1
00:00:00,120 --> 00:00:03,600
Speaker 1: Creativity is an addiction, unplugged because we will always say

2
00:00:03,640 --> 00:00:07,160
yes to creativity, totally uncut because we all make mistakes.

3
00:00:07,440 --> 00:00:10,679
So let's turn it into a tool. This is arrow unplugged,

4
00:00:10,880 --> 00:00:13,759
hey Zaro, And this is vocal D. Vocal d fragging

5
00:00:14,519 --> 00:00:17,640
is asking yourself questions and then questioning your answers. I

6
00:00:17,679 --> 00:00:20,399
also keep a d frag journal where I write out

7
00:00:20,440 --> 00:00:23,359
the questions in the journal and then I answer them.

8
00:00:23,480 --> 00:00:26,399
I argue with myself. I sit there and I feel

9
00:00:26,399 --> 00:00:29,760
good or bad. I go through the emotional exchanges. Same

10
00:00:29,760 --> 00:00:31,440
thing with the vocal dfrag. But what I love most

11
00:00:31,480 --> 00:00:34,840
about the vocal dfrag is that you're preserving your inflection,

12
00:00:35,560 --> 00:00:37,520
the pitch, the volume of the tone. And I strongly

13
00:00:37,520 --> 00:00:40,240
suggest that you do that with your smartphone. Start using

14
00:00:40,280 --> 00:00:43,079
it as a great tool for you to share your

15
00:00:43,079 --> 00:00:46,399
personal thoughts, your visions, things that are moving through you.

16
00:00:46,439 --> 00:00:49,719
Come back and just listen to it, ask the questions

17
00:00:49,799 --> 00:00:53,399
and then question the answers. This is vocal D fragging.

18
00:00:54,119 --> 00:00:58,159
I've been hit today with several different angles of why

19
00:00:58,240 --> 00:01:02,640
you should be real listening to your heart. I did

20
00:01:02,640 --> 00:01:05,159
a commercial for Spotify today that was based on one thing,

21
00:01:05,239 --> 00:01:07,920
not podcasting in the way that people get on there

22
00:01:07,959 --> 00:01:10,519
to tell their jokes, or they do their famous people interviews,

23
00:01:10,640 --> 00:01:13,000
or or just get in there and just joke around

24
00:01:13,079 --> 00:01:17,079
with their friends, or to basically just talk about a product.

25
00:01:17,760 --> 00:01:21,480
My angle today was based one hundred percent on the

26
00:01:21,519 --> 00:01:24,680
advertiser because I was reminded that the reason why I

27
00:01:24,719 --> 00:01:27,680
got into podcasting in twenty twelve was because I was

28
00:01:27,760 --> 00:01:31,640
trying to design a platform for advertisers who were spending

29
00:01:31,640 --> 00:01:34,959
a boatload of money for thirty second and sixty second commercials.

30
00:01:34,959 --> 00:01:38,159
So I thought podcasting would be such a great angle

31
00:01:38,719 --> 00:01:42,400
to take our advertisers too, And in twenty twelve, that

32
00:01:42,519 --> 00:01:45,000
big old broadcasting company looked at me and said, yeah,

33
00:01:45,040 --> 00:01:46,599
I don't get it, man, I don't get what you're doing,

34
00:01:46,640 --> 00:01:49,200
but keep trying. And so I kept trying, and the

35
00:01:49,200 --> 00:01:51,519
more I tried, the more I got into those famous

36
00:01:51,519 --> 00:01:54,239
people interviews and doing things like we're doing right now.

37
00:01:54,959 --> 00:01:59,159
But at the same time, I documented something inside another

38
00:01:59,239 --> 00:02:02,400
journal that I keep, which is called stream Thinking, and

39
00:02:02,439 --> 00:02:06,159
it wanted to know why I was doing this storytelling

40
00:02:06,239 --> 00:02:09,280
of this forest, this tiny forest in South Charlotte, North Carolina.

41
00:02:09,919 --> 00:02:11,560
Speaker 2: And the answer that I came up with.

42
00:02:11,599 --> 00:02:14,840
Speaker 1: Was was kind of odd because it was based on

43
00:02:14,840 --> 00:02:19,039
one thing. When I'm gone, all of the energy that

44
00:02:19,080 --> 00:02:23,439
the forest and I shared will be gone as well.

45
00:02:23,479 --> 00:02:26,240
And the forest has been speaking so loudly to me

46
00:02:26,280 --> 00:02:29,400
over the past couple of weeks that it says, write

47
00:02:29,680 --> 00:02:33,120
the story. If you don't write the story, then no

48
00:02:33,159 --> 00:02:37,280
one will know of what happened here in nineteen ninety two,

49
00:02:38,039 --> 00:02:42,000
growing forward, because what's going to happen to my daily writing?

50
00:02:42,120 --> 00:02:44,319
If I know my wife, she's probably going to get

51
00:02:44,400 --> 00:02:46,240
rid of the daily writing at the time of my

52
00:02:46,319 --> 00:02:49,639
passing because it takes up a lot of room in many,

53
00:02:49,680 --> 00:02:53,560
many protective boxes. So I have felt it in my

54
00:02:53,560 --> 00:02:56,599
heart for the past couple of weeks, share the story

55
00:02:57,719 --> 00:03:00,319
of this forest. I did a fourth episode this morning,

56
00:03:00,759 --> 00:03:03,439
and I'm still going, what the hell are you doing?

57
00:03:03,960 --> 00:03:06,919
So I bring this to you. When you get into

58
00:03:06,919 --> 00:03:11,159
those moments of what the hell am I doing? How

59
00:03:11,199 --> 00:03:13,599
far do you take that? Do you lean into it

60
00:03:13,639 --> 00:03:16,800
even more? Because you're trying to locate the real source

61
00:03:16,840 --> 00:03:20,960
of the energy. What the hell are you doing? My

62
00:03:21,080 --> 00:03:23,120
dad used to ask me that question all the time.

63
00:03:23,479 --> 00:03:25,960
He'd walk into my room, he'd walk out into the

64
00:03:26,039 --> 00:03:28,439
chicken hut with me. Well, in the chicken hut. I

65
00:03:28,479 --> 00:03:30,520
was out there with a garden hose, and I was

66
00:03:30,560 --> 00:03:33,120
singing in one end and on the other end it

67
00:03:33,199 --> 00:03:35,319
was going into my ear because it created an echo.

68
00:03:35,560 --> 00:03:38,000
What the hell was I doing? I was singing, I

69
00:03:38,039 --> 00:03:41,039
was being creative. I'd like to hear that little delay

70
00:03:41,080 --> 00:03:43,240
because it made me sound like I was live in concert.

71
00:03:44,599 --> 00:03:48,840
What the hell are you doing? How far do you

72
00:03:48,879 --> 00:03:52,240
push yourself before you finally say, well, what the hell

73
00:03:52,280 --> 00:03:54,919
I was doing is exactly that. It was what I

74
00:03:54,960 --> 00:03:58,360
was doing, and there was no payoff. And I often

75
00:03:58,479 --> 00:03:59,840
wonder about those payoffs.

76
00:04:00,439 --> 00:04:01,360
Speaker 2: What is it that.

77
00:04:01,319 --> 00:04:04,520
Speaker 1: We're truly looking for when we set out to accomplish

78
00:04:04,520 --> 00:04:08,000
something and it doesn't reach that one particular level. I

79
00:04:08,039 --> 00:04:11,319
get really super jealous of these carpenters and these construction

80
00:04:11,439 --> 00:04:15,919
workers that follow these gigantic maps. This is the way

81
00:04:15,960 --> 00:04:19,639
it's supposed to be, this highway, this house, But does

82
00:04:19,680 --> 00:04:22,720
it really achieve that level. I mean, we may not

83
00:04:22,759 --> 00:04:25,000
see it because we're not trained to see it. I

84
00:04:25,079 --> 00:04:27,120
call them easter eggs at the grocery store. I can

85
00:04:27,160 --> 00:04:30,399
be walking through that store and see something that's completely

86
00:04:30,439 --> 00:04:32,800
out of place, but a billion people have walked by

87
00:04:32,920 --> 00:04:36,120
and have done nothing about it. What the hell are

88
00:04:36,160 --> 00:04:39,319
you doing? What are you doing in your life that

89
00:04:39,439 --> 00:04:43,040
you see that you're feeling energy from, and yet the

90
00:04:43,079 --> 00:04:47,439
only thing that's happening is you. Nobody else is participating,

91
00:04:47,879 --> 00:04:50,040
and if they were, it might be a judgment call,

92
00:04:51,079 --> 00:04:54,959
but that in itself serves as fuel in the way

93
00:04:55,040 --> 00:04:58,480
of well should I continue doing this? Or what I mean?

94
00:04:58,519 --> 00:05:01,279
A guy walking through a forest into a telephone, what

95
00:05:01,319 --> 00:05:05,319
the hell are you doing? Well, it's called vocal d fragging.

96
00:05:05,959 --> 00:05:08,600
Vocal D fragging came to me because of a breakdown.

97
00:05:08,959 --> 00:05:11,199
I was putting it on paper, but then I was

98
00:05:11,240 --> 00:05:14,079
talking to all of these actors and musicians and artists

99
00:05:14,560 --> 00:05:16,959
and they said, well, what is vocal D fragging? I

100
00:05:17,000 --> 00:05:19,639
want to participate with it. I couldn't put my journals

101
00:05:19,639 --> 00:05:21,720
out there because what of my journals have to do

102
00:05:21,759 --> 00:05:24,680
with you? So therefore we created vocal D fragging in

103
00:05:24,680 --> 00:05:26,639
a way of saying, what the hell.

104
00:05:26,439 --> 00:05:26,959
Speaker 2: Are you doing?

105
00:05:27,920 --> 00:05:30,839
Speaker 1: Why the hell are you doing it? Do you really

106
00:05:30,959 --> 00:05:33,639
need to be doing it? Is there a payoff? Or

107
00:05:33,639 --> 00:05:37,759
do you really want a payoff? Sometimes we do things

108
00:05:38,720 --> 00:05:42,040
to do to find our place to be in a

109
00:05:42,079 --> 00:05:45,480
place of acceptance by way of saying, yeah, I did it,

110
00:05:46,000 --> 00:05:47,000
what do you want to do about it?

111
00:05:47,680 --> 00:05:48,920
Speaker 2: Okay, I'll do it again.

112
00:05:49,600 --> 00:05:51,839
Speaker 1: For instance, like the day that I became an artist

113
00:05:51,839 --> 00:05:54,680
on canvas was a total accident. It was because I

114
00:05:54,720 --> 00:05:57,959
spilled ink on my daily writing and it took the

115
00:05:58,040 --> 00:06:01,279
shape of a perfect wine glass. To this day, when

116
00:06:01,319 --> 00:06:04,519
I see that picture or that painting, I go, the

117
00:06:04,600 --> 00:06:07,040
hell was I thinking? Most people would rip it out

118
00:06:07,040 --> 00:06:09,480
of the journal and throw it away, but no, I

119
00:06:09,560 --> 00:06:12,639
had to preserve it because it changed my life forever.

120
00:06:13,519 --> 00:06:16,199
So in asking what the hell are you doing, maybe

121
00:06:16,199 --> 00:06:18,560
we should say what the hell would you like to

122
00:06:18,560 --> 00:06:18,959
be doing?

123
00:06:19,360 --> 00:06:21,240
Speaker 2: And how much time and energy you're going to place

124
00:06:21,279 --> 00:06:21,720
into it.

125
00:06:22,120 --> 00:06:24,480
Speaker 1: We've all been convinced that there has to be a

126
00:06:24,519 --> 00:06:25,920
return on the investment.

127
00:06:26,680 --> 00:06:29,480
Speaker 2: I get it, that's business. I've talked with directors.

128
00:06:29,680 --> 00:06:32,360
Speaker 1: In fact, the director of the new John Travolta movie

129
00:06:32,360 --> 00:06:35,160
mob Land, we talked about the business side of making movies.

130
00:06:35,480 --> 00:06:38,120
We've talked about the business side of a grocery store.

131
00:06:38,240 --> 00:06:40,160
I get it, there's got to be some sort of

132
00:06:40,199 --> 00:06:43,319
return on the investment. But the situation is based on

133
00:06:43,319 --> 00:06:47,399
one more thing, you yourself and the energy that you have,

134
00:06:47,800 --> 00:06:49,759
and how much of it are you willing to spend

135
00:06:50,000 --> 00:06:52,079
in order to do what the hell you want to do.

136
00:06:53,040 --> 00:06:56,120
When my wife retired from being a school teacher, the

137
00:06:56,160 --> 00:06:59,439
woman at the Social Security office said, hey, welcome to

138
00:07:00,199 --> 00:07:04,759
a new life. You now have the power of choice.

139
00:07:04,839 --> 00:07:08,279
I remember listening to that phone conversation, and I was

140
00:07:08,360 --> 00:07:10,639
moved by it, just like I was moved by the

141
00:07:11,199 --> 00:07:13,160
ink spilling on the piece of paper that took the

142
00:07:13,160 --> 00:07:17,439
shape of a wineglass. Moved because welcome to the power

143
00:07:18,120 --> 00:07:22,360
of choice. At that moment is when I said, I

144
00:07:22,439 --> 00:07:26,680
will never work another job again. That's my choice. See,

145
00:07:26,839 --> 00:07:29,439
I do have an essential job. I do do things

146
00:07:29,439 --> 00:07:31,639
with the movie promotion company. I do do things with

147
00:07:31,680 --> 00:07:35,279
my mobile DJ service. But it's not a job. It's

148
00:07:35,279 --> 00:07:38,079
a choice. I make a choice to do that, and

149
00:07:38,199 --> 00:07:41,519
changing my mindset of what the hell am I doing

150
00:07:42,360 --> 00:07:46,120
it really gives me a better opportunity to enjoy the

151
00:07:46,240 --> 00:07:50,120
love that is shared in the things that I'm doing. Yeah,

152
00:07:50,240 --> 00:07:53,560
being at a grocery store what a pain in the ass, right? Not? Really,

153
00:07:54,120 --> 00:07:56,680
there's a lot of stories there. There's a lot of

154
00:07:56,759 --> 00:08:03,279
everyday average people combined with jazz people, famous people, unknown people,

155
00:08:03,399 --> 00:08:06,279
old people, young people. They're all coming into this place

156
00:08:06,839 --> 00:08:09,319
and they've all got something to share. And if you

157
00:08:09,360 --> 00:08:12,600
take the time to listen, my God, the return on

158
00:08:12,639 --> 00:08:16,040
the investment is just mind blowing because you see for

159
00:08:16,120 --> 00:08:19,560
yourself what a true community is. It's not like going

160
00:08:19,560 --> 00:08:21,639
to a church. I love me some church, okay, But

161
00:08:21,759 --> 00:08:24,120
church people they dress up and they put on their

162
00:08:24,120 --> 00:08:27,000
little candy coat of plastic, bathroom mere smiles, they bring

163
00:08:27,000 --> 00:08:29,439
the little Bible. They do things like them, but it's

164
00:08:29,439 --> 00:08:31,720
not sharing to reality now. The moment they get in

165
00:08:31,800 --> 00:08:33,840
their car after the preacher man has talked, that's when

166
00:08:33,919 --> 00:08:37,960
reality sets in. But at a grocery store, there's reality there.

167
00:08:38,080 --> 00:08:40,320
What the hell are you doing? I ask myself that

168
00:08:40,440 --> 00:08:42,519
every time I go to this grocery store, what the

169
00:08:42,559 --> 00:08:43,279
hell are you doing?

170
00:08:44,120 --> 00:08:45,840
Speaker 2: I'm being with my community.

171
00:08:45,960 --> 00:08:47,960
Speaker 1: I'm charging up my batteries as a writer, as a

172
00:08:48,000 --> 00:08:51,320
creative person, I'm like hanging out with other people that

173
00:08:51,360 --> 00:08:53,919
are also created. They're just not talking about it. I'm

174
00:08:53,960 --> 00:08:56,000
listening to their stories. I'm watching them come into the

175
00:08:56,039 --> 00:08:58,399
store at odd ball hours and then when I say

176
00:08:58,440 --> 00:09:01,320
something to them, they're going, whoa, You actually noticed that

177
00:09:01,360 --> 00:09:02,320
I came in here at this time?

178
00:09:02,679 --> 00:09:03,879
Speaker 2: Yeah, yeah, I really did.

179
00:09:04,679 --> 00:09:06,799
Speaker 1: So on this episode of Vocal DFRAG, I really do

180
00:09:06,840 --> 00:09:08,320
want you to ask the question what the hell are

181
00:09:08,320 --> 00:09:10,320
you doing? And in the moments of trying to come

182
00:09:10,399 --> 00:09:13,159
up with an answer. The goal is to find yourself

183
00:09:13,200 --> 00:09:18,039
in a place of discovery as well as recovery, because

184
00:09:18,080 --> 00:09:20,960
your life is going to get stronger when you find

185
00:09:21,000 --> 00:09:24,200
yourself being more truthful with yourself, instead of buying things

186
00:09:24,440 --> 00:09:27,360
to cover things up, instead of going on to social media,

187
00:09:27,399 --> 00:09:29,799
and finding yourself in that place of well, if I

188
00:09:29,879 --> 00:09:32,440
say this, I've released all my statement. Hey, look, if

189
00:09:32,440 --> 00:09:34,200
there's some things that are pissing you off in the world,

190
00:09:34,559 --> 00:09:37,240
I get it. You're not supposed to talk about politics,

191
00:09:37,360 --> 00:09:39,080
you're not supposed to talk about religion.

192
00:09:39,159 --> 00:09:41,039
Speaker 2: I get it, I get it, I get it.

193
00:09:41,759 --> 00:09:44,559
Speaker 1: Then put it in a defragged journal, not necessarily a

194
00:09:44,600 --> 00:09:46,600
vocal journal, because there's a lot of stuff in the

195
00:09:46,600 --> 00:09:49,000
political world that you don't need to be saying, because

196
00:09:49,000 --> 00:09:50,399
you're going to create a storm that's going to ruin

197
00:09:50,440 --> 00:09:51,279
a lot of relationships.

198
00:09:51,360 --> 00:09:54,120
Speaker 2: Don't be doing that. What the hell are you doing?

199
00:09:54,840 --> 00:09:59,679
Speaker 1: Ask the question, question the answer, find yourself in the mirror,

200
00:10:00,279 --> 00:10:01,759
Aye Marrow, And that spoke Wi D Frank

