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<v Speaker 1>Hello, and welcome back to Sleepy Stories. I'm your host, Lucy,

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<v Speaker 1>and my friends and I will be reading you a

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<v Speaker 1>sleepy bedtime story every week to relax you and to

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<v Speaker 1>help you to drift off into a RESTful sleep. From

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<v Speaker 1>time to time, we will also read you a relaxing,

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<v Speaker 1>peaceful meditation that will take you somewhere beautiful and calming.

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<v Speaker 1>Once we have read the stories, we will then read

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<v Speaker 1>them a second time, but this time they will be

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<v Speaker 1>ready even slower. This will help you to relax even more.

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<v Speaker 1>Before we begin, I would like you to close your

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<v Speaker 1>eyes and breathe in and out nice and deeply. Take

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<v Speaker 1>a few seconds to inhale, and then hold your breath

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<v Speaker 1>for a few seconds more, and then release and breathe out.

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<v Speaker 1>Do this a few times if you need to, while

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<v Speaker 1>you listen to the music and you listen to my voice,

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<v Speaker 1>give yourself time to let your body relax and your

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<v Speaker 1>mind settle. It's important that we allow time for us

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<v Speaker 1>to feel safe, cozy, and completely at ease. And now

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<v Speaker 1>it's time for this week's story.

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<v Speaker 2>A girl followed cradling a jar that glowed faintly green

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<v Speaker 2>and illuminated her face from below. Good evening, Elias said,

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<v Speaker 2>because he had discovered that politeness was the only tool,

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<v Speaker 2>was the only tool he owned that fit this situation.

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<v Speaker 2>They nodded to him, smiling, as though they were boarding

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<v Speaker 2>a perfectly normal train to somewhere per directly ordinary tickets. Please,

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<v Speaker 2>They handed them over again. The paper shimmered, then settled again.

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<v Speaker 2>They were stamped for midnight again. His hands felt oddly

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<v Speaker 2>light when he gave them back. As the passengers boarded,

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<v Speaker 2>Elias noticed more unusual luggage. A violin case that dripped

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<v Speaker 2>sea water, a crate labeled only if singing, with no

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<v Speaker 2>indication of what might be inside, a rolled carpet that

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<v Speaker 2>occasionally tried to unroll itself. When the door slid shut

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<v Speaker 2>and the train glided away once more, Elias stood watching

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<v Speaker 2>until the last glimmer of light vanished into the bend

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<v Speaker 2>of the track. He did not immediately go back inside. Instead,

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<v Speaker 2>he remained beneath the lamp post, listening to the fields

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<v Speaker 2>and the far away owls, letting the quiet rearrange itself

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<v Speaker 2>around him. Back in his office, he opened the ledger

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<v Speaker 2>and wrote twelve three a m unscheduled arrival, same train,

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<v Speaker 2>different passengers, snow suitcase delayed, shadow. He stared at the

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<v Speaker 2>page for a long time before adding jar Glode underlined

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<v Speaker 2>that one twice. On the third night, he brought a chair.

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<v Speaker 2>On the fourth he brought a thermos and a notebook

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<v Speaker 2>separate from his official ledger, because some things felt too

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<v Speaker 2>strange to share a book with freight schedules. On the

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<v Speaker 2>fifth night, a gray cat appeared on the edge of

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<v Speaker 2>the platform and sat down beside him, with the air

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<v Speaker 2>of someone who had always intended to be there. It

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<v Speaker 2>did not look at him, It watched the rails. You're

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<v Speaker 2>waiting too, Elias murmured. The cat flicked one ear. At

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<v Speaker 2>twelve o three, the train arrived, and the cat's tail

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<v Speaker 2>made a thoughtful loop before going still. Passengers came and

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<v Speaker 2>went in a steady, unhurried rhythm. Elias began to recognize

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<v Speaker 2>some of them. The woman with the snow returned, this

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<v Speaker 2>time carrying only a scarf that trailed frost behind her.

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<v Speaker 2>The man with the delayed shadow nodded to him as

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<v Speaker 2>though they were colleagues. A new traveler arrived with a

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<v Speaker 2>suitcase full of autumn leaves that tumbled out and scuttled

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<v Speaker 2>back inside on their own. Elias started asking careful questions

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<v Speaker 2>long journey he ventured. One night, sometimes said a man

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<v Speaker 2>whose shoes were wet despite the clear sky, Where too,

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<v Speaker 2>he asked, Another not far, replied a woman who smelled

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<v Speaker 2>the libraries. One evening, he noticed that the map the

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<v Speaker 2>twins carried had finally given up folding itself and now

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<v Speaker 2>lay open across three seats, showing rivers that looped in

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<v Speaker 2>impossible ways, and towns drawn in handwriting that looked like

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<v Speaker 2>it belonged to several different people at once. By the

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<v Speaker 2>seventh night, Elias no longer felt quite as though he

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<v Speaker 2>were trespassing on his own platform. On the eighth night,

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<v Speaker 2>he stepped inside the first carriage, again, just far enough

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<v Speaker 2>to avoid the cold. No one stopped him. The rugs

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<v Speaker 2>muffled his steps, the velvet seats gleamed softly. He wandered

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<v Speaker 2>down the aisle, pretending to check for forgotten umbrellas, while

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<v Speaker 2>taking in every impossible object he could see. A tea

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<v Speaker 2>service floated gently above one table, pouring itself into cups

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<v Speaker 2>no one was currently holding. A pair of elderly men

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<v Speaker 2>played chess with pieces that slowly changed shape when they

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<v Speaker 2>were not being watched. Someone slept with their head against

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<v Speaker 2>the window, and outside that window rolled a coastline Elias

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<v Speaker 2>was certain did not belong anywhere near his town. A

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<v Speaker 2>tall figure in a shimmering uniform approached, walking with the

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<v Speaker 2>quiet authority of someone who never had to hurry. You're early,

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<v Speaker 2>the conductor said, pleasantly, I work here. Elias replied, because

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<v Speaker 2>this seemed to explain several things. Oh good, we like professionals.

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<v Speaker 2>Elias hesitated, then gestured vaguely at everything. Where does this

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<v Speaker 2>train go? The conductor smiled in a way that suggested

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<v Speaker 2>maps for advisory rather than binding. Where it's needed and

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<v Speaker 2>where is that? The conductor tipped his hat to night.

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<v Speaker 2>Three places that no longer exist, two that have not

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<v Speaker 2>started yet, and one that keeps changing its mind. Elias

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<v Speaker 2>considered this, Do you need a station master? We have one, Oh,

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<v Speaker 2>but he's on holiday. The conductor gave him a conspiratorial

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<v Speaker 2>nod and drifted away. Elias returned to the platform just

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<v Speaker 2>before the doors closed, feeling as though he had leaned

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<v Speaker 2>over the edge of something very deep and very polite.

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<v Speaker 2>By the twelfth night, he was greeting passengers. By the

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<v Speaker 2>fifteenth he was keeping a separate list of recurring ones.

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<v Speaker 2>By the eighteenth, he had stopped pretending the midnight line

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<v Speaker 2>was a temporary inconvenience. It was part of his station.

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<v Speaker 2>Now he was simply the only one who noticed. Then,

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<v Speaker 2>on the twenty first night, the train arrived and did

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<v Speaker 2>not leave. The engine hummed unevenly, the lights dimmed, the

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<v Speaker 2>doors stayed open. The lamp post flickered. Elias checked the clock,

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<v Speaker 2>twelve oh three. It did not move. The wind paused

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<v Speaker 2>halfway through a sigh, the cat froze with one paw lifted.

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<v Speaker 2>Elias swallowed. That seems new, he said. Into the stillness

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<v Speaker 2>from the train stepped the conductor hat in hand. Reappear,

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<v Speaker 2>he said, carefully, to have developed a timing part problem.

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<v Speaker 2>The stillness felt heavier than silence usually did. It pressed

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<v Speaker 2>against Elias's ears and settled in his chest, as though

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<v Speaker 2>the entire world had inhaled and forgotten how to let

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<v Speaker 2>the breath go again, and had forgotten how to let

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<v Speaker 2>the breath go again. The lamp post above him hummed

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<v Speaker 2>once and then went quiet. The moth that had been

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<v Speaker 2>circling its light hung motionless in the air, like a

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<v Speaker 2>fleck of dust suspended in amber. Even the fields beyond

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<v Speaker 2>the tracks appeared to have paused mid rustle, and the

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<v Speaker 2>long grass frozen in the middle of whatever small conversation

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<v Speaker 2>it had been having, And the long grass frozen in

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<v Speaker 2>the middle of whatever small conversation it had been having.

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<v Speaker 2>With the breeze. Elias glanced at his pocket watch twelve

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<v Speaker 2>three a m. The second hand did not move. He

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<v Speaker 2>looked up at the station clock. Neither did that. From

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<v Speaker 2>inside the train came a low, uncertain ticking, not rhythmic

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<v Speaker 2>enough to be reassuring and not chaotic enough to be panic,

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<v Speaker 2>but something in between, the sound a machine might make

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<v Speaker 2>if it were trying to remember how it normally behaved.

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<v Speaker 2>That seems inconvenient, Elias said, at last, because he had

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<v Speaker 2>discovered over the past three weeks that stating the obvious

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<v Speaker 2>was sometimes the only way to keep one's thoughts from

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<v Speaker 2>galloping off in unhelpful directions. Quite the conductor replied, stepping

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<v Speaker 2>down on to the platform with a carefulness that suggested

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<v Speaker 2>gravity itself was currently under review. Passengers leaned out of windows.

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<v Speaker 2>The woman who borrowed fog stared at the frozen fields

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<v Speaker 2>with concern. The man whose shadow lagged behind him looked

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<v Speaker 2>down and frowned when he realized his shadow had stopped altogether.

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<v Speaker 2>Somewhere in the middle of the train, a kettle whistled

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<v Speaker 2>weakly and then trailed off, as though uncertain whether it

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<v Speaker 2>was allowed to finish. What sort of timing problem, Elias asked.

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<v Speaker 2>The conductor adjusted his gloves. We have run out of midnight,

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<v Speaker 2>Elias blinked, run out. Yes, I didn't realize that was possible.

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<v Speaker 2>It normally isn't, the conductor admitted. But tonight we appear

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<v Speaker 2>to have used all of it. Elias considered this because

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<v Speaker 2>he had discovered that considering things was better than immediately fainting.

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<v Speaker 2>What does midnight do? It keeps us between, the conductor said, gently,

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<v Speaker 2>between yesterday and tomorrow, between places that are finished and

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<v Speaker 2>places that have not quite decided to begin, Between doors

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<v Speaker 2>that are closing and doors that are thinking about opening.

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<v Speaker 2>That sounds important, extremely and if you don't have it.

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<v Speaker 2>The conductor glanced back at the engine, which gave a

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<v Speaker 2>small apologetic shudder. Then we remain here around his silent platform,

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<v Speaker 2>his unmoving moth, his frozen cat, and the paused stars overhead.

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<v Speaker 2>I'm not sure my station is designed for that. No

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<v Speaker 2>station is, the conductor said kindly. Elias stood very still

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<v Speaker 2>for several seconds, while his mind did the careful work

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<v Speaker 2>of lining up the thoughts the way he lined up boots.

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<v Speaker 2>What powers the train moments, the conductor replied. Elias raised

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<v Speaker 2>his eyebrows. Steam is more common. Steam is very straightforward,

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<v Speaker 2>said the conductor. We are less, so what kind of moments?

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<v Speaker 2>The conductor gestured vaguely at the air around them, waiting

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<v Speaker 2>for kettles to boil, standing in doorways while forgetting while

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<v Speaker 2>you went there looking out of windows when you should

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<v Speaker 2>be doing something else, lingering after conversations, pauses, hesitations, the

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<v Speaker 2>sort of seconds people misplace. Elias felt a slow, peculiar

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<v Speaker 2>recognition settle over him. I keep those in a drawer,

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<v Speaker 2>he said. The conductor brightened. Everyone does most just call

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<v Speaker 2>it clutter. Elias turned and went inside. The stillness followed him,

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<v Speaker 2>wrapping the ticket office in a strange, muffled hush. Papers

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<v Speaker 2>hovered where they had been mid flutter. The clock above

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<v Speaker 2>the window stared back at him accusingly. He unlocked the

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<v Speaker 2>desk drawer he had not cleaned out in years and

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<v Speaker 2>peered inside. It was full. There were old notes he

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<v Speaker 2>had never thrown away because he was not sure whether

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<v Speaker 2>they were finished with him, yet half completed lists, programs

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<v Speaker 2>from concerts he had stayed to the end of, even

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<v Speaker 2>though he had planned to leave early. A postcard he

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<v Speaker 2>had bought but never sent, three different keys. He no

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<v Speaker 2>longer remembered owning a tea bag he had forgotten in

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<v Speaker 2>his pocket until it became more sentiment than beverage. Elias

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<v Speaker 2>scooped the contents gently into a wooden tray and carried

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<v Speaker 2>it back onto the platform. The conductor watched with professional interest.

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<v Speaker 2>These are excellent, he murmured. Elias poured them into the

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<v Speaker 2>open panel beneath the engine, half expecting sparks or smoke,

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<v Speaker 2>or at least a polite light warning label. Instead, the

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<v Speaker 2>train sighed, the hum deepened somewhere inside, gears shifted. The

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<v Speaker 2>station clock twitched. The moth completed a loop around the

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<v Speaker 2>lamp post and flew off. Slightly embarrassed, The cat put

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<v Speaker 2>its raised paw down and yawned. Elias's pocket watch ticked

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<v Speaker 2>forward twelve o four. The fields exhaled, stars resumed drifting,

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<v Speaker 2>The engine glowed of richer blue. Passengers applauded quietly, which

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<v Speaker 2>sounded more like rustling paper than clapping hands. The conductor

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<v Speaker 2>beamed that should keep us going for several weeks. I

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<v Speaker 2>have more drawers, Elias said, cautiously, we suspected. The train

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<v Speaker 2>departed with a gentle whistle that sounded less mournful than grateful.

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<v Speaker 2>From then on, Elias helped, not loudly, not officially, but thoroughly.

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<v Speaker 2>He saved minutes the way other people saved string. He

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<v Speaker 2>tucked spare pauses into envelopes. He began keeping a small

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<v Speaker 2>tin labeled Later, which he filled with afternoons that had

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<v Speaker 2>gone unused and thoughts that had wandered off half way

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<v Speaker 2>through sentences. Each night, at twelve o three, he brought

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<v Speaker 2>the tin on to the platform. Sometimes the conductor collected it.

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<v Speaker 2>Sometimes a porter made of light did. Sometimes the woman

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<v Speaker 2>with the snow waved at him and left a frost

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<v Speaker 2>edged thank you note on the bench. The Midnight line

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<v Speaker 2>kept running, passengers kept coming. A man returned with a

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<v Speaker 2>suitcase now full of sunsets instead of echoes. A girl

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<v Speaker 2>who had once carried a glowing jar stepped off with

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00:20:22.240 --> 00:20:27.559
<v Speaker 2>empty hands and a relieved smile. The Twins map eventually

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00:20:27.599 --> 00:20:32.359
<v Speaker 2>folded itself into a tidy rectangle and refused to open again,

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00:20:33.279 --> 00:20:38.559
<v Speaker 2>which they took as a sign of success, Elias began

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00:20:38.680 --> 00:20:45.680
<v Speaker 2>to receive post cards. None had addresses, all arrived anyway.

212
00:20:46.799 --> 00:20:52.839
<v Speaker 2>They showed floating bridges, spiral cities, forests made of glass,

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00:20:53.960 --> 00:20:58.200
<v Speaker 2>seas that glowed in the dark. The messages were brief,

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00:20:59.400 --> 00:21:05.839
<v Speaker 2>made it thank you. Still raining sideways, he pinned them

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00:21:05.880 --> 00:21:10.559
<v Speaker 2>above his desk. No one in town noticed anything different,

216
00:21:11.880 --> 00:21:17.559
<v Speaker 2>which suited him. Stations were meant to be places people

217
00:21:17.680 --> 00:21:23.720
<v Speaker 2>passed through, not places that demanded explanations. Years went by

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00:21:23.839 --> 00:21:28.720
<v Speaker 2>in a gentle, ordinary way. The morning train still smelt

219
00:21:28.759 --> 00:21:35.240
<v Speaker 2>of toast, the evening train still smelled of rain. The

220
00:21:35.359 --> 00:21:40.880
<v Speaker 2>lamp posts still hummed, The midnight line still arrived. At

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00:21:40.880 --> 00:21:47.200
<v Speaker 2>twelve o three. Elias's hair went gray. The cat became

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00:21:47.240 --> 00:21:52.920
<v Speaker 2>a fixture. New porters came and went, none of them

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00:21:52.960 --> 00:21:59.000
<v Speaker 2>staying late enough to ask questions. And every night, beneath

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00:21:59.039 --> 00:22:02.880
<v Speaker 2>the yellow pool of light, Elias Thorn stood with his

225
00:22:03.039 --> 00:22:07.000
<v Speaker 2>ledger tucked under one arm and his tin of spare

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00:22:07.039 --> 00:22:13.200
<v Speaker 2>moments under the other, ready to supply the thin necessary

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00:22:13.279 --> 00:22:18.279
<v Speaker 2>pause that kept a very unusual train moving through the

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00:22:18.359 --> 00:22:24.680
<v Speaker 2>narrow seam Between days. He liked that the world was

229
00:22:24.799 --> 00:22:30.200
<v Speaker 2>larger than schedules. He liked that not everything fit in boxes.

230
00:22:31.920 --> 00:22:38.680
<v Speaker 2>He liked that some journeys required waiting, and when the

231
00:22:38.720 --> 00:22:44.319
<v Speaker 2>whistle drifted through the dark, soft and low and patient

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00:22:44.559 --> 00:22:53.240
<v Speaker 2>as breathing, Elias always smiled before checking his watch. Twelve

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00:22:53.440 --> 00:22:56.519
<v Speaker 2>o three a m.

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00:22:56.599 --> 00:22:57.359
<v Speaker 3>Right on time.

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00:23:21.599 --> 00:23:25.839
<v Speaker 2>A girl followed, cradling a jar that glowed faintly green

236
00:23:26.599 --> 00:23:32.839
<v Speaker 2>and illuminated her face from below. Good evening, Elias said,

237
00:23:33.599 --> 00:23:37.559
<v Speaker 2>because he had discovered that politeness was the only tool,

238
00:23:38.680 --> 00:23:42.000
<v Speaker 2>was the only tool he owned that fit this situation.

239
00:23:44.079 --> 00:23:47.759
<v Speaker 2>They nodded to him, smiling as though they were boarding

240
00:23:47.799 --> 00:23:54.640
<v Speaker 2>a perfectly normal train to somewhere perfectly ordinary tickets please.

241
00:23:56.039 --> 00:24:02.440
<v Speaker 2>They handed them over again. The paper shimmered, then settled again.

242
00:24:03.039 --> 00:24:11.599
<v Speaker 2>They were stamped for midnight again. His hands felt oddly

243
00:24:11.680 --> 00:24:16.920
<v Speaker 2>light when he gave them back. As the passengers boarded,

244
00:24:17.599 --> 00:24:23.039
<v Speaker 2>Elias noticed more unusual luggage. A violin case that dripped

245
00:24:23.119 --> 00:24:29.200
<v Speaker 2>sea water, a crate labeled only if singing, with no

246
00:24:29.359 --> 00:24:34.000
<v Speaker 2>indication of what might be inside. A rolled carpet that

247
00:24:34.200 --> 00:24:40.559
<v Speaker 2>occasionally tried to unroll itself. When the door slid shut

248
00:24:41.200 --> 00:24:46.079
<v Speaker 2>and the train glided away once more, Elias stood watching

249
00:24:46.200 --> 00:24:50.319
<v Speaker 2>until the last glimmer of light vanished into the bend

250
00:24:50.359 --> 00:24:57.400
<v Speaker 2>of the tracks. He did not immediately go back inside. Instead,

251
00:24:57.519 --> 00:25:01.880
<v Speaker 2>he remained beneath the lamp post, listening to the fields

252
00:25:01.920 --> 00:25:06.759
<v Speaker 2>and the far away owls, letting the quiet rearrange itself

253
00:25:06.880 --> 00:25:12.960
<v Speaker 2>around him. Back in his office, he opened the ledger

254
00:25:13.200 --> 00:25:22.119
<v Speaker 2>and wrote twelve o three a m unscheduled arrival, same train,

255
00:25:23.160 --> 00:25:33.279
<v Speaker 2>different passengers, snow suit case delayed shadow. He stared at

256
00:25:33.279 --> 00:25:37.359
<v Speaker 2>the page for a long time before adding jar glowed

257
00:25:38.880 --> 00:25:43.799
<v Speaker 2>underlined that one twice. On the third night, he brought

258
00:25:43.799 --> 00:25:48.599
<v Speaker 2>a chair. On the fourth, he brought a thermos and

259
00:25:48.640 --> 00:25:52.960
<v Speaker 2>a notebook separate from his official ledger, because some things

260
00:25:53.039 --> 00:25:58.240
<v Speaker 2>felt too strange to share a book with freight schedules.

261
00:25:58.640 --> 00:26:01.359
<v Speaker 2>On the fifth night, a ray cat appeared on the

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00:26:01.480 --> 00:26:05.559
<v Speaker 2>edge of the platform and sat down beside him, with

263
00:26:05.680 --> 00:26:08.680
<v Speaker 2>the air of someone who had always intended to be there.

264
00:26:10.119 --> 00:26:14.680
<v Speaker 2>They did not look at him. It watched the rails.

265
00:26:15.519 --> 00:26:20.680
<v Speaker 2>You're waiting too, Elias murmured. The cat flicked one ear.

266
00:26:27.119 --> 00:26:30.920
<v Speaker 2>At twelve o three. The train arrived, and the cat's

267
00:26:30.960 --> 00:26:37.160
<v Speaker 2>tail made a thoughtful loop before going still. Passengers came

268
00:26:37.240 --> 00:26:42.079
<v Speaker 2>and went in a steady, unhurried rhythm. Elias began to

269
00:26:42.160 --> 00:26:46.720
<v Speaker 2>recognize some of them. The woman with the snow returned,

270
00:26:47.559 --> 00:26:52.279
<v Speaker 2>this time carrying only a scarf that trailed frost behind her.

271
00:26:53.640 --> 00:26:57.319
<v Speaker 2>The man with the delayed shadow nodded to him as

272
00:26:57.319 --> 00:27:01.759
<v Speaker 2>though they were colleagues. The new traveler arrived with a

273
00:27:01.799 --> 00:27:06.920
<v Speaker 2>suitcase full of autumn leaves that tumbled out and scuttled

274
00:27:06.960 --> 00:27:13.599
<v Speaker 2>back inside on their own. Elias started asking careful questions.

275
00:27:15.240 --> 00:27:21.319
<v Speaker 2>Long journey he ventured? One night, sometimes, said a man

276
00:27:21.400 --> 00:27:26.680
<v Speaker 2>whose shoes were wet despite the clear sky, Where too,

277
00:27:26.759 --> 00:27:31.680
<v Speaker 2>he asked? Another not far, replied a woman who smelled

278
00:27:31.680 --> 00:27:35.920
<v Speaker 2>the libraries. One evening, he noticed that the map the

279
00:27:35.960 --> 00:27:40.440
<v Speaker 2>twins carried had finally given up folding itself and now

280
00:27:40.559 --> 00:27:44.880
<v Speaker 2>lay open across three seats, showing rivers that looped in

281
00:27:45.000 --> 00:27:50.279
<v Speaker 2>impossible ways, and towns drawn in handwriting that looked like

282
00:27:50.359 --> 00:27:55.200
<v Speaker 2>it belonged to several different people at once. By the

283
00:27:55.319 --> 00:27:59.200
<v Speaker 2>seventh night, Elias no longer felt quite as though he

284
00:27:59.240 --> 00:28:04.039
<v Speaker 2>were trespassed on his own platform. On the eighth night,

285
00:28:04.640 --> 00:28:08.799
<v Speaker 2>he stepped inside the first carriage, again, just far enough

286
00:28:08.839 --> 00:28:14.720
<v Speaker 2>to avoid the cold. No one stopped him. The rugs

287
00:28:14.799 --> 00:28:21.359
<v Speaker 2>muffled his steps, the velvet seats gleamed softly. He wandered

288
00:28:21.359 --> 00:28:25.480
<v Speaker 2>down the aisle, pretending to check for forgotten umbrellas while

289
00:28:25.519 --> 00:28:30.440
<v Speaker 2>taking in every impossible object he could see. A tea

290
00:28:30.519 --> 00:28:35.559
<v Speaker 2>service floated gently above one table, pouring itself into cups

291
00:28:35.720 --> 00:28:40.519
<v Speaker 2>no one was currently holding. A pair of elderly men

292
00:28:41.119 --> 00:28:45.240
<v Speaker 2>played chess with pieces that slowly changed shape when they

293
00:28:45.240 --> 00:28:50.400
<v Speaker 2>were not being watched. Someone slept with their head against

294
00:28:50.440 --> 00:28:56.119
<v Speaker 2>the window, and outside that window rolled a coastline Elias

295
00:28:56.240 --> 00:29:03.519
<v Speaker 2>was certain did not belong anywhere near his town. A

296
00:29:03.599 --> 00:29:07.720
<v Speaker 2>tall figure in a shimmering uniform approached, walking with the

297
00:29:07.799 --> 00:29:13.319
<v Speaker 2>quiet authority of someone who never had to hurry. You're early,

298
00:29:13.720 --> 00:29:19.839
<v Speaker 2>the conductor said, pleasantly, I work here, Elias replied, because

299
00:29:20.160 --> 00:29:25.319
<v Speaker 2>this seemed to explain several things. Oh good, we like professionals.

300
00:29:26.599 --> 00:29:32.680
<v Speaker 2>Elias hesitated, then gestured vaguely at everything. Where does this

301
00:29:32.839 --> 00:29:37.240
<v Speaker 2>train go? The conductor smiled in a way that suggested

302
00:29:37.279 --> 00:29:43.559
<v Speaker 2>maps were advisory rather than binding. Where it's needed, and

303
00:29:43.640 --> 00:29:48.799
<v Speaker 2>where is that? The conductor tipped his hat tonight three

304
00:29:48.839 --> 00:29:53.279
<v Speaker 2>places that no longer exist, two that have not started yet,

305
00:29:53.880 --> 00:29:59.519
<v Speaker 2>and one that keeps changing its mind. Elias considered this,

306
00:30:01.160 --> 00:30:08.599
<v Speaker 2>do you need a station master? We have one? Oh,

307
00:30:09.160 --> 00:30:14.279
<v Speaker 2>but he's on holiday. The conductor gave him a conspiratorial

308
00:30:14.400 --> 00:30:20.440
<v Speaker 2>nod and drifted away. Elias returned to the platform just

309
00:30:20.559 --> 00:30:24.160
<v Speaker 2>before the doors closed, feeling as though he had leaned

310
00:30:24.200 --> 00:30:29.720
<v Speaker 2>over the edge of something very deep and very polite.

311
00:30:30.440 --> 00:30:37.880
<v Speaker 2>By the twelfth night, he was greeting passengers. By the

312
00:30:37.960 --> 00:30:41.880
<v Speaker 2>fifteenth he was keeping a separate list of recurring ones.

313
00:30:42.960 --> 00:30:46.960
<v Speaker 2>By the eighteenth he had stopped pretending the midnight line

314
00:30:47.079 --> 00:30:51.839
<v Speaker 2>was a temporary inconvenience. It was part of his station.

315
00:30:52.079 --> 00:30:57.319
<v Speaker 2>Now he was simply the only one who noticed. Then,

316
00:30:57.599 --> 00:31:02.200
<v Speaker 2>on the twenty first night, the train arrived and did

317
00:31:02.240 --> 00:31:09.839
<v Speaker 2>not leave. The engine hummed unevenly, the lights dimmed, the

318
00:31:09.920 --> 00:31:17.519
<v Speaker 2>doors stayed open. The lamp post flickered. Elias checked the clock,

319
00:31:18.799 --> 00:31:25.200
<v Speaker 2>twelve o three. It did not move. The wind paused.

320
00:31:25.279 --> 00:31:29.880
<v Speaker 2>Half way through a sigh, the cat froze with one

321
00:31:30.000 --> 00:31:37.880
<v Speaker 2>paw lifted. Elias swallowed. That seems new, he said. Into

322
00:31:37.920 --> 00:31:45.279
<v Speaker 2>the stillness from the train stepped the conductor, hat in hand.

323
00:31:45.960 --> 00:31:55.839
<v Speaker 2>We appear, he said, carefully, to have developed a timing problem.

324
00:31:56.480 --> 00:32:01.160
<v Speaker 2>The stillness felt heavier than silence usually did. It pressed

325
00:32:01.160 --> 00:32:05.640
<v Speaker 2>against Elias's ears and settled in his chest, as though

326
00:32:05.680 --> 00:32:10.000
<v Speaker 2>the entire world had inhaled and forgotten how to let

327
00:32:10.200 --> 00:32:15.680
<v Speaker 2>the breath go again, and had forgotten how to let

328
00:32:15.720 --> 00:32:20.240
<v Speaker 2>the breath go again. The lamp post above him hummed

329
00:32:20.279 --> 00:32:25.480
<v Speaker 2>once and then went quiet. The moth that had been

330
00:32:25.519 --> 00:32:29.319
<v Speaker 2>circling its light hung motionless in the air, like a

331
00:32:29.359 --> 00:32:35.000
<v Speaker 2>fleck of dust suspended in amber. Even the fields beyond

332
00:32:35.039 --> 00:32:39.240
<v Speaker 2>the tracks appeared to have paused mid rustle, and the

333
00:32:39.319 --> 00:32:43.119
<v Speaker 2>long grass frozen in the middle of whatever small conversation

334
00:32:43.279 --> 00:32:47.559
<v Speaker 2>it had been having. And the long grass frozen in

335
00:32:47.599 --> 00:32:51.119
<v Speaker 2>the middle of whatever small conversation it had been having.

336
00:32:51.160 --> 00:32:56.960
<v Speaker 2>With the breeze, Elias glanced at his pocket watch, twelve

337
00:32:57.000 --> 00:33:02.759
<v Speaker 2>o three a m. The secondhand did not move. He

338
00:33:02.799 --> 00:33:07.519
<v Speaker 2>looked up at the station clock. Neither did that. From

339
00:33:07.559 --> 00:33:13.000
<v Speaker 2>inside the train came a low, uncertain ticking, not rhythmic

340
00:33:13.160 --> 00:33:17.720
<v Speaker 2>enough to be reassuring and not chaotic enough to be panic,

341
00:33:18.920 --> 00:33:23.400
<v Speaker 2>but something in between, the sound a machine might make

342
00:33:23.559 --> 00:33:27.480
<v Speaker 2>if it were trying to remember how it normally behaved.

343
00:33:28.680 --> 00:33:34.720
<v Speaker 2>That seems inconvenient, Elias said, at last, because he had

344
00:33:34.759 --> 00:33:38.880
<v Speaker 2>discovered over the past three weeks that stating the obvious

345
00:33:38.960 --> 00:33:42.359
<v Speaker 2>was sometimes the only way to keep one's thoughts from

346
00:33:42.400 --> 00:33:50.519
<v Speaker 2>galloping off in unhelpful directions. Quite, the conductor replied, stepping

347
00:33:50.559 --> 00:33:55.039
<v Speaker 2>down onto the platform with a carefulness that suggested gravity

348
00:33:55.079 --> 00:34:02.720
<v Speaker 2>itself was currently under review. Leaned out of windows. The

349
00:34:02.759 --> 00:34:06.720
<v Speaker 2>woman who borrowed fog stared at the frozen fields with concern.

350
00:34:08.679 --> 00:34:12.519
<v Speaker 2>The man whose shadow lagged behind him looked down and

351
00:34:12.639 --> 00:34:19.679
<v Speaker 2>frowned when he realized his shadow had stopped altogether. Somewhere

352
00:34:19.679 --> 00:34:23.079
<v Speaker 2>in the middle of the train, a kettle whistled weakly

353
00:34:23.920 --> 00:34:27.519
<v Speaker 2>and then trailed off, as though uncertain whether it was

354
00:34:27.559 --> 00:34:34.559
<v Speaker 2>allowed to finish. What sort of timing problem, Elias asked.

355
00:34:35.199 --> 00:34:41.239
<v Speaker 2>The conductor adjusted his gloves. We have run out of midnight,

356
00:34:43.280 --> 00:34:51.480
<v Speaker 2>Elias blinked, run out. Yes, I didn't realize that was possible.

357
00:34:52.800 --> 00:34:58.440
<v Speaker 2>It normally isn't, the conductor admitted. But tonight we appear

358
00:34:58.480 --> 00:35:03.719
<v Speaker 2>to have used all of it. Elias considered this because

359
00:35:03.960 --> 00:35:08.320
<v Speaker 2>he had discovered that considering things was better than immediately fainting.

360
00:35:10.199 --> 00:35:18.760
<v Speaker 2>What does midnight do? It keeps us between, the conductor said, gently,

361
00:35:19.800 --> 00:35:25.239
<v Speaker 2>between yesterday and tomorrow, between places that are finished and

362
00:35:25.400 --> 00:35:30.039
<v Speaker 2>places that have not quite decided to begin, Between doors

363
00:35:30.079 --> 00:35:33.639
<v Speaker 2>that are closing and doors that are thinking about opening.

364
00:35:34.360 --> 00:35:38.800
<v Speaker 2>That sounds important, extremely and if you don't have it.

365
00:35:40.079 --> 00:35:43.519
<v Speaker 2>The conductor glanced back at the engine, which gave a

366
00:35:43.559 --> 00:35:51.519
<v Speaker 2>small apologetic shudder, then we remain here. Elias looked around

367
00:35:51.559 --> 00:35:57.639
<v Speaker 2>his silent platform, his unmoving moth, his frozen cat, and

368
00:35:57.719 --> 00:36:02.679
<v Speaker 2>the paused stars overhead. I'm not sure my station is

369
00:36:02.760 --> 00:36:08.320
<v Speaker 2>designed for that. No station is, the conductor said kindly.

370
00:36:10.159 --> 00:36:14.119
<v Speaker 2>Elias stood very still for several seconds while his mind

371
00:36:14.119 --> 00:36:17.760
<v Speaker 2>did the careful work of lining up the thoughts the

372
00:36:17.800 --> 00:36:24.280
<v Speaker 2>way he lined up boots. What powers the train moments,

373
00:36:24.719 --> 00:36:30.920
<v Speaker 2>the conductor replied. Elias raised his eyebrows. Steam is more common.

374
00:36:32.480 --> 00:36:37.519
<v Speaker 2>Steam is very straightforward, said the conductor. We are less,

375
00:36:37.559 --> 00:36:44.559
<v Speaker 2>so what kind of moments? The conductor gestured vaguely at

376
00:36:44.599 --> 00:36:50.280
<v Speaker 2>the air around them, waiting for kettles to boil. Standing

377
00:36:50.280 --> 00:36:54.599
<v Speaker 2>in doorways while forgetting why you went there looking out

378
00:36:54.639 --> 00:36:59.599
<v Speaker 2>of windows when you should be doing something else. Lingering

379
00:36:59.679 --> 00:37:08.199
<v Speaker 2>after conversations, pauses, hesitations, the sort of seconds people misplaced,

380
00:37:11.199 --> 00:37:16.920
<v Speaker 2>Elias felt a slow, peculiar recognition settle over him. I

381
00:37:17.039 --> 00:37:21.519
<v Speaker 2>keep those in a drawer, he said. The conductor brightened.

382
00:37:22.760 --> 00:37:28.679
<v Speaker 2>Everyone does most just call it clutter. Elias turned and

383
00:37:28.760 --> 00:37:33.840
<v Speaker 2>went inside. The stillness followed him, wrapping the ticket office

384
00:37:33.880 --> 00:37:38.239
<v Speaker 2>in a strange muffled hush. Papers hovered where they had

385
00:37:38.280 --> 00:37:42.039
<v Speaker 2>been mid flutter. The clock above the window stared back

386
00:37:42.079 --> 00:37:46.440
<v Speaker 2>at him accusingly. He unlocked the desk doorer he had

387
00:37:46.519 --> 00:37:52.800
<v Speaker 2>not cleaned out in years, and peered inside. It was full.

388
00:37:54.320 --> 00:37:57.679
<v Speaker 2>There were old notes he had never thrown away because

389
00:37:57.679 --> 00:38:00.960
<v Speaker 2>he was not sure whether they were finished with him yet,

390
00:38:01.360 --> 00:38:06.079
<v Speaker 2>half completed lists, programs from concerts he had stayed to

391
00:38:06.119 --> 00:38:09.000
<v Speaker 2>the end of, even though he had planned to leave early.

392
00:38:10.320 --> 00:38:14.760
<v Speaker 2>A postcard he had bought but never sent, three different

393
00:38:14.840 --> 00:38:18.920
<v Speaker 2>keys he no longer remembered owning a tea bag he

394
00:38:19.000 --> 00:38:22.639
<v Speaker 2>had forgotten in his pocket until it became more sentiment

395
00:38:22.719 --> 00:38:28.159
<v Speaker 2>than beverage. Elias scooped the contents gently into a wooden

396
00:38:28.159 --> 00:38:33.880
<v Speaker 2>tray and carried it back onto the platform. The conductor

397
00:38:33.960 --> 00:38:43.480
<v Speaker 2>watched with professional interest. These are excellent, he murmured. Elias

398
00:38:43.519 --> 00:38:47.440
<v Speaker 2>poured them into the open panel beneath the engine, half

399
00:38:47.480 --> 00:38:54.079
<v Speaker 2>expecting sparks or smoke, or at least a polite warning label. Instead,

400
00:38:54.480 --> 00:39:04.039
<v Speaker 2>the train sighed, the hum deepened inside, gears shifted, the

401
00:39:04.119 --> 00:39:08.760
<v Speaker 2>station clock twitched. The moth completed a loop around the

402
00:39:08.840 --> 00:39:15.039
<v Speaker 2>lamp post and flew off, slightly embarrassed. The cat put

403
00:39:15.079 --> 00:39:23.400
<v Speaker 2>its raised paw down and yawned. Elias's pocket watch ticked

404
00:39:23.440 --> 00:39:32.239
<v Speaker 2>forward twelve o four. The fields exhaled, stars resumed drifting.

405
00:39:33.599 --> 00:39:40.119
<v Speaker 2>The engine glowed of richer blue. Passengers applauded quietly, which

406
00:39:40.159 --> 00:39:45.440
<v Speaker 2>sounded more like rustling paper than clapping hands. The conductor beamed,

407
00:39:47.519 --> 00:39:52.039
<v Speaker 2>that should keep us going for several weeks. I have

408
00:39:52.159 --> 00:39:58.880
<v Speaker 2>more drawers, Elias said, cautiously. We suspected. The train departed

409
00:39:58.920 --> 00:40:02.800
<v Speaker 2>with a gentle whistle that sounded less mournful than grateful.

410
00:40:04.639 --> 00:40:12.800
<v Speaker 2>From then on, Elias helped, not loudly, not officially, but thoroughly.

411
00:40:14.079 --> 00:40:18.079
<v Speaker 2>He saved minutes the way other people saved string. He

412
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<v Speaker 2>tucked spare pauses into envelopes. He began keeping a small tin,

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00:40:23.679 --> 00:40:28.280
<v Speaker 2>labeled Later, which he filled with afternoons that had gone

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00:40:28.440 --> 00:40:34.559
<v Speaker 2>unused and thoughts that had wandered off halfway through sentences.

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00:40:35.239 --> 00:40:38.440
<v Speaker 2>Each night, at twelve o three, he brought the tin

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00:40:38.719 --> 00:40:45.519
<v Speaker 2>onto the platform. Sometimes the conductor collected it. Sometimes a

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00:40:45.599 --> 00:40:49.840
<v Speaker 2>porter made of light did. Sometimes the woman with the

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00:40:49.880 --> 00:40:53.840
<v Speaker 2>snow waved at him and left a frost edged thank

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00:40:53.880 --> 00:40:58.440
<v Speaker 2>you note on the bench. The midnight line kept running,

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00:40:59.639 --> 00:41:04.880
<v Speaker 2>pass kept coming. A man returned with a suitcase, now

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00:41:04.960 --> 00:41:10.079
<v Speaker 2>full of sunsets instead of echoes. A girl who had

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00:41:10.159 --> 00:41:14.159
<v Speaker 2>once carried a glowing jar stepped off with empty hands

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00:41:14.679 --> 00:41:19.519
<v Speaker 2>and a relieved smile. The Twins map eventually folded itself

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00:41:19.559 --> 00:41:24.559
<v Speaker 2>into a tidy rectangle and refused to open again, which

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00:41:24.639 --> 00:41:29.800
<v Speaker 2>they took as a sign of success. Elias began to

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00:41:29.880 --> 00:41:38.400
<v Speaker 2>receive postcards. None had addresses, All arrived anyway. They showed

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<v Speaker 2>floating bridges, spiral cities, forests made of glass, seas that

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00:41:45.639 --> 00:41:50.840
<v Speaker 2>glowed in the dark. The messages were brief, made it

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00:41:51.840 --> 00:41:57.800
<v Speaker 2>thank you, Still raining sideways, he pinned them above his desk.

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<v Speaker 2>No one in town noticed anything different, which suited him.

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00:42:06.360 --> 00:42:10.280
<v Speaker 2>Stations were meant to be places people passed through, not

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00:42:10.360 --> 00:42:15.519
<v Speaker 2>places that demanded explanations. Years went by in a gentle,

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00:42:15.920 --> 00:42:21.280
<v Speaker 2>ordinary way. The morning train still smelled of toast, the

434
00:42:21.400 --> 00:42:27.719
<v Speaker 2>evening train still smelled of rain. The lamp posts still hummed,

435
00:42:29.880 --> 00:42:35.119
<v Speaker 2>the midnight line still arrived. At twelve o three, Elias's

436
00:42:35.159 --> 00:42:41.239
<v Speaker 2>hair went gray. The cat became a fixture. New porters

437
00:42:41.280 --> 00:42:45.440
<v Speaker 2>came and went, none of them staying late enough to

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00:42:45.480 --> 00:42:51.280
<v Speaker 2>ask questions, and every night. Beneath the yellow pool of light,

439
00:42:52.239 --> 00:42:56.280
<v Speaker 2>Elias Thorn stood with his ledger tucked under one arm

440
00:42:56.719 --> 00:43:01.280
<v Speaker 2>and his tin of spare moments under the other, ready

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00:43:01.320 --> 00:43:06.480
<v Speaker 2>to supply the thin necessary pause that kept a very

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00:43:06.599 --> 00:43:14.239
<v Speaker 2>unusual train moving through the narrow seam between days. He

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00:43:14.519 --> 00:43:18.880
<v Speaker 2>liked that the world was larger than schedules. He liked

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00:43:18.920 --> 00:43:24.760
<v Speaker 2>that not everything fit in boxes. He liked that some

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00:43:24.880 --> 00:43:31.400
<v Speaker 2>journeys required waiting. And when the whistle drifted through the dark,

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00:43:32.400 --> 00:43:39.840
<v Speaker 2>soft and low and patient as breathing, Elias always smiled

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00:43:39.880 --> 00:43:45.599
<v Speaker 2>before checking his watch. Twelve o three a m.

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<v Speaker 3>Right on time, schoo

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<v Speaker 1>Sixt
