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<v Speaker 1>Callaroga Shark Media. Hey, they're Johnny Mack with your daily

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<v Speaker 1>comedy news Master Brownnie caught up with the ABC, you know,

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<v Speaker 1>not the American Broadcasting Corporation whatever, the Australian one is

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<v Speaker 1>called that ABC, and they started talking about Colbert Gate,

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<v Speaker 1>and Mos said, I love Colbert. I get my news

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<v Speaker 1>from Colbert. He makes the news fun. I knew that

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<v Speaker 1>Trump was gonna come after the late night talk show hosts,

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<v Speaker 1>but I didn't think it was going to be this way,

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<v Speaker 1>where their own companies can them. I thought Trump would

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<v Speaker 1>maybe send the irs out to audit them or something,

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<v Speaker 1>just make their lives hard. Because Trump, unfortunately doesn't have

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<v Speaker 1>a sense of humor. He doesn't have to take a joke,

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<v Speaker 1>which is what dictatorships usually are like. The job of

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<v Speaker 1>the comedian is to reveal the emperor has no clothes.

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<v Speaker 1>I think we need to keep doing that. If we don't,

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<v Speaker 1>we're gonna lose our democracy. I always say, the whole

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<v Speaker 1>point of America is I can make fun of the

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<v Speaker 1>president in America. I couldn't make fun of the president

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<v Speaker 1>of Iran. That wouldn't work. We're slowly seeing, maybe even

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<v Speaker 1>fastly seeing, the American democracy crumble, and I think now

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<v Speaker 1>it falls on our shoulders more and more as comedians

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<v Speaker 1>to make fun of Trump and poke at him. For

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<v Speaker 1>my entire life in America, I've had to explain Iran.

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<v Speaker 1>I just try to find funny ways to explain to

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<v Speaker 1>people what I'm feeling. Like I say, I wish it

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<v Speaker 1>were Swedish, because you were Swedish, you wouldn't have to

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<v Speaker 1>explain anything, right, you just talk about a Kia and Abba.

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<v Speaker 1>Being Iranian has been a challenge, but it's also obviously

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<v Speaker 1>giving me plenty of material because I've been able to

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<v Speaker 1>try and present people from Iran and other people from

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<v Speaker 1>that part of the world, hopefully in a positive light

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<v Speaker 1>versus what you see when they show us in the news.

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<v Speaker 1>I worked with Mas at the Montreal Comedy Festivals. All

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<v Speaker 1>my stories now fifteen twenty years old. Yeah, boy, it's

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<v Speaker 1>got to be fifteen. Cool guy. I really enjoyed my

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<v Speaker 1>time with him. Ma says, I grew up in America,

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<v Speaker 1>so I always say that I'm not in Iran, but

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<v Speaker 1>Iran is in me. I feel an affinity towards the

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<v Speaker 1>country of Iran. I feel an affinity towards the Socrates

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<v Speaker 1>when they play I feel an affinity towards the people.

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<v Speaker 1>The Iranian people are some of the most hospitable people.

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<v Speaker 1>It is a place in my heart. Iran is a

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<v Speaker 1>cautionary tale of what happens when you mix religion with politics,

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<v Speaker 1>and currently living in America, we're moving closer to becoming

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<v Speaker 1>the Christian Republic of America is the Islamic Republic of Iran.

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<v Speaker 1>When I do a show, I have people of all backgrounds,

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<v Speaker 1>all religions in the room. We're laughing together and we're

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<v Speaker 1>humanizing each other. You get a room, We're have a Palestinian,

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<v Speaker 1>you have a Jew, you have a Muslim, people from

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<v Speaker 1>different backgrounds and we're laughing together, and then people realize, oh,

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<v Speaker 1>he's human. I'm human like Maz a lot. Good guy.

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<v Speaker 1>Bob oden Kirk is optimistic about comedy's future. He tells

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<v Speaker 1>Din of Geek, I'm not that worried. With the Internet

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<v Speaker 1>and YouTube and all the streamers. There's more comedy than

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<v Speaker 1>there ever was, and there's more platforms and opportunities than

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<v Speaker 1>there ever was. They tend to pay less, but then

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<v Speaker 1>they pay something and there's more of them, so that's good.

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<v Speaker 1>I think the biggest challenges can make a very good

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<v Speaker 1>show now and almost nobody sees it because there's too

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<v Speaker 1>much to sample. The industry kind of does this journey

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<v Speaker 1>of expanding and contracting, expanding and contracting. So possibly we're

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<v Speaker 1>going to contract a little bit. But I love how

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<v Speaker 1>many platforms there are and how much variety we can see.

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<v Speaker 1>As for Late Night, he says, some version of Late

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<v Speaker 1>Night will continue. It's terrible what happened with Colbert, but

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<v Speaker 1>I also feel I understand it. There's a lot of

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<v Speaker 1>late night shows that are very similar to each other,

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<v Speaker 1>and I can see how much is online now. A

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<v Speaker 1>lot of my viewing is online, so I understand that

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<v Speaker 1>it's going through these changes. I'm okay with it. There's

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<v Speaker 1>gonna be a lot of opportunity for us. John Oliver

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<v Speaker 1>was on Monica Lewinsky's podcast last week. John said, with

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<v Speaker 1>all these stories going on, it brings something out of you,

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<v Speaker 1>like it's there that anxiety that I thought i'd moved

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<v Speaker 1>past the day I got my citizenship. John feels like

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<v Speaker 1>attention is now being weaponized and that he himself can

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<v Speaker 1>get sent back to the anxiety he felt for a

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<v Speaker 1>very long time, very quick. It's not far from the surface,

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<v Speaker 1>and it does feel personal. It's one of the things

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<v Speaker 1>I get really mad about, and therefore I want to

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<v Speaker 1>use our show to show Americans who may have heard

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<v Speaker 1>things like come in the right way, just do things

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<v Speaker 1>the right way, and not fully understand just how antithetical

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<v Speaker 1>that is to the process that actually exists. Weirdly, in

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<v Speaker 1>the Trump administration's defense, they said all this out loud.

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<v Speaker 1>I think it's very convenient for people not to believe it,

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<v Speaker 1>because then it feels like you could vote for them

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<v Speaker 1>and think, yeah, sure, I voted for you, but I

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<v Speaker 1>didn't vote for that. For people being chased across fields. Well, no,

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<v Speaker 1>you did, though, because they again I can't believe I'm

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<v Speaker 1>defending them. They did say this, they said all of it.

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<v Speaker 1>You just chose not to believe it. The Guardian caught

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<v Speaker 1>up with Jennif Friedman, Michelle Wolf and Sam Jay. They're

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<v Speaker 1>at the fringe. The headline in The Guardian it felt

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<v Speaker 1>like a scene from The Handmaid's Tale. US comics on

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<v Speaker 1>the dangers of political satire. You now, before we get

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<v Speaker 1>into the story, whatever you think of the politics of

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<v Speaker 1>the story, that is the perception of the United States

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<v Speaker 1>around the world right now. Again, the subheader US comics

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<v Speaker 1>on the dangers of political satire. In The Guardian, they

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<v Speaker 1>dusted off a story I told you about earlier in

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<v Speaker 1>the year from Jennif Friedman. I'll fly through it quickly.

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<v Speaker 1>She's in the Vancouver airport. She's heading home to the US.

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<v Speaker 1>Someone she thought worked for airport security asked about her visit.

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<v Speaker 1>She said, I was doing comedy. Then he asked, what

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<v Speaker 1>do you joke about. I lightly flirted with him and

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<v Speaker 1>was like everything other than airport's security. He didn't react

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<v Speaker 1>at all. Then I realized he was border control. He

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<v Speaker 1>asked again, what did you joke about. I froze because

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<v Speaker 1>I'm a political comedian I know to say. Then he said,

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<v Speaker 1>do you joke about politicians? The Guardian rights she made

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<v Speaker 1>it home, but the incident stuck with her. She tells

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<v Speaker 1>The Guardian it did feel like a scene out of

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<v Speaker 1>The Handmaid's Tale. I'm a blonde, white woman who looks

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<v Speaker 1>like a Republican's wife, and I have an American passport.

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<v Speaker 1>But what if I had said, yes, don't we want

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<v Speaker 1>to live in a country where you can joke about politicians,

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<v Speaker 1>or we can joke about anything. Michelle Wolfe lives in Barcelona.

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<v Speaker 1>These days, We're told she's yet to encounter border trouble,

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<v Speaker 1>but with reports of people with green cards and citizens

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<v Speaker 1>being detained, she says, I'm keeping an eye on it.

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<v Speaker 1>She says, I feel like I have to address the

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<v Speaker 1>whole America and Trump thing. People expect me to say

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<v Speaker 1>something about it. I don't like making it a large

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<v Speaker 1>part of my set because it bores me. There's always

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<v Speaker 1>something crazy happening, but it's hard to come up with

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<v Speaker 1>creative angles other than that. Can you believe this? Sam

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<v Speaker 1>Jay says? How did we get here as Americans? Of course,

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<v Speaker 1>I think race plays a large part in it, and

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<v Speaker 1>how did these race relations get to the way they are?

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<v Speaker 1>Not just blaming white people, but exploring the type of

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<v Speaker 1>white people we're dealing with and why they might be

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<v Speaker 1>the way they are their roots in England. She says,

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<v Speaker 1>of Trump, he's the symptom of this, not the cause.

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<v Speaker 1>This is a result of years and years of us

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<v Speaker 1>doing it wrong. It's been building for a long time

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<v Speaker 1>and a lot of different reasons. Sam Jay says, the

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<v Speaker 1>mood in America chaos. There's no way to keep up.

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<v Speaker 1>People are also very desensitized. Stuff just keeps happening in

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<v Speaker 1>more extreme ways that people are losing a metric for it.

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<v Speaker 1>The Guardian asks what does the future hold for US

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<v Speaker 1>comedians Jennifer and says it's too soon to tell, but

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<v Speaker 1>I think everybody exercising the US First Amendment in a

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<v Speaker 1>way that's funny disarming is really important right now. I

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<v Speaker 1>feel that article is a little alarmist. The BBC asked

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<v Speaker 1>Josh Johnson or the things about the Internet that were

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<v Speaker 1>you in terms of yourself as a comedian. Josh said,

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<v Speaker 1>I think as lot as I stick to the attitudes

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<v Speaker 1>I have now and the things are doing now, I

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<v Speaker 1>don't have much to worry about. At some point after

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<v Speaker 1>you realize what is yours and what is not. When

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<v Speaker 1>you're becoming known for the first time, you might trick

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<v Speaker 1>yourself into thinking it's just because of you, but really

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<v Speaker 1>it's a moment. I think that what you do with

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<v Speaker 1>that moment is very important. If you handle it well

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<v Speaker 1>and carry yourself well, then you can establish yourself for

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<v Speaker 1>a long time. It's not as if the most popular

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<v Speaker 1>comedians we reference when we think about stand up comedy

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<v Speaker 1>were flashing the pan. We think about the people who stayed.

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<v Speaker 1>I think they stayed because of what was built around

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<v Speaker 1>them and what they did with it. In Los Angeles Today,

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<v Speaker 1>the Brody Stevens Festival of Friendship a benefit in honor

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<v Speaker 1>of the late to Brody Stevens, who passed away in

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<v Speaker 1>twenty nineteen. The event raises money and awareness for comedy

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<v Speaker 1>gives back at the Comedy Store tonight at eight o'clock.

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<v Speaker 1>Bill Burr, Robbie Hoffman, eleanor Kerrigan, Dean Delray, Dan Levy,

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<v Speaker 1>and Doug Bentson all confirmed to attend. Paul Reiser is

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<v Speaker 1>getting a sitcom with Fox untitled. The comedy series follows

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<v Speaker 1>the dysfunctional fallout after the family has failed to launch

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<v Speaker 1>twenty something. Sun is forced to work alongside his father,

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<v Speaker 1>Paul Reiser in the less than glamorous New Jersey damaged

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<v Speaker 1>goods business that sounds terrible. Just show a football game, guys.

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<v Speaker 1>Bob Newhart will be honored in September. North Sheridan Road

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<v Speaker 1>between Ardmore and Thorndale will be renamed for Bob Newhart.

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<v Speaker 1>He used to live in a condo over there. Friday

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<v Speaker 1>September fifth, which would have been Newhart's ninety sixth birthday.

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<v Speaker 1>Bob Newhart born in nineteen twenty nine. In oak Park,

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<v Speaker 1>attended Saint Ignatio's College Prep and Loyal University, where theater

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<v Speaker 1>bears his name. Gossip Connor whispers in the street, Gossip

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<v Speaker 1>conn probably Bopete, gossip conn awhere the rumors meet with

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<v Speaker 1>Johnny Mackett's always a tree. Gossip Connor whisp business Tree,

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<v Speaker 1>Gossip I have gone Probably gossip Cone wethers with me

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<v Speaker 1>with Johnny Mactoe in the Tree. I really do walk

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<v Speaker 1>around my house singing that song. It is Jorn Catchy

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<v Speaker 1>on gossip Corner. Did Kathy Griffin have plastic surgery? Did

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<v Speaker 1>she have a face lift? We asked Kathy Griffin why

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<v Speaker 1>I didn't, but somebody did. Kathy Griffin said, you guys,

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<v Speaker 1>I had a face lift. That's right. I talk about

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<v Speaker 1>it now. I know it's not the most exciting thing.

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<v Speaker 1>I just think it's funny that I'm even having one,

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<v Speaker 1>because it's not like I'm known for my face. You

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<v Speaker 1>talked about the doctor who did it and said he

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<v Speaker 1>just looks at you and he's like, yeah, you got

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<v Speaker 1>a lot of problem areas. I can't fix that. You

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<v Speaker 1>have to live at that part. But okay, I can

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<v Speaker 1>do this. We're gonna move this around and who did

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<v Speaker 1>your last one? She says, they get really competitive about

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<v Speaker 1>who did the last one. By the way, this is

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<v Speaker 1>my third. Jimmy Kimmel still off this week, and Colbert's

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<v Speaker 1>off for three weeks as well. That's interesting. Tiffany Hattish

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<v Speaker 1>will host Kimmel's show. She replaces come Out on Gianni,

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<v Speaker 1>who was originally announced a host this week. It is

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<v Speaker 1>believed he has opted out because of scheduling conflicts for reels.

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<v Speaker 1>He's in broad Way previews for his debut in Oh Mary,

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<v Speaker 1>a dark comedy. If I were working on cbs L'sbeth,

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<v Speaker 1>I would get my resume ready because they are taking

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<v Speaker 1>on the Curse of Andy Richter. In case you don't

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<v Speaker 1>pay attention, if Andy Richter appears on your show, it

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<v Speaker 1>gets canceled. Even Conan O'Brien was unable to survive the

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<v Speaker 1>Curse of Andy Richter. Andy will appear on Elle'sbeth. He

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<v Speaker 1>will play the sidekick of Stephen Colbert's Scotty Bristol character.

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<v Speaker 1>Andy Richter will play Mickey Munks, the hilarious but long

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<v Speaker 1>suffering sidekick on Way Late with Scotty Bristol. That sounds

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<v Speaker 1>hackier than hack out. Today on The eight hundred Pound

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<v Speaker 1>Guerrilla available for early access, Moe Welch's Hollywood Forever, and

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<v Speaker 1>Johnny Mack. You never talk about Howard Stern, I know

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<v Speaker 1>in GQ, Vince Mancini, right, So Howard Stern went from

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<v Speaker 1>shock jock to centrist cat dad. If his audience couldn't

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<v Speaker 1>follow him, that's not his fault, Vince writes, I've been

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<v Speaker 1>a loyal Sternee since he first became available to those

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<v Speaker 1>of us on the West Coast in the late nineties.

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<v Speaker 1>He never struck me as all that shocking. Despite everything

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<v Speaker 1>that made it infamous, the show was more like comfort food,

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<v Speaker 1>a way to be part of a conversation even when

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<v Speaker 1>you were alone. When Stern moved to satellite, he immediately

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<v Speaker 1>shelled out for a serious subscription that I probably couldn't afford,

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<v Speaker 1>And with the show's replayed throughout the day, I could

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<v Speaker 1>listen to them almost any time I wanted. It's easy

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<v Speaker 1>to recount the hits, but good bits don't do much

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<v Speaker 1>to pinpoint the actual appeal of the Howard Stern Show,

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<v Speaker 1>which would broadcast for almost four hours every day well

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<v Speaker 1>back in the day, I CARO could be four plus

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<v Speaker 1>it started six and go to ten something. The show

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<v Speaker 1>was a running hang that I can imagine myself being

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<v Speaker 1>part of, and that sounds much easier to pull off

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<v Speaker 1>than it actually is. It did. Yeah, I totally it

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<v Speaker 1>felt like a hang you could imagine yourself being part of.

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<v Speaker 1>I definitely, back in the day would have dreams that

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<v Speaker 1>I was just like on the show, as like sixth Guy.

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<v Speaker 1>These people felt like friends. I get it, Vince, who writes,

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<v Speaker 1>I also haven't listened to Stern for probably fifteen years.

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<v Speaker 1>I've been throwing that fifteen year number around myself. There's

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<v Speaker 1>had nothing to do with this famous turnaway from cheap

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<v Speaker 1>gags and casual sexism, is increasingly therapy influenced introspection, or

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<v Speaker 1>his gradual slide into normy liberalism and dramatic like that.

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<v Speaker 1>It just so happened that the explosion of podcasts, which

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<v Speaker 1>we're free at first seem to coincide with my not

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<v Speaker 1>having a car for the first time in my adult life.

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<v Speaker 1>With so many different versions of a similar thing so

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<v Speaker 1>widely and more easily available, my need for the Stern

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<v Speaker 1>Show suddenly it didn't seem so pressing. I can't honestly

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<v Speaker 1>say that I upgrew him. Had it been a more

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<v Speaker 1>frictionless transaction. I might have stuck around, but I got

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<v Speaker 1>out of the habit, and suddenly it seemed less important. Now.

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<v Speaker 1>Part of getting out of the habit was when Howard

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<v Speaker 1>cut down to three days. I still listened to him

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<v Speaker 1>in the serious years, and like when the show was

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<v Speaker 1>what did they do on Friday? Best of? Or like

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<v Speaker 1>shuffling the stuff from early in the week. You know,

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<v Speaker 1>you stop listening, you take enough vacations, you find something

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<v Speaker 1>else to do. That's why I like, for example, I

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<v Speaker 1>make sure the show always goes out. Do I pre tape? Absolutely?

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<v Speaker 1>Did I pre tape today's show? I did because I

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<v Speaker 1>took a vacation day today. Did you notice until just now?

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<v Speaker 1>Possibly not? Does it matter? Really doesn't. As Stern as

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<v Speaker 1>aged and softened, his world seems to have gotten progressively smaller,

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<v Speaker 1>not because he sold out or gone woke, or any

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<v Speaker 1>other dramatic reasons his critics sight, but for more understandable reasons,

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<v Speaker 1>like the fact that he's a hypochondria near billionaire with

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<v Speaker 1>OCD who's seventy one years old and has been getting

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<v Speaker 1>up at four am for most of his working life.

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<v Speaker 1>His latter day career is proof that if nothing else.

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<v Speaker 1>Evolving with the times looks a lot more dignified than

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<v Speaker 1>trying to be the exact same person you were in

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<v Speaker 1>two thousand and two. No, I get it. You know,

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<v Speaker 1>at seventy one years old having young women in the

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<v Speaker 1>studio and doing the sort of things he used to do.

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<v Speaker 1>It's super creepy, you know, not a good look. But

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<v Speaker 1>to pretend it never happened, that's my issue with Howard.

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<v Speaker 1>To pretend that stuff never happened. Where are the clips?

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<v Speaker 1>Why can't we watch the clips? We all know what happened.

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<v Speaker 1>I've got some cassette tapes of the old Howard Stern show.

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<v Speaker 1>We know these things went on. No, you do have

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<v Speaker 1>to age gracefully. I totally get that. But to pretend

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<v Speaker 1>the other parts didn't happen, that's the part that bugs

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<v Speaker 1>me this whole. Howard Stern was the great interviewer. That narrative,

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<v Speaker 1>that's nonsense. Howard Stern was the great shock shock and

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<v Speaker 1>then the last ten years of his career decided to

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<v Speaker 1>interview people. Just stop with the revisionist history. That's the

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<v Speaker 1>part that annoys me. And that is your comedy needs

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<v Speaker 1>for today. If you'd like to program without commercial interruption.

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<v Speaker 1>Click the banner that says uninterrupted listening. Five bucks a

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<v Speaker 1>month you get this show five Good News Stories, which

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<v Speaker 1>I also hosted a bunch of others. Ad Free, see

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<v Speaker 1>you tomorrow.
