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Speaker 1: I am a voice that no man on earth has

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ever heard before. I am not of this world, but

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no man hearing my voice knows whether I truly live,

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or whether I am a thing of the imagination, a

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thing of dreams. You will hear my story in a

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moment on you thows and plus listen.

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Speaker 2: Thousand us.

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Speaker 3: Adventures in the World of Tomorrow.

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Speaker 1: Framatic stories of science fiction from.

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Speaker 4: The years beyond two thousand AD.

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Speaker 3: Today, the story of a horrible nightmail It wouldn't stop

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even when the dreamer woke up. A story called a

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green Thing. It is the year two thousand plus one

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seventy five. It is late evenings, and all is peaceful

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and quiet in doctor Harvey Clendon's Sentarian Outside, on the

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vast estate that stretches away from the main buildings, there

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are only the soft country noises, the wind sighing in

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the trees, the shrill trippings of innumerable crickets. In the

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world furnished rooms, the patients sleep stretched out on comfortable

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mephaces and clean white sheets. The country brings us springing

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over their forms. In room thirty two feet, Missus Summers

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sleeps peacefully with his head on a fluffy pillow, he sleeps,

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and he dreams comping company.

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Speaker 5: Way.

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Speaker 2: So, in the light of the growing psychological problems facing

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our nation, the government has sent me to you, doctor Glendon,

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to unless your age, since you're the country's outstanding psychiatrists.

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While I'm on it, Indeed, mister Carling, that as much

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I can tell you about the advancement of psychiatric research,

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it isn't being published in the medical journalism. Well, doctor Glendon,

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isn't there anything that you're working on now? Something definite?

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I know you're a cautious scholar, but at mister Colie,

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it isn't possible to announce sweeping new generalizations in our

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kind of science. I worked as painstaking, complex, highly subjective.

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It's like the case of one of the patients here

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in the sanitarium. Oh, buddy, did you bring our records

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to mister Summers. Summons is about forty forty one. He

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was admitted five months ago suffering from a melancholia here. Oh,

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thanks very How as you can see from these notations,

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he's been feeling much better the past few weeks. Yes,

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let me see, until last night when he suddenly woke

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up screaming in his bed. He was being attacked, he

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shouted by some sort of green devil. We had this

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jeb getting him under control. Now, in the past, Somers

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had spoken quite often of a green hat that he

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lost as a child. His father, he remembered that punished

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him severely for losing it, and later on Glendon, this

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is all very interesting, but you can hardly call this

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dream analysis anything new. Yes, it has been known for centuries. Well,

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and I don't understand, mister Colling. I know why you

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came to see me. Apparently I haven't been able to

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keep my achievement as secret as I hope.

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Speaker 1: That's rights it. We've heard rumors.

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Speaker 2: All, mister Colling. I've said that mister Summer's dream is

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very unusual. How would you like to see it? I mean,

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see his dream exactly. I'm going to show you a

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motion picture of mister Sommer's dreams, photograph from the subconscious mind,

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exactly as he dreamed. I've had special note electrodes. In

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these electrodes pick up the current impulses of the brains.

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Then these impulses are transmuted back into pictures on the

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film of the machine. Really very similar to the method

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of wireless photography.

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Speaker 6: Mister Summer's dream deal dot too.

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Speaker 2: Oh fine, thank you, Reddy. The projector tube is ready,

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so I just placed the dream reel with it, and

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hold only your hat. Mister Darling, you're going to see

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an actual dream. Yes, yes, very well, mister Klapper. Three

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slices of lemon drops will do. He thinks. I don't

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see him putting the pennies in his pocket when he

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knows they belong to me.

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Speaker 1: Three slices of lemon drops. It is little point. I'm

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not a little boy, Klapper, and you know it.

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Speaker 2: I'm all grown up and I don't come to your

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store anymore.

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Speaker 1: I don't even live here anymore.

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Speaker 2: And you steal.

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Speaker 5: Pennies, all right, No, I get out knocking the boy

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take your lemondre can get out belt.

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Speaker 2: Music.

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Speaker 1: I didn't know Clover had music in his store.

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Speaker 3: I don't like his music. I'll slam his door.

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Speaker 2: I'll go out in the street.

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Speaker 1: Now there won't be any more penny stealing music.

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Speaker 2: But what's that?

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Speaker 5: It won't go away?

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Speaker 1: It won't go away, Summers. I am calling you.

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Speaker 2: What's that, Clover? It's it's greety.

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Speaker 1: It's a monster with great pink eyes on long stalks.

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It's standing in front of me.

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Speaker 5: It has claws.

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Speaker 1: You're not the little boy anymore, Summers. Oh no no,

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don't touch me with your clothes. Come with me now,

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Summers your mine. You belong to me.

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Speaker 2: Oh no, no, you're touching me.

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Speaker 6: Don't nor help.

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Speaker 7: Me, help me please.

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Speaker 2: But you got to him at that moment, the dream

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machine shut off. Shoot some dream. What effect will the

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discovery of this dream machine have on psychiatric research, doctor Glenton? Well,

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I've only just perfected it about four or five months ago.

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Dot reaps forty or fifty photographed dreams in that files.

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Speaker 3: Forty or fifty.

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Speaker 2: Yeah, However, as far as developing new techniques and treatment,

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maybe years before I can get them analyzed and correlated

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so that overall theories can be drawn from them. As

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long as that So all you understand, mister Carling, why

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it's a little difficult for me to answer your questions.

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That dream was fascinating. I've never seen anything like it,

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a doctor. I know I'm presuming on your time, but

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I like to see just one more I'll have to

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report on the at the government bureau. Well, only one more, though,

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I'm sorry, but I'm quite busy. What about this one? Here?

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The purple tag. What's that for? I seen that one myself.

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Yet purple tag means it's from the violent word. Mister

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m sick man. I will try it. Oh, set, Why.

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Speaker 6: How do you do?

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Speaker 2: Missus?

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Speaker 6: Camp For I'm climbing the.

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Speaker 2: Wall and it's only to us? How warm me?

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Speaker 5: I don't know.

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Speaker 2: Much, gibberd. Rob's a difficult case. Homicidal tendencies comes from

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a good family. For a very successful businessman, can you

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do anything for him?

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Speaker 3: Oh?

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Speaker 2: I think so at times when he can be reached

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lucid moments and some of his dreams for very clue

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for that. You're not frightening me.

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Speaker 5: You can't scare me. Don't touch me your.

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Speaker 2: Claws, doctor, Look on the screen. Look there it is again,

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that cream thing.

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Speaker 5: No, it's impossible.

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Speaker 2: Two people can't possibly have the same dream. I don't

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understand it, Betty, I can't understand it. I've been through

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all the records above them, Summers and Rob. There's nothing

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in the back, brother, but cause them to have the

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same dream. Are you sure they haven't been together? But

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some time?

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Speaker 6: I'm positive, jos if they haven't even met. Mister Ralph

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came here only a month ago, and he was pasting

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the violent water me. He's never been out of it.

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Speaker 2: It's possible for people to have similar dreams, yes, but

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never the dream of the same, unusual, horrible, specific subject

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is that that green thing. Every detail was the same,

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the pink eyes, the claws makes me shudder myself.

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Speaker 1: Betty.

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Speaker 2: I want our dream reels, all those I haven't seen.

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Speaker 6: Oh no, you're not going to view them all if

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it take you.

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Speaker 2: I don't care how long it takes. I want to

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see them all. I've got a funny feeling inside, and

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I won't be at ease until I know, until I'm sure, sure, sure,

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that none of the other patients have had that dream,

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that same horrible dream of that green thing.

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Speaker 6: Really nine, missus Jarvin Sill, I put the sound on.

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Speaker 1: Oh no, not necessary.

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Speaker 2: We can see them. It appears.

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Speaker 1: No nothing here.

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Speaker 6: Same ten, that's Fonnham.

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Speaker 2: No nothing.

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Speaker 6: I don't think we'll find anything. Doctor, must have been

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a freak, a coincidence.

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Speaker 2: Keep going, Keep going.

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Speaker 6: Dream eleven, mister Cray.

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Speaker 2: Dream twenty one, nothing there either. Dream twenty two. Huh,

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Maybe you'll right, Betty. I'm beginning to thank myself.

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Speaker 6: To Glendon, Doctor Glenham.

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Speaker 4: Not there it is a greaen thing.

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Speaker 6: Dream forty two.

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Speaker 3: Mister Bradley, head up the let it up.

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Speaker 2: That's it again, a green thing, poor album, karling horror

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dreams of that monstrous green thing, each one for a

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different patient, and each one during the past week. Telling

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there's something there, something to make even a psychiatrist people fighting.

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Tell the patients weren't having a dream. They couldn't be.

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They had nothing in common. But the fact that they're

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in this sanitarium. Why even the nature of their illnesses

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are different right there? Aren't you getting a little mixed

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up yourself?

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Speaker 3: Uh?

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Speaker 2: You saw those dreams. I saw them, They saw them.

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I know. It's incredible. Listen, to have a dream means

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that you create that dream, you and nobody else. You

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mean you think the patients didn't create those dreams.

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Speaker 1: They're not their dreams.

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Speaker 2: There is such a thing as God's projection, mental telepathy. Yeah,

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why should anyone want? One may have found out about

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the dream she maybe jealousy or grudge, or a hatred

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of psychiatry in general. There many reasons. What we've got

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to do is to find out where it's coming from.

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The patients must be protected. How First, we've got to

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find out whether this telepathy is coming from inside or

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outside the sanitarium, and we've got to track it down.

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I tell you, darling, whoever's trying this terror by mental

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telepathy isn't going to get away with it. I'm not

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going to stand by while a lifetime's work is destroyed

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by a campaign of terror against my patients. Going to

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institute protective measures at once, anything yet got to I

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still have a Garden's dream beamed on the area directly

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around the main building. I don't expect to find any

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in so close, but I want to search every into

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the grounds. I still feel whoever it is is on

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the grounds can't be sure of anything except that I'm

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convinced that the staff is loyal, and I have a

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hunch that whoever is transmitting these park waves or want

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to be close enough to judge the results.

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Speaker 3: IM take it down now, doctor, Oh yes, Betty, go

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get them when you please.

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Speaker 2: That's possible that they may be able to help us.

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They may have felt current seminating from a certain direction.

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M I think the Dardis screen has reached its range. Lemmit, doctor,

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it's repeating itself, all right, I'll give it wider.

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Speaker 1: Focus going into the grounds.

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Speaker 2: Now, wait, here's something I figure on the screen. Yeah,

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I see him a club stick or something. Who is

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this actor?

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Speaker 4: Can you tell?

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Speaker 1: I don't want to align him. I'll signal the patrol cars.

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Speaker 2: But me that red button on the wall, isn't it?

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Speaker 7: Oh?

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Speaker 1: No, calling have a line.

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Speaker 2: That is one of the patrol corps. I can see

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his arm. Bad, bad, I'll switch the machine to the

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north tran. There's another figure.

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Speaker 5: Let me.

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Speaker 3: Well, he seemed to be all guarded.

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Speaker 2: Another member of the patroal corps. Well, that's hope. The

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patients will be able to hear Betty.

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Speaker 3: Doctors so well, very well?

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Speaker 2: The patient gone, doctor?

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Speaker 7: What did he appear?

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Speaker 6: And the six patients has just begun screaming in his room,

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the green thing, the green thing. Fifty four all accounted

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for doctors before that. A missing would make sixty eight.

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That's how many patients we had.

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Speaker 2: I checked the nurses eight besides Betty. They're all here

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and the patrol corp have checked the rest of the

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staff and no one has left the grounds except the

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four patients, unless somebody got in and carried them off. Now, no,

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no jetmobiles and no jet ships have been in the

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vicinity between the time the patients were last reported and

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now the patrol core about for that is the village Wnnfield. Oh,

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it's the only village for one hundred miles, but it's

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a backwoods country village at quaint place, never kept up

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the times. I doubt that they have any jetmobiles in Linfield,

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much love jetship as you can't arrange for transportation there,

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can't you the right that's where they go. Why didn't

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I think of that before? It's the center of the village,

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the gossip spot, if the patient centered town at all,

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news of them, which frederallyan. But you take charge here

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calling and I are going to Winfield. How long will

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you be gone, doctor, until we find them they're no

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longer alive.

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Speaker 5: Sure, I can't help you, know, I'm doctor. You ain't

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seen no strangers, spoke to no strangers. You're learning those strangers.

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Speaker 2: Allow about transportation, jetmobiles, the jet ships.

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Speaker 5: Including any calls for you bluebill service going younger. Two

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months not since Miss Jennings busted her leg and we

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had descended to the hospital in the city jet ships

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last time one of them flaming marsters landed here. We

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nearly had a hide and then filled durn fools off?

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What was in bas you from Mars run a wild

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goose chase?

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Speaker 2: That's so insane? Well thanks, Hony, How mister Barker you've

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been very hard.

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Speaker 5: Parts, he says, I flasted it. You believes in the hall?

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Speaker 1: I do right too.

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Speaker 2: Everyone knows this coats everywhere.

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Speaker 7: Yet you know such thing that's called a comte still

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up coats in every village in time, Quiet down, you bush,

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you'll be getting my in the bad reputation of Hey.

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Speaker 2: Hey, there's that doctor, doctor Glendon talking to mister Barker.

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Speaker 7: I put it up to him.

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Speaker 2: Now, okay, what do you say, Doc?

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Speaker 5: There's no sid thing is arts gold cyber now and

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you'll tell my ignorant friend.

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Speaker 2: I wasn't listening very carefully. But if it's ghost you're

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talking about, there's never been any scientific evidence that they exist.

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Speaker 7: Arts don't exist.

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Speaker 5: That's what you're time to say it, don that's right.

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Speaker 2: Oh, come on, Colin, let's get out of here.

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Speaker 5: Hey, hey, no ghost.

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Speaker 2: This this starts an educated man.

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Speaker 5: He knows out And oh you tell me what that

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green thing was froating around down here in the cave

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and we ain't.

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Speaker 1: Don'tly one who's seen it? Right, paul a green thing?

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Speaker 2: Where?

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Speaker 1: Why are these kids right down the river?

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Speaker 2: Why?

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Speaker 1: Doc, you ain't going there?

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Speaker 5: Nighttime?

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Speaker 1: Now?

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Speaker 2: Colling, Well, you'll risk it.

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Speaker 3: I've got my right kind of dock.

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Speaker 5: You crazy, I'm telling you there's a haunt.

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Speaker 1: Why it ain't a man in his whole village? Go

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with you tonight. It's only a course.

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Speaker 2: Don't even worries. But if forre not out of those

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caves by dawn, you better come for us. It won't

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be a ghost that's holding us.

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Speaker 1: This must be the right cave.

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Speaker 2: Carling's the only one with a brush tremble down in

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front of it. Here he is that two men here,

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don't hear anything? Probably just don't want to be taken

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by surprise. I have to be as quiet as possible,

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all right, Come on? What's that got it?

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Speaker 3: What are you?

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Speaker 2: You want?

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Speaker 6: It?

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Speaker 5: Coming?

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Speaker 2: The great thanks?

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Speaker 4: The green thing?

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Speaker 2: No, no, no, there's nothing there. You're on the floor

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of the cave, but there's no one near you. Nothing

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where he is asleep. He's having the dream. That's same dream.

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Come on, snap out of it. Coming There's only a dream,

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only a dream, I mean dream he'll dizzy. What's the

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matter with me? I am fooling his sn.

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Speaker 4: I won't I won't let.

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Speaker 1: My shot, doctor Glendon, Doctor Glendon, I am calling you.

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You must come with me now. Oh I won a fresher,

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A fresher, come with me, doctor Glendon. I control you now.

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Speaker 5: Of course.

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Speaker 7: It's not the tum tum going to wake up.

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Speaker 2: I'm going awake up. I'm going to wake up. I

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did I'm awake. I conquered the greensing?

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Speaker 5: Did you.

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Speaker 1: Did you conquer me? Doctor Glendon?

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Speaker 2: I can't be standing over me.

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Speaker 5: The pink eyes are long stops, the close.

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Speaker 1: The creaing A ride in here, doctor Glendon, into this

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rough chamber, and you, mister Carling, don't worry.

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Speaker 2: You won't fall.

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Speaker 1: My will is controlling you.

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Speaker 2: My patience over.

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Speaker 1: I had a corner.

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Speaker 2: Well, Bradley, Summer's gone.

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Speaker 5: I wouldn't you come to them.

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Speaker 2: Summer? Say all right, Bradley, this is doctor glennar your doctor.

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Speaker 7: What's the matter, god man, Bradley.

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Speaker 1: Nothing is the matter with them. They just don't understand

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you anymore. They are attuned only to Venuesian thought wave.

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Speaker 2: Allusions. Yours come the sign of move Venus that is right.

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Speaker 1: For a long time, we have been observing your earth,

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your resources, and your remarkable technology, but we did not

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know how to conquer you. For we of Venus have

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no strength or physical dexterity, only mental power.

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Speaker 2: I shouldn't tell me that think that horrible body of

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yours to a puppy great.

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Speaker 1: Mash you hit only air? Didn't you think? I'm growing

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tired of this game? Stop? I will that your arms

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obey me.

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Speaker 2: And not you. I can't love them.

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Speaker 7: How are your body?

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Speaker 2: Do not be foolish again, and I will return the motion.

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So hypnotize my patience the same way, didn't you? And

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always dreams a little more complicated than what you Earthlings

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call hypnosis, but it is mind control. I have come

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to Earth to prove to my planet that this is

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the way to conquer your Earth. We will control the

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minds of its inhabitants and thereby control their strength their

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physical dexterity. I began on your patients first, because their

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minds are more easily controlled. What do you want to

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their bodies? They can perform physical acts that I cannot

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With their bodies. Weave innusions can continue our investigation of

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your planet at close ray inge, and we can also

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study the structure of the earthling when I bring them

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back with me, bring them back the Venus.

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Speaker 1: Do not worry, my dear doctor. I shall not separate

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them from you. I will also take you and your

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companion with me to Venus as rare prizes hurtling buying

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these two men.

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Speaker 5: Don't you and your friend with your duckt no, let

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me go.

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Speaker 2: You shock you shock them up? Maybe didn't know the

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earth makes that weapons too, got.

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Speaker 3: Why don't before he is still spending?

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Speaker 1: Did you really think you could hurt me with that?

379
00:25:54,279 --> 00:25:59,920
Your death phrase have no effect on my body. Drop

380
00:26:00,119 --> 00:26:12,519
your weapon find the men. You cannot, but if you could,

381
00:26:12,599 --> 00:26:17,920
I would not care. There are millions more to choose from.

382
00:26:19,160 --> 00:26:24,680
You can kill your souls too. You are replaceable except

383
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to your souls. You are trapped. Your only escape is.

384
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Speaker 2: The crumbling explosion of your rank on calling losing the rocks.

385
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It's the case, and we'll be buried.

386
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Speaker 4: Alion climb.

387
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Speaker 2: Not the patience before the queens begin.

388
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Speaker 7: They can if only ten.

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00:27:00,119 --> 00:27:07,519
Speaker 5: Uh yeah, let's come out the kidney dock here utch,

390
00:27:08,119 --> 00:27:09,200
watch the pollen here too.

391
00:27:09,359 --> 00:27:11,880
Speaker 1: There's one thing when justice the mouth, you move.

392
00:27:11,839 --> 00:27:13,759
Speaker 2: That when I think we can make it. Alright, help

393
00:27:13,799 --> 00:27:15,640
me doctor, I've got the patients too, all right, come

394
00:27:15,680 --> 00:27:29,839
on here, why I'm squeeze, So now you go plast

395
00:27:30,119 --> 00:27:31,039
pull the patience after you.

396
00:27:31,400 --> 00:27:34,680
Speaker 1: All right, right, white, I'm out.

397
00:27:35,119 --> 00:27:39,440
Speaker 2: I'm off. Come on, that's all right, bading you next.

398
00:27:39,960 --> 00:27:45,119
Come on man, wait, alright you summers all right, way,

399
00:27:46,720 --> 00:27:50,640
all right? God not quick you all right? That's all

400
00:27:50,680 --> 00:27:53,200
right there? All right? Oh here got it, I can magas.

401
00:27:54,319 --> 00:28:01,640
Speaker 1: Oh good, help me earthlings put a cut out of stairs.

402
00:28:02,559 --> 00:28:05,480
Speaker 2: He can't squeeze through. He has no physical straw.

403
00:28:05,400 --> 00:28:13,880
Speaker 1: Flags earth flames come over. According to him, he.

404
00:28:13,960 --> 00:28:17,480
Speaker 2: Still has powerful Come I call it quick for the release,

405
00:28:17,519 --> 00:28:19,000
and help me shove this lock over the opening.

406
00:28:25,680 --> 00:28:30,079
Speaker 1: Kay, Thank goodness.

407
00:28:31,240 --> 00:28:31,640
Speaker 5: It was that.

408
00:28:32,279 --> 00:28:33,079
Speaker 7: But as.

409
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Speaker 5: It collapsed, the entire cave.

410
00:28:50,400 --> 00:28:56,599
Speaker 2: Fell in just in time, yes, cutting in time to

411
00:28:56,799 --> 00:29:01,000
save Earth from the horror of green things.

412
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Speaker 3: Next week, an incredible story about a man of science

413
00:29:21,559 --> 00:29:25,200
who dared tamper with the secret of human life. Be

414
00:29:25,400 --> 00:29:28,559
sure to listen to That Which Lived in a Head

415
00:29:28,599 --> 00:29:33,119
of Steel two thousand plus is produced by Dryer and

416
00:29:33,160 --> 00:29:36,880
When also productions incorporated in today's cast Lon Caught by C.

417
00:29:36,880 --> 00:29:41,400
London Joseph Julian was calling. Alissander Guard was ms Connor's,

418
00:29:41,640 --> 00:29:45,279
Gilbert Mick was Ralph, John Griggs was Summers and Henry

419
00:29:45,359 --> 00:29:48,440
Morrel was the Green Thing. The script was written by

420
00:29:48,599 --> 00:29:59,480
Edgar Norman. The music was composed by Elliott ter Kirby.

421
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The orchest are producted by Emerson Buckley, sound Wealth Shaver

422
00:30:03,400 --> 00:30:06,400
and Adrian Tenner. Engineer Bob bar Bricks.

423
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Speaker 4: This is Cambri

