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<v Speaker 1>All right, everybody, Welcome back to the Shirtley You Can't

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<v Speaker 1>Be Serious Podcast, Season two, Episode one. I'm Jack, Yeah,

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<v Speaker 1>I am so.

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<v Speaker 2>Glad to be back. We've been gone too long.

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<v Speaker 1>We're comparing Slippery when Wet versus New Jersey bon Jovi's

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<v Speaker 1>two weeks out.

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<v Speaker 2>You say that and I get chills. I'm just I'm

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<v Speaker 2>so excited about this. I'm ready to let it rock.

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<v Speaker 2>I'm ready to let it go because you can't stop

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<v Speaker 2>a fire burning out control No, And.

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<v Speaker 1>I'm just I'm hoping we're still wanted dead or.

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<v Speaker 2>We did take two steel horses to this location tonight,

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<v Speaker 2>two podcas Yes, So all right, Jason.

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<v Speaker 1>Before we jump in, I want to say thanks to

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<v Speaker 1>our executive producer for this episode, mister Jonathan Tweety. He

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<v Speaker 1>entered in, gave us a Patreon subscription, and he is

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<v Speaker 1>the executive producer of our Bond Jovie episode. Thanks Jonathan,

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<v Speaker 1>we really appreciate you. If you would like to be

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<v Speaker 1>a Patreon and become an exclusive producer, go to our

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<v Speaker 1>Patreon page, click subscribe and it's that easy that you

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<v Speaker 1>just didn't subscribe. Now pick your amount you can. You

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<v Speaker 1>can be an executive producer for as little as five

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<v Speaker 1>dollars a month. We start sending out prizes after that,

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<v Speaker 1>so be sure and take advantage of that while it lasts.

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<v Speaker 1>But anything that you can do to help out, we

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<v Speaker 1>truly appreciate. And if you can't do that, tell a friend,

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<v Speaker 1>tell five friends, tell ten friends, and we'll forgive you

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<v Speaker 1>for not giving us a five dollars a month. There's

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<v Speaker 1>this place I like to go. It's called the nineteen eighties.

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<v Speaker 1>Let's do it, let's go, let's see eighties.

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<v Speaker 2>All right, so listen, de this is a massive battle

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<v Speaker 2>for me personally. Okay, okay, So there are a few

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<v Speaker 2>pillar albums in my life, right, So Thriller's one Yes,

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<v Speaker 2>Hysteria is one yes, Slippery When Wet and New Jersey.

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<v Speaker 2>That rounds out my big four pillars. Now, I've had

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<v Speaker 2>love affairs with fifty one, fifty and nineteen eighty four,

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<v Speaker 2>and you know, so these others, but these are my

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<v Speaker 2>four pillars. So today we're going to start the comparison

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<v Speaker 2>between two of my all time favorite albums.

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<v Speaker 1>Yeah, well, I've mentioned it before. One of the songs

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<v Speaker 1>on one of these albums is the reason that I

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<v Speaker 1>started playing guitar, which is a huge, huge, thing in

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<v Speaker 1>my life. So that's a big deal. We're excited about this. Yeah,

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<v Speaker 1>this is pretty awesome. This is amazing, and you know,

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<v Speaker 1>it's kind of interesting. It took a long time for

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<v Speaker 1>bon Jovi to get critical acclaim. You know, they were

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<v Speaker 1>always a popular band, and because they were a popular band,

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<v Speaker 1>there were haters out there and a lot more critics.

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<v Speaker 1>And to those folks, I just got to say, screw you, man.

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<v Speaker 1>You guys are missing out. Yeah. Yes, it's it's enjoyable

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<v Speaker 1>to listen to this music. It's also enjoyable to bang

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<v Speaker 1>your head to this music. This is just kick butt, good,

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<v Speaker 1>top down, turn it up music.

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<v Speaker 2>Absolutely, these guys have it all.

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<v Speaker 1>They've got.

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<v Speaker 2>They had looks, they had ability, they had great timing,

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<v Speaker 2>and they had great songs.

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<v Speaker 1>Yeah.

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<v Speaker 2>So I mean, we are going to have so much fun.

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<v Speaker 2>You want me to do my checklist. Let's run down

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<v Speaker 2>the checklist. Checklist before we dive in. Let's make sure

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<v Speaker 2>I've got everything I need. Okay, we got we got

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<v Speaker 2>the talk box, yep, we've got the six pack in

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<v Speaker 2>the radio. We've got lipstick, plastic and paint, and we're

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<v Speaker 2>gonna dance the tango with a broomstick in our hand. Okay, okay,

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<v Speaker 2>you ready, Let's let it rock bon Jovi slippery win wat.

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<v Speaker 1>Okay, So we've got to start at the beginning. And

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<v Speaker 1>I'm not sure which beginning we start at, but might

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<v Speaker 1>as well start with John. His name is the band

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<v Speaker 1>name after all, right for sure. So interestingly, bon Jovi

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<v Speaker 1>is spelled differently than you might expect. It's it is

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<v Speaker 1>a complete word bo in g io v i bon

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<v Speaker 1>g ov because there Italian.

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<v Speaker 2>Definitely got some Italian in there.

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<v Speaker 1>Yeah. And he was born to a couple of marines,

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<v Speaker 1>a man and a woman who met in the marine corps,

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<v Speaker 1>and then his mom went on to become a playboy bunny,

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<v Speaker 1>not in the magazines, but in the clubs, the playboy restaurant.

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<v Speaker 1>She walked around with the little tuft tail and the

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<v Speaker 1>ears on and would wait on people like Dean Martin

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<v Speaker 1>and Frank Sinatra.

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<v Speaker 3>Yeah, baby, no baby, Yeah yeah, I did a Google

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<v Speaker 3>searchter you can see her, and she's wearing her little

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<v Speaker 3>little ears and her little cottontail.

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<v Speaker 1>Yeah. Yeah, so she looked good.

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<v Speaker 2>She looked like a nineteen sixties playboy money yeah wow.

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<v Speaker 1>So former marine yeah, God bless America. Yes. So when

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<v Speaker 1>they got married. He was going to do the standard.

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<v Speaker 1>You know, I'm going to go become a plumber. And

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<v Speaker 1>she was like, you know, why don't you become a

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<v Speaker 1>hairdresser because I spend a lot of money on my

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<v Speaker 1>hair and it'd be nice if you could do it.

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<v Speaker 1>And he was like, okay, if you want me to

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<v Speaker 1>do that, I'll do that. And so he became a hairdresser,

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<v Speaker 1>which is probably why John has some of the best

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<v Speaker 1>hair out all right. So he at some point they decide, listen,

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<v Speaker 1>you got to learn a musical instrument, and so at

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<v Speaker 1>seven years old he started playing the guitar. They took

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<v Speaker 1>him to the guitar lessons. He started playing the guitar,

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<v Speaker 1>and he said that it was like at the guitar

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<v Speaker 1>shop and the old man had a pipe and would

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<v Speaker 1>nod off and it was done, no no, no, no,

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<v Speaker 1>no no. And you know, he was just not interested

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<v Speaker 1>at seven. And after a few weeks of lessons, he

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<v Speaker 1>was told to clean up. And so his way of

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<v Speaker 1>cleaning up was to chunk the guitar down into the

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<v Speaker 1>basement just to hear it clang. And so it took

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<v Speaker 1>several years till he was thirteen before he picked the

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<v Speaker 1>guitar back up again, and as it happened, a gentleman

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<v Speaker 1>moved across the street who was like a session musician,

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<v Speaker 1>but his name was Al Paranello. Well, just so that

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<v Speaker 1>you know, bon Jovi, it has special little pins that

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<v Speaker 1>are like in the shape of the Superman logo that

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<v Speaker 1>if you go long enough with the band like crew

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<v Speaker 1>or band member or whatever. It's a very honorary thing

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<v Speaker 1>and it takes a lot of time to get it.

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<v Speaker 1>And John when Al died, he took his off and

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<v Speaker 1>put it in the casket with Al. That's how important

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<v Speaker 1>it was he was to him. And so he started

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<v Speaker 1>taking lessons from him, and instead of the scales, he's like,

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<v Speaker 1>I'm gonna teach you how to play House of the Rising Sign,

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<v Speaker 1>which I loved because that was like the first song

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<v Speaker 1>my dad taught me how to play on the guitar.

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<v Speaker 1>I'm sure it's the first song for a whole lot

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<v Speaker 1>of folks, right, And so he teaches shows him how

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<v Speaker 1>to play it. He says, come back next week. I

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<v Speaker 1>was back the next week. He still know how to

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<v Speaker 1>play it. He's like, Okay, well come back next week.

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<v Speaker 1>I need you to know it. Comes back the next

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<v Speaker 1>week he still doesn't know it. He says, listen, I

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<v Speaker 1>don't have time to around with you. Okay, I got kids.

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<v Speaker 1>If you're going to do this, do it. If not,

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<v Speaker 1>don't waste my time. Come back here next week, and

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<v Speaker 1>you don't know what we're done. And John was like,

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<v Speaker 1>that was the exact kick in the butt that I needed.

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<v Speaker 1>And I worked the entire week and made sure that

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<v Speaker 1>I knew it by the time I went back. So

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<v Speaker 1>while he's trying to make it in high school and

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<v Speaker 1>trying to put these you know, trying to do something

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<v Speaker 1>with these bands, he'll go and play at clubs during

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<v Speaker 1>the week and play until the wee hours of the morning,

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<v Speaker 1>and then come to school the next day, you know,

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<v Speaker 1>play all three go to school at eight and one night,

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<v Speaker 1>while he's playing, a guy in the back named Bruce

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<v Speaker 1>Springsteen decides to come and join him on stage. How

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<v Speaker 1>cool is that if you're a high school kid, seventeen

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<v Speaker 1>year old kid and the boss says, hey, can I

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<v Speaker 1>come up and sing with you? Uh? Duh? Yeah?

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<v Speaker 2>Yeah?

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<v Speaker 1>And he was one of John's idols, I mean yeah.

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<v Speaker 2>John talks about how it was it was Bruce Springsteen,

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<v Speaker 2>it was Southside Johnny, it was Jay GAW's band. I mean,

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<v Speaker 2>those guys were who he looked up to musically. Yeah,

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<v Speaker 2>and hey, Bruce Wingstein, my idol. You want to play

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<v Speaker 2>with me? Absolutely, let's go.

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<v Speaker 1>Yeah. And he had a couple of buddies who also

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<v Speaker 1>took guitar lessons from this guy. And one of those

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<v Speaker 1>buddies name was Dave skid Row. You got it, Yep.

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<v Speaker 1>We talked about him last, Paul. Yep.

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<v Speaker 2>Dave and John were good buddies. Later on, John got

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<v Speaker 2>a job at the radio station and he was being

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<v Speaker 2>a gopher and he would sleep floors and he would

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<v Speaker 2>go get dry cleaning and this and that. So he

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<v Speaker 2>brought his buddy Dave Sabo up to the to the

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<v Speaker 2>place and Dave's like, that's Ozzy Osbourne right there, right Jagger,

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<v Speaker 2>that's mc jagger.

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<v Speaker 1>Yeah.

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<v Speaker 2>He's like, duh, why would you not want to work here?

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<v Speaker 1>You know? Right? Yeah. So that guy that owned the

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<v Speaker 1>radio station was a second cousin of John's. His name

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<v Speaker 1>was Tony bun Jovi, and the radio station was called

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<v Speaker 1>the Power Station, and it was a place where obviously

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<v Speaker 1>a lot of big names were coming. Sting has an

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<v Speaker 1>album called fifty seventh and ninth, which is named after

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<v Speaker 1>the intersection that he would cross walking to that studio.

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<v Speaker 1>All right, yeah, so he's working for his cousin as

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<v Speaker 1>a gopher in this station, goes to get coffee, goes

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<v Speaker 1>to make bets for people, doing whatever he can during

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<v Speaker 1>the day, and then he had a long bus ride.

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<v Speaker 1>He would spend his bus ride writing songs, and then

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<v Speaker 1>he would get home at night and play practice. Right,

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<v Speaker 1>and at some point he puts together a song. He

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<v Speaker 1>puts together several songs, but he's really excited about this

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<v Speaker 1>song called Runaway, Runaway. But now a lot of people

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<v Speaker 1>think this is his first professional recording, but it's not

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<v Speaker 1>breaking on.

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<v Speaker 2>Let's go, I would get this tray.

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<v Speaker 1>Question is first professional recording actually occurred a couple of

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<v Speaker 1>years earlier when a small movie called Star Wars was

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<v Speaker 1>recording a Christmas album and they were recording a song

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<v Speaker 1>called R two D two we Wish you a Merry Christmas,

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<v Speaker 1>and Tony at the recording station says, hey, my cousin

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<v Speaker 1>over here, he'd be good to sing that song for you,

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<v Speaker 1>And so John bon Jovi's first professional record is on

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<v Speaker 1>Christmas and the Stars, the Star Wars Christmas album, and

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<v Speaker 1>here is. Here's a sample of John bon Jovi singing

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<v Speaker 1>R two D two we wish you a merry Christmas.

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<v Speaker 1>You know less, We need to go back to the

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<v Speaker 1>winter stars. We know less. Unity's began.

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<v Speaker 2>That is so freaking awesome.

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<v Speaker 1>Man, I don't know that I would say awesome. It's

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<v Speaker 1>a little it's a little strange. It doesn't sound like

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<v Speaker 1>the bon Jovi we know and love, but it is

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<v Speaker 1>pretty crazy to hear that. Are you ready for this? Yes?

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<v Speaker 1>I have this album.

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<v Speaker 2>Oh god, I have this album.

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<v Speaker 1>You own it.

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<v Speaker 2>I own this album, this record like you had the

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<v Speaker 2>Open Well. I was a Star Wars freak, Yes, so

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<v Speaker 2>I had everything I can get my hands on Star Wars. Wise,

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<v Speaker 2>I didn't become a Bonjob freak until later. It just

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<v Speaker 2>happened that world's collided and I looked on.

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<v Speaker 1>Like, hey, I got this record. Oh my gosh.

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<v Speaker 2>There's another song on I think called what do you

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<v Speaker 2>Buy a Wookie When He's already got a comb or

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<v Speaker 2>something like that. That was like my favorite song growing up.

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<v Speaker 1>So it's fantastic. That is fantastic. So it wasn't the

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<v Speaker 1>runaway hit that Runaway became, and neither was Runaway when

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<v Speaker 1>it first came out. He was very excited about it.

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<v Speaker 1>He was singular focused. He had he knew what he wanted,

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<v Speaker 1>and that was what he was pursuing with all of

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<v Speaker 1>his effort. And so he was sending out this demo

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<v Speaker 1>of Runaway to all of these radio stations and was

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<v Speaker 1>getting any where. And he thinks to himself, you know

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<v Speaker 1>who's the loneliest guy in the music industry. It's the DJ,

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<v Speaker 1>right right, because he's just there in a room by himself,

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<v Speaker 1>talking to a microphone, pretending he's talking to the world.

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<v Speaker 1>And so he goes to this station called WAAP the

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<v Speaker 1>Apple and he walks in and it's a very new

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<v Speaker 1>station and they don't even have a receptionist yet. And

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<v Speaker 1>so he walks in and the DJ's in the booth

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<v Speaker 1>like talking to the microphone, looking at him, like what

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<v Speaker 1>the heck, what are you doing here? He's like, I

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<v Speaker 1>just you know, I've got this music. I was wondering

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<v Speaker 1>if you would listen to it and maybe play it

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<v Speaker 1>on the radio. And so the guy listens to Runaway

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<v Speaker 1>and he's kind of impressed, and he shows it to

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<v Speaker 1>the station director and the station director's kind of impressed,

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<v Speaker 1>and not only do they want to play it on

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<v Speaker 1>the radio, but they want to put it on on

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<v Speaker 1>an LP that they're making of local, homegrown music that

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<v Speaker 1>then happens to get distributed because they're a chain radio station.

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<v Speaker 1>It distributed to all of these sister radio stations around

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<v Speaker 1>the country. I heard John when he talked about this.

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<v Speaker 2>He went to the DJ. First of all, he had

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<v Speaker 2>the hustle and the drive and ambition and the guts

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<v Speaker 2>to go up to this guy and say, look, play this.

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<v Speaker 2>It's really good. When he said, he said, listen, if

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<v Speaker 2>you'll play this three and a half minutes from now,

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<v Speaker 2>you'll realize standing in front of you is a rock star.

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<v Speaker 1>And you know what, he was right.

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<v Speaker 2>Yeah, I mean I can say that that wouldn't be true,

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<v Speaker 2>but when he said it.

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<v Speaker 1>It was true. Yeah. Absolutely. And when it started to

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<v Speaker 1>get the airplay, suddenly all of those record companies that

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<v Speaker 1>he had been getting turned down by were now giving

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<v Speaker 1>him calls. Ended up going with the record label Mercury,

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<v Speaker 1>and they said, all right, we need to we need

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<v Speaker 1>to put together this song, we need to put together

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<v Speaker 1>an album. And so he puts together a band that's

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<v Speaker 1>supposed to be together for three weeks.

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<v Speaker 2>Right when Runaway comes out. He doesn't have a band,

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<v Speaker 2>he doesn't have management, he doesn't have a record label.

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<v Speaker 2>He's just a guy with a great song. You know.

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<v Speaker 1>He didn't play all the music himself. He did have

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<v Speaker 1>some guys playing the music for him, but it wasn't

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<v Speaker 1>his band. But here's who it was. The guitarist was

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<v Speaker 1>Tim Pierce, who played with Rick Springfield and several other

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<v Speaker 1>huge names. The keyboardist was Roy Britton, who was a

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<v Speaker 1>member of the East Street Band with Bruce Springsteen and

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<v Speaker 1>several I mean they call him the Professor. He's a

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<v Speaker 1>big name. The bassist was Hugh McDonald who is now

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<v Speaker 1>the bassist for Bon Jovie. I mean, he had a

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<v Speaker 1>top notch crew on that first single recording that he had,

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<v Speaker 1>but they weren't his band. He needed to have a band,

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<v Speaker 1>and so he called up Dave Brian. David Brian was

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<v Speaker 1>born David Brian Roschbaum. He got tired of spelling out

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<v Speaker 1>his last name, so he changed He shorted it down

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<v Speaker 1>to David Brian. He was a keyboardist for John before

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<v Speaker 1>Runaway became a big hit. They were in a band

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<v Speaker 1>together called the Atlantic City Expressway. That was one of

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<v Speaker 1>about three bands that John had there was one called Rays,

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<v Speaker 1>there was one called The Rest. When John gets this

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<v Speaker 1>record deal, he calls up David Brian and he's like, hey,

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<v Speaker 1>I need a band. Come be my keyboardist. And Dave's like, okay, Well,

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<v Speaker 1>I'm pre med at Rutgers University and I've got a

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<v Speaker 1>four point zero and I realized that I wanted to

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<v Speaker 1>be in the music industry, but I just got into Juilliard. Ye,

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<v Speaker 1>but yeah, sure I'll go. I'll go to our the

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<v Speaker 1>country with you and make next to nothing. Sure, let's

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<v Speaker 1>give this rock band thing at dry Hey he did

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<v Speaker 1>bet on himself, Yeah, and it ended up working out.

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<v Speaker 1>So David Bryan calls Alec john Such, who's a bass player, says, hey,

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<v Speaker 1>we're putting this band together. Come be a part of it.

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<v Speaker 1>Alec john Such had been in a band called Phantom's

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<v Speaker 1>Opera with Tico Torres, and Tiko Torres is older than

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<v Speaker 1>the rest of the guys, and so when he gets

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<v Speaker 1>the call and listens to John bon Jovi's song, he's thinking,

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<v Speaker 1>I think this is it. I think I'm finally going

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<v Speaker 1>to make it, and his wife's like, no, we have

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<v Speaker 1>a house, we have things that need to be taken

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<v Speaker 1>care of and he's like, I just I believe that

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00:16:38.639 --> 00:16:40.679
<v Speaker 1>this is going to be great, and she says, I

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<v Speaker 1>believe I'm going to leave you, and that's where she went.

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<v Speaker 1>Wonder how she feels.

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<v Speaker 2>That she feels pretty sad about that decision.

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<v Speaker 1>Yes, So Tico Torres not only had he played with

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<v Speaker 1>the marvel Attes, and not only had he played with

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00:16:53.639 --> 00:16:57.440
<v Speaker 1>Chuck Berry, but when Kiss got rid of Peter Chris,

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<v Speaker 1>they he was one of the guys on the short

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<v Speaker 1>list to be the me He went on an audition

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00:17:01.240 --> 00:17:03.720
<v Speaker 1>for him. Wow, just didn't make it. So Tico's in.

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<v Speaker 1>Alec john Such is in, Dave Bryan is in, and

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<v Speaker 1>their guitarist is, as you mentioned, Dave Sabo from skid

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<v Speaker 1>Row Yes, although not yet yes, right, And so Dave

316
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<v Speaker 1>Sabo was never really like a member of the band

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<v Speaker 1>per se. It was just he just kind of helped

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<v Speaker 1>out with the touring of Runaway, right. And so Alec

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<v Speaker 1>John Sutch had also been in a band with this

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<v Speaker 1>guy called Richie Sambora. He had been around, I mean,

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<v Speaker 1>he had his own independent record label. He had played

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<v Speaker 1>with several big names. He had signed a couple of

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<v Speaker 1>different times. His bands had signed a couple of different

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<v Speaker 1>times just hadn't gotten there yet, like it was just

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<v Speaker 1>not quite there. Then he did this tour as the

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<v Speaker 1>opening act for Joe Cocker and in eighty two when

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<v Speaker 1>Kiss and as Freely part Ways, Yes, he goes in

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<v Speaker 1>auditions for Kiss to be their guitarist. So weird, right, Yeah,

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00:18:00.359 --> 00:18:02.720
<v Speaker 1>he's pretty close. Yeah, two of the guys from bon

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<v Speaker 1>Jovi tried to replace two of the guys from Kiss

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<v Speaker 1>and we're not successful, Thank goodness for that. Yeah. And

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<v Speaker 1>so Richie Sambor comes back. Alec John Sutch is like,

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<v Speaker 1>hey man, you got to come listen to this band

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<v Speaker 1>that I'm playing with. They're phenomenal. And Richie's like okay,

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<v Speaker 1>and he goes and he sees them and he said

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<v Speaker 1>it was magic. And after the show he goes up

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<v Speaker 1>to John he says, Hi, I'm your new guitarist.

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<v Speaker 4>Yeah.

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<v Speaker 2>I heard him talking about this, he said when he

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<v Speaker 2>watched John run around the stage, He's like, yep, that

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<v Speaker 2>kid's star.

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<v Speaker 1>Yeah. And so John was like, okay, you know, let's

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<v Speaker 1>see you know what you can do or whatever. And

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<v Speaker 1>so he's like, come out, you know, we'll play together.

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<v Speaker 1>She hired you know these five songs, right know, these

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<v Speaker 1>five songs, and so he Richie comes to the studio

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<v Speaker 1>or wherever it is they're practicing. He gets there on time,

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00:19:00.039 --> 00:19:02.839
<v Speaker 1>on is late. He works with the band while John

349
00:19:03.000 --> 00:19:06.319
<v Speaker 1>is arriving. And when John gets there, they're already tight

350
00:19:06.640 --> 00:19:09.400
<v Speaker 1>and play for him, and he's like, well, get sure in.

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<v Speaker 1>I guess you're in. Oh my gosh.

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<v Speaker 2>Just the incredible opportunity and the timeliness of this. And

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<v Speaker 2>John bon Jovi and Richie Sembur are a songwriting duo

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<v Speaker 2>that gave us these great songs.

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<v Speaker 1>Yeah. Absolutely.

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<v Speaker 2>Doc McGee comes to him and says, do you have management?

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<v Speaker 1>No, I don't. As a reminder, doc McGee is the

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<v Speaker 1>guy who managed Motley Crue.

359
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<v Speaker 2>Molly Crue Kissed the Scorpions.

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<v Speaker 1>Right, But but bon Jovi was pretty early on in this.

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<v Speaker 1>He early he had Motley Crue. He had Motley Crue

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<v Speaker 1>and that was about it. At that point, he's on

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<v Speaker 1>his way up with Motley Crue. So Motley Cruez happening,

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<v Speaker 1>and he goes to bon Jovi and he says, I

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<v Speaker 1>want to image you guys, and I want to make

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<v Speaker 1>you the biggest band of the world, right, and so

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<v Speaker 1>this just just to and I lay the foundation for

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<v Speaker 1>another story that might get told. Also around this time,

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<v Speaker 1>about January of nineteen eighty two, Doc McGhee meets a

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<v Speaker 1>guy named Steve Kaylish in the Kayaneman Islands who is

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<v Speaker 1>known as the last Gentleman Smuggler. We'll get into all

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<v Speaker 1>that maybe later on, but for now, it's just a seed,

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<v Speaker 1>a little teaser, if you will. And so they go

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<v Speaker 1>into the studio to record their first album, which obviously

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<v Speaker 1>must include Runaway. They named the album bon Jovi, which

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<v Speaker 1>you know they're they're doing the full Van Halen, right,

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<v Speaker 1>let's name the let's name the band after me, and

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<v Speaker 1>let's go ahead and name the first album after me too, yep,

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<v Speaker 1>And it does. Okay, Runaway cracks the top forty thirty nine,

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<v Speaker 1>I think is as high as a gut. That would

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<v Speaker 1>be a crack.

382
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<v Speaker 2>That's a crack.

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00:20:51.680 --> 00:20:54.119
<v Speaker 1>That is a tiny little crack. Yeah, in the top forty.

384
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<v Speaker 1>And so they're touring, opening up for other bands, and

385
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<v Speaker 1>they after a while they do a second album called

386
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<v Speaker 1>seventy eight hundred Degrees Fahrenheit. They really don't know who

387
00:21:03.960 --> 00:21:06.480
<v Speaker 1>they are at this point. And if you've watched any

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<v Speaker 1>of the videos that they have for any of these songs.

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<v Speaker 1>They're so cringey. I think they might be more cringey

390
00:21:13.519 --> 00:21:15.799
<v Speaker 1>than those deaf Leopard by Romania videos that watch.

391
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<v Speaker 2>I watched one the other day. I think it was

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00:21:20.200 --> 00:21:21.839
<v Speaker 2>it was one of the songs on seventy eight hundred.

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<v Speaker 2>I think it was Only Lonely, a pre terminator. Linda

394
00:21:24.799 --> 00:21:28.519
<v Speaker 2>Hamilton is the girl that he's in love with in

395
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<v Speaker 2>the video. Oh my word, how about that.

396
00:21:30.799 --> 00:21:35.279
<v Speaker 1>That's crazy. So when they get done touring, they realize

397
00:21:35.400 --> 00:21:38.160
<v Speaker 1>we're paying more money to our crew than we are

398
00:21:38.279 --> 00:21:39.160
<v Speaker 1>to ourselves.

399
00:21:39.319 --> 00:21:40.960
<v Speaker 2>The only guy in the band who had his own

400
00:21:40.960 --> 00:21:43.839
<v Speaker 2>house was Tico Torres, right, everybody else lived with mom

401
00:21:43.880 --> 00:21:46.039
<v Speaker 2>and dad. Yeah, I'm a rock stars And they come

402
00:21:46.079 --> 00:21:47.799
<v Speaker 2>on a TD I'm living to my mom's basement.

403
00:21:47.920 --> 00:21:51.200
<v Speaker 1>Yeah, they go back and live with mom and dad

404
00:21:51.480 --> 00:21:55.200
<v Speaker 1>and so Richie Sambora's parents work during the day, both

405
00:21:55.240 --> 00:21:58.160
<v Speaker 1>of them and so John would come over to his

406
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<v Speaker 1>house in the morning. They would go down the basement

407
00:22:00.960 --> 00:22:06.640
<v Speaker 1>and they start working on songs, and John gives him

408
00:22:06.640 --> 00:22:09.799
<v Speaker 1>this idea for a song that kind of has this

409
00:22:10.200 --> 00:22:15.519
<v Speaker 1>relationship to touring, similar to a cowboy writing into town,

410
00:22:15.759 --> 00:22:17.920
<v Speaker 1>taking your money, taking your women, and getting out of

411
00:22:17.960 --> 00:22:21.599
<v Speaker 1>town before you know what's happened, and gives him the

412
00:22:21.720 --> 00:22:26.480
<v Speaker 1>layout and Richie Sambora walks this little line down the

413
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<v Speaker 1>guitar neck and John's like, that's it, man, that is

414
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<v Speaker 1>exactly what it needs to be. And that was going

415
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<v Speaker 1>to be the original name. That was the original name

416
00:22:37.720 --> 00:22:40.279
<v Speaker 1>of Slippery when Wet. They were going to call the

417
00:22:40.359 --> 00:22:43.400
<v Speaker 1>album Wanted Dead or Alive. I think that's a cool name.

418
00:22:43.680 --> 00:22:44.039
<v Speaker 1>Oh yeah.

419
00:22:44.079 --> 00:22:46.599
<v Speaker 2>They actually took publicity pictures where they all kind of

420
00:22:46.720 --> 00:22:48.880
<v Speaker 2>grew their beards out and they had they looked like

421
00:22:48.960 --> 00:22:51.240
<v Speaker 2>young guys. I mean that's they look like the poster

422
00:22:51.279 --> 00:22:55.519
<v Speaker 2>of young guys. But calling the album Wanted Dead or Alive,

423
00:22:55.519 --> 00:22:57.759
<v Speaker 2>I don't think would have been a hindrance at all.

424
00:22:57.880 --> 00:23:02.559
<v Speaker 1>I mean no. So he and Richie are writing songs

425
00:23:02.599 --> 00:23:06.319
<v Speaker 1>together and Richie's parents' basements, and they decide they want

426
00:23:06.319 --> 00:23:09.920
<v Speaker 1>to recruit somebody to help them write hits because we're

427
00:23:09.960 --> 00:23:14.480
<v Speaker 1>about to do album number three and if album three

428
00:23:14.640 --> 00:23:18.400
<v Speaker 1>doesn't make them, it's going to break through. Yeah, because

429
00:23:18.400 --> 00:23:20.119
<v Speaker 1>if you don't hit it on album three, the record

430
00:23:20.119 --> 00:23:23.119
<v Speaker 1>company is going to be done with you. And so

431
00:23:23.359 --> 00:23:28.880
<v Speaker 1>they recruit this gentleman named Desmond Child. So Desmond Child

432
00:23:29.000 --> 00:23:31.960
<v Speaker 1>at the time that they say, come write some songs

433
00:23:32.000 --> 00:23:33.799
<v Speaker 1>with us. What's he got on his list?

434
00:23:33.920 --> 00:23:36.440
<v Speaker 2>Okay, So he came up with the song I Was

435
00:23:36.519 --> 00:23:48.200
<v Speaker 2>Made for Loving You, which Kiss did, which was for

436
00:23:48.319 --> 00:23:48.839
<v Speaker 2>Kiss fans.

437
00:23:48.880 --> 00:23:49.319
<v Speaker 1>They know this.

438
00:23:49.680 --> 00:23:53.559
<v Speaker 2>It's like the disco Kiss. Yeah, he introduced disco to Kiss.

439
00:23:54.000 --> 00:23:55.799
<v Speaker 1>But it was a successful song.

440
00:23:56.000 --> 00:23:59.319
<v Speaker 2>But the song that John really liked, John and Richie

441
00:23:59.440 --> 00:24:02.680
<v Speaker 2>liked that caused them to want to work with Desmond

442
00:24:03.079 --> 00:24:05.319
<v Speaker 2>was a song called Heaven's on Fire by Kiss.

443
00:24:05.680 --> 00:24:09.799
<v Speaker 1>So Desmond Child drives out to New Jersey, driving to

444
00:24:09.880 --> 00:24:14.440
<v Speaker 1>Richie sam Bori's house, sees this wooden plank house out

445
00:24:14.519 --> 00:24:17.839
<v Speaker 1>next to a swamp. You can see the smokestacks from

446
00:24:17.880 --> 00:24:21.519
<v Speaker 1>the factory down the road, and he's like, what am

447
00:24:21.519 --> 00:24:25.759
<v Speaker 1>I getting myself into? A rock star lives here? Yeah? Right,

448
00:24:26.519 --> 00:24:30.160
<v Speaker 1>And so he goes down to the basement and they

449
00:24:30.200 --> 00:24:33.400
<v Speaker 1>started talking and he says, you know, I really think

450
00:24:33.440 --> 00:24:36.359
<v Speaker 1>a great name for a song would be you give

451
00:24:36.400 --> 00:24:40.480
<v Speaker 1>Love a Bad Name? And John goes shot through the

452
00:24:40.519 --> 00:24:45.400
<v Speaker 1>heart and You're to blame. And then John, Richie and

453
00:24:45.480 --> 00:24:48.880
<v Speaker 1>Desmond all at the same time go you give Love

454
00:24:49.160 --> 00:24:52.920
<v Speaker 1>a Bad Name? And it was magic. Yep.

455
00:24:53.039 --> 00:24:55.359
<v Speaker 2>John stole that Shot through the Heart. That was a

456
00:24:55.400 --> 00:24:58.119
<v Speaker 2>song from his first album Yeah called Shot through the Heart.

457
00:24:58.279 --> 00:24:58.640
<v Speaker 1>Yeah.

458
00:24:58.720 --> 00:25:03.000
<v Speaker 2>Okay, So sit down and in this writing session with

459
00:25:03.079 --> 00:25:06.119
<v Speaker 2>Desmond Child, they write you give Love a bad Name.

460
00:25:06.359 --> 00:25:06.640
<v Speaker 1>Yep.

461
00:25:06.759 --> 00:25:10.160
<v Speaker 2>They also write a song called without Love I Die

462
00:25:10.200 --> 00:25:12.640
<v Speaker 2>for You. Oh, and they also wrote this little song

463
00:25:12.680 --> 00:25:15.039
<v Speaker 2>you might have heard called living on a Prayer.

464
00:25:15.519 --> 00:25:19.119
<v Speaker 1>I think is that on Slippery One? I think? Okay it.

465
00:25:23.039 --> 00:25:26.319
<v Speaker 2>So anyway, Desmond Child comes. They write four songs that

466
00:25:26.359 --> 00:25:29.079
<v Speaker 2>make the album, and so they start working on songs.

467
00:25:29.119 --> 00:25:31.319
<v Speaker 2>One of the songs I know, johnn I Rishie wrote

468
00:25:31.319 --> 00:25:33.680
<v Speaker 2>in the Basement you talked about one and Dad are Alive.

469
00:25:33.759 --> 00:25:36.400
<v Speaker 2>They also wrote the song never Say Goodbye. So they're

470
00:25:36.440 --> 00:25:40.480
<v Speaker 2>gathering songs and the record company says, well, it's time

471
00:25:40.480 --> 00:25:41.440
<v Speaker 2>to record the album.

472
00:25:41.880 --> 00:25:43.599
<v Speaker 1>We want you away.

473
00:25:43.240 --> 00:25:48.519
<v Speaker 2>From New York, right, So we're gonna fly you to Vancouver, right.

474
00:25:48.680 --> 00:25:56.559
<v Speaker 1>Well, they they both Richie and John both really liked

475
00:25:56.839 --> 00:26:01.759
<v Speaker 1>the album lover Boy by Lover Boys, and John also

476
00:26:01.880 --> 00:26:05.240
<v Speaker 1>really liked the album Without Love, which was by a

477
00:26:05.279 --> 00:26:10.039
<v Speaker 1>heavy metal band called Black and Blue. And so they said,

478
00:26:10.480 --> 00:26:13.160
<v Speaker 1>this is our guy, this is our producer. So he says,

479
00:26:13.880 --> 00:26:15.359
<v Speaker 1>I want you guys to come up here to me

480
00:26:15.759 --> 00:26:18.359
<v Speaker 1>in Canada, and we're going to record up here. You

481
00:26:18.440 --> 00:26:21.799
<v Speaker 1>got the World's Fair going on over there. You've got

482
00:26:21.839 --> 00:26:25.799
<v Speaker 1>this place called the Number five Orange Strip Club. So

483
00:26:25.880 --> 00:26:29.359
<v Speaker 1>they get up there, they start laying down tracks and

484
00:26:30.240 --> 00:26:32.279
<v Speaker 1>they go, you know, they get done at ten or

485
00:26:32.279 --> 00:26:35.759
<v Speaker 1>eleven at night, and they're like, oh, this is early fairly,

486
00:26:35.839 --> 00:26:37.599
<v Speaker 1>let's go to the strip club. And so they go

487
00:26:37.759 --> 00:26:41.039
<v Speaker 1>with Doc McGee and they're all at the strip club

488
00:26:41.079 --> 00:26:45.960
<v Speaker 1>and this woman literally, Now, of course, why wouldn't we

489
00:26:46.160 --> 00:26:50.440
<v Speaker 1>on our very first episode of season two, why wouldn't

490
00:26:50.440 --> 00:26:53.119
<v Speaker 1>we start talking about strippers? Why wouldn't we we have

491
00:26:53.200 --> 00:26:56.960
<v Speaker 1>to I mean stripper music. Okay, So this woman comes

492
00:26:57.000 --> 00:27:01.680
<v Speaker 1>sliding from the ceiling, comes sliding down a pole, then

493
00:27:01.759 --> 00:27:05.240
<v Speaker 1>goes and gets in the shower, soaps herself.

494
00:27:04.920 --> 00:27:09.240
<v Speaker 4>Up, and Doc McGee goes, you know, I always thought

495
00:27:09.240 --> 00:27:11.400
<v Speaker 4>a good name for a song or an album would

496
00:27:11.440 --> 00:27:14.480
<v Speaker 4>be slippery when wet and their tongues are hanging out

497
00:27:14.519 --> 00:27:17.039
<v Speaker 4>of their mouths and they're going, yeah, that sounds.

498
00:27:16.799 --> 00:27:21.640
<v Speaker 2>Great, Yeah whatever you say, yeah sounds good. That is

499
00:27:21.799 --> 00:27:22.759
<v Speaker 2>that's how they got.

500
00:27:22.559 --> 00:27:24.559
<v Speaker 1>The name of the album. Yeah, that's where slippery when

501
00:27:24.559 --> 00:27:26.759
<v Speaker 1>it came from. YEP, and for most folks who have

502
00:27:26.960 --> 00:27:30.519
<v Speaker 1>seen the album cover, you would think, oh, this is

503
00:27:30.559 --> 00:27:33.720
<v Speaker 1>a road sign kind of thing. Well, that's not the

504
00:27:33.759 --> 00:27:37.359
<v Speaker 1>original album cover. Let's talk about the original album. Go ahead, okay.

505
00:27:37.799 --> 00:27:40.200
<v Speaker 2>So after they had completed the songs, which we'll get

506
00:27:40.200 --> 00:27:42.400
<v Speaker 2>to here in a second, they came out with an

507
00:27:42.440 --> 00:27:46.000
<v Speaker 2>album cover where they went to the Jersey shore. They

508
00:27:46.160 --> 00:27:48.880
<v Speaker 2>gathered up some great looking girls. They took some pictures

509
00:27:48.920 --> 00:27:52.359
<v Speaker 2>to it with your boy, Mark Weiss, Yes, Mark Wise.

510
00:27:52.319 --> 00:27:56.839
<v Speaker 1>Mark Weise, whose wedding was where John bon Jovi's parents

511
00:27:57.160 --> 00:27:58.799
<v Speaker 1>discovered Sebastian Bach.

512
00:27:59.119 --> 00:28:01.599
<v Speaker 2>Go back and listen to our skid Row Versus Doctor

513
00:28:01.640 --> 00:28:02.440
<v Speaker 2>Feel Good episode.

514
00:28:02.519 --> 00:28:02.880
<v Speaker 1>There you go.

515
00:28:03.279 --> 00:28:05.359
<v Speaker 2>So they gathered up and they found this one girl.

516
00:28:05.400 --> 00:28:07.799
<v Speaker 2>Her name was Angela, and they liked Angela because she

517
00:28:07.920 --> 00:28:11.039
<v Speaker 2>was particularly busty. They gave her a slippery when wet shirt.

518
00:28:11.079 --> 00:28:14.839
<v Speaker 2>They cut it up. They took a close up of her.

519
00:28:15.480 --> 00:28:19.000
<v Speaker 2>It's a you know, it's a it's a nineteen eighties

520
00:28:19.160 --> 00:28:24.119
<v Speaker 2>metal cover. She's you know, wet, wet and bursting at

521
00:28:24.119 --> 00:28:24.599
<v Speaker 2>the seams.

522
00:28:24.720 --> 00:28:26.559
<v Speaker 1>Yeah. They put a pink.

523
00:28:26.359 --> 00:28:29.079
<v Speaker 2>Trim around the edge of border that was supposed to

524
00:28:29.119 --> 00:28:32.599
<v Speaker 2>be like matching her lipstick. They called the album Slippery

525
00:28:32.599 --> 00:28:35.279
<v Speaker 2>when a Wet Yeah, And when the record company saw it,

526
00:28:35.279 --> 00:28:38.359
<v Speaker 2>they're like, we get this is another album you gave us.

527
00:28:38.400 --> 00:28:40.039
<v Speaker 2>We can't sell in Walmart. What are you doing to

528
00:28:40.119 --> 00:28:43.759
<v Speaker 2>us here? And John saw it. It's like pink, Why

529
00:28:43.880 --> 00:28:46.559
<v Speaker 2>is this pink crap on here? I'm a serious rocker.

530
00:28:46.640 --> 00:28:48.599
<v Speaker 2>I like the girl, but I can't have the pink.

531
00:28:48.880 --> 00:28:52.279
<v Speaker 2>So they grabbed these at the last second and they

532
00:28:52.319 --> 00:28:54.720
<v Speaker 2>pulled like they had printed like forty thousand of these.

533
00:28:54.839 --> 00:28:57.039
<v Speaker 1>Yeah, well they and they get issued in Japan.

534
00:28:57.240 --> 00:29:00.079
<v Speaker 2>They yes, you can actually buy these on eBay.

535
00:29:00.440 --> 00:29:03.920
<v Speaker 1>And it's just FYI. Bon Jovi was a hit in

536
00:29:04.000 --> 00:29:06.880
<v Speaker 1>Japan long before they were a hit in the United States,

537
00:29:07.039 --> 00:29:09.039
<v Speaker 1>so it's a way to go Japan, and you guys

538
00:29:09.039 --> 00:29:09.640
<v Speaker 1>were on the ball.

539
00:29:10.960 --> 00:29:13.559
<v Speaker 2>So John says, look, this is I'm not having this.

540
00:29:14.000 --> 00:29:16.720
<v Speaker 2>Pull this right now. And so they go over to

541
00:29:16.759 --> 00:29:19.039
<v Speaker 2>Mark Weise's house and they're like, we got to come

542
00:29:19.079 --> 00:29:23.000
<v Speaker 2>up with an album cover right now. Yeah, So they

543
00:29:23.359 --> 00:29:27.079
<v Speaker 2>stretch out a garbage bag, a black garbage bag laid

544
00:29:27.119 --> 00:29:30.319
<v Speaker 2>on a table, spray it down, and John writes with

545
00:29:30.400 --> 00:29:34.079
<v Speaker 2>his finger, slippery when Wet snapped a couple of pictures

546
00:29:34.079 --> 00:29:36.400
<v Speaker 2>and that's the album. Cover you see today brilliant it

547
00:29:36.440 --> 00:29:37.000
<v Speaker 2>works too.

548
00:29:37.160 --> 00:29:37.680
<v Speaker 1>Yeah.

549
00:29:37.920 --> 00:29:40.920
<v Speaker 2>So before we jump into the album d the producer

550
00:29:40.920 --> 00:29:43.519
<v Speaker 2>of this album, as you mentioned, was Bruce Fairbarn. He

551
00:29:43.599 --> 00:29:46.599
<v Speaker 2>had this little engineer that was an up and coming guy.

552
00:29:46.880 --> 00:29:49.240
<v Speaker 1>Yeah, might have heard of him. His name is Bob Rock.

553
00:29:49.440 --> 00:29:54.480
<v Speaker 2>He produced Doctor Field Good. Yep. He then produced Metallica's

554
00:29:54.559 --> 00:29:57.960
<v Speaker 2>Black album right which he got because of Doctor Feel Good.

555
00:29:57.960 --> 00:29:59.680
<v Speaker 2>Which he got because of Doctor Feel Good. We're hoping

556
00:29:59.680 --> 00:30:00.839
<v Speaker 2>to cover later on this year.

557
00:30:00.960 --> 00:30:01.599
<v Speaker 1>Yeah.

558
00:30:01.599 --> 00:30:05.519
<v Speaker 2>But yeah, he is a major, major producer. They just

559
00:30:05.559 --> 00:30:07.640
<v Speaker 2>caught him right before he broke big. So before we

560
00:30:07.680 --> 00:30:09.039
<v Speaker 2>dive into the songs, I have a.

561
00:30:09.000 --> 00:30:10.720
<v Speaker 1>Really cool story for you. Okay.

562
00:30:10.960 --> 00:30:13.960
<v Speaker 2>So they have thirty or so demo songs. They had

563
00:30:13.960 --> 00:30:17.039
<v Speaker 2>gone to Vancouver. They had demoed all these songs that

564
00:30:17.039 --> 00:30:19.440
<v Speaker 2>they had written in Richie's mother's basement. Right around the

565
00:30:19.480 --> 00:30:20.799
<v Speaker 2>corner from their studio.

566
00:30:21.079 --> 00:30:22.119
<v Speaker 1>There was a little pizza place.

567
00:30:22.319 --> 00:30:23.960
<v Speaker 2>So they would go down to the pizza place and

568
00:30:24.000 --> 00:30:27.000
<v Speaker 2>there's all these teenagers would hang out there, and they thought,

569
00:30:27.079 --> 00:30:29.880
<v Speaker 2>you know what this if this is our audience, why

570
00:30:29.920 --> 00:30:32.519
<v Speaker 2>don't we ask them what they think. So they invited

571
00:30:32.519 --> 00:30:35.440
<v Speaker 2>this crew of teenagers back to the studio and they

572
00:30:35.440 --> 00:30:39.359
<v Speaker 2>played the demos for them, and the teenagers would make comments,

573
00:30:39.440 --> 00:30:41.519
<v Speaker 2>you know, hey, this is not too bad, and I

574
00:30:41.599 --> 00:30:43.799
<v Speaker 2>kind of like this one, and this is pretty good,

575
00:30:44.640 --> 00:30:45.759
<v Speaker 2>and there are songs.

576
00:30:45.960 --> 00:30:50.160
<v Speaker 1>Actually I think what they said was it doesn't suck,

577
00:30:50.240 --> 00:30:51.119
<v Speaker 1>This doesn't suck.

578
00:30:52.319 --> 00:30:56.599
<v Speaker 2>Which sounds like our teenagers, right right right. But John

579
00:30:56.720 --> 00:30:59.920
<v Speaker 2>is very clear and very public that some of the

580
00:31:00.240 --> 00:31:03.759
<v Speaker 2>songs that made Slippery and Wet would not have been

581
00:31:03.799 --> 00:31:06.559
<v Speaker 2>there if it hadn't been for what they called the

582
00:31:06.599 --> 00:31:08.359
<v Speaker 2>Pizza Parlor Jury.

583
00:31:08.359 --> 00:31:11.640
<v Speaker 1>One of those songs never say Goodbye, living on a Prayer,

584
00:31:13.240 --> 00:31:16.720
<v Speaker 1>Living on a Prayer. Doc McGhee said, but for the

585
00:31:16.759 --> 00:31:20.079
<v Speaker 1>Pizza Parlor Jury, living on a Prayer probably would not

586
00:31:20.160 --> 00:31:21.319
<v Speaker 1>have been on Slippery.

587
00:31:22.039 --> 00:31:24.160
<v Speaker 2>We'll talk about that here in a second. John was

588
00:31:24.160 --> 00:31:25.319
<v Speaker 2>not as big a fan of this song.

589
00:31:25.440 --> 00:31:27.359
<v Speaker 1>No, I know. All right, we.

590
00:31:27.359 --> 00:31:28.039
<v Speaker 2>Ready to dive in.

591
00:31:28.200 --> 00:31:30.400
<v Speaker 1>Let's dive into this album movie. We got to start

592
00:31:30.440 --> 00:31:32.920
<v Speaker 1>listening to the music right now.

593
00:31:33.400 --> 00:31:41.880
<v Speaker 5>Next week Slipphanger, Oh hang around, come back next week

594
00:31:41.920 --> 00:31:44.599
<v Speaker 5>we will dive in track by track Slippery, when Wet.

595
00:31:45.039 --> 00:31:47.400
<v Speaker 1>Love it, come back and see us. Tell your friends,

596
00:31:47.559 --> 00:31:53.559
<v Speaker 1>subscribe Patreon, Padreon, subscribe, five star review, Love you guys,

597
00:31:53.599 --> 00:31:54.119
<v Speaker 1>see you soon,
