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<v Speaker 1>Hmm. Welcome friends.

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<v Speaker 2>They are locked in a battle to the death, a

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<v Speaker 2>battle that they'll take them across the heavens stop, a

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<v Speaker 2>battle that will finally be fought. Brought me across the

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<v Speaker 2>face of Earth from a distant galaxy. They have come

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<v Speaker 2>to work. Dolph Landgren as he Man, Frank Langella as Skeletor.

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<v Speaker 2>Only they have the powers to be the masters of

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<v Speaker 2>the universe. Live the adventure.

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<v Speaker 3>Welcome to a movie film commentary track. My name is

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<v Speaker 3>Zachi Hasan and Brian Hall. Tell me about the loneliness

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<v Speaker 3>of good? Is it equal to the loneliness of evil?

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<v Speaker 3>I ask you that all the time? Yeah, he ask

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<v Speaker 3>me that all the time. Turns out it's a line

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<v Speaker 3>in this movie. I had no idea.

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<v Speaker 4>Yeah, that's just something you've always wondered.

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<v Speaker 3>I just constantly.

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<v Speaker 4>Yeah, And I've never known which side you thought I

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<v Speaker 4>was a part of.

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<v Speaker 3>So well, I'm asking about the loneliness of good. Right,

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<v Speaker 3>So they're therefore, oh, okay, by extension, right, we are

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<v Speaker 3>kind of like the he Man and Skeletor of the

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<v Speaker 3>podcasting scene. Sure, engaged in constant, lifelong battle, neither complete

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<v Speaker 3>without the other.

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<v Speaker 4>I think it tracks, Yeah, yeah, Yeah, I like our

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<v Speaker 4>duality and thinking that together we could unlock the secrets

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<v Speaker 4>of Gray Skull.

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<v Speaker 3>Right, I think that is our lot in life. Yeah.

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<v Speaker 3>But you know, as we are recording this, we are

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<v Speaker 3>we are in the lead up to the big budget

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<v Speaker 3>new movie at saptation of Masters of the Universe, which

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<v Speaker 3>is I think, as we've discussed many a time on

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<v Speaker 3>this show, was not a sentence we expected to say. No.

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<v Speaker 4>I mean there's been starts and stops trying to make

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<v Speaker 4>this movie ever since we began this podcast fourteen years ago.

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<v Speaker 4>Or yeah, it was so Yeah, it's amazing. Like I

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<v Speaker 4>think you and I even said, until we're seated in

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<v Speaker 4>the movie was like unspooling in front of us, we

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<v Speaker 4>would wouldn't believe it.

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<v Speaker 3>But like the premiere has already happened. Yeah, even still,

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<v Speaker 3>I won't believe it till I am walking out of

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<v Speaker 3>the theater.

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<v Speaker 4>Hey, if it was a Warner Brothers movie, they could

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<v Speaker 4>still delete it.

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<v Speaker 3>It's just one hard drive away from never seeing the

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<v Speaker 3>light of day. Yeah, but hey, we thought this is

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<v Speaker 3>a perfect opportunity to go to dip into the archives

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<v Speaker 3>to almost forty years ago and watch and talk through

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<v Speaker 3>the only previous live action Masters of the Universe movie

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<v Speaker 3>nineteen eighty seven's Masters of the Universe.

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<v Speaker 4>Yeah, yeah, which we've talked about for a long time,

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<v Speaker 4>and I think it's kind of amazing that we get

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<v Speaker 4>to do it to celebrate the release of this new movie,

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<v Speaker 4>which I'm really looking forward to.

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<v Speaker 3>It's true, this is a movie I think, correct me

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<v Speaker 3>if I'm wrong you you did not see it as

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<v Speaker 3>a kid.

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<v Speaker 4>I have seen it in my life. As I was

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<v Speaker 4>watching it, I thought, I'm not sure I've ever seen

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<v Speaker 4>this all the way through. This is a movie that

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<v Speaker 4>would be on on a Saturday afternoon on WGN Channel

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<v Speaker 4>nine kind of a thing. Yeah, and I'm certain I've

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<v Speaker 4>seen chunks of this several times, but yeah, this might

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<v Speaker 4>be the first time all the way through.

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<v Speaker 3>Well, there you go. For me, I was seven going

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<v Speaker 3>on eight. I saw it in the theater when it

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<v Speaker 3>came out. I was in Edmonton. This is this is

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<v Speaker 3>kind of like a this is a canon event for

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<v Speaker 3>me totally.

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<v Speaker 4>I could I can imagine.

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<v Speaker 3>Not to say I think it's good necessarily, but boy

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<v Speaker 3>do I have a lot of affection for it.

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<v Speaker 4>Yeah. Well, you and I both grew up with the

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<v Speaker 4>he Man cartoon that I was obsessed with and I

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<v Speaker 4>had the action figures.

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<v Speaker 3>And yeah, and this came out just in time to

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<v Speaker 3>not capitalize on any of that. I know, I know,

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<v Speaker 3>but we'll talk about that as we watch the movie. Yeah, so, hey,

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<v Speaker 3>if you want to watch along with us, this is

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<v Speaker 3>the nineteen eighty seven Masters of the Universe, the one

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<v Speaker 3>starring Dolflandgren and of course Frank Langella. If you want

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<v Speaker 3>to have that experience of watching along with us, you

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<v Speaker 3>certainly can do that. However, the best way to do that, Brian,

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<v Speaker 3>would be by subscribing to our Patreon feed.

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<v Speaker 4>Yes, if you head over to patreon dot com slash

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<v Speaker 4>Movie Film Podcast. Over there, you'll find a special feed

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<v Speaker 4>where it has all our episodes, all our commentaries absolutely

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<v Speaker 4>ad free, so you have no ads or interruptions, butting

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<v Speaker 4>in to the conversation, which is most important when we're

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<v Speaker 4>doing a commentary and you're trying to fall along with

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<v Speaker 4>a movie.

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<v Speaker 3>And if you just want to hear us talking, and

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<v Speaker 3>we'll try to keep the conversation interesting enough. But we're

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<v Speaker 3>gonna go ahead and do our thing right now, so

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<v Speaker 3>we'll do the usual. We'll start on three one two

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<v Speaker 3>three and play you ready, Brian, I'm ready and here

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<v Speaker 3>we go one, two, three play Canon pictures.

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<v Speaker 4>Yeah, I mean that could be its own feature length track.

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<v Speaker 4>Talking about I have to.

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<v Speaker 3>Say this was basically my first time seeing a Canon movie,

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<v Speaker 3>So I see that logo for the first time in theater,

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<v Speaker 3>I'm like, Wow, these guys must be the ones who

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<v Speaker 3>make the great movies, right right, right, And I will

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<v Speaker 3>say I wasn't necessarily wrong in that their movies are

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<v Speaker 3>great in a certain manner of speaking. Sure, sure they

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<v Speaker 3>represent a very specific era.

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<v Speaker 4>Yeah, yeah, and type of film a moment, a moment

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<v Speaker 4>if you will, in film a moment.

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<v Speaker 3>Yeah, this one, despite being a Canon picture, has a

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<v Speaker 3>conspicuous absence of ninjas and or Sylvester Stallone. So that's

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<v Speaker 3>Chuck Norris.

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<v Speaker 4>A beautiful painting here by the way.

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<v Speaker 1>There.

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<v Speaker 3>You know, there is a lot of great practical effects

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<v Speaker 3>work and Matt painting work in this movie that I

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<v Speaker 3>think has helped some of these effect sequences stand the

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<v Speaker 3>test of time more than I would have expected. I agree.

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<v Speaker 4>I mean, this is obviously a low budget film, but

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<v Speaker 4>working within their constraints, I think it's like pretty, you know,

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<v Speaker 4>enjoyable and admirable even you know what they do get

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<v Speaker 4>away with here. I mean even just like the this

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<v Speaker 4>is at the ending, but when they're having that battle

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<v Speaker 4>by the corner of the building, you know, at the end,

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<v Speaker 4>and then it gets teleported into Eternia and you see

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<v Speaker 4>just the corner of the building right in the throne room.

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<v Speaker 4>I was like, that's fun, that's cool, that's clever, and

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<v Speaker 4>it doesn't need to be big, but it sells the

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<v Speaker 4>spectacle of the story in a really practical way.

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<v Speaker 3>Yeah. I mean this movie when we talk about canon,

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<v Speaker 3>it came out within weeks of Superman four The Quest

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<v Speaker 3>for Peace, which is obviously a famous catastrophe. This one

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<v Speaker 3>was too, by the way they lost their shirts. They

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<v Speaker 3>took big bets on both Superman four and this, and

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<v Speaker 3>it basically helped to bring down the studio.

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<v Speaker 4>Right, And they had big plans had these succeeded, right

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<v Speaker 4>for a Spider Man movie.

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<v Speaker 3>That's right, it shot back to back with a sequel

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<v Speaker 3>to this, that would have been the plan.

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<v Speaker 4>Yeah, and they were gonna share sets apparently, and costumes.

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<v Speaker 3>And the director Albert Pion. Yeah. But but I think weirdly,

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<v Speaker 3>despite the fact that this came out, you know, in

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<v Speaker 3>proximity with Superman four that this one in terms of

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<v Speaker 3>the visual effects holds up better than Superman four.

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<v Speaker 4>Yeah, yeah, but I.

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<v Speaker 3>Want to be very clear. I mean it looks like

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<v Speaker 3>they had about eight dollars to rub together and other

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<v Speaker 3>than the set we're in right now, which is the

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<v Speaker 3>Gray Skull set, which is quite impressive. Yeah, one of

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<v Speaker 3>the biggest sets ever built up to that point.

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<v Speaker 4>Actually, yeah, right, it was like two stages together, right,

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<v Speaker 4>didn't they like smash a wall down right, extend a stage? Yeah?

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<v Speaker 3>Yeah, so very impressive. But what you realize is it's

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<v Speaker 3>basically this and that's it. They blew a big truck

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<v Speaker 3>of their budget.

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<v Speaker 4>On and like a street in Whittier, California.

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<v Speaker 3>They had no money for extras, right right, this ghost

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<v Speaker 3>town that our heroes end up in. Now now Frank Langela.

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<v Speaker 3>So when I watched this movie, I I don't believe

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<v Speaker 3>I had seen Rocky four yet, but I knew Dolph

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<v Speaker 3>and Grant from that, like I had seen images of him.

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<v Speaker 4>M hm.

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<v Speaker 3>So I was like, Okay, I did not know Frank

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<v Speaker 3>Langela for sure, No, but I remember the trailers in

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<v Speaker 3>the TV spots were like, Frank Langela is skeletor I

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<v Speaker 3>was like, oh wow, he must be a big deal.

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<v Speaker 4>If he is the is you know right right?

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<v Speaker 3>And and I will say, Frank Langela does a this,

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<v Speaker 3>this is comparable to Raoul Julia in Street Fighter. Hey,

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<v Speaker 3>I had the same thought. Yeah, my man up, yep, yep.

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<v Speaker 3>He is so fun to watch in this movie.

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<v Speaker 2>He is.

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<v Speaker 3>He's great. Apparently he rewrote big chunks of his dialogue.

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<v Speaker 3>Give him a big monologue. I believe all of that.

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<v Speaker 4>You see, I watched that documentary what was it, By

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<v Speaker 4>the Power of Gray Skull? Oh sure, sure, okay, yeah,

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<v Speaker 4>the he Man you know story about the whole franchise. Yeah,

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<v Speaker 4>it's like a ninety minute documentary and he's interviewed in

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<v Speaker 4>it and he talks about that where his son was

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<v Speaker 4>a fan of hem in the cartoon. He was offered

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<v Speaker 4>the movie and he's like, sure, yeah, I'll do this,

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<v Speaker 4>Like my son will really enjoy this. And what I

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<v Speaker 4>love is it wasn't like, all right, I just tell

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<v Speaker 4>me where to sit, you know, I'll just throw my

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<v Speaker 4>mustache and call it a day. Where's the catering table?

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<v Speaker 4>Like he dug into the script and was like, no, no, no,

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<v Speaker 4>let's let's try this. Like this might be better. Like,

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<v Speaker 4>he really invested in this and to this day talks

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<v Speaker 4>about it being one of his favorite roles he's ever played.

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<v Speaker 3>I would imagine that Franklin Jella has spent much of

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<v Speaker 3>the last forty years encountering people who are like I

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<v Speaker 3>love do eskeletor you know, like talk about a role

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<v Speaker 3>that lives on with the very specific demographic.

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<v Speaker 4>Right, absolutely, yeah.

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<v Speaker 3>I mean it's funny because a year ago you and

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<v Speaker 3>I were we talked through Superman Returns, which also features

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<v Speaker 3>Frank Langella, and and he could not have appeared more bored, right, Right,

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<v Speaker 3>So we sort of have the poles of Langella.

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<v Speaker 4>The poles of Langella. That sounds like a made up

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<v Speaker 4>mystical world, a fantasy novel. Load up the boats you

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<v Speaker 4>need to head to the poles of Langela.

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<v Speaker 3>You picture like a Frank Frazetta painted cover of some

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<v Speaker 3>barbarian or something, right exactly exactly so, So now here

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<v Speaker 3>is Eternia aka the Vasquez Rocks.

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<v Speaker 4>I was just gonna say, this is like twenty minutes

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<v Speaker 4>from my place.

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<v Speaker 3>They had a lot of big ideas about shooting somewhere,

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<v Speaker 3>you know, in Arizona or Montana or something they ended

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<v Speaker 3>up No, let's just do the Vasquaz rocks.

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<v Speaker 4>Yeah, which, by the way, it look great. I mean

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<v Speaker 4>they're very cinematic and are a lot of productions like,

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<v Speaker 4>they're very recognizable.

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<v Speaker 3>Very familiar. Yeah. So Dolph Lundgren, uh, he came with

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<v Speaker 3>with the package. Basically by the time Gary Goddard signed on,

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<v Speaker 3>he had one you know, major credit, which was Rocky four.

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<v Speaker 3>And so I think some of his his inexperienced shines through,

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<v Speaker 3>a lot of his inexperience shines through. Yeah.

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<v Speaker 4>And it wasn't there conditions about dubbing him, Yeah.

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<v Speaker 3>So well apparently so it was in his contract that

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<v Speaker 3>that if he was going to be dubbed, he was

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<v Speaker 3>going to be allowed to go do it three times.

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<v Speaker 4>Try it himself first before hiring another voice.

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<v Speaker 3>He would do his own looping before it would move.

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<v Speaker 3>You know, they bring somebody else in. Gary Goddard wanted

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<v Speaker 3>somebody else. Cannon did not. Mm hmm. I think Mattel

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<v Speaker 3>probably wanted somebody else too, And so essentially by virtue

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<v Speaker 3>of giving him three tries, that allowed him to you know,

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<v Speaker 3>to keep his to keep the job. And and I

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<v Speaker 3>think this is weird, right, because, like I don't think

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<v Speaker 3>his English is terrible in the movie. This is not

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<v Speaker 3>like early Schwarzenegger sounding right right, right, right, like in

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<v Speaker 3>terms of his ability to speak and and and enunci

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<v Speaker 3>and stuff. I think it's fine. It's just he's not

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<v Speaker 3>an experienced actor and so there isn't a lot of

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<v Speaker 3>emoting going on, and so there there is, well, there's

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<v Speaker 3>like zero internality for he Man in this movie.

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<v Speaker 4>Yeah, yeah, it's strange. He's almost a side character and

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<v Speaker 4>he is.

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<v Speaker 3>A secondary Yeah, it feels like it.

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<v Speaker 4>Yeah, and it do you think that is because of

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<v Speaker 4>Dolph Lungren trying to mask him a little.

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<v Speaker 3>Bit or.

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<v Speaker 4>That was like I was just thinking about, like, it's

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<v Speaker 4>strange that he Man doesn't make a very big impact

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<v Speaker 4>as a character in his own movie, right, and people

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<v Speaker 4>react to him in ways that don't quite make sense.

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<v Speaker 4>Like Courtney Cox bonds with him immediately and is like,

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<v Speaker 4>I'll miss you more than I've ever missed anyone before,

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<v Speaker 4>and I'm like, man, I don't remember them ever connecting really,

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<v Speaker 4>but you can imagine.

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<v Speaker 3>Him, you know.

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<v Speaker 4>But like I was thinking, you know, this is obvious,

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<v Speaker 4>but you can imagine someone like Chris Hemsworth in that

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<v Speaker 4>role and just the inherent charm that he brings, yeah,

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<v Speaker 4>before he even speaks like that would just make the

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<v Speaker 4>character feel a little bit more lived in and robust

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<v Speaker 4>and why people respond to him the way that they do.

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<v Speaker 4>And unfortunately with Lundren, I don't get that sense, and

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<v Speaker 4>you just have to roll with it.

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<v Speaker 3>Yeah. And certainly in the years since, the decades since,

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<v Speaker 3>I think he has gotten better as an actor. Yeah,

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<v Speaker 3>so kudos to him. I mean this is he was

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<v Speaker 3>in his like twenty seven twenty eight when he made this,

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<v Speaker 3>and he was basically signed on because he had a

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<v Speaker 3>blonde hair and a physicists. Yeah he fit the bill,

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<v Speaker 3>you know. Yeah. Yeah. Gary Goddard said it much that

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<v Speaker 3>the part of the reason he wanted somebody with the

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<v Speaker 3>presence of Franklingello was to sort of give ballast. Yeah,

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<v Speaker 3>and and sort of ends up being the eyes of

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<v Speaker 3>the story, like who we experienced the story too through,

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<v Speaker 3>which I think is somewhat true. You know, a couple

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<v Speaker 3>of years back, I mentioned a movie called Biggles. Do

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<v Speaker 3>you remember this? No reminder, it's about so there's a

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<v Speaker 3>series of books about a World War One pilot named Biggles. Okay,

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<v Speaker 3>and it's just it's just his Adventures. That's the series

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<v Speaker 3>of books. And they made a movie in the eighties

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<v Speaker 3>where they have an ad exec in the nineteen eighties

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<v Speaker 3>who is hit by lightning and ends up back in

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<v Speaker 3>time and meeting Biggles. Okay, and he keeps going back

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<v Speaker 3>and forth and encountering Biggles. And I remember seeing that

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<v Speaker 3>as a kid and being like, well, why aren't I

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<v Speaker 3>don't care about this guy, you know, like Big Old,

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<v Speaker 3>our main character is back there, you know, yeah. Yeah,

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<v Speaker 3>And so this is this does a little bit of

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<v Speaker 3>the Big Olds thing, Yeah, where where you know, we

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<v Speaker 3>have these these human characters who we sort of experienced

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<v Speaker 3>the story through, which is odd but somewhat understandable given

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<v Speaker 3>the time where you know, the the budget and effects

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<v Speaker 3>technology wasn't there to fully depict the world of he

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<v Speaker 3>Man as we know it or as we knew it.

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<v Speaker 3>The other thing is, when you think about it, I

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<v Speaker 3>mean this movie just drops us into the world. Yeah right,

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<v Speaker 3>And you.

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<v Speaker 4>Just get a narration at the beginning, really quickly trying

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<v Speaker 4>to say and it's very boilerplate, right yeah, yeah, uh.

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<v Speaker 4>And I think that says something about how much he

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<v Speaker 4>Man and and this mytho sort of existed in the

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<v Speaker 4>in the you know, in the in the ether at

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<v Speaker 4>that time, where it was just known.

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<v Speaker 3>Yeah, he man skeletal. Everybody kind of got it, even

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<v Speaker 3>though this it was waning by the time this movie

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<v Speaker 3>came out. I this is the thing. I don't think

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<v Speaker 3>it's it's possible to even summarize what a big freaking

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<v Speaker 3>deal Masters of the Universe was at its peak. Yeah. Yeah,

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<v Speaker 3>and so that's when this movie arrived. I just think

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<v Speaker 3>it came too late to capitalize on it, right. I

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<v Speaker 3>mean it's like it's like if the first Ninja Turtles

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<v Speaker 3>movie came out in like ninety four, right, yeah, right, yeah,

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<v Speaker 3>they just would have missed the window, right.

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<v Speaker 4>You know, man, they really did get on that.

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<v Speaker 3>I mean right away, right. I think they learned from this.

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<v Speaker 4>Yeah. But you know, it's interesting thinking of Superman four

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<v Speaker 4>and this movie coming out so close together and in

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<v Speaker 4>the public's imagination, that's what superhero movies are, that's right, right,

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<v Speaker 4>Like these sort of cheap, you know, ramshackle movies that

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<v Speaker 4>kids like and adults tolerate when they have to drag

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<v Speaker 4>them there on a Saturday afternoon, and only two years

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<v Speaker 4>later you would get Tim Burton's Batman.

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<v Speaker 3>Just resets the compass forever.

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<v Speaker 4>Yeah, like or at least to this day, right, and

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<v Speaker 4>then all of a sudden they're for everyone, right, and

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<v Speaker 4>they're taken more seriously, and they have bigger budgets and

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<v Speaker 4>they have more.

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<v Speaker 3>Scope, and they're more sophisticated.

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<v Speaker 4>It's crazy, like to imagine, like we're just living in

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<v Speaker 4>that universe now and it's just watching this reminded me

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<v Speaker 4>that like, oh, this is what people thought superhero movies

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<v Speaker 4>were for a while, and now it's something where like

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<v Speaker 4>everyone checks them out, they're taken seriously. They're the highest

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<v Speaker 4>grossing movies of the year. You know, my parents watched them.

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<v Speaker 4>You know, it's Batman eighty nine really did change at everything.

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<v Speaker 3>So so two points here. First of all, Christina Pickles,

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<v Speaker 3>who plays the Sorceress, just just what seven years later

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<v Speaker 3>she would play Monica's mom on Friends? Yeah right, little

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<v Speaker 3>could she have known? Right? Isn't it funny both of them? Right,

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<v Speaker 3>like their lives were intertwined from this moment.

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<v Speaker 4>Yeah.

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<v Speaker 3>Yeah. The other thing is is you think John Cipher,

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<v Speaker 3>who plays Man at Arms, felt embarrassed wearing a helmet

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<v Speaker 3>that looks like you could buy it at the toy isle,

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<v Speaker 3>like a Costco at an Osco at jewel Osco. Right right, right,

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<v Speaker 3>doesn't it look like that? Like it definitely does.

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<v Speaker 4>Yeah, which, speaking of costumes and everything, I mean this

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<v Speaker 4>skeletor face design that is great is amazing because it

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<v Speaker 4>does look like a skull, but it doesn't look it

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<v Speaker 4>looks like its own thing at the same time. Yeah,

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<v Speaker 4>and it allows Langella to emote that's right, you know,

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<v Speaker 4>like we get a real clear look at his eyes

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<v Speaker 4>and he's able to have some physicality in his face

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<v Speaker 4>with it. Like it's just as great, perfect design. Yeah.

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<v Speaker 3>So the makeup design for this film was by Michael Westmore,

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<v Speaker 3>who would go on to become the guy for Star

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<v Speaker 3>Trek from nineteen eighty seven to two thousand and five.

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<v Speaker 3>So you know when you look at Wharf and Data

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<v Speaker 3>and the Borg and all those, that's all Michael Westmore, right, uh,

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<v Speaker 3>and you see you see that in the skeletor face here.

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<v Speaker 3>If I'm not mistaken, this this skeletor mask ended up

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<v Speaker 3>in a Next Generation episode and ins Holo deck scene. Yeah.

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<v Speaker 3>Oh wow, yeah, yeah.

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<v Speaker 4>Well why not?

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<v Speaker 3>It looks great.

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<v Speaker 4>I mean this set looks great too, you know, I

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<v Speaker 4>think it's pretty sweet.

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<v Speaker 3>I think so. See, I I think, as I said before, right,

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<v Speaker 3>if if you just look at this set, you're like, man,

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<v Speaker 3>look at the scale for this movie, right m hm.

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<v Speaker 3>But like I said, once we moved past Eternial, you're like, oh,

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<v Speaker 3>they spent all their money on gray skull, right right.

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<v Speaker 2>Oh.

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<v Speaker 3>I wanted to mention, by the way, Meg Foster, who

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<v Speaker 3>plays Evil in Yeah, I mean just these amazing eyes,

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<v Speaker 3>right oh yeah yeah yeah, and you and when you

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<v Speaker 3>read about it, you're like, yeah, that's why she got

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<v Speaker 3>the part is because she's got these amazing eyes.

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<v Speaker 4>I mean for people can't see them. I mean they're

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<v Speaker 4>just this really interesting and unique, like icy blue gray.

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<v Speaker 3>I've never seen eyes that that color ever other than her.

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<v Speaker 4>I mean it's it's uh it looks like she's wearing

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<v Speaker 4>special contacts or something.

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<v Speaker 3>That that was her actual ideolol, that's just her. She's Yeah.

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<v Speaker 4>Well I was gonna say she's in They Live also,

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<v Speaker 4>is what I know.

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<v Speaker 3>Yes, that's right, yeah, yeah, uh yeah. They were talking

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<v Speaker 3>about Sarah Douglas, who played Ursa in the Superman films,

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<v Speaker 3>playing Evil Linn and I, yeah, I say, I can

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<v Speaker 3>absolutely see that. But I'm sure she was like, can

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<v Speaker 3>I not make a career out of standing next to

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<v Speaker 3>a guy who keeps wanting people to kneel in front

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<v Speaker 3>of him.

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<v Speaker 4>That's yeah, you're right, sah.

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<v Speaker 3>But Meg Foster is great. I love her as evil

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<v Speaker 3>in Yeah.

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<v Speaker 4>She doesn't have a ton to do, but speaking, you know,

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<v Speaker 4>the opposite of what I was saying about duff Lungren.

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<v Speaker 4>She brings so much in her stars and her smirks

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<v Speaker 4>and her the way she the postures her body like

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<v Speaker 4>she's bringing a lot and.

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<v Speaker 3>Making that charcter very memorable. I love.

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<v Speaker 4>I think these eighties effects look cool. They fit within

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<v Speaker 4>this film.

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<v Speaker 3>I agree with that.

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<v Speaker 4>Yeah, yeah, I think even down to just real quick

401
00:21:18.519 --> 00:21:23.400
<v Speaker 4>the Sorceress, Yeah, just that really subtle effect of having

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00:21:23.440 --> 00:21:28.200
<v Speaker 4>a light overhead, you know, making her look illuminated and

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<v Speaker 4>trapped in that light like that.

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<v Speaker 3>That's easy. Anyone could do that, but like it's.

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<v Speaker 4>Imaginative, you know, and it feels otherworldly and like she's

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<v Speaker 4>trapped in a beam of light. And I just feel

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<v Speaker 4>like you don't need something like to animate all these

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00:21:45.880 --> 00:21:48.759
<v Speaker 4>other extra things going around her. Like that is enough

409
00:21:48.799 --> 00:21:50.480
<v Speaker 4>and it looks really cool and I think is a

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00:21:50.480 --> 00:21:52.279
<v Speaker 4>smart use of their budget.

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<v Speaker 3>That's really true. I think that by working within their limitations,

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<v Speaker 3>you become less obvious of where those imitations are. And

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<v Speaker 3>and you know, I think that certainly for me seeing

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<v Speaker 3>this as a kid, I didn't grock that this was

415
00:22:10.759 --> 00:22:13.960
<v Speaker 3>a very low budget movie. Yeah right, you know, and

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<v Speaker 3>I again, now it's very clear. Like I said, man

417
00:22:17.599 --> 00:22:22.000
<v Speaker 3>at arms wearing that jewel Osco helmet, Yeah yeah, that

418
00:22:22.079 --> 00:22:25.559
<v Speaker 3>just sticks out. It does look like army helmet, yeah

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<v Speaker 3>right exactly. Like you know, I was like, does he

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<v Speaker 3>feel embarrassed during that? It is amusing to me how

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<v Speaker 3>much of this film is spent on gwildor doing something

422
00:22:35.880 --> 00:22:39.720
<v Speaker 3>and the other characters being like, oh, gwildor.

423
00:22:40.839 --> 00:22:47.559
<v Speaker 4>That's a lot I know, which he is totally fine.

424
00:22:47.599 --> 00:22:49.400
<v Speaker 3>I guess he's team WORKO.

425
00:22:49.680 --> 00:22:51.759
<v Speaker 4>I was just gonna say, right, because that character was

426
00:22:52.119 --> 00:22:57.119
<v Speaker 4>too difficult for them to realize within their budget, I guess.

427
00:22:57.480 --> 00:23:01.640
<v Speaker 3>Yeah, so so too too. Glaring missions are Orco and

428
00:23:01.799 --> 00:23:06.200
<v Speaker 3>Battlecat yeah right right, which I suppose we should be

429
00:23:06.240 --> 00:23:08.119
<v Speaker 3>grateful they didn't try to put either of them in.

430
00:23:08.519 --> 00:23:11.839
<v Speaker 4>Yeah yeah, yeah, like these stock images of a tiger

431
00:23:11.880 --> 00:23:13.119
<v Speaker 4>that they painted green.

432
00:23:13.119 --> 00:23:16.799
<v Speaker 3>Right exactly. I don't even know what that would look like.

433
00:23:17.079 --> 00:23:20.240
<v Speaker 4>Yeah, but I guess said ghul door does. I mean,

434
00:23:20.240 --> 00:23:22.920
<v Speaker 4>the performance is really good, I'm not sure. I'm crazy

435
00:23:22.920 --> 00:23:25.680
<v Speaker 4>about the design, Like it sort of looks like a

436
00:23:25.720 --> 00:23:29.920
<v Speaker 4>toy that's been partially melted in the sun, you know

437
00:23:29.960 --> 00:23:33.720
<v Speaker 4>what I mean, versus like a real distinct, definitive design

438
00:23:33.759 --> 00:23:34.759
<v Speaker 4>of like a character.

439
00:23:35.400 --> 00:23:39.079
<v Speaker 3>There's a bit later where he's like guzzling down barbecue

440
00:23:39.079 --> 00:23:43.799
<v Speaker 3>sauce or whatever. Yeah, and I'm just picturing what the

441
00:23:44.000 --> 00:23:48.920
<v Speaker 3>actor must have been going through, Yeah, with just just

442
00:23:49.079 --> 00:23:50.640
<v Speaker 3>gunk call over his suit. You know.

443
00:23:51.799 --> 00:23:53.519
<v Speaker 4>I do think about that a lot when you see

444
00:23:53.519 --> 00:23:55.599
<v Speaker 4>suits like this and they have hair and sort of

445
00:23:55.640 --> 00:23:58.119
<v Speaker 4>fine parts to it, and when they do don't get

446
00:23:58.160 --> 00:24:00.680
<v Speaker 4>in a river or they pour barbecue sauce over the beard.

447
00:24:01.039 --> 00:24:03.839
<v Speaker 4>I'm like, yeah, it's maybe it's funny, you know in

448
00:24:03.920 --> 00:24:05.559
<v Speaker 4>the movie, but like, was that a pain in the

449
00:24:05.559 --> 00:24:11.039
<v Speaker 4>butt to yeah, reset and clean up or whatever? Dry clean?

450
00:24:11.119 --> 00:24:16.160
<v Speaker 4>I don't know. But Billy Bardy playing Guilder, who I

451
00:24:16.160 --> 00:24:18.759
<v Speaker 4>think of as the cameraman from Jeff, I mean, he's

452
00:24:18.799 --> 00:24:20.079
<v Speaker 4>in a lot of things, but that's wow.

453
00:24:20.319 --> 00:24:22.039
<v Speaker 3>I forgot he's in u ahef see. I know him

454
00:24:22.039 --> 00:24:24.599
<v Speaker 3>from this and the year after this he was in

455
00:24:24.680 --> 00:24:30.200
<v Speaker 3>Willow right right, which that's the that's the other thing

456
00:24:30.200 --> 00:24:35.720
<v Speaker 3>because Willow, of course stars Warwick Davis, who was the Leprechaun,

457
00:24:35.799 --> 00:24:39.319
<v Speaker 3>which starred Jennifer Aniston. M hm, And so I wonder, like,

458
00:24:39.359 --> 00:24:42.519
<v Speaker 3>does Courtney Cox think of this movie in her filmography

459
00:24:42.519 --> 00:24:46.200
<v Speaker 3>the way Jennifer Aniston thinks of probably thinks of Leprechaun.

460
00:24:46.880 --> 00:24:48.759
<v Speaker 4>You know what's funny. I was a little dismayed. I

461
00:24:48.799 --> 00:24:51.920
<v Speaker 4>saw an interview with Sarah Jessica Parker and she was

462
00:24:51.920 --> 00:24:54.519
<v Speaker 4>being interviewed about all I think it was called Random Rules,

463
00:24:54.960 --> 00:24:57.440
<v Speaker 4>and they asked her about Flight of the Navigator, like, Ah,

464
00:24:57.480 --> 00:24:58.960
<v Speaker 4>do you have any memories from working on that when

465
00:24:58.960 --> 00:25:01.440
<v Speaker 4>you were younger? And she was like like, no, I

466
00:25:01.480 --> 00:25:03.240
<v Speaker 4>don't remember that at all. Why would you even.

467
00:25:03.039 --> 00:25:04.039
<v Speaker 3>Ask me that?

468
00:25:04.319 --> 00:25:06.200
<v Speaker 4>Like paraphrasing, but she had like kind of a weird

469
00:25:06.200 --> 00:25:10.000
<v Speaker 4>attitude about it, And so it's interesting some people want

470
00:25:10.000 --> 00:25:12.400
<v Speaker 4>to distance themselves from those things, and you wonder for

471
00:25:12.440 --> 00:25:15.359
<v Speaker 4>Courtney Cox, she I don't know, but maybe it's like, hey, yeah,

472
00:25:15.400 --> 00:25:18.240
<v Speaker 4>that was exciting. It was a one of my first roles. Well,

473
00:25:18.240 --> 00:25:19.640
<v Speaker 4>I think she had done before that was the Bruce

474
00:25:19.640 --> 00:25:22.799
<v Speaker 4>Springsteen music video where she's dancing on stage and this

475
00:25:23.279 --> 00:25:24.359
<v Speaker 4>well no, that's not true.

476
00:25:24.480 --> 00:25:28.480
<v Speaker 3>She had been in a television show called Misfits of Science. Oh, okay, well,

477
00:25:28.640 --> 00:25:31.920
<v Speaker 3>I mean films, but yeah, yeah, Misfits Science, Yeah, which

478
00:25:31.920 --> 00:25:33.839
<v Speaker 3>is I only know this and that was probably like

479
00:25:33.880 --> 00:25:36.880
<v Speaker 3>eighty four eighty five, and it starred Dean Paul Martin,

480
00:25:36.880 --> 00:25:39.680
<v Speaker 3>who was the son of Dean Martin, okay, and it

481
00:25:39.799 --> 00:25:45.000
<v Speaker 3>starred the guy who the guy played the Predator Okay,

482
00:25:45.240 --> 00:25:48.400
<v Speaker 3>I forget his name, Paul, yeah, the tall guy yeah,

483
00:25:48.440 --> 00:25:52.160
<v Speaker 3>and Max right, okay, right, And basically it was like

484
00:25:52.559 --> 00:25:56.359
<v Speaker 3>X Men, but for you know, network television.

485
00:25:56.279 --> 00:25:59.200
<v Speaker 4>Interesting, okay, and I it was a fun.

486
00:25:59.079 --> 00:26:01.079
<v Speaker 3>Showed last like thirteen episodes. But I only know it

487
00:26:01.079 --> 00:26:04.519
<v Speaker 3>because I saw this in summer of eighty seven. And

488
00:26:05.519 --> 00:26:08.680
<v Speaker 3>Courtney Cox is very distinctive. She was speaking of distinctive eyes, right,

489
00:26:09.319 --> 00:26:11.240
<v Speaker 3>her eyes stay with me, and I knew her name,

490
00:26:11.279 --> 00:26:13.359
<v Speaker 3>and then I came, you know, that was in Edmonton,

491
00:26:13.559 --> 00:26:16.880
<v Speaker 3>came back to Saudi Arabia and wouldn't you know they

492
00:26:16.880 --> 00:26:19.200
<v Speaker 3>were showing Misfits of Science on TV. I'd never seen

493
00:26:19.240 --> 00:26:19.640
<v Speaker 3>it before.

494
00:26:19.880 --> 00:26:21.240
<v Speaker 4>Yeah, I've never heard of it.

495
00:26:21.559 --> 00:26:23.799
<v Speaker 3>And so summer of eighty seven was when I first

496
00:26:23.839 --> 00:26:28.000
<v Speaker 3>saw alf and this, so I knew both Max Right

497
00:26:28.119 --> 00:26:30.480
<v Speaker 3>and Courtney Cox because.

498
00:26:29.759 --> 00:26:32.279
<v Speaker 4>Of this, and that is amazing.

499
00:26:32.680 --> 00:26:36.240
<v Speaker 3>Kevin Peter Hall, that's the Predator actor's name, okay, right, right, right, Yeah,

500
00:26:36.240 --> 00:26:39.599
<v Speaker 3>he passed away shortly. Gosh, I think after the second

501
00:26:39.599 --> 00:26:40.440
<v Speaker 3>movie he passed away.

502
00:26:40.640 --> 00:26:42.799
<v Speaker 4>Oh wow, okay.

503
00:26:42.440 --> 00:26:44.759
<v Speaker 3>You know about that. He was in like a car accident,

504
00:26:44.799 --> 00:26:49.240
<v Speaker 3>I believe, and he was given HIV infected blood.

505
00:26:50.039 --> 00:26:53.079
<v Speaker 4>Oh my gosh, heal this but I didn't remember that. Wow,

506
00:26:53.119 --> 00:26:53.799
<v Speaker 4>that is sad.

507
00:26:54.000 --> 00:27:00.839
<v Speaker 3>Yeah, Robert, Robert duncan McNeil, he uh just actually, right

508
00:27:00.880 --> 00:27:03.799
<v Speaker 3>around the same time Courtney Cox was on Friends, he

509
00:27:03.839 --> 00:27:07.400
<v Speaker 3>would star on Star Trek Voyager and oh he did

510
00:27:07.400 --> 00:27:09.240
<v Speaker 3>all right there, he's now a TV director. He does

511
00:27:09.240 --> 00:27:10.119
<v Speaker 3>pretty well for himself.

512
00:27:10.400 --> 00:27:10.839
<v Speaker 4>That's great.

513
00:27:11.400 --> 00:27:14.160
<v Speaker 3>Now. I have to say, both of these actors do

514
00:27:14.240 --> 00:27:16.960
<v Speaker 3>a good job with what they're given in this movie.

515
00:27:17.079 --> 00:27:20.640
<v Speaker 4>I completely agree. They're fun. Yeah, yeah, I.

516
00:27:20.599 --> 00:27:22.640
<v Speaker 3>Think you know, we were talking about like whether like

517
00:27:22.799 --> 00:27:27.119
<v Speaker 3>like Jennifer Anston probably looks back with embarrassment at Leprechaun,

518
00:27:27.400 --> 00:27:32.279
<v Speaker 3>and I'm like, well, Courtney Cox, she gets actually a

519
00:27:32.319 --> 00:27:36.640
<v Speaker 3>full range of emotion to portray in this film. Sure, yeah,

520
00:27:36.839 --> 00:27:38.880
<v Speaker 3>nothing to be embarrassed about. I don't think, you know.

521
00:27:38.920 --> 00:27:42.000
<v Speaker 4>Yeah, yeah, she does do kind of an old school move.

522
00:27:42.039 --> 00:27:43.799
<v Speaker 4>I feel like we don't see much anymore, which is

523
00:27:43.799 --> 00:27:46.640
<v Speaker 4>the like standing and screaming and gripping your hair and

524
00:27:46.720 --> 00:27:49.400
<v Speaker 4>face thing. I think she gets like a couple of those.

525
00:27:49.480 --> 00:27:52.720
<v Speaker 3>But like, hey, if if the ghost of your mom

526
00:27:52.759 --> 00:27:56.440
<v Speaker 3>turns into evil Lynn, that's what you'd do too, right right.

527
00:27:57.960 --> 00:27:59.680
<v Speaker 4>Which, by the way, going back a little bit, you

528
00:27:59.720 --> 00:28:03.319
<v Speaker 4>were talking talking about Dolph Lungern possibly having to have

529
00:28:03.359 --> 00:28:09.440
<v Speaker 4>his role or his performance dubbed over by another actor. Yeah,

530
00:28:09.759 --> 00:28:12.200
<v Speaker 4>when was the last time something like that has happened,

531
00:28:12.599 --> 00:28:14.559
<v Speaker 4>like a major character in the film. I mean, I

532
00:28:14.559 --> 00:28:18.559
<v Speaker 4>think of Schwarzenegger in the Hercules movies, right, and like

533
00:28:18.680 --> 00:28:22.319
<v Speaker 4>older films. But is that something that's happened in recent memory?

534
00:28:22.640 --> 00:28:26.279
<v Speaker 3>Not recent recent, but I mean this is not too

535
00:28:26.440 --> 00:28:28.559
<v Speaker 3>see Look at that. Look at the barbecue sauce on

536
00:28:28.599 --> 00:28:33.079
<v Speaker 3>his chin and stuff. So gross. I know. In Flash

537
00:28:33.160 --> 00:28:36.839
<v Speaker 3>Gordon nineteen eighty so too long before this, Sam J. Jones,

538
00:28:36.839 --> 00:28:39.400
<v Speaker 3>who plays Flash Gordon, his voice was dubbed. It's a

539
00:28:39.440 --> 00:28:40.559
<v Speaker 3>completely dubbed performance.

540
00:28:40.640 --> 00:28:41.119
<v Speaker 4>Oh wow.

541
00:28:41.440 --> 00:28:43.519
<v Speaker 3>And then in I believe it was nineteen eighty three

542
00:28:43.599 --> 00:28:45.880
<v Speaker 3>or four, there's a movie called Gray Stoke. The Legend

543
00:28:45.880 --> 00:28:50.880
<v Speaker 3>of Tarzan, right, which that has Christoph f Lambert as Tarzan.

544
00:28:50.920 --> 00:28:53.279
<v Speaker 3>His voice is not dubbed. However, Jane is played by

545
00:28:53.319 --> 00:28:57.400
<v Speaker 3>Andy McDowell and her voice is dubbed by Glenn Close.

546
00:28:58.039 --> 00:28:58.880
<v Speaker 4>I did know that.

547
00:28:59.319 --> 00:29:01.319
<v Speaker 3>Yeah, yeah, okay, wait, I want to talk about this

548
00:29:01.359 --> 00:29:04.839
<v Speaker 3>scene real quick. Yeah. So we're establishing the people on

549
00:29:04.920 --> 00:29:09.039
<v Speaker 3>Eternia are vegetarian, I guess, right, yeah, But here's the thing.

550
00:29:09.240 --> 00:29:12.480
<v Speaker 3>Man at Arms is like fully on board. He's like,

551
00:29:12.480 --> 00:29:14.599
<v Speaker 3>oh yeah, he knows exactly what. He's like, Oh, that's

552
00:29:14.599 --> 00:29:16.400
<v Speaker 3>a rib bone, and he's having a grand old time.

553
00:29:16.480 --> 00:29:20.680
<v Speaker 3>So I'm like, well, what is the what is the

554
00:29:20.759 --> 00:29:27.160
<v Speaker 3>meal structure on Eternia? Thinking about this, you know what

555
00:29:27.160 --> 00:29:28.359
<v Speaker 3>I mean? Maybe he travels.

556
00:29:28.400 --> 00:29:31.240
<v Speaker 4>He's well traveled, or he was in the military at

557
00:29:31.240 --> 00:29:33.759
<v Speaker 4>some point and they, you know, spent time in other worlds,

558
00:29:33.759 --> 00:29:36.400
<v Speaker 4>and he knows other cultures that Eternia isn't familiar with.

559
00:29:36.440 --> 00:29:40.599
<v Speaker 3>I don't know, see the way Tila is like, how

560
00:29:40.640 --> 00:29:43.000
<v Speaker 3>could you eat animals? What?

561
00:29:43.000 --> 00:29:43.559
<v Speaker 2>What? You know?

562
00:29:43.640 --> 00:29:48.119
<v Speaker 3>Like it's barbaric. But Man at Arms isn't like, well,

563
00:29:48.759 --> 00:29:52.000
<v Speaker 3>you gotta do it right, right, He's like, oh, like

564
00:29:52.079 --> 00:29:57.440
<v Speaker 3>so in other words, he loves the taste of flesh

565
00:29:57.519 --> 00:29:58.440
<v Speaker 3>is what I'm saying.

566
00:29:59.599 --> 00:30:02.440
<v Speaker 4>Which is hilarious because I'm thinking like, oh, that sounds

567
00:30:02.440 --> 00:30:04.240
<v Speaker 4>so horrifying, but I'm like, wait, no, so do I

568
00:30:11.680 --> 00:30:12.559
<v Speaker 4>That is funny though.

569
00:30:12.880 --> 00:30:15.960
<v Speaker 3>Yeah, I've spent a lot of time, like maybe too

570
00:30:16.000 --> 00:30:19.240
<v Speaker 3>much time thinking about that again, right, Like in the

571
00:30:19.279 --> 00:30:23.519
<v Speaker 3>cartoon show, they're having banquets and they're eating like chicken stuff.

572
00:30:23.599 --> 00:30:27.440
<v Speaker 3>There's plenty of drumsticks I've seen in the cartoons, so

573
00:30:27.640 --> 00:30:29.599
<v Speaker 3>you know, this is clearly meant to be doing something different.

574
00:30:29.839 --> 00:30:31.759
<v Speaker 4>Yeah, Like it's showing them as fish out of water,

575
00:30:31.839 --> 00:30:34.279
<v Speaker 4>like where they don't know what a cow is. Yeah,

576
00:30:34.319 --> 00:30:40.920
<v Speaker 4>you know, and yeah, you know, just looking at this

577
00:30:41.000 --> 00:30:43.680
<v Speaker 4>shot in the cemetery and kind of how beautiful it is.

578
00:30:43.720 --> 00:30:46.359
<v Speaker 4>I was going to remark earlier, you know, with the

579
00:30:46.400 --> 00:30:49.799
<v Speaker 4>limitations we're talking about that this film's working with, I

580
00:30:49.799 --> 00:30:53.000
<v Speaker 4>do feel like there's something to be said about the filmmaking,

581
00:30:54.319 --> 00:30:58.640
<v Speaker 4>like some good camera work being shot on film, which

582
00:30:58.960 --> 00:31:03.680
<v Speaker 4>just gives an cinematic sheen to everything. I feel like

583
00:31:03.720 --> 00:31:06.079
<v Speaker 4>a lot of those things, the fact that it's lit

584
00:31:06.119 --> 00:31:08.680
<v Speaker 4>well right, you know, go a long way and helping

585
00:31:08.720 --> 00:31:11.880
<v Speaker 4>to sell whatever they have to work with here.

586
00:31:11.920 --> 00:31:16.000
<v Speaker 3>Also, so credit to that. Now, now you have many

587
00:31:16.039 --> 00:31:18.359
<v Speaker 3>a time commented and how how one of one of

588
00:31:18.400 --> 00:31:23.000
<v Speaker 3>your favorite places in movies is the fantasy outside your window?

589
00:31:23.319 --> 00:31:28.200
<v Speaker 3>Mm hmm yep, So so does this tickle your fancy there?

590
00:31:28.519 --> 00:31:31.880
<v Speaker 4>One hundred percent? I even thought about it. Where you

591
00:31:32.119 --> 00:31:35.640
<v Speaker 4>have you know, this futuristic you know, army of like

592
00:31:35.839 --> 00:31:40.359
<v Speaker 4>robot soldiers and these floating vehicles marching down a suburban

593
00:31:40.799 --> 00:31:43.799
<v Speaker 4>downtown street like that is just chef's kiss for me.

594
00:31:45.119 --> 00:31:48.519
<v Speaker 3>Absolutely, it would have been nice to see at least

595
00:31:48.519 --> 00:31:51.359
<v Speaker 3>a few people on the on said streets.

596
00:31:51.160 --> 00:31:53.599
<v Speaker 4>Yeah, dropping their shopping bags and be like oh and

597
00:31:53.680 --> 00:31:54.279
<v Speaker 4>running away.

598
00:31:54.319 --> 00:31:57.359
<v Speaker 3>Absolutely No, we needed one guy being like, well that's

599
00:31:57.400 --> 00:32:04.240
<v Speaker 3>not something you see every day. That's hilarious.

600
00:32:06.440 --> 00:32:08.680
<v Speaker 4>Wait, so when you were a kid then and you

601
00:32:08.720 --> 00:32:11.559
<v Speaker 4>were a huge fan of the cartoon, and then you're

602
00:32:11.559 --> 00:32:15.359
<v Speaker 4>getting to see the movie where you disappointed that it didn't,

603
00:32:15.720 --> 00:32:17.720
<v Speaker 4>you know, the locations didn't resemble what you were used

604
00:32:17.759 --> 00:32:18.480
<v Speaker 4>to from the cartoon.

605
00:32:18.640 --> 00:32:21.720
<v Speaker 3>See this, This is what's so interesting is that. So yes,

606
00:32:22.200 --> 00:32:25.400
<v Speaker 3>I was dare I say, I was probably a he

607
00:32:25.519 --> 00:32:28.480
<v Speaker 3>Man fan longer than you by like a year or so,

608
00:32:28.680 --> 00:32:30.799
<v Speaker 3>because I got in before the cartoon.

609
00:32:31.400 --> 00:32:33.599
<v Speaker 4>Oh yeah, for sure, And I mean even since, like

610
00:32:33.640 --> 00:32:36.839
<v Speaker 4>you've seen all the other ones, and absolutely I look

611
00:32:36.880 --> 00:32:40.240
<v Speaker 4>to you as the masters of the universe experts.

612
00:32:40.359 --> 00:32:42.640
<v Speaker 3>Yeah, I mean I've said this before. Like, so that

613
00:32:42.720 --> 00:32:47.559
<v Speaker 3>first batch of figures, I got them. I didn't even

614
00:32:47.640 --> 00:32:49.960
<v Speaker 3>need the cartoon to get me in. I was like

615
00:32:50.039 --> 00:32:53.359
<v Speaker 3>three or four, you know, I had he Man skeletor Merman,

616
00:32:54.559 --> 00:32:58.160
<v Speaker 3>Man at Arms, beast Man like this is the first wave, right,

617
00:32:58.720 --> 00:33:01.160
<v Speaker 3>And then the cartoon started a year or so later.

618
00:33:01.200 --> 00:33:03.759
<v Speaker 3>And I remember seeing the cartoon and being like, I

619
00:33:03.759 --> 00:33:05.759
<v Speaker 3>didn't think, like, this toy that I played with is

620
00:33:06.000 --> 00:33:07.799
<v Speaker 3>a thing on my TV now, Like I've never seen

621
00:33:07.839 --> 00:33:12.000
<v Speaker 3>that before, you know. Yeah, but bear in mind, I

622
00:33:12.000 --> 00:33:16.400
<v Speaker 3>I during the eighties. What I was used to was

623
00:33:17.079 --> 00:33:19.599
<v Speaker 3>this thing that you play with or that you read

624
00:33:19.599 --> 00:33:22.759
<v Speaker 3>in a comic or whatever. Never is never like this

625
00:33:22.839 --> 00:33:26.759
<v Speaker 3>when you see it on the TV. M. So, yes,

626
00:33:26.880 --> 00:33:30.880
<v Speaker 3>there is the Incredible Hulk, but his name is David

627
00:33:30.920 --> 00:33:33.400
<v Speaker 3>Banner and his origin is totally different, and he doesn't talk,

628
00:33:33.839 --> 00:33:35.799
<v Speaker 3>and and I was just like, well, that's just how

629
00:33:35.799 --> 00:33:38.920
<v Speaker 3>it is, right, right. Oh, here's Spider Man on TV,

630
00:33:39.000 --> 00:33:41.200
<v Speaker 3>but there's no Uncle Ben and he doesn't swing a lot.

631
00:33:41.240 --> 00:33:44.119
<v Speaker 3>And that's just how it is, you know, I mean

632
00:33:44.160 --> 00:33:46.359
<v Speaker 3>it's you know, so when I saw this, I was

633
00:33:46.400 --> 00:33:49.480
<v Speaker 3>literally I mean I was seven, yeah, and I was like, well,

634
00:33:49.480 --> 00:33:53.480
<v Speaker 3>that's just how it is. I was like her, it's

635
00:33:53.519 --> 00:33:55.079
<v Speaker 3>really weird. I was like, oh, well, he man doesn't

636
00:33:55.119 --> 00:33:57.839
<v Speaker 3>have the furry underwear and the you know, and he's

637
00:33:57.839 --> 00:34:00.359
<v Speaker 3>got a cake for some reason. And well that's just

638
00:34:00.359 --> 00:34:01.000
<v Speaker 3>how it is, you.

639
00:34:00.920 --> 00:34:03.640
<v Speaker 4>Know, hard lessons at a young age, it really like.

640
00:34:04.119 --> 00:34:06.839
<v Speaker 3>And it wasn't even like me being upset. I was like,

641
00:34:06.920 --> 00:34:11.239
<v Speaker 3>oh yeah, how else would it be, you know, yeah,

642
00:34:10.960 --> 00:34:15.000
<v Speaker 3>yeah yeah, And so I was just like listen, like

643
00:34:15.079 --> 00:34:19.920
<v Speaker 3>like here, like right here, we have Skeletor's goon squad,

644
00:34:19.960 --> 00:34:27.920
<v Speaker 3>which is composed of who huh and beast Man. Yeah yeah, yeah,

645
00:34:28.000 --> 00:34:31.320
<v Speaker 3>yeah right. And it's like, well, I'm just glad we

646
00:34:31.400 --> 00:34:33.960
<v Speaker 3>got beast Man. I guess. You know. That kind of.

647
00:34:33.880 --> 00:34:36.400
<v Speaker 4>Reminds me for me, you know, with the the Ninja

648
00:34:36.440 --> 00:34:38.760
<v Speaker 4>Turtles movie, right, and You're like, and now let's spend

649
00:34:38.800 --> 00:34:39.880
<v Speaker 4>some time with Danny.

650
00:34:40.400 --> 00:34:44.320
<v Speaker 3>Yeah, I'm like, really, who's Danny? Like seriously?

651
00:34:44.400 --> 00:34:44.559
<v Speaker 2>Right?

652
00:34:44.639 --> 00:34:46.880
<v Speaker 3>Like like when when that's actually a great example, like

653
00:34:46.920 --> 00:34:49.480
<v Speaker 3>when Ninja Turtles one came out, I don't know, about you.

654
00:34:49.599 --> 00:34:52.840
<v Speaker 3>But I was like not even expecting the technodrome or craying,

655
00:34:53.440 --> 00:34:55.280
<v Speaker 3>right right right. I was like, of course you're not

656
00:34:55.280 --> 00:34:58.239
<v Speaker 3>going to get that, you know. Yeah, And and you

657
00:34:58.280 --> 00:35:00.840
<v Speaker 3>know the fact that, like I guess it's like ten

658
00:35:00.920 --> 00:35:02.840
<v Speaker 3>years old now, right, they did the sequel Out of

659
00:35:02.880 --> 00:35:06.159
<v Speaker 3>the Shadows, the sequel to the Michael Baywin and we

660
00:35:06.199 --> 00:35:08.880
<v Speaker 3>got the technodrome and craying in the big suit and whatever.

661
00:35:08.920 --> 00:35:11.840
<v Speaker 3>I was like, holy shit, yeah, because we've never seen

662
00:35:11.840 --> 00:35:12.280
<v Speaker 3>that before.

663
00:35:12.360 --> 00:35:13.000
<v Speaker 1>So I.

664
00:35:15.079 --> 00:35:16.800
<v Speaker 3>Was just like, well, this is just what it is,

665
00:35:16.920 --> 00:35:20.039
<v Speaker 3>you know, And I was fine with that. I think

666
00:35:20.039 --> 00:35:22.559
<v Speaker 3>I was more disappointed that we never got at that

667
00:35:22.760 --> 00:35:26.199
<v Speaker 3>time he Man and Skeletor toys that looked like the

668
00:35:26.199 --> 00:35:27.719
<v Speaker 3>he Man and Skeletor in this movie.

669
00:35:28.159 --> 00:35:30.679
<v Speaker 4>Yeah, I was reading about that. Apparently they did make

670
00:35:30.880 --> 00:35:35.039
<v Speaker 4>a couple toys they did based on the side characters,

671
00:35:35.079 --> 00:35:37.719
<v Speaker 4>but not the movie versions of the main characters.

672
00:35:37.840 --> 00:35:42.000
<v Speaker 3>That's right, So they did. They had gwildor Blade and Saurod,

673
00:35:43.079 --> 00:35:45.679
<v Speaker 3>and I remember those toys because they had the Masters

674
00:35:45.719 --> 00:35:49.440
<v Speaker 3>of the Universe packaging, but they had like film strip images.

675
00:35:49.679 --> 00:35:51.119
<v Speaker 4>I kind of remember this.

676
00:35:51.440 --> 00:35:55.000
<v Speaker 3>Yeah, yeah, I guess what I've read is that there

677
00:35:55.039 --> 00:35:57.320
<v Speaker 3>was some kind of a rights issue where they didn't

678
00:35:58.679 --> 00:36:01.679
<v Speaker 3>make the right deal with William Stout, who's the production designer,

679
00:36:02.559 --> 00:36:06.880
<v Speaker 3>to include toys, which seems like kind of a major

680
00:36:06.960 --> 00:36:10.239
<v Speaker 3>foul up if if it's a toy based you know,

681
00:36:10.639 --> 00:36:13.760
<v Speaker 3>they you know. But I remember, like a year or

682
00:36:13.840 --> 00:36:15.800
<v Speaker 3>so after this movie, I mean, this is this movie

683
00:36:15.840 --> 00:36:18.719
<v Speaker 3>came out as the as Masters of the Universe was

684
00:36:18.840 --> 00:36:21.519
<v Speaker 3>breathing its last right, So about a year or so

685
00:36:21.639 --> 00:36:22.920
<v Speaker 3>later you had like I want to say, it was

686
00:36:22.960 --> 00:36:27.000
<v Speaker 3>like laser he Man who had like the mullet, like

687
00:36:27.000 --> 00:36:29.760
<v Speaker 3>like dolf one Grand and a cape and he looks

688
00:36:30.639 --> 00:36:33.800
<v Speaker 3>close ish to the he Man in this movie. That's

689
00:36:33.800 --> 00:36:35.960
<v Speaker 3>the closest they got. But by then, I mean, the

690
00:36:36.719 --> 00:36:40.800
<v Speaker 3>misfortune about the timing is that there's like a variety

691
00:36:40.800 --> 00:36:44.039
<v Speaker 3>of factors. But this one came out right as the

692
00:36:44.079 --> 00:36:48.039
<v Speaker 3>toy line was dying out, and I think Mattel, well,

693
00:36:48.079 --> 00:36:50.239
<v Speaker 3>I guess Mattel and Cannon, We're both hoping it would

694
00:36:50.280 --> 00:36:53.960
<v Speaker 3>reverse their respective fortunes. Right, didn't happen, So it ends

695
00:36:54.039 --> 00:36:56.719
<v Speaker 3>up being sort of the one of the last nails.

696
00:36:57.039 --> 00:37:01.440
<v Speaker 3>And then like a year later, the Ninja Turtles show

697
00:37:01.519 --> 00:37:03.559
<v Speaker 3>up and that's it.

698
00:37:03.599 --> 00:37:06.679
<v Speaker 4>Then yep, yep, right, and amazing that they have never

699
00:37:06.719 --> 00:37:07.519
<v Speaker 4>really gone away.

700
00:37:08.320 --> 00:37:11.679
<v Speaker 3>That's interesting. I yeah, I Other than there was probably

701
00:37:11.719 --> 00:37:14.119
<v Speaker 3>like a five year spell I would say, from like

702
00:37:14.199 --> 00:37:17.639
<v Speaker 3>ninety seven to two hm. That was like a right

703
00:37:17.679 --> 00:37:19.880
<v Speaker 3>because because you had the original show, which went from

704
00:37:19.880 --> 00:37:23.320
<v Speaker 3>like eighty seven to ninety seven or thereabouts, right, and

705
00:37:23.400 --> 00:37:27.599
<v Speaker 3>then at some point there was the that live action show.

706
00:37:27.639 --> 00:37:29.079
<v Speaker 3>Do you remember that? I do?

707
00:37:29.280 --> 00:37:33.320
<v Speaker 4>Yeah, yeah, when they had the the female Turtle that's right,

708
00:37:33.440 --> 00:37:37.920
<v Speaker 4>Venus de my Lenus yep, yep, yep, yeah, and then

709
00:37:38.000 --> 00:37:39.920
<v Speaker 4>and then but it basically went away, and then I

710
00:37:39.920 --> 00:37:42.360
<v Speaker 4>think in O two they had that that new series.

711
00:37:43.400 --> 00:37:46.360
<v Speaker 4>Yeahah over a Nickelodeon.

712
00:37:46.679 --> 00:37:49.400
<v Speaker 3>No, No, before the Nickelodeon there was a Nickelodeon had

713
00:37:49.400 --> 00:37:52.440
<v Speaker 3>the CG animated one. Okay, but before that there was

714
00:37:52.519 --> 00:37:55.079
<v Speaker 3>like it was it was it was before Nickelodeon bought

715
00:37:55.079 --> 00:37:57.320
<v Speaker 3>the Turtles anyway, my point, Yeah, you're right, there was

716
00:37:57.360 --> 00:38:00.599
<v Speaker 3>like this brief lull, which is simi to what the

717
00:38:00.639 --> 00:38:03.639
<v Speaker 3>Transformers had earlier in the nineties. And that's why from

718
00:38:03.679 --> 00:38:06.880
<v Speaker 3>them from the eighties you got Transformers and Turtles. Those

719
00:38:06.880 --> 00:38:09.400
<v Speaker 3>are the only ones that have like consistently lasted.

720
00:38:09.760 --> 00:38:10.800
<v Speaker 4>That's really interesting.

721
00:38:11.559 --> 00:38:14.559
<v Speaker 3>Like he Man. If not for he Man, you don't

722
00:38:14.599 --> 00:38:16.760
<v Speaker 3>get g I Joe, you don't get Transformers, you don't

723
00:38:16.760 --> 00:38:21.159
<v Speaker 3>get Turtles because he wrote he Man wrote the playbook, right,

724
00:38:21.599 --> 00:38:22.960
<v Speaker 3>you have a toy line, you come up with the

725
00:38:23.000 --> 00:38:24.880
<v Speaker 3>animated thing, and then bah blah blah blah. This fight

726
00:38:24.960 --> 00:38:26.360
<v Speaker 3>scene that's coming up here, by the way, I really

727
00:38:26.440 --> 00:38:28.960
<v Speaker 3>like it. It's shot, well, you got these great kind

728
00:38:29.000 --> 00:38:32.960
<v Speaker 3>of you know, the red and the light, the red

729
00:38:33.000 --> 00:38:34.039
<v Speaker 3>and the green lights.

730
00:38:34.400 --> 00:38:36.639
<v Speaker 4>That's what I'm saying, right, I mean, if this was

731
00:38:36.679 --> 00:38:38.960
<v Speaker 4>shot for twenty dollars, it sure doesn't look like it,

732
00:38:39.360 --> 00:38:42.039
<v Speaker 4>you know, I mean, because it's executed well.

733
00:38:42.679 --> 00:38:46.840
<v Speaker 3>Well, I think what helps is that the people making

734
00:38:46.880 --> 00:38:50.840
<v Speaker 3>it weren't looking down on it. They were and it's

735
00:38:50.880 --> 00:38:52.800
<v Speaker 3>not like they were coming at it as fans necessarily

736
00:38:52.800 --> 00:38:54.599
<v Speaker 3>because they weren't. It's not like they grew up with

737
00:38:54.679 --> 00:38:57.960
<v Speaker 3>It's not like Travis Knight making this new one right right, right,

738
00:38:58.079 --> 00:39:00.320
<v Speaker 3>who's like part of the he Man generation. But you know,

739
00:39:00.400 --> 00:39:02.599
<v Speaker 3>Gary Godter talked about how, you know, he got the

740
00:39:02.719 --> 00:39:06.360
<v Speaker 3>gig because he had done the like the Conan Stunt

741
00:39:06.400 --> 00:39:10.840
<v Speaker 3>Show for Universal. Oh interesting, right, and he was at

742
00:39:10.880 --> 00:39:15.159
<v Speaker 3>the time he was developing Captain Power for Mattel Oh wow, okay,

743
00:39:15.239 --> 00:39:17.920
<v Speaker 3>which that show started in fall of eighty seven, so

744
00:39:17.960 --> 00:39:20.559
<v Speaker 3>shortly after this movie came out. But he talked about it.

745
00:39:20.679 --> 00:39:25.840
<v Speaker 3>He was inspired by you know, Frank Frizetta paintings and like,

746
00:39:26.039 --> 00:39:29.440
<v Speaker 3>and he's actually said the the the Fourth World characters

747
00:39:29.440 --> 00:39:32.000
<v Speaker 3>from d C that Jack Kirby creates, like dark Side

748
00:39:32.079 --> 00:39:35.679
<v Speaker 3>and and and you know Oryan and all that. You know,

749
00:39:35.760 --> 00:39:39.760
<v Speaker 3>and you've seen dark Side, right, Like that's basically what

750
00:39:39.840 --> 00:39:42.760
<v Speaker 3>Skeletor is doing. You talk about Doctor Doom. How Skeletor

751
00:39:42.880 --> 00:39:45.480
<v Speaker 3>is like a Doctor Doom totally very you can very

752
00:39:45.519 --> 00:39:47.639
<v Speaker 3>much see that. Uh. And so my point is like

753
00:39:47.719 --> 00:39:52.760
<v Speaker 3>he he was still trying to he he wasn't looking

754
00:39:52.840 --> 00:39:58.679
<v Speaker 3>down on it, like for example, you know, you know

755
00:39:58.800 --> 00:40:03.440
<v Speaker 3>Richard Lester doing Superman sequels. Yeah, yeah, yeah, where it's

756
00:40:03.480 --> 00:40:06.320
<v Speaker 3>clear that he was like, well, I can't take any

757
00:40:06.320 --> 00:40:07.320
<v Speaker 3>of this seriously, you know.

758
00:40:07.519 --> 00:40:07.719
<v Speaker 2>Yeah.

759
00:40:07.800 --> 00:40:09.519
<v Speaker 4>Yeah, he's winking a little bit.

760
00:40:09.639 --> 00:40:12.519
<v Speaker 3>Winking exactly like I think this fight sequence is good.

761
00:40:12.840 --> 00:40:13.280
<v Speaker 4>Yeah.

762
00:40:13.400 --> 00:40:18.239
<v Speaker 3>It's interesting is that initially they had been Mattel basically

763
00:40:18.239 --> 00:40:21.159
<v Speaker 3>had veto power over over I need decisions, right, So

764
00:40:21.199 --> 00:40:25.519
<v Speaker 3>they're like, well, he Man can't hurt anybody or kill anybody. Sure,

765
00:40:25.960 --> 00:40:31.400
<v Speaker 3>and Goddard is like, well, Jesus Christ, what we're supposed

766
00:40:31.400 --> 00:40:33.360
<v Speaker 3>to do? You know? Yeah, and that's why they came

767
00:40:33.440 --> 00:40:36.599
<v Speaker 3>up with the Black Stormtrooper. Guys, yeah, there are robots,

768
00:40:36.639 --> 00:40:38.840
<v Speaker 3>I guess right, yeah, they're robots, so you know. And

769
00:40:38.920 --> 00:40:40.440
<v Speaker 3>and then everybody looks at it and they're like, oh,

770
00:40:40.480 --> 00:40:41.719
<v Speaker 3>it's a Star Wars rip off. And He's like, I

771
00:40:41.760 --> 00:40:43.159
<v Speaker 3>didn't want to put I didn't want to put them

772
00:40:43.199 --> 00:40:43.599
<v Speaker 3>in there.

773
00:40:43.480 --> 00:40:45.480
<v Speaker 4>You know, yeah, yeah, yeah, yeah, I mean you do

774
00:40:45.679 --> 00:40:48.800
<v Speaker 4>feel intentional or not a real Star Wars influence.

775
00:40:49.400 --> 00:40:51.880
<v Speaker 3>Well, I mean that That's the funny thing is that

776
00:40:52.039 --> 00:40:56.800
<v Speaker 3>Star Wars is itself partly the origin of Masters in

777
00:40:56.800 --> 00:41:01.880
<v Speaker 3>the Universe as a concept. Sure, because Lucasfilm went to

778
00:41:01.920 --> 00:41:06.199
<v Speaker 3>Mattel first and for the toys back in the seventies,

779
00:41:07.320 --> 00:41:10.960
<v Speaker 3>and Mattel is like, the hell is this right? Get

780
00:41:10.960 --> 00:41:14.559
<v Speaker 3>out it, get out of here, close the door behind you.

781
00:41:14.599 --> 00:41:17.679
<v Speaker 3>They said, probably, you know, and then cut to nine

782
00:41:17.760 --> 00:41:22.960
<v Speaker 3>months later they're like huh yeah, yeah, so they were

783
00:41:23.000 --> 00:41:27.039
<v Speaker 3>like chasing that dragon, right, and so's they were. They

784
00:41:27.119 --> 00:41:29.840
<v Speaker 3>were literally like, why are we trying to license something

785
00:41:30.039 --> 00:41:31.519
<v Speaker 3>that we hope will be the next Star Wars. Want

786
00:41:31.559 --> 00:41:33.039
<v Speaker 3>we just create our own thing and then roll the dice.

787
00:41:33.079 --> 00:41:35.679
<v Speaker 3>And so that's what leads to Masters of the Universe.

788
00:41:35.719 --> 00:41:38.320
<v Speaker 3>And that's all in the documentary, I'm sure, which is

789
00:41:38.400 --> 00:41:40.960
<v Speaker 3>very interesting. I definitely, Oh it's worth watching. Yeah, And

790
00:41:41.519 --> 00:41:45.079
<v Speaker 3>so this is like ten years later, and it's just weird, right,

791
00:41:45.119 --> 00:41:52.039
<v Speaker 3>how all it all intersects. You cannot disentangle Star Wars

792
00:41:52.400 --> 00:41:56.880
<v Speaker 3>from the breadth of eighties pop culture totally. Everything is

793
00:41:56.920 --> 00:41:58.760
<v Speaker 3>either trying to be it or trying not to be

794
00:41:58.840 --> 00:41:59.960
<v Speaker 3>it right.

795
00:42:00.119 --> 00:42:02.920
<v Speaker 4>Right, and this is only four years after Return of

796
00:42:02.960 --> 00:42:03.840
<v Speaker 4>the Jedi, I know.

797
00:42:04.559 --> 00:42:08.519
<v Speaker 3>Yeah, there were commercials, like certainly in the UK where

798
00:42:08.519 --> 00:42:11.880
<v Speaker 3>it's like the Star Wars of the eighties. I'm like, well,

799
00:42:12.000 --> 00:42:13.840
<v Speaker 3>we already had the Star Wars of the eighties. Yeah.

800
00:42:13.880 --> 00:42:16.719
<v Speaker 3>Star Wars is Star Wars of the eighties. Yeah, exactly.

801
00:42:17.960 --> 00:42:20.159
<v Speaker 4>Which, by the way, from that last battle, I was

802
00:42:20.159 --> 00:42:23.039
<v Speaker 4>thinking this the other night watching this. Say what you

803
00:42:23.079 --> 00:42:27.320
<v Speaker 4>will about special effects from the seventies or eighties, they yeah,

804
00:42:27.360 --> 00:42:31.920
<v Speaker 4>from the beginning, really nailed blaster fire. Yeah, it looks

805
00:42:31.920 --> 00:42:33.840
<v Speaker 4>great in Star Wars. It looks great in this movie.

806
00:42:34.199 --> 00:42:36.559
<v Speaker 4>Something about the way that it actually looks like it's

807
00:42:36.599 --> 00:42:38.800
<v Speaker 4>in the environment and the speed that it's going from

808
00:42:38.800 --> 00:42:43.000
<v Speaker 4>the gun to its target. Yeah, they've always been really

809
00:42:43.000 --> 00:42:43.400
<v Speaker 4>good at that.

810
00:42:44.679 --> 00:42:46.920
<v Speaker 3>Well, and this is something you and I talked about

811
00:42:46.960 --> 00:42:51.760
<v Speaker 3>just recently. But animated lightning. Yes, there's plenty of animated

812
00:42:51.840 --> 00:42:53.760
<v Speaker 3>lightning in this movie, and I'm all about that. Yeah,

813
00:42:53.800 --> 00:42:54.159
<v Speaker 3>me too.

814
00:42:54.719 --> 00:42:56.840
<v Speaker 4>Now this is cool effect too, by the way, I

815
00:42:56.840 --> 00:43:00.119
<v Speaker 4>mean just this, I agree, little fireworks display over the

816
00:43:00.119 --> 00:43:02.440
<v Speaker 4>the key. And by the way, look usually in a

817
00:43:02.480 --> 00:43:07.199
<v Speaker 4>special effects shot like that in the eighties, the visual

818
00:43:07.360 --> 00:43:10.199
<v Speaker 4>is a little degraded because they've had to, like you know,

819
00:43:10.320 --> 00:43:13.559
<v Speaker 4>optically put the effect on it and reprint the frame

820
00:43:13.639 --> 00:43:15.800
<v Speaker 4>and all that stuff. But that was really clean and

821
00:43:15.960 --> 00:43:17.760
<v Speaker 4>I was really admiring that, and the and the shot

822
00:43:17.760 --> 00:43:19.719
<v Speaker 4>earlier with Courtney Cox too when they're using the key.

823
00:43:20.199 --> 00:43:23.039
<v Speaker 3>Well, this is something you know. Richard Edlind who did

824
00:43:23.079 --> 00:43:29.280
<v Speaker 3>the effects, he mastered the effects on sixty five, so

825
00:43:29.639 --> 00:43:36.119
<v Speaker 3>they are high, high resolution. Yeah, and talk about forward thinking. Yeah,

826
00:43:36.199 --> 00:43:40.000
<v Speaker 3>it looks great because you don't see a degradation whenever

827
00:43:40.039 --> 00:43:43.599
<v Speaker 3>we switched to these effects shots totally. And I also noticed,

828
00:43:43.679 --> 00:43:46.719
<v Speaker 3>especially on the one with the guy in Courtney Cox,

829
00:43:46.800 --> 00:43:50.400
<v Speaker 3>the light was dancing on their faces, so someone in

830
00:43:50.480 --> 00:43:52.880
<v Speaker 3>the location thought to put some sort of little strobe

831
00:43:52.920 --> 00:43:55.519
<v Speaker 3>effect on their face so it looks like the you know,

832
00:43:55.519 --> 00:43:59.800
<v Speaker 3>they're actually interacting with the effect, which is really smart. Okay,

833
00:43:59.840 --> 00:44:03.840
<v Speaker 3>so here, So so Julie has been a couple of

834
00:44:03.880 --> 00:44:08.000
<v Speaker 3>things here actually, like what are they doing at the

835
00:44:08.079 --> 00:44:12.599
<v Speaker 3>gym where it's like a sound check where nobody's there,

836
00:44:13.000 --> 00:44:14.760
<v Speaker 3>and he's like, I'm gonna do this thing now. Bear

837
00:44:14.800 --> 00:44:20.880
<v Speaker 3>in mind he's gonna he's his Julie is leaving like tomorrow, right, yes,

838
00:44:21.280 --> 00:44:23.400
<v Speaker 3>so you're telling me, bro can't wait like a day

839
00:44:23.800 --> 00:44:28.960
<v Speaker 3>to have this synthesizer quote unquote looked at right, They

840
00:44:29.000 --> 00:44:31.840
<v Speaker 3>as to leave his girlfriend there. But but so she's

841
00:44:31.840 --> 00:44:35.199
<v Speaker 3>being chased by these weirdos in various stages of undress

842
00:44:35.719 --> 00:44:39.440
<v Speaker 3>and then he man shows up and and he's like

843
00:44:39.480 --> 00:44:41.599
<v Speaker 3>trust me, and I'm like, well why, I mean, he

844
00:44:41.800 --> 00:44:43.239
<v Speaker 3>looks just like those other guys.

845
00:44:43.519 --> 00:44:46.119
<v Speaker 4>I was thinking that too, Like she's very like immediately

846
00:44:46.159 --> 00:44:48.559
<v Speaker 4>like sure, and then just kind of hugging him and feeling,

847
00:44:48.599 --> 00:44:50.320
<v Speaker 4>you know, protected by him. But I was like, yeah,

848
00:44:50.320 --> 00:44:52.480
<v Speaker 4>if I saw anybody look like they stepped out of

849
00:44:52.480 --> 00:44:54.320
<v Speaker 4>a science fiction story at this.

850
00:44:54.320 --> 00:44:59.119
<v Speaker 3>Point, Like you see him standing next to Blade. Yeah,

851
00:44:59.719 --> 00:45:01.400
<v Speaker 3>I don't know. They both look like they're on the

852
00:45:01.400 --> 00:45:03.079
<v Speaker 3>same team if you don't know any better.

853
00:45:03.320 --> 00:45:04.320
<v Speaker 4>Yeah, but.

854
00:45:06.159 --> 00:45:09.480
<v Speaker 3>We know what they're doing here. Yeah, so James Tolkien,

855
00:45:09.519 --> 00:45:13.199
<v Speaker 3>now this is this is a year after Top Gun

856
00:45:13.280 --> 00:45:16.599
<v Speaker 3>and two years after Back to the Future. So my

857
00:45:16.639 --> 00:45:19.880
<v Speaker 3>man's having a moment. Yep. And what I love is

858
00:45:19.920 --> 00:45:23.440
<v Speaker 3>that he's playing this like hard as nails. Brooklyn, cop

859
00:45:24.559 --> 00:45:28.199
<v Speaker 3>in like the most quiet town in America.

860
00:45:28.599 --> 00:45:30.480
<v Speaker 4>Yeah, like southern California suburbs.

861
00:45:30.960 --> 00:45:32.719
<v Speaker 3>Do we even know that this is California?

862
00:45:33.280 --> 00:45:36.719
<v Speaker 4>Well no, but I just yeah, they never say, right.

863
00:45:37.280 --> 00:45:39.440
<v Speaker 4>It is very funny though, Yeah, yeah, his accent.

864
00:45:39.599 --> 00:45:42.960
<v Speaker 3>And what's funny to me is like I feel like

865
00:45:43.000 --> 00:45:46.000
<v Speaker 3>this character lubic, like he's got some kind of an

866
00:45:46.119 --> 00:45:49.719
<v Speaker 3>arc that they just missed out on. Yeah.

867
00:45:49.800 --> 00:45:52.760
<v Speaker 4>You could get that sense throughout the whole movie that

868
00:45:52.840 --> 00:45:54.920
<v Speaker 4>there's probably a lot more that they wanted to do,

869
00:45:55.159 --> 00:45:58.320
<v Speaker 4>but they just couldn't budget it, so they whittled it

870
00:45:58.360 --> 00:46:02.320
<v Speaker 4>down to what they absolutely could carry out.

871
00:46:02.960 --> 00:46:03.159
<v Speaker 2>See.

872
00:46:03.320 --> 00:46:07.599
<v Speaker 3>Yeah, I oh, I definitely agree with that. I think that, uh,

873
00:46:07.639 --> 00:46:09.559
<v Speaker 3>they were probably very happy to get him because he

874
00:46:09.599 --> 00:46:11.719
<v Speaker 3>was a pretty familiar face and he'd been in some

875
00:46:11.719 --> 00:46:14.960
<v Speaker 3>pretty big deal movies. I just say the first time

876
00:46:15.000 --> 00:46:16.800
<v Speaker 3>I saw him was in this because I saw both

877
00:46:16.800 --> 00:46:19.480
<v Speaker 3>Back to the Future and Top Gun after this. So

878
00:46:19.599 --> 00:46:21.800
<v Speaker 3>to me, he's not mister Strickland. He's lubic.

879
00:46:22.079 --> 00:46:24.519
<v Speaker 4>Oh that's really funny. Well, and for him, I mean

880
00:46:24.559 --> 00:46:26.440
<v Speaker 4>he always plays like a certain type, right, I mean

881
00:46:26.480 --> 00:46:27.840
<v Speaker 4>he's very memorable in BacT.

882
00:46:27.639 --> 00:46:29.119
<v Speaker 3>To this place James Tolkien type.

883
00:46:29.360 --> 00:46:31.960
<v Speaker 4>Yeah, but he probably has about a minute of screen time, right,

884
00:46:32.440 --> 00:46:34.880
<v Speaker 4>he just makes a big impact. But in this, as

885
00:46:34.880 --> 00:46:37.760
<v Speaker 4>far as I have seen, this is his media's role.

886
00:46:37.880 --> 00:46:39.199
<v Speaker 3>He gets the most to do. Yeah.

887
00:46:39.280 --> 00:46:42.000
<v Speaker 4>Yeah, it's kind of fun watching him do his thing

888
00:46:42.119 --> 00:46:46.119
<v Speaker 4>and actually play a character, see, not like a type.

889
00:46:46.360 --> 00:46:49.840
<v Speaker 3>What strikes me is they should have done like they

890
00:46:49.880 --> 00:46:52.679
<v Speaker 3>should have done like a like a Chief Brody thing

891
00:46:52.760 --> 00:46:55.679
<v Speaker 3>where he's like afraid of aliens or something, and then

892
00:46:55.719 --> 00:47:01.000
<v Speaker 3>now he's going to live with them exactly right, like

893
00:47:01.000 --> 00:47:03.679
<v Speaker 3>like that's yeah. They kind of allude to it a

894
00:47:03.719 --> 00:47:06.079
<v Speaker 3>little bit where it's he's talking to these other cops

895
00:47:06.119 --> 00:47:08.400
<v Speaker 3>and they're like, oh, not agandalubic or something. Maybe he's

896
00:47:08.440 --> 00:47:12.159
<v Speaker 3>like he's got this thing about aliens and you know, yeah.

897
00:47:11.679 --> 00:47:14.639
<v Speaker 4>Yeah, sort of like the Randy Quaid character in Independence day,

898
00:47:14.719 --> 00:47:17.599
<v Speaker 4>like exactly, you had an experience that he can't explain

899
00:47:17.639 --> 00:47:19.199
<v Speaker 4>and people are tired of hearing about it.

900
00:47:19.239 --> 00:47:22.960
<v Speaker 3>But because his ending in the movie makes like not

901
00:47:23.320 --> 00:47:25.960
<v Speaker 3>even a little bit of sense he's been there. I mean,

902
00:47:26.039 --> 00:47:27.960
<v Speaker 3>like I don't we'll feel like there's a well, we'll

903
00:47:27.960 --> 00:47:28.599
<v Speaker 3>get there, we'll get it.

904
00:47:30.440 --> 00:47:33.079
<v Speaker 4>But it makes me laugh, Like if you're writing this

905
00:47:33.119 --> 00:47:39.119
<v Speaker 4>movie's wavelength, you know, it's really funny. See this is

906
00:47:39.159 --> 00:47:41.760
<v Speaker 4>like there's not like a ton on the page necessarily,

907
00:47:41.800 --> 00:47:45.519
<v Speaker 4>but this moment between Skeletor and Evil Lynn and just

908
00:47:45.760 --> 00:47:48.480
<v Speaker 4>in her eyes, like how she really admires him and

909
00:47:49.719 --> 00:47:52.840
<v Speaker 4>but he treats her so badly, And yeah, her little

910
00:47:53.440 --> 00:47:56.920
<v Speaker 4>arc sort of silent, but her arc with him sort

911
00:47:56.920 --> 00:47:57.960
<v Speaker 4>of turning on him a bit.

912
00:47:59.320 --> 00:48:01.679
<v Speaker 3>Dude, she does even weight to turn on him. That's

913
00:48:01.920 --> 00:48:03.039
<v Speaker 3>that's also really funny.

914
00:48:03.480 --> 00:48:04.840
<v Speaker 4>But look at the way she's looking at him and

915
00:48:04.840 --> 00:48:08.960
<v Speaker 4>then she kind of like this, they're just bringing so much.

916
00:48:09.719 --> 00:48:11.920
<v Speaker 3>You know, I agree with that well. And Meg Foster

917
00:48:12.039 --> 00:48:14.159
<v Speaker 3>is interesting because like she talked about how the armor

918
00:48:14.360 --> 00:48:17.760
<v Speaker 3>thing that they gave her was so uncomfortable that it

919
00:48:17.880 --> 00:48:20.480
<v Speaker 3>sort of arched her back in a specific way. And

920
00:48:20.559 --> 00:48:23.239
<v Speaker 3>yet like that really does add to, so there's like

921
00:48:23.239 --> 00:48:29.119
<v Speaker 3>a regalness to her gait totally. You know. Yeah, So

922
00:48:29.719 --> 00:48:33.119
<v Speaker 3>here I'm wondering why they killed off like the cooler

923
00:48:33.199 --> 00:48:36.639
<v Speaker 3>looking a mercenary guy.

924
00:48:36.960 --> 00:48:40.360
<v Speaker 4>Yeah, yeah, yeah, sort of he doesn't look like him necessarily,

925
00:48:40.400 --> 00:48:43.239
<v Speaker 4>but sort of like a general grievous type of Yeah,

926
00:48:43.360 --> 00:48:46.880
<v Speaker 4>expect to like part robot, part organic, kind of.

927
00:48:46.800 --> 00:48:49.920
<v Speaker 3>Like a like a lizard guy. Yeah, Like, what's that

928
00:48:49.960 --> 00:48:50.760
<v Speaker 3>guy's deal? Then?

929
00:48:51.599 --> 00:48:52.719
<v Speaker 4>Yeah, I don't know why.

930
00:48:53.519 --> 00:48:55.559
<v Speaker 3>Just because I remember watching this in the theater and

931
00:48:55.599 --> 00:49:00.760
<v Speaker 3>definitely going, oh yeah. One of my clearest memories of

932
00:49:00.800 --> 00:49:03.840
<v Speaker 3>seeing this in the theater I was I was seven

933
00:49:03.920 --> 00:49:05.840
<v Speaker 3>going on eight, so my brother would have been, you know,

934
00:49:06.039 --> 00:49:09.480
<v Speaker 3>twelve gone on thirteen, and we were in Edmonton and

935
00:49:09.559 --> 00:49:12.480
<v Speaker 3>my uncle dropped us off at the movie theater and

936
00:49:12.599 --> 00:49:15.840
<v Speaker 3>just left, which I think about to this day. I'm like,

937
00:49:15.880 --> 00:49:17.400
<v Speaker 3>I would never in a million years do that.

938
00:49:18.400 --> 00:49:20.079
<v Speaker 4>That's how it used to be, though, I mean, that's

939
00:49:20.159 --> 00:49:22.880
<v Speaker 4>how it was right when we'd be like seven or something,

940
00:49:22.920 --> 00:49:24.559
<v Speaker 4>you drop us off at the theater to go watch

941
00:49:24.559 --> 00:49:26.960
<v Speaker 4>The Lamb Before Time or something exactly.

942
00:49:26.719 --> 00:49:28.519
<v Speaker 3>And I would like, it's just so weird. I'm like,

943
00:49:29.280 --> 00:49:31.920
<v Speaker 3>are we more paranoid now? Or were we not paranoid

944
00:49:32.000 --> 00:49:32.400
<v Speaker 3>enough then.

945
00:49:32.480 --> 00:49:32.920
<v Speaker 4>I don't know.

946
00:49:33.280 --> 00:49:35.840
<v Speaker 3>I don't know, but I remember a kid sitting in

947
00:49:35.840 --> 00:49:37.599
<v Speaker 3>the row in front of me, and he must have

948
00:49:37.679 --> 00:49:41.320
<v Speaker 3>been five ish, probably he was younger for sure, And

949
00:49:41.679 --> 00:49:43.239
<v Speaker 3>at one point in the movie he goes, he man

950
00:49:43.320 --> 00:49:47.440
<v Speaker 3>is the bestest man, and I remember being like, oh,

951
00:49:47.880 --> 00:49:52.519
<v Speaker 3>this young pup. I love his youthful enthusiasm, you know,

952
00:49:52.559 --> 00:49:58.280
<v Speaker 3>because I'm like seven, right right? That is lit.

953
00:49:58.559 --> 00:50:00.679
<v Speaker 4>It's amazing you remember that to this day.

954
00:50:01.039 --> 00:50:02.719
<v Speaker 3>I was. I was just talking about that with Amana.

955
00:50:02.760 --> 00:50:05.440
<v Speaker 3>I was like, what a weird thing to have such

956
00:50:05.440 --> 00:50:08.039
<v Speaker 3>a specific recollection, But I remember that very he man

957
00:50:08.119 --> 00:50:08.960
<v Speaker 3>is the bestest man.

958
00:50:13.519 --> 00:50:15.360
<v Speaker 4>But yeah, the evil in moment. I like where she

959
00:50:15.480 --> 00:50:16.840
<v Speaker 4>and then he just kind of shoves her and like

960
00:50:16.840 --> 00:50:19.360
<v Speaker 4>you're going too, and she's like, well, I wasn't suggested

961
00:50:19.719 --> 00:50:21.840
<v Speaker 4>that he's spoken. Yeah.

962
00:50:21.920 --> 00:50:22.320
<v Speaker 3>I like that.

963
00:50:22.400 --> 00:50:24.280
<v Speaker 4>I like that dynamic between them. It's interesting.

964
00:50:26.239 --> 00:50:29.239
<v Speaker 3>I certainly love Langella's skeletor of voice. I'm glad they

965
00:50:29.239 --> 00:50:32.519
<v Speaker 3>didn't try to do Alan Oppenheimer's you know, high pitched thing.

966
00:50:32.639 --> 00:50:35.079
<v Speaker 3>Oh sure, relationship. I don't think that would have worked.

967
00:50:35.360 --> 00:50:39.360
<v Speaker 4>Yeah, yeah, yeah, yeah.

968
00:50:39.400 --> 00:50:42.880
<v Speaker 3>It is interesting as well that they didn't incorporate the

969
00:50:42.880 --> 00:50:46.960
<v Speaker 3>Prince Adam thing, Like you'd think that that would have

970
00:50:47.000 --> 00:50:49.920
<v Speaker 3>been a good way to, like when he's on Earth,

971
00:50:50.000 --> 00:50:54.440
<v Speaker 3>have him blend in or something, you know, mm hmmmm hmm.

972
00:50:54.639 --> 00:50:56.320
<v Speaker 4>I mean, just there's so much going on in this

973
00:50:56.400 --> 00:50:59.679
<v Speaker 4>movie and even having to explain there's this other world

974
00:50:59.719 --> 00:51:01.360
<v Speaker 4>but they can come to Earth because of a key,

975
00:51:01.480 --> 00:51:05.159
<v Speaker 4>and there's this castle that the these two people are battling, like,

976
00:51:05.199 --> 00:51:09.159
<v Speaker 4>it's just maybe too many things going on. Yeah, to

977
00:51:09.199 --> 00:51:11.800
<v Speaker 4>introduce the fact that he has a secret identity.

978
00:51:11.440 --> 00:51:11.599
<v Speaker 1>And.

979
00:51:13.920 --> 00:51:16.519
<v Speaker 3>Yeah, it's a pretty terrible secret identity when you really

980
00:51:16.559 --> 00:51:20.239
<v Speaker 3>think about it, because it's just he takes his shirt

981
00:51:20.280 --> 00:51:23.519
<v Speaker 3>off and suddenly nobody knows what happened to Adam. Right.

982
00:51:23.639 --> 00:51:26.280
<v Speaker 4>Yeah, I rewatched the pilot of the cartoon show because

983
00:51:26.280 --> 00:51:28.679
<v Speaker 4>I hadn't seen it since I was a kid, and

984
00:51:29.000 --> 00:51:30.599
<v Speaker 4>just in preparation for this, and it was fun to

985
00:51:30.639 --> 00:51:31.239
<v Speaker 4>go back.

986
00:51:31.039 --> 00:51:33.760
<v Speaker 3>And like, what was what was the episode?

987
00:51:34.639 --> 00:51:34.760
<v Speaker 2>Uh?

988
00:51:36.760 --> 00:51:38.679
<v Speaker 4>I mean Skeltor wants to take over?

989
00:51:39.320 --> 00:51:39.840
<v Speaker 3>You know what I mean?

990
00:51:39.880 --> 00:51:42.239
<v Speaker 4>Like it's like I don't even remember, but it's a

991
00:51:42.239 --> 00:51:45.000
<v Speaker 4>lot of you know, the parents, like, oh, there goes

992
00:51:45.039 --> 00:51:47.400
<v Speaker 4>Prince Adam running away from danger again. Yeah, and then

993
00:51:47.440 --> 00:51:50.440
<v Speaker 4>he becomes he Man, and you know it's it's it's.

994
00:51:52.000 --> 00:51:54.440
<v Speaker 3>Janky. Yeah, but I.

995
00:51:54.480 --> 00:51:57.079
<v Speaker 4>Totally see why I liked it. It's fun, you know,

996
00:51:57.440 --> 00:52:01.000
<v Speaker 4>it's the colors are fun, the characters are fun, orco

997
00:52:01.159 --> 00:52:01.599
<v Speaker 4>is fun.

998
00:52:01.760 --> 00:52:03.360
<v Speaker 3>Like, I totally get why I loved.

999
00:52:03.159 --> 00:52:03.679
<v Speaker 4>It as a kid.

1000
00:52:04.840 --> 00:52:08.760
<v Speaker 3>Well, and I mean it was a phenomenon, right, Yeah,

1001
00:52:09.000 --> 00:52:12.159
<v Speaker 3>I mean that that's the thing, this idea of a

1002
00:52:12.320 --> 00:52:17.679
<v Speaker 3>Monday through Friday series that was based on a toy

1003
00:52:17.960 --> 00:52:22.960
<v Speaker 3>that had not happened until Masters the Universe. Yeah, and

1004
00:52:23.159 --> 00:52:25.320
<v Speaker 3>you know that, like it's so funny because we look

1005
00:52:25.400 --> 00:52:27.599
<v Speaker 3>back at the eighties and at least for me, I know,

1006
00:52:27.760 --> 00:52:33.400
<v Speaker 3>you know, between he Man and Transformers and g I Joe,

1007
00:52:33.440 --> 00:52:37.599
<v Speaker 3>Like that's my childhood. And now as an adult, I'm like, god, damn,

1008
00:52:37.679 --> 00:52:43.039
<v Speaker 3>that's cynical these products. Yeah yeah, it's like just just

1009
00:52:43.320 --> 00:52:45.960
<v Speaker 3>toy commercial after toy commercials. But as a kid, I'm like,

1010
00:52:46.199 --> 00:52:48.440
<v Speaker 3>it meant so much to me. So I have this

1011
00:52:48.440 --> 00:52:51.519
<v Speaker 3>this I have like such a bipolar relationship with this stuff.

1012
00:52:51.960 --> 00:52:55.320
<v Speaker 4>I understand what you're saying, and you're not entirely wrong, probably,

1013
00:52:55.679 --> 00:52:59.400
<v Speaker 4>but it did engage with your imagination, Yeah, you know

1014
00:52:59.440 --> 00:53:02.400
<v Speaker 4>what I mean, Like it did involve you, which is

1015
00:53:02.480 --> 00:53:03.480
<v Speaker 4>kind of a special thing.

1016
00:53:04.679 --> 00:53:07.360
<v Speaker 3>Well, that's the funny thing because these shows all ended

1017
00:53:07.480 --> 00:53:09.039
<v Speaker 3>this was He Man and g I Joe, right, they

1018
00:53:09.079 --> 00:53:12.079
<v Speaker 3>would end with the lesson you know, yes, yeah, yeah, yeah,

1019
00:53:12.119 --> 00:53:16.719
<v Speaker 3>and you know with he Man, you know it would

1020
00:53:16.760 --> 00:53:20.280
<v Speaker 3>be like in today's episode, skeletor lied about what he

1021
00:53:20.360 --> 00:53:23.519
<v Speaker 3>was going to do. You shouldn't lie or Whatever's.

1022
00:53:22.840 --> 00:53:25.360
<v Speaker 4>That's basically what the first one is. It's like, do

1023
00:53:25.800 --> 00:53:27.719
<v Speaker 4>things the right way, you don't need to lie.

1024
00:53:28.280 --> 00:53:31.440
<v Speaker 3>Yeah, dude, I love this. By the way, we just

1025
00:53:31.519 --> 00:53:34.039
<v Speaker 3>stay on this shot of James Tolkien going through the

1026
00:53:34.079 --> 00:53:38.559
<v Speaker 3>whole gamut of reactions. I'm like, did you just not

1027
00:53:38.559 --> 00:53:49.639
<v Speaker 3>get a cut away? That's hilarious. He's like, that's exactly it.

1028
00:53:53.039 --> 00:53:55.599
<v Speaker 4>By the way, I was laughing when he had the chicken,

1029
00:53:55.639 --> 00:53:56.639
<v Speaker 4>He's like eating this chicken.

1030
00:53:56.679 --> 00:53:58.159
<v Speaker 3>I was like, all right, what what's this? Is this

1031
00:53:58.239 --> 00:53:59.039
<v Speaker 3>like an acting thing?

1032
00:53:59.119 --> 00:54:00.800
<v Speaker 4>Like you just want something to within his hands and

1033
00:54:00.840 --> 00:54:02.280
<v Speaker 4>he's like, now I'm gonna warm this up in the

1034
00:54:02.320 --> 00:54:04.000
<v Speaker 4>microwave and then we can do what we need to

1035
00:54:04.000 --> 00:54:07.320
<v Speaker 4>do next. And I was like, what is happening? And

1036
00:54:07.360 --> 00:54:11.519
<v Speaker 4>then the fact that that's the interference for a moment

1037
00:54:11.559 --> 00:54:13.159
<v Speaker 4>where the bad guys can't track the key.

1038
00:54:13.199 --> 00:54:15.800
<v Speaker 3>I was like, ah, I like that. It's just funny.

1039
00:54:15.800 --> 00:54:24.519
<v Speaker 4>The way that it plays out is just very funny. Yeah,

1040
00:54:24.559 --> 00:54:26.719
<v Speaker 4>but yeah, you know, it just occurred to me. I'd

1041
00:54:26.760 --> 00:54:30.840
<v Speaker 4>never really seen Tolkien like have a whole role that

1042
00:54:30.880 --> 00:54:32.760
<v Speaker 4>he gets to play with an arc I haven't. I mean,

1043
00:54:32.800 --> 00:54:34.440
<v Speaker 4>there's probably other movies I haven't seen, but.

1044
00:54:35.360 --> 00:54:39.519
<v Speaker 3>Yeah, he he I mean, you know, in Back to

1045
00:54:39.559 --> 00:54:43.440
<v Speaker 3>the Future, basically what he's in like one scene really, I.

1046
00:54:43.400 --> 00:54:46.119
<v Speaker 4>Mean yeah, yeah, the beginning right where he gives them

1047
00:54:46.119 --> 00:54:46.679
<v Speaker 4>the tardy.

1048
00:54:46.679 --> 00:54:49.239
<v Speaker 3>And then we see and then and then later in

1049
00:54:49.360 --> 00:54:50.960
<v Speaker 3>when Marty is in the past.

1050
00:54:51.159 --> 00:54:53.719
<v Speaker 4>Yeah yeah, oh yeah in the hallway with the dad

1051
00:54:53.800 --> 00:54:56.039
<v Speaker 4>and then oh well breaking up the fight and then

1052
00:54:56.079 --> 00:54:58.000
<v Speaker 4>putting his hands over his ears, and I'd be total,

1053
00:54:58.400 --> 00:54:59.960
<v Speaker 4>that's probably about a minute.

1054
00:55:00.400 --> 00:55:05.519
<v Speaker 3>Yeah, yeah, but that's I mean, he he played a

1055
00:55:05.679 --> 00:55:07.559
<v Speaker 3>type and he did a he did a good job

1056
00:55:08.519 --> 00:55:09.199
<v Speaker 3>embodying that.

1057
00:55:10.719 --> 00:55:14.800
<v Speaker 4>Yeah, And I guess that's what's kind of funny about

1058
00:55:14.800 --> 00:55:18.519
<v Speaker 4>it is he's just always hard ass, you know, with

1059
00:55:18.639 --> 00:55:20.800
<v Speaker 4>the capital H so here it's kind of funny seeing

1060
00:55:20.880 --> 00:55:22.719
<v Speaker 4>him act like a hard ass. But like you said,

1061
00:55:22.960 --> 00:55:25.639
<v Speaker 4>have these police officers not believe him about something. I'm like, oh,

1062
00:55:25.639 --> 00:55:28.960
<v Speaker 4>that's I've not seen him have to like defend himself before, right,

1063
00:55:29.320 --> 00:55:34.679
<v Speaker 4>you know. But yeah, seeing these kinds of things bust

1064
00:55:34.719 --> 00:55:38.239
<v Speaker 4>down a house in the suburbs.

1065
00:55:37.880 --> 00:55:41.679
<v Speaker 3>Is like sick. But when when Kevin sees the beast Man,

1066
00:55:41.760 --> 00:55:44.480
<v Speaker 3>his first reaction is get out of here, get out

1067
00:55:44.519 --> 00:55:48.239
<v Speaker 3>of here, yeah, which strikes me out a little bit, right,

1068
00:55:48.280 --> 00:55:52.519
<v Speaker 3>Like I'd be like, what the hell, what the hell?

1069
00:55:53.159 --> 00:56:00.719
<v Speaker 4>That would be the thing, right, Yeah, yeah, Yeah, that's hilarious.

1070
00:56:02.159 --> 00:56:04.760
<v Speaker 4>I don't know what to say about that. That's you're right,

1071
00:56:04.880 --> 00:56:05.320
<v Speaker 4>You're right.

1072
00:56:06.039 --> 00:56:07.719
<v Speaker 3>He's like, get out of here, get out of here.

1073
00:56:07.760 --> 00:56:10.800
<v Speaker 3>I'm like, that's odd. How about that?

1074
00:56:13.760 --> 00:56:15.559
<v Speaker 4>It'd be funny if he threw the chicken at him.

1075
00:56:15.559 --> 00:56:16.880
<v Speaker 4>He's like, ah, it's been heated up.

1076
00:56:18.360 --> 00:56:21.119
<v Speaker 3>Yeah, that's why you put it in the microwave. Well,

1077
00:56:21.159 --> 00:56:25.119
<v Speaker 3>because earlier in the movie, Julie throws the ammonia at him. Yeah,

1078
00:56:25.239 --> 00:56:27.679
<v Speaker 3>He's like, ah, it's just he's just like he's just

1079
00:56:27.719 --> 00:56:34.960
<v Speaker 3>susceptible to earth, you know. Products. Yeah, so he should

1080
00:56:35.000 --> 00:56:38.320
<v Speaker 3>say the Anthony Delongus, who plays Blade, he's also the

1081
00:56:38.360 --> 00:56:40.119
<v Speaker 3>fight choreographer for this movie.

1082
00:56:40.760 --> 00:56:42.960
<v Speaker 4>Yeah, and he does the sword play for skeletor right

1083
00:56:43.000 --> 00:56:44.280
<v Speaker 4>at the end, Yeah, at the end.

1084
00:56:44.360 --> 00:56:44.519
<v Speaker 2>Right.

1085
00:56:44.800 --> 00:56:46.679
<v Speaker 3>But he's also got a great look as Blade. I

1086
00:56:46.679 --> 00:56:48.840
<v Speaker 3>think he's a cool character. Yeah, totally. And he can

1087
00:56:48.880 --> 00:56:54.920
<v Speaker 3>act mm hmm, yeah, hmmm. Is this something that might

1088
00:56:55.639 --> 00:56:56.639
<v Speaker 3>come into play later?

1089
00:56:57.800 --> 00:57:03.440
<v Speaker 4>This looks pretty good too, by the way, this hologram, Yeah,

1090
00:57:03.760 --> 00:57:04.880
<v Speaker 4>I feel like she even.

1091
00:57:04.920 --> 00:57:08.000
<v Speaker 3>Yeah good, no, no, no, I finished your thought.

1092
00:57:08.280 --> 00:57:09.800
<v Speaker 4>Yeah, no, no, no, no, actually good.

1093
00:57:10.079 --> 00:57:12.039
<v Speaker 3>Well, I'm just looking at the state of this house

1094
00:57:12.039 --> 00:57:14.960
<v Speaker 3>and I'm like, this is Julia's house, and isn't she

1095
00:57:15.079 --> 00:57:16.199
<v Speaker 3>leaving like tomorrow?

1096
00:57:16.599 --> 00:57:18.880
<v Speaker 4>Don't be You're right, she's not done packing.

1097
00:57:19.159 --> 00:57:20.119
<v Speaker 3>She hasn't done anything.

1098
00:57:20.440 --> 00:57:24.320
<v Speaker 4>Yeah, yeah, I'm maybe they'll be movers.

1099
00:57:24.480 --> 00:57:28.559
<v Speaker 3>I suppose. But you'd think she'd be better equipped after

1100
00:57:28.599 --> 00:57:31.639
<v Speaker 3>her parents died suddenly in a plane crash to get

1101
00:57:31.639 --> 00:57:35.480
<v Speaker 3>on with her life, right, one would think. But it

1102
00:57:35.519 --> 00:57:39.679
<v Speaker 3>was the eighties, you know, I think I have to

1103
00:57:39.679 --> 00:57:42.760
<v Speaker 3>give it up to that as well, that that's a

1104
00:57:42.800 --> 00:57:47.559
<v Speaker 3>fairly dark plot element. Yeah, And you know movies in

1105
00:57:47.599 --> 00:57:50.079
<v Speaker 3>the eighties that were ostensibly aimed at kids, they would

1106
00:57:50.079 --> 00:57:53.679
<v Speaker 3>do that. They would just have like parental death, Yeah,

1107
00:57:53.960 --> 00:57:55.599
<v Speaker 3>just like layered in and it was fine.

1108
00:57:55.880 --> 00:57:57.880
<v Speaker 4>Well, and this character believes it's her fault.

1109
00:57:58.639 --> 00:58:00.960
<v Speaker 3>That's true. Yeah, that's extra dark.

1110
00:58:01.360 --> 00:58:06.199
<v Speaker 4>Yeah. Yeah, this stuff is cool, like that crazy Star

1111
00:58:06.199 --> 00:58:07.719
<v Speaker 4>Wars looking ship on a front lawn.

1112
00:58:08.719 --> 00:58:13.119
<v Speaker 3>But there is literally nobody in this town. Yeah, like

1113
00:58:13.119 --> 00:58:16.480
<v Speaker 3>like I mean, there's there's like there's our two people,

1114
00:58:16.559 --> 00:58:19.320
<v Speaker 3>there's Charlie and Lubick. Yeah.

1115
00:58:19.480 --> 00:58:26.239
<v Speaker 4>Yeah, very odd. Yeah. By the way, uh, I think

1116
00:58:26.280 --> 00:58:28.480
<v Speaker 4>you mentioned earlier that the poster for this was done

1117
00:58:28.480 --> 00:58:31.559
<v Speaker 4>by Drew Strews and Drew Strews and gorgeous. It's a

1118
00:58:31.559 --> 00:58:34.400
<v Speaker 4>hell of a poster, man, it looks dazzling poster. Yeah,

1119
00:58:35.320 --> 00:58:38.280
<v Speaker 4>well that makes the movie look like fifty million bucks.

1120
00:58:38.480 --> 00:58:42.360
<v Speaker 3>I mean I remember seeing that in theaters, you know. Yep,

1121
00:58:44.159 --> 00:58:46.519
<v Speaker 3>I remember when this movie was coming out actually, because

1122
00:58:46.599 --> 00:58:49.880
<v Speaker 3>there used to be a magazine called called he Man

1123
00:58:49.880 --> 00:58:51.719
<v Speaker 3>in the Master's Universe Magazine. It was just like a

1124
00:58:51.719 --> 00:58:54.480
<v Speaker 3>bimonthly thing for kids about about, you know, he Man,

1125
00:58:54.639 --> 00:58:57.519
<v Speaker 3>the toys and stuff. And there was an issue with

1126
00:58:57.800 --> 00:59:01.920
<v Speaker 3>the with the other theatrical poster for this, with with

1127
00:59:02.119 --> 00:59:04.679
<v Speaker 3>Dolph Lungern as he Man, and I remember seeing that

1128
00:59:05.320 --> 00:59:08.320
<v Speaker 3>at a jewel or whatever and and just being like, oh,

1129
00:59:08.320 --> 00:59:09.880
<v Speaker 3>it's just a guy dressed like he man, like, I

1130
00:59:09.880 --> 00:59:13.239
<v Speaker 3>didn't realize there was a movie. Oh okay. And my

1131
00:59:13.280 --> 00:59:16.239
<v Speaker 3>brother who was again he was the arbiter of what

1132
00:59:16.440 --> 00:59:19.639
<v Speaker 3>is and isn't true. He had the wisdom of five

1133
00:59:19.719 --> 00:59:22.880
<v Speaker 3>years ahead of me. Yeah, right, right right. He's like, no, man,

1134
00:59:22.920 --> 00:59:24.440
<v Speaker 3>that's a movie. There's a movie come out. I'm like,

1135
00:59:24.480 --> 00:59:26.840
<v Speaker 3>get out of here. I was like, you know, your

1136
00:59:26.840 --> 00:59:31.599
<v Speaker 3>buzz aldrink, get out of here. I was like that,

1137
00:59:31.599 --> 00:59:35.559
<v Speaker 3>that's a Punky Brewster reference kids. And then you know,

1138
00:59:35.559 --> 00:59:37.719
<v Speaker 3>I saw the TV spots and stuff, and so for

1139
00:59:37.840 --> 00:59:41.199
<v Speaker 3>me again, it was just something like wow, I never

1140
00:59:41.199 --> 00:59:43.039
<v Speaker 3>thought there would be a he Man movie kind of thing,

1141
00:59:43.079 --> 00:59:46.360
<v Speaker 3>you know. Yeah, So I was just I was just

1142
00:59:46.440 --> 00:59:49.679
<v Speaker 3>tickled by its mere existence. And and you know, you

1143
00:59:49.719 --> 00:59:51.800
<v Speaker 3>see that drew S Drews and poster and you're like, man,

1144
00:59:51.840 --> 00:59:54.440
<v Speaker 3>they're they're doing it for real, you know, mm hmmm.

1145
00:59:54.760 --> 00:59:58.119
<v Speaker 4>Same artists who was making the Star Wars posters exactly.

1146
00:59:57.679 --> 01:00:01.119
<v Speaker 3>Right, and the Indiana Jones one and two posters up

1147
01:00:01.119 --> 01:00:04.280
<v Speaker 3>to this point. Up to this point. But in addition

1148
01:00:04.360 --> 01:00:08.320
<v Speaker 3>to that, you have this Bill Kantis score, and Bill

1149
01:00:08.400 --> 01:00:14.840
<v Speaker 3>Kanty is clearly doing like a very transparent Superman slash

1150
01:00:14.880 --> 01:00:21.360
<v Speaker 3>Star Wars pastiche with his music. But it's freaking great, dude,

1151
01:00:21.599 --> 01:00:25.440
<v Speaker 3>it works totally. He I mean it's it's an impressively

1152
01:00:26.000 --> 01:00:27.840
<v Speaker 3>robust score for a movie like this.

1153
01:00:28.159 --> 01:00:32.159
<v Speaker 4>I completely agree. Yeah, you know, you know he did

1154
01:00:32.320 --> 01:00:38.639
<v Speaker 4>the Rocky scorer karate Kid. By the way, I just

1155
01:00:38.639 --> 01:00:41.400
<v Speaker 4>texted you something. That's what I remember from when this

1156
01:00:41.480 --> 01:00:43.920
<v Speaker 4>movie came out. There used to be a Muppet magazine

1157
01:00:45.159 --> 01:00:46.960
<v Speaker 4>and they would have a can you see it?

1158
01:00:47.199 --> 01:00:50.920
<v Speaker 3>Yes? I can't, oh I.

1159
01:00:51.039 --> 01:00:53.719
<v Speaker 4>They would have a poster in each magazine, and for

1160
01:00:53.920 --> 01:00:55.880
<v Speaker 4>when this movie came out, they had a poster of

1161
01:00:56.119 --> 01:00:57.880
<v Speaker 4>Kermit dressed up as he Man.

1162
01:00:58.039 --> 01:01:00.519
<v Speaker 3>Dressed up as Dolph on Gren's he Man. Yeah, and

1163
01:01:00.559 --> 01:01:02.360
<v Speaker 3>I remember as a kill it included.

1164
01:01:03.320 --> 01:01:06.119
<v Speaker 4>I thought that was hysterical and I've never forgotten it,

1165
01:01:06.159 --> 01:01:12.960
<v Speaker 4>and so it's too funny. Yeah, but yeah, somehow I

1166
01:01:12.960 --> 01:01:13.800
<v Speaker 4>missed it. I'm not sure.

1167
01:01:13.840 --> 01:01:14.440
<v Speaker 3>You know, it's funny.

1168
01:01:14.599 --> 01:01:18.239
<v Speaker 4>You got the gwildor thing where he's real quick.

1169
01:01:18.280 --> 01:01:20.239
<v Speaker 3>By the way, so right here where Lubik's like the

1170
01:01:20.320 --> 01:01:23.000
<v Speaker 3>mountain came to my hammet. I had never heard that

1171
01:01:23.039 --> 01:01:23.639
<v Speaker 3>phrase before.

1172
01:01:24.880 --> 01:01:25.800
<v Speaker 4>I didn't even notice it.

1173
01:01:26.079 --> 01:01:28.039
<v Speaker 3>Yeah, these guys show up and he said, what looks

1174
01:01:28.039 --> 01:01:29.840
<v Speaker 3>like the mountain came to mahammet right.

1175
01:01:29.760 --> 01:01:30.519
<v Speaker 4>No, that's funny.

1176
01:01:31.239 --> 01:01:33.400
<v Speaker 3>I've never heard that before, and have you heard it

1177
01:01:33.440 --> 01:01:36.519
<v Speaker 3>since or is that just like I've heard it enough

1178
01:01:36.519 --> 01:01:38.039
<v Speaker 3>to know it's a thing. But I feel like if

1179
01:01:38.519 --> 01:01:39.920
<v Speaker 3>if I feel like if I were to say that,

1180
01:01:39.920 --> 01:01:41.480
<v Speaker 3>people would be like, what do you I don't know

1181
01:01:41.480 --> 01:01:43.400
<v Speaker 3>what that means? You're right right, right right?

1182
01:01:43.480 --> 01:01:46.840
<v Speaker 4>You know that's like when I you know, there's a

1183
01:01:46.840 --> 01:01:49.039
<v Speaker 4>bear poop in the woods or whatever that expression is.

1184
01:01:49.239 --> 01:01:50.599
<v Speaker 4>Like I heard it once in a movie and I

1185
01:01:50.599 --> 01:01:52.559
<v Speaker 4>thought it was just silly for the movie, and then

1186
01:01:52.599 --> 01:01:55.480
<v Speaker 4>I learned that was an actual expression. I was like, Okay,

1187
01:01:56.719 --> 01:02:02.760
<v Speaker 4>we all knew this. We got the guildor you know,

1188
01:02:02.880 --> 01:02:04.800
<v Speaker 4>I think this is kind of like the post et thing,

1189
01:02:04.880 --> 01:02:07.599
<v Speaker 4>like it's funny we put these little creatures in like drag.

1190
01:02:07.960 --> 01:02:11.039
<v Speaker 3>Yeah, and then he shows up and he goes, oh, quilldoor, O.

1191
01:02:11.079 --> 01:02:13.480
<v Speaker 4>Guilled door, and it's funny, like why did he do that?

1192
01:02:13.599 --> 01:02:15.719
<v Speaker 4>Like if there's everything's urgent? Was he just in a

1193
01:02:15.719 --> 01:02:18.920
<v Speaker 4>closet like oh, this is fun put like a boa

1194
01:02:18.960 --> 01:02:21.239
<v Speaker 4>around his neck and yeah.

1195
01:02:21.519 --> 01:02:22.880
<v Speaker 3>As was the style at the time.

1196
01:02:23.360 --> 01:02:31.000
<v Speaker 4>Yeah, I mean it adds some fun comedy, but.

1197
01:02:28.480 --> 01:02:34.000
<v Speaker 3>See again, The absolute lack of any earth life on

1198
01:02:34.039 --> 01:02:37.199
<v Speaker 3>this street is like hugely distracting to me now as

1199
01:02:37.199 --> 01:02:37.880
<v Speaker 3>an adult.

1200
01:02:38.199 --> 01:02:40.079
<v Speaker 4>It would be nice if they could have hired just

1201
01:02:40.159 --> 01:02:43.400
<v Speaker 4>like ten people to just sort of be on the

1202
01:02:43.480 --> 01:02:44.760
<v Speaker 4>sidewalks and then flee.

1203
01:02:45.239 --> 01:02:47.039
<v Speaker 3>Just give it some life for God's sake.

1204
01:02:47.119 --> 01:02:49.280
<v Speaker 4>You know, it might even make more impact that way

1205
01:02:49.320 --> 01:02:51.320
<v Speaker 4>if you saw that this was bustling. But they have

1206
01:02:51.400 --> 01:02:54.400
<v Speaker 4>now cleared right right the street.

1207
01:02:54.559 --> 01:02:59.519
<v Speaker 3>You know, I definitely remember at that moment where he

1208
01:02:59.599 --> 01:03:01.400
<v Speaker 3>man says, how are you feeling in Man at Arms says,

1209
01:03:01.400 --> 01:03:05.320
<v Speaker 3>I'm feeling hungry. I remember laughing history I was slapping

1210
01:03:05.360 --> 01:03:11.679
<v Speaker 3>my knee that Man at Arms. I didn't know hunger

1211
01:03:11.880 --> 01:03:15.960
<v Speaker 3>was his thing, but this movie has clarified that for me.

1212
01:03:16.519 --> 01:03:22.519
<v Speaker 3>That is hilarious. I do. I do like John Ciphers

1213
01:03:22.559 --> 01:03:24.599
<v Speaker 3>as Man at Arms in this He's got to look

1214
01:03:24.760 --> 01:03:25.880
<v Speaker 3>you know, he's got a.

1215
01:03:25.840 --> 01:03:29.320
<v Speaker 4>Real dad vibe, right, you know, Yeah, maybe it's because

1216
01:03:29.320 --> 01:03:31.159
<v Speaker 4>it's kind of what my dad looked like in the eighties,

1217
01:03:32.960 --> 01:03:37.840
<v Speaker 4>like the mustache, and yeah, we at least you get

1218
01:03:37.840 --> 01:03:41.039
<v Speaker 4>this guy, right, the shop owner. Yeah, someone who's not

1219
01:03:41.079 --> 01:03:43.480
<v Speaker 4>involved with the adventure but gets to react to how

1220
01:03:43.480 --> 01:03:44.119
<v Speaker 4>crazy it is.

1221
01:03:46.440 --> 01:03:49.800
<v Speaker 3>We just need him to say, well, that just happened. Yeah,

1222
01:03:50.400 --> 01:03:51.639
<v Speaker 3>that's all that's missing. Really.

1223
01:03:53.800 --> 01:03:55.920
<v Speaker 4>It's funny you talking about that hungry line making you

1224
01:03:56.000 --> 01:03:59.400
<v Speaker 4>laugh as a kid because it's unexpected. It's like irreverent,

1225
01:03:59.480 --> 01:04:01.559
<v Speaker 4>not something you would expect a character in a movie

1226
01:04:01.559 --> 01:04:03.559
<v Speaker 4>like this to say. And it's funny how that's become

1227
01:04:03.599 --> 01:04:07.360
<v Speaker 4>the humor now. Is that's so true saying the irreverent thing,

1228
01:04:07.519 --> 01:04:09.400
<v Speaker 4>like almost to the point where I can sense it

1229
01:04:09.440 --> 01:04:12.000
<v Speaker 4>coming and I'm sort of like, nah, I'm really enjoying

1230
01:04:12.039 --> 01:04:13.119
<v Speaker 4>this moment. Don't don't break.

1231
01:04:13.199 --> 01:04:14.280
<v Speaker 3>Yeah, let's just play it straight.

1232
01:04:14.519 --> 01:04:16.880
<v Speaker 4>Yeah, yeah, Yeah, let's enjoy this being an emotional moment.

1233
01:04:16.920 --> 01:04:19.440
<v Speaker 4>We don't have to like subvert it or undercut it.

1234
01:04:19.760 --> 01:04:21.599
<v Speaker 4>That's kind of the trick, right, Like how do you

1235
01:04:21.920 --> 01:04:27.599
<v Speaker 4>how do you balance that, like little little incorporating humor

1236
01:04:27.639 --> 01:04:29.880
<v Speaker 4>in a way that doesn't undercut drama, you know, And

1237
01:04:29.920 --> 01:04:31.480
<v Speaker 4>I feel like a lot of films these days have

1238
01:04:31.679 --> 01:04:33.960
<v Speaker 4>have an issue with that, which is, you know, with

1239
01:04:34.039 --> 01:04:38.760
<v Speaker 4>this film broadly, I appreciate that it stays consistent within

1240
01:04:38.800 --> 01:04:39.360
<v Speaker 4>its tone.

1241
01:04:39.760 --> 01:04:42.360
<v Speaker 3>Yeah, it totally does. Man. I think I think that helps.

1242
01:04:42.760 --> 01:04:45.360
<v Speaker 4>Yeah.

1243
01:04:45.480 --> 01:04:48.199
<v Speaker 3>I mean the scene coming up in a little bit

1244
01:04:48.320 --> 01:04:53.280
<v Speaker 3>where where Julie. You know, she she hands the cosmic

1245
01:04:53.400 --> 01:04:55.199
<v Speaker 3>key over to evil in right, and it's easy to

1246
01:04:55.199 --> 01:04:57.119
<v Speaker 3>watch them be like, you, stupid idiot, why would you

1247
01:04:57.119 --> 01:04:58.519
<v Speaker 3>think that's your dead mom? Right?

1248
01:04:59.000 --> 01:04:59.400
<v Speaker 4>Yeah?

1249
01:04:59.239 --> 01:04:59.400
<v Speaker 2>Yeah?

1250
01:04:59.400 --> 01:05:01.440
<v Speaker 3>And I always look at that and I'm like, well,

1251
01:05:01.480 --> 01:05:03.400
<v Speaker 3>you have to look at it as like how a

1252
01:05:03.519 --> 01:05:09.599
<v Speaker 3>kid would would perceive this totally totally right, Like, you know,

1253
01:05:09.639 --> 01:05:13.800
<v Speaker 3>it doesn't have to make sense purely, but like on

1254
01:05:13.840 --> 01:05:15.920
<v Speaker 3>an emotional level, you can sort of understand where the

1255
01:05:15.960 --> 01:05:16.800
<v Speaker 3>character's coming from.

1256
01:05:17.159 --> 01:05:21.440
<v Speaker 4>And maybe the execution's a little a little hokey hoky

1257
01:05:21.559 --> 01:05:24.880
<v Speaker 4>or something, but I on the page or the concept

1258
01:05:24.960 --> 01:05:29.400
<v Speaker 4>I love. Actually that's a really sad thing, right for

1259
01:05:29.480 --> 01:05:32.400
<v Speaker 4>her desperately hoping that she is seeing her mother again,

1260
01:05:32.760 --> 01:05:34.519
<v Speaker 4>but she's really being tricked by the bad guy.

1261
01:05:35.039 --> 01:05:40.960
<v Speaker 3>Right. Oh, so so we haven't mentioned at all Chelsea Field.

1262
01:05:41.000 --> 01:05:44.079
<v Speaker 3>It plays Tila. Yes, I love her in this movie.

1263
01:05:44.119 --> 01:05:46.079
<v Speaker 3>She's great. I mean, you know, I know she's she's

1264
01:05:46.119 --> 01:05:47.840
<v Speaker 3>done a whole bunch of stuff, but I kind of

1265
01:05:47.840 --> 01:05:49.639
<v Speaker 3>wish she had done more. I think she's great.

1266
01:05:50.400 --> 01:05:50.559
<v Speaker 1>Yeah.

1267
01:05:50.599 --> 01:05:52.400
<v Speaker 4>I looked her up afterwards because I didn't really know

1268
01:05:52.400 --> 01:05:55.280
<v Speaker 4>who she was, and I agree, she's got like a

1269
01:05:55.280 --> 01:05:57.840
<v Speaker 4>fun energy and like they have Like that's what I

1270
01:05:57.880 --> 01:06:00.440
<v Speaker 4>do like, even if it feels a little corny times,

1271
01:06:00.519 --> 01:06:02.519
<v Speaker 4>is that she and he man and Man at Arms

1272
01:06:02.559 --> 01:06:06.360
<v Speaker 4>have a rapport, right, you know, yeah, like they do

1273
01:06:06.400 --> 01:06:07.519
<v Speaker 4>this stuff some history.

1274
01:06:07.800 --> 01:06:10.400
<v Speaker 3>Yeah, exactly. Well, she's got this bit right here where

1275
01:06:10.480 --> 01:06:13.000
<v Speaker 3>she just kind of looks just past camera and goes

1276
01:06:13.199 --> 01:06:18.840
<v Speaker 3>woman at arms, which is like so odd to me,

1277
01:06:19.039 --> 01:06:22.440
<v Speaker 3>Like like, I'm glad she gets that moment, but I'm like,

1278
01:06:22.519 --> 01:06:25.320
<v Speaker 3>does that for people like what you know, because I

1279
01:06:25.360 --> 01:06:27.679
<v Speaker 3>don't you know what I mean, Like, we don't hit

1280
01:06:27.800 --> 01:06:31.000
<v Speaker 3>that her dad is Man at arms. They don't really underscore.

1281
01:06:30.559 --> 01:06:32.880
<v Speaker 4>That, yeah, or like she's living in her dad's shadow

1282
01:06:33.000 --> 01:06:35.920
<v Speaker 4>or something, right, you know, yeah, yeah, yeah. Although it

1283
01:06:36.000 --> 01:06:38.199
<v Speaker 4>was funny because I didn't remember that and it kind

1284
01:06:38.199 --> 01:06:39.840
<v Speaker 4>of made me laugh. But you know me, I'm a

1285
01:06:39.840 --> 01:06:41.440
<v Speaker 4>sucker for people breaking the fourth wall.

1286
01:06:43.360 --> 01:06:44.159
<v Speaker 3>I love it.

1287
01:06:44.199 --> 01:06:46.880
<v Speaker 4>I don't know, it just always gets me and it

1288
01:06:47.039 --> 01:06:49.440
<v Speaker 4>rarely makes me think you shouldn't have done that. I'm

1289
01:06:49.480 --> 01:06:51.400
<v Speaker 4>almost always like, oh, I love that you did that.

1290
01:06:52.119 --> 01:06:55.159
<v Speaker 4>Like right recently was send Help with Rachel McAdams when

1291
01:06:55.159 --> 01:06:57.119
<v Speaker 4>she's in the camera. I was like, I love it.

1292
01:06:57.159 --> 01:07:00.559
<v Speaker 4>Doesn't it doesn't ruin the movie. It makes it better. Yeah,

1293
01:07:00.920 --> 01:07:01.320
<v Speaker 4>I don't know.

1294
01:07:01.840 --> 01:07:04.679
<v Speaker 3>Oh, and Chelsea field Worth mentioning she is missus Scott Bacula.

1295
01:07:05.199 --> 01:07:09.559
<v Speaker 4>Yeah yeah, so good for him. Yeah, you know, it's funny.

1296
01:07:09.639 --> 01:07:11.719
<v Speaker 4>You mentioned that we were texting about it yesterday and

1297
01:07:11.760 --> 01:07:15.480
<v Speaker 4>I googled one of them I don't know, and it

1298
01:07:15.840 --> 01:07:17.840
<v Speaker 4>brought up like a video of the two of them

1299
01:07:18.320 --> 01:07:20.559
<v Speaker 4>recently talking about a play that they're going to be

1300
01:07:20.599 --> 01:07:23.880
<v Speaker 4>in together. Oh nice, and they just look older and

1301
01:07:24.039 --> 01:07:27.440
<v Speaker 4>happy and sweet, and it just really warmed my heart

1302
01:07:27.800 --> 01:07:30.239
<v Speaker 4>seeing them together all these years later and just looking

1303
01:07:30.280 --> 01:07:32.000
<v Speaker 4>like a happy That's funny.

1304
01:07:32.039 --> 01:07:35.039
<v Speaker 3>I saw I saw something similar. It was a video

1305
01:07:35.199 --> 01:07:39.599
<v Speaker 3>of Mark Harmon and Pam Dauber. Who oh okay, I

1306
01:07:39.599 --> 01:07:42.199
<v Speaker 3>mean they've been married since forever, right, yeah, and yeah

1307
01:07:42.199 --> 01:07:45.159
<v Speaker 3>they're just like this older couple now, you know. Yeah,

1308
01:07:45.239 --> 01:07:47.719
<v Speaker 3>I mean like Mark Harmon at this point is far

1309
01:07:47.800 --> 01:07:51.480
<v Speaker 3>removed from like the early days of ncis even, right,

1310
01:07:52.159 --> 01:07:55.119
<v Speaker 3>I Mean, he's like an old guy now, and so

1311
01:07:55.159 --> 01:07:57.480
<v Speaker 3>it's just it's it's like, oh, yeah, yeah, it's been

1312
01:07:57.519 --> 01:07:58.519
<v Speaker 3>it's been a while, you know.

1313
01:07:58.880 --> 01:08:00.679
<v Speaker 4>Yeah, it's nice.

1314
01:08:01.280 --> 01:08:03.079
<v Speaker 3>See. I mean this moment again, look at it from

1315
01:08:03.119 --> 01:08:05.320
<v Speaker 3>a kid's perspective, right, what's the worst thing you can

1316
01:08:05.360 --> 01:08:08.199
<v Speaker 3>think of when you're a little kid, right, losing your

1317
01:08:08.239 --> 01:08:12.079
<v Speaker 3>parents exactly, right, And so to have the possibility of

1318
01:08:12.079 --> 01:08:13.880
<v Speaker 3>them being back, I mean it is it's like a nightmare,

1319
01:08:13.920 --> 01:08:17.560
<v Speaker 3>you know. So you're not like, no, that's evil, Lynn,

1320
01:08:17.720 --> 01:08:20.600
<v Speaker 3>you know, I mean you are like that probably, but

1321
01:08:20.600 --> 01:08:23.079
<v Speaker 3>but you imagine being seven, right, well you can exactly.

1322
01:08:23.479 --> 01:08:25.680
<v Speaker 4>But I like the actress too. By the way, she's

1323
01:08:25.680 --> 01:08:29.720
<v Speaker 4>doing a great job. She feels very motherly, but also

1324
01:08:29.840 --> 01:08:32.960
<v Speaker 4>the whole you know, or she's like betraying what's really underneath,

1325
01:08:33.000 --> 01:08:35.239
<v Speaker 4>like go get that key to me, you know, it's

1326
01:08:35.840 --> 01:08:36.359
<v Speaker 4>it's easy.

1327
01:08:36.399 --> 01:08:38.439
<v Speaker 3>Well her explanation too, it's like, I'm sorry, we couldn't

1328
01:08:38.479 --> 01:08:42.520
<v Speaker 3>tell you we were doing like secret government stuff. You

1329
01:08:42.560 --> 01:08:42.960
<v Speaker 3>went with.

1330
01:08:43.000 --> 01:08:49.560
<v Speaker 4>That's actually though I was a kid, I'd be like,

1331
01:08:49.560 --> 01:08:52.159
<v Speaker 4>well that makes sense that tracks.

1332
01:08:53.399 --> 01:08:56.000
<v Speaker 3>My parents are spies, of course. I mean, that's what

1333
01:08:56.039 --> 01:08:59.520
<v Speaker 3>they did with Peter Parker in the in the Amazing

1334
01:08:59.520 --> 01:09:01.239
<v Speaker 3>Spider Man movies, right, yeah.

1335
01:09:01.119 --> 01:09:04.199
<v Speaker 4>Actually I was just thinking that, so you know what

1336
01:09:04.279 --> 01:09:05.800
<v Speaker 4>it is. I think there's a little bit in the

1337
01:09:05.840 --> 01:09:09.479
<v Speaker 4>execution here, probably because they didn't have time for multiple

1338
01:09:09.520 --> 01:09:11.680
<v Speaker 4>takes or angles or whatever. But I think if you

1339
01:09:11.840 --> 01:09:15.720
<v Speaker 4>showed Courtney Cox's character go in that room and like,

1340
01:09:15.920 --> 01:09:19.119
<v Speaker 4>I the key and really think about it and moll

1341
01:09:19.159 --> 01:09:21.439
<v Speaker 4>over it and wrestle with it for a moment. It said,

1342
01:09:21.479 --> 01:09:23.239
<v Speaker 4>she just kind of like in one big wide shot,

1343
01:09:23.279 --> 01:09:24.800
<v Speaker 4>she just kind of flipped it up, like goes in

1344
01:09:24.840 --> 01:09:26.399
<v Speaker 4>and takes it and walks out, and it feels a

1345
01:09:26.439 --> 01:09:27.560
<v Speaker 4>little like, what are you doing?

1346
01:09:28.479 --> 01:09:31.479
<v Speaker 3>Well? The other thing is I feel like, once she

1347
01:09:31.680 --> 01:09:37.239
<v Speaker 3>realizes that's not her mom, instead of just standing there,

1348
01:09:37.279 --> 01:09:39.359
<v Speaker 3>she should have there should have been something preventing her

1349
01:09:39.399 --> 01:09:43.199
<v Speaker 3>from following evil. Then yeah, sure, sure, sure, sure, you know,

1350
01:09:43.279 --> 01:09:44.479
<v Speaker 3>like a force field or something.

1351
01:09:44.880 --> 01:09:45.279
<v Speaker 4>Mm hmm.

1352
01:09:46.720 --> 01:09:50.520
<v Speaker 3>Yeah. So so he Man is rocking a pistol or

1353
01:09:50.520 --> 01:09:53.640
<v Speaker 3>two in this movie, which you know was not the case.

1354
01:09:53.960 --> 01:09:54.880
<v Speaker 3>I couldn't remember.

1355
01:09:54.960 --> 01:09:57.279
<v Speaker 4>Yeah, that's another thing that I sort of attributed to

1356
01:09:57.279 --> 01:09:58.039
<v Speaker 4>the Star Wars E.

1357
01:09:58.720 --> 01:10:01.199
<v Speaker 3>Yeah, I mean the the og toy he came with

1358
01:10:01.199 --> 01:10:04.319
<v Speaker 3>with the with half the power sword, right and then

1359
01:10:04.359 --> 01:10:07.960
<v Speaker 3>a shield. See, the original original mythology was he Man

1360
01:10:08.199 --> 01:10:10.680
<v Speaker 3>had one half of the power sword, Skeletor had the

1361
01:10:10.720 --> 01:10:12.920
<v Speaker 3>other half, and if you put the two swords together,

1362
01:10:13.000 --> 01:10:17.520
<v Speaker 3>you can open Castle Gray Sculpe. They left that way behind. Mm.

1363
01:10:18.560 --> 01:10:22.800
<v Speaker 3>But in this movie, it's like he uses the guns

1364
01:10:22.880 --> 01:10:26.079
<v Speaker 3>to you know, attack people and the sword as a shield.

1365
01:10:26.920 --> 01:10:30.199
<v Speaker 3>M Yeah, which feels like maybe not the most practical

1366
01:10:30.319 --> 01:10:33.439
<v Speaker 3>use of of what you got. I guess. Swords are tricky.

1367
01:10:33.479 --> 01:10:35.199
<v Speaker 4>It makes me think of the Ninja turtles, right, Like

1368
01:10:35.239 --> 01:10:38.640
<v Speaker 4>you can't show your hero slicing and dicing people, that's right,

1369
01:10:39.039 --> 01:10:39.359
<v Speaker 4>you know.

1370
01:10:39.359 --> 01:10:42.000
<v Speaker 3>So they have to be used as Yeah, that was

1371
01:10:42.039 --> 01:10:46.239
<v Speaker 3>the issue, is that, Like I said, initially, Gary Goddard

1372
01:10:46.319 --> 01:10:49.399
<v Speaker 3>is told, hey, no, you know, you can't can't kill

1373
01:10:49.520 --> 01:10:52.880
<v Speaker 3>or hurt anybody. And then while they're making the movie,

1374
01:10:52.920 --> 01:10:56.039
<v Speaker 3>the sales chart just keeps dropping and dropping in real

1375
01:10:56.079 --> 01:10:58.880
<v Speaker 3>time for he Man toys. Yeah. So then they come

1376
01:10:58.920 --> 01:11:00.600
<v Speaker 3>back they're like, listen, if you want him to just

1377
01:11:00.640 --> 01:11:03.199
<v Speaker 3>like murder everybody, that's totally fine with those like whatever

1378
01:11:03.199 --> 01:11:03.760
<v Speaker 3>you gotta do.

1379
01:11:04.640 --> 01:11:08.199
<v Speaker 4>Oh, because it doesn't matter anymore. What else they want do?

1380
01:11:08.279 --> 01:11:10.520
<v Speaker 3>What you gotta do? Yeah? Yeah, yeah, yeah, I see.

1381
01:11:11.079 --> 01:11:13.720
<v Speaker 3>If you want to have him like eating people's entrails, whatever,

1382
01:11:13.760 --> 01:11:17.399
<v Speaker 3>it takes mine and he's like, well we're done now,

1383
01:11:17.439 --> 01:11:20.600
<v Speaker 3>so thanks anyway, you jackasses the right, right.

1384
01:11:24.159 --> 01:11:26.439
<v Speaker 4>Yeah. I was sad that the sword didn't look like

1385
01:11:26.520 --> 01:11:29.640
<v Speaker 4>the sword I knew from the cartoon. It's so distinctive, right,

1386
01:11:29.680 --> 01:11:31.640
<v Speaker 4>Like it just looks like a sword you could get

1387
01:11:31.680 --> 01:11:33.680
<v Speaker 4>at like a shop in Las Vegas.

1388
01:11:33.279 --> 01:11:36.039
<v Speaker 3>You know, like that's it. You know they did the

1389
01:11:36.119 --> 01:11:39.319
<v Speaker 3>you know, a couple of years after the original toy

1390
01:11:39.399 --> 01:11:41.319
<v Speaker 3>line ended, they did. They brought it back, or they

1391
01:11:41.319 --> 01:11:43.359
<v Speaker 3>attempted to, but it was just called he Man. Do

1392
01:11:43.359 --> 01:11:45.079
<v Speaker 3>you remember this? I do.

1393
01:11:45.239 --> 01:11:47.119
<v Speaker 4>I remember what they looked like, but I didn't watch it.

1394
01:11:47.479 --> 01:11:50.640
<v Speaker 3>Yeah. The cartoon show was called The New Adventures of

1395
01:11:50.720 --> 01:11:52.399
<v Speaker 3>he Man, and that was not by filmation. It was

1396
01:11:52.439 --> 01:11:54.760
<v Speaker 3>by a French company. And he Man's sort I mean

1397
01:11:54.800 --> 01:11:56.479
<v Speaker 3>it's supposed to be the same power sort it looks

1398
01:11:56.520 --> 01:12:00.680
<v Speaker 3>totally different. Yeah, and that was like a sci fi show.

1399
01:12:01.840 --> 01:12:04.600
<v Speaker 3>Yeah right right. He Man's wearing pants in that one,

1400
01:12:05.720 --> 01:12:09.079
<v Speaker 3>which is which is goddamn heresy. I'll look at it.

1401
01:12:09.159 --> 01:12:12.319
<v Speaker 4>The frame is flipped. You see that. How funny the

1402
01:12:12.399 --> 01:12:13.600
<v Speaker 4>shops were backwards?

1403
01:12:14.079 --> 01:12:15.880
<v Speaker 3>Wow, I did not catch that.

1404
01:12:18.039 --> 01:12:20.760
<v Speaker 4>You know, this hoverboard stuff looks a little janky, but

1405
01:12:20.960 --> 01:12:24.960
<v Speaker 4>like it's cool. It's a concept. I wish they could

1406
01:12:24.960 --> 01:12:26.720
<v Speaker 4>have figured out how to nail it a little better,

1407
01:12:26.760 --> 01:12:28.720
<v Speaker 4>but like I like it. I think it's a good

1408
01:12:28.800 --> 01:12:29.640
<v Speaker 4>action sequence.

1409
01:12:30.000 --> 01:12:33.119
<v Speaker 3>I I think there's something about knowing that it's still

1410
01:12:33.159 --> 01:12:37.159
<v Speaker 3>an actual thing on top of an actual thing that

1411
01:12:37.520 --> 01:12:40.000
<v Speaker 3>sort of, at least for me, my brain sort of

1412
01:12:40.079 --> 01:12:45.399
<v Speaker 3>slots into just just going with it, where like Janky CG.

1413
01:12:45.760 --> 01:12:49.920
<v Speaker 3>I'm not able to do that as easily. Yeah, No,

1414
01:12:50.000 --> 01:12:50.960
<v Speaker 3>I agree. I agree.

1415
01:12:51.039 --> 01:12:54.079
<v Speaker 4>The I don't know, the tangibility of it goes a

1416
01:12:54.079 --> 01:12:54.960
<v Speaker 4>long way for sure.

1417
01:12:57.960 --> 01:12:58.199
<v Speaker 2>Yeah.

1418
01:12:58.239 --> 01:13:00.199
<v Speaker 4>I mean I'm sort of repeating myself now, but just

1419
01:13:01.359 --> 01:13:04.079
<v Speaker 4>seeing like a camera boom up from like a Hallmark

1420
01:13:04.239 --> 01:13:09.239
<v Speaker 4>store to Skeletor. Yeah, like riding this like big space

1421
01:13:09.359 --> 01:13:14.800
<v Speaker 4>vehicle is just like delights every part of my brain.

1422
01:13:15.479 --> 01:13:20.279
<v Speaker 3>Yeah, it's good. I love this here where I mean,

1423
01:13:20.319 --> 01:13:23.680
<v Speaker 3>he's so mean to evil Lynn, Yeah, throughout the movie,

1424
01:13:23.720 --> 01:13:26.279
<v Speaker 3>and so it's it's the least surprising thing in the

1425
01:13:26.319 --> 01:13:28.159
<v Speaker 3>movie when she's just like, all right, we're out of here,

1426
01:13:29.439 --> 01:13:31.359
<v Speaker 3>when she just like leaves him to be defeated.

1427
01:13:31.920 --> 01:13:34.720
<v Speaker 4>You know, they talk about like a lot of guys

1428
01:13:34.760 --> 01:13:37.199
<v Speaker 4>have these moments like ten fifteen years later where they

1429
01:13:37.239 --> 01:13:39.399
<v Speaker 4>realize a woman had been flirting with them but they

1430
01:13:39.399 --> 01:13:41.479
<v Speaker 4>didn't know it in the moment. Do you think Skeletor

1431
01:13:41.560 --> 01:13:42.920
<v Speaker 4>like ten years later, like in the middle of then

1432
01:13:42.960 --> 01:13:47.000
<v Speaker 4>I was like, wait a minute, I think people in

1433
01:13:47.199 --> 01:13:54.920
<v Speaker 4>liked me. Oh, it goes on Facebook, seems the beacon

1434
01:13:55.000 --> 01:14:00.359
<v Speaker 4>finder just really tries to wish her a happy birthday, Tarkanna.

1435
01:14:00.520 --> 01:14:04.000
<v Speaker 3>Her status as it's complicated, and he's like there's a chance,

1436
01:14:06.239 --> 01:14:07.720
<v Speaker 3>or it's like back in the my space days, he

1437
01:14:07.800 --> 01:14:11.359
<v Speaker 3>pokes are just like hoping. No, poking was a Facebook thing?

1438
01:14:11.880 --> 01:14:12.800
<v Speaker 3>Oh was that Facebook?

1439
01:14:12.960 --> 01:14:13.720
<v Speaker 4>That was Facebook?

1440
01:14:13.760 --> 01:14:16.560
<v Speaker 3>Okay, you never got poked on Facebook? I did, well.

1441
01:14:16.600 --> 01:14:18.960
<v Speaker 4>I remember that happening and even think he was weird

1442
01:14:19.000 --> 01:14:19.640
<v Speaker 4>in the moment.

1443
01:14:19.439 --> 01:14:20.720
<v Speaker 3>But like, you don't know what you're supposed to do

1444
01:14:20.720 --> 01:14:20.960
<v Speaker 3>about it.

1445
01:14:21.079 --> 01:14:25.319
<v Speaker 4>Yeah, yeah, it's poking. You're just like, okay, he poked back,

1446
01:14:26.159 --> 01:14:28.119
<v Speaker 4>you know, and then they poke you and you poke back.

1447
01:14:30.000 --> 01:14:34.399
<v Speaker 3>Now. Now, these these hoverboard things, I think they're cool looking. Yeah, agree,

1448
01:14:34.479 --> 01:14:37.760
<v Speaker 3>But I questioned the practicality, Like I don't know what

1449
01:14:37.840 --> 01:14:41.039
<v Speaker 3>kind of maneuverability you're able to really have on them, right,

1450
01:14:41.079 --> 01:14:43.239
<v Speaker 3>because it's like it's like a manhole cover that you're

1451
01:14:43.279 --> 01:14:43.800
<v Speaker 3>standing up.

1452
01:14:43.920 --> 01:14:46.319
<v Speaker 4>Yeah yeah, I feel like you can fall off pretty easy, right,

1453
01:14:47.000 --> 01:14:49.640
<v Speaker 4>And there's no like footholds, I don't think.

1454
01:14:51.439 --> 01:14:54.359
<v Speaker 3>Yeah, no, it's just like a it's like a there's nothing.

1455
01:14:54.399 --> 01:14:57.920
<v Speaker 3>I mean, it doesn't seem practical, is what I'm saying.

1456
01:14:58.000 --> 01:15:00.279
<v Speaker 4>Yeah, even the hoverboards and Back to the Future have

1457
01:15:00.560 --> 01:15:04.000
<v Speaker 4>like little slip grip for your yeah, well and then

1458
01:15:04.039 --> 01:15:06.239
<v Speaker 4>something you can slip your foot through to be fixed

1459
01:15:06.279 --> 01:15:06.560
<v Speaker 4>to it.

1460
01:15:07.319 --> 01:15:09.159
<v Speaker 3>So this shot right here, I kind of love how

1461
01:15:09.479 --> 01:15:12.760
<v Speaker 3>how how low fi it is, right the shot where

1462
01:15:12.760 --> 01:15:13.279
<v Speaker 3>we right.

1463
01:15:13.239 --> 01:15:15.279
<v Speaker 4>Here, Yeah yeah, yeah, he's like probably in the back

1464
01:15:15.520 --> 01:15:16.439
<v Speaker 4>of a pickup truck.

1465
01:15:16.600 --> 01:15:19.239
<v Speaker 3>Yeah yeah, exactly, you know, and I'm like, no, he's not,

1466
01:15:19.399 --> 01:15:20.560
<v Speaker 3>He's on a hoverboard.

1467
01:15:21.319 --> 01:15:30.159
<v Speaker 4>Yeah yeah, No, it's great, right, yeah, I mean, this

1468
01:15:30.239 --> 01:15:32.359
<v Speaker 4>is a cool sequence.

1469
01:15:34.920 --> 01:15:37.119
<v Speaker 3>And I's got that key. Look at that.

1470
01:15:41.960 --> 01:15:44.439
<v Speaker 4>Well, I would kind of like to watch it behind

1471
01:15:44.439 --> 01:15:46.399
<v Speaker 4>the scenes and see what that is. I mean, are

1472
01:15:46.399 --> 01:15:49.880
<v Speaker 4>those just two models, like little miniature sort of things

1473
01:15:49.880 --> 01:15:52.079
<v Speaker 4>that they just sort of are dancing around like.

1474
01:15:52.039 --> 01:15:54.880
<v Speaker 3>For the wider shots, Yeah, yeah, I think so. Because

1475
01:15:54.880 --> 01:15:55.760
<v Speaker 3>they look a little stiff.

1476
01:15:55.800 --> 01:15:57.199
<v Speaker 4>I think it would go a long way if they

1477
01:15:57.199 --> 01:15:59.880
<v Speaker 4>could have made it look a little bit less like

1478
01:15:59.880 --> 01:16:02.199
<v Speaker 4>a thing on a rod that they're passing across the

1479
01:16:02.199 --> 01:16:05.119
<v Speaker 4>screen right right, right, if there's a little bit more

1480
01:16:05.159 --> 01:16:08.720
<v Speaker 4>like the character was reacting and a little bit more

1481
01:16:08.920 --> 01:16:11.399
<v Speaker 4>bounce to it or something. But yeah, I mean, no complaint.

1482
01:16:11.399 --> 01:16:15.079
<v Speaker 4>I'm just thinking I think they did a good job

1483
01:16:15.079 --> 01:16:16.920
<v Speaker 4>with what they had. By the way, that reminds me.

1484
01:16:16.960 --> 01:16:18.760
<v Speaker 4>Did you see that they're putting out a special four

1485
01:16:18.840 --> 01:16:21.880
<v Speaker 4>K of this and it's going to have like not

1486
01:16:21.920 --> 01:16:23.319
<v Speaker 4>only a bunch of features, but it's going to have

1487
01:16:23.319 --> 01:16:24.439
<v Speaker 4>a preview cut.

1488
01:16:26.119 --> 01:16:28.840
<v Speaker 3>I may need to order that copy.

1489
01:16:29.039 --> 01:16:31.079
<v Speaker 4>I would really like to watch that. I would like

1490
01:16:31.159 --> 01:16:35.600
<v Speaker 4>to see what was cut from this. And that's like

1491
01:16:35.640 --> 01:16:38.000
<v Speaker 4>becoming a thing now, right, all these preview cuts are

1492
01:16:38.000 --> 01:16:40.720
<v Speaker 4>getting unearthed. Did you hear about We didn't talk about it,

1493
01:16:40.720 --> 01:16:42.920
<v Speaker 4>but there was a two and a half hour Gremlins

1494
01:16:43.199 --> 01:16:44.840
<v Speaker 4>cut that was screened recently.

1495
01:16:45.199 --> 01:16:50.159
<v Speaker 3>Yeah, that's right, Yeah, which sounds probably about about forty

1496
01:16:50.159 --> 01:16:52.720
<v Speaker 3>five minutes too long, probably probably.

1497
01:16:52.800 --> 01:16:55.800
<v Speaker 4>I mean, I wonder if it actually feels like an

1498
01:16:55.840 --> 01:16:58.760
<v Speaker 4>overly long movie or just like a ton of stuff

1499
01:16:58.760 --> 01:17:01.399
<v Speaker 4>they shot and just kind of tape together. And right,

1500
01:17:02.000 --> 01:17:06.840
<v Speaker 4>I don't know, the Batman Forever, Right, isn't that one

1501
01:17:06.880 --> 01:17:08.439
<v Speaker 4>also marker cut?

1502
01:17:08.520 --> 01:17:10.720
<v Speaker 3>Yeah? That one I'm desperate to see.

1503
01:17:11.000 --> 01:17:12.399
<v Speaker 4>Yeah, yeah, it's kind of cool.

1504
01:17:12.960 --> 01:17:15.680
<v Speaker 3>Now, this is hilarious to me that Skeletor just sneaks

1505
01:17:15.720 --> 01:17:20.119
<v Speaker 3>up on them in this freaking goddamn The Titanic.

1506
01:17:21.319 --> 01:17:23.479
<v Speaker 4>That's like that thing where like a helicopter always appears

1507
01:17:23.479 --> 01:17:24.520
<v Speaker 4>out of nowhere in a movie.

1508
01:17:24.720 --> 01:17:25.720
<v Speaker 3>It's like, how do you not hear that?

1509
01:17:26.079 --> 01:17:27.840
<v Speaker 4>Yeah, like there standing at a cliff and then suddenly

1510
01:17:27.800 --> 01:17:34.000
<v Speaker 4>like it appears, but you would hear like while, yeah,

1511
01:17:34.239 --> 01:17:37.520
<v Speaker 4>it's no way it sneaks up, you know what movies.

1512
01:17:41.960 --> 01:17:45.279
<v Speaker 3>So we were talking about Skeletor earlier. I was reading

1513
01:17:45.319 --> 01:17:48.800
<v Speaker 3>about how Franklin Angela initially was like really into the

1514
01:17:48.840 --> 01:17:52.439
<v Speaker 3>idea of dressing like the Skeletor from the Toy Slash cartoon,

1515
01:17:52.520 --> 01:17:55.840
<v Speaker 3>you know, so he'd be wearing like a you know,

1516
01:17:56.199 --> 01:18:00.560
<v Speaker 3>like a revealing harness, like like he man.

1517
01:18:00.399 --> 01:18:04.840
<v Speaker 4>Has maybe like bare chested with like something strapped over right.

1518
01:18:04.760 --> 01:18:06.800
<v Speaker 3>And and and Gary Goddard was like, no, no, we

1519
01:18:06.840 --> 01:18:10.279
<v Speaker 3>can't have a sexy Skeletor, to which I say, why

1520
01:18:10.319 --> 01:18:10.840
<v Speaker 3>the hell not?

1521
01:18:11.800 --> 01:18:14.359
<v Speaker 4>I why not?

1522
01:18:14.800 --> 01:18:17.600
<v Speaker 3>Why not? But but I will say I first, I

1523
01:18:17.600 --> 01:18:19.640
<v Speaker 3>think I think Skeletor's costume is pretty bad ass in this,

1524
01:18:19.680 --> 01:18:22.159
<v Speaker 3>but I think it's pretty menacing. And it really is.

1525
01:18:22.279 --> 01:18:26.239
<v Speaker 3>And and I was, I was, Uh. I saw an

1526
01:18:26.239 --> 01:18:28.199
<v Speaker 3>interview with I think it was with Williams stopped talking

1527
01:18:28.199 --> 01:18:32.640
<v Speaker 3>about how he how Langella worked with them to figure

1528
01:18:32.640 --> 01:18:36.800
<v Speaker 3>out the exact way the cloak should look and and

1529
01:18:36.840 --> 01:18:39.079
<v Speaker 3>in such a way that he can sling it over

1530
01:18:39.079 --> 01:18:41.279
<v Speaker 3>his shoulder and all this stuff. And it's very theatrical,

1531
01:18:41.439 --> 01:18:44.720
<v Speaker 3>very Doctor Doom. You know. I think it holds up.

1532
01:18:45.119 --> 01:18:45.920
<v Speaker 4>Yeah, totally.

1533
01:18:46.319 --> 01:18:49.239
<v Speaker 3>And and actually I really like the he Man costume

1534
01:18:49.279 --> 01:18:51.640
<v Speaker 3>in this. I think I think the armor is a

1535
01:18:51.760 --> 01:18:55.960
<v Speaker 3>very natural live action translation of you know, the toy

1536
01:18:56.039 --> 01:18:58.399
<v Speaker 3>and the and the cartoon. I agree.

1537
01:18:58.439 --> 01:19:00.720
<v Speaker 4>I mean, what we're seeing from the twenty twenty six

1538
01:19:00.880 --> 01:19:03.399
<v Speaker 4>Masters of the Universe, which looks more like the cartoon,

1539
01:19:03.399 --> 01:19:07.960
<v Speaker 4>looks very cool. But I can see, especially I don't know,

1540
01:19:08.079 --> 01:19:11.159
<v Speaker 4>him wandering around Earth and everything without those things on

1541
01:19:11.199 --> 01:19:13.640
<v Speaker 4>his shoulders, he might just feel more exposed, like just

1542
01:19:13.640 --> 01:19:16.760
<v Speaker 4>like a guy running around in his underwear. Yeah, like

1543
01:19:16.800 --> 01:19:18.520
<v Speaker 4>it helps, it adds some sort of.

1544
01:19:20.000 --> 01:19:26.079
<v Speaker 3>I don't know. Yeah, I mean, as far as what

1545
01:19:26.119 --> 01:19:30.560
<v Speaker 3>they have he Man wearing here, it's like a leather thong. Yeah,

1546
01:19:31.640 --> 01:19:36.359
<v Speaker 3>So I don't know how comfortable dolphone Gren felt.

1547
01:19:37.359 --> 01:19:40.399
<v Speaker 4>Yeah, there's a couple of times where it literally feels

1548
01:19:40.399 --> 01:19:42.279
<v Speaker 4>like he's wandering around in a speedo and yeah, you

1549
01:19:42.279 --> 01:19:43.199
<v Speaker 4>just gotta wonder how that.

1550
01:19:43.880 --> 01:19:45.960
<v Speaker 3>I mean, you have a body like that.

1551
01:19:46.000 --> 01:19:48.119
<v Speaker 4>I'd do it too, but like you gotta wonder, like

1552
01:19:48.159 --> 01:19:50.000
<v Speaker 4>being on a set, you know, with all these people

1553
01:19:50.000 --> 01:19:52.479
<v Speaker 4>if Yeah, there were some times he felt self conscious.

1554
01:19:52.760 --> 01:19:56.079
<v Speaker 3>Maybe that's why he has the cape, like just make

1555
01:19:56.159 --> 01:19:57.680
<v Speaker 3>him feel slightly more covered.

1556
01:19:58.039 --> 01:20:00.159
<v Speaker 4>Yeah, and even just yeah, the shoulder pads, right, it

1557
01:20:00.159 --> 01:20:02.600
<v Speaker 4>looks more. Even that alone makes it feel more like

1558
01:20:02.600 --> 01:20:04.239
<v Speaker 4>a costume than a guy that just came out of

1559
01:20:04.239 --> 01:20:04.640
<v Speaker 4>the pool.

1560
01:20:05.000 --> 01:20:09.640
<v Speaker 3>That's true. I mean that that itself is fascinating that

1561
01:20:09.640 --> 01:20:14.920
<v Speaker 3>the the movie came with Lundgrend like he was part

1562
01:20:14.920 --> 01:20:17.439
<v Speaker 3>of the deal and so they did sort of have

1563
01:20:17.479 --> 01:20:20.520
<v Speaker 3>to work around him. But Mattel had been trying for

1564
01:20:20.520 --> 01:20:22.640
<v Speaker 3>a couple of years to get this movie made and

1565
01:20:23.039 --> 01:20:27.319
<v Speaker 3>the big studios were hesitant. And then Cannon is like, hey, uh,

1566
01:20:27.439 --> 01:20:29.159
<v Speaker 3>if you pay for half, we'll pay for half, and

1567
01:20:29.199 --> 01:20:33.880
<v Speaker 3>Mattel's like, sounds great, little realizing that this is this

1568
01:20:33.960 --> 01:20:35.720
<v Speaker 3>is not the company to make that kind of a

1569
01:20:35.760 --> 01:20:40.039
<v Speaker 3>bed with because they they gave their half, and then

1570
01:20:40.079 --> 01:20:42.560
<v Speaker 3>when it came time for Cannon to pony up there half,

1571
01:20:42.680 --> 01:20:44.640
<v Speaker 3>they're like, oh, yeah, we don't have it. By the way,

1572
01:20:47.000 --> 01:20:49.319
<v Speaker 3>So there was nearly no ending for this movie.

1573
01:20:49.760 --> 01:20:52.920
<v Speaker 4>I mean they did like shut down at one point, right,

1574
01:20:53.199 --> 01:20:54.479
<v Speaker 4>that's right, yeah, yeah, and then.

1575
01:20:54.479 --> 01:20:55.239
<v Speaker 3>Just had to be like.

1576
01:20:56.840 --> 01:20:59.279
<v Speaker 4>They had more elaborate things in mind, but then they

1577
01:20:59.359 --> 01:21:01.079
<v Speaker 4>just had Okay, this is all you got left. You

1578
01:21:01.159 --> 01:21:06.199
<v Speaker 4>got to finish this thing now. Yeah, be stressful. Can

1579
01:21:06.199 --> 01:21:06.840
<v Speaker 4>you imagine?

1580
01:21:07.279 --> 01:21:09.319
<v Speaker 3>I can't. That's why so I'm glad I'm not a

1581
01:21:09.319 --> 01:21:15.720
<v Speaker 3>film director. Yeah, now I have to say it. There

1582
01:21:15.760 --> 01:21:18.319
<v Speaker 3>is an inordinate amount of time in this movie where

1583
01:21:18.319 --> 01:21:22.439
<v Speaker 3>Skeletor wants this scantily dressed man to kneel and be

1584
01:21:22.600 --> 01:21:25.439
<v Speaker 3>his slave, and well, there you go. That's why he's

1585
01:21:25.439 --> 01:21:29.840
<v Speaker 3>not paying attentioned to Evil in Sometimes the subtext is

1586
01:21:31.399 --> 01:21:32.000
<v Speaker 3>very loud.

1587
01:21:32.319 --> 01:21:34.159
<v Speaker 4>Well do you think Evil in ten years from now

1588
01:21:34.239 --> 01:21:35.600
<v Speaker 4>was in bed and woke up and went.

1589
01:21:35.960 --> 01:21:44.159
<v Speaker 3>Oh, now I get it. Yeah, this looks.

1590
01:21:43.840 --> 01:21:46.359
<v Speaker 4>Cool, doesn't it. The marching back into that portal, that

1591
01:21:46.399 --> 01:21:47.000
<v Speaker 4>looks good.

1592
01:21:47.319 --> 01:21:52.279
<v Speaker 3>That's what I'm saying, right, Like, there's enough work on

1593
01:21:52.319 --> 01:21:54.800
<v Speaker 3>the on the effect sequences where where if you didn't

1594
01:21:54.800 --> 01:21:56.840
<v Speaker 3>know any better, you'd be like, hey, they spent some

1595
01:21:56.920 --> 01:21:59.560
<v Speaker 3>money on this, and by the way, I mean twenty

1596
01:21:59.560 --> 01:22:03.439
<v Speaker 3>two million in nineteen eighty seven. That's not chump change.

1597
01:22:03.720 --> 01:22:06.920
<v Speaker 4>I mean Star Wars, not that long ago or ten

1598
01:22:07.000 --> 01:22:08.840
<v Speaker 4>years earlier, was made for seventeen million.

1599
01:22:08.920 --> 01:22:09.399
<v Speaker 3>There you go.

1600
01:22:09.640 --> 01:22:16.479
<v Speaker 4>Yeah, actually, what's their excuse? Now I'm just true, So

1601
01:22:16.520 --> 01:22:19.239
<v Speaker 4>here you go. Yeah, now the police are ribbing him.

1602
01:22:19.079 --> 01:22:25.239
<v Speaker 3>Exactly right, like make that a runner? Yeah, yeah, because

1603
01:22:25.279 --> 01:22:27.800
<v Speaker 3>it's it's clearly like he's like a big city cup.

1604
01:22:27.840 --> 01:22:31.279
<v Speaker 3>He is Chief Brody and for some reason he's here

1605
01:22:31.279 --> 01:22:34.880
<v Speaker 3>in the middle of nowhere. So Brody was afraid of water.

1606
01:22:35.119 --> 01:22:38.600
<v Speaker 3>Lubick's got his thing that he's afraid of is disgusting,

1607
01:22:40.039 --> 01:22:42.560
<v Speaker 3>you know, space viruses like whatever Julie has.

1608
01:22:42.840 --> 01:22:45.560
<v Speaker 4>By the way, Yeah, I was like, I assume there

1609
01:22:45.560 --> 01:22:47.640
<v Speaker 4>would be, you know, some sort of gnarly sort of thing.

1610
01:22:47.680 --> 01:22:51.800
<v Speaker 4>But I was like, what is that? The designers went

1611
01:22:51.920 --> 01:22:53.960
<v Speaker 4>nuts on that on her leg wound?

1612
01:22:54.359 --> 01:22:59.159
<v Speaker 3>And yet doesn't that feel very of its era? Like wait,

1613
01:22:59.199 --> 01:23:01.079
<v Speaker 3>what do you mean? It just feels like what we

1614
01:23:01.119 --> 01:23:02.920
<v Speaker 3>would see in movies like I mean that we're talking

1615
01:23:02.960 --> 01:23:04.520
<v Speaker 3>about Gremlins. Doesn't I feel like something you would have

1616
01:23:04.520 --> 01:23:05.239
<v Speaker 3>seen it in Gremlins?

1617
01:23:05.359 --> 01:23:10.680
<v Speaker 4>Definitely looks yeah, grimliny. Yeah, there were a lot more,

1618
01:23:10.680 --> 01:23:17.199
<v Speaker 4>I guess practical makeup effects people and getting to show

1619
01:23:17.239 --> 01:23:22.680
<v Speaker 4>off and do all sorts of things. Yeah, and then

1620
01:23:22.720 --> 01:23:24.920
<v Speaker 4>you get another Like it is kind of funny seeing

1621
01:23:24.960 --> 01:23:27.359
<v Speaker 4>I have to imagine a lot of these popular movies

1622
01:23:28.399 --> 01:23:30.000
<v Speaker 4>in this moment, we're seeping into their head.

1623
01:23:30.000 --> 01:23:30.159
<v Speaker 2>You know.

1624
01:23:30.159 --> 01:23:31.279
<v Speaker 3>You get like ET with the.

1625
01:23:31.720 --> 01:23:34.640
<v Speaker 4>Dress and the wig on and grilled or earlier. And

1626
01:23:34.640 --> 01:23:38.279
<v Speaker 4>then we get this device that looks like ET's communication device,

1627
01:23:39.399 --> 01:23:41.680
<v Speaker 4>you know, set up right here, and of course the

1628
01:23:41.720 --> 01:23:44.920
<v Speaker 4>Star Wars of it. But as a kid, that would

1629
01:23:44.920 --> 01:23:47.159
<v Speaker 4>have been really fun for me because I would be like, oh,

1630
01:23:47.199 --> 01:23:49.000
<v Speaker 4>it's tapping into all the stuff I love.

1631
01:23:49.279 --> 01:23:54.720
<v Speaker 3>Right, Well, that's I mean, that's the thing, right, Like

1632
01:23:54.920 --> 01:23:58.199
<v Speaker 3>for a lot of these you know, it was like, well,

1633
01:23:58.279 --> 01:24:01.119
<v Speaker 3>this is our shot and let's put on a show. Yeah,

1634
01:24:01.199 --> 01:24:04.039
<v Speaker 3>and they're and they're pulling from all of their influences

1635
01:24:04.039 --> 01:24:05.600
<v Speaker 3>and stuff. Like I said, I mean, I mean for

1636
01:24:05.640 --> 01:24:08.520
<v Speaker 3>this film, like obviously ET was recent enough. I'm sure

1637
01:24:08.560 --> 01:24:11.399
<v Speaker 3>that factored in. How could it not have. Yeah, but

1638
01:24:11.600 --> 01:24:14.760
<v Speaker 3>you get like this Jack Kirby influence. You know, you

1639
01:24:14.800 --> 01:24:20.199
<v Speaker 3>had Mobius doing the some of the costume designs, and

1640
01:24:20.239 --> 01:24:23.720
<v Speaker 3>you know, and it's like I appreciate the fact that

1641
01:24:23.720 --> 01:24:27.760
<v Speaker 3>that everyone leaned in and and and they made a

1642
01:24:27.800 --> 01:24:30.560
<v Speaker 3>movie that that is far from perfect, just to be clear.

1643
01:24:32.560 --> 01:24:35.159
<v Speaker 3>But I think when we watch it nearly forty years later,

1644
01:24:35.199 --> 01:24:38.960
<v Speaker 3>that earnestness, at least to me, stands out. And that's

1645
01:24:39.800 --> 01:24:43.039
<v Speaker 3>I can view it through that lens and be like, well,

1646
01:24:43.079 --> 01:24:44.720
<v Speaker 3>I appreciate that they're just trying to put on a.

1647
01:24:44.720 --> 01:24:47.760
<v Speaker 4>Show, definitely, which I have something to say about that,

1648
01:24:47.760 --> 01:24:49.239
<v Speaker 4>But I want to point this out before it ends.

1649
01:24:49.640 --> 01:24:55.359
<v Speaker 4>If we see another wide shot the street behind them,

1650
01:24:55.560 --> 01:24:59.840
<v Speaker 4>there's just this fog consistently rolling down the street and

1651
01:25:00.039 --> 01:25:02.560
<v Speaker 4>a light that's placed there to illuminate the flaw fog

1652
01:25:02.600 --> 01:25:06.479
<v Speaker 4>that's giving it like sort of a blue illumination kind

1653
01:25:06.560 --> 01:25:10.159
<v Speaker 4>of thing. And I'm just like, someone thought to put

1654
01:25:10.199 --> 01:25:13.119
<v Speaker 4>a machine down there, someone thought let's put the light there,

1655
01:25:13.159 --> 01:25:17.199
<v Speaker 4>Like they really composed an image, yeah, you know, And

1656
01:25:17.239 --> 01:25:20.079
<v Speaker 4>I just I don't know, looking at it, I'm like,

1657
01:25:20.119 --> 01:25:22.479
<v Speaker 4>it really makes what could just be sort of a

1658
01:25:22.479 --> 01:25:25.079
<v Speaker 4>static shot of these people around a fountain feel like

1659
01:25:25.119 --> 01:25:28.399
<v Speaker 4>it's breathing. So I don't know, I just want it's.

1660
01:25:28.239 --> 01:25:31.359
<v Speaker 3>A good observation. Yeah, It's just I don't know.

1661
01:25:31.399 --> 01:25:34.399
<v Speaker 4>I don't feel like enough of that detail gets considered

1662
01:25:34.520 --> 01:25:36.520
<v Speaker 4>or thought thought of these days.

1663
01:25:37.439 --> 01:25:40.560
<v Speaker 3>Actually, while we're while we're talking about this specific sequence here,

1664
01:25:40.640 --> 01:25:43.760
<v Speaker 3>there's a moment right here where where Guildor is telling Kevin, oh,

1665
01:25:43.800 --> 01:25:46.279
<v Speaker 3>help me come up with the key, and Kevin's like, look,

1666
01:25:46.520 --> 01:25:48.760
<v Speaker 3>I'm just a guy in a high school band. There's

1667
01:25:48.800 --> 01:25:51.960
<v Speaker 3>a million of me, and Guildor says something very nice.

1668
01:25:51.960 --> 01:25:55.000
<v Speaker 3>He says, only one of you, Kevin, only one of anybody?

1669
01:25:55.439 --> 01:25:57.439
<v Speaker 3>What a nice I mean, like, what a nice sentiment,

1670
01:25:57.560 --> 01:26:02.039
<v Speaker 3>especially for a little kid watching this absolute yeah, you know, yeah,

1671
01:26:02.800 --> 01:26:03.239
<v Speaker 3>I agree.

1672
01:26:03.239 --> 01:26:07.720
<v Speaker 4>I love it. And it's oh see look see that

1673
01:26:07.840 --> 01:26:12.000
<v Speaker 4>smoke and fall. Yeah, not just adds, it adds character

1674
01:26:12.079 --> 01:26:15.000
<v Speaker 4>to the scene. It makes the location feel alive.

1675
01:26:16.600 --> 01:26:19.880
<v Speaker 3>Yeah, oh okay, so so real quick, we gotta oh yes,

1676
01:26:20.600 --> 01:26:23.800
<v Speaker 3>So this little kid right here who he gets the

1677
01:26:23.840 --> 01:26:27.760
<v Speaker 3>staff from. So he's credited as pig Boy and that

1678
01:26:27.800 --> 01:26:29.960
<v Speaker 3>little kid I forget the actor's name, but but he

1679
01:26:30.000 --> 01:26:34.399
<v Speaker 3>won a contest that Mattel had that some kind of

1680
01:26:34.399 --> 01:26:36.239
<v Speaker 3>sweepstakes where you can get a role in the he

1681
01:26:36.359 --> 01:26:39.960
<v Speaker 3>Man movie. So he got that role and then you know,

1682
01:26:40.640 --> 01:26:43.640
<v Speaker 3>Mattel shows up and they're like, hey, you gotta put

1683
01:26:43.640 --> 01:26:44.960
<v Speaker 3>this kid into the movie. And he's like, well, God,

1684
01:26:45.039 --> 01:26:50.279
<v Speaker 3>damn it. So they just gave him that part. He's

1685
01:26:50.279 --> 01:26:54.760
<v Speaker 3>credited that kid who is now an adult obvious that

1686
01:26:54.760 --> 01:26:58.840
<v Speaker 3>has talked about how his skin broke out, oh because

1687
01:26:58.840 --> 01:27:01.319
<v Speaker 3>of the chemical reaction to that pig boy mask that

1688
01:27:01.359 --> 01:27:03.840
<v Speaker 3>they wow. So I don't know if it was a

1689
01:27:03.880 --> 01:27:06.560
<v Speaker 3>great experience for him, but he made it in it's

1690
01:27:06.560 --> 01:27:07.039
<v Speaker 3>pretty cool.

1691
01:27:07.079 --> 01:27:10.319
<v Speaker 4>I mean, I think I would be minorly bummed that

1692
01:27:10.359 --> 01:27:11.079
<v Speaker 4>you don't see.

1693
01:27:10.920 --> 01:27:12.039
<v Speaker 3>My face, that's right.

1694
01:27:12.159 --> 01:27:15.720
<v Speaker 4>Yeah, but it actually feels like a really natural addition.

1695
01:27:15.800 --> 01:27:19.079
<v Speaker 3>Yeah. I think they did a good job of working

1696
01:27:19.119 --> 01:27:22.119
<v Speaker 3>around fine here, like without it being that obvious.

1697
01:27:22.479 --> 01:27:22.720
<v Speaker 2>Yeah.

1698
01:27:22.840 --> 01:27:25.399
<v Speaker 4>Yeah, Skelter is snatching the staff out of his hands.

1699
01:27:26.279 --> 01:27:28.399
<v Speaker 3>Now this I love this too. She says, men who

1700
01:27:28.399 --> 01:27:31.680
<v Speaker 3>crave power, look back over the mistakes of their lives,

1701
01:27:31.920 --> 01:27:35.880
<v Speaker 3>pile them together and call it destiny. Isn't that that

1702
01:27:36.000 --> 01:27:38.600
<v Speaker 3>talk about a universally applicable sentiment?

1703
01:27:39.479 --> 01:27:39.680
<v Speaker 2>You know?

1704
01:27:39.760 --> 01:27:42.760
<v Speaker 4>It's funny that And then Langella's lines. We were talking

1705
01:27:42.800 --> 01:27:44.359
<v Speaker 4>about how he went in and came up with some

1706
01:27:44.399 --> 01:27:47.960
<v Speaker 4>really almost Shakespearean sounding sorts of things for Skelter to say,

1707
01:27:48.079 --> 01:27:49.920
<v Speaker 4>that's some of those things where you go back and

1708
01:27:50.000 --> 01:27:52.199
<v Speaker 4>watch movies made for kids and You're like, oh wow,

1709
01:27:52.239 --> 01:27:56.239
<v Speaker 4>they like really thought of some profound things to say

1710
01:27:56.239 --> 01:27:57.760
<v Speaker 4>in here that I just kind of exactly when I

1711
01:27:57.760 --> 01:28:07.159
<v Speaker 4>was a kid, you know, Yeah, good, Sorry.

1712
01:28:06.920 --> 01:28:10.119
<v Speaker 3>No, no, no, I'll come back. Well no, I was gonna say.

1713
01:28:10.159 --> 01:28:12.319
<v Speaker 4>I mean, there is that line that you already mentioned

1714
01:28:12.319 --> 01:28:14.600
<v Speaker 4>where Skeletor is you know, tell me about the loneliness

1715
01:28:14.600 --> 01:28:17.039
<v Speaker 4>of good? Is it equal to the loneliness of evil?

1716
01:28:17.920 --> 01:28:22.760
<v Speaker 4>And I love that's an amazing line. And I love

1717
01:28:23.960 --> 01:28:26.479
<v Speaker 4>that there's someone who's self aware enough to know that

1718
01:28:26.520 --> 01:28:27.119
<v Speaker 4>they're evil.

1719
01:28:27.800 --> 01:28:30.159
<v Speaker 3>I was going to bring this up. I'm like, I'm like,

1720
01:28:30.239 --> 01:28:33.039
<v Speaker 3>this guy is not He's not like Magneto or something,

1721
01:28:33.079 --> 01:28:36.000
<v Speaker 3>you know, yeah, like he knows. He's like, man, give

1722
01:28:36.000 --> 01:28:40.000
<v Speaker 3>me a cat, I will kick that some bitch. Yeah.

1723
01:28:40.039 --> 01:28:42.159
<v Speaker 4>I think that's there's something kind of fun about that,

1724
01:28:42.399 --> 01:28:44.720
<v Speaker 4>and we see it.

1725
01:28:44.680 --> 01:28:47.199
<v Speaker 3>Here where Sorceress is like, you know, there's still a

1726
01:28:47.319 --> 01:28:49.600
<v Speaker 3>chance to pull back from this madness. He's like, no,

1727
01:28:49.880 --> 01:28:51.760
<v Speaker 3>I have to be scorned and hated.

1728
01:28:52.159 --> 01:28:57.760
<v Speaker 4>I'm like, my man, Yeah, it made me think of

1729
01:28:57.800 --> 01:29:00.319
<v Speaker 4>that line that's always made me laugh. Where sort of

1730
01:29:00.399 --> 01:29:03.119
<v Speaker 4>riffing on that in the Simpsons at Camp Krusty and

1731
01:29:03.159 --> 01:29:05.720
<v Speaker 4>there's that leader and he's sitting around the table and

1732
01:29:05.720 --> 01:29:10.119
<v Speaker 4>they raise a gentleman to evil, gentlemen to evil like

1733
01:29:11.119 --> 01:29:14.079
<v Speaker 4>that guy knows, like we are peddling evils.

1734
01:29:14.359 --> 01:29:19.079
<v Speaker 3>That's hilarious, s skeleter Man. He just wants to see

1735
01:29:19.239 --> 01:29:25.359
<v Speaker 3>he Man stripped down and whipped. Oh yeah, so I

1736
01:29:25.399 --> 01:29:27.359
<v Speaker 3>was talking. So for the longest time, there were no

1737
01:29:27.520 --> 01:29:30.199
<v Speaker 3>action figures of he Man and skelet from this movie

1738
01:29:30.199 --> 01:29:34.399
<v Speaker 3>because of rights issues, and it wasn't until like twenty seventeen,

1739
01:29:34.560 --> 01:29:39.199
<v Speaker 3>twenty eighteen that they finally came out with characters wearing

1740
01:29:39.359 --> 01:29:43.520
<v Speaker 3>these costumes. Wow, you know, I think they had to

1741
01:29:43.560 --> 01:29:46.960
<v Speaker 3>work through And they didn't even call it like Master's Universe,

1742
01:29:47.000 --> 01:29:50.039
<v Speaker 3>the Motion Picture Figures. They called it the WILLIAMS. Stout Collection.

1743
01:29:50.960 --> 01:29:54.720
<v Speaker 3>Oh interesting, like like, oh no, we're actually this is

1744
01:29:54.880 --> 01:30:00.199
<v Speaker 3>the from his concept drawings like to I guess to

1745
01:30:00.199 --> 01:30:05.680
<v Speaker 3>get around I guess, so yeah, huh. It was weird, yeah, interesting,

1746
01:30:05.640 --> 01:30:08.359
<v Speaker 3>because there were certain I don't know what kind of

1747
01:30:08.600 --> 01:30:13.359
<v Speaker 3>monkey ass deal Monk Mattel made where they did not

1748
01:30:13.600 --> 01:30:15.399
<v Speaker 3>have the rights to certain things like how do you

1749
01:30:15.439 --> 01:30:18.760
<v Speaker 3>not anticipate that you're gonna want to make toys of

1750
01:30:18.800 --> 01:30:19.479
<v Speaker 3>all this stuff?

1751
01:30:19.560 --> 01:30:22.479
<v Speaker 4>In a post star Wars World, how right, not think

1752
01:30:22.479 --> 01:30:22.920
<v Speaker 4>about this?

1753
01:30:23.359 --> 01:30:25.880
<v Speaker 3>You know, so they they didn't have the rights to

1754
01:30:26.119 --> 01:30:29.199
<v Speaker 3>like certain characters that were in the movie only, or

1755
01:30:29.239 --> 01:30:32.920
<v Speaker 3>that the way they appeared in the movie only really weird.

1756
01:30:33.199 --> 01:30:38.560
<v Speaker 4>Yeah, this is sweet, It.

1757
01:30:38.439 --> 01:30:41.239
<v Speaker 3>Is until you realize that these are like high school seniors.

1758
01:30:41.279 --> 01:30:45.640
<v Speaker 3>So let's be honest. How long is this really gonna last? Right? Right?

1759
01:30:46.079 --> 01:30:47.359
<v Speaker 4>Still one of them leaves for college.

1760
01:30:47.439 --> 01:30:49.760
<v Speaker 3>Yeah, that's what I'm saying. I love you well, do

1761
01:30:49.880 --> 01:30:50.279
<v Speaker 3>you though?

1762
01:30:50.800 --> 01:30:58.199
<v Speaker 4>That's still sweet? I loved my high school girlfriend in

1763
01:30:58.239 --> 01:31:00.680
<v Speaker 4>a way that only you know, seventeen year olds can.

1764
01:31:00.760 --> 01:31:11.159
<v Speaker 4>And then yeah, right, yeah, see Skeletor's like really into this. Oh,

1765
01:31:11.199 --> 01:31:13.039
<v Speaker 4>by the way, I was gonna mention seeing that fountain

1766
01:31:13.399 --> 01:31:15.439
<v Speaker 4>location again is reminding me of our what we were

1767
01:31:15.439 --> 01:31:19.560
<v Speaker 4>talking about. So where this movie is just proudly absorbing

1768
01:31:19.560 --> 01:31:23.000
<v Speaker 4>all its influences et Star Wars whatever, you know, I mean,

1769
01:31:23.319 --> 01:31:26.399
<v Speaker 4>famously Star Wars is a collection of influences for George

1770
01:31:26.439 --> 01:31:28.800
<v Speaker 4>Lucas too, So it's you know, that's what stuff is.

1771
01:31:28.840 --> 01:31:34.600
<v Speaker 4>It's things that are created based on the inspirations in

1772
01:31:34.680 --> 01:31:36.840
<v Speaker 4>the artist's head. You know, that's right.

1773
01:31:36.920 --> 01:31:40.760
<v Speaker 3>So yeah, I mean, we would not have gotten Star

1774
01:31:40.840 --> 01:31:43.359
<v Speaker 3>Wars if not for Flash Gordon. Yeah, exactly, And we

1775
01:31:43.359 --> 01:31:47.800
<v Speaker 3>would not have gotten Flash Gordon if not for Star Wars. Yeah, right,

1776
01:31:49.000 --> 01:31:54.479
<v Speaker 3>so I think this right here, seeing his eyes and

1777
01:31:54.520 --> 01:31:56.760
<v Speaker 3>how important that is, Like I was thinking about in

1778
01:31:56.840 --> 01:32:00.720
<v Speaker 3>terms of skeletor either in the action figures or the

1779
01:32:01.479 --> 01:32:05.119
<v Speaker 3>cartoon show. You know, you never see his eyes, right,

1780
01:32:07.119 --> 01:32:09.640
<v Speaker 3>and that's you know, so much of the performances in

1781
01:32:09.680 --> 01:32:10.840
<v Speaker 3>the eyes. Totally.

1782
01:32:14.479 --> 01:32:17.359
<v Speaker 4>Yeah, it was a smart That mask is really smartly designed,

1783
01:32:17.399 --> 01:32:17.880
<v Speaker 4>for sure.

1784
01:32:18.359 --> 01:32:24.399
<v Speaker 3>Absolutely so.

1785
01:32:24.479 --> 01:32:28.439
<v Speaker 4>I guess this is him addressing the galaxy, which is

1786
01:32:28.479 --> 01:32:30.039
<v Speaker 4>like five people at Mesquez Rocks.

1787
01:32:30.039 --> 01:32:35.479
<v Speaker 3>Again, that's it. We don't see the King, we don't

1788
01:32:35.479 --> 01:32:38.119
<v Speaker 3>see the Queen, we don't see anybody. Yeah, that's a

1789
01:32:38.159 --> 01:32:38.640
<v Speaker 3>good point.

1790
01:32:38.680 --> 01:32:41.319
<v Speaker 4>That would be kind of nice to see like the

1791
01:32:41.319 --> 01:32:42.199
<v Speaker 4>the other leaders.

1792
01:32:42.640 --> 01:32:45.680
<v Speaker 3>Exactly right, because according to this movie, it's basically the

1793
01:32:45.760 --> 01:32:52.920
<v Speaker 3>Sorceress is the head of Gray Skull and that's it. Yeah,

1794
01:32:52.960 --> 01:32:54.800
<v Speaker 3>he said the thing he said, he said Master of

1795
01:32:54.800 --> 01:32:59.239
<v Speaker 3>the Universe. This is kind of a cool haunting effect

1796
01:32:59.279 --> 01:33:03.479
<v Speaker 3>having the Sorcerer age. Yeah, she's like Alec Baldwin and

1797
01:33:03.520 --> 01:33:06.479
<v Speaker 3>Geena Davis and yeah, totally exactly that.

1798
01:33:06.600 --> 01:33:15.319
<v Speaker 4>Yeah, you know I was reading I don't know if

1799
01:33:15.359 --> 01:33:17.600
<v Speaker 4>you can verify this stuff, because you know, I tried

1800
01:33:17.640 --> 01:33:20.159
<v Speaker 4>always back this stuff up, but sometimes I couldn't. But

1801
01:33:20.600 --> 01:33:22.720
<v Speaker 4>there were just a lot of ideas that they wanted

1802
01:33:23.479 --> 01:33:27.600
<v Speaker 4>to do, Like they wanted to show Snake Mountain. There

1803
01:33:27.640 --> 01:33:29.319
<v Speaker 4>was like a scene I guess with Ta mention it

1804
01:33:29.359 --> 01:33:31.880
<v Speaker 4>a few times, but they don't show it. Yeah, and Tila.

1805
01:33:32.239 --> 01:33:35.039
<v Speaker 4>There's a scene with Tila freeing prisoners that was scripted

1806
01:33:35.199 --> 01:33:37.520
<v Speaker 4>at the beginning, sort of setting up her as being

1807
01:33:37.520 --> 01:33:40.680
<v Speaker 4>a woman of action and he man and his cohorts

1808
01:33:40.720 --> 01:33:42.560
<v Speaker 4>were going to be booked at a police station. But

1809
01:33:43.560 --> 01:33:46.039
<v Speaker 4>just I guess with budgeting limitations, they couldn't shoot all

1810
01:33:46.079 --> 01:33:46.560
<v Speaker 4>this stuff.

1811
01:33:48.319 --> 01:33:49.680
<v Speaker 3>Yeah, but I think.

1812
01:33:52.239 --> 01:33:54.359
<v Speaker 4>They did a good job of still making this feel

1813
01:33:54.439 --> 01:33:55.399
<v Speaker 4>complete without.

1814
01:33:55.159 --> 01:33:56.039
<v Speaker 3>All that stuff.

1815
01:33:56.720 --> 01:33:59.159
<v Speaker 4>I agree some movies can't pull that off, but I

1816
01:33:59.199 --> 01:34:00.479
<v Speaker 4>feel like this one does enough.

1817
01:34:02.239 --> 01:34:04.000
<v Speaker 3>Yeah, I think some of that stuff would have been nice.

1818
01:34:04.000 --> 01:34:07.920
<v Speaker 3>Definitely Tila fleeing the prisoners, freeing the prisoners, that would

1819
01:34:07.960 --> 01:34:11.239
<v Speaker 3>have been good. There was also in the in an

1820
01:34:11.239 --> 01:34:15.960
<v Speaker 3>earlier draft of the script where you had, uh, I

1821
01:34:16.000 --> 01:34:18.560
<v Speaker 3>guess just like a button at the end that they

1822
01:34:18.600 --> 01:34:25.840
<v Speaker 3>find wreckage of like a NASA spacecraft. Yes, yes to

1823
01:34:25.920 --> 01:34:29.680
<v Speaker 3>show that like human humans were the humans in the

1824
01:34:29.680 --> 01:34:32.199
<v Speaker 3>future were the first settlers of Eternia.

1825
01:34:32.520 --> 01:34:35.920
<v Speaker 4>Yeah, yeah, I like that. Yeah, I do like it,

1826
01:34:35.960 --> 01:34:38.439
<v Speaker 4>And I mean it's not not needed. It's a cool idea.

1827
01:34:38.640 --> 01:34:41.800
<v Speaker 4>It's like needlessly confusing, right, Like, yeah, that's true, that's true.

1828
01:34:41.840 --> 01:34:45.840
<v Speaker 4>You know, even though in the cartoon and in the

1829
01:34:45.880 --> 01:34:48.520
<v Speaker 4>comic books and stuff, you know, he Man's mother is

1830
01:34:48.520 --> 01:34:52.880
<v Speaker 4>from Earth, so she's a she's a human astronaut who

1831
01:34:52.920 --> 01:34:56.800
<v Speaker 4>crashed on Eternia and so that's you know, so she

1832
01:34:57.039 --> 01:34:57.520
<v Speaker 4>stays there.

1833
01:34:57.600 --> 01:34:59.640
<v Speaker 3>So he Man is half humans. So in the new film,

1834
01:34:59.680 --> 01:35:01.479
<v Speaker 3>you know, that's like a big part of the story

1835
01:35:01.520 --> 01:35:05.359
<v Speaker 3>that he's on Earth for for reasons beyond just oh

1836
01:35:05.399 --> 01:35:07.520
<v Speaker 3>I had I had a button on the cosmic key

1837
01:35:07.560 --> 01:35:11.079
<v Speaker 3>and here you are. You know, is that why he's

1838
01:35:11.079 --> 01:35:11.680
<v Speaker 3>called he Man?

1839
01:35:11.720 --> 01:35:13.720
<v Speaker 4>Like when she gave birth and I guess it was

1840
01:35:13.760 --> 01:35:16.720
<v Speaker 4>with you know, an alien she had, you know, he's like,

1841
01:35:16.920 --> 01:35:17.680
<v Speaker 4>she was like.

1842
01:35:18.039 --> 01:35:27.239
<v Speaker 3>Is he Man? You know, they've never like satisfactorily explained that, right,

1843
01:35:27.239 --> 01:35:30.880
<v Speaker 3>because obviously the term he man predates this toy line

1844
01:35:30.880 --> 01:35:33.000
<v Speaker 3>because it's like, if you're a big muscular guy, you're

1845
01:35:33.000 --> 01:35:36.119
<v Speaker 3>a he man, right, And that's like a silly name

1846
01:35:36.159 --> 01:35:39.640
<v Speaker 3>for a character. And you know, I know, I know

1847
01:35:39.720 --> 01:35:42.079
<v Speaker 3>that they've tried to do stuff like saying that that

1848
01:35:42.279 --> 01:35:45.199
<v Speaker 3>the sword, it's the it's the sword of he and

1849
01:35:45.760 --> 01:35:49.399
<v Speaker 3>like like come up with some kaka Mamy's funny, you know,

1850
01:35:49.479 --> 01:35:53.279
<v Speaker 3>And I'm I, I understand the the drive to do that,

1851
01:35:54.239 --> 01:35:56.760
<v Speaker 3>but I'm also like, you know, I don't think there's

1852
01:35:56.760 --> 01:35:58.079
<v Speaker 3>any fixing this. I think it is.

1853
01:35:58.520 --> 01:36:01.079
<v Speaker 4>It just is what it is, and somehow we can

1854
01:36:01.239 --> 01:36:04.199
<v Speaker 4>say it without you know, giggling, like, so you did it.

1855
01:36:05.000 --> 01:36:07.199
<v Speaker 3>Right, well, And I think it helps that that the

1856
01:36:07.279 --> 01:36:10.720
<v Speaker 3>phrase he man has passed out of the parlance for

1857
01:36:10.760 --> 01:36:13.399
<v Speaker 3>what it used to refer to, you know what, sure, yeah, yeah, yeah,

1858
01:36:13.600 --> 01:36:19.840
<v Speaker 3>exactly right. Yeah. So this this costume Skeletor is wearing

1859
01:36:19.880 --> 01:36:22.119
<v Speaker 3>currently now that he's now that he is a god,

1860
01:36:23.319 --> 01:36:25.399
<v Speaker 3>it tells me that my man just wants to go

1861
01:36:25.439 --> 01:36:31.199
<v Speaker 3>to Vegas. Really, so it's both impressive and extremely cheap

1862
01:36:31.239 --> 01:36:32.279
<v Speaker 3>looking at the same time.

1863
01:36:33.199 --> 01:36:36.920
<v Speaker 4>I remember, even as a kid, thinking he looks scary

1864
01:36:37.000 --> 01:36:41.039
<v Speaker 4>in it, something about it. Maybe it's because of the

1865
01:36:41.079 --> 01:36:44.439
<v Speaker 4>bottom half of his face being that skull and this

1866
01:36:44.600 --> 01:36:48.920
<v Speaker 4>really ornate I don't even know how to explain it,

1867
01:36:48.960 --> 01:36:51.880
<v Speaker 4>sort of It reminds me a little bit of the

1868
01:36:51.960 --> 01:36:54.600
<v Speaker 4>end of Raiders of the Lost Arc. Oh sure, sure,

1869
01:36:54.720 --> 01:36:57.479
<v Speaker 4>you know that sort of overly ornate like get up.

1870
01:36:58.159 --> 01:37:00.319
<v Speaker 3>See, I'm just like, you have the power of God,

1871
01:37:00.359 --> 01:37:07.560
<v Speaker 3>you can do anything, and you landed at like horror. Liberachi.

1872
01:37:10.680 --> 01:37:12.520
<v Speaker 4>You know when you're saying, I gotta be honest, like,

1873
01:37:12.560 --> 01:37:14.439
<v Speaker 4>it's always been kind of scary to me, and I

1874
01:37:14.960 --> 01:37:17.079
<v Speaker 4>don't exactly know how to put it into words. There's

1875
01:37:17.119 --> 01:37:21.399
<v Speaker 4>something really nightmarish about it to me, something about the gold,

1876
01:37:21.800 --> 01:37:26.840
<v Speaker 4>how beautiful it looks and horrifying with that face underneath

1877
01:37:26.880 --> 01:37:30.760
<v Speaker 4>the mask. But you saying that now, I completely see

1878
01:37:30.800 --> 01:37:35.239
<v Speaker 4>what you're saying, but I still dig it. There's something

1879
01:37:35.279 --> 01:37:38.199
<v Speaker 4>weird and like he has leveled up in sort of

1880
01:37:38.239 --> 01:37:39.000
<v Speaker 4>a scary way.

1881
01:37:39.640 --> 01:37:42.319
<v Speaker 3>I feel like they sell that because of this movie.

1882
01:37:43.319 --> 01:37:46.640
<v Speaker 3>If I get the power of a god, I'll at

1883
01:37:46.720 --> 01:37:48.279
<v Speaker 3>least consider making myself look like that.

1884
01:37:50.720 --> 01:37:52.920
<v Speaker 4>And he hasn't turned himself into like Super Shredd or anything,

1885
01:37:53.000 --> 01:37:55.079
<v Speaker 4>or make himself even bigger or you know, as big

1886
01:37:55.079 --> 01:37:56.319
<v Speaker 4>as the room or anything.

1887
01:37:56.399 --> 01:38:00.600
<v Speaker 3>And I just see he gets all the powers. He

1888
01:38:00.640 --> 01:38:02.439
<v Speaker 3>looks like that, and the first thing he does he

1889
01:38:02.479 --> 01:38:06.880
<v Speaker 3>points his fingers that he man goes Neil like, bro,

1890
01:38:07.039 --> 01:38:10.279
<v Speaker 3>come on, I know, I know, just go rule the universe.

1891
01:38:13.000 --> 01:38:14.800
<v Speaker 4>I do love that there's bat wings on it. I

1892
01:38:14.800 --> 01:38:16.000
<v Speaker 4>didn't notice that till this time.

1893
01:38:16.319 --> 01:38:21.279
<v Speaker 3>Yep, yep, I mean I get The production design for

1894
01:38:21.359 --> 01:38:25.600
<v Speaker 3>this Grayskull sequence is very impressive. William Stout talked about

1895
01:38:25.600 --> 01:38:29.039
<v Speaker 3>how he built in like multiple levels so that you

1896
01:38:29.079 --> 01:38:31.399
<v Speaker 3>could have a sword fight where the characters are jumping

1897
01:38:31.520 --> 01:38:32.840
<v Speaker 3>to different tiers and stuff.

1898
01:38:33.399 --> 01:38:34.119
<v Speaker 4>Super smart.

1899
01:38:34.640 --> 01:38:37.319
<v Speaker 3>Yeah, and unfortunately they didn't get to do any any

1900
01:38:37.359 --> 01:38:37.560
<v Speaker 3>of that.

1901
01:38:38.239 --> 01:38:41.000
<v Speaker 4>Yeah, but even just having those different levels makes the

1902
01:38:41.039 --> 01:38:42.359
<v Speaker 4>place seem dynamic.

1903
01:38:42.600 --> 01:38:46.000
<v Speaker 3>Okay, this right here, look at this, so Evil Lens like, car,

1904
01:38:46.159 --> 01:38:47.880
<v Speaker 3>let's go, and he's like, what about scot Tour And

1905
01:38:47.920 --> 01:38:52.439
<v Speaker 3>he's like nope. And then I love this because this

1906
01:38:52.520 --> 01:38:55.560
<v Speaker 3>is the very very beginning of he man start. He

1907
01:38:55.720 --> 01:38:58.399
<v Speaker 3>didn't even have a sword back yet. Yeah right, and

1908
01:38:58.520 --> 01:39:00.359
<v Speaker 3>Evil Lens like, all right, well we've been through this

1909
01:39:00.439 --> 01:39:05.560
<v Speaker 3>ship before. This dumb ass about to get defeated again. Yeah,

1910
01:39:05.640 --> 01:39:07.960
<v Speaker 3>let's dip like he does not even have a sword

1911
01:39:08.039 --> 01:39:12.560
<v Speaker 3>back Evil and has already gone. She's like, whatever, we

1912
01:39:12.640 --> 01:39:18.159
<v Speaker 3>know this is gonna end. That's hilarious because she she's

1913
01:39:18.239 --> 01:39:23.039
<v Speaker 3>lived through the filmation series, she's seen him get his

1914
01:39:23.079 --> 01:39:27.000
<v Speaker 3>ass handed to him every week. That's every weekday afternoon

1915
01:39:29.520 --> 01:39:33.600
<v Speaker 3>on Fox. It was on Fox in our in our neighborhood.

1916
01:39:33.720 --> 01:39:37.279
<v Speaker 4>Yeah, that was a cool shot.

1917
01:39:37.319 --> 01:39:39.279
<v Speaker 3>By the way that I have the power look good.

1918
01:39:39.840 --> 01:39:41.800
<v Speaker 3>I think it's great. I think you the way they

1919
01:39:41.800 --> 01:39:44.640
<v Speaker 3>put the sword the light and now this here, I

1920
01:39:44.680 --> 01:39:47.239
<v Speaker 3>will say as a kid, I just took it at

1921
01:39:47.279 --> 01:39:50.760
<v Speaker 3>face value. Yes, that power was so much that they've

1922
01:39:50.800 --> 01:39:53.239
<v Speaker 3>just they've drained the power from the room and they're

1923
01:39:53.319 --> 01:39:54.880
<v Speaker 3>just this is how they're fighting.

1924
01:39:55.319 --> 01:39:57.439
<v Speaker 4>And what we're actually seeing is the moment this movie

1925
01:39:57.600 --> 01:39:58.399
<v Speaker 4>ran out of money.

1926
01:39:58.600 --> 01:40:01.119
<v Speaker 3>Yeah, and they were like shooting rilla style, just get

1927
01:40:01.119 --> 01:40:03.600
<v Speaker 3>whatever shots they could. So this is Anthony Delongist in

1928
01:40:03.680 --> 01:40:08.000
<v Speaker 3>the skeletor suit, Yeah, aka Blade And I think given

1929
01:40:08.680 --> 01:40:11.279
<v Speaker 3>the constraints they were operating and it is not a

1930
01:40:11.359 --> 01:40:14.600
<v Speaker 3>bad sword fight. No, well the fight is great.

1931
01:40:14.840 --> 01:40:16.840
<v Speaker 4>It's it's just funny where they Yeah, they turned all

1932
01:40:16.880 --> 01:40:18.600
<v Speaker 4>the lights off in the castle so they don't have

1933
01:40:18.640 --> 01:40:21.000
<v Speaker 4>to have any of the other actors and there's basically

1934
01:40:21.039 --> 01:40:24.439
<v Speaker 4>just two spotlights. Yeah, so we can see them fighting.

1935
01:40:25.399 --> 01:40:26.199
<v Speaker 3>It's like, what do you do?

1936
01:40:26.680 --> 01:40:30.600
<v Speaker 4>They make it stylish and you know, it works, it works.

1937
01:40:30.880 --> 01:40:33.720
<v Speaker 3>And then this part basically from here to when he

1938
01:40:34.119 --> 01:40:37.920
<v Speaker 3>tossed the skeletor over This was like three months later. Oh,

1939
01:40:38.039 --> 01:40:40.439
<v Speaker 3>just so they could get the ending of the fight.

1940
01:40:40.880 --> 01:40:41.640
<v Speaker 4>Oh interesting.

1941
01:40:42.000 --> 01:40:47.439
<v Speaker 3>Yeah, so this is like at the at the effects house,

1942
01:40:47.640 --> 01:40:49.800
<v Speaker 3>you know, just whatever they had available.

1943
01:40:49.520 --> 01:40:52.600
<v Speaker 4>Like a like a stage, like have a floor and

1944
01:40:52.640 --> 01:40:53.000
<v Speaker 4>a light.

1945
01:40:53.680 --> 01:40:54.039
<v Speaker 3>Yeah.

1946
01:40:54.119 --> 01:40:58.239
<v Speaker 4>Interesting, Okay, I read that originally he was a skilled

1947
01:40:58.279 --> 01:41:01.079
<v Speaker 4>that's a that's a good almost lose the sword over

1948
01:41:01.119 --> 01:41:03.640
<v Speaker 4>the edge and him gripping it. I agree, that's good.

1949
01:41:04.079 --> 01:41:07.199
<v Speaker 3>But he was supposed to this shot right here, probably

1950
01:41:07.239 --> 01:41:09.680
<v Speaker 3>the most poorly aged shot in the whole movie.

1951
01:41:09.840 --> 01:41:11.720
<v Speaker 4>Sure, but I mean it was the eighties. You got

1952
01:41:11.720 --> 01:41:13.760
<v Speaker 4>Diehard with that, you got RoboCop with that, you got

1953
01:41:13.760 --> 01:41:15.000
<v Speaker 4>this with that.

1954
01:41:15.039 --> 01:41:18.600
<v Speaker 3>But this is the most Egregiously he's not really falling anywhere.

1955
01:41:18.800 --> 01:41:21.359
<v Speaker 4>No, I mean, Diard looks incredible, but it is funny.

1956
01:41:21.399 --> 01:41:24.840
<v Speaker 4>You just have this overhead, you know, fixed camera watching

1957
01:41:24.920 --> 01:41:27.039
<v Speaker 4>the camp or the bad guy just fall down.

1958
01:41:27.560 --> 01:41:31.000
<v Speaker 3>I mean we saw Palpatine fall to his yeah death,

1959
01:41:31.319 --> 01:41:34.760
<v Speaker 3>just four years earlier, right right right, I mean this

1960
01:41:34.880 --> 01:41:35.600
<v Speaker 3>is very much that.

1961
01:41:36.079 --> 01:41:38.039
<v Speaker 4>Yeah, sounded like a shaft or something.

1962
01:41:38.800 --> 01:41:41.359
<v Speaker 3>Yeah, that's literally what my son, my twelve year old, said,

1963
01:41:41.640 --> 01:41:44.560
<v Speaker 3>just now, I was watching the end of it. He's like, oh,

1964
01:41:44.560 --> 01:41:45.439
<v Speaker 3>it's like Palpatine.

1965
01:41:45.560 --> 01:41:46.800
<v Speaker 4>Yeah, I was like.

1966
01:41:46.800 --> 01:41:52.279
<v Speaker 3>And somehow they both return, so he does. Okay, so

1967
01:41:52.359 --> 01:41:55.119
<v Speaker 3>let's talk about Lubik's weird ass ending here.

1968
01:41:55.560 --> 01:41:59.560
<v Speaker 4>How much time has passed because our kid, the kids

1969
01:41:59.600 --> 01:42:00.199
<v Speaker 4>are still there.

1970
01:42:00.880 --> 01:42:02.760
<v Speaker 3>Well, he's like, hey, what do I have to go

1971
01:42:02.800 --> 01:42:04.960
<v Speaker 3>back to? Over here? I got a castle and I

1972
01:42:05.000 --> 01:42:06.920
<v Speaker 3>want the sorceress to be just like look over and

1973
01:42:06.960 --> 01:42:11.039
<v Speaker 3>be like, no you don't right now? Who is this woman?

1974
01:42:11.359 --> 01:42:16.279
<v Speaker 3>I wish she like yeah, right, like have her be

1975
01:42:16.319 --> 01:42:19.479
<v Speaker 3>somebody who's life he saves on Eternia or something.

1976
01:42:19.960 --> 01:42:21.840
<v Speaker 4>I mean, if they had more money, maybe there would

1977
01:42:21.840 --> 01:42:24.920
<v Speaker 4>have been a scene. It makes no sense though, you know, no,

1978
01:42:25.079 --> 01:42:27.119
<v Speaker 4>but but we like rolled with this stuff back then.

1979
01:42:27.199 --> 01:42:29.399
<v Speaker 3>We absolutely roll with it. But again, if it's one

1980
01:42:29.399 --> 01:42:31.359
<v Speaker 3>of those things where you show like all his life

1981
01:42:31.359 --> 01:42:33.159
<v Speaker 3>he's wanted to prove that aliens are.

1982
01:42:33.039 --> 01:42:35.640
<v Speaker 4>Real, and now he's now he married to one.

1983
01:42:35.960 --> 01:42:36.439
<v Speaker 3>Exactly.

1984
01:42:36.640 --> 01:42:42.840
<v Speaker 4>Yeah, Get the Good Journey reminds me a little bit

1985
01:42:42.880 --> 01:42:46.000
<v Speaker 4>of face off. You know how they like sort of

1986
01:42:46.079 --> 01:42:48.680
<v Speaker 4>use their hands. Oh that face thing, it's like a

1987
01:42:48.760 --> 01:42:50.840
<v Speaker 4>face wipe basically the way.

1988
01:42:50.720 --> 01:42:54.159
<v Speaker 3>They see, all we need is Christina Pickles to go

1989
01:42:54.199 --> 01:42:57.439
<v Speaker 3>to Courtney Cox and be like, in another life you

1990
01:42:57.479 --> 01:43:01.479
<v Speaker 3>could have been my daughter, and we'd be like, wow,

1991
01:43:01.680 --> 01:43:03.479
<v Speaker 3>that's that's weirdly prescient.

1992
01:43:04.920 --> 01:43:08.880
<v Speaker 4>The creators of Friends who are like this stoned one night,

1993
01:43:09.000 --> 01:43:09.520
<v Speaker 4>you know, like.

1994
01:43:10.520 --> 01:43:12.520
<v Speaker 3>I mean, I wondered, did they did they? I mean,

1995
01:43:12.640 --> 01:43:15.319
<v Speaker 3>isn't it within the realm of possibility that you had

1996
01:43:15.359 --> 01:43:18.439
<v Speaker 3>a Masters of the Universe fan in that creative food

1997
01:43:18.479 --> 01:43:22.520
<v Speaker 3>chains And when it came time to casting Monica's mom,

1998
01:43:22.640 --> 01:43:25.439
<v Speaker 3>they're like, well what about her? Right, like, yeah, yeah,

1999
01:43:25.520 --> 01:43:27.680
<v Speaker 3>you're telling me it. It didn't come up.

2000
01:43:30.039 --> 01:43:31.239
<v Speaker 4>I'm sure someone was aware.

2001
01:43:31.720 --> 01:43:34.600
<v Speaker 3>Did these two actors just agree never to mention it again?

2002
01:43:34.760 --> 01:43:34.960
<v Speaker 3>You know?

2003
01:43:35.319 --> 01:43:39.079
<v Speaker 4>Yeah, that's funny. By the way, I love like how

2004
01:43:39.159 --> 01:43:43.479
<v Speaker 4>undefined this key is. Yes, It's like when when we

2005
01:43:44.000 --> 01:43:47.239
<v Speaker 4>need their you know, for him to struggle with it,

2006
01:43:47.319 --> 01:43:49.520
<v Speaker 4>he's like, I can't figure out the sequence. But then

2007
01:43:49.600 --> 01:43:51.760
<v Speaker 4>later he's just like, oh, yeah, it's just this, you know, Like.

2008
01:43:51.720 --> 01:43:54.880
<v Speaker 3>Yeah, and when do you want to go? Yeah, yeah,

2009
01:43:54.960 --> 01:43:59.560
<v Speaker 3>I can send you anywhere anytime. Okay, Okay, so let's

2010
01:43:59.560 --> 01:44:01.119
<v Speaker 3>talk about it. You know, you and I just before

2011
01:44:01.119 --> 01:44:03.239
<v Speaker 3>we got on we were happening to talk about time

2012
01:44:03.279 --> 01:44:06.840
<v Speaker 3>paradoxes and movies. Yeah, let's talk about the absolute shit

2013
01:44:06.920 --> 01:44:12.800
<v Speaker 3>show that's unleashed by this end here. Okay, first of all,

2014
01:44:12.840 --> 01:44:14.880
<v Speaker 3>I love that that Julie's wearing kind of like a

2015
01:44:14.960 --> 01:44:16.800
<v Speaker 3>Loura Angeles Wilder.

2016
01:44:17.600 --> 01:44:17.880
<v Speaker 2>Dude.

2017
01:44:17.920 --> 01:44:21.319
<v Speaker 4>I thought about that because I do remember people wearing

2018
01:44:21.399 --> 01:44:25.000
<v Speaker 4>these things. I do, like I like my mom or

2019
01:44:25.039 --> 01:44:27.159
<v Speaker 4>like neighbors or you know, like and I was like,

2020
01:44:27.199 --> 01:44:31.399
<v Speaker 4>that is such an odd, hilarious Yeah.

2021
01:44:31.479 --> 01:44:34.920
<v Speaker 3>Okay, So she's she's like, right before she goes through

2022
01:44:34.920 --> 01:44:36.439
<v Speaker 3>the port, she's like, wait, wait, good doors, and the

2023
01:44:36.439 --> 01:44:38.800
<v Speaker 3>idea is like, send me back to before my parents die. Yeah,

2024
01:44:38.840 --> 01:44:42.720
<v Speaker 3>willedore because he's just that goddamn good Yeah, he knew it.

2025
01:44:43.000 --> 01:44:45.760
<v Speaker 3>So now she's like, hey, I'm gonna take your keys

2026
01:44:45.800 --> 01:44:50.159
<v Speaker 3>so you don't diem. Hmm. Now I see a logic

2027
01:44:50.199 --> 01:44:54.840
<v Speaker 3>problem here, which is he probably has another set of keys.

2028
01:44:55.439 --> 01:44:56.760
<v Speaker 4>Yeah yeah, yeah right.

2029
01:44:57.359 --> 01:45:01.560
<v Speaker 3>Uh that's part A, but part B. If you prevent

2030
01:45:01.640 --> 01:45:05.239
<v Speaker 3>their deaths, have you not undone everything that happened in

2031
01:45:05.279 --> 01:45:05.920
<v Speaker 3>the movie.

2032
01:45:07.520 --> 01:45:09.760
<v Speaker 4>If it's like a loop or like a yeah, like

2033
01:45:09.800 --> 01:45:14.840
<v Speaker 4>a if she's creating some sort of strand in time, yeah,

2034
01:45:14.880 --> 01:45:20.279
<v Speaker 4>that is screwing up the future, right, I guess it

2035
01:45:20.319 --> 01:45:22.119
<v Speaker 4>would be the future now from where she is in

2036
01:45:22.159 --> 01:45:22.920
<v Speaker 4>this moment.

2037
01:45:22.800 --> 01:45:25.920
<v Speaker 3>Like this is before, this is whatever it is like

2038
01:45:25.960 --> 01:45:28.880
<v Speaker 3>a month or so ago, right m hm. So now nothing,

2039
01:45:29.319 --> 01:45:33.119
<v Speaker 3>nothing that happened before happens. So then somebody else finds

2040
01:45:33.199 --> 01:45:37.600
<v Speaker 3>the key, right right right? Wait Zachi sequel.

2041
01:45:40.159 --> 01:45:42.159
<v Speaker 4>Wait, by the way, so this right here on the street,

2042
01:45:42.239 --> 01:45:44.319
<v Speaker 4>I was thinking it'd be so funny because she's basically like,

2043
01:45:44.479 --> 01:45:47.479
<v Speaker 4>got your keys, okay, you know, and then she runs

2044
01:45:47.520 --> 01:45:48.640
<v Speaker 4>out to her boyfriend like I did it.

2045
01:45:48.760 --> 01:45:50.119
<v Speaker 3>I saved my parents life.

2046
01:45:50.119 --> 01:45:52.720
<v Speaker 4>I did everything within the realm of possibility to stop

2047
01:45:52.720 --> 01:45:55.039
<v Speaker 4>them from beginning out, and is as they're in the street.

2048
01:45:55.079 --> 01:45:56.560
<v Speaker 4>I think it'd be funny out of focus in the

2049
01:45:56.560 --> 01:45:58.479
<v Speaker 4>background if you see her parents in a car backing

2050
01:45:58.479 --> 01:46:02.479
<v Speaker 4>out of a driveway, because to your point, like they

2051
01:46:02.520 --> 01:46:06.199
<v Speaker 4>have like a backup set of keys, and she thinks

2052
01:46:06.199 --> 01:46:06.880
<v Speaker 4>she did enough.

2053
01:46:08.000 --> 01:46:11.600
<v Speaker 3>That's hilarious. Well, so, so, as you mentioned there was

2054
01:46:11.680 --> 01:46:15.000
<v Speaker 3>going to be a sequel, Uh, they were going to

2055
01:46:15.079 --> 01:46:20.399
<v Speaker 3>recast Dolphin Gren. Presumably they would have recast Frank Langela

2056
01:46:20.479 --> 01:46:23.720
<v Speaker 3>because they had budgeted four million dollars for the sequel.

2057
01:46:24.640 --> 01:46:25.079
<v Speaker 2>Wow.

2058
01:46:25.560 --> 01:46:29.720
<v Speaker 3>So I once again, He Man would have come to Earth,

2059
01:46:29.840 --> 01:46:32.239
<v Speaker 3>and I think he would have just like been on

2060
01:46:32.279 --> 01:46:36.239
<v Speaker 3>Earth just working at a used car a lot or something.

2061
01:46:36.239 --> 01:46:37.680
<v Speaker 3>I don't, I don't, I don't know what you do

2062
01:46:37.840 --> 01:46:38.880
<v Speaker 3>with four million dollars.

2063
01:46:40.720 --> 01:46:41.239
<v Speaker 4>Yeah.

2064
01:46:41.560 --> 01:46:46.479
<v Speaker 3>Wow, there's pig Boy Richard Spawnder. Hey, that's the credit there.

2065
01:46:47.239 --> 01:46:51.199
<v Speaker 3>So the sequel did not happen because because they were

2066
01:46:51.199 --> 01:46:52.880
<v Speaker 3>going to shoot it back to back with Spider Man.

2067
01:46:52.880 --> 01:46:54.600
<v Speaker 3>As you mentioned, it was gonna be Albert Pion who

2068
01:46:54.720 --> 01:46:58.640
<v Speaker 3>went on to do Captain America for for for Cannon,

2069
01:46:58.760 --> 01:47:04.680
<v Speaker 3>but the costumes and sets that they had designed were

2070
01:47:04.720 --> 01:47:08.680
<v Speaker 3>then used for a movie called Cyborg starring Jean Claud

2071
01:47:08.720 --> 01:47:11.279
<v Speaker 3>van Dam and that movie came out and it did

2072
01:47:11.279 --> 01:47:14.600
<v Speaker 3>okay because Cannon lost the rights to both He Man

2073
01:47:14.640 --> 01:47:16.439
<v Speaker 3>and Spider Man at the same time, so neither of

2074
01:47:16.439 --> 01:47:19.560
<v Speaker 3>those got made. Cyborg did okay, not well enough to

2075
01:47:19.600 --> 01:47:23.680
<v Speaker 3>save Canon and there it went no more Canon. Wow.

2076
01:47:23.720 --> 01:47:26.399
<v Speaker 4>And this movie, as we said, had a budget of

2077
01:47:26.399 --> 01:47:29.760
<v Speaker 4>twenty two million, and it only grows seventeen million worldwide.

2078
01:47:30.000 --> 01:47:35.800
<v Speaker 3>Yeah. So that's impressively bad, which I mean, doesn't it

2079
01:47:35.840 --> 01:47:38.920
<v Speaker 3>feel like it should have done at least twenty two million.

2080
01:47:39.159 --> 01:47:41.159
<v Speaker 3>I was gonna say, I'm a little surprised.

2081
01:47:41.199 --> 01:47:44.279
<v Speaker 4>I mean, even if there was he man fatigue, I

2082
01:47:44.279 --> 01:47:46.840
<v Speaker 4>don't know, it really feels like it was our time then,

2083
01:47:47.119 --> 01:47:51.560
<v Speaker 4>Like kids movies, you know, PG movies aimed at kids

2084
01:47:51.560 --> 01:47:55.039
<v Speaker 4>our age were like the you know, movie du jour

2085
01:47:55.239 --> 01:47:57.880
<v Speaker 4>back then. So, like I I'm a little surprised it

2086
01:47:57.920 --> 01:47:58.600
<v Speaker 4>didn't do better.

2087
01:47:59.239 --> 01:48:02.600
<v Speaker 3>I think that the mistake was making it through cannon, right,

2088
01:48:02.600 --> 01:48:04.479
<v Speaker 3>because they might have been able to get that twenty

2089
01:48:04.479 --> 01:48:06.640
<v Speaker 3>two million budget, but they didn't have any money to

2090
01:48:06.680 --> 01:48:10.960
<v Speaker 3>promote it. And you know, they didn't have any like

2091
01:48:11.000 --> 01:48:13.840
<v Speaker 3>because after a couple of weeks, the theaters just dropped this, right,

2092
01:48:14.760 --> 01:48:17.159
<v Speaker 3>And normally, if you're a studio, you're able to strong

2093
01:48:17.279 --> 01:48:19.760
<v Speaker 3>arm the chains into being like, look, if you want

2094
01:48:19.760 --> 01:48:21.920
<v Speaker 3>to play this thing a month from now, you're going

2095
01:48:22.000 --> 01:48:24.399
<v Speaker 3>to keep this in theaters. You know, they didn't have

2096
01:48:24.439 --> 01:48:28.680
<v Speaker 3>anything right, right, right, So I think all of that

2097
01:48:28.720 --> 01:48:32.520
<v Speaker 3>stuff factored in and it just led to this movie

2098
01:48:32.840 --> 01:48:35.079
<v Speaker 3>doing whatever it did, not much, but it became a

2099
01:48:35.119 --> 01:48:39.960
<v Speaker 3>beloved cult artifact. Certainly those who grew up with it

2100
01:48:40.439 --> 01:48:46.960
<v Speaker 3>have have fondness that they've nursed for forty years. Almost Yeah,

2101
01:48:47.000 --> 01:48:47.439
<v Speaker 3>I mean.

2102
01:48:47.439 --> 01:48:51.359
<v Speaker 4>I I love it for the nostalgia of it. Like

2103
01:48:51.520 --> 01:48:53.279
<v Speaker 4>I didn't see it when I was seven, but I

2104
01:48:53.279 --> 01:48:54.560
<v Speaker 4>did see it when I was pretty young, like I

2105
01:48:54.560 --> 01:48:57.840
<v Speaker 4>said on TV, so I kind of remember it. But

2106
01:48:59.000 --> 01:49:01.720
<v Speaker 4>there's that bit of it. But also just I don't know,

2107
01:49:01.760 --> 01:49:03.359
<v Speaker 4>growing up in this time and watching a lot of

2108
01:49:03.399 --> 01:49:05.840
<v Speaker 4>movies like this, just seeing a movie that looks like

2109
01:49:05.920 --> 01:49:08.800
<v Speaker 4>this is really daring to me and fun.

2110
01:49:11.720 --> 01:49:15.319
<v Speaker 3>I agree. I think the ways in which they adapted

2111
01:49:15.560 --> 01:49:20.239
<v Speaker 3>the original mythology for the big screen I appreciated. I

2112
01:49:20.239 --> 01:49:22.760
<v Speaker 3>appreciated some of the you know, they didn't give he

2113
01:49:22.840 --> 01:49:27.159
<v Speaker 3>Man his page boy prince Ville haircut, which I think

2114
01:49:27.159 --> 01:49:30.039
<v Speaker 3>I'll take the mullet that he has in this one. Yeah,

2115
01:49:30.199 --> 01:49:31.800
<v Speaker 3>that is, you know in the new one. You see that.

2116
01:49:32.119 --> 01:49:34.920
<v Speaker 3>It's like you can tell that's the conversation, like how

2117
01:49:34.920 --> 01:49:36.880
<v Speaker 3>do we keep the long hair and not have it

2118
01:49:36.960 --> 01:49:43.680
<v Speaker 3>look sort of you know, dorky dorky? Yeah, yeah, yeah,

2119
01:49:43.720 --> 01:49:46.319
<v Speaker 3>And I think they found different ways of accomplishing that.

2120
01:49:46.399 --> 01:49:50.359
<v Speaker 3>But I think, if nothing else, the fact that it

2121
01:49:50.439 --> 01:49:53.800
<v Speaker 3>took forty years for us to get another live action

2122
01:49:53.960 --> 01:49:57.039
<v Speaker 3>he Man tells you that, well, this thing, this movie

2123
01:49:57.079 --> 01:49:59.039
<v Speaker 3>had the field to itself for a very long time,

2124
01:49:59.199 --> 01:50:02.479
<v Speaker 3>so multiple generations have their own relationships with it.

2125
01:50:02.760 --> 01:50:05.640
<v Speaker 4>Yeah. By the way, I'm mystified that they got purple

2126
01:50:05.680 --> 01:50:09.439
<v Speaker 4>Haze by Jimmy Hendricks in this movie. Crazy right, that

2127
01:50:09.600 --> 01:50:10.680
<v Speaker 4>must have been so expensive.

2128
01:50:10.920 --> 01:50:14.159
<v Speaker 3>That's that's the other half the budget. Yeah, it's the

2129
01:50:14.199 --> 01:50:19.319
<v Speaker 3>Castle Gray Skull set and the Jimmy Hendricks royalties. Yeah. Oh, hey,

2130
01:50:19.560 --> 01:50:22.439
<v Speaker 3>is this the first post credits scene of our lifetimes?

2131
01:50:25.119 --> 01:50:26.920
<v Speaker 3>I didn't even know about this post credit scene until

2132
01:50:26.960 --> 01:50:27.399
<v Speaker 3>much later.

2133
01:50:28.079 --> 01:50:30.880
<v Speaker 4>I feel like I do remember seeing it on TV. Yeah,

2134
01:50:30.880 --> 01:50:31.479
<v Speaker 4>I think you saw it?

2135
01:50:31.560 --> 01:50:31.760
<v Speaker 2>Wow?

2136
01:50:31.800 --> 01:50:34.520
<v Speaker 3>Then yeah, I definitely didn't stick around for it in

2137
01:50:34.560 --> 01:50:37.680
<v Speaker 3>the theater. Well yeah, yeah, I mean who knew to

2138
01:50:37.760 --> 01:50:40.960
<v Speaker 3>do that back then? Right? But here we go nineteen

2139
01:50:40.960 --> 01:50:44.279
<v Speaker 3>eighty sevens Masters the Universe. Yeah. A lot of fun,

2140
01:50:44.399 --> 01:50:46.920
<v Speaker 3>a lot of fun, fun to revisit, a lot of

2141
01:50:46.920 --> 01:50:51.279
<v Speaker 3>nostalgia there, and I'm certainly looking forward to contrasting this

2142
01:50:51.399 --> 01:50:53.119
<v Speaker 3>one that we just watched with the one that we're

2143
01:50:53.119 --> 01:50:56.359
<v Speaker 3>going to watch in the next couple of days. So hey,

2144
01:50:56.439 --> 01:50:58.560
<v Speaker 3>let us know your thoughts about this film. If you

2145
01:50:58.600 --> 01:51:00.479
<v Speaker 3>have any, you can email us at Movie Film Podcast

2146
01:51:00.479 --> 01:51:02.000
<v Speaker 3>at gmail dot com. You can also hit like on

2147
01:51:02.000 --> 01:51:05.239
<v Speaker 3>our Facebook page Facebook dot com. Slash moviefilm podcast and

2148
01:51:05.359 --> 01:51:07.960
<v Speaker 3>message us there. As always, please go to Apple Podcasts

2149
01:51:07.960 --> 01:51:10.119
<v Speaker 3>and leave review, leave a star rating. Every little bit helps.

2150
01:51:10.199 --> 01:51:12.800
<v Speaker 3>If you're listening to this podcast on YouTube, please hit

2151
01:51:12.920 --> 01:51:15.119
<v Speaker 3>like and subscribe and leave a comment because we do

2152
01:51:15.159 --> 01:51:17.880
<v Speaker 3>read those on the show. We also have a Patreon page, Bryan.

2153
01:51:18.159 --> 01:51:20.399
<v Speaker 4>Yes, if you head over to patreon dot com slash

2154
01:51:20.479 --> 01:51:23.960
<v Speaker 4>moviefilm podcast and hit subscribe for only five dollars a month,

2155
01:51:24.079 --> 01:51:27.000
<v Speaker 4>you'll find every commentary we've ever done in every episode

2156
01:51:27.000 --> 01:51:31.600
<v Speaker 4>moving forward, absolutely ad free. We also have bonus conversations

2157
01:51:31.640 --> 01:51:33.399
<v Speaker 4>that we drop over there from time to time, about

2158
01:51:33.560 --> 01:51:35.600
<v Speaker 4>twice a month that are a lot of fun. Our

2159
01:51:35.600 --> 01:51:37.439
<v Speaker 4>free feed will always be available, but this is our

2160
01:51:37.479 --> 01:51:39.760
<v Speaker 4>way of providing what we believe is the most satisfying

2161
01:51:39.800 --> 01:51:42.800
<v Speaker 4>way to enjoy the show. So no random ads or interruptions,

2162
01:51:42.880 --> 01:51:45.880
<v Speaker 4>butting into the conversation. Plus, your subscription goes a long

2163
01:51:45.880 --> 01:51:48.520
<v Speaker 4>way and helping to support us and helping to sustain

2164
01:51:48.640 --> 01:51:51.760
<v Speaker 4>producing this show. So if you're interested in able, please

2165
01:51:51.800 --> 01:51:56.079
<v Speaker 4>head over to Patreon dot com slash moviefilm podcast and subscribe.

2166
01:51:56.119 --> 01:51:59.479
<v Speaker 3>Would be very grateful. Here we go, and if you're

2167
01:51:59.520 --> 01:52:01.119
<v Speaker 3>looking for me online. You can find me on social

2168
01:52:01.159 --> 01:52:03.800
<v Speaker 3>media at Zaki's Corner. That's z aki s Corner. You

2169
01:52:03.840 --> 01:52:06.800
<v Speaker 3>can also read my reviews, including for the new Masters

2170
01:52:06.840 --> 01:52:09.800
<v Speaker 3>of the Universe film at the San Francisco Chronicle and

2171
01:52:09.840 --> 01:52:12.600
<v Speaker 3>also at IGN and the rap What About You Right.

2172
01:52:12.920 --> 01:52:15.159
<v Speaker 4>You can find episodes I've written of Puppy Dog Pals

2173
01:52:15.199 --> 01:52:17.640
<v Speaker 4>and Young Jedi Adventures streaming on Disney Plus.

2174
01:52:18.520 --> 01:52:22.680
<v Speaker 3>There we go, And with that, this has been our

2175
01:52:22.720 --> 01:52:25.319
<v Speaker 3>movie film commentary track for Masters of the Universe. And

2176
01:52:25.920 --> 01:52:28.880
<v Speaker 3>I'm not gonna say goodbye. I'm gonna say good journey,

2177
01:52:29.399 --> 01:52:29.920
<v Speaker 3>Good Journey.

2178
01:52:30.039 --> 01:52:33.800
<v Speaker 4>Zachy
