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Speaker 1: Alon.

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Speaker 2: Yes, it's the Falcon speaking. Oh Norma, I'm glad you called.

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I've include me outside, Angel, I'm all jammed up. There's

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a party around who's been shown how to polly a

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two bit pocket knife?

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Speaker 1: And who are killing? So naturally he's going to make

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a stab at it.

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Speaker 2: This is ain't really he friends inviting you on behalf

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of the Craft Foods Company to listen to the Adventures

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of the.

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Speaker 1: Falcon, starring Lesbayman. You met the.

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Speaker 2: Falcon first in his best selling novels, then you saw

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him in his thrilling motion picture series.

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Speaker 1: Now join him on the air when the Falcon salls.

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Speaker 2: The Case of the Curious Cop in just a moment,

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another thrilling adventure of the Falcon. But first, the word

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about an adventure you can have any day in the week,

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right in your own kitchen.

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Speaker 1: For several weeks now, we've.

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Speaker 2: Been telling you on this program about Craft salad Oil,

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the wonderful new salad oil created by Craft that's lighter

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bodied because it's super fine.

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Speaker 1: Now here's a suggestion.

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Speaker 2: Tomorrow go to your grocer's and get a pint or

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quart bottle of Craft salad oil. Look up your favorite

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recipe for homemade salad dressing, chiffon cake, or anything else

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that requires liquid shortening. Then that night, tomorrow night, at dinner,

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surprise your family with an old favorite made this lighter

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body super fine salad oil. Way you know the difference,

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And so will the family get craft salad oil. And

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now the case of the Curious Cotton. It's late Sunday

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evening in New York and Hunter is famed. Gambling club

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on Ease eighty fourth is closed for the night, but

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that doesn't seem to deter playing clothesman Jack Craven for

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his partner Frank Walsh from their decision go look in on,

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mister Hunter, ask me, Craven. We're wasting our time, you

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think so, Frank share Hunt is probably gone. What about

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that light we saw from the outside, mister data tenant

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alf No, not, mister Hunter. He watches his pennies. I

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will get your tend He's still here counting the take.

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Where was the light coming from?

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Speaker 1: Uh?

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Speaker 3: Uh?

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Speaker 1: This room here? I see, Yeah, then this must be

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the office. Want me to go in with you? No,

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you wait out here. If you hear any commotion, get

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back to the car.

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Speaker 4: Understand right, My name Brod.

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Speaker 2: Did you get to a second. You're not brought No,

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my name is Craven, mister Hunter. What are you doing here?

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Ever see one of these before? It's a badge, isn't

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it also known as a buzzer or a pozzy? So so,

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I don't like people running gambling houses on my beat,

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I assure, especially without consulting me.

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Speaker 4: And suppose I did consult.

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Speaker 1: You, Well, that might be different.

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Speaker 2: Now if you were to consult me, say once a week,

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with five hundred bucks.

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Speaker 4: You'd have no objections at all.

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Speaker 2: No live and let live is my model. A five

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hundred dollars a lot of money, mister Craven.

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Speaker 1: Well, I can be a lot of trouble, mister Hunter.

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Speaker 2: I suppose I had you reported to the commissioner, you'd

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be wasting your time. They've been trying to get rid

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of me for years, but they never could get anybody

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to testify against me.

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Speaker 4: Maybe I'd be willing.

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Speaker 2: To you kidding. You don't like publicity anymore in your

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racket than I do. In mind, you better give in Hunter,

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I can make an awful nuisance of myself.

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Speaker 1: I can see that, all right, Craven, don't move. What

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do you think you're going to do?

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Speaker 2: With that gun, something the police commissioner couldn't do. I'm

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going to get rid of you, Craven. I listen, Hunter,

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If you don't put away that ride, I'll break you

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in two.

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Speaker 4: Hey, you are Craven. I mean that you.

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Speaker 1: Give me another part of heels was God, thank you

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Pete's sake. Can a man get anything in his own

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home without a million arguments? I'll get it all right?

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A wait, that's that first.

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Speaker 2: If a Sergeant Carpett tell him I'm still sick and

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the doctor says I can't see anybody.

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Speaker 3: Hello, missus Walsh, that's right.

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Speaker 5: Sergeant Carbet again, Oh how are you? I can't complain.

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Speaker 1: I's Frank just the same. Can I talk to him?

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Speaker 3: I'm afraid not.

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Speaker 1: He's asleep, Okay, tell him.

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Speaker 5: I called William.

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Speaker 3: I I certainly will Sargeant.

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Speaker 1: Well, I think he's suspicious. Oh, it can't prove anything.

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Speaker 3: What's all this about, Frank?

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Speaker 1: What's all about?

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Speaker 3: Why are you avoiding corp? But ever since the night Craven.

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Speaker 1: I didn't want to talk about it, but you were

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with him.

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Speaker 3: I was not.

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Speaker 2: Craven got out of a car to see somebody left

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me on elections in an eighty fourth.

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Speaker 1: I never saw him after that?

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Speaker 3: And why do they suspend you from.

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Speaker 1: The four because they're a bunch of thick headed jerks.

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Speaker 3: Thank you not telling the truth, but you call.

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Speaker 5: Me a liar?

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Speaker 1: All right, Hazels, you want to know what happened to Craven?

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Do you will? I tell you he was murdered?

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Speaker 2: No?

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Speaker 1: Yes, Now do you feel better? Who did it? I

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have no idea?

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Speaker 3: And how do you know he was murdered?

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Speaker 1: I'm psyched, Frank.

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Speaker 2: You've got to tell Tarjan Corpet you're If you don't,

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they'll drop you from the forest.

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Speaker 4: Who care?

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Speaker 1: I do?

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Speaker 3: What do we live on?

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Speaker 1: Don't you worry about that? He's from now on at

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Zeezy Street?

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Speaker 3: And you do know who killed Craven?

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Speaker 1: That's right, I've at this party. You'll appreciate me keeping

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my mouth.

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Speaker 3: Yet we're not thinking of black Man?

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Speaker 1: What am I thinking of? Baby? Where's my cook?

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Speaker 2: No?

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Speaker 3: I won't let you go.

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Speaker 1: Get your hands off me, hands off.

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Speaker 5: Choking me?

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Speaker 4: Yes, I hate to break in on you're like this,

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mister hunter, but there's.

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Speaker 1: A party outside wedding to sit.

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Speaker 4: I'm busy, brac, I know, but I suggest you.

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Speaker 1: Clear little time for this boy.

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Speaker 2: I would if I were in your position, but then

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you are not my position, Brock. It's true, just the same.

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You want to see him. His name is Frank Walsh.

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Speaker 1: He's a cop.

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Speaker 2: So so it was Jack Craven's psychic Craven dick who

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disappeared so mysterious.

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Speaker 1: Oh of course, what did you see him? What have

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I got to lose?

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Speaker 4: Hey?

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Speaker 1: Wash, come in here, sit, mister Walsh.

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Speaker 4: My name is Hunter.

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Speaker 1: Min the introduction. I know all about you, not all.

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Speaker 4: I trust all.

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Speaker 1: When can I talk to you?

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Speaker 4: What do you call what you're doing now?

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Speaker 1: I mean alone?

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Speaker 4: Would you be a good fellow about?

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Speaker 1: Why? Not? Nice? Know what you were? Ye're like?

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Speaker 4: Now? What was it you had on your mind?

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Speaker 1: Mister Walsh?

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Speaker 2: The last Saturday after you closed, you had a visitor

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up here, did I?

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Speaker 1: Yeah? Yeah, a dick named Jack Craven.

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Speaker 4: And you think I know something about his disappearance.

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Speaker 2: I think you know everything about it. You see, I

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was outside when Craven went in to shake you down.

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A few minutes afterwards, I heard a shot, so I

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beat it to the cart. Twenty minutes later I saw

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you coming out.

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Speaker 1: Of here alone.

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Speaker 4: So you put two and two together and got.

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Speaker 1: Four you killed him hunted. I don't know what you

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did with his.

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Speaker 2: Body, then you might as well stop there, mister Walsh.

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Didn't you ever learn that to substantiate a charge of murder,

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they must be what the pulp writers call corpusta. I look, hutter,

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you're not brushing me off like this. We can settle

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this easily enough. I'm no pig like some guys. Give

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me twenty grand and you'll never hear from me again.

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Speaker 1: I think it'd be only fair to warn you, mister Walsh, that.

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Speaker 4: I have a distinctive version to being black man.

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Speaker 2: Well, you better kick through, because if it's the last

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thing I do, I'll find Craven's body. I wish aluck,

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And if you experienced too much difficulty, perhaps I can

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arrange to have you join him.

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Speaker 4: Good day, sir.

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Speaker 1: As a matter of sergeant, you look worried.

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Speaker 2: I am, Mike, still thinking about that Craven miss a

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cheap rotten drafter.

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Speaker 1: Well, I asked me, you've heard the last of that cookie.

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Speaker 5: I wouldn't be surprised if you were right.

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Speaker 1: I think he's dead.

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Speaker 5: I don't know, maybe skipped. Who knows?

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Speaker 2: It's funny about Frank Waldh having a nervous breakdown. So

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soon afterwards it is very funny.

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Speaker 5: Turn right at the next corner.

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Speaker 2: Where do you want to go over to see Frank Walsh?

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He lives a couple of blocks down. Getn't his wife

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tell you he's sick?

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Speaker 5: Oh, doctor's orders or not. I'm gonna have a talk

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with that guy. They haul it, Mike, it's not the car.

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Speaker 1: What's the matter?

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Speaker 5: When I saw something in the gunner back up?

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Speaker 2: I guess I was a sergeant. Yeah, turn on your spotlight,

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I said, drunk, wouldn't you know it?

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Speaker 5: Okay, let's get him.

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Speaker 2: I can't leave him laying there all right, mister, what

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do you think you're doing? Come on on your feet, Buster,

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hitt me your hand with a mic right, let me go, Walsh,

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he's due to the eyeballs.

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Speaker 1: I got a good mind to leave me.

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Speaker 2: Wait a minute, sergeant, he isn't drunk. Look at your hand.

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Oh yeah, he's been shot.

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Speaker 1: Shot. Listen, Walsh, who did it? It's too any good, Frank,

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we'd better get a doctor. I be wasting your time, Sergeant.

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He's dead.

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Speaker 3: Yes, I'm looking for Michael Waring the falcon.

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Speaker 1: Well have you made it?

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Speaker 4: What?

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Speaker 1: But I bet it was pretty difficult.

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Speaker 3: What do you mean?

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Speaker 1: And you couldn't do much looking through that veil? Went in? Thanks,

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just make yourself.

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Speaker 3: What the trouble?

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Speaker 1: Well, I was gonna ask you to make.

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Speaker 2: Yourself comfortable, but uh, somehow I've got a feeling.

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Speaker 1: You don't quite trust me.

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Speaker 3: I don't trust you.

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Speaker 1: Why else would you carry a gun in your purse?

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Speaker 3: What are you talking about?

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Speaker 1: Well, don't tell me it's a compact angel, cause nothing.

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Speaker 2: Elizabeth Arden never turned off with shape like that. That

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the gun that killed Frank Walsh killed Walsh.

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Speaker 1: Yeah, your husband. You're crazy, aren't you? Hazel Walsh? No,

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I don't lift you're veiled? Well, who told you who

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I was?

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Speaker 2: Oh? It doesn't take an Einstein to figure that out.

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The police are looking for Hazel Walsh in connection with

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her husband's murder, So when a heavily veiled woman carrying

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a heater walks in on a private detective twelve hours later,

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the chances are she.

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Speaker 1: Didn't come to consult him for pleasure.

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Speaker 3: And I didn't kill Frank mister Warring.

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Speaker 1: I was with Sergeant Corbett when we found him. He

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named Jewish killer.

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Speaker 3: I didn't do it.

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Speaker 1: You had a motive if you mean his insurance policies are.

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Speaker 2: Talking about money, and according to Corbett, Frank's favorite indoor

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sport was bouncing you around.

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Speaker 3: That's not true.

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Speaker 1: Would be easy enough to prove.

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Speaker 2: Mister Waring, or swear I didn't kill Frank and you've

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got nothing to hide.

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Speaker 1: Who are you calling, Sergeant Corbett. We're going over and

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have a talk with him. Put down that poone now, look,

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missus Ward.

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Speaker 3: Put it down.

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Speaker 5: If you want me to.

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Speaker 1: Work for you, well thanks, I've just changed my mind.

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I look, you're acting like a six year old. I'm

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gonna call the police.

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Speaker 3: Can I say? You're going to do nothing of the kind?

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See what I mean? Peasant dreams, mister Warry.

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Speaker 1: It's lighter bodied, it's superfine.

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Speaker 2: It's craft salad oil, the first salad oil ever offered

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for your home use by the makers of all those

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wonderful craft salad dressing products. When the craft foods company

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it puts a new product on the market, you can

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be sure that it's not just another product of its kind,

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but that there's something really new and different about it.

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And that's exactly what you will discover in craft salad oil.

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Not just a new salad oil but a new kind

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of salad oil. Craft salad oil is a lighter bodied oil,

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lighter bodied to blend smoothly.

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Speaker 1: And perfectly with the other ingredients.

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Speaker 2: And the reason Craft salad oil is lighter bodied is

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that it's superfined. Yes, superfined by a special process created

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by Kraft. Don't wait to try this wonderful new salad

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oil in those distinctive homemade salad dressings you make, those

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wonderful chiffon cakes you bake in every recipe you have

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that requires liquid shortening. Remember, it's lighter body, it's superfine,

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and it's at your grocer's. Now get Kraft salad oil

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and either the pint or quart size tomorrow look for

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the bottles with the beautiful labels. Now back to the

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adventures of the Fulton Briars are passed since Mike was

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loathed to sleep by Hazel Walsh. And now as we

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find Mike, he's recuperating and Ed's lunchonette under the tender

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administrations of sorts and corporate. Hey, I bought some service here,

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but on a face, sergeant, A cup of java for me.

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Speaker 1: And a couple of ass burn for my.

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Speaker 2: Friends hair, which a man am I got a hadache. Yes,

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temper temper, I get my hands on that Hazel Walsh.

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And you're not going to work for her, of course

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I am.

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Speaker 1: I just want to teaching. You don't go around slugging

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people are trying to help.

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Speaker 5: They're making a mistake.

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Speaker 1: And I look, Serge, and I tell you she didn't

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kill her husband. Why did she bop you when you

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were going to call me?

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Speaker 2: No?

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Speaker 1: Because she was panicked.

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Speaker 2: He still doesn't explain why Frank named hers and killer,

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but he didn't really.

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Speaker 1: He says something about twenty grand.

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Speaker 2: Maybe he wanted to leave a message for her about

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twenty grand, but why not suppose he.

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Speaker 1: Was trying to tell us something. They're crazy. I look,

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Sergeant Walsh was a grafter. I don't like that kind

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of todd but I don't blame you.

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Speaker 2: But you got to face the facts. There's always a

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couple of rotten apples and every barrew. How many times

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00:14:59,840 --> 00:15:01,840
are you had Frank Walsh and Jack Craven on the carpet.

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Speaker 1: He just couldn't make it stick, that's all go on.

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00:15:05,720 --> 00:15:07,919
Speaker 2: Well, my guess is that Walsh tried to shake down

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Hunter and Hunt to let him have it. But why

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would Waltz expect that kind of payoff from Hunter just

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to let.

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Speaker 1: Him keep running as joints.

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Speaker 2: He wouldn't, but he might to keep a murder quiet.

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00:15:17,039 --> 00:15:20,320
What are you talking about? Walsh must have known who

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murdered Jack Craven. Well, he went there last night for

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payoff and he got it. MM I don't. Assuming you're

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00:15:26,799 --> 00:15:28,320
right now, all we have to do is find the

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one party in New York he tried it on. I'll

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not showdn't be so hard, Corbett. There was Walter's and

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Craven's beat.

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Speaker 1: He sighed from seventy six to eighty fifty nine blocks.

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00:15:37,919 --> 00:15:39,799
All right, who's operating a new joint in that district?

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What makes you think this is a new operator? Human nature.

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Speaker 2: Once a man allows himself to be shaken down, the

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odds are he'll go on that way without squawking.

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Speaker 1: So my guess would be that Craven got his when.

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Speaker 2: He tried his graft and a new customer he You know, Mike,

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sometimes I think you've got the makings of a pretty

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00:15:56,039 --> 00:15:56,679
good detective.

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00:15:56,759 --> 00:16:00,240
Speaker 1: No, thank you. And when did Craven disappear for days ago?

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00:16:00,840 --> 00:16:01,159
Speaker 4: Okay?

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00:16:01,159 --> 00:16:02,399
Speaker 1: Then we can narrow it down, even.

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00:16:02,200 --> 00:16:05,240
Speaker 2: Find it Craven would probably give this boy a chance

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00:16:05,279 --> 00:16:07,080
to operate a week or two so he'd have some idea.

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00:16:07,080 --> 00:16:10,200
Speaker 1: What the charge? Now do you know that opened the

335
00:16:10,240 --> 00:16:11,320
joint around the middle of March?

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00:16:11,799 --> 00:16:13,120
Speaker 5: Well, I heard rumors that a guy.

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Speaker 2: Named Hunter opened the club around the fourteenth. But every

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00:16:15,799 --> 00:16:17,879
time a rating party gets near the place, they fall

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00:16:18,039 --> 00:16:20,440
up their tables and run. Okay, let's see if we

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00:16:20,480 --> 00:16:21,279
can run faster.

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Speaker 1: Oh that my mind might get away from that wheel.

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00:16:33,240 --> 00:16:34,919
I'm gonna tell you about my assistants or some of

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00:16:35,039 --> 00:16:35,360
the time.

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00:16:35,799 --> 00:16:37,159
Speaker 5: See any sign of Hunter around?

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00:16:37,720 --> 00:16:41,639
Speaker 1: No, what time have you got? Quarter to eleven? Suppose

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00:16:41,679 --> 00:16:44,840
you try his office whereas I think you go through

347
00:16:44,840 --> 00:16:52,679
this door? Yeah, that room down the hall. I'm gonna

348
00:16:52,679 --> 00:16:53,360
flash my bench.

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Speaker 4: You know.

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Speaker 1: Let's keep this on officials for the moment. You can

351
00:16:55,639 --> 00:16:58,200
close up the joint tomorrow and that I'm murder, don't

352
00:16:58,200 --> 00:16:58,960
worry about.

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00:17:01,360 --> 00:17:01,519
Speaker 5: All.

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00:17:03,240 --> 00:17:07,799
Speaker 1: Hello Brock Well, well the falcon, isn't it? Uh huh

355
00:17:08,079 --> 00:17:09,119
a we ain interrupting anything?

356
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Speaker 2: Nothing that can't wait? Oh h who's your friend Mike?

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00:17:12,960 --> 00:17:15,480
Oh sorry, mister Bark, mister Corbett, I'm bad a nile.

358
00:17:15,920 --> 00:17:16,839
Speaker 1: Well, what can I do for you?

359
00:17:16,920 --> 00:17:17,279
Speaker 4: Gentlemen?

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00:17:17,680 --> 00:17:20,319
Speaker 1: We'd like to see a hunter and what for? I

361
00:17:20,400 --> 00:17:22,559
just want to congratulate him on the establishment he's got here.

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00:17:22,640 --> 00:17:24,359
Speaker 2: Well, i'll tell him when I see him. How could

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00:17:24,359 --> 00:17:26,039
you arrange for us to do that? I'm afraid not

364
00:17:26,119 --> 00:17:26,960
hunters out of town?

365
00:17:27,240 --> 00:17:28,960
Speaker 1: Uh? Any idea where? No?

366
00:17:29,000 --> 00:17:30,400
Speaker 2: I think you said he might take a little run

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00:17:30,440 --> 00:17:33,079
down of Mexico. When was this about a week ago?

368
00:17:33,799 --> 00:17:35,480
Speaker 1: Funny? I would have sworn I saw him in the

369
00:17:35,480 --> 00:17:38,400
street Friday, and I what your imagining things? That must be?

370
00:17:39,519 --> 00:17:41,160
Of course, if he's been going a week he uh

371
00:17:41,279 --> 00:17:44,480
wouldn't know anything about Walsh and Craven. Huh.

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00:17:44,519 --> 00:17:46,759
Speaker 2: Walsh and Craven, those two cops who ran in the

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00:17:46,799 --> 00:17:49,519
bad lot. Oh, appears to me I read something about it.

374
00:17:50,039 --> 00:17:51,279
Of course, that's all you'd know about it.

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00:17:51,359 --> 00:17:52,160
Speaker 1: Huh.

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00:17:52,200 --> 00:17:52,640
Speaker 4: Of course.

377
00:17:53,519 --> 00:17:56,319
Speaker 1: Yeah, Well thanks a lot, Brock. I'll be seeing him.

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00:17:56,359 --> 00:17:57,799
There's still that I'm I call it?

379
00:17:58,240 --> 00:17:59,000
Speaker 5: H Oh?

380
00:17:59,279 --> 00:18:05,000
Speaker 1: Sure, sure, hello, Brock boy, you really handle that brigiantly?

381
00:18:05,160 --> 00:18:05,480
Speaker 4: Het up.

382
00:18:05,599 --> 00:18:08,440
Speaker 1: They're setting mic up and covered me in case anyone comes.

383
00:18:09,119 --> 00:18:09,279
Speaker 5: You know.

384
00:18:09,400 --> 00:18:11,640
Speaker 2: It's not polite to peak at key holes, I know,

385
00:18:11,720 --> 00:18:13,240
but it can be awfully informative.

386
00:18:13,759 --> 00:18:17,319
Speaker 1: What's he doing making a phone call. What's he calling? Well,

387
00:18:17,359 --> 00:18:21,400
if you keep quiet, I'll find out. Hello, it is

388
00:18:21,440 --> 00:18:25,680
that human's hunter. This is Brock. No business is all right,

389
00:18:25,759 --> 00:18:28,519
but some of the customers could be better. You know

390
00:18:28,519 --> 00:18:32,839
who he's just asking for? You wearing? Is that right, Mike?

391
00:18:32,920 --> 00:18:35,920
Wearing the porkm and there was a cop with him. Well,

392
00:18:35,920 --> 00:18:38,920
of course I became a thay you ask me. I

393
00:18:39,960 --> 00:18:42,759
wait a minute, someone just walking. It's sorry, i'd.

394
00:18:42,680 --> 00:18:45,880
Speaker 2: Rock, it's only us told you we'd be back. Oh,

395
00:18:45,960 --> 00:18:47,599
now you went and hung up on mister Hunter. That's

396
00:18:47,640 --> 00:18:49,680
not nice, Rock, He's gonna be awfully hurt.

397
00:18:50,160 --> 00:18:51,319
Speaker 1: What do you want wearing?

398
00:18:51,839 --> 00:18:51,960
Speaker 3: Oh?

399
00:18:52,000 --> 00:18:54,519
Speaker 1: I think you're almost a hunter? An apology? And what

400
00:18:54,559 --> 00:18:57,079
would be nicer? And if we all went over together

401
00:18:57,119 --> 00:18:57,839
while you paid it?

402
00:19:07,839 --> 00:19:07,960
Speaker 2: Oh?

403
00:19:08,079 --> 00:19:10,799
Speaker 1: I brought my Florida's hunter to live on four. But

404
00:19:10,960 --> 00:19:11,839
you won't find him there.

405
00:19:12,519 --> 00:19:15,599
Speaker 2: That's right, Mike, we forgot hunters down in Mexico. Okay,

406
00:19:15,720 --> 00:19:18,400
be smart, But I tell you I wasn't speaking to him.

407
00:19:18,440 --> 00:19:20,400
Cut it out, Rock, We heard you as plain as

408
00:19:20,400 --> 00:19:20,839
foot beam.

409
00:19:20,920 --> 00:19:23,400
Speaker 1: You're wrong. I was talking to a girl friend of mine.

410
00:19:23,640 --> 00:19:26,400
And so who's name, by an odd coincidence, was mister Hunter?

411
00:19:32,000 --> 00:19:35,759
Speaker 2: Okay, what are we gonna it's apartment for c oh

412
00:19:35,880 --> 00:19:40,240
let's you be a.

413
00:19:38,519 --> 00:19:42,720
Speaker 1: Uh sure enough Walter Hunter? Al right, sergeant, wear your keys.

414
00:19:42,839 --> 00:19:43,799
Suppose he's inside.

415
00:19:43,960 --> 00:19:47,599
Speaker 2: Another chance, m's a skip after Brock here warned him.

416
00:19:47,640 --> 00:19:49,359
Speaker 1: But I don't think you could get too far. Another

417
00:19:49,400 --> 00:19:56,039
was ten minutes he got fire. Enough, Mike, Hey, what's

418
00:19:56,039 --> 00:19:58,440
the matter with him? Well, if you don't know, Brock,

419
00:19:58,480 --> 00:19:59,640
take a good look at his face.

420
00:19:59,839 --> 00:20:03,240
Speaker 2: U bullet hole ought to be a dead giveaway.

421
00:20:03,680 --> 00:20:04,720
Speaker 5: All right, Mike, out of the way.

422
00:20:04,799 --> 00:20:05,240
Speaker 1: What's the matter?

423
00:20:05,240 --> 00:20:06,920
Speaker 2: I want to see where Hunter was standing when he

424
00:20:06,960 --> 00:20:08,960
got it, judging by the course of the bullet.

425
00:20:08,960 --> 00:20:12,359
Speaker 1: He Well, what do you know? It is a gun

426
00:20:12,400 --> 00:20:14,279
under the chair where the one you're sitting on.

427
00:20:14,359 --> 00:20:15,480
Speaker 5: Brack what we've been alone?

428
00:20:15,519 --> 00:20:19,359
Speaker 1: And maybe Prince okay, isn't it a police special?

429
00:20:19,519 --> 00:20:20,000
Speaker 5: Yeah?

430
00:20:20,119 --> 00:20:23,200
Speaker 2: And I'll take even money that it's Frank Walsh's service revolver.

431
00:20:23,559 --> 00:20:26,720
Speaker 1: His wife was awfully careless. Mike, don't tell me you think?

432
00:20:26,759 --> 00:20:27,440
Speaker 5: What do you think?

433
00:20:27,720 --> 00:20:29,400
Speaker 2: I don't know, but at least not going around making

434
00:20:29,440 --> 00:20:31,960
wild guesses. How do you know it wasn't suicide?

435
00:20:32,000 --> 00:20:32,599
Speaker 5: Are you kidding?

436
00:20:32,640 --> 00:20:32,759
Speaker 1: Well?

437
00:20:32,799 --> 00:20:34,960
Speaker 2: It could be walked like a chump. We had nothing

438
00:20:34,960 --> 00:20:36,839
on Hunter? Why should he blow his brains out?

439
00:20:36,880 --> 00:20:36,960
Speaker 4: Well?

440
00:20:37,000 --> 00:20:38,680
Speaker 1: Why should Hazel Wash do it for him?

441
00:20:38,720 --> 00:20:40,559
Speaker 5: Maybe she figured that he knocked off her husband.

442
00:20:40,759 --> 00:20:42,799
Speaker 1: Oh, then you admit she wasn't guilty of that, I admit.

443
00:20:42,960 --> 00:20:45,279
Excuse me, gentlemen, But can I get a word in?

444
00:20:45,519 --> 00:20:46,160
What do you want?

445
00:20:46,200 --> 00:20:46,480
Speaker 4: Brack?

446
00:20:47,000 --> 00:20:50,559
Speaker 1: There's a hunk of paper under Hunter's legs. Oh, never mind, Mike,

447
00:20:50,680 --> 00:20:53,519
got take care of that. What is it?

448
00:20:53,559 --> 00:20:54,640
Speaker 5: Give me a chance for you?

449
00:20:56,400 --> 00:21:01,000
Speaker 2: The moment may concern I killed Jack Craven and Walsh Hunt.

450
00:21:01,039 --> 00:21:03,960
I should like my remains to be cremated, Walter Hunter?

451
00:21:04,839 --> 00:21:05,519
Speaker 1: What do you say? Now?

452
00:21:06,000 --> 00:21:06,680
Speaker 5: I saved?

453
00:21:06,880 --> 00:21:11,160
Speaker 1: Don't sh me at the door? The lights here we

454
00:21:11,240 --> 00:21:11,920
are brock.

455
00:21:13,400 --> 00:21:14,119
Speaker 5: Okay, pal?

456
00:21:14,240 --> 00:21:17,160
Speaker 1: What do you want though? He? Hey, let go, I said,

457
00:21:17,279 --> 00:21:25,839
behaved and a lights my clan? Mmmm? Crummy looking bum?

458
00:21:25,880 --> 00:21:28,920
Hey you know him? Yeah?

459
00:21:29,000 --> 00:21:32,599
Speaker 2: And I wish I didn't. This is Detective Jack Craven.

460
00:21:33,279 --> 00:21:45,200
Jack Craven, Yeah, my long lost buddy. Tomorrow when you shop,

461
00:21:45,319 --> 00:21:48,440
don't forget about that wonderful new Craft salad oil that's

462
00:21:48,440 --> 00:21:50,440
waiting for you at your grocer's right now.

463
00:21:50,839 --> 00:21:52,559
Speaker 1: It's Craft salad oil.

464
00:21:53,079 --> 00:21:55,839
Speaker 2: The salad oil. Let's lighter body to blend perfectly with

465
00:21:55,920 --> 00:22:00,400
other ingredients. Lighter body because it's super fine. Why this

466
00:22:00,519 --> 00:22:04,200
wonderful new aid to kitchen artistry in your homemade salad

467
00:22:04,240 --> 00:22:09,640
dressings you're cooking, you're baking. Remember it's lighter bodied because

468
00:22:09,720 --> 00:22:13,599
it's super fine. Get Craft salad oil. Look for the

469
00:22:13,599 --> 00:22:23,400
bottle with the beautiful label. Now back to the adventures

470
00:22:23,400 --> 00:22:28,519
of the Faulton. Just five minutes to pass since Jack

471
00:22:28,559 --> 00:22:31,839
Craven made his dramatic inference, and strangely enough, Sergeant Corpett

472
00:22:31,839 --> 00:22:34,400
doesn't seem any too pleased by his reappearance. Come on,

473
00:22:34,519 --> 00:22:37,880
Craven starts spelling. I want to hear you make like niagrast.

474
00:22:37,920 --> 00:22:39,559
Speaker 1: I don't know what you're talking about. Something by you

475
00:22:39,759 --> 00:22:40,640
cheap watch it.

476
00:22:41,000 --> 00:22:41,920
Speaker 5: You keep out of this mic.

477
00:22:42,119 --> 00:22:44,759
Speaker 2: This is strictly departmental. How do you think all the

478
00:22:44,759 --> 00:22:47,359
other boys on the force field, we work like dogs

479
00:22:47,359 --> 00:22:49,400
to make the public trust us, and along comes a

480
00:22:49,480 --> 00:22:51,880
rotten craft are like Craven and gives every honest cop

481
00:22:51,880 --> 00:22:52,440
of black Eye.

482
00:22:52,480 --> 00:22:54,960
Speaker 1: All right, but there are stranger's present. No mind me, folks,

483
00:22:55,000 --> 00:22:57,000
I'm broad minded. You'll keep your mouth shut, Brocks, you

484
00:22:57,039 --> 00:22:58,839
know what's good for you. I'll be as quiet as

485
00:22:58,839 --> 00:23:01,279
a mouse, all right, Craven, And I asked you a question.

486
00:23:01,440 --> 00:23:02,559
It answer me.

487
00:23:02,559 --> 00:23:03,599
Speaker 5: Why did you kill Hunter?

488
00:23:03,720 --> 00:23:04,160
Speaker 1: I didn't.

489
00:23:04,279 --> 00:23:06,240
Speaker 5: Oh, why did you come back to was apartment?

490
00:23:06,279 --> 00:23:07,000
Speaker 1: I didn't come back.

491
00:23:07,119 --> 00:23:08,319
Speaker 4: That was the first time I was out.

492
00:23:08,359 --> 00:23:09,400
Speaker 5: Give me that can.

493
00:23:09,440 --> 00:23:12,519
Speaker 2: I put my two cents insideant I had. You've been

494
00:23:12,519 --> 00:23:15,640
going for almost a week, Craven. Where you've been losin Angeles?

495
00:23:15,680 --> 00:23:17,759
Speaker 1: Why'd you go there? None of your business in Craven?

496
00:23:17,799 --> 00:23:21,000
Speaker 2: You answer wearing questions, just as if I was asking them.

497
00:23:21,400 --> 00:23:22,480
Speaker 1: Why did you go there?

498
00:23:23,400 --> 00:23:25,359
Speaker 2: I wanted to see my relatives, and you certainly didn't

499
00:23:25,359 --> 00:23:26,359
travel on the super Chief.

500
00:23:27,160 --> 00:23:28,519
Speaker 1: From the look of it, I say you did most

501
00:23:28,519 --> 00:23:30,960
of your riding in a cattle car. That's the matter.

502
00:23:30,960 --> 00:23:32,720
I couldn't Hunter afford any better transportation.

503
00:23:32,839 --> 00:23:34,839
Speaker 2: Hunter had nothing to do with this. If Perel Frank

504
00:23:34,920 --> 00:23:39,359
Wars doesn't support your story, Walsh, did he stwo on me?

505
00:23:39,480 --> 00:23:42,119
What do you think you had a fight with Hunter?

506
00:23:42,119 --> 00:23:42,519
Speaker 1: Didn't you?

507
00:23:42,839 --> 00:23:43,039
Speaker 4: Yeah?

508
00:23:43,079 --> 00:23:44,920
Speaker 1: He plunged me. How about why? That doesn't matter? He

509
00:23:45,000 --> 00:23:45,880
dump me in a cattle car.

510
00:23:45,920 --> 00:23:46,839
Speaker 4: When I came to I was in.

511
00:23:46,960 --> 00:23:48,839
Speaker 2: LA Why didn't you wire us? I had no due

512
00:23:49,000 --> 00:23:50,799
but had done a collect I didn't want to involve

513
00:23:50,839 --> 00:23:54,279
the departments. Well, that's understandable, especially if you wanted to

514
00:23:54,319 --> 00:23:55,240
come back to kill Hunter.

515
00:23:55,279 --> 00:23:56,880
Speaker 1: And I tell you I didn't kill him. I just

516
00:23:56,920 --> 00:23:57,799
got in a town tonight.

517
00:23:57,880 --> 00:23:58,799
Speaker 5: That doesn't prove a thing.

518
00:23:59,079 --> 00:24:00,799
Speaker 1: Where were you with ten fifteen? Why?

519
00:24:00,960 --> 00:24:01,839
Speaker 5: Because according to the.

520
00:24:01,880 --> 00:24:04,279
Speaker 2: Coroner's report, I just got that's when Hunter was killed.

521
00:24:04,319 --> 00:24:08,039
And listen, start that's suicide routine again, Mike. If I

522
00:24:08,079 --> 00:24:09,759
wrote that note, he would have known darn well he

523
00:24:09,799 --> 00:24:13,160
hadn't killed Craven here? Where were you at ten fifteen?

524
00:24:13,240 --> 00:24:15,359
Craven the ain't chased all over the freight yards by

525
00:24:15,440 --> 00:24:17,279
some railroad dicks. If you don't believe me, you can

526
00:24:17,319 --> 00:24:19,559
call the odds and check. And don't think dry woke

527
00:24:19,640 --> 00:24:22,160
in just a minute, Sergeant, Does this mean you're riding

528
00:24:22,200 --> 00:24:23,799
off Hazel Walsh as a suspect now?

529
00:24:24,240 --> 00:24:25,880
Speaker 1: But then I like you to double the force looking

530
00:24:25,920 --> 00:24:26,160
for it.

531
00:24:27,559 --> 00:24:30,039
Speaker 2: Let me understand you, Mike. You think Craven Here is

532
00:24:30,079 --> 00:24:33,279
telling the truth? I do, and missus Walsh is our party.

533
00:24:33,319 --> 00:24:34,079
Oh I didn't say that.

534
00:24:34,759 --> 00:24:37,000
Speaker 5: I asked your brock. Ain't it enough to drive a

535
00:24:37,079 --> 00:24:37,720
guy fats?

536
00:24:37,880 --> 00:24:40,480
Speaker 1: Don't ask him? Sergeant, This thing is driving you crazy.

537
00:24:40,559 --> 00:24:42,839
Who do you think is responsible? Just what is that

538
00:24:43,000 --> 00:24:45,839
supposed to mean? Worry? Just what it sounded like, Brock,

539
00:24:46,160 --> 00:24:47,599
you killed Walsh and Hunters.

540
00:24:57,359 --> 00:24:58,759
Speaker 3: I don't know how I can ever repay you.

541
00:24:59,119 --> 00:25:01,359
Speaker 1: I'll forget if Hazel. Oh, I'm only glad it ended

542
00:25:01,400 --> 00:25:01,880
the way it did.

543
00:25:02,720 --> 00:25:04,400
Speaker 3: So it was Brock who killed my husband.

544
00:25:04,720 --> 00:25:06,759
Speaker 1: Yeah, but he didn't mean to frame you. He thought

545
00:25:06,759 --> 00:25:09,279
it would take care of Hunter. But when Frank gooded

546
00:25:09,319 --> 00:25:12,039
your name the sergeant carpet to myself, that upset his plans.

547
00:25:12,160 --> 00:25:14,759
Speaker 3: But why did Broc want to frame his bloss Uh?

548
00:25:14,880 --> 00:25:16,559
Speaker 2: Hunter had a very nice thing in the club, and

549
00:25:17,200 --> 00:25:19,480
Broc figured he was capable enough to handle it with

550
00:25:19,599 --> 00:25:20,400
Hunter out of the way.

551
00:25:20,920 --> 00:25:23,960
Speaker 3: I still don't see why he murdered Frank. According to

552
00:25:24,000 --> 00:25:26,039
that note, Brock thought that Hunter had killed Craven.

553
00:25:26,240 --> 00:25:27,759
Speaker 2: Yes, that I didn't do him any good because there

554
00:25:27,759 --> 00:25:30,680
was no trace of Craven's body and the corpus delecti

555
00:25:30,880 --> 00:25:33,880
is essential in any frames. That that was why it

556
00:25:33,920 --> 00:25:36,200
was necessary from the supplier body that would leave directly

557
00:25:36,279 --> 00:25:36,599
the Hunter.

558
00:25:37,000 --> 00:25:39,440
Speaker 3: But Frank never even mentioned the man's name to him.

559
00:25:39,599 --> 00:25:42,440
Speaker 1: Uh, Brock had no way of knowing that. Then when

560
00:25:42,480 --> 00:25:44,079
it looked like all his plans were going for naught.

561
00:25:44,119 --> 00:25:44,599
Speaker 5: He wrote that.

562
00:25:44,720 --> 00:25:47,519
Speaker 2: Suicide note and killed Hunter, thinking that would tie up

563
00:25:47,519 --> 00:25:48,480
all the loose ends.

564
00:25:48,880 --> 00:25:51,920
Speaker 3: Well, where did Broch give himself away when.

565
00:25:51,839 --> 00:25:54,480
Speaker 2: Sergeant Corbett and I were at the club before he

566
00:25:54,480 --> 00:25:56,400
went into the office to see Broch? I asked Corpe

567
00:25:56,400 --> 00:25:58,720
at the time, he said it was a quarter to eleven.

568
00:25:59,559 --> 00:26:01,680
A few and after that, we eaves dropped on Brock

569
00:26:01,839 --> 00:26:03,279
talking to Hunter on the phone.

570
00:26:04,079 --> 00:26:04,880
Speaker 3: What's wrong with that?

571
00:26:05,400 --> 00:26:05,559
Speaker 1: Oh?

572
00:26:05,599 --> 00:26:07,440
Speaker 2: I was a conversation that never could have taken place.

573
00:26:08,240 --> 00:26:10,799
According to the autopsy report, Hunter was killed at ten fifteen,

574
00:26:10,880 --> 00:26:11,519
a half hour.

575
00:26:11,440 --> 00:26:13,559
Speaker 3: Earlier, and that business on the phone was.

576
00:26:13,599 --> 00:26:15,720
Speaker 1: Staged by Brock to give himself an alibi.

577
00:26:16,079 --> 00:26:16,240
Speaker 2: MM.

578
00:26:17,160 --> 00:26:18,920
Speaker 1: He felt pretty sure that Corbet and I were listening in.

579
00:26:20,519 --> 00:26:24,000
So did that answer all your question? I suppose you

580
00:26:24,039 --> 00:26:24,799
answered one of mine.

581
00:26:25,160 --> 00:26:25,319
Speaker 2: Hm.

582
00:26:26,240 --> 00:26:28,039
Speaker 1: Where did you bury yourself so that the entire New

583
00:26:28,119 --> 00:26:29,480
York Police Force couldn't find you?

584
00:26:30,000 --> 00:26:32,960
Speaker 3: Huh? I'd stayed with my sister le Noise.

585
00:26:33,240 --> 00:26:36,160
Speaker 1: Your sister le Nore Huh. Yes, she look like you.

586
00:26:36,799 --> 00:26:39,079
Speaker 3: Hm, she's much prettier. Uh.

587
00:26:39,160 --> 00:26:42,319
Speaker 2: That was one thing I've learned from this case. Never

588
00:26:42,400 --> 00:26:45,440
to believe any testimony based on his say evidence.

589
00:26:46,400 --> 00:26:50,119
Speaker 3: Well, I don't know what I can do to convince you.

590
00:26:50,759 --> 00:26:54,119
Speaker 2: Oh that's very easy, angel. Uh, just give me her

591
00:26:54,160 --> 00:27:06,880
address and let me see for myself. Folks, let's talk

592
00:27:06,920 --> 00:27:11,200
about enjoyment. That's a pleasant center, isn't it. Specifically, I'd

593
00:27:11,279 --> 00:27:14,400
like to say a few words about candy enjoyment the

594
00:27:14,519 --> 00:27:17,400
kind you find in craft dairy fresh caramels.

595
00:27:17,960 --> 00:27:21,640
Speaker 1: Craft caramels are tops and delicious, good eating. Here's the

596
00:27:21,759 --> 00:27:22,440
reason why.

597
00:27:23,119 --> 00:27:27,440
Speaker 2: The craft folks spent years developing fine caramels, making them chewy,

598
00:27:27,640 --> 00:27:31,599
soft and flavorful, making them good so you'd enjoy them.

599
00:27:32,079 --> 00:27:35,279
And craft caramels have plenty of nourishing milk and other

600
00:27:35,440 --> 00:27:38,680
pure ingredients in them, so they're good for you too.

601
00:27:39,559 --> 00:27:42,000
Next time you're at the grocery store, pick up a

602
00:27:42,079 --> 00:27:45,359
big pound bag of craft caramels, and at your.

603
00:27:45,319 --> 00:27:48,279
Speaker 1: Candy cutter, get the six piece bar for a nickel.

604
00:27:48,960 --> 00:27:52,680
Craft caramels come in regular caramel flavor and in chocolate flavor.

605
00:27:53,000 --> 00:27:57,160
Speaker 2: Both flavors are delightful. The important thing to remember is this,

606
00:27:57,920 --> 00:28:01,359
whenever you want real candy and enjoyment, be sure you

607
00:28:01,519 --> 00:28:15,359
get craft very fresh caramel. The case of the Unwelcome Wife.

608
00:28:20,759 --> 00:28:24,279
The case of the Unwelcome Wife at the title of

609
00:28:24,359 --> 00:28:27,759
next week's Adventure of the Falcon, when Mike Waring learns

610
00:28:27,799 --> 00:28:30,119
that when a girl pretends to be married to an

611
00:28:30,160 --> 00:28:35,240
already married man, the results can be murdered. So we

612
00:28:35,279 --> 00:28:37,359
should have listened at this same time next week to

613
00:28:37,480 --> 00:28:40,480
another exciting adventure of the Falcon, brought to you by

614
00:28:40,680 --> 00:28:44,000
the Craft Foods Coming. The Adventures of the Falcon are

615
00:28:44,000 --> 00:28:47,640
based on the famous character created by Flexel Drake, produced

616
00:28:47,640 --> 00:28:51,319
by Bernard L. Schubert, written today by Eugene Wang, and

617
00:28:51,480 --> 00:28:55,359
directed by Richard Lewis. Music was by Arlow Best. Payman

618
00:28:55,519 --> 00:28:57,480
was started as the Falcon with Ken Lynch.

619
00:28:57,319 --> 00:28:59,759
Speaker 1: As Sergeant Corbet. Be sure to hear the Great.

620
00:28:59,599 --> 00:29:02,160
Speaker 2: Guilt of Sleave next Wednesday evening over most of these stations.

621
00:29:02,480 --> 00:29:05,279
The next Wednesday's broadcast Guild comes face to pasion and

622
00:29:05,359 --> 00:29:08,039
hilarious problem and solves it in a way that we'll

623
00:29:08,119 --> 00:29:09,200
keep you laughing for days.

624
00:29:09,640 --> 00:29:12,440
Speaker 1: Remember the show, the time, and the play the Great

625
00:29:12,480 --> 00:29:16,000
Guilder Sleeve next Wednesday evening over most of these stations.

626
00:29:16,519 --> 00:29:18,759
Check your local newspaper for a time of broadcast.

627
00:29:19,359 --> 00:29:20,160
Speaker 5: This is ed Herning.

628
00:29:20,200 --> 00:29:22,759
Speaker 1: He's speaking for the Craft Food Company.

629
00:29:27,960 --> 00:29:31,400
Speaker 2: Raymond Massey and Shirley Booth star on Theater Guild Tonight

630
00:29:31,480 --> 00:29:32,079
on NBC