WEBVTT

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<v Speaker 1>From Workhouse Ketch. Same is it, bitch? This is your

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<v Speaker 1>daily on Filter. Padgy would like to be walked on

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<v Speaker 1>a leash and play really dirty, kinky sex games. The

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<v Speaker 1>guys put the cock okay four Tues today. I love it.

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<v Speaker 1>And what a four twos two plus two is four?

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<v Speaker 1>Two plus two is four? Four twos is forty four?

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<v Speaker 1>Damn it. It's a good day. Although these landscapers are around.

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<v Speaker 1>I was thirty minutes not dirty. Twenty minutes into the

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<v Speaker 1>show and I have to stop because the landscaper lawnmower

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<v Speaker 1>showed up and I could not believe the noise. Windows

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<v Speaker 1>are shut, but they were coming through loud and clear.

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<v Speaker 1>So I can't do that to you guys. Trying to

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<v Speaker 1>get the show to Mike. He's leaving Vegas in a

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<v Speaker 1>couple hours to come back to Florida, and I'm leaving

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<v Speaker 1>tomorrow morning going to Vegas to finish poker, and he's

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<v Speaker 1>got to get this show now or else he wouldn't

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<v Speaker 1>be able to put it up until tomorrow late morning.

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<v Speaker 1>And you guys are a little panic and some of

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<v Speaker 1>you'll miss the show, and I don't want that to happen.

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<v Speaker 1>So let me just start by saying I was looking

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<v Speaker 1>at some article reading about the top podcast not because

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<v Speaker 1>I'm looking for mine. Mine's not ranked in the top

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<v Speaker 1>two hundred. I know that, but I'm just curious. I

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<v Speaker 1>figured i'd know most of them. Most of them I

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<v Speaker 1>know Joe Rogan Podcast America, Bill maher on Share Expert

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<v Speaker 1>smart List, a lot of the ones I listened to,

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<v Speaker 1>Alex Shones, Canon Owens, there's a lot of Ben Shapiro.

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<v Speaker 1>I have no answers, and I can't even believe that

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<v Speaker 1>the Kylie Kelsey podcast with her husband and you know

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<v Speaker 1>the x X Philadelphia Eagle, and you know Travis Kelcey

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<v Speaker 1>coming on this is like either number one or number

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<v Speaker 1>two podcasts. I got one hundred million dollar deal Kelsey, Oh,

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<v Speaker 1>Kylie Kelsey, her husband and Travis oll take thirty three

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<v Speaker 1>million and change in a piece. Has your life changed?

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<v Speaker 1>It all because she has a podcast and these two

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<v Speaker 1>schmucks around it. I shouldn't say schmucks, but her husband,

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<v Speaker 1>Kylie Kelsey's husband can't even remember his first name. He's

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<v Speaker 1>in the shadow of Travis can't and the shadow of

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<v Speaker 1>Taylor can't remember his name. I don't care. What the

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<v Speaker 1>fuck has he ever said? What does she ever said

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<v Speaker 1>that has changed the way you look at things, and

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<v Speaker 1>it's all horseship. But she's gonna get the Webbe Award

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<v Speaker 1>for Best Podcast of the Year. You know, last time

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<v Speaker 1>around it was Amy Poehler who had about six shows

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<v Speaker 1>under a belt, and she got best Podcasts. You mean,

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<v Speaker 1>it's never gonna go to Joe Rogan ever, the guy

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<v Speaker 1>that was one of the beginners with Corolla and Mark Maron,

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<v Speaker 1>who's a print forget about him, but not many guys

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<v Speaker 1>were doing podcasts fifteen sixteen years ago, and Joe's number

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<v Speaker 1>one or two all the time. He's not Podcast of

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<v Speaker 1>the year. You think more people talk about Kylie Kelsey

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<v Speaker 1>than Joe wrote can get the fuck out of here?

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<v Speaker 1>Get out of here? If he's Johnny Carson from the

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<v Speaker 1>old day, she's not even Samantha Be when it comes

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<v Speaker 1>to where you get your information or laughs from, give

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<v Speaker 1>me a break. And then this Drewsky, this unfunny black kid. Suddenly,

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<v Speaker 1>you know, some people just become so famous so quickly.

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<v Speaker 1>I feel that way about Doci. Maybe many of you

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<v Speaker 1>don't know the rapper female very cute. She has a

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<v Speaker 1>couple of good songs. Do she just blew up became

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<v Speaker 1>so famous so quickly, commercials movies that a lot this

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<v Speaker 1>happens to a lot of people, like we call them plants,

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<v Speaker 1>you know, like how do they get here? And Soabi

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<v Speaker 1>Pedro Pascal, who agrees to everything toes the line, he's gay,

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<v Speaker 1>he's got a transgender a sibling, everything is perfect. So

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<v Speaker 1>he's a plant. Give him all the movie rolls. Blah

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<v Speaker 1>blah blah. Kyleie Kelsey's a plant. There's no reason a

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<v Speaker 1>woman like her should be this popular or drusky. He's

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<v Speaker 1>to me allnless. He's the one who went out there

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<v Speaker 1>and imitated Erika Kirk by putting on the wig. He

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<v Speaker 1>culturally appropriated her. Look at the TPUSA big thing with

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<v Speaker 1>the sparklers and all this shit going off in the air.

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<v Speaker 1>I'm not an Erica Kirk fan. I don't believe eighty

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<v Speaker 1>five percent of what she says. But I don't like

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<v Speaker 1>Candace Owens, and I don't like how rabbag she's become

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<v Speaker 1>going after Erica Kirk. This is unbelievable. But you know,

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<v Speaker 1>they all have big shows. And Tucker Carlson too. Now

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<v Speaker 1>he's apologizing, saying, I apologize for supporting Trump. I feel

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<v Speaker 1>like it's my fault and the millions of us are

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<v Speaker 1>in this trouble. And his son was working for the

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<v Speaker 1>organization and he left. Your listen, Tucker, put on your

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<v Speaker 1>bow tie again and be that prick on CNBC. All

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<v Speaker 1>these people will do and say anything to get headlines,

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<v Speaker 1>to get likes, clicks, subscribers, and money, money anyhow podcast

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<v Speaker 1>of the year to get them. How about this story

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<v Speaker 1>that you're not going to see on the news. You

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<v Speaker 1>have to just find it. It's on social media. Maybe

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<v Speaker 1>it'll be on Fox later today, but it won't be

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<v Speaker 1>on CNN or MSNB. Now, a white firefighter in Wisconsin

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<v Speaker 1>came upon a black drug addict overdosing in the street

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<v Speaker 1>right a little you know, shades of George Floyd. Did

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<v Speaker 1>they lean on the guy and grab and cuff him. Now,

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<v Speaker 1>they came to his aid with nark can and they

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<v Speaker 1>were patting them on the back and give them nark can.

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<v Speaker 1>And this guy was gonna die. And there when he

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<v Speaker 1>came back, when he came to they're all, hey, buddy,

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<v Speaker 1>there he is, Hey, pal, you okay, we lost you

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<v Speaker 1>there for a minute. All right, you know, you had

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<v Speaker 1>an overdose. We took care of it. And that you know,

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<v Speaker 1>like saying you're okay you I mean, now that you

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<v Speaker 1>hear you have anything on you have any weapons? Know,

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<v Speaker 1>and the black guys like, listen, I don't like talking

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<v Speaker 1>to cops, you know. I just don't like cops. I

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<v Speaker 1>don't like officials fire men. I don't like officers there

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<v Speaker 1>like okay, no problem man, as he's saying this and

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<v Speaker 1>that kind of Hey, we just want to make sure

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<v Speaker 1>you're not going to hurt yourself as somebody else, you know,

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<v Speaker 1>have cops are and firemen. He takes out a gun

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<v Speaker 1>and kills the fireman. He killed the guy that just

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<v Speaker 1>saved his life. I can't believe it. These stories, a

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<v Speaker 1>story like this is going to be ignored because they

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<v Speaker 1>don't fit the narrative, the preferred narrative that the legacy

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<v Speaker 1>media has been pushing for years. You know what you

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<v Speaker 1>do to get a cure for this, here's the cure.

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<v Speaker 1>You got to get out more often. And I'm guilty.

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<v Speaker 1>I'm more guilty than most of you because I'm on

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<v Speaker 1>social media constantly looking for stories. How can I spend

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<v Speaker 1>this cause there's this story, you know, break up anything

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<v Speaker 1>in the cobwebs. In the back of my mind, that

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<v Speaker 1>I can do on the show. So I'm always reading

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<v Speaker 1>and just raking over everything. But if you get out

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<v Speaker 1>more often, you'll see the world and the people in

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<v Speaker 1>it and are not as bad as the way social

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<v Speaker 1>media is painting it. Depending upon your algorithm, my algorithm

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<v Speaker 1>must be the same as I don't know Ted Bundy's

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<v Speaker 1>and Edgar Allan Poel. I see such gory shit, murders, kidnappings,

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<v Speaker 1>you know, car accidents of course, puppies and pretty girls

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<v Speaker 1>as well. But I go into that gore phase where

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<v Speaker 1>I see nothing but crazy scary shit. But I met

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<v Speaker 1>Rocco's track meet yesterday, three teams, a lot of kids,

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<v Speaker 1>and you start to look and you go, you know what,

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<v Speaker 1>Not everything is a big fistfight at waffle house, or

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<v Speaker 1>a black and a white guy shooting each other at

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<v Speaker 1>a bodega, or somebody robbing a jewelry store and ski

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<v Speaker 1>masks like not. Everything's about that. Rocca goes to a

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<v Speaker 1>school that has a lot of blacks in South Americans.

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<v Speaker 1>This is Southern California. You can't avoid it. And you

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<v Speaker 1>know what, You see them together. They're hugging each other,

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<v Speaker 1>consoling each other, celebrating with each other, aiding each other,

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<v Speaker 1>black teachers, white students. I mean, everybody gets along. Fucking

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<v Speaker 1>thing is back. I'm not restarting now, guys. We'll have

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<v Speaker 1>to just get through it. Unbelievable. All the windows are

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<v Speaker 1>shut too unreal. I'm sorry, but Mike's gotta get the show.

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<v Speaker 1>Fuck but you get out more often, don't let social

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<v Speaker 1>media poison you. And uh, you know, it's just obviously.

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<v Speaker 1>There's this one girl that I know likes Roco. She

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<v Speaker 1>walks around. She's tall, she's thinned, like five seven, and

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<v Speaker 1>she wears a lot of eye makeup and she has

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<v Speaker 1>bracelets on, a studded bracelet. She has makeup on and

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<v Speaker 1>nice hair, and I could tell she likes him. He

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<v Speaker 1>just looks fuck right past it. But I'm looking at her, going,

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<v Speaker 1>this is so nice. This is great. I like that

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<v Speaker 1>she likes him, And you know, he's not overly conceited

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<v Speaker 1>about it. He's like, I don't know, maybe she's nice,

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<v Speaker 1>you know. Then the other team had a girl who

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<v Speaker 1>had hair extent, non extensions. They were real, real hair

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<v Speaker 1>dreads down to the back of her knees, and she

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<v Speaker 1>was about five eight. But these both these girls, these

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<v Speaker 1>black hicks, were very fast but they're all doing things

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<v Speaker 1>like they saw Jackie John at Percy Do and other

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<v Speaker 1>pretty track stars of the last twenty five years, the

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<v Speaker 1>way they wore makeup and jewelry and hair extensions, and

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<v Speaker 1>they're emulating that, and it's sweet and it's cute. And

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<v Speaker 1>I suggest we all get out more and see things

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<v Speaker 1>like that rather than the news and Instagram and Facebook

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<v Speaker 1>and Twitter, which is the worst. Threads just out just

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<v Speaker 1>lies outright about things. They just make shut up. Three

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<v Speaker 1>Threads is the national inquirer of apps or social media platforms.

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<v Speaker 1>Is awful. But let me just jump to this story

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<v Speaker 1>that really got me. It hurt me. Charlie Sheen and

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<v Speaker 1>Denise Richard's daughter, Lola Sheen. She said that she and

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<v Speaker 1>her mother Denise to get back together with her one

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<v Speaker 1>time boyfriend Patrick Muldoon, the guy that just died. The

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<v Speaker 1>actor from Melrose plays Beverly Hills, Dinald two and O

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<v Speaker 1>Starship Troopers. He just has a new movie coming out

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<v Speaker 1>soon with some good people in it as well, and

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<v Speaker 1>Alec Bowin's as he bets some good people. That's a

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<v Speaker 1>decent actor. I used to run into him at Jerry's

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<v Speaker 1>Delian Studio City where we were taping poker over there,

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<v Speaker 1>nice guy, and he dies at fifty seven. I think

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<v Speaker 1>of a heart attack, and I'm sorry. Whenever I hit

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<v Speaker 1>guys that age dying of heart attacks, I just think

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<v Speaker 1>that these are COVID related deaths. I'm sorry. They're not

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<v Speaker 1>COVID but from the jab okay, from the injection. Because

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<v Speaker 1>you know, in my father's era, men in their fifties

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<v Speaker 1>got all attacks. My father had two back to back,

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<v Speaker 1>his brother had four, his other brother, Larry, had three,

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<v Speaker 1>all in their fifties. It was a different era. Now,

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<v Speaker 1>in twenty twenty six, men are and trapping a fifty

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<v Speaker 1>seven heart attacks unless they got the jet. And I'm

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<v Speaker 1>sure you've seen videos of doctors pulling out threads of

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<v Speaker 1>blood from somebody's veins, Like, what the hell's happening to us?

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<v Speaker 1>And then, of course the story that I said once,

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<v Speaker 1>I didn't want to say it a lot, but you know,

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<v Speaker 1>early on Andrew and I, well, she was pregnant and

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<v Speaker 1>we were gonna have it. I mean, it was just like, yeah,

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<v Speaker 1>we're gonna have it. And then she's carrying it for

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<v Speaker 1>a few months and then she miscarries, very upsetting blah

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<v Speaker 1>blah blah, and she goes to her gynecologist, and gynecologists said,

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<v Speaker 1>just out of curiosity, is your boyfriend? Did your boyfriend

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<v Speaker 1>get the COVID chat. She goes, yeah, he did. He's

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<v Speaker 1>got older siblings and you know, didn't want to bring

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<v Speaker 1>and younger nieces and travels a lot. She goes, well,

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<v Speaker 1>I'm just you know, we've seen a two hundred percent

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<v Speaker 1>increase in the miscarriages from women whose boyfriends or husbands

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<v Speaker 1>had the shot. So you got Patrick muldoon dropping dead,

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<v Speaker 1>the California Angels baseball team lost Garrett Anderson, who was

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<v Speaker 1>a World Series champ, great athlete again in his fifties,

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<v Speaker 1>dropping dead. I'm telling you I'm right. I'm not that

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<v Speaker 1>I'm the only a lot of people are saying it.

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<v Speaker 1>There's studies that show that there's so many more heart

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<v Speaker 1>related illnesses, mild carditis and heart attacks, all sorts of

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<v Speaker 1>shit since people got the jam. But anyhow, getting back

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<v Speaker 1>to this this Instagram post that Lola Sheene put together,

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<v Speaker 1>I thought you were the one that was supposed to

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<v Speaker 1>be in our lives forever. When I think of my childhood,

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<v Speaker 1>I think of you, Patrick, and it's going to be

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<v Speaker 1>so weird to go on without you and our lives. Wow,

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<v Speaker 1>such a huge part of our family and life will

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<v Speaker 1>never feel the same. But that's just because of how

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<v Speaker 1>much you impacted us. Thank you for showing everyone around

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<v Speaker 1>you how to be alive. Twenty year old kid and

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<v Speaker 1>him and Denise Richard stayed closed even after they broke up,

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<v Speaker 1>because he made a laugh when life was getting difficult

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<v Speaker 1>for her. He also made Lola Sheen laugh a lot

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<v Speaker 1>because he would sing the kink song Lola to her

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<v Speaker 1>and she'd never heard it, so on Hello, she would laugh.

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<v Speaker 1>She was a kid, and she said, I really miss

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<v Speaker 1>my mom. I really miss hearing my mom laugh on

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<v Speaker 1>the phone with you. That's a that's sentence right there

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<v Speaker 1>from a twenty year old kid has to send shivers

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<v Speaker 1>down Charlie Sheen's spine. I know, Charlie, she knows he

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<v Speaker 1>wasn't a model parent, wasn't there often enough spiritually, physically, mentally, emotionally.

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<v Speaker 1>He knows that he's done the work. God bless and

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<v Speaker 1>man guy had a ball and then went through hell.

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<v Speaker 1>But to see your daughter writing this letter to another man,

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<v Speaker 1>that's tough. I mean, if we're this comes to worse

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<v Speaker 1>than there's a divorce or a separation. You always want

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<v Speaker 1>your loved one to be happy and to not have

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<v Speaker 1>a prick in her life, and for the kids to

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<v Speaker 1>be safe and sound. And of course you do, but

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<v Speaker 1>trust me, as a man, deep down inside you don't

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<v Speaker 1>want them to be that gushy. But this new guy,

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<v Speaker 1>you just don't. Thank you for being the one to

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<v Speaker 1>make her laugh and forget all about she's going through.

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<v Speaker 1>That was a gift you had. The bond you two

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<v Speaker 1>had was something so special that no one can touch.

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<v Speaker 1>When I think of my mom, I think of you.

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<v Speaker 1>You guys came as a package, and I'm so thankful

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<v Speaker 1>I got to know you and witness a friendship so

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<v Speaker 1>pure and special in front of my eyes. And she

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<v Speaker 1>said she always thought her mother would end up with

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<v Speaker 1>Patrick muldoon. I begged her. I'm sure she told you

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<v Speaker 1>that you guys would end up back together, but I

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<v Speaker 1>guess they and best friends was better. Anyways, you really

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<v Speaker 1>were a rock star parent and forever will be not

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<v Speaker 1>not parent, a rockstar, Pat and forever will be have

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<v Speaker 1>fun up there. I know you will love you, you know.

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<v Speaker 1>I know the guy had a girl. He was with

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<v Speaker 1>Miriam Bart whoever that is. But she's the one who

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<v Speaker 1>found him dead in the bathroom floor. What are so

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<v Speaker 1>many men die in the bathroom floor? Do we spend

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<v Speaker 1>that much time in the bathroom? I know we take

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<v Speaker 1>our phones and read our books on the bowl, but

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<v Speaker 1>I mean, everybody dies in the bedroom. I don't know.

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<v Speaker 1>It's a weird thing. I'm still wondering how Bob Saga died.

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<v Speaker 1>That whole thing doesn't sit robb with me anyhow. These

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<v Speaker 1>two did have a very very deep friendship, There's no

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<v Speaker 1>doubt about that. But Denise says she never spoke to

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<v Speaker 1>Patrick while she was married to Charlie. She said that

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<v Speaker 1>in one of her reality shows one of the chef

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<v Speaker 1>two or three, who the hell knows, but she didn't

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<v Speaker 1>want to lose him as a close friend. But towards

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<v Speaker 1>the end of the marriage she talked to him all

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<v Speaker 1>the time. Hmmm, because she had a hard time dealing

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<v Speaker 1>with uh Charlie, and Charlie had a hard time dealing

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<v Speaker 1>with her in Muldoon's relationship. That's why this post from

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<v Speaker 1>his daughter it kind of hurts me a little bit.

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<v Speaker 1>And she said that the daughters said there were even

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<v Speaker 1>the other daughter, Sammy said there were sparks still between

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<v Speaker 1>Muldoon and Richards when they reconnected on some music video

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<v Speaker 1>that she was with Aaron Phiper's said Vipers. What a

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00:16:15.480 --> 00:16:20.799
<v Speaker 1>stupid name, that last prick she was with. But the

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<v Speaker 1>kids knew, the kids that I could tell he's thoughted

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<v Speaker 1>feelings for my mom. But I don't want to get

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<v Speaker 1>anybody in trouble. They do have thirty years of history,

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<v Speaker 1>you know. Let me just say something about let me

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00:16:30.879 --> 00:16:33.559
<v Speaker 1>speak on that. This happens a lot more often than

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00:16:33.600 --> 00:16:37.679
<v Speaker 1>you think, you know, because it is possible, for sure

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<v Speaker 1>to be in love with someone like a wife or

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<v Speaker 1>a husband, girlfriend, boyfriend and still have fond feelings for

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<v Speaker 1>someone from your past. Obviously, the key is not acting

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<v Speaker 1>on those feelings or stoking the flames. But to say

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<v Speaker 1>I don't have any fond feelings. I don't want to

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<v Speaker 1>hear their voice again. I'm not that guy. I know

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<v Speaker 1>plenty of guys in marriages that have never and would

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<v Speaker 1>never call an ex or receive an ex girl call

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<v Speaker 1>from a girl. It's different now with all the with

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<v Speaker 1>all the instagrams and facebooks and texting, you could get

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00:17:11.480 --> 00:17:13.519
<v Speaker 1>something out of the blue that you have nothing to

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00:17:13.559 --> 00:17:15.799
<v Speaker 1>do with. But your wife or girlfriend, husband and boyfriend

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00:17:15.799 --> 00:17:17.440
<v Speaker 1>is still gonna get pissed off, But you have nothing

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<v Speaker 1>to do with I can't stop someone from reaching out

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00:17:19.400 --> 00:17:21.920
<v Speaker 1>to me, but you can stop how you respond to

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00:17:21.960 --> 00:17:24.440
<v Speaker 1>that person. And we all know the kind of shit

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00:17:24.480 --> 00:17:26.240
<v Speaker 1>that we could say that would hurt our loved one

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00:17:26.519 --> 00:17:31.359
<v Speaker 1>or they could brush it off. But you know, sometimes

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00:17:31.400 --> 00:17:35.519
<v Speaker 1>life puts us into situations that make that a test,

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00:17:35.880 --> 00:17:41.160
<v Speaker 1>makes it hard to uphold the valves sometimes. But if

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<v Speaker 1>you have fun feelings, if you love somebody years ago,

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<v Speaker 1>I'm you know, I'm very much like that. If you

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<v Speaker 1>were in my life and I loved you, my family

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<v Speaker 1>knew you, and we went together, We've traveled together, this

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<v Speaker 1>and that. Well, I just can't discard those people. I

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00:17:54.079 --> 00:17:59.240
<v Speaker 1>can't just two embedded in my head. Even if it

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00:17:59.319 --> 00:18:02.119
<v Speaker 1>ended badly, I still have fun feelings for them. I

317
00:18:02.119 --> 00:18:04.400
<v Speaker 1>still look back and think about the laughter and the fun,

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00:18:05.240 --> 00:18:07.200
<v Speaker 1>and then we all shaped each other in some way,

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00:18:08.920 --> 00:18:12.880
<v Speaker 1>you know. I Well, I'm looking on Instagram, like you

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00:18:12.880 --> 00:18:16.480
<v Speaker 1>know whatever, and I'm traveling. I'm scrolling through people's stories

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00:18:16.519 --> 00:18:20.279
<v Speaker 1>and I see this one video come up and as

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<v Speaker 1>a girl in the distance walking from I can see

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<v Speaker 1>the back of her. I saw one second of this

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00:18:25.799 --> 00:18:29.960
<v Speaker 1>girl walking maybe a second, and I said, that's Carra's walk,

325
00:18:30.720 --> 00:18:33.480
<v Speaker 1>and then I zoned in on the blue. No, that's her. Oh,

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<v Speaker 1>it's her story. Okay. She was in New York and

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<v Speaker 1>she was shopping. Oh okay. See, you just know, if

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<v Speaker 1>you know someone that well, I don't know how, you

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<v Speaker 1>just go fuck it. Yeah, not talking to them anymore.

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<v Speaker 1>They're done. Unless you have somebody in your life that

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<v Speaker 1>you're completely committed to and you know it would really

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<v Speaker 1>hurt their heart, then you move on. With my second wife, Lola,

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<v Speaker 1>she didn't care who I contacted, who called me. She

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00:19:00.720 --> 00:19:07.519
<v Speaker 1>just never cared. But others don't want anything to do

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00:19:07.559 --> 00:19:09.519
<v Speaker 1>with that. So you got to play it by you,

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<v Speaker 1>I guess. Speaking of relationships, yesterday, I told you I

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00:19:15.400 --> 00:19:17.799
<v Speaker 1>wanted to tell you more about the great May West,

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00:19:18.920 --> 00:19:24.559
<v Speaker 1>and you know this, she was something else. I don't

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<v Speaker 1>know how many of you have seen some of the

340
00:19:26.319 --> 00:19:30.559
<v Speaker 1>movies she was in, but she was really like no other.

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<v Speaker 1>There was no one else like Maywest. There still hasn't been.

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<v Speaker 1>But the subject came out from my patron, ZeVA Palmer.

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<v Speaker 1>She said, did you know about Maywest with this boyfriend?

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<v Speaker 1>You have this black guy, this black man. I said, yeah,

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<v Speaker 1>we did a mysteries and scandals on her. I know

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<v Speaker 1>all about it. The guy was named Albert Chalky Right

347
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<v Speaker 1>Chucky Wright w RGHT. He was a featherweight boxer fought

348
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<v Speaker 1>for twenty years twenties to the late forties, and he

349
00:20:02.799 --> 00:20:07.440
<v Speaker 1>was a featherweight champion. His record was a little crazy

350
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<v Speaker 1>back then, those guys fall like every three days. His

351
00:20:09.920 --> 00:20:13.240
<v Speaker 1>record was eighty seven No. One hundred and seventy one

352
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<v Speaker 1>wins with eighty seven knockouts, forty six losses, and nineteen draws.

353
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<v Speaker 1>Those draws alone will make me want to retire. A

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<v Speaker 1>draw water two is what nineteen anyhow. But back in

355
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<v Speaker 1>the thirties, Chalky Right was very friendly with Maywest. You know,

356
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<v Speaker 1>Maywest was a boxing fan. She liked tough guys. She

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<v Speaker 1>dated a couple of body belough she liked men like that,

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<v Speaker 1>and at one point she helped him finance his boxing

359
00:20:45.160 --> 00:20:49.200
<v Speaker 1>career and she eventually brought him on as her living bodyguard,

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<v Speaker 1>living bodyguard and chauffeur for a time, and that began

361
00:20:55.559 --> 00:20:59.480
<v Speaker 1>this romantic relationship that they both had to deny publicly.

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<v Speaker 1>This is way before Sammy Davis and uh Eddon. May

363
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<v Speaker 1>britt Am I wrong. Sammy had the white girlfriend and

364
00:21:11.720 --> 00:21:14.839
<v Speaker 1>they the studios said you're not you cannot be with her,

365
00:21:17.079 --> 00:21:19.920
<v Speaker 1>and they made him marry a black woman, just just

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<v Speaker 1>for you know, cosmetic kind of a look. It was

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<v Speaker 1>this white I think it was Edna's what's wrong with me?

368
00:21:29.759 --> 00:21:32.920
<v Speaker 1>It was may Britt, not may Britt. May Britt. Yeah,

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<v Speaker 1>they were. They were hot and heavy, but the studios

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<v Speaker 1>would not allow it. Next thing, you know, he marries

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<v Speaker 1>a black assistant or somebody who was nobody damn but whatever.

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<v Speaker 1>But Hollywood was obsessed with appearances back then, and obviously

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<v Speaker 1>racial racial lines were really strictly drawn, so their relationship

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<v Speaker 1>seeing them together really stood out, and a lot of

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<v Speaker 1>people looked at it and thought, well, she's just very

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<v Speaker 1>defiant about this. So it was very controversial story, but

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<v Speaker 1>at the same time, it was very courageous and brave

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<v Speaker 1>of both of them, namely her, because she was a

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<v Speaker 1>big star to do that. There was one point, you know,

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<v Speaker 1>Maywest lived in a beautiful building, the Ravenwoods apartment in Hollywood.

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<v Speaker 1>I was there a couple of times because Jeremy Piven

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<v Speaker 1>had a place there. Beautiful apartment building, you know, art deco, doorman.

383
00:22:24.720 --> 00:22:30.319
<v Speaker 1>It's gorgeous, gorgeous, and she lived there, but the people

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<v Speaker 1>who ran it, the management, would never let Chalky into

385
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<v Speaker 1>her apartment. He had to stay outside. So may West

386
00:22:38.799 --> 00:22:42.319
<v Speaker 1>was doing pretty well back then, and she responded by

387
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<v Speaker 1>buying the entire building and that was never a problem

388
00:22:46.720 --> 00:22:52.680
<v Speaker 1>again with Chalky going upstairs. Chucky also played a big

389
00:22:52.759 --> 00:22:57.039
<v Speaker 1>role in protecting Maywest from threats. She got threats back

390
00:22:57.079 --> 00:23:01.000
<v Speaker 1>in nineteen thirty five. He helped some copy in a

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00:23:01.079 --> 00:23:06.839
<v Speaker 1>sting operation against somebody that was extorting, targeting Maywest for money,

392
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<v Speaker 1>and Chalky planted a decoy purse near the Water Brothers

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00:23:12.720 --> 00:23:21.039
<v Speaker 1>studio to catch the guy and they called him so

394
00:23:22.559 --> 00:23:27.000
<v Speaker 1>look a woman like Maywest broke all the rules. But

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<v Speaker 1>what she loved more than anything else with loyalty, and

396
00:23:31.279 --> 00:23:33.240
<v Speaker 1>she likes standing up for people who still up for her.

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<v Speaker 1>And with this Chalky Wright character, she found someone who

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00:23:38.039 --> 00:23:41.400
<v Speaker 1>did just that. He was strong, he had dignity and

399
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<v Speaker 1>what she called an unwavering presence. I'll post a picture

400
00:23:44.880 --> 00:23:48.519
<v Speaker 1>of these two at the bottom of the show. But

401
00:23:48.599 --> 00:23:52.559
<v Speaker 1>she was unique, to say the least. You got to

402
00:23:52.559 --> 00:23:55.759
<v Speaker 1>go back to her late teens or early twenties. She

403
00:23:55.839 --> 00:24:02.720
<v Speaker 1>goes from Vaudeville to Broadway and was very provocative, always controversial, sexy,

404
00:24:03.079 --> 00:24:05.400
<v Speaker 1>trying not to look at Maywest when she was from

405
00:24:05.440 --> 00:24:09.240
<v Speaker 1>sixty to eighty when she died, and she lived with

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00:24:09.240 --> 00:24:14.079
<v Speaker 1>somebody for many years at that point. But in her youth, Yeah,

407
00:24:14.119 --> 00:24:16.839
<v Speaker 1>I know, women were thicker back then, and there were

408
00:24:16.839 --> 00:24:19.799
<v Speaker 1>no size zeros or twos or four as everybody seemed

409
00:24:19.799 --> 00:24:21.920
<v Speaker 1>to be at ten to twelve or sixteen whatever the hell,

410
00:24:21.960 --> 00:24:25.960
<v Speaker 1>But that was the women back then. Some guys like that,

411
00:24:26.000 --> 00:24:28.759
<v Speaker 1>some guys don't, but you can't argue with it. Maywst

412
00:24:28.759 --> 00:24:32.359
<v Speaker 1>being a very special kind of person and no one's

413
00:24:32.400 --> 00:24:36.319
<v Speaker 1>ever been able to emulate since. She took roles in

414
00:24:36.400 --> 00:24:39.960
<v Speaker 1>these plays that were very shocking for the times, and

415
00:24:40.160 --> 00:24:43.519
<v Speaker 1>one time she wrote, directed, and started a play that

416
00:24:45.759 --> 00:24:50.119
<v Speaker 1>was got arrested. She got busted for indecency in New

417
00:24:50.200 --> 00:24:54.519
<v Speaker 1>York City after appearing in this play. But she also

418
00:24:54.680 --> 00:24:58.039
<v Speaker 1>loved that publicity. In the meantime, she was very big

419
00:24:58.079 --> 00:25:03.559
<v Speaker 1>with standing up for game and black people. She'd always

420
00:25:03.640 --> 00:25:09.119
<v Speaker 1>kept her mother with her, was very intelligent about managing

421
00:25:09.200 --> 00:25:11.119
<v Speaker 1>her own career when a lot of people around them

422
00:25:11.160 --> 00:25:14.279
<v Speaker 1>were losing theirs and losing their money and their dreams

423
00:25:14.319 --> 00:25:19.880
<v Speaker 1>just up and died. Maywest kept going, and she was

424
00:25:20.240 --> 00:25:24.559
<v Speaker 1>very headstrong about where she wanted to end up. Not

425
00:25:24.680 --> 00:25:27.640
<v Speaker 1>to mention her business interests, I mentioned the Ravens Would apartment.

426
00:25:27.720 --> 00:25:30.440
<v Speaker 1>She had real estate all over California, a lot of

427
00:25:30.480 --> 00:25:34.079
<v Speaker 1>it in Hollywood, and a lot of these guys being

428
00:25:34.160 --> 00:25:39.079
<v Speaker 1>crosby Bob Hope. So many celebrities back then were buying

429
00:25:39.119 --> 00:25:44.640
<v Speaker 1>buildings into Luca Lake and Burbank and Hollywood. You know,

430
00:25:44.880 --> 00:25:47.920
<v Speaker 1>I guess they had some good representation back then, good accounting,

431
00:25:48.079 --> 00:25:50.880
<v Speaker 1>good good bankers, people who knew, hey, you know, at

432
00:25:50.960 --> 00:25:53.920
<v Speaker 1>this career might not last forever. Wyonn't you buy that building?

433
00:25:55.200 --> 00:25:56.839
<v Speaker 1>You'd be happy five years from now. I want it

434
00:25:56.960 --> 00:26:00.440
<v Speaker 1>triples in worth, you know that kind of shit. People

435
00:26:00.480 --> 00:26:02.680
<v Speaker 1>wonder how how do these movie stars make it? They

436
00:26:02.680 --> 00:26:04.799
<v Speaker 1>haven't worked. How does Bruce Willis make it? He hasn't

437
00:26:04.799 --> 00:26:06.720
<v Speaker 1>worked the year. First of all, Bruce Willis got back

438
00:26:06.720 --> 00:26:09.359
<v Speaker 1>in on so many movies. Please, at the end of

439
00:26:09.440 --> 00:26:11.839
<v Speaker 1>his life, he was doing a movie. He'd work five days,

440
00:26:12.000 --> 00:26:13.279
<v Speaker 1>have an air piece of his year and get a

441
00:26:13.319 --> 00:26:15.559
<v Speaker 1>million bucks just so they could put him on the

442
00:26:15.559 --> 00:26:17.680
<v Speaker 1>cover and sell the movie out in Europe. You know,

443
00:26:17.759 --> 00:26:21.319
<v Speaker 1>because he was big out there. But he just saw

444
00:26:21.440 --> 00:26:25.640
<v Speaker 1>this house for forty one million dollars privately, these things

445
00:26:26.400 --> 00:26:29.000
<v Speaker 1>the people who made money early and then bought property,

446
00:26:29.720 --> 00:26:32.759
<v Speaker 1>you never lose, especially in this town. You never lose

447
00:26:32.799 --> 00:26:36.000
<v Speaker 1>with having a house or two. Oh my god. So

448
00:26:36.079 --> 00:26:40.480
<v Speaker 1>that's how they withstand the lean years. They sell a property,

449
00:26:40.640 --> 00:26:44.160
<v Speaker 1>you know, Oh I bought this for eight Now it's

450
00:26:44.200 --> 00:26:48.640
<v Speaker 1>twenty two, thank you. You know. But she was a

451
00:26:48.680 --> 00:26:52.599
<v Speaker 1>free spirit. Shocked a lot of people what she said

452
00:26:52.640 --> 00:26:55.039
<v Speaker 1>and did. I mean, she was a lot like Malina Dietrich.

453
00:26:55.119 --> 00:26:58.960
<v Speaker 1>But Malina Dietrich was very vain, and a lot of

454
00:26:59.000 --> 00:27:02.559
<v Speaker 1>people will say she was cold, like emotionally cold. But

455
00:27:02.640 --> 00:27:06.000
<v Speaker 1>that wasn't Maywest. You think about the thing she accomplished

456
00:27:06.000 --> 00:27:11.039
<v Speaker 1>in her career. She was really went against, you know, censorship.

457
00:27:11.119 --> 00:27:13.880
<v Speaker 1>She challenged that every step of the way. And since

458
00:27:13.920 --> 00:27:16.319
<v Speaker 1>she got a start on stage, she you know, she

459
00:27:16.519 --> 00:27:19.559
<v Speaker 1>learned to sing and dance and burlette shows and vaudeville,

460
00:27:19.599 --> 00:27:23.319
<v Speaker 1>as I said, got to Broadway. But that play that

461
00:27:23.519 --> 00:27:28.079
<v Speaker 1>was called sex, what she wrote, produce and directed strong

462
00:27:28.160 --> 00:27:30.440
<v Speaker 1>ticket sales. But of course, like I said, the vice

463
00:27:30.640 --> 00:27:35.519
<v Speaker 1>squad dragged her out, gave her an eight day prison

464
00:27:35.599 --> 00:27:38.200
<v Speaker 1>set or jail set, and she served six got two

465
00:27:38.279 --> 00:27:41.640
<v Speaker 1>days off for good behavior. But she did say on

466
00:27:41.680 --> 00:27:44.480
<v Speaker 1>the way out, I expect this will be the making

467
00:27:44.559 --> 00:27:48.759
<v Speaker 1>of me. And that was the first kind of sign

468
00:27:48.880 --> 00:27:55.319
<v Speaker 1>of what will become a theme throughout her career. But yeah,

469
00:27:55.359 --> 00:27:58.880
<v Speaker 1>i'd like a check like that, very very uh, you know.

470
00:27:59.119 --> 00:28:01.799
<v Speaker 1>In the press, she would say the censorship was a

471
00:28:01.839 --> 00:28:05.400
<v Speaker 1>good thing for her career and that this new code

472
00:28:05.440 --> 00:28:09.079
<v Speaker 1>they put into the movies didn't change her act that much,

473
00:28:10.200 --> 00:28:12.839
<v Speaker 1>so she had to rely on being more subtle. She

474
00:28:12.880 --> 00:28:16.400
<v Speaker 1>couldn't be as sexual, and she only made you know,

475
00:28:16.440 --> 00:28:19.920
<v Speaker 1>she didn't make a ton of movies during that period,

476
00:28:20.640 --> 00:28:23.160
<v Speaker 1>and whenever she did, the censors would just cut it up,

477
00:28:23.920 --> 00:28:27.400
<v Speaker 1>take away her funniest lines and her best scenes before

478
00:28:27.400 --> 00:28:31.519
<v Speaker 1>they released the films. So then she would purposely include

479
00:28:31.559 --> 00:28:35.960
<v Speaker 1>some lines that were very risque by the standards back

480
00:28:36.000 --> 00:28:40.119
<v Speaker 1>then changed the dialogue in the script as they were filming.

481
00:28:40.799 --> 00:28:43.000
<v Speaker 1>Even though she knew it wouldn't fly, she would push it,

482
00:28:44.200 --> 00:28:47.119
<v Speaker 1>you know. So she didn't want to be a part

483
00:28:47.160 --> 00:28:49.359
<v Speaker 1>of things that were so tame, so she did it

484
00:28:49.440 --> 00:28:52.799
<v Speaker 1>her own way. Now, she didn't like making my Little

485
00:28:52.880 --> 00:28:55.240
<v Speaker 1>Chickadee with w c Fields, which is a movie I

486
00:28:55.359 --> 00:28:57.400
<v Speaker 1>like and always left like hell when I watch it

487
00:28:57.440 --> 00:29:01.519
<v Speaker 1>back in nineteen forty. But that was the last successful

488
00:29:01.519 --> 00:29:09.720
<v Speaker 1>film of her career, nineteen forty. Well, and people forget

489
00:29:09.839 --> 00:29:11.799
<v Speaker 1>she wasn't just somebody that shut up in a movie

490
00:29:11.799 --> 00:29:15.000
<v Speaker 1>and found her mark and her light and restarted her line.

491
00:29:15.039 --> 00:29:20.200
<v Speaker 1>She was a writer, director, producer. She knew her voice

492
00:29:20.680 --> 00:29:23.839
<v Speaker 1>like no one else knew it. I love people like that.

493
00:29:23.960 --> 00:29:25.519
<v Speaker 1>You could just say, hey, this is why I want

494
00:29:25.519 --> 00:29:28.240
<v Speaker 1>to talk. Change that line to this, this is more me,

495
00:29:29.559 --> 00:29:32.119
<v Speaker 1>you know. And when she appeared in films written by

496
00:29:32.160 --> 00:29:35.519
<v Speaker 1>somebody else, she would change of dialogue come up with

497
00:29:35.559 --> 00:29:38.079
<v Speaker 1>this classic one line, as a lot of us have heard.

498
00:29:38.559 --> 00:29:43.039
<v Speaker 1>Nobody complained because whatever she contributed usually made the material better.

499
00:29:44.160 --> 00:29:46.480
<v Speaker 1>I mean, you're One of the most famous lines is

500
00:29:46.480 --> 00:29:49.440
<v Speaker 1>in a movie called Night after Night, and it wasn't

501
00:29:49.440 --> 00:29:52.880
<v Speaker 1>in the original script, but it's in response to a

502
00:29:52.960 --> 00:29:57.960
<v Speaker 1>hat check girl who says to her goodness, what beautiful diamonds,

503
00:29:58.640 --> 00:30:01.599
<v Speaker 1>and May West says goodness had nothing to do with

504
00:30:01.680 --> 00:30:06.759
<v Speaker 1>the theory. I mean, that's just you know. Of course,

505
00:30:06.799 --> 00:30:09.680
<v Speaker 1>if you're a director, you'd like, oh, that's fucking perfect,

506
00:30:09.799 --> 00:30:13.200
<v Speaker 1>and you go cut perfect printed. We're going with that.

507
00:30:15.640 --> 00:30:17.680
<v Speaker 1>It's not often that actors come up with something that

508
00:30:17.839 --> 00:30:22.799
<v Speaker 1>perfect on the fly. But yeah, she wrote that film,

509
00:30:22.799 --> 00:30:25.920
<v Speaker 1>and she wrote nine other films where she wrote most

510
00:30:25.960 --> 00:30:28.519
<v Speaker 1>of her dialogue. And you know, back then, female writers

511
00:30:28.559 --> 00:30:32.079
<v Speaker 1>were unheard of in Hollywood. They worked in the silent era,

512
00:30:32.160 --> 00:30:36.440
<v Speaker 1>of course, but when the talkies came, they didn't make it,

513
00:30:36.480 --> 00:30:37.960
<v Speaker 1>and none of them were on the same level as

514
00:30:37.960 --> 00:30:43.799
<v Speaker 1>Maywest was anyhow. But you know, a woman like her

515
00:30:43.880 --> 00:30:46.319
<v Speaker 1>can show people that, hey, women have stories to tell them.

516
00:30:46.359 --> 00:30:48.880
<v Speaker 1>They can tell them in their own voices. It's not

517
00:30:48.920 --> 00:30:51.799
<v Speaker 1>only it does not to always be a man's story.

518
00:30:52.039 --> 00:30:53.880
<v Speaker 1>So it all, you know, a lot of a lot

519
00:30:53.880 --> 00:30:56.640
<v Speaker 1>of that stuff began with but the way she was

520
00:30:57.880 --> 00:31:02.319
<v Speaker 1>in her movies, especially the ones she wrote, and again

521
00:31:02.799 --> 00:31:05.559
<v Speaker 1>some of the best one liners of all time. Well

522
00:31:05.599 --> 00:31:07.960
<v Speaker 1>I'm good, I'm very good. But when I'm bad, I'm better.

523
00:31:09.000 --> 00:31:10.839
<v Speaker 1>It's not the many of your life that counts, it's

524
00:31:10.880 --> 00:31:14.839
<v Speaker 1>the life in your men. It's great. Well, it's better

525
00:31:14.839 --> 00:31:18.759
<v Speaker 1>to be looked over than overlooked. And then she said,

526
00:31:18.759 --> 00:31:21.799
<v Speaker 1>when I'm caught between two evils, I generally like to

527
00:31:21.839 --> 00:31:26.079
<v Speaker 1>take the one I never tried. I generally avoid temptation

528
00:31:26.200 --> 00:31:29.359
<v Speaker 1>unless I can't resist it. And this is famous. Is

529
00:31:29.359 --> 00:31:31.279
<v Speaker 1>that a gun in your pocket? Or you just glad

530
00:31:31.319 --> 00:31:35.519
<v Speaker 1>to see me? That has gone all around the world

531
00:31:36.039 --> 00:31:41.240
<v Speaker 1>and been translated into different languages. And of course we

532
00:31:41.279 --> 00:31:43.160
<v Speaker 1>say things like is that a been out in your pocket?

533
00:31:43.200 --> 00:31:45.960
<v Speaker 1>Is that a chap's sticking your pocket? You know? But

534
00:31:46.039 --> 00:31:48.400
<v Speaker 1>while we're on the subject of famous lines, it's uh.

535
00:31:49.720 --> 00:31:52.000
<v Speaker 1>It's worth saying because a lot of people don't know this.

536
00:31:52.240 --> 00:31:58.000
<v Speaker 1>Like that famous line she's always quoted as saying, uh.

537
00:31:58.519 --> 00:32:01.240
<v Speaker 1>It was from a movie she done him wrong, and

538
00:32:01.279 --> 00:32:05.559
<v Speaker 1>she tells Carrie Grant's character, why don't you come up

539
00:32:05.599 --> 00:32:09.559
<v Speaker 1>sometime see me? Because she was always inviting men to

540
00:32:09.640 --> 00:32:11.599
<v Speaker 1>come on up. That was her thing, and a lot

541
00:32:11.599 --> 00:32:13.720
<v Speaker 1>of movies and plays it was a running joke, but

542
00:32:14.400 --> 00:32:18.799
<v Speaker 1>never set it on screen. The way people remember and imitate.

543
00:32:18.880 --> 00:32:21.480
<v Speaker 1>People always say why don't you come up and see

544
00:32:21.480 --> 00:32:24.839
<v Speaker 1>me sometime? Big boy? No, it's why don't you come

545
00:32:24.920 --> 00:32:28.920
<v Speaker 1>up sometime? Come up see me? It's much more powerful.

546
00:32:29.480 --> 00:32:31.759
<v Speaker 1>It's like people do carry Grant and they always go

547
00:32:31.920 --> 00:32:35.359
<v Speaker 1>jud d judy, judy. He never said he never said

548
00:32:35.400 --> 00:32:39.000
<v Speaker 1>that in any single movie. It just sounds like something

549
00:32:39.039 --> 00:32:42.279
<v Speaker 1>he'd say, by the way, she discovered Carry Grant. She

550
00:32:42.319 --> 00:32:47.319
<v Speaker 1>saw him. She was like making her second or third film,

551
00:32:48.319 --> 00:32:52.079
<v Speaker 1>and they were both opposite Carry Grant and he had

552
00:32:52.079 --> 00:32:54.559
<v Speaker 1>done a handful of films, but it was starting to

553
00:32:54.559 --> 00:32:59.240
<v Speaker 1>get noticed, not much. But she took credit because she

554
00:32:59.359 --> 00:33:02.160
<v Speaker 1>saw him one on the Paramount a lot and said

555
00:33:02.240 --> 00:33:05.400
<v Speaker 1>to somebody next to her, producer, what have you? You know,

556
00:33:05.519 --> 00:33:08.240
<v Speaker 1>if if that guy can talk, I'll take him. And

557
00:33:08.279 --> 00:33:10.000
<v Speaker 1>of course he could talk, and she took him, and

558
00:33:10.000 --> 00:33:14.160
<v Speaker 1>he and the public took to Carry Grant quite a bit.

559
00:33:15.680 --> 00:33:19.440
<v Speaker 1>But the fact that she was headstrong on him so much,

560
00:33:19.599 --> 00:33:22.759
<v Speaker 1>I think it lends credibility to the rumors that he

561
00:33:22.880 --> 00:33:25.480
<v Speaker 1>was gay. I know, people don't want to hear it

562
00:33:25.599 --> 00:33:28.119
<v Speaker 1>because he was such a handsome man. Oh he was

563
00:33:28.160 --> 00:33:32.559
<v Speaker 1>with Diane Can. It doesn't matter who they're with, Gavalda Cruz,

564
00:33:32.839 --> 00:33:37.559
<v Speaker 1>both with beautiful women. Who doesn't matter, you know. But yeah,

565
00:33:37.680 --> 00:33:43.720
<v Speaker 1>she uh found Carry Grant. And I'll tell you what

566
00:33:44.559 --> 00:33:49.920
<v Speaker 1>she made this movie. I'm no angel that you know.

567
00:33:50.000 --> 00:33:52.720
<v Speaker 1>The Paramount, the theater of the studio she was under.

568
00:33:53.440 --> 00:33:56.720
<v Speaker 1>They were facing bankruptcy. This is the Great Depression, and

569
00:33:56.759 --> 00:34:00.559
<v Speaker 1>there have been horrible financial trouble, and it was under

570
00:34:00.559 --> 00:34:02.599
<v Speaker 1>the control of the trustees, and she did a movie

571
00:34:02.640 --> 00:34:06.240
<v Speaker 1>called She'd Done Him Wrong, and it gave them an

572
00:34:06.240 --> 00:34:10.280
<v Speaker 1>extra two million bucks and ticket sales, and it was

573
00:34:10.400 --> 00:34:12.760
<v Speaker 1>enough to keep the studio afloat for a little while longer.

574
00:34:14.280 --> 00:34:16.719
<v Speaker 1>You know, to this day, there's still a may West

575
00:34:16.800 --> 00:34:20.320
<v Speaker 1>building on the Paramount lot in honor of her keeping

576
00:34:20.320 --> 00:34:22.079
<v Speaker 1>the studio alive. See, this is the kind of shit

577
00:34:22.159 --> 00:34:24.960
<v Speaker 1>I love. It's not lost on me because I remember,

578
00:34:25.000 --> 00:34:27.480
<v Speaker 1>having already done the Mysteries and Scandals episode on her.

579
00:34:27.480 --> 00:34:29.480
<v Speaker 1>I would then go and stay at Robert Evans's house

580
00:34:29.519 --> 00:34:32.039
<v Speaker 1>and visit him. And one day it dawned on me,

581
00:34:32.119 --> 00:34:36.360
<v Speaker 1>I'm like, if may West doesn't keep Paramount afloat, then

582
00:34:36.400 --> 00:34:39.320
<v Speaker 1>the day where Robert Evans becomes the head of Paramount,

583
00:34:39.760 --> 00:34:42.719
<v Speaker 1>that never happens, and I probably would have been robbed

584
00:34:42.679 --> 00:34:45.320
<v Speaker 1>of what a wonderful friendship and mentorship it was to

585
00:34:45.360 --> 00:34:48.920
<v Speaker 1>have him in my life. Maybe I'm stretching things a

586
00:34:48.920 --> 00:34:53.039
<v Speaker 1>little bit, but they are kind of related anyhow. Little

587
00:34:53.079 --> 00:34:56.480
<v Speaker 1>details like that make me feel like a small part

588
00:34:56.519 --> 00:34:59.559
<v Speaker 1>of some of Hollywood's lore, or at least I can

589
00:34:59.599 --> 00:35:04.679
<v Speaker 1>talk it. Yeah, but a real sex pot as we

590
00:35:04.719 --> 00:35:08.800
<v Speaker 1>know also was very against ageism. She was in her

591
00:35:08.840 --> 00:35:14.280
<v Speaker 1>fifties when she made some great movies, even on the stage,

592
00:35:14.280 --> 00:35:17.679
<v Speaker 1>and back then that wasn't always the case. There's a

593
00:35:17.719 --> 00:35:19.760
<v Speaker 1>movie she made the last two were awful. She made

594
00:35:19.800 --> 00:35:22.719
<v Speaker 1>a movie called Myra Breckinridge, which was disaster. Gorvy Dal

595
00:35:22.800 --> 00:35:25.519
<v Speaker 1>wrote it it was a rock Cayle Weltch, John Houston

596
00:35:25.599 --> 00:35:27.920
<v Speaker 1>foul for us at Rex freet and Tom Selleck, who

597
00:35:28.000 --> 00:35:30.960
<v Speaker 1>was very young, bombed in theaters. It was a bomb.

598
00:35:31.440 --> 00:35:34.880
<v Speaker 1>It's a culty kind of a movie now but definitely

599
00:35:34.920 --> 00:35:36.639
<v Speaker 1>regarded as one of the worst films of all time.

600
00:35:36.920 --> 00:35:39.320
<v Speaker 1>But this was a movie where Roquel Welch was at

601
00:35:39.320 --> 00:35:41.960
<v Speaker 1>the height of her being a diva and May West

602
00:35:42.239 --> 00:35:45.400
<v Speaker 1>was the diva. And I think rockkeel Welch had a

603
00:35:45.440 --> 00:35:48.760
<v Speaker 1>black dress in her dressing room she vosed to wear

604
00:35:48.880 --> 00:35:51.159
<v Speaker 1>for a pivotal scene where she meets May West in

605
00:35:51.159 --> 00:35:55.559
<v Speaker 1>this movie. And May West was older then saw rockw

606
00:35:55.599 --> 00:36:00.280
<v Speaker 1>Welch's sexy gown and was like, no, she's not gonna no,

607
00:36:00.480 --> 00:36:03.400
<v Speaker 1>she's not gonna look better than me. No, And she

608
00:36:03.440 --> 00:36:07.440
<v Speaker 1>got rid of the dress. But Raquel said nothing, and

609
00:36:07.559 --> 00:36:09.559
<v Speaker 1>the day of the shoot she was able to get

610
00:36:09.599 --> 00:36:12.400
<v Speaker 1>another dress, the same dress, not the same on, but

611
00:36:12.519 --> 00:36:15.480
<v Speaker 1>another dress. I looked the same, just as revealing, just

612
00:36:15.519 --> 00:36:19.039
<v Speaker 1>as sexy, and she put that on. And when Maywest

613
00:36:19.079 --> 00:36:22.159
<v Speaker 1>saw that black dress on, it created the kind of

614
00:36:22.320 --> 00:36:26.400
<v Speaker 1>emotion those two needed for that scene. But yeah, you

615
00:36:26.480 --> 00:36:30.320
<v Speaker 1>don't out diva, Raquel welch. Like when I was dating

616
00:36:31.159 --> 00:36:34.320
<v Speaker 1>the MTV VJ I E Dallas Divione and we had

617
00:36:34.320 --> 00:36:37.199
<v Speaker 1>a double date with Raquel and her husband, my friend

618
00:36:37.280 --> 00:36:40.440
<v Speaker 1>Richie Palmer, and we all went to Aga and I'm

619
00:36:40.480 --> 00:36:42.719
<v Speaker 1>there with Raqkel and Richie. I got there ahead. I

620
00:36:42.840 --> 00:36:45.239
<v Speaker 1>Dallas was going to meet me there. But on time,

621
00:36:46.760 --> 00:36:49.960
<v Speaker 1>well five minutes, ten fifteen, she's still not there, and

622
00:36:50.039 --> 00:36:51.840
<v Speaker 1>Raquel's like, well, should be order, and just you know

623
00:36:51.880 --> 00:36:53.880
<v Speaker 1>when she gets it. She got a little impatient. She

624
00:36:53.960 --> 00:36:56.760
<v Speaker 1>knew what was going on. You don't out diva the diva.

625
00:36:57.440 --> 00:37:00.199
<v Speaker 1>And now Dallas comes walking in, sauntering in look right,

626
00:37:00.400 --> 00:37:03.800
<v Speaker 1>always looked great, And I said, I grabbed her leg

627
00:37:03.880 --> 00:37:07.119
<v Speaker 1>under the table, went in her ear. What the fuck

628
00:37:07.239 --> 00:37:09.400
<v Speaker 1>do you think you're doing? You got rack? Cow? Won't

629
00:37:09.440 --> 00:37:12.079
<v Speaker 1>she you want to come late? You think she thinks

630
00:37:12.079 --> 00:37:15.159
<v Speaker 1>she're you cool for doing that? Oh my god, what

631
00:37:15.199 --> 00:37:19.639
<v Speaker 1>a fucking bad idea that was. It wasn't like that'll

632
00:37:19.639 --> 00:37:22.559
<v Speaker 1>lot between me and I Dallas. But anyhow, Uh then

633
00:37:22.599 --> 00:37:25.920
<v Speaker 1>she made a movie called Sex ten eighty four years old.

634
00:37:26.000 --> 00:37:29.559
<v Speaker 1>She cast herself as an actress and sex symbol who

635
00:37:29.599 --> 00:37:33.599
<v Speaker 1>had multiple lovers and ex husband's played by already Timothy Dolton,

636
00:37:33.920 --> 00:37:39.800
<v Speaker 1>Tony Curtis Ringo star and my man George Hamilton. Film

637
00:37:39.800 --> 00:37:42.280
<v Speaker 1>and shit didn't make a lot of sense, but you know,

638
00:37:42.960 --> 00:37:45.920
<v Speaker 1>very campy, and it was the last thing she did

639
00:37:45.920 --> 00:37:49.199
<v Speaker 1>before her death. But yes, see, you know, I'm the

640
00:37:49.280 --> 00:37:51.440
<v Speaker 1>guy lucky enough to hang out with George Hamilton and

641
00:37:51.639 --> 00:37:54.320
<v Speaker 1>hear the story about how he did have sex with Maywest.

642
00:37:54.920 --> 00:37:57.360
<v Speaker 1>I looked it up, you could google it. It doesn't show,

643
00:37:57.400 --> 00:38:00.480
<v Speaker 1>but George told me as a good kiss and tell

644
00:38:00.480 --> 00:38:04.079
<v Speaker 1>her that's the famous story of him having sex with

645
00:38:04.119 --> 00:38:09.480
<v Speaker 1>her during that shoot for sex sex tent. She's fucking

646
00:38:09.559 --> 00:38:12.280
<v Speaker 1>eighty four. I can't even imagine it. But the point

647
00:38:12.360 --> 00:38:15.920
<v Speaker 1>is George was a horn dog and he's having sex

648
00:38:15.960 --> 00:38:17.760
<v Speaker 1>with her, and at some point he has a loud

649
00:38:17.880 --> 00:38:22.599
<v Speaker 1>snap and he thought something fell whatever the hell, you know,

650
00:38:23.239 --> 00:38:25.280
<v Speaker 1>it was kind of dark in the room. Then he

651
00:38:25.320 --> 00:38:28.480
<v Speaker 1>gets back at it and he has another snap, and

652
00:38:28.519 --> 00:38:31.000
<v Speaker 1>he said to me, when I look back at her face,

653
00:38:31.000 --> 00:38:33.559
<v Speaker 1>he sad to say one of those noises. He said,

654
00:38:33.559 --> 00:38:37.039
<v Speaker 1>her face had fallen, her chin was on her tits.

655
00:38:37.159 --> 00:38:40.039
<v Speaker 1>I said, what he goes back? Then? You know the

656
00:38:40.320 --> 00:38:42.960
<v Speaker 1>women were using rubber bands on their head that would

657
00:38:43.000 --> 00:38:45.400
<v Speaker 1>pull their skin back and make them look more youthful.

658
00:38:45.400 --> 00:38:48.559
<v Speaker 1>But her band snapped, I guess we were having sex

659
00:38:48.599 --> 00:38:51.440
<v Speaker 1>too hard, I said, I can't even hear Maywest having

660
00:38:51.639 --> 00:38:55.119
<v Speaker 1>sex hard at eighty four years old. I can't. But

661
00:38:58.480 --> 00:39:01.599
<v Speaker 1>that's the way George Hamilton was. Sex was more important

662
00:39:01.599 --> 00:39:05.800
<v Speaker 1>than a lot of things. But either way, there's your Maywest,

663
00:39:05.880 --> 00:39:08.559
<v Speaker 1>Chalky Wright Store Chalky Wright. If I remember correctly, I

664
00:39:08.559 --> 00:39:11.559
<v Speaker 1>think I mentioned in the show that he also had

665
00:39:11.599 --> 00:39:16.280
<v Speaker 1>an affair with Dorothy Dandridge. I believe, beautiful black actress.

666
00:39:16.280 --> 00:39:18.880
<v Speaker 1>She was really pretty. Did a show on her as well.

667
00:39:19.960 --> 00:39:24.880
<v Speaker 1>Dorothy was I think she died in her bathroom about

668
00:39:24.920 --> 00:39:27.719
<v Speaker 1>two doors down from Uncle Vinnie's place in West Hollywood.

669
00:39:28.400 --> 00:39:30.360
<v Speaker 1>Died in her bathroom. I was in that bathroom when

670
00:39:30.400 --> 00:39:33.079
<v Speaker 1>we did the show. We were able to shoot in

671
00:39:33.159 --> 00:39:36.719
<v Speaker 1>one of the in the building, and I think Dorothy

672
00:39:36.840 --> 00:39:40.679
<v Speaker 1>Dandrid only had fourteen dollars left to her name when

673
00:39:40.719 --> 00:39:45.599
<v Speaker 1>she died. Beautiful actress, porgy and best. Just so sad,

674
00:39:46.239 --> 00:39:51.840
<v Speaker 1>but yeah, there you go. Maywst big standout. Anybody who

675
00:39:51.920 --> 00:39:55.880
<v Speaker 1>came after her, you know, who combined being a blonde

676
00:39:55.920 --> 00:39:59.840
<v Speaker 1>and a bombshell with brains and a quick wit, is

677
00:40:00.039 --> 00:40:06.039
<v Speaker 1>taking after her, is imitating and emulating the great May West.

678
00:40:06.280 --> 00:40:09.000
<v Speaker 1>Just one of those people. You know, what you see

679
00:40:09.039 --> 00:40:11.800
<v Speaker 1>is what you get. And she played a lot of characters,

680
00:40:11.880 --> 00:40:15.519
<v Speaker 1>but she was only always ever really playing an exaggerated

681
00:40:15.599 --> 00:40:20.519
<v Speaker 1>version of herself. That happens a lot in Hollywood. You know,

682
00:40:20.800 --> 00:40:23.440
<v Speaker 1>she could be other people, but let her be yourself.

683
00:40:23.440 --> 00:40:31.440
<v Speaker 1>It's more entertaining. So, you know, incredible legacy. And I'll

684
00:40:31.599 --> 00:40:35.800
<v Speaker 1>end it with something she said once that's so apropos.

685
00:40:36.159 --> 00:40:38.199
<v Speaker 1>She said, you only live once, but if you do

686
00:40:38.280 --> 00:40:41.920
<v Speaker 1>it right, once is enough. Can't really imitate it, but

687
00:40:41.960 --> 00:40:45.280
<v Speaker 1>you get the point. That's it. Gang. I'm aj Benson.

688
00:40:45.320 --> 00:40:49.039
<v Speaker 1>I was your Daily Unfiltered podcast for April twenty second,

689
00:40:49.079 --> 00:40:52.000
<v Speaker 1>twenty twenty six, and I'll talk to you talk to

690
00:40:52.039 --> 00:40:53.320
<v Speaker 1>you guys tomorrow
