1
00:00:00,640 --> 00:00:03,960
Speaker 1: What a beautiful voice. Linda, Avelinda, and that is called

2
00:00:04,160 --> 00:00:07,000
bridges Burned? And I believe we have Linda with us

3
00:00:07,080 --> 00:00:07,639
via the phone.

4
00:00:07,639 --> 00:00:11,160
Speaker 2: Hello, Linda, Hello, how are you good?

5
00:00:11,279 --> 00:00:15,160
Speaker 1: Welcome to the show. Uh yeah, we were, Yeah, wonderful,

6
00:00:15,400 --> 00:00:18,280
wonderful voice you have. Tell us about Uh well, let's

7
00:00:18,320 --> 00:00:19,760
let's start here. So first of all, how do you

8
00:00:19,800 --> 00:00:21,280
say your last name? I don't know sure I'm saying

9
00:00:21,280 --> 00:00:21,719
it correctly.

10
00:00:22,960 --> 00:00:24,559
Speaker 3: Oh, you're saying it correctly, Linda?

11
00:00:25,160 --> 00:00:29,039
Speaker 2: Okay? Was was Avelinda? Or ave Linda? But where are

12
00:00:29,079 --> 00:00:29,719
you from? Linda?

13
00:00:31,120 --> 00:00:33,679
Speaker 3: I am from Long Island? Are you up Nasall County?

14
00:00:33,880 --> 00:00:37,240
Speaker 2: Okay? Okay, okay, very good, very good.

15
00:00:37,479 --> 00:00:41,719
Speaker 1: So tell us about that song, because I I strongly

16
00:00:41,759 --> 00:00:44,640
suspect a song like that there's usually a story, right

17
00:00:44,759 --> 00:00:47,759
you don't You probably didn't just think one day, oh,

18
00:00:47,759 --> 00:00:49,960
I'm going to write a song about bridges Burned and

19
00:00:50,119 --> 00:00:53,320
the consequences of that, and and you know the rumination

20
00:00:53,399 --> 00:00:55,479
that comes with that when you're looking back. Is there

21
00:00:55,479 --> 00:00:56,560
a story behind the song?

22
00:00:57,960 --> 00:01:01,119
Speaker 3: Yes, there's always a story behind all of my songs. Yeah,

23
00:01:01,320 --> 00:01:03,640
this is the first one that I'm releasing. So this

24
00:01:03,719 --> 00:01:08,079
story came about because somebody who I know, said that

25
00:01:08,400 --> 00:01:11,640
he's changed a lot over the years, but nobody believes him.

26
00:01:12,239 --> 00:01:16,439
And he didn't say bridges burns, but automatically I thought,

27
00:01:16,480 --> 00:01:18,879
you know, he burned a lot of bridges, you know.

28
00:01:19,239 --> 00:01:24,480
And so all of my strongs start out with one line,

29
00:01:24,480 --> 00:01:26,400
and if I could sing it to a good melody,

30
00:01:26,920 --> 00:01:29,920
I just keep singing and singing until the next line comes.

31
00:01:29,920 --> 00:01:32,640
The next line comes. So it started out with the

32
00:01:32,680 --> 00:01:35,000
first lines of the song, the first line of the song,

33
00:01:35,079 --> 00:01:37,319
sorry for the words I said, and then it just

34
00:01:37,400 --> 00:01:38,280
kept going from there.

35
00:01:39,040 --> 00:01:42,079
Speaker 1: Now are you so are the lyrics from your own

36
00:01:42,120 --> 00:01:43,959
point of view in dealing with this person? Or are

37
00:01:43,959 --> 00:01:46,920
they more from his point of view? Are you writing?

38
00:01:47,040 --> 00:01:48,599
Are you writing the song from the point of view

39
00:01:48,560 --> 00:01:52,439
of this this this person who is sorry for the thing?

40
00:01:53,040 --> 00:01:54,959
Speaker 3: Yes, I'm writing the song from the point of view

41
00:01:54,959 --> 00:01:55,599
of that person.

42
00:01:55,760 --> 00:01:58,359
Speaker 2: Gotcha? Gotcha? Now have they heard the song?

43
00:02:00,680 --> 00:02:05,480
Speaker 3: Yes, and it resonates with them. Okay, And I've played

44
00:02:05,480 --> 00:02:08,800
it for you know, my friends and everything. And one

45
00:02:08,840 --> 00:02:12,680
other person said that, wow, this person is somebody you know.

46
00:02:12,800 --> 00:02:16,360
This song It's just it tells a story about somebody's

47
00:02:16,360 --> 00:02:19,360
life who he knows, you know, a woman. So I think,

48
00:02:19,879 --> 00:02:22,719
you know, I guess we've all burned bridges big and

49
00:02:22,800 --> 00:02:27,199
small in our lives, and I think this song probably

50
00:02:27,199 --> 00:02:28,520
resonates with a lot of people.

51
00:02:28,879 --> 00:02:31,159
Speaker 1: Well that's what I was thinking too, because obviously that's

52
00:02:31,280 --> 00:02:35,319
very relatable everybody has. You know, sometimes people will say, oh,

53
00:02:35,360 --> 00:02:37,560
you know, I live my life with no regrets, you know,

54
00:02:37,759 --> 00:02:40,599
but we all have regrets, and we all have things

55
00:02:40,599 --> 00:02:44,919
that we look back on, whether there are family relationships, friendships,

56
00:02:45,240 --> 00:02:49,680
romantic relationships, you know, or professional relationships where maybe you

57
00:02:49,439 --> 00:02:52,000
you burn a bridge out of out of pride, you know,

58
00:02:52,039 --> 00:02:53,919
you don't want to admit that maybe you were wrong

59
00:02:53,960 --> 00:02:57,560
about something or you just didn't have the emotional maturity

60
00:02:57,560 --> 00:02:59,280
to handle the situation or whatever it is, and then

61
00:02:59,280 --> 00:03:01,319
you kind of look back and you go, wow, I

62
00:03:01,400 --> 00:03:05,759
really I really pushed some people away or wrecked some

63
00:03:05,879 --> 00:03:08,159
relationships that in hindsight.

64
00:03:07,719 --> 00:03:11,280
Speaker 2: I probably shouldn't have. So I think we can all

65
00:03:11,319 --> 00:03:13,879
relate to that, right, definitely.

66
00:03:14,039 --> 00:03:14,599
Speaker 3: Definitely.

67
00:03:15,919 --> 00:03:17,439
Speaker 2: Do you have a lot of people who've heard the song?

68
00:03:17,560 --> 00:03:19,319
Speaker 1: I mean, I know it's it's been out for a

69
00:03:19,360 --> 00:03:21,280
short time, but I mean, do you have a lot

70
00:03:21,280 --> 00:03:23,439
of people tell you that they can relate to like

71
00:03:23,479 --> 00:03:25,879
they can think of specific instances from their own lives

72
00:03:26,159 --> 00:03:29,159
that they can kind of connect with the lyrics.

73
00:03:29,680 --> 00:03:33,599
Speaker 3: Oh, definitely. They don't get into specifics, but they say

74
00:03:33,680 --> 00:03:36,639
that they the song resonates with them, and yeah, you

75
00:03:36,719 --> 00:03:37,759
can relate to the song.

76
00:03:38,400 --> 00:03:41,520
Speaker 1: Now, the person who the song is about, who inspired it?

77
00:03:42,120 --> 00:03:44,319
So you said they liked the song. Do they do

78
00:03:44,360 --> 00:03:47,319
they realize it's about them?

79
00:03:47,919 --> 00:03:48,120
Speaker 4: Yes?

80
00:03:48,199 --> 00:03:49,879
Speaker 3: I told that person that it was about them.

81
00:03:50,039 --> 00:03:52,759
Speaker 4: Okay, they don't want me to share their story specifically,

82
00:03:53,120 --> 00:03:53,560
right right.

83
00:03:53,560 --> 00:03:57,879
Speaker 3: A person knows that that song was inspired by, you know,

84
00:03:58,360 --> 00:03:59,560
the person's wife.

85
00:03:59,439 --> 00:04:02,759
Speaker 1: And what they say, Oh, okay, it's it's good that

86
00:04:04,080 --> 00:04:06,400
It's good that you've got a positive reaction, because sometimes

87
00:04:06,439 --> 00:04:10,919
that can that can really I can really backfire. Like Jenny,

88
00:04:10,960 --> 00:04:14,840
remember we h one of our conversations with Nancy Manet, Uh.

89
00:04:15,039 --> 00:04:16,639
Speaker 2: She she did a whole basically.

90
00:04:16,800 --> 00:04:18,639
Speaker 1: You know a lot of one of her albums is

91
00:04:18,639 --> 00:04:22,519
about her her experiences with family members. Yes, and when

92
00:04:22,519 --> 00:04:25,199
they hear the songs they get angry with her.

93
00:04:25,279 --> 00:04:25,519
Speaker 2: Yep.

94
00:04:26,240 --> 00:04:29,040
Speaker 1: So yeah, that one didn't go yeah, yeah, so you

95
00:04:29,079 --> 00:04:31,279
never know how that might go. Now, this is so

96
00:04:31,399 --> 00:04:34,680
this is the first single that you've released online.

97
00:04:35,959 --> 00:04:38,600
Speaker 3: Yes, it's the first single that I've released online. I

98
00:04:38,680 --> 00:04:42,759
started writing songs and lyrics late in life. I have

99
00:04:43,199 --> 00:04:47,040
absolutely I don't play an instrument. I really have kind

100
00:04:47,040 --> 00:04:50,480
of no musical background. My musical background was kind of

101
00:04:50,480 --> 00:04:53,279
an elementary school raising my hand as highs. I could

102
00:04:53,439 --> 00:04:57,040
try and play that triangle and that triangle in school.

103
00:04:57,319 --> 00:05:00,240
You know, I never got picked of you know that,

104
00:05:00,319 --> 00:05:03,519
or I got the rhythm sticks instead. And then years

105
00:05:03,560 --> 00:05:06,360
ago I had a boyfriend and he was a music

106
00:05:06,399 --> 00:05:10,439
teacher and he got me into writing lyrics. I you know,

107
00:05:10,480 --> 00:05:14,160
I've always been interested in writing. My major in college

108
00:05:14,319 --> 00:05:17,879
was creative writing, but I never envisioned that I would

109
00:05:17,879 --> 00:05:20,639
ever write a song. So I started writing the lyrics.

110
00:05:20,639 --> 00:05:23,040
He would do some music, and then we broke up,

111
00:05:23,160 --> 00:05:26,040
and you know, at the end, he's like, I wanted

112
00:05:26,000 --> 00:05:29,000
to just sing your lyrics into the store, into your phone.

113
00:05:29,319 --> 00:05:32,120
So I'm like, okay, well these words keep coming. What

114
00:05:32,160 --> 00:05:34,439
am I going to do now? So I kept singing

115
00:05:34,519 --> 00:05:38,759
my lyrics and my songs into my phone. And then

116
00:05:38,879 --> 00:05:42,000
I went and there was a guitar teacher. I'm like, oh,

117
00:05:42,040 --> 00:05:44,160
maybe I'll learned how to play guitar late in life,

118
00:05:44,160 --> 00:05:47,600
but that's really hard to do. So they kind of

119
00:05:47,800 --> 00:05:52,240
turned into me bringing in my lyrics and saying, hey,

120
00:05:52,279 --> 00:05:53,680
what do you think, etc.

121
00:05:54,000 --> 00:05:54,199
Speaker 4: Etc.

122
00:05:54,639 --> 00:05:56,240
Speaker 3: And then I would just show up for the guitar

123
00:05:56,319 --> 00:05:58,639
lessons with no guitar. Oh you're ever going to bring

124
00:05:58,680 --> 00:05:59,120
the guitar?

125
00:05:59,439 --> 00:06:00,560
Speaker 4: I'm like, no, I.

126
00:06:00,439 --> 00:06:01,279
Speaker 3: Have all this song.

127
00:06:01,720 --> 00:06:02,480
Speaker 2: Oh interesting.

128
00:06:03,360 --> 00:06:06,759
Speaker 1: So then so that guitar teacher did they help you?

129
00:06:06,800 --> 00:06:08,360
Did they help you develop these songs?

130
00:06:09,639 --> 00:06:12,600
Speaker 3: Well? I kind of wanted I just wanted to, you know,

131
00:06:12,759 --> 00:06:15,560
sometimes not with this song this soe kind of came

132
00:06:15,639 --> 00:06:20,399
out just as virtually it is, But like other songs

133
00:06:20,560 --> 00:06:23,560
that I just you know, I just wanted to learn

134
00:06:23,600 --> 00:06:27,160
the format. I kept changing key when I was I

135
00:06:27,160 --> 00:06:27,639
didn't know the.

136
00:06:27,720 --> 00:06:31,639
Speaker 4: Rules of the songs of what you know, song ran

137
00:06:31,720 --> 00:06:32,399
even's about.

138
00:06:32,439 --> 00:06:34,279
Speaker 3: So I learned a little bit about that. Not that

139
00:06:34,439 --> 00:06:36,720
to say that I don't break the rules or anything, sure,

140
00:06:36,759 --> 00:06:38,600
because I don't know them well enough, which is a

141
00:06:38,600 --> 00:06:42,920
good thing, I think. But this song pretty much came out,

142
00:06:43,120 --> 00:06:45,560
you know, the way it was, so it is.

143
00:06:45,879 --> 00:06:48,000
Speaker 1: So I'm curious how you learn to sing, because, like

144
00:06:48,040 --> 00:06:51,920
I said, you have a beautiful voice. I mean, are

145
00:06:52,000 --> 00:06:55,439
you self nowhere when you were talking just now nowhere,

146
00:06:55,480 --> 00:06:57,079
did you mention any kind of voice lessons.

147
00:06:57,120 --> 00:06:58,439
Speaker 2: I mean, how did you learn to sing? Are you

148
00:06:58,480 --> 00:06:59,920
self taught? Some people?

149
00:07:00,000 --> 00:07:02,959
Speaker 1: But the voice is like the one instrument where some

150
00:07:03,000 --> 00:07:05,199
people are just you know, and it is an instrument, right,

151
00:07:05,240 --> 00:07:06,040
it just happens to.

152
00:07:06,000 --> 00:07:08,040
Speaker 2: Be a part of us physically.

153
00:07:08,079 --> 00:07:10,000
Speaker 1: But the voice is like the one instrument where some

154
00:07:10,040 --> 00:07:13,240
people just seem to be able to to conduct that

155
00:07:13,319 --> 00:07:16,279
instrument naturally without any training.

156
00:07:16,360 --> 00:07:17,480
Speaker 2: Is that the case with you?

157
00:07:18,839 --> 00:07:22,240
Speaker 3: Well, yes, I can't play an instrument, never had a

158
00:07:22,399 --> 00:07:26,839
formal you know, voice lesson or anything. But sing about

159
00:07:27,120 --> 00:07:30,920
when you write your own song, you're singing them to

160
00:07:31,000 --> 00:07:33,839
what feels good and comfortable to you. You're not singing

161
00:07:33,839 --> 00:07:37,360
somebody else's song to the songs that I've written. I'm

162
00:07:37,360 --> 00:07:40,759
singing it, you know, to suit my own voice.

163
00:07:41,000 --> 00:07:46,000
Speaker 1: Yeah, so you so you're naturally able to sing that way.

164
00:07:46,040 --> 00:07:48,519
Speaker 2: That's like how how did you?

165
00:07:49,600 --> 00:07:51,600
Speaker 1: I mean, did you realize that about yourself from a

166
00:07:51,639 --> 00:07:53,959
young age that you could sing or is that something

167
00:07:53,959 --> 00:07:56,079
that kind of came as you were starting to write

168
00:07:56,079 --> 00:07:58,279
these songs and bring them to your guitar teacher and say, hey,

169
00:07:58,319 --> 00:07:59,439
what do you think I mean?

170
00:07:59,600 --> 00:07:59,920
Speaker 2: Is that?

171
00:08:00,240 --> 00:08:01,959
Speaker 1: Is that something you always knew that you had or

172
00:08:01,959 --> 00:08:04,040
did you develop that more recently when you started really

173
00:08:04,079 --> 00:08:04,879
getting into writing.

174
00:08:06,160 --> 00:08:09,519
Speaker 3: Yes, I never knew I had, you know, that, you know,

175
00:08:09,879 --> 00:08:12,759
would be able to sing. Yeah, so when I started

176
00:08:12,759 --> 00:08:19,439
singing my songs into my phone. Initially, when I found

177
00:08:19,480 --> 00:08:23,399
out about this producer, it was just wonderful. Voodoo v

178
00:08:23,600 --> 00:08:27,560
U d U studios in Port Jefferson and Long Island.

179
00:08:29,199 --> 00:08:32,639
I sent him my song which I recorded over the phone.

180
00:08:32,679 --> 00:08:35,879
I'm like, well, you know, I like to hire a singer. Yaha, YadA, YadA.

181
00:08:36,039 --> 00:08:38,480
He's like, no, you stayed in tea and that's really

182
00:08:38,559 --> 00:08:40,720
hard to do with new music. He's like, we could

183
00:08:40,759 --> 00:08:44,320
work with you. Oh wow, Okay, I'd rather sing my

184
00:08:44,399 --> 00:08:47,000
own songs. Of course, I would rather sing, But I

185
00:08:47,080 --> 00:08:49,360
never even dreamed about it. I was all set to

186
00:08:49,440 --> 00:08:50,200
hire a singer.

187
00:08:50,799 --> 00:08:51,720
Speaker 2: How cool is that?

188
00:08:51,759 --> 00:08:54,480
Speaker 1: Though, Like to get that kind of validation where you're

189
00:08:54,519 --> 00:08:57,120
going into a situation where you're like, I have the song,

190
00:08:57,600 --> 00:08:59,720
I want to hire someone to sing it, and then

191
00:08:59,759 --> 00:09:02,080
the producer says, you know, why don't you sing it?

192
00:09:02,200 --> 00:09:04,879
You know you're you're good enough. You know the way

193
00:09:04,919 --> 00:09:06,519
you sing it is great. Why don't you do it?

194
00:09:06,559 --> 00:09:08,480
I mean that must have been that must have been

195
00:09:08,480 --> 00:09:10,240
a pretty affirming moment for you.

196
00:09:10,279 --> 00:09:15,440
Speaker 4: I would imagine it was a shocking and I'm pleasantly

197
00:09:15,480 --> 00:09:16,679
surprised that he thought that.

198
00:09:16,919 --> 00:09:19,159
Speaker 3: Yeah, I'm like, okay, well, I'll give it a try,

199
00:09:19,360 --> 00:09:21,840
and what's doorest that can happen? If it doesn't sound good,

200
00:09:21,840 --> 00:09:24,840
I'll hire a singer plan anyway, you know.

201
00:09:25,240 --> 00:09:27,159
Speaker 2: Yeah, Oh that's fantastic.

202
00:09:27,879 --> 00:09:31,120
Speaker 1: So that studio they did all the the the what

203
00:09:31,120 --> 00:09:32,399
what's the name of the studio again?

204
00:09:34,000 --> 00:09:38,080
Speaker 3: Voodoo? It's stilled the like Victor, you like Umbrella, d

205
00:09:38,279 --> 00:09:40,039
like David, you like Umbrella?

206
00:09:40,279 --> 00:09:40,600
Speaker 2: Okay?

207
00:09:40,679 --> 00:09:42,759
Speaker 3: Studios in Port Jefferson.

208
00:09:42,759 --> 00:09:44,120
Speaker 2: Okay, okay.

209
00:09:44,480 --> 00:09:46,879
Speaker 1: And then now have you just recorded the one song

210
00:09:46,919 --> 00:09:49,759
there or do you do intend to go because obviously

211
00:09:49,759 --> 00:09:51,720
because I assume you're going to be recording more singles

212
00:09:51,720 --> 00:09:52,279
in the future.

213
00:09:53,960 --> 00:09:57,320
Speaker 3: Yes, I have about four others that are ready to

214
00:09:57,360 --> 00:09:58,080
be mastered.

215
00:09:58,320 --> 00:09:59,559
Speaker 2: Oh wow, excellent.

216
00:10:00,159 --> 00:10:02,679
Speaker 3: Yes, And I never know. I'm always thinking, okay, well

217
00:10:02,960 --> 00:10:05,000
that might be the last song I'm writing. And then

218
00:10:05,559 --> 00:10:07,360
and then a lot of my songs they come from

219
00:10:07,679 --> 00:10:12,440
either something from someone has said, like this song, it

220
00:10:12,440 --> 00:10:14,799
could be a mishurt lyric. I'll get a line and

221
00:10:14,840 --> 00:10:18,360
it's totally mis hurt lyrics, and then I'll set the

222
00:10:18,440 --> 00:10:20,960
radio off right away and I'm like, okay, I've been

223
00:10:21,039 --> 00:10:23,080
driving the car. That's when you get your best ideas.

224
00:10:23,080 --> 00:10:25,600
I'm like, what light, red light? And you want it

225
00:10:25,639 --> 00:10:27,879
to last really long? The red life. Of course, when

226
00:10:27,879 --> 00:10:30,000
you want it to last long, it just it turns

227
00:10:30,039 --> 00:10:32,919
green right away. And so I either put the recording,

228
00:10:33,240 --> 00:10:35,879
you know, my phone on and start singing it, or

229
00:10:35,919 --> 00:10:37,600
I have a pad and paper next to me and

230
00:10:37,679 --> 00:10:41,240
start writing it. So my best ideas come when i'm driving,

231
00:10:41,279 --> 00:10:44,000
and you know, it's hard to write things down, and

232
00:10:44,440 --> 00:10:48,120
when i'm doing dishes. I'm doing dishes, very bad days

233
00:10:48,120 --> 00:10:50,600
that like i'm starting to do the dishes, something will

234
00:10:50,600 --> 00:10:53,279
come to me and I have plans and literally I'll

235
00:10:53,279 --> 00:10:55,840
have to sit down until the words stop, you know,

236
00:10:55,919 --> 00:10:58,879
because if you put it off until later, they're gone.

237
00:10:59,200 --> 00:10:59,840
Speaker 2: Yeah.

238
00:11:00,159 --> 00:11:02,799
Speaker 1: That's a good a good problem to have though, that

239
00:11:02,840 --> 00:11:05,039
you've got all these ideas and so you've got so

240
00:11:05,080 --> 00:11:07,120
you've got four more that you're planning to record, and

241
00:11:07,120 --> 00:11:09,240
then so do you intend.

242
00:11:09,039 --> 00:11:11,759
Speaker 3: To Uh they recorded, they're just ready to be mastered.

243
00:11:11,879 --> 00:11:14,039
Speaker 2: Oh they're oh, they're already Oh, they're already recorded.

244
00:11:14,080 --> 00:11:16,559
Speaker 1: They're ready to be mastered. Oh that's fantastic. And will

245
00:11:16,559 --> 00:11:19,000
these will these be? Will these be released as singles?

246
00:11:19,080 --> 00:11:20,720
Or do you intend to put out an EP or

247
00:11:20,759 --> 00:11:23,159
an album or what's what's kind of the long term plan?

248
00:11:24,720 --> 00:11:28,639
Speaker 3: Well, I come, I'm just winging it because I don't

249
00:11:28,639 --> 00:11:29,360
know what I'm doing.

250
00:11:29,399 --> 00:11:31,720
Speaker 4: But uh sure, sometimes.

251
00:11:31,279 --> 00:11:34,200
Speaker 3: Like going to keep taking that next step and you

252
00:11:34,320 --> 00:11:38,679
figure out as I go along. I guess I'll release

253
00:11:38,759 --> 00:11:39,600
them as singles.

254
00:11:39,759 --> 00:11:43,440
Speaker 1: I guess, yeah, yeah, No, that's that's fantastic. You know,

255
00:11:43,480 --> 00:11:45,879
we live in a time when you have so many

256
00:11:45,879 --> 00:11:48,679
different options in terms of how you release music. If

257
00:11:48,679 --> 00:11:50,000
you want to do an album, if you want to

258
00:11:50,039 --> 00:11:52,320
do an EP, if you just want to do singles.

259
00:11:52,320 --> 00:11:54,759
You know, some artists now they'll release a series of

260
00:11:54,799 --> 00:11:58,720
singles that eventually coalesce into an EP or an album,

261
00:11:58,919 --> 00:12:00,799
which is kind of the inverse of how it used

262
00:12:00,799 --> 00:12:02,559
to be. You know, when I was growing up, it

263
00:12:02,720 --> 00:12:04,840
was you know, the album and it would have a

264
00:12:04,879 --> 00:12:07,360
series of singles. Now some artists are doing the inversion

265
00:12:07,799 --> 00:12:09,879
of that. But you can you know, there are no

266
00:12:10,039 --> 00:12:12,039
you know, you were talking about rules and breaking the

267
00:12:12,120 --> 00:12:14,759
rules of songwriting, and you know, there's really no rules

268
00:12:14,799 --> 00:12:17,200
to how you release music anymore either in terms of

269
00:12:17,399 --> 00:12:19,360
I mean, there are things that you can do promotionally,

270
00:12:19,399 --> 00:12:22,240
that you should do promotionally, but as far as but

271
00:12:22,320 --> 00:12:25,399
as far as some sort of a schedule, uh, in

272
00:12:25,519 --> 00:12:28,639
terms of how you release the music and in what format.

273
00:12:29,519 --> 00:12:30,559
Speaker 2: You know, there's you've got.

274
00:12:30,559 --> 00:12:33,360
Speaker 1: You've got a lot of freedom now in the industry, uh,

275
00:12:33,440 --> 00:12:36,360
in terms of how you do that. So uh, we

276
00:12:36,399 --> 00:12:38,559
will be uh, we will be watching with great interest

277
00:12:38,600 --> 00:12:40,879
to see how your your career progresses. Do you do

278
00:12:40,879 --> 00:12:42,639
you have any kind of do you have any kind

279
00:12:42,639 --> 00:12:44,440
of an idea of when the next single is going

280
00:12:44,440 --> 00:12:46,480
to be out after the mastering's done, I assume it'll

281
00:12:46,519 --> 00:12:47,399
be ready to go right.

282
00:12:48,559 --> 00:12:49,399
Speaker 4: Oh, I'll give this.

283
00:12:49,440 --> 00:12:51,840
Speaker 3: A couple of monthly things and before months.

284
00:12:51,639 --> 00:12:56,120
Speaker 2: And I know, yeah, yeah, fantastic, fantastic.

285
00:12:57,519 --> 00:12:57,720
Speaker 4: Yeah.

286
00:12:57,799 --> 00:12:59,120
Speaker 2: Did you grow up in New York?

287
00:13:00,840 --> 00:13:04,159
Speaker 3: I grew up in Brooklyn for thirteen years, and then

288
00:13:04,159 --> 00:13:06,720
I moved to Queens, which is another borough in New

289
00:13:06,799 --> 00:13:09,919
York City, Brooklyn and Queens, and then I moved out

290
00:13:09,960 --> 00:13:15,720
to Long Island and just you know, a little more trees,

291
00:13:15,960 --> 00:13:18,519
more parks and stuff like that. I really like Long Island.

292
00:13:18,679 --> 00:13:21,000
Speaker 1: Yeah, no, but it sounds like you're a real New Yorker.

293
00:13:21,080 --> 00:13:23,679
You've you've been there, You've been there most of your

294
00:13:23,840 --> 00:13:25,279
if not your whole life, right.

295
00:13:26,000 --> 00:13:28,960
Speaker 3: Yes, the whole life. Yeah, definitely a real New.

296
00:13:29,039 --> 00:13:32,000
Speaker 1: New York excellent. Well, there's a lot of great music

297
00:13:32,000 --> 00:13:33,480
that comes out of that area. So you're in a

298
00:13:33,600 --> 00:13:37,759
You're in a good place, that's for sure. That's for sure. Well, Linda,

299
00:13:37,840 --> 00:13:40,200
let let me ask you this and again, congratulations on

300
00:13:40,240 --> 00:13:41,480
the single Bridges Burned.

301
00:13:41,600 --> 00:13:44,080
Speaker 2: And where should you know?

302
00:13:44,120 --> 00:13:45,720
Speaker 1: Because you are going to be releasing new music in

303
00:13:45,759 --> 00:13:48,080
the future in addition to this, So where should people

304
00:13:48,159 --> 00:13:50,080
go online? Where's the best place for people to go

305
00:13:50,120 --> 00:13:52,840
online to keep up with everything that you're doing? Uh

306
00:13:52,919 --> 00:13:55,600
so that, uh so that they know when when new

307
00:13:55,759 --> 00:13:57,840
new music is coming out.

308
00:13:58,240 --> 00:14:02,080
Speaker 3: Okay, Well I am on Graham at Linda Avalanda. I

309
00:14:02,080 --> 00:14:05,840
guess because I literally just start Instagram three weeks ago. Okay,

310
00:14:06,159 --> 00:14:08,759
I had no online presence before releasing this.

311
00:14:09,039 --> 00:14:11,480
Speaker 4: Oh wow, I do have a I do have a

312
00:14:11,559 --> 00:14:12,480
YouTube video.

313
00:14:12,960 --> 00:14:15,759
Speaker 3: Yes, you have to put in probably my name first,

314
00:14:15,799 --> 00:14:17,759
Linda Avalanza, then bridges Burned.

315
00:14:18,000 --> 00:14:18,080
Speaker 4: Ye.

316
00:14:18,279 --> 00:14:20,000
Speaker 3: If you do it the other way, the things will

317
00:14:20,000 --> 00:14:24,480
come up. And my song is out on all of

318
00:14:24,480 --> 00:14:29,039
the streaming services. Yep, so people can access my song there, yep.

319
00:14:30,080 --> 00:14:32,799
Speaker 1: Excellent, excellent. Well you're off to a great start. And

320
00:14:32,879 --> 00:14:36,559
when the next single is ready to be released, I

321
00:14:36,559 --> 00:14:38,440
hope that you'll send it to us, and you know

322
00:14:38,480 --> 00:14:39,919
we'd love to give it a spin here and have

323
00:14:40,000 --> 00:14:41,120
you back on to talk some more.

324
00:14:42,320 --> 00:14:43,960
Speaker 3: Oh, definitely, thank you so much.

325
00:14:44,159 --> 00:14:47,720
Speaker 1: All right, Linda Avelinda, congratulations again on the single and

326
00:14:47,960 --> 00:14:49,960
we'll let you go, but thank you for joining us today.

327
00:14:51,320 --> 00:14:53,320
Speaker 2: Thank you, all right, you got it, Bye bye, take

328
00:14:53,360 --> 00:14:54,279
care you too.

329
00:14:54,360 --> 00:14:54,480
Speaker 4: Hi.

330
00:14:55,440 --> 00:14:58,559
Speaker 1: All right, that is Linda Avelinda again if you missed it.

331
00:14:58,600 --> 00:15:02,200
We played her new single Old Bridges Burned and I

332
00:15:02,240 --> 00:15:04,759
look forward to hearing more from her in the future.

333
00:15:07,720 --> 00:15:07,759
M

