Speaker 1: Act five of the History of Troilus and Cressida by
Speaker 1: William Shakespeare. This is a LibriVox recording. All LibriVox recordings
Speaker 1: are in the public domain. For more information or to volunteer,
Speaker 1: please visit LibriVox dot org. Act five, Scene one, the
Speaker 1: Grecian camp before the tent of Achilles, enter Achilles and Petropolis.
Speaker 2: I'll here his blood with Greekish wine tonight, which with
Speaker 2: my cimeter i'll cool to morrow Patroclus ha let us
Speaker 2: feast him to the height.
Speaker 1: Here comes societes, enter societies. How now thou corven thee?
Speaker 1: Thou crusty batch of nature? What's the news?
Speaker 3: Why thou picture of what thou seemest and idle of
Speaker 3: idiot worshipers? Here's a letter for thee.
Speaker 1: From whence fragment?
Speaker 3: Why thou full dish a fool from Troy?
Speaker 4: Who keeps the tent?
Speaker 3: Now the surgeon's box or the patient's wound?
Speaker 4: Well said adversity, And what meets these tricks?
Speaker 3: Prithee be silent, boy, I profit not by thy talk,
Speaker 3: thou art said to be Achilles, male.
Speaker 4: Violet, male volet u rogue? What's that?
Speaker 3: Why his masculine horror? Now the rotten diseases of a
Speaker 3: south the guts, gripping ruptures, qatars, loads of gravel in
Speaker 3: the back, lethargies, cold palsies, raw eyes, dirt, rotten livers,
Speaker 3: wheezing lungs, bladders full of impostume, sciaticas lyne kilns of
Speaker 3: the palm in curele bodegge, and the rivaled fee simple
Speaker 3: of the tetter. Take and take again such preposterous discoveries.
Speaker 4: Why thou damnable box of envy?
Speaker 5: Thou?
Speaker 4: What meanest thou to curse? Thus?
Speaker 3: Do I curse thee? Why?
Speaker 4: No? You ruinous? But you horse and indistinguishable occur?
Speaker 3: No, No, Why art thou then exasperate? Thou? Idle immaterial
Speaker 3: skein of sleeve, silk thou green saucinate, flat brasai thou
Speaker 3: tarsel of a prodigal's perse thou? Ah, how the poor
Speaker 3: world is pested with such waterflies, diminutives of nature out
Speaker 3: gall finch, egg.
Speaker 1: My sweet petruclus.
Speaker 2: I am thwarted quite from my great purpose in tomorrow's battle.
Speaker 2: Here is a letter from Queen Hecuba, a token from
Speaker 2: her daughter, my fair love, both taxing me, engaging me
Speaker 2: to keep a note that I have sworn. I will
Speaker 2: not break it. Fall Greeks fail fame, honor, or go
Speaker 2: or stay my major vow liies. Here this I'll obey. Come, Come,
Speaker 2: there's ideas. Help to trim my tent. This night in
Speaker 2: banqueting must all be spent away. Patroclus exit with Patroclus.
Speaker 3: With too much blood and too little brain, these two
Speaker 3: may run mad. But if with too much brain and
Speaker 3: too little blood they do, I'll be a curer of madmen.
Speaker 3: Here's Agamemnon, an honest fellow enough, and one that loves quails,
Speaker 3: but he has not so much rain is earwax, and
Speaker 3: the goodly transformation of Jupiter. There his brother the bull,
Speaker 3: the privative statue and oblique memorial of Cuckles, a thrifty
Speaker 3: shoeing horn in a chair at his brother's leg. To
Speaker 3: what form but that he is should wit lauded with malice,
Speaker 3: and malice forced with wit turn him to to an
Speaker 3: ass for nothing. He is both ass and ox to
Speaker 3: an ox for nothing. He is both ox and ass
Speaker 3: to a dog, a mule, a cata, fetch you a toad,
Speaker 3: a littered an owl, a puttock, or a herring Without
Speaker 3: a row, I would not care but to be Menilaus,
Speaker 3: I would conspire against Destiny. Ask me not what I
Speaker 3: would be if I were not the sightees, For I
Speaker 3: care not to be the louse of a laza. So
Speaker 3: I were not Menilaeus. Heyday, sprites and fires.
Speaker 1: Enter Hector, Troilis, Ajax, Agamemnon, Ulysses, Nestor, Menilaeus and Diomedes.
Speaker 3: With lights, we go wrong, we go wrong.
Speaker 1: No, young ditties, there where we see the lights.
Speaker 3: I trouble you.
Speaker 6: No, not your wit.
Speaker 1: Here comes himself to guide you. Re enter Achilles, Welcome, Relector, welcome.
Speaker 3: Princes all so now fair Prince of Troy, I bid
Speaker 3: good night. Ajax commands the guard to tend on you.
Speaker 3: Thanks and good night to the Greeks. General, good night,
Speaker 3: my lord, good night, sweet Lord, Mennilaeus, sweet draft, sweet quo, fat,
Speaker 3: sweet sink, sweet sea.
Speaker 1: Good night, and welcome both at once to those.
Speaker 3: That go are Terry, good night.
Speaker 1: Excellent, Agamemnon and Menilaeus, Oh nest to Terry's and you too, Diomede,
Speaker 1: keep Hector company an hour or two.
Speaker 3: I cannot, Lord, I have important business. The tide were office.
Speaker 3: Now good night, great Hector, give me your.
Speaker 1: Hand, Ulysses aside to Troilus follow his torch. He goes
Speaker 1: to Calcus Tent. I'll keep you company, sweet sir, you
Speaker 1: honor me, and so good night. Exit Diomedes, Ulysses and
Speaker 1: troil Is following, Come, come, and to my tent. Excellent
Speaker 1: all but societies that.
Speaker 3: Same Diomedes a false hearted rogue, a most unjust knave.
Speaker 3: I will no more trust him when he leers than
Speaker 3: I will a serpent. When he hisses, he will spend
Speaker 3: his mouth and promise like brabbler the hound. But when
Speaker 3: he performs, astronomers for tell it it is prodigious. They
Speaker 3: will come some change the sun of borrows of the moon.
Speaker 3: When Diabe keeps his word. I will rather leave to
Speaker 3: see hector than not to dog him. They say he
Speaker 3: keeps a troy and drab and uses the traitor Calcus Tent.
Speaker 3: I'll after nothing but leachery all in continent varlet Exit.
Speaker 1: Scene two, the Grecian camp before Calcus tent enter Diomedes.
Speaker 3: What are you up here?
Speaker 1: Ho speak Calcus within who.
Speaker 3: Calls Diomede, Calcus, I think where's your daughter?
Speaker 1: She comes to you? Enter Troylis and Ulysses at a
Speaker 1: distance after them, Their sieties stand with a torch, may
Speaker 1: not discover us. Enter Cressida crest comes forth to him.
Speaker 4: How now, my charge, now, my sweet guardian, hark a
Speaker 4: word with you?
Speaker 1: Whispers, yea so familiar. She will sing any man at
Speaker 1: first sight.
Speaker 3: Any man may sing her if he can take a cliff.
Speaker 3: She's noted. Will you remember remember?
Speaker 4: Yes?
Speaker 3: Nay? But do then let your mind be coupled with
Speaker 3: your words.
Speaker 1: What should she remember?
Speaker 4: List, sweet honey, Greek, tempt me no more to folly robbery?
Speaker 3: Nay? Then I'll tell you what foh foh, come tell
Speaker 3: a pin. You are a foresworn in faith?
Speaker 4: I cannot What would you have me do a.
Speaker 3: Juggling trick to be secretly open? What did you swear
Speaker 3: you would bestow on me?
Speaker 4: I prithee, do not hold me to mine oath, bid
Speaker 4: me do anything but that sweet Greek?
Speaker 3: Good night?
Speaker 1: Hold patience? How now troyan diomede.
Speaker 3: No, no, good night, I'll be your fool no more?
Speaker 4: Thy better must hark a word in your ear.
Speaker 1: Oh, plague and madness, you are moved, Prince, let us depart.
Speaker 1: I pray lest your displeasure should enlarge itself to wrathful terms.
Speaker 1: This place is dangerous, that I am right deadly. I
Speaker 1: beseech you go behold, I pray you nay, good my lord,
Speaker 1: go off you float to great distraction. Come, my lord,
Speaker 1: I pray thee stay you have not patience. Come, I
Speaker 1: pray you stay by hell and all Hell's torments.
Speaker 3: I will not speak a word, and so good night.
Speaker 4: Nay, but you pardon anger?
Speaker 1: Doth that grieve thee? Ho wither truth? How now, my lord,
Speaker 1: by cho, I will be patient guardian?
Speaker 3: Why Greek fau fau adieu? You palter in faith?
Speaker 4: I do not come hither Once again?
Speaker 6: You shake, my.
Speaker 1: Lord at something? Will you go? You will break out?
Speaker 1: She strokes his cheek. Come come, nay, stay by Joe.
Speaker 1: I will not speak a word. There is between my
Speaker 1: will and all offenses, a guard of patience. Stay a
Speaker 1: little while.
Speaker 3: How the devil Luxury, with his fat rump and potato
Speaker 3: finger tickles these together, fry lechery, fry. But will you
Speaker 3: then in faith?
Speaker 4: I will prah, never trust.
Speaker 3: Me else, give me some token for the surety of it.
Speaker 4: I'll fetch you one exit.
Speaker 1: You have sworn patience. Fear me not, my lord, I
Speaker 1: will not be myself, nor have cognition of what I feel.
Speaker 1: I am all patience, re enter cressada now.
Speaker 3: The pledge now now now here.
Speaker 4: Diomede keep this sleeve, oh beauty, where is thy faith?
Speaker 1: My Lord? I will be patient outwardly.
Speaker 4: I will you look upon that sleeve, behold it well?
Speaker 4: He loved me, Oh false wench, give it me again?
Speaker 3: Whose worst it is?
Speaker 4: No matter? Now I have it again. I will not
Speaker 4: meet with you tomorrow night. I prithee, Diomede visit me
Speaker 4: no more?
Speaker 3: Now she sharpens well, said Whetstone, I shall have it.
Speaker 3: What this ay that?
Speaker 4: Oh all you gods, oh pretty pretty pledge. Thy master
Speaker 4: now lies sinking on his bed of thee and me,
Speaker 4: and sighs and takes my glove and gives memorial dainty
Speaker 4: kisses to it as I kissed thee. Nay, do not
Speaker 4: snatch it from me. He that takes that doth take
Speaker 4: my heart withal.
Speaker 3: I had your heart before this follows it.
Speaker 1: I DIDs wear patience.
Speaker 4: You shall not have it, thy meet faith, you shall not.
Speaker 4: I'll give you something else.
Speaker 3: I will have this. Whose was it?
Speaker 4: It is no matter?
Speaker 3: Come tell me whose it was?
Speaker 4: Twas once that loved me better than you will. But
Speaker 4: now you have it. Take it?
Speaker 3: Whose was it?
Speaker 4: By all Diana waiting women yond and by herself? I
Speaker 4: will not tell.
Speaker 3: You whose tomorrow will I wear it on my helm
Speaker 3: and grieve his spirit that dares not challenge it.
Speaker 1: Wort thou the devil, and worst it on thy horn.
Speaker 1: It should be challenged.
Speaker 4: Well, well tis done, tis passed, And yet it is not.
Speaker 4: I will not keep my word.
Speaker 3: Why then, farewell? Thou shalt never mock a Diomede again.
Speaker 4: You shall not go onne cannot speak a word, but
Speaker 4: it straight starts you.
Speaker 3: I do not like this fooling, nor I by Pluto,
Speaker 3: But that it likes not you pleases me best. What
Speaker 3: shall I come?
Speaker 4: The hour I come, o jove do come, I shall
Speaker 4: be plagued. Farewell till then good night, I prithee, come,
Speaker 4: Exit Diomedes, troyous, farewell. One eye yet looks on thee,
Speaker 4: But with my heart the other eye does see pour
Speaker 4: our sex. This fault in us. I find the error
Speaker 4: of our eye directs our mind. What error leads must err? Oh,
Speaker 4: then conclude, minds swayed. My eyes are full of turpitude.
Speaker 3: Exit a proof of straight She could not publish more
Speaker 3: unless she said, my mind is now turned.
Speaker 1: Whore Ow's done?
Speaker 3: My lord?
Speaker 1: It is? Why stay we then to make a recardation
Speaker 1: to my soul of every syllable that here was spoke.
Speaker 1: But if I tell how these two did coact, shall
Speaker 1: I not lie in publishing a truth? As if yet
Speaker 1: there is a credence in my heart, an esperance so
Speaker 1: obstinately strong that doth invert the a test of eyes
Speaker 1: and ears, as if those organs had deceptious functions created
Speaker 1: only to calumniate. Was cressit here? I cannot Conjuatroyan. She
Speaker 1: was not sure, most sure she was. Why my negation
Speaker 1: hath no taste of madness nor mine? My lord? Cress
Speaker 1: it was here, But now let it not be believed
Speaker 1: for womanhood. Think we had mothers. Do not give advantage
Speaker 1: to stubborn critics apt without a theme for deprivation to
Speaker 1: square the general sex by Cres's rule. Rather think this,
Speaker 1: not cress it. What hath she done, prince that can
Speaker 1: soil our mothers? Nothing at all? Unless that this was she?
Speaker 3: Will he swagger himself out on's own eyes? This she.
Speaker 1: No, this is diomedes cressit. If beauty have a soul.
Speaker 1: This is not she. If souls guide vows, if thous
Speaker 1: be sanctimonies, is sanctimony be the God's delight? If there
Speaker 1: be rule immunity itself, this was not she, Oh, madness
Speaker 1: of discourse, that cause sets up with and against itself
Speaker 1: by fold authority. Where reason can revolt without perdition and
Speaker 1: loss assume all reason without revolt. This is and is
Speaker 1: not crescid within my soul. There doth can douce a
Speaker 1: fight of the strange nature, that a thing in separate
Speaker 1: divides more water than the sky and earth, and yet
Speaker 1: the spacious breadth of this division admits no orifice for
Speaker 1: a point as subtle as Ariacne's broken wolf to enter
Speaker 1: instance Oh, instances strong as Pluto's gaits cress. It is
Speaker 1: mine tied with the bonds of heaven instance ah instance
Speaker 1: strong as heaven itself. The bonds of heaven are slipped, dissolved,
Speaker 1: and loosed, and with another knot five finger tied the
Speaker 1: fractions of her faith, orts of her love, the fragments, scraps,
Speaker 1: the bits and greasy relics of her o'er eaten faith
Speaker 1: given to Diomede. May were the troylis be half attached
Speaker 1: with that which here is passion doth express by Greek,
Speaker 1: and that shall be divulged well in characters as red
Speaker 1: as Mars, his heart inflamed with venus. Never did young
Speaker 1: man fancy with so eternal and so fixed a soul
Speaker 1: har Greek as much as I do cress it, love
Speaker 1: so much by weight hate I herd Diomede. That sleeve
Speaker 1: is mine that he'll bear on his own. We're at
Speaker 1: a cask composed by Vulcan's skill. My sword should bide it,
Speaker 1: not the dreadful spout which shipmen do. The Hurricano call
Speaker 1: constringed in mass by the almighty sun shall dizzy with
Speaker 1: more clamor Nephun's ear and his descent than shall my
Speaker 1: prompted sword.
Speaker 3: Falling on Diymede, he'll tickle it for his concupie.
Speaker 1: Cress it, oh, false, cress it, false, false false. Let
Speaker 1: all untrue stand by thy stained name, and they'll seem glorious.
Speaker 1: I'll contain yourself. Your passion draws ears hither enter Eneus.
Speaker 4: I have been seeking you this hour, my lord Hector,
Speaker 4: by this, disarming him in Troy Ajax, your guard stays
Speaker 4: to conduct you home.
Speaker 1: Have with you, Prince, my courteous lord, adieu, farewell, revolted
Speaker 1: fhair and Diomede, stand fast and wear a castle on
Speaker 1: thy head. I'll bring you to the gates, except distracted
Speaker 1: thanks Exeunt troileis Eneus and ulysses.
Speaker 3: What I could meet that rogue Diomede, I would croak
Speaker 3: like a raven. I would bode. I would bode. But
Speaker 3: Trocolus will give me anything for the intelligence of this whore.
Speaker 3: The parrot will not do more for an almond than
Speaker 3: he for a commodious drab, lachery, leachery, stale wars and leachery.
Speaker 3: Nothing else holds fashion a burning devil.
Speaker 1: Take them Exit Scene three, Troy before Prime's Palace. Enter
Speaker 1: Hector and Andromache.
Speaker 6: When was my lord so much and gently tempered? So
Speaker 6: stop his ears against admonishment? An arm, an arm, and
Speaker 6: do not fight to day?
Speaker 3: You train me to offend you get you in by
Speaker 3: all the everlasting gods. I'll go.
Speaker 6: My dreams will so prove ominous to the day.
Speaker 1: No more, I say, Enter Cassandra, where is my brother Hector?
Speaker 6: Here's sister, armed and bloody and intent consort with me
Speaker 6: in loud and dear petition pursue him on knees, for
Speaker 6: I have dreamt of bloody turbulence, and this whole night
Speaker 6: hath nothing been but shapes and forms of slaughter.
Speaker 1: Oh tis true.
Speaker 3: Oh bid my trumpet sound no.
Speaker 7: Notes of sally for the heavens, Sweet brother, be gone.
Speaker 3: I say the gods have heard me swear.
Speaker 7: The gods are death too hot and peevish vows. They
Speaker 7: are polluted offerings, more bored than spotted livers in the sacrifice.
Speaker 6: Ah be persuaded. Do not count it wholly to hurt
Speaker 6: by being just. It is as lawful, for we would
Speaker 6: give much to use violent thefts and rob in the
Speaker 6: behalf of charity.
Speaker 4: It is the purpose that makes strong devou but fous
Speaker 4: to every.
Speaker 7: Purpose must not hold unarm.
Speaker 3: Sweet hector, hold you still, I say, mine, honor keeps
Speaker 3: the weather of my fate. Life. Every man holds dear,
Speaker 3: but the dear man holds honor far more precious dear
Speaker 3: than life.
Speaker 1: Enter troylis how now.
Speaker 3: Young man means thou to fight today?
Speaker 1: Cassandra, call my father to persuade exit Cassandra, No.
Speaker 3: Faith, young troylis doth thy harness youth? I am today
Speaker 3: in the vein of chivalry. Let grow thy sinews till
Speaker 3: their knots be strong and tempt Not yet the brushes
Speaker 3: of the war unarm thee go and doubt thou not,
Speaker 3: brave boy, I'll stand today for thee and me and Troy.
Speaker 1: Brother. You have a vice of mercy in you which
Speaker 1: better fits a lion than a man.
Speaker 3: What vice says that good troylists chide me for it?
Speaker 1: When many times a captive Grecian falls, even in the
Speaker 1: fan and wind of your fair sword, you bid them
Speaker 1: rise and live?
Speaker 3: Oh tis fair play.
Speaker 1: Fools, play by heaven, Hector.
Speaker 3: How now, how now, for.
Speaker 1: The love of all the gods, let's leave the hermit
Speaker 1: pity with our mother. And when we have our armors
Speaker 1: buckled on the venomed vengeance, ride upon our swords, spur
Speaker 1: them to ruthful work, rain them from ruth.
Speaker 3: Fie savage, fie.
Speaker 1: Hector, Then tis wars, troilet.
Speaker 3: I would not have you fight to day.
Speaker 1: Who should withhold me, not fate obedience, nor the hand
Speaker 1: of Mars beckoning with fiery trunch in my retire, nots
Speaker 1: Primus and Hecuba on knees their eyes o'er galled with
Speaker 1: her course of tears, Nor you, my brother, with your
Speaker 1: true sword drawn opposed to hinder me, should stop my way.
Speaker 1: But by my ruin re enter Cassandra with priam play
Speaker 1: hold upon.
Speaker 4: Him, prim hold him fast.
Speaker 7: He is thy crutch.
Speaker 4: Now if thou lost thy stay, thou on him leaning,
Speaker 4: and I'll try on thee fall all together. Come Hector,
Speaker 4: come go back, Thy wife, hath dreamt, thy mother, hath
Speaker 4: had visions, Cassandra doth for she and I myself am
Speaker 4: like a prophet suddenly unrept to tell thee that this
Speaker 4: day is ominous.
Speaker 3: Therefore come back aneasay is a field, and I do
Speaker 3: stand engaged to many Greeks, even in the faith of Valor,
Speaker 3: to appear this morning to them.
Speaker 4: I but thou shalt not go.
Speaker 3: I must not break my faith. You know me dutiful. Therefore,
Speaker 3: dear sir, let me not shame respect, but give me
Speaker 3: leave to take that course by your consent and voice,
Speaker 3: which you do here forbid me. Royal Prime, Oh Brian
Speaker 3: year not to him. Do not, dear father Andromaky. I
Speaker 3: am offended with you upon the love you bear me get.
Speaker 1: You in exit and Ramaki, this foolish, dreaming, superstitious girl
Speaker 1: makes all these bodements.
Speaker 4: Oh, farewell, dear hector.
Speaker 7: Look how thou diest, Look how thy eye turns pale,
Speaker 7: Look how thy wound st bleed at many events. Hark,
Speaker 7: how Troy roars, how Hecuba cries out, how poor and
Speaker 7: rama Key shrills her dolus. Forth behold distraction, frenzy and
Speaker 7: amazement like witless and takes one another meat and all
Speaker 7: the cry hector. Hector s dead, Oh.
Speaker 1: Hector, away away, fair.
Speaker 7: Wall yet soft hector.
Speaker 4: I take my leave. Thou dost thyself and all our
Speaker 4: troy deceive.
Speaker 1: Exit.
Speaker 3: You are amazed, my liege at her exclaim. Go in
Speaker 3: and cheer the town. We'll forth and fight do deeds
Speaker 3: worth praise, and tell you them at night.
Speaker 4: Farewell. The gods with safety stand about.
Speaker 1: The exellon severally priorm and hector alarums they're at at
Speaker 1: heark proud diomede believe I come to lose my arm
Speaker 1: or win my sleeve? Enter panderas. Do you hear me,
Speaker 1: my lord?
Speaker 3: Do you hear what?
Speaker 6: Now here's a letter come from yon, poor girl. Let
Speaker 6: me read a horse and tissic a horse and rascally
Speaker 6: Tissic so troubles me and the foolish fortune of this girl,
Speaker 6: and what one thing, what another? That I shall leave
Speaker 6: you one of these days. And I have a room
Speaker 6: in mine eyes too, and such an ache in my
Speaker 6: bones that unless a man were cursed, I cannot tell
Speaker 6: what to think on't who would say?
Speaker 1: She there words words, smeal words. No matter from the heart,
Speaker 1: the effect doth operate another way. Go winds to wind there,
Speaker 1: turn and change together my love with words and error.
Speaker 1: Still she feeds, but edifies another with her deeds exeunt severally.
Speaker 1: Scene four, the plain between Troy and the Grecian camp alarums.
Speaker 1: Excursions enter the sieties.
Speaker 3: Now they are clapper clawing one another. I'll go look
Speaker 3: on that dissembling, abominable violet Diomede that's got that same scurvy, doting,
Speaker 3: foolish young knaves leave of Troy. There at his helm,
Speaker 3: I would fain see the meet that that same young Troy,
Speaker 3: and ass that loves the ore. There I might send
Speaker 3: that greeky horror masterly villain with a sleeve back of
Speaker 3: the assembly luxurious tramp of a sleeveless errand or the
Speaker 3: other side the policy of those crafty swearing rascals, that
Speaker 3: stale old most eaten dry cheese nest, and that same
Speaker 3: dog Fox Ulysses is not proved worth a BlackBerry. They
Speaker 3: set me up in policy that mongrel kur Ajax against
Speaker 3: that dog of us better kind Achilles. And now is
Speaker 3: the cur Ajax prouder than the kur Achilles. And we'll
Speaker 3: not arm today. Whereupon the Grecians begin to proclaim barbarism,
Speaker 3: and policy grows into an ill opinion.
Speaker 1: Enter Diomedes, Troylis following soft.
Speaker 3: Here come sleeve and tether fly.
Speaker 1: Not for shouldst thou take the river sticks, I would
Speaker 1: swim after thou.
Speaker 3: Dost miscall retire. I do not fly, But advantageous care
Speaker 3: withdrew me from the odds of multitude. Have at thee
Speaker 3: hold thy horror, Grecian. Now for thy how Troyan, Now
Speaker 3: the sleeve.
Speaker 1: Now the sleeve exitons Troilis and Diomedes fighting, And.
Speaker 3: To Hector, what art thou Greek? Art thou for Hector's match,
Speaker 3: art thou of blood and honor? No, no I am
Speaker 3: a rascal, a scarvy, railing knave, a very filthy rogue er.
Speaker 3: I do believe thee live exit got a mercy that
Speaker 3: thou wilt believe me but a plague break thy neck
Speaker 3: for frighting me. What's become of the wenching rogues? I
Speaker 3: think they have swallowed one another. I would laugh at
Speaker 3: that miracle. Yet in a sort letchery eats itself. I'll
Speaker 3: seek them.
Speaker 1: Exit Seene five, another part of the plane, and to
Speaker 1: Diomedes and a servant.
Speaker 3: Go, go, my servant, take that troyless horse, present the
Speaker 3: fair steed to my lady Crescid fellow, commend my service
Speaker 3: to her beauty. Tell her I have chastised the amorous
Speaker 3: Troyon and am her knight by proof.
Speaker 1: I go, my lord, exit, enter agamemnon, renew, renew.
Speaker 3: The fierce Polydamus hath beat down meen on bastard Margarillon
Speaker 3: hath Dorius prisoner and stands Colossus wise waving his beam
Speaker 3: upon the passionate causes of the King's epistrophus and sidious polyxities.
Speaker 3: Is slain and for Marcusentoius deeply hurt but truckless tail
Speaker 3: or slain, and Palomides sore hurt and bruised. The dreadful
Speaker 3: sagretary appalls our numbers. Haste we Diomede to reinforcement, or
Speaker 3: we perish all and.
Speaker 6: Her nestor go bear petruclate body to Achilles and bid
Speaker 6: the sniale pay Ajax arm for shame. Here is a
Speaker 6: thousand hectares in the field. Now here he fights on
Speaker 6: Gallathe's horse, and there lacks work anon he's there afoot,
Speaker 6: and there they fly or die like scaled skulls before
Speaker 6: the belching whale. Then is he yonder, and there the
Speaker 6: stray greeks right for his edge fall down before him
Speaker 6: like the mower's swathe. Here, there and everywhere he leaves
Speaker 6: and takes dexterity, so obeying appetite, that what he will
Speaker 6: he does, and does so much that proof is called impossibility.
Speaker 1: Enter ulysses the courage, courage, courage. Prince Greater Cairies is arming, weeping, casting,
Speaker 1: vowing vengeance. But Troxlus woman's have roused his rowsy blood,
Speaker 1: together with his mangled murmudns, that noseless, handless, hacked and chipped,
Speaker 1: come to him crying on hector Ajax had lost a
Speaker 1: friend and phones at mouth, and he armed and at it,
Speaker 1: roaring for Troylus, who have done today mad and fantastic execution,
Speaker 1: engaging in redeeming of himself with such a careless force
Speaker 1: and forceless care as if that lost in their despite
Speaker 1: of cunning, bade him win all enter Ajax.
Speaker 5: Fooylers, Thou coward Croylers exit.
Speaker 3: I there there show show we draw together.
Speaker 1: Exit enter Achilles.
Speaker 4: Wooh wrah.
Speaker 1: Is this actor? Come come, thou boy choir, show thy face?
Speaker 1: Know what it is to me? Achilles? Angry Hector worse Hector?
Speaker 3: I well, none but.
Speaker 1: Hector exeont seene six another part of the plane.
Speaker 5: Enter Ajax, coylous, Thou coward, Troyers show die head enter.
Speaker 3: Diomedes trialiss I say where's troyless?
Speaker 6: What wouldst thou?
Speaker 3: I would correct him were I the general?
Speaker 6: Thou shouldst have my office here that correction Troylus, I
Speaker 6: say what Troylus?
Speaker 1: Enter troyleis, oh trader, Diomede, turn thy false face, thou trader,
Speaker 1: and pay thy life. Thou owest me for my horse.
Speaker 6: A art Thou there oil fight with him alone stained Diomede.
Speaker 3: He is my prize. I will not look upon.
Speaker 1: Come both you cogging Greeks, have that you both Exillon's
Speaker 1: fighting enter Hector.
Speaker 3: Hey, troylis, Oh, well fought my youngest brother enter Achilles.
Speaker 1: Now do I see thee have at the hector m
Speaker 1: h m hm hm.
Speaker 3: Pause. If thou wilt ay.
Speaker 1: Do disdain thy courtesy, proud troyan, be happy that my
Speaker 1: arms are out of use, my rest and negligence befriendly now,
Speaker 1: But thou at not, and shalt hear of me again
Speaker 1: till when go seek thy fortune.
Speaker 3: Exit fare thee. Well I would have been much more
Speaker 3: a fresher man had I expected thee.
Speaker 1: Re Enter Troylis.
Speaker 3: How now my brother.
Speaker 1: Ajax hath tayan a nieus shall it be No, by
Speaker 1: the flame of yonder glorious heaven, he shall not carry him.
Speaker 1: I'll be tayn too, or bring him off fate. Hear
Speaker 1: me what I say? I reckon not, though thou end
Speaker 1: my life today? Exit enter one in.
Speaker 3: Armor, stand stand thou Greek, Thou wart a goodly? Mark? No,
Speaker 3: wilt thou not I like thy armor? Well, I'll frush
Speaker 3: it and unlock the rivets all, but I'll be master
Speaker 3: of it. Wilt thou not beast abide? Why then? Fly on?
Speaker 3: I'll hunt thee for thy hide?
Speaker 1: Andant seene seven another part of the plane. Enter Achilles
Speaker 1: with mermidons. Come here about me, you, my mermidens. Mark
Speaker 1: what I say, attend me where I will strike, not
Speaker 1: a stroke, but keep yourselves in breath. And when I
Speaker 1: have the bloody hector found, impale him with your weapons
Speaker 1: round about in fellest manner. Execute your arms. Follow me, sir,
Speaker 1: in my proceedings eye it is decreed. Hector the great
Speaker 1: must die. Exeunt enter Menelaeus and Paris fighting. Then societies,
Speaker 1: the cattle and the cackle maker are at it.
Speaker 3: Now.
Speaker 1: Boo now dog.
Speaker 3: No Paris, now my double head spartan, no parislo the
Speaker 3: bull as the game where horns.
Speaker 1: Ho Exion's Paris and Menelaus enter margarolone turn, slave.
Speaker 4: And sight, What art thou a bastard, son of Plans?
Speaker 3: I am a bastard too. I love bastards. I'm a bastard,
Speaker 3: be god, bastard instructed bashed it in mine, bashard and
Speaker 3: valor in everything illegitimate. One bear will not bite another.
Speaker 3: And wherefore should one bastard take heed? The quarrel's most
Speaker 3: ominous to us. If the son of a whore fight
Speaker 3: for a whore, he tempts judgment, farewell, bastard, exit the
Speaker 3: Devil'll take thee coward.
Speaker 1: Exit Scene eight, another part of the plane enter Hector.
Speaker 3: Most putrefied corps, so fair without thy goodly armor. Thus
Speaker 3: hath cost thy life. Now is my day's work done?
Speaker 3: I'll take my breath rest sword howlest I fill of
Speaker 3: blood and.
Speaker 1: Death disarms enter Achilles and Mermid's look Hector, How the
Speaker 1: sun begins to set.
Speaker 2: How ugly Night comes breathing at his heels, even with
Speaker 2: the veil and darkening of the sun to close the day.
Speaker 1: Uh, Hector's life is done.
Speaker 3: I am unarmed. For go this fetige Greek strike.
Speaker 1: Fellows strike, This is the man I seek. Yeah, Hector falls,
Speaker 1: So William fall down next? Now Troy think down. Here
Speaker 1: lies thy heart, thy sinews and thy boon.
Speaker 2: On mermidens and cry you all amain Achilles, hath the
Speaker 2: mighty Hector.
Speaker 1: Slain a retreat sounded ah, hark I retire upon our
Speaker 1: Grecian part.
Speaker 4: Detroit and trumpets sound alike, my lord.
Speaker 8: The dragon wing of night all spreads the earth and
Speaker 8: stickler like the armies separates my half supped sword that
Speaker 8: frankly would have fed pleased with its dainty bait.
Speaker 1: Thus goes to bed. She's his sword.
Speaker 2: Come tie his body to my horse's tail.
Speaker 1: Along the field, I will the troy and trail exellant
Speaker 1: see nine. The part of the plane sound retreat, shout
Speaker 1: and to Agamemnon, Ajax, Menelaeus, Nestor Diomedes, and the rest.
Speaker 3: Marching hark hark, What shout is this?
Speaker 1: Beestrums soldiers within, Please Achilles Hector slain Achilles.
Speaker 3: The brute is Hector slain.
Speaker 1: And by Achilles, if he be so, yet breglish lady
Speaker 1: b great Hector, whish is good?
Speaker 3: A menisi march patiently along. Let one be sent to
Speaker 3: pray Achilles. See us at our tent if in his
Speaker 3: death the gods have us befriended. Great Troy is ours
Speaker 3: and our sharp wars are ended.
Speaker 1: Exeunt Scene ten. Another part of the plane ander Eneus,
Speaker 1: Paris and Tina and d Iphabus.
Speaker 4: Stand Ho yet are we masters off the field?
Speaker 1: Never go home?
Speaker 3: Here?
Speaker 4: Starve we out the night.
Speaker 1: Enter troyleis Hector is slain. Hector the god forbid he's dead.
Speaker 1: And at the murderer's horse's tail and beastly's sword dragged
Speaker 1: through the shameful field, Frown on you, heavens, affect your
Speaker 1: rage with speed, Sit gods upon your thrones, and smile
Speaker 1: at Troy, I say at once, let your brief plagues
Speaker 1: be mercy and Lincoln, not our short destructions.
Speaker 4: Of my lord. You do discomfort all the host You
Speaker 4: understand me, not that tell me so.
Speaker 1: I do not speak of flight a fear of death,
Speaker 1: but dare all imminence that gods and men address their
Speaker 1: dangers In Hector is gone? Who shall tell Prime so
Speaker 1: or Hecuba let him? That will a screech? How I
Speaker 1: be called? Go into Troy and say their Hector's dead.
Speaker 3: There is a.
Speaker 1: Word where priam turn to stone, make wells and naiobi's
Speaker 1: of the maids and wives, cold statues of the youth,
Speaker 1: and in a word scare Troy out of itself. But
Speaker 1: march away. Hector is dead. Here is no more to say.
Speaker 1: Stay yet, you vile, abominable tents. Thus proudly pit upon
Speaker 1: ourphrygian planes. Let Titan rise as early as he dare,
Speaker 1: all through and through you and thou great sized coward.
Speaker 1: No space of earth shall thunder our two hates. I'll
Speaker 1: hunt they like a wicked conscience. Still that moleeth goblins
Speaker 1: swift as frenzies, thoughts strike a free march de Troy
Speaker 1: with comfort, go hope of revenge shall hide our inward
Speaker 1: will enter panderas, would hear you, hear you hence broker lackey,
Speaker 1: ignominy and shame, pursue thy life and live I with
Speaker 1: thy name. Exeont all but panderas.
Speaker 6: Oh goodly medicine for my aching bones. Oh world, World,
Speaker 6: that's just the poor ancient despised, Oh trait isn't bored.
Speaker 6: How earnestly are you shetter work, and how ill reap quitted?
Speaker 6: Why should our endeavor be so loved and the performance
Speaker 6: so loathed? What verse for it? What instant for it?
Speaker 6: Let me see full?
Speaker 9: Merely the humble bee doth sing till he hath lost
Speaker 9: his honey and his sting, and being once subdued in
Speaker 9: arm betrail, sweet honey and sweet notes to gather fail
Speaker 9: good traders in the flesh. Set this in your painted cloths,
Speaker 9: as many as be here of panders. Holl your eyes
Speaker 9: half out, weep out at pander's fall, Or if you
Speaker 9: can not weep yet, give some groans, though not for me.
Speaker 6: Yet, for your aching bones. Bretaen and sisters.
Speaker 9: Of the hold door trade. Some two months hence my
Speaker 9: will shall here be made. It should be now, but
Speaker 9: that my fear is this, some galled goose of Winchester
Speaker 9: would hiss till then I'll sweat and seek about for eases,
Speaker 9: and at that time bequeath you might diseases.
Speaker 1: Exit end of Act five and of the History of
Speaker 1: Troilus and Cressada by William Shakespeare.