4>is left and horror and violence, when people want to

681
00:35:20.280 --> 00:35:24.320
<v Speaker 4>know where that edge is. And so true crime nonfiction

682
00:35:24.559 --> 00:35:29.440
<v Speaker 4>allows that safe exploration through you know, human behavior, and

683
00:35:29.480 --> 00:35:31.559
<v Speaker 4>it's like, you know, it's like why we rubber neck

684
00:35:31.599 --> 00:35:36.639
<v Speaker 4>it's why we can't look away. It's because it's a

685
00:35:37.480 --> 00:35:42.039
<v Speaker 4>opportunity to touch death, the ends of finality, to touch

686
00:35:42.079 --> 00:35:46.480
<v Speaker 4>the unknown, to touch what we might be capable of,

687
00:35:46.639 --> 00:35:49.880
<v Speaker 4>or how we might react when when encountering something you know,

688
00:35:50.000 --> 00:35:54.039
<v Speaker 4>so so extreme. And I think that's all of those things.

689
00:35:54.199 --> 00:35:56.440
<v Speaker 4>There's different reasons why people watch through crime while they

690
00:35:56.480 --> 00:35:58.800
<v Speaker 4>watch documentaries, but those those are some in the true

691
00:35:58.800 --> 00:36:01.519
<v Speaker 4>crime space that seem you know, really applicable, really human,

692
00:36:01.559 --> 00:36:04.679
<v Speaker 4>really accessible, and it's fact that you know, it's not

693
00:36:04.760 --> 00:36:08.079
<v Speaker 4>something exotic far away, it's something in our backyards, our neighbors,

694
00:36:08.079 --> 00:36:11.880
<v Speaker 4>our family members, like it's around us, and so understanding

695
00:36:11.880 --> 00:36:15.280
<v Speaker 4>it better baby gives us some feeling of agency and

696
00:36:15.360 --> 00:36:17.440
<v Speaker 4>power that we might be able to sniff it out

697
00:36:17.519 --> 00:36:21.320
<v Speaker 4>or participate or detect it or save ourselves or are

698
00:36:21.400 --> 00:36:23.239
<v Speaker 4>curious about, you know, what our own limits are. How

699
00:36:23.239 --> 00:36:25.519
<v Speaker 4>would we deeled it if we were in the it

700
00:36:25.559 --> 00:36:27.559
<v Speaker 4>was in our face, And so I think that's why

701
00:36:27.559 --> 00:36:30.079
<v Speaker 4>people want to do it. And then people are smart.

702
00:36:30.079 --> 00:36:33.079
<v Speaker 4>They want to outwit the police, they want out with

703
00:36:33.199 --> 00:36:36.079
<v Speaker 4>the investigators, they want to they don't want to be

704
00:36:36.119 --> 00:36:38.559
<v Speaker 4>a mark. And so you know, somehow true crime becomes

705
00:36:38.559 --> 00:36:40.360
<v Speaker 4>like a training ground to to not be a mark

706
00:36:40.480 --> 00:36:45.239
<v Speaker 4>and to to to gain skill and investigation. And you know,

707
00:36:45.280 --> 00:36:47.880
<v Speaker 4>and as a filmmaker, you know, audiences are really smart

708
00:36:47.960 --> 00:36:48.800
<v Speaker 4>right now, and.

709
00:36:48.679 --> 00:36:51.679
<v Speaker 2>So they are that's exactly right. They are very smart.

710
00:36:52.480 --> 00:36:55.159
<v Speaker 2>You just nailed it. The audience who has become better

711
00:36:55.320 --> 00:36:57.639
<v Speaker 2>educated over time, but.

712
00:36:57.679 --> 00:37:00.960
<v Speaker 4>Not just not just in you know, crime is you

713
00:37:01.000 --> 00:37:04.000
<v Speaker 4>know as a field of forensics, but also in filmmaking.

714
00:37:04.280 --> 00:37:06.639
<v Speaker 4>And so you can't trick an audience, you'll betray it.

715
00:37:06.760 --> 00:37:09.119
<v Speaker 4>You know, you can't participate the way Bourguan it did

716
00:37:09.440 --> 00:37:12.440
<v Speaker 4>and betraying people. As a filmmaker, you can't misdirect them

717
00:37:12.480 --> 00:37:15.440
<v Speaker 4>and and you know you can't, like there's no there's

718
00:37:15.440 --> 00:37:17.960
<v Speaker 4>no cheeko, there's no lazy filmmaking.

719
00:37:18.000 --> 00:37:18.119
<v Speaker 1>Now.

720
00:37:18.159 --> 00:37:20.320
<v Speaker 4>The audiences are too smart and so you have to

721
00:37:20.440 --> 00:37:22.760
<v Speaker 4>respect the hell out of them, and you know and

722
00:37:22.800 --> 00:37:25.760
<v Speaker 4>make work that you know expects a lot of them,

723
00:37:25.840 --> 00:37:28.039
<v Speaker 4>because you know they're educated or smart with both the

724
00:37:28.079 --> 00:37:31.199
<v Speaker 4>craft of filmmaking and and TV as well as you

725
00:37:31.239 --> 00:37:33.159
<v Speaker 4>know around true crime. And so you know you can't

726
00:37:33.159 --> 00:37:34.599
<v Speaker 4>play with them. You have to you have to be

727
00:37:35.199 --> 00:37:37.440
<v Speaker 4>you know, both artful, intelligent and try to stay a

728
00:37:37.440 --> 00:37:39.599
<v Speaker 4>step ahead. But it's very difficult and your audiences are

729
00:37:40.599 --> 00:37:43.000
<v Speaker 4>maximum respect right now. And so the challenge is a.

730
00:37:42.960 --> 00:37:45.840
<v Speaker 2>Filmmaker, Well you did a great job killer lies chasing

731
00:37:45.880 --> 00:37:48.760
<v Speaker 2>a true crime con man and stefan by going he

732
00:37:49.000 --> 00:37:52.559
<v Speaker 2>is this dude is a serial killer expert, but he

733
00:37:52.760 --> 00:37:55.320
<v Speaker 2>was really a fraud and made a lot of it

734
00:37:55.440 --> 00:37:57.440
<v Speaker 2>up and turned out to be quite a sick man.

735
00:37:58.119 --> 00:38:01.159
<v Speaker 2>And you should watch it on Hulu. Produced by National

736
00:38:01.239 --> 00:38:04.639
<v Speaker 2>Geographic and Hulu and it's streaming right now. Three part series.

737
00:38:04.920 --> 00:38:07.599
<v Speaker 2>Well produced, well done, well directed. Ben, Thanks for coming on.

738
00:38:07.679 --> 00:38:08.800
<v Speaker 2>I wish you the best of luck.

739
00:38:09.760 --> 00:38:12.760
<v Speaker 4>Thanks so masche for having me on. And yeah, look

740
00:38:12.800 --> 00:38:15.239
<v Speaker 4>forward to hearing the audience's responses.

741
00:38:15.719 --> 00:38:17.719
<v Speaker 2>All right, Bet, I'll talk to you soon, buddy, take care.

742
00:38:19.199 --> 00:38:22.239
<v Speaker 2>All right, there's Ben Stelko joining us here. It's a

743
00:38:22.360 --> 00:38:25.360
<v Speaker 2>crazy story, it really is. It's kind of you know,

744
00:38:25.440 --> 00:38:27.719
<v Speaker 2>as I'm watching this someway, where's this going? Okay, we're

745
00:38:27.760 --> 00:38:30.239
<v Speaker 2>talking about serial killers and he's talking to some real

746
00:38:30.320 --> 00:38:35.199
<v Speaker 2>creepy people. But the serial killer expert turned out to

747
00:38:35.280 --> 00:38:38.920
<v Speaker 2>be pretty creeping himself. No, he didn't go as far

748
00:38:39.079 --> 00:38:41.679
<v Speaker 2>as the people he was covering, the serial killers, but

749
00:38:41.800 --> 00:38:45.639
<v Speaker 2>he turned into a serial liar, serial plagiarist, played with

750
00:38:45.719 --> 00:38:48.880
<v Speaker 2>a lot of people's emotions, passed himself off as an expert,

751
00:38:49.800 --> 00:38:53.480
<v Speaker 2>became involved in criminal investigations. And the thing that's really

752
00:38:53.519 --> 00:38:57.880
<v Speaker 2>amazing about this, when things happen like this, nobody questioned them, Yeah, okay,

753
00:38:58.000 --> 00:38:58.559
<v Speaker 2>must be true.

754
00:38:58.960 --> 00:39:01.440
<v Speaker 3>Yeah, they all bought in good stuff.

755
00:39:01.519 --> 00:39:03.639
<v Speaker 2>Check it out Killer Lies Chasing a True crime con

756
00:39:03.760 --> 00:39:08.559
<v Speaker 2>Man and it is streaming on Hulu. Coming up eleven

757
00:39:08.559 --> 00:39:10.719
<v Speaker 2>o'clock tonight, we're gonna talk a little football. Nicole Yang

758
00:39:10.800 --> 00:39:12.840
<v Speaker 2>joins us from the Boston Globe as we get ready

759
00:39:12.840 --> 00:39:14.960
<v Speaker 2>for that Patriot. Somebody asked me today how many games

760
00:39:15.000 --> 00:39:17.440
<v Speaker 2>are the Patriots gonna win? I go, doesn't matter.

761
00:39:18.400 --> 00:39:21.599
<v Speaker 3>Five at the most, at the most. And you need

762
00:39:21.679 --> 00:39:24.360
<v Speaker 3>to be okay with that, people, you need to be

763
00:39:24.639 --> 00:39:25.480
<v Speaker 3>okay with that.

764
00:39:26.639 --> 00:39:29.800
<v Speaker 2>Coming up at ten o'clock, I will talk to author

765
00:39:29.920 --> 00:39:34.679
<v Speaker 2>Christy Cashman about her book The Truth About Horses, terrific

766
00:39:34.760 --> 00:39:37.079
<v Speaker 2>story about a fourteen year old girl rhis Tucker. That's

767
00:39:37.119 --> 00:39:39.320
<v Speaker 2>all a ten and I have some news to talk

768
00:39:39.320 --> 00:39:41.559
<v Speaker 2>to you about coming up next, involving that school shooting

769
00:39:41.760 --> 00:39:43.519
<v Speaker 2>in Georgia. On wbz's Night Side.

770
00:39:44.679 --> 00:39:47.639
<v Speaker 1>Now back to Dan Ray Live from the Window World

771
00:39:47.800 --> 00:39:50.880
<v Speaker 1>Night Side Studios on WBZ News Radio.

772
00:39:54.800 --> 00:39:58.360
<v Speaker 2>Welcome back, Gary Tangway for Dan ray tonight, so an

773
00:39:58.440 --> 00:40:04.119
<v Speaker 2>updated on the Georgia shooting as the father of the

774
00:40:04.559 --> 00:40:08.119
<v Speaker 2>Georgia school suspect has been arrested in charge with second

775
00:40:08.199 --> 00:40:11.599
<v Speaker 2>degree murder amongst the charges. Well, that's one of the chargers,

776
00:40:11.639 --> 00:40:14.800
<v Speaker 2>the father of fourteen year old the fourteen year old

777
00:40:14.800 --> 00:40:18.960
<v Speaker 2>boy called Gray. His father has been arrested and faces

778
00:40:19.079 --> 00:40:22.480
<v Speaker 2>charges including second degree murder and involuntary manslaughter for allowing

779
00:40:22.519 --> 00:40:25.800
<v Speaker 2>his son to possess a weapon. It's the latest example

780
00:40:25.840 --> 00:40:28.159
<v Speaker 2>of prosecutors holding and I'm reading from the Boston Globe,

781
00:40:28.239 --> 00:40:31.840
<v Speaker 2>so just to give them credit, the latest, say, the

782
00:40:31.960 --> 00:40:35.039
<v Speaker 2>example of prosecutors holding parents responsible for their children's actions

783
00:40:35.440 --> 00:40:39.840
<v Speaker 2>in school shootings. We all remember what Michigan right with

784
00:40:39.920 --> 00:40:44.199
<v Speaker 2>the Crumpleys. They were convicted. That was crazy and they

785
00:40:44.239 --> 00:40:45.159
<v Speaker 2>got ten years in prison.

786
00:40:46.239 --> 00:40:48.360
<v Speaker 3>That was crazy. The mom and dad were like, yeah,

787
00:40:48.400 --> 00:40:50.800
<v Speaker 3>I mean they brought him to school with the Crumblings

788
00:40:50.800 --> 00:40:52.480
<v Speaker 3>and mission. They brought him to school that morning and

789
00:40:52.519 --> 00:40:55.599
<v Speaker 3>said listen, we're worried about your son. They just blew

790
00:40:55.639 --> 00:41:00.280
<v Speaker 3>it off. They just absolutely just blew it up off.

791
00:41:02.639 --> 00:41:06.039
<v Speaker 3>So Colin Gray fifty four years old.

792
00:41:06.039 --> 00:41:08.559
<v Speaker 2>The father of Colt Gray was charged with four counts

793
00:41:08.559 --> 00:41:12.440
<v Speaker 2>of involuntary manslaughter, two counts of second degree murder, eight

794
00:41:12.519 --> 00:41:18.119
<v Speaker 2>counts of cruelty to children. These charges stem from mister

795
00:41:18.199 --> 00:41:20.840
<v Speaker 2>Gray knowingly allowing his son cult to possess a weapon.

796
00:41:23.559 --> 00:41:25.760
<v Speaker 2>Charges are directly connected to the actions of his son

797
00:41:25.840 --> 00:41:28.280
<v Speaker 2>and allowing him to possess weapon. Now, from what I understand,

798
00:41:28.320 --> 00:41:31.000
<v Speaker 2>there were warning signs with his son Clt before this.

799
00:41:34.960 --> 00:41:36.800
<v Speaker 3>Boy. It's a tough one because.

800
00:41:36.559 --> 00:41:39.760
<v Speaker 2>Look, I have hunters in my family, and when you're

801
00:41:39.800 --> 00:41:44.239
<v Speaker 2>fourteen fifteen years old, that's when you start to go

802
00:41:44.360 --> 00:41:47.199
<v Speaker 2>hunting with your father, your mother, and your uncles and

803
00:41:47.239 --> 00:41:48.280
<v Speaker 2>your brothers and sisters.

804
00:41:48.360 --> 00:41:50.159
<v Speaker 3>And it's a thing.

805
00:41:50.239 --> 00:41:52.960
<v Speaker 2>And I'm fine, you know personally, Like I said, I

806
00:41:53.039 --> 00:41:55.679
<v Speaker 2>have relatives that have guns in the house and they

807
00:41:55.719 --> 00:41:57.960
<v Speaker 2>separate the ammunition from the guns, and they have locked

808
00:41:58.000 --> 00:41:59.960
<v Speaker 2>gun racks and very responsible gun owner.

809
00:42:00.000 --> 00:42:08.519
<v Speaker 3>There's no problem with that. But there's a history with

810
00:42:08.679 --> 00:42:13.320
<v Speaker 3>the young man. You gotta lock up the guns, you

811
00:42:13.400 --> 00:42:16.159
<v Speaker 3>gotta lock up the guns. I mean, something has to happen.

812
00:42:18.320 --> 00:42:20.559
<v Speaker 2>Because when it comes to America in school shootings and

813
00:42:20.599 --> 00:42:23.599
<v Speaker 2>public shootings, I mean, it is just rampant It is

814
00:42:23.760 --> 00:42:27.480
<v Speaker 2>just scary. Is my numbing that this is happening and

815
00:42:27.559 --> 00:42:29.800
<v Speaker 2>we're numb? I mean, I say my numbing, we're numb

816
00:42:29.880 --> 00:42:32.960
<v Speaker 2>to it? Or another school shooting. Oh okay, we are

817
00:42:33.039 --> 00:42:38.639
<v Speaker 2>absolutely numb to this, which is scary as hell. Maybe

818
00:42:38.679 --> 00:42:40.599
<v Speaker 2>the only way to stop it or prevent it from

819
00:42:40.639 --> 00:42:45.960
<v Speaker 2>happening again is to hold the parents accountable, lock up

820
00:42:46.000 --> 00:42:50.599
<v Speaker 2>the weapons. It's a tough one, but we're in a

821
00:42:50.679 --> 00:42:56.119
<v Speaker 2>desperate time with this, a very desperate time with this,

822
00:42:58.159 --> 00:43:01.519
<v Speaker 2>because this is coming. This has become the norm much

823
00:43:02.079 --> 00:43:06.880
<v Speaker 2>too often. Sure, we'll have more on that coming up

824
00:43:06.880 --> 00:43:10.519
<v Speaker 2>to the News at ten o'clock. Still to come. On

825
00:43:10.719 --> 00:43:13.480
<v Speaker 2>wbz's Night Side, we'll talk about the Patriots upcoming season.

826
00:43:13.519 --> 00:43:18.360
<v Speaker 2>That's at eleven o'clock when Nicole Yang and Christy Cashwo's

827
00:43:18.360 --> 00:43:22.039
<v Speaker 2>going to join me next and Christie does just about everything,

828
00:43:22.159 --> 00:43:26.400
<v Speaker 2>including on a castle. I believe that it's next on WBZ.
