1 00:00:05,559 --> 00:00:10,000 Speaker 1: From Boise Idah. This is your host, Adam Graham. We're 2 00:00:10,039 --> 00:00:14,880 taking a break from posting new episodes, but we're still 3 00:00:14,919 --> 00:00:19,320 bringing you your weekly dose of adventure. Please enjoy from 4 00:00:19,359 --> 00:00:30,839 our archives. In episode of the Amazing World of Radio, you. 5 00:00:30,800 --> 00:00:34,679 Speaker 2: Can get ready for unique rare in little known treasures 6 00:00:34,719 --> 00:00:38,039 from the Golden Age of radio. You're listening to the 7 00:00:38,119 --> 00:00:42,039 Amazing World of Radio with Adam Graham. 8 00:00:43,479 --> 00:00:48,039 Speaker 1: Welcome to the Amazing World of Radio from boiseada Ho. 9 00:00:48,320 --> 00:00:52,240 This is your host, Adam Graham. If you have a comment, 10 00:00:52,359 --> 00:00:58,520 email it to me Box thirteen at Great Detectives dot net. 11 00:00:58,719 --> 00:01:02,399 Today we're going to take a look down a road 12 00:01:02,880 --> 00:01:06,239 that Jack Webb's career could have gone down as we 13 00:01:06,280 --> 00:01:11,159 bring you an unaired pilot for a series called three 14 00:01:11,280 --> 00:01:15,959 four Adventure. This was recorded sometime in nineteen forty nine 15 00:01:16,359 --> 00:01:21,079 and the title of this episode is the story of Roundhouse, 16 00:01:21,200 --> 00:01:29,799 Rosie and the Samis Cants. 17 00:01:43,959 --> 00:01:48,159 Speaker 3: That cattle cars open. Let's go, that's Mcanough Jonathan Cornell. One, 18 00:01:49,280 --> 00:01:51,799 give me a hand, Mac, Let's do Callida two? 19 00:01:52,879 --> 00:01:54,239 Speaker 4: Where promis time? I'm coming. 20 00:01:54,359 --> 00:01:57,879 Speaker 3: That's Jack's Wake. Three oh Adventure. 21 00:02:16,840 --> 00:02:21,240 Speaker 5: Rocking and a Rambling and a rolling Loping through the 22 00:02:21,360 --> 00:02:25,680 night on a cattle car on a fast break, bucking 23 00:02:25,800 --> 00:02:30,319 and bumping in a box door. And it's darkened here, 24 00:02:30,360 --> 00:02:34,080 and it's hotting here in our own care, crying and flying. 25 00:02:36,479 --> 00:02:39,599 Speaker 4: I wish I wasn't all the time homesick. 26 00:02:39,800 --> 00:02:45,680 Speaker 6: Texas hot dog oil fields and cotton fields. 27 00:02:45,159 --> 00:02:49,919 Speaker 5: And northerns and cyclone prairie dogs, and with keep bushes, 28 00:02:50,919 --> 00:02:58,240 cattle and cows and copper heads. Beautiful women, blue bonnets 29 00:02:58,280 --> 00:03:04,919 and making birds and suns, and beautiful women and blues guys. 30 00:03:05,560 --> 00:03:08,400 Speaker 3: Why don't you shut up? They are beautiful women in 31 00:03:08,439 --> 00:03:09,360 New Orleans Jackson? 32 00:03:10,039 --> 00:03:13,800 Speaker 5: Of course, I figured the feller from Texas is lonesome 33 00:03:13,879 --> 00:03:15,560 enough for you. Ought to do right good with them 34 00:03:15,599 --> 00:03:18,479 New Orleans tomatoes. How would get working up? 35 00:03:18,520 --> 00:03:20,520 Speaker 3: Do it? Jack's? You kill me? 36 00:03:21,439 --> 00:03:24,319 Speaker 7: Always carrying books home from school for some bait with 37 00:03:24,800 --> 00:03:26,159 high heel shoes and a. 38 00:03:26,080 --> 00:03:26,879 Speaker 3: Low cut frock. 39 00:03:27,319 --> 00:03:31,000 Speaker 5: Looky looks to me though the folks lives in glass houses. 40 00:03:31,000 --> 00:03:32,479 Speaker 4: Ought to go around throwing rocks. 41 00:03:32,560 --> 00:03:36,159 Speaker 3: Get you? You're a sweet and subtle Texas man, ain't you? Jackson? Now? 42 00:03:36,159 --> 00:03:37,439 What do you mean by ride boys? 43 00:03:37,479 --> 00:03:37,599 Speaker 8: All? 44 00:03:37,680 --> 00:03:37,840 Speaker 3: Right? 45 00:03:37,879 --> 00:03:38,039 Speaker 1: Man? 46 00:03:38,080 --> 00:03:38,479 Speaker 3: Well? 47 00:03:39,080 --> 00:03:51,000 Speaker 9: Oh I got some rest you may need it. Mac, Yeah, 48 00:03:51,479 --> 00:03:52,199 not that I mind. 49 00:03:52,199 --> 00:03:56,000 Speaker 7: You understand, with all my life, I've been riding trains 50 00:03:56,039 --> 00:03:56,800 in the dark. 51 00:03:57,039 --> 00:04:00,360 Speaker 3: Subways, box cars, always in the dark. Why don't we 52 00:04:00,400 --> 00:04:02,680 take a pullman, We got the dough because I want 53 00:04:02,759 --> 00:04:05,000 us to get into New Orleans without anyone knowing we're there. 54 00:04:05,120 --> 00:04:06,719 Speaker 4: Yeah, Mack, why don't you brief us? 55 00:04:06,719 --> 00:04:09,159 Speaker 5: Son? We don't do nothing after This is the wrong 56 00:04:09,240 --> 00:04:11,639 time of the year to go looking for a mighty grasp? 57 00:04:12,439 --> 00:04:16,279 Speaker 3: Yeah, what are we after this time? At Opal? Black opal, 58 00:04:17,360 --> 00:04:26,240 heart shape, framed in rubies worth about forty thousand dollars stolen. Yeah, 59 00:04:26,879 --> 00:04:28,680 pigeon carrier pigeon took it away. 60 00:04:28,879 --> 00:04:32,639 Speaker 4: Carry Hey, man, you feel good? 61 00:04:34,360 --> 00:04:35,439 Speaker 3: They kind of feel bline. 62 00:04:35,759 --> 00:04:37,720 Speaker 4: Well, how we're gonna catch a pigeon? That's done? 63 00:04:37,839 --> 00:04:42,519 Speaker 3: Let some work. That's a problem, isn't it. This black Opal, 64 00:04:42,600 --> 00:04:46,160 once belonged to a Mayan princess, was a gift of 65 00:04:46,199 --> 00:04:50,319 the Republic of Honduras. The Nero of India. The supposedly 66 00:04:50,399 --> 00:04:53,000 secret Messenger, stopped off in New Orleans on his way 67 00:04:53,040 --> 00:04:56,959 to New Delhi. There he was threatened with death unless 68 00:04:56,959 --> 00:05:00,800 he followed instructions. A carrier pigeon and was delivered to 69 00:05:00,839 --> 00:05:03,920 him by express he was told to put the opal 70 00:05:03,959 --> 00:05:06,680 in a little harness to pigeon war, then to turn 71 00:05:06,720 --> 00:05:07,439 the bird loose. 72 00:05:07,759 --> 00:05:10,040 Speaker 4: Well, I'll be durned. What did he do it? 73 00:05:10,519 --> 00:05:13,759 Speaker 3: He's too frightened not to just tossed the little pigeon 74 00:05:13,759 --> 00:05:16,639 into the air and watched it fly away with his opal. Huh, 75 00:05:16,720 --> 00:05:19,920 that's right too. That was a week ago. I just 76 00:05:19,920 --> 00:05:22,360 didn't want any publicity, so the legation wired me to 77 00:05:22,360 --> 00:05:25,279 see what they remembered the job we did before them. There, 78 00:05:26,839 --> 00:05:27,639 So here we are. 79 00:05:29,319 --> 00:05:34,480 Speaker 5: Black Opal and black eyed women hot Dog Fly Frame Fly. 80 00:05:46,240 --> 00:05:47,519 Speaker 3: Jax, Wake up, we're here. 81 00:05:49,399 --> 00:05:53,199 Speaker 5: I was just dreaming about a black eyed gale named open. 82 00:05:53,319 --> 00:05:55,240 Speaker 3: Slid the door open deal. I don't want to take 83 00:05:55,240 --> 00:05:57,360 any chances. Let's get off all the train still moving. 84 00:05:57,279 --> 00:06:08,439 Speaker 10: Okay, all right, come on jumping in the sleep sleep. 85 00:06:16,800 --> 00:06:20,319 Speaker 3: Nobody saw us. Let's cut right through here. Right. 86 00:06:20,639 --> 00:06:22,879 Speaker 5: Oh, I have a firtish leg mac us coming into 87 00:06:22,920 --> 00:06:24,120 town on freight train. 88 00:06:24,360 --> 00:06:25,959 Speaker 4: Ain't nobody gonna nowhere here? 89 00:06:27,639 --> 00:06:32,480 Speaker 3: Come on, let's move Jacks, you idiot, never mind your gun? 90 00:06:32,560 --> 00:06:33,319 Come on follow me. 91 00:06:33,399 --> 00:06:34,800 Speaker 4: Well they're shooting at the same thing. 92 00:06:34,839 --> 00:06:40,279 Speaker 3: Come on your head, step on it. Right. Three for 93 00:06:40,480 --> 00:06:44,000 Adventure starring Elliott Lewis as Mac barking Yarborough as Jacks 94 00:06:44,040 --> 00:06:47,560 and Jack Webb. Let's do the Night's Adventure, the story 95 00:06:47,639 --> 00:06:55,879 of Roundhouse, Rosie and the Siamese Cats. Right there, Duck 96 00:06:55,920 --> 00:07:03,639 behind that tool set? Come on, yeah, all right? Not 97 00:07:03,759 --> 00:07:11,360 still from him? No, it's okay, nobody's coming. 98 00:07:11,839 --> 00:07:12,560 Speaker 4: Who you reckon? 99 00:07:12,680 --> 00:07:12,959 Speaker 9: Done that? 100 00:07:13,040 --> 00:07:18,279 Speaker 4: Shoot? And how did they know we is here? 101 00:07:18,160 --> 00:07:20,720 Speaker 3: The slings and arrows of outrageous fortunes? 102 00:07:20,839 --> 00:07:22,959 Speaker 4: Ling him? Was bullet Son? 103 00:07:23,160 --> 00:07:29,839 Speaker 3: I never mind, Jackson, gentlemen, welcome to New Orleans. Juke. 104 00:07:30,879 --> 00:07:33,480 Who'd want this black opal so much he'd commit murder 105 00:07:33,560 --> 00:07:39,319 for it? Any ideas? Yeah? Who's hobby? His pigeons? 106 00:07:39,319 --> 00:07:43,519 Speaker 7: And whose professionist jewel robbery? I learned the answer to 107 00:07:43,560 --> 00:07:44,560 that one in night school. 108 00:07:44,959 --> 00:07:48,319 Speaker 3: That's right, the gypsy. He's here, That's why we're here, 109 00:07:49,879 --> 00:07:52,519 all right, Duke? You know anyone I know a Dan? 110 00:07:53,079 --> 00:07:54,360 Speaker 4: You're the knowing this man? 111 00:07:54,360 --> 00:07:58,439 Speaker 7: And I know he's a Chinese Spanish bay with headquarters 112 00:07:58,439 --> 00:08:01,480 in a waterfront hotel near the street war Well, she 113 00:08:01,600 --> 00:08:02,199 used to be there. 114 00:08:02,360 --> 00:08:07,439 Speaker 5: Well, let's go part Chinese and part Spanish. Loadus blossoms 115 00:08:07,439 --> 00:08:11,199 and Chillick and carny. Well, what are we waiting for Jackson. 116 00:08:12,199 --> 00:08:14,000 Speaker 3: I think she might know anything we could use, duke. 117 00:08:14,720 --> 00:08:17,079 If she does, will she talk, she'll talk. 118 00:08:17,439 --> 00:08:19,519 Speaker 4: I keep on saying let's go, So let's go. 119 00:08:19,680 --> 00:08:20,839 Speaker 2: Huh. 120 00:08:20,959 --> 00:08:35,480 Speaker 3: Yeah, the coast is clear. All right, come on, we'll 121 00:08:35,559 --> 00:08:36,080 lucky you. 122 00:08:36,639 --> 00:08:39,480 Speaker 4: They load the coffee right off, but train onto a big. 123 00:08:39,240 --> 00:08:41,000 Speaker 3: Old boat up these stairs. All right? 124 00:08:41,279 --> 00:08:43,240 Speaker 5: Yeah, we just dick right close to me now, Son, 125 00:08:43,279 --> 00:08:43,759 I'll take. 126 00:08:43,639 --> 00:08:45,039 Speaker 3: Care of everything. Where are you going? 127 00:08:45,240 --> 00:08:46,919 Speaker 4: What didn't the man say up the stairs? 128 00:08:46,919 --> 00:08:48,240 Speaker 3: Oh? Checks, come off it? Will you? 129 00:08:48,360 --> 00:08:50,759 Speaker 7: Do you think his baby faced sheet ching lofez is 130 00:08:50,759 --> 00:08:51,799 going to talk to a convention. 131 00:08:52,200 --> 00:08:54,000 Speaker 3: Both of you are staying right here outside? 132 00:08:54,080 --> 00:08:56,279 Speaker 5: Well, all right, but can't you say it nice? 133 00:08:57,240 --> 00:08:59,720 Speaker 3: Ging or sheep for you? All right? I look bonehead. 134 00:08:59,720 --> 00:09:01,519 If we don't go up there and break it up 135 00:09:02,279 --> 00:09:06,000 right well, I'm getting in my hair. Go ahead you okay. 136 00:09:06,519 --> 00:09:08,080 If I'm not down in half an hour, you might 137 00:09:08,080 --> 00:09:09,399 look in on room two fourteen. 138 00:09:09,919 --> 00:09:11,840 Speaker 5: If I have to come get you, I'm on. Bust 139 00:09:11,840 --> 00:09:13,120 your breches with a board. 140 00:09:13,679 --> 00:09:18,679 Speaker 4: I'm hungry. Man, h. 141 00:09:20,200 --> 00:09:27,519 Speaker 3: Still dark, same old place here we are. Come on, 142 00:09:27,639 --> 00:09:35,279 come on, come on, what do you want? Open up? 143 00:09:43,080 --> 00:09:43,360 You do? 144 00:09:43,519 --> 00:09:46,200 Speaker 11: Colira eatings? I's a very. 145 00:09:46,039 --> 00:09:51,120 Speaker 7: Happy, very real pretty that way you talk, we'll keep 146 00:09:51,159 --> 00:09:51,600 them happy. 147 00:09:51,639 --> 00:09:58,120 Speaker 11: Huh, very pleasant? Will you come see me? A duke 148 00:09:58,120 --> 00:10:01,240 has a mission that he is in his into sitting. 149 00:10:02,840 --> 00:10:07,000 Speaker 7: Still wearing the little bells, aren't you? What do you 150 00:10:07,000 --> 00:10:08,279 know about carrier pigeons? 151 00:10:09,080 --> 00:10:09,440 Speaker 11: Clever? 152 00:10:09,720 --> 00:10:10,000 Speaker 3: Was it not? 153 00:10:10,639 --> 00:10:12,039 Speaker 11: He makes eating a shame? 154 00:10:12,360 --> 00:10:14,000 Speaker 3: Made you ashamed? Why? 155 00:10:14,480 --> 00:10:18,200 Speaker 11: Because I don't think of it? The black opal would 156 00:10:18,240 --> 00:10:22,320 be like dark fire and fitting throat? Do you think? 157 00:10:22,840 --> 00:10:25,639 Speaker 3: Yeah? I think. Look, baby, I'm in a hurry. 158 00:10:25,679 --> 00:10:29,840 Speaker 11: We want that rock, so maybe put another girl's throat. 159 00:10:31,080 --> 00:10:33,519 Speaker 3: You want to stall? You think that's smart? 160 00:10:33,159 --> 00:10:36,559 Speaker 11: No, I don't know what to stall for the last time? 161 00:10:36,639 --> 00:10:42,080 Fitting see you? You run away? Dude? You know what 162 00:10:42,240 --> 00:10:47,799 means my name pating? It means a book of polity. 163 00:10:49,399 --> 00:10:51,000 Do you not want to read poem? 164 00:10:51,759 --> 00:10:57,759 Speaker 3: I read a poem once. I just start talking anytime now. Look, 165 00:10:57,759 --> 00:10:59,360 if I got to remind you that business you got 166 00:10:59,399 --> 00:11:01,919 mixed up in with Rosie? Do I have to tell 167 00:11:01,919 --> 00:11:04,000 you what I can do to you? 168 00:11:04,000 --> 00:11:06,919 Speaker 11: You would not want to, would you? 169 00:11:08,039 --> 00:11:09,120 Speaker 3: Where's the gypsy? 170 00:11:09,320 --> 00:11:13,200 Speaker 11: You ask? Much? From sitting gypsy young? His man wishes? 171 00:11:13,399 --> 00:11:15,480 Speaker 3: Yeah, you know what he is? Why protect him? 172 00:11:15,480 --> 00:11:19,159 Speaker 11: Where is he sitting like you too, Oh yeah, like 173 00:11:19,240 --> 00:11:23,559 you too much sittings. Can not speak one little word? 174 00:11:23,799 --> 00:11:24,639 Are you understand? 175 00:11:25,320 --> 00:11:25,559 Speaker 3: Yeah? 176 00:11:25,919 --> 00:11:30,799 Speaker 11: No, one little word? Yeah? Thanks? Subject? 177 00:11:30,879 --> 00:11:34,720 Speaker 3: Now all right, what do we talk about? 178 00:11:36,000 --> 00:11:40,200 Speaker 11: If any singular you you mentioned Rosie? 179 00:11:40,440 --> 00:11:46,279 Speaker 3: M h, I get it. You're nice, you, sir? 180 00:11:47,799 --> 00:11:53,799 Speaker 11: Then I this time? You know right away you come 181 00:11:53,879 --> 00:11:54,720 back to seating. 182 00:11:55,720 --> 00:12:00,000 Speaker 3: Yeah, but don't wait up. Well, let's it. 183 00:12:00,080 --> 00:12:05,879 Speaker 11: Uh, that's I still remember one called finder finder lucas. 184 00:12:06,639 --> 00:12:09,519 You worked with Rosie that time. Also, yeah, and I 185 00:12:09,519 --> 00:12:14,639 remember you have a dragon nightspot therefore night do you know? 186 00:12:15,360 --> 00:12:17,320 Speaker 3: M hm, you're okay? 187 00:12:18,720 --> 00:12:23,480 Speaker 11: I might be you have not said one would I don't. 188 00:12:23,279 --> 00:12:26,200 Speaker 3: Even know your name. I don't even believe it exists you, 189 00:12:28,480 --> 00:12:30,320 But don't get dusty on a shelf. 190 00:12:31,480 --> 00:12:51,919 Speaker 7: Night she chain, book of poetry? Yeh, dope over here, pencil? 191 00:12:52,080 --> 00:12:52,879 Speaker 4: Hey here you are? 192 00:12:53,519 --> 00:12:56,840 Speaker 3: All right? Big broken down prime house? About that? 193 00:12:58,080 --> 00:13:01,639 Speaker 7: Yeah, about eleven oh five, Felicity. I'll meet me there 194 00:13:01,679 --> 00:13:04,559 in half an hour. Bring the bell three times, Ask 195 00:13:04,600 --> 00:13:08,840 for Rosie Rosie. Yeah, roundhouse, Rosie. I'll beat it. 196 00:13:17,159 --> 00:13:22,320 Speaker 3: Driver. I'm not sure the exact address. Just let us 197 00:13:22,320 --> 00:13:23,919 off when you get to the eleven hundred block On 198 00:13:23,960 --> 00:13:24,679 Felicity Road. 199 00:13:24,840 --> 00:13:30,639 Speaker 8: Oh yeah, sure, say you're m color Jonathan Cornell, aren't you? Yes, yes, 200 00:13:30,960 --> 00:13:34,399 that's never forget a face had the elect wants out 201 00:13:34,440 --> 00:13:39,159 at the university. Very fun, grass of a subject, very fine, fat. 202 00:13:39,759 --> 00:13:39,960 Speaker 5: Yeah. 203 00:13:40,039 --> 00:13:42,240 Speaker 8: I got a college type wife. She all the time 204 00:13:42,240 --> 00:13:44,159 wants to go to a picture show me. I like 205 00:13:44,279 --> 00:13:47,519 lectures to an escape from on reality, like chasing a 206 00:13:47,559 --> 00:13:50,000 black Opal chickaret. 207 00:13:52,120 --> 00:13:59,759 Speaker 5: Right like mm hmm, right, you've got yourself from my 208 00:14:00,200 --> 00:14:02,200 nosy taxicab in Qusport. 209 00:14:02,799 --> 00:14:03,039 Speaker 4: Yeah. 210 00:14:03,159 --> 00:14:06,679 Speaker 8: Yeah, you know that black opals weren't about forty grand. 211 00:14:07,039 --> 00:14:09,799 Your cut will be about three percent. That's twelve hundred 212 00:14:09,840 --> 00:14:13,120 dollars forty percent. Offer inflation brings it down about seven 213 00:14:13,200 --> 00:14:14,120 hundred and twenty bucks. 214 00:14:14,759 --> 00:14:15,639 Speaker 4: Could be waste. 215 00:14:16,799 --> 00:14:18,679 Speaker 8: You shall buy a junck of Jallames the way go 216 00:14:18,840 --> 00:14:19,759 he who use me? 217 00:14:20,200 --> 00:14:26,639 Speaker 3: Well, you're a very well informed man, mister James James. 218 00:14:27,000 --> 00:14:27,240 Speaker 4: Yeah. 219 00:14:27,279 --> 00:14:29,440 Speaker 8: But there don't let a worry in, mister Cornell. I'm 220 00:14:29,480 --> 00:14:32,399 merely an observer of the passing show. I indulge in 221 00:14:32,440 --> 00:14:35,399 other people's business in a purely objective, scientific manner. 222 00:14:39,919 --> 00:14:40,480 Speaker 4: Here we are. 223 00:14:42,440 --> 00:14:43,159 Speaker 3: How much we are you? 224 00:14:43,240 --> 00:14:44,720 Speaker 4: Oh no, no, no, it's on a hospital. 225 00:14:44,799 --> 00:14:47,159 Speaker 8: Cornell I heard you lecture on a pass or call 226 00:14:47,200 --> 00:14:50,159 it even h watch out for Rosie. They haven't read 227 00:14:50,159 --> 00:14:52,039 about you and beings so long? 228 00:14:52,639 --> 00:14:53,000 Speaker 3: Good luck. 229 00:14:54,440 --> 00:14:58,480 Speaker 5: Well, I'm a suck ignan. Does everybody in New Orleans 230 00:14:58,519 --> 00:15:01,000 know what we after? How you the figure fell like that? 231 00:15:01,879 --> 00:15:02,600 Speaker 4: Is you on a level? 232 00:15:02,639 --> 00:15:08,559 Speaker 3: Man? I don't know. I think maybe it People like 233 00:15:08,600 --> 00:15:10,960 that make me realize I wasn't wrong to stop living 234 00:15:11,039 --> 00:15:11,600 under the lion. 235 00:15:11,840 --> 00:15:17,320 Speaker 7: Of course, Uh, nothing ever might anywhere. 236 00:15:17,320 --> 00:15:18,399 Speaker 3: We'll have to think our chances. 237 00:15:18,639 --> 00:15:21,639 Speaker 4: I just hope you right, That's all I hope knows it. 238 00:15:21,720 --> 00:15:24,159 Speaker 5: Wasn't That must be the house right in front of 239 00:15:25,039 --> 00:15:29,080 busted down, dark old neighborhood, busted down frame. 240 00:15:28,919 --> 00:15:33,399 Speaker 3: Building, elicit c road. Here we go. 241 00:15:37,639 --> 00:15:49,600 Speaker 5: I'm kind of hungry, you're old, we are, well where's oh? 242 00:15:49,639 --> 00:15:57,519 Speaker 3: Here's the bell? Three times? Yeah? I got it. M 243 00:15:58,759 --> 00:16:02,399 fine place to live and uh warm it. 244 00:16:04,360 --> 00:16:07,919 Speaker 5: For boating on them and enough light around here to 245 00:16:08,039 --> 00:16:09,799 light up a full grow glitter, but. 246 00:16:12,399 --> 00:16:16,600 Speaker 6: And no lights on inside of none we can see 247 00:16:20,399 --> 00:16:21,200 it's too quiet. 248 00:16:21,240 --> 00:16:27,039 Speaker 3: I don't like it, you know. I expect the answers doorbell, 249 00:16:28,000 --> 00:16:28,399 mm hmm. 250 00:16:29,279 --> 00:16:32,840 Speaker 5: I expect to see a blood colored ghost yankees door open. 251 00:16:32,879 --> 00:16:33,480 Speaker 6: Many minutes. 252 00:16:34,639 --> 00:16:35,720 Speaker 3: Why blood colored? 253 00:16:35,960 --> 00:16:37,879 Speaker 6: I don't know. It just seems like a blood colored 254 00:16:37,919 --> 00:16:39,039 ghost at open my door? 255 00:16:40,080 --> 00:16:40,840 Speaker 3: Blood colored? 256 00:16:41,960 --> 00:16:45,600 Speaker 6: Got your gune? I forgot again? You don't care? 257 00:16:45,679 --> 00:16:45,840 Speaker 3: Man? 258 00:16:49,679 --> 00:16:51,960 Speaker 6: Should I ought to mash on the doorbells more? 259 00:16:52,120 --> 00:16:57,960 Speaker 3: No, it's way, it's late. Maybe waute and here comes one? 260 00:17:05,519 --> 00:17:06,000 Speaker 10: All right? 261 00:17:07,480 --> 00:17:08,119 Speaker 4: What you want? 262 00:17:09,319 --> 00:17:12,440 Speaker 3: Are you? Miss Rosie? Miss Rosie? 263 00:17:13,319 --> 00:17:14,240 Speaker 4: Who you looking for? 264 00:17:14,920 --> 00:17:17,960 Speaker 3: I believe we would ask for a brown half Rosie? 265 00:17:18,000 --> 00:17:21,240 Speaker 4: At you? Ain't it could be? Could be? Is you 266 00:17:21,400 --> 00:17:21,799 look like? 267 00:17:23,880 --> 00:17:25,759 Speaker 3: Do Colliders said he'd meet us here? 268 00:17:25,880 --> 00:17:30,039 Speaker 11: Do Collider? Why he put inside it? 269 00:17:33,319 --> 00:17:35,079 Speaker 4: You stay inside quite a lot, don't you? 270 00:17:35,240 --> 00:17:36,799 Speaker 3: Roses? Right? Boy? 271 00:17:37,160 --> 00:17:37,759 Speaker 11: Smart? 272 00:17:38,240 --> 00:17:38,640 Speaker 2: Who are you? 273 00:17:38,880 --> 00:17:39,400 Speaker 12: Smart? 274 00:17:39,440 --> 00:17:43,200 Speaker 3: Boy? I'm a color? Jonathan Cornell? This is Ja's wakem 275 00:17:43,480 --> 00:17:46,000 Waco You kidding whole well? 276 00:17:46,000 --> 00:17:48,880 Speaker 4: It didn't nobody baptize you round half? Did they? 277 00:17:50,000 --> 00:17:54,119 Speaker 12: I wonder how you look with your tongue split? 278 00:17:54,359 --> 00:17:56,079 Speaker 4: Oh wait, we got us a holt. 279 00:17:57,839 --> 00:17:58,680 Speaker 12: Go int the parlor. 280 00:17:59,359 --> 00:18:00,920 Speaker 3: You're coming with fea. 281 00:18:01,079 --> 00:18:02,880 Speaker 11: In a minute on that. 282 00:18:05,880 --> 00:18:06,599 Speaker 3: Wonder what that means? 283 00:18:07,160 --> 00:18:07,319 Speaker 4: Oh? 284 00:18:07,440 --> 00:18:10,640 Speaker 5: Probably just little female deep theil like tucking her pet 285 00:18:10,720 --> 00:18:11,880 copper heads to sleep. 286 00:18:13,400 --> 00:18:14,400 Speaker 4: Man, ain't she a care? 287 00:18:14,599 --> 00:18:15,359 Speaker 3: That's so loud? 288 00:18:15,839 --> 00:18:18,519 Speaker 5: Four hundred pounds of blubber and large, all dressed up. 289 00:18:18,559 --> 00:18:20,440 My mother hovered with butterflies on it. 290 00:18:21,079 --> 00:18:22,319 Speaker 4: And did you get that jewelry? 291 00:18:22,319 --> 00:18:24,839 Speaker 5: She was wearing a necklace, ear rings and brushlet's all 292 00:18:24,839 --> 00:18:25,440 made out of shit? 293 00:18:25,519 --> 00:18:27,640 Speaker 3: O luck Jacks, you keep your mouth shut. 294 00:18:28,079 --> 00:18:28,279 Speaker 4: Huh. 295 00:18:28,319 --> 00:18:31,000 Speaker 3: That woman's dangerous. Can't you see that? Maybe so? 296 00:18:31,359 --> 00:18:34,400 Speaker 4: Huh? And little pig guys, what's so? Watch Mac? What're 297 00:18:34,400 --> 00:18:34,920 you getting there? 298 00:18:34,920 --> 00:18:37,200 Speaker 3: You're keeping needling her? She hates you already. I'll cut 299 00:18:37,200 --> 00:18:37,480 it out. 300 00:18:37,559 --> 00:18:38,799 Speaker 4: Oh I would just hoo wrong. 301 00:18:38,920 --> 00:18:42,119 Speaker 3: She won't take it, and I remember that, so I 302 00:18:42,200 --> 00:18:45,559 must go in the parlor. It must be through those kurkles. 303 00:18:46,200 --> 00:18:50,079 Speaker 5: No, got my foot and my big mouth already by hey. 304 00:18:51,960 --> 00:18:56,839 Speaker 3: Wow, homes this for a studying bad taste? 305 00:18:56,960 --> 00:19:00,160 Speaker 4: Oh we silver and gold paint all over it? A 306 00:19:00,240 --> 00:19:04,359 f h looking on it. That dive vana that the Devin. 307 00:19:04,200 --> 00:19:07,319 Speaker 3: Porter there especially made for Rosie. 308 00:19:07,839 --> 00:19:10,519 Speaker 4: Durned thing is five foot of crawl? Man, what a 309 00:19:10,640 --> 00:19:11,119 fat be? 310 00:19:11,279 --> 00:19:13,599 Speaker 3: Wiat wanted they hear you? Oh? 311 00:19:13,680 --> 00:19:16,680 Speaker 5: Man, hey, let me in pictures on the wall. Who 312 00:19:17,400 --> 00:19:19,720 wouldn't they turn your grandma's damp for down? 313 00:19:20,720 --> 00:19:21,559 Speaker 3: Not my grandma? 314 00:19:21,880 --> 00:19:22,599 Speaker 4: Oh I know this? 315 00:19:22,759 --> 00:19:24,640 Speaker 5: And she used to dance in a funhouse on a 316 00:19:24,720 --> 00:19:36,240 barbary coal. Yeah, her name was well, holy cow, what 317 00:19:36,359 --> 00:19:36,720 was that? 318 00:19:37,519 --> 00:19:38,200 Speaker 9: It's a cat? 319 00:19:38,440 --> 00:19:38,920 Speaker 6: A cat? 320 00:19:39,000 --> 00:19:41,240 Speaker 3: That streak of gray was a cat that's bigger than 321 00:19:41,240 --> 00:19:44,519 I pass, a big Siamese cat. They can be trained 322 00:19:44,519 --> 00:19:45,319 to attack people. 323 00:19:45,799 --> 00:19:46,440 Speaker 4: You just miss me? 324 00:19:46,440 --> 00:19:51,160 Speaker 13: Didn't he a nice sight step? It's gone now it's 325 00:19:51,160 --> 00:19:57,000 the biggest durned thing. Hey man, love what there hair 326 00:19:57,039 --> 00:19:57,640 in the window? 327 00:19:59,119 --> 00:20:04,079 Speaker 3: Look at that? Fine mm Rosie must go in for 328 00:20:04,119 --> 00:20:05,559 big Simonse cats. 329 00:20:06,240 --> 00:20:07,519 Speaker 4: Mac look at its eyes? 330 00:20:08,599 --> 00:20:14,480 Speaker 5: Whereas I was, yeah, oh, I don't like ads staring 331 00:20:14,519 --> 00:20:17,559 at us with one vacant eye, bowl legged, ugly old 332 00:20:17,720 --> 00:20:18,480 rat cram. 333 00:20:18,319 --> 00:20:22,160 Speaker 3: And he's a big fellow too. Here kitty, kitty, kitty Mac, 334 00:20:22,200 --> 00:20:31,079 I would here, kitty, what's it doing? Cat? Oh? Rosie? Nothing? 335 00:20:31,119 --> 00:20:32,000 I was just being friendly. 336 00:20:32,319 --> 00:20:37,200 Speaker 12: Well, don't egg friendly with nobody but me. Shy cops, 337 00:20:37,519 --> 00:20:38,240 shy cops? 338 00:20:38,440 --> 00:20:38,920 Speaker 3: Come here? 339 00:20:41,000 --> 00:20:41,480 Speaker 9: He wait? 340 00:20:41,599 --> 00:20:45,400 Speaker 3: Wait, well I should go. 341 00:20:45,400 --> 00:20:50,960 Speaker 12: Now up there, honey, Now where's the other one? 342 00:20:51,559 --> 00:20:52,079 Speaker 3: Buy him up? 343 00:20:52,680 --> 00:20:53,160 Speaker 11: Come here? 344 00:20:54,200 --> 00:20:58,279 Speaker 3: Amazing they come to you when your whistle? What up? 345 00:20:59,079 --> 00:20:59,400 I'll go. 346 00:21:01,039 --> 00:21:06,519 Speaker 12: There now, show down, honey. Well you three of a 347 00:21:06,640 --> 00:21:11,160 kind for a wit, he's saying, ain't you Texas man? 348 00:21:11,440 --> 00:21:15,799 If folks coming Ryan here, coming in here and stopping 349 00:21:15,839 --> 00:21:17,240 a girl in her own house. 350 00:21:17,559 --> 00:21:19,000 Speaker 4: The girl there, you go there? 351 00:21:20,039 --> 00:21:24,119 Speaker 3: To me, he doesn't mean anything. He's just stupid sometimes 352 00:21:25,640 --> 00:21:28,200 just don't pay any attention to him. 353 00:21:27,119 --> 00:21:29,599 Speaker 12: Well, that's more like it. 354 00:21:30,119 --> 00:21:33,440 Speaker 3: He just doesn't understand that you're sensitive. 355 00:21:35,000 --> 00:21:35,599 Speaker 4: That's right. 356 00:21:36,720 --> 00:21:39,279 Speaker 12: I am a sensitive girl. 357 00:21:40,000 --> 00:21:40,680 Speaker 3: Of course you are. 358 00:21:41,359 --> 00:21:41,599 Speaker 9: Mac. 359 00:21:42,400 --> 00:21:48,599 Speaker 12: You're a nice boy. You're an awful nice boy. 360 00:21:49,920 --> 00:21:54,599 Speaker 3: Well, thank you, miss Rosie. You're all right? 361 00:21:55,400 --> 00:22:00,000 Speaker 12: Uh, I could kind of go for you. 362 00:22:00,680 --> 00:22:02,759 Speaker 11: He's laughing, he's laughing at me. 363 00:22:11,559 --> 00:22:18,160 Speaker 12: Duke, my mama, Now all right, I. 364 00:22:20,079 --> 00:22:23,319 Speaker 4: Didn't know you was here here? Where did you come from? Son? 365 00:22:23,519 --> 00:22:25,200 Speaker 3: I was a couple of gorillas, probably out front of 366 00:22:25,240 --> 00:22:25,839 him in the back way. 367 00:22:25,920 --> 00:22:29,359 Speaker 5: But the backways locked locks don't mean nothing to Duke. 368 00:22:29,680 --> 00:22:31,680 Speaker 3: He was probably out front, Duke, I don't know, but 369 00:22:31,720 --> 00:22:32,400 I didn't like it. 370 00:22:33,400 --> 00:22:38,000 Speaker 7: Sat down, Rosie, let's talk a long heart to heart talk. 371 00:22:38,079 --> 00:22:43,400 Speaker 3: Huh And you'll talk, won't your doll? Baby? Sure? For Duke, 372 00:22:44,359 --> 00:22:45,240 because I like you. 373 00:22:45,920 --> 00:22:47,400 Speaker 11: I always liked jewels. 374 00:22:47,519 --> 00:22:48,880 Speaker 3: Still carrying a torch from me? 375 00:22:49,759 --> 00:22:53,000 Speaker 12: Besides, I'm getting nothing. 376 00:22:53,559 --> 00:22:55,640 Speaker 3: Well, don't you see? 377 00:22:55,680 --> 00:22:55,880 Speaker 4: Mac? 378 00:22:56,480 --> 00:23:00,319 Speaker 7: Rosie was a bad girl once, I see, But I'm 379 00:23:00,359 --> 00:23:03,039 no chattle, so she's on our side. 380 00:23:03,279 --> 00:23:06,480 Speaker 3: I always been for you, duke, Remember. 381 00:23:06,079 --> 00:23:10,519 Speaker 5: The time I'd rather talk about carry you pigeons, Rosie, pigeons. 382 00:23:11,759 --> 00:23:13,279 Speaker 12: I don't know nothing about pigeons. 383 00:23:13,319 --> 00:23:14,640 Speaker 7: Look, how do you want me to shove that one 384 00:23:14,640 --> 00:23:15,240 eyed cat down? 385 00:23:15,279 --> 00:23:15,920 Speaker 4: Your fat throat? 386 00:23:16,920 --> 00:23:19,359 Speaker 7: Don't do nothing to my catlin, will you? 387 00:23:20,119 --> 00:23:22,319 Speaker 3: I don't know nothing, not a thing. 388 00:23:22,599 --> 00:23:23,079 Speaker 4: Sure enough? 389 00:23:23,160 --> 00:23:24,160 Speaker 3: You know the gypsy, don't you? 390 00:23:24,920 --> 00:23:25,319 Speaker 4: Gypsy? 391 00:23:25,400 --> 00:23:27,480 Speaker 7: Yes, the gypsy, gyp the Dods gypsy, Hugen. 392 00:23:28,079 --> 00:23:29,920 Speaker 12: Oh I know. 393 00:23:30,119 --> 00:23:32,319 Speaker 7: Now, Look, fatso, I've been to Lucas. He ain't throwing 394 00:23:32,359 --> 00:23:32,920 me no curves. 395 00:23:32,960 --> 00:23:34,559 Speaker 3: You know that. And you know where the gypsy is 396 00:23:34,640 --> 00:23:35,279 right this minute. 397 00:23:35,359 --> 00:23:36,000 Speaker 4: Don't lie to me. 398 00:23:36,119 --> 00:23:40,160 Speaker 7: What makes you think Lucas gets around him that frindled faith. 399 00:23:40,559 --> 00:23:42,680 I never mind all that, either he talks to me 400 00:23:42,799 --> 00:23:44,279 or else, same as you. 401 00:23:44,359 --> 00:23:48,920 Speaker 3: Now, come on, spill it. I don't know nothing. Yeah, 402 00:23:50,000 --> 00:23:52,039 you know something that seems like a real nice idea 403 00:23:52,079 --> 00:23:55,519 around house? What what you're gonna do? 404 00:23:56,039 --> 00:23:56,400 Speaker 4: You ain't? 405 00:23:56,400 --> 00:23:58,200 Speaker 3: God? You like me to put off that cat's other ride? 406 00:23:58,279 --> 00:24:00,920 Speaker 11: Oh don't know you can't do that. 407 00:24:01,400 --> 00:24:03,119 Speaker 3: Wait a minute, duke, back, let me alone. I just 408 00:24:03,119 --> 00:24:08,400 want all that all right. Rosie tried to understand this. 409 00:24:09,640 --> 00:24:12,079 You know that Opal is worth more than forty thousand dollars, 410 00:24:12,160 --> 00:24:16,079 A lot more you can't count in dollars. Did you 411 00:24:16,119 --> 00:24:18,279 know that whoever wears that Opal has the shadow of 412 00:24:18,319 --> 00:24:21,720 death on him? History is written in blood. 413 00:24:21,799 --> 00:24:24,279 Speaker 12: But the cats, it ain't their fault. 414 00:24:24,359 --> 00:24:25,480 Speaker 4: They ain't done nothing. 415 00:24:25,519 --> 00:24:27,920 Speaker 3: We don't want to hurt the cats or you either 416 00:24:29,640 --> 00:24:32,240 look at it this way. We're going to get the 417 00:24:32,240 --> 00:24:33,519 Gypsy anyway, that's certain. 418 00:24:33,640 --> 00:24:35,640 Speaker 12: But you ain't got a thing on the gypsy? 419 00:24:35,720 --> 00:24:36,559 Speaker 3: Mac who else? 420 00:24:36,640 --> 00:24:39,480 Speaker 4: All look blubber meat? We know all right. 421 00:24:39,559 --> 00:24:41,880 Speaker 5: I just wanted to tell this refugee from a side 422 00:24:41,880 --> 00:24:44,839 show that we know that the Gypsy's provasion is ransom 423 00:24:44,880 --> 00:24:46,279 notes and that is obvious peace. 424 00:24:46,359 --> 00:24:50,400 Speaker 3: He knows all that. Well, how about it, Rosie, work 425 00:24:50,440 --> 00:24:52,119 with us this one time. It'll be better for you. 426 00:24:52,559 --> 00:24:53,720 Speaker 4: I don't know nothing. 427 00:24:57,119 --> 00:25:00,640 Speaker 3: Maybe Juke's right. Work with us. 428 00:25:00,720 --> 00:25:03,759 Speaker 7: I suppose that I'll always do the lifelin out the 429 00:25:03,759 --> 00:25:05,079 window on and off twice. 430 00:25:06,519 --> 00:25:08,400 Speaker 3: I like you saw, Rosie? Who is it? 431 00:25:08,640 --> 00:25:12,839 Speaker 12: Yes, my night watchman, Duke? What's all just my watchman? 432 00:25:13,160 --> 00:25:16,920 Speaker 3: Yeah? What do you think? Man? Imagine we can take 433 00:25:16,960 --> 00:25:17,279 care of me. 434 00:25:17,960 --> 00:25:19,039 Speaker 4: You want me to go get him? 435 00:25:19,119 --> 00:25:22,680 Speaker 12: I call him if you want him. But you know something, 436 00:25:23,200 --> 00:25:24,960 I'm gonna help you boys out. 437 00:25:25,680 --> 00:25:28,720 Speaker 3: Max's right, Oh I do. 438 00:25:29,400 --> 00:25:32,799 Speaker 12: I'll help you Mac, I'll help all a cat. That's 439 00:25:33,039 --> 00:25:36,759 I like to do something nice for a fine man 440 00:25:37,119 --> 00:25:37,519 like you. 441 00:25:37,680 --> 00:25:38,240 Speaker 3: I don't like this. 442 00:25:38,920 --> 00:25:41,240 Speaker 12: Oh it ain't every day I get a chance to 443 00:25:41,279 --> 00:25:44,559 be a real nice, kind thought funk girl. 444 00:25:44,720 --> 00:25:48,279 Speaker 3: Watch it, guys, so you know I'm changing over. 445 00:25:48,960 --> 00:25:51,960 Speaker 12: I'm going to be a good sweet girl. 446 00:25:53,160 --> 00:25:55,720 Speaker 3: Why waiting for now? 447 00:25:58,880 --> 00:25:59,039 Speaker 9: Now? 448 00:25:59,240 --> 00:26:00,160 Speaker 3: Rosie? This? 449 00:26:01,200 --> 00:26:03,839 Speaker 4: Well, we're looking on your man's got a gun on us? 450 00:26:04,160 --> 00:26:05,119 Speaker 3: Where'd you come from? 451 00:26:05,160 --> 00:26:07,720 Speaker 12: Where does it look like that panel of the door 452 00:26:07,839 --> 00:26:09,079 for just such times as this? 453 00:26:10,119 --> 00:26:14,440 Speaker 3: What were you waiting far? Waiting for them to turn 454 00:26:14,480 --> 00:26:17,200 their backs? All at the same time? You know better 455 00:26:17,240 --> 00:26:18,559 than put a gag like this on me. 456 00:26:18,720 --> 00:26:20,559 Speaker 12: You're better to put a gag like this on me. 457 00:26:22,400 --> 00:26:23,960 Where it's Hunter kiddo. 458 00:26:23,799 --> 00:26:28,599 Speaker 3: Bonds kiddos in the hall and hunters, you know looking 459 00:26:28,640 --> 00:26:34,279 at all? Right, Rosie, your deal? You better? 460 00:26:34,279 --> 00:26:35,119 Speaker 11: It's my deal? 461 00:26:37,799 --> 00:26:40,119 Speaker 4: Well it's your is funny? Ain't Jack shut up? 462 00:26:41,720 --> 00:26:42,319 Speaker 10: Shut up? 463 00:26:42,759 --> 00:26:43,000 Speaker 11: Yeah? 464 00:26:43,039 --> 00:26:46,119 Speaker 12: You shut up? By right, kiddo? Fine, so shut him up? 465 00:26:46,359 --> 00:26:52,440 Speaker 3: One agent, Rosie, You wouldn't that is bonds? We know 466 00:26:52,480 --> 00:26:53,599 about him, of course, Well, of. 467 00:26:53,519 --> 00:26:55,559 Speaker 4: Course we do. Law wants him bad. 468 00:26:56,039 --> 00:27:00,279 Speaker 5: He kind of tortured somebody, didn't he no sense seeing 469 00:27:00,279 --> 00:27:01,279 this Spellah. 470 00:27:03,680 --> 00:27:04,279 Speaker 3: We'll fixed that. 471 00:27:04,519 --> 00:27:05,519 Speaker 12: Got everything ready, Gyp. 472 00:27:05,640 --> 00:27:08,200 Speaker 3: Everything you don't be she does. 473 00:27:08,319 --> 00:27:09,400 Speaker 4: She oughtn't to admit it. 474 00:27:09,640 --> 00:27:14,400 Speaker 3: He's talking, Rosie talking. We don't like that, do we, ROSI, No, 475 00:27:14,519 --> 00:27:14,960 we don't. 476 00:27:15,160 --> 00:27:17,960 Speaker 12: You're gonna get the no Gypsy and the cats. Real well, 477 00:27:18,319 --> 00:27:19,519 Texas man. 478 00:27:19,759 --> 00:27:22,400 Speaker 5: Real well, well it might be better annoying that kid 479 00:27:22,400 --> 00:27:23,319 old Barnes at there. 480 00:27:23,400 --> 00:27:26,559 Speaker 3: I think so, Rosie, wuld you mind dropping this captain 481 00:27:26,640 --> 00:27:27,160 mouse stuff? 482 00:27:27,319 --> 00:27:30,519 Speaker 12: I kind of would hips too smart for a boy 483 00:27:30,640 --> 00:27:31,359 scout like you. 484 00:27:31,559 --> 00:27:31,759 Speaker 5: Mac. 485 00:27:32,240 --> 00:27:34,839 Speaker 12: You was shatowed from the minute they contacted you, and 486 00:27:34,880 --> 00:27:37,920 a friend of Gyps was riding a box car behind you. 487 00:27:38,000 --> 00:27:40,079 Speaker 3: You just see what I mean. You've completely forgotten what 488 00:27:40,200 --> 00:27:42,160 Juke could have done to you, But didn't he should? 489 00:27:42,160 --> 00:27:44,039 I well, if he's been right with you. 490 00:27:44,039 --> 00:27:46,119 Speaker 12: I don't know why I should tell you any except 491 00:27:46,160 --> 00:27:51,720 that you're such a beautiful man. This guy joke now, 492 00:27:51,799 --> 00:27:54,599 he ain't said nothing that's right because he didn't know 493 00:27:54,640 --> 00:27:57,480 all about it. You don't know about that dead copper, 494 00:27:57,519 --> 00:27:59,799 for instance, he thought it was just running a little 495 00:28:00,160 --> 00:28:01,160 m into a dry stand. 496 00:28:01,160 --> 00:28:02,079 Speaker 3: Anyway, he didn't talk. 497 00:28:02,160 --> 00:28:04,799 Speaker 12: I look handsome. How could I know when he might 498 00:28:04,839 --> 00:28:06,640 find out the rest of it? How'd I know the 499 00:28:06,720 --> 00:28:09,119 law wasn't gonna visit me any minute? How could I 500 00:28:09,160 --> 00:28:12,480 tell him he's gonna change his mind anyhow? He didn't 501 00:28:13,480 --> 00:28:15,440 what you think would happen if he got away from me? 502 00:28:15,519 --> 00:28:15,720 Speaker 3: Now? 503 00:28:16,319 --> 00:28:19,440 Speaker 12: I just told him about the dead cop, the knife 504 00:28:19,559 --> 00:28:23,119 I've been worrying three years, and the who should bust 505 00:28:23,319 --> 00:28:26,319 right into my parlor to night. But the laddie with 506 00:28:26,400 --> 00:28:31,200 the finger, So he ain't never gonna get away from here. 507 00:28:31,519 --> 00:28:32,119 Speaker 11: Not alive. 508 00:28:32,240 --> 00:28:34,200 Speaker 3: He ain't. That goes for Jason me. 509 00:28:34,279 --> 00:28:38,400 Speaker 12: Also, I feel kind of bad about you. 510 00:28:38,400 --> 00:28:40,160 Speaker 3: You're so putty. 511 00:28:41,519 --> 00:28:46,759 Speaker 12: But him a Texas man one to hear something. Texas man, 512 00:28:47,079 --> 00:28:51,200 See that one I get them clawsey, he gets thirsty. 513 00:28:51,519 --> 00:28:52,200 Speaker 3: See what I mean? 514 00:28:52,799 --> 00:28:56,680 Speaker 12: You're gonna be sobbing like a little tiny boy pretty quick. 515 00:28:56,720 --> 00:28:56,920 Speaker 3: Now. 516 00:28:58,000 --> 00:29:00,440 Speaker 12: The kidd always happier around my basement when he's got 517 00:29:00,559 --> 00:29:04,160 something to remember. He said knew about him, didn't you. 518 00:29:04,519 --> 00:29:09,799 Speaker 5: Yes, we know, yep, he says he. 519 00:29:09,960 --> 00:29:10,160 Speaker 12: Yeah. 520 00:29:10,240 --> 00:29:13,079 Speaker 11: The boys a kind of three of a kind. 521 00:29:14,079 --> 00:29:17,119 Speaker 12: You made a crack about three of a kind, didn't you, 522 00:29:17,359 --> 00:29:18,759 chext man. 523 00:29:18,839 --> 00:29:21,200 Speaker 3: Why don't you, Jacks, remember that time in Shanghaik. 524 00:29:21,720 --> 00:29:42,920 Speaker 14: I'm glad, I'm a word, I hear you. 525 00:29:43,319 --> 00:29:44,599 Speaker 4: Just one more little detail. 526 00:29:49,319 --> 00:29:52,720 Speaker 3: I just wanted to make sure about that Kiddle Barnes. Now, 527 00:29:52,799 --> 00:29:54,519 I'm all right, Jacks, you are on peace. 528 00:29:54,759 --> 00:29:57,799 Speaker 4: Hm as rid as on a potty morning front. Wasn't 529 00:29:57,799 --> 00:29:59,039 that fun? 530 00:30:00,160 --> 00:30:00,640 Speaker 3: Oh? 531 00:30:00,680 --> 00:30:02,960 Speaker 4: And she's even uggly sleeping when she's way. 532 00:30:04,519 --> 00:30:05,240 Speaker 3: What happened to her? 533 00:30:05,279 --> 00:30:07,480 Speaker 4: It must have been an accident. I was aiming for 534 00:30:07,519 --> 00:30:08,359 the gypsy's ear. 535 00:30:09,440 --> 00:30:10,720 Speaker 3: Jack, she didn't hit a woman. 536 00:30:10,799 --> 00:30:13,559 Speaker 5: Well, like I say, it was an accident, I think. 537 00:30:14,319 --> 00:30:16,880 But Matt, well, what I can't figure out is how 538 00:30:16,920 --> 00:30:18,759 come him cats sprung like at and give us a 539 00:30:18,839 --> 00:30:19,720 chance to start the fire. 540 00:30:20,039 --> 00:30:23,400 Speaker 3: Yeah, that was pretty smart man. We don't remember what 541 00:30:23,519 --> 00:30:25,759 Rosie said just before the cat's lunch that you when 542 00:30:25,759 --> 00:30:29,200 you were laughing at her. She said, nderlay, those cats 543 00:30:29,200 --> 00:30:31,279 are trained to attack, and hers were thought to spring 544 00:30:31,319 --> 00:30:32,279 at that command. 545 00:30:31,920 --> 00:30:34,039 Speaker 4: On the Oh, just like you say, sick them to adult. 546 00:30:34,119 --> 00:30:37,759 Speaker 3: That's right. She had such a deep voice. I whispered 547 00:30:37,759 --> 00:30:45,880 the command just as s Jack. Look here there it is. 548 00:30:46,599 --> 00:30:48,880 The gypsy gave the open to Rosie for safe keeping. 549 00:30:48,920 --> 00:30:50,839 There see the shell nicklace she was wearing. 550 00:30:51,559 --> 00:30:54,960 Speaker 7: Look here each jail opens up, you see, and here 551 00:30:55,000 --> 00:30:56,240 in the big one busted. 552 00:30:56,319 --> 00:30:58,279 Speaker 4: It opened during the fire, the black open. 553 00:30:59,440 --> 00:31:00,119 Speaker 3: Oh I found it. 554 00:31:05,240 --> 00:31:06,400 Speaker 4: Yeah, that's it. 555 00:31:07,039 --> 00:31:07,880 Speaker 3: Hand it over, boys. 556 00:31:08,200 --> 00:31:11,000 Speaker 5: Well, if it ain't that nosey taxi cab again, I 557 00:31:11,039 --> 00:31:13,240 had me a suspicion you would show up around now. 558 00:31:13,640 --> 00:31:15,960 Speaker 8: Yeah, very little cultural activity in the night. So I 559 00:31:15,960 --> 00:31:18,799 thought i'd drop in. Give me the black over collider. 560 00:31:19,319 --> 00:31:21,559 Speaker 3: You wouldn't want to pay what little cost, or. 561 00:31:21,480 --> 00:31:23,799 Speaker 8: Maybe I won't have to. I'll get it for free. 562 00:31:23,839 --> 00:31:26,039 Speaker 3: Give it to him, let him come. 563 00:31:26,079 --> 00:31:28,400 Speaker 7: And yet I said, give it to him Mac, he's 564 00:31:28,440 --> 00:31:29,440 such a little plan. 565 00:31:30,079 --> 00:31:31,200 Speaker 6: He'd be kind of like preserve. 566 00:31:33,319 --> 00:31:36,759 Speaker 3: All right, boys, I want you to meet mister James, 567 00:31:37,000 --> 00:31:39,960 Mister James, the US Secret Service. 568 00:31:40,640 --> 00:31:43,359 Speaker 8: Ull huh, glad to meet you boys. Thanks a lot, 569 00:31:43,400 --> 00:31:45,519 mister Cornell. You boys save me a lot of work. 570 00:31:45,640 --> 00:31:48,799 I appreciate that. You see, we couldn't do anything ourselves. 571 00:31:48,880 --> 00:31:51,279 We weren't supposed to know about it. Uh, don't worry 572 00:31:51,279 --> 00:31:54,519 about your fee, that's none of our business. Gotta go, 573 00:31:55,039 --> 00:31:56,400 gotta take my wife to a movie. 574 00:31:56,640 --> 00:32:04,240 Speaker 5: Always movies. Well, Why, well, let's get on out of here. 575 00:32:04,279 --> 00:32:07,519 So I'm hungry. You're hungry, Yeah, I'm gonna. 576 00:32:07,279 --> 00:32:08,880 Speaker 4: Get me some chop through and some chip. 577 00:32:09,400 --> 00:32:12,359 Speaker 5: Hey do you Yeah, I know I'm taking a chance, 578 00:32:12,359 --> 00:32:17,799 but I'll give you eight dollars for Sheet Ching's telephone. 579 00:32:18,200 --> 00:32:20,680 Speaker 3: All right, all right, argue about it later, gentlemen, Let's 580 00:32:20,680 --> 00:32:21,039 get some. 581 00:32:21,079 --> 00:32:34,279 Speaker 7: Need well, look, I can use it. 582 00:32:32,480 --> 00:32:32,680 Speaker 9: Free. 583 00:32:32,880 --> 00:32:36,039 Speaker 3: For Adventure stars Jack Webb as Due, Elliott Lewis is 584 00:32:36,079 --> 00:32:39,160 Mac and Barkan y Opero is Jax. Heard. Also, We're 585 00:32:39,200 --> 00:32:41,960 high have her back at Gypsy Lillian Baiap of Sheet Ching, 586 00:32:42,319 --> 00:32:45,440 Sidney Miller is the taxi driver Mister James, and Janette 587 00:32:45,440 --> 00:32:48,960 Nolan has Roundhouse Rosie. Next week, at the same time, 588 00:32:49,079 --> 00:32:51,920 we bring you the story of the Quadroon Princess and 589 00:32:52,000 --> 00:32:55,839 the Egyptian Tear Base. Pree for Adventure is produced and 590 00:32:55,880 --> 00:33:00,319 directed by David Friedkin. This is a command radio production. 591 00:33:00,640 --> 00:33:06,720 Speaker 1: Welcome back that was not one of Jeanette Nolan's subtler performances. 592 00:33:07,119 --> 00:33:12,519 And while Barton Yarborough almost always has the Texas accent, 593 00:33:12,720 --> 00:33:15,519 you know, it's one of those things he was asked for. 594 00:33:16,319 --> 00:33:19,960 I think this may be the most Texan character he played. 595 00:33:20,720 --> 00:33:25,160 I did like that Rosie called him on the tex 596 00:33:25,279 --> 00:33:29,319 Waco name, and he had a good retort, you weren't 597 00:33:29,319 --> 00:33:33,240 baptized Roundhouse. Now, I guess it's a good idea to 598 00:33:33,359 --> 00:33:37,319 talk about this a bit in context. In many ways, 599 00:33:37,880 --> 00:33:45,799 this was an attempt to kind of do a takeoff 600 00:33:46,039 --> 00:33:51,319 or a new version of I Love a Mystery. I 601 00:33:51,440 --> 00:33:58,039 Love a Mystery had been a serialized detective series from 602 00:33:58,160 --> 00:34:02,240 nineteen thirty nine to note for four. It was produced 603 00:34:02,279 --> 00:34:07,680 by Carlton Morse, and it actually spawned three films, and 604 00:34:07,759 --> 00:34:10,159 there was a fourth film that was made that only 605 00:34:10,199 --> 00:34:15,159 featured one of the stars of the original series. And 606 00:34:15,239 --> 00:34:20,360 so it seems that David Freakin definitely saw some potential 607 00:34:21,679 --> 00:34:25,519 in creating an I Love a Mystery type series, but 608 00:34:25,679 --> 00:34:30,559 making it maybe a bit more hard boiled, as you 609 00:34:30,639 --> 00:34:36,119 had these three friends from different backgrounds teaming up. Yard 610 00:34:36,119 --> 00:34:40,320 Borough is kind of helpful in terms of creating an 611 00:34:40,360 --> 00:34:44,000 I Love a Mystery like series, as he was in 612 00:34:44,079 --> 00:34:52,440 the original radio series and also in three films. Now, 613 00:34:53,159 --> 00:34:55,599 I do think there are several things that this series 614 00:34:55,760 --> 00:34:58,760 does right. It's got a lot of great people that 615 00:34:58,800 --> 00:35:02,440 were involved in it, not only Jack Webb, but you 616 00:35:02,599 --> 00:35:09,320 have Elliott Lewis and of course Freakin Yarborough Janette Nolan. 617 00:35:09,960 --> 00:35:12,960 So this is a pretty solid effort and there are 618 00:35:12,960 --> 00:35:16,079 some good things, you know, in terms of the characters. 619 00:35:16,880 --> 00:35:19,480 At the end of this first episode, you do have 620 00:35:19,559 --> 00:35:22,679 a bit of an idea about what each of these 621 00:35:23,199 --> 00:35:26,840 characters is all about. The big problem is that none 622 00:35:26,880 --> 00:35:30,840 of them are particularly likable. Duke may be the worst, 623 00:35:31,039 --> 00:35:36,159 just because you know, he is really this thug who 624 00:35:36,960 --> 00:35:42,199 is not all that reformed and is always snipping at everyone, 625 00:35:42,440 --> 00:35:45,280 and text is a bit over the top in Elliott 626 00:35:45,360 --> 00:35:51,000 Lewis's character is a bit distant, So you know, I 627 00:35:51,039 --> 00:35:53,480 think those are some of the reasons that didn't work out. 628 00:35:53,559 --> 00:35:56,679 I'm kind of glad it's here just as kind of 629 00:35:56,679 --> 00:36:00,079 a one off thing, you know. It's a bit of 630 00:36:01,079 --> 00:36:04,880 womp and kind of fun for just the ridiculousness of it. 631 00:36:05,400 --> 00:36:08,639 I am really glad that it did not catch on, 632 00:36:09,800 --> 00:36:15,480 because the talented people who made this interesting one off episode, 633 00:36:15,719 --> 00:36:20,000 we're going to make some great radio in nineteen forty nine. 634 00:36:20,239 --> 00:36:23,840 Of course, Webb and Yardborough they'd go on and make Dragnet. 635 00:36:24,159 --> 00:36:28,440 Elliott Lewis would direct and produce Broadway as my beat 636 00:36:29,039 --> 00:36:32,760 with David Freaquin as one of the writers along with 637 00:36:32,880 --> 00:36:37,840 mort Fine. Had this radio series actually gotten someone to 638 00:36:37,880 --> 00:36:44,400 buy it, almost certainly Jack Webb would not have had 639 00:36:44,440 --> 00:36:49,000 to scramble and come up with the idea of Dragnet 640 00:36:49,039 --> 00:36:53,400 as a summer replacement series on NBC, and we may 641 00:36:53,440 --> 00:36:58,760 not have gotten the greatness of Broadway as my beat 642 00:36:58,960 --> 00:37:02,679 and instead gotten we got like seventy eight episodes of this, 643 00:37:03,719 --> 00:37:06,480 so I think definitely all turned out for the best. 644 00:37:06,800 --> 00:37:11,079 All right, well, that's actually all for now. Join us 645 00:37:11,159 --> 00:37:17,119 back here on Wednesday as we continue our Jackweb centennial celebration. 646 00:37:17,480 --> 00:37:19,480 If you do have a comment, email it to me 647 00:37:19,719 --> 00:37:24,079 Box thirteen at Great Detectives dot net from Boise, Idaho. 648 00:37:24,280 --> 00:37:26,920 This is your host, Adam Graham signing off.