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<v Speaker 7>You are now listening to true murder, the most shocking

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<v Speaker 7>killers in true crime history and the authors that have

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<v Speaker 7>written about them. Gasey Bundy, Dahmer, The Nightstalker DTK every

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<v Speaker 7>week another fascinating author talking about the most shocking and

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<v Speaker 7>infamous killers in true crime history True Murder with your

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<v Speaker 7>host journalist and author Dan Zufanski, Good evening.

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<v Speaker 5>Leonard Lake was greatly influenced by a book titled The Collector,

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<v Speaker 5>where a man abducts a woman to keep forever as

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<v Speaker 5>a sex slave. The book was fictional, but when Leonard

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<v Speaker 5>Lake met Charles, they discussed abducting, enslaving and torturing women.

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<v Speaker 5>They called their plan Operation Miranda. Matthew Roswally is the

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<v Speaker 5>director of The Miranda Murders Lost Tapes of Leonard Lake

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<v Speaker 5>and Charles Zing. His film depicts the horrible acts committed

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<v Speaker 5>in northern California in the mid eighties, caught on film

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<v Speaker 5>by the notorious killers themselves and recreated in an accurate

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<v Speaker 5>linear fashion. Matthew is a writer, director, and actor from

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<v Speaker 5>Los Angeles, California, and the film that we are featuring

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<v Speaker 5>this evening is The Miranda Murders The Lost Tapes of

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<v Speaker 5>Leonard Lake and Charles Zing, with my special guest, actor,

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<v Speaker 5>director and writer Matthew Rossville. Welcome to the program, and

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<v Speaker 5>thank you very much for a greet's interview. Matthew Rossveille,

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<v Speaker 5>Thank you, Dan.

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<v Speaker 8>Good to hear from you.

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<v Speaker 5>Thank you very much. I hope I have pronounced your

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<v Speaker 5>name correctly. I've been known to not do that.

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<v Speaker 8>It's all good. My name is spelled weird, but the

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<v Speaker 8>pronunciation is rose Valley. But thank you.

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<v Speaker 5>Okay, Well now I know I won't do it again.

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<v Speaker 5>Thank you very much. Should have asked. Now it's Matthew

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<v Speaker 5>rose Valleys. Let's talk about your background that and why

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<v Speaker 5>you were compelled to make this The Miranda Murders.

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<v Speaker 8>Well, to give you some background about me, I am

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<v Speaker 8>an actor from New York City that became a filmmaker

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<v Speaker 8>and I moved to Hollywood and I hooked up with

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<v Speaker 8>my producer who pitched me the idea of creating this film,

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<v Speaker 8>which is a story that has not been told yet,

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<v Speaker 8>and I felt like it was a story that needed

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<v Speaker 8>to be told. So I agreed to it. And we

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<v Speaker 8>spend some time traveling across the country in visiting various locations,

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<v Speaker 8>specifically Willseyville, which is where the murders happened, and writing

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<v Speaker 8>the project.

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<v Speaker 5>Now, we just spoke off air about the actual tapes themselves.

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<v Speaker 5>Tell us if you and your partner who actually viewed

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<v Speaker 5>these tapes.

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<v Speaker 8>Yes, my producer is really good at what he does,

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<v Speaker 8>and he was able to get his hands on the

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<v Speaker 8>original footage.

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<v Speaker 5>Wow.

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<v Speaker 8>Initially a lot of our original research. We watched the

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<v Speaker 8>footage on YouTube, which is about, if I had to guess,

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<v Speaker 8>about five minutes. We read the book Die for Me,

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<v Speaker 8>which is a very detailed book on you know, the

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<v Speaker 8>the murders themselves and what actually happened up there in

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<v Speaker 8>northern California, and he was to get a hold of

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<v Speaker 8>the rest of the footage, and we watched it and

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<v Speaker 8>wanted to recreate it. That was the point of the film,

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<v Speaker 8>to be able to recreate things that happened to these people, because,

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<v Speaker 8>like I said, it's a story that has not been told.

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<v Speaker 8>It's disappointing to know that these people have been forgotten.

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<v Speaker 8>So we wanted to remember them by sharing what happened.

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<v Speaker 5>You mentioned Die for Me by Don Lassiter, and that's

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<v Speaker 5>been a best seller, and he was on the program

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<v Speaker 5>right in the very beginning of True Murder back eight

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<v Speaker 5>years ago. And yeah, and it's very familiar tru crime fans,

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<v Speaker 5>the hardcore of tru crime fans know of this case.

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<v Speaker 5>And these are amazing rather lack of word for a

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<v Speaker 5>duo of killers. Certainly what story has not what story

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<v Speaker 5>has not been told for those people that have read

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<v Speaker 5>all this What story has not been told that you

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<v Speaker 5>are prepared to tell in this film.

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<v Speaker 8>Well, I'm referring to the medium of film, especially when

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<v Speaker 8>it comes to true crime. You get people know about

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<v Speaker 8>John Wayne Gacy and Ted Bundy and Jeffrey Dahmer. People

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<v Speaker 8>don't know about what happened to these these victims in

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<v Speaker 8>northern California of Leonard Bake and Charles Ringing and specifically

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<v Speaker 8>with like I said, the media film. We wanted to

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<v Speaker 8>express it because we wanted to show that these uh,

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<v Speaker 8>these people are are not forgotten.

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<v Speaker 5>Now you sorry, go ahead, Oh no, no, it's fine.

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<v Speaker 8>I was just I was just gonna say, this is

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<v Speaker 8>my medium. I mean, I mean, obviously the book is

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<v Speaker 8>very in depth. It's book, but not everybody feeds anymore.

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<v Speaker 8>I feel these days people tend to find entertainment through

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<v Speaker 8>YouTube and the Internet, and we felt the need to

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<v Speaker 8>express what happened on film. So that's what we did.

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<v Speaker 8>We recreated the footage. We saw the film and decided,

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<v Speaker 8>let's make a movie that is as accurate and as

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<v Speaker 8>real as possible.

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<v Speaker 5>And not to give too much away because this movie

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<v Speaker 5>debut is October thirteenth. Tell Us also where this debut

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<v Speaker 5>is very very interesting as well, tell us what the

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<v Speaker 5>premiere date is, and tell us where people might find

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<v Speaker 5>this once they listen to this interview and are compelled

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<v Speaker 5>to check it out.

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<v Speaker 8>Certainly, it's going to release on Amazon Crime and Amazon

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<v Speaker 8>it's in video, so you can rent or buy it,

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<v Speaker 8>or if you have Amazon Prime, you can streaming. And

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<v Speaker 8>that's the way of new media. I mean, it's super

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<v Speaker 8>interesting because I was. I was an avid DVD collector

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<v Speaker 8>back in the day. I'm sure many of you people

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<v Speaker 8>are watching might have been still even BHS collectors. I

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<v Speaker 8>was too. Yeah, as a filmmaker, you know, we decided

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<v Speaker 8>to go with the new media, which is streaming. That's

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<v Speaker 8>what we do.

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<v Speaker 5>Now. Without giving anything away because I know that you

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<v Speaker 5>said you did sign a contract not just to leak

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<v Speaker 5>certain information. Of course that's understandable, but what other than

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<v Speaker 5>the tapes themselves and what they depict, And again we

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<v Speaker 5>won't go into every bit, but we know that this

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<v Speaker 5>involves torture in something incredibly vile from these two gentlemen.

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<v Speaker 5>So what is it? What's the bigger story though? That

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<v Speaker 5>someone would take away from watching this other than just

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<v Speaker 5>a reenactment redepiction of the violence that is contained specifically

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<v Speaker 5>on those tapes. In reality, you know, there.

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<v Speaker 8>Are horrible people out there, and at the end of

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<v Speaker 8>the day, I am a big fan of the horror

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<v Speaker 8>genre and I wanted to express how real life horror

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<v Speaker 8>is a true thing and you need to watch every

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<v Speaker 8>move you make. Sometimes not to say I want to

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<v Speaker 8>create a mass paranoia, but I think it's important to

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<v Speaker 8>be able to know what you're doing and know who

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<v Speaker 8>you're talking to, and have the foresight to be able

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<v Speaker 8>to kick out when you're talking to somebody who is dangerous.

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<v Speaker 8>So that's really the point of the film, to honor

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<v Speaker 8>the people who passed away, warm people that this is

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<v Speaker 8>still a problem. There are still people out there life

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<v Speaker 8>letter like in Charles Lank and it just so happens.

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<v Speaker 8>These two killers have not been talked about very often

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<v Speaker 8>in film.

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<v Speaker 5>Absolutely. Yeah, tell us about some of the sources that

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<v Speaker 5>you use to research this story. You mentioned Don Lassiter's

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<v Speaker 5>Die for Me. What are some of the other information,

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<v Speaker 5>other than viewing the tapes themselves that you use for

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<v Speaker 5>your sources of material? Oh?

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<v Speaker 8>Well, there was definitely, Like I said, Die for Me

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<v Speaker 8>is a very very good and accurate book. I of

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<v Speaker 8>course read the Collector. Sure, the footage Belt has been

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<v Speaker 8>very helpful. And on top of that, there were a

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<v Speaker 8>few documentaries about the subjecked I believe you can even

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<v Speaker 8>watch them on Gosh dare I say YouTube. I I'm

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<v Speaker 8>actually looking it up right now. So it's fun. The

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<v Speaker 8>boat yard, it's a very very accurate documentary, gives you,

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<v Speaker 8>you know, enough information to to get to know these people.

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<v Speaker 8>But I mean as many sources as possible. We also

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<v Speaker 8>read transcripts from the four cases. I mean, as you know,

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<v Speaker 8>King was in court for a very very long time. Yeah,

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<v Speaker 8>he was able to keep keep his case going so

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<v Speaker 8>long that it costs to California twenty million dollars the time,

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<v Speaker 8>is the most expensive trial in the state of the

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<v Speaker 8>in the you know, in the state since oj Yeah.

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<v Speaker 8>So a lot of legal documents and interviews and documentaries

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<v Speaker 8>that I could find. And of course there's also some

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<v Speaker 8>people who have reached out, as I've been wrote in

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<v Speaker 8>the film, apparently we've communicated with some people who actually

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<v Speaker 8>lived in the area at the time. Wow, which is

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<v Speaker 8>a breathtaking to me.

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<v Speaker 5>Now for those that don't know, and we've alluded to

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<v Speaker 5>and we spoke about it, but just briefly tell us

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<v Speaker 5>I have a copy of The Collector as well, because

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<v Speaker 5>it's it's not only Leonard Lake and Charles Ing that

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<v Speaker 5>looked to this book for inspiration, and so I was

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<v Speaker 5>curious and it is. It is a fascinating book and

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<v Speaker 5>a very it's a very good book. Incredible how we

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<v Speaker 5>could take it to another level after reading that. But

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<v Speaker 5>for those that don't know about this, briefly about the

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<v Speaker 5>Collector connection to Leonard Lake and and so hence the

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<v Speaker 5>also the title of the Miranda Murders and as I mentioned,

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<v Speaker 5>their plan, their project, the Miranda Operation.

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<v Speaker 8>Miranda Well. Leonard Lake got inspiration from reading the book

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<v Speaker 8>written by John Fowls in nineteen sixty three, and the

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<v Speaker 8>book is about a butterfly collector who fell in love

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<v Speaker 8>with a woman and kidnapped her and put her in

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<v Speaker 8>the bunker in his I want to say, basement and

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<v Speaker 8>did not want to rape or he wanted to convince

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<v Speaker 8>her that he was worth loving and through this essentially

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<v Speaker 8>Stockholm syndrome, she didn't necessarily fall in that she actually

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<v Speaker 8>died in the book, but he got he was so

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<v Speaker 8>attracted to the romance of holding a woman to the

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<v Speaker 8>point that she would fall in love with him that

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<v Speaker 8>he wanted to make it a reality. So he built

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<v Speaker 8>a bunker in the side of a cliff, which is

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<v Speaker 8>where he lived in the middle of the mountains in

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<v Speaker 8>Wilseyville and kept his women there. And the girl in

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<v Speaker 8>the book is named Miranda, so he called his project

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<v Speaker 8>the Miranda Project, which is where the title the Miranda

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<v Speaker 8>Murders comes from. In fact, if you look at the

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<v Speaker 8>credits of the film, which you can see at a

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<v Speaker 8>Shockfess Horror Factory dot com, I believe we have well

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<v Speaker 8>I want to say about fifteen credits that are all Miranda,

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<v Speaker 8>because that's you know, how many unnamed women he was

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<v Speaker 8>able to keep in his bunker.

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<v Speaker 5>What was the experience like? This sounds not like a

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<v Speaker 5>great question, but what again, what does it What was

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<v Speaker 5>it really like watching those tapes. You're a filmmaker, you're

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<v Speaker 5>obviously some a person that knows is true crime business,

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<v Speaker 5>and you know the intersection, it seems between true crime

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<v Speaker 5>and true horror. It would seem what was it like

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<v Speaker 5>watching these tapes?

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<v Speaker 8>I mean, it's tragic to see that these are the

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<v Speaker 8>last moments of these human beings that it moved me.

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<v Speaker 8>And what I had to do was I felt the

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<v Speaker 8>need to express their pain so that people can arm

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<v Speaker 8>themselves with the power and the knowledge that there are

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<v Speaker 8>these people that are at charming who can do horrible

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<v Speaker 8>things to you. It was a sad and I have

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<v Speaker 8>to admit I have a morbid curiosity, so I found

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<v Speaker 8>it interesting Personally. I think some people don't have the

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<v Speaker 8>same sentimentality, but sure, ultimately it was very upsetting.

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<v Speaker 5>Now with this, what were the victims? How many victims

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<v Speaker 5>and what was the range of age of these victims

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<v Speaker 5>that are depicted.

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<v Speaker 8>Leonard Lake is known to have what is called the

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<v Speaker 8>I want to say it's the confession. It's a vey

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<v Speaker 8>of him sitting in his armchair where he admits that

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<v Speaker 8>he finds women attractive as young as the age of twelve,

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<v Speaker 8>but usually about twenty one to I want to say

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<v Speaker 8>twenty five. He liked the younger women, usually smaller sized women,

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<v Speaker 8>and when the police came to the bunker in Wilseyville,

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<v Speaker 8>they found about enough bone fragments to determine it was

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<v Speaker 8>up to twenty five victims and it wasn't just women

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<v Speaker 8>that he killed. That actually brings up a really interesting topic.

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<v Speaker 8>Leonard Lake and Charles Ing were kind of pioneers in

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<v Speaker 8>the field of identity theft because the way they were

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<v Speaker 8>able to avoid the police so long is they found

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<v Speaker 8>individuals who looked like them. Specifically Leonard Lake Charles Ling

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<v Speaker 8>was more under the radar, and they would kill them

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<v Speaker 8>and steal their identity and steal their their their driver's

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<v Speaker 8>license and for ten to be then Charlie Gunner was

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<v Speaker 8>I believe was his best man. Let me just check

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<v Speaker 8>my facts on that one, but yes, that's right. I

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<v Speaker 8>believe he pretended to be Charlie Gunner and he killed

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<v Speaker 8>him and stole his ID.

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<v Speaker 5>You talk about actually going to the crime scene itself,

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<v Speaker 5>sierraed to that of Foothills, So tell us, just as

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<v Speaker 5>you do, where exactly this is, and then tell us

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<v Speaker 5>about that experience and what you saw.

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<v Speaker 8>Well, me and my producers rove to Wilseyville, which was

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<v Speaker 8>I want to say, two or three hours away from

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<v Speaker 8>San Francisco, and we're both located in southern California, so

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<v Speaker 8>it was a bit of a drive to get up

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<v Speaker 8>there in the first place, and driving there was very eerie.

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<v Speaker 8>You got the fee because because the population is very small.

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<v Speaker 8>We drove around the neighborhood, which was in the middle

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<v Speaker 8>of the mountains, very sparse, maybe a couple hundred people

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<v Speaker 8>at most, and you got the feeling people are there

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<v Speaker 8>to disappear because they don't want to be seen or

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<v Speaker 8>be known. So it's a very good place for a

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<v Speaker 8>serial killer to take a victim. And we actually drove

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<v Speaker 8>down gosh is it a or to say, Blue Mountain Road,

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<v Speaker 8>the road where they lived. We drove all the way

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<v Speaker 8>down to their their property and it's not there anymore.

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<v Speaker 8>But it's it's a very precarious road. It's it's a

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<v Speaker 8>it's not a too it's not like a two way street.

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<v Speaker 8>It's not like the way you would picture a freeway.

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<v Speaker 8>It's a dirt road in the middle of the hills

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<v Speaker 8>in a very mountainy area. And you know, you're about

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<v Speaker 8>like a few inches away from the side of a cliff.

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<v Speaker 8>And when I say a cliff, I mean it's literally dirt.

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<v Speaker 8>A bad thunderstorm would probably destroy the road. So it

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<v Speaker 8>was very ominous Spookie, And yeah, it was very intimidating,

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<v Speaker 8>but one there was important. We needed to experience what

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<v Speaker 8>it's like to be there. In order to tell the story,

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<v Speaker 8>because we had to.

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<v Speaker 5>Know in those tapes and in your depiction in this movie,

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<v Speaker 5>as you say, this is an accurate depiction, holding nothing

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<v Speaker 5>back obviously. Yes, I know you can't give too much away,

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<v Speaker 5>and you don't want to give too much away, except

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<v Speaker 5>you have a trailer for this movie as well as well.

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<v Speaker 5>But if you can give us a sense of the

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<v Speaker 5>psychological the slave contract, these written rules, what exactly will

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<v Speaker 5>you be depicting. If you could give us a sense

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<v Speaker 5>of that.

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<v Speaker 8>You're talking about a style of filmmaking, which is something

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<v Speaker 8>I would be very happy to share. Very early on

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<v Speaker 8>in the process, I decided I wanted to make a

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<v Speaker 8>movie that was similar in style to Texas Chainsaw Masker

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<v Speaker 8>in the Blair Witch Project, where there was practically, if

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<v Speaker 8>not zero gore. I did not want to make a

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<v Speaker 8>bloody movie. I wanted to make a psychological movie based

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<v Speaker 8>off of what real serial killers would probably put on film,

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<v Speaker 8>and they probably wouldn't put on themselves, stabbing people. And

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<v Speaker 8>you know, we've heard about snuff movies before, where it's

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<v Speaker 8>a people torturing people on film. That's not what I

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<v Speaker 8>wanted to make. I wanted to make something that was

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<v Speaker 8>then legitimately trying to psychologically change another human being, and

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<v Speaker 8>that's what we depicted our film. The rules that Leonard

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<v Speaker 8>Dick and Charles Ing put in the bunker, which was

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<v Speaker 8>the place that they kept their victims, was designed to

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<v Speaker 8>condition these women to become subservient to them. It was

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<v Speaker 8>don't look me in the eye, i will always keep

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<v Speaker 8>my lips parted, I'll always keep my bed meat, and

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<v Speaker 8>it was a basic guideline for the perfect slave that

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<v Speaker 8>they envisioned. That's that's pretty much what you see in

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<v Speaker 8>the film. We're trying created something that was based off

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<v Speaker 8>of reality and based off the footage we saw, which

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<v Speaker 8>was pretty, like I said, pretty shocking. It's frustratingly and

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<v Speaker 8>surprisingly accurate.

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<v Speaker 5>You also, in the trailer, the one trailer that I've seen,

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<v Speaker 5>you have included it seems the relationship between Leonard Lake

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<v Speaker 5>and Charles Ying. We see we know them as a

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<v Speaker 5>couple that got together to do this, maybe one person

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<v Speaker 5>dominant the other. But is there something in that trailer

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<v Speaker 5>that concerns the relationship that you are depicting in this

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<v Speaker 5>film as well.

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<v Speaker 8>I'm very glad to bring that up because a big

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<v Speaker 8>thing about the film is through exposition, and through subtle

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<v Speaker 8>encounters between the two, you get to know what those

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<v Speaker 8>two characters personalities were, what these two people were, and

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<v Speaker 8>on the surface, Leonard Lake was a domineering master but

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<v Speaker 8>Charles Ing, played by my producer Joe Clavaria, was frequently

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<v Speaker 8>more of the mastermind. He was behind the camera, and

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<v Speaker 8>he knew that it being behind the cameras oppose you

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<v Speaker 8>want in front of the camera, that it would be

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00:25:29.000 --> 00:25:34.599
<v Speaker 8>less incriminating for him, and he played this role of submissive,

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<v Speaker 8>even though that's not necessarily exactly who he was. But

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<v Speaker 8>you get to know how tricky these two people really were,

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<v Speaker 8>and you're gonna be surprised by watching the film what

359
00:25:56.039 --> 00:25:59.640
<v Speaker 8>their personalities really are. And this is also expressed through

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<v Speaker 8>Leonard Lake's wife, her ex wife, Carolyn Blast, who was

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<v Speaker 8>actually really active with the murders and she actually ended

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<v Speaker 8>up getting a pardon by complying with the police. But

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<v Speaker 8>in the film it's explored a little further just how

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<v Speaker 8>active she really was, which, according to the research that

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<v Speaker 8>we took, was pretty active. She's just as guilty, if

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<v Speaker 8>not more so, than you know Leonard Link and Charles Zang,

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<v Speaker 8>and yet she's walking the streets today.

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<v Speaker 5>Else does this movie have to say? I mean, you've

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<v Speaker 5>talked about this cautionary tale and obviously you want the

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<v Speaker 5>story to be told period, But is there something else,

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<v Speaker 5>a bigger sort of sense from the relationship the times

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<v Speaker 5>and the evil that these people perpetrated. Is there something

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<v Speaker 5>else that has to be said or is said in

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<v Speaker 5>this film?

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<v Speaker 8>You know, the film, I have to admit, is dark,

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<v Speaker 8>and the topic is very dark, and the subject is

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00:27:40.799 --> 00:27:45.400
<v Speaker 8>very means perioded. But my philosophy is you need to

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00:27:45.440 --> 00:27:48.440
<v Speaker 8>take that information and you need to grow from it.

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<v Speaker 8>How do you arm yourself with the fact that the

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00:27:50.920 --> 00:27:57.720
<v Speaker 8>world was dark and make the world better? So I

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00:27:57.720 --> 00:28:00.200
<v Speaker 8>guess that's really the takeaway. And on top of it,

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<v Speaker 8>like I said, I'm a horror guy at the end

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<v Speaker 8>of the day, and because I want to scare you

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<v Speaker 8>a little bit, so it be afraid but be inspired.

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<v Speaker 5>Now, who tell us, so we talk about you being

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<v Speaker 5>the writer, tell us about the credits for this movie period.

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<v Speaker 8>I'm actually not the only writer. I co wrote it

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<v Speaker 8>with my producer Gil Claveria, who was the one who

389
00:28:31.119 --> 00:28:36.920
<v Speaker 8>pitched me the idea of the film. He was a

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<v Speaker 8>film festival director of a Shockfest film festival, in Hollywood

391
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<v Speaker 8>for about ten years, and I worked for him for

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00:28:46.000 --> 00:28:50.400
<v Speaker 8>about two and we got hooked up because I'm like

393
00:28:50.440 --> 00:28:54.079
<v Speaker 8>I said, I'm an actor. And he asked me to

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00:28:54.240 --> 00:28:58.880
<v Speaker 8>perform for him at in Santa Barbara for his musical

395
00:28:58.880 --> 00:29:04.359
<v Speaker 8>that he wrote and his wife's erected Alicia Claveria, And

396
00:29:04.400 --> 00:29:07.039
<v Speaker 8>we spent some time in Vegas, which is where he

397
00:29:07.079 --> 00:29:08.960
<v Speaker 8>has a condo, and we did a lot of our

398
00:29:08.960 --> 00:29:11.920
<v Speaker 8>writing and he pulled up a picture of these two

399
00:29:12.000 --> 00:29:17.559
<v Speaker 8>killers and said, do you think we can create this movie?

400
00:29:17.799 --> 00:29:22.559
<v Speaker 8>So man, and I said yes. So we went to

401
00:29:22.680 --> 00:29:26.240
<v Speaker 8>Vegas and wrote the film and me and him, so

402
00:29:26.440 --> 00:29:32.680
<v Speaker 8>he actually plays Charles Ving. I played Leonard Blake. We

403
00:29:32.720 --> 00:29:37.720
<v Speaker 8>wrote the film together. Let's see, we had some very

404
00:29:37.799 --> 00:29:39.880
<v Speaker 8>good actors. And I have to give a lot of

405
00:29:39.920 --> 00:29:43.240
<v Speaker 8>credit to Gil. He's a very good producer because he

406
00:29:43.359 --> 00:29:48.480
<v Speaker 8>convinced all of these actresses to play these real life victims,

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00:29:48.480 --> 00:29:50.279
<v Speaker 8>which I feel like a lot of filmmakers are not

408
00:29:50.359 --> 00:29:54.799
<v Speaker 8>capable of doing. They're not capable of convincing actress to

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00:29:54.839 --> 00:29:56.480
<v Speaker 8>play something so real.

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<v Speaker 5>Sure, but he did it.

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00:30:00.079 --> 00:30:02.279
<v Speaker 8>We got let me see, let me name drop a

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<v Speaker 8>few people, uh, Sarah Barrett and heel seem to Guil

413
00:30:06.559 --> 00:30:14.799
<v Speaker 8>and uh Tema Saul and Joe Black, Alan Bernhoff who

414
00:30:14.960 --> 00:30:20.079
<v Speaker 8>performed in the Doctor Jekyll and Mister Hyde musical, Johanna

415
00:30:20.160 --> 00:30:24.799
<v Speaker 8>Ray God. I could just go off and I could

416
00:30:24.880 --> 00:30:28.359
<v Speaker 8>just read the whole credits. But I'm very impressed with

417
00:30:28.400 --> 00:30:30.559
<v Speaker 8>everybody who worked on this film. They were they were

418
00:30:30.599 --> 00:30:34.839
<v Speaker 8>all very very professional, and they really cared. And I

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00:30:34.960 --> 00:30:38.000
<v Speaker 8>have to give so much props to Gil because he

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00:30:38.119 --> 00:30:41.079
<v Speaker 8>was able to inspire them to believe in my vision

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<v Speaker 8>for a good movie and we were able to work

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<v Speaker 8>together as a team.

423
00:30:49.000 --> 00:30:55.640
<v Speaker 5>How long did the movie take from writing to post

424
00:30:55.640 --> 00:30:59.759
<v Speaker 5>production to be ready?

425
00:31:01.480 --> 00:31:03.880
<v Speaker 8>I have to admit post production took a little longer

426
00:31:03.880 --> 00:31:07.000
<v Speaker 8>than I would have liked, but I mean that's the

427
00:31:07.039 --> 00:31:11.680
<v Speaker 8>case with any independent film. It's very difficult to you know,

428
00:31:11.759 --> 00:31:15.519
<v Speaker 8>once you're done shooting, I mean, once you're you have

429
00:31:15.559 --> 00:31:17.680
<v Speaker 8>to edit the film and you got to do special

430
00:31:17.680 --> 00:31:23.440
<v Speaker 8>effects and sound editing. And let's see, how long did

431
00:31:23.440 --> 00:31:26.559
<v Speaker 8>it take? It took a I want to say it

432
00:31:26.599 --> 00:31:28.319
<v Speaker 8>took a good half a year to make this film

433
00:31:28.359 --> 00:31:34.079
<v Speaker 8>from the conception to the completion. Maybe a little longer

434
00:31:35.319 --> 00:31:39.799
<v Speaker 8>because part of it was also I was doing production

435
00:31:39.920 --> 00:31:44.240
<v Speaker 8>and other work with my producer Guild, and that includes

436
00:31:44.279 --> 00:31:46.920
<v Speaker 8>our web series which is a travel show about called

437
00:31:46.920 --> 00:31:49.680
<v Speaker 8>ponder Bouts by the Way, which where we visit hard locations,

438
00:31:49.759 --> 00:31:52.759
<v Speaker 8>and we also work on a documentary at Standing Rock

439
00:31:53.079 --> 00:31:58.960
<v Speaker 8>where we filmed the protests at the time. So yeah,

440
00:31:59.000 --> 00:32:00.720
<v Speaker 8>I'd say it took a little long a half a year.

441
00:32:02.880 --> 00:32:06.200
<v Speaker 5>Let's use this as an opportunity, Matthew for to talk

442
00:32:06.240 --> 00:32:12.359
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443
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<v Speaker 5>are the best sheets ever. Now, we talked about your

483
00:35:01.039 --> 00:35:04.440
<v Speaker 5>role in this movie and you said that you have

484
00:35:04.559 --> 00:35:09.719
<v Speaker 5>the role of Leonard Lake, so, obviously, as an actor,

485
00:35:09.920 --> 00:35:15.800
<v Speaker 5>an incredible role, a very interesting role, to say the least.

486
00:35:16.719 --> 00:35:19.480
<v Speaker 5>How did you prepare for this role? I know we

487
00:35:19.559 --> 00:35:21.440
<v Speaker 5>talked about the research that you would have to do,

488
00:35:21.519 --> 00:35:26.039
<v Speaker 5>but how extensive did you go into his actual life

489
00:35:26.159 --> 00:35:29.800
<v Speaker 5>in preparation for this How essential was it to know

490
00:35:29.840 --> 00:35:33.960
<v Speaker 5>everything about the official record of Leonard Lake, everything about

491
00:35:33.960 --> 00:35:37.199
<v Speaker 5>his past? How important was that to inform you with

492
00:35:37.320 --> 00:35:37.800
<v Speaker 5>this role?

493
00:35:38.239 --> 00:35:43.119
<v Speaker 8>For this role, I'm a method actorate in the end

494
00:35:43.159 --> 00:35:44.800
<v Speaker 8>of the day, so it's very important for me to

495
00:35:44.800 --> 00:35:48.679
<v Speaker 8>know the background of the character and know who he

496
00:35:48.760 --> 00:35:51.679
<v Speaker 8>is as in depth as possible. But after a while,

497
00:35:52.880 --> 00:35:55.360
<v Speaker 8>I mean the thing is, I did so much research

498
00:35:55.800 --> 00:36:01.519
<v Speaker 8>to help to co write the film that I felt,

499
00:36:01.559 --> 00:36:06.199
<v Speaker 8>I know, I knew the man and I knew the

500
00:36:06.239 --> 00:36:11.039
<v Speaker 8>way he thought. And after a while I started to

501
00:36:11.320 --> 00:36:16.760
<v Speaker 8>take some method steps. For example, I listened to the

502
00:36:16.920 --> 00:36:20.719
<v Speaker 8>song and this is gonna sound very weird because the

503
00:36:20.800 --> 00:36:23.719
<v Speaker 8>song is not from the perspective of Killer that I

504
00:36:23.760 --> 00:36:26.400
<v Speaker 8>listened heavily to the song not Your Slave by Oengo

505
00:36:26.480 --> 00:36:33.079
<v Speaker 8>Boingo because I felt Leonard Lake, in his mind was

506
00:36:33.360 --> 00:36:36.679
<v Speaker 8>justified and romantic at the end of the day. So

507
00:36:37.159 --> 00:36:40.960
<v Speaker 8>after I got to know the horrors of who he was,

508
00:36:42.079 --> 00:36:46.800
<v Speaker 8>I started to live it temporarily and pretend to be

509
00:36:46.880 --> 00:36:52.079
<v Speaker 8>that romantic and that's what gave me the inspiration to

510
00:36:52.079 --> 00:37:00.000
<v Speaker 8>be that person. I also have to admit as a kid,

511
00:37:00.239 --> 00:37:02.119
<v Speaker 8>I mean I was bullied, so you know I tapped

512
00:37:02.119 --> 00:37:06.239
<v Speaker 8>into that, and you know, it tap into things that

513
00:37:06.760 --> 00:37:10.320
<v Speaker 8>you've experienced in your own life, and you go out

514
00:37:10.360 --> 00:37:16.199
<v Speaker 8>of your way to get to know the person. How

515
00:37:16.280 --> 00:37:19.519
<v Speaker 8>much Howlso like playing villains, by the way, I played

516
00:37:19.599 --> 00:37:22.480
<v Speaker 8>villains all the time. I played dad people on film

517
00:37:22.679 --> 00:37:26.079
<v Speaker 8>on stage frequently, so it's pretty natural for me to

518
00:37:26.519 --> 00:37:27.679
<v Speaker 8>be somebody like that.

519
00:37:29.079 --> 00:37:31.800
<v Speaker 5>Was a little bit of his character that you brought

520
00:37:31.800 --> 00:37:36.000
<v Speaker 5>to the screen. What was Leonard Lake thought of himself

521
00:37:36.039 --> 00:37:40.199
<v Speaker 5>as one of these off the grid sort of an outlaw,

522
00:37:40.800 --> 00:37:43.079
<v Speaker 5>a pot dealer, and again of a sort of a

523
00:37:43.119 --> 00:37:46.679
<v Speaker 5>guy anti government sort of. Is that the way he

524
00:37:46.760 --> 00:37:49.119
<v Speaker 5>saw himself? Was this part of it?

525
00:37:51.599 --> 00:37:58.920
<v Speaker 8>Well, yes, I mean that's who he was, But I

526
00:37:58.960 --> 00:38:06.840
<v Speaker 8>think he saw himself somebody who was misunderstood, and as

527
00:38:06.920 --> 00:38:10.840
<v Speaker 8>horrible as that sounds, as a human being, I don't

528
00:38:10.880 --> 00:38:14.519
<v Speaker 8>condone his actions, but as an actor, I tried to

529
00:38:15.239 --> 00:38:19.599
<v Speaker 8>connect with the guy and the way I was able

530
00:38:19.599 --> 00:38:24.119
<v Speaker 8>to connect with him was He's a misunderstood individual and

531
00:38:24.159 --> 00:38:27.800
<v Speaker 8>that's the way I played it, and that's what you're

532
00:38:27.800 --> 00:38:28.960
<v Speaker 8>probably gonna see on screen.

533
00:38:32.039 --> 00:38:34.119
<v Speaker 5>Well, that's what I meant by that question. Did he

534
00:38:34.920 --> 00:38:37.840
<v Speaker 5>It almost seems like he thought of himself as all

535
00:38:37.880 --> 00:38:41.239
<v Speaker 5>of this, I'm outside the lawn, I'm off the grid,

536
00:38:41.599 --> 00:38:45.199
<v Speaker 5>and then he saw his torture chamber as just a

537
00:38:45.280 --> 00:38:48.039
<v Speaker 5>part of his individuality, it seemed. And once he got

538
00:38:48.119 --> 00:38:48.679
<v Speaker 5>Charles Ing.

539
00:38:48.920 --> 00:38:51.880
<v Speaker 8>And he saw Charles ng as practically a family member.

540
00:38:51.920 --> 00:38:56.480
<v Speaker 8>I mean the Actually there is a film called House

541
00:38:56.519 --> 00:39:00.119
<v Speaker 8>on the Edge of the Park that for mind to

542
00:39:00.159 --> 00:39:04.000
<v Speaker 8>me heavily of relationship between Leonard Lake and Charles Ing,

543
00:39:04.639 --> 00:39:10.000
<v Speaker 8>which is between these two killers who kidnap these people

544
00:39:10.039 --> 00:39:14.400
<v Speaker 8>at a party and they act very similarly to the

545
00:39:14.440 --> 00:39:16.280
<v Speaker 8>way that I feel like Leonard Lake and Charleston get.

546
00:39:16.800 --> 00:39:21.679
<v Speaker 8>And it stars David Hess who passed away years ago,

547
00:39:21.840 --> 00:39:25.320
<v Speaker 8>and he's very familiar with playing killer because he also

548
00:39:25.320 --> 00:39:28.199
<v Speaker 8>played a killer in The Last House on the Left,

549
00:39:28.239 --> 00:39:33.280
<v Speaker 8>which is a West Crave era set. Gosh, I want

550
00:39:33.320 --> 00:39:38.639
<v Speaker 8>to say Wes Craven produced it, and whoever directed Friday

551
00:39:38.679 --> 00:39:44.760
<v Speaker 8>at thirteenth I love him, by the way. But yeah,

552
00:39:45.039 --> 00:39:53.920
<v Speaker 8>it's that there is humanity in evil people, and if

553
00:39:53.960 --> 00:39:56.000
<v Speaker 8>you want to play an evil character as an actor,

554
00:39:57.440 --> 00:40:00.159
<v Speaker 8>you need to be able to connect with that mad

555
00:40:00.199 --> 00:40:02.559
<v Speaker 8>and be comfortable with the fact they're playing somebody who

556
00:40:02.599 --> 00:40:08.440
<v Speaker 8>was a horrible person. So that's what I did.

557
00:40:09.639 --> 00:40:28.239
<v Speaker 5>What was the somewhat redeeming aspects of Leonard Lake's character.

558
00:40:24.760 --> 00:40:28.960
<v Speaker 8>That's a tough question because he was a very detached

559
00:40:29.000 --> 00:40:31.920
<v Speaker 8>human being and he was not a very good human being.

560
00:40:31.960 --> 00:40:37.119
<v Speaker 8>But if I were to pick out the positives, he

561
00:40:37.199 --> 00:40:47.119
<v Speaker 8>was very charming. He he was creative, and I mean

562
00:40:47.159 --> 00:40:49.880
<v Speaker 8>he was able to Yeah, I know I know that's

563
00:40:50.000 --> 00:40:52.400
<v Speaker 8>that's just getting a little dark. But he was able

564
00:40:52.400 --> 00:40:55.079
<v Speaker 8>to build a bunker in the side of a mountain

565
00:40:55.199 --> 00:40:59.719
<v Speaker 8>next to his house and his honest property, and police

566
00:40:59.719 --> 00:41:01.920
<v Speaker 8>had to dig it up. You don't want her to

567
00:41:01.960 --> 00:41:11.840
<v Speaker 8>find it. So he was resourceful. And I guess, I

568
00:41:11.880 --> 00:41:16.519
<v Speaker 8>guess that's about it. I I honestly don't like him

569
00:41:16.519 --> 00:41:24.280
<v Speaker 8>as a person, but yeah, he was very resourceful. That's

570
00:41:24.280 --> 00:41:25.199
<v Speaker 8>probably what I would say.

571
00:41:26.079 --> 00:41:30.599
<v Speaker 5>How far do the tapes go? I think I ventured

572
00:41:30.639 --> 00:41:34.760
<v Speaker 5>into this question and didn't go quite through it. How

573
00:41:34.800 --> 00:41:38.079
<v Speaker 5>far do they go in these tapes? Considering that there's

574
00:41:38.119 --> 00:41:43.519
<v Speaker 5>the abduction, there's the torture, there's a psychological torture, and

575
00:41:43.559 --> 00:41:48.920
<v Speaker 5>then there's murders. How far and what? How? What? To

576
00:41:49.000 --> 00:41:54.639
<v Speaker 5>what extent do they go in the tapes? And and

577
00:41:54.639 --> 00:41:59.719
<v Speaker 5>and to what extent do you depict in your movie?

578
00:42:00.679 --> 00:42:02.239
<v Speaker 5>We m.

579
00:42:04.440 --> 00:42:11.039
<v Speaker 8>We go in Charles ng drew some he's an artist,

580
00:42:11.119 --> 00:42:16.199
<v Speaker 8>by the way, he threw some incriminating sketches of himself,

581
00:42:16.239 --> 00:42:24.960
<v Speaker 8>even cooking a baby. Yeah, and we don't show like

582
00:42:27.559 --> 00:42:32.239
<v Speaker 8>morbid aspects of cooking a baby, but we do depict

583
00:42:33.000 --> 00:42:37.559
<v Speaker 8>that a baby is put in a pops That's probably

584
00:42:37.599 --> 00:42:38.719
<v Speaker 8>the darkest thing. We do.

585
00:42:42.079 --> 00:42:42.719
<v Speaker 5>Quite dark.

586
00:42:42.880 --> 00:42:48.480
<v Speaker 8>We it's very dark. But the big thing I wanted

587
00:42:48.480 --> 00:42:58.000
<v Speaker 8>to try to emphasize was psychological horror. Yeah, what he's

588
00:42:58.119 --> 00:43:00.840
<v Speaker 8>going to create suspense and is going to build the

589
00:43:00.880 --> 00:43:05.079
<v Speaker 8>suspense And how can we tell a story without stabbing

590
00:43:05.119 --> 00:43:11.679
<v Speaker 8>anybody or shooting anybody or cutting anybody up? And we

591
00:43:11.800 --> 00:43:18.320
<v Speaker 8>show all the way up to that. Wait for those

592
00:43:18.440 --> 00:43:23.440
<v Speaker 8>that about twenty of our victims.

593
00:43:23.480 --> 00:43:27.639
<v Speaker 5>For those that may I don't know, pre judge this

594
00:43:28.519 --> 00:43:31.239
<v Speaker 5>by you say this is not a gore fest.

595
00:43:32.639 --> 00:43:35.280
<v Speaker 8>Oh yeah, there's absolutely no blood. We had no special

596
00:43:35.320 --> 00:43:36.880
<v Speaker 8>effects artist who did blood.

597
00:43:37.719 --> 00:43:43.760
<v Speaker 5>Wow for the for an audience that has read Dye

598
00:43:43.800 --> 00:43:49.760
<v Speaker 5>for me, yeah, yes, no, I'm not. Hey, listen, this

599
00:43:49.880 --> 00:43:55.639
<v Speaker 5>audience devours books on cas is there's one book or

600
00:43:55.639 --> 00:44:00.719
<v Speaker 5>there's four books. Some people are truly more wrapped up

601
00:44:00.760 --> 00:44:01.000
<v Speaker 5>than I.

602
00:44:04.639 --> 00:44:08.840
<v Speaker 8>Pardon me, but what I personally like about true crime

603
00:44:08.960 --> 00:44:15.760
<v Speaker 8>as a genre is the suspense of cap dancing on

604
00:44:17.199 --> 00:44:23.079
<v Speaker 8>the uncanny, dally the abnormal, what is inappropriate but not quite.

605
00:44:23.880 --> 00:44:27.199
<v Speaker 8>You know, I'm not interested personally in a gore fest.

606
00:44:27.239 --> 00:44:30.039
<v Speaker 8>I'm not interested in seeing somebody get stabbed and you know,

607
00:44:30.159 --> 00:44:34.159
<v Speaker 8>blood everywhere. I'm more interested in seeing the steps up

608
00:44:34.159 --> 00:44:37.199
<v Speaker 8>to that, and how do I prevent that from happening

609
00:44:37.199 --> 00:44:40.760
<v Speaker 8>to me and the people I care about? So I

610
00:44:40.880 --> 00:44:46.440
<v Speaker 8>tried to take that approach with my film.

611
00:44:46.840 --> 00:44:50.440
<v Speaker 5>With this film, we talked about the relationship between Leonard

612
00:44:50.480 --> 00:44:57.519
<v Speaker 5>Lake and Charles ing how prominent is their interaction in

613
00:44:57.559 --> 00:45:01.800
<v Speaker 5>this I mean, obviously their partners.

614
00:45:01.920 --> 00:45:07.079
<v Speaker 8>Cute, but it's actudy. Also, I have to admit, you know,

615
00:45:07.119 --> 00:45:13.079
<v Speaker 8>I'm an off Broadway actor and something I'm interested in

616
00:45:13.239 --> 00:45:20.599
<v Speaker 8>is the humanity behind horrible people. Who are they? And

617
00:45:20.719 --> 00:45:23.599
<v Speaker 8>we do get to know their relationship, and as we've

618
00:45:23.599 --> 00:45:26.760
<v Speaker 8>talked about earlier, there was a lot of research that

619
00:45:26.840 --> 00:45:29.119
<v Speaker 8>went into getting to know who they were and how

620
00:45:29.119 --> 00:45:36.199
<v Speaker 8>they interacted. For example, one of the pieces of direction

621
00:45:36.599 --> 00:45:41.280
<v Speaker 8>I gave my producer about playing Charles Ang was he

622
00:45:41.480 --> 00:45:45.920
<v Speaker 8>had what we called behind the scenes kabookie masks. He

623
00:45:47.199 --> 00:45:51.440
<v Speaker 8>would put out a mask in order to play a role,

624
00:45:52.679 --> 00:45:55.960
<v Speaker 8>in order to blend in with society, and depending on

625
00:45:56.440 --> 00:45:58.480
<v Speaker 8>the group of people he surrounded himself with, he put

626
00:45:58.480 --> 00:46:02.159
<v Speaker 8>on a differ kaboogie mask. With Leonard Lake, he played

627
00:46:02.159 --> 00:46:04.639
<v Speaker 8>a submissive role, even though he was actually a lot smarter,

628
00:46:06.239 --> 00:46:13.960
<v Speaker 8>a lot more resourceful with his coworkers, he also played

629
00:46:13.960 --> 00:46:20.119
<v Speaker 8>a submissive role, but he tried to blend in with

630
00:46:20.239 --> 00:46:26.119
<v Speaker 8>his family. He was a lot more loving, friendly and

631
00:46:27.079 --> 00:46:28.360
<v Speaker 8>you know, unassuming.

632
00:46:32.480 --> 00:46:32.920
<v Speaker 5>And when.

633
00:46:35.400 --> 00:46:43.599
<v Speaker 8>Leonard Lake was he he was a nihilist. He he

634
00:46:43.639 --> 00:46:49.199
<v Speaker 8>had big ego, but he just didn't care and he

635
00:46:49.280 --> 00:46:51.239
<v Speaker 8>didn't believe that he was going to get in trouble,

636
00:46:51.239 --> 00:46:54.320
<v Speaker 8>so he would take steps in what he did to

637
00:46:56.800 --> 00:47:01.639
<v Speaker 8>you know, avoid getting in trouble. But having that ego

638
00:47:01.800 --> 00:47:05.719
<v Speaker 8>really protected him for almost two years.

639
00:47:08.239 --> 00:47:12.039
<v Speaker 5>In this movie, is there any depiction of the meeting

640
00:47:12.920 --> 00:47:18.760
<v Speaker 5>and of the first meeting between In and Lake, or

641
00:47:19.239 --> 00:47:23.760
<v Speaker 5>the beginnings of that relationship, or an explanation on how

642
00:47:24.400 --> 00:47:27.480
<v Speaker 5>they could have both got on the subject of the

643
00:47:27.519 --> 00:47:31.559
<v Speaker 5>same how they could have had two psychopaths could have met.

644
00:47:34.199 --> 00:47:38.039
<v Speaker 8>The film is shot like a found footage movie. It's

645
00:47:38.079 --> 00:47:43.440
<v Speaker 8>meant to recreate actual footage and as a result, the

646
00:47:43.599 --> 00:47:48.880
<v Speaker 8>very first piece of actual footage in the film is

647
00:47:48.880 --> 00:47:52.599
<v Speaker 8>the first tape of them acting like a normal family

648
00:47:52.639 --> 00:47:56.719
<v Speaker 8>before the murders. But when it comes to the way

649
00:47:56.800 --> 00:47:59.679
<v Speaker 8>they met in the first place, no, it doesn't dress that.

650
00:48:02.360 --> 00:48:06.400
<v Speaker 8>The beginning of the film does start off documentary style,

651
00:48:09.000 --> 00:48:14.159
<v Speaker 8>but I mean, if you're asking about the way they met.

652
00:48:14.159 --> 00:48:17.800
<v Speaker 8>They met through a magazine because they're both ex Marines,

653
00:48:17.880 --> 00:48:24.840
<v Speaker 8>and like reached out and actually then met a lot

654
00:48:24.880 --> 00:48:29.400
<v Speaker 8>of his victims, even through magazine ads and newspaper ads.

655
00:48:29.760 --> 00:48:35.039
<v Speaker 8>But no, the film does not depict that particular aspect

656
00:48:35.079 --> 00:48:39.320
<v Speaker 8>of the way he connected with people. It shows more

657
00:48:40.000 --> 00:48:41.280
<v Speaker 8>the footage that he shot.

658
00:48:45.000 --> 00:48:47.920
<v Speaker 5>So it never what I'm asking, is there any way Again,

659
00:48:47.960 --> 00:48:51.480
<v Speaker 5>I'm just curious what the film will show. Is there

660
00:48:51.519 --> 00:48:55.920
<v Speaker 5>any depiction of that relationship. I mean, obviously we do

661
00:48:55.960 --> 00:48:58.920
<v Speaker 5>see the relationship, but I just thought there might be

662
00:48:58.960 --> 00:49:04.719
<v Speaker 5>some indication in those original tape of how they got

663
00:49:04.760 --> 00:49:08.239
<v Speaker 5>to be again interested in the same thing. I don't know.

664
00:49:08.679 --> 00:49:12.039
<v Speaker 5>To me, it's always fascinating how somebody broaches the subject

665
00:49:12.559 --> 00:49:16.360
<v Speaker 5>like this with anyone without someone then later running to

666
00:49:16.400 --> 00:49:18.880
<v Speaker 5>the police.

667
00:49:20.000 --> 00:49:22.960
<v Speaker 8>It depicts their relationship and it really goes in depth

668
00:49:23.039 --> 00:49:25.599
<v Speaker 8>with how they interacted with each other, what they meant

669
00:49:25.599 --> 00:49:30.679
<v Speaker 8>to each other, and what their relationship was, but it

670
00:49:30.719 --> 00:49:34.840
<v Speaker 8>doesn't specifically address the exact moment that Leonard Lake reach

671
00:49:34.840 --> 00:49:35.400
<v Speaker 8>out to Charles.

672
00:49:40.360 --> 00:49:42.119
<v Speaker 5>Maybe you can tell us a little bit and walk

673
00:49:42.199 --> 00:49:45.119
<v Speaker 5>us through some of the production process.

674
00:49:46.039 --> 00:49:51.920
<v Speaker 8>Very interesting, Oh yeah, certainly, I mean, like I said,

675
00:49:51.440 --> 00:49:57.159
<v Speaker 8>we traveled to Wilsonville. Very early on, me and my

676
00:49:57.320 --> 00:50:02.320
<v Speaker 8>producer Gil spent time in Vegas writing. We actually spent

677
00:50:02.400 --> 00:50:08.400
<v Speaker 8>about two weeks in Vegas status condo, just thro own

678
00:50:08.440 --> 00:50:11.519
<v Speaker 8>ideas out, working from twelve to sixteen hours a day.

679
00:50:12.440 --> 00:50:16.280
<v Speaker 8>And I mean, that's my life, that's what makes me

680
00:50:16.320 --> 00:50:22.000
<v Speaker 8>happy writing. And when it comes to the actual production,

681
00:50:23.719 --> 00:50:25.800
<v Speaker 8>I had to become the part. So I gained a

682
00:50:25.800 --> 00:50:29.440
<v Speaker 8>lot of weight and I tried to model myself, but

683
00:50:29.480 --> 00:50:33.840
<v Speaker 8>when Nard Lake looked and I dyed my head. And

684
00:50:34.360 --> 00:50:38.159
<v Speaker 8>actually Guil did a very similar transformation. He's usually a

685
00:50:38.239 --> 00:50:42.079
<v Speaker 8>very rugged looking individual, but you know he did the

686
00:50:42.079 --> 00:50:47.000
<v Speaker 8>bowl cut and he lost some weight and shaved, and

687
00:50:49.800 --> 00:50:52.360
<v Speaker 8>you know, we really wanted to transform into these individuals.

688
00:50:52.360 --> 00:50:54.119
<v Speaker 8>And actually, if you'd like some photos, I'd be happy

689
00:50:54.159 --> 00:50:56.480
<v Speaker 8>to send you some. I don't know, I assume it's

690
00:50:56.480 --> 00:50:58.719
<v Speaker 8>going to be on a website. I'm happy to share

691
00:50:58.719 --> 00:51:06.519
<v Speaker 8>them with you. But we had to hire actors to

692
00:51:06.639 --> 00:51:09.320
<v Speaker 8>play real Victor. We had to hire people to play

693
00:51:09.639 --> 00:51:16.559
<v Speaker 8>Harvey and Debor Dubs and Lottie Bond, and you know,

694
00:51:16.639 --> 00:51:21.960
<v Speaker 8>we had to find people who fit the parts, and

695
00:51:22.360 --> 00:51:25.440
<v Speaker 8>we did as it so happens, Like I said, Gil

696
00:51:25.480 --> 00:51:29.199
<v Speaker 8>Brana Festival, so he knew a lot of actors. I've

697
00:51:29.239 --> 00:51:32.239
<v Speaker 8>been a director in Hollywood for a couple of years,

698
00:51:32.400 --> 00:51:37.320
<v Speaker 8>and I knew some actors and they all happen to

699
00:51:37.360 --> 00:51:42.639
<v Speaker 8>be people that fit the bill. We shot a lot

700
00:51:42.679 --> 00:51:47.000
<v Speaker 8>of the Wilseyville footage. I mean the exteriors we shot

701
00:51:47.000 --> 00:51:52.480
<v Speaker 8>at Willseyville. We actually shot footage at location, but the

702
00:51:52.519 --> 00:51:55.760
<v Speaker 8>interior of the cabin we shot in Big Bear in

703
00:51:56.000 --> 00:52:04.159
<v Speaker 8>northern California, even shot from stuff in burd Bay, Los Angeles.

704
00:52:02.000 --> 00:52:08.599
<v Speaker 8>And our art director Merlvo Ramos, Wow, she was amazing.

705
00:52:09.480 --> 00:52:12.639
<v Speaker 8>She there was a if you look at the original footage,

706
00:52:12.639 --> 00:52:14.239
<v Speaker 8>which you can see on YouTube, or at least five

707
00:52:14.239 --> 00:52:19.079
<v Speaker 8>minutes of it, there's a blanket that like had she

708
00:52:19.599 --> 00:52:23.559
<v Speaker 8>made it, you know, sewed it, handmade it from scratch,

709
00:52:24.039 --> 00:52:26.440
<v Speaker 8>because we tried to find it and we couldn't find it.

710
00:52:26.480 --> 00:52:28.519
<v Speaker 8>And it's something that I recall having as a kid,

711
00:52:28.559 --> 00:52:32.159
<v Speaker 8>because you know, it was just a popular quote pattern

712
00:52:32.480 --> 00:52:36.280
<v Speaker 8>in I guess the late eighties or mid eighties. But

713
00:52:36.880 --> 00:52:40.199
<v Speaker 8>we couldn't find it. So she just said I'll make

714
00:52:40.239 --> 00:52:42.679
<v Speaker 8>it and she did.

715
00:52:42.840 --> 00:52:46.840
<v Speaker 5>You talk you talk about the impressive actors or cast

716
00:52:46.920 --> 00:52:51.920
<v Speaker 5>of actors that you've assembled for this. Normally they just

717
00:52:52.000 --> 00:52:54.039
<v Speaker 5>love the writing. If they love the writing, they're on board,

718
00:52:54.360 --> 00:52:58.320
<v Speaker 5>or if they loved the direction, something along the more lines,

719
00:52:58.440 --> 00:53:03.559
<v Speaker 5>but more so the story and obviously the roles. But

720
00:53:03.639 --> 00:53:05.519
<v Speaker 5>this is a little bit different, and you have a

721
00:53:06.000 --> 00:53:07.800
<v Speaker 5>you have a different approach with this. You're trying to

722
00:53:07.840 --> 00:53:10.920
<v Speaker 5>do something a little bit different here. How did these actors,

723
00:53:11.000 --> 00:53:15.280
<v Speaker 5>these established actors feel about the subject matter? Did they

724
00:53:15.480 --> 00:53:18.719
<v Speaker 5>have any response? Specifically?

725
00:53:21.960 --> 00:53:26.159
<v Speaker 8>The thing is to make a film, especially an independent film,

726
00:53:26.199 --> 00:53:28.559
<v Speaker 8>they have to be inspired. And that's why I had

727
00:53:28.599 --> 00:53:31.400
<v Speaker 8>such a great producer. That's why Gil is so inspiring me,

728
00:53:31.920 --> 00:53:36.760
<v Speaker 8>because he was able to find a cast that actively

729
00:53:36.880 --> 00:53:42.039
<v Speaker 8>wanted to play these roles. It's not just about finding

730
00:53:42.039 --> 00:53:46.880
<v Speaker 8>people who are willing to play roles, it's about showing

731
00:53:46.920 --> 00:53:49.760
<v Speaker 8>them that this movie is important, The story is important

732
00:53:49.800 --> 00:53:54.960
<v Speaker 8>and then needs to be told and you get the

733
00:53:54.960 --> 00:54:00.280
<v Speaker 8>opportunity to play these real people. So I have chalk

734
00:54:00.360 --> 00:54:04.480
<v Speaker 8>that up to my producer. He just he's an inspiring man.

735
00:54:07.960 --> 00:54:11.159
<v Speaker 5>Tell us a little bit more about the premiere and

736
00:54:11.880 --> 00:54:16.079
<v Speaker 5>also just what the reaction has been so far. I

737
00:54:16.079 --> 00:54:23.400
<v Speaker 5>guess obviously you've you're very, very happy with this, but

738
00:54:23.480 --> 00:54:27.320
<v Speaker 5>there's been any anybody at all that you preview this with.

739
00:54:27.440 --> 00:54:30.880
<v Speaker 5>As there's been any reaction, tell us what you or

740
00:54:30.920 --> 00:54:34.400
<v Speaker 5>what you anticipate as a reaction once this is released.

741
00:54:35.599 --> 00:54:40.559
<v Speaker 8>Oh, certainly. We had many test gratings and people walked

742
00:54:40.559 --> 00:54:44.760
<v Speaker 8>out because it was just that upsetting to them the

743
00:54:44.800 --> 00:54:50.239
<v Speaker 8>subject matter. But if you're a true crime fan and

744
00:54:50.400 --> 00:54:53.159
<v Speaker 8>you want to know more about real life serial killers

745
00:54:53.159 --> 00:54:55.599
<v Speaker 8>and you want to know about the true stories that

746
00:54:55.639 --> 00:55:00.760
<v Speaker 8>have happened in reality of people violent hitting other people,

747
00:55:02.360 --> 00:55:03.840
<v Speaker 8>this is going to be right up your ally. Because

748
00:55:03.840 --> 00:55:08.239
<v Speaker 8>we were very active in telling something that was accurate.

749
00:55:11.559 --> 00:55:13.800
<v Speaker 8>We had test screenings in Vegas, we had test screenings

750
00:55:13.840 --> 00:55:20.159
<v Speaker 8>in Santa Barbara, California, Los Angeles, California. The release of

751
00:55:20.199 --> 00:55:23.840
<v Speaker 8>the film is as we talked about, October thirteenth. It's

752
00:55:23.840 --> 00:55:27.559
<v Speaker 8>going to be an Amazon Crime Amazon Instant video, and

753
00:55:27.880 --> 00:55:35.400
<v Speaker 8>it is probably the least sensationalized through crime film. And

754
00:55:35.440 --> 00:55:39.119
<v Speaker 8>when I say that, I think it's Henry Portrait of

755
00:55:39.119 --> 00:55:44.440
<v Speaker 8>the Serial Killer and Texas Chainsaw I'm Asker, and Silence

756
00:55:44.480 --> 00:55:49.760
<v Speaker 8>of the Lands. Those are Hollywood films. They're story oriented.

757
00:55:49.800 --> 00:55:53.280
<v Speaker 8>This is story oriented, but it's designed to tell a true,

758
00:55:53.480 --> 00:55:56.559
<v Speaker 8>actual story that actually happened. So if you want to

759
00:55:56.599 --> 00:56:02.079
<v Speaker 8>see something that is based off of reality that hicks

760
00:56:02.119 --> 00:56:09.760
<v Speaker 8>reality and showcases true horror, this is the movie to watch.

761
00:56:12.239 --> 00:56:16.800
<v Speaker 5>And certainly that's the anticsist of Hollywood. It's certainly true

762
00:56:16.840 --> 00:56:19.599
<v Speaker 5>stories based on true stories or anything like that. It's

763
00:56:19.599 --> 00:56:23.480
<v Speaker 5>totally not true stories. So very encouraging that I'm excited

764
00:56:23.519 --> 00:56:24.159
<v Speaker 5>to see us.

765
00:56:24.639 --> 00:56:26.840
<v Speaker 8>I'm glad to hear it. And you know, I would

766
00:56:26.880 --> 00:56:29.239
<v Speaker 8>love to talk about Hollywood. I mean, it's a huge conversation,

767
00:56:29.360 --> 00:56:32.639
<v Speaker 8>but I mean that's never Hollywood's motivation. Of Hollywood's motivation

768
00:56:32.719 --> 00:56:36.880
<v Speaker 8>is demographics, and motivation is to tell something real. So

769
00:56:36.920 --> 00:56:39.880
<v Speaker 8>I if you want to see something real, this is.

770
00:56:39.880 --> 00:56:45.920
<v Speaker 5>It certainly true horror. It was it encouraging in these

771
00:56:46.159 --> 00:56:53.280
<v Speaker 5>tests viewings that even though there's no bloodshed, there's no gore,

772
00:56:54.159 --> 00:56:56.599
<v Speaker 5>that these people were still shocked and walked out.

773
00:56:58.519 --> 00:56:59.159
<v Speaker 8>What's the question.

774
00:57:00.760 --> 00:57:03.519
<v Speaker 5>Was it encouraging to a certain extent to have that

775
00:57:03.639 --> 00:57:07.199
<v Speaker 5>much shock value without any blood being spilled.

776
00:57:09.599 --> 00:57:16.719
<v Speaker 8>Yes, that tells me that the storytelling is affected. Right,

777
00:57:18.920 --> 00:57:21.599
<v Speaker 8>it's not meant to be a fun movie. It's meant

778
00:57:21.599 --> 00:57:25.199
<v Speaker 8>to be well. I guess if that's your mentality, maybe,

779
00:57:25.239 --> 00:57:29.719
<v Speaker 8>but it's ultimately, in my opinion, meant to be a

780
00:57:29.760 --> 00:57:34.679
<v Speaker 8>horror warning story and people walked out. So that tells

781
00:57:34.679 --> 00:57:36.440
<v Speaker 8>me that we did the right We did the job right.

782
00:57:37.519 --> 00:57:47.719
<v Speaker 5>Sure. Sure, because of the horrible nature of what these

783
00:57:47.719 --> 00:57:51.559
<v Speaker 5>people have done and what they depict in these tapes.

784
00:57:54.599 --> 00:58:01.599
<v Speaker 5>When you saw the test viewings and the reaction, you

785
00:58:01.679 --> 00:58:04.920
<v Speaker 5>have any trepidation in with this release? Is it a

786
00:58:04.920 --> 00:58:06.679
<v Speaker 5>little bit ahead of its time? Possibly?

787
00:58:11.920 --> 00:58:13.639
<v Speaker 8>Don't know. I mean I want to say yes, but

788
00:58:14.320 --> 00:58:20.800
<v Speaker 8>that's not you go talking. I've seen a lot of

789
00:58:20.840 --> 00:58:24.840
<v Speaker 8>movies and I've seen some very horrible films, and I

790
00:58:24.880 --> 00:58:34.039
<v Speaker 8>think it's a throwback, So it's not what you would call.

791
00:58:35.360 --> 00:58:38.280
<v Speaker 8>I hesitate to say ahead of its time, but I

792
00:58:38.280 --> 00:58:40.760
<v Speaker 8>think it's right on the top. I think it's the

793
00:58:40.920 --> 00:58:44.800
<v Speaker 8>kind of story that needs now, and I think the

794
00:58:44.880 --> 00:58:49.679
<v Speaker 8>style of a throwback. But that's why I feel like

795
00:58:49.719 --> 00:58:53.679
<v Speaker 8>it needs to be told now because these days Hollywood

796
00:58:53.760 --> 00:59:04.400
<v Speaker 8>tells very carbon copied, created, like very controlled stories, and

797
00:59:04.679 --> 00:59:07.599
<v Speaker 8>I think it's important to tell these kinds of stories.

798
00:59:10.039 --> 00:59:12.719
<v Speaker 8>So it's something that's right for right now. I think

799
00:59:12.719 --> 00:59:14.199
<v Speaker 8>it just hits the nail on the head.

800
00:59:15.360 --> 00:59:17.239
<v Speaker 5>There's no love story in this is there.

801
00:59:19.039 --> 00:59:22.199
<v Speaker 8>There's a dark love story. There's a love story between

802
00:59:22.400 --> 00:59:29.840
<v Speaker 8>Leonard Lake's ex wife Carolyn blaz who, like earlier, I

803
00:59:30.360 --> 00:59:34.880
<v Speaker 8>think from my research she was a lot more active

804
00:59:35.039 --> 00:59:40.239
<v Speaker 8>in the murders than then. She not only lets on

805
00:59:40.440 --> 00:59:49.079
<v Speaker 8>but has gotten you know, negative credit work. I think

806
00:59:49.079 --> 00:59:51.920
<v Speaker 8>it's a dark love story, but like not in the

807
00:59:51.920 --> 00:59:55.280
<v Speaker 8>way Edwards is Her Hands is a love story where

808
00:59:56.239 --> 00:59:58.519
<v Speaker 8>you know, well, I.

809
00:59:58.599 --> 01:00:01.920
<v Speaker 5>Just that was just some what kidding because Hollywood always

810
01:00:02.000 --> 01:00:06.199
<v Speaker 5>has to have a love story, even Capodi's somehow had one, And.

811
01:00:08.360 --> 01:00:11.719
<v Speaker 8>I think I want story a horrible love story. It's

812
01:00:11.760 --> 01:00:14.599
<v Speaker 8>it's a love story of a man who loved his

813
01:00:14.800 --> 01:00:19.280
<v Speaker 8>wife and I wanted to try to create his wife

814
01:00:19.480 --> 01:00:23.239
<v Speaker 8>by kidnapping other women and turning him, turning them into

815
01:00:23.400 --> 01:00:25.920
<v Speaker 8>what he wanted his wife to be. And it's a

816
01:00:25.960 --> 01:00:30.679
<v Speaker 8>horrible story, and it's not really love. It's in his mind.

817
01:00:30.719 --> 01:00:33.360
<v Speaker 8>It's a love story. But I think in uh, you know,

818
01:00:33.920 --> 01:00:39.000
<v Speaker 8>any audience's mine who you know has their faculties, it's

819
01:00:39.079 --> 01:00:39.800
<v Speaker 8>not a love story.

820
01:00:39.920 --> 01:00:46.119
<v Speaker 5>No, yeah, absolutely. I want to thank you for coming

821
01:00:46.159 --> 01:00:49.280
<v Speaker 5>on and talking about the random murders for those people

822
01:00:49.360 --> 01:00:51.440
<v Speaker 5>that might want to check out the website, and if

823
01:00:51.480 --> 01:00:55.719
<v Speaker 5>you could, I would like you to post your tiler

824
01:00:56.000 --> 01:00:58.719
<v Speaker 5>failer for the movie Miranda Murders on my face personal

825
01:00:58.800 --> 01:01:01.239
<v Speaker 5>Facebook page. I have a true murder of Facebook page.

826
01:01:01.239 --> 01:01:03.880
<v Speaker 5>I don't really use. I just use my personal Facebook page.

827
01:01:03.960 --> 01:01:06.440
<v Speaker 5>So if you were able to do that, Matthew, I'd

828
01:01:06.480 --> 01:01:10.199
<v Speaker 5>greatly appreciate it for those people that comment and also

829
01:01:10.360 --> 01:01:13.000
<v Speaker 5>go to Facebook to listen to the program I guess

830
01:01:13.079 --> 01:01:16.719
<v Speaker 5>and to make comments. So if you could give us

831
01:01:16.840 --> 01:01:20.519
<v Speaker 5>that give us that address and any other contacts as well,

832
01:01:21.440 --> 01:01:23.320
<v Speaker 5>and if you could tell us about other work as well,

833
01:01:23.360 --> 01:01:26.440
<v Speaker 5>and direct people to somewhere where they could see your

834
01:01:26.519 --> 01:01:27.480
<v Speaker 5>other film.

835
01:01:27.320 --> 01:01:32.719
<v Speaker 8>Work, certainly I would absolutely love to share my stuff

836
01:01:32.760 --> 01:01:37.679
<v Speaker 8>on our Facebook page. I'll post the trailer. You can

837
01:01:37.760 --> 01:01:40.480
<v Speaker 8>go to shock Beest Horror Factory dot com. I highly

838
01:01:40.559 --> 01:01:45.000
<v Speaker 8>recommend going to the Mirando Murders on Facebook, the Mirandomers,

839
01:01:45.119 --> 01:01:49.280
<v Speaker 8>lost tapes of Letting Lake and Charles Ing. There's probably

840
01:01:49.280 --> 01:01:52.079
<v Speaker 8>gonna be more updates on there about the release of

841
01:01:52.119 --> 01:01:55.239
<v Speaker 8>the film and where you can watch the film. If

842
01:01:55.280 --> 01:01:57.320
<v Speaker 8>you want to see some of my previous work, I

843
01:01:57.760 --> 01:02:01.239
<v Speaker 8>have shops. As I said earlier, Webster is called Hollywood Routes,

844
01:02:01.840 --> 01:02:05.960
<v Speaker 8>which I'm still working on with Actually gil My producer

845
01:02:06.360 --> 01:02:10.960
<v Speaker 8>and before that I shot a web series called Horror

846
01:02:11.000 --> 01:02:13.960
<v Speaker 8>Show Theater which you can see on Sepulture Productions, which

847
01:02:14.039 --> 01:02:18.360
<v Speaker 8>is on YouTube and Facebook. Highly recommend going to the

848
01:02:18.480 --> 01:02:21.360
<v Speaker 8>Mirando Murders on Facebook. That's really where you want to go.

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<v Speaker 8>And yes, I definitely sure my information on your page.

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<v Speaker 8>Thank you for offerings.

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01:02:30.000 --> 01:02:34.719
<v Speaker 5>Well, thank you very much Matthew Rosalie for the Mirando Murders,

852
01:02:35.000 --> 01:02:37.559
<v Speaker 5>the lost tapes of Leonard Lake and Charles Ing. I'm

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01:02:37.599 --> 01:02:40.159
<v Speaker 5>looking forward to this and as I know many many

854
01:02:40.199 --> 01:02:42.760
<v Speaker 5>true crime fans and fans of true murder will be

855
01:02:42.800 --> 01:02:47.079
<v Speaker 5>looking forward to this. Sounds very exciting. Congratulations, Thank you

856
01:02:47.239 --> 01:02:49.400
<v Speaker 5>very much and you have a great evening. Thanks again

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01:02:49.440 --> 01:02:50.039
<v Speaker 5>for this interview.

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01:02:50.159 --> 01:02:51.239
<v Speaker 8>Thank you, d Pleasure.

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<v Speaker 5>Good night,
