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<v Speaker 1>This is the Poet Speaks, a show all about or.

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<v Speaker 2>Tradition, hip hop and cardboard Boxes on the Bloc, Reget

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<v Speaker 2>Bandolero Soyo heavy metal punk rock and La Junior Hide pop.

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<v Speaker 1>What makes poetry so amazing, so incredible is this absolute

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<v Speaker 1>fascination and ability to change our lives, the old tradition,

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<v Speaker 1>the reason why we speak.

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<v Speaker 3>This is the Poet Speaks. Hello everyone, and welcome back

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<v Speaker 3>to the Poet Speaks Podcast. Now today we're joined by

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<v Speaker 3>a very special guest. He's a spoken word artist and

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<v Speaker 3>social worker whose work explores grief, identity, and creative liberation.

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<v Speaker 3>From his memoir A Diamond in God's Dirt to his

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<v Speaker 3>forthcoming album Kiss My Art, he crafts stories that speak

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<v Speaker 3>to the soul and confront life's toughest truth. Everyone, please,

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<v Speaker 3>welcome to the Poet Speaks Podcast.

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<v Speaker 4>Tariq Rashad Tarik. How are you?

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<v Speaker 2>Thank you, thank you, thank you, thank you for having

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<v Speaker 2>menap did the snaps absolutely, Amanda Again, like I said,

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<v Speaker 2>I love your platform, so thank you for sharing it with.

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<v Speaker 3>Me absolutely, and we thank you for being a guest

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<v Speaker 3>on our platform today. Now, I kind of want to

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<v Speaker 3>start off. I love you, have you I think you've

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<v Speaker 3>created your own unique saying. So you refer to your

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<v Speaker 3>home as Atlanticville. They were the first person I've ever

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<v Speaker 3>heard say that. I hope you trademarked that that term.

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<v Speaker 3>I hope you trademarked it. So tell me. I know

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<v Speaker 3>you described that as Will you tell us what is

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<v Speaker 3>what is Atlanticville?

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<v Speaker 5>So it's a combination of two cities.

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<v Speaker 2>I was born in Atlantic City, born and raised in

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<v Speaker 2>Atlantic City, and then around my I want to say

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<v Speaker 2>eighth grade, I moved over to Pleasantville. Most people don't

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<v Speaker 2>know what Pleasantville is, no, exactly, so I just combined

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<v Speaker 2>it to Pleasantville is where I lived from eighth grade

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<v Speaker 2>until I graduated high school, and my family still lives

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<v Speaker 2>there now.

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<v Speaker 5>So I just merged it too.

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<v Speaker 2>Most people know Atlantic City obviously, so I don't just

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<v Speaker 2>say Atlantic City because I shared a great amount of

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<v Speaker 2>time in both cities and you know, helping raise and

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<v Speaker 2>ruin me to the person that I am today both cities.

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<v Speaker 2>So Atlanticville is Atlantic City and Pleasantville together.

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<v Speaker 3>So yes, absolutely, that's amazing. So I know there's a

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<v Speaker 3>lot of Pleasantville all over the different fifty states. I

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<v Speaker 3>know Pleasantville, California. I also know Pleasantville, Missouri. I know Pleasantville,

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<v Speaker 3>New York. Yeah, tell me what New York.

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<v Speaker 5>I know New York. I didn't hear California and.

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<v Speaker 3>Miss Yeah yeah never, Okay, okay, for sure, we'll tell me.

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<v Speaker 4>Well, I mean, yeah, good to know.

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<v Speaker 3>I mean, we'll tell us how was those those two

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<v Speaker 3>places and how they kind of shaped your voice?

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<v Speaker 4>I guess it's your your a melting pot of both.

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<v Speaker 5>Yeah, yes, ma'am.

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<v Speaker 2>Atlantic City, so most people know, and again you don't know,

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<v Speaker 2>a lot of people don't know what pleasant it was.

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<v Speaker 2>But Atlantic City people know as just being in the casino,

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<v Speaker 2>Yes city, you know, everybody knows Atlantic City and being

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<v Speaker 2>casinos where you come and the boardwalk and the.

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<v Speaker 5>Beaches and stuff.

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<v Speaker 2>But it's the hood, to be quite frank, it's the hood,

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<v Speaker 2>and you know, it's rough neighborhoods and things like that,

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<v Speaker 2>and I had to kind of navigate through a lot

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<v Speaker 2>of the different things around the neighborhood.

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<v Speaker 5>But aside from.

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<v Speaker 2>That, just my upbringing in my household and just having

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<v Speaker 2>to help raise my siblings from younger while also being

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<v Speaker 2>in a rough neighborhood like Atlantic City was tough in

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<v Speaker 2>its own but Atlantic City has given me everything, like

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<v Speaker 2>just having friends, growing up with friends and playing football,

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<v Speaker 2>literal League football, Atlantic City Dolphins, and running all throughout

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<v Speaker 2>the city, riding my bike, walking around from uptown all

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<v Speaker 2>the way to downtown and this the west Side and

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<v Speaker 2>all the different places around Atlantic City. But mainly just

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<v Speaker 2>being grounded in my household in Atlantic City is what

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<v Speaker 2>kind of shaped me to be the person that I am.

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<v Speaker 2>And then moving over to Pleasantville, it kind of there's

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<v Speaker 2>the same things and whatnot, but they all, I say,

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<v Speaker 2>Atlantic City raised me and then Pleasantville groomed me. They

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<v Speaker 2>both groomed me, but they did two different things. And

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<v Speaker 2>also Atlantic City and Pleasantville growing up and still to

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<v Speaker 2>this day, but not as much as it was when

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<v Speaker 2>I was growing up.

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<v Speaker 5>They were rival cities. You have rival cities and stuff

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<v Speaker 5>like that.

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<v Speaker 2>Where in town will play Atlantic City would play Pleasantville football,

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<v Speaker 2>whatever sports, and they're just clashing and people having fake beef,

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<v Speaker 2>so whatever you want to call it, Yes, it was

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<v Speaker 2>always rival city. So I remember when I was younger,

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<v Speaker 2>when we were about to move to Pleasantville.

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<v Speaker 5>I remember crying like, I don't want to move to Pleasantville.

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<v Speaker 5>I don't want to move. I hated all of this stuff.

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<v Speaker 2>It was funny, but as I got older as I'm

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<v Speaker 2>doing now, I look back and laugh.

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<v Speaker 5>Like, what are you doing? Why were you going? Yeah?

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<v Speaker 4>Yeah, but I was.

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<v Speaker 5>So attached to Atlantic City, That's my town.

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<v Speaker 2>But again, as I've gotten older and growing on mature

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<v Speaker 2>and stuff, Atlantic City and Pleville have shaped to reek

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<v Speaker 2>to be the person that I am today, just based

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<v Speaker 2>upon our language, how we speak. Some of our and

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<v Speaker 2>a lot of us will use some terms like from

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<v Speaker 2>Philly because Philly is right there, so you might hear

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<v Speaker 2>a ball some slang and stuff like that or whatnot.

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<v Speaker 5>So it's all shaped me to be who I am today, so.

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<v Speaker 3>Absolutely and so kind of dialing into that poetry, I mean,

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<v Speaker 3>so you're writing, I mean it kind of sits at

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<v Speaker 3>that intersection I believe of artistry as well as healing.

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<v Speaker 3>I mean, and you know, as you kind of you know,

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<v Speaker 3>you have these two careers. I guess people may not

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<v Speaker 3>see them as similar social work as well as poet,

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<v Speaker 3>but they do kind of converge into one, right, you know,

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<v Speaker 3>tell me, how do you see poetry functioning almost as

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<v Speaker 3>a form of social work.

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<v Speaker 2>Social work is healing work, to be honest, and you know,

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<v Speaker 2>you got to have empathy to be able to be

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<v Speaker 2>in the field of social work, right. So poetry is

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<v Speaker 2>a form of expression, and I've always expressed myself since

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<v Speaker 2>I was younger, and I've always helped since i was younger.

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<v Speaker 2>As I previously mentioned, just being grounded in my household

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<v Speaker 2>with all of these siblings, and I'm being the second oldest,

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<v Speaker 2>more like the oldest, because my oldest brother has several

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<v Speaker 2>balls and autism. I was just kind of grounded and

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<v Speaker 2>just helping raise him along with my the siblings. And

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<v Speaker 2>that's kind of where the foundation of me being in

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<v Speaker 2>social work started, just empathizing with my brother, not knowing

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<v Speaker 2>what cerebral pause and autism was when I was a kid,

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<v Speaker 2>just being tasked the responsibility of just helping raise.

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<v Speaker 5>Him, you know what I mean, and.

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<v Speaker 2>Also while doing that, having my own challenges and emotions

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<v Speaker 2>and things like that, just finding a way to express myself.

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<v Speaker 2>And I leaned on a notebook in a pins or pen,

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<v Speaker 2>and I would just use I used to just write

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<v Speaker 2>my emotions and my feelings out, and that kind of

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<v Speaker 2>blossomed over the years into all of the works that

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<v Speaker 2>I've wound up creating. So social work ultimately is my

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<v Speaker 2>foundation from just when I was growing up and Obviously

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<v Speaker 2>social work is empathizing and doing work that are that

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<v Speaker 2>is healing. But I also look at it as for

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<v Speaker 2>as a form of just expression, you know what I mean,

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<v Speaker 2>just being able.

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<v Speaker 5>To express yourself.

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<v Speaker 2>The art, the art in poetry, it's just a form

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<v Speaker 2>of just expressing yourself and so many other healing things

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<v Speaker 2>and whatnot. But yeah, yeah, it emerged beautifully and seamlessly,

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<v Speaker 2>to be.

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<v Speaker 3>Honest, absolutely, So tell me when did you kind of

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<v Speaker 3>discover this? When did you discover poetry was in you

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<v Speaker 3>or in your kind of in your blood almost When

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<v Speaker 3>was that discovery for you? Was it in in that

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<v Speaker 3>childhood or was it more so as you grew grew

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<v Speaker 3>as an adult. Where would you say that moment where

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<v Speaker 3>you knew writing was something you wanted to pursue.

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<v Speaker 2>So I would write, as I mentioned, I would write

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<v Speaker 2>when I would like some small things like I was younger,

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<v Speaker 2>like I would write about girls or whatever like that,

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<v Speaker 2>and sometimes, like my feelings would be heard about something,

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<v Speaker 2>I would just write it out. But I never really

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<v Speaker 2>thought of any I never thought anything of it. I

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<v Speaker 2>was just writing, you know what I mean, but expressing

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<v Speaker 2>myself along the way because I didn't necessarily go to

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<v Speaker 2>anyone to kind of express myself. I went to my

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<v Speaker 2>journal and my notebook. But I discovered that I would

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<v Speaker 2>write when I got to college, when I went to

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<v Speaker 2>Seat Hall here in New Jersey, in undergrad and all

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<v Speaker 2>of the challenges and hardships and things that I've been

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<v Speaker 2>through throughout my lifetime at that point, I always was.

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<v Speaker 2>I was saying at that point, like, I'm gonna write

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<v Speaker 2>my story one day. I'm gonna write my story one day,

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<v Speaker 2>like I have something to say. I think it'd be

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<v Speaker 2>inspiring and motivating and encouraging for people, you know what

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<v Speaker 2>I mean. And I was just like, okay. And I

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<v Speaker 2>wound up having to do an extra semester because I

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<v Speaker 2>was boll crapping in college and not knowing what I

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<v Speaker 2>wanted to do and all of these other things. And

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<v Speaker 2>I had to do an extra semester so that I could,

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<v Speaker 2>you know, finish up. But I finished up, and then

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<v Speaker 2>commencement wasn't. I had a whole nother semester before commencement,

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<v Speaker 2>so I had time in between the actual graduation ceremony

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<v Speaker 2>and between that time. During that time, I didn't have

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<v Speaker 2>no job. I had nothing, and I was just trying

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<v Speaker 2>to figure out what I wanted to do next. So

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<v Speaker 2>my boy now brother, he had family in Saint Croix

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<v Speaker 2>in a Virgin Islands, and he said he actually did

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<v Speaker 2>the extra semester with me. So he said he was

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<v Speaker 2>going to go over the Saint Croi in the Virgin

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<v Speaker 2>islist so he can figure out what his next move

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<v Speaker 2>is going to be. So at that time, when he

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<v Speaker 2>first presented it to me, I was just like, more

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<v Speaker 2>power to you, kudos, shout out to you, do your thing.

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<v Speaker 2>I love you, I pray for you, et cetera. And

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<v Speaker 2>then fast forward, make a long story short. I wound up,

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<v Speaker 2>you know, having a change of heart and I went

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<v Speaker 2>And that was the most life changing decision I made

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<v Speaker 2>in my life.

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<v Speaker 5>While I was there, I was reading it was like

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<v Speaker 5>Malcolm Xi's trip to Mecca.

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<v Speaker 2>Like it was like a reawakening or an awakening for me,

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<v Speaker 2>Like I started to find out who to reak was,

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<v Speaker 2>you know what I mean? At that point, and I

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<v Speaker 2>was reading and writing and creating and applying to schools

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<v Speaker 2>and doing all of these different things. And that's when

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<v Speaker 2>I really really started diving deep into my poetry. At

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<v Speaker 2>that point, I was just writing and creating and doing

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<v Speaker 2>this and writing a script and writing about writing my

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<v Speaker 2>poetry and where I was in my life and all

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<v Speaker 2>of these different things, and it really started coming out

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<v Speaker 2>during that time.

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<v Speaker 5>So yeah, that's.

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<v Speaker 2>When I really started, and I think not I think

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<v Speaker 2>I know for a fact, it was because I started

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<v Speaker 2>to really understand my purpose and where I was headed.

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<v Speaker 2>I didn't quite get it at that point, but I

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<v Speaker 2>was just starting to scratch the surface, like, Okay, I

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<v Speaker 2>know what God is telling me, you know.

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<v Speaker 3>Yeah, I mean, how important do you think those types

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<v Speaker 3>of like you said, I mean, it's like a pilgrimage

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<v Speaker 3>almost like your Malcolm X took a pilgrimage to Mecca

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<v Speaker 3>and came back very a bit of a different person.

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<v Speaker 3>How important for you personally is it to take maybe

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<v Speaker 3>those I guess maybe almost those bodily breaks. Do you

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<v Speaker 3>still find yourself taking those same exact breaks to maybe

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<v Speaker 3>find that same inspiration again.

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<v Speaker 5>Well, first off, it's super important.

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<v Speaker 2>But with how everybody's life is set up. Yeah, people

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<v Speaker 2>got kids, jobs, different things like that. I didn't have

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<v Speaker 2>anything at that but I just had a girlfriend at

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<v Speaker 2>the time, no disrespect, but I had a garling at

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<v Speaker 2>the time, so I had a little more and she

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<v Speaker 2>encouraged me to go too, so that was also helpful.

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<v Speaker 2>But the way people's lives are set up, it's difficult

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<v Speaker 2>to do it. But with how my life has shaped

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<v Speaker 2>out to be, like, it's super necessary, it really is,

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<v Speaker 2>like and people might not have that, Like I was

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<v Speaker 2>away for about two and a half months, just I

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<v Speaker 2>just left, you know what I mean. Everybody doesn't have

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<v Speaker 2>the opportunity to do that, you know, but it is necessary.

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<v Speaker 2>It is very necessary because we got to take care

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<v Speaker 2>of ourselves. And before I went, I was lost, like

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<v Speaker 2>I had Like I don't want to say I had nothing,

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<v Speaker 2>but practically nothing. I didn't know what I wanted to

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<v Speaker 2>do with myself. I just finished with all of my

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<v Speaker 2>credits and everything for undergrad and I hadn't I didn't

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<v Speaker 2>know what I was lost.

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<v Speaker 5>You know what I mean. So just back to your question, though,

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<v Speaker 5>it's super super important, super necessary, and at this point

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<v Speaker 5>in my life, I still take those times to uh

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<v Speaker 5>and I have three.

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<v Speaker 2>Kids and a wife now, so I can't just say,

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<v Speaker 2>all right, I'm out, I'm gonna go.

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<v Speaker 5>To Virgin Islands for a few months.

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<v Speaker 2>No, I can't do that, but there are spent Like

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<v Speaker 2>you have meditation, you know you have therapy. You know,

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<v Speaker 2>for me, I create, but I take my time and

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<v Speaker 2>I take my time in space to be able to

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<v Speaker 2>do those things so that I could create all of

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<v Speaker 2>these things that I do.

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<v Speaker 5>So it's super necessary, you know, making sure that you

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<v Speaker 5>make yourself a priority.

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<v Speaker 2>And that's ultimately what I did when I went away

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<v Speaker 2>to Saint Croi's. I made myself the priority so that

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<v Speaker 2>I can take care of myself, and so many beautiful

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<v Speaker 2>things came from it.

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<v Speaker 5>And that's the same thing.

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<v Speaker 2>That I've done now that I'm doing now and how

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<v Speaker 2>I've can how I've come to create the things that

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<v Speaker 2>I've created.

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<v Speaker 3>So absolutely and speaking of I mean beautiful things being

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<v Speaker 3>created by beautiful, amazing people. Nikki Giovanni praised your ability

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<v Speaker 3>to capture both the universal and the deeply personal. Well,

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<v Speaker 3>first and foremost, tell me how did that come about?

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<v Speaker 4>Did you to me?

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<v Speaker 1>How?

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<v Speaker 3>Tell us how the story behind her giving you that?

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<v Speaker 3>I mean that amazing raise.

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<v Speaker 1>On your work.

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<v Speaker 2>Yeah, first and foremost resting piece, Niggi, the great Missus

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<v Speaker 2>Nigga Giovanni, rest in peace. So I never got the

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<v Speaker 2>honor of meeting her in person or whatnot, but we

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<v Speaker 2>were able to exchange through exchange emails and.

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<v Speaker 5>Contact and stuff like that.

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<v Speaker 2>But with my poetry book, I was just everything I

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<v Speaker 2>do is independent, So I google this trying to figure

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<v Speaker 2>that out. I wish we had chat, GPT and time

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<v Speaker 2>to reach her sooner, but I've went through all of

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<v Speaker 2>these loopholes just trying to figure out how to reach

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<v Speaker 2>her and so many other people. And I was just

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<v Speaker 2>trying to get blurbed for my poetry book at the time,

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<v Speaker 2>and she wound up reaching back out to me and

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<v Speaker 2>you know, looked at my work and everything, and she.

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<v Speaker 5>Gave me that beautiful blurb that.

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<v Speaker 2>Well, somebody gave me a beautiful idea to put the quote,

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<v Speaker 2>not the entire quote, but some of the quote on

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<v Speaker 2>the hoodie on a hoodie for the merch that I'm

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<v Speaker 2>selling with a new project. So big, big love and

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<v Speaker 2>respect to miss Nikki Jiovanni. She she means and she

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<v Speaker 2>meant to me so much, to not just authors and

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<v Speaker 2>poets and things like that, but just people in general.

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<v Speaker 5>You know, she meant so much.

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<v Speaker 4>Yeah, I mean, tell me more.

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<v Speaker 3>I mean, what does it mean when someone I mean,

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<v Speaker 3>such a great literary giant, someone of such gravity gravity?

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<v Speaker 3>What does it mean when you hear someone like her

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<v Speaker 3>praise your work like that to you personally on a

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<v Speaker 3>personal level.

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<v Speaker 2>On a personal level, it just tells me that I'm

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<v Speaker 2>doing the right things. You know, I'm headed in the

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<v Speaker 2>right direction. My voice matters.

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<v Speaker 5>You know.

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<v Speaker 2>Sometimes we do these things and podcasts and things like

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<v Speaker 2>that and we think, you know, sometimes we question ourselves

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<v Speaker 2>like am I you know, am I doing this right?

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<v Speaker 5>Or about this the right way and stuff like that.

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<v Speaker 2>But when you get you know, nas like that, it's like, okay,

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<v Speaker 2>I'm I'm doing something.

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<v Speaker 4>Yeah, yeah, I'm.

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<v Speaker 5>Doing something right, you know what I mean.

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<v Speaker 2>And just that that nod from her lets me know,

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<v Speaker 2>like all right, and that reassurance of I guess of

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<v Speaker 2>it being on the hoodie. I think that will also

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<v Speaker 2>like be like okay, you know, that's a reminder like

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<v Speaker 2>all right, you know, you don't have all the things

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<v Speaker 2>that you want, you're not doing all that, You're not

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<v Speaker 2>in the space that you want to be right now.

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<v Speaker 2>But miss Nikki Giovanni gave you the nod, so keep going.

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<v Speaker 2>You're doing the right thing.

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<v Speaker 3>So absolutely absolutely now moving along a bit so your

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<v Speaker 3>memoir it's called a diamond in God's dirt. It's a

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<v Speaker 3>powerful I feel almost spiritual title what I mean, tell

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<v Speaker 3>us where did that come from? And I guess when I.

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<v Speaker 4>Hear a diamond in God's dirt.

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<v Speaker 3>I'm thinking, what dirt did you have to kind of

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<v Speaker 3>dig through to find your own diamond?

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<v Speaker 4>Tell me a bit about that.

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<v Speaker 5>You know what I mean. It's dirt, but it's God's dirt,

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<v Speaker 5>so you gotta dust the dirt off. And you know

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<v Speaker 5>I'm the god dust it all.

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<v Speaker 2>But I'm a huge Kendrick Lamar fan. So one of

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<v Speaker 2>his songs, his lyrics like He's a diamond in guy's dirt.

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<v Speaker 2>I just kind of took it to be honest, and

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<v Speaker 2>I use it as mine and created, you know, my autobiography,

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<v Speaker 2>And I mean the meaning behind it is kind of

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<v Speaker 2>self explanatory. Is just like, you know, the dirt is

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<v Speaker 2>me going through me being dirty from all of the

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<v Speaker 2>hardships and challenges and everything that I've dealt with throughout

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<v Speaker 2>my lifetime. But even though I have dirt and all

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<v Speaker 2>of these things on me, I'm still a diamond and

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<v Speaker 2>God is working on me shining the diamond off, shining

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<v Speaker 2>the dirt off of the diamond so that I can

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<v Speaker 2>be the best version of myself. And I can shine

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<v Speaker 2>or help shine God's light on other people. So it's

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<v Speaker 2>very spiritual.

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<v Speaker 5>And when you see the cover, the cover is actually

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<v Speaker 5>my mom's hand and my dad's hand. My uncle actually

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<v Speaker 5>created the artwork and that's my mom's actual hand, and

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<v Speaker 5>my dad took a picture and then he like drew it. It

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<v Speaker 5>was beautiful.

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<v Speaker 2>And then it's like milk and honey, which is in

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<v Speaker 2>the Bible, spilled into the diamond, which created the diamond,

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<v Speaker 2>which is me.

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<v Speaker 5>So it means that artwork means a lot to me.

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<v Speaker 5>It means everything to me because that's.

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<v Speaker 2>My parents molding me to be the person I am,

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<v Speaker 2>but also again against God creating them to create me,

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<v Speaker 2>and then all of those other spiritud things and connections.

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<v Speaker 3>So yes, well, I mean, what was the biggest thing

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<v Speaker 3>you learned about yourself and writing that memoir?

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<v Speaker 5>Oh me the wine.

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<v Speaker 2>At that time, man, I was able to overcome a

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<v Speaker 2>whole lot that I didn't think I'd be able to

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<v Speaker 2>persevere through. And going back to the title of diamond

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<v Speaker 2>and God's dirt, it wasn't me that got to that point.

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<v Speaker 5>It was God that willed me.

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<v Speaker 2>To putting that project together, will me through life to

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<v Speaker 2>be able to create a project like that, but just

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<v Speaker 2>me having allowing God to work through me to be

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<v Speaker 2>able to create such an important body and work, and

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<v Speaker 2>I was able to do so many different things with

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<v Speaker 2>that body, Like I went to buzz boys and poets.

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<v Speaker 5>And just some poetry and met so many people.

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<v Speaker 2>And that what to answer your question, I started coming

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<v Speaker 2>into my own I realized like, Okay, this is this

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<v Speaker 2>is what it is, this is what I'm going to do.

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<v Speaker 2>And it wasn't just about me just because I love

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<v Speaker 2>the process of creating and putting something beautiful together, but

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<v Speaker 2>once it starts connecting, it's like, Okay, I'm doing this

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<v Speaker 2>is this is the real work right here, and I'm

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<v Speaker 2>starting to connect with people with the messaging and things

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<v Speaker 2>that I the things that I'm writing about. So just

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<v Speaker 2>realizing that what I'm creating is actually connecting and I'm

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<v Speaker 2>doing the work that God wants me to do.

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<v Speaker 4>Absolutely.

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<v Speaker 3>Now tell me, kind of speaking more of your work,

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<v Speaker 3>what's so unique about it is? You know, you fuse

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<v Speaker 3>a lot of jazz, hip hop and spoken word together.

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<v Speaker 4>I mean, what do you think specifically.

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<v Speaker 3>Those genres again, jazz, hip hop, spoken word, what do

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<v Speaker 3>you think they allow you to say or feel maybe

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<v Speaker 3>that traditional poetry just cannot.

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<v Speaker 2>Allows me to express myself, and however I want to

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<v Speaker 2>express myself, you know what I mean. You know, I'm

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00:21:34.279 --> 00:21:36.000
<v Speaker 2>able to talk a little bit on it and be

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00:21:36.400 --> 00:21:39.519
<v Speaker 2>you know, cool, savvy, whatever you want to call it.

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<v Speaker 2>But overall for me is just me being able to

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<v Speaker 2>really just express myself however I want on some cool beats.

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00:21:48.240 --> 00:21:51.960
<v Speaker 2>I'm grounded in nineties and jazz and things like that.

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<v Speaker 2>So when you listen to my music, that's what you'll hear,

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00:21:56.039 --> 00:21:57.880
<v Speaker 2>you know what I mean. And that's not intentional, it's

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<v Speaker 2>a subconscious thing. I just rap it towards I guess,

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00:22:01.519 --> 00:22:04.680
<v Speaker 2>those kinds of beats because again, that's what I love.

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<v Speaker 5>I love the nineties music and things like that. So

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<v Speaker 5>just being able to express myself as freely as I

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<v Speaker 5>want to. And I don't even intentionally mean to, like

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<v Speaker 5>like I have hooks on my my poetry and on

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<v Speaker 5>my songs, I don't. It just comes to me naturally.

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<v Speaker 5>It just comes to me.

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<v Speaker 2>Like I'm not going like, I'm not going into it,

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<v Speaker 2>like all right, I'm gonna write a poem and then

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<v Speaker 2>I'm gonna write a hook.

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<v Speaker 5>I'm not going into it like that.

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<v Speaker 2>I just write the poem, right, and then as I'm

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<v Speaker 2>hearing a beat, I'm like, oh, that's kind of cool,

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<v Speaker 2>and then I'll just create a hook that goes with it.

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<v Speaker 2>So again, I don't go into it wanting to create

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<v Speaker 2>a hook. It just comes to me naturally. And I

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<v Speaker 2>say that humbly obviously.

425
00:22:51.440 --> 00:22:53.640
<v Speaker 4>Oh you know, it's okay to be not humble sometimes

426
00:22:54.599 --> 00:22:54.880
<v Speaker 4>to me.

427
00:22:55.559 --> 00:22:58.559
<v Speaker 3>So, you know, speaking, I thought, I find it interesting

428
00:22:58.640 --> 00:23:01.319
<v Speaker 3>you love the nineties, and one thing about the nineties,

429
00:23:01.359 --> 00:23:04.119
<v Speaker 3>I feel like that was a time of such it's

430
00:23:04.160 --> 00:23:07.440
<v Speaker 3>so different from today's art, especially in terms of the

431
00:23:07.480 --> 00:23:10.839
<v Speaker 3>spoken word, right, because in the nineties it was very

432
00:23:10.920 --> 00:23:15.319
<v Speaker 3>much defiance. I feel like, you know, Lady of Rage

433
00:23:15.359 --> 00:23:19.359
<v Speaker 3>was a big rapper, public enemy, you know, NWA. Even

434
00:23:19.359 --> 00:23:22.200
<v Speaker 3>in the names of our groups, we had defiance in

435
00:23:22.240 --> 00:23:24.759
<v Speaker 3>the title, and that I feel like, in some ways

436
00:23:24.920 --> 00:23:29.079
<v Speaker 3>is a bit more difficult to find in today's cultural landscape.

437
00:23:29.200 --> 00:23:33.119
<v Speaker 3>Without getting too political, we don't really have a defiance now.

438
00:23:33.480 --> 00:23:36.000
<v Speaker 3>We have a system almost that wants to go with

439
00:23:36.039 --> 00:23:38.960
<v Speaker 3>the system that reflects in the art. But what I

440
00:23:39.079 --> 00:23:41.079
<v Speaker 3>love about your new album.

441
00:23:40.839 --> 00:23:42.680
<v Speaker 4>It's called kiss My Art.

442
00:23:42.880 --> 00:23:47.240
<v Speaker 3>So that title that feels both defiant but also very free.

443
00:23:47.960 --> 00:23:50.880
<v Speaker 3>Tell me what what went into this new album and

444
00:23:51.000 --> 00:23:53.720
<v Speaker 3>kind of what this new spoken word piece. What was

445
00:23:53.759 --> 00:23:55.440
<v Speaker 3>the creativity process for you?

446
00:23:56.200 --> 00:23:58.640
<v Speaker 2>I love how you put that together. And that's Spottle.

447
00:23:59.279 --> 00:24:02.720
<v Speaker 2>It's really because when you hear it kiss my Art,

448
00:24:02.759 --> 00:24:04.200
<v Speaker 2>it's like kiss.

449
00:24:04.000 --> 00:24:05.519
<v Speaker 5>My you know what I mean.

450
00:24:05.720 --> 00:24:09.960
<v Speaker 2>But I'm also just honoring where I am in my

451
00:24:10.039 --> 00:24:14.480
<v Speaker 2>life and honoring my art. But before before I get

452
00:24:14.480 --> 00:24:18.359
<v Speaker 2>to kiss my Art, my project When the Heart Speaks,

453
00:24:19.920 --> 00:24:23.880
<v Speaker 2>which is Grammy considered right now. Thank God, it's super

454
00:24:24.119 --> 00:24:28.160
<v Speaker 2>super important project. But that's the prelude to my album,

455
00:24:28.240 --> 00:24:31.640
<v Speaker 2>Kiss My Art. But it all the rolls around art

456
00:24:31.799 --> 00:24:34.319
<v Speaker 2>and me and bracing where I'm at in my life

457
00:24:34.400 --> 00:24:38.640
<v Speaker 2>right now. And I always come to points where I'm

458
00:24:38.640 --> 00:24:41.079
<v Speaker 2>going through so many different things in my life and

459
00:24:41.119 --> 00:24:43.720
<v Speaker 2>then I just start creating. And I was just saying

460
00:24:43.759 --> 00:24:48.680
<v Speaker 2>this with a previous interview. Sometimes I feel like I'm

461
00:24:48.680 --> 00:24:53.279
<v Speaker 2>married J Blige. You know you gotta go through some

462
00:24:53.319 --> 00:24:56.680
<v Speaker 2>struggle to create something beautiful or whatnot. But you know

463
00:24:56.799 --> 00:24:59.559
<v Speaker 2>it's necessary, you know what I mean? And I know

464
00:24:59.599 --> 00:25:03.799
<v Speaker 2>the work is uh, I take myself outside, I take

465
00:25:03.839 --> 00:25:06.680
<v Speaker 2>myself outside of myself because I know my purpose is

466
00:25:06.680 --> 00:25:09.440
<v Speaker 2>to help other people and my story and my journey

467
00:25:09.519 --> 00:25:11.720
<v Speaker 2>is not about me, and that's what this project is about.

468
00:25:11.759 --> 00:25:14.880
<v Speaker 2>It's about it's healing, you know, it's healing for me

469
00:25:16.880 --> 00:25:19.079
<v Speaker 2>and just embracing who I am as a person, as

470
00:25:19.079 --> 00:25:24.279
<v Speaker 2>a man, as an artist, truly coming into my own

471
00:25:24.359 --> 00:25:27.799
<v Speaker 2>now because I said that before, but I'm truly coming

472
00:25:27.799 --> 00:25:30.920
<v Speaker 2>into my own now. Like this project is elevated more

473
00:25:30.920 --> 00:25:33.880
<v Speaker 2>than any other project that I've created, and it's so

474
00:25:34.079 --> 00:25:37.039
<v Speaker 2>very important for people to listen to it so that

475
00:25:37.119 --> 00:25:41.920
<v Speaker 2>they could heal, so that they could embrace where they

476
00:25:41.960 --> 00:25:45.680
<v Speaker 2>are in their journey in life, whether it be through grief,

477
00:25:45.839 --> 00:25:52.279
<v Speaker 2>whether it be financial hardship, family problems, jobs, whatever, it's

478
00:25:52.319 --> 00:25:56.400
<v Speaker 2>a This project is about embracing it all good or bad,

479
00:25:56.559 --> 00:25:59.359
<v Speaker 2>and just finding a way. If you don't like where

480
00:25:59.359 --> 00:26:01.319
<v Speaker 2>you are, you know, you have to embrace it so

481
00:26:01.359 --> 00:26:03.039
<v Speaker 2>that you can get to the other side, you know,

482
00:26:04.000 --> 00:26:06.200
<v Speaker 2>And it starts with accepting where you are, you know

483
00:26:06.240 --> 00:26:06.640
<v Speaker 2>what I mean.

484
00:26:06.759 --> 00:26:12.240
<v Speaker 5>That's the part of embracing. So yeah, that this body

485
00:26:12.240 --> 00:26:15.440
<v Speaker 5>of work is also a tribute to my mom. I

486
00:26:15.480 --> 00:26:18.759
<v Speaker 5>lost my mom.

487
00:26:18.240 --> 00:26:23.440
<v Speaker 2>In twenty twenty one to a car accident, actually and

488
00:26:24.000 --> 00:26:29.079
<v Speaker 2>tragic car accident. So my single to this album because

489
00:26:29.160 --> 00:26:32.920
<v Speaker 2>my art No Regrets is a huge tribute to her,

490
00:26:33.200 --> 00:26:35.079
<v Speaker 2>and a few other tracks on there is a tribute

491
00:26:35.119 --> 00:26:35.839
<v Speaker 2>to her as well.

492
00:26:37.000 --> 00:26:38.599
<v Speaker 5>And like I said, this whole.

493
00:26:38.319 --> 00:26:41.799
<v Speaker 2>Body of work is just in me facing you know,

494
00:26:43.920 --> 00:26:48.119
<v Speaker 2>those tough times, tough situations. I'm not having my mom

495
00:26:48.160 --> 00:26:51.440
<v Speaker 2>here but saying okay to Rick, you gotta face this

496
00:26:51.599 --> 00:26:54.039
<v Speaker 2>so that you can take steps forward. And if you

497
00:26:54.079 --> 00:26:55.839
<v Speaker 2>don't face this, you're not going to be able to

498
00:26:55.920 --> 00:26:58.920
<v Speaker 2>take steps forward. So again going back to me saying

499
00:26:58.960 --> 00:27:01.759
<v Speaker 2>it's not about me, like, all right, although this is

500
00:27:01.799 --> 00:27:03.839
<v Speaker 2>my grief and these are other things that I have

501
00:27:03.920 --> 00:27:06.000
<v Speaker 2>to deal with, I'm not the only one who grieves,

502
00:27:06.480 --> 00:27:08.200
<v Speaker 2>you know what I mean. I'm not the only lone

503
00:27:08.279 --> 00:27:11.480
<v Speaker 2>person who's lost a parent or lost someone. So it's like,

504
00:27:11.519 --> 00:27:14.279
<v Speaker 2>all right, well I have to show people. And not

505
00:27:14.359 --> 00:27:16.680
<v Speaker 2>that I intentionally went in that way, but at that

506
00:27:16.680 --> 00:27:19.039
<v Speaker 2>I created, I'm like, Okay, I can be a voice

507
00:27:19.079 --> 00:27:21.799
<v Speaker 2>for other people, like all right, well if I can

508
00:27:21.839 --> 00:27:23.200
<v Speaker 2>do it, and I know it sounds cliche.

509
00:27:23.240 --> 00:27:25.160
<v Speaker 5>If I can do it, the next person can as well.

510
00:27:25.240 --> 00:27:29.720
<v Speaker 5>But I put it on wax if you may through

511
00:27:29.759 --> 00:27:31.319
<v Speaker 5>my album, So yes.

512
00:27:31.319 --> 00:27:33.599
<v Speaker 3>Yeah, so that I mean, speaking of your mom, and

513
00:27:33.599 --> 00:27:36.359
<v Speaker 3>again made her soul rest in perfect peace. I mean

514
00:27:36.359 --> 00:27:39.839
<v Speaker 3>the album actually opens with a voicemail from your late

515
00:27:39.920 --> 00:27:44.119
<v Speaker 3>mother tell us, I mean, how did weaving you know,

516
00:27:44.200 --> 00:27:48.240
<v Speaker 3>your mother's voice into your art change your relationship maybe

517
00:27:48.279 --> 00:27:51.119
<v Speaker 3>with grief and remembrance or it or did it?

518
00:27:54.279 --> 00:27:58.000
<v Speaker 2>So when I first thought of putting her well, first off,

519
00:27:58.039 --> 00:27:59.920
<v Speaker 2>I stumbled across putting her on the track.

520
00:28:00.200 --> 00:28:03.240
<v Speaker 5>No, you do, somebody or whatever.

521
00:28:03.359 --> 00:28:06.559
<v Speaker 2>You start going through old text messages and voice sales

522
00:28:06.640 --> 00:28:07.480
<v Speaker 2>and things like that.

523
00:28:07.599 --> 00:28:10.920
<v Speaker 5>So that's what I was doing. And I'm just.

524
00:28:10.880 --> 00:28:16.319
<v Speaker 2>Listening and crying and questioning God and going through all

525
00:28:16.359 --> 00:28:19.799
<v Speaker 2>of my emotions, my feels. As the kids would say,

526
00:28:20.359 --> 00:28:23.599
<v Speaker 2>I'm just just going through the process of just grieving.

527
00:28:26.160 --> 00:28:27.720
<v Speaker 2>It came to me like, all right, let me just

528
00:28:29.039 --> 00:28:32.279
<v Speaker 2>put this on the track once. Once I was able

529
00:28:32.319 --> 00:28:34.799
<v Speaker 2>to take that step forward, I knew I was ready

530
00:28:34.799 --> 00:28:39.599
<v Speaker 2>to start creating again. But grief is forever. Grief is

531
00:28:39.640 --> 00:28:43.519
<v Speaker 2>not all right. I grieve, I grieve this month, I'm

532
00:28:43.559 --> 00:28:47.279
<v Speaker 2>over it. I'm good. No, that's not how grief works.

533
00:28:47.759 --> 00:28:50.519
<v Speaker 2>They say grief gets better with time. For me, it

534
00:28:50.599 --> 00:28:55.559
<v Speaker 2>does not, especially with the things that I'm doing, the

535
00:28:55.559 --> 00:28:59.839
<v Speaker 2>things that I'm accomplishing. Having a family and all of

536
00:28:59.839 --> 00:29:02.079
<v Speaker 2>these things. I want my mom here, you know what

537
00:29:02.079 --> 00:29:04.359
<v Speaker 2>I mean. So it does not get easy, it gets

538
00:29:04.440 --> 00:29:12.599
<v Speaker 2>more difficult. But just including her on the album it

539
00:29:12.640 --> 00:29:15.920
<v Speaker 2>was healing for me. It was healing for me. And

540
00:29:15.960 --> 00:29:18.720
<v Speaker 2>even these interviews and talking about her is healing for me.

541
00:29:19.039 --> 00:29:21.440
<v Speaker 2>It's like a small piece that's being healed every time

542
00:29:21.480 --> 00:29:25.319
<v Speaker 2>I talk about her and stuff. And sometimes it's difficult

543
00:29:25.359 --> 00:29:28.319
<v Speaker 2>for me to listen to on the voicemail at the beginning,

544
00:29:29.319 --> 00:29:32.440
<v Speaker 2>or even a song still and and and honestly it's

545
00:29:32.480 --> 00:29:35.119
<v Speaker 2>because of repetition too, because the song has just been

546
00:29:35.160 --> 00:29:39.200
<v Speaker 2>playing from playing him playing, you know how it is

547
00:29:39.200 --> 00:29:41.480
<v Speaker 2>with singles, It's like, all right, I'm tired of it.

548
00:29:43.119 --> 00:29:49.599
<v Speaker 2>But honestly, the creating it, it's it was healing. Just

549
00:29:50.319 --> 00:29:54.440
<v Speaker 2>simply put, it was healing listening to her, putting her

550
00:29:54.480 --> 00:29:59.880
<v Speaker 2>on the album on that track specifically, it was healing

551
00:29:59.880 --> 00:30:02.480
<v Speaker 2>for healing from my spirit, healing for my soul, healing

552
00:30:02.519 --> 00:30:09.079
<v Speaker 2>from my mind. It was a whole healing process for me,

553
00:30:09.319 --> 00:30:10.039
<v Speaker 2>to be honest.

554
00:30:10.440 --> 00:30:13.160
<v Speaker 3>Yeah, yeah, I mean in healing seems to be kind

555
00:30:13.200 --> 00:30:16.160
<v Speaker 3>of just the centralized theme of your work. But tell me,

556
00:30:16.240 --> 00:30:19.720
<v Speaker 3>I mean this your new album again, kiss my art.

557
00:30:20.359 --> 00:30:23.640
<v Speaker 3>It does seem like, how did you know it had

558
00:30:23.680 --> 00:30:26.960
<v Speaker 3>to be infused with music as opposed to all your

559
00:30:27.000 --> 00:30:30.319
<v Speaker 3>other pieces, you know, bodies of work you've created, not

560
00:30:30.400 --> 00:30:33.160
<v Speaker 3>just poetry on the page. What made you this time

561
00:30:33.240 --> 00:30:35.720
<v Speaker 3>kind of just say, you know what, this healing work,

562
00:30:36.240 --> 00:30:36.880
<v Speaker 3>this has.

563
00:30:36.680 --> 00:30:39.359
<v Speaker 4>To be infused with music? What really kind of put

564
00:30:39.440 --> 00:30:40.440
<v Speaker 4>you on that track?

565
00:30:41.480 --> 00:30:47.920
<v Speaker 2>Expression and connection as mentioned like, I mean, for me,

566
00:30:48.880 --> 00:30:52.920
<v Speaker 2>the arts is no but the art you can express

567
00:30:52.960 --> 00:30:57.000
<v Speaker 2>yourself however you want, right, Yeah, And with where I

568
00:30:57.039 --> 00:31:01.880
<v Speaker 2>was and where I still am, to a certain degree,

569
00:31:02.039 --> 00:31:05.799
<v Speaker 2>I needed a place to be able to just release.

570
00:31:06.279 --> 00:31:06.920
<v Speaker 5>You know what I mean?

571
00:31:07.000 --> 00:31:10.160
<v Speaker 2>And I know I knew and I know that me

572
00:31:10.319 --> 00:31:13.640
<v Speaker 2>releasing that in the ways that I did on each track,

573
00:31:14.160 --> 00:31:17.000
<v Speaker 2>it's going to connect. So going back to the expression

574
00:31:17.000 --> 00:31:19.200
<v Speaker 2>and connection, I just wanted to be able to. I

575
00:31:19.240 --> 00:31:23.680
<v Speaker 2>cried on some tracks, I was angry on some tracks,

576
00:31:24.960 --> 00:31:30.640
<v Speaker 2>and just going through the natural progression of my feelings

577
00:31:30.680 --> 00:31:31.519
<v Speaker 2>and emotions.

578
00:31:31.960 --> 00:31:33.599
<v Speaker 5>And that is just that.

579
00:31:33.799 --> 00:31:41.039
<v Speaker 2>Human right, and those naturally human emotions and expressions are

580
00:31:41.799 --> 00:31:44.680
<v Speaker 2>has and will continue to connect with people. And I

581
00:31:44.720 --> 00:31:48.000
<v Speaker 2>know it's going to resonate and help the next person

582
00:31:48.079 --> 00:31:52.599
<v Speaker 2>here along their healing process. So for me, it was

583
00:31:52.640 --> 00:31:56.559
<v Speaker 2>just connection, expression and connection first and foremost it was expression.

584
00:31:56.599 --> 00:31:59.119
<v Speaker 2>I had to let it out. I had to let

585
00:31:59.160 --> 00:32:00.799
<v Speaker 2>it out, you know what I mean, Which is why

586
00:32:00.839 --> 00:32:04.319
<v Speaker 2>I'm so excited to start getting on stages and perform

587
00:32:04.359 --> 00:32:07.039
<v Speaker 2>in this body of work. I'm super excited because that's

588
00:32:07.039 --> 00:32:10.720
<v Speaker 2>going to draw even more connection and amplify my voice

589
00:32:10.839 --> 00:32:12.880
<v Speaker 2>and this project to so many more people.

590
00:32:12.920 --> 00:32:14.480
<v Speaker 5>So I'm super excited for that.

591
00:32:15.200 --> 00:32:17.240
<v Speaker 3>And when you have such a project that kind of

592
00:32:17.440 --> 00:32:21.079
<v Speaker 3>has engaged you in such ways all of your senses,

593
00:32:21.160 --> 00:32:24.200
<v Speaker 3>but also it seems a spiritual sense, how did you know?

594
00:32:24.240 --> 00:32:26.480
<v Speaker 3>And I always want to ask an artist this, and

595
00:32:26.519 --> 00:32:28.279
<v Speaker 3>sometimes I never have the chance to.

596
00:32:28.680 --> 00:32:29.720
<v Speaker 4>How did you know when.

597
00:32:29.599 --> 00:32:31.960
<v Speaker 3>You were finished making the album? Or how did you

598
00:32:32.000 --> 00:32:34.279
<v Speaker 3>know you were finished with this body of work? When

599
00:32:34.279 --> 00:32:36.240
<v Speaker 3>did you just say, hey, you know what, I'm done,

600
00:32:36.359 --> 00:32:39.279
<v Speaker 3>this is complete now? Or do you ever have that feeling.

601
00:32:39.799 --> 00:32:48.000
<v Speaker 2>Like finished, like completing this actual the album or just period.

602
00:32:48.319 --> 00:32:51.759
<v Speaker 3>Just completing the actual, the whole piece, the body of work,

603
00:32:51.799 --> 00:32:53.799
<v Speaker 3>the actual album, You're like, you know, let me send

604
00:32:53.799 --> 00:32:54.640
<v Speaker 3>it in for mastering.

605
00:32:54.960 --> 00:32:57.400
<v Speaker 4>I'm done now. We no more to add, no more to,

606
00:32:57.640 --> 00:32:59.640
<v Speaker 4>no more to split this up. We're done. We're going

607
00:32:59.680 --> 00:33:01.720
<v Speaker 4>to send them for final editor you know.

608
00:33:02.599 --> 00:33:06.000
<v Speaker 2>I think that was my producer. Shout out to my producer,

609
00:33:06.759 --> 00:33:12.319
<v Speaker 2>Keene Dunkley. He's actually rem nominated producers. Shout out to him.

610
00:33:12.359 --> 00:33:15.200
<v Speaker 2>But I had a couple other tracks that I wanted

611
00:33:15.200 --> 00:33:19.400
<v Speaker 2>to include as well. For me, sometimes I don't know

612
00:33:20.440 --> 00:33:23.400
<v Speaker 2>he's finished because I'll be having so much to say.

613
00:33:23.640 --> 00:33:25.400
<v Speaker 2>But I guess that's also why you have a team.

614
00:33:25.440 --> 00:33:26.920
<v Speaker 2>It's like, all right, we got to cut it at

615
00:33:26.920 --> 00:33:27.720
<v Speaker 2>this point.

616
00:33:27.920 --> 00:33:28.559
<v Speaker 5>You know what I mean.

617
00:33:29.960 --> 00:33:33.960
<v Speaker 2>And that's difficult being independent too, because sometimes like prior

618
00:33:34.000 --> 00:33:37.799
<v Speaker 2>to this project, yeah, prior to this project, actually I

619
00:33:37.839 --> 00:33:39.119
<v Speaker 2>was just doing everything myself.

620
00:33:39.160 --> 00:33:41.519
<v Speaker 5>So I can want to cut it.

621
00:33:41.880 --> 00:33:45.200
<v Speaker 4>Well, yeah, I mean so if I you.

622
00:33:45.119 --> 00:33:48.680
<v Speaker 2>Know, with me having a team, like I was cut

623
00:33:48.680 --> 00:33:52.759
<v Speaker 2>at eleven tracks, Yeah, yeah, eleven tracks.

624
00:33:53.279 --> 00:33:56.920
<v Speaker 5>But I could have I have like four or five

625
00:33:57.240 --> 00:34:01.279
<v Speaker 5>additional tracks. But going back to the nineties.

626
00:34:00.880 --> 00:34:05.640
<v Speaker 2>Right the nineties, it was ten nine, ten, maybe twelve

627
00:34:05.640 --> 00:34:09.599
<v Speaker 2>tracks total, you know what I mean. So I mean

628
00:34:09.760 --> 00:34:14.159
<v Speaker 2>subconsciously I give you that with the eleven tracks, to

629
00:34:14.239 --> 00:34:17.800
<v Speaker 2>be honest, versus today where a lot of artists are

630
00:34:17.840 --> 00:34:20.440
<v Speaker 2>giving you twenty tracks or something like that.

631
00:34:21.039 --> 00:34:21.760
<v Speaker 5>You know what I mean?

632
00:34:22.400 --> 00:34:24.960
<v Speaker 2>So, but just to answer your question, just having a

633
00:34:25.000 --> 00:34:29.000
<v Speaker 2>team and with my producer helping me to kind of

634
00:34:29.079 --> 00:34:32.719
<v Speaker 2>narrow the tracks down, and honestly being there in the

635
00:34:32.760 --> 00:34:36.880
<v Speaker 2>studio with him and listening to each track from start

636
00:34:36.960 --> 00:34:40.320
<v Speaker 2>to finish, it felt like it was finished, to be honest.

637
00:34:40.360 --> 00:34:43.880
<v Speaker 5>With the very last track from No Regrets to Still Here,

638
00:34:44.440 --> 00:34:47.000
<v Speaker 5>it was like, all right, that's it. It sounds like

639
00:34:47.039 --> 00:34:50.039
<v Speaker 5>it really sounds like it's done. It's finished. We're done.

640
00:34:50.079 --> 00:34:52.000
<v Speaker 5>That's a rat you know what I mean.

641
00:34:52.039 --> 00:34:55.280
<v Speaker 2>So it's a feeling, it's definitely a feeling. But I

642
00:34:55.320 --> 00:34:57.679
<v Speaker 2>had to get to that feeling, you know what I mean,

643
00:34:57.719 --> 00:35:00.719
<v Speaker 2>because I had so much more to say. But that's

644
00:35:00.719 --> 00:35:03.000
<v Speaker 2>what the performance is in Everything is for stage, you

645
00:35:03.000 --> 00:35:03.519
<v Speaker 2>know what I mean.

646
00:35:03.679 --> 00:35:08.000
<v Speaker 3>So, yeah, absolutely, now tell me about I mean, so,

647
00:35:08.400 --> 00:35:11.639
<v Speaker 3>this show, this podcast, it's really about the power of

648
00:35:11.719 --> 00:35:15.519
<v Speaker 3>the voice of the poet, you know. So I want

649
00:35:15.559 --> 00:35:18.320
<v Speaker 3>to know you as someone that you're a poet. I mean,

650
00:35:19.079 --> 00:35:21.280
<v Speaker 3>what do you think is the role of the poet

651
00:35:21.280 --> 00:35:22.440
<v Speaker 3>today in our society?

652
00:35:22.840 --> 00:35:23.519
<v Speaker 4>You know, with our.

653
00:35:23.519 --> 00:35:27.199
<v Speaker 3>Changing discourse, things are changing by the day.

654
00:35:27.480 --> 00:35:29.320
<v Speaker 4>What do you think the role of the poet is

655
00:35:29.360 --> 00:35:30.199
<v Speaker 4>in today's world?

656
00:35:31.159 --> 00:35:35.039
<v Speaker 2>The role of the poet is to connect with people

657
00:35:35.599 --> 00:35:38.039
<v Speaker 2>first and foremost through emotion and expression.

658
00:35:39.079 --> 00:35:41.079
<v Speaker 5>That's how that's my mentality.

659
00:35:41.199 --> 00:35:45.800
<v Speaker 2>I always want to encourage other people and poets along.

660
00:35:45.480 --> 00:35:48.800
<v Speaker 5>The way to just express yourself as freely as possible

661
00:35:49.079 --> 00:35:50.039
<v Speaker 5>and to be yourself.

662
00:35:50.159 --> 00:35:53.320
<v Speaker 2>I think a lot of people out here try to

663
00:35:53.360 --> 00:35:56.239
<v Speaker 2>emulate this one or that one and try to do

664
00:35:56.280 --> 00:36:00.159
<v Speaker 2>this or that when that's not really who they are.

665
00:36:00.480 --> 00:36:06.199
<v Speaker 2>So just being authentic in your approach to creation, you

666
00:36:06.239 --> 00:36:09.719
<v Speaker 2>know what I mean. I think that's a huge responsibility,

667
00:36:10.360 --> 00:36:13.519
<v Speaker 2>and just trying to connect with people through that expression

668
00:36:14.039 --> 00:36:17.880
<v Speaker 2>of authenticity, you know what I mean. I think just

669
00:36:17.960 --> 00:36:21.480
<v Speaker 2>being authentic to who you are, your goal, your purpose,

670
00:36:21.519 --> 00:36:24.639
<v Speaker 2>your mission, will allow you to connect with so many

671
00:36:24.639 --> 00:36:30.159
<v Speaker 2>other people, you know what I mean. It's it's tough

672
00:36:30.599 --> 00:36:35.039
<v Speaker 2>out here watching some you know what I mean, It's

673
00:36:35.079 --> 00:36:39.960
<v Speaker 2>tough he just watching some artists or whatever whatever, jump

674
00:36:40.079 --> 00:36:40.679
<v Speaker 2>you know what I mean.

675
00:36:41.119 --> 00:36:41.639
<v Speaker 5>It's tough.

676
00:36:41.679 --> 00:36:46.639
<v Speaker 2>So it's a breath of fresh air when something authentic

677
00:36:46.920 --> 00:36:47.559
<v Speaker 2>comes around.

678
00:36:47.559 --> 00:36:50.599
<v Speaker 5>And when something authentic comes around, you know.

679
00:36:50.639 --> 00:36:52.840
<v Speaker 2>It, you know what I mean, and you can leave

680
00:36:52.960 --> 00:36:55.760
<v Speaker 2>out the the fake or whatever you want to call

681
00:36:55.800 --> 00:36:58.599
<v Speaker 2>it as well. So I think the role of the

682
00:36:58.639 --> 00:37:03.199
<v Speaker 2>poet is to just be authentic and express yourself authentically,

683
00:37:04.039 --> 00:37:08.239
<v Speaker 2>be yourself, be bold, and be yourself no matter what.

684
00:37:09.079 --> 00:37:12.239
<v Speaker 2>There's millions and millions and millions of poets that we

685
00:37:12.400 --> 00:37:14.360
<v Speaker 2>never even heard of, you know what I mean. I've

686
00:37:14.400 --> 00:37:17.360
<v Speaker 2>gone to like poetry slams and stuff like that in

687
00:37:17.440 --> 00:37:23.440
<v Speaker 2>New York, and there's so many different types of poets,

688
00:37:23.480 --> 00:37:27.320
<v Speaker 2>so many different types of poets, and sometimes I be

689
00:37:27.400 --> 00:37:30.559
<v Speaker 2>blown away, but I always it always takes me back

690
00:37:30.599 --> 00:37:32.559
<v Speaker 2>to when I was playing sports, when I was growing up,

691
00:37:32.559 --> 00:37:35.480
<v Speaker 2>and it's like, all right, don't worry about everybody else.

692
00:37:36.000 --> 00:37:37.880
<v Speaker 5>Just worry about yourself. You know that.

693
00:37:38.119 --> 00:37:41.280
<v Speaker 2>Obviously there are so many other better point guards shooting

694
00:37:41.280 --> 00:37:43.519
<v Speaker 2>guards than you, but we ain't worried about that. Just

695
00:37:43.559 --> 00:37:46.280
<v Speaker 2>focus on you better in your craft, be true to

696
00:37:46.320 --> 00:37:48.840
<v Speaker 2>who you are, and you're good, you.

697
00:37:48.800 --> 00:37:49.280
<v Speaker 5>Know what I mean.

698
00:37:49.440 --> 00:37:52.639
<v Speaker 2>That's the same reproach that I take with creating poetry

699
00:37:52.679 --> 00:37:55.480
<v Speaker 2>and writing and things like that. So like when I

700
00:37:55.559 --> 00:38:00.280
<v Speaker 2>created my autobiography, obviously there's trillions of autobiographies, I made

701
00:38:00.280 --> 00:38:03.719
<v Speaker 2>a conscious effort not to read any autobiographies because I

702
00:38:03.719 --> 00:38:07.480
<v Speaker 2>didn't want to emulate the next author's style of writing.

703
00:38:07.320 --> 00:38:07.920
<v Speaker 5>You know what I mean.

704
00:38:09.000 --> 00:38:12.199
<v Speaker 2>And the same with you know, my poetry book and

705
00:38:13.360 --> 00:38:15.920
<v Speaker 2>my project right now with kiss, my art and things like.

706
00:38:16.239 --> 00:38:18.800
<v Speaker 2>I try not and obviously I listen to music, but

707
00:38:19.280 --> 00:38:22.159
<v Speaker 2>I try not to like listen to poets so much

708
00:38:22.239 --> 00:38:25.039
<v Speaker 2>or artists so much, because I don't want to, because

709
00:38:25.079 --> 00:38:27.800
<v Speaker 2>I think naturally, you know, we emulate other people too,

710
00:38:28.000 --> 00:38:29.880
<v Speaker 2>But I try to stay away from those things so

711
00:38:29.880 --> 00:38:34.360
<v Speaker 2>that I can lock in and focus and it's easy

712
00:38:34.400 --> 00:38:38.360
<v Speaker 2>for me to create because it's my story, right. I

713
00:38:38.400 --> 00:38:41.679
<v Speaker 2>can't emulate somebody else talking about my story, right. So

714
00:38:42.320 --> 00:38:46.119
<v Speaker 2>you just being authentic to yourself and expressing yourself authentically,

715
00:38:46.760 --> 00:38:47.360
<v Speaker 2>That's what's up.

716
00:38:47.400 --> 00:38:50.000
<v Speaker 3>That's what's up, all right, Tyreek, We have one more

717
00:38:50.079 --> 00:38:53.280
<v Speaker 3>question for you today on the Poets Spics podcast, Trek.

718
00:38:53.920 --> 00:38:55.760
<v Speaker 4>Why do you need to get your words out?

719
00:38:59.119 --> 00:38:59.880
<v Speaker 5>My words are?

720
00:39:00.760 --> 00:39:04.119
<v Speaker 2>Why do I want to get my words out? Why

721
00:39:04.119 --> 00:39:05.679
<v Speaker 2>do I want to get my words out to people?

722
00:39:05.760 --> 00:39:07.280
<v Speaker 2>Or why do I just want to get my words out?

723
00:39:07.320 --> 00:39:07.760
<v Speaker 5>In general?

724
00:39:08.159 --> 00:39:10.800
<v Speaker 4>Well, why do you need to get your words out?

725
00:39:12.280 --> 00:39:17.559
<v Speaker 2>Expression? I gotta get this out and self sabotaged man? Sometimes,

726
00:39:18.440 --> 00:39:26.559
<v Speaker 2>you know, we carry these thoughts and ideas and whatever

727
00:39:26.599 --> 00:39:29.559
<v Speaker 2>else we have in our like grief. We carry all

728
00:39:29.599 --> 00:39:33.159
<v Speaker 2>of these things trauma, all of these things we carry

729
00:39:33.199 --> 00:39:35.719
<v Speaker 2>with us from over the years, you know what I mean,

730
00:39:36.239 --> 00:39:38.320
<v Speaker 2>And it's important for us to release and let it

731
00:39:38.360 --> 00:39:45.079
<v Speaker 2>out because it becomes starts to decay and rocks and mold,

732
00:39:45.719 --> 00:39:48.440
<v Speaker 2>and then we're walking around heavy and feeling sick and

733
00:39:48.480 --> 00:39:50.760
<v Speaker 2>things like that, and it's important for us to release

734
00:39:50.800 --> 00:39:53.440
<v Speaker 2>those things and hit a reset.

735
00:39:53.400 --> 00:39:54.039
<v Speaker 5>You know what I mean.

736
00:39:54.719 --> 00:39:58.320
<v Speaker 2>And that's that's been my process throughout my life and

737
00:39:58.719 --> 00:40:04.559
<v Speaker 2>specifically with this product, just trying to embracing again, embracing

738
00:40:04.559 --> 00:40:08.519
<v Speaker 2>where I'm at in my life by accepting all of

739
00:40:08.559 --> 00:40:12.199
<v Speaker 2>the things that has occurred with the loss of my

740
00:40:12.280 --> 00:40:15.159
<v Speaker 2>mom and the loss of this one and all of

741
00:40:15.159 --> 00:40:18.760
<v Speaker 2>these things, accepting it first and then saying, okay, let's

742
00:40:18.800 --> 00:40:21.440
<v Speaker 2>go to the drawing board. Let's figure out how we're

743
00:40:21.440 --> 00:40:23.199
<v Speaker 2>gonna move forward, you know what I mean. And the

744
00:40:23.280 --> 00:40:26.519
<v Speaker 2>drawing board is me my spirituality, talking to God, trying

745
00:40:26.559 --> 00:40:29.159
<v Speaker 2>to figure out where he wants me to go, how

746
00:40:29.199 --> 00:40:30.760
<v Speaker 2>he wants me to approach.

747
00:40:30.360 --> 00:40:36.039
<v Speaker 5>It, and different things like that. So that's for me,

748
00:40:36.719 --> 00:40:40.960
<v Speaker 5>you know, just just just trying to find that space

749
00:40:41.079 --> 00:40:44.159
<v Speaker 5>to be able to let it out, just let it out.

750
00:40:44.880 --> 00:40:47.719
<v Speaker 5>We carry it on, carry all of that stuff on.

751
00:40:47.800 --> 00:40:49.480
<v Speaker 5>It's not it's just self sabotaged.

752
00:40:49.880 --> 00:40:53.960
<v Speaker 3>Absolutely all right, Well, thank you so much, Tyreek, big

753
00:40:54.000 --> 00:40:57.039
<v Speaker 3>thank you to you for showing up today being a

754
00:40:57.039 --> 00:40:59.960
<v Speaker 3>guest on the Pope Speak podcast. Now before we wrap up, wrap,

755
00:41:00.079 --> 00:41:02.440
<v Speaker 3>but we would like to know please drop any social

756
00:41:02.519 --> 00:41:05.199
<v Speaker 3>media links, website links and tell us what do you

757
00:41:05.199 --> 00:41:08.559
<v Speaker 3>have for the rest of twenty twenty five till and beyond,

758
00:41:08.559 --> 00:41:09.840
<v Speaker 3>for the rest of the year going off.

759
00:41:09.679 --> 00:41:12.239
<v Speaker 2>For you now, well, thank you again a man for

760
00:41:12.320 --> 00:41:16.360
<v Speaker 2>having me on. I'm super, super, super super grateful for

761
00:41:16.440 --> 00:41:19.679
<v Speaker 2>you sharing your platform with me and.

762
00:41:19.480 --> 00:41:20.519
<v Speaker 5>For the rest of the year.

763
00:41:20.639 --> 00:41:25.599
<v Speaker 2>So I think next week they announced the nominees for.

764
00:41:27.239 --> 00:41:29.800
<v Speaker 5>Grammys. So I'm praying.

765
00:41:29.519 --> 00:41:33.199
<v Speaker 2>And I'm hoping to God that I am a nominee

766
00:41:33.639 --> 00:41:36.719
<v Speaker 2>for a Best Spoken Word Poetry Album with my EP

767
00:41:36.920 --> 00:41:40.039
<v Speaker 2>when the heart speaks up, anybody listening out there, just

768
00:41:40.079 --> 00:41:43.280
<v Speaker 2>sending prayer up for your boy. So now I can

769
00:41:43.280 --> 00:41:47.239
<v Speaker 2>get the nomination and everything, but you can find my work.

770
00:41:47.280 --> 00:41:50.440
<v Speaker 2>I'm an independent artist. My work is on band camp.

771
00:41:50.519 --> 00:41:53.920
<v Speaker 2>You can just type treikashot In and my album Kiss

772
00:41:53.960 --> 00:41:56.840
<v Speaker 2>My Art would come up. I have merched with Hoodies.

773
00:41:56.880 --> 00:41:59.960
<v Speaker 2>I have a journal, Kiss My Journal, which is pretty dope.

774
00:42:01.599 --> 00:42:03.639
<v Speaker 2>The vinyl is on the website as well.

775
00:42:03.960 --> 00:42:07.800
<v Speaker 5>Click the link. Connect with me. I'm on social media.

776
00:42:08.519 --> 00:42:13.000
<v Speaker 2>My Instagram is to Reak underscore Rashad, Send me a message,

777
00:42:13.079 --> 00:42:16.800
<v Speaker 2>follow me whatever. I love connecting talking to people about

778
00:42:16.800 --> 00:42:17.920
<v Speaker 2>my journey and.

779
00:42:17.960 --> 00:42:19.159
<v Speaker 5>Carriaging and inspiring.

780
00:42:19.199 --> 00:42:21.800
<v Speaker 2>I put up posts all the time every day, so

781
00:42:22.159 --> 00:42:24.679
<v Speaker 2>just connect with me and I appreciate all the love

782
00:42:24.719 --> 00:42:25.960
<v Speaker 2>and support along the way.

783
00:42:26.320 --> 00:42:30.599
<v Speaker 3>Absolutely absolutely again everyone, a big thank you to Tyreek.

784
00:42:30.920 --> 00:42:33.719
<v Speaker 3>Tyrek's all of his details all the links will be

785
00:42:33.760 --> 00:42:36.719
<v Speaker 3>down below in the detailed section of wherever you're listening

786
00:42:36.719 --> 00:42:39.400
<v Speaker 3>to this amazing podcast. Again, thank you so much for

787
00:42:39.440 --> 00:42:44.800
<v Speaker 3>being a guest on today's show. Tyreek, thank you absolutely

788
00:42:45.000 --> 00:42:47.599
<v Speaker 3>all right, and everyone again check out all his links

789
00:42:47.679 --> 00:42:50.760
<v Speaker 3>the detailed box down below. Everyone, this is the Poet

790
00:42:50.840 --> 00:42:54.400
<v Speaker 3>Speaks podcast. We'll see you next time, but bye.
